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COMBINED CONTINUITY & SPOTTING LIST ASPECT RATIO: SCOPE

"WAIST DEEP"
FEATURE DISTRIBUTED BY: Focus Features

EXHIBITION FOOTAGE: Represents Length Of Reel From First Frame Picture To Last Frame Picture LENGTH 1332-13 1068-13 1410-00 1385-15 1685-04 1799-12 # OF TITLES 140 150 158 167 185 74 (8,682 Feet and 09 Frames)

REEL 1A/B: REEL 2A/B: REEL 3A/B: REEL 4A/B: REEL 5A/B: REEL 6A/B

TOTAL EXHIBITION FOOTAGE: TOTAL NUMBER OF TITLES:

8,682-09 874

NOTE: Subtitles In Italics Indicates Voice Over, Narration, Or Song Lyrics. -/ Next To Title # Indicates Subtitle Continues Over Two Or More Shots. 06/06/06 This Script Prepared By: CASABLANCA CONTINUITY 11934 Tabor Street Los Angeles CA 90066 Tel. (310) 397-7741 Fax (310) 391-3041 casacontinuity@aol.com

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COMBINED CONTINUITY & DIALOGUE SC#: FOOTAGE/ SHOT DESCRIPTION/ DIALOGUE:

SPOTTING LIST TITLES & FOOTAGES TITLE#: TITLE: START: FINISH: TOTAL:

START MEASURING 00.00 AT PICTURE START MARK IN ACADEMY LEADER. LABORATORY: 1ST SCENE START: 2ND SCENE START: 3RD SCENE START: 4TH SCENE START: 55.11 113.04 118.08 123.00

FADE IN. ROGUE PICTURES (ANIMATED LOGO) FADE OUT. FADE IN. INTREPID PICTURES (ANIMATED LOGO) 1-1 ITAL CROWD OF PICKETERS (ALOUD)Save our streets! Save our streets! (meaning to make the neighborhoods safe from gangs) 50.07 55.02 4.11

FADE TO BLACK. CROWD OF PICKETERS (VO ON TV FILTERED)Save our streets! Save our streets! (CONTINUE CHANTING UNDER FOLLOWING SCENES AND DIALOGUE, GRADUALLY FADING OUT)

55.08 FADE IN. INT. SECURITY BOOTH. DAY MCU TV MONITOR WITH A SERIES OF SHOTS OF CROWDS DEMONSTRATING IN DOWNTOWN LOS ANGELES. PULL BACK SLOWLY TO REVEAL O2 SITTING AT A DESK WiTH A BANK OF TV MONITORS IN FRONT OF HIM, HIS FEET UP ON THE DESK, LOADING HIS GUN.

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SAME SHOT CONT. NEWSCASTER (VO ON TV FILTERED)Residents of South Los Angeles marched on City Hall for the third day in a row, protesting the lack of police protection in their community. The protests were touched off by the death of Mildred Thompson. Mrs. Thompson, her husband and two children died wihile sleeping when their home was set on fire by suspected gang members involved in the drug trade. According to reports, Mrs. Thompson had confronted the leader of the notorious gang, the Outlaw Syndicate, demanding that members of his gang no longer sell drugs in front of her home. This horrible tragedy has galvanized the stunned residents of this community. Funeral services for Mrs. Thompson

1-2 ITAL

NEWSCASTER (ON TV TO AUDIENCE)Residents of South Los Angeles marched on City Hall for the third day in a row (South Los Angeles: the most violent urban ghetto section of Los Angeles) (City Hall: the building which houses the city government) NEWSCASTER (ON TV TO AUDIENCE)protesting the lack of police protection in their community. NEWSCASTER (ON TV TO AUDIENCE)The protests were touched off by the death of Mildred Thompson. NEWSCASTER (ON TV TO AUDIENCE)Mrs. Thompson, her husband and two children died wihile sleeping NEWSCASTER (ON TV TO AUDIENCE)when their home was set on fire by suspected gang members involved in the drug trade. (drug: illegal recreational drugs, such as methamphetamines and cocaine) NEWSCASTER (ON TV TO AUDIENCE)According to reports, Mrs. Thompson had confronted the leader NEWSCASTER (ON TV TO AUDIENCE)of the notorious gang, the Outlaw Syndicate, demanding that NEWSCASTER (ON TV TO AUDIENCE)members of his gang no longer sell drugs in front of her home.

55.09

61.07

5.14

1-3 ITAL

61.14

67.01

5.03

1-4 ITAL

67.06

72.06

5.00

1-5 ITAL

72.11

78.07

5.12

1-6 ITAL

78.12

85.14

7.02

1-7 ITAL O2 ANSWERS HIS CELL PHONE. O2 (INTO PHONE) (OVERLAPPING)Yeah? (PAUSE) Shit, Luck I asked you to do one thing. One 1-9 ITAL 1-8 ITAL

86.08

91.01

4.09

91.06

96.08

5.02

96.13

102.07

5.10

1-10

O2 (TO LUCKY)Shit, Luck (Shit: vulgar exclamatory) O2 (TO LUCKY)I asked you to do one thing. And you cant even do that.

105.13

107.05

1.08

1-11 -/

109.10

115.06

5.12

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113.04 MCU ANOTHER MONITOR WITH NEWSMAN ON SCREEN. PAN RIGHT TO SIDE ANGLE O2 ON PHONE. NEWSCASTER (VO CONT ON TV FILTERED)and the Thompson family will be held tomorrow a huge turnout is O2 (OS CONT INTO PHONE)thing, and you cant even do that.

118.08 MCU HIGH ANGLE O2. NEWSCASTER (VO CONT ON TV FILTERED)expected. (CONTINUES LOW AND INDISTINCT UNDER FOLLOWING SCENES AND DIALOGUE) O2 (CONT INTO PHONE)Well, its three oclock. He get out at three oclock.

1-12

O2 (TO LUCKY)Its three oclock. He gets out at three oclock.

118.10

122.02

3.08

123.00 MCU ONE OF THE MONITORS SHOWING THE AISLES OF A TOY STORE WITH SHOPPERS. PAN RIGHT TO SIDE ANGLE O2 ON PHONE. O2 (OS CONT INTO PHONE)No, I cant leave here and go get him. I cant.

1-13

O2 (TO LUCKY)No, I cant leave here and go get him.

123.08

127.05

3.13

128.02 CU SIDE ANGLE O2 ON PHONE. O2 (CONT INTO PHONE)Because I just got this job, dawg, and Im not tryin to fuck it up.

1-14 -/

O2 (TO LUCKY)Because I just got this job and Im trying not to fuck it up. Lucky (fuck it up: vulgar term meaning ruin the opportunity)

128.05

134.12

6.07

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132.13 MCU ONE MONITOR WITH VARIOUS SHOTS OF STORE. TILT DOWN AS O2 LEANS BACK IN CHAIR. O2 (OS CONT INTO PHONE)Lucky (SIGHS) Alright. Im gonna get over there when I can, then.

1-15 -/

O2 (TO LUCKY)Alright. Im going to get over there when I can, then. Yeah.

139.08

144.14

5.06

143.15 CU SIDE ANGLE O2 ON PHONE. HE PUTS PHONE DOWN. WIPES HIS FOREHEAD. O2 (CONT INTO PHONE)Yeah. (SIGHS)

1-16 -/ ITAL

O2 (VO TO MR. BROOKS)How are you doing, Mr. Brooks? This is Otis over in Security.

154.11

158.14

4.03

ARC RIGHT PAS T DARK DIVIDER. O2 (VO INTO PHONE)How you doin, Mr. Brooks?

WIPE TO: 8 156.12 INT. SECURITY BOOTH. LATER MS REAR ANGLE O2 AS WE ARC RIGHT. O2 (VO CONT INTO PHONE)This is Otis over in Security. Sir 1-17 -/ ITAL O2 (VO TO MR. BROOKS)My replacement is 30 minutes late, and (replacement: the guard who works the next shift) 159.03 165.08 6.05

159.09 MS REAR ANGLE O2 STANDING. O2 (VO CONT INTO PHONE)my replacement

10

160.13 MS O2 STANDS IN BOOTH, LOOKS AT WATCH. O2 (VO CONT INTO PHONE)is about thirty minutes late, and

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165.13 INT. SECURITY BOOTH. LATER MCU O2 SITS AT DESK TALKING ON PHONE. PUSH IN. O2 (CONT INTO PHONE)I gotta go deal with a family emergency that just popped up.

1-18

O2 (TO MR. BROOKS)I need to go deal with a family emergency.

165.14

170.08

4.10

12

170.09 MCU O2 LEANS BACK IN CHAIR AT DESK LOOKING AT MONITORS. O2 (VO CONT INTO PHONE)No

1-19 -/

O2 (TO MR. BROOKS)No, I understand.

171.14

173.10

1.12

13

172.02 CU O2 TALKING ON PHONE. O2 (CONT INTO PHONE)I understand.

14

174.13 MCU O2 SEATED AT DESK TALKING ON PHONE. O2 (VO CONT INTO PHONE)No.

1-20 -/ ITAL

O2 (VO TO MR. BROOKS)No. Its my son, Mr. Brooks.

175.13

179.12

3.15

15

176.12 CU O2 TALKING ON PHONE. O2 (CONT INTO PHONE)No. Its my son, Mr. Brooks.

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180.10 CU O2 HOLDS PHONE AWAY FROM EAR, PUTS IT BACK TO EAR, THEN MOVES IT AWAY AGAIN, PUTS IT DOWN. ARC LEFT. O2 (CONT INTO PHONE)Hello?

1-21

O2 (TO MR. BROOKS)Hello?

181.06

183.00

1.10

17

198.00 INT. TOYS R US. DAY MCU TRACK WITH O2S TORSO TO FOLLOW HIM AS HE WALKS DOWN AISLE PAST TOYS.

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201.13 MS PUSH IN AS O2 WALKS TOWARD LFG, GRABS TOY OFF SHELF.

19

206.02 CU COUNTER. A HAND SLAPS A BILL DOWN ON IT.

20

207.12 EXT. STREET. DAY MCU LOW ANGLE O2S CAR DRIVES TOWARD AND OVER US. 209.03 MCU LOW REAR ANGLE O2S CAR DRIVES AWAY FROM US DOWN STREET. 211.08 EXT. DOWNTOWN STREETS. DAY MS A RED LIGHT WITH TALL BUILDINGS IN BG. FEMALE RADIO ANNOUNCER (VO FILTERED OVER RADIO)Whats up, L.A.? Its your girl 1-22 -/ ITAL FEMALE RADIO ANNOUNCER (TO RADIO AUDIENCE)Whats up, L.A.? Its your girl, Yoyo, making it do what it do. (making it do what it do: urban street slang for reporting the news) 211.08 216.03 4.11

21

22

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213.04 MCU SWISHPAN LEFT TO REAR ANGLE CITY BUS AS IT DRIVES THE DOWNTOWN STREET. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)Yo-yo, makin it do what

24

215.03 MS A BUSY DOWNTOWN STREET. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)it do. Rec-

1-23 -/ ITAL

FEMALE RADIO ANNOUNCER (TO RADIO AUDIENCE)Record temperatures continue today in what has been the longest heat wave in 27 years.

216.08

223.10

7.02

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216.11 MS ANOTHER BUSY DOWNTOWN STREET. JERKPAN LEFT. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)-ord temperatures continue

26

218.07 MS PEDESTRIANS CROSS THE BUSY STREET. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)today in what has been the

27

220.06 MS A MAN WALKS ON SIDEWALK, OTHERS IN BG. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)longest heat wave in

28

221.10 MS PUSH IN SEVERAL MEN STANDING OVER A CAR WITH HOOD OPEN. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)twenty-seven years.

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222.15 MS REAR ANGLE COUPLE WITH UMBRELLA AND WOMAN WITH KIDS WALKING ON SIDEWALK. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)Nine people

1-24 -/ ITAL

FEMALE RADIO ANNOUNCER (TO RADIO AUDIENCE)Nine people have died from heatrelated complications, and there is no end in sight.

224.00

230.06

6.06

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224.11 MS FOLLOW TWO WOMEN, ONE WITH UMBRELLA, AS THEY WALK ALONG SIDEWALK. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)have died from heat-

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226.03 INT. O2S CAR. TRAVELING. DAY MCU LOW ANGLE O2 DRIVES. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)-related complications and there

32

228.08 EXT./INT. O2S CAR. TRAVELING. CONT. MS SIDE ANGLE FOLLOW CAR AS IT MOVES LEFT AND O2 PULLS HIS SHIRT OFF. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)is no end in sight.

33

230.11 CU O2 DRIVING IN HIS UNDERSHIRT. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)In South Los Angeles

1-25 -/ ITAL

FEMALE RADIO ANNOUNCER (TO RADIO AUDIENCE)In South Los Angeles, residents of Watts Fowler continue their boycott (Watts Fowler: low-income housing project located in the ghetto area of South L.A.)

230.14

236.11

5.13

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232.08 MCU SIDE ANGLE O2S TORSO AS HE DRIVES. TILT UP, THEN PAN RIGHT TO GLOVE COMPARTMENT AS HE FLICKS IT OPEN, PUTS GUN INSIDE, AND CLOSES IT. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)residents of Watts Fowler continue their boycott of city services until the Mayor

1-26 -/ ITAL

FEMALE RADIO ANNOUNCER (TO RADIO AUDIENCE)of city services until the Mayor has addressed their grievances.

237.00

242.05

5.05

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239.06 MCU POV FROM IN FRONT OF WINDSHIELD PAN LEFT TO O2 DRIVING AND PAST HIM. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)has addressed their griev-

36

241.07 EXT. SCHOOL. DAY MLS JUNIOR STANDS ALONE BEHIND FENCE WITH HANDS ON FENCE. FEMALE RADIO ANNOUNCER (VO CONT FILTERED OVER RADIO)-ances.

37

245.03 CU SIDE ANGLE JUNIOR LOOKS THROUGH FENCE. HE LOOKS BG AND UP. GUARD (OS)Hey, look, Im gonna have to lock the gate in a minute, Junior.

1-27

GUARD (TO JUNIOR)Im going to have to lock the gate in a minute, Junior.

248.06

251.05

2.15

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252.03 CU JUNIOR WITH TORSO OF GUARD BEHIND HIM. JUNIOR TURNS FROM GUARD BACK TO FG AS GUARD LEAVES. PAN RIGHT TO JUNIORS HAND HOLDING FENCE. 269.00 INT. O2S CAR. TRAVELING. DAY MS POV OF RESIDENTIAL STREET AS CAR DRIVES. PAN LEFT TO SIDE ANGLE O2 DRIVING. 274.03 MS PAST REAR ANGLE O2 DRIVING AS CAR DRIVES PAST SCHOOL.

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277.11 EXT. SCHOOL. CONT. CU JUNIOR LOOKS RIGHT EXCITEDLY. PAN RIGHT TO CURB AS O2 PULLS UP IN HIS CAR. THEN PAN LEFT BACK TO JUNIOR AS HE RUNS RIGHT WITH HIS BACKPACK. FOLLOW HIM.

42

288.12 MS JUNIOR RUNS TOWARD RFG AND JUMPS UP INTO O2S ARMS. O2 (OS)What up, boy? JUNIORWhat up? O2(LAUGHS) JUNIORI thought Uncle Luck was supposed to pick me up.

1-28

O2 (TO JUNIOR)-- What up, boy? (blood: urban street way of addressing a relative or close friend) JUNIOR (TO O2)-- What up? (What up: urban street version of whats up?, meaning what is happening?)

289.00

291.05

2.05

1-29

JUNIOR (TO O2)I thought Uncle Luck was supposed to pick me up.

293.08

296.14

3.06

43

297.07 CU O2 HOLDING JUNIOR. HE PUTS HIM DOWN. O2Yeah, he was. Im tryin to find him now. What

1-30

O2 (TO JUNIOR)He was. Im trying to find him now. O2 (TO JUNIOR)What happened to your face, Junior?

298.05

303.04

4.15

1-31 -/

305.05

307.13

2.08

44

305.10 CU JUNIOR WITH O2S HAND ON HIS FACE. HE PULLS IT BACK OUT OF FRAME. O2 (OS CONT)happened to your face, Junior? JUNIORSome boy tried to punk me.

1-32

JUNIOR (TO O2)Some boy tried to punk me. (punk: urban street word for beat up)

308.10

311.03

2.09

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311.04 CU OTS LOW ANGLE ON O2. O2You beat his ass?

1-33

O2 (TO JUNIOR)You beat his ass? (beat his ass: vulgar term meaning defeat him soundly)

313.08

315.03

1.11

46

315.04 MCU JUNIOR NODS. JUNIORYeah.

1-34

JUNIOR (TO O2)Yeah.

315.15

317.02

1.03

47

317.07 CU OTS LOW ANGLE ON O2. HE TURNS RIGHT AS JUNIOR EXITS RIGHT. O2Alright then, get in the car.

1-35

O2 (TO JUNIOR)Alright then, get in the car.

317.12

320.02

2.06

48

320.13 MS JUNIOR CLIMBS INTO THE CAR AS O2 WALKS AROUND THE CAR. ARC RIGHT AROUND THE CAR AS HE CLIMBS IN AND STARTS THE ENGINE. O2 (CONT)Whatd I tell you about fightin, Junior? You gotta be better than me when you grow up. You hear me? JUNIOR (OS)Yeah. O2(SIGHS) Will you ever learn?

1-36

O2 (TO JUNIOR)What did I tell you about fighting, Junior? O2 (TO JUNIOR)You have to be better than me when you grow up. You hear me? (hear me: understand) JUNIOR (TO O2)Yeah. O2 (TO JUNIOR)Will you ever learn? Im happy to see you, though.

324.00

326.13

2.13

1-37

329.12

333.07

3.11

1-38

334.00

335.08

1.08

1-39 -/

339.10

344.02

4.08

49

341.11 MS SIDE ANGLE JUNIOR AND O2. O2 (CONT)Im happy to see you, though. (CHUCKLES)

THE CAR PULLS AWAY RIGHT, EXITS FRAME.

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345.15 MS LOW ANGLE THE CAR DRIVES LEFT PAST SCHOOL. FOLLOW IT. THEN IT EXITS FRAME LEFT.

51

348.11 EXT./INT. O2S CAR. TRAVELING. DAY CU FRONT GRILLE OF CAR. CRANE UP OVER TOP OF CAR AND TILT DOWN TO O2 AND JUNIOR IN CAR.

52

356.01 MS HIGH REAR ANGLE O2 PICKS UP BOX FROM BACK SEAT AND HANDS IT TO JUNIOR. 362.10 MCU POV THROUGH WINDSHIELD JUNIOR LOOKING DOWN. HE HOLDS UP BOXTOP EXCITEDLY. JUNIOROh, man! Cool! 1-40 JUNIOR (TO O2)Cool! (Sixties word meaning how exciting or how wonderful) 363.13 366.03 2.06

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366.04 MCU POV THROUGH WINDSHIELD O2 TAKES THE BOXTOP AND PUTS IT IN BACK SEAT AS JUNIOR HOLDS UP HORSE. O2Gimme that. Add that to your collection.

1-41 -/

O2 (TO JUNIOR)Give me that. Add that to your collection. (that: the wrapping) (that: the horse)

366.08

372.05

5.13

55

371.15 CU REAR ANGLE JUNIOR AS HE HOLDS UP HORSE. TILT UP TO HORSE. JUNIOR (OS)Hey Hey, look, Dad. O2 (OS)Yeah.

1-42

JUNIOR (TO O2)Hey look, Dad. (Dad: short for father)

372.12

376.09

3.13

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O2 (TO JUNIOR)Yeah. Talented horse.

376.14

379.07

2.09

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377.07 CU SIDE ANGLE O2. O2 (CONT)Talented horse. JUNIOR (OS)Mnm hm.

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380.06 MCU SIDE ANGLE JUNIOR AS HE STANDS UP A SOLDIER OUT OF THE BOX.

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384.00 CU SIDE ANGLE O2 LOOKS RFG.

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387.12 CU SIDE ANGLE JUNIOR PLAYING WITH THE SOLDIER. HE LOOKS LFG. JUNIOR (CONT)Dad? O2 (OS)Yeah. JUNIORCan I tell you something?

1-44

JUNIOR (TO O2)Dad?

392.10

393.10

1.00

1-45

O2 (TO JUNIOR)Yeah. JUNIOR (TO O2)Can I tell you something?

394.10

396.02

1.08

1-46

396.11

399.07

2.12

60

399.08 CU O2 LOOKS FG. O2Yeah. Whats up? JUNIOR (OS)When I

1-47

O2 (TO JUNIOR)Yeah. What? JUNIOR (TO O2)When I was standing back there in the schoolyard, I was thinking

399.14

401.05

1.07

1-48 -/

402.04

408.06

6.02

61

402.09 CU JUNIOR HOLDING SOLDIER. JUNIOR (CONT)was standing back there in the schoolyard, I was thinking, if nobody came back for me, what would happen?

1-49

JUNIOR (TO O2)if nobody came back for me, what would happen?

409.07

414.02

4.11

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414.03 CU O2 LOOKS FG. O2Ill always come back for you.

1-50

O2 (TO JUNIOR)Ill always come back for you.

415.14

418.07

2.09

63

419.02 CU JUNIOR HOLDS UP HIS PINKY FINGER. JUNIORPinky promise?

1-51

JUNIOR (TO O2)Pinky promise? (childrens way of making a promise in which the parties hook their pinky fingers together to demonstrate the strength of the promise)

419.06

421.05

1.15

64

421.09 MCU O2 AND REAR SIDE ANGLE JUNIOR JOIN THEIR PINKY FINGERS AND SHAKE. O2Pinky promise.

1-52

O2 (TO JUNIOR)Pinky promise.

423.03

425.03

2.00

65

425.09 CU O2 LOOKS FG. JUNIOR (OS)Dad? O2Yeah. JUNIOR (OS)Can I have JUNIOR (CONT)some ice cream?

1-53

JUNIOR (TO O2)-- Dad? O2 (TO JUNIOR)-- Yeah.

427.14

430.03

2.05

1-54

JUNIOR (TO O2)Can I have some ice cream?

430.08

432.05

1.13

1-55

O2 (TO JUNIOR)Yeah. We can get you some ice cream.

433.01

436.03

3.02

1-56 -/ PAN LEFT TO JUNIOR. O2 (OS)Yeah. We can get you some ice cream. JUNIORYessss!

JUNIOR (TO O2)Yes!

436.10

438.05

1.11

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438.00 MCU PAST REAR SIDE ANGLE JUNIOR TO O2. O2Gotta stop by my job first. JUNIOROkay.

1-57

O2 (TO JUNIOR)-- Got to stop by my job first. JUNIOR (TO O2)-- Okay.

439.14

442.13

2.15

67

442.15 MS OVERHEAD ANGLE O2 AND JUNIOR. JUNIOR STARTS MOVING TO THE MUSIC. 450.04 MCU THROUGH WINDSHIELD JUNIOR MOVES TO THE MUSIC. JUNIOR (SINGING WITH RADIO)Hey! Hey!

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453.08 CU O2 DRIVING. JUNIOR (OS CONT) (SINGING WITH RADIO)Hey!

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455.11 CU JUNIOR. HE TURNS LEFT AND MOVES TO MUSIC. JUNIOR (CONT) (SINGING WITH RADIO)Hey!

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458.00 CU O2 LOOKS RIGHT. JUNIOR (OS CONT) (SINGING WITH RADIO)Hey!

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460.05 MS JUNIOR AND O2.

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462.08 CU REAR ANGLE JUNIOR SINGING. JUNIOR (OS CONT) (SINGING WITH RADIO)Hey!

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464.13 MLS POV FROM THE CAR OF DOWNTOWN BUILDINGS IN DISTANCE.

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467.01 MCU O2S TORSO. TILT UP TO HIM DRIVING AND PAST HIM.

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469.08 CU OTS ON O2 DRIVING. 471.10 MS JUNIOR SMILING. 473.12 MS SIDE ANGLE JUNIOR AND O2 SING ALONG TO MUSIC. 479.03 MS JUNIOR AND O2 SING ALONG TO MUSIC, JUNIOR MOVING HIS ARMS. 482.03 MS OVERHEAD ANGLE O2 AND JUNIOR. JUNIOR CLAPS HIS HANDS.

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484.04 CU LOW SIDE ANGLE O2 SINGS.

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487.07 CU SIDE ANGLE JUNIOR. 489.07 MS REAR ANGLE O2 AND JUNIOR, WHO TURNS LEFT TO LOOK AT HIM.

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492.05 CU REAR ANGLE JUNIOR. HE OPENS THE GLOVE COMPARTMENT AND TAKES OUT THE GUN.

85

496.10 CU JUNIOR. O2 (OS)Whatre

1-58 -/

O2 (TO JUNIOR)What are you doing?

497.15

499.12

1.13

86

498.01 MS REAR ANGLE O2 REACHES OVER TO JUNIOR. O2 (CONT)you doin, man?!

87

499.05 CU SIDE ANGLE JUNIOR AS THE GUN IS SNATCHED FROM HIS HANDS. JUNIORWhat? O2 (OS) (OVERLAPPING)Never

1-59 -/

O2 (TO JUNIOR)Never put your hands on a gun!

501.09

504.03

2.10

88

501.11 MS O2 AS HE PUTS THE GUN IN HIS POCKET. O2 (CONT)put your hands on a gun!

89

505.04 CU O2 LEANING FORWARD. 508.00 CU SIDE ANGLE JUNIOR. O2 (OS CONT)What are you thinkin about? 1-60 O2 (TO JUNIOR)What are you thinking? 508.08 510.10 2.02

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511.02 CU O2.

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513.10 CU SIDE ANGLE O2. JUNIOR IN BG PLAYS WITH HORSE. 516.11 CU SIDE ANGLE O2. O2 (CONT)Im sorry. 1-61 -/ O2 (TO JUNIOR)Im sorry. Its my fault. I should have never put it there. (it: the gun) 522.05 529.06 7.01

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94

523.03 CU SIDE ANGLE JUNIOR. O2 (OS CONT)Its my fault.

95

526.11 CU SIDE ANGLE O2. O2 (CONT)I shoulda never put it there anyway.

96

529.12 CU SIDE ANGLE JUNIOR. JUNIORThats yours?

1-62

JUNIOR (TO O2)Thats yours? (That: the gun) O2 (TO JUNIOR)No, its not mine. I got it for my job. Im supposed to take it back. (it: the gun)

529.13

531.06

1.09

1-63 -/ O2 (OS)No

531.11

537.04

5.09

97

531.15 CU O2. O2 (CONT)its not mine. I got it for my job.

98

535.03 CU O2. O2 (CONT)Im supposed to take it back.

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PAGE 19

99

538.06 MCU THROUGH WINDSHIELD JUNIOR. O2 (OS CONT)Dont matter, though. Dont ever play with a gun! JUNIOROkay!

1-64

O2 (TO JUNIOR)Doesnt matter, though. Dont ever play with a gun! JUNIOR (TO O2)Okay!

538.10

541.06

2.12

1-65 -/

541.11

543.11

2.00

100

543.00 MCU THROUGH WINDSHIELD O2. O2I love you.

1-66

O2 (TO JUNIOR)I love you.

551.00

552.10

1.10

101

554.00 MS OTS PAST SIDE ANGLE O2 TO JUNIOR. JUNIORI love you, too.

1-67

JUNIOR (TO O2)I love you, too.

554.03

556.03

2.00

102

557.12 CU HANDHELD CAMERA THROUGH WINDSHIELD JUNIOR AS O2S HAND SLAPS HIS HEAD PLAYFULLY. O2 (OS)Knucklehead. Crazy, man.

