Unisa

Piano syllabus
2012 until further notice

Piano Piano Duet Two Pianos (four hands)

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Copyright © 2012 by Unisa All rights reserved Published and printed by the University of South Africa

Directorate Music PO Box 392 Unisa 0003 5-31 OR Tambo Administration Building Preller Street Muckleneuk Ridge Pretoria Tel: +27 (0)12 429 2535 Fax: +27 (0)12 429 3644 www.unisa.ac.za/music

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Unisa
Contents

Piano Syllabus
General Information 1 Prescribed Repertoire .................................................................................................................................. 1 2 Alternative and Own Choice Works ....................................................................................................... 2 3 Specific Requirements ................................................................................................................................. 2 4 Technical Work ............................................................................................................................................... 3 5 Sight-reading.................................................................................................................................................... 3 6 Practical Musicianship ................................................................................................................................. 3 7 Theory of Music Prerequisites.................................................................................................................. 3 8 Exemptions ....................................................................................................................................................... 5 9 Duration ............................................................................................................................................................. 5 10 Participation in the Unisa Music Scholarship Competitions ........................................................ 6

Basic Requirements and Allocation of Marks 1 Piano Grade Examinations ......................................................................................................................... 8 2 Performance Level Assessments (PLAs).............................................................................................. 8 3 Evaluations ....................................................................................................................................................... 9 4 Piano Duet ......................................................................................................................................................... 9 5 Two Pianos (four hands) Grade 8 ......................................................................................................... 10 6 Allocation of Marks ..................................................................................................................................... 11 7 Marks Categories………………. ................................................................................................................... 11

Technical work and Repertoire PIANO Pre-Grade 1 to Grade 8 .................................................................... 12 Tegniese werk en Repertorium KLAVIER Voorgraad 1 tot Graad 8 ............................................................. 12

Repertoire requirements PIANODUET Pre-grade 1 to Grade 8 ..................................................................... 40 Repertoriumvereistes KLAVIERDUET Voorgraad 1 tot Graad 8 ................................................................... 40 Annexures 1: Errata: 2008 Piano Examination Albums .................................................................................... 54 Bylaag 1: Errata: 2008 Klaviereksamenbundels................................................................................................... 54 Repertoire requirements TWO PIANOS (FOUR HANDS) Grade 8 and Performer’s Assessment ..... 50 Repertoriumvereistes TWEE KLAVIERE (VIER HANDE) Graad 8 en Voordraersassessering .......... 50

Repertoire requirements PIANO Performer’s Assessment .............................................................................. 32 Repertoriumvereistes KLAVIER Voordraersassessering.................................................................................. 32

Annexure 2: Marks Categories for Graded Exam and Performance Level Assessments across all instruments................................................................................................................................................... 56 Bylaag 2: Puntekategorieë vir Graadeksamens en Voordragvlakassesserings vir alle instrumente ....................................................................................................................................................... 56

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General Information

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General Information

General Information
• Piano • Piano Duet • Two Pianos (four hands)

Grade Examinations and Performance Level Assessments (PLAs) in

1
1.1

Prescribed Repertoire
The prescribed repertoire lists for each grade appear from page 13 in this publication.

1.2 1.3

1.4

1.5 1.6 1.7

Candidates making use of the optional List E piece in a piano examination or assessment must provide the examiner with a copy of the piece to be performed. This will be destroyed after the examination. The use of music that is in public domain and downloadable from the internet is permitted provided that no copyright restrictions are being violated. The source of this piece must be indicated on the sheet music. Candidates must take cognisance of the fact that photocopying of music, without written permission from the publishers, is strictly prohibited by the Copyright Act (Act 98 of 1978, as amended). Examiners may refuse to conduct the examination if the original works are not present in the examination room. In such cases the examination will be downgraded to an Evaluation.

Prescribed music for Piano Grade 8 examinations, Piano duet and Two pianos (four hands) which is not published by Unisa, should be purchased from the publishers, sheet music dealers or the internet. Only original printed music may be used in the examination room. Copies of all these works must be submitted to the examiner at the examination and will be destroyed afterwards.

Piano Examination Albums for pre-Grade 1 to Grade 7 examinations are published by Unisa. These albums may be ordered directly from Unisa by using the official order form (also available on the website). These albums may also be purchased from various sheet music dealers. Under no circumstances will candidates be allowed to use photocopies of the official examination albums in the examination room, with the exception of one or two pages to facilitate page-turning.

Candidates must perform a balanced programme which should be diverse in character and tempo.

1.8

1.9

Examiners may listen to either an entire work or only part of it. Repeats [II: :II] need not be played unless requested by the examiner, indicated as compulsory in the sheet music or if the section is repeated in ornamented form. Da Capo sections should, however, be performed unless the examiner requests the candidate not to do so. Candidates may use any edition of the prescribed works.

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General Information

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General Information

1.10

1.11 1.12 1.13

It is not essential to follow performance indications such as articulation, dynamics, phrasing, pedalling, metronome indications, etc., appearing in a specific edition unless they have obviously been inserted by the composer and not by the editor. When candidates use an edition with different editing, they should bring this to the examiner's attention. Ornaments in prescribed works for pre-Grade 1, Grades 1 and 2 may be omitted. Errata to the piano examination albums appear in Appendix 1 on page 71. Works by South African composers are marked with an asterisk (*) in the repertoire lists.

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2.1 2.2 2.3 2.2

Alternative and Own Choice Works
No alternative works may be performed for the pre-Grade 1 to Grade 7 piano examinations. Own choice works are applicable to the Performance Level Assessments only.

For Grade 8 and all performance level assessments, one alternative work may be presented. Applications to present an alternative or own choice work must: • be made on the official application form obtainable from the internet or Directorate Music; • include a copy of the alternative work concerned which copy will not be returned; • reach the Deputy Director (Professional), Directorate Music not later than the closing date for entries (preferably with the entry form). Alternative and own choice works should match the length, level of virtuosity, musical standard and style period of the work to be replaced.

2.4 2.5 2.6

Requests to present an alternative or own choice work received after the closing date for entries, will only be considered in highly exceptional cases.

The University of South Africa reserves the right to refuse permission for works which do not meet any or all of the criteria.

3

Specific Requirements
Page turners No page turners are allowed in the examination venue for up to and including Grade 7 examinations. Grade 8 candidates may make use of a page turner without prior permission from the University. This person may not be the candidate's teacher or the examiner.

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In preparation to play the sight-reading test. 5 Sight-reading Candidates must play one sight-reading test.3 The candidate must play the visualisation test on the piano.1 Theory of Music Requirements and Prerequisites There are no theoretical requirements for Performance Level Assessments (PLAs) and Piano duet examinations pre-Grade 1 to Grade 7.3 4. Sufficient time will be allowed to study the piece without playing it. 6.2 Practical Musicianship The requirements for each grade appear in a separate publication which is available free of charge from the Directorate Music. The Practical Musicianship requirements per grade are the same for all instruments. The examiner will play all practical musicianship tests on the piano.4 6.General Information 3 General Information 4 4. Any practical and systematic fingering which produces a good result will be accepted. candidates will be permitted to silently finger the notes without making a sound. The compass of the prescribed scales is indicated with Roman numerals which are to be interpreted as follows: I one octave II two octaves III three octaves IV four octaves.1 Technical Work All technical work must be played: • • • 4. from memory ascending and descending according to the specified range legato and non legato as prescribed. 7 7.4 The following abbreviations will be used to distinguish between the hands: LH = left hand RH = right hand. 2013/05/10 . 6 6.1 6.2 4.

the candidate must enter and pass the required Theory of Music examination by the second session of the following year. a Grade 7 Theory of Music qualification is a prerequisite. Grade 7 Theory of Music examinations are presented in the second session of each year only. Therefore both papers must have been passed before entering for the practical licentiate examination.) Both Grade 6 Theory of Music papers must have been passed by the end of the following year.1 7. the candidate must re-enter for the practical examination and play again. Please do not contact Unisa to enquire about certificates if the candidate has not yet passed the required Theory of Music examination. the Directorate Music must be contacted and requested to issue the practical certificate.3. If a candidate does not meet the Theory of Music requirement by the end of the following year. If a candidate only meets the Theory of Music requirement by the end of the following year. A candidate who passes the practical examination during the first examination session but passes the required Theory of Music examination only in the second or any later examination session will only receive the certificate once the relevant Theory of Music examination has been passed.3 7.4 7.1 7.4 7.3.1 For all practical licentiates.3 7. Candidates entering for the Grade 7 Theory of Music will have to pass both the examination papers in order for the Theory of Music qualification to be awarded.2 7. and the candidate has not passed the required Theory of Music examination before the practical examination is played. the practical certificate will be issued without delay. If a Theory of Music examination is a requirement for a practical examination.General Information 4 General Information 7.5.2 7. Grade 8 practical candidates who do not yet meet the Theory of Music requirement must register for the practical and theory components in the same calendar year.3. 2013/05/10 . Theory of Music Grades 6 and 7 examinations consist of two papers each. Theory of Music Grades 6 and 7 candidates will retain credit for individual papers passed.6.6 7.2 The Theory of Music examinations required for the various practical grade examinations are as follows: Grade Examinations Practical examination Pre-Grade 1 to Grade 3 Grade 4 Grade 5 Grades 6 and 7 Grade 8 Theory of Music requirement None Grade 3 Grade 4 Grade 5 Grade 6 7. Candidates may enter for one or both papers (in any order) at any time.5 7. If a candidate passed the required Theory of Music examination at the same or an earlier examination session.7 7. (Theory of Music may be written earlier.3.6.

1 8. Qualifications/syllabi concerned will be evaluated by the Directorate Music regarding Theory of Music Grade 6 and 7 and Practical Grade 8. A certified copy of the candidate’s academic record must accompany the application. 9 Duration Performance Level Assessments Pre-Level 1 Level 1 Level 2 Level 3 Level 4 Level 5 Level 6 Level 7 Level 8 Performer’s Assessment 10 minutes 10 minutes 10 minutes 10 minutes 15 minutes 20 minutes 20 minutes 25 minutes 30 minutes 45 minutes 2013/05/10 .1. Theory of Music Grade 7 A completed second year of a BMus degree at a South African University (third year if the BMus includes bridging/extended degree programmes).1.2 BMus degrees obtained from South African Universities Theory of Music Grade 6 A completed first year of a BMus degree at a South African University (second year if the BMus includes bridging/extended degree programmes). Practical Grade 8 A completed first year of the first instrument of a BMus degree at a South African University (second year if the BMus includes bridging/extended degree programmes) National and International Music Qualifications Candidates in possession of other national and international qualifications may apply for exemption. obtainable from the internet or the Directorate Music.3 8.General Information 5 General Information 8 Exemptions Prospective Practical candidates may request for exemption according to the following principles: 8.2 8.1 8. 8.3 Application procedure Please use the official Request for Exemption form.1.

General Information 6 General Information Grade Examinations Pre-Grade 1 Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade 7 Grade 8 15 minutes 20 minutes 20 minutes 20 minutes 25 minutes 30 minutes 35 minutes 40 minutes 50 minutes Piano Duet examinations Pre-Grade 1 Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade 7 Grade 8 10 minutes 10 minutes 15 minutes 15 minutes 20 minutes 20 minutes 25 minutes 25 minutes 35 minutes Two Pianos (Four Hands) examinations Grade 8 35 minutes 10 Participation in the Unisa Music Scholarship Competitions 10.1 Candidates qualifying for the Unisa South African Music Scholarship Competition for Grade 8 should not be more than 20 years of age on 31 October of the competition year and must have passed the required Grade 6 Theory of Music examination by the first session of that particular year.1 Age Restrictions 10.1 Mark allocation 2013/05/10 . Candidates who only write the required Theory of Music Grade 6 in the second session of the relevant year will not be eligible for participation since the results will not yet be available at the time of the competition. 10.2.2 Requirements for participation The following requirements must be fulfilled in order to qualify for participation in the scholarship competitions: 10.1.

2 Memorisation Memorisation is not a requirement for participation in the South African Competitions. 10. 2013/05/10 .2.3 No deferred participation Candidates must participate in the scholarship competitions in the same year that they play the examination and qualify.2. 10.General Information 7 General Information Grade 8 • achieve at least 85% in the examination as a whole • achieve an average of at least 85% for the prescribed pieces. Participation will not be deferred to the following year.

5 2. The Roll of Honour is not applicable to Performance Level Assessments.8 Practical Musicianship As prescribed in the Practical Musicianship syllabus.3 2. its theory requirement.1. Candidates will be allowed to change from a Performance Level Assessment to an Evaluation. Sight-reading Candidates will be required to play a piece at sight.1.5 1.1.1.2 1.2 1.1 1. No individual marks will be allocated. Candidates will be allowed to switch from a grade examination to a Performance Level Assessment (PLA) or Evaluation. A statement and not a certificate will be issued upon successful completion of a particular level. Playing from memory is not compulsory.3 1.1. One work must be chosen from each list: A. 2 2.1.1.4 1.1.1. D or E (where applicable). No Theory of Music requirements need to be met. A certificate will be issued upon successful completion of an exam and. 1.2 2. 2013/05/10 .4 2. One own choice work may be presented (see page 2 paragraph 2).5 Performance Candidates must play three pieces. At least two contrasting styles must be included in the performance. Technical Work As prescribed. Technical Work No technical work is required.6 2.1. For Piano Grade 8 only.1 2. No excess fees will be returned.3 1.1.Basic Requirements and Allocation of Marks 8 Basic Requirements and Allocation of Marks Basic Requirements and Allocation of Marks 1 Piano Grade Examinations 1. one alternative work may be presented with prior permission (see page 2 paragraph 2). one selected from each of prescribed lists A and B and one piece selected from either lists C.1. A single overall symbol with commentary will be given.2 2. At least two contrasting styles must be included in the performance. where applicable.7 2. B and C.1. Performance Level Assessments (PLAs) General Candidates will be allowed to enter at any level for a Performance Level Assessment.1 2.4 General Candidates will be allowed to enter at any grade for a grade examination.1 1.

