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“ P i l o t ” W r i t t e nb y J . J .A b r a m s&D a m o nL i n d e l o f D i r e c t e db y J . J .A b r a m s
A p r i l1 9 ,2 0 0 4
LOST “Pilot” ACT ONE
OVER BLACKNESS, MUSIC. OMINOUS AND FOREBODING. THEN, OUT OF THE DARKNESS, A SINGLE WORD. FLOATING IN SPACE, OUT OF FOCUS, TOWARD CAMERA. AS IT APPROACHES IT COMES INTO FOCUS, BUT IT'S SHARP ONLY FOR A BRIEF MOMENT: LOST
AS IT NEARS US IT AGAIN LOSES FOCUS -- AND AS WE MOVE THROUGH THE "O" OUR MUSIC CRESCENDOS, THEN STOPS ABRUPTLY AS WE CUT TO:
A MAN'S EYE EXTREME CLOSEUP. Open wide. The man's skin wet, speckled with soil and flecks of blood. His breathing CLOSELY MIKED -erratic. This man's in shock. The SOUNDS of INSECTS and ANIMALS other-worldly. A blink. Then, the REVERSE ANGLE: staring up hundreds of BAMBOO STALKS. Sunlight almost impenetrable through the dense forest. SLIGHTLY WIDER on the Man's face as he stares upward, disoriented, stunned. 40-years-old. Fit. In normal circumstances, one glance would make you feel confident in him. Trusting. But here, now, he's the one in trauma. His name is JACK. Then, a RUSTLING SOUND -- something COMING -- it gets LOUDER and Jack suddenly SNAPS his head to the side to see something appear through the thick bamboo foliage -A WHITE LABRADOR. Collar. Tags. It stops abruptly, twenty feet away from Jack, looking at him. And for the first time, we PULL BACK TO A WIDE SHOT of the intense, alien-looking BAMBOO FOREST. The dog just stares at Jack, who we now see wears a BUSINESS SUIT and lies on his back, caught in broken bamboo stalks. And Jack just stares back.
It's an odd tableau -- man and dog looking at each other, both entirely out of place... Finally the Lab turns and huffs back into the jungle, disappearing in the claustrophobic bamboo -- and Jack would call out "Wait" if he could even think that clearly and he turns to sit up and it's a PAINFUL MOVE -- he manages to extricate himself from the plants -- and while still on his knees, he opens up his suit jacket to check out the source of his pain. Something on his left side -- but we're so TIGHT on his face that whatever he sees, we don't. Yet. His reaction to his wound is more disappointed than terrified. He manages to get to his feet, feeling something in his jacket pocket. He reaches in... and pulls out a MINIATURE BOTTLE OF VODKA. And we HOLD ON his face as he looks at it... considering... his heart beginning to POUND, his fear growing, as does a SOUND -- a FRIGHTENING, ODD SOUND -- something REVVING in the distance -- SOMETHING LOUD -- and the horror of what he suddenly understands far outweighs any physical pain. He moves off -3
EXT. BAMBOO FOREST - DAY Jack moves as fast as he can through the THICK BAMBOO -- and as he goes there's something that almost beckons to him -- he hurries through the thick growth, his determined eyes focused on the thing he approaches -- and as he gets closer to it, we finally see it: A WHITE TENNIS SHOE Laces untied, caught mid-fall in a bamboo tree, hanging by a branch, twelve feet above ground. He stops for a moment, looks at it. Again: THE LOUD REVVING -- but it's CLOSER NOW - and suddenly the most important thing in the world is that he get there and fast -- so he's moving now, even faster than before -- through a straight-away miracle path, he's near SPRINTING now -- BREATHING QUICKLY, ERRATICALLY as he makes his way --
EXT. BRUSH - DAY -- and now he's running from bamboo into JUNGLE BRUSH -thick still, but there's some more sunlight and he's almost there and finally he bursts out of the brush onto --
EXT. BEACH - DAY -- and Jack runs up, finally stopping dead in an EXTREME CLOSEUP.
DAY Chaos. ERRATICALLY -. sporadic SPARKS BURSTING FROM THE INVERTED ENGINE. And the ENGINE STILL REVS -. SCREAMING -.the one on the INVERTED WING.they're helping each other.people desperately trying to help each other -.confusion -..will die if he doesn't take action -. Only twenty yards away.com ..then his eyes are back on the horror of the CRASH -- 9 10 ANGLE -. until he moves forward -.knowing he's part of it -his eyes WELL UP in fear -.and all at once he knows that some -. in shock.DOZENS OF PEOPLE RUNNING ABOUT.and it is like a fucking WARZONE: scattered FIRES and wreckage -. now cracked off its brackets and resting at SAND LEVEL. showering down on the absolute MAYHEM on the sand -- 6 7 ANGLE -. 2000-foot high peeks -a deep valley of JUNGLE -. CRASH SITE . Terror. HOLD ON HIM. fumes. 6 A PLANE CRASH ON THE BEACH 777 -. TOWERING SEVEN STORIES INTO THE SKY. 5 He's bathed in SUNLIGHT now -. His look spans 360 degrees: there's only spectacular ocean.one WING STICKING STRAIGHT UP. not the one on the wing pointing upward -..jagged.the other one -. we PAN AS HE MOVES -180 DEGREES UNTIL WE'RE BEHIND HIM.no.running. fire -.their cries drowned out by the SOUND and WIND caused by the ENORMOUS JET ENGINE -.SPEWING COOLANT and SPARKS and SUCKING IN SAND every time it THROTTLES UP -- 7 8 TIGHT ON JACK as he takes this in.a distant coastline -.then MOUNTAINS -. overwhelmed -.but what he sees.the MIDDLE SECTION of the fuselage PLOWED INTO THE SAND -. waves violently CRASHING as far as a half mile from shore -.5 CONTINUED: 3.250-Seater -.and so he does -- 10 11 EXT. LOOKING OUT ON SOMETHING ABSOLUTELY HORRIFIC.and he turns to look for help -- 8 9 ANGLE -.PASSENGER AIRLINER -. some injured.sorrow -.everything happening at once -- 11 www.SPASTICALLY. others not -.squinting at what he sees -and we're just on his eyes. is nothing.where DOZENS OF LIVES are in the balance -..pressexecute.and IN THE SAME SHOT. screaming -. Smoke.perhaps most -.
Jack rips off his tie.who sweats now as he tries to LIFT THE ROW OF SEATS off the man -With the DEAFENING VOLUME of the jet drowning out any dialogue.Jack races past a pretty 20-year-old girl who we HOLD ON for a moment -. tying the injured man's leg off -- 14 15 ANGLE As he ties the leg.which is still so hot that HEAT RIPPLES can be seen behind Jack -. who lies unconscious with a 30-year-old MAN desperately trying to revive her -- 15 16 WHIP PAN across the beach of debris to a PREGNANT WOMAN.ten feet to the side of the malfunctioning engine -Jack hurries across the insanity toward the man -.GET AWAY FROM THE GAS!!! STAY OVER THERE!!! MAN #2 I NEED SOME HELP! PLEASE--! 12 13 ANGLE -. we see Jack YELLING for TWO MEN close by (one of them is LOCKE.SHE WAS RIGHT HERE! DON'T KNOW! I MAN #1 -.4. 12 ANGLE And amid the madness.STUCK UNDERNEATH two rows of airplane seats -.SUN!!! SUN!!! WOMAN #2 -.Jack then moves to the man -whose leg BLEEDS SEVERELY.Jack turns to the source: a MAN is caught -. someone else we'll get to know in a bit) -they run over and help -.and the three STRAIN HARD as they lift the chair sections off -. struggling to stand.com .flashpassing pieces of conversation as he runs -KOREAN MAN (searching for his wife) -. immediately goes to business the way only a man with medical training could: he begins making a TOURNIQUET. 13 14 ANGLE Jack gets to the man stuck under the seats -. the JET ENGINE MOMENTARILY REVS DOWN -enough to HEAR A MAN'S SCREAM -. We'll meet her later.including a 60-year-old WOMAN in a PEACH BLOUSE.he's too close to the terrifying. SCREAMING LIKE A MOTHERFUCKER.pressexecute. 58. Jack looks up to see a whole mess of simultaneous emergencies -. but with no one to help -- 16 www. on her knees. LOUD ENGINE -.she just stands there.
checking on the unconscious 60-year-old Woman in the peach blouse.I don't know. he asks Claire: 19 20 ANGLE JACK -.he helps her up -.and he glances up.helps her walk -.How far apart are they -.5.just as it REVS FULL BLAST -.pressexecute..AND THE MAN GETS SUCKED INTO THE ENGINE AND JUST AS HE HITS THE BLADES WE CUT BACK TO: 22 www.OVER THE WING. his back to us -. how many months pregnant are you -. 17 18 BEHIND THE MONSTROUS REVVING ENGINE -over to the Australian Pregnant Woman (CLAIRE) -.That's not ideal..? CLAIRE (crying) -. 17 ANGLE Jack then yells to the two Men he's with to take the Tourniquet Man to safety -. just in front of the massive engine -.someone we haven't seen -. a few of 'em just happened -- 20 21 AND WE CUT BACK to the two Men.that's when ANOTHER MAN.? CLAIRE -. strains: CLAIRE -.though his eyes are there. the 30-year-old Man still trying to revive her -.and they're at a safe distance -.and Jack RUNS -.runs past us.I'm having contractions -Jack helps her lie down-JACK -. carrying Tourniquet Man away from -- 21 22 THE LOUD ENGINE -.Almost eight months -- 18 19 ANGLE -.com .but she stumbles again.
this is HURLEY. that's a big one-JACK -. calls out:) YOU! The random person who turns is a MAN -. Claire SCREAMS.The -.listen to me. call out for me! HURLEY -.You gotta be kidding me -- www. JACK (CONT’D) COME HERE! HURLEY -.the plane crashed-JACK Yeah. more or less frozen in terror -.a large guy.Okay -(looks up.okay-- 24 -. gives it to him: JACK (CONT'D) -.com (CONTINUED) .6.to his focus on her: JACK -.do you understand? But you need to lie absolutely st-CLAIRE (suddenly.in this moment he might just follow anyone anywhere -. Jack COVERS Claire with his body as debris falls -.listen to me-. I know -.God. scared) -.Okay -. winces. 23 24 ANGLE At least the HORRIBLE ENGINE NOISE IS GONE now -.Jack rips off his watch.I need you to get this woman away from these fumes! Take her over there! -. 23 JACK With Claire as the engine EXPLODES in the distance behind them -.and with Jack's horrified face close to Claire's. he forces himself to appear calm -.There -.camera ROCKED. you're gonna be okay -.get over here! And Hurley does -.pressexecute.Then stay with her! Don't let her move! If her contractions occur closer than three minutes apart.LITTERING THE SITE WITH PIECES OF FIERY DEBRIS.
Are you sure? I'm a lifeguard! I'm licensed! 25 And Jack's performing it now on Rose the way it should be -breath.Thank you -Jack's already up -. pump -BOONE That's exactly what I was doing! www. breath.her head's not tilted far back enough -you're blowing air into her stomach-(as he does the work) -. 24 JACK (CONT’D) (with bedside manner. who says.24 CONTINUED: 7. pump. crying: CLAIRE -.Stop -.pressexecute.I'm sorry -Hurley quickly begins helping Claire up -.Hey. whose name is BOONE: JACK -. CLAIRE -. pump.and though terrified.Hurley calling out: HURLEY -.as he runs to the unconscious 60-year-old Peach Blouse Woman (ROSE) -.Don't be sorry -.You seriously need to think about giving back that license -BOONE -. to Claire) I'll be back soon.this wasn't your fault -25 WITH JACK NOW -. the first time we've heard it: JACK Jack! And Hurley turns back to Claire. what's your name?! And here it is.com . he tries to comfort her -HURLEY -.immediately taking over for the 30-year-old.
26 ANGLE .Claire lying down again.and in the direct path of the enormous metallic WING FULL OF FUEL -.Come on! Come on! 29 30 AND THE WING BENDS AGAIN -about to go -.IT'S ACTUALLY BENDING AT THE FUSELAGE WHERE IT'S CRACKED -.horrified.JACK AND ROSE As he keeps trying CPR on her -. just relieved to be rid of him.THE 75-FOOT WING POINTING TOWARD GOD -. oblivious -. in pain.Hey man.Boone watching -BOONE -.FUEL SPRAYING FROM IT -- 30 31 JACK KEEPS PUMPING -.where you stick a pen in her throat? JACK (just get the fuck outta here) -.IT'S STOPPED FOR THE MOMENT.a SHOT FROM ABOVE THE WING -.pressexecute.trying to bring her back -. BUT IT'S CLEAR: THIS THING IS MOMENTS AWAY FROM CRASHING DOWN UPON THE SAND -. she's still not breathing! (then) Maybe we need to do one of those hole things -.Yeah. on the sand. but ALIVE -- 31 www.Jack.HORRIFIED -- 28 29 JACK WORKS ON THE WOMAN FASTER NOW JACK -. goes back to Rose -.8.WHERE HURLEY AND CLAIRE REST ON THE SAND.when suddenly: WREEEEEEEEEEORRRRRR!!! -.WHIP PAN down to the sand -.you go get me a pen! And Boone hurries off -. 26 27 ANGLE .com . disoriented. good idea -.HURLEY AND CLAIRE As Hurley moves with Claire to an area on the other side of the plane -.a LOUD METALLIC WHINE which makes Jack TURN AROUND to look -Dear God. it's -- 27 28 THE FUCKING WING -.PUMPING -Suddenly ROSE GASPS FOR BREATH -.
9.you said don't move! 33 JACK GO. HURLEY (out of breath) Dude.DAY Now we're LONG LENS as Jack walks through the wreckage scene -.sees Jack approach -.SEES THE WING -.com . PULLS THEM TO THEIR FEET AND RUSHES THEM AWAY AS THE WING FALLS RIGHT BEHIND THEM LIKE A TIPPING REDWOOD TREE -- 34 -.Hurley's confused: HURLEY You -. Things seem to finally be calming down. 36 www.GRABS THEM. and People helping each other. Jack gets up and moves off -- 35 36 EXT. CRASH SITE . GET HER UP!!! NOW!!! 33 HURLEY TURNS -.fast -JACK (CONT'D) (to Hurley) Stay with her. SCARED BUT DETERMINED -JACK -. I'm not goin' anywhere.amid smoldering piles of debris.WEEEEEEEEEEEEORRRRRRR!!! HURLEY SCREAMS AS THE WING STARTS TO GO -.a LONG LENS SHOT as JACK ARRIVES -.AND THE WING SMASHES TO THE GROUND LANDING ON pieces of FIERY ENGINE DEBRIS and KA-BOOOOOOOM!!! THE WING EXPLODES -.pressexecute. Jack's already RUNNING NOW as the WING BENDS AGAIN -.AN ENORMOUS BLAST -.pieces of FIERY METAL RAIN EVERYWHERE -- 34 35 JACK instinctively protecting Claire. 32 ANGLE Seeing this.You okay? She nods -.and as Jack runs he yells out: MOVE! JACK MOVE! 32 Hurley turns -.CRACKS MORE -.
softly. He checks SHRAPNEL MAN's pulse -. the tumultuous OCEAN framed by this giant shattered aluminum tube. He's 35. urgent. 45 in a suit. Jack pulls open the Man's jacket -.. What Jack sees -.. And tears well in Jack's eyes -. Self-deprecating -somewhere between an adult and a child. Thanks. kindly: JACK . with a cocky. handsome. forming a makeshift BLANKET.sickens him. At this angle. a fellow survivor stands here. past Boone. English rocker. Jack turns to the ripped-open end of the fuselage -.10. 39 EXT. self-centered vibe.despite his ER training -. Jack delicately removes the man's jacket. And Jack appears. who approaches. 37 JACK SCANS THE AREA looking to make sure there's nothing that needs an urgent response. watching Jack go. Jack's eyes go flush with concern.DAY A fifty-yard distance from the wreckage. It's a disorienting shot.I didn't know which one would work best.where first class and the cockpit would normally be -- 37 38 INT.com (CONTINUED) . 25. SEATS are on a SIDE WALL.DAY INSIDE the fuselage. FUSELAGE . And the pens. He finds one MAN.the whole experience finally catching up to him. emotionally.. Seeing this. BOONE -.. This is CHARLIE. looking out. And he's smoking. looking into the fuselage -. BLEEDING BADLY from the head. Jack takes all of the pens. Finally he looks at Boone. A few others recover about here -. staring almost angrily at the wrecked plane.TO REVEAL A PIECE OF METAL SHRAPNEL STUCK INTO HIS STOMACH. unconscious. For a long beat. who turns.pressexecute. drapes it over him.including another Man. Jack's eyes don't leave the fuselage.They're all good. Then Boone arrives. 38 And Jack walks off. saying. Meet SAWYER. holding a HANDFUL OF PENS.pulls open his eyelids.and we PUSH IN ON HIM. These two have never spoken. the wreckage-strewn floor actually a long row of windows. BEACH . who lies on the ground. 39 www. since the plane is BANKED ON ITS SIDE.
