P. 1
URDU HAIKU HAIAT TAJARBAAT AUR TAGHERAAT, EK MOTALA

URDU HAIKU HAIAT TAJARBAAT AUR TAGHERAAT, EK MOTALA

|Views: 426|Likes:
Published by maqsood hasni
Aaj ki Urdu aur Farsi ghazal qareeb qareeb ho kar bi apna joda rang dhang aur rang-o-roop rakhti hai. Aisi hi surat Japani aur Urdu haiku kay sath dar’paish hai. Yah koe nae baat nahain, Haiku nay Urdu mazaj ko kush’dili say apnaya hai. Es ki yah kush’mazaji aur kush’dili hi es kay panpanay ka sabab bani hai.

Aaj ki Urdu aur Farsi ghazal qareeb qareeb ho kar bi apna joda rang dhang aur rang-o-roop rakhti hai. Aisi hi surat Japani aur Urdu haiku kay sath dar’paish hai. Yah koe nae baat nahain, Haiku nay Urdu mazaj ko kush’dili say apnaya hai. Es ki yah kush’mazaji aur kush’dili hi es kay panpanay ka sabab bani hai.

More info:

Published by: maqsood hasni on Jun 27, 2009
Copyright:Attribution Non-commercial

Availability:

Read on Scribd mobile: iPhone, iPad and Android.
download as TXT, PDF, TXT or read online from Scribd
See more
See less

09/02/2010

pdf

text

original

URDU HAIKU HAIAT TAJARBAAT AUR TAGHERAAT, EK MOTALA

Maqsood Hasni

Haiku japani senaf-e-adab hai. Hamaray hann Hiko/Hikoo/haiku talafaz mustamal hain. Es ki daramad ka sehra Dr. Mohammad Amin Sahib par hai. Es kay liay 17(5-75) arkaan teh pa’ay. Kush nay pabandi ki aur kush es pabandi say aazad rahay. Dusri daramda asnaf-e-adab ki tarah es senaf-e-adab nay bhi es deherti ka mazaaj apnaya aur ab yah ajnabi mehsoos nahain hoti. Yah asooli se baat hai kah mahajar jab tak os dherti ka mazaaj, saliqa,rovaeya,

toor–o-atwar, nahvi aur lisani assool tarz-e-mashrat waghera ekhtayar nahain karta, awaal ta aakher mahajar hi rehta hai. Haiku nay bhi es adbi lisani aur samaji assool ko nazar’andaz nahain kiya. Es ki rooh main yahaan ki matti ki khushbu aanay kay sabab yah senaf-e-adab khoob phalli pholi hai. Sab say bari baat to yah hai kah essay chahnay waloon ki achachi khasi tadaad mil gae. Dr. Mohammad Amin Sahib nay na’serraf tarajam (ZARAD PHOLOON KI KHUSHBU) paish ki’ay balkah khud bhi baray shaandar haiku takhleeq kiay. Akhtar Shomaar kay haan Hamdiaa,Nateaa aur karbalae haiku parhnay ko millay. Eak entakaab Naseem Saher nay paish kiya. Aap khud bhi achchay sha’ir hain aur aap ka kalam mukhtalif adbi rasael main shaya hota rehta hai. Haider Gardayzi ka mujmoaa abtadae dinoon ka hai, es nay bhi es senaf ko waqar bekhsha. Oon ka soch apni noeat ka hai. Essi tara Hamaet Ali sha’ir kay hai saraf-e- nazar nahain kiay ja sakain gay. 1986 main Maqsood Hasni nay “ Sapnay Aglay Pehar Kay” nasri haiku paish kiay jin ka Punjabi, Sindhi, Pushto,Gurmakhi, English waghera main tarjama howa. Goya yah sab es senaf ki maqboliat ka sabab bana. Aaj yah surat hai kah es senaf ka charcha yahaan bohat sari zobanoon main milta hai. En zabanoon main yahaan kay mazaaj aur mashrat kay sath bohat say baray umda aur la’jawab haiku parhnay ko mil jatay hain. Assal main es ki maqboleat ka sabab es ka ehtasar aur maqami haiku nagaroon ki kavash’gari hai. Haiku main bonyadi cheez os ka nazreaa-e-tekhleeq hai jabkah haiat sanvi moaamlah therta hai. Nazrea-e-takhleeq main teen batain aati hain: • Kisi cheez, khasusan fitri aur qudrati aanasar par pehli nazar paray aur os nazar kay hawala say paida honay wala ta’asar. • • Os paida honay walay ta’asar ko ossi tarah jaisa wo hai qalam kaghaz kay hawalay kar daina Paida honay walay ta’asar main kisi qisam ki tabdeli aur aalodgi nahain honi chahea. Agar tabdeli ho gi ya ki ja’ay gi to ossay haiku ka naam daina manasab na ho ga.

Hamaray haan jab Dr. Mohammad Amin nay es senaf-e-sukhan ko motaraf karvaya to darj-e-bala ammoor ko avaliat hassal rahi ta’hum es kay liay teen misray (lines) shart qaem rahi. Chand masalain malahzah hoon: • • Yah safar hai, qayam hai, kiya hai Yah masafat kah teh hoe na kabhi Zindagi kiya hai ratjagoon ka safar Sabr likha giya lahu say tairy Tashnagi su rahi thi khimoon main Sath os kay Farat behta tha Dobti hai kabhi obharti hai Hairatoon kay khulay somandar main Mairi sochoon ki dolti nao Mujh ko itni se roshni day day Dil kay kamray main baith kar pal bher Apnay halaat-e-zindagi parh sakoon

(Mohammad Amin) (Akhtar Shamar)

(Bashir saefi)

(Haidar Gardayzi)

Baad’azaan es kay owazan par mobahas ka silsala chal nikla aur es kay liay 17(5-75) arkan ki pabandi lazam therri.