1-68

O2 (TO JUNIOR)Knucklehead. Crazy, man. (Knucklehead: idiot or mentally challenged person, here used affectionately)

558.11

563.04

4.09

103

563.13 EXT. DOWNTOWN STREETS/O2S CAR/INT. O2S CAR. TRAVELING. DAY MS PEOPLE WALK ON SIDEWALK PAST FRUIT STAND. TILT DOWN TO 02 DRIVING HIS CAR. FEMALE RADIO ANNOUNCER (VO ON RADIO FILTERED)We have a special guest on the line. MALE RADIO ANNOUNCER (VO ON RADIO FILTERED) (OVERLAPPING)Yes, a very, very special guest on the line.

1-69 ITAL

FEMALE RADIO ANNOUNCER (TO RADIO AUDIENCE)We have a special guest on the line. (line: telephone line)

564.13

566.06

1.09

1-70 -/ ITAL

MALE RADIO ANNOUNCER (TO RADIO AUDIENCE)A very special guest.

566.11

569.12

3.01

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PAGE 20

104

569.05 MS PAST REAR ANGLE O2 DRIVING TO STREET AND WOMEN WALKING ACROSS IN FRONT OF HIM. MALE RADIO ANNOUNCER (VO CONT ON RADIO FILTERED)He is a, uh, distin-

1-71 -/ ITAL

MALE RADIO ANNOUNCER (TO RADIO AUDIENCE)He is a distinguished author and scholar, Dr. Michael Eric Dyson.

570.05

577.11

7.06

105

572.03 MS POV OUT OF CAR TO TWO WOMEN WALKING ACROSS STREET. FOLLOW THEM. MALE RADIO ANNOUNCER (VO CONT ON RADIO FILTERED)-guished author and scholar, Doctor Michael Eric Dyson. FEMALE RADIO ANNOUNCER (VO ON RADIO FILTERED)Whats up, Doctor

1-72 -/ ITAL

FEMALE RADIO ANNOUNCER (TO RADIO AUDIENCE)Whats up, Doctor Dyson? (Whats up: What is happening?)

578.00

580.00

2.00

106

579.09 CU O2. FEMALE RADIO ANNOUNCER (VO CONT ON RADIO FILTERED)Dyson? DR. DYSON (VO ON RADIO FILTERED)Thank you so

1-73 -/ ITAL

DR. DYSON (TO RADIO AUDIENCE)Thank you so much for having me on the show.

580.05

582.11

2.06

107

581.02 MS POV FROM CAR OF HOOKERS STANDING ON SIDEWALK AS HE PASSES. PAN LEFT PAST THEM TO HEAVY TRAFFIC WITH HANDHELD CAMERA. THEN TILT UP TO RED LIGHT. DR. DYSON (VO CONT ON RADIO FILTERED)much for having me on the show.

1-74 ITAL

FEMALE RADIO ANNOUNCER (TO RADIO AUDIENCE)Its so good to have you here.

583.00

584.04

1.04

FEMALE RADIO ANNOUNCER (VO ON RADIO FILTERED)Its so good to have you here.

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PAGE 21

SAME SHOT CONT. DR. DYSON (VO ON RADIO FILTERED)I think its very necessary for us as a community to organize our dissent against this animal, this beast, that has infested us in a

1-75 ITAL

DR. DYSON (TO RADIO AUDIENCE)I think its very necessary for us as a community to organize our dissent DR. DYSON (TO RADIO AUDIENCE)against this animal, this beast, that has infested us in a negative fashion. (animal, beast: metaphor for illegal drugs) DR. DYSON (TO RADIO AUDIENCE)These drugs have undermined us. What we call the political economy of crack (crack: crack cocaine, a cheap and very addictive form of cocaine) DR. DYSON (TO RADIO AUDIENCE)and other drugs have really devastated us. And now, on top of that, drug gangs. (drug gangs: meaning gangs that sell and distribute illegal drugs)

584.09

590.04

5.11

1-76 -/ ITAL

590.10

598.03

7.09

108

597.02 MS O2 SITTING IN HIS CAR IN GRIDLOCK. DR. DYSON (VO CONT ON RADIO FILTERED)negative fashion. These drugs

1-77 -/ ITAL

599.06

604.03

4.13

109

599.12 MCU SIDE ANGLE O2 LOOKS BG AT JUNIOR ASLEEP IN THE CAR. HE PUTS THE CAR IN PARK, TURNS TO JUNIOR. DR. DYSON (VO CONT ON RADIO FILTERED)have undermined us. What we call the political economy of crack and other drugs have really

1-78 -/ ITAL

604.08

611.11

7.03

110

606.12 MLS OVERHEAD ANGLE PUSH IN AS O2 LIFTS JUNIOR AND PUTS HIM IN BACK SEAT. DR. DYSON (VO CONT ON RADIO FILTERED)devastated us. And now, on top of that, drug gangs. Gangs that are involved in the

1-79 -/ ITAL

DR. DYSON (TO RADIO AUDIENCE)Gangs that are involved in the business of distributing

612.03

618.08

6.05

111

613.11 CU O2. DR. DYSON (VO CONT ON RADIO FILTERED)business of

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PAGE 22

112

615.15 MS PAN LEFT TO FOLLOW COCOS LEGS AS SHE WALKS ACROSS STREET. TILT UP TO HER CARRYING SUITS. DR. DYSON (VO CONT ON RADIO FILTERED)distributing (CONTINUES LOW AND INDISTINCT UNDER FOLLOWING SCENES AND DIALOGUE)

113

619.14 MCU O2S ARM ADJUSTS THE SLEEPING JUNIOR. TILT UP TO O2 AS COCO WALKS ACROSS STREET IN BG. 624.07 CU O2. 627.14 MS SLO-MO FOLLOW COCO AS SHE WALKS ALONG CARRYING THE SUITS. 635.02 CU O2. HE LOOKS RIGHT. 639.06 MCU SLO-MO FOLLOW COCO AS SHE WALKS ALONG CARRYING SUITS. SHE STOPS. 649.07 CU SIDE ANGLE O2. 652.02 MS TRACK WITH REAR ANGLE COCO AS SHE WALKS AROUND O2S CAR TO THE DRIVER WINDOW. THEN ARC RIGHT TO SEE O2 FACING HER. COCO (OS)How you doin, bud? Got a couple suits 1-80 -/ COCO (TO O2)How are you doing? Got a couple of suits here. 657.06 661.13 4.07

114

115

116

117

118

119

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PAGE 23

120

661.02 MS COCO HOLDING UP THE SUITS FOR SIDE ANGLE O2 TO SEE THEM. COCO (CONT)here. I think that you would look really good in this

1-81 -/

COCO (TO O2)I think you would look really good in this one. What do you think? (this one: a suit)

663.13

669.02

5.05

121

667.04 CU COCO. COCO (CONT)one. What you think?

122

670.09 CU SIDE ANGLE O2. O2Naw, Im cool.

1-82

O2 (TO COCO)No, Im cool. (slang term meaning that he doesnt need anything)

670.15

672.07

1.08

123

673.01 MS SIDE ANGLE COCO STANDS OVER O2. COCO (OS)Its on special. O2Yeah, Im straight.

1-83

COCO (TO O2)Its on special. (it: the suit) (on special: available for less than it normally costs) O2 (TO COCO)Im straight. (slang term meaning that he doesnt need anything) COCO (TO O2)Come on.

673.08

675.05

1.13

1-84 -/

677.04

679.00

1.12

124

678.05 MS LOW ANGLE PAST REAR ANGLE O2 ON COCO, WHO SLINGS THE SUITS FG. COCO(SIGHS) Come on now.

1-85 -/

682.12

684.07

1.11

125

684.01 MCU SIDE ANGLE O2 AND COCOS ARM. 687.11 CO OTS ON COCO. COCO (CONT)Help a sista out. 1-86 COCO (TO O2)Help a sister out. (sister: term used by AfricanAmerican women when addressing or talking about other African-American women) 689.02 691.02 2.00

126

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PAGE 24

127

693.00 CO O2 AND COCOS ARM. 695.08 MS REAR ANGLE COCO LEANS ON O2S CAR NEXT TO HIM. 697.07 CU OTS ON COCO. ANGRY FEMALE DRIVER (OS)Move

128

129

130

700.05 CU O2 AND COCOS ARM. ANGRY FEMALE DRIVER (OS CONT)bitch!

131

702.09 CU OTS ON COCO. TILT UP AS SHE STANDS. SHE MAKES A KISS MOTION. ANGRY MALE DRIVER (OS)Lets go, man! I got things to do, man! Move! ANGRY FEMALE DRIVER (OS)Go!

132

710.04 CU O2 AS COCO EXITS FRAME LEFT FROM IN FRONT OF HIM. ANGRY FEMALE DRIVER (OS CONT)Drive! ANGRY MALE MEXICAN DRIVER (OS)Out of the way! Ora-

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PAGE 25

133

715.12 MS REAR ANGLE SLO-MO COCO WALKS AWAY. ANGRY MALE MEXICAN DRIVER (OS CONT)-le!

134

719.00 MS REAR ANGLE O2 IN HIS CAR. HE DRIVES THE CAR FORWARD TOWARD WHERE OTHER CARS ARE STOPPED.

135

725.15 MS LOW SIDE ANGLE O2S CAR PULLS UP BEHIND A LINE OF CARS IN THE STREET AND STOPS. ANOTHER CAR STOPS BEHIND IT. 736.08 MS THE WHEELS OF THE CAR BEHIND O2S. LEGS JUMP OUT OF THE CAR.

136

137

737.09 MCU O2 SITTING IN HIS CAR. HANDS ENTER FROM RIGHT WITH A GUN AIMED AT HIS HEAD. JACKER (OS)Yo, put this mother-

1-87 -/

JACKER (TO O2)Put this motherfucker in park, nigga! You know what the fuck this is? (motherfucker: vulgar word used to refer to an object or person; in this case O2s car) (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans) (fuck: vulgar emphatic; referring to it being a carjacking)

738.00

741.06

3.06

138

738.10 MS LOW ANGLE FROM SIDE OF CAR ON JACKER LEANING OVER O2 WITH A GUN AIMED AT HIS HEAD. JACKER (CONT)-fucker in park, nigga! You know

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PAGE 26

139

739.13 MS JACKER AIMS GUN RIGHT. PAN RIGHT TO O2 SITTING IN CAR. JACKER (CONT)what the fuck this is? O2 (OS)What the

1-88 -/

O2 (TO JACKER)What the fuck are you doing? (fuck: vulgar emphatic)

741.12

743.05

1.09

140

741.12 MS JACKERS ARM WITH GUN AIMED AT O2S HEAD. PAN LEFT. O2 (CONT)fuck are

141

742.06 MCU LOW ANGLE PAST O2 TO JACKER STANDING OVER HIM. HE HITS O2. O2 (CONT)you doing?! JACKERUgh!

142

743.07 MS REAR ANGLE JACKER HITS O2 WITH GUN AND O2 COLLAPSES IN THE SEAT. JACKER (OS CONT)Ugh! Come

1-89 -/

JACKER (TO O2)Come on! Get the fuck out of this car! (fuck: vulgar emphatic)

744.05

746.10

2.05

143

744.08 MS REAR ANGLE JACKER BEATS ON O2. JACKER (OS CONT)on, man! Get the fuck

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PAGE 27

144

745.15 MS LOW ANGLE JACKER BEATS ON O2. JACKER (OS CONT)up out this car! O2My son

1-90 -/

O2 (TO JACKER)My son -- !

746.15

749.13

2.14

145

747.04 MS CAR DOOR OPENS AS JACKERS TORSO PULLS O2 OUT OF CAR. O2 (OS CONT)man -- ! JACKER (OS) (OVERLAPPING)Get the fuck up

146

748.05 MS LOW ANGLE JACKER THROWS O2 OUT OF CAR AND TOWARD STREET. JACKER (OS CONT)out this car, nigga!

147

749.06 MCU O2 FALLS INTO THE STREET. O2Ugh!

148

750.06 MS JACKER IN O2S CAR. PUSH IN AS HE STARTS IT UP. 752.06 MCU WHEEL OF O2S CAR AS IT MOVES. CAR PULLS OUT OF FRAME LEFT. 753.15 MS O2S CAR EXITS FRAME LEFT. PAN RIGHT TO JACKERS CAR, WHICH FOLLOWS IT.

149

150

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PAGE 28

151

755.10 MCU LOW SIDE ANGLE JACKERS CAR AS IT DRIVES LEFT.

152

756.04 MS O2 LYING IN STREET. JACKERS CAR DRIVES ACROSS FG HEADED RIGHT.

153

757.09 MS O2 LYING ON BACK IN THE STREET.

154

758.00 CU O2 LYING IN STREET.

155

759.11 MS REAR ANGLE JACKER DRIVES AWAY IN O2S CAR.

156

761.10 MS JACKER DRIVES O2S CAR TOWARD FG, FOLLOWED BY JACKERS CAR. O2 SITS UP IN STREET. 763.08 MLS HIGH ANGLE O2S CAR AND THE JACKERS CAR DRIVE IN THE WRONG LANE, NARROWLY MISSING A HEADON COLLISION.

157

158

765.07 MS JACKERS CAR DRIVES TOWARD RFG. PAN LEFT TO O2S CAR, WHICH DRIVES TOWARD FG. 767.03 MCU TILT UP WITH O2 AS HE STANDS. O2Jun- 1-91 -/ O2 (TO JUNIOR)Junior!! 767.08 769.08 2.00

159

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PAGE 29

160

768.03 MS REAR ANGLE O2 RUNS TOWARD BG HOLDING GUN. O2 (OS CONT)-ior!!

161

770.07 MS O2 RUNS TOWARD FG IN STREET PAST CARS. 771.07 MS SIDE ANGLE FOLLOW O2 AS HE RUNS PAST CARS. 772.07 MS REAR ANGLE FOLLOW O2S CAR AS IT SWERVES AND EXITS FRAME RIGHT. THEN PAN LEFT BACK TO JACKERS CAR AS IT DRIVES RIGHT.

162

163

164

776.06 MS SIDE ANGLE FOLLOW O2 AS HE RUNS THROUGH THE STREET PAST CARS. 777.13 MCU SIDE ANGLE FOLLOW O2 AS HE RUNS THROUGHT THE STREET PAST CARS. 779.05 MS O2 RUNS TOWARD FG CARRYING THE GUN. A CAR PULLS IN FRONT OF HIM.

165

166

167

780.07 MS REAR ANGLE O2 RUNS TOWARD BG.

168

780.12 MS FOLLOW O2 AS HE RUNS PAST CAR AND JUMPS UP. MALE DRIVER (OS)Hey

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PAGE 30

169

782.03 MS FOLLOW O2S LEGS AS THEY RUN ACROSS THE HOOD OF A CAR AND O2 JUMPS DOWN INTO FRAME. MALE DRIVER (OS CONT)man!

170

783.01 MS O2 RUNS TOWARD FG. 784.03 MS THE JACKERS CAR DRIVES AND SWERVES LEFT WHILE O2S CAR COMES INTO FRAME AND JACKERS CAR DRIVES BEHIND IT. 786.07 MS REAR ANGLE JACKERS CAR SWERVES, SMOKE COMING UP FROM THE TIRES. 787.08 MS REAR ANGLE JACKERS CAR SWERVES IN BEHIND O2S CAR AND A SMOKESCREEN COMES UP TO BLOCK OUR VIEW.

171

172

173

174

789.06 INT. JACKERS CAR. CONT. MS OTS PAST REAR ANGLE JACKER 2 AND JACKER 3 OUT THE WINDSHIELD AS O2S CAR DRIVES IN FRONT OF THEM. 791.08 EXT. STREETS. CONT. CU SIDE ANGLE FOLLOW O2 AS HE RUNS. O2(PANTS)

175

176

793.10 MS O2 ENTERS FROM RIGHT AND RUNS BETWEEN TWO TRUCKS. PAN LEFT AND REJOIN HIM AS HE RUNS NEXT TO MORE CARS.

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PAGE 31

177

798.11 MS A WOMAN PEDESTRIAN HAS TO HURRY OUT OF THE WAY AS O2S CAR COMES RACING PAST HER. FOLLOW IT AS IT DOES. WOMAN PEDESTRIANLook out!

178

800.05 MS O2S CAR DRIVES TOWARDS FG.

179

801.05 MS PAN LEFT TO FOLLOW O2S CAR AS IT DRIVES PAST CYCLE. 801.15 MS BOTTOM PART OF O2S CAR. PAN LEFT WITH IT AS IT DRIVES. 802.11 MS REAR ANGLE O2S CAR DRIVES TOWARD BG. CYCLE PASSES BEHIND IT. 803.14 MS TRACK WITH REAR ANGLE O2 AS HE RUNS PAST THE CARS. PUSH IN PAST HIM.

180

181

182

183

808.05 MS THE JACKERS CAR SWERVES AROUND.

184

809.02 MLS HIGH ANGLE THE JACKERS CAR SWERVES AROUND AS AN OLD TRUCK PASSES IT IN THE INTERSECTION. 810.09 MS THE JACKERS CAR STOPS.

185

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

PAGE 32

186

811.14 MS THE TIRES OF THE JACKERS CAR AS IT SWERVES TO A STOP.

187

813.01 MS REAR ANGLE THE JACKER STOPS O2S CAR AND LOOKS BACK AT US.

188

815.08 MS POV IN THE REAR VIEW MIRROR OF THE JACKERS CAR AS JACKER 2 AND JACKER 3 JUMP OUT. JACKER 2Get the fuck away from my car, motherfucker!

189

818.03 MS THE OLD TRUCK IN THE FG AS JACKER 2 MOVES RIGHT YELLING. PAN LEFT. JACKERS/GUY IN OTHER CAR (OS)(OVERLAPPING INDISTINCT DIALOGUE)

190

821.14 MS FOLLOW O2 AS HE RUNS PAST CARS LEFT.

191

823.03 MS PAST ACCIDENT TO O2 RUNNING TOWARD US OUT OF FOCUS. O2Hey!

192

824.10 MS O2S POV AS HE RUNS TOWARD THE ACCIDENT.

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PAGE 33

193

825.11 MS REAR ANGLE JACKER 2 AS HE DANCES AROUND THE ACCIDENT, AIMS GUN BG. PAN RIGHT TO SHOW O2 RUNNING TOWARD HIM. JACKER 2/MAN IN OTHER CAR (OS)(OVERLAPPING INDISTINCT DIALOGUE)

194

827.14 MS LOW ANGLE JACKER 3 STANDS NEAR THE ACCIDENT, AIMS AND SHOOTS HIS GUN RIGHT. JACKER 2/MAN IN OTHER CAR (OS CONT)(OVERLAPPING INDISTINCT DIALOGUE)

195

829.03 MCU JACKER 3 AIMS AND SHOOTS LEFT.

196

830.13 MS O2S POV AS HE RUNS TOWARD THE ACCIDENT. JACKER 3 AIMS GUN AT FG.

197

832.14 MCU SWISHPAN LEFT TO O2 AIMING GUN FG. HE SHOOTS.

198

834.07 MS O2 SHOOTS AS HE RUNS TOWARD REAR ANGLE JACKER 2 FG. 835.08 MLS JACKER LIES DOWN IN STREET NEAR ACCIDENT. 836.03 MS POV FROM INSIDE JACKERS CAR AS JACKER 3 SHOOTS LEFT.

199

200

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PAGE 34

201

837.05 MS O2 STANDS BEHIND CAR, SHOOTS FG. 838.04 MS JACKER 3 SHOOTS LEFT. HE FALLS. 839.15 MCU JACKER 2 LYING IN STREET DEAD. TILT UP TO ACCIDENT AND O2 STANDING AIMING GUN.

202

203

204

842.00 MS POV PAST OLD TRUCK TO O2. JACKER (OS)Come on

1-92 -/

JACKER (TO JACKER 2)Come on, nigga! Get in the car! (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans)

842.08

846.05

3.13

205

843.03 MS O2 RUNS FORWARD AND JUMPS ON HOOD OF CAR. JACKER (OS CONT)nigga! Get the fuck up!

206

844.13 MS POV FROM INSIDE CAR OF O2 STANDING ON HOOD OF CAR AIMING GUN LEFT. JACKER (OS CONT)Come on, get in the

207

845.10 MS REAR ANGLE JACKER 2 ROLLS ONTO SIDE IN STREET. JACKER (OS CONT)car!

208

846.08 MS JACKER 2 ROLLS ONTO HIS BACK, AIMS GUN UP.

209

847.07 CU LOW ANGLE O2.

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PAGE 35

210

847.13 MS LOW ANGLE PAST JACKER 2S HAND WITH GUN AIMED AT O2. O2 SHOOTS.

211

848.03 MCU BULLET HITS JACKER 2 IN HEAD. HIS HEAD FALLS. TILT DOWN TO JACKER 2 DEAD WITH BULLET WOUND IN CHEST. 850.00 MCU JACKER AIMS GUN RFG. 850.03 MS REAR ANGLE O2S CAR WITH JACKER AIMING GUN TOWARD FG. 850.15 MS O2 RAISES GUN AND AIMS FG. 851.13 MCU THE WHEEL OF O2S CAR SPINS. 853.05 MS REAR ANGLE THE JACKER DRIVES AWAY WITH O2S CAR. 855.02 MS O2 AIMS GUN RFG. SHOOTS. 855.12 MCU REAR ANGLE JACKER DRIVING AS GULLET GRAZES HIS SHOULDER. JACKER (OS)Agh!

212

213

214

215

216

217

218

219

857.04 MS REAR ANGLE O2S CAR DRIVES AWAY AND SWERVES.

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PAGE 36

220

858.10 MS REAR ANGLE FOLLOW O2S CAR AS IT SWERVES INTO ONCOMING TRAFFIC.

221

860.03 MS LOW SKEWED ANGLE O2 STANDS ON TOP OF JACKERS CAR. FOLLOW HIM AS HE JUMPS DOWN. 862.03 MS O2 RUNS TOWARD FG, GUN IN HAND. 863.12 MS SIDE ANGLE FOLLOW O2 AS HE RUNS PAST CAR. 864.11 MS REAR ANGLE FOLLOW O2 AS HE RUNS PAST LINE OF CARS. 866.11 MS SWISHPAN RIGHT TO FOLLOW JACKER AS HE DRIVES O2S CAR AWAY. 868.12 CU SIDE ANGLE JACKER GRIMACES AS HE TOUCHES HIS SHOULDER WOUND. JACKER(PANTS)

222

223

224

225

226

227

869.10 MCU BLOOD ON JACKERS FINGERS. 870.09 MS FOLLOW JACKER AS HE PULLS O2S CAR BACK OUT INTO TRAFFIC.

228

229

872.10 MS DARLING CLEANERS. O2 ENTERS FRAME FROM LEFT, STOPS.

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PAGE 37

230

873.15 MS REAR ANGLE O2S CAR DRIVES AWAY DOWN STREET. 876.07 CU O2 AIMS GUN FG. 877.03 MLS REAR ANGLE O2S CAR. ZOOM IN ON REAR ANGLE THE JACKER DRIVING. SUDDENLY JUNIOR SITS UP IN BACK SEAT.

231

232

233

880.02 CU O2 AIMING GUN FG. PUSH IN.

234

881.09 MCU JUNIOR LOOKING OUT BEHIND CAR. HE EXTENDS HIS ARMS. JUNIORDad!!! Dad!!!

1-93

JUNIOR (TO O2)Dad!!! Dad!!!

882.00

885.06

3.06

235

885.10 CU O2. O2Junior!!!

1-94 -/

O2 (TO JUNIOR)Junior!!!

885.11

887.14

2.03

236

887.09 MS SIDE ANGLE FOLLOW O2 AS HE STARTS RUNNING LEFT. 888.11 MS TRACK WITH O2S CAR AS IT DRIVES AWAY WITH JUNIOR LEANING OVER THE BACK SEAT. JUNIORDad!!!

237

238

890.05 MS LOW ANGLE TRACK WITH O2 AS HE RUNS TOWARD FG. O2Junior!!!

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PAGE 38

239

891.14 MS TRACK WITH JACKER AS HE DRIVES O2S CAR TOWARD FG. HE TURNS AND HITS JUNIOR.

240

893.06 MS REAR ANGLE TRACK WITH O2S CAR AS IT DRIVES AWAY. JUNIOR AND JACKER CONTINUE TO STRUGGLE. 894.06 MCU LOW ANGLE O2. TRACK WITH HIM AS HE RUNS. O2 (CONT)No!!! 1-95 -/ O2 (ALOUD)No!!! 894.09 896.09 2.00

241

242

895.10 MS REAR ANGLE TRACK WITH O2S TORSO AS HE RUNS DOWN THE STREET. 897.01 MCU LOW ANGLE O2. TRACK WITH HIM AS HE RUNS. 899.10 MS SIDE ANGLE FOLLOW O2 AS HE RUNS PAST CARS. 901.10 MCU TRACK WITH O2S FEET AS HE RUNS DOWN STREET. 903.05 MCU LOW SIDE ANGLE TRACK WITH O2 AS HE RUNS. 905.02 MS REAR ANGLE TRACK WITH O2 AS HE RUNS AFTER HIS CAR. HE DROPS OUT OF FRAME RIGHT AND WE FOLLOW THE CAR.

243

244

245

246

247

248

908.11 MS O2S CAR ENTERS FRAME FROM LEFT. FOLLOW IT AS IT DRIVES RIGHT.

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PAGE 39

249

910.07 MS O2 RUNS TOWARD FG. 912.00 MLS O2S CAR DRIVES DOWN STREET AND SWERVES TO TURN A CORNER. 916.01 MCU STREET. REAR ANGLE O2 RUNS INTO FRAME RFG. TILT UP AND TRACK WITH HIM. O2No! 1-96 -/ O2 (ALOUD)No! 918.12 920.12 2.00

250

251

252

920.04 MS OTHER CARS DRIVE TOWARD FG AS O2S CAR DISAPPEARS AROUND CORNER.

253

923.02 MCU O2 YELLS. ARC RIGHT AROUND HIM. O2 (CONT)Junior!!

1-97 -/

O2 (TO JUNIOR)Junior!!

923.12

929.00

5.04

254

925.01 CU LOW ANGLE O2 YELLING. O2 (CONT)Junior!!

255

926.10 LS HIGH ANGLE O2 STANDS IN MIDDLE OF STREET. O2 (OS CONT)Junior!!!

256

933.02 CU LOW ANGLE O2. HE HANGS HIS HEAD AND PANTS. O2 (CONT)(PANTS)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

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257

944.09 MS O2 STANDS BENT OVER. ARC RIGHT AROUND HIM TO SHOW BYSTANDERS WATCHING HIM. DISSOLVE TO:

258

951.00 CU REAR ANGLE O2. ARC RIGHT AROUND HIM. HE LOOKS RIGHT. 962.01 MS WOMAN WITH KIDS NEAR MAIL BOX. SWISHPAN LEFT TO A GROUP OF TEENAGERS STANDING WATCHING.

259

260

966.03 CU REAR ANGLE O2. ARC RIGHT AROUND HIM.

261

969.10 MS TWO BLACK WOMEN STAND ON SIDEWALK. ONE POINTS FG. PAN LEFT TO BLACK COUPLE STANDING ON SIDEWALK. 972.14 MS BLACK MEN STANDING ON SIDEWALK WITH MULTIPLE IMAGE. PAN RIGHT TO TRUCK, THEN PAN LEFT TO HOOKERS STANDING AROUND AND PAST THEM. THEN PAN RIGHT BACK TO HOOOKERS. HOOKERS(OVERLAPPING INDISTINCT DIALOGUE)

262

263

980.08 MS OTS ON O2 STANDING IN STREET. HE STARTS TOWARD FG. HOOKERS (OS CONT)(OVERLAPPING INDISTINCT DIALOGUE) Come on! Come on!

