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INTRODUCTION

DEFINITION: The word Acoustics is generally derived from a Greek word meaning to hear,refers to generation,detection,transmission,absorption and control of sounds.

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SOUND PRODUCTION AND TRANSMISSION • A sound is produced when a part of the atmosphere is compressed suddenly. • Due to elasticity of air,the particles originally disturbed in turn disturb the neighboring particles • Sound thus travels in the form of waves. • Sound cannot travel in vacuum.

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There are three characteristics of audible sound
• Pitch: The pitch of a sound is the frequency of its vibration .


Loudness:It is the strength of the sensation received through ear.
Tone quality:It is the characteristic of the sound which distinguishes it from another sound of same loudness & pitch.
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5 . • The intensity of sound is expressed in decibel. • Phon is the unit used for measuring the loudness sensation in the ear.Two different units for expressing the energy of sound is employed.

Determining the use of the structure-the subjective needs. Establishing the desirable acoustical environment in each usable area. Studying the location and orientation of the structure and its interior spaces with regard to noise and noise sources 6 . 4. 2. 3. Determining the noise and vibration sources.• Acoustical Analysis 1.

systems and constructions to achieve desired result. 7 . volumes. 2.• Acoustical Design: 1. Choosing materials. Designing shapes. areas and surfaces to accomplish what the analysis indicates.

Too long a reverberation time renders the sound energy. It causes the over lapping of consecutive syllabus in speech or music. sustained over unduly long time.Definition: The persistence of sound even after the source of sound is cutoff. The time for which sound persist even after the source is cutoff is called the time of reverberation. 8 .

00-3.50-1.00 3.00 Above 5.50 1.Reverberation time in seconds 0.00 Acoustics Excellent Good Fairly Good Bad Very Bad 9 .00 2.00-5.50-2.

Sound Absorption • The best known acoustical materials are acoustical absorbents. • Reverberation directly depends on the loss of energy of sound wave due to friction. 10 . • When a sound wave strikes a surface. fuzzy types of boards. blankets and panels. a part of its energy is absorbed by friction.part of its energy is transmitted and the remaining part is reflected. • These are light weight. porous.

• Absorption coefficient of a surface indicates the degree to which this surface affects the absorption of sound.16v/A T=reverberation time in seconds V=volume in m3 A=total absorbing power in m2 11 . SABIN’S EQUATION T=0. • It is thus the ratio of energy absorbed by the area to the energy striking the area.• The property of a surface by which sound energy is converted into another form of energy is known as Absorption.

• All absorbent materials are found to be soft and porous. • The absorbing capacity of the absorbent materials. • In a hall treated with absorbent materials.water proof and fire proof. • It should be economical in construction.depends on the thickness of the material. 12 .its density and frequency of sound.maintenance.Following points are to be noted.speech can be heard clearly and music can be fully enjoyed. • Noise level of the room provided with absorbent materials is considerably reduced.

• Suspended absorbers in the form of inverted cones may be provided in the ceiling to make the hall acoustically good. This is true in high frequency zone. • Great care should be taken while selecting the covering for an absorbent material. Hence. low frequency absorbent materials should be provided to achieve optimum reverberation time over a wide range of frequency of sound. audience is a major absorbing factor. 13 . • In a big hall.

14 .The average value of coefficient of absorption of 25mm thick hairfelt is 0.60. Sabin used this material in his experimental works.Types of absorbent materials •Hairfelt: prof.

Acoustic Plaster: • This is a fibrous plaster . • It includes granulated insulation material mixed with cement.30 at 500cycles per second 15 . • For a thickness of 20mm acoustic plaster possess an absorbent coefficient of 0.

• They can be fixed easily and most suitable for small area. 16 .Acoustical Tiles: • The absorption of the sound is uniform from tile to tile.

95 and the latter is about 0. • The average value of coefficient of absorption for the former composite panel is 0. • It is generally suspended from trusses. 17 .20.Perforated Plywood: • This material can be used by forming composite panels with minerals wool and cement asbestos or with mineral wool and hardboard.

•They are fixed in the form of acoustical blankets. density and frequency of sound. 18 . •The absorption coefficient of such mats depends on the thickness.Quilts and Mats: • These are prepared from mineral wool and glass wool.

