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The Tango-A Secret Code

Juan Pablo Navarro

Kicho(Allegro bars 9-16)


As Written

Ex.1

? 4 # n #
4

b b

#
#

# b

Piazzollas Marcato style in Kicho


# n
?
#

Ex.2


b b

# b

etc...............................................................

Marcato with short drag w/gliss


As Kicho played
Ex.3

? .

> #
J
f
F

Arrastres(Drags)
Long arrastre
Am



n # > # > b
#

b n

b
>

f Ff
F f F f


? >

T.2

T.1
Ex.4

Long arrastre w/gliss.

Short arrastre Bow

Short Arrastre w/a little gliss.


T.4
? >

T.3

>

>

Short Arrastre W/art. by fing.

Long Arrastre w/ art. by finger.


T.5

Other arrastre.
With Quintuplet
T.7

>

T.6

Mixing gliss-fingering

descending long


? > # #

T.8

>
#

>

T.9

>

# #

Marcato example in Recuerdo -Osvaldo Pugliese


Orquesta Tipica(bajista Alcides Rossi-1944)bars 17-24

.
.
f p f p

arco

? ###
Ex.5

? # # #

###

# .
. .

. .

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. .

n##

A Tango -A Secret Code


2

Marcato in 2:Biyuya-Astor Piazzolla quinteto-(1978-1979)bars1-8


Bass player:Hector Console.
arco

Ex.6

> >

? ## j

>

arco

pizz.

>
> . j b
. > >
>
>

pizz.

arco

45

>

pizz.

arco
arco
> >
n > >
n
jn
? ## n
. j n b n n J
.

. > >
. > >
>

pizz.

50

n#

Marcato example en El Entrerriano-Horacio Salgn Orquesta Tipica-Bars 4-13(1951-53)


bass player Angel Alegre
55
Ex.7

?#


> # # . > .

j # j # . #
J
J

J >
>

>

pizz.
pizz.
pizz.
pizz.
pizz.
arco
arco
arco
arco
>
>
>
> arco

.
.
>
>
>
>

.
?#

>
simile...............................................
F
F
F
f
f
pizz. > >arco . pizz. > arco > b pizz.
. . >arco
.

?#
nbb
j

.
.

Marcatto example en La cumparsita Matos Rodriguez-version orquesta Juan Darienzo bars 1-4
bass player Juan Puglisi-1972
pizz.
simile

Ex.8

? b #
b
p

##
nn #

Marc.:Michaelangelo 70-Piazzolla:The Central Park Concert(bars7-17)


Bass Player .Hector Console
x4

Ex.9

? # # # .. ..

f
80

? ##

juanpanavarro@gmail.com-www.myspace.com/juanpablonavarro

nnn

A Tango -A Secret Code


3
More equal accentuation

More difference in Accentuation

(1)On Tangos alike "Revirado","Michelangelo 70",etc


(2)On Tangos Like "Biyuya","Zum",etc.
from Julian Peraltas Book-"La Orquesta Tipica"

Sincopas
1-A Tierra Sincopa(Old Sincopa)
Dm
T.1 Arco or Pizz
Am
Ex.10

? .. j

> .

>
.

> .

J

>

> .
J

Em

>
.

2-Anticipated Syncopation-Sincopa +Arrastre(Modern sincopa)


Dm
Em
T.2 Arco
Am

? .. j
.
>

>
.
J

> .

Arco
A m As writted

>
.
J

> .

>
.
J

Am

j
.
>


>

..

.
>

>
.
J

..

Am

T.3

A.W.
T.B.P.

pizz.
>pizz.
arco
arco

T.2
.
.
>
>
>

? .. j . j j .
j . j j .
. J
. J
J
J
>
>
>
>
>

fp F f
>f p F f
T.4
T.5
pizz.
arco
arco
. pizz.
arco
arco .
>
>

? j . j j .
j . j j .
. J
. J
J
J
>
>

p
p >f F p
F P

T.6

To be played
arco

Salgans style

arco
pizz.
j j > j >
.

.
f> p F f

pizz.

? j > j >

.
.

105 arco

pizz. Salgns Sncopa

T.7

Sincopa embellishment and variation.


Ex in Contrabajeando (Piazzolla- Troilo) (bars 19-26)Arranged by Bragato
As writted pizz. B m7b5
E7
Am

? # j n >
.
Ex.11
p

>
. J
J

b
>
? # b . j >
.
J
A m7b5/E

. # >
J

D7

>
.
J

. >
J J

>
. J
J

j
. >
G

. >
J

>
> >
j .j
f P f Ff

>
. J
J

>
.
J

juanpanavarro@gmail.com-www.myspace.com/juanpablonavarro

>

B7

>

>

A Tango -A Secret Code


4
E.g. with Embellishment and Variation
pizz.

Ex.12

arco

>
? # j n > . J
J
.
p
arco pizz.
. b >

? # b .

J
arco

.
. #
J
arco

.
J

More Sincopas
pizz.
Gm

Ex.13

? b b .. j

>

>

>

pizz.
arco pizz.
. .
>

j . >


# . > J
J
3
pizz.
pizz.

arco
>
n

. . .

J
J
3

b pizz.
Cm
pizz.
arco .

>
j

J
>
>

Exercises for Quick changes from bow to pizz, and v.v.


arco pizz.

Ex.14

pizz. arco

? b .. .
arco

D7
arco

E
arco

.. .. .

.
pizz.

pizz.

pizz. #
> . J
.. n b

arco pizz.

pizz. arco


J J

arco

arco

pizz. arco

nbb

..
J J

pizz.

pizz.

arco pizz.

arco

? b .. .. .. .. .. .. .. ..
Tango Bass lines combining Marcatto and 3-3-2 with bow and pizz.