A certificate will be issued to both candidates.5 No marks or symbols are awarded. sight-reading. 2.4 Evaluations The purpose of an Evaluation is to encourage inadequately prepared candidates to play. 3. 4 4.5 Sight-reading No sight-reading is required.2 All assessments will be conducted by one examiner at any of the existing practical examination centres.2. The latter may also be chosen from the prescribed lists C. Candidates must perform a balanced programme of four works. one selected from each of the prescribed lists A to D.6 One teacher or parent may be present at the Evaluation.3.2. 3 3.3 2.1. Candidates must play three pieces. The examiner report serves as confirmation of the Evaluation. one selected from each of the prescribed lists A and B and one work of own choice.2 4. Candidates may change from a grade examination or Performance Level Assessment to an Evaluation.3. This may be done up to the day of the examination. The List D work may also be an own choice.1 The Performer’s Assessment is the highest assessment level and the only option that follows the Level 8 Performance Level Assessment.1 Practical Musicianship No practical musicianship is required.3 Piano Duet General Candidates will be examined as an ensemble and not as individuals. Any combination of work may be presented for an Evaluation and may include any of the three pieces.3 3. 2. but excess fees will not be refunded. 2013/05/10 . rather than withdraw from a grade examination or Performance Level Assessment.1 4. 2.Basic Requirements and Allocation of Marks 9 Basic Requirements and Allocation of Marks Performance Pre-Level 1 to Level 8 The prescribed pieces from the existing graded examinations will apply. 2. This examination is intended for two candidates and not for a candidate together with his or her teacher. 3.3. technical work or practical musicianship.2 3. No certificate or special report is issued.1. Please note that candidates cannot enter for an Evaluation specifically.1 4. ensemble or chamber work.4 2. D or E (where applicable).3.2 Performer's Assessment 2.1 3. Permission to perform this work must be obtained from the Directorate Music (see page 2 paragraph 2).1. only commentary.

Candidates from Grade 1 to Grade 8 must take different styles and tempos into consideration when choosing their programme. 4.2 5. No more than one composition by a specific composer may be presented during the examination.1. Performance Candidates must perform three works selected from the prescribed list(s). different styles and tempos must be taken into consideration. No more than one composition by a specific composer may be presented during the examination.1.Basic Requirements and Allocation of Marks 10 Basic Requirements and Allocation of Marks 4.5 5. The prerequisite Theory of Music examination for the Grade 8 Two Pianos (four hands) is Grade 6 for both candidates. but they must change positions for the performance of at least one of the three pieces. For Grade 8. sight-reading is required for Grades 1 to 8.1 5.4 5. When choosing a programme.2.2. 5 5.2 4.2.5 4. A certificate will be issued to both candidates.4 Two Pianos (four hands) Grade 8 General Candidates will be examined as an ensemble and not as individuals. paragraph 2).3 5.1.2 5.1 5.2.5 4.2.2.6 5. Works must cover at least two different style periods.2 Performance Candidates must perform three works. Practical Musicianship No practical musicianship is required.2. This examination is intended to be for two candidates and not for a candidate together with his or her teacher.4 4. one selected from each of the prescribed lists.1.1 Prescribed music for the duet examinations which should be purchased from the publishers. One alternative work will be allowed (see page 2.2.1 5. Copies of all performance works must be submitted to the examiner before the examination commences. However.4 Sight-reading No sight-reading is required for pre-Grade 1. sheet music dealers or the internet. Theory of Music Grade 6 is required for both candidates. Candidates will be given the opportunity to discuss the sight-reading piece for a short while before playing it.2. 2013/05/10 .4 4.2 4.1. Candidates may play any part (primo or second) of their chosen works.3 4.1. No Theory of Music examination is required as a prerequisite for the piano duet examinations for pre-Grade 1 to Grade 7.1. Only original printed music may be used in the examination room. 5. Candidates from grades 2 to 8 must cover at least two different style periods in their programme.3 5. Copies of all these works must be submitted to the examiner at the examination and will be destroyed afterwards.3 4. Candidates will be responsible for the tuning of the second piano and venue hire.1. however.

No correspondence will be entered into regarding the outcome of an assessment or examination. 2013/05/10 .3 5. 6 Allocation of Marks Marks or symbols allocated by the examiners are final. Merit 70. Distinction 80. Merit 70. Performance Level Assessments and Performer’s Assessment 90-100% 85-89% 80-84% 75-79% 70-74% C+ C D+ D E 65-69% 60-64% 55-59% 50-54% 49% and below A++ A+ A B+ B Grade Examinations Pre-Grade 1 to Grade 7 Technical work Sight-reading Practical Musicianship Performance List A List B List C 20 10 10 20 20 20 Grade 8 15 10 10 20 25 20 Total 100. Pass 50. Sight-reading Sight-reading will be required for Grade 8. Roll of Honour 85 (Grade 8) 7 Marks Categories For the marks categories please refer to Annexure 2 on page 56. Roll of Honour 90 (pre-Grade 1 to Grade 7).4 Practical Musicianship No Practical Musicianship is required. Distinction 80. Pass 50. Candidates will be given the opportunity to discuss the sight-reading piece for a short while before playing it. Roll of Honour 90 (pre-Grade 1 to Grade 7). Roll of Honour 85 (Grade 8) Piano Duet / Two Pianos (four hands) Gr 8 Pre-Grade 1 Sight-reading Performance List A List B List C General Impression 0 30 30 30 10 Grade 1 to Grade 8 10 30 30 30 0 Total 100.Basic Requirements and Allocation of Marks 11 Basic Requirements and Allocation of Marks 5.

Piano pre-Grade 1 12 Klavier Voorgraad 1 Technical work and Repertoire Tegniese werk en Repertorium Pre-Grade 1 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang I: C. begin en eindig in eenklank Separately Afsonderlik Separately and together Afsonderlik en tegelyk Legato Legato Legato iq = 84 Legato Major scales Majeurtoonlere Broken chords Gebroke akkoorde Triads Drieklanke 2013/05/10 . vanaf die middel. beginning and ending in unison Teenoorgestelde rigting. from the middle. G. F I: C Motion Rigting Hands Hande Voorgraad 1 PIANO KLAVIER Minimum Tempo Articulation Artikulasie From the lowest note Vanaf die laagste noot Contrary motion.

een gekies uit Lys A. one from List B. Little Dog/Groot Hond. and one from List C or D Drie stukke. een uit Lys B. en een uit Lys C of D List A Lys A Bach JS Bach JS Handel GF List B Lys B Ryba JJ Türk DG Vaňhal J Gavotte Minuet/Menuet Allegretto List C Lys C Diabelli A Diabelli A Tansman A Flowing Waters/Vloeiende Water Spring and Winter/Lente en Winter Allegretto Strolling/Wandeling Bagatelle Carousel/Mallemeule Big Dog. one from List A.Piano pre-Grade 1 13 Klavier Voorgraad 1 Repertoire/Repertorium Three pieces. Klein Hond We roll down the dune and into the sea!/Ons rol van die duin af tot onder in die see! March/Mars La-la á la Brahms Cat and Mouse/Kat en Muis List D Lys D Hurnik I Olivier G * Paciorkiewicz T Roos JS * Van Namen Arie A * 2013/05/10 .

vanaf die laagste noot C. vanaf die laagste noot Hands Hande Interval distance Intervalafstand 1 octave Compass Omvang Graad 1 Articulation Artikulasie Minimum Tempo Separately and together Afsonderlik en tegelyk 1 oktaaf Major scales Majeurtoonlere Separately: Legato 2 octaves Together: 1 octave Afsonderlik: Legato 2 oktawe Tegelyk: 1 oktaaf 1 octave 1 oktaaf Legato Legato iq = 92 Together Tegelyk Begin and end in unison Begin en eindig in eenklank 1 octave iq = 86 Separately and together Afsonderlik en tegelyk 1 oktaaf Separately: Legato 2 octaves Together: 1 octave Afsonderlik: Legato 2 oktawe Tegelyk: 1 oktaaf iq = 92 Broken chords Gebroke akkoorde Triads Drieklanke 2013/05/10 . G. vanaf die middel Harmonic or Melodic minor scales Harmoniese of Melodiese mineurtoonlere a Similar motion. from the lowest note Dieselfde rigting. D. from the lowest note Dieselfde rigting. F Similar motion.Piano Grade 1 14 Klavier Graad 1 Grade 1 Technical work/Tegniese werk Key Toonsoort Motion Rigting C. G Contrary motion. from the middle Teenoorgestelde rigting.

Piano Grade 1 15 Klavier Graad 1 Repertoire/Repertorium List A Lys A Three pieces. een uit Lys B. een gekies uit Lys A. one from List B. and one from List C or D Drie stukke. en een uit Lys C of D Barrett J Handel GF Telemann GP List B Lys B Kauer F Mozart L Neefe C The Holy St Catherine/Die Heilige Katharina Allegro Allegro Minuet/Menuet Polonaise Minuet/Menuet List C Lys C Goedicke A Gurlitt C Maykapar S Playtime. op 6 no 6 Little Flowers/Blommetjies op 205 no 1 Prelude List D Lys D Coutts D * Kabalevsky D Panebianco-Warrens C * Randell E * Świerzyński M I Like to Dance/Ek hou van Dans Clowns/Narre op 39 no 20 Dance of the Fireflies/Dans van die Vuurvliegies Saudade Playing/Speel 2013/05/10 . one from List A.

a Separately and together Afsonderlik en tegelyk iq = 108 I : Ab Separately Afsonderlik - Legato Legato iq = 108 Broken chords Gebroke akkoorde C iq = 108 Triads Drieklanke 2013/05/10 . A. A Beginning and Legato ending in unison Begin en eindig in eenklank Legato 1 octave 1 oktaaf Legato Legato iq = 92 Harmonic or Melodic minor scales Harmoniese of Melodiese mineurtoonlere Chromatic scales Chromatiese toonlere II: d. vanaf die laagste noot Contrary motion. from the lowest note Dieselfde rigting.Piano Grade 2 16 Klavier Graad 2 Grade 2 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang Motion Rigting II: D. vanaf die middel Similar motion. vanaf die laagste noot From the lowest note Vanaf die laagste noot Graad 2 Hands Hande Interval distance Intervalafstand 1 octave 1 oktaaf Articulation Artikulasie Legato Legato Minimum Tempo Separately and together Afsonderlik en tegelyk Together Tegelyk iq = 108 Major scales Majeurtoonlere I : D. F Similar motion. E. from the middle Teenoorgestelde rigting. from the lowest note Dieselfde rigting.

op 155 no 2 Bell D Khumalo A * Loeb van Zuilenburg P * Reid D * Starer R After a shower of rain/Na ‘n reënbui Let’s Play/Kom ons Speel Kweliccia Rain Dance/Reëndans Bright Orange/Helder Oranje 2013/05/10 . WoO 13 no 6 Minuet/Menuet List C Lys C Czerny C Czerny C Oesten T List D Lys D Allegretto Andante Polka-Mazurka. en een uit Lys C of D List A Lys A Handel GF Kirnberger JP Scarlatti A Air Minuet/Menuet Minuetto Scherzando List B Lys B Beethoven L von Beethoven L von Haydn FJ German Dance/Duitse Dans. one from List A. one from List B. een gekies uit Lys A.Piano Grade 2 17 Klavier Graad 2 Repertoire/Repertorium Three pieces. WoO 13 no 2 German Dance/Duitse Dans. and one from List C or D Drie stukke. een uit Lys B.

Eb Major scales Majeurtoonlere Similar motion. d in root position in grondposisie c Separately Afsonderlik Legato Legato i = 84 See example as for Grade 2. F#. vanaf die laagste noot Contrary motion. from the lowest note Dieselfde rigting. Bb. vanaf die middel Similar motion. 1st and 5th fingers on black notes Sien voorbeeld soos vir Graad 2. 1e en 5e vinger op swart klawers  = 62 Triads Drieklanke 2013/05/10 . g Separately and together Afsonderlik en tegelyk Legato Legato iq = 120 II: D Separately Afsonderlik Separately Afsonderlik - Legato Legato Legato Legato i = 84 i = 120 II: C.Piano Grade 3 18 Klavier Graad 3 Grade 3 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang Motion Rigting II: B. D in root position in grondposisie - II: c. vanaf die laagste noot From the lowest note Vanaf die laagste noot From the lowest note Vanaf die laagste noot From the lowest note Vanaf die laagste noot Hands Hande Interval distance Intervalafstand 1 octave 1 oktaaf Graad 3 Articulation Artikulasie Legato Legato i = 120 Minimum Tempo Separately and together Afsonderlik en tegelyk Together Tegelyk I : Eb Begin and end in unison Begin en eindig in eenklank 1 octave 1 oktaaf Legato Legato iq = 112 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere Chromatic scales Chromatiese toonlere Major arpeggios Majeur arpeggio’s Minor arpeggios Mineur arpeggio’s Broken chords Gebroke akkoorde II: c. from the lowest note Dieselfde rigting. from the middle Teenoorgestelde rigting.