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

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264

983.01 MS HOOKERS. THEY START TO SPLIT UP AND FLEE. HOOKERS (CONT)Come on! Where you going? Wait! (OVERLAPPING INDISTINCT DIALOGUE) Oh

265

985.08 MS HOOKERS IN FG RUN OUT OF FRAME LEFT AS O2 RUNS TOWARD THEM. HOOKERS (OS CONT)my God! (OVERLAPPING INDISTINCT YELLS)

266

988.00 MS FOLLOW COCO AS SHE RUNS DOWN SIDEWALK PAST OTHER PEOPLE. PAN RIGHT TO O2 RUNNING AFTER HER AND FOLLOW HIM. HOOKERS (OS CONT)(OVERLAPPING INDISTINCT YELLS)

267

992.13 MS O2S HAND-HELD POV AS HE RUNS PAST PEOPLE ON SIDEWALK. IN DISTANCE, COCO GOES INSIDE A GATE AND RUNS ALONG THE SIDE OF A HOUSE. REAR ANGLE O2 ENTERS FRAME RFG CHASING HER. HOOKERS (OS CONT)(OVERLAPPING INDISTINCT YELLS) OTHER BYSTANDERS (OS)(OVERLAPPING INDISTINCT EXCITED DIALOGUE)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

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268

1001.03 EXT. SIDE OF HOUSE/BACK ALLEY. CONT. MS OVERHEAD ANGLE FOLLOW COCO AS SHE RUNS ALONG THE SIDE OF THE HOUSE AND OUT THE REAR GATE. 1004.15 MS OVERHEAD ANGLE FOLLOW O2 AS HE RUNS ALONG SIDE OF HOUSE.

269

270

1006.07 MS HAND-HELD REAR ANGLE TRACK WITH O2 AS HE RUNS TOWARD IRON FENCE. PAN RIGHT, THEN BACK LEFT TO HIM, AND TRACK WITH HIM AS HE RUNS OUT INTO ALLEY. O2 (OS)Hey, you!

271

1012.12 MLS COCO RUNS TOWARD FG WITH HER SUITS. O2 CHASES HER. SHE DROPS THE SUITS. 1015.01 MS POV THROUGH BARS OF FENCE AS COC RUNS TOWARD RFG, CHASED BY O2. O2Hey

272

273

1017.05 MCU THROUGH IRON FENCE FOLLOW LEGS AS THEY RUN RIGHT. O2 (OS CONT)(LOW AND UNINTELLIGIBLE)

274

1019.01 MCU THROUGH FENCE PAN RIGHT TO FOLLOW COCO AS SHE RUNS OUT OF FRAME RIGHT, CHASED BY O2.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

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275

1021.08 MS REAR ANGLE COCO RUNS, AND O2 CHASES HER, NEARLY CATCHING HER.

276

1022.14 MCU COCO REACHES WALL AND TURNS BACK FG. O2 TRIES TO GRAB HER. SHE FIGHTS HIM OFF. COCOGet the fuck off me! Get off me! (PANTS) O2 (OVERLAPPING)You set me up! You set me up, you ! You marked

1-98

COCO (TO O2)-- Get the fuck off me! (fuck off me: slang for stop pushing me around) O2 (TO COCO)-- You set me up! (meaning that she helped prepare him so the jacker could steal his car)

1024.02

1028.14

4.12

1-99 -/

O2 (TO COCO)You marked me! You got me jacked! (marked: meaning that she pointed him out to the jacker) (jacked: carjacked)

1029.13

1031.09

1.12

277

1030.11 CU COCO AND SIDE ANGLE O2 FIGHTING. O2 (CONT)me! You got me jacked! COCOI dont know what youre talkin about! Get the! (PANTS) O2 (OS)Where did they take that car? My son

1-100

COCO (TO O2)I dont know what youre talking about!

1031.14

1035.05

3.07

1-101-/

O2 (TO COCO)My son was in the car! Where did they take it?

1035.11

1041.09

5.14

278

1039.00 MCU SIDE ANGLE COCO AND O2 FACE EACH OTHER. O2 (CONT)was in the car! Where did

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

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279

1040.09 CU SIDE ANGLE O2. PAN RIGHT TO COCO. O2 (CONT)they take the car? COCOI dont know!

1-102

COCO (TO O2)I dont know!

1041.14

1043.09

1.11

280

1043.11 MS SIDE ANGLE 02S TORSO WITH GUN IN HIS BELT. O2Bitch, if you dont

1-103-/

O2 (TO COCO)If you dont start talking, Ill shoot you in your motherfucking mouth! (motherfucking: vulgar emphatic)

1043.14

1048.05

4.07

281

1044.07 MCU SIDE ANGLE O2 PUTS GUN AGAINST COCOS MOUTH. PAN RIGHT TO HER. O2 (OS CONT)start talkin, Im gonna shoot you in your motherfuckin mouth! COCO (OVERLAPPING)(PANTING) I dont know!! COCO (OS CONT)I didnt have anything to do with it!

1-104-/

COCO (TO O2)-- I didnt have anything to do with it! (it: the carjacking) O2 (TO COCO)-- You know something. (meaning that she has some knowledge about the carjacking)

1050.11

1053.00

2.05

PAN LEFT BACK TO O2. O2You know somethin.

282

1052.09 CU OTS ON COCO. COCOGet that fucking gun outta my face. O2 (OS)I want my son back.

1-105

COCO (TO O2)Get that fucking gun out of my face. (fucking: vulgar emphatic) O2 (TO COCO)I want my son back. I want my son!!

1053.07

1054.10

1.03

1-106-/

1054.15

1059.08

4.09

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PAGE 45

283

1056.15 CU O2. O2 (CONT)I want my son!!

284

1059.02 CU COCO WITH O2S HAND AND GUN IN HER FACE. 1060.13 CU O2. O2 (CONT)One 1-107 O2 (ALOUD)One 1060.14 1062.00 1.02

285

286

1062.03 CU REVERSE ANGLE O2. O2 (CONT)two

1-108-/

O2 (ALOUD)-- two COCO (TO O2)-- Alright!

1062.12

1064.10

1.14

287

1063.01 CU OTS ON COCO WITH GUN IN HER FACE. COCO (INTERRUPTING)Alright! Alright. I just

1-109-/

COCO (TO O2)I heard about the guy theyre supposed to sell the cars to. (guy: slang for man)

1065.10

1071.00

5.06

288

1067.01 CU REVERSE ANGLE COCO WITH GUN IN HER FACE. PAN LEFT TO O2. COCO (CONT)I just heard about the guy they supposed to be sellin the cars to. (PANTS) O2Where is he?

1-110-/

O2 (TO COCO)Where is he?

1072.10

1074.00

1.06

289

1073.09 CU OTS ON COCO WITH GUN IN HER FACE. COCO(PANTS)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

PAGE 46

290

1075.09 CU O2. O2Where?!!

1-111-/

O2 (TO COCO)Where?!!

1075.09

1077.07

1.14

291

1076.04 CU OTS ON COCO WITH GUN IN HER FACE. COCO(PANTS) On ninety-sixth street. (PANTS)

1-112-/

COCO (TO O2)On 96th street.

1081.00

1083.04

2.04

292

1082.15 CU O2. O2Lets go.

1-113-/

O2 (TO COCO)Lets go.

1084.03

1085.07

1.04

293

1085.00 CU SIDE ANGLE COCO AND 02 HOLDING GUN TO HER FACE. FOLLOW THEM AS HE GRABS HER ARM AND PULLS HER BACK OUT INTO THE ALLEY. COCOWait! O2Lets go! COCOI cant! Wait, wait! Alright. Can I please just get my shit first?

1-114

COCO (TO O2)Wait! O2 (TO COCO)-- Lets go! COCO (TO O2)-- I cant!

1086.13

1087.13

1.00

1-115

1088.02

1090.06

2.04

1-116

COCO (TO O2)Wait! Alright! Can I please just get my shit first? (shit: vulgar slang for belongings; referring to the suits) COCO (TO O2)Hey!!! Thats my shit!!!

1091.00

1095.10

4.10

1-117

1098.12

1102.07

3.11

SHE TURNS TO FG. SWISHPAN LEFT TO MAN STEALING HER SUITS AND RUNNING AWAY. THEN SWISHPAN RIGHT BACK TO HER, STRUGGLING TO BREAK FREE OF O2S GRASP. COCO (OS CONT)Hey!!! Thats my shit!!! COCO (CONT)Hey!!! You motherfucker!!

1-118

COCO (TO O2)-- Hey!!! You motherfucker!! (motherfucker: vulgar word used to refer to a detestable person) O2 (TO COCO)-- Come on! Lets go!

1103.04

1107.06

4.02

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

PAGE 47

SAME SHOT CONT. O2 (OVERLAPPING)Come on, lets go! Lets go!

1-119

COCO (ALOUD)Shit! (vulgar exclamatory)

1109.06

1110.12

1.06

O2 PULLS HER AROUND AND THEY START TO WALK. FOLLOW THEM. COCO (OS)Shit!

294

1111.15 INT. CHOPSHOP. DAY MS O2S HAND SMASHES WINDOW AND HE REACHES IN AND UNLOCKS LOCK.

295

1123.02 MS LOW ANGLE CHOPSHOP AS REAR ANGLE O2 LEADS COCO INTO THE SHOP. CRANE UP. HE LEAVES HER AND WALKS AROUND THE SHOP. O2 (OS)Stay right here. O2 (CONT)Where is another

1-120 1-121-/

O2 (TO COCO)Stay right here. O2 (TO COCO)Where is another chopshop? (chopshop: underground location where stolen cars are taken apart so the parts can be sold)

1133.00 1144.02

1134.10 1146.07

1.10 2.05

296

1144.15 MCU O2. FOLLOW HIM AS HE WALKS TO REAR ANGLE COCO. O2 (CONT)chopshop? COCOI dont know. Can we get

1-122-/

COCO (TO O2)I dont know. Can we get the fuck out of here? (fuck: vulgar emphatic)

1149.00

1152.03

3.03

297

1151.00 MS PAST VOLVO TO O2 AND COCO. SHE TURNS TO WALK AWAY, BUT HE GRABS HER AND LEADS HER BACK THE OTHER WAY. COCO (CONT)the fuck out of here? O2Hold on! I gotta find another car.

1-123

O2 (TO COCO)Hold on! I need to find another car. (Hold on: Wait)

1152.08

1156.10

4.02

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

PAGE 48

298

1160.03 MS PAST PART HANGING IN FG TO O2 AND COCO AS HE LEADS HER TOWARD LFG.

299

1162.10 MS REAR ANGLE FOLLOW O2 AS HE WALKS ALONG SIDE OF CAR, COCO TRAILING HIM. SHE STOPS. ARC LEFT AROUND HER. O2 (OS CONT)Wait right here.

1-124

O2 (TO COCO)Wait right here.

1164.11

1166.11

2.00

300

1171.06 MS FOLLOW O2 AS HE WALKS PAST THE CARS, EXAMINING THEM. HE BENDS OVER AND LOOKS UNDER THE HOOD OF ONE.

301

1174.07 MS SIDE ANGLE 02 LEANS OVER LOOKING AT ENGINE OF CAR.

302

1177.11 MS REAR ANGLE COCO WATCHES AS O2 DROPS TO FLOOR TO CLIMB UNDER CAR. 1180.06 MS O2 LIES ON HIS BACK ON FLOOR TROLLEY AND SLIDES UNDER THE CAR. 1185.02 MCU REAR ANGLE COCO. O2 (OS)Come hand me this wrench over 1-125-/ O2 (TO COCO)Come hand me this wrench over here in this red box. 1186.02 1189.13 3.11

303

304

305

1188.00 MS SIDE ANGLE O2 LYING UNDER CAR. O2 (OS CONT)here in this red box.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

PAGE 49

306

1194.03 MS O2S POV FROM UNDER CAR OF COCOS LEGS AS SHE RUNS AWAY. O2 (OS)What the fuck

1-126-/

O2 (TO HIMSELF)What the fuck is? (fuck: vulgar emphatic)

1195.04

1197.10

2.06

307

1196.07 MS SIDE ANGLE FOLLOW O2 AS HE SLIDES OUT FROM UNDER CAR ON TROLLEY. O2 (OS CONT)is?

308

1199.04 MLS LOW ANGLE GARAGE DOOR OPENS REVEALING ROCK LIFTING IT. 1200.09 CU COCO TURNS LFG. THEN SHE TURNS TO RUN. SWISHPAN LEFT. ROCK (OS CONT)Hey!

309

310

1205.02 MS COCO RUNS AROUND CORNER. SWISHPAN LEFT TO ROCK, WHO ENTERS BEHIND SOME PARTS. ROCK (OS CONT)Hey!

311

1210.10 MS COCO RUNS AWAY. PAN RIGHT. REAR ANGLE ROCK ENTERS AND WALKS THROUGH SHOP. FOLLOW HIM. ROCK (OS CONT)Coco? Is that you? Co-

1-127

ROCK (TO COCO)Coco? Is that you?

1211.00

1214.00

3.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

PAGE 50

312

1215.09 MCU COCO TURNS TO FG. ROCK (OS CONT)-co!

313

1217.05 CU REAR ANGLE ROCK WITH COCO FACING HIM IN BG. TRACK WITH HIM AS HE WALKS TOWARD HER. ROCK (OS CONT)What the fuck is you doin

1-128-/

ROCK (TO COCO)What the fuck are you doing in my shop? (fuck: vulgar emphatic)

1217.14

1220.08

2.10

314

1220.02 MS OTS ON ROCK, WHO WALKS TOWARD COCO FG. ROCK (CONT)in my shop? COCO (OS) (OVERLAPPING)Hey, Rock, Rock, Rock, Rock. Hey, baby. ROCKBitch, you better get to explainin. COCO (OS)Wait, listen, listen, listen

1-129

COCO (TO ROCK)Hey, Rock, baby. (baby: term of endearment) ROCK (TO COCO)Bitch, you better start explaining. (Bitch: vulgar derogatory term used when addressing or referring to a woman) COCO (TO ROCK)Listen my boy is coming over here right now with a car for you to look at. (my boy: a very good male friend of hers) (look at: examine to purchase)

1220.13

1224.03

3.06

1-130

1224.08

1226.02

1.10

1-131-/

1226.07

1232.02

5.11

315

1227.05 MCU OTS ON COCO. COCO (CONT)My boy is comin over here right now with a car for

316

1231.01 MCU SIDE ANGLE O2 SITS UP FROM TROLLEY. TILT UP AS HE STANDS AND CREEPS BEHIND CAR. COCO (OS CONT)you to look at. And I got here before him. So since I got here before him, I came

1-132-/

COCO (TO ROCK)And I got here before him. So I came inside because you werent here --

1232.07

1238.03

5.12

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

PAGE 51

317

1237.01 MCU CAR AS O2 DISAPPEARS FROM BEHIND IT. COCO (OS CONT)inside cause you wasnt here ROCK (OS) (OVERLAPPING)I dont know

318

1238.04 CU SIDE ANGLE ROCK. PAN RIGHT TO COCO. ROCK (CONT)what kinda game you tryin ROCK (OS CONT)to run on me COCO (OVERLAPPING)Not no

1-133-/

ROCK (TO COCO)I dont know what kind of game youre trying to run on me -(meaning that he thinks she is lying to him and trying to get away with something)

1238.08

1241.15

3.07

319

1241.01 MCU LOW ANGLE COCO. COCO (CONT)no, Im not, Im not ROCK (OS) (OVERLAPPING)But you done

1-134-/

ROCK (TO COCO)But you fucked up! Shut up! (fucked up: vulgar term for made a big mistake)

1242.04

1246.05

4.01

320

1243.01 MCU LOW ANGLE ROCK FACING COCO. HE SWINGS HIS ARM AT HER. ROCK (CONT)fucked up!

321

1243.11 MCU OTS ON COCO WHO TRIES TO TURN AWAY AS ROCK HITS HER. COCONo

322

1244.01 MS ROCK HITS COCO AND SHE FALLS.

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PAGE 52

323

1245.03 MS TILT DOWN TO COCO KNEELING ON FLOOR. ROCK (OS)Shut up!

324

1247.00 MCU COCOS HAND PICKS UP TIRE IRON. TILT UP. 1248.09 MCU COCO STANDS UP. 1249.05 MCU COCO.

325

326

327

1249.15 MCU ROCK AND COCO FIGHT. SHE HITS HIM WITH TIRE IRON. COCO (OS)Ugh!

328

1250.11 MCU ROCK. 1251.01 MCU LOW ANGLE ROCK AND COCO FIGHT. COCO (OS)Ugh!

329

330

1252.10 CU SIDE ANGLE ROCK AND COCO STRUGGLE. 1253.04 MCU COCO DOUBLES OVER. TILT UP TO SIDE ANGLE ROCK. ROCK (OS)Ugh! COCO (OS)(SQUEALS)

331

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PAGE 53

SAME SHOT CONT. ROCK (OS)If you ever steal from me, you wont walk from ROCK (CONT)this motherfucker alive.

1-135

ROCK (TO COCO)If you ever steal from me, you wont walk out of here alive.

1256.10

1261.04

4.10

332

1261.08 MCU LOW ANGLE ROCK. 1262.10 MS O2 HITS ROCK FROM BEHIND, KNOCKING HIM DOWN. ROCK (OS CONT)Ugh! O2Dont you 1-136-/ O2 (TO ROCK)Dont you think youre about through? 1263.10 1265.14 2.04

333

334

1263.04 MS COCO DOUBLED OVER AS O2 MOVES IN FG. O2 (OS CONT)think

335

1264.01 MCU SIDE ANGLE O2 SWINGS TO PUNCH ROCK. O2 (OS CONT)youre

336

1264.07 MS LOW ANGLE O2 HITS ROCK AND KNOCKS HIM DOWN. O2 (OS CONT)about through? ROCK (OS) (OVERLAPPING)Ugh!

337

1265.08 MS ROCK ROLLS OVER ON BACK ON FLOOR.

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PAGE 54

338

1266.08 MCU LOW ANGLE O2. O2Never fuckin put your

1-137-/

O2 (TO ROCK)Never fucking put your hands on a woman again! Whats wrong with you? (fucking: vulgar emphatic) (put your hands on: physically abuse)

1266.14

1273.05

6.07

339

1268.08 MCU O2S FOOT KICKS ROCK. O2 (OS CONT)hands on a

340

1269.04 MCU LOW ANGLE O2. O2 (OS CONT)woman again!

341

1270.00 MCU ROCKS ARM. O2 (OS CONT)What the

342

1271.08 CU COCO LOOKS UP. O2 (OS CONT)fucks wrong with

343

1272.10 MS SIDE ANGLE O2S HAND PICKS UP ROCK BY HIS SHIRT. O2 (OS CONT)you?

344

1273.08 MCU LOW ANGLE O2 SWINGING TO PUNCH.

345

1274.01 CU SIDE ANGLE ROCK IS HIT BY O2S PUNCH. ROCKUgh! O2 (OS)Never

1-138-/

O2 (TO ROCK)Never put your motherfucking hands on a woman! (motherfucking: vulgar emphatic)

1274.10

1279.04

4.10

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PAGE 55

346

1275.10 MS O2S HAND PUNCHES ROCK AGAIN, AND ROCK FALLS TO FLOOR. PAN RIGHT TO COCO SITTING ON FLOOR. O2 (OS CONT)put your motherfuckin hands on a wo-

347

1278.11 MCU SIDE ANGLE O2. HE TURNS RIGHT. PAN RIGHT AS HE MOVES TO COCO AND HELPS HER UP. TILT UP. O2 (CONT)-man! (PANTS)

348

1287.11 MS ROCK LYING ON FLOOR. O2S HAND TAKES THE GUN OFF HIS CHEST. 1289.01 MS O2 PUTS GUN IN HIS BELT AS COCO MOVES TO FG. COCOShit Fucking piece 1-139-/ COCO (TO ROCK)Fucking piece of shit! (Fucking: vulgar emphatic) (piece of s hit: vulgar term for a detestable person) 1293.15 1296.07 2.08

349

350

1294.11 MS COCOS FOOT KICKS ROCK. COCO (OS CONT)of shit!

351

1295.15 MS O2 GRABS COCO AND PUSHES HER BACK. TRACK WITH THEM AS HE GRABS HER ARM AND THEY WALK TOWARD FG. THEN PAN RIGHT AS THEY WALK TO THE CAR. HE OPENS THE DOOR FOR HER. SHE GRABS THE TOP OF THE DOOR AND LOOKS BACK AT HIM. O2(PANTS) COCO (OVERLAPPING)(PANTS) Thanks

1-140

COCO (TO O2)Thanks

1322.02

1323.12

1.10

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 1A/B

PAGE 56

352

1324.05 CU O2. HE EXITS LEFT. 1331.11 MCU ENGINE OF CAR. 1333.04 MCU HOOD OF CAR IS SLAMMED SHUT BY HAND. 1334.03 MCU FOOT PUSHES THE TROLLEY OUT OF FRAME RIGHT. 1335.06 MCU HAND PICKS UP A METAL BOX. 1337.12 MS TRUNK OF CAR. METAL BOX IS CLANKED DOWN THERE. TRUNK IS CLOSED. 1341.01 EXT. CHOPSHOP. DAY MS LOW ANGLE CAR DRIVES OUT TOWARD AND OVER US.

353

354

355

356

357

358

359

1342.11 MCU POV FROM UNDER CAR AS IT DRIVES OVER US AND OUT OF CHOPSHOP GATE TOWARD BG. 1344.13 LAST FRAME PICTURE. END OF REEL #1A/B.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 1

COMBINED CONTINUITY & DIALOGUE SC#: FOOTAGE/ SHOT DESCRIPTION/ DIALOGUE:

SPOTTING LIST TITLES & FOOTAGES TITLE#: TITLE: START: FINISH: TOTAL:

START MEASURING 00.00 AT PICTURE START MARK IN ACADEMY LEADER. LABORATORY: 1ST SCENE START: 2ND SCENE START: 3RD SCENE START: 4TH SCENE START: 12.00 16.10 20.01 23.00

12.00 INT. CAR. TRAVELING. DAY MS GRAFFITI ON A WALL, POV OUT THE CAR WINDOW AS IT DRIVES. SWISHPAN RIGHT TO COCO BENT OVER IN CAR IN PAIN. COCOUch

16.10 CU O2 DRIVING. O2Where else can we go find my son? COCO (OS)(COUGHS)

2-1 -/

O2 (TO COCO)Where else can we go find my son? Where can we go look for him?

16.15

23.10

6.11

20.01 CU COCO COUGHS INTO TISSUE. COCO (CONT)(COUGHS) O2 (OS)Where else can we go look for

23.00 CU OTS ON O2. O2 (CONT)him now?

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 2

24.12 CU REAR SIDE ANGLE COCO LOOKS AT BLOODY TISSUE. 27.13 CU SIDE ANGLE O2 DRIVES. 32.00 CU SIDE ANGLE COCO BENT OVER CRYING. COCO(CRIES)

34.02 MS SIDE ANGLE O2 AND COCO. COCO (OS CONT)(CRIES) O2Lets get you to a hospital. COCOJust

2-2

O2 (TO COCO)Lets get you to a hospital.

35.11

37.05

1.10

2-3 -/

COCO (TO O2)Just drop me off where you found me.

37.10

39.13

2.03

37.15 MCU OTS ON COCO. COCO (CONT)drop me off where you found

10

39.09 CU SIDE ANGLE O2. COCO (OS CONT)me. O2Somebody need to look at you. Youre coughing up blood. COCO (OS) (OVERLAPPING)I need to

2-4

O2 (TO COCO)Somebody needs to look at you. Youre coughing up blood. (look at: medically examine)

40.02

42.14

2.12

2-5 -/

COCO (TO O2)I need to go back and try to get some of my shit, okay? (shit: vulgar word for belongings)

43.03

46.02

2.15

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 3

11

43.06 CU SIDE ANGLE COCO. COCO (CONT)go back and try and get some of my shit, okay? O2 (OS)That shit

2-6 -/

O2 (TO COCO)That shit is gone. (shit: vulgar word for belongings)

46.07

48.10

2.03

12

46.15 CU O2 LOOKS FG. O2 (CONT)is gone.

13

49.02 CU SIDE ANGLE COCO. O2 (OS CONT)You need to just

2-7 -/

O2 (TO COCO)You need to let me take you to your house. You shouldnt be out here like this.

50.10

55.03

4.09

14

51.05 CU SIDE ANGLE O2. O2 (CONT)let me take you to your house.

15

53.07 CU REAR ANGLE COCO. SHE TURNS LFG. O2 (OS CONT)Dont need to be out here like this. COCOI cant go home! If I dont come home with at least my bag and my minimum, P-Moneys gonna fuckin kill me!

2-8 2-9

COCO (TO O2)I cant go home! COCO (TO O2)If I dont have at least my bag and my minimum, P-Money will kill me! (bag: the bag that contains the suits she was trying to sell) (minimum: the minimum amount the girls are supposed to earn in one day) (kill: slang for being very angry at)

55.08 59.14

57.13 66.00

2.05 6.02

16

66.08 ECU O2. COCO (OS CONT)(CRIES)

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PAGE 4

17

69.14 ECU SIDE ANGLE O2, COCO NEXT TO HIM. PAN LEFT AS SHE BENDS BACK OVER TO CRY. COCO (CONT)(CRIES)

18

73.04 CU SIDE ANGLE O2, COCO BENT OVER NEXT TO HIM CRYING. COCO (OS CONT)(CRIES)

19

78.08 CU O2. O2So whats your minimum?

2-10

O2 (TO COCO)Whats your minimum?

80.15

82.08

1.09

20

83.08 CU SIDE ANGLE COCO. SHE LOOKS FG. COCOFive hundred.

2-11

COCO (TO O2)Five hundred. (meaning dollars)

84.06

86.08

2.02

21

86.13 CU O2. O2Shit

22

89.13 CU COCO. COCO(SNIFFLES) Just let me out of the fuckin car.

2-12 -/

COCO (TO O2)Just let me out of the fucking car. (fucking: vulgar emphatic)

91.11

93.14

2.03

23

93.09 MCU OTS PAST O2 ON COCO. COCO (CONT)Just let me out! O2 (OS)You aint in no

2-13

COCO (TO O2)Just let me out!

97.00

98.08

1.08

2-14 -/

O2 (TO COCO)Youre in no shape to go out there and hustle a five hundred dollar minimum. (hustle: work hard to earn)

98.13

103.09

4.12

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PAGE 5

24

99.06 MCU OTS PAST COCO ON O2. O2 (CONT)shape to go out there and hustle no five hundred dollar minimum.

25

103.10 CU O2. O2 (CONT)Who the fuck is P-Money anyway?

2-15 -/

O2 (TO COCO)Who the fuck is P-Money anyway? (fuck: vulgar emphatic)

104.06

107.00

2.10

26

106.06 CU COCO.

27

108.02 INT. HOUSE. NIGHT (FLASHBACK) MCU P-MONEY SLAPS REAR ANGLE COCO. 108.13 CU COCO TURNS HER HEAD AS SHE GETS SLAPPED. 109.10 CU P-MONEY.

28

29

30

110.01 CU P-MONEY.

31

110.10 INT. CAR. TRAVELING. DAY CU SIDE ANGLE COCO. COCO(SNIFFLES)

32

115.15 CU REAR ANGLE COCO HOLDS HER CELL PHONE. 119.05 CU SIDE ANGLE COCO CRIES, HOLDS HER CELL PHONE TO HER FACE, THEN LOOKS AT THE NUMBER ON IT.