TIGHT SHOTS as he sets down. LONG LENS SHOT as Jack. he returns -Thanks. other bags he's already searched beside it. Something that makes him stop.. 39 CHARLIE -. The SHATTERED JET barely visible in the distance... for the first time appearing vulnerable -. s'cuse me.You. SAWYER -. He carefully removes his shirt...Mind if I... and we see his point of view: walking. Jack walks in here. ya sure you should be smoking -? A beat. A surreal post-disaster moment. He twists. slowly. 40 EXT.. . A T-shirt. is a WOMAN. just. Jack pulls off his jacket -.com (CONTINUED) .perhaps even weak -. thought I'd raise it.. A LIGHTER.revealing an enormous BLOOD STAIN and RIP on the side of his shirt. then walks off. He rummages through a stranger's SUITCASE.39 CONTINUED: 11. CRASH SITE .DAY MUSIC: Synthesizer DRONE. uh. Looks down at the LARGE SLASH -A DEEP SIX INCH CUT STARTING ON HIS LEFT SIDE AND RUNNING TO HIS BACK. on a large rock. feeling for Jack as he tries to solve this painful puzzle. He angles around -.near the jet's open CARGO DOOR.. Jack looks around -. a TRAVEL SEWING KIT. And in some pain. he did all that with this crash wound. BEACH WOODS . Christ. CHARLIE (CONT'D) -.pressexecute. bum one then? Charlie takes a cig from tough Sawyer.You sure you want me to shove my foot up your ass? CHARLIE Okay. As he ZIPS open someone's TOILETRY BAG -- 40 41 EXT. Frustrated but needing help. Excellent. And we watch him for a long beat..DAY A cluster of trees off the beach.can't find a good way to approach this. Charlie walks off.we pop to a TIGHT SHOT as he sees something off-camera. 41 www. A beat later. getting away from the others. seemingly aimless through the brush. trying to figure out how best to sew himself up....
www. Trustworthy.Help with what? And Jack turns.. And.. her back to us. 26 years-old. then moves forward. JACK (CONT'D) I'd do it myself -.what? JACK Have you ever patched up a pair of jeans? KATE (beat.d'you have a second? I need a little help. Pretty. I.41 CONTINUED: 12.. ghostly. entirely untested... Wracked in stress. Smart. KATE (eyes closed) You want me to sew that up. in all the important ways. a moment.. JACK This. KATE . Her face pale. JACK (CONT'D) D'y'ever use a needle? And Kate just stares at him for a moment. She arrives at Jack.I'm a doctor -. through the trees. Eyes wet... Then he calls out: JACK Excuse me! Jack watches her for And this woman turns. And her eyes just close.pressexecute.but I just can't reach it. I made the drapes in my apartment -. KATE . Kate takes a post-traumatic-stress-disorder beat.com (CONTINUED) . 41 She's thirty feet away. This is KATE. SHOWING HER THE WOUND. disoriented.d-.? JACK That's fantastic -. about to cry) .
it fucking STINGS -Kate's finished with the needle -. Holds it out to her. She nods.com (CONTINUED) .41 CONTINUED: (2) 13. I used a sewing machine on the drapes -If you JACK You can do this. the first flash of her personality. same thing-- KATE -.. Understanding now. A beat. www. Jack sits on the rock. JACK (CONT'D) -. 41 JACK It's just like drapes.. cleans her hands with it. JACK (CONT'D) Save some for me. using the lighter to heat the needle.considers the SIX COLORS OF THREAD in the travel sewing kit. Odd.Thank you -- And Jack pulls from his pocket the mini bottle of VODKA. sucks in a sharp intake of breath as he pours the remaining vodka over his wound -. wouldn't mind. JACK Standard black. as if offering a drink. She takes the stuff. color preference? Jack looks at her -. KATE Any. Finally Kate snaps into agreement: she'll do it. she takes the vodka. gives back the half empty bottle as he gives her the needle and thread: JACK (CONT'D) You're gonna have to sterilize the needle.there it was. uh. (off her look.pressexecute. Then: JACK (CONT'D) It's for your hands.No. smiles) The wound. I'm telling you.
pulling out a length of black thread and threads the needle. an in-law who just drops in. hey.No. JACK (it hurts. No jewelry. this pretty young woman he doesn't know. I just.. Knows she must. It just caught up to her. She continues sewing. gathers herself.. she just wants to lose it.com (CONTINUED) . And she weeps. Kate then kneels beside him -and after a beat she starts to sew his skin. And Kate gathers her strength -. I can get someone else to do this--. KATE No. He watches her. KATE . JACK (CONT'D) You live in New York? God.. stitching him back together again. trying to keep her composure. resting her head on the back of her hand. that's all. 41 Kate nods.pressexecute. But she doesn't. I've been in New Zealand. sweetly: JACK . (MORE) I don't It's like www. but:) You're doing fine.. Jack suddenly feels guilty.. So he speaks. JACK . I used to.How come? KATE Oh. watching this kind stranger weep. About a year.shows a small sign that she's not someone to give up.41 CONTINUED: (3) 14. quietly. CLOSE ON her hands. trying to stay cool. I'm okay. had to get away --. She SNIFFLES.And suddenly Kate is crying.. JACK Fear's sort of an odd thing. Then: KATE So I might throw up on you.. KATE (CONT'D) You don't seem afraid at all.. no watch.. understand that. listen.Hey..
Membrane as thin as tissue. (beat) And all the assistants were just watching me. two. and I. I'd let the fear in. She was fine. I got back to work.com (CONTINUED) . I could feel it inside -. I accidentally ripped her dural sack -. five. crazy.. But you have to learn to deal with it or it'll make you insane.like when you drink a milkshake on a hot day. returns to stitching him.. Let it take over. If I didn't get those nerves back in that sack and sew it up. That's all I was gonna give it.. And the terror was so. now staring at him. 15.. www. my first solo procedure was a spinal surgery on a sixteen year-old kid. three.. It's a struggle. but you can't just get rid of it. So it ripped open -..pressexecute.41 CONTINUED: (4) JACK (CONT'D) You don't like it.. and I knew I had to deal with it.. I could feel their eyes.her spinal fluid flowing out and I just. four. Sensing she needs some help as she works on him.. Sewed her up. Jack offers: JACK When I was in residency. I had about a minute. so real. (beat) And it was gone.thirteen hours later -. those thirteen hours were for nothing. So I started to count to five. (beat) One. So I just made a choice. that girl would be paralyzed.you know what that is? Kate has stopped sewing. JACK (CONT'D) It's at the base of the spine. 41 KATE I haven't had much success with fear.. (looks at Kate) But only for five seconds.the nerves just spilled out like angel hair pasta-. 'Cause I knew.. (beat) At the end of it -. Let it do its thing. Kate breathes again. froze.I was closing her up. Girl. where all the nerves come together..
41 JACK (CONT'D) I think everyone has something like that. SAYID.. Checks it again. Claire watches the sunset. sad laugh: KATE If that had been me.What -. 42 EXT. sitting alone. Holds it in the air.DUSK A MAN WANDERS into frame.. I don't think that's true. Checks his CELL PHONE. clutching his legs. You! SAYID What's your name? 43 Charlie's head snaps to Sayid: CHARLIE -. (then) You're not running now.. miraculous purple-red.looks up at him.sorry -. Takes another few steps." 42 Her eyes clearly saying.. we need some help with the fire! No one will see it if it isn't big! www. CAMERA PULLS BACK past a 40 year-old Middle Eastern man. CRASH SITE . Locke watches the sunset.sees Charlie (our English rocker). a little. The sky turning a 43 ANGLE . From Kate. This ritual has been going on for awhile. throw PALM FRONDS to make it even bigger.DUSK The sun drops below the horizon.41 CONTINUED: (5) 16. At another part of the beach. And Kate stops -. And either you learn to deal with it.com (CONTINUED) . Sayid turns -. JACK No. along with Boone (the former lifeguard) and a few others. "Oh yes I am.Charlie. looking like he's got the chills.THE LARGE BONFIRE .pressexecute. A moment where you establish your relationship with fear. Stops. or you don't. SAYID Charlie. I think I would've run for the closest door.
who sits in a disembodied Business Class chair on the beach. He arrives at: 45 46 CLAIRE The pregnant woman. she's taking a man's WEDDING BAND and stringing it into her necklace.Right! I'm on it! What's your name? SAYID Sayid.NIGHT Spread out across the beach. groups of EIGHT to TWELVE SURVIVORS huddle around them. And we get a sense now of how many have survived: forty-seven people.43 CONTINUED: 17. We need to stay together. Sayid! TRACK CHARLIE as he goes for more fronds -. holding her face in his hands.com (CONTINUED) . the woman Jack resuscitated. agreeing with whatever it is he asks. Those who speak Korean understand: JIN (in KOREAN) I want you to stay in my sight at all times. -. he kneels before her. a blanket wrapped around her. Hurley offers her a meal: HURLEY Hungry? 46 www.And as he continues. She rests comfortably. She sits. she's doing fine. He carries two dozen THAWED-OUT AIRPLANE MEALS.A KOREAN COUPLE 30's. -. helping) -. Her name is SUN. One of the fires is particularly big -- 44 45 ANGLE .Sayid! CHARLIE I am on it. neither seriously wounded. Lit by the fire. 43 CHARLIE (getting up. If I walk away. Hurley CROSSES FRAME -.CAMERA STOPPING ON ROSE. 44 FIVE BONFIRES . his is JIN. who sits on the sand near the fire. Both scratched up.we FOLLOW HIM NOW. Talks to her IN KOREAN.pressexecute. do you understand me? We cannot be apart. deeply caring. She's just nodding. turning the ring into a pendant. you follow. Relatively speaking.
Hurley nods confidently and walks off. Yeah..pressexecute. facing her. After a beat. Hands her some plastic silverware: HURLEY Hang in there. There's something clear here: there's enormous animosity between them. uh.. you know. I'm all right. Boone sits closely beside her on the sand.. Boone stares at her. A beat. Thank you. we might be here a while 47 www. BOONE How are your toenails coming. but still coming down from the experience. thanks. taking it) -. painting her toenails.NIGHT SHANNON (the 20 year-old girl who was just screaming her ass off before) sits on the beach beside a small FIRE. She's composed now. Hurley's glad. He wants to kill her.46 CONTINUED: 18. Watches her paint her toenails. CLAIRE You too. of all things. Regardless. BEACH .. SHANNON As if I'm gonna start eating chocolate. 46 CLAIRE (sweetly. he offers her a chocolate bar.Yeah. BOONE Shannon. 47 EXT. baby stuff? No. HURLEY (re: contractions) Any more. CLAIRE No. SHANNON They're fine.com (CONTINUED) .
the man Jack recruited to help save Shrapnel Man. And while she's hungry. BOONE No. she says: SHANNON I'll eat on the rescue boat. 48 EXT. SHANNON Why. he rips open the bar and starts eating. All resentment. HURLEY We got chicken or lasagna. Shannon just looks at him. 47 SHANNON I can go a day without eating if I have to. Eyes fixed on the nothingness out there. You don't think they are. Boone knows that's a pipe dream. And he offers the candy bar again. SHANNON You're such an ass. which almost looks like a modernist sculpture. BOONE We might be here longer than a day.NIGHT Locke. SHORE . Resenting her in equal measure. Hurley approaches.47 CONTINUED: 19. they're coming.com (CONTINUED) . 48 www.pressexecute. sits on a piece of curved jet wreckage. They know exactly where we are.concerned about your survival. Locke just stares out at the crashing water. I am still -. (beat. BOONE While that may be true.I swear to God for reasons I will never understand -. SHANNON The plane had a black box. I'm pretty sure they're not. She goes back to her nails. idiot. then:) Lemme guess. BOONE Because you're so sure they are.
you too. Locke doesn't move.. HURLEY (CONT'D) Okay. watching intently. Kate sits close. BONFIRES in the background.Is he gonna live? JACK I could tell you a lot more if there was a CAT scan around.Why aren't you removing that? JACK Because it could be holding his stomach together. staring) . 48 A long beat. but they can't be worse cold than they were heated. Jack turns to her and sees this. 49 www. checking the wound. HURLEY (CONT'D) Hello? But Locke still doesn't respond..NIGHT RIIIIIP: Jack rips open Shrapnel Man's shirt. 49 A beat.Do you know him? KATE (beat.He was sitting next to me. And Hurley just walks off.com (CONTINUED) . BEACH . KATE -. KATE . EXT.. Finally: HURLEY (CONT'D) They're not cooked..48 CONTINUED: 20. The metal piece still embedded in this breathing-but-unconscious man's belly. Pulling this out could cause more damage than leaving it until help comes. It's a dirty. Kate can't take her eyes off the Man.pressexecute... Locke doesn't look away from the night sea. Realizes there's a connection between them: JACK (CONT'D) . bloody mess. (then) His head wound's bad too. Jack kneels over him.
MICHAEL. closely. trying to make sense of it all. re-enacting the pre-crash moments.com (CONTINUED) . JACK (O. on his side. intensely. BEACH . Jack and Kate are together here. His father. 50 Wishes he could fix all of this. Sure you're warm enough? 50 WALT (a whisper) . 52 www. CUT out of that BANANA LEAF.who lies here.but he can't think of one thing to do or say. BEACH . MICHAEL Walt.maybe eight inches long. EXT.pressexecute. Kate's hands are clasped at her mouth as she watches. using a piece of wreckage as a table. 49 And Jack feels for her.S. His eyes are open.NIGHT Now we FAVOR a nine year-old boy -. 51 Walt not saying a thing.NIGHT Bonfires and other survivors in the distance. Now we see that we are: 52 EXT. And we just hold.) We must've been close to 40. lies beside him. Finally: MICHAEL Love you.Yeah. But he can't. Michael wants to make it better for his son -.WALT -. 51 EXT. staring off. 32.000 feet when it happened. covered in layers of clothing to keep him warm.49 CONTINUED: 21. JACK (O.) (CONT'D) When we hit a pocket of dead air.NIGHT Imagine the most spectacular view of the stars visible from Earth.S. Hey. NIGHT SKY .somehow -.. Jack holds the model plane.. Then a crude MODEL OF A PLANE appears -. and held by Jack's HAND.