Microstyles Collection (B&H) Feeling Lazy. en een uit Lys C. and one from List C. D of E Minuet/Menuet Aria. Microstyles Collection (B&H) Tinklin’ Toes. een uit Lys B. Piano Music of Africa and the African Diaspora Vol 1 (OUP) Chinese Walk. one from List A. one from List B.Piano Grade 3 19 Klavier Graad 3 Repertoire/Repertorium List A Lys A Rameau JP Scarlatti D Türk DG Three pieces. op 39 no 23 De Villiers. op 39 no 23 The Barrelorgan Man/Die Draaiorrelspeler. een gekies uit Lys A. Microstyles Collection (B&H) Without a Care. D or E Drie stukke. K32/L423 Four sharps? Keep it up!/Vier kruise? Hou so aan! List B Lys B Benda JA Müller AE Vaňhal J Allegro assai from/uit Sonata in G Minuet/Menuet Allegretto from/uit Sonatina no 6 List C Lys C Grechaninov/Gretsjaninof A Kabalevsky/Kabalefski D Tchaikovsky/Tsjaikofski PI List D Lys D The Little Would-be Man/Die Kamma-mannetjie Slow Waltz/Stadige Wals. H * Pauer J Rollin C Watt M * Zaidel-Rudolph J * List E Lys E Kay U Norton C Norton C Norton C Norton C Price FB 5/8 Dance/5/8Dans March/Mars Cotton King Jazz African Lullaby/Afrika Wiegeliedjie Times They Are A-Changing Tender Thought. Piano Music of Africa and the African Diaspora Vol 1 (OUP) 2013/05/10 . Microstyles Collection (B&H) Oriental Flower.

vanaf die middel Similar motion. vanaf die middel Similar motion. vanaf die laagste noot Together Tegelyk Begin and end Legato in unison Begin en Legato eindig in eenklank 1 octave 1 oktaaf Legato Legato jjj = 60 II: Bb Chromatic scales Chromatiese II: toonlere Separately and together Afsonderlik en tegelyk Separately Afsonderlik jjj = 69 Ab Begin and end Legato in unison Begin en Legato eindig in eenklank 1 octave 1 oktaaf Legato Legato jjj = 60 Major arpeggios Majeur arpeggio’s II: Eb In root position and 1st inversion In grondposisie en 1e omkering II: c# In root position and 1st inversion In grondposisie en 1e omkering Separately and together Afsonderlik en tegelyk Separately and together Afsonderlik en tegelyk i = 100 1 octave 1 oktaaf Legato Legato i = 100 Minor arpeggios Mineur arpeggio’s Chords Akkoorde 2013/05/10 . f Separately and together Afsonderlik en tegelyk jjj = 69 II: c Contrary motion. vanaf die laagste noot Contrary motion. vanaf die laagste noot Separately and together Afsonderlik en tegelyk Together Tegelyk II: B Begin and end Legato in unison Begin en Legato eindig in eenklank 1 octave 1 oktaaf Legato Legato jjj = 60 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere Harmonic minor scales Harmoniese mineurtoonlere II: e. from the lowest note Dieselfde rigting. from the lowest note Dieselfde rigting. from the middle Teenoorgestelde rigting. from the middle Teenoorgestelde rigting. Eb.Piano Grade 4 20 Klavier Graad 4 Grade 4 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang C#. vanaf die laagste noot Similar motion. from the lowest note Dieselfde rigting. from the lowest note Dieselfde rigting. from the lowest note Dieselfde rigting. from the middle Teenoorgestelde rigting. Ab II: Motion Rigting Hands Hande Interval distance Intervalafstand 1 octave 1 oktaaf Graad 4 Articulation Artikulasie Legato Legato jjj = 69 Minimum Tempo Major scales Majeurtoonlere Similar motion. vanaf die laagste noot Contrary motion. vanaf die middel Similar motion.

een uit Lys B. one from List A. en een uit Lys C. Piano Music of Africa and the African Diaspora Vol 1 (OUP) Honey. D of E Blow J Handel GF Telemann GP Courante Rigaudon Fantasia no 9 Allegretto from/uit Sonatina in d Theme and Variations/Tema en Variasies Allegretto Poetic Sounds/Poëtiese Klankbeelde. een gekies uit Lys A. Microstyles Collection (B&H) List E Lys E Capers V Dett RH Norton C Norton C Norton C Norton C 2013/05/10 . Microstyles Collection (B&H) Habanera. Microstyles Collection (B&H) Misty-Eyed.Piano Grade 4 21 Klavier Graad 4 Repertoire/Repertorium List A Lys A Three pieces. one from List B. Microstyles Collection (B&H) Island Song. Piano Music of Africa and the African Diaspora Vol 2 (OUP) Clock Rock. and one from List C. op 3 no 1 Arabesque/Arabesk Prelude List B Lys B Benda G Kuhlau F Vaňhal JK List C Lys C Grieg E Karganov G Pachulski/Patsjoelski H List D Lys D Benjamin A Harvey P Hofmeyr Hendrik * Klatzow Peter * Temmingh Henk * Haunted House Rumba Toccata March of the Lilliputians/Mars van die Lilliputters Bubbles Ferreira in C Sweet Mister Jelly Roll. D or E Drie stukke.

Piano Grade 5 22 Klavier Graad 5 Grade 5 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang III: G. vanaf die uiterstes Similar motion. f# Separately and together Afsonderlik en tegelyk ii = 112 II : g Contrary motion. vanaf die laagste noot Similar motion. from the lowest note Dieselfde rigting. vanaf die laagste noot Together Tegelyk Begin and end Legato in unison Begin en Legato eindig in eenklank 1 octave 1 oktaaf Legato Legato jjj = 66 III: F Chromatic scales Chromatiese II : G toonlere Separately and together Afsonderlik en tegelyk Together Tegelyk jjjjj = 58 Begin and end Legato on the tonic Begin en Legato eindig op die tonika 1 octave 1 oktaaf 1 octave 1 oktaaf Legato Legato Legato Legato jjj = 66 Major arpeggios Majeur arpeggio’s II : D. from the lowest note Dieselfde rigting. vanaf die laagste noot Contrary motion. vanaf die middel Similar motion. vanaf die middel Similar motion. from the extremes Teenoorgestelde rigting. from the lowest note Dieselfde rigting. A. from the middle Teenoorgestelde rigting. vanaf die laagste noot Separately and together Afsonderlik en tegelyk Together Tegelyk II : Ab Begin and end Legato in unison Begin en Legato eindig in eenklank 1 octave 1 oktaaf Legato Legato jjj = 66 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere Harmonic minor scales Harmoniese mineurtoonlere III: bb. bb In root position and inversions In grondposisie en omkerings Separately and together Afsonderlik en tegelyk Separately and together Afsonderlik en tegelyk jjj = 66 Minor arpeggios Mineur arpeggio’s jjj = 66 Chords Akkoorde * mediant degree / mediant toontrap 2013/05/10 . Bb Motion Rigting Hands Hande Interval distance Intervalafstand 1 octave 1 oktaaf Graad 5 Articulation Artikulasie Legato Legato ii = 112 Minimum Tempo Major scales Majeurtoonlere Similar motion. from the lowest note Dieselfde rigting. vanaf die laagste noot Contrary motion. from the middle Teenoorgestelde rigting. from the lowest note Dieselfde rigting. Bb In root position and inversions In grondposisie en omkerings II : d.

and one from List C. en een uit Lys C. op 88 no 3 Minuet & Trio/Menuet & Trio. op 122 Polonaise Grieg E Maykapar S Schumann R Folk-tune/Volkswysie from/uit Lyrical Pieces. een uit Lys B. een gekies uit Lys A. op 8 no 16 Remembrance/Herinnering. Microstyles Collection (B&H) 2013/05/10 . Microstyles Collection (B&H) Hebridean Song. one from List B. one from List A. op 40 no 2 Rêverie Leaving School Blues List E Lys E Norton C Norton C Norton C Norton C Cha Cha. op 68 no 28 List D Lys D Copland A Johnson Alexander * Kabalevsky D Roosenschoon Hans * Van der Watt Niel * Jazzy Elegie Theme and Variations/Tema en Variasies. Microstyles Collection (B&H) In the Sun. Sonata. D or E Drie stukke. BWV 806 Allemande Vivace from/uit Fantasia no 5 List B Lys B Hummel JN Kuhlau F Schubert F List C Lys C Second Movement from/uit Sonatina. op 12 no 5 Romance/Romanse. Microstyles Collection (B&H) Orchid Garden. D of E Bach JS Handel GF Telemann GP Bourrée from/uit English Suite no 1.Piano Grade 5 23 Klavier Graad 5 Repertoire/Repertorium List A Lys A Three pieces.

vanaf die laagste noot Together Tegelyk Together Tegelyk jjj = 84 Major scales Majeurtoonlere II : C#. f in root position and inversions in grondposisie en omkerings IV: on/op A. vanaf die middel en uiterstes Similar motion. tonika in LH Legato Legato jjj = 84 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere Harmonic minor scales Harmoniese mineurtoonlere IV: d. vanaf die laagste noot Contrary motion. from the lowest note Dieselfde rigting. vanaf die uiterstes Similar motion.Piano Grade 6 24 Klavier Graad 6 Grade 6 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang IV: C#. from the lowest note Dieselfde rigting. C# in root position and inversions in grondposisie en omkerings IV: f#. vanaf die laagste noot Contrary motion. Bb Begin and end on Legato the tonic Begin en eindig Legato op die tonika Third. e Contrary motion. from the middle and extremes Teenoorgestelde rigting. vanaf die laagste noot Together Tegelyk Begin and end on Legato the tonic Begin en eindig Legato op die tonika 1 octave 1 oktaaf Legato Legato jjj = 84 IV: C# Together Tegelyk Together Tegelyk Together Tegelyk jjj = 100 Chromatic scales Chromatiese II : F toonlere Begin and end on Legato the tonic Begin en eindig Legato op die tonika 1 octave 1 oktaaf Legato Legato jjj = 84 Major arpeggios Majeur arpeggio’s IV: F#. from the lowest note Dieselfde rigting. from the lowest note Dieselfde rigting. tonic in LH Terts. from the middle and extremes Teenoorgestelde rigting. vanaf die laagste noot Similar motion. e Together Tegelyk jjj = 84 II : d. tonika in LH Articulation Artikulasie Legato Legato Minimum Tempo Similar motion. vanaf die middel en uiterstes Similar motion. from the lowest note Dieselfde rigting. from the lowest note Dieselfde rigting. tonic in LH Terts. Bb Graad 6 Motion Rigting Hands Hande Interval distance Intervalafstand Third. from the extremes Teenoorgestelde rigting. F in root position in grondposisie jjj = 80 Together Tegelyk Together Tegelyk 1 octave 1 oktaaf 1 octave 1 oktaaf Legato Legato Legato Legato jjj = 80 jjj = 80 Minor arpeggios Mineur arpeggio’s Diminished sevenths Verminderde sewendes Chords Akkoorde 2013/05/10 . vanaf die laagste noot Similar motion.

Microstyles Collection (B&H) No 2 Rumba or/of no 5 Bassa Nova. BWV 928 Adagio from/uit Sonata in D Courante. Microstyles Collection (B&H) Piano Exchange Rag. op 19 no 1 The Wayside Inn/Herberg langs die pad. een uit Lys B. en een uit Lys C. HWV 441 List B Lys B Haydn FJ Kuhlau F Vaňhal JK List C Lys C Theme and Variations/Tema en Variasies. one from List B. Latin Preludes (B&H) 2013/05/10 . op 7 no 1 Song without Words/Lied sonder Woorde. and one from List C. op 5 no 6 Prelude for Liezl/Prelude vir Liezl Piano Piece. op 20 no 2 Allegro from/uit Sonatina in A Chopin F Mendelssohn F Schumann R Mazurka. one from List A. Piano Music of Africa and the African Diaspora. Hob XVII:5 Allegro Scherzando from/uit Sonatina.Piano Grade 6 25 Klavier Graad 6 Repertoire/Repertorium List A Lys A Bach JS Galuppi B Handel GF Three pieces. D or E Drie stukke. op 82 no 6 List D Lys D Potgieter J * Roux I * Tcherepnin A Temmingh R * Von Einem G List E Lys E Gardes AR Norton C Norton C Norton C Habanera Dr Kwela – Mr Ragtime Bagatelle. D of E Prelude no 9. op 3 Preludio Cubano. Vol 2 (OUP) Moving Along. een gekies uit Lys A.