33

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PAGE 6

34

131.03 MCU THE CELL PHONE AS COCOS HANDS SHUT IT AND PUT IT AWAY. TILT UP TO O2 DRIVING. COCO (OS)(SNIFFLES) Im fucked

35

138.07 CU SIDE ANGLE COCO PUTS HAND TO FOREHEAD AND CRIES. COCO (CONT)(SNIFFLING) Im so fucked

2-16

COCO (TO O2)Im so fucked (vulgar term meaning she is in big trouble)

140.00

142.02

2.02

36

143.01 CU OTS ON O2, O2Ill give you the money.

2-17

O2 (TO COCO)Ill give you the money.

145.00

147.00

2.00

37

147.08 CU COCO LOOKS FG. O2 (OS CONT)You help me, I help you.

2-18 -/

O2 (TO COCO)You help me, I help you. Find my little man. (little man: affectionate term he uses for his son, Junior)

148.14

154.00

5.02

38

151.02 CU SIDE ANGLE O2. O2 (CONT)Find my little man.

39

157.15 CU SIDE ANGLE COCO FACES FG. COCO(SNIFFLES) Youre very sweet

2-19 -/

COCO (TO O2)Youre very sweet but I dont think so.

161.00

166.10

5.10

40

162.11 CU O2 LOOKS FG. 165.00 MCU OTS ON COCO. COCO (CONT)but I dont think so.

41

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PAGE 7

42

168.02 CU SIDE ANGLE O2. O2You got a better offer?

2-20

O2 (TO COCO)Have you got a better offer?

172.05

174.05

2.00

43

175.08 CU COCO.

44

186.11 EXT. PROJECTS. DAY MLS HIGH ANGLE O2S CAR DRIVES DOWN THE STREET INTO THE PROJECTS AS KIDS PLAY ALONG THE STREET. KIDS(PLAY WALLA, LAUGHTER CONTINUES UNDER FOLLOWING SCENES AND DIALOGUE)

45

191.11 EXT./INT. CAR. TRAVELING. CONT. MCU O2 DRIVES AS WATER SPRAYS ON THE WINDSHIELD. PAN LEFT. 192.14 MCU COCO AND O2 IN THE CAR. COCO YELLS OUT THE WINDOW. COCOHey! 2-21 COCO (TO O2)Hey! 193.00 194.13 1.13

46

47

195.00 MS POV OUT THE WINDOW OF THE KIDS LINING THE STREET SHOOTING CARS WITH SUPERSOAKERS.

48

199.03 MS FOLLOW THE CAR AS IT DRIVES ALONG STREET PAST KIDS WHO PLAY IN THE GRASS.

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PAGE 8

49

202.13 CU O2. O2Wheres my little man?

2-22

O2 (TO COCO)Wheres my little man?

206.13

209.05

2.08

50

209.06 MS POV OUT CAR WINDOW OF KIDS PLAYING WITH SPRINKLERS IN GRASS. 212.10 MS POV OUT WINDOW OF MAN LIFTING HIS YOUNG SON. 215.03 CU COCO. PAN RIGHT TO O2. 221.05 MS POV OUT WINDOW OF TEENAGERS CONGREGATED ON CURB. SWISHPAN RIGHT. JUNIOR (VO)Dad! 2-23 -/ ITAL JUNIOR (TO O2)Dad! (slang for father) 228.00 229.12 1.12

51

52

53

54

228.02 CU O2 DRIVING LOOKING OUT WINDOW FG.

55

231.09 MS POV OUT WINDOW OF TEENAGERS PLAYING PANTSING A YOUNGER BOY. 235.04 CU O2.

56

57

237.13 MS PAST COCO OF POV OUT WINDOW OF KIDS PLAYING.

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PAGE 9

58

241.11 MLS HIGH ANGLE THE PROJECTS AS THE CAR DRIVES THROUGH IT AND PULLS INTO A PARKING SPACE. TV ANNOUNCER (VO ON TV FILTERED)We got Jennifer

59

250.15 INT. O2S APARTMENT. DAY MCU WOMAN DANCING ON TV AND BOBBLEHEAD GUY BOBBLING HEAD. LUCKY (OS)Mnm hm. Mnm hm. Thats what Im talkin bout. Heh heh heh. Old bobblehead-ass motherfucker, shake that thang. Mnm mnm.

2-24

LUCKY (TO HIMSELF)Thats what Im talking about. Old bobblehead, shake that thing. (bobblehead: hes referring to the man on TV who shakes his head as if he were a bobblehead doll)

255.09

262.07

6.14

60

263.07 MS BONG ON TABLE. TILT UP TO LUCKY RECLINING ON SOFA SMOKING CIGAR. LUCKY (OS CONT)Shake that thang. LUCKY (CONT)Look at all that ass, bitch. He wants

2-25 -/

LUCKY (TO HIMSELF)Look at all that ass, bitch. (all that ass: he means that the woman on TV has a very large buttocks) (bitch: vulgar derogatory way of addressing or referring to a woman)

264.03

269.02

4.15

61

268.11 MS LOW ANGLE O2 BUSTS IN, COCO FOLLOW HIM IN. HE CLOSES DOOR. O2Get in here. LUCKY (OS)The fuck happened to you?

2-26

O2 (TO COCO)Get in here. LUCKY (TO O2)What the fuck happened to you? Wheres Little Man? (fuck: vulgar emphatic)

270.03

271.10

1.07

2-27 -/

272.02

274.10

2.08

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PAGE 10

62

273.08 MCU LUCKY. LUCKY (CONT)Where little man at? O2 (OS) (OVERLAPPING)If your punk ass

2-28 -/

O2 (TO LUCKY)If youd showed up like I asked you to, none of this would have happened!

275.00

280.06

5.06

63

275.11 MS PAST O2S ARM LUCKY SITTING ON SOFA. O2 (OS CONT)woulda showed up like I

64

277.04 MS LOW ANGLE O2. HE MOVES TOWARD FG. O2 (CONT)asked you to, none a this

65

279.03 MS REAR ANGLE O2 ATACKS LUCKY. O2 (OS CONT)shit woulda happened! What the

2-29 -/

O2 (TO LUCKY)What the fuck are you thinking? (fuck: vulgar emphatic)

280.13

284.02

3.05

66

281.08 MCU O2 AS LUCKY STANDS IN FG. O2 (OS CONT)fuck are you thinkin?!

67

283.07 MCU LUCKY AND O2 FIGHTING. TILT DOWN AS O2 SHOVES LUCKY DOWN ON SOFA. LUCKYWhat the fuck? Whats wrong witchu, man? O2 (OS)Nigga, they O2 (CONT)got Junior!

2-30

LUCKY (TO O2)Whats wrong with you?

286.02

287.06

1.04

2-31

O2 (TO LUCKY)Nigga, they got Junior! (Nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans)

287.11

289.08

1.13

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 11

SAME SHOT CONT. TILT UP TO O2. LUCKY (OS)Who got Junior?

2-32

LUCKY (TO O2)Who got Junior? O2 (TO LUCKY)Some niggas carjacked me. They took the car when Junior was in the back seat. (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans) (carjack: to hijack a car)

289.13

291.03

1.06

2-33 -/

291.08

297.13

6.05

TILT BACK DOWN TO LUCKY. O2 (OS)Some niggas carjacked me. They took O2 (CONT)the fucking car when Junior was in the back seat.

TILT UP TO O2. 68 297.09 MS LUCKY. O2 (OS CONT)And you up in this mothafucka getting high 2-34 -/ O2 (TO LUCKY)And youre up here getting high, man! (getting high: taking drugs such as marijuana) (man: slang urban way of addressing another person) 298.02 301.08 3.06

69

300.11 MCU TILT UP FROM LUCKY TO O2 AS O2 TURNS AND WALKS FG. O2 (OS CONT)man!

70

303.07 MCU COCO. REAR ANGLE O2 ENTERS FG. O2 (OS CONT)(PANTS)

71

305.10 CU LUCKY. HE LOOKS LFG, THEN STANDS. LUCKYWow. Look, man

2-35

LUCKY (TO O2)Wow. Look, man

306.14

308.12

1.14

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 12

72

309.06 MS LOW ANGLE O2 TURNS TO FG. WALKS TOWARD FG. LUCKY (OS CONT)You tellin me -- ? O2 (OVERLAPPING)Just calm down right now, brother.

2-36

O2 (TO LUCKY)Just calm down right now, brother. (brother: slang urban word used by one male to address another)

310.00

313.04

3.04

73

313.08 CU O2. O2 (CONT)Put the word out. I want my fuckin son back. Im not playin

2-37

O2 (TO LUCKY)Put the word out. (Put the word out: alert as many people as possible) O2 (TO LUCKY)I want my son back. Im not playing, Lucky. (Im not playing: meaning he is very serious) O2 (TO LUCKY)I want my fucking son back. (fucking: vulgar emphatic)

315.02

317.00

1.14

2-38 -/

319.00

323.03

4.03

74

322.03 CU SIDE ANGLE LUCKY. PAN LEFT TO O2. O2 (OS CONT)Lucky. I want my fuckin son back.

2-39

324.03

326.06

2.03

75

326.11 CU SIDE ANGLE LUCKY. LUCKYWe gon get him back.

2-40 -/

LUCKY (TO O2)Were going to get him back.

326.12

328.14

2.02

76

328.04 MCU OTS LOW ANGLE ON O2 WITH ARMS RAISED. HE TURNS AWAY. O2Stop LUCKY (OS)Just chill out! Im gonna to hit some corners, man. Im gonna see whats poppin. Aint nobody just gonna

2-41

LUCKY (TO O2)Just chill out! Ill hit some corners. Ill see whats popping. (chill out: relax and calm down) (hit some corners: travel a large area) (popping: whats going on) LUCKY (TO O2)Nobodys going to just take your son, nigga. Not my little cousin. (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans)

329.06

335.03

5.13

2-42 -/

335.11

342.06

6.11

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PAGE 13

77

336.05 MCU LUCKY. LUCKY (CONT)take your mothafuckin son, nigga. Not my little cousin, nigga. Fuck

78

341.08 CU O2 LOOKS BG. LUCKY (OS CONT)that shit. Look

2-43 -/

LUCKY (TO O2)Ill be right back, alright?

343.07

348.10

5.03

79

344.04 MCU TILT UP TO LUCKY. TILT DOWN AS HE PICKS UP BOTTLE FROM TABLE, THEN TILT BACK UP TO HIM. FOLLOW HIM AS HE MOVES RIGHT. LUCKY (OS CONT)Ill be back, aight? Im gonna be back. LUCKY (CONT)Im gonna hitchu, aight?

2-44

LUCKY (TO O2)Im going to hit you, alright? (hit you: return with some information regarding Luckys whereabouts)

349.14

351.14

2.00

80

352.05 CU SIDE ANGLE O2 IN FG, LUCKY IN BG STANDS BY DOOR. LUCKY (CONT)We family, right?

2-45

LUCKY (TO O2)Were family, right?

357.02

359.02

2.00

81

361.09 CU LUCKY. LUCKY (CONT)We family, right?!

2-46 -/

LUCKY (TO O2)Were family, right?!

363.08

366.00

2.08

82

365.12 MS O2 WITH COCO IN BG. O2Yeah. Family.

2-47

O2 (TO LUCKY)Yeah. Family.

366.14

370.06

3.08

83

372.11 MCU COCO.

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PAGE 14

84

376.03 CU LUCKY. LUCKYRight.

2-48

LUCKY (TO O2)Right.

377.07

378.07

1.00

HE TURNS AND LEAVES, CLOSING THE DOOR AFTER HIM. 85 382.09 INT. O2S APARTMENT. LATER MCU COCO HOLDS A CUP, LOOKS FG. COCOYou know, this house dont really suit you. 2-49 -/ COCO (TO O2)You know, this house doesnt really suit you. 385.04 388.00 2.12

86

387.10 MS REAR ANGLE O2 CARRIES A SHIRT AROUND THE CORNER INTO THE OTHER ROOM. COCO SITS IN BG WITH CUP. O2 (OS)It was my grandmothers house. Who you livin with?

2-50 -/

O2 (TO COCO)It was my grandmothers house. Who are you living with?

388.05

393.00

4.11

87

392.11 CU COCO. COCOP-Money and

2-51 -/ ITAL

COCO (TO O2)P-Money and four other girls.

393.09

396.07

2.14

88

394.12 INT. HOUSE. DAY (FLASHBACK) MS P-MONEY SURROUNDED BY FIVE WOMEN. COCO (VO CONT)four

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 15

89

395.05 MCU P-MONEY AND THE FIVE WOMEN. COCO (VO CONT)other girls.

WHITE FLASH TO:

90

396.12 INT. O2S APARTMENT. DAY MS REAR ANGLE O2S TORSO WALKS OUT OF ROOM. COCO (OS CONT)We do all the fuckin hustling and he makes all the

2-52 -/

COCO (TO O2)We do all the fucking hustling and he makes all the money. (fucking: vulgar emphatic) (hustling: selling stolen goods)

397.08

401.02

3.10

91

400.05 MCU O2 WALKS TO MIRROR AND LOOKS DOWN. COCO (OS CONT)money. O2(SIGHS) COCO (OS)Im just tryin to make enough money so I can get out of it.

2-53 -/

COCO (TO O2)Im just trying to make enough money so I can get out of it. (it: the hustling business)

402.04

405.10

3.06

92

405.01 CU COCO HOLDING ICE PACK TO HER CHEEK. 407.00 MCU O2 AT MIRROR LOOKING DOWN. 409.05 CU COCO HOLDING ICEPACK TO HER FACE. COCO (CONT)Whats your sons name? 2-54 COCO (TO O2)Whats your sons name? 409.11 411.06 1.11

93

94

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PAGE 16

95

412.14 MCU O2 STANDING AT MIRROR. O2Uh, Otis Junior.

2-55

O2 (TO COCO)Otis Junior.

418.08

420.14

2.06

96

421.10 CU SIDE ANGLE COCO. REAR ANGLE O2 ENTERS AND SITS DOWN IN FG. COCOSo youre Otis Senior? O2 (OS)(SIGHS)

2-56

COCO (TO O2)So youre Otis Senior?

421.12

423.14

2.02

97

425.13 MCU O2 SITTING NEXT TO SIDE ANGLE COCO. O2 (CONT)Yeah, they call me O2.

2-57 -/

O2 (TO COCO)Yeah, they call me O2.

426.11

428.15

2.04

98

428.10 CU COCO. TILT DOWN TO HER PURSE ON FLOOR AS SHE PICKS IT UP. TILT BACK UP. COCO (OS)O2? O2 (OS)Back in the day when

2-58

COCO (TO O2)O2? O2 (TO COCO)Back when I was on the block, I used to go to these different neighborhoods (on the block: meaning living in the ghetto neighborhood)

430.12

432.04

1.08

2-59 -/

433.02

439.11

6.09

99

434.00 MS LOW ANGLE O2 AND COCO. SHE TAKES A CIGARETTE OUT OF HER PURSE AND PUTS IT IN HER MOUTH. O2 (CONT)I was on the block, I used to go to these different neighborhoods and set it off. Then I would just disappear.

2-60 -/

O2 (TO COCO)and set it off. Then I would disappear. Just vanish. (set it off: slang for to get something powerful in motion; in this case referring to criminal activity)

440.01

447.09

7.08

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PAGE 17

100

446.09 CU SIDE ANGLE COCO LIGHTS HER CIGARETTE. O2 (OS CONT)Just vanish. People started callin me Oxygen.

2-61 -/

O2 (TO COCO)People started calling me Oxygen.

449.08

452.02

2.10

101

451.07 CU O2. O2 (CONT)It got so crazy, they just doubled it up

2-62 -/

O2 (TO COCO)It got so crazy, they just doubled it up, started calling me O2.

452.14

458.10

5.12

102

456.08 CU OTS SIDE ANGLE COCO. O2 (OS CONT)started callin me O2. COCOSo you were in the life?

2-63 -/

COCO (TO O2)So you were in the life? (the life: meaning the street hustling criminal life)

459.00

461.02

2.02

103

460.13 CU OTS ON O2. O2Fore I got locked up.

2-64

O2 (TO COCO)Before I got locked up.

462.00

464.00

2.00

104

464.01 CU OTS ON COCO. COCO(CHUCKLES) So you couldnt vanish when it counted most, huh?

2-65

COCO (TO O2)So you couldnt vanish when it counted most, huh? (meaning he couldnt disappear when they were looking for him to lock him up)

467.00

470.06

3.06

105

470.08 CU OTS ON O2. COCO (OS CONT)How long?

2-66

COCO (TO O2)How long? (meaning how long was he in jail)

472.03

473.10

1.07

2-67 -/ O2I did six years.

O2 (TO COCO)I did six years. Ive been out on parole for a month. (did six years: served a six-year prison term)

475.02

481.10

6.08

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PAGE 18

106

478.00 CU OTS ON COCO. O2 (OS CONT)I been out on parole for a month. COCOSo, I suppose shootin up people and havin a gun and all that shit is probably a violation of your parole, huh? O2 (OS)I got the gun from work. COCOYou got the gun from work?

2-68

COCO (TO O2)So, I suppose shooting up people and having a gun and all that shit (shit: vulgar slang for stuff) COCO (TO O2)is probably a violation of your parole, huh?

482.05

487.06

5.01

2-69

487.11

490.08

2.13

2-70

O2 (TO COCO)I got the gun from work. (work: his job)

491.02

493.12

2.10

2-71 -/

COCO (TO O2)You got the gun from work?

494.03

496.03

2.00

107

495.15 CU O2. O2Its a part of a program for excons.

2-72

O2 (TO COCO)Its part of a program for ex-cons. (ex-cons: former prison convicts or prisoners)

496.08

499.10

3.02

108

499.12 CU SIDE ANGLE COCO. NODS, SMOKES CIGARETTE. O2 (OS CONT)Id have never took the gun if the dude who was supposed

2-73 -/

O2 (TO COCO)Id have never taken the gun if my replacement had showed up. (replacement: the man who worked the next shift after his)

500.03

505.12

5.09

109

503.00 CU O2. O2 (CONT)to be comin to replace me would have showed up.

110

505.13 CU COCO. COCOSo you stole it?

2-74 -/

COCO (TO O2)So you stole it? (it: the gun)

506.01

507.10

1.09

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PAGE 19

111

507.07 CU O2. O2I was gonna take the gun back.

2-75

O2 (TO COCO)I was going to take the gun back.

507.15

509.14

1.15

112

510.03 MCU O2 AND SIDE ANGLE COCO. COCOThat sounds like bullshit to me.

2-76

COCO (TO O2)That sounds like bullshit to me. (bullshit: vulgar term for nonsense) O2 (TO COCO)Thats why I cant go to the police. O2 (TO COCO)Ive got two strikes. All it takes is one more. (meaning he has been convicted of crimes twice and a third time would mean he would go to prison for the rest of his life)

510.04

517.00

6.12

2-77 O2Thats why I cant go to the police. I got two strikes.

520.10

523.06

2.12

2-78 -/

527.14

533.00

5.02

113

530.11 CU OTS ON O2. O2 (CONT)All it takes is one more. They dont buy my story, its a wrap.

2-79

O2 (TO COCO)They dont buy my story, its a wrap. (buy: believe) (its a wrap: movie business term meaning that was the last shot of the film and now its completed; in this case meaning hell be sent to prison for the rest of his life)

535.00

540.11

5.11

114

540.12 CU COCO. COCOWhat about Juniors m other? Where is she?

2-80

COCO (TO O2)What about Juniors mother? Where is she?

544.09

547.08

2.15

115

547.09 CU OTS ON O2. HE STARTS TO STAND. O2Lets go get

2-81 -/

O2 (TO COCO)Lets go get my son.

553.03

555.08

2.05

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PAGE 20

116

554.00 MCU REAR ANGLE O2 STANDS IN FRONT OF COCO AND WALKS OUT OF ROOM. STAY ON COCO. O2 (OS CONT)my son. MALE TV NEWS ANCHOR (VO ON TV FILTERED)Earlier

2-82 -/ ITAL

MALE TV NEWS ANCHOR (TO TV AUDIENCE)Earlier today, on the eve of the Mayors much anticipated visit to South Los Angeles, two people

562.00

569.00

7.00

117

562.06 MCU MALE TV NEWS ANCHOR ON TV WITH SCENE OF LOS ANGELES BEHIND HIM. GRAPHIC READS: SHOOTING IN SOUTHLAND MALE TV NEWS ANCHOR (CONT ON TV FILTERED)today, on the eve of the Mayors much

2-83 ITAL

MALE TV NEWS ANCHOR (TO TV AUDIENCE)were executed on the very street that tomorrows anti-crime rally is scheduled to take place.

569.05

576.06

7.01

PAN LEFT TO O2 AS HE COMES DOWNSTAIRS AND WALKS OVER IN FRONT OF TV TO WATCH. COCO COMES DOWN STAIRS IN BG. MALE TV NEWS ANCHOR (OS CONT ON TV FILTERED)anticipated visit to South Los Angeles MALE TV NEWS ANCHOR (CONT ON TV FILTERED)two people were executed on the very street that tomorrows anticrime rally is scheduled to take place.

118

576.07 MCU O2. COCO COMES OVER NEXT TO HIM. MALE TV NEWS ANCHOR (OS CONT ON TV FILTERED)This video was taken at the scene.

2-84 -/ ITAL

MALE TV NEWS ANCHOR (TO TV AUDIENCE)This video was taken at the scene.

577.00

580.00

3.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 21

119

579.10 MS PAST REAR ANGLE COCO AND O2 TO TV WHICH SHOWS FOOTAGE OF O2 RUNNING PAST CARS DOWN STREET.

120

584.05 MCU O2 AND COCO LOOK AT EACH OTHER.

121

586.03 MS ON TV O2 JUMPS UP ON HOOD OF A CAR AND SHOOTS GUN. THIS IS FOLLOWED BY SHOT OF THE TATTOOS ON O2S ARM AND SHOULDER. PUSH IN ON THEM. MALE TV NEWS ANCHOR (OS CONT ON TV FILTERED)Police are looking for an unidentified man bearing these tattoos. If you recog-

2-85 ITAL

MALE TV NEWS ANCHOR (TO TV AUDIENCE)Police are looking for an unidentified man bearing these tattoos. MALE TV NEWS ANCHOR (TO TV AUDIENCE)If you recognize this man, please contact the local authorities immediately

590.13

596.00

5.03

2-86 -/ ITAL

596.06

599.11

3.05

122

596.15 MCU O2 AND COCO. PUSH IN ON O2. MALE TV NEWS ANCHOR (OS CONT ON TV FILTERED)-nize this man, please contact the local authorities immediately, as he is believed to be armed and dangerous. O2 (OVERLAPPING)I better go find Junior before they find me.

2-87

O2 (TO COCO)I better go find Junior before they find me. (they: the police)

600.00

605.06

5.06

123

606.15 INT. BIG MEATS WAREHOUSE. DAY CU BACK OF A TATTOOED MAN. PUSH UP AND OVER HIM TO BIG MEAT STANDING IN THE MIDDLE OF A CROWD OF PEOPLE. LUCKY STARTS TO EXIT FROM THE CROWD.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 22

SAME SHOT CONT. MAN WHO LOSES ARM (OS)Please dont do this, man! You aint got to do this, Meat. 124 613.02 MS LOW ANGLE LUCKY WALKS TOWARD LFG, PUTS CELL PHONE TO EAR. MAN WHO LOSES ARM (OS CONT)I tell ya, Im gonna have it by tomorrow, man. Tomorrow 2-88 -/ LUCKY (TO O2)Not now, O. I have to call you back. (O: short for O2; urban men often call each other by the first letter of their names instead of the whole name) 616.03 619.10 3.07

O2 (VO ON PHONE FILTERED)Hello. LUCKY (INTO PHONE) (OVERLAPPING)Not now, O. I gotta call 125 618.08 MS FOLLOW ACTION AS BIG MEAT SWINGS AND CHOPS DOWN TOWARD MAN WHO LOSES ARM IN MIDDLE OF CROWD. LUCKY (OS CONT INTO PHONE)you back. MAN WHO LOSES ARM (OS CONT) (OVERLAPPING)Gimme a break (SCREAMS) 126 620.10 MS LUCKY ON PHONE, CROWD OF ONLOOKERS IN BG. LUCKY TURNS TO LOOK OVER HIS SHOULDER. MAN WHO LOSES ARM (OS CONT)(SCREAMS) (WHIMPERS CONTINUES UNDER FOLLOWING SCENES AND DIALOGUE) ONLOOKERS (OS) (OVERLAPPING)(EXCITED WALLA CONTINUES UNDER FOLLOWING SCENES AND DIALOGUE)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 23

127

624.05 MS TILT UP AND FOLLOW BIG MEAT AS HE WALKS AROUND HOLDING UP THE ARM. BIG MEAT (OS)See this right here?

2-89 -/

BIG MEAT (TO CROWD)See this right here? (this: the arm)

628.14

630.07

1.09

128

630.02 CU LUCKY ON PHONE. O2 (VO ON PHONE FILTERED)What the fuck was that noise? LUCKY (INTO PHONE)Nothin. Listen, meet me at the spot in fifteen minutes. BIG MEAT (OS) (OVERLAPPING)This is a dumb nigga.

2-90 ITAL

O2 (TO LUCKY)What the fuck was that noise? (fuck: vulgar emphatic) (referring to the mans screaming)

630.12

631.12

1.00

2-91 -/

LUCKY (TO O2)Nothing. Listen, meet me at the spot in fifteen minutes. Yeah. (the spot: their usual meeting location)

632.01

637.10

5.09

129

636.01 MS LUCKY ON PHONE. HE HANGS IT UP AND THEN TURNS TO BG AND WALKS TOWARD THE CROWD. LUCKY (CONT INTO PHONE)Yeah, gone. BIG MEAT (OS CONT)And this is what

2-92 -/

BIG MEAT (TO CROWD)This is what happens to dumb niggas if they dont pay any taxes. (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans) (taxes: money paid to a crime boss by business owners so he wont hurt their businesses)

639.07

645.07

6.00

130

639.15 MS MAN WALKS ACROSS FG AND EXITS. MAN WHO LOSES ARM KNEELS HOLDING HIS BLOODY STUMP. BIG MEAT (OS CONT)happen to dumb niggas

131

642.03 MS PAN LEFT PAST MAN IN CROWD TO WOMAN IN CROWD CRYING. BIG MEAT (OS CONT)if they dont pay

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 24

132

644.00 MCU SIDE ANGLE PEOPLE IN CROWD. BIG MEAT (OS CONT)any taxes. Every

2-93 -/

BIG MEAT (TO CROWD)Every liquor store, every grocery store

647.05

652.10

5.05

133

647.10 MCU REAR ANGLE TATTOOED MAN AND OTHERS WATCH BIG MEAT ADDRESS CROWD AS HE STANDS IN MIDDLE. ARC RIGHT. BIG MEAT (OS CONT)liquor store, every

134

650.15 MS LOW ANGLE ARC LEFT PAST REAR ANGLE OTHER CROWD MEMBER AS BIG MEAT HOLDS CLEAVER AND ARM. BIG MEAT (CONT)grocery store, and

2-94 -/

BIG MEAT (TO CROWD)and every motherfucking restaurant around here owes me. (motherfucking: vulgar emphatic)

653.15

658.12

4.12

135

654.01 MCU BIG MEAT. ARC RIGHT. BIG MEAT (CONT)every motherfucking restaurant

136

656.00 MS PAST REAR ANGLE OTHER MAN TO LUCKY. BIG MEAT (OS CONT)around here

137

657.07 MCU BIG MEAT ADDRESSES THE CROWD IN BG. ARC LEFT. BIG MEAT (CONT)owes me.

138

662.01 MS PAN LEFT PAST MEMBERS OF CROWD.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 25

139

665.05 CU BIG MEAT. ARC LEFT. 668.05 CU SIDE ANGLE MAN IN CROWD. 670.05 MS BIG MEAT IN MIDST OF CROWD. TILT DOWN AS MAN MOVES ACROSS FG TO MAN WHO LOSES ARM KNEELING ON GROUND. BIG MEAT TOUCHES HIS ARM WITH CLEAVER. ARC RIGHT AS BIG MEAT LEANS DOWN TO HIM WITH ARM. THEN CRANE BACK UP. BIG MEAT (OS CONT)You bring me my money, you get your arm back. Shit, if you hurry, you might even be able to sew this motherfucker back on. MAN WHO LOSES ARM (OS)(CRIES OUT) (WHIMPERS CONTINUES UNDER FOLLOWING SCENES AND DIALOGUE) 2-95 BIG MEAT (TO MAN WHO LOSES ARM)You bring me my money, you get your arm back. BIG MEAT (TO MAN WHO LOSES ARM)Shit, if you hurry, you might even be able to sew it back on. (Shit: vulgar exclamatory) (it: the arm) 674.12 681.10 6.14

140

141

2-96

684.05

690.10

6.05

TILT DOWN TO THE MAN AGAIN, THEN TILT UP TO BIG MEAT.