The turbulence that followed.. Kate I www..he now.. And Jack snaps off the tail -.and you can imagine how terrifying this actually was -. (beat.27. with dread) I saw the whole thing. this is the worst memory of all time.52 CONTINUED: 22. (then. Then dropping.. couldn't make myself look back. it occurs to him) What row where you in? KATE . (beat) Electrical power came in and out.. It was pretty clear what was happening.. flipping. Kate watches the model. that's what I was thinking.. We were falling. Sounded like the hydraulics went out. I knew the tail was gone... (then) . but turbulence doesn't bring down planes.I blacked out..com (CONTINUED) .as he does this.. by far the worst I've ever been through. slowly.pressexecute. We actually went up for a while. JACK 23.. (beat) There was too much stress on the structure of the plane... tears in her eyes. turns the fuselage. (beat) How long would you say that lasted? KATE .Five minutes? JACK Yeah. JACK (CONT'D) -. 52 JACK We dropped. (MORE) Still.We were out of control.. fights for her composure as she says: KATE (unfortunately) I didn't. And God. (beat) That's when the tail broke away.. rolling it -.. Must've been two-hundred feet..
through the valley. Neither's the tail. From the beach -. JACK The front end of the fuselage isn't on the beach. KATE (a little bit of awe) How do you know all that? JACK I took a couple of flying lessons. From the jungle.52 CONTINUED: (2) KATE (CONT'D) (then) Then the. 52 Jack rips off the nose section -.. wipes away a tear) We crashed maybe five seconds later. must've fallen out while the fuselage was cartwheeling.. help a rescue party find us. (pointing) -. JACK -. Jack considers this. 23.. If it's still intact.Did it hit something? KATE It might have. then) We need to figure out which way we came in. That would let us send a signal. (beat.com (CONTINUED) . KATE Why. And Jack lets the model come down -. there.about a mile inland.in a position resembling what we saw at the opening. Sort of studies the image.MACRO -it looks like the opening in model form...pressexecute.slowly cartwheeling the leaf model... JACK Because there's a chance we could find the cockpit. trying to figure it out. JACK -.Where? www. The ANGLE IS LOW NOW -. KATE I saw some smoke. the front section came apart. (realizes his own amazing luck.. there could be a transceiver. (forces a smile) Wasn't for me. I woke up about five hundred yards away from the beach.
As he stares. (smiles) So what were you doing in New Zealand? Now that the topic of conversation has shifted. JACK Lumsden.UNLIKE ANYTHING WE'VE EVER HEARD BEFORE -.. Kate says: KATE If you're going for the cockpit. uh. pal) So what's up with the tattoos.52 CONTINUED: (3) 24. You But before he can answer -Jack and Kate turn -53 MWOOOOOOOOOOOOOORRRRRRRRRRRRRRRRRRRRR! listening to -53 A SOUND. Kate stiffens momentarily. in his gut knowing it's the cockpit. (determined) We'll leave as soon as it's light. I'm going with you. (off Jack's curiosity) I was. Jack can't help but delight in this resolute young woman. www.com . Jack? one of those really hardcore spinal surgeons or what? Now it's JACK's turn to stiffen. KATE I'm Kate.TERRIFYINGLY PRIMITIVE -. KATE (enough about me.PROFOUNDLY DISTURBING..pressexecute. JACK Jack. I worked for a veterinarian. At a hardware store. in Lumsden. mixing paint for a while. 52 His eyes on the blackness of the night. Then -KATE Everything. JACK I don't know your name. Feels like. FUCKING INDESCRIBABLE -.
HURLEY .? And Jack walks up behind her. afraid) -.LOCKE PUSH IN ON HIM as he turns back toward the jungle -.That's not Vincent -- 56 57 ANGLE .in EXTREME CLOSEUP -KATE (at a whisper) ..CLAIRE Mid-way through her meal.25. Suddenly -.com . getting to his feet and moving forward. scared as Kate enters frame in FOREGROUND -.. as he has been for hours.. eyes on the distant jungle valley -CLAIRE -.Michael seen behind him.Hurley TURNS toward the source of the SOUND -- 57 www.with no answer -- 54 55 ANGLE .THE SOUND AGAIN -.What was that. unfortunately all of us did.seated.. Locke doesn't seem scared as much as accepting of whatever challenge this is....? DOLLY to find Hurley.I think. looking. uh. This guy's somehow accepted his mortality in a way that can only.eagerly reacting to the sound -somehow HOPEFUL -. staring out to sea.WORSE -. 55 56 ANGLE . looking out -.Did anyone hear that sound -.pressexecute. Claire is turned.and -.. be frightening.I think that's Vincent -MICHAEL (beat. 54 OTHER SURVIVORS Turn in the distance.WALT AND MICHAEL The boy's sitting up -. inevitably.both looking toward the distant jungle -WALT -. concerned -.
.in a sort of tiered way -..Okay.this huge THING -whatever the hell it is -.who step forward -.Jack and Kate near the front. afraid -.then.hundreds of yards away -PAN to Jack and Kate -.And the Others at the bonfire -.start to move toward the noise -- 60 61 ANGLE ..Boone -.com .. CUT TO BLACK.THE GROUP And all of the characters we've met so far gather on the beach -.SHANNON AND BOONE Sitting. CHARLIE Terrific..wait -. pissed -SHANNON (CONT'D) -. until finally. GASPS as all their heads simultaneously TURN to -- 61 62 ANOTHER PART OF THE JUNGLE -where a SERIES OF DISTANT TREES SWAY as if something SCARYBIG is moving -. suddenly.moving closer to the scary SOUND -- 58 59 ANGLE .SAYID AND CHARLIE -. There's a long silence. this isn't funny-Boone gets up -.A FEW ACRES IN SECONDS -.. 58 ANGLE . but already alert -SHANNON -.TREES Distant 50-foot tall TREES SWAY -.! 59 60 ANGLE .AN WE HOLD ON OUR TERRIFIED MAIN CHARACTERS for a long beat.seems to be disappearing into the jungle -- 62 63 -.pressexecute. all of them watching..moves to get closer to maybe see something -Shannon is on her feet.26.. END ACT ONE 63 www.
sotto.27. (gimme a break) Come on. contemplating something pretty heavy. Giving your first class ticket to that older lady. JACK (bad) It's good. conspiratorial) This of course breaks some critical FAA regulations -FLIGHT ATTENDANT #1 I saw you when you got on. Then: FLIGHT ATTENDANT #1 .as he still stares out the window.pressexecute.com (CONTINUED) . JACK Oh. playful) Shh.DAY This was Jack's POV -.looking up at the pretty. PLANE . 65 www. ACT TWO FADE IN: 64 THOUSANDS OF FEET ABOVE PURE TURQUOISE OCEAN. STRETCHING FOR MILES AND MILES AND MILES -. She's like six-hundred years old and says she's never flown before. FLIGHT ATTENDANT #1 That wasn't a very strong reaction.MOVING OVER AN ENDLESS EXPANSE OF BLUE. FLIGHT ATTENDANT #1 (quiet. Australian FLIGHT ATTENDANT.FLYING .. I wasn't being sweet. And we begin to PULL BACK TO REVEAL: 64 65 INT.. She guilted me into it. So she slips a couple MINI-BOTTLES of VODKA from her cart to Jack. JACK (leans in. JACK It's not a very strong drink.How's the drink? Jack turns -.
ROSE Guess he really had to go. DOWNS the whole thing. the pilot has turned on the fasten seatbelts sign -please return to your seats with your seatbelts fastened.com (CONTINUED) . No big deal. Jack smiles at ROSE seated across the row from him. www. gets out of his seat just as CHARLIE quickly pushes past. does his best not to let it show -FLIGHT ATTENDANT'S VOICE Ladies and gentleman. Suddenly: light TURBULENCE.65 CONTINUED: 28.. Jack twists open one of the bottles..where she has words with another Passenger a few rows back. 65 FLIGHT ATTENDANT #1 You think it's all an act? JACK I'm pretty sure.. empties it into his DRINK. save this woman's life.a man on a mission -CHARLIE Sorry. Pleased. JACK It's normal.pressexecute. JACK Well he sounds like a smart man.Oh. Smiling. Jack is smiling too. (then) I've just never been a good flier. Of course he has no idea that he will.. hoping she'll be back again soon. I know. My husband always reminds me that planes want to be in the air. Jack glances at Rose. Unbuckles his seatbelt. DING -. Just a little. in short order. nervously clutching her armrest. heading toward the front of the plane at a swift clip -."FASTEN SEATBELTS" LIGHTS UP.. ROSE (grateful) . toward the rear of the plane -. Jack becomes visibly tense. He puts the other mini-bottle into his jacket pocket. she walks off..
com (CONTINUED) . It's an unadulterated moment of PURE ISLAND BEAUTY -. there was something familiar about it.. SAWYER Yeah. BEACH . I'm sure it was monkeys. as behind him the Survivors are mostly grouped together now -. Jack smiles at Rose...65 CONTINUED: (2) 29. looking up at this strange collection of adults. Jack in FOREGROUND CLOSEUP. takes it in.pressexecute. it'll be over in a -66 AND THE PLANE DROPS TWO HUNDRED FEET IN TWO SECONDS -SCREAMS.and Walt stands among them. whatever it was.I keep thinking. (clicks seatbelt) Don't worry.DAWN CRASHING WAVES and we're TIGHT ON JACK. The plane SHAKES again.nobody slept -they're all wired.that sound it made -. 65 ROSE (smiles) You be sure and tell him that when he gets back from the bathroom. and we almost get the sense it's easier for him to focus on her fear than deal with his own -JACK I'll keep you company 'til he does.and Jack. his eyes focused out across the water as the SUN RISES. all talking over each other about that "THING" from the night before -MICHAEL It wasn't natural. SCARED -. Monkey Island. now in a clean white T-shirt. ROSE -. CHARLIE It could've been something like monkeys. Really? SHANNON Where are you from? ROSE The Bronx. It's 66 67 67 www.JACK GRIPS THE ARMRESTS AS THE PLANE SHUDDERS VIOLENTLY AND WE SMASH CUT TO -EXT. ENGINE WHINES AND THREE PEOPLE AND EVERY LOOSE OBJECT SLAM TO THE CEILING -.. Remembering the horror as the SUN RISES. We're DOLLYING.
And she looks up -.We're on an island.far across the beach. 67 HURLEY Technically. He's still in his own head space as Kate arrives. I can get there myself-KATE I'm coming with you. JACK Kate. 68 ANGLE . he wants the company. JACK I want you to stay here. (then. we don't even know if we're on an island -SAYID (if he knows anything) -. firm but simple) I'm going with you.pressexecute. but determined. You're safer if you-KATE I can't prove to you that I'm up for it.the same conversation has been going all night.No. you showed me where the smoke was. They fit.com (CONTINUED) . Truth is. she's doing the bleak work of pulling boots off a DEAD BODY. Jack won't argue.67 CONTINUED: 30. close -.almost conspiratorial: KATE You ready? Jack turns to see Kate. She puts them on. KATE -. I realize how pathetic that sounds. She's tired. JACK We don't know what the terrain's gonna be. you know.KATE Near the crash. Then: JACK You're gonna need better shoes. All I can say is my gym had a rock climbing wall -. LOCKE is watching her. 68 www. This is all just buzz to Jack -. "Did Locke know the woman whose shoes I'm now wearing?" But in the middle of that question.AND REVEALS AN ORANGE PEEL COVERING HIS TEETH. scared.and yeah. A severe but necessary move. And Kate thinks for a moment. Locke SMILES -. A somewhat intense gaze.
It's pretty grim in there. (MORE) www. "B-O-D-Y-S"? No one gets his spelling. HURLEY So I was just looking inside the fuselage. I do. (they're surprised. You think we should be doing anything about the.pressexecute. Sayid. When they get here.Anyone have any sunscreen? SHANNON (going for her backpack) Yeah. he addresses Boone) You're gonna need to keep an eye on the wounded. this moment just gives Kate the chills. uh. (uncomfortable with Walt) . Help out the rescue team.. See if we can find a transceiver to send out a distress signal. SHANNON (hands Charlie sunblock) They'll deal with 'em.com (CONTINUED) .. man.68 CONTINUED: 31. 69 ANGLE .15 SURVIVORS Sitting together. continuing to PEEL THE ORANGE that he's eating.. Charlie.. 68 Somehow. And Locke turns away from her. She grabs it back as Jack arrives: JACK I'm going to look for the cockpit. Michael and Walt. MICHAEL What are you spelling. CHARLIE -. Among them are Boone and Shannon. 69 CHARLIE (re: sunblock) SPF 2? Do they even make this? SHANNON Fine. "Bodies"? WALT B-O-D-I-E-S.
Going into the jungle? After that sound last night? The thing that moved those trees? Yeah.Oh.What's going on? JACK -. okay. this is a great idea. this is genius.I wanna help -JACK -.pressexecute.Yeah. I'm coming with -. 69 BOONE What about the guy with the leg? tourniquet -- Your JACK Stopped the bleeding. try to keep him calm -. CHARLIE -. You understand? 32.uh. good job.don't let him remove that piece of shrapnel. I wanna go. CHARLIE (moves to them) -.I don't need anymore help -CHARLIE -. I took it off last night. And Kate arrives -KATE (re: sawyer) -. BOONE -.69 CONTINUED: JACK (CONT'D) If that guy in the suit wakes up.Nothing -SAWYER When they show up to rescue us while you're gone? We're not waiting around.No. Cool -.Hey. I'm not too keen on keeping still -And Sawyer enters the group now: SAWYER Yeah. she's coming too? Excellent.com (CONTINUED) . He'll be all right. www. JACK (to Kate) Let's go.
I'd be thrilled -. 69 And Charlie actually goes first. KATE Yeah. CHARLIE That would be unlikely. A man of few words. CHARLIE You can't quite place it.LATER Jack cuts a SWATH through the jungle with a large STICK..com (CONTINUED) . Walking in silence for a beat. KATE . Jack and Kate share a look -.. KATE CHARLIE "Till the ennnnnd of time! You know you thought you would be caught -. He starts singing. JUNGLE . Yeah. Then: 70 KATE You mind if I ask you something? CHARLIE Me? No.MORNING . CHARLIE I look familiar though. KATE Have we ever met anywhere? Nah.THE HIKE .I've been waiting. forging a path of sorts.. 70 EXT.. I think I know.69 CONTINUED: (2) 33. They keep walking.!" www. Hm.You do? Then Charlie does something surprising. I can't. he's about ten yards ahead of -KATE and CHARLIE.pressexecute.and the two head off after him. CHARLIE Yeah. KATE No.Till the ennnnd of time.
into the jungle. CHARLIE (CONT'D) (almost insulted) You still don't get it? never heard that song? KATE You -.Kidding? No! I'm fantastic! With a bass. a grateful "no". she loved you -KATE (to Jack) You know Drive Shaft? And Jack shakes his head...com . Kate has no idea what that meant.. Gimme Beth's number.that's us! Drive Shaft! KATE -.and we begin to BOOM DOWN and realize. I just don't know what the hell that has to -- CHARLIE (CONT’D) -.. www. Charlie looks back at her. you know..Well that's why I'm -. the band! -.Not was. We're still together. and now we're on a WIDE SHOT of the three of them on their trek -. 70 As he walks. And they continue. I'm the bassist! -.Of course I've heard it. we're still together.You don't have to keep using the past tense.70 CONTINUED: 34.pressexecute.. CHARLIE -. it's actually a POV: CHARLIE Yes.... I'm supposed to be in the middle of a comeback. I'll call her.What? CHARLIE God -.You were in Drive Shaft? Are you kidding me? -. somehow impressed by himself. (as they hike.have you never heard of bloody Drive Shaft? KATE The band? -.. So. I'm in it! Right now. KATE (CONT'D) They were good.My friend Beth would freak out. Jack watches Charlie like he's nuts.) In fact.
when another Survivor runs over. you don't wanna go in there! Too many bodies! So Shannon and Boone head for shelter of some nearby trees.all SOAKED instantly -. It's the WHITE LAB from the opening.pressexecute. Washing clean all that's come before.stopped by Hurley. running past Michael.who sits near the shore. And Locke -. hurrying off as we CUT TO: 72 73 EXT. 71 REVERSE ANGLE Through the overgrown bushes -. Shannon and Boone head toward the wrecked plane -.DAY The rain pouring down -.. ELECTRICITY crackles in the air -. And there's Sayid.and they pick up their pace. being smart: he sets up a TARP he's found in cargo -. SHEETS OF RAIN.something's watching them.? SUDDENLY IT'S POURING. 71 72 EXT. looks up at the sky -. Letting the rain fall onto his face.VARIOUS SHOTS of the Survivors scrambling. Jack.the three stop. Sawyer enters -- www. head back. pointing: JIN (in KOREAN) There's no more room here! There's room over there! 73 Over there! And that Survivor is turned away. Charlie -. FUCKING TORRENTIAL.WIND picks up.is this normal. who yells to them over the NOISE: HURLEY I'm telling you. eyes closed. Kate. The Korean couple (SUN and JIN) huddle with half a dozen other survivors under a piece of FUSELAGE DEBRIS -. JUNGLE .RAINSTORM . And as soon as it's up. THE SKY DARKENS. CHARLIE This -.using aluminum sticks of wreckage as supports. who covers his son Walt with a too-large raincoat.CRASH SITE .odd Locke -....DAY TIGHTER as they enter another area of jungle.35... Day to GRAY in seconds -Charlie. "BASE CAMP" ..com (CONTINUED) . And suddenly. Jin YELLS at them in Korean over the DIN of the rain..