Eb Major scales Majeurtoonlere II : G. F In root position and inversions In grondposisie en omkerings IV: eb. from the lowest note Dieselfde rigting. vanaf die middel en uiterstes From the lowest note Vanaf die laagste noot Separate Afsonderlik II : G. tonika in LH Begin and end on the tonic Begin en eindig op die tonika Double note thirds: Tonic as lowest note Dubbelnoottertse: Tonika as laagste noot Double note octaves Dubbelnootoktawe Tenth. vanaf die laagste noot Legato and non legato jjj = 108 Legato en non legato Legato and non legato jjj = 100 Legato en non legato Legato and non jjj = 116 legato Legato en non legato Legato and non legato jjj = 100 Legato en non legato Legato Legato Legato Legato jjj = 92 jjj = 92 II : c#. from the middle and extremes Teenoorgestelde rigting. D Contrary motion.of mineurterts Begin and end on the tonic Begin en eindig op die tonika 1 octave 1 oktaaf 1 octave 1 oktaaf Graad 7 Articulation Artikulasie Minimum Tempo Similar motion. from the middle and extremes Teenoorgestelde rigting. from the lowest note Dieselfde rigting. vanaf die laagste noot Together Tegelyk IV: C Together Tegelyk Together Tegelyk Chromatic scales Chromatiese II : A toonlere Major arpeggios Majeur arpeggio’s IV: Eb. f In root position and inversions In grondposisie en omkerings Together Tegelyk Together Tegelyk Minor arpeggios Mineur arpeggio’s 2013/05/10 . from the lowest note Dieselfde rigting. tonic in LH Desiem. tonika in LH Begin and end on the tonic Begin en eindig op die tonika Major or minor third Majeur. from the lowest note Dieselfde rigting.Piano Grade 7 26 Klavier Graad 7 Grade 7 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang IV: F. vanaf die middel en uiterstes Similar motion. from the middle and extremes Teenoorgestelde rigting. tonic in LH Desiem. vanaf die laagste noot Together Tegelyk Together Tegelyk Legato and non jjj = 108 legato Legato en non legato Legato and non legato jjj = 100 Legato en non legato Non legato Non legato i = 80 II : A. bb Contrary motion. from the lowest note Dieselfde rigting. f Similar motion. D From the lowest note Vanaf die laagste noot Separate Afsonderlik Together Tegelyk Non legato Non legato i = 88 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere Harmonic minor scales Harmoniese mineurtoonlere IV: f#. vanaf die middel en uiterstes Similar motion. Ab Motion Rigting Hands Hande Interval distance Intervalafstand Tenth. vanaf die laagste noot Contrary motion. vanaf die laagste noot Similar motion.

BWV 793 Sonata. D or E Drie stukke. one from List A. Eb. Ab In root position In grondposisie Similar motion. vanaf die laagste noot Similar motion. op 61 no 2 She Smiles from/Sy Glimlag uit “Episodes à la cour”. K 444 Rondo from/uit Sonata in g. D In root position In grondposisie IV: on/op C#. op 93 no 4 Golliwogg’s Cake-walk from/uit Children’s Corner Obstinacy/Hardnekkigheid Oriental Feast On quiet nights starlight pulses gently from your fingertips… Hungarian Peasant Song/Hongaarse Boerelied. Hob XVI:48 Six Variations on/Ses Variasies op "Mio caro adone". een gekies uit Lys A. en een uit Lys C. and one from List C. op 49 no 1 Rondo from/uit Sonata in C. Latin Preludes (B&H) No 5. Jazz Preludes (B&H) Beethoven L van Haydn F Mozart WA List C Lys C Lyadov/Ljadof A MacDowell E Poldini E List D Lys D Debussy C Grové Stefans * Rajna Thomas * Van Dijk Péter Louis * Weiner L List E Lys E Norton C Norton C Solal M 2013/05/10 . op 10 no 1 Of Br’er Rabbit from/uit Fireside Tales. from the lowest note Dieselfde rigting. from the lowest note Dieselfde rigting. vanaf die laagste noot Together Tegelyk Together Tegelyk 1 octave 1 oktaaf 1 octave 1 oktaaf Legato Legato Legato Legato jjj = 92 jjj = 92 Chords Akkoorde Repertoire/Repertorium List A Lys A Bach JS Bach JS Scarlatti D Three pieces. Latin Preludes 2 (B&H) No 4 or/of no 5. op 33 no 24 No 6 (Beguine) or/of no 7(Mambo).Piano Grade 7 Dominant sevenths Dominant sewendes Diminished sevenths Verminderde sewendes 27 Klavier Graad 7 IV: of/van C. one from List B. een uit Lys B. K 180 Prelude. BWV 816 Three-Part Invention no 7/Driestemmige Invensie no 7. D of E List B Lys B Allemande from/uit French Suite no 5.

vanaf die middel en uiterstes Together Tegelyk Legato and non legato jjj = 120 Sekst: Tonika in Legato en RH non legato Third: Tonic in LH Legato and non legato II : D. b Together Tegelyk Harmonic minor scales Harmoniese mineurtoonlere Sekst: Tonika in Legato en RH non legato Thirds: Tonic in LH Legato and non legato jjj = 120 II : f. Bb Graad 8 Motion Rigting Hands Hande Interval distance Intervalafstand Sixth:Tonic in RH Articu-lation Minimum Artiku-lasie Tempo Similar motion. vanaf die laagste noot Similar motion. vanaf die laagste noot Contrary motion.Piano Grade 8 28 Klavier Graad 8 Grade 8 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang IV: C#. from the lowest note Dieselfde rigting. from the lowest note Dieselfde rigting. from the middle and extremes Teenoorgestelde rigting. vanaf die laagste noot Similar motion. from the lowest note Dieselfde rigting. Bb Separately and together Afsonderlik en tegelyk Together Tegelyk jjj = 72 II : Eb. E Non legato Non legato jjj = 72 Melodic minor scales Melodiese mineurtoonlere IV: g. Eb Together Tegelyk Terts: Tonika in Legato en LH non legato Double note thirds: Tonic as lowest note Dubbelnoottertse: Tonika as laagste noot Double note octaves Dubbelnootoktawe Sixth: Tonic in RH Non legato Non legato jjj = 112 Major scales Majeurtoonlere II : A. ab Together Tegelyk Legato and non legato jjj = 120 Sekst: Tonika in Legato en RH non legato Sixth: Tonic in RH Legato and non legato IV: d. from the lowest note Dieselfde rigting. from the middle and extremes Teenoorgestelde rigting. vanaf die middel en uiterstes Similar motion. vanaf die laagste noot Contrary motion. from the lowest note Dieselfde rigting. vanaf die laagste noot Similar motion. ab Together Tegelyk Terts: Tonika in Legato en LH non legato jjj = 112 2013/05/10 .

A In root position and inversions In grondposisie en omkerings II : F#. from the lowest note Dieselfde rigting. vanaf die laagste noot Contrary motion. C In root position In grondposisie Together Legato jjj = 100 Tegelyk 1 oktaaf Legato Diminished sevenths Verminderde sewendes Separate Afsonderlik Double note octave Dubbelnootoktaaf Non legato Non legato i = 100 2013/05/10 . vanaf die laagste noot Contrary motion. vanaf die middel Similar motion.of mineursekst: Tonika in RH Major or minor third: Tonic in LH Majeur. vanaf die middel Similar motion. b In root position and inversions In grondposisie en omkerings Together Tegelyk Legato Legato jjj = 100 Together Tegelyk Begin and end on the tonic Begin en eindig op die tonika 1 octave Legato Legato Dominant sevenths Dominant sewendes IV: of/van C#. from the lowest note Dieselfde rigting. from the middle and extremes Teenoorgestelde rigting. b In root position and inversions In grondposisie en omkerings II : d. from the lowest note Dieselfde rigting.Piano Grade 8 29 Klavier Graad 8 IV: Bb Similar motion. from the middle Teenoorgestelde rigting. from the lowest note Dieselfde rigting. from the middle Teenoorgestelde rigting. vanaf die laagste noot From the lowest note Vanaf die laagste noot Together Tegelyk Legato Legato jjj = 100 Together Tegelyk Begin and end on the tonic Begin en eindig op die tonika 1 octave 1 oktaaf Legato Legato Minor arpeggios Mineur arpeggio’s IV: d. A In root position and inversions In grondposisie en omkerings Similar motion. vanaf die laagste noot Contrary motion. vanaf die middel en uiterstes From the lowest note Vanaf die laagste noot Together Tegelyk Major or minor sixth: Tonic in RH Majeur. F In root position and inversions In grondposisie en omkerings II: on/op B.of mineurterts: Tonika in LH Double note minor thirds: Begin on A#/C# Dubbelnoot mineurtertse: Begin op A#/C# 1 octave 1 oktaaf Legato and non legato Legato en non legato Legato and non legato Legato en non legato Non legato Non legato jjj = 72 jjj = 120 jjj = 120 II : C# Chromatic scales Chromatiese toonlere II : A# Together Tegelyk Separate Afsonderlik Major arpeggios Majeur arpeggio’s IV: F#.

op 47 no 2 Introduction and Fantasies on a Chorale Tune (AMP) Sonata in E. Hob XVI:49 Sonata no 2 (Schott 2519) Sonatina. K 280 Sonata in Bb. K 279 Sonata in F. 12. K239/L281. Hob XVI:22 Sonata in F. op 13 no 1 Theme and Variations in c©. 9. op 10 no 2 Sonata in E. BWV 802-805 Fantasie in c. op 2 no 1 Sonata in c.Piano Grade 8 30 Klavier Graad 8 Repertoire/Repertorium Drie stukke. 15 Any one of the 4 Duettos/Enige een van die 4 Duettos. K175/L429. 6. K517/L266 Sonata in A. 6. R 1 (Faber) Preludio. op 14 no 2 Sonata. Hob XVI:23 Sonata in D. op 10 no 1 Sonata in F. BWV 906 Any two movements from/Enige twee bewegings uit Suite no 9 La Triomphante List B Lys B Bach CPE Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Clementi M Dello Joio N Haydn FJ Haydn FJ Haydn FJ Haydn FJ Hindemith P Kabalevsky D Medtner N Mendelssonn F Milhaud D Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA 2013/05/10 Sonata in A. K209/L428. one chosen from each list List A Lys A Bach JS Bach JS Bach JS Handel GF Rameau JP Scarlatti D Soler A Villa-Lobos H One of the following sonatas/Een van die volgende sonates: K29/L461. K 281 Sonata in Eb. K 283 . K481/L187. een gekies uit elke lys Three pieces. op 14 no 1 Sonata in G. op 79 Sonata. Hob XVI:33 Sonata in Eb. WoO 68 Sonata in f. No 4 from/uit Bachianas Brasileiras Any one of the following 48 Preludes and Fugues/Enige een van die volgende 48 Preludes en Fugas: Bk 1: No 2. op 54 Sonatina. 17. op 55 Variations serieuses. K 282 Sonata in G. No 5 from/uit Phil E Bach Piano Works Bk 1 (UE548a) 12 Variations on “Menuet a la Viganò”. K178/L162. K405/L43. 21 Bk 2: No 2. op 354 (UMP) Sonata in C.

op 147 Sonatina in Eb (Schott 4119) Theme and Variations. op 76 no 2 Intermezzo. op 89 Sonatina in F. 2 & 3. op 34 (AngloSoviet) Any three pieces from/Enige drie stukke uit Ses oorblyfsels (Musications) As tres Marias (Fisher) Valsa da Dor Virtuoso I (Unisa) 2013/05/10 .Piano Grade 8 31 Klavier Graad 8 Ravel M Reger M Richardsson A Schubert F Sutermeister H Tchaikovsky P Sonatina Any one of Sonatinas/Enige een van Sonatines 1. op 34 (B&H) Etude. op 27 (Weinberger/Elkin) Sonata in B. op 19 no 6 (Peters 4652) List C Lys C Brahms J Brahms J Brahms J Chopin F Chopin F Chopin F De Falla M Debussy C Debussy C Du Plessis H * Du Plessis H * Dutilleux H Fricker PR Ginastera A Grové S * Hofmeyr H * Johnson A * Kabalevsky D Kalabis V Klatzow P * Capriccio. op 116 no 4 or/of op 117 no 2 or/of op 118 no 2 Rhapsody. op 26 no 1 Nocturne. op 28 Etude from/uit Six petites Pieces pour Piano (Leduc) Any study from/Enige studie uit Twelve Studies. op 9 no 2 or/of op 27 no 1 or/of op 48 no 1 Grande Valse brillante. op 38 (Peters 4785) Allegro impetuoso (Panton 5030) Any two movements from/Enige twee bewegings uit Moments of Night (Musications) Makoemazaan (Musications) Scherzo pro klavir (Panton) No 1 or/of no 2 from/uit Conte. op 119 no 4 Polonaise. op 20 (Russe de Musique) No 4 from/uit Conte. op 2 no 4 Moto perpetuo (Chester) Any three preludes from/Enige drie preludes uit 24 Preludes. op 58 (Schott) Klatzow P * Martinů B Medtner N Medtner N Prokofiev S Rowley A Shostakovitch D Temmingh R * Villa-Lobos H Villa-Lobos H Zaidel-Rudolph J * Any piece from/Enige stuk uit Tres Piezas para piano (Ricordi) Toccata (Unisa) Chaconne (MS) No 1 from/uit 3 Incantations (Studio 83) Any three preludes from/Enige drie preludes uit 24 Preludes. op 34 no 1 Montanesa (Durand) Voiles Feuilles mortes No 2 or/of No 4 from/uit Four piano pieces. op 1 Any piece from/Enige stuk uit Four Piano pieces.