142

701.14 MCU BIG MEAT. FOLLOW HIM AS HE MOVES PAST CROWD IN FG. THEN HE TURNS AND WALKS TOWARD FG. TRACK WITH HIM. BIG MEATGet back to work!

2-97

BIG MEAT (TO CROWD)Get back to work!

711.10

713.05

1.11

143

723.12 MLS HIGH ANGLE CROWD DISPERSES.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 26

144

728.01 MS LOW ANGLE A GUARD WITH AN AUTOMATIC RIFLE STANDS IN PERCH, PUTS IT OVER HIS SHOULDER. PAN RIGHT TO ANOTHER GUARD. 731.14 MS GUARD DOG IN A CAGE. PAN LEFT TO WORKERS STANDING IN ANOTHER PART OF THE CAGE. 736.05 MS PAST METAL FENCE OF WORKERS AROUND A TABLE. 739.06 MS REAR ANGLE LUCKY AS THE CROWD DISPERSES IN BG. HE WALKS TOWARD TV MONITORS. TRACK WITH HIM.

145

146

147

148

747.02 MS TV MONTIORS SHOW VARIOUS CLOSED-CIRCUIT SCENES. PAN RIGHT PAST SEVERAL TO ONE OF JUNIOR SLEEPING ON A BED. PUSH IN. MALE RADIO ANNOUNCER (VO ON RADIO FILTERED)Check it out. I got some info for the

2-98 -/ ITAL

MALE RADIO ANNOUNCER (TO RADIO AUDIENCE)Check it out. Ive got some info for the streets. Hot off the wires. (Check it out: slang for listen to this) (info: short for information) (the streets: the community) (Hot off the wires: news that just happened or was announced very recently)

778.13

784.04

5.07

149

781.12 EXT. PROJECTS. DAY MS KIDS PLAY IN A PLAYGROUND. TEENAGERS PLAY BASKETBALL ON COURT. FOLLOW THE C AR AS IT DRIVES ALONG PAST THERE. MALE RADIO ANNOUNCER (VO CONT ON RADIO FILTERED)streets, man. Hot off the wires. Mayor Antonio

2-99 -/ ITAL

MALE RADIO ANNOUNCER (TO RADIO AUDIENCE)Mayor Antonio Villaraigosa and Police Chief William J. Bratton

784.09

790.02

5.09

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PAGE 27

150

785.15 MS LOW ANGLE FOLLOW THE CAR AS IT DRIVES PAST KIDS PLAYING AND OTHERS STANDING AROUND. MALE RADIO ANNOUNCER (VO CONT ON RADIO FILTERED)Villaraigosa and Police

151

788.01 INT. CAR. TRAVELING. CONT. CU SIDE ANGLE COCO. PAN LEFT TO O2 DRIVING, THEN PAN RIGHT BACK TO COCO. MALE RADIO ANNOUNCER (VO CONT ON RADIO FILTERED)Chief William J. Bratton declared war on city street gangs today, saying they will use the same tactics O2 (OVERLAPPING)There you go. Thats him.

2-100 ITAL

MALE RADIO ANNOUNCER (TO RADIO AUDIENCE)declared war on city street gangs today O2 (TO COCO)There you go. Thats him. (him: Lucky)

790.08

795.10

5.02

2-101

796.00

797.12

1.12

PAN LEFT BACK TO O2. MALE RADIO ANNOUNCER (VO CONT ON RADIO FILTERED) (OVERLAPPING)that crippled the Mafia to pursue gang leaders and their members. Police will begin issuing (CONTINUES LOW AND INDISTINCT UNDER FOLLOWING SCENES AND DIALOGUE)

152

804.13 EXT. PARKING LOT. CONT. MCU LUCKY LEANS OUT THE WINDOW OF HIS CAR AND HANDS CASH TO SOMEONES HAND. LUCKYTell that busted-ass homey Im lookin for him.

2-102

LUCKY (TO O2)Tell that busted-ass homey Im looking for him. (busted-ass: slang for worthless) (homey: slang for a local person from the neighborhood)

806.04

809.10

3.06

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 28

153

810.03 MS LUCKY SITTING IN HIS CAR AS THE SOMEONE EXITS FROM FG AND O2 AND COCO PULL INTO THE SPACE NEXT TO HIM. PUSH IN ON LUCKY. 814.08 MCU SIDE ANGLE O2 WATCHES AS LUCKY DRINKS LIQUOR DIRECTLY OUT OF A BOTTLE. O2So what up? 2-103 O2 (TO LUCKY)So whats up? (meaning what information do you have regarding Junior) 816.12 818.00 1.04

154

155

818.01 CU SIDE ANGLE LUCKY. PAN RIGHT TO O2. LUCKYMan, I got good news LUCKY (OS CONT)I got bad news. The good news is I found out who got Junior. The bad news

2-104

LUCKY (TO O2)Ive got good news Ive got bad news. LUCKY (TO O2)The good news is I found out who got Junior. LUCKY (TO O2)The bad news I found out who got Junior.

819.05

823.10

4.05

2-105

824.03

828.03

4.00

2-106

829.13

835.04

5.07

PAN LEFT TO LUCKY. LUCKY (CONT)I found out who got Junior.

156

835.05 CU PAST SIDE ANGLE LUCKY TO O2. O2Who? LUCKYBig Meat.

2-107

O2 (TO LUCKY)Who? LUCKY (TO O2)Big Meat.

835.11

836.11

1.00

2-108

837.06

839.06

2.00

157

839.15 MCU O2 AND COCO. COCO(CLICKS TONGUE) LUCKY (OS)Word on the street

2-109-/

LUCKY (TO O2)Word on the street is that youre papered up. (Word on the street: meaning gossip within the community) (papered up: urban slang term meaning he has a lot of money)

841.13

845.03

3.06

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 29

158

843.01 CU SIDE ANGLE LUCKY. O2 IN BG OUT OF FOCUS. RACK FOCUS AND PAN RIGHT TO O2. LUCKY (CONT)man, you papered up. Say you got a hundred thousand stashed somewhere. Little

2-110

LUCKY (TO O2)Say you got a hundred thousand stashed somewhere. (a hundred thousand dollars)

846.02

849.03

3.01

2-111-/

LUCKY (TO O2)That little job youve got at that Security, thats just a front. (front: slang term for a fake job or other thing which covers up the real one; in this case referring to being a security job)

851.00

856.04

5.04

159

851.06 MS PAST SIDE ANGLE O2 TO LUCKY. LUCKY (CONT)job you got at that Security, that shit just a front.

160

856.06 CU O2 AND COCO. LUCKY (OS CONT)Say he struck gold when he found out Junior was your kid. O2I told that nigga before I got out, I aint got no more of that money. LUCKYHe dont

2-112

LUCKY (TO O2)He struck gold when he found out Junior was your kid. (struck gold: meaning he accidentally stumbled into a very good situation financially) (kid: slang for child) O2 (TO LUCKY)I told that nigga before I got out, I dont have any more of that money. (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans) (got out: meaning from prison) LUCKY (TO O2)He doesnt believe you. LUCKY (TO O2)Wants the hundred thousand in exchange for Junior by Friday, midnight.

857.07

861.06

3.15

2-113

861.12

865.10

3.14

2-114-/

865.15

867.11

1.12

161

866.09 CU SIDE ANGLE LUCKY. PAN RIGHT TO O2. LUCKY (CONT)believe you. He want the whole hundred thousand LUCKY (OS CONT)in exchange for Junior by

2-115-/

868.00

874.08

6.08

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 30

162

873.02 CU SIDE ANGLE LUCKY. LUCKY (CONT)Friday, midnight. O2 (OS)How the

2-116-/

O2 (TO LUCKY)How the fuck am I supposed to come up with a hundred thousand by tomorrow? (fuck: vulgar emphatic)

874.13

879.02

4.05

163

875.01 MCU PAST SIDE ANGLE LUCKY TO O2 AND COCO. O2 (CONT)fuck am I supposed to come up with a hundred thousand by tomorrow? LUCKYI dont know, man. But If you dont give it to him, he gonna start choppin on Junior. O2(SIGHS)

2-117

LUCKY (TO O2)I dont know. But If you dont give it to him, hell start chopping on Junior. (chopping on: cutting off body parts from)

880.07

887.04

6.13

164

889.14 CU OTS ON LUCKY. RACK FOCUS. THEN RACK IT BACK. LUCKYO You got that money, man, you gotta give it up.

2-118

LUCKY (TO O2)If youve got that money, youve got to give it up. (give it up: surrender it)

894.07

899.14

5.07

165

900.07 CU O2 AND COCO. O2 LEANS FORWARD. O2Lucky, you think I be doin security if I had a hundred thousand dollars, bro? LUCKY (OS)All I

2-119

O2 (TO LUCKY)You think Id be doing security if I had a hundred thousand dollars? LUCKY (TO O2)All I know is if you havent got that money, you better find it.

902.15

908.07

5.08

2-120-/

909.10

915.10

6.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 2A/B

PAGE 31

166

910.05 CU OTS ON LUCKY. LUCKY (CONT)know is if you aint got that money, then you better find it. Quick. O2 (OS)Alright.

2-121

LUCKY (TO O2)Quick. O2 (TO LUCKY)Alright.

916.11

918.04

1.09

2-122-/

919.05

920.12

1.07

167

920.00 CU O2 AND COCO. O2 (CONT)Im gonna have this money by tomorrow. You get word to that nigga. When he get that money, Junior better walk. Tell him try me.

2-123

O2 (TO LUCKY)Ill have this money by tomorrow. You get word to that nigga. (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans) O2 (TO LUCKY)When he gets that money, Junior better walk. (walk: get released to him) O2 (TO LUCKY)Tell him to try me. (meaning that Meat better not try to cross O2)

921.09

928.04

6.11

2-124

930.15

936.06

5.07

O2 STARTS THE ENGINE AND THE CAR BACKS OUT OF FRAME RIGHT. DISSOLVE TO: 168 942.12 INT. CAR. TRAVELING. DAY CU SIDE ANGLE COCO AND O2. SHE TURNS TOWARD HIM. COCOSo then, whats your next move? O2I take Meat out and go get my son.

2-125

939.08

941.00

1.08

2-126

COCO (TO O2)So whats your next move? (meaning what do you do next?) O2 (TO COCO)I take Meat out, I can go get my son. (take: defeat) COCO (TO O2)You cant even get near him. (him: Meat)

944.05

946.10

2.05

2-127

948.00

950.10

2.10

2-128-/ COCOYou cant

951.00

953.03

2.03

169

951.07 CU SIDE ANGLE COCO. COCO (CONT)even get near him. O2 (OS)I

2-129-/

O2 (TO COCO)I can get near anybody.

953.08

955.09

2.01

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PAGE 32

170

953.15 MCU SIDE ANGLE O2 AND REAR ANGLE COCO. O2 (OS CONT)can get near anybody. COCO (OS)No. Trust me.

2-130-/

COCO (TO O2)No. Trust me. I used to run for the Outlaws. I know. (run: sell drugs and other crimes) (the Outlaws: the crime gang that Meat is the boss of)

955.14

961.03

5.05

171

957.14 CU COCO. COCO (CONT)I used to run for the Outlaws. I know what Im talkin bout.

172

961.04 CU OTS ON O2. 963.14 CU COCO. COCO (CONT)If you really want your son, you need to get that money. 2-131 COCO (TO O2)If you really want your son, you need to get that money. 964.00 969.12 5.12

173

174

970.14 CU REAR SIDE ANGLE O2. O2Alright. I got a plan.

2-132-/

O2 (TO COCO)Alright. Ive got a plan.

975.11

977.08

1.13

175

977.02 ECU REAR ANGLE COCO. 980.07 CU SIDE ANGLE O2. O2 (CONT)I need you in on it with me, though. 2-133 O2 (TO COCO)I need you in on it with me, though. (in on it: to assist him) 980.06 982.14 2.08

176

177

983.01 CU REAR SIDE ANGLE COCO. COCO (OS)I dont know you. O2 (OS)You said you wanna get out

2-134

COCO (TO O2)I dont know you.

983.04

984.11

1.07

2-135-/

O2 (TO COCO)You said you want to get out of the life, right? (the life: the street hustling criminal life)

985.00

987.08

2.08

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PAGE 33

178

986.01 MCU O2 AND SIDE ANGLE COCO. SHE TURNS BACK TO RFG. O2 (CONT)of the life, right?

2-136

O2 (TO COCO)You want out, right? Roll with me on this. (Roll with me: urban slang meaning go along with me)

989.15

995.15

6.00

2-137-/ COCO(SIGHS) O2You want out, right? Roll wit me on this. COCOYoure not hearin me. Youre

COCO (TO O2)Youre not hearing me. You dont understand what Im saying.

996.12

1000.04

3.08

179

998.02 CU COCO. COCO (CONT)youre not understanding what Im sayin. Fuckin with them is suicide.

2-138-/

COCO (TO O2)Fucking with them is suicide. (Fucking with: vulgar term meaning disturbing or angering)

1001.03

1005.00

3.13

180

1004.12 CU OTS ON O2. O2Trust me in this. I gotcha. COCO (OVERLAPPING)(SIGHS)

2-139

O2 (TO COCO)Trust me on this. Ive got you. (Ive got you: slang term meaning he will take care of her)

1006.08

1010.14

4.06

181

1012.05 CU COCO.

182

1016.07 CU O2.

183

1019.00 CU COCO. COCOAlright.

2-140-/

COCO (TO O2)Alright. Im in if we hit P-Money, too. (in: going along with it) (hit: rob)

1021.12

1025.10

3.14

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PAGE 34

184

1022.11 CU COCO. TURNS RIGHT. COCO (CONT)Im in if we hit P-Money, too.

185

1025.12 CU OTS ON O2. COCO (OS CONT)Ill take half, so I can disappear

2-141-/

COCO (TO O2)Ill take half, so I can disappear with you.

1026.04

1030.00

3.12

186

1029.04 CU OTS ON COCO. COCO (CONT)with you. O2P-Money? COCOYep.

2-142

O2 (TO COCO)-- P-Money? COCO (TO O2)-- Yeah.

1032.00

1033.11

1.11

187

1033.12 CU O2 DRIVING. O2I dont have a problem with PMoney.

2-143

O2 (TO COCO)I dont have a problem with PMoney.

1034.00

1036.09

2.09

188

1036.10 INT. HOUSE. DAY (FLASHBACK) CU SIDE ANGLE P-MONEY. 1037.10 CU COCO FACES REAR ANGLE P-MONEY. 1038.13 INT. CAR. TRAVELING. DAY CU COCO LOOKS RIGHT, THEN FG. COCOYeah, well, I do. 2-144 COCO (TO O2)Well, I do. 1039.05 1041.02 1.13

189

190

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PAGE 35

191

1041.13 MS O2 AND COCO. O2How much you know about PMoneys operation? COCOEverything. I know for a fact that Meats tryin to take over his territory, P aint havin it.

2-145

O2 (TO COCO)How much do you know about PMoneys operation? (operation: criminal empire)

1045.10

1048.12

3.02

2-146 2-147

COCO (TO O2)Everything. COCO (TO O2)I know that Meats trying to take over his territory, but P isnt having it. (P: short for P-Money) (having: slang for allowing) COCO (TO O2)Theyre going head-to-head right now. And you know what?

1054.09 1057.11

1056.09 1063.02

2.00 5.07

192

1063.08 CU SIDE ANGLE O2. COCO (OS CONT)Theyre goin head-to-head right now. And you know what? Meat

2-148

1063.14

1067.02

3.04

2-149-/

COCO (TO O2)Meat hit one of P-Moneys spots the other night. I know Ps looking to retaliate. (hit: robbed) O2 (TO COCO)Alright. Ive got us something. (meaning he has a plan)

1067.07

1074.10

7.03

193

1067.11 CU SIDE ANGLE COCO. COCO (CONT)hit one of P-Moneys spots the other night. I know Ps lookin to retaliate. O2 (OS)Alright.

2-150-/

1075.00

1079.14

4.14

194

1075.14 CU O2. HE LOOKS LEFT. SWISHPAN LEFT. O2 (CONT)I got us somethin.

1080.13 LAST FRAME PICTURE. END OF REEL #2A/B.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 1

COMBINED CONTINUITY & DIALOGUE SC#: FOOTAGE/ SHOT DESCRIPTION/ DIALOGUE:

SPOTTING LIST TITLES & FOOTAGES TITLE#: TITLE: START: FINISH: TOTAL:

START MEASURING 00.00 AT PICTURE START MARK IN ACADEMY LEADER. LABORATORY: 1ST SCENE START: 2ND SCENE START: 3RD SCENE START: 4TH SCENE START: 12.00 24.10 33.10 41.13

12.00 EXT. CAR/FENCING HOUSE. DAY MCU OVER TO TOP OF THE CAR COCO GETTING OUT TURNS TO FG, SMOKES CIGARETTE. O2 (OS)Coco? COCO (OS)Yeah.

3-1

O2 (TO COCO)Coco? COCO (TO O2)Yeah. O2 (TO COCO)If they find out what Im doing, my son is dead. (they: meaning Meat and PMoney) (meaning they will kill his son if they find out)

13.07

14.10

1.03

3-2

17.00

18.00

1.00

3-3 -/

21.00

26.15

5.15

REAR ANGLE O2 GETS OUT OF CAR FG AND EXITS LEFT, THEN FOLLOW COCO AS SHE WALKS AROUND CAR TO HIM. O2 (OS)If they find out what Im doin

24.10 CU OTS ON O2. O2 (CONT)my son is dead. So its either all or nothin.

3-4

O2 (TO COCO)So its either all or nothing. (meaning she has to be fully committed if she wants to join him)

30.12

33.05

2.09

33.10 CU OTS ON COCO. COCOIm all in.

3-5 -/

COCO (TO O2)Im all in. (poker term meaning one is fully committed)

40.07

42.05

1.14

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 2

41.13 CU OTS ON O2. SHE EXITS LEFT. HE TURNS HIS HEAD TO WATCH HER GO. HE PUTS ON SUNGLASSES.

50.15 MS TRACK WITH COCO AS SHE WALKS TOWARD LFG, WITH O2 FOLLOWING HER. THEN SHE TURNS AND EXITS RFG. HE FOLLOWS. 58.15 MCU COCOS HAND PUSHES THE DOOR BUZZER. TILT UP TO HER REFLECTION IN THE DOOR. VERSACE GIRL (VO OVER SPEAKER FILTERED)Yeah? COCO (INTO SPEAKER)Gucci pumps, Prada panties, Fendi body bag. 3-6 ITAL 3-7 VERSACE GIRL (TO COCO)Yeah? COCO (INTO SPEAKER TO VERSACE GIRL)Gucci pumps, Prada panties, Fendi body bag. (these are all names of famous high-end clothing manufacturers) 66.11 67.11 1.00

68.00

75.02

7.02

75.04 MCU PAST COCO AND O2 TO DOOR. VERSACE GIRL (OS)Hey, girl. COCO (OS)Hey, Mama. VERSACE GIRL (OS)You got somethin for me today? COCO (OS)Uh

3-8

VERSACE GIRL (TO COCO)-- Hey, girl. (girl: urban slang way of addressing females) COCO (TO VERSACE GIRL)-- Hey, Mama. (Mama: urban slang way of addressing females)

79.10

81.09

1.15

3-9

VERSACE GIRL (TO COCO)Have you got something for me today?

81.14

83.14

2.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 3

84.15 MCU POV FROM INSIDE SECURITY DOOR PAST REAR ANGLE VERSACE GIRL TO COCO AND O2 STANDING OUTSIDE DOOR. COCO (CONT)today Im, Im not sellin. Im buyin. VERSACE GIRL (OS)Alright. But he cant come up in here. I dont know him. COCOCome on, girl. This is my new baby. He wants to spend some moneys on me.

3-10

COCO (TO VERSACE GIRL)Today Im not selling. Im buying. VERSACE GIRL (TO COCO)Alright. But he cant come in here. I dont know him. COCO (TO VERSACE GIRL)Girl, this is my new baby. He wants to spend some money on me. (baby: slang for boyfriend)

86.00

89.14

3.14

3-11

90.14

95.02

4.04

3-12

96.00

102.00

6.00

103.02 MCU SIDE ANGLE O2 AND COCO. THEY STEP BACK OUT OF FRAME AND DOOR OPENS, REVEALING VERSACE GIRL. SHE STANDS ASIDE AND REAR ANGLE COCO ENTERS PAST HER, FOLLOWED BY O2. VERSACE GIRL (OS)Mnm hm. VERSACE GIRL (CONT)Come on. O2How you doin? VERSACE GIRLHow you?

3-13

VERSACE GIRL (TO COCO)Come on. O2 (TO VERSACE GIRL)How are you doing? VERSACE GIRL (TO O2)How are you?

111.04

112.08

1.04

3-14

116.11

118.02

1.07

3-15

118.07

120.00

1.09

10

120.02 INT. FENCING HOUSE. CONT MS COCO. VERSACE GIRL CLOSES DOOR AFTER O2 ENTERS AND REMOVES HIS SUNGLASSES.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 4

11

125.02 MCU PAN RIGHT PAST COCO TO DRESSES. PUSH IN ON CANDLE, THEN PAN ALL AROUND THE ROOM PAST ALL THE CLOTHES AND BACK PAST VERSACE GIRL TO O2. O2I guess we aint gotta go to the mall no more.

3-16

O2 (TO COCO)I guess we dont have to go to the mall any more. (because of all the merchandise in her apartment)

143.00

146.01

3.01

12

146.02 MS COCO. VERSACE GIRL (OS)What can I

3-17 -/

VERSACE GIRL (TO O2)What can I help you with today?

147.08

149.14

2.06

13

148.00 MS O2 AND VERSACE GIRL. O2 WALKS ACROSS FRAME RIGHT. VERSACE GIRL (CONT)help yall with today? O2Just lookin to buy my boo a few little things, you know.

3-18

O2 (TO VERSACE GIRL)Just looking to buy my boo a few little things. (boo: slang term for sweetheart)

152.05

155.13

3.08

14

155.14 MCU O2 AND COCO LOOK AT EACH OTHER LOVINGLY. COCOOh O2We got a little event comin up. Wanna make sure she jazzy. VERSACE GIRL (OS)Mnm

3-19 -/

O2 (TO VERSACE GIRL)We have a little event coming up. Want to make sure shes jazzy. (jazzy: slang term for dressed stylishly)

156.04

161.05

5.01

15

160.12 MCU VERSACE GIRL. VERSACE GIRL (CONT)hm. Well, what did you have in mind?

3-20

VERSACE GIRL (TO O2)What did you have in mind?

162.03

164.04

2.01

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 5

16

164.05 MS O2 AND COCO. O2Well, whatchu got?

3-21

O2 (TO VERSACE GIRL)What have you got?

169.04

170.08

1.04

17

170.15 MS REAR ANGLE COCO AND O2 FACE VERSACE GIRL, WHO POINTS TO DRESSES AND WALKS TOWARD FG. VERSACE GIRLRight here I have a little Versace. Over

3-22

VERSACE GIRL (TO O2/COCO)Right here I have a little Versace. (Versace: famous clothing designer)

172.02

175.06

3.04

18

176.04 MS O2 AND COCO AS REAR ANGLE VERSACE GIRL WALKS PAST THEM, POINTING TO MORE DRESSES. VERSACE GIRL (OS CONT)here VERSACE GIRL (CONT)Right here we have a little Gucci.

3-23 -/

VERSACE GIRL (TO O2/COCO)Right here we have a little Gucci. A little Valentino. (Gucci, Valentino: famous clothing designers)

177.15

181.14

3.15

19

180.06 MCU OTS ON VERSACE GIRL. FOLLOW HER AS O2 CROSSES FRAME AND EXITS RIGHT. VERSACE GIRL (CONT)Little Valentino. Over in this corner, I have Kevin Hall, which is my favorite designer his new collection.

3-24

VERSACE GIRL (TO O2/COCO)In this corner, I have Kevin Hall, my favorite designer his new collection. (Kevin Hall: famous clothing designer)

182.12

188.10

5.14

20

189.06 CU O2. VERSACE GIRLS HAND IN FG POINTING. VERSACE GIRL (OS CONT)Right up them steps I have a little Phat Farm, Sean John

3-25 -/

VERSACE GIRL (TO O2/COCO)Up the steps I have a little Phat Farm, Sean John, and some Baby Phat. (Phat Farm, Sean John, Baby Phat: famous urban clothing designers)

189.12

195.03

5.07

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 6

21

193.06 MCU OTS ON VERSACE GIRL. VERSACE GIRL (CONT)and some Baby Phat. You gon like somethin, girl.

3-26 -/

VERSACE GIRL (TO O2/COCO)Youre going to like something, girl. (girl: urban slang way of addressing females)

195.08

197.04

1.12

22

196.15 MS VERSACE GIRL AND REAR SIDE ANGLE COCO SEATED LEFT. O2 ENTERS RIGHT, FACES THEM. COCOAlright. O2Um, Im gonna let yall be. Wheres your

3-27

COCO (TO VERSACE GIRL)Alright. O2 (TO VERSACE GIRL)Ill let you all be. Wheres your bathroom? I have to shit. (let you all be: leave you alone) (shit: vulgar term for defecate)

197.09

198.12

1.03

3-28 -/

199.01

205.12

6.11

23

202.13 MS OTS ON O2 AND COCO. O2 (CONT)bathroom? I gotta shit.

24

207.00 MS OTS ON COCO AND VERSACE GIRL, WHO POINTS RFG. VERSACE GIRLUhn uhn.

25

209.06 MCU COCO. PAN LEFT TO O2, WHO WALKS TOWARD BG. VERSACE GIRL (OS CONT)Mnm hm.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 7

26

214.10 MS PUSH IN ON COCO AND VERSACE GIRL AS O2 EXITS LEFT. COCOGirl, hes impossible sometimes. VERSACE GIRL (OS)You know I dont play all

3-29

COCO (TO VERSACE GIRL)Girl, hes impossible sometimes. (impossible: embarrassing) VERSACE GIRL (TO COCO)You know I dont play all that niggas in my house, taking shits (play all that: allow that kind of thing) (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans) (taking shits: vulgar slang for defecating) COCO (TO VERSACE GIRL)You know that I know. its just hes got some money he wants to spend on me.