. SAYID .RAINSTORM . Osama. END ACT TWO 74 www.we're UNDER DEBRIS SHELTER -.. EXT.as if the thing is heading into the deep valley -..AND DISTANT TREES SWAY again -. the rainy beach and ocean in the background.DAY -. look. I'm all right in here.we then CONTINUE THE PAN to ROSE..VALLEY OF TREES . who says: ROSE . And we PUSH IN on Rose.com .Look -.MOVING -... out there --. 73 SAYID I need to put up the other side! SAWYER (don't tell me what to do) Yeah. JUNGLE .73 CONTINUED: 36.pressexecute... that's the way the doctor went.What did you call me? 74 Fury in his eyes.oh God. TIGHT on Sayid as he turns to Sawyer.and we PAN FAST -. And the SOUND OF RAIN BUILDS AND WE. CUT TO BLACK.TIGHT ON CLAIRE'S FACE as she says -CLAIRE -.
And as they exchange a look. Jack emerges from the opening -.RAINSTORM . the aisles themselves on an ANGLE -. They finally stop. looking up at the terrifying debris. UPENDED. ready for anything.RAINSTORM . Goes without being said -This is all pretty fucking SCARY. Kate SPOTS something: KATE (shouts over the rain) OVER HERE! Jack and Charlie come to Kate.DAY Kate stands up to find herself -.. we find Jack. Their eyes falling upon something -. Actually. OVERHEAD BINS hanging open..has to grab onto the SEATS so he doesn't fall.RAINSTORM .fighting GRAVITY -. Takes it all in -Stands.and we PAN TO SEE IT. Everything eerily CANTED: all of FIRST CLASS and the FRONT LAVATORIES between her and the COCKPIT.half a dozen BODIES still in their chairs. Kate follows him. cockpit. twisted metal offering no obvious way in. smashed badly. Our TRIO moves around the WRECKAGE. the entire front SECTION OF THE PLANE.com (CONTINUED) . Kate and Charlie arrive. Charlie then crawls through. resting against a giant tree.inside the front section of the plane.DAY BOOM DOWN over the massive piece of fuselage as Jack.37.. JUNGLE . A horrible sight. Kate and Charlie. continuing their hike. who indicates a JAGGED OPENING AT GROUND LEVEL -.pressexecute. The characters take it in for a moment. FRONT SECTION OF THE PLANE .Sees Kate is uneasy -CHARLIE Let's find your transgizmo and get outta here. Kate gets on her stomach and CRAWLS into -- 76 77 INT. THE SOUND OF THE RAIN still pounding on the shattered hull. yeah? Jack starts to move up the aisle -. toward the 77 www.RAIN leaking in -.enter-able.DAY As the rain POUNDS. ACT THREE FADE IN: 75 EXT. It's the COCKPIT.. but TIGHT. Looks up. JUNGLE . 75 76 EXT.
CHARLIE (CONT'D) God... this is horrible... He starts climbing behind them...
INT. FRONT SECTION OF THE PLANE - COCKPIT DOOR - RAINSTORM CONTINUOUS Jack reaches the COCKPIT DOOR. Battered by the crash -slightly ajar, but still LOCKED. Jack reaches in -- TUGS on the door. But it won't open. Jack grabs a CHARRED FIRE EXTINGUISHER... JACK (to Kate) -- Get back... And Jack SLAMS the extinguisher down on the DOOR KNOB. Dents, but nothing. SLAMS it down again -- the lock BREAKS a little -- but it'll take some more SLAMS -JACK (CONT'D) (HITTING IT with all his MIGHT) Come on-- come on-- COME ON! BANG! The knob BREAKS off! And Jack drops the extinguisher -- RIPS OPEN THE DOOR AND THE COPILOT'S BODY FALLS OUT! Kate SCREAMS -- Jack SHOUTS -- and the body lands RIGHT NEAR CHARLIE, JUST AS HE'S CLIMBING INTO THE FRONT SECTION AND HE SCREAMS -CHARLIE AAAHHH--DAMN! GOD! Jack looks to Kate -JACK You okay? KATE (no) -- Yeah, you? CHARLIE I'm all right! FYI -- I'm good... And Jack pulls himself up and into:
INT. FRONT SECTION OF THE PLANE - COCKPIT - RAINSTORM CONTINUOUS Rain pours through one of the shattered windows -- though TREE BRANCHES and LEAVES obscures any view. The other windows are intact, but thick with humidity. Branches and leaves also obscure any view to the outside. The instrument panel broken -- some pieces HANGING -- WIRES EXPOSED. And the PILOT's body is here, slumped in his seat. Jack turns back to Kate, who is about to climb up -- but she sees the Pilot's body. JACK (protectively) -- You don't have to come up here-KATE -- No, I'm good. So Jack helps pull up Kate. compartments: As he starts searching
KATE (CONT'D) -- So what does a transceiver look like? JACK -- Like a complicated walkie talkie. Kate starts looking for it too. In order to check the Pilot's compartment, she has to pull him back, off the controls. So does, back into his seat and SUDDENLY THE PILOT JOLTS, AWAKE -- KATE GASPS and Jack, shocked, moves to him -the Pilot COUGHS, disoriented and hurt. Jack unbuckles his straps -- checks his vitals -JACK (CONT'D) -- Hey -- can you hear me? (to Kate) -- I need the water -PILOT (dazed, weak) -- What -- wh --
Kate quickly goes through the backpack as Jack undoes the Pilot's tie, loosens his collar -- Kate hands the water to Jack, who gives it to the Pilot -- he drinks a little, coughs some up. A dried cut on the man's forehead -- his eye closed. Although a pro, the Pilot is on the verge of tears. PILOT -- How many -- survived?
JACK At least forty-eight. Including you. (Pilot nods, heartsick) -- Anything feel broken? The Pilot slowly, painfully begins to move -- but: PILOT Head hurts -- dizzy... JACK Probably a concussion. PILOT -- How long has it been? JACK Sixteen hours. PILOT -- Sixteen... (then, afraid) -- Has anyone come? JACK Not yet. Jack and Kate watch as the Pilot closes his eyes, almost in pain at the thought. Finally, his voice weak: PILOT Six hours in. Our radio went out. The redundant system... the transponder -wasn't functioning. No one could see us. (then, with dread) So we turned back. To land in Fiji. (dear God...) When we hit that turbulence... we were over a thousand miles off course -They'll be looking in the wrong place. Kate looks to Jack -- this is even worse news than he anticipated. PILOT (CONT'D) We have a transceiver-JACK -- Good, that's what we were hoping -And the Pilot tries to stand -- it's hard, he's so bruised --
com (CONTINUED) . She hands it to the Pilot. Played as an eerie moment. Kate goes for a compartment -. out of the cockpit.What? CHARLIE Nothing -Oh 80 But then: MROOOOOWRRRRRRRRROOOOOOOOOOOOBWWRRRRRRRRRRRRR! shit: the SOUND again.we HOLD ON CHARLIE. where Charlie's leaning over the toilet bowl -KATE -.pressexecute.and pulls out a DAMAGED RADIO..but: PILOT -.CONTINUOUS Kate peeks in -. what're you d--? Charlie jumps -.Where's Charlie? Good question.DAY Jack turns -.. He starts to work it -. 80 The INT. he doesn't have a fast answer --.What the hell was that? JACK (whisper yell to the back) Kate! 81 Kate's quickly climbing back in -- www..79 CONTINUED: (2) 41.It's not working...the Pilot freezes -PILOT -. PILOT (getting his bearings now) I'm all right.turns to her -. Except this time it's CLOSE -81 INT.when Jack realizes: JACK -.peers into the inverted bathroom. Pilot keeps trying to radio -.Hey. FRONT SECTION OF THE PLANE .but Charlie's nowhere to be seen. Hears something INSIDE. COCKPIT . 79 JACK (CONT'D) You shouldn't try to. Kate climbs back -. (points to the panel) Transceiver's in there. but then she sees the door to one of the FRONT LAVS is ajar.RAINSTORM . Kate moves back..nervous -.
it's RIGHT THERE -.WHAT THE HELL'S HAPPE--?!?! -.It's right outside -PILOT -.stepping now...they're motionless as there's ANOTHER STEP -the WIRES in the cockpit SHAKE with the apparent "FOOT" IMPACT -.I wouldn't do that.wipes away some of the humidity on the window in order to look outside -.What's righ -.Good to know.com (CONTINUED) . So the Pilot gets up -.81 CONTINUED: 42.on one of the pilot seats -. PILOT -.Do you s-SUDDENLY THE PILOT'S BODY GETS YANKED UP -.and he uses his hand -. And the Pilot puts the transceiver down on his seat as he pushes away the LEAVES and BRANCHES and PEEKS HIS HEAD OUT THE SHATTERED WINDOW.pressexecute.THE PILOT'S SCREAMS ARE HORRIBLE -.? JACK -.moves toward the broken window covered with LEAVES and BRANCHES -JACK (CONT'D) -.KATE SCREAMS AGAIN AS THE PILOT FINALLY GETS YANKED OUT OF THE COCKPIT AND SUDDENLY THE THING OUTSIDE SLAMS INTO THE SIDE OF THE COCKPIT -Then. Jack and Kate watch. terrified for a moment.BUT HIS LEGS HIT THE DASH SO WHATEVER'S GOT HIM CAN'T PULL HIM OUT AND KATE SCREAMS AND THE PILOT -. YELLING: CHARLIE -.HIS LEGS HIT THE DASH AGAIN -.and a DARK SHAPE CROSSES the window -Jack SLOWLY climbs up -. outside the cockpit -.Shh! -.NOW CHARLIE'S SCREAMING AS THE PILOT'S BODY GETS YANKED UP AGAIN -. KATE . quietly: www.Whatever it is.BAM! -.HIS UPPER BODY OUTSIDE THE COCKPIT -DROPS THE TRANSCEIVER ONTO THE FLOOR AND HE SCREAMS BLOODYFUCKINGMURDER AS JACK MOVES TO HOLD KATE BACK -CHARLIE SCRAMBLES UP. 81 KATE (sotto) -.but there's no way to see a thing out there.
FRONT SECTION OF THE PLANE .lunges after it -.. 81 Jack.CONTINUOUS -.AND THEN AGAIN -.COCKPIT . scrambling to get out.and they're RUNNING IN THE RAIN LIKE CRAZY -.SLAM! Jack loses his footing.ALL RUNNING LIKE NUTS -MROOOOOWRRRRRRRRROOOOOOOOOOOOBWWRRRRRRRRRRRRR! Christ.transceiver skitters out of Jack's grasp -JACK! KATE C'MON! JACK No.AND THE WHOLE COCKPIT DROPS -82 CHARLIE LEAVE IT! EXT. But he doesn't give up -. trying to get the fuck out of the cockpit but -Jack looks back -.com . arm's length away and -Jack finally gets it into his grasp -.sees the TRANSCEIVER has fallen off the pilot's seat.RAINSTORM CONTINUOUS -. FRONT SECTION OF THE PLANE .And it's so LOUD in here. He reaches for it -. 84 www.And they do -..THE SOUND is all around us now.we're TIGHT so that we don't see the BEAST that's done it -.another LOUD STEP and as we're TRACKING AT HIGH SPEED THROUGH THE RAIN -.transceiver's just sitting there.staggering to his feet as it SHIFTS again and -BAM!!! ONCE -.BAM! The cockpit jars again -.RAINSTORM .CONTINUOUS -. it's close -. JACK AND CHARLIE -. lands on his stomach -.WE WHIP PAN TO A SPRINTING KATE -And we INTERCUT NOW between KATE. Kate and Charlie all on the ground.pressexecute. FRONT SECTION OF THE PLANE . all three trying to get the fuck outta here -- 83 84 EXT. just PURE FUCKING FEAR AND CONFUSION and.The giant piece of jet CRASHES to the ground -. no idea if we're running toward it or away from it.but now it makes a HORRIBLY LOUD CRY -- 82 83 INT. Jack scrambles after Kate and Charlie.TWICE -.RAINSTORM ...THE THREE FALL DOWN -.81 CONTINUED: (2) 43.
two.she whispers to herself. terrified: KATE (CONT'D) One..WIND knocked out of him -.and Kate runs and runs and finally SLIPS -.FALLS HARD -. her eyes GLUED TO THE DIRECTION THEY JUST CAME FROM.But there's nothing -.RAINSTORM ...almost losing her footing..distant SCREAMS OVERWHELMED by a THUNDERCLAP and Kate SCREAMS as she runs: KATE JACK!!! But when the THUNDER stops.. And as soon as we get so close we couldn't possibly get any closer -. TREE TRUNK ..coming down HARD -.... and we just HOLD ON HER... 86 CHARLIE Runs through THICK TANGLED ROOTS and WIPES OUT -.and she waits. in the ALIEN BRANCHES AND VINES of a 90FOOT-TALL TREE. waiting. but not -. END ACT THREE 88 www. she breathes heavily. until she SCREAMS OUT KATE JAAAAAACK!!! -..com .. CUT TO BLACK. and WE HOLD ON HER FOR ALMOST A MINUTE... up ahead -.Kate's hiding now..LOUDER AND LOUDER and that's when we CUT TO: 86 87 KATE Still running.pressexecute.. the screaming is gone -.CONTINUOUS -... and waits.suddenly JACK is there to help him up -JACK C'MON! But Charlie's foot is caught and the fucking THING is COMING -.he tries to get up but CAN'T -.. three.CRYING as she runs through the rain -. She waits there. TERRIFIED...scrambles to her feet and takes SHELTER inside: 87 88 EXT.44. four.no one -... AND HOLD.