5. K436/L109. K432/L288. 8. 18 Prelude and Fugue in a. 13. 11. 19. BWV 971 Any English Suite/Enige Engelse Suite Any one of the following 48 Preludes and Fugues/Enige een van die volgende 48 Preludes en Fugas: Bk 1: No 4. 5. K381/L225. een gekies uit elke lys Performer’s Assessment Voordraersassessering PIANO KLAVIER List A Lys A Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Handel GF Handel GF Mendelssohn F Saint-Saëns C Scarlatti D Shchedrin R Shostakovich D Soler A Any one of the following 48 Preludes and Fugues/Enige een van die volgende 48 Preludes en Fugas: Bk 1: 1. 16 Bk 2: 1. op 35 no 1 Prelude and Fugue. 15. 10. BWV 903 Italian Concerto. 7 Prelude and Fugue. K319/L35. 7. 8. K132/L457. R 4 (Faber) 2013/05/10 . K427/L286. K318/L31.Piano Performer’s Assessment 32 Klavier Voordraersassessering Repertoire requirements Repertoriumvereistes Four pieces. 11. 22 BK 2: 4. K491/L164 Any Prelude and Fugue/Enige Prelude en Fuga Any Prelude and Fugue from/Enige Prelude en Fuga uit op 87 Sonata in G. 17. 12. BWV 894 Any/Enige Partita Prelude and Fugue from/uit Suite no 8 Any one of the following/Enige een van die volgende Suites: No 2. K358/L412. BWV 914 Any one of the following Preludes and Fugues/Enige een van die volgende Preludes en Fugas: BK 1: 3. 14. 7. 19. 24 Any movement from/Enige beweging uit Italian Concerto Any toccata except Toccata in e/Enige tokkate behalwe Tokkate in e Chromatic Fantasia and Fugue. 13. op 52 no 3 One of the following sonatas/Een van die volgende sonates: K96/L465. 14. 20 Any one of the French Suites/Enige een van die Franse Suites Toccata. 20 Bk 2: No 3. 9. 18. 6. 10. one chosen from each list Vier stukke. 16.

Piano Performer’s Assessment 33 Klavier Voordraersassessering List B Lys B Barber S Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Bennet RR Brahms J Brahms J Brahms J Brahms J Brahms J Chopin F Chopin F Chopin F Chopin F Clementi M Clementi M Clementi M Clementi M Clementi M Dello Joio N 2013/05/10 Sonata in eb. op 2 Sonata in f. op 31 no 2 Sonata in Eb. op 26 Sonata in C. op 81a Sonata in A. op 7 Sonata in D. op 54 Sonata in F©. op 5 Variations and Fugue on a theme by Handel. op 101 Sonata in E. op 39 no 2 Sonata in b. op 2 no 3 Sonata in Ab. op 25 (complete/volledig) Sonata. op 26 Sonata in c. op 58 Etudes. op 110 Sonata in c. op 2 no 2 Sonata in Eb. WoO 71 10 Variations on “La stessa. op 10 no 3 Sonata in Bb. WoO 73 Sonata in A. op 25 no 2 Sonata. op 26 no 3 Sonata. op 31 no 3 Sonata in C. op 57 Sonata in Eb. op 40 no 3 (Petres 146B) Sonata no 2 (Schirmer) . op 13 Sonata in F. op 35 Sonata in b. op 35 Sonata for piano (UE) Sonata in C. op 111 32 Variations in c. op 40 no 2 (Peters) Sonata in D. WoO 80 15 Variations on an Original Theme. op 109 Sonata in Ab. op 53 Sonata in f. op 1 Sonata in f©. op 78 12 Variations on a Russian Dance by Wranitzky. op 24 Variations on a theme by Paganini. op 22 Sonata in Eb. op 27 no 1 Sonata in c©. la stessissima” by Salieri. op 27 no 2 Sonata in D. op 10 (complete/volledig) Etudes. op 35 Sonata in bb. op 28 Sonata in G. op 31 no 1 Sonata in d.

op 16 no 3 Sonata no 2. op 14 Sonata no 4. K 284 Sonata in a. op 40 (Samro) Variations. Hob XVI:20 Sonata in Eb. op 29 Sonata no 6. K 310 Sonata in C. op 82 Sonata no 7. op 22 (B & H) Brillante variationen über ein Thema von Donizetti (1831) Sonata in e. K 455 Sonata in D. op 51 Dante Sonata Sonata in b Märchen Sonate. Choral et Fugue Sonata no 1. Hob XVI:36 Sonata in D. Hob XVI:46 Sonata in c©. Hob XVI:37 Sonata in c. op 84 Sonata no 1 in d. K 331 12 Variationen über ein Menuett von Fischer. Hob XVI:52 Sonata no 3 Sonata in Eb. Interlude et Finale (Durand) Sonata Variations. op 83 Sonata no 8. op 46 Variations. K 330 Sonata in F. K 333 Sonata in D. op 36 . Hob XVI:38 Sonata in Eb. op 13 Sonata in f. Hob XVI:50 Sonata in Eb.Piano Performer’s Assessment 34 Klavier Voordraersassessering Du Plessis H * Dukas P Dutilleux H Fauré G Franck C Ginastera A Glinka M Grieg E Griffes CT Haydn FJ Haydn FJ Haydn FJ Haydn FJ Haydn J Haydn J Haydn J Haydn J Haydn J Hindemith P Hummel JN Hummel JN Janáček L Kabalevsky D Kapustin N Liadow A Liszt F Liszt F Medtner N Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mussorgsky M Paderewski I Prokofiev S Prokofiev S Prokofiev S Prokofiev S Prokofiev S Rachmaninov S Rachmaninov S 2013/05/10 Sonata no 2. op 73 Prelude. op 7 Sonata (Schirmer) Sonata in D. op 41 Variations sur un theme populair polonaise. Hob XVI:49 Sonata in C. op 25 no 1 Sonata in A. op 20 Sonata (Supraphon) Sonata no 3. K 332 Sonata in Bb. Hob XVI:19 Sonata in Ab. K 576 Pictures at an Exhibition Theme varie. K 179 10 Variationen über “Unser dummer Pöbel meint“. op 28 Sonata no 2 in bb.

op 10 no 2 Rhapsody in b. op 15 no 2 Nocturne in B. op 15 Sonata in c. op 20 Sonata in g. op 27 no 2 Impromptu in F©. op 4 Etude. op 120 Sonata in a. D959 Sonata in Bb.Piano Performer’s Assessment 35 Klavier Voordraersassessering Rachmaninov S Rachmaninov S Schubert F Schubert F Schubert F Schubert F Schubert F Schubert F Schubert F Schumann R Schumann R Schumann R Schumann R Schumann R Schumann R Schumann R Schumann R Scriabin A Scriabin A Scriabin A Scriabin A Shostakovich D Stravinsky I Vine C Variations on a theme by Chopin. D958 Sonata in A. op 53 Sonata no 2. op 11 Etudes Symphoniques. op 16 Fantasie. op 30 Sonata no 3. op 64 Sonata (1924) (B&H) Sonata (1990) (Chester) List C Lys C Albeniz I Balakirev M Balakirev M Brahms J Brahms J Brahms J Brahms J Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F 2013/05/10 Triana Toccata (1902) Islamey Ballade. op 143 Sonata in A. op 18 Waltz in Ab. op 25 no 7 Any one of the following works/Enigeen van die volgende werke: Grande valse Brillante. op 9 Sonata in f©. op 22 Variations on a theme by Corelli Sonata in a. op 40 no 2 Berceuse. op 10 no 3 Nocturne. op 36 Polonaise. op 13 Kreisleriana. op 22 Faschingsschwank aus Wien Sonata in g©. op 17 Humoresque. op 42 Fantasia. op 19 Sonata no 4. D960 Carnaval. op 57 Nocturne. op 23 Sonata no 5. op 32 no 1 Etude in c©. op 79 no 1 Ballade. op 10 no 1 Scherzo. op 42 . op 15 no 1 Nocturne.

op 49 Any one of the/Enige een van die Ballades Any one of the/Enige een van die Scherzi Barcarolle in F©. Venezia e Napoli Any two contrasting pieces from/Enige twee kontrasterende stukke uit Etudes. Pour le piano Ballade. no 7 from/uit Preludes Bk 2 Reflet dans l’eau from/uit Images Bk 1 Toccata. op 53 Polonaise-Fantaisie in Ab. op 22 Allegro de Concert. op 25 no 9 Tarantella. op 11 (Peters 9578) 2013/05/10 . op 46 La Cathedrale engloutie or/of La danse de Puck Any Etude except/Enige Etude behalwe nos 1 & 7 Brouillards La terrasse des audiences du clair de lune. op 60 Polonaise in Ab.Piano Performer’s Assessment 36 Klavier Voordraersassessering Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Debussy C Debussy C Debussy C Debussy C Debussy C Debussy C Fauré G Granados E Granados E Granados E Ibert J Liadov A Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Lyapunov S Etude in Gb. op 11 no 1 Ballade no 2 Au lac de Wallenstadt Au Bord d’une source Sonetto 123 del Petrarca Soirees de Vienne no 9 Un sospiro Un sospiro Ballade no 1 Waldesrauschen Gnomenreigen Sonetto 104 del Petrarca Jeux d’eau a la Villa d’Este Spozalizio Funerailles Mephisto Waltz no 1 Vallee d’Obermann No 6 or/of No 12 or/of No 15 from/uit Hungarian Rhapsodies Any two from/Enige twee uit Paganini Etudes Mazeppa Ricordanza Wilde Jagd Tarantella. op 61 Andante Spianato & Grande Polonaise Brillante in Eb. op 19 El Fandango de Candil from/uit Goyescas Quejas o la Maja y el Ruisenor from/uit Goyescas Allegro de Concierto (UME) Scherzetto (Leduc) Prelude. op 43 Fantaisie in f.

34 from/uit Songs without Any prelude from/Enige prelude uit Preludes. 19. op 22a (Simrock) On the recovery of my son. op 1 Trois pièces pour piano (Universal) Nine Bagatelles (Edward B Marks) Toccata Sonatina seconda (Breitkopf & Hartel 8149) Toccata Etude Fantasy (Schirmer) . op 30 no 5 (Simrock) Things lived and dreamt. op 32 Any piece of/Enige stuk uit Moments musicaux. op 4 (MMP) Dumka. op 94 no 4 Novellete in F. op 30 no 9 (Simrock) About Friendship. op 28 no 2 (Simrock) Lullaby. op 33 or/of op 39 Nos 2 and/en 4 from/uit 10 Preludes.Piano Performer’s Assessment 37 Klavier Voordraersassessering Medtner N Mendelssohn F Mendelssohn F Moszkowski M Rachmaninoff S Rachmaninov S Rachmaninov S Rachmaninov S Ravel M Ravel M Ravel M Reger M Schubert F Schumann R Schumann R Schumann R Schumann R Scriabin A Smetana B Suk J Suk J Suk J Suk J Suk J Suk J Suk J Suk J Szymanowski K Tchaikovsky PI Von Weber CM Words Caprice espagnol. Tome III (Leduc) Fantasie. op 37 Canzona matinata. 18. op 36 (Simrock) Any etude from/Enige etude uit Four Etudes. op 8 Any dance from/Enige dans uit Czech Dances (MMP) In Expectation. op 7 Any etude from/Enige etude uit Etudes. op 23 Une barque sur l’ocean from/uit Miroirs Alborado del gracioso from/uit Miroirs Rigaudon from/uit Le tombeau de Couperin Walz in A. 32. op 11 no 1 (Edition Schott 312) Moments musicaux. op 21 Traumeswirren or/of Aufschwung from/uit Phantasiestucke. op 16 Any one of the/Enige een van die Etudes Tableaux. op 1 (Dover) Sonata. op 12 Novelette in E Toccata. 5. op 33 no 1 (Simrock) On a friend’s recovery. op 22a no 39 (Simrock) Once in Springtime. op 16 no 1 Any one of/Enige een van No 3. op 12 List D Lys D Alain J Apostel H E Bartók B Bartók B Berg A Blacher B Bolcom W Bowen Y Busoni F Casella A Corigliano J 2013/05/10 Etude sur un thème de quatre notes from/uit L'œuvre de piano. op 31b (Doblinger) Suite. op 39 no 4 Trois fantaisies ou caprices. op 59 Momento capriccioso. op 14 Rhapsody. op 33 no 4 (Simrock) Nos 4 and/en 5 from/uit Spring.