217.03

219.10

2.07

3-30 -/

220.00

224.05

4.05

27

220.11 CU LOW ANGLE OTS ON VERSACE GIRL, WHO SHAKES HEAD AND POINTS RIGHT. VERSACE GIRL (CONT)that niggas all up in my house, takin shits COCO (INTERRUPTING)Hey, you, you know that I know.

3-31 -/

224.10

231.00

6.06

28

226.09 CU OTS ON COCO. COCO (CONT)Its just got some moneys he wants to spend on me. VERSACE GIRL (OS)I understand. Woman needs good. COCOMnm hm.

3-32

VERSACE GIRL (TO COCO)I understand. Woman needs good. (good: fine things)

231.12

234.06

2.10

29

235.08 INT. HALLWAY. CONT. MCU FOLLOW O2 AS HE WALKS THROUGH DARK HALLWAY. COCO/VERSACE GIRL (OS)(CONTINUE LOW AND INDISTINCT UNDER FOLLOWING SCENES AND DIALOGUE)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 8

30

241.15 INT. STAIRWELL/BASEMENT. CONT. MS O2 WALKS DOWN STAIRS, PEEKS INTO ROOM.

31

251.09 INT. BOUTIQUE. CONT. MCU SIDE ANGLE PAN RIGHT TO FOLLOW COCO AS SHE WALKS RIGHT AND LEANS OVER TO PICK UP SOME SHOES. THEN TILT BACK UP TO HER AND ARC RIGHT AROUND HER AND VERSACE GIRL. COCOOh, these are COCO (OS CONT)real cute. COCO (CONT)Mnm. Lookin all Grecian and shit. VERSACE GIRL (OS) (OVERLAPPING)Mnm hm. Brand new, girl. Ill give you a good price on that. COCO (OVERLAPPING)Its my size, too. VERSACE GIRL (OS)You know, the girls done ran all through here already.

3-33

COCO (TO VERSACE GIRL)Oh, these are real cute. Looking all Grecian and shit. (shit: vulgar word for stuff) VERSACE GIRL (TO COCO)-- Brand new, girl. Ill give you a good price on that. COCO (TO VERSACE GIRL)-- Its my size, too.

251.08

259.00

7.08

3-34

260.00

263.03

3.03

3-35

VERSACE GIRL (TO COCO)You know, the girls ran all through here already. (meaning that the other girls have already taken all the best things from what she has)

263.08

266.14

3.06

32

267.01 INT. BASEMENT. CONT. MS O2 COMES DOWN THE STAIRS. COCO (OS)(CHUCKLES)

33

272.02 MCU O2 OPENS A DOOR, PEEKS INSIDE, THEN CLOSES IT. 283.15 MCU TRACK WITH O2 AS HE WALKS TOWARD FG.

34

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 9

35

288.10 MS REAR ANGLE PUSH IN ON O2 AS HE OPENS DOOR TO CLOSET WITH DARTBOARD ON WALL. TILT DOWN TO PAPERS AS HE RIFLES THROUGH THEM. 295.03 MS LOW ANGLE O2 RIFLES THROUGH THE PAPERS, PULLS OUT SOME MONEY. O2Fuck!

36

37

301.01 MCU REAR SIDE ANGLE 02S TORSO AS HE TAKES MORE MONEY. TILT UP AS HE TURNS FG. FOLLOW HIM AS HE WALKS OUT INTO HALLWAY.

38

308.12 MCU TILT UP TO O2 AS HE WALKS THROUGH THE HALLWAY. 311.15 MS DOOR OPENS AND SAFE MAN COMES IN. O2 (OS)Open the 3-36 -/ O2 (TO SAFE MAN)Open the safe. 312.11 313.13 1.02

39

40

312.15 MS SAFE MAN PUTS UP HIS HANDS AND O2 PUTS A GUN AGAINST THE BACK OF HIS HEAD. O2 (OS CONT)safe. SAFE MAN (OVERLAPPING)What the fuck is goin on, man? What the fuck is this, man? O2 (OVERLAPPING)Open the safe. Shut up. Get your ass down.

3-37

SAFE MAN (TO O2)What the fuck is going on, man? What is this? (fuck: vulgar emphatic)

314.02

317.08

3.06

3-38

O2 (TO SAFE MAN)Shut up. Get your ass down. (get your ass down: vulgar term meaning to sit down)

317.13

319.15

2.02

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 10

SAME SHOT CONT. THEY MOVE TO FG AND O2 FORCES SAFE MAN TO HIS KNEES. SAFE MANYou know whose money youre fuckin with? O2Yeah. Tell him P-Money came to collect his rent. SAFE MANTst. Tell P-Money Big Meat, he gon bury that ass O2Shut the fuck up and open the safe!

3-39

SAFE MAN (TO O2)Do you know whose money youre fucking with? (fucking with: vulgar term meaning interfering with)

320.04

321.11

1.07

3-40

O2 (TO SAFE MAN)Yeah. Tell him P-Money came to collect his rent.

322.00

325.08

3.08

3-41

SAFE MAN (TO O2)Tell P-Money that Big Meat, hes going to bury that ass (bury that ass: vulgar term meaning to defeat him badly) O2 (TO SAFE MAN)Shut the fuck up and open the safe! (fuck: vulgar emphatic)

326.05

330.02

3.13

3-42 -/

330.07

333.05

2.14

41

333.00 INT. BOUTIQUE. CONT. MS TILT UP TO COCO WEARING A SHIMMERY DRESS. COCOI just love these shoes.

3-43

COCO (TO VERSACE GIRL)I just love these shoes.

336.00

338.12

2.12

42

338.14 MS COCO AND VERSACE GIRL. COCO FACES MIRROR BG. COCO (OS CONT)I just feel like once Ive been in them for a couple hours, though, Im gonna feel like I wanna kill

3-44 -/

COCO (TO VERSACE GIRL)But I feel like once Ive been in them for a couple hours, Ill feel like killing myself.

339.01

344.07

5.06

43

344.01 CU SIDE ANGLE VERSACE GIRL. COCO (OS CONT)myself. VERSACE GIRLSometimes you gotta suffer

3-45 -/

VERSACE GIRL (TO COCO)Sometimes you have to suffer. You know what they say: Beauty is pain. (Beauty is pain: meaning sometimes you have to undergo a lot of pain to look beautiful)

344.12

351.03

6.07

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 11

44

346.07 MCU OTS ON VERSACE GIRL. VERSACE GIRL (CONT)girl. I mean, you know what they say: Beauty is pain.

45

350.11 MCU OTS ON COCO. SHE MOVES LEFT AND O2 APPEARS IN MIRROR ON RIGHT. COCOWhatcha think about this dress? O2Well take

3-46

COCO (TO VERSACE GIRL)What do you think about this dress? O2 (TO VERSACE GIRL)Well take it. (it: the dress)

351.10

353.05

1.11

3-47 -/

357.09

359.05

1.12

46

358.04 MS COCO AND VERSACE GIRL WITH O2 IN DOORWAY BG. THEY TURN TO LOOK AT HIM. O2 (OS CONT)it.

47

360.07 MS O2. HE PULLS OUT GUN, AIMS IT FG AND WALKS FG. O2 (CONT)As a matter of fact, well take all this shit. VERSACE GIRL (OS)Damn

3-48

O2 (TO VERSACE GIRL)As a matter of fact, well take all of this shit. (shit: vulgar word for the clothes) VERSACE GIRL (TO O2)Damn, nigga. Do you know who youre fucking with? (Damn: vulgar exclamatory) (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans) (fucking with: vulgar term for interfering with)

361.13

366.05

4.08

3-49 -/

366.10

370.00

3.06

48

367.02 MS LOW ANGLE COCO AND VERSACE GIRL. CRANE UP AS O2 ENTERS RFG AIMING GUN AT VERSACE GIRL. VERSACE GIRL (CONT)nigga. You know who you fuckin wit? O2You know what? Somebody else asked me

3-50 -/

O2 (TO VERSACE GIRL)You know what? Somebody else asked me the same question earlier.

370.11

375.04

4.09

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 12

49

372.15 CU O2 AIMING GUN FG. O2 (CONT)the same question earlier.

50

376.00 EXT. STREET. DAY MS LOW ANGLE CAR DRIVES OVER US. 376.09 MCU REAR ANGLE C AR DRIVES AWAY DOWN STREET. 378.11 INT. CAR. TRAVELING. DAY MCU COCO LOOKS FG. 380.07 MS PAST SIDE ANGLE O2 OTS ON COCO. O2What? 3-51 -/ O2 (TO COCO)What? We hit P-Moneys spot and make him think its Meat. (spot: business) 380.08 385.14 5.06

51

52

53

54

382.01 CU O2 DRIVING. O2 (CONT)We hit P-Moneys

55

383.09 INT. FENCING HOUSE. DAY (FLASHBACK) MCU KEYS IN SOMEONES HANDS. O2 (VO CONT)spot and make him think

56

384.11 INT. CAR. TRAVELING. DAY CU POV THROUGH WINDSHIELD O2. O2 (CONT)its Meat.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 13

57

385.15 INT. FENCING HOUSE. DAY (FLASHBACK) MCU HANDS ARE TIED UP. O2 (VO CONT)Then we hit

3-52 -/

O2 (TO COCO)Then we hit Meats spot and make him think its P-Money. (spot: business)

386.04

389.14

3.10

58

387.00 INT. CAR. TRAVELING. DAY CU POV THROUGH WINDSHIELD O2. O2 (CONT)Meats spot and make him think its

59

389.02 CU POV THROUGH WINDSHIELD COCO. O2 (OS CONT)P-Money. They start goin at it, we run up outta there with all their

3-53 -/

O2 (TO COCO)They start going at it, we run out of there with all their shit. (going at it: slang for fighting) (shit: vulgar slang for stuff)

390.05

394.10

4.05

60

393.12 INT. FENCING HOUSE. DAY (FLASHBACK) MS VERSACE GIRL AND SAFE MAN TIED UP AND SITTING ON FLOOR. O2 (VO CONT)shit.

61

396.04 MS VERSACE GIRL AND SAFE MAN TIED UP.

62

398.05 INT. CAR. TRAVELING. DAY CU POV THROUGH WINDSHIELD O2. O2 (CONT)I told you, I got you, girl.

3-54

O2 (TO COCO)I told you, Ive got you, girl. (meaning he is taking care of her)

398.10

401.05

2.11

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 14

63

402.04 EXT. DOPE HOUSE. NIGHT ECU SIDE ANGLE COCOS LIPS AS SHE SPEAKS INTO INTERCOM. MALE VOICE (VO OVER INTERCOM FILTERED)Who there? COCO (INTO INTERCOM)Its Double Dutch. Mookie cousin.

3-55 ITAL 3-56

MALE VOICE (TO COCO)Whos there? COCO (INTO INTERCOM)Its Double Dutch. Mookies cousin. MALE VOICE (TO COCO)Alright.

407.05

408.14

1.09

409.03

412.12

3.09

3-57 -/ ITAL

420.00

421.10

1.10

TILT UP TO SECURITY CAMERA, AS RED LIGHT FLASHES. THEN TILT BACK DOWN TO COCO. MALE VOICE (VO OVER INTERCOM FILTERED)Aight.

64

421.02 MCU SIDE ANGLE COCO AS SHE ENTERS THROUGH DOOR.

65

425.14 MS THE DOPE HOUSE. 431.03 MS FOCUS AS O2 CLIMBS UP OVER FENCE. 438.10 MLS O2 CLIMBS UP ONTO THE ROOF. 447.15 INT. DOPE HOUSE. ENTERTAINMENT ROOM. NIGHT MS DOLLY INTO ROOM AROUND CORNER WHERE GANGSTERS 1 & 2 PLAY VIDEO GAME ON HUGE TV. GANGSTER 1 (OS)I told you Im cold with this shit, boy.

66

67

68

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 15

SAME SHOT CONT. WOMAN GANGSTER (OS) (OVERLAPPING)Hes not letting us play. GANGSTER 2 (OS)She over there getting yo ass

69

454.14 MCU GANGSTERS. RACK FOCUS AND COCO APPEARS STANDING BEHIND THEM. GANGSTER 2 (CONT)waxed now. GANGSTER 1Fuck it, youre supposed to be teachin the motherfucker VARIOUS GANGSTERS (OS/ON)(OVERLAPPING INDISTINCT DIALOGUE) COCO (INTERRUPTING)Yo.

3-58

COCO (TO GANGSTERS)Yo. (urban slang for hello)

459.08

460.08

1.00

70

460.09 MLS THE WHOLE ROOM. GANGSTER 1 (OS)Shit!

3-59

GANGSTER 1 (ALOUD)Shit! (vulgar exclamatory)

461.00

462.00

1.00

71

462.03 MS THE GANGSTERS AND THEIR GIRLS WITH COCO STANDING IN BG. ANOTHER GANGSTER (OS)Whassup?

72

464.00 MCU GANGSTER 2 AND HIS GIRL. HE LOOKS LFG. GANGSTER 2When Mookie getting out?

3-60

GANGSTER 2 (TO COCO)When is Mookie getting out? (getting out: meaning from prison)

464.09

466.09

2.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 16

73

466.10 MCU GANGSTER 1 AND HIS GIRL, COCO IN BG. COCOHe have, um, like two more years.

3-61 -/

COCO (TO GANGSTER 2)-- He has two more years. GANGSTER 2 (TO COCO)-- Damn! (vulgar exclamatory)

467.02

470.02

3.00

74

469.03 MCU GANGSTER 2 AND HIS GIRL. GANGSTER 2Damn!

75

470.03 MS THE WHOLE ROOM WITH THE GANGSTERS.

76

472.04 MCU REAR ANGLE GANGSTER 2 AND HIS GIRL. HE TURNS AND LOOKS OVER HIS SHOULDER. GANGSTER 2How much you want?

3-62

GANGSTER 2 (TO COCO)How much do you want? (meaning how much drugs does she want)

474.12

475.15

1.03

77

476.00 CU COCO. COCOJust lemme get a deuce.

3-63 -/

COCO (TO GANGSTER 2)Just let me get a deuce. (she is telling him how much she wants) (deuce: twenty dollars worth of drugs) GANGSTER 1 (TO COCO)Alright. But you have to wait until I finish this game.

476.05

478.02

1.13

78

477.11 MCU GANGSTER 2 NODS. GANGSTER 1 (OS)Aight.

3-64 -/

478.12

483.12

5.00

79

479.07 MCU GANGSTER 1 AND HIS GIRL. GANGSTER 1 (CONT)But you gonna have to wait

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 17

80

481.07 CU SIDE ANGLE GANGSTER 1. GANGSTER 1 (CONT)til after I finish this game.

81

483.14 MCU COCO. COCOYeah, well, lemme use your bathroom.

3-65 -/

COCO (TO GANGSTER 1)Well, let me use your bathroom.

484.01

486.05

2.04

82

486.00 MCU SIDE ANGLE GANGSTER 1 LOOKS BG. GANGSTER 1 (OS)Nah, its broke. GANGSTER 2 (OS)Use the one upstairs.

3-66

GANGSTER 1 (TO COCO)Its broken.

487.15

490.02

2.03

3-67

GANGSTER 2 (TO COCO)Use the one upstairs.

491.05

492.05

1.00

83

492.08 CU SIDE ANGLE GANGSTER 1. PAN LEFT TO COCO. GANGSTER 1 (OS)She cant go up there. GANGSTER 2 (OS)Let the bitch use the bathroom.

3-68

GANGSTER 1 (TO GANGSTER 2)She cant go up there. GANGSTER 2 (TO GANGSTER 1)Let the bitch use the bathroom. Its Mookies cousin. (bitch: vulgar derogatory way of addressing or referring to a woman)

492.10

494.10

2.00

3-69 -/

495.06

499.14

4.08

84

498.03 MCU GANGSTER 2 LOOKS OVER HIS SHOULDER. GANGSTER 2 (CONT)Its Mookies cousin.

85

503.00 MCU COCO. 504.10 MCU GANGSTER 1. GANGSTER 1Go on ahead. 3-70 GANGSTER 1 (TO COCO)Go ahead. (Go use the bathroom) 505.03 506.07 1.04

86

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PAGE 18

87

506.08 MCU COCO. SHE TURNS TO LEAVE. PAN RIGHT TO GANGSTER 1 AND HIS GIRL. GANGSTER 1 (OS CONT)Aw GANGSTER 1 (CONT)shit! See what you made me

3-71 -/

GANGSTER 1 (TO GANGSTER 2)Shit! See what you made me do? (Shit: vulgar exclamatory) (meaning he lost a life in the video game)

507.08

512.08

5.00

88

511.09 MCU GANGSTER 2 AND HIS GIRL. GANGSTER 1 (OS CONT)do? You distracted me

3-72 -/

GANGSTER 1 (TO GANGSTER 2)You distracted me, motherfucker. (motherfucker: vulgar word used to refer to an object or person, in this case in a friendly manner)

513.01

515.04

2.03

89

514.04 CU SIDE ANGLE GANGSTER 1. GANGSTER 1 (CONT)motherfucker.

90

515.08 MS REAR ANGLE COCO EXITS THE ROOM. GANGSTER 2 (OS)Too bad. You got three more lives. Dont trip. GANGSTER 1 (OS)This shit is real

3-73

GANGSTER 2 (TO GANGSTER 1)Too bad. Youve got three more lives. Dont trip. (trip: get unnecessarily upset)

515.09

519.12

4.03

91

521.09 INT. STAIRWAY/HALLWAY. NIGHT MCU FOLLOW COCO AS SHE WALKS DOWN THE HALLWAY, THEN OPENS A DOOR. GANGSTER 1 (OS CONT)nigga. GANGSTER 2/GANGSTER 1 (OS)(CONTINUE LOW AND INDISTINCT UNDER FOLLOWING SCENES AND DIALOGUE)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 19

92

539.00 MCU LOW REAR ANGLE TRACK WITH COCO AS SHE WALKS UP STAIRS WITH PURSE.

93

544.11 EXT./INT. UPSTAIRS ROOM. CONT. MS O2 CLIMBS IN THROUGH THE WINDOW. 552.11 MS COCO COMES UP THE STAIRS, PUTS FINGER TO HER LIPS. PAN LEFT TO WINDOW. 557.14 MCU OTS PAST REAR ANGLE O2 AS COCO LOOKS INTO ONE ROOM, THEN OPENS THE WINDOW LOCK FOR.

94

95

96

570.11 MCU REAR ANGLE COCO AS THE WINDOW OPENS AND O2 CLIMBS IN WEARING A MASK. O2 (OS)Whos on down there? COCO (OS)Theres about six of them.

3-74

O2 (TO COCO)Whos down there? COCO (TO O2)Theres six of them. Three little niggas and three hood rats. (nigga: vulgar urban street word used by African-Americans when addressing or referring to other African-Americans) (hood rats: slang derogatory for young women)

573.08

575.01

1.09

3-75 -/

575.06

578.14

3.08

97

576.03 MCU OTS ON COCO. COCO (CONT)Three little niggas and three hood rats.

98

579.04 INT. ENTERTAINMENT ROOM. CONT. MCU THE VIDEO GAME ON THE TV. GANGSTER 2 (OS)Do somethin then, homey. GANGSTER 1 (OS)Well, I could get sliced.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 20

99

583.15 CU GANGSTER 2 AND HIS GIRL. PAN RIGHT TO GANGSTER 1, HIS GIRL IN BG. GANGSTER 2Its about doing it right. GANGSTER 1 (OS) (OVERLAPPING)Im supposed to get shot. GANGSTER 2 (OS)Nah, homey, I got the knife out right now, so Im gonna take that to your car. GANGSTER 1 (OVERLAPPING)Aw, nigga, dont bring a knife to a gunfight, my

100

597.00 MS REAR ANGLE THEY ALL JUMP BACK AS THE TV EXPLODES. WOMEN (OS)(SCREAMS)

101

598.03 MCU THEIR SILHOUETTES AS THE TV EXPLODES. WOMEN (OS CONT)(SCREAMS)

102

599.13 MS LOW ANGLE O2 AIMS A GUN LFG, COCO BEHIND HIM COVERING HER EYES. PUSHED WOMAN(SCREAMS)

103

602.15 MS GANGSTER 1 STARTS TO GO FOR HIS GUN.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 21

104

604.01 MS LOW ANGLE O2 AIMS GUN FG. O2 (OS)Dont even try it!

3-76

O2 (TO GANGSTERS)Dont even try it! (meaning dont try to pull out the gun or O2 will shoot him)

604.04

606.00

1.12

105

607.11 MCU GANGSTER 1 RAISES HIS HANDS. 609.15 MS LOW ANGLE O2 AIMS GUN FG. 610.11 MS PAST REAR ANGLE O2 AIMING GUN AS WE PAN AROUND THE ROOM AT THE SCARED GANGSTERS. O2 (OS CONT)Payback from Big Meat. 3-77 O2 (TO GANGSTERS)Payback from Big Meat. (Payback: reciprocation in kind for what P-Money supposedly did to Big Meat) 612.13 615.04 2.07

106

107

108

615.14 INT. CAR. TRAVELING. NIGHT MCU O2 DRIVING AS COCO SETTLES INTO HER SEAT. 621.07 EXT. DOPE HOUSE. NIGHT MS ESTABLISHING. DISSOLVE TO:

109

110

630.00 INT. CAR. TRAVELING. NIGHT MCU O2 AND COCO WITH HANDHELD CAMERA AS THE CAR DRIVES. 633.01 EXT. STREET. NIGHT MS LOW ANGLE THE CAR SCREECHES TOWARD RFG AND PAST US.

111

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PAGE 22

112

636.09 INT. CAR. TRAVELING. NIGHT MS POV THROUGH THE WINDSHIELD OF POLICE CAR BY THE SIDE OF THE ROAD WITH LIGHTS FLASHING. 640.01 MCU COCO AND O2 AS THEY DRIVE. COCOOh, shit 3-78 -/ COCO (ALOUD)Oh, shit (vulgar exclamatory) 640.02 642.00 1.14

113

114

641.09 CU SIDE ANGLE O2 AS THEY DRIVE PAST FLASHING LIGHT.

115

645.03 MCU SIDE ANGLE COCO.

116

646.13 CU O2 LOOKS LEFT. 649.06 MS COCO AND O2. 651.03 CU SIDE ANGLE COCO AND O2. COCO (OS)Look, look, look, look, look, look 3-79 COCO (TO O2)Look, look, look 654.02 656.07 2.05

117

118

119

656.12 MS POV OUT THE CAR AS THEY PASS MORE POLICE CARS.

120

659.04 CU O2.

121

662.04 MS POV OUT THE CAR AS THEY PASS A POLICE CAR, THEN SUSPECTS STANDING LIT UP NEXT TO A FENCE WITH HANDS BEHIND THEIR HEADS. VOICE ON POLICE RADIO (VO OVER RADIO FILTERED)(LOW AND INDISTINCT)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 23

122

665.02 EXT. STREET. CONT. MS PAN RIGHT PAST TRUCK TO THEIR CAR, WHICH DRIVES TOWARD FG. VOICE ON POLICE RADIO (VO CONT OVER RADIO FILTERED)(LOW AND INDISTINCT)

123

669.13 INT. CAR. TRAVELING. NIGHT CU SIDE ANGLE O2 DRIVING. O2Oh

3-80 -/

O2 (TO COCO)Oh, shit! (vulgar exclamatory)

671.09

673.04

1.11

124

671.13 MS POV THROUGH THE WINDSHIELD OF POLICE CARS IN FRONT OF THEM. O2 TURNS THE WHEEL TO HEAD PAST THEM. O2 (OS CONT)shit! We gotta get up outta here.

3-81 -/

O2 (TO COCO)Weve got to get out of here.

677.09

679.12

2.03

125

679.01 CU SIDE ANGLE O2 DRIVES. COCO (OS)(WHISPERING) What the fuck is this?

126

680.14 CU COCO LOOKS RIGHT. O2 (OS CONT)Theres way too many police round here.

3-82 -/

O2 (TO COCO)Theres way too many police around here.

681.07

684.05

2.14

127

683.11 MS POV OUT THE WINDOW OF ANOTHER POLICE CAR. PAN LEFT. VOICE ON POLICE RADIO (VO OVER RADIO FILTERED)(LOW AND INDISTINCT)

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PAGE 24

128

689.05 EXT. STREET. CONT. MS LOW ANGLE ANOTHER POLICE CAR WITH LIGHTS FLASHING PARKED BEHIND A STOPPED CAR. 697.07 INT. CAR. TRAVELING. NIGHT MCU BILLBOARD ON SUNSET STRIP AS THEY DRIVE BY. 699.04 MS POV OUT WINDOW OF MODERN SCULPTURE AS THEY DRIVE BY. 701.01 MCU POV OUT WINDOW OF BILLBOARD OF MAN. PAN LEFT.

129

130

131

132

702.00 MS POV OUT WINDOW OF BILLBOARD OF MAN. TILT DOWN TO SHOW HIM IN UNDERWEAR. 703.13 MS POV OUT WINDOW OF SIGN AS THEY DRIVE BY READS CHATEAU MARMONT HOTEL. 704.15 MS POV OUT WINDOW OF SIGN AS THEY DRIVE BY READS NEW YORK PSYCHIC. 705.13 MS POV OUT WINDOW OF SIGN READING MOTEL AND BILLBOARD OF WOMAN LYING DOWN.

133

134

135

136

706.15 MS POV OUT WINDOW OF SIGN ON THEATER READS CINERAMA THEATER.

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PAGE 25

137

708.12 MS POV OUT WINDOW OF SILHOUETTES OF NAKED LADIES.

138

710.07 MS POV OUT WINDOW OF SIGN UPSIDE DOWN WHICH READS THE STANDARD.

139

711.08 MS POV OUT WINDOW OF SIGN WHICH READS CROSSROADS. 713.03 CU COCO. COCODamn. This shits like a whole nother world. 3-83 COCO (TO O2)Damn. This is like a whole other world. (Damn: vulgar exclamatory) 715.08 720.06 4.14

140

141

720.07 MCU REAR SIDE ANGLE COCO AND O2, WHO IS DRIVING. O2Why? You aint never been to the Sunset Strip? COCONope. Never had no reason to

3-84

O2 (TO COCO)Why? Youve never been to the Sunset Strip? (Sunset Strip: section of Sunset Boulevard in Los Angeles that is famous for being very glitzy and exciting, with many famous music clubs, restaurants, and shops)

720.12

724.02

3.06

3-85 -/

COCO (TO O2)No. Never had a reason to come.

725.04

729.10

4.06

142

729.00 MS COCO AND O2. COCO (CONT)come.

143

731.12 MS O2. 734.02 MCU REAR SIDE ANGLE COCO AND O2, WHO IS DRIVING.

144

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PAGE 26

145

735.12 MCU O2 DRIVING. PAN LEFT TO COCO. O2You wasnt at least curious about this? COCOI grew up in the foster system. I used to dream that someone from Hollywood would come one day and theyd rescue me and all that shit, but

3-86

O2 (TO COCO)You werent at least curious about this? COCO (TO O2)I grew up in the foster system. I used to dream that someone from Hollywood (foster system: system of foster care in which children are taken from their parents and placed with surrogate parents) COCO (TO O2)would come one day and rescue me, but no one ever came.

737.08

740.07

2.15

3-87

744.08

752.00

7.08

3-88 -/

752.05

759.11

7.06

146

758.05 CU SIDE ANGLE COCO. COCO (CONT)no one ever cam e. Fuck it, then. By that time I was, like, I dont care. I dont need Hollywood.

3-89 -/

COCO (TO O2)Fuck it, then. By that time I didnt care. I didnt need Hollywood. (Fuck it: vulgar term meaning who cares?)