Did you see it? CHARLIE No. As abruptly as it started.looking behind her now. Rain pouring down around her.pressexecute. And she hears a SOUND over the rain -. The rain stops. CHARLIE Go back? There? Love -. We were dead -.and she turns around -.AND THEY FALL OVER onto his back. her lying on top of him in the mud -KATE WHERE THE HELL'S JACK?! -. ACT FOUR FADE IN: 89 EXT.something moving towards her -. They both look back the way they came -. blinking in the rain. something remarkable happens. Until Jack came back for me.com (CONTINUED) . Nothing there. She's scared to death. th-KATE -. it's gone. We're with her. tucked amongst the roots of the alien tree.Did you see him?! -. that www. craning his head. still on his back. CLOSE.I was. petrified.listen -there's a certain.he pulled me up. Her eyes wide.AND CHARLIE IS STANDING RIGHT THERE -and it scares her so much she SCREAMS AND GRABS HIM -PUSHING -.. Charlie. Nothing 89 She then turns back -. And just then.Kate looking up. KATE We have to go back for him. gargantuan quality to whatever the hell that thing is -If he hadn't. But it was right behind us.45. JUNGLE . No.DAY Kate is exactly where we left her. Dark in here.HOW COULD YOU NOT KNOW?! ----CHARLIE I don't know! Yes! He helped me up--! I don't know where he--! WE GOT SEPARATED!!! -. but jungle.and Kate stops long enough for Charlie to say: CHARLIE -.So where is he?! -..
grateful to see Jack approaching from the jungle -.? Then. 89 She's already getting up: KATE -..and she moves for it. how the hell does something like that happen.? www.Excuse me.Then don't come.) It's the pilot. It was right behind me. And she goes off. Charlie 90 EXT. horrified. I dove into the bushes. scared -KATE -. a welcome voice: JACK (O. and we're moving with them.... A PILOT'S WINGS PIN.. finally goes after her.. CHARLIE .it's a scattered collection of COINS.. She SLOWLY LOOKS UP. people. CHARLIE .. And they turn around -. They're edgy. Charlie looks up too. Charlie's eyes have gone back to the tree. back the way they came.pressexecute. His mouth opens in shock. And Kate stares at the pin.Did you see it? JACK No.. something she picks up.. Then Kate sees something up ahead.Kate moves to him. Charlie behind her. JUNGLE . The DRIPPING SOUNDS somehow unnerving. And sees something horrific...com (CONTINUED) . but.What the hell's that.. walking slowly through the dripping-wet jungle. And among them..S.. And she gets to it -. because she senses what's coming next.MOMENTS LATER DOLLY OUT OF THE THICK FOLIAGE to find Kate and Charlie.89 CONTINUED: 46. Something GLISTENING in the mud -. 90 Pissed and nervous. after Jack..kneels -.
pressexecute. Boone walks over.and it's a damn Coppertone commercial -. she's SUNBATHING.. stuck up in a branch. the Survivors are going through luggage. the huge PLANE WRECK is revealed in the distance. And the glorious sun is doing its job -. judgemental) I see you found your bag. (beat.except as the camera SLOWLY DOLLIES. we're going through the clothes. BEACH . absolutely despising her.S.com (CONTINUED) . Sorting them. CONTINUED: And they all look up again. (beat) You wanna give us a hand? SHANNON (doesn't even look) Not really. SHANNON (CONT'D) Do you know what it is? A beat for Claire www. But all 91 God's friggin' gift Then Shannon turns to Claire -. for sure. and we FOLLOW THEIR GAZE to reveal that. And we can see.) Is that your boyfriend? And Shannon looks over: Claire sits twenty some feet away. in the background. Shannon's far nicer to Claire than Boone. doing work to get a fire burning again.until we HEAR: CLAIRE (O. HOLD ON SHANNON for a beat. looking down at his vacationing sister.actually very sweet. TORN BODY OF THE PILOT. wearing a BIKINI now. 91 EXT.. lying near the surf.DAY SHANNON. laying clothing out to dry.47. A beat. Of all things.. Boone just stares at her. BOONE Hey. Boone..IS THE BLOODY. And after a beat. Dead now. SHANNON (with vitriol) My brother. he does is turn and walk off. to humanity. at least thirty-five feet above ground -.
speaks. quietly. And Michael stands there for a moment. Then. sits on the sand. intensely picks SEA URCHINS from the water. Then we're TIGHT on Sun's face as she watches him. his pants rolled up. BEACH . confused.I haven't felt the baby kick since yesterday..pressexecute. Jin. Which should tell us immediately how controlling Jin really is.. And Michael looks up and sees that. Watching her husband. our Korean HUSBAND. but I do not speak English. mid-reach into the sea. Michael stands there. Jin calls out: www.. 93 MICHAEL (CONT'D) Have you seen my boy? Sun just looks at Michael for a long beat. placing them in a PLASTIC BAG he's taken from the plane.. in her native language: Finally.DAY At the surf line. she SUN (in KOREAN) My apologies. rather stoic.91 CONTINUED: 48.S. Sitting. his back to her. (beat. And Shannon turns to her -.SEA URCHIN As it's picked out of a tidal pool. and though there's no dialogue here.SURF LINE .off her look we CUT TO: 92 INSERT . Jin has stopped working. And then we have a REVERSE VIEW -. MICHAEL (O. It's an oddly serene image. 92 93 EXT.. The TOP BUTTON of her blouse undone. And Sun looks up. Jin's wife. looking back at her wife and this strange man. there doesn't need to be.. straight backed. 91 CLAIRE Not yet.from the ocean inland -and Sun. half to herself) .com (CONTINUED) .) Excuse me. Because her gaze is distinctly unsettled.
BOOMING UP as he arrive at the shiny piece of metal lying on the leafy floor. IT'S A PAIR OF HANDCUFFS.. looking off-camera. WALT (CONT'D) Vincent! And we BOOM UP as Walt turns.DAY We're maybe two feet off the ground. uh... 94 EXT. quietly: MICHAEL . And Michael walks off. somewhat fascinated and disturbed as Sun buttons it up. He picks it up. kneeling.so close that all we see is his waist to his knees -.S. Just then he HEARS: MICHAEL (O.) Hey! And Walt turns as Michael approaches. over his shoulder.pressexecute. his eyes scanning the jungle.93 CONTINUED: 49.com (CONTINUED) . BEACH ADJACENT JUNGLE . 93 JIN (in KOREAN) Your top button is undone! please. taking the kid firmly by the shoulders: 94 www. And Michael watches. deeply curious. DOLLYING through the jungle.. right now! Button it. Michael then says.S. He stops.and that he's holding a DOG LEASH.I'm.and we FOLLOW HIM. and he walks toward it -.) Vincent! (beat) Vincent! And Walt enters the FOREGROUND -. I'm sorry. Then he sees something. And we HEAR: WALT (O..... TIGHT ON HIM as he looks at them. And Walt holds them.
tangible contribution to this trek. -. CONTINUED: MICHAEL (CONT'D) -. I was getting sick.50. 95 EXT. KATE No.. disturbed. WALT -. Kate and Charlie walking back.After everything that's happened -I told you to stay on the beach. this is so close to the beach... My one. KATE What were you doing. I thought this would be okay -- PUSH IN on Michael.. as he considers the existence of these cuffs. I thought you could tell.I didn't go far.No. All of them still in the wake of the insanity of what just happened.. then) So is there anything? JACK No. don't do this -... Puking. but in case you didn't hear the pilot before he was eaten. seeing them) .AFTERNOON Jack. You understand that? (then. I'm glad you came.com (CONTINUED) .. I mean what I say.You keep asking me if there's anything.I just found' em. (deep breath. www.What’s this? WALT . In the bathroom.What did I tell you? -. fiddling with the transceiver. CHARLIE Pardon me for appearing desperate. A pregnant SILENCE.pressexecute.I thought maybe Vincent would be around --. CHARLIE Anything? JACK (not happy) . they're never going to find us unless we get that thing to work. Jack up front.. 95 CHARLIE Oh. JUNGLE .you listen to me..
FIDGETY. maybe a little SUSPICIOUSLY. Takes a quick peek over his shoulder at -THE REAR GALLEY The Flight Attendant who he just blew off talks to TWO MALE FLIGHT ATTENDANTS in hushed tones and -All three look up at Charlie.) Are you all right.takes another peek -TIGHT on him. SWEAT dots his brow. turns back -. He immediately faces front -.95 CONTINUED: 51. PRE-CRASH.O. FLIGHT ATTENDANT #1 Can I get you some wat--? CHARLIE (go away) I'm fine..DAY Back on the PLANE. Then: FLIGHT ATTENDANT #1 www.com (CONTINUED) .. All right.SOUNDS OF AN AIRPLANE IN FLIGHT -.nervous. CHARLIE sits in his seat near the rear of the plane. PLANE . she looks at him. He looks up at the same FLIGHT ATTENDANT that helped Jack: CHARLIE Yeah -. Thank you. shaking.I'm good. who considers this as they walk. 95 CHARLIE Yeah. He 96 Please.MIDAIR . thanks. And as they walk we're TIGHT ON CHARLIE. every trek needs a coward. and we HOLD TIGHT ON HIS FACE AS SOUNDS FADE IN -.pressexecute. sir? AND SUDDENLY WE CUT TO: 96 INT. Pale. KATE You're not a coward.THEN: FLIGHT ATTENDANT #1 (V. The Flight Attendant stares. Charlie taps his hand. As she heads to the back of the plane.
"FASTEN SEATBELTS" LIGHTS UP as Charlie reaches the FRONT LAVATORY.. enters -FLIGHT ATTENDANT'S VOICE Ladies and gentleman. we can just hear behind him -ROSE (O.S. gets up in one swift motion -Sir? FLIGHT ATTENDANT #1 (CONT’D) Excuse me -- But Charlie's already moving fast down the aisle -.but they're both occupied.....) Are you all right? 97 Charlie ignores her. KNOCKING MORE INSISTENT NOW. CLAUSTROPHOBIC as he PULLS OFF HIS SHOE -. CHARLIE -.pressexecute. into FIRST CLASS -.And so he KEEPS MOVING.and he brushes by JACK.crossing to the other side of the plane -. still digging in his sock. And as Charlie moves on. 96 ALL THREE FLIGHT ATTENDANTS are heading back up the aisle towards him -Charlie quickly undoes his seatbelt. PLANE .and the PLANE SHAKES. through BUSINESS CLASS -.LAVATORY . Just a little.. finally pulls out a ROLLED UP BAGGIE containing a BROWN POWDER. No big deal. TIGHT... Charlie arrives at the lavatories -.Bugger --. 97 INT. DING -. CAMERA is in here with him.96 CONTINUED: 52.com (CONTINUED) .CONTINUOUS Charlie is FLIPPING OUT.) Guess he really had to go. www.he keeps going.S.he turns back to see the THREE FLIGHT ATTENDANTS heading for him -. the pilot has turned on the fasten seatbelts sign -please return to your seats with your seatbelts fastened. getting up from his own seat -CHARLIE Sorry.reaches into his SOCK as suddenly there's a KNOCK ON THE DOOR -Sir? FLIGHT ATTENDANT #1 (O.
PLANE .CHARLIE IS THROWN TO THE CEILING -98 INT..MALE (O. This physically PAINS him.BUCKLES UP and we're TIGHT on his TERRIFIED EYES as we: 100 CUT TO BLACK. 97 FLIGHT ATTENDANT #1 (O.MAIN CABIN .. The baggie rests on the METAL DROP-PLATE as..97 CONTINUED: 53.and in the TERRIFYING JOLTS of the last minutes of the flight.pressexecute.com .THE BEVERAGE CART ROLLS SLAMS INTO THE WALL -- 98 99 CHARLIE FALLS out of the bathroom -. FLIGHT ATTENDANT #2 . Charlie holds the baggie up. THE PLANE SUDDENLY DROPS TWO HUNDRED FEET -. Charlie takes one last look at his stash.. sir. looks at it longingly.. he falls back to -- 99 100 FIRST CLASS -.OXYGEN MASKS SWING WILDLY -. TIGHT SHOT as he reaches for the FLUSH LEVER and.. But he turns around and drops it into the TOILET.) (firm) Open the door now.gets into a free chair -.) (CONT’D) Sir.S..NIGHTMARE TURBULENCE AND THAT HORRIBLE WHINE -..THE PLANE BANKING HARD -.S. END ACT FOUR www.FALLS to the floor and CRAWLS back through the MASSIVE PANDEMONIUM -. I'm going to have to ask you to open the door.CONTINUOUS PEOPLE SCREAMING -.
DON’T! ACROSS THE CAMP Jack. 101 CLOSE ON THE FIGHT as Sawyer and Sayid WRESTLE. Never got up.? But Jack is already pulling his pack off. Hands folded under his blanket. see all this -KATE What -.I’m just pointing this out -. holds up the pair of CUFFS -MICHAEL My kid found these out in the jungle. Charlie.the guy I saw next to him didn’t make it.DAY CHAOS. A GROUP of twenty or so stands around. On Jack.GONNA KILL YOU. All digesting this as. “BASE CAMP” .54. We drop right into the middle of a BRAWL.. ACT FIVE FADE IN: 101 EXT..pressexecute. Kate. pulling the men apart -JACK -... SAWYER (finger in Sayid’s face) And this guy was in the back row of business class the whole flight..com (CONTINUED) .All right. Do the math -(MORE) www.. buddy! Look around! They all know it’s you! I’m just the only one SAYING it! JACK (CONT’D) What the hell --? Michael is here.. Kate and Charlie emerge from the jungle..CRASH SITE . It’s PANDEMONIUM. And for some crazy reason -. SICK OF.. immediately enters the fray. LET HIM GO!. ENOUGH! SAYID I’ve had enough of this guy! You accuse me of being a criminal?! What next? I suppose you think I am responsible for the crash! HEY! SAWYER You’ve had enough of me?! If the shoe fits. watching the brutal fight -VOICES ..
we’re all in this together. Strong. back. muchacho. man. SAWYER (fuck you) Whatever you say.Oh.If you do not take your finger out of my face -- SAWYER You think I didn’t see them pull you out of line before we boarded? -. JACK HEY -. Sayid steps forward. pulls the TRANSCEIVER from Jack’s pack) We found the transceiver. of all people.pressexecute. Angry.. Then.com (CONTINUED) . KATE (CONT’D) We actually DO have bigger problems than this. not liking him one bit -- www. SAYID Yes. Defiant. All eyes on Kate. 55. good! This guy! Let’s trust him -. (beat. lardo. passing Jack. Can anybody help.. please -. I might be able to. you’re the hero. 101 SAYID Thank you so much for observing my behavior so very carefully --. But it’s not working. And Sawyer walks off. looks directly at fuckin’ Sawyer. Jack watches him.Give it a break. BUMPING him as he goes. SAWYER Oh yeah.? A beat.bring it-- And they’re about to go at it all over again when -KATE STOP! And they do.101 CONTINUED: SAWYER (CONT'D) (nose to nose with Sayid) You’re the prisoner. Let’s try to treat each other with -SAWYER Shut up.! Perfect! Turns HURLEY Hey -. Doc.
103 www. Chances are the battery is good.just as Rose moves to Jack. We are: 102 103 EXT. HOLD ON Kate. 101 BOONE You found the cockpit? survivors? Were there any Kate and Charlie exchange a look. saying quietly: ROSE That man with the metal in his side -he looks bad. Takes a beat for Jack to hear this -. SAYID (re: transceiver) It’s dual-band.. the sub-text being. Turn their eyes to Jack.TRANSCEIVER -. KATE -.pressexecute. “What a fucking prick”: HURLEY (re: Sawyer) That chain-smoking jackass. A beat. using TWEEZERS and a found SWISS ARMY KNIFE to take apart and examine the transceiver.101 CONTINUED: (2) 56.DAY Sayid’s right at the edge of the fuselage. Hurley arrives. sitting on wreckage.Can you get it to work? SAYID (stares at it. Checking the internal connections. alone.AT FUSELAGE . sitting across from him. being OPENED. Jack looks at Kate for a moment -.then heads off. feels pressure) I need some time. After a beat. who stands there. Then: JACK No.Sayid walks off -. but the radio. BEACH . Broadcasts full-range.CLOSEUP The broken transceiver.but he finally does. who meets their gaze.com (CONTINUED) . it is dead. Saying one word. far as I can tell.. 102 INSERT . Military spec. Kate nods -.
pressexecute. (then) I fought in the Gulf War. SAYID Sayid. then goes back to the radio. HURLEY Some people have problems. 103 Sayid glances up. SAYID (considers Hurley) You’re okay. Understatement of the day: SAYID Some people have problems. Where you in the Air Force? Army? www. fought over there. I like you.103 CONTINUED: 57. I have a buddy. Hurley smiles back. Then: HURLEY You’re okay. HURLEY Yeah? (then) Y’ever see battle? SAYID Oh yes. Him. SAYID (amused) Us him. He was in the 104th Airborne. HURLEY No way.com (CONTINUED) . As Sayid works: HURLEY How d’you know how to do all that? SAYID I was a Military Communications Officer. HURLEY Hurley. too. nods: no kidding. (then) Us.