#
arcopizz. A 7/C . > .
> . .

F f F fP fP
G -/B b
D -/A
arco
pizz.

pizz.

arco> >
?
b

>

Ex.15

D-

? b ..
f

As 1st arco
As 2nd.pizz.

8th notes Rythmic Phrase

Ex.16

arco . > n . b .
? b .. > . .
fP
fP
arco
? b > . . . > . . .

arco
pizz.
> pizz.C -6 arco> G/B. . > . > .

. b
n
.

f P etc..............................
A7
G #0
pizz.
arco
arco>
>
pizz.
# n # ..

pizz.
. .
>

> > > > . b . > # . . > >


n
#


f P f P f P simile........................
1
pizz.
> > > arco
>
. b . n . pizz.# >. # > ..

> # . >
pizz.

arco

2.

arco

158

?b

>

. b . n > b .

> # .

pizz.

>

arco

>


>

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A Tango -A Secret Code


5
Contrabajeandos theme(Piazzolla-Troilo)on Fantasia ContraPiazzollisimo(Piazzolla-J.P.Navarro)

Ex.17

arco
? # > .
f

> # .

# >
?
#

# .
f> P f

n .

. # >

P f

> . >
# #
P f

> #

>

Milonga Style
Bordoneo in Milonga
A - pizz.

Ex.18

E 7/G

? 42 ..
.

E7

A-

#.
.

#.

f P

#
>
f

>

#.

42

##

Marcato In Milonga.

>
.

?
#
.
.

.
#
. .
Ex.19

A7

arco
D

simile..............................................
1
A7

? ## .
Var. 1 arco

>

? ## .

? b 4 .. .
bb 4

Var. 3

pizz.

>

>.

C m7
arco or pizz.

Ex.20

E maj7

Var. 1
pizz.

? bb
J
J
b >
>
>

Var. 4
> .. .. > .. .. > .
195
? bb #

b
192

n #
.. # #

Var. 2

3-3-2

2.

Var. 4

> pizz. pizz. arco


> > > > .
.

D m7b5

Var. 2
pizz.

arco

J .

>
>
>
Var. 5
>

.
> # . . . > .

juanpanavarro@gmail.com-www.myspace.com/juanpablonavarro

Var. 3

pizz.

>

n n b b 44
b

G7

..

Var. 6
pizz.
> # > >

nbb

A Tango -A Secret Code


6

Contemporary patterns 3-3-2

A)
Ex.21

pizz.

? b
b

> .

>
#

? b b > .

n # >

>
>
# n #

Am

B) pizz.

> .

Yumba and percussive patterns


Yumba
206

?
#
.

.
Ex.22


Var. 1
211

?
# ..

Ex.23


With arrastre

Var. 2
216

Ex.24

?#

..
~~~~

~
~
~
~

~~~

Piazzollas yumba

?
.
!
!
!
.!
Ex.25

With rythmic variation.

? ..!

Ex.26

Percussive Effects
229

.. n

Beat the back of the bass


with the open left hand

Beat the top of the bass


with the open left hand

Beat the strings with the bow


between the bridge and the tailpiece.

juanpanavarro@gmail.com-www.myspace.com/juanpablonavarro

..

..
!

(Lija)sweeping the top of the bass


with the open left hand
toward and away from the bridge

Beat the left rib


with the open left hand

play with legno at the bottom


of the tail piece.
231

nn

>
>

E7

>
>
#

>
J
J
>

n # >

B7

Strapatta (play a triplet 16th saltille with legno


and play the next eigth note hitting
the strings with the open left hand)

b n >

.. n
~
~

~
~
~
~~
~ ~ ~ ~~~ ~~
~~

221

225

>
b n
>
#

>

>

>
>
?


J
J
>
>

> .

A Tango -A Secret Code


7
Long strapatta

Short strapatta

233

? ..

.. ..
6

Lija

238

? ..

.. r

.. 42

Milonga Patt.1
240

? 42 .. .

243

Patterns 3-3-2
Ex.1

? 4 ..
4

r
R

44

Ex.2

.. ..

..
J J
J J

Ex.3
247

? ..

Ex.combining all the elements of the tango :A Secret Code


Ex.27

251

b
?

# . . # >

? b

> > b

.pizz.

arco

# . . # > .

arco

267

pizz.


? b > .

271

263


..

259

255

arco

pizz.

pizz.

> > b .

arco

pizz.

arco

arco

> . . >

# . . # >

> . . >

rit.

# #
>

A Tango -A Secret Code

meno mosso


pizz. arco
pizz.
#

>
.
>

>
>
? j
j

J
>
3
>
>
> b . b arco pizz. >arco . pizz.
# > #
>
279

>arco. #pizz.
b
>
b
#
? J

j
j
J

>

>
283
pizz.

>
>
j
j
j

j
?
j
j
J
> > > J >
>
>
> >
>
>
>
287
>
> b
> > >

? b > >
b

b

>
>
accel.poco a poco
>
>
291
>
>
> > >

?
.
> .
. >

pizz.

275

arco

# >
>

>

>
>
>
>
>

? .
b.
# .

294

rit.
297

? >
b.

tempo primo
arco
Am

?!>

299

>

A m+5

>
!

>

A m6

>

>
!

303

E7

A m+5

>

E 7/b

>
!

>
.

E7

!
>

>
!

>

E 7#9

FREE PERCUSSION
307

?
Lento

molto accel.
arco


a tempo

rit.
pizz.
>
arco

>
>
.
.

>
311
> . . b . #
# . # n # > n b > n . 5
? . . b
J
4
>
> b .
314
>
? 45 #
. # > > # # a 44 >

pizz.

arco

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