Lecture 2, Part 1

Composer and Works Mentioned

Beethoven

First thirteen sonatas in Opus order (composed between 1795 and 1800)
o o o o o o o o o o o o

Sonata No. 1 in F minor, Op. 2, No. 1 Sonata No. 2 in A major, Op. 2, No. 2 Sonata No. 3 in C major, Op. 2, No. 3 Sonata No. 4 in E-flat major, Op. 7 Sonata No. 5 in C minor, Op. 10, No. 1 Sonata No. 6 in F major, Op. 10, No. 2 Sonata No. 7 in D major, Op. 10, No. 3 Sonata No. 8 in C minor, Op. 13 (Pathtique) Sonata No. 9 in E major, Op. 14, No. 1 Sonata No. 10 in G major, Op. 14, No. 2 Sonata No. 11 in B-flat major, Op. 22

Sonata No. 19 in G minor, Op. 49, No. 1 o Sonata No. 20 in G major, Op. 49, No. 2 Sonata No. 14 in C-sharp minor, Op. 27, No. 2 (Moonlight) Sonata No. 21 in C major, Op. 53 (Waldstein") Sonata No. 23 in F minor, Op. 57 (Appassionata) Symphony No. 3 in E-flat major, Op. 55 ("Eroica")

Additional References
Wilhem von Lenzan early Beethoven biographer, who wrote Beethoven: eine Kunststudie, combining both biography and stylistic analysis

Lecture 2, Part 2
Composer and Works Mentioned
Beethoven

Sonata No. 4 in E-flat major, Op. 7dedicated to Countess Babette von Keglevicz -FEATURED WORK

Allegro molto e con brio Largo con gran espressione o Allegro o Rondo: Poco allegretto e grazioso Sonata No. 23 in F minor, Op. 57 (Appassionata) Sonata No. 29 in B-flat major, Op. 106 (Hammerklavier) Sonata No. 31 in A-flat major, Op. 110 Symphony No. 5 in C minor, Op. 67
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Lecture 2, Part 3
Composer and Works Mentioned
Beethoven

Sonata No. 3 in C major, Op. 2, No. 3 Sonata No. 4 in E-flat major, Op. 7 -- FEATURED WORK Sonata No. 29 in B-flat major, Op. 106 (Hammerklavier) Concerto No. 3 in C minor for Piano and Orchestra, Op. 37 Symphony No. 3 in E-flat major, Op. 55 ("Eroica")

Lecture 2, Part 4
Composer and Works Mentioned
Beethoven

Sonata No. 4 in E-flat major, Op. 7 -- FEATURED WORK Concerto No. 5 in E-flat major, Op. 73 (Emperor)

Recordings Mentioned
The complete recordings of the Beethoven piano sonatas by Artur Schnabel (EMI Great Recordings of the Century, #63765) and by Richard Goode (Nonesuch, #79328)