Letting out all of the emotion that’s been building. he’s just bonded with the enemy. standing alone in a lagoon. 104 EXT. CLOSE ON KATE..com (CONTINUED) . And Sun moves away. need you.pressexecute. BEACH .103 CONTINUED: (2) 58. As she does this. And Hurley looks at him.Is it working? SAYID Seems to be -. LAGOON . We HOLD on her..? 105 www. This moment a catharsis for us as well. realizing that holy shit. she wears only her underwear and tank-top in the water. Finding her strength again. KATE -. knowing that somehow she has to keep moving forward. 103 SAYID (looks at him) The Republican Guard. out of sight of the others. using a shirt as washcloth. 104 They 105 EXT..and Sun is slightly embarrassed as she points back..I believe they are finished. aren’t we sending one -.. toward the wreckage: SUN (CONT’D) (in KOREAN) -.Excuse me --.) (in KOREAN) -.And Kate turns to see Sun standing there -.as Sayid finishes wrapping the radio in black electrical tape. she CRIES. SUN (O. dressed now -. KATE -. Her duffel bag on the shore. cleaning herself off. Staring off.Why would we need to pick up a signal.DAY Kate returns.except we’re not picking up a signal.S. And we HOLD on her long enough to see her pull it together.DAY LONG LENS..
with a thought) It is unlikely. 105 SAYID -. somewhere. (then... SAYID Sending a signal from high ground. KATE (uh-oh) .... KATE -. picks up our distress call. but it’s a “transceiver” -.What. KATE .Yes..it transmits and receives. maybe a ship.We could broadcast blind. Hope that someone. SAYID We need the bars.pressexecute.So the radio’s worthless. SAYID -. but perhaps worth a try.105 CONTINUED: 59. Which means you can also read the level of other signals that you are picking up..How high? And Sayid’s eyes flick over Kate’s shoulder as. Right here. (shows her) What you want is to see little bars. Meaning we’d be in range of another radio. There are no bars here. Which might not last for long. And Sayid shows her where RECEPTION BARS would normally be. KATE We need the bars. there are none. But that would be a waste of the battery..com . Currently. www. SAYID (CONT’D) The little bars would show that the radio is getting reception.
. REVEALING -. 106 CLOSE ON KATE -Following Sayid’s gaze.the ENORMOUS MOUNTAINS that hover above them.com . And CAMERA SLOWLY FOLLOWS KATE HEAD AS SHE TURNS..60. And with the next part of their mission now before them. END ACT FIVE www. Scary high.pressexecute. 106 CUT TO BLACK.
If I open him up. ACT SIX FADE IN: 107 EXT. His condition has worsened considerably -.com (CONTINUED) .61. a morose joke) Hey -. As Jack delicately looks at the wound -KATE How is he? Jack glances over his shoulder.. and if I can control the bleeding.. nervous for the Man: KATE (CONT’D) .. Shakes his head: not good. Eyes go back to Shrapnel Man..pressexecute. BEACH . Kate absorbs this.Can you do anything? JACK I can pull out the shrapnel. A lot going on behind her eyes... And she asks. he might be all right. and if he doesn’t go into sepsis -.But yesterday you said -JACK -.. Then -KATE I’m going on a hike.DAY Jack examines SHRAPNEL MAN. But that was yesterday.. almost see her make a decision.I know. (then) I was hoping he’d be at a hospital by now. caring. sees Kate.at least he’s unconscious.. Shallow breaths. But there’s no way of knowing until I see what kind of damage there is in there. (sees she’s freaked.skin taking on a yellow hue. JACK Sorry? We can 107 www.. he’ll be dead within a day.and if I can find some antibiotics... KATE . (beat) We leave him like this.
but I don’t want you going in there. (beat) Run. That’s logic that even Jack can’t argue with.Yeah. and we do.Someone has to -.com .Kate -.Kate --. Jack looks at her.I want you to wait for me -.wait a second -KATE You’re the one who said we had to get out a signal --. If I -JACK -. Connected. but we can’t use it.we obviously need to send out a signal sooner than later --. looks at Shrapnel man.and it can’t be you. Somehow doesn’t want to leave him. Then: KATE You too. Knows he can’t stop her. 107 KATE We fixed the transceiver. I don’t know how long this’ll take -KATE Sayid says the battery won’t last.Yes I did.There’s not time -.intense.Hold on a second -.No --. knowing he has to stay -JACK (CONT’D) Wait for me. not with what he needs --. Anything. what makes you think you’re any safer on the beach than you are in the jungle? JACK -. He JACK If you hear anything.107 CONTINUED: 62. not from here. www. Kate throws another look at Shrapnel Man -. -.you saw what that thing did to the pilot -- Well.pressexecute. JACK Good luck. KATE You know I will.
108 INSERT . cleaning one of his shirts. sees Jin.the complicated couple with their culturally-formed dynamic framed majestically by the incredible tropical terrain. holding an airplane FOOD TRAY. TIGHT ON SUN as she watches him go. cutting the sea urchins for food prep on a large ROCK. HURLEY S'up. JIN (in KOREAN) Try this. it's terse. BEACH . Sun kneels on the sand.DAY At the shore.her eyes holding on her husband as he walks off -. of course. And. it's good. A WIDE SHOT of the image -.pressexecute.DAY Hurley stands in the water.clearly just trying to help -. Sea urchin. When Jin speaks. 110 Try this. Jin stands beside her.SEA URCHIN . Hurley takes a beat to understand what he's suggesting. Hurley turns. www. After a long beat. OCEAN .SHE UNDOES THE TOP BUTTON OF HER BLOUSE. it'll keep you alive. Seemingly cold.but Jin actually slaps her hand. Jin takes the newly-cut pieces and adds them to the tray.EXTREME CLOSEUP The sea urchin gets CUT with a found POCKET KNIFE. She reacts -obedient and accepting as Jin walks off with the tray. not in English: JIN (in KOREAN) I have food. 109 110 EXT. Once she's done. Jin approaches with the tray. And in a private moment of defiance -. putting the piece onto the tray himself. Sun reaches to take one of the pieces off the rock -. collecting the cut pieces.63.com (CONTINUED) . Here. that we are: REVEAL 108 109 EXT.
finally realizing he's being 111 INSERT .What.pressexecute.. (slow. And Hurley turns back. Eyes the comic. MICHAEL .COMIC BOOK . No.That comic's in Spanish.CLOSEUP A page turns. not nearly that hungry.. eat that? JIN (in KOREAN) It's food. Angry. (beat.. there's enough for everybody. Nothing's working. read Spanish--? WALT No. After a beat.D'you. I go to school. louder) Thank you.com (CONTINUED) . 110 -. everything -.Though maybe 'cause you travelled so much that y-- www. MICHAEL . knowing) . reading. BEACH . HURLEY Dude.DAY Walt lies here. guess what.. rejected.110 CONTINUED: 64.all dialog balloons. walks off. 112 EXT. It's THE FLASH. I'm starving... A beat. Michael just nods. Michael comes. 112 MICHAEL Esta ese libro bueno.you go to school? WALT Yeah.. He turns the page. No.. I was kidding. The text -. Vincent's LEASH nearby. Takes a moment.. 111 But I am Jin.are in SPANISH. Lies beside him. (beat) Tell me about your school -.. No way. HURLEY That? What. (then) I found it. pequeño hombre? (nothing from Walt) That was.
then wraps it in a beach towel. But his eyes stay on her. And furious -. 112 WALT I go to school. When we get home. But you.. (off Kate's surprise) I understand why you and the doctor decided not to frighten us. BEACH . Curious -- SAYID I don't like it here. I'll get you another dog. Kate fills an empty water bottle with RAIN WATER collected on the TARP. They're not gonna find us..com (CONTINUED) . Nearby. SAYID The others. willingness to go back in. sending a signal from high ground -. Then: MICHAEL Tell you what. (off her look) I agree. The rescue people -.. (beat. She seems determined here.112 CONTINUED: 65. These words have the opposite of their intended effect -. A beat. 113 EXT. Somehow he's fucked it up again. Sayid nods. Nothing's working.they tell the kid that his dog is dead. The pilot. And Walt looks back at his father.on the verge of tears -Walt gets up and heads off. but your English friend is telling anyone who will listen. he told you what the pilot said. (MORE) www. (beat) But your.this is something we need to do. They've heard about the thing you saw.. grim) They think we are insane for going back in there..pressexecute. Kate hesitates. Michael watches him go.they're looking in the wrong place. his eyes closing.. you don't like it here even more than I do. Driven. Then -- 113 KATE If he told you about the pilot.DAY Sayid puts the TRANSCEIVER in a plastic bag.
sitting a few feet away in the sand.com (CONTINUED) . The first dead body she's ever seen.sweating. Charlie -. quietly: 116 SHANNON .EXTREME CLOSEUP A hand unrolls a sandwich bag containing an ounce of BROWN POWDER. She stares at the corpse. He closes the bag. until Boone slowly walks up behind her.with those deep eyes -... whatever it is you saw. it unnerves her.feeling much better about himself now -- 115 116 EXT. A beat.113 CONTINUED: SAYID (CONT'D) After you saw.... And good thing: Charlie takes a pinky nail-full of the powder and SNORTS it.. 66.DAY TIGHT ON THE FACE OF A MALE FLIGHT ATTENDANT.has found some privacy here. BOONE . eyes open. quiet and nervous. BOONE (beat) . facing us.What the hell are you doing.. And she just stares at the thing.DAY With the crash site in the distance.almost as if looking into her soul. rolls it up -.. BEACH ADJACENT JUNGLE .. SLOWLY DOLLY and RACK FOCUS TO REVEAL SHANNON. hugging her knees. 114 INSERT ..BAGGIE .I think I was mean to him. Brave. I can't really understand.. BOONE What guy? www. BEACH ..pressexecute. 114 115 EXT. Or something else. and God. Then. slightly shaking -. 113 Sayid's looking at her now -. We're TIGHT ON HIM as we watch its effects: Charlie calms -"evens out" almost instantly. Lying DEAD. She just stares. It is either impressive.What? SHANNON He was the guy.
Well come on. pissed off: SHANNON .We've all been through a trauma! The difference is that since the crash you've actually given yourself a pedicure! Her eyes go www. Christ. This morbid moment makes Boone very uncomfortable: BOONE Shannon. 116 SHANNON The guy at the gate.. hurt. Finally she looks at Boone.that isn't-SHANNON Hey. sotto: SHANNON (CONT'D) He saved our lives. Realizing. okay--?! BOONE -.116 CONTINUED: 67. she says. SHANNON (CONT'D) Remember him? And Boone's staring. But she doesn't turn away. we're trying to clear the wreckage why don't you help out. he does remember. I've been through a trauma.. you're being worthless over here. you're sitting on your ass staring at bodies -. back to the body.pressexecute. BOONE (CONT'D) Come on. (beat) In first class.com (CONTINUED) . come on.I'm being what? BOONE -. The guy who wouldn't give us our seats. That makes her turn to him.
SHANNON I'm going with them.No you're not. Shannon.pressexecute.DAY As Kate and Sayid finish ZIPPING PACKS as Shannon.116 CONTINUED: (2) 68.and you're good at it.No? Okay. BEACH . it is easy! I have a better idea than you think I do --. walks past an incredulous Boone. She grabs her WINDBREAKER.Boone just laughs.and we RACK FOCUS past Boone to the distance. I get it -well screw you -. then Boone. where Kate and Sayid pack up to go.I'd rather not waste my time making fun of you! I wish I didn't have any reason to! Yeah.you don't know the first thing about what I'm thinking --. BOONE Oh yeah? SHANNON (fuck you) Yup. (she doesn't stop. KATE Thanks. Then -. A beat.) Shannon! 118 EXT. SHANNON (CONT'D) I'm going. BOONE -.No you don't! BOONE -. arrive -SHANNON I'd like to come with you. what are you thinking? 117 117 ANGLE -As Shannon's eyes flick over Boone's shoulder -. On the hike.com (CONTINUED) . 116 SHANNON You know what? It's so easy to make fun of me -. but we're -- 118 www.
annoyed. Boone. I'm going. who arrives) You're going. no time) Look. CHARLIE -.Where.like.makes choices just to infuriate her family-. but she's quite nice.Yes. (turns to Charlie. follows. two years older than me? Please. KATE I'm not sure that's a good idea -SHANNON What're you -. Says quietly: CHARLIE You couldn't tell from that. Are you? KATE (firm. slightly taken aback by Kate.then PULL BACK TO REVEAL we're with: www.You don't know what the hell I "do"! BOONE She postures -.which at the moment is me -SHANNON Shut-up and stop trying to be charming-(to Kate. et al) I'm coming with you. Then Charlie A LONG SHOT of them walking off -. really.118 CONTINUED: 69. Shannon looks to Charlie. 118 BOONE She's not going. and Sayid. everybody can come. to Boone) -. And Kate walks off. Definitely.The hell I'm not --. Shannon heads off.pressexecute.com . (to Kate et al) -.She doesn't want to go -she does this -- SHANNON (sharp. (heaves her PACK onto her back) But we're leaving now. on the hike? SHANNON Yup. right? CHARLIE -.
his face changes. He just stares at the mysterious letter. KATE Decided to join us? SAWYER Yeah. quickly. looks like it. In general. Unfolds it. with Sayid at the head of the group. 120 www.the growth gets thick quickly. Pulls out a folded piece of paper. more surprisingly. Shannon and Boone behind her in that order. a "fuck 'em all" attitude.pressexecute.70. who moves quickly. vulnerability.... KATE What changed your mind? SAWYER (mind your own business) I'm a complex guy. through the jungle -.com (CONTINUED) . His eyes awash in concern. after the others.DAY On Kate. who he looks at.. Shannon -. FUSELAGE . 119 120 EXT. And now we CUT BACK TO SAWYER. She's surprised -. and. Their eyes lock. He gets up and moves off.. Opens it. JUNGLE . TIGHT on Sawyer's face as he re-reads the page. After a beat. They're just entering the jungle -.passing Boone. something weighing on his mind. 119 EXT.then Sayid and KATE. walking with her for a moment. He finishes the cigarette and puts it out on the damn airplane that brought him here.puts it back in his wallet. Charlie. he re-folds it -. determined.DAY Sawyer watches them go as he sits on part of the shattered wing. more anxious and troubled than we've seen him. near the remains of one of the enormous engines. Charlie.. he pulls his wallet from a back pocket.and not pleased. Sweetheart. He's taking final drags on a cig. his eyes actually WELLING UP with what he reads. And slowly. quickly. Finally.
