Professional Documents
Culture Documents
Roselyn Costantino
El/la Performance (Videos, selecciones) Jesusa Rdriguez, Astrid Hadad (Mxico) Yuyachkani (Per) Furia da Baus (Spain) Tteres de Vietnam Decadance (Canad) Teatro Callejero (Espaa, Moroco, Brazil)
II. Evaluacin
Reseas de ensayos de crtica Resea de obras en vivo Trabajo de investigacin Bibliografa de un tema, movimiento, o pas 10% 20% 50% 20%
B: C: D: F.
Todo trabajo escrito se presentar a mquina, siguiendo las reglas estilsticas MLA Handbook for Writers of Research Papers.
BIBLIOGRAFIA GENERAL Abel, Lionel. Metatheater. New York: Hill and Wang, 1963. Albuquerque, Severino Joao. Violent Acts. A Study of Contemporary Latin American Theatre. Detroit: Wayne State UP, 1991. Allen, Richard. Teatro hispanoamercano: una bibliografa anotada. Boston: G.K. Hall, 1987. Artaud, Antonin. The Theatre and Its Double. New York: Grove Press, 1968. Aston, Elaine and George Savona. Theatre as Sign-System: A Semiotics of Text and Performance. New York, London: Routledge, 1991. Beckeman, Bernard. Dynamics of Drama. Theory and Method of Analysis. New York: Drama Books Specialists, 1979. Birringer, Johannes. Theatre, Theory, Postmodernism. Bloomington & Indianapolis: Indiana UP, 1993. Blau, Herbert. The Audience. Baltimore: Johns Hopkins UP, 1990. Boal, Augusto. Teatro del oprimido. Buenos Aires: Ediciones de la Flor, 1974. ---. Tcnicas latinoamericanas de teatro popular. Buenos Aires: Ediciones Corregidor, 1975. Bonilla, Mara y Stoyan Vladich. El teatro latinoamericano en busca de su identidad cultural. San Jos, Costa Rica: na (H862 B715t) Braun, Edward. The Director and the Stage. From Naturalism to Grotowski.London: Metheun, 1982. Brecht, Bertolt. Brecht on Theatre: The Development of an Aesthetic. New York: Hill & Wang, 1964. Brook, Peter. The Empty Space. New York: Harper and Row, 1972. Burns, Elizabeth. Theatricality. A study of convention in the theatre and in social life. New York: Harper and Row, 1972. Burton, Deidre. Dialogue and Discourse. A sociolinguistic Approach to ModernDrama Dialogue. London: Routledge & Kegan Pual, 1980. Carlson, Marvin. Theories of the Theatre. Ithaca: Cornell UP, 1984. 1993. ---. Theatre Semiotics. Signs of Life. Bloomington, Indianapolis: Indiana UP, 1990. Case, Sue-Ellen, ed. Performing Feminisms. Feminist Critical Theory and Theatre. Baltimore: Johns Hopkins UP, 1990. ---. Feminism and Theatre. New York: Routledge, 1988. Castagnino, Ral H. Semitica, ideologa y teatro hispanoamericano contemporneo. Buenos Aires: Editoral Nova, 1974.
Cole, David. The Theatrical Event. A Mythos, a Vocabulary, a Perspective. Middletown: Wesleyan UP, 1975. Croydon, Margaret. Lunatics, Lovers and Poets. The Contemprorary Experimental Theatre. New York: Delta Publishing Co., 1974. Dauster, Frank N. Historia del teatro hispanoamericano. Siglos XIX y XX. Mxico: Ediciones de Andrea, 1973. ---. Perfil generacional del teatro hispanoamericano (1894-1924). Chile, Mxico, el Rio de la Plata. Ottowa: Girol Books, 1993. De Toro, Fernando. Semitica del teatro. Buenos Aires: Editorial Galerna,1987. ---. Brecht en Latinoamerica. Ottowa: Girol, 1985. ---y Peter Roster. Bibliografa del teatro hispanoamericano contemporneo (1900-1980). 2 vols. Frankfurt am Main: Vervuet, 1985. Eidelberg, Nora. Teatro hispanoamericano 1960-1980. La realidad social como manipulacin. Minneapolis: Institute for the Studies of Ideologies and Literature, 1985. Elam, Keir. The Semiotics of Theatre and Drama. New York: Routledge, 1990. Esslin, Martin. The Theatre of the Absurd. New York: Anchor, 1969. ---. Brecht. The Man and His Work. Garden City, N.Y.: Anchor Books, 1961. Gilman, Richard. The Making of Modern Drama. New York: Farrar, Strauss, and Giroux, 1974. Giordano, Enrique. La teatralizacin de la obra dramtica. De Florencio Sanchez a Roberto Arlt. Mxico: Premi editora de libros, s.a., 1982. Grotowski, Jerry. Towards a Poor Theatre. Holtsboro (Dinamarca): Odin Theatrets Forlag, 1968. ---. Hacia un teatro pobre. Mxico: Siglo XXI, 1968. Hoffman, Herbert H. Latin American Play Index. 2 vols. Metuchen, NJ: Scarecrow P, 1983. Hutcheon, Linda. the Poetics of Postmodernism: History, Theory, Fiction 1988. New York & London: Routledge, 1990. IITCTL. Reflexiones sobre teatro latinoamericano del siglo veinte. Buenos Aires: Editorial Galerna, 1989. Jones, Willis Knapp. Behind Spanish American Footlights. Austin: U of Texas P, 1966. Kirby, Michael. The New Theatre. Performance Documentation. New York: New York UP, 1974. Knapp, Bettina L. Antonin Artaud. Man of VIssion. New York: Avon Books, 1969. Luzurriaga, Gerardo, et. al. Popular Theater for Social Change in Latin America. Los Angeles: UCLA, Latina America Center Publications, 1978.