1986 main Maqsood Hasni kay nasri hyku ka majmoah “Sapnay Aglay Pehhar Kay” shaya howa. Khayaal tha kah yah achchi khasi tanqeed ka nishana banay ga likin es majmuay ki bari tehseen-o-pazerae hoe. Es kay mukhtalif zobanoon main tarajam bhi howay. Nasri haiku ko paish karnay ka bonyadi maqsad yah tha kah obernay wala ta’asar (thought) bahar’toor kisi bhi hawala say majru nahain hona chahea. Nasri kalam main aahang ko bonyadi haisiat hasal hoti hai. Aahang dar’haqiqat towazan (Balance) ka dusra naam hai. Batoor namona kuch haiku malahzah hoon: • Jiwan kay pechlay pehar Aglay pehar kay sapnay Sonay nahain daitay aksar Aao zohad-o-taqa Taqleed-e-aasar main Pamila kay naam kar dain Makhi ghaleez to hai Apni hat main likin Naak ki dushman hai Kala kawa Kali ratoon main Mehman ojaloon ka

Dr. Sabar Aafaqi ka kehna tha kah yah haiku nasri nahain hain. Oon kay motabaq her misray main wazan hai aur tinoon misroon kay owazan alag say hain. Baat zara mazeed aagay bhari to haiku kay pehlay aur tisray misray ko hum’qafia hona zaroori qarar day diya giya. Maslan Sha’er Ali Sha’er ka yah Hamdea Haiku malahzah farmaein: • Naam adab say lay Saray ojalay phelay hain Esam-e-Mohammad say

Assal moaamlah yah bhi hai kah mahajar apni walait ki samaji, moaashi, emrani, masharti aur nafasyati rovayaat sath lata hai likin dusri walait main yah sab nahain chal pata. Ossay os khita-e-araz kay hawala say jina paray ga warna mohajar ka mohajar hi rahay ga. Yahaan es batt ko bhi bhulna nahain chahiay kah wo haiku ka ebtadae door tha. Insan ki tarah asnaf-e-sukhan waqt kay sath taghiraat say gozarti hain. Ghazal ko daikh lain gham-e-janaan kay hisaar say nikal kar gham-e-doraan aur gham-e-roozgar tak aa ponchi hai. Ehhad-e-Meer aur aaj ki ghazal ko daikh lain fiqri lisani aur asloobi etbar say zamein aasman ka faraq nazar aa’ay ga. Ta’hum es ki eak cheez tura-e-amtiyaz rahay gi wo es ka godaz’pun aur reshmeat hai.Yah silsala rok nahain pa’ay ga. Khuda janay aatay waqtoon main kahaan tak ponchachy. Ungint tajarbay hoon gay aur essi ka naam zindagi hai. Bhala haiku en tajarbatt say kayoon’kar bach pa’ay gi. Tajarboon ka rasta nahain rokana chahiaya, yah zoban asloob aur fiqr kay liay sume-qatal hai bawar rahay rasta rok bhi nahin sakta kayoon’kah es ki lagam waqt kay hath main rehti hai. Zindagi ko to chaltay rehna hai. Mairay ya kisi aur kay kehnay say zindagi aur es say motalqaat rok to nahain saktay. Hai aaj Urdu ki maqbool tareen senaf-e-adab hai ab yah japani nahain rahi. Es main

tajarbay ho rahay hain. Humdea, Nateaa aur Hussani haiku taklhleeq pa rahay hain . Yah sab Japani haiku main kahaan hai. Es liay yah kehna ziyada monasab ho ga kah haiku nay Urdu ka mazaj, saliqa, toor, asloob, andaz aur lisani chalan ekhtayar kar liya hai. Aaj essay badaisi nahain kaha ja sakta. Chand Japani haiku malahzah hoon. Es say mozoaat ka faraq wazey ho ja’ay ga: • Baraf Jo hum donoon nay daikhi thi Kiya es saal bhi girray gi Tanhae bhi Mosarrat hai Sham-e-khezaan Kitni hosein hai Darwazay kay sorakh say Kehkashaan Barsaat Gher ka rasta selabi hai Aur mandak wahaan tair rahay hain

(Basho 1644-1694)

(Yosa bosan 1716-1784)

(Kobashi asa 1763-1828)

(Masaokashiki

1867-1902)

(Zarad Pholoon Ki Khoshboo, Motarjam Dr. Mohammad Amin, Victri Book Bank, Lahore 1992) Aaj ki Urdu aur Farsi ghazal qareeb qareeb ho kar bie apna joda rang dhang aur rang-o-roop rakhti hai. Aisi hi surat Japani aur Urdu haiku kay sath darpaish hai. Yah koe nae baat nahain, Haiku nay Urdu mazaj ko kush’dili say apnaya hai. Es ki yah kush’mazaji aur kush’dili hi es kay panpanay ka sabab bani hai.

You're Reading a Free Preview

Download
scribd
/*********** DO NOT ALTER ANYTHING BELOW THIS LINE ! ************/ var s_code=s.t();if(s_code)document.write(s_code)//-->