And we. Shannon and Boone.. MOUNTAIN BASE . Plus. Now WE FAVOR Shannon and Charlie. Our SIX HIKERS (Kate.pressexecute. The hike isn't any fun. up the base of the MOUNTAIN. yeah.but not.DAY WIDE SHOT. Kate wanting to DISSOLVE TO: 121 EXT. Also. CHARLIE Right. www. Sayid.What. Spectacular view. taking the lead. that Thing might show up to end their lives. sort of-SHANNON -. Kate especially -. it's HOT. with Sawyer at the front. SHANNON Why? Nothing. 120 And Sawyer keeps walking. they're scared. the band? CHARLIE Yeah. 121 SHANNON Do you have one of their songs stuck in your head-CHARLIE -. hacking away plants with a found stick) trudge through the jungle..Uh. CHARLIE Horrible. I'm sorry. SHANNON (not a fan) Yuchhh.120 CONTINUED: 71. who walks beside her: CHARLIE Y'ever heard of Drive Shaft? SHANNON .God. Charlie. Me too. CHARLIE (laughs it off.. at any moment. Afraid that. tell him off -.. dying) Yeah.looking around with concern as they walk.com .
What's this for? JACK Please just do it -. he asks: JACK .com (CONTINUED) .especially any drugs that end with "mycin" or "cillin"-those are antibiotics-HURLEY -.I need any prescription medication you can find -. Jack's hands UNZIP it. And he notices MICHAEL. BEACH . HURLEY -.DAY Jack. disappointed..pressexecute.How's your son? Michael looks up.Okay -JACK I need you to help me go through the luggage -. I think he'll be all right. DISPOSABLE RAZOR. 124 JACK How old is he? MICHAEL Nine. sitting nearby among the bags. puts the shaving kit back in the bag -he TURNS. www. 122 123 INSERT TIGHT ON A SHAVING KIT.. 122 EXT. surprised. As Jack goes through another bag.72. opens another bag. suddenly) Ten.DAY Back near the fuselage. BEACH . staring off. Pulls out a 123 124 EXT.you'll see. Walt? MICHAEL Yeah. (then. Jack approaches Hurley -JACK I need some help.
I saw him yesterday.. watching Locke.com (CONTINUED) .. jungle. setting up the game.pressexecute. looked good. They're -JACK -.. -. 124 Jack glances at Michael. then finds something in the luggage. 126 www. Hands setting up the pieces. Sighs. MICHAEL -. And Jack pulls out a STRAIGHT RAZOR.Yeah.Was it a white lab? MICHAEL (stunned) .. Walt comes into frame.Yeah. After a long beat. you know. 125 126 EXT. Michael looks toward the jungle. jungle -. As he UNZIPS it.what was it? Jack folds the razor shut. JACK I have no idea.124 CONTINUED: 73. in a WIDE SHOT. hundred yards in or so.BACKGAMMON SET EXTREME CLOSEUP of a mini-travel MAGNETIC BACKGAMMON SET. He snaps open the blade. It's another SHAVING KIT.What was that thing you saw.What? MICHAEL Where? He In the JACK Over there. It was on the plane. And Jack walks off. burdened with a task he doesn't want to accept: going into the jungle after that damn dog. JACK -.DAY It's Locke. Kids. starts to go through the contents -MICHAEL (CONT'D) Walt's more worried about his dog than anything. so. Tests its sharpness with his finger. 125 In the INSERT . BEACH .
The effect is almost mesmerizing -- www. Locke asks..126 CONTINUED: 74. (beat) I was in Australia with my mom. LOCKE Not really. Slowly and gently continues to set up the board. Watches. WALT Nope. (long beat) . 126 A long beat of silence. You sorta wish he weren't. without ever LOCKE Do you play? A beat. looking up: Finally. Locke looks at the kid. She died. A bizarre child-like honesty that makes him accessible to Walt.What is it? Is it like Checkers? As odd as Locke seemed around the adults. (looks up) It's a better game than Checkers. we move a lot.com (CONTINUED) . Matter of fact. LOCKE You're having a rough month. And after a beat.pressexecute. LOCKE You have no accent. So. Locke turns his attention back to the board. Not talking down to the kid. he almost seems normal now.. WALT Yeah. Walt moves closer to Locke. LOCKE (CONT'D) Do you play checkers with your pop? WALT (long beat) No. (beat) She got sick. pushing the small black and white tiles onto their starting points. And Walt appreciates that.
WALT (whispers to himself) ...Five thousand.. Archaeologists found sets when they excavated the ruins of Ancient Mesopotamia. Much older than chess. Locke extends his closed fists. Folds them into his CLASPED hands and gently shakes. but Walt does. Would you like to guess how old they were? WALT A hundred years? LOCKE Five thousand years.. But he asks: WALT Did they have dice and stuff? LOCKE But theirs weren't made of plastic. www. offering them to Walt. Which doesn't really land for Walt. Two sides. Yes. He slowly opens one. Walt considers. (then) Their dice were made of bones.. 126 LOCKE (CONT'D) Backgammon is the oldest game in the world. LOCKE The Persians called it "Takhteh Nard" which means "Battle on Wood".pressexecute.. Walt watches carefully as Locke picks up one WHITE piece and one BLACK one. One is light.126 CONTINUED: (2) 75. LOCKE . deliberates. And now that distracted creepy grin is back.com (CONTINUED) ... Two players. One is dark...That's older than Jesus Christ. We don't get to see it. WALT (slightly nervous) Cool. Then taps his finger on Locke's right hand.
Sad. 126 LOCKE (CONT'D) Walt. with a tray of sea urchins.pressexecute.You wanna know a secret? HOLD ON the boy.What is it? Are you -.. And God.. But Jin insists: JIN (in KOREAN) You will need to eat -.and Claire stands -CLAIRE -. staring at him. Chews some off.Oh. sotto) . 127 JIN (CONT'D) (in KOREAN) It's good.feel this! -.I felt it! Come here -.are you okay? And she suddenly SMILES -. And after a beat. suddenly her face changes.THANK GOD.especially you.DAY Back at the beach. SHE'S FELT A KICK! CLAIRE -. intrigued.which disturbs him to no end -he doesn't like this situation at all -. but takes some.beams -. Jin is there. does she not like it. (beat..Oh my God -JIN (in KOREAN) -. Like she just felt something. Scared. you should have some..especially what she does: PLACING HIS HAND ON HER BELLY -- www. She hesitates. isn't it? And as she eats the horrible food.com (CONTINUED) . writing in a journal. Claire sits in the First Class seat. 127 EXT. Jin watches her. concerned -... Jin looks on.. Eats it. BEACH . .126 CONTINUED: (3) 76.And she takes Jin's hand -.. nodding: CLAIRE No thank you. She regards the plate.
pressexecute. OVERGROWN GRASS FIELD .her eyes tearing up as she talks to her belly: CLAIRE (CONT’D) I felt you -.Just check the damn radio! SAYID If I just CHECK. FAST -. As they do: SAWYER Okay. Different area.just try it. it's moving -.127 CONTINUED: 77. GROUP arrives.no. coming from the OVERGROWN GRASS FIELD -. we might not have any juice left when we get to -A sudden RUMBLE -.and they all FREEZE. JIN (in KOREAN) -.no wait....I'm not asking you to keep it on all day -SAYID -. hiking through. some time later.thank you -. that's okay.I would rather not -. please let go of my hand -- And Claire's laughing now at the relief -. that's all right. SAYID I don't want to waste the batteries -SAWYER -.he's moving around -.Tell you what -.Do you feel that?! Feel that! It's a kick! That's a foot! Right there -. SAYID We're not gonna have any reception yet -SAWYER -.DAY Another WIDE SHOT.thank you! 128 EXT.Excuse me. I guess I think it's a he. afraid -And our 128 www.We're still blocked by the mountain -SAWYER -. I don't need to -.. (to Sayid) You should check the radio -. 127 CLAIRE (CONT'D) -.see if we're good.they all turn to look toward the SOUND.com (CONTINUED) .he.something LOUD -something COMING. Wide open space.
KATE -KATE . 128 BOONE -. HORRIFYING BLUR and just as fast we SMASH CUT BACK TO: 129 130 EXT.? -.BUT IT'S MOVING SO FUCKING FAST THAT IT'S JUST A LOUD.Kate's been through too much now -.We're RIPPING THROUGH THE GRASS at a SIDE-ANGLE -. I think.Hell yeah. JUNGLE .128 CONTINUED: 78. TALL GRASS . and it's KICKING UP DUST in the over grown grass -- 130 131 EXT.Another FAST. SCREAM-SHRIEKING OUT OF HER MIND: SHANNON I SHOULDN'T HAVE COME ON THIS!!! 132 www. TALL GRASS .Something's coming -Then we SMASH CUT TO: 129 EXT.A VIEW OF THE LEGS OF THIS CHARGING. SNORTING BEAST -. LOUD BLUR of a CHARGING CREATURE and -- 131 132 EXT.to the distant.com (CONTINUED) . it is -.a hundred yards away and closing -it's BIG. it's CHARGING.she grabs Charlie and the two run off -KATE LET'S MOVE! The RUMBLING CHARGE -. sudden panic) -.DAY -. tall-growing GRASS -.DAY WHIP TO CHARLIE..A SNORTING BEAST GETTING LOUDER -Shannon just stands there.PUSH IN on our characters -.The hell's that? SHANNON (quiet.pressexecute.DAY -. JUNGLE ..oh God -And they all turn to look -.DAY -.Coming towards us... TERRIFIED if under-stated: CHARLIE (choked voice) -.
Guys? This isn't just a bear.and Kate yells: KATE SAWYER. a pair of SCISSORS. Shannon. that's a big bear.. she turns back to Sawyer. Out of breath. shocked.. SEWING KIT. FALLING TO THE DIRTY GROUND. that's what killed the pilot? Kate throws a look at Charlie -.this is nothing compared to that -KATE -.. intensely facing whatever's coming -. who stands there alone.. DEAD -. Sayid and Boone -. in total mind-bending shock at what's just happened.this is exactly why he should have kept his mouth shut. 132 -.That's.all of them. watching in out-of breath horror as Sawyer FIRES. .DAY MOVE PAST PRESCRIPTION BOTTLES. (beat) It's a polar bear... that's maybe a little tiny preemie baby version -. EXPLODING FROM THE BRUSH: A GIANT FUCKING ANIMAL BURSTS OUT.You think. SAWYER!!! SAYID LET HIM GO! But Sawyer doesn't move -. they all walk over to the beast...BLEEDING -and heaving its last breaths only two feet away from Sawyer. A long beat.. 133 EXT.pressexecute. then: SHANNON (CONT’D) . No. But as the cat is already out of the bag -CHARLIE That? No. And they're all staring. THE 133 www. in shock. COME ON!!! NO. AGAIN AND AGAIN and the thing gets CLOSER AND CLOSER UNTIL SAWYER'S GUN FIRES OUT AND SUDDENLY.com (CONTINUED) . MAKESHIFT INFIRMARY .At a giant WHITE BEAR.132 CONTINUED: 79. who stares.... BOONE -. which inhales and then exhales for the last time. incredulous.instead he does something wildly surprising: HE PULLS OUT A GUN AND BEGINS FIRING AT THE APPROACHING THING! BAM! BAM! BAM! And Kate and the others stop. And now we're on Charlie.And Boone grabs her and YANKS her away and Kate is RUNNING to.
Hurley's www. A REMOVED SINK BASIN FROM THE LAV.pressexecute.It's unlikely he'll regain consciousness. man. THE STRAIGHT RAZOR. he's out.makeshift BANDAGES. HURLEY Uh -. JACK Then don't look.So what do I -JACK -. guy -. Hurley doesn't exactly feel reassured by this information. but the pain might bring him around. If it does.133 CONTINUED: 80. Leans over the "patient" -HURLEY You sure he's out? JACK He's out. PAN UP TO REVEAL -Jack has built a makeshift TENT out of the deflated LIFE RAFT over Shrapnel Man. now stripped down to his waist. I need you to hold him down. Yeah..you awake? (louder) Yo! There's a rescue Plane! (nothing) Yeah. HURLEY But I'm not so good around blood.. Hurley is here.. Hey! Jack passes the blade over the flame of a LIGHTER. HURLEY How do you know he won't wake up when you pull that thing out? JACK (flips open razor) I don't.. pale -HURLEY (CONT'D) . full of water. 133 CLEAN WHITE T-SHIRT torn into STRIPS -.com (CONTINUED) . Moves in real close over Shrapnel Man -HURLEY Hey.I'm not so good around blood.
Maybe a silent prayer.. and then.com . But he'll probably get infected no matter what I do. we just hope the antibiotics work. END ACT SIX www. A TENSE MOMENT. 133 JACK Just do your best. suddenly Jack YANKS THE SHRAPNEL FROM THE MAN'S BELLY as we -SMASH CUT TO BLACK.133 CONTINUED: (2) 81... Don't look. wash your hands? JACK I did. then puts both hands on the shrapnel.pressexecute. He lives. Mutters something to himself. HURLEY (turns away) Okay. okay? Jack puts the lighter down.. HURLEY Shouldn't you like.
okay? The strips. hits the ground like a bag of rocks -. HURLEY Dude. -. Hurley has neglected his duty in holding Shrapnel Man down." Oh what? What's going on? Is there something in there -JACK Just hand me the strips -. shoves his gun into the back of his pants. ACT SEVEN FADE IN: 134 INT.. 135 www.Jack doing his best to assess the wound. JUNGLE . Hurley crumples.That can't."Oh.Oh. Jack sees it -Hey! JACK Don't even think about -.DAY Seconds after Jack has pulled out the shrapnel -.com (CONTINUED) ....still reacting to the almost-dead POLAR BEAR.pressexecute.I don't think I can --.82. MAKESHIFT INFIRMARY TENT . eyes glazing over. And as he does his best to refocus on the task at hand -135 EXT. in awe/disgust/shock about what's happening in front of him -HURLEY Dude. SAWYER It's a polar bear. JACK (CONT'D) Dammit. now bleeding profusely. BOONE . be a polar be-KATE It's a polar bear. -.HURLEY! But it's too late.I need to get this blood -(feels something.. eyes on the bear. JACK Hand me those strips -- 134 And thank fucking God most of this happening below frame because Jack actually just put his hand inside the guy..I need a little focus.DAY The group -. Sawyer.PASSED OUT. Just hand me the -- But Hurley in fact cannot focus. He's looking at the open wound. it ain't good) -.