---. Introduccin a las Teoras Latinoamericanas del Teatro. Puebla, Mx.:Universidad Autnoma de Puebla, 1990. ---. Del Absurdo a la Zarzuela: Glosario dramtico, teatral y crtico. Ottowa: Girol Books, 1993. Lyday, Leon F. y George W. Woodyard. A Bibliography of Latin American Theater Criticism. 1940-1974. Texas: Institute of Latin American Studies, U of Texas, 1976. ---. Dramatists in Revolt. The New Latin American Theatre. Austin: U of Texas P, 1976. Mrquez, Rosa Luisa. Brincos y Saltos: El juego como disciplina teatral. Trujillo Alto, P.R.: Ediciones Cuicaloca & Colegio Universitario de Cayey, 1992. 9-19. Matejka, Ladislav y Irwin R. Titunik, eds. Semiotics of Art. Cambridge: MIT UP,1976. Melendez, Priscilla. La draturgia hispanoamericana Contempornea: teatralidad y autoconciencia. Madrid: Editorial Pliegos, 1993. Pavis, Patrice. Diccionario del teatro. Dramaturgia, esttica y semiologa. Barcelona: Paidos, 1980. ---. Languages of the Stage. New York: Performing Arts Journal Publications,1982. Perales, Rosalina. Teatro hispanoamericano contemporneo. Vol. I. Mexico: Gaceta, 1989. Piana, Marina. El teatro de nuestra Amrica: un proyecto continental. 1959-1989.Minneapolis: Institute for the Study of Ideologies and Literature, 1990. Reinelt, Janelle and Joseph R. Roach. Critical Theory and Performance. Ann Arbor: U of Michigan P, 1992. Risk,Beatriz. El nuevo teatro latinoamericano: Una lectura histrica. Minneapolis, Minn.: Prisma Institute, 1987. Rivera, Virgilio Ariel. La composicin dramtica. Estructura y cnones. Mxico: UNAM-GEGSA., 1989. Roose-Evans, James. Experimental Theatre. From Stanislavski to Today. New York: Avon Books, 1973. Rojo, Grinor. Orgenes del teatro hispanoamericano contemporneo. Valparaiso, Chile: Ediciones Universitarias de Valparaiso, 1972. Taylor, Diana, ed. En busca de una imagen: Ensayos crticos sobre Giselda Gambaro y Jos Triana. Ottawa: Girol Books, 1989. ---. Theatre of Crisis: Drama and Politics in Latin America. Lexington: UP of Kentucky, 1991. ---. Holy Terrors. Latin American Women Perform. Co-edited with Roselyn Costantino. Durham: Duke UP, 2003. Versnyi, Adam. Theatre in Latin America: Religion, Politics, and Culture from Corts to the 1980s. Cambridge & New York: Cambridge UP, 1993.
Villegas, Juan. Interpretacin y anlisis del texto dramtico. Ottawa: Girol Books, 1982. ---. Ideolga y discurso crtico sobre el teatro de Espaa y Amrica Latina. Minneapolis: Institute for the Study of Ideologies and Literature, 1988. Willet, John. The Theatre of Bertolt Brecht. London: Metheun, 1977. Williams, Raymond. Drama from Ibsen to Brecht. Harmonsdworth: Penguin Books, Zalacin, Daniel. Teatro absurdista hispanoamericano. Valencia, Chapel Hill:Alabaros Ediciones, 1985. 1968. REVISTAS Poetics Today 2 (Primavera 1981, nmero especial sobro la semitica del teatro) Sub/Stance 18/19 (1977, nmero especial sobre la semitica y el teatro francs) The Drama Review Theatre Journal New Theatre Quarterly Modern Drama Journal of Dramatic Theory and Criticism Latin American Theatre Review Gestos. Teora y prctica del teatro hispano. Conjunto. Primer Acto. ATINT. Anuario crtico del teatro latinoamericano. Escnica. Gala Teatral. Digenes La escena latinoamericana. Tramoya. Mscara. Ollantay
SPA 477 SPECIAL TOPICS: Latin American Theatre and Performance ____________________________ apellido ___________________ nombre
Direccin local: _________________________________________________________________________ # de correo electrnico: ________________________ # de telfono: casa______________________ Concentracin ______________________________ sub-concentraciones _________________________________ area(s) de inters ______________________________________________________________________ Estudios previos sobre teatro: _____________________________________________________________________________________ : _____________________________________________________________________ Has visto teatro en vivo? _________ Unos detalles, si s:
Tienes coche?