op 12 no 10 Valses nobles et sentimentales Scarbo from/uit Gaspard de la Nuit Toccata from/uit Le Tombeau de Couperin La Valse Toccata for John Roos (Unisa) Fingerprints (Unisa) Credo (Roosenschoon) Any piece from/Enige stuk uit Klavierkant (Harp) . 11.Piano Performer’s Assessment 38 Klavier Voordraersassessering Dallapiccola L Debussy C Debussy C Debussy C Du Plessis H * Dun T Froschauer H Griffes CT Grové S * Grové S * Grové S * Hofmeyr H * Hofmeyr H * Johnson A * Johnson A * Joubert J * Kapustin N Klatzow P * Klatzow P * Kodaly Z Kodaly Z Ligeti G Martin F Martinů B Mathias W Messiaen O Messiaen O Any piece from/Enige stuk uit Four Roman Sketches. op 18 (Novello) Any two pieces from/Enige twee stukke uit Eight memories in watercolor Toccata Notturno Moeran EJ Muller-Zurich P Pijper W Poulenc F Prokofiev S Prokofiev S Prokofiev S Prokofiev S Prokofiev S Rajna T * Ravel M Ravel M Ravel M Ravel M Reddy S * Roosenschoon H * Roosenschoon H * Roosenschoon H * 2013/05/10 Any piece from/Enige stuk uit From the Poets (Samro) Grabinschrift. op 17 Any prelude from/Enige prelude uit Piano Preludes (Duet) Mouvements perpetuels Caprice. 14. op 10 (Hug) Sonatina no 2 (OUP) Soundblocks Any two pieces from/Enige twee stukke uit Sarcasms. op 11 no 4 (Universal) Dances of Marosszek Any two from/Enige twee uit Etudes (Schott ED7718) No 5 or/of No 8 from/uit Eight Preludes: (UE 11973) Any piece from/Enige stuk uit Butterflies and Birds of paradise (Panton) Toccata alla Danza (OUP) Ile de feu 2 (Durand) Any one of/Enige een van No 8. op 36 (A-RAM) (Schirmer) Sonatina canonica L’Isle joyeuse Poissons d’or from/uit Images Bk 2 Feux d’artifice No 5 or/of No 7 from/uit Sewe Preludes. op 12 no 5 Toccata. 13. op 28 Scherzo. op 7 (Schirmer) Any two contrasting pieces/Enige twee kontrasterende stukke uit Liedere en danse uit Afrika (Unisa) Any two pieces from/Enige twee stukke uit Images from Africa Nonyana the Ceremonial Dancer (Samro) No 1 or/of No 2 or/of No 3 from/uit Partita Africana Nos 2 and/en 3 from/uit Incantations (Studio 83) Jazz Impromptu no 1 (Unisa) or/of no 2 (Studio 83) Any three pieces from/Enige drie stukke uit Dance Suite (Novello) Toccatina. 15 from/uit Vingt regards sur l’enfant Jésus: Toccata (Chester) Any two pieces from/Enige twee stukke uit Sechs Klavierstucke. op 11 Sonata in a.

op 31 no 3 * Pikaninie-variasies Ballade Ricordanza (Arnold van Wyk Trust) Toccata from/uit Vier Klavierstukke Pastorale e Cappriccio Night Music/Nagmusiek (HAUM) Any piece from/Enige stuk uit Ciclo Brasileiro (Consolidated Music) Nogradi dudas. op 4 no 4 (Doblinger) Partials and Pedals (Unisa) Three Dimensions 2013/05/10 . op 34 Funf zartliche Bagatellen Klavierstuk 1 or/of Klavierstuk 2 (Samro) Der Jongleur. no 4 from/uit 4 Piano Etudes. op 29 Masques. op 34 no 31 (Editio Musica Budapest) Wind auf der Heide. op 7 Trois mouvements de Petrouchka Metopes.Piano Performer’s Assessment 39 Klavier Voordraersassessering Rzewski F Rzewski F Seiber M Skalkottas N Slavický K Stravinsky I Stravinsky I Szymanowski K Szymanowski K Taljaard H * Temmingh R * Toch E Van der Westhuizen H Van Rensburg E * Van Wyk A * Van Wyk A * Van Wyk A * Van Wyk A * Villa-Lobos H Weiner L Wellesz E Zaidel-Rudolph J * Zaidel-Rudolph J * Noctamble from/uit Squares (Zen-on) No 3 or/of No 4 from/uit North American Ballads (Zen-On) Scherzando capriccioso (Schott) Andante Religioso from/uit 10 Piano Pieces (UE 12958) Tre Pezzi per Pianoforte: Burlesca Vivo in F#.

Duets for Fun Bk 1 (Kjos) Petite Tango. Terrific Tunes for Two Bk 2 (Alfred) Simplicity. The Microjazz Duets Collection 1 (B&H) Écossaise. Me and My Piano Duets Bk 2 (Faber) 2013/05/10 . Chester’s Piano Duets Vol 1 (Chester) Any piece from/Enige stuk uit Duet Favorites Level 1 (Kjos) Mexican Clap Hands Dance or/of Marching Moon Men.Piano Duet Pre-grade 1 40 Klavierduet Voorgraad 1 Repertoire requirements Repertoriumvereistes Pre-Grade 1 Three pieces Drie stukke Barrett C Barrett C Barrett C Bastien J Bastien J PIANO DUET KLAVIERDUET Voorgraad 1 Bastien J Blake J Blake J Coulthard E Kirkby-Mason B Mier M Mier M Norton C Schubert F Waterman F Any piece from/Enige stuk uit Chester’s Christmas Duets Vol 1 & 2 (Chester) Any piece from/Enige stuk uit Chester’s Piano Duets Vol 2 (Chester) Festival Dance or/of Michael Finnigan. Duets for Fun Bk 2 (Kjos) Any piece from/Enige stuk uit Eight Easy Duets for Beginners (B&H) Any piece from/Enige stuk uit Christmas Carols for Beginners (B&H) Twinkle Twinkle Little Star. ed Barrett (Chester) Strawberry Fair. The Best Piano Duet Book Ever! (Chester) Any piece from/Enige stuk uit First Duet Album for Piano (Bosworth) Dandelion Waltz or/of First Waltz. Chester’s Piano Duets Vol 1. Terrific Tunes for Two Bk 1 (Alfred) Four O’Clock Tea.

at least two different style periods must be represented Drie stukke. Alice in Wonderland Bk 1 (OUP) Op 29: Scherzino or/of Horse Race. Classical Duets Book for Piano 1. Boogie Duets for Beginners (Faber) Waltz in C. Contrasts (Novello) Waltz. ed Barrett (Chester) Calypso or/of My Friend Chloe. The Young Duettist. Four Centuries of Piano Duet Music 1 (Boston Music Company) Moonlight Stillness or/of Shoe Shinin’ Blues. Duets with a Difference: Piano Time Duets Bk 1 (OUP) Scarborough Fair or/of Turkey in the Straw. Bk 2 (Forsyth) A Gay Dance or/of Cradle Song or/of Gavotte.Piano Duet Grade 1 41 Klavierduet Graad 1 Grade 1 Three pieces. The Microjazz Duets Collection 1 (B&H) Wiegelied (Unisa) Sarabande. ed Gray (B&H) Bike Blues or/of Enchanted Castle or/of Winter Scene. Four Centuries of Piano Duet Music Mozart WA Norton C Potgieter JH * Rameau JR Runswick D Schubert F Schubert F Wells E 1 (Boston Music Company) Fughetta. Chester’s Piano Duets Vol 2. Terrific Tunes for Two Book 2 (Alfred) Lullaby. ed Gray (B&H) Ländler D 814 no 4. The Young Duettist. Terrific Tunes for Two Book 1 (Alfred) Celebration March or/of The Royal Procession. Classical Duets Book for Piano 1. The Best Piano Duet Book Ever! Handel GF Haydn J Helyer M Jerea H Kirkby-Mason B Lee EM Maykapar S Mier M Mier M Windklokkies (Unisa) Happy Beginning or/of Summer Breezes. Duets with a Difference: Piano Time Pieces 1 (OUP) 2013/05/10 . Bk 2 (Forsyth) Minuet/Menuet. minstens twee verskillende styltydperke moet verteenwoordig word Carse A Coulthard E Grové S * Gurlitt C (Chester) Graad 1 Berceuse. Four Centuries of Piano Duet Music 1 (Boston Music Company) Any piece from/Enige stuk uit Second Duet Album for Piano (Bosworth) The white rabbit whisks along or/of The Cheshire Cat. Four Centuries of Piano Duet Music 2 (Boston Music Company) Donkey Ride.

Mixed Doubles: Piano Time Duets 2 (OUP) Rags to Riches. Four Centuries of Piano Duet Music 1 (Boston Music Company) Playing Grown Up or/of The Tin Soldiers. 10 Folk. Four Piano Duets (Banks) Op 29: Waltz or/of Russian Dance. Musik aus Alten Tagen (Universal Edition) Cornflake or/of Weasel’s Words. Piano Time: Jazz Duets 2 (OUP) Homage to Bach or/of The Lake. Four Centuries of Piano Duet Music 1 (Boston Music Company) Menuet & Trio. Microjazz Piano Duets 1 (B&H) Mars van die Bere (Unisa) Zwei Minuette: No 2. minstens twee verskillende styltydperke moet verteenwoordig word Cornick M Couperin F Diabelli A Gretchaninoff A Grové S * Hall P Haughton A Helyer M Hengeveld G Lee EM Lee EM Maykapar S Graad 2 Blues for Two or/of Be-Bop. Musik aus Alten Tagen. Alice in Wonderland Book 1 (OUP) Andalusia. Boogie Duets for Beginners (Faber) Sonatina/Sonatine from/uit Four Centuries of Piano Duet Music 1 (Boston Music Company) With Lively Step and Cheerful Heart. Contrasts (Novello) Hongaarse Dans or/of Quick Fox. Duets for Children (OUP) 2013/05/10 . The Joy of Piano Duets (Yorktown/Music Sales) Country Dance. at least two different style periods must be represented Drie stukke.Piano Duet Grade 2 42 Klavierduet Graad 2 Grade 2 Three pieces. Mixed Doubles: Piano Time Duets 2 (OUP) Jazz Waltz or/of Play it Again.and Rhythmic Dances (Broekmanns en Van Poppel) Alice Gets Smaller and Smaller or/of Resting Against a Buttercup. Easy Jazzy Duets: Piano (Universal Edition) Lustige Jahrmarktsmusik or/of Der Kuckuck. Four Centuries of Piano Duet Music 2 (Boston Music Company) The Silent Lake. ed Beer Mozart WA Mozart WA Norton C Potgieter JH Purcell H Runswick D Türk DG Türk DG Walton W (Universal Edition) Dance/Dans from/uit Sonatina op 149 no 4. Twice as Nice Vol 1 (Kjos) Die Klokke (Unisa) All through the Night.

Musik aus Alten Tagen. Duets for Children (OUP) Arioso or/of Minuet. at least two different style periods must be represented Drie stukke. Sämtliche Tänze für Klavier zu vier Händen (Peters) Birthday March op 85 no 1. ed Gray (B&H) Galop. Bell and Holy Well or/of By the Light of the Sun. Contrasts (Novello) Poolse Dans or/of Rumba Cubana.Piano Duet Grade 3 43 Klavierduet Graad 3 Grade 3 Three pieces. Piano Time: Jazz Duets 2 (OUP) A Lively Tune or/of Song of the Isles. arr Thompson (Peters) Viennese Sonatina/Weense Sonatine no 2: Allegro or/of Menuetto. arr Thompson (Peters) Any three pieces from/Enige drie stukke uit Deutsche Tänze und Ecossaisen op 33. Mixed Doubles: Piano Time Duets 2 (OUP) Wals van die Olifantjie (Unisa) Evening Hymn op 178 no 13. Viennese Sonatinas. Treasures for Two 2 (Alfred) Viennese Sonatina/Weense Sonatine no 1: Menuetto or/of Rondo. Viennese Sonatinas. Four Centuries of Piano Duet Music 2 (Boston Music Company) The Humming Street or/of Priest. ed Beer (Universal Edition) Lament op 74 no 4. Humming Street (Banks) Happy-Go-Lucky. Piano Time: Jazz Duets 2 (OUP) Swing’s the Thing. Bärenreiter Piano Album: Vierhändig (Bärenreiter) German Dance op 39 no 7. op 44 no 1: Arioso (1st mov/1e bew). Twice as Nice Vol 1 (Kjos) Wrong Number. minstens twee verskillende styltydperke moet verteenwoordig word Bach JS Couperin F Cui C Graad 3 Grové S * Gurlitt C Hall P Haughton A Helyer M Hengeveld G Kuhlau F Lee EM Arioso. Four Centuries of Piano Duet Music 2 (Boston Music Company) Swing Boats or/of Puppet’s Dance. Twice as Nice Vol 1 (Kjos) Three Easy Pieces: Polka. 10 Folk.and Rhythmic Dances 2013/05/10 . The Joy of Piano Duets (Yorktown/Music Sales) Menuetto. Four Centuries of Piano Duet Music 1 (Boston Music Company) Mier M Mozart WA Mozart WA Schubert F Schumann R Stravinsky I Volkmann R Walton W Weber CM von Wells E (Broekmanns en Van Poppel) Sonatina/Sonatine in G. Classical Duets for Piano.