• For the hall to be used for the music. 19 . should be evenly spread over the whole area covered by the audience. • All undesired sound should be reduced. • The initial sound should be clear and distinct to avoid the possibility of disordered speech. the initial sound should reach the audience with the same intensity.• The sound which is produced.

20 . Shape: It involves the geometrical aspects of the hall.  The paths followed by reflected sound waves are traced and concentrations of sound waves.  For halls to be used only for music.Factors to be considered in the design of auditorium.the volume should be large. Volume: The hall should have enough volume.if any are noted.  Concave walls tend to concentrate sound waves and hence not good for acoustic purposes. 1.keeping in view the intensities of sounds likely to be developed in the hall. 2.

21 .  Convex walls are excellent and are used to reduce the echoes to the minimum extent. Sound Absorption:  Adequate absorbing surfaces should be provided in the room to control reverberation. Plain walls are better. 3.  Careful study of the hall should be made before suggesting the type of absorbent material and its location in the hall.

Reverberation:  This is the most common defect in many auditoriums. 22 . Formation of echoes:  When the reflecting surfaces are situated at a distance greater than 15m.Defects and their remedies.  This defect can be removed by selecting proper shape and by providing rough and porous interior surfaces to disperse the energy of echoes. 1.  The sound once created prolongs for a longer duration resulting in confusion with the sound created.  The remedy of this defect is to correct the time of reverberation by suitably installing absorbing materials. 2.

 The sound level at the dead spots are generally inadequate for satisfactory hearing.  This can be eliminated by avoiding curvilinear interiors by providing absorbent materials on focusing areas. Dead spots:  Due to high concentration of reflected sound at sound foci.certain spots are formed where reflected sound waves meet and create the sound of large intensity.there is deficiency of the reflected sound at some other points.  By the installation of suitable diffuses to have even 23 distribution of sound. 4. Sound foci:  In concave reflecting interior surfaces. .

5. 6.  Can be corrected by arranging hard reflecting surfaces near the source of sound and adjusting the absorption of the hall to provide optimum time of reverberation. Exterior Noise:  It is due to the poor insulation and hence noise enters through loose doors and windows. 24 . Loudness:  Due to lack of reflecting surfaces near the source of sound and excessive absorption of sound.  Remedy is to provide suitable insulation to the various components of the auditorium.

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MEADOWS SCHOOL CENTRE FOR PERFORMING ARTS LAS VEGAS NEVADA 28 .

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 The finish on the outside surfaces of the building should be of sound reflecting material. 30 .  The echoes should be completely eliminated.ACOUSTICS OF STUDIOS Following are the points for its efficient working:  Noise level in the studio should be brought down to 20-30 db.  Partition wall and exterior walls of the studio should be sufficiently rigid to resist vibrations and to prevent resonance.

 Provision of windows should be minimum to prevent the transfer of noise.  If more than one studio in the building.it is preferable to locate all of them on the same floor.  Heavy curtains may be used with advantage to control the time of reverberation in the studio.  Air conditioning machinery and other equipments should be suitably insulated so that vibrations are not carried to the working chambers. 31 .

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Mysore. Aggarbatti manufacturer. Engineer: Mathru Engineering Enterprises (MEE). Project: Acoustics for a meeting hall. 36 . Description: A hall measuring 5m x 15 m having windows on one side and entry doors on the remaining two sides. Defect : The noise used to enter the room through the room which was facing the main road. Because of the restricted roof height there used to be echo.CASE STUDIES Location: M/S Rangarao and Sons. Vani vilas Road. The height of the roof is 3m.

37 .Acoustical Treatment: The windows were provided with double glass shutters both inside and outside and the roof was provided with the false ceiling. For this purpose 20 mm. side curtains along with carpets were also used. 2 x 4 ft straw boards were used. This hall is providing this intended function till date. Along with false ceiling.

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by passing the ear. 41 .  Acoustics is important from open offices to worship centers.  Architects and engineers have a responsibility to design functional and safe environments.at some stage sound must pass through the air.  Until then.It is going to be a long time before anyone invents a way to transfer an electronic or digital signal straight into the brain.  In order to effectively address these issues acoustics should be considered in the design phase.

”Building construction”.”Advance building construction”. www.html 42 . Deshpandey R.References: Rangawala (1998).aco.in/aco.S(1988).co.

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