SAWYER (fuck you) Yeah.. polar bears don't. normally live in the jungle.. a freakshow -This is KATE (to Sayid) Have you ever heard of anything like this? SAYID No. Did. uh. Did. one of the bodies. 135 SHANNON Wait a minute.Not the bear. SAYID (confronting him too) One of the bodies. SAWYER You're welcome for that.. I never.. polar bears don't live near this far south -BOONE -. finished college. this is. SAWYER Prob'ly Bear Village. spot-on. right? CHARLIE Yeah.. the gun.135 CONTINUED: 83. KATE Where did that come from..pressexecute. they don't. SHANNON People don't carry guns on planes! www.This one does. SAWYER I got it off one of the bodies.. Tough. know -How the hell do I KATE -.com (CONTINUED) . But.. Wait a minute. And Kate turns to him. No.
thought it might come in handy. Marshal! was one on the plane -KATE -. 135 SAWYER They do if they're a U. guess what. www. you should be kissing my ass after what I just did for you! SAYID I know who you are.. SAWYER (beat) . but you are the prisoner! You're the prisoner.I'm the what? SAYID You found a gun on a U. Sweetheart.S.S. Those handcuffs were on you.135 CONTINUED: (2) 84.pressexecute.Hey.Why do you think he was a Marshal? SAWYER Because he had a clip-on badge! (WHIPS OUT THE BADGE. guess what. screw you! SAYID That's who you are.so I took the gun. I believe you did. nervous) That's how you knew there was a gun -SAWYER -.. Marshal? Yes. you son-of-a-bitch! SAWYER Be as suspicious of me as I am of you -go ahead! SAYID You accuse me. angry) Took that too! Thought it was cool! Listen. it did! KATE -.com (CONTINUED) . You knew it was there because you were the one he was bringing back to the States. (everyone stares at Sawyer.How do you know that?! There SAWYER 'Cause I saw a guy lying there with an ankle holster -.
we just escaped death. defiantly holding the gun on Sawyer. She tosses Sayid the clip.Sawyer swings around -SAWYER (CONT'D) HEY! But Kate stands there. CHARLIE -.com (CONTINUED) .135 CONTINUED: (3) 85. somehow amused by her. SAYID (CONT'D) But there's still a round in the chamber -. But Kate. And Kate does it: it POPS out with a solid metallic SNAP. SAWYER I know your type. we can all play a part! (to Shannon) Who do you wanna be? I'll tell ya what you should be! And in the middle of their argument KATE GRABS THE GUN FROM SAWYER'S PANTS -. I've been with girls like you.hold the grip. 135 SAWYER -.TENSE -KATE Who knows how to use a gun? CHARLIE I think you just pull the trigger. Hands Sawyer the worthless gun.push that.pressexecute. KATE I'm not so sure. let's not push our luck -KATE I want to take it apart. it will eject the magazine. pull back on the top part of the gun -She does that -. www. She picks up the bullet. SAWYER Yeah.the bullet POPS out.Oh -SAYID There's a button on the grip -. I'm the criminal! You're the terrorist. He takes it.Fine. Everyone just freezes -.
and we HOLD ON KATE for a long beat as she watches him go. PLANE .O. Kate's eyes just stare at the blue out there. A beat.pressexecute. sweetheart. MAN (CONT'D) Hey -. The Flight Attendant turns to the MAN sitting beside Kate -FLIGHT ATTENDANT #3 -.You.) Can I get you a refill? And Kate looks up as we CUT TO: 136 INT. Kate stares out the window.THE MAN WHO JACK IS OPERATING ON. finally HEARING: FLIGHT ATTENDANT #3 (V. pensive. (she says nothing) I'd be worried too.. The Man glances at Kate. I was you. sure -And the Flight Attendant moves away. MAN (to her chest) I'll have a coffee.look at the bright side. who looks up at her -.and realize that we're back on the plane.Coffee.. (MORE) 136 www. Sawyer's amused by her. The moments before the trouble. I'm fine with this.com (CONTINUED) . There's an off-chance they'll believe your story. And he just walks away -.DAY We're looking up at the FLIGHT ATTENDANT -. kindly says about her almost-empty cup of Coke: KATE No. And the Flight Attendant is talking to KATE. FLIGHT ATTENDANT #3 -. sir? AND WE REALIZE IT'S THE MAN WHO WAS BLEEDING FROM THE HEAD AT THE CRASH SCENE -.135 CONTINUED: (4) 86. thank you. 135 KATE Not girls exactly like me. MAN You look worried.and as if having to hide some deep trouble.
MARSHAL WAS TAKING BACK TO THE STATES -.and what we see shocks us.AND THE MAN BESIDE HER IS THAT MARSHAL. it's clear now -. she resents this man. DING -. HITTING THE MAN BESIDE KATE -.BUT HOLY SHIT. SHE'S THE ONE THE U. 136 Kate finally looks at him.PEOPLE HIT THE CEILING -. As she finishes her drink. thanks.this guy is a Class-A prickfuck. KATE I have one favor to ask. the PLANE SHAKES.com . we're about to learn. FLIGHT ATTENDANT'S VOICE Ladies and gentleman. MAN This oughta be good. (long beat) You sure you don't want another soda? KATE (defiant) Yeah.pressexecute..HE'S SUDDENLY UNCONSCIOUS AS THE PLANE HITS HORRIBLE TURBULENCE -- www. If it wasn't clear before. For a reason KATE It doesn't matter to me what you believe.SCREAMS AS THE BEVERAGE CART COMES DOWN..S. HER JACKET HAS HIDDEN THEM FROM THOSE AROUND HER -. Then she goes to take a final sip -. Wh-- AND SUDDENLY THE PLANE DROPS TWO HUNDRED FEET IN TWO SECONDS -. 87. An intense stare. KATE IS WEARING THE HANDCUFFS. the pilot has turned on the fasten seatbelts sign -please return to your seats with your seatbelts fastened. No big deal. And Kate turns to the man. Just a little. Always has been.136 CONTINUED: MAN (CONT'D) (tongue firmly in cheek) I sure know I do. He grins. MAN Well that sure is true."FASTEN SEATBELTS" LIGHTS UP.
DAY Just where we left Kate -. His patient.SHE CAN'T REACH HIGH ENOUGH -. but it has a frantic feel to it. PUTS IT ON HER -.THE VIEW OUT KATE'S WINDOW ALTERNATELY SKY AND SEA AS THEY DROP -- 138 139 THEN KATE GRABS THE UNCONSCIOUS MAN AND PULLS HIM OVER ON TOP OF HER. 142 www.SHE DOES -THE OXYGEN MASK. And Kate nods -.as the others walk off.AND THE PLANE DROPS -.AND SHE CAN BARELY BREATHE NOW -.UNABLE TO REACH FOR THE OXYGEN MASK -- 137 138 PEOPLE ARE SCREAMING -CAMERA SHAKING MADLY AS THE STRUCTURE OF THE PLANE IS TESTED -.TERRIFIED --.com (CONTINUED) .and heads off -- 141 142 EXT. HEAD BLOODY AND SHE PULLS HIS SCRAMBLES TO UNLOCK HER CUFFS -. sweetly: SAYID -. Jack continues his surgery. who's pale now. We don't see what Jack is doing. Up to his elbows in blood. now clearly identifiable as the MARSHAL who flew with Kate.PEOPLE AND THINGS FALLING OUT INTO NOTHINGNESS AS WE SMASH CUT TO: 141 EXT.pressexecute. Sayid then moves to Kate. MAKESHIFT INFIRMARY TENT . And he says to her.it's MAYHEM as the thing is about to break up and the OXYGEN MASKS DROP NOW and people scramble to grab them -.Kate tries too -BUT HER CUFFS ARE ATTACHED TO HER BELT -. following Sawyer.88. 139 140 AND WE'RE TIGHT ON KATE -- 140 TERRIFIED OUT OF HER MIND AS THE PLANE IS ABOUT TO BREAK UP -AND WE'RE LOOKING AT HER AS THE REAR OF THE PLANE RIPS OFF -JUST FUCKING DISAPPEARS -. JUNGLE .AND PROPS IN HIS SEAT -. Clearly get the sense that things have gone from bad to worse.GRABS HIS MASK AND PUTS IT ON HER -.HE SLUMPS KEY-RING OUT -AND SHE GRABS THE MARSHAL UP HIM. 137 PASSENGERS SCREAMING -.DAY Hurley still out fucking cold.We should keep moving.
something coming out in a whisper -.using the torn shirt to soak up the blood with his left hand -.A desperate attempt to stick his thumb in the dam that is this guy's life..but he's conscious now. he sees his father. MICHAEL (CONT'D) You looking for this? Walt looks. 143 www.REVEALING VINCENT.DAY TIGHT ON A SMALL LEAF (known as "Sleeping Grass"). 142 His hands move on autopilot -.leans closer -What? JACK (CONT'D) I can't. loving him. studying this odd plant.across the beach.) Walt! And Walt turns around -. Walt's face comes to life as he RACES across the sand to the dog.S. trying to stitch up whatever is torn inside -. After a beat he HEARS: MICHAEL (O. who runs to Walt. And that's when -SHRAPNEL MAN Gah --Jack FREEZES -. Pulls him close with his last ounce of strength.. And suddenly. And he HISSES -THE MARSHAL WHERE IS SHE? Off Jack's face -143 EXT. He can't help but smile at the reunion.holds the needle and thread in his right. And Michael steps forward -. BEACH .and the LEAF CLOSES.pressexecute. Michael watches this.the guy is WILLING himself to say something -Jack puts down the needle -. A small hand touches it -.142 CONTINUED: 89.the Man's face is contorting in pain as he begins to GAIN CONSCIOUSNESS -JACK -. WALT'S WHITE LAB. Walt hugs the dog. the guy GRABS Jack by the shirt. Moving his lips. sitting on the sand.No -The guy is literally struggling to breathe -. curious.com (CONTINUED) . RACK FOCUS TO REVEAL Walt.
MOUNTAIN . And he walks up to camera and stops -now in EXTREME CLOSEUP. stunned. exhausted.Sayid's shocked -. stares at him. SAWYER Oh. SAYID We're up higher.com . Stares at the screen.and Jack's reaction is shock. And Jack Michael watches as Jack finally sits back. SAWYER (asshole) Yes.pressexecute.as he looks off. past Sayid as Sayid turns on the radio. Sawyer walks off. Disbelief.SAYID Also walking. And Michael watches him. ANGLE . we are. HOLD ON HER for a long beat. his mind spinning -144 EXT. Now it's a good time to check the radio.143 CONTINUED: 90..DAY We're TIGHT ON KATE as she walks.is telling Jack something.who kneels over the Man with the shrapnel wound.the Marshal -.. Not before.breathless -- 145 www.holding on to Jack's lapel -.dies. but now.can't hear anything -. We're TIGHT ON JACK -.. The Man -. Sawyer sees this. reliving her last moments on that airplane. shocked. 144 145 AND WE SEE HIS POV -TIGHT: A BAR FLICKERS in the RECEPTION window -.LONG LONG LENS -.. 143 Then Michael looks over to Jack -. And Jack is talking to the Man -and Michael watches this from a distance -.but what Michael sees is fascinating. staring off. intrigued. He pulls out the transceiver as they go. numb. Something urgent -. And the Man -.
What's that? -.the thing doesn't work -And once again: SCRRRRRREEEEEEEEEEEEEEEEEEEEEE! releases the button -SAYID No -.Sayid fiddles with the controls as the others surround him -.Bar -.Feedback from what? -.he holds down a button and makes the call: SAYID (CONT’D) -. loud) HEY! WE GOT A BAR!!! The Others stop -.What would do that? HORRIBLE FEEDBACK! 146 SAYID -. (suddenly) We can't transmit because something's already transmitting.I don't know -- SAWYER I'll tell you what would do that.Mayday mayday-But: SCRRRRREEEEEEEEEEEEEEEEEEEEEEE! KATE -...Feedback --.pressexecute.bar. it's not broken. This guy not fixing the radio -.turn to him -. 146 BACK TO SCENE SAYID -.com (CONTINUED) .the signal's strong -Close? close? CHARLIE You mean here on the island That's fantastic! BOONE Maybe it's other survivors -SHANNON From our plane? How -SAWYER So what kind of "transmission" is it? www.91. there's a bar-(then.no. This sinks in -SHANNON What? CHARLIE Transmitting from where? Sayid SAYID (CONT’D) Somewhere close -.
Ils sont tous morts. TIGHT ON KATE as she finally asks the only question really worth answering -KATE Can we listen to it? SAYID I don't know what frequency the signal is -. The French are coming! I've never been so grateful for the French -Our people can't believe they're actually hearing another voice: KATE I never took French -What's she saying? FEMALE VOICE (V.com (CONTINUED) .Veuillez nous aider. SAYID -.Does anyone speak French? MOVING over all their faces as the voice continues. 146 SAYID Could be a Satphone -..it must be -And suddenly GASPS from the group as they HEAR A FRANTIC FEMALE VOICE: FEMALE VOICE (V. No. But then -.maybe a radio signal. And not since Algebra 2 has Shannon been on the spot like this...146 CONTINUED: 92.) .. www.O. Il est dehors et Brennan pris les clefs! CHARLIE -..O.. Boone's pointing at Shannon. shut-up -- CHARLIE It's the rescue crew -.nothing but STATIC..) -.. None of them speak French.pointing: BOONE She does.pressexecute.hold on -Sayid begins to SCAN for the frequency -. SAWYER -.There's no transmission -KATE Sawyer. Ils sont morts -.Il est dehors.That's French...
SHANNON No I don't... SHANNON DRINKING! NOT STUDYING! A MALE VOICE,
BOONE WHAT THE HELL ARE YOU TALKING ABOUT, YOU SPENT A YEAR IN PARIS!
And now another VOICE emerges from the walkie. oddly flat. Without inflection. Automaton --
MALE VOICE (V.O.) Iteration one seven two nine four five three one. CHARLIE (fucking befuddled) Right then -- what was that? But now the FRENCH WOMAN is speaking again. FADING a little... SAYID -- Nonono --- The batteries -- they're dying --- What? And her voice is
KATE "Nonono" what?
BOONE (to Shannon) I'VE SEEN YOU TALK FRENCH!!! THIS!!!
Shannon tries to understand it -- shaking, her eyes closed -Kate's nervous -KATE How much time do we -- ? SAYID -- Not much --
SAWYER You're telling me no one here speaks French?!? CHARLIE -- That voice -- that's weird -MALE VOICE (V.O.) Iteration one seven two nine four five three two.
And THE DESPERATE FEMALE VOICE begins again... FEMALE VOICE (V.O.) -- Nous aider... Ils sont morts -SHANNON (small voice) It's -- it's repeating --
SAYID -- Yes, she's right -It's a loop. "Iteration." It's repeating the same message. (and to prove it) It's a counter -- the next number will end five three three. And they HUSH, focused on the transceiver as -MALE VOICE (V.O.) Iteration one seven two nine four five three three. Beat. Then, the FRENCH WOMAN begins again, still FAINTER Sayid looks up at the others, triumphant. SAWYER Does anyone understand what the hell he's talking about? SAYID It's a running count. Of the number of times the message has repeated. It's roughly thirty seconds long, so... Sayid's eyes look skyward, lips moving -- runs the numbers... SAWYER Don't forget to carry the one, chief. CHARLIE -- Guys, the battery -KATE Give him a minute. He
Boone couldn't care less about figuring out the numbers. is still intent on his sister -BOONE -- C'mon, Shan -- What's she saying? Try. FEMALE VOICE (V.O.) Si n'importe qui peut entendre ceci -- veuillez nous aider...
SHANNON (scrambling; stressed) -- I don't know -- I think she's saying "Please." (listens) She's saying "Please help me. Please come get me."
SAWYER (losing his shit) Or she's not! You don't speak French!
KATE Let her listen. FEMALE VOICE (V.O.) Il les a tues. Il les a tues tous. And Shannon's face FALLS as she listens, something registering... and whatever it is, it scares the LIVING SHIT OUT OF HER. What? CHARLIE What is it?
The voice gets fainter and fainter. Shannon brings the walkie to her ear, she's calm now, almost as if she's CHANNELING the speaker. And yeah -- it's fucking SPOOKY... SHANNON "Please help... I'm alone now... on the island alone. Someone please come... the others, they're dead. It killed them. (then) It killed them all." And with that, complete and utter SILENCE. The battery is dead. Just the wind. Then Shannon lowers the transceiver. We suddenly find SAYID. His lips stop moving. His eyes drop from the heavens. And he looks even more frightened than the rest of them. SAYID Sixteen years. SAWYER (snapping out of it) What? SAYID Sixteen years. Five months. days. That's the count. The count? CHARLIE What -- ? And nine
BOONE You wanna give us a minute here, man? 'Cause this is --
SAYID (CONT’D) The message. The iterations. It's a distress call. A mayday. A plea for help. And if the counter's right, it's been playing... over and over for sixteen years.
com .. THE END www. SAWYER If someone came. no longer so sure they were lucky to survive. All equally freaked..146 CONTINUED: (5) 96. 146 And we let that doozy sink in for a moment before -BOONE Someone else was stranded here? KATE Maybe someone came for them.. Another beat. why's it still playing? Beat.pressexecute.where are we? CUT TO BLACK. And another. Finally -CHARLIE Guys -.. Taking in all six of them.
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