Piano Duet Grade 4 44 Klavierduet Graad 4 Grade 4 Three pieces. minstens twee verskillende styltydperke moet verteenwoordig word Arensky A Brahms J Casella A Dušek FX Eben P Fuchs R Graad 4 The Cuckoo op 34 no 2. ed Beer (Universal Edition) Try it with Me. Bärenreiter Piano Album: Vierhändig (Bärenreiter) Viennese Sonatina/Weense Sonatine no 1: Allegro. Musik aus Alten Tagen. Bärenreiter Piano Album: Vierhändig (Bärenreiter) or Walzer op 39 (Peters) Marcietta or/of Berceuse. arr Thompson (Peters) Running Shoes or/of Springboard or/of Waltz. arr Thompson (Peters) Viennese Sonatina/Weense Sonatine no 6: Allegro or/of Finale. Viennese Sonatinas. Twentieth Century British Composers: Piano Duets (OUP) Gavotte. The Little Green Forest (Bärenreiter Editio Supraphon) Miniature op 44 no 24. Piano Time Jazz: Duets 2 (OUP) 2013/05/10 . the Bird Flew Away from the Forest or/of When the Gypsies Go. at least two different style periods must be represented Drie stukke. Viennese Sonatinas. Microjazz Piano Duets 2 (B&H) The Storm. Puppazetti (Ricordi/B&H) Sonata/Sonate in G: Finale. Four Centuries of Piano Duet Music 2 (Boston Music Company) Round the Billy or/of The Lost Lagoon. Four Centuries of Piano Duet Music 2 (Boston Music Company) Oh. Leichte Stücke für Klavier zu Vier Händen op 3 (Bärenreiter) Boogie-Woogie-Hoogie or/of Bossa Cinco. Four Centuries of Piano Duet Music 2 (Boston Gregson E Handel GF Hradecký E Joplin S Kuhlau F Lee EM Lemmer PJ * Loeb van Zuilenburg P * Mendelssohn F Mozart WA Norton C Mozart WA Türk DG Vaňhal JB Walton W Weber CM von Williams R Music Company) Waltz in A op 39 no 15. Duets for Children (OUP) March in C op 3 no 5. Dance Compositions for Piano Duet (Bärenreiter Praha) The Easy Winners. Four Centuries of Piano Duet Music 2 (Boston Music Company) Four Pieces: No 3. Four Piano Duets (Banks) Op ons ou Plaasdam (Unisa) Fuga (Unisa) Lied ohne Worte op 62 no 4. Four Centuries of Piano Duet Music 2 (Boston Music Company) The Three-legged Race or/of Hop-Scotch. Five Joplin Rags (Kjos) Sonata in G op 44 no 1: Arioso. Twice as Nice 1 (Kjos) Adagio.

Four Centuries of Piano Duet Music 2 (Boston Music Company) Norwegian Dance op 35 no 2. minstens twee verskillende styltydperke moet verteenwoordig word Beethoven L van Bizet G Brahms J Clementi C Cornick M Czerny C Eben P Gounod C Graad 5 Gavotta in F. Latin Duets (B&H) Bavarian Dance. Jeux D’Enfants op 22 Music Company) Blues in F or/of Daybreak. Dance Compositions for Piano Duet (Bärenreiter Praha) The Entertainer. Four Centuries of Piano Duet Music 3 (Boston Music Company) Menuet/Minuet. The Little Green Forest (Bärenreiter Editio Supraphon) Barcarolle op 12 no 2. Twice as Nice 3 (Kjos) Duettino in C major: Allegro. Treasures for Two 2 (Alfred) Spanish Dances op 12: no 1 or/of no 2 (Peters) Sonata/Sonate in C K 19d: Allegro (1st mov/1e bew). Mozart: Werke für Klavier zu Vier Händen (Henle) Cha Cha or/of Nanigo or/of San Montuno. 3 (Bärenreiter) Hungarian Dance no 5. For Two to Play (Bärenreiter) Sonatina/Sonatine op 3 no 1. Twice as Nice 2 (Kjos) No One knows like I Know. Four Centuries of Piano Duet Music 1 (Boston Goedicke C Grieg E Hradecký E Joplin S Lemmer PJ Mier M Moszkowski M Mozart WA Norton C Starke F Tomkins T Weber CM von 2013/05/10 . Five Joplin Rags (Kjos) Sequences/Sekwense (Unisa) Biloxi Blues. at least two different style periods must be represented Drie stukke. Twice as Nice 2 (Kjos) Rag for Two. Leichte Stücke für Klavier zu Vier Händen Op. Vierhändiges Klavierbuch: Originalkompositionen von Beethoven bis Dvořák (Schott) (Henle/Peters) Petit Mari. Jazzy Duets: Piano 2 (Universal Edition) Sonatina/Sonatine op 156 no 1: 3rd mov/3e bew.Piano Duet Grade 5 45 Klavierduet Graad 5 Grade 5 Three pieces. Petite Femme or/of La Poupée. Four Centuries of Piano Duet Music 2 (Boston Music Company) A Fancy.

Book 1. Beethoven: Originalkompositionen für Klavier zu Vier Händen (Peters) Jamaican Rumba (B&H) Trompette et Tambour. Five Joplin Rags (Kjos) Sonata/Sonate in D K 381: Allegro (1st mov/1e bew). Pagine di Querra (Ricordi) En Bateau. Latin Duets (B&H) Croatian March.Piano Duet Grade 6 46 Klavierduet Graad 6 Grade 6 Three pieces. Vierhändiges Klavierbuch: Originalkompositionen von Beethoven bis Dvořák (Schott) To the Market or/of Prayer for the Homeland. Hungarian Dances for Piano FourHands (Henle) In Russia. Dolly Suite op 56 (Bärenreiter/ IMC) Norwegian Dances op 35 no 2 and/en no 3. Dance Compositions for Piano Duet (Bärenreiter Praha) Maple Leaf Rag. Mozart: Werke für Klavier zu Vier Händen (Henle) Mambo. Jeux D’Enfants op 22 (Henle/Peters) Hungarian Dance WoO 1 no 3. 12 Four Hand Pieces op 85 (Peters) Russian Theme op 11 no 3 (IMC) Moderato op 10 no 1. Three Improvisations on Dutch Folk Songs (B&H) 2013/05/10 . WaltzCaprices and Other Works for Piano Four Hands (Dover) Arrival of the Queen of Sheba (Hinrichsen) Tango. at least two different style periods must be represented Drie stukke. minstens twee verskillende styltydperke moet verteenwoordig word Beethoven L van Benjamin A Bizet G Brahms J Casella A Debussy C Dvořák A Eben P Fauré G Grieg E Graad 6 Handel GF Hengeveld G Hradecký E Joplin S Mozart WA Norton C Schumann R Rachmaninoff S Weber CM von Van Wyk A * Sonata/Sonate op 6: Allegro molto (1st mov/1e bew). Kleine Suite Voor Piano (Broekmanns & Van Poppel) Up and Down the Hill or/of In a Samba Rhythm. Petite Suite (Bärenreiter/ IMC) Valse in g op 54 no 5. Norwegian Dances. The Little Green Forest (Bärenreiter Editio Supraphon) Berceuse. Deep Vltava Pools or/of The Little Green Forest. Vierhändiges Klavierbuch: Originalkompositionen von Beethoven bis Dvořák (Schott) Those Wide.

Jeux D’Enfants op 22 (Henle/Peters) Serenade. 12 Four Hand Pieces op 85 (Peters) Silverfleet. Beethoven: Originalkompositionen für Klavier 2013/05/10 . Puppazetti (Ricordi) Menuet.Piano Duet Grade 7 47 Klavierduet Graad 7 Grade 7 Three pieces. op 90 no 3. minstens twee verskillende styltydperke moet verteenwoordig word Beethoven L van Bizet G Bowen Y Graad 7 Brahms J Brahms J Casella A Debussy C Dvořák A Dvořák A Grieg E Joubert J Lambert C Moszkowski M Mozart WA Mozart WA Schubert F Schumann R Van Wyk A * zu Vier Händen (Peters) La Toupie. at least two different style periods must be represented Drie stukke. 14. Twentieth Century British Composers: Piano Duets (OUP) Spanish Dance op 12 no 4 (Peters) Andante and Variations/Andante en Variasies K 501. Hungarian Dances for Piano Four-Hands (Henle) 16 Waltzes op 39: Any 3 pieces chosen from/Enige 3 stukke gekies van no 1. Three Improvisations on Dutch Folk Songs(B&H) Drei Märsche op 45: Marcia 1. Petite Suite (Bärenreiter/ IMC) Slavonic Dance in e op 72 no 2 (Peters) Humoresque op 101 no 7 (Peters) Waltz-Caprice op 37 no 1. Waltz-Caprices and Other Works for Piano Four Hands (Dover) Divertimento op 2: Vivace (Novello) Trois Pièces Nègres pour les touches blanches: Any 2 pieces/Enige 2 stukke. 2. Mozart: Werke für Klavier zu Vier Händen (Henle) Waltz/Wals op 9a/ D 365 (Peters) Ghost-Stories. Mozart: Werke für Klavier zu Vier Händen (Henle) Sonata in Bb K 358: Allegro (1st mov/1e bew). 15 & 16 (Peters/Wiener Urtext) Notturnino & Polca. 4. Twentieth Century British Composers: Piano Duets (OUP) Hungarian Dance WoO 1 Book 1 no 1 and/en no 2. Norwegian Dances.

at least two different style periods must be represented Drie stukke. Schubert: Piano Works for Piano Four Hands vol 2 (Henle) Variations on an Old German Folksong op 11 (Walter Wollenweber) List B Lys B Beethoven L van Brahms J Dvořák A Dvořák A Dvořák A Dvořák A Fauré G Mendelssohn F Moszkowski M Moszkowski M Saint-Saëns C Schubert F Schubert F Schumann R Drei Märsche op 45. Mozart: Werke für Klavier zu Vier Händen (Henle) Sonata in C K 521. Beethoven: Originalkompositionen für Klavier zu Vier Händen (Peters) Bell) Hungarian Dances Book 2. one piece from each list. Schubert: Piano Works for Piano Four Bilder aus dem Osten op 66 (Alfred/Schott) 2013/05/10 . Beethoven: Originalkompositionen für Klavier zu Vier Händen (Peters) Sonata in F K 497. Hungarian Dances for Piano Four-Hands (Henle) Scottish Dances op 41 (Bärenreiter) Slavonic Dances op 46: Any three pieces/Enige drie stukke (Peters) Slavonic Dances op 72: Any three pieces/Enige drie stukke (Peters) Legends op 59: Any three pieces/Enige drie stukke (Bärenreiter) Dolly Suite op 56 (Bärenreiter/ IMC) Andante and Variations op 83a (IMC) From Foreign Parts op 23: Any three pieces/Enige drie stukke (Stainer & German Rounds op 25 (IMC) Variations on a Theme by Beethoven op 35 (Durand) Fantasie in f op 103. Schubert: Piano Works for Piano Four Hands Vol 3 (Henle) Hands vol 3 (Henle) Two Characteristic Marches op 121. een stuk uit elke lys. Mozart: Werke für Klavier zu Vier Händen (Henle) Andante mit Variationen in G K 501. Mozart: Werke für Klavier zu Vier Händen (Henle) Sonata in Bb op 30 (Universal Edition) Divertissement à la Hongroise op 54.Piano Duet Grade 8 48 Klavierduet Graad 8 Grade 8 Graad 8 Three pieces. minstens twee verskillende styltydperke moet verteenwoordig word List A/Lys A Bach JC Bach JC Bach JC Beethoven L van Mozart WA Mozart WA Mozart WA Schubert F Schubert F Wüllner F Sonata in C op 15 no 6 (Peters) Sonata in A op 18 no 5 (Peters) Sonata in F op 18 no 6 (Peters) Variationen über ein Thema vom Grafen von Waldstein.

5 Pieces Enfantines (Durand/Peters) Rapsodie Espagnole (Alfred/Durand) Bobbejaan Klim die Berg: Toccatina-Fugue & Variations for Piano Duet/Tokkatina-Fuga & Variasies vir Klavierduet (Samro) Brief Encounters for Piano Duet (Van Rensburg) Three Improvisations on Dutch Folksongs (B&H) 2013/05/10 .Piano Duet Grade 8 49 Klavierduet Graad 8 List C Lys C Barber S Berkeley L Blake M Casella A Casella A Debussy C Debussy C Joubert J * Rachmaninoff S Ravel M Ravel M Van der Spuy M * Van Rensburg E * Van Wyk A * Souvernirs op 28 (Schirmer) Sonatina (Chester) Let us run out in the rain (Bardic) Pagina di Guerra op 25(Ricordi) Puppazetti op 27 (Ricordi) Petite Suite (Durand/Peters) Six Épigraphs Antiques: Any three pieces/Enige drie stukke (Henle) Divertimento op 2 (Novello) Six Morceaux op 11: Any three pieces/Enige drie stukke (B&H) Ma Mère l’oye.

ordre 9. quatuor a deux clavecins (A-R Editions) Any three of/Enige drie van Allemande a deux clavecins. La Julliet. ordre 15. K 448 (Barenreiter) List C Lys C Berkeley L Chabrier E Copland A Copland A Capriccio. OUP) Fugue in c. one chosen from each list Drie stukke. ordre 15. La Crouilli. livre 4 ordre 20 (Heugel. een gekies uit elke lys TWO PIANOS (FOUR HANDS) TWEE KLAVIERE (VIER HANDE) Graad 8 List A Lys A Bach JC Bach WF Couperin A Couperin A Couperin F Mozart WA Sonata in G. op posth no 5 (Breitkopf & Härtel) Sonata in D. livre 3. op 38 (Häslinger) Hommage a ma Jeunesse (Mercury Music) Introduction and Rondo. La Letiville. op 15 no 5 (Schott) Sonata in F (IMC) Simphonie de clavecins (A-R Editions) Deuxieme. livre 3. K 426 (Peters) List B Lys B Clementi M Dussek JL Gideon M Hummel. livre 3 ordre 16. Peters) Sonata in Eb. op 12 (Schirmer. Musete de tavern. Musete de choisie.Two Pianos (four hands) Grade 8 50 Twee Klaviere (vier hande) Graad 8 Repertoire requirements Repertoriumvereistes Grade 8 Three pieces. ordre 14. livre 2. Nocturne and Polka (Chester) Trois Valses Romantiques (Enoch) Danzon Cubana (B & H) Billy the Kid (B & H) 2013/05/10 . livre 3. JN Mozart WA Sonata in Bb.