761.15

766.12

4.13

147

766.07 MCU SIDE ANGLE COCO AND O2. COCO (CONT)Shit. Im gonna find somethin better than this anyways.

3-90

COCO (TO O2)Shit. Ill find something better than this anyway. (Shit: vulgar exclamatory) (this: the Hollywood glitz and glamour)

767.05

770.04

2.15

148

770.05 CU 02. O2Yeah, right.

3-91

O2 (TO COCO)Yeah, right. (he is being sarcastic) COCO (TO O2)What, are you a world traveler because youve been to the pen and back? (the pen: slang for prison)

770.09

771.11

1.02

3-92 -/ COCO (OS)Yeah, okay.

772.00

777.05

5.05

149

772.11 CU COCO. COCO (CONT)What, you, is you a world traveler cause you been to the pen and back?

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PAGE 27

150

777.13 CU SIDE ANGLE O2. 782.00 EXT. STREET. CONT. MS THEIR CAR FOLLOWS OTHER DOWN THE SUNSET STRIP.

151

152

784.08 MS TRAFFIC LIGHT AND SCULPTURE.

153

787.06 MS THEIR CAR. PAN LEFT TO FOLLOW IT AS IT DRIVES.

154

791.12 INT. CAR. TRAVELING. CONT. MCU SIDE ANGLE COCO AND O2 INSIDE. A MOTORCYCLE COP PULLS UP NEXT TO THE DRIVER SIDE. 802.07 MS POV PAST THE COP INTO THE CAR OF O2, WHO LOOKS NERVOUS. 807.09 MCU POV OUT THE WINDOW OF THE MOTORCYCLE COP. MALE VOICE ON POLICE RADIO (VO OVER RADIO FILTERED)(LOW AND INDISTINCT)

155

156

157

811.13 CU O2. 817.12 MCU POV OUT THE WINDOW OF THE MOTORCYCLE COP. HE STARTS TO DRIVE AWAY. 821.07 MCU SIDE ANGLE O2 IN THE CAR AS HE DRIVES AWAY LEFT.

158

159

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PAGE 28

160

823.09 EXT. STREET. CONT. MLS FOLLOW O2S CAR AS IT DRIVES ALONG STREET TOWARD LFG, AND TURNS UP A HILL. 834.09 INT. CAR. TRAVELING. CONT. MS PAST REAR ANGLE O2 AND COCO OF STREET AS THEY DRIVE. O2 (OS)Shits crazy 3-93 -/ O2 (TO COCO)Shit is crazy up here. (Shit: vulgar word for things) (up here: meaning up in the Hollywood Hills) 839.00 842.03 3.03

161

162

840.09 CU SIDE ANGLE COCO. O2 (CONT)up here, man. COCODamn. Some nice houses.

3-94

COCO (TO O2)Damn. Some nice houses. (Damn: vulgar exclamatory)

844.00

848.14

4.14

163

849.06 CU SIDE ANGLE O2. HE ANSWERS HIS CELL PHONE. O2(INTO PHONE) Yeah, what up, man? LUCKY (VO ON PHONE FILTERED)Bout time you answered your phone.

3-95

O2 (TO COCO)(INTO PHONE TO LUCKY) Whats up? (Whats up: what do you want?)

849.13

854.00

4.03

3-96 -/ ITAL

LUCKY (TO O2)Its about time you answered your phone. Where are you?

854.05

857.12

3.07

164

856.06 INT. LUCKYS CAR. TRAVELING. CONT. MCU SIDE ANGLE LUCKY TALKS ON HIS CELL PHONE. HE SWITCHES EARS. LUCKY (CONT INTO PHONE)Where you at? O2 (VO ON PHONE FILTERED)Busy. LUCKY (CONT INTO PHONE)You getting money?

3-97 ITAL 3-98 -/

O2 (TO LUCKY)Busy. LUCKY (TO O2)Are you getting money?

858.10

859.14

1.04

860.06

861.14

1.08

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PAGE 29

SAME SHOT CONT. VOICES ON RADIO (VO ON RADIO FILTERED)(LOW AND INDISTINCT CONTINUE UNDER FOLLOWING SCENES AND DIALOGUE)

165

861.07 INT. O2S CAR. TRAVELING. CONT. MCU SIDE ANGLE O2 TALKS ON HIS CELL PHONE. O2 (INTO PHONE)Yeah, somethin like that.

3-99

O2 (TO LUCKY)Something like that.

862.03

863.14

1.11

166

863.08 MCU SIDE ANGLE COCO. COCOShit

167

865.14 INT. LUCKYS C AR. TRAVELING. CONT. MCU SIDE ANGLE LUCKY TALKS ON HIS CELL PHONE. LUCKY (INTO PHONE)Better, man. You gonna have it by tomorrow?

3-100

LUCKY (TO O2)You better, man. Are you going to have it by tomorrow? (man: urban slang way of addressing someone) (it: the money)

866.04

870.00

3.12

168

870.01 INT. O2S CAR. TRAVELING. CONT. MCU SIDE ANGLE O2 TALKS ON HIS CELL PHONE. O2 (INTO PHONE)I dont know, man. Well see.

3-101-/

O2 (TO LUCKY)I dont know. Well see.

871.09

874.00

2.07

169

873.08 INT. LUCKYS CAR. TRAVELING. CONT. MCU SIDE ANGLE LUCKY TALKS ON HIS CELL PHONE. LUCKY (INTO PHONE)Im out here tryin to do what I can. And these streets aint no joke, dawg.

3-102

LUCKY (TO O2)Im trying to do what I can. And these streets arent any joke, dawg. (arent any joke: are full of frightening things) (dawg: urban slang way males address each other)

874.08

882.00

7.08

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PAGE 30

170

882.07 INT. O2S CAR. TRAVELING. CONT. MCU SIDE ANGLE O2 TALKS ON HIS CELL PHONE. LUCKY (VO CONT OVER PHONE FILTERED)Look here. Just gimme a holler if

3-103-/ ITAL

LUCKY (TO LUCKY)Just holler if you need something.

882.12

888.14

6.02

171

885.04 MS POV OUT WINDOW OF LIMO PARKED OUTSIDE NICE HOUSE AS THEY DRIVE PAST. LUCKY (VO CONT OVER PHONE FILTERED)you need somethin, man. Im out here doin my thing, so

172

889.01 MCU SIDE ANGLE O2 TALKS ON HIS CELL PHONE. O2 (INTO PHONE) (INTERRUPTING)Hey, Lucky, lemme call you right back, boy.

3-104

O2 (TO LUCKY)Hey, Lucky, let me call you right back.

889.03

891.10

2.07

173

891.14 MS POV OUT THE WINDOW AS THEY DRIVE PAST OF MAN CLIMBING INTO LIMO.

174

894.07 MCU SIDE ANGLE COCO. O2 (OS)Did you see that? COCOThe limo? Yeah, theres a lot of rich folks up here

3-105

O2 (TO COCO)Did you see that?

896.00

897.07

1.07

3-106

COCO (TO O2)The limo? Yeah, theres a lot of rich folks up here (limo: short for limousine)

899.13

904.07

4.10

3-107-/ O2 (OS)No, he

O2 (TO COCO)No, he looked like he was leaving town.

904.12

907.06

2.10

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175

905.04 MCU SIDE ANGLE O2. O2 (CONT)looked like he was leavin town.

176

907.07 MCU SIDE ANGLE COCO. COCOSo? O2 (OS)So we need us a spot we can lay low in.

3-108

COCO (TO O2)So?

908.12

909.12

1.00

3-109

O2 (TO COCO)So we need a spot we can lay low in. (spot: location) (lay low: hide out and relax)

910.01

912.10

2.09

177

912.11 CU COCO. O2 (OS CONT)Cant keep drivin around with all this jewelry and money in the car. COCOYeah, but how do you know theres not still family back up in that house?

3-110

O2 (TO COCO)Cant keep driving around with all this jewelry and money in the car. COCO (TO O2)How do you know theres not still family back up in that house?

913.00

916.13

3.13

3-111

917.02

920.11

3.09

178

920.13 MCU SIDE ANGLE O2. O2Because if somebody was in the house, theyd have come out to kiss him goodbye or somethin.

3-112

O2 (TO COCO)They would have come out to kiss him goodbye or something.

921.00

926.04

5.04

179

926.05 CU COCO. 931.03 CU O2. 934.09 EXT. HOLLYWOOD HILLS HOUSE. NIGHT MLS HIGH ANGLE O2S CAR DRIVES AWAY.

180

181

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PAGE 32

182

945.09 MS HEADLIGHTS DRIVE DOWN DRIVEWAY TOWARD FG. 953.05 INT. O2S CAR. CONT. MCU O2 LOOKS OVER HIS SHOULDER AS LIGHTS SHINE ON HIM.

183

184

956.01 MS POV OUT THE WINDOW OF THE LIMO AS IT DRIVES AWAY.

185

971.03 EXT. HOLLYWOOD HILLS HOUSE. NIGHT LS HIGH ANGLE THE LIGHTS OF THE VALLEY. CRANE DOWN TO HOLLYWOOD HILLS HOUSE AS COCO WATCHES AS O2 TRIES TO DISARM THE ALARM NEXT TO DOOR. O2 (OS)I think I can disarm it. COCOHow do you know? O2Cause I used to do security.

3-113

O2 (TO COCO)I think I can disarm it. (it: the alarm)`

976.09

978.12

2.03

3-114

COCO (TO O2)How do you know?

979.12

981.08

1.12

3-115

O2 (TO COCO)Because I used to do security.

982.03

984.12

2.09

186

985.08 MCU COCO AND REAR ANGLE O2. COCOWas that before or after you went to jail?

3-116

COCO (TO O2)Was that before or after you went to jail?

985.11

988.10

2.15

187

989.01 MS COCO AND O2. HE WORKS ON ALARM. O2After. COCOAnd now youre breakin into folks homes. (SIGHS)

3-117

O2 (TO COCO)After. COCO (TO O2)And now youre breaking into folks homes.

989.07

991.00

1.09

3-118

991.08

994.00

2.08

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188

995.14 CU OTS ON COCO. COCOMan O2 (OS)(EXHALES) Shit

189

999.08 MCU PAST O2S HAND AS HE CUTS THE WIRES. O2 (OS CONT)Green Got it.

3-119

O2 (TO HIMSELF)Green Got it.

1004.06

1006.14

2.08

190

1008.00 CU OTS PAST O2S HANDS TO COCO. O2 (OS CONT)Oh, shit. COCOWhat? What? O2 (OS) (OVERLAPPING)I think I cut the wrong cable.

3-120

O2 (TO HIMSELF)-- Oh, shit. (vulgar exclamatory) COCO (TO O2)-- What?

1008.10

1011.02

2.08

3-121-/

O2 (TO COCO)I think I cut the wrong cable.

1012.08

1014.15

2.07

191

1014.01 CU SIDE ANGLE COCO OUT OF FOCUS. RACK FOCUS AS SHE DUCKS OUT OF FRAME. COCOIll go and start the car.

3-122

COCO (TO O2)-- Ill go and start the car. O2 (TO COCO)-- Wait!

1015.04

1017.08

2.04

TILT DOWN TO O2S HANDS AS HE TOYS WITH THE WIRES. O2Wait, hold on!

192

1021.07 MS COCO RUNS TO THE CAR FG AS O2 IN BG OUT OF FOCUS TURNS TOWARD HER. O2 (OS CONT)I got it. I got it. Come on.

3-123 3-124-/

O2 (TO COCO)I got it. O2 (TO COCO)Come on.

1024.13 1032.08

1025.13 1034.05

1.00 1.13

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193

1033.11 MLS OVERHEAD ANGLE COCO RUNS BACK TO THE HOUSE. 1041.13 MS REAR ANGLE THE DOOR OPENS AND O2 ENTERS THE OUTDOOR PART OF THE HOUSE. SWISHPAN LEFT TO COCO AS SHE WALKS INTO THE ENTRYWAY AND CLOSES THE DOOR BEHIND HER. COCO (OS)Hey! 3-125-/ O2 (TO COCO)Wait right here, okay? 1068.00 1069.12 1.12

194

SWISHPAN RIGHT TO O2 AS SHE RUNS TO HIM. O2Wait right here, okay?

195

1069.06 MLS HIGH ANGLE COCO PACES IN ENTRYWAY AS O2 RUNS AROUND INTO THE REAR OF THE HOUSE. 1080.13 INT. HOUSE. NIGHT MCU O2 OPENS THE DOOR AND COCO ENTERS. O2Come on. COCO(SIGHS) 3-126 O2 (TO COCO)Come on. 1082.08 1083.14 1.06

196

197

1086.12 MS THE LIVING ROOM OF THE HOUSE. COCO AND O2 WALK AROUND AND LOOK. COCO (OS CONT)(WHISPERING) Damn Goddamn O2 (OS)Excuse the mess. I let my maid go home.

3-127

COCO (ALOUD)Damn (vulgar exclamatory)

1091.10

1093.06

1.12

3-128

O2 (TO COCO)Excuse the mess. I let my maid go home. (he is saying this sarcastically, as if he actually lived there)

1099.02

1104.02

5.00

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198

1107.01 MCU TRACK WITH O2 AS HE WALKS TOWARD FG. 1110.00 MCU TRACK WITH COCO AS SHE WALKS TOWARD FG. COCOI could really get used to some shit 3-129-/ COCO (TO O2)I could really get used to some shit like this. (some shit like this: vulgar slang meaning a place like this) 1111.14 1116.00 4.02

199

200

1114.12 MS COCOS POV AS SHE WALKS OF THE POOL AREA. COCO (OS CONT)like this.

201

1119.02 MCU O2. O2Lets count this money.

3-130

O2 (TO COCO)Lets count this money.

1122.05

1124.04

1.15

SWISHPAN RIGHT AS HE WALKS RIGHT HALLWAY AND PICKS UP BAG OF MONEY, CARRIES IT INTO BEDROOM.

202

1129.04 EXT. HOUSE. CONT. MLS HIGH ANGLE POOL AREA. O2 AND COCO WALK THROUGH HALLWAY INSIDE HOUSE. 1135.00 INT. BEDROOM. NIGHT CU BAG OF MONEY IS DUMPED ON BED. TILT UP TO COCO AS SHE SITS ON BED. O2 LEANS IN FROM RIGHT. SUDDENLY THEY LOOK UP. ARC LEFT TO REVEAL ON THE MONITOR TWO COPS STANDING AT FRONT DOOR.

203

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 36

SAME SHOT CONT. COCO (OS)Shhhhiiitttt O2 (OS) (OVERLAPPING)Damn. Must have set off the alarm. Where are you goin?

3-131

O2 (TO COCO)Damn. Must have set off the alarm. (Damn: vulgar exclamatory) O2 (TO COCO)Where are you going? COCO (TO O2)Ive got this. Just watch this. (Ive got this: meaning she will take care of the situation)

1155.09

1158.04

2.11

3-132

1166.00

1168.00

2.00

3-133-/ PAN LEFT BACK TO THEM AS THEY HURRIEDLY COLLECT THE MONEY IN THE BAG. THEN COCO JUMPS UP AND EXITS INTO HALLWAY. FOLLOW HER. SHE TURNS INTO BATHROOM, THEN RUNS BACK OUT A MOMENT LATER. COCOI got this. Just watch this, wait.

1168.12

1171.12

3.00

204

1171.01 MS TILT DOWN TO MONITOR WHICH SHOWS COPS AT FRONT DOOR.

205

1174.05 INT. BEDROOM. NIGHT MCU O2S LEGS STAND BY BED.

206

1177.03 INT. ANOTHER BEDROOM. NIGHT MCU COCOS LEGS AS SHE WALKS PAST THE BED TOWARD LBG. 1179.09 INT. BATHROOM. NIGHT MCU COCOS HANDS AS SHE WASHES THEM IN SINK.

207

208

1180.14 MCU COCO IN BATHROBE IN MIRROR. SPLASHES PERFUME ON CHEST.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

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209

1182.07 CU COCO IN MIRROR. O2Oh

210

1184.05 INT. HALLWAY. CONT. MCU REAR ANGLE O2 WATCHES AS COCO WALKS DOWN HALLWAY. 1189.08 MS REAR ANGLE COCO WALKS DOWN HALLWAY. 1199.11 INT./EXT. HOUSE. NIGHT MCU DOOR. IT OPENS AND TWO COPS STAND THERE.

211

212

213

1203.11 CU OTS ON COCO. COCOHello.

3-134

COCO (TO COPS)Hello.

1204.09

1206.00

1.07

214

1206.02 MS OTS ON COPS. BLACK COPMrs. Bennett?

3-135

BLACK COP (TO COCO)Mrs. Bennett?

1206.06

1207.15

1.09

215

1208.00 CU OTS ON COCO. COCONo, Im sorry. There is no Mrs. Bennett.

3-136

COCO (TO COPS)No, Im sorry. There is no Mrs. Bennett.

1209.04

1212.02

2.14

216

1213.00 MCU OTS ON COPS. COCO (OS CONT)Oh

3-137-/

COCO (TO COPS)Oh, sorry. I forgot about the alarm. Bad habit.

1215.07

1220.07

5.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 38

217

1215.14 MS OTS ON COCO, WHO POINTS TO HERSELF. COCO (CONT)sorry. I forgot about the alarm. Bad habit. WHITE COP (OS) (OVERLAPPING)Do you know the security code, maam? COCOYes, I do. Its nine WHITE COP (OS) (INTERRUPTING)No, dont tell us.

3-138

WHITE COP (TO COCO)Do you know the security code, maam? COCO (TO COPS)Yes, I do. Its nine WHITE COP (TO COCO)No, dont tell us. Could you activate then deactivate the alarm, please?

1220.12

1222.06

1.10

3-139

1222.11

1224.14

2.03

3-140-/

1225.03

1230.14

5.11

218

1226.07 MCU OTS ON TWO COPS. WHITE COP (CONT)Could you activate and then deactivate the alarm for us, please? COCO (OS)Sure.

3-141

COCO (TO WHITE COP)Sure.

1232.07

1233.09

1.02

219

1233.10 MLS COCO LETS THE TWO COPS IN. 1239.06 MCU LOW SIDE ANGLE COCO TRIES TO PUNCH IN THE CODE AS THE COPS WATCH. BLACK COPHaving a little trouble, sister? 3-142 BLACK COP (TO COCO)Having a little trouble, sister? (sister: urban slang way of addressing an African American female) 1249.08 1251.08 2.00

220

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PAGE 39

221

1253.03 MS HIGH ANGLE OTS ON COCO TRYING TO PUNCH IN THE CODE. COCOIm so bad at these electronic things. Hes always getting mad at me for it.

3-143

COCO (TO COPS)Im so bad at these electronic things. Hes always getting mad at me for it. (Im so bad at: I cant operate)

1253.07

1258.14

5.07

222

1259.07 CU LOW ANGLE OTS ON BLACK COP. HE EXITS RIGHT. WHITE COP FOLLOWS HIM. BLACK COPMind if we step in for a moment? BLACK COP (OS CONT)Ray, check the back.

3-144

BLACK COP (TO COCO)Mind if we step in for a moment? (TO WHITE COP) Ray, check the back. (check the back: meaning to go and check behind the house)

1259.12

1265.14

6.02

223

1268.15 INT. KITCHEN. CONT. MLS THE TWO COPS WALK AROUND THE KITCHEN AS COCO ENTERS. THE WHITE COP EXITS AND THE BLACK COP FOLLOW HER AND APPROACHES HER. COCOMr. Bennett is in Paris for a couple days. BLACK COPExactly what is your relationship with Mr. Bennett?

3-145

COCO (TO COPS)Mr. Bennett is in Paris for a couple days. BLACK COP (TO COCO)Exactly what is your relationship with Mr. Bennett?

1271.08

1276.07

4.15

3-146

1280.00

1283.07

3.07

COCO EXITS RIGHT. BLACK COP WALKS RIGHT AND FOLLOWS HER. FOLLOW HIM AS HE APPROACHES HER IN THE LIVING ROOM. SHE SITS ON SOFA.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

PAGE 40

SAME SHOT CONT. COCOIm his assistant. Im gonna be housesitting while hes gone. You know, it makes me feel really safe that the cops respond so quickly. Im gonna be here alone for a couple days, and I get kinda nervous. COCO (OS CONT)And so, if I see anything that maybe seems COCO (CONT)suspicious or anything like that, or if I just feel like maybe I need some help, would it be alright if I called you?

3-147

COCO (TO BLACK COP)Im his assistant. Im going to be housesitting while hes gone. (housesitting: taking care of the house) COCO (TO BLACK COP)You know, it makes me feel really safe that the cops respond so quickly. (cops: slang for police officers) COCO (TO BLACK COP)Ill be here alone for a couple days, and I get kind of nervous. COCO (TO BLACK COP)So, if I see anything that maybe seems COCO (TO BLACK COP)suspicious or if I just feel like maybe I need some help COCO (TO BLACK COP)would it be alright if I called you?

1286.07

1293.14

7.07

3-148

1300.11

1307.00

6.05

3-149

1309.12

1316.10

6.14

3-150

1319.13

1326.12

6.15

3-151

1328.05

1335.14

7.09

3-152

1340.06

1343.08

3.02

224

1344.00 MS LOW ANGLE BLACK COP.

225

1347.02 MCU COCO SITTING ON SOFA. TILT DOWN TO HER LEGS. COCO (CONT)Can I call you personally?

3-153

COCO (TO BLACK COP)Can I call you personally?

1347.05

1349.14

2.09

226

1354.12 CU LOW ANGLE BLACK COP. WHITE COP (OS)All clear.

3-154

WHITE COP (TO BLACK COP)All clear. (meaning he found nothing behind the house)

1355.14

1357.10

1.12

227

1358.11 MS OTS PAST BLACK COP TO WHITE COP. BLACK COP (OS)Ill meet you outside in a minute.

3-155-/

BLACK COP (TO WHITE COP)Ill meet you outside in a minute.

1360.04

1362.10

2.06

228

1361.13 MS COCO SITTING ON SOFA.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 3A/B

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229

1364.10 MCU OTS ON WHITE COP. HE LOOKS LEFT, THEN SMILES. 1367.02 MCU COCO. 1370.12 MS OTS ON WHITE COP, WHO TURNS TO LEAVE. 1375.13 MS LOW ANGLE BLACK COP TAKES OUT PEN AND CARD. 1381.12 MCU COCO. 1386.04 MS LOW ANGLE OTS ON BLACK COP WRITING. HE HANDS CARD TO COCO. BLACK COPAny time. 3-156 BLACK COP (TO COCO)Any time. (meaning she can call him any time) 1395.08 1397.01 1.09

230

231

232

233

234

235

1397.02 MS OTS ON COCO TAKING CARD AND LOOKING AT IT. COCOThank you.

3-157

COCO (TO BLACK COP)Thank you.

1401.04

1403.04

2.00

236

1405.01 CU LOW ANGLE OTS ON BLACK COP. BLACK COPAny time.

3-158

BLACK COP (TO COCO)Any time.

1405.09

1407.04

1.11

237

1408.05 CU OTS ON COCO AS BLACK COP EXITS IN FG RIGHT. 1422.00 LAST FRAME PICTURE. END OF REEL #3A/B.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 1

COMBINED CONTINUITY & DIALOGUE SC#: FOOTAGE/ SHOT DESCRIPTION/ DIALOGUE:

SPOTTING LIST TITLES & FOOTAGES TITLE#: TITLE: START: FINISH: TOTAL:

START MEASURING 00.00 AT PICTURE START MARK IN ACADEMY LEADER. LABORATORY: 1ST SCENE START: 2ND SCENE START: 3RD SCENE START: 4TH SCENE START: 4-1 COCO (TO O2)O2. 12.00 20.15 26.09 31.07 17.00 18.06 1.06

12.00 INT. HOLLYWOOD HILLS HOUSE. MASTER BEDROOM. NIGHT MLS COCO COMES DOWN HALLWAY FROM BG ON R. COCO (OS)O2.

20.15 MS COCO ENTERS L INTO BEDROOM WALKS FG. COCO (CONT)O2.

26.09 MS O2 EMERGES FROM BEHIND CURTAINS, COMES FG. O2What happened?

4-2

O2 (TO COCO)What happened?

30.03

31.06

1.03

31.07 MS ABOVE WAIST COCO REMOVES ROBE, BENDS BELOW FRAME TAKES CLOTHES AND BEGINS DRESSING. COCOWell, they gone.

4-3

COCO (TO O2)They gone. (They are gone)

32.01

34.11

2.10

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PAGE 2

39.05 MS SIDE ANGLE COCO DRESSING R AND O2 BG OPPOSITE SIDE OF BED. O2 EMPTIES CONTENTS OF BAG AND MONEY FALLS ONTO BED. O2Lets count this money.

4-4

O2 (TO COCO)Lets count this money.

42.08

44.09

2.01

COCOYeah.

47.09 INT. HOLLYWOOD HILLS HOUSE. MASTER BEDROOM. NIGHT CU MANILA ENVELOPE ON BED, PAN UP R CROSSES STACKS OF MONEY ON BED AND UP TO O2 SIDE ANGLE FACING L, COCO OUT OF FOCUS IN PROFILE RFG. COCO (OS)Thirty-six thousand and four hundred, five hundred... COCO (CONT)six hundred.

4-5 4-6

COCO (TO O2)$36,400500 COCO (TO O2)600. O2 (TO COCO)That aint nowhere near enough for Junior. (aint: slang for isnt) (near enough: enough money for Juniors ransom)

47.09 57.09

53.13 59.04

6.04 1.11

4-7

59.10

62.10

3.00

O2(SIGHS) That aint nowhere near enough for Junior.

64.01 CU SIDE ANGLE PAST O2 OUT OF FOCUS LFG ONTO COCO LOOKING FG. SHE LOOKS R. 72.09 MS O2 AND COCO SIDE BY SIDE SITTING ON BED WITH MONEY SPREAD OUT BEFORE THEM.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 3

75.15 CU COCOS HANDS WITH KEYS AS SHE SIFTS THROUGH THEM AND HOLDS ONE SET LETTING OTHERS FALL. PAN UP TO O2 WITH COCO OUT OF FOCUS RFG. COCO (OS)Look at these keys. Look AFSL.

4-8

COCO (TO O2)Look at these keys. (these: the keys she holds in her hand) COCO (TO O2)AFSL.

7.10

79.10

72.00

4-9

83.01

85.05

2.04

10

87.11 CU OTS SIDE ANGLE ON COCO. COCO (CONT)Wait, this is a safe deposit box key, right?

4-10

COCO (TO O2)This is a safe deposit box key.

88.15

92.02

3.03

11

92.03 CU SIDE ANGLE O2 LOOKS FG.

12

94.05 CU SIDE ANGLE COCOS HANDS HOLDING KEY. COCO (OS)Americas...

4-11-/

COCO (TO O2)Americas First Savings and Loan?

95.06

98.11

3.05

13

96.05 CU SIDE ANGLE COCO. COCO (CONT)First Savings and Loan?

14

99.01 CU SIDE ANGLE O2 WITH COCO IN PROFILE RFG. COCO (OS CONT)Right, what else could that stand for? COCO (CONT)What does that say? O2BOTP

4-12

COCO (TO O2)Right? What else could that stand for? What does that say? (stand for: represent - referring to the letters) O2 (TO COCO)BOTP Bank of the People.

99.10

103.11

4.01

4-13-/

105.12

110.10

4.14

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 4

15

107.11 CU SIDE ANGLE PAST O2 OUT OF FOCUS RFG ONTO COCO. O2 (OS CONT)Bank of the People.

16

110.05 CU SIDE ANGLE PAST COCO OUT OF FOCUS RFG ONTO O2. PUSH IN. O2 (CONT)This is from, this must mean Crenshaw Savings and Loan.