op 94 (Leeds Music) Rumba op die Vierperdewa The Juggler and the King Vogel/Salabert) 2013/05/10 . op 155 Elegie.Two Pianos (four hands) Grade 8 51 Twee Klaviere (vier hande) Graad 8 Debussy C Johnson A * Milhaud D O’Hearn Arletta Poulenc F Poulenc F Poulenc F Schumann R Shostakovitch D Van Wyk A * Zaidel-Rudolph J * Petite Suite. op 46 (Schirmer) Concertino. valse-musette (Eschig) Andante and Variations/Andante en Variasies. op 175 (Eschig) L’embarquement pour Cythere. arr Busser (Durand) Jazz-Impromptu (Transcription for 2 pianos/Verwerking vir 2 klaviere) Any two pieces from/Enige twee stukke uit Scaramouche Suite (ElkinJazz Theme & Variations (Kjos) Capriccio (based on/gebaseer op Le bal masque).

op 15 no 6 (Schott) Concerto no 2 in C. one chosen from each list Vier stukke. BWV 552 (arr Christopher le Fleming) (Chester) Prelude et Fugue (Heugel)) Hommage a Handel. op 56b (Schirmer) Theme and Variations (Elkin) Concerto per Due Pianoforte Soli (Schott) List C Lys C Arensky A Bax A Busoni F 2013/05/10 Suite. een gekies uit elke lys List A Lys A Bach JC Bach JS Bach JS Bach JS Martinnet J Moscheles I Pasquini B Petyrek F Ralph VW Tippett M Sonata in G. op 46 Sonata. BWV 1061 (Peters/Breitkopf & Hartel) Organ Fugue in b (arr Stuart Duncan) (Ashdown) Organ Prelude & Fugue/Orrel Prelude & Fuga in Eb (St Anne). op 15 (Schirmer) Moy Mell (Chester) Duettino Concertante (Breitkopf & Härtel) . op 86 (Bote & Bock/Lauterbach & Kuhn) Variations on a Theme by Beethoven/Variasies op ‘n tema van Beethoven. op 92 (Augener) Sonata in g or/of Sonata/Sonate in F Toccata and Fugue in mixolydian Mode (Universal Edition) Introduction and Fugue (Oxford University Press) Fantasia on a theme of Handel (Associated Music) List B Lys B Brahms J Brahms J Casadesus R Clementi M Du Plessis H * Foss L Glazunoff A Milhaud D Reger M Saint-Saëns C Scott C Stravinsky I Dances Méditerranéennes (Carl Fischer) Sonata in Bb. op 104 (M P Belaieff) Kentuckiana (Elkan – Vogel) or/of Les Songes (Elkan – Vogel) Variations and Fugue on a Theme by Beethoven/Variasies en Fuga op ‘n tema van Beethoven. op 35 Sonata in F. op 10 (Novello) Set of three pieces (Schirmer) Fantasie.Two Pianos (four hands) Performer’s Assessment 52 Twee Klaviere (vier hande) Voordraersassessering Performer’s Assessment Voordraersassessering Four pieces. op 34b (IMC) Variations on a theme by Haydn/Variasies op ‘n tema van Haydn.

op 13 (Leeds Music) Sonata (1953) (Chester/Eschig) La Valse. op 2 (Wilhelm Hansen) List D Lys D Bate S Blake M Britten B Debussy C Dutilleux H Goldman RF Hindemith P Katchaturian A Lutoslawki W Messiaen O Milhaud D Milhaud D Persichetti V Poulenc F Ravel M Stravinsky I Talma L Toch E Volans K Volans K Volans K Three Pieces (ABRSM) Reverie (Bardic) Introduction and Rondo alla Burlesca (B&H) or/of Mazurka Elegaica (B&H) En blanc et noir (1915) (Durand) Figures de Resonances (Heugel) Le Bogino (Southern Music Publishing Co. op 5 (B & H) Suite no 2. op 45 (Belwyn Mills) Polonaise. op 87 (1963) (Mills Music) 9 Beginnings (Chester) Kneeling Dance (Chester) Leaping Dance (Chester) 2013/05/10 .) Sonata (1942) (AMP) Suite (Leeds Music) Variations sur un theme de Paganini (SESAC) Any three pieces from/Enige drie stukke uit Sept Visions de l’Amen (Durand) Scaramouche Suite (Durand) Le Bal Martiniquais Sonata.Two Pianos (four hands) Performer’s Assessment 53 Twee Klaviere (vier hande) Voordraersassessering Debussy C Grieg E Liszt F Rachmaninov S Rachmaninov S Rachmaninov S Saint-Saëns C Schmitt F Sinding C Lindaraja (Jobert) Altnorwegische Romance. op 51 (Peters) Concerto Pathethique (Schirmer) Suite no 1 (Fantasie-tableaux). Three Rhapsodies. poeme choregraphique (1919-20) (Durand) Sonata (AMP/Chappel) Four-handed fun (Carl Fischer) Sonata. op 77 (Durand) or/of Scherzo. op 53 (Durand) Variations. op 87 (Durand) Francaise or/of Viennoise. op 17 (B & H) Symphonic Dances/Simfoniese Danse.

23 The composer died in 2007 after the albums were printed. 5 Bars are incorrectly numbered: Bar 9 starts at the first complete bar. 11 2 1 2 1 Bars 19 and 20 . etc. Bar 9 is not the upbeat. Die komponis is in 2007 oorlede. 2 1 2 1 Mate 19 en 20 : Regterhand moet per maatslag gefraseer word soos in mate 18 en 19 . nadat die albums gedruk is. Grade 4 / Graad 4 Rigaudon (Handel) P. Theme and Variations / Tema en Variasies (Kuhlau) P. 28 (RH. 1 Maat 10 RH: Gepunteerde halfnote B/G (interval van ‘n sekst – B bokant die balk) moet D/B wees. 28 (RH. 26 (LH). LH). Maat 9 is nie die opslag nie. Maat 14 word dus maat 13. 18 (LH). Grade 2 / Graad 2 German Dance / Duitse Dans WoO 13 no. ensovoorts. Scarlatti A moet Scarlatti D wees. LH). 6 (Beethoven) P. 23 (Tchaikovsky) P. 39 no. Times They Are A-Changing (Zaidel-Rudolph) P. Bar 14 should read Bar 13. Right hand should be phrased per beat as in bars 18 and 19 .Annexure 1 54 Annexure 1: Errata: 2008 Piano Examination Albums Bylaag 1: Errata: 2008 Klaviereksamenalbums Pregrade 1 / Voorgraad 1 Bylaag 1 Spring and Winter / Lente en Winter (Türk) P. 26 (LH). Add slurs to the following bars: 10 (LH). 11 Bar 10 LH: G should be F sharp. Voeg legato-bogies by die volgende mate: 10 (LH). Maatnommers is foutief: Maat 9 begin met die eerste volledige maat. List A / Inhoudsopgawe bladsy. Allegretto from Sonatina in d / Allegretto uit Sonatine in d (Benda) P. 19 Bars are incorrectly numbered: Bar 30 should read Bar 29. We roll down the dune and into the sea! / Ons rol van die duin af tot onder in die see! (Olivier) P. ensovoorts. 5 Bars 25 & 27 RH: Last note D should be F. Mate 25 & 27 RH: Laaste noot D moet F wees. 29 3 3 Bar 7 LH: B should be B flat as in bar 6 . March / Mars (Pauer) P. 3 1 Bar 10 RH: Dotted minims B/G (interval of a sixth – B above the stave) should be D/B. 3 3 Maat 7 LH: B moet B-mol soos in maat 6 wees. 9 The sonata is not printed in its entirety and was deliberately shortened. The Barrelorgan Man / Die Draaiorrelspeler. Maat 10 LH: G moet F-kruis wees. op. etc. Maatnommers foutief: Maat 30 word maat 29. 2013/05/10 . Grade 3 / Graad 3 Contents page. 18 (LH). Lys A Scarlatti A should be Scarlatti D. Die sonate is met opset nie in sy geheel gedruk nie.

2 1 Mate 9 -10 RH: Verbind G met G. Maat 8 LH: Tweede noot (sestiende-noot) D moet B wees. Maat 33. 3 Maat 15 LH (derde sestiendenootgroep): E-kruis moet E-mol wees. Bar 33. 2 Maat 36 LH: A-mol moet A herstel wees. Bar 25: dim. Of Br’er Rabbit from/uit Fireside Tales (MacDowell) P. halfnoot ook gepunteerd. 4b Bar 6 LH: Last note E should be D. 1 4 1 Bars 2 -3 RH: Tie B to B in soprano. Maat 25: dim. tweede helfte: cresc. 33 4 Bar 8 : cresc. 5 (Telemann) P. Three-Part Invention no. 4 1 Mate 2 -3 RH: Verbind B met B in sopraanparty. 4 Bar 24 : cresc. Annexure 1 55 Bylaag 1 Grade 5 / Graad 5 Allemande (Handel) P. 4 Maat 8 : cresc. second half: cresc. 2 Maat 23 RH: Voeg herstelteken in by derde noot (E) in die melodie. 4 Maat 24 : cresc. 48 Bar 57 RH: First beat consists of quaver and dotted minim (A). Obstinacy / Hardnekkigheid (Grové) P. 2013/05/10 . Grade 7 / Graad 7 Allemande from French Suite no.March of the Lilliputians / Mars van die Lilliputters (Hofmeyr) P. Polonaise (Hummel) P. 1-2 Maat 8 RH: Verbind die interval van ‘n terts (C-kruis en E) tussen die eerste en tweede maatslae. 4 Maat 61 : A-kruis moet A herstel wees. 7 (Bach) P. 5 Bar 8 LH: Second note (semiquaver) D should be B. Bar 58 RH: First beat. 3 1-2 Bar 8 RH: Tie the interval of a third (C sharp and E) between the first and second beats. 38 4 Bar 61 : A sharp should be A natural. 11 2 Bar 23 RH: Third note in the melody should be E natural. 11 2 Bar 36 LH: A flat should be A natural. Vivace from Fantasia no. minim should also be dotted. 4b Maat 6 LH: Laaste noot E moet D wees. 2 1 Bar 9 -10 RH: Tie G to G. Rondo from Sonata in g (Beethoven) P. 7 3 Bar 15 LH (third semi-quaver group): E sharp should be E flat. Maat 57 RH: Eerste maatslag bestaan uit agstenoot en gepunteerde halfnoot (A). 5 (JS Bach) P. Maat 58 RH: Eerste maatslag. 5 / Allemande uit Franse Suite no. 7 / Driestemmige Invensie no.

'n mate van musikale kommunikasie dui. ability to present various styles and from Grade 5 onwards a feeling for musical communication. no variety in styles. Pass / Slaag 50-68% Ranging from an adequately prepared to a reasonably well prepared exam that shows sufficient control of technical work. 'n besondere vertolking van verskillende style en vanaf Graad 5. gebrek aan selfvertroue en vanaf Graad 5. 'n aanvoeling vir musikale kommunikasie dui. consistently high level of technical control in the repertoire. volgehoue tegniese beheer van repertorium. uitstekende weergawe van die onderskeie style en vanaf Graad 5. Wissel van 'n uitstekende tot baie goed voorbereide eksamen wat op vlot beheersing van tegniese werk. Roll of Honour / Ererol 90-100% (85-100%∗) An excellent exam showing perfect grasp of technical work. 'n Uitmuntende eksamen wat 'n onbesproke beheersing van tegniese werk. 'n konsekwente hoë vlak van tegniese beheer in die repertorium. geen afwisseling in style. overall technical control in the repertoire with occasional slips. omvattende tegniese beheer van repertorium met enkele vergissings. 'n redelike vermoë om die onderskeie style te projekteer en vanaf Graad 5. lack of confidence and from Grade 5 onwards little or no musical insight. Wissel van 'n total onvoorbereide tot 'n ontoereikend-voorbereide eksamen wat op min of geen tegniese beheer in óf die tegniese werk óf repertorium. a fair ability to project different styles and from Grade 5 onwards some sense of basic musical shape. Wissel van 'n genoegsaam voorbereide tot 'n redelik goed voorbereide eksamen wat op voldoende beheer van tegniese werk. ∗ 2013/05/10 Grade 8 Graad 8 . an outstanding rendition of various styles and from Grade 5 onwards enormous skill in musical communication. some technical grasp in the repertoire. 'n buitengewoon groot musikale kommunikasievaardigheid toon. consistently good technical control in the repertoire. vaardige musikale kommunikasie dui. 'n mate van tegniese beheer van repertorium.Annexure 2 56 Bylaag 2 Annexure 2: Marks Categories for Graded Exam and Performance Level Assessments across all instruments Bylaag 2: Puntekategorieë vir Graadeksamens en Voordragvlakassesserings vir alle instrumente Distinction / Lof 80-88% (80-83%∗) Ranging from an excellent to a very well prepared exam showing fluent grasp of technical work. a good rendition of various styles and from Grade 5 onwards skill in musical communication. min of geen musikale insig dui. Merit / Eervolle vermelding 70-78% A well prepared exam showing a convincing grasp of technical work. 'n Goed voorbereide eksamen wat op oortuigende beheersing van tegniese werk. die vermoë om onderskeie style weer te gee en vanaf Graad 5. Fail / Druip 20-47% Ranging from a totally unprepared to an inadequately prepared exam that shows little or no control over technique in either technical work or repertoire.

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