4-14

O2 (TO COCO)This one must be from Crenshaw Savings and Loan.

111.07

115.15

4.08

17

116.09 CU PAST O2 OUT OF FOCUS SIDE ANGLE LFG ONTO COCO. PAN DOWN TO HER HAND HOLDING KEY.

18

126.05 EXT. CENTRAL AVENUE. DAY LS BUILDING, PAN DOWN L PICK UP PROTEST MARCH MLS MOVING DOWN STREET LFG TO RBG. YO-YO (VO)Good morning, L.A. It is your girl Yo-Yo and today is the day that we will be covering the city-wide protest live, where residents from over a

4-15 ITAL

YO-YO (TO AUDIENCE)Good morning, L.A. It is your girl Yo-Yo and today YO-YO (TO AUDIENCE)we will be covering the citywide protest live YO-YO (TO AUDIENCE)where residents from over a dozen South Los Angeles communities

127.04

131.15

4.11

4-16 ITAL 4-17 -/ ITAL

132.04

137.10

5.06

137.15

142.10

4.11

19

139.13 MS O2 MOVING FG THRU MARCHERS. YO-YO (VO CONT)dozen South Los Angeles communities will be taking to the

4-18 -/ ITAL

YO-YO (TO AUDIENCE)will be taking to the streets. We are downtown where the battle cry (taking to the streets: be marching through the city) (battle cry: message of the protest march)

142.15

147.15

5.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 5

20

144.07 MS ABOVE WAIST SIDE ANGLE PAN L WITH O2 WALKING L THRU MARCHERS. YO-YO (VO CONT)streets. We are downtown where the battle

21

147.09 MS ABOVE WAIST COCO AND O2 WALKING FG AS MARCHERS PASS BY ON L MOVING BG. PAN L AS COCO AND O2 CROSS FG, COCO STOPS FRONT ANGLE AS O2 LFG STOPS, LOOKS OVER SHOULDER BG AT COCO, EXITS L. ZOOM IN ON COCO. YO-YO (VO CONT)cry Save Our Streets will ring out. Not only here, but throughout the city. Meet me today at Leimert Park.

4-19 ITAL

YO-YO (TO AUDIENCE)Save Our Streets will ring out not only here, but throughout the city. YO-YO (TO AUDIENCE)Meet me today at Leimert Park.

148.04

153.15

5.11

4-20 ITAL

154.04

158.00

3.12

22

158.09 INT. AMERICAS FIRST SAVINGS AND LOAN. DAY MS LOW ANGLE O2 ENTERS RFG AND PAN DOWN CRANE UP AS HE WALKS BG INTO BANK, SECURITY GUARD AT L, COUNTERS AND TELLERS BG. O2 GOES BG THEN R TO BANK OFFICER BEHIND RAIL. 183.07 MS ABOVE WAIST O2 COMES FG, MAN SIDE ANGLE RFG. 188.05 MS PROTESTERS MARCHING WITH SIGNS BG THRU WINDOW. PAN R PICK UP O2 SIDE ANGLE ON R. O2 (OS)Excuse me. 4-21 O2 (TO BANK MANAGER)Excuse me. 187.05 188.07 1.02

23

24

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 6

25

192.03 MS ABOVE WAIST SIDE ANGLE PAST O2S ARM ONTO BANK MANAGER SEATED LOOKS FG. BANK MANAGERMay I help you? O2 (OS)Im just coming

4-22 4-23-/

BANK MANAGER (TO O2)May I help you? O2 (TO BANK MANAGER)I want to put something in my safety deposit box.

195.06 197.00

196.11 200.02

1.05 3.02

26

197.11 MCU SIDE ANGLE O2 AND PAN L OFF HIM PICK UP BANK MANAGER REAR ANGLE LFG. O2 (CONT)to put something in my safety O2 (OS CONT)deposit box.

4-24

BANK MANAGER (TO O2)Sign in there, please. (there: a sign in sheet on a clipboard at the island counter)

201.07

202.05

.14

BANK MANAGER (OS)Sign in there, please.

27

202.09 MS ABOVE WAIST PAST BANK MANAGER IN PROFILE RFG ONTO O2 LOOKS L THEN FG, EXITS R. 208.01 MS PAST O2S ARM L ONTO BANK MANAGER SEATED SIDE ANGLE FACING R, PAN L OFF BANK MANAGER AND FOLLOW O2 WALKS BG.

28

29

213.03 ECU PEN CHAIN AND PAN UP AS O2S HAND LIFTS PEN AND HOLD ON SIGN IN SHEET ON CLIPBOARD. 217.01 MS ABOVE WAIST O2. HE LOOKS LFG THEN DOWN BEGINS TO SIGN.

30

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 7

31

220.13 MS COCOS LEGS WALKING FG AND PAN UP TO COCO AND TRACK BACK AS SHE COMES FG, PAN R AND HOLD ON SECURITY GUARD AS SHE CROSSES FG EXITS R AND GUARD WATCHES. 235.11 MS PAST OTHER GUARD SIDE ANGLE RFG AS COCO BG WALKS TO RIGHT TO ISLAND COUNTER.

32

33

238.15 MS SIDE ANGLE COCO AT ISLAND COUNTER AS SHE TURNS LOOKS BG AT 2 ND GUARD, WOMAN REAR ANGLE LFG. 243.03 MCU GUARD TILTS HEAD CHECKING OUT COCO. 246.15 CU SIDE ANGLE COCOS LEGS, PAN PAST HER BUTTOCKS AND SHIFT FOCUS TO WOMAN BG LOOKS AT HER FG.

34

35

36

255.15 MCU COCO LIFTS HEAD LOOKS R.

37

259.01 MS CLOCK ON WALL AND PAN DOWN TO MCU WOMAN LOOKING FG. 264.09 MCU COCO LOOKING R. COCOBitch, what you lookin at? 4-25 COCO (TO OLD WOMAN)Bitch, whatre you lookin at? (Bitch: vulgar derogatory remark for a woman: literally a female dog) 264.15 266.12 1.13

38

39

266.13 MS PAST BACK OF COCOS HEAD RFG ONTO WOMAN.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 8

40

268.14 MS COCO LOOKS AT DEPOSIT SLIP SHE HOLDS. 271.05 MS SIDE ANGLE O2S HANDS SIGNING SHEET AND PAN UP TO MCU O2 WHO WALKS FG TURNS BG AND PAN DOWN PICK BANK MANAGER SEATED SIDE ANGLE BG, O2S ARM LFG. BANK MANAGER LOOKS FG. O2Alright. BANK MANAGERWhats your box number? 4-26 BANK MANAGER (TO O2)-- Whats your box number? O2 (TO BANK MANAGER)-- 4773. 281.11 285.15 4.04

41

42

282.11 MS ABOVE WAIST PAST BANK MANAGER SIDE ANGLE OUT OF FOCUS RFG ONTO O2. BANK MANAGER RISES AND EXITS FRAME R, CRANE UP. O2Four-seven-seven-three. BANK MANAGER (OS)Ill be right back.

4-27

BANK MANAGER (TO O2)Ill be right back.

289.12

291.06

1.10

43

298.05 MLS MASTER WITH O2 SIDE ANGLE L, AS BANK MANAGER WALKS R EXITS R, TELLERS BG.

44

301.01 MS REAR ANGLE BANK MANAGER WALKS BG EXITS.

45

303.09 MCU SIDE ANGLE O2. PAN DOWN TO HIS HANDS GRIPPING RAIL.

46

312.01 MLS PAST O2S BACK ONTO BANK WOMAN SEATED LOOKING FG.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 9

47

317.01 CU O2 LOOKS BG OVER SHOULDER L, TURNS BG PAN L AND SHIFT FOCUS TO COCO, GUARD BG.

48

321.15 MS OTS ON O2 AS HE TURNS FG, BANK WOMAN BG.

49

323.14 MS LOW ANGLE UP AT COCO AS PEOPLE CROSS FRAME FG.

50

327.01 MS ABOVE WAIST O2 NODS AND TRACK L.

51

329.11 MCU COCO LOOKS UP TO FG.

52

331.11 MS SIDE ANGLE COCO WITH WOMAN LFG AND PAN R AS COCO LEAVES ISLAND COUNTER AND WALKS R. 338.15 CU O2 GLANCES L.

53

54

341.11 MS-MLS PAST O2 REAR ANGLE LFG ONTO COCO SIDE ANGLE BG AS SHE WALKS R, EXITS, THEN PAN UP L SHIFT FOCUS TO O2 AND THE TURNS FG. 349.13 MLS PAN R COCO WALKS R. 353.11 MS SIDE ANGLE COCO ENTERS R AND STOPS OPPOSITE TELLER L AS O2 LS IN BG LOOKS FG. COCOPlease 4-28-/ COCO (TO TELLER)Can I get this check cashed? (this check: check in her hand) 356.08 361.04 4.12

55

56

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PAGE 10

57

357.11 MCU SIDE ANGLE COCO HANDS REMOVE CHECK FROM PURSE AND PAN UP R PICK UP COCOS PROFILE. PAN L OFF COCO TO TELLER. COCO (OS CONT)can I get this check cashed? I gotta get my money, you know.

4-29

COCO (TO TELLER)I gotta get my money, you know.

362.11

365.01

2.06

58

365.15 MS OTS ON O2.

59

368.11 MLS FEMALE BANKER AND PAN L TO BANK MANAGER WHO COMES FG FROM BANK DEPOSIT AREA. BANK MANAGERMay I see your ID?

4-30

BANK MANAGER (TO O2)May I see your ID? (ID: proof of identification)

372.15

374.04

1.05

60

374.05 MS ABOVE WAIST O2 FISHES THRU POCKETS AS BANK MANAGER ENTERS RFG. O2Yup.

4-31-/

COCO (TO TELLER)What the hell you talkin about, you aint gonna cash my check? (the hell: vulgar emphatic)

375.10

378.15

3.05

COCO (OS)What the hell you talkin about, you aint gonna

61

377.11 MCU BANK MANAGER LOOKS L. COCO (OS CONT)cash my check?

62

379.05 MS-MLS SIDE ANGLE COCO RFG OPPOSITE TELLER LFG AS BANK MANAGER BG LOOKS ON TO FG WITH O2 OPPOSITE HIM AT RAIL. COCO (CONT)Oh, you gonna cash my

4-32-/

COCO (TO TELLER)You gonna cash my shit! I want to talk to the manager. (my shit: vulgar slang for check)

379.11

385.04

5.09

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PAGE 11

63

381.09 MLS SIDE ANGLE O2 AND BANK MANAGER AND TRACK R. COCO (OS CONT)shit. I wanna

64

383.07 MS PAST ARM ONTO O2 AND BANK MANAGERS ARM EXITS R AS O2 LOOKS R. COCO (OS CONT)talk to the manager. BANK MANAGER (OS OVERLAPPING)Excuse me.

65

386.01 MS-MLS O2 SIDE ANGLE IN FG AS BANK MANAGER GOES BG WHERE COCO ARGUES WITH TELLER. COCO (CONT)I wanna talk to the goddamn manager right now!

4-33

COCO (TO TELLER)I wanna talk to the goddamn manager right now! (goddam: vulgar emphatic)

385.14

390.14

5.00

66

390.15 MS SIDE ANGLE COCO LOOKS RFG, CLAPS HER HANDS. BANK MANAGER (OS)Excuse me.

4-34

COCO (TO BANK MANAGER)Excuse me.

391.07

392.11

1.04

COCO (OVERLAPPING)Excuse me. 67 392.15 MS ABOVE WAIST O2 LOOKS R AS GUARD CROSSES FG L TO R AND PAN R PICK UP BANK MANAGER WHO GESTURES FG. BANK MANAGER (OS)I got this. Can you show this gentleman back to the COCO (OS OVERLAPPING)Now! 4-35-/ BANK MANAGER (TO BANK WOMAN)I got it. Show this gentleman to the safe deposit area. (I got it: Ill take care of this situation) 393.10 398.12 5.02

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PAGE 12

68

396.11 MS-MLS COCO AND TELLER SIDE ANGLE FG, COCO LOOKING BG, O2 BG WATCHING AS BANK MANAGER WALKS FG TO ASSIST. BANK MANAGER (CONT)safe deposit area?

COCO (OS OVERLAPPING)Now! She dont wanna 69 400.01 MS O2 REAR ANGLE RFG WALKS BG TO BANK WOMAN AS BANK MANAGER GOES BG TO ASSIST COCO IN LS BG, THEN PAN R AND TRACK BG FOLLOWING O2 AS HES LED BY BANK WOMAN BG TO SAFE DEPOSITS, THEN PAN L OFF THEM AND ZOOM IN TO MS ABOVE WAIST COCO ARGUING WITH BANK MANAGER REAR ANGLE LFG. COCO (CONT)cash my check. Whats the matter with my check, huh? BANK WOMAN (OS OVERLAPPING)Um, follow me, please. BANK MANAGER (OS OVERLAPPING)May I ask you to keep your voice down please? 4-36 4-37 BANK WOMAN (TO O2)Follow me, please. BANK MANAGER (TO COCO)May I ask you to keep your voice down? COCO (TO BANK MANAGER)No, you cant ask me to keep my motherfuckin voice down. (motherfuckin: vulgar emphatic) BANK MANAGER (TO COCO)Let me help you to help me. (tell me whats the problem so I can assist you) 400.11 403.06 403.01 406.00 2.06 2.10

4-38

406.05

410.07

4.02

4-39

410.12

414.06

3.10

COCO (OS OVERLAPPING)No, you cant ask me to keep my motherfuckin voice down because that girl wont cash a check that girl aint gonna cash a check -BANK MANAGER (OS OVERLAPPING)Whats the problem here? What is the problem here? Okay, let me help you help me that way --

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 13

SAME SHOT CONT. COCO (OS OVERLAPPING)No, I cant help you help me because she aint helping me! BANK MANAGER (OS OVERLAPPING)Do you have an account --

4-40

COCO (TO BANK MANAGER)No, I cant help you to help me because she aint helping me!

414.11

420.02

5.07

70

420.03 INT. BANK SAFE DEPOSIT ROOM. DAY MCU LOW ANGLE UP AT CEILING MOUNTED SURVEILLANCE CAMERA THEN PAN DOWN L PICK UP CU BANK WOMAN AS SHE PUSHES GATE FG, EXITS LFG AND PICK UP O2 BEHIND HER LBG AS HE WALKS FG STEPS INSIDE DEPOSIT BOX ROOM AND TURNS BG CLOSES GATE. BANK WOMAN (OS)Do you know your box number, Mr., uh, Pennibaker? O2Absolutely.

4-41

BANK WOMAN (TO O2)Do you know your box number, Mr. Pennibaker? O2 (TO BANK WOMAN)Absolutely.

427.05

432.00

4.11

4-42

432.07

434.02

1.11

71

435.13 MLS TRACK L AS BANK WOMAN WALKS LFG AND O2 RBG CLOSES GATES THEN FOLLOWS BANK WOMAN ALSO WALKS LFG. BANK WOMAN GOES TO CLIPBOARD HANGING ON WALL L. BANK WOMANWhat is it? O2Four-seven

4-43-/

BANK WOMAN (TO O2)-- What is it? O2 (TO BANK WOMAN)-- 4773

436.15

441.13

4.14

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 14

72

440.09 MS REAR ANGLE BANK WOMAN LOOKS THRU PAPERS ON CLIPBOARD ON WALL AND PUSH IN CIRCLE AROUND HER L PAN R TO CU SIDE ANGLE BANK WOMAN FG WITH O2 BEHIND HER BG. BANK WOMAN TURNS BG TO FACE O2 WHO PULLS GUN AND POINTS IT FG AT BANK WOMANS FACE. O2 GESTURES R WITH GUN AND PAN R AS BANK WOMAN WALKS R BENDS DOWN AT DEPOSIT BOX WALL R. O2 (OS CONT)seven-three. BANK WOMANFour-seven-seven... Did you say four-seven-seven-three?

4-44 4-45

BANK WOMAN (TO O2)Did you say 4773? BANK WOMAN (TO O2)But 4773 belongs to O2 (TO BANK WOMAN)What? Open the box. O2 (TO BANK WOMAN)Hurry up!

446.14 452.07

450.14 456.00

4.00 3.09

4-46 4-47

456.12 464.05

460.12 465.12

4.00 1.07

O2Yeah. BANK WOMANBut, uh, four-seven-seven-three belongs to Mister -O2Is what? Open the box. BANK WOMAN(WHISPERS) Okay. O2 (OS)Hurry up!

BANK WOMANOh. 73 469.01 CU SIDE ANGLE PAN DOWN TO BANK WOMANS INSERTING KEY INTO DEPOSIT BOX LOCKER. SWISH PAN UP L TO ECU SIDE ANGLE O2. HE LOOKS ABOVE FRAME UPPER LFG. O2 (OS)Put the key in there. 4-48 O2 (TO BANK WOMAN)Put the key in there. (there: the deposit box door) 469.02 470.14 1.12

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 15

74

479.07 INT. BANK MAIN LOBBY. DAY MS BANK MANAGER REAR ANGLE LFG WITH COCO FACING HIM RBG BOTH REVEALED AFTER MAN CROSSES FRAME FG R TO L. BANK MANAGER (OS)Would you --

4-49-/

COCO (TO BANK MANAGER)Do I look like I give a fuck what quiet is? I dont give a fuck! (a fuck: vulgar slang for the slightest bit of concern)

479.10

484.09

4.15

COCO (OS OVERLAPPING)Do I look like I give a fuck COCO (CONT)what quiet is? 75 482.11 MS PAST COCO REAR ANGLE ONTO BANK MANAGER FRONT ANGLE OPPOSITE HER LOOKING AT CHECK IN HAND. COCO POINTS R SHOUTING, HER HEAD SHAKING. BANK MANAGER WRITES ON CHECK. COCO (CONT)I dont give a fuck! Everybody gettin their check cashed. Why I cant get my check cashed, huh? 4-52-/ BANK MANAGER (OVERLAPPING)Whats your social security number please? Test question whats your pets name? COCO (OS)What? 76 491.11 MCU SIDE ANGLE TELLER, THEN PAN DOWN REVEAL HER HAND UNDER COUNTER PRESSING BUTTON. COCO (OS CONT)Dont talk to me. Dont talk, you motherfucker, you gonna piss me off. COCO (TO BANK MANAGER)What? Dont talk to me, motherfucker, or you gonna piss me off. (motherfucker: vulgar derogatory remark) (piss me off: vulgar slang for make me angry) 491.03 495.15 4.12 4-50 COCO (TO BANK MANAGER)Everybody else gettin their checks cashed. BANK MANAGER (TO COCO)Test question whats your pets name? (Test question: a question that a person has previously answered now used to verify their identity) 484.14 489.00 4.02

4-51

489.05

490.14

1.09

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PAGE 16

SAME SHOT CONT. BANK MANAGER (OS OVERLAPPING)Have you...(PAUSE) Have you ever ca -- 77 496.03 CU SURVEILLANCE MONITOR IN BOX SHOWING SAFE DEPOSIT ROOM AS COCO AND BANK MANAGER ARGUE OUT OF FOCUS LS LBG. O2 WALKS TO FG IN ROOM ON MONITOR. BANK MANAGER (OS CONT)cashed a check here before? Do you have a password? Do you have internet do you have internet access? COCO (OS OVERLAPPING)Look Oh, you trippin. I will slap a whore in here and Im not talkin about her. 4-53 BANK MANAGER (TO COCO)Have you ever cashed a check here before? Do you have a password? 496.04 502.14 6.10

78

503.05 MS COCO ARGUES AT BANK MANAGER REAR ANGLE LFG THEN TURNS R YELLS AT TELLER SIDE ANGLE ON R. SWISH PAN OFF THEM R AND PICK UP O2 WHO ENTERS FROM R, PAN L WITH HIM WALKING L. COCO (CONT)Youre gonna cash my check. COCO (OS CONT)Cash my check! Im sorry, but she cant shop at Chanel, but I can.

4-54

COCO (TO BANK MANAGER)Now you are gonna cash my check! COCO (TO BANK MANAGER)Maam. Maam. Maam...

504.01

507.14

3.13

4-55-/

508.09

514.02

5.09

BANK MANAGER (OS OVERLAPPING)Maam. Maam.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 17

79

511.05 MS COCO SIDE ANGLE R ARGUES WITH TELLER SIDE ANGLE L AS BANK MANAGER FRONT ANGLE BG LOOKS AT CHECK. COCO TURNS REAR ANGLE. COCO (OS CONT)but I cant. COCO (CONT)Sorry, you work at the bank, okay? Sorry.

4-56-/

COCO (TO BANK MANAGER)What? I want my million dollars!

516.05

520.04

3.15

BANK MANAGER (OS OVERLAPPING CONT)Maam. Maam. Maam. Maam. Maam. Maam. COCO (OS)What? I want my million

80

519.05 CU CHECK IN BANK MANAGERS HANDS. PAN UP L TO SIDE ANGLE BANK MANAGER. COCO (OS CONT)dollars. BANK MANAGER (OS)This is a sweepstakes offer. Its not a real check.

4-57-/

BANK MANAGER (TO COCO)This is a sweepstakes offer. Its not a real check. (sweepstakes offer: an invitation to enter a sweepstakes or lottery the looks like a real check)

520.09

525.12

5.03

81

524.15 MLS REAR ANGLE O2 WALKS BG. 526.09 MS COCO LOOKING AT TELLER R GRABS CHECK OUT OF HANDS OF BANK MANAGER REAR ANGLE L AS OTHERS WATCH, THEN SHE WALKS FG AND TRACK L ACROSS MANS BACK. COCOWell then fuck yall cause this is a bullshit bank anyway! 4-58 COCO (TO BANK MANAGER)Then fuck you all cause this is a bullshit bank anyway! (fuck you all: vulgar emphatic) (bullshit bank: vulgar slang for a bad or poorly run bank) 529.10 534.08 4.14

82

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PAGE 18

83

538.15 MS SIDE ANGLE TRACK R WITH COCO WALKING THRU BANK R. PAN R OFF COCO HOLD ON SURVEILLANCE MONITOR SHOWING BANK WOMAN JUMPING UP AND DOWN IN SAFE DEPOSIT ROOM TRYING TO GET SOMEONES ATTENTIONS. COCOThe fuck you COCO (OS CONT)you lookin at?

4-59

COCO (TO MAN IN BANK)What the fuck you lookin at?

539.03

540.14

1.11

84

547.05 EXT. AMERICAS FIRST SAVINGS AND LOAN/CENTRAL STREET. DAY MS O2 ENTERS COMING OUT OF BANK TO FG AS PROTESTERS MARCH THRU FRAME L TO R CARRYING SIGNS. PAN R AS O2 JOINS MARCH HEADING R. PROTESTORSSave our streets! Save our streets!

4-60-/

PROTESTORS (TO PEDESTRIANS, TV CAMERAS)Save our streets! Save our Streets! (Save: make safe from crime, reclaim from criminals)

550.00

554.13

4.13

85

552.03 MCU TRACK BACK WITH O2 WALKING FG AMONGST PROTESTORS, LOOKS L. PROTESTORSSave our streets! Save our

86

556.03 MLS SIDE ANGLE TWO POLICE CARS ENTER FROM R MOVE L, PAN L. PROTESTORS (OS CONT)streets! Save

87

558.05 MS PAN L WITH COP CARS RACING L, THEN HOLD AS THEY TURN FG. PROTESTORS (OS CONT)our streets! Save our streets!

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 19

88

563.01 MS-MCU REAR ANGLE PEOPLE ON STREET L AND PAN R PICK UP CU O2 REAR ANGLE RFG AND HE LOOKS FG, THEN TURNS AND CONTINUES BG PUSHING THRU CROWD. PROTESTORS (OS CONT)Save our streets! Save our streets!

89

567.11 MS COP CAR PULLS FG AND STOPS, DOORS OPEN AND POLICEMEN GET OUT. PROTESTORS (OS CONT)Save our streets! Save

90

570.15 MS SIDE ANGLE WITH PROTESTORS MARCHING L TO R WITH COCO AMONG THEM AND PAN R. PROTESTORS (CONT)our streets!

91

573.05 MS SIDE ANGLE TWO COPS RACE R TO L. PROTESTORS (OS CONT)Save our streets!

92

575.05 CU-MS AS O2 RFG MOVES FG CHANTING WITH PROTESTORS MOVING UP FROM BG AND HE EXITS RFG AS COCO ENTERS LBG AND MOVES FG ALSO CHANTING, TRACK BACK SLIGHTLY WITH HER. PROTESTORS (CONT)Save our streets! Save our streets! Save our O2 (OVERLAPPING)Save our streets! COCO (OVERLAPPING)Save our streets! Save our

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 20

93

582.01 MS-MLS REAR ANGLE AS COCO AND O2 MOVE THRU MARCHERS FG TO BG AS MARCH MOVES FG TO BG. PROTESTORS (OS CONT)streets! Save our streets! COCO (CONT OS OVERLAPPING)streets!

94

585.09 MS SIDE ANGLE MARCHERS AND SWISH PAN L PICK UP BANK MANAGER OUTSIDE BANK. PROTESTORS (OS CONT)Save our streets!

95

587.13 INT. ANOTHER BANK. DAY CU COCO ON WIG WITH O2 HOLDING GUN TO HER HEAD AND ZOOM OUT REVEAL O2 WEARING SKI MASK HOLDING COCO HOSTAGE AS PEOPLE ALL AROUND LAY ON FLOOR AND TELLERS HIDE BEHIND COUNTERS. O2 BACKS OFF L HOLDING COCO. COCO(SCREAMS) No!

4-61-/

O2 (TO PEOPLE IN BANK)Anybody move, Im gonna blow the weave off this bitchs head! (blow: shoot) (the weave: a hairstyle for African Americans where artificial hair is mixed with their natural hair) (bitchs: vulgar derogatory remark for a woman)

591.01

596.01

5.00

O2 (OS)Anybody move, Im a

96

593.03 MS O2 IN MASK WITH GUN POINTED RFG, PAN L AS HE DRAGS COCO L, PAN DOWN ONTO COCO. O2 (CONT)blow the weave off this bitchs head!

COCO (OVERLAPPING)No!

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 21

97

596.15 MS O2 HOLDING GUN TO COCOS HEAD, TRACK R AS O2 TURNS FACING FG BACKING UP LFG. COCO (CONT)Somebody help me! FEMALE NEWSCASTER (VO)A cunning couple robbed the Americas

4-62 -/ ITAL

FEMALE NEWSCASTER (TO AUDIENCE)A cunning couple robbed the Americas First Savings and Loan this morning.

597.00

603.05

6.05

98

600.01 MS DOWN ON SECURITY GUARD FACE DOWN ON FLOOR WITH HANDS UP. HE LOOKS UP TO LFG. FEMALE NEWSCASTER (VO CONT)First Savings

99

601.07 MS SIDE ANGLE O2 DRAGS COCO LFG WITH GUN TO HER HEAD. FEMALE NEWSCASTER (VO CONT)and Loan this morning.

100

603.02 MCU COCO IN O2S GRASP MOVING L, THEN THEY EXIT AND SWISH PAN R. FEMALE NEWSCASTER (VO CONT)The female

101

604.09 INT. ANOTHER BANK. DAY MCU HIGH ANGLE DOWN ON COCOS LEGS CONVULSING AND PAN UP L ALONG BODY REVEAL COCO ON BACK ON FLOOR IN DIFFERENT WIG HAVING A EPILEPTIC SEIZURE WITH GUARDS, BANK PEOPLE AROUND HER ASSISTING. FEMALE NEWSCASTER (VO CONT)member of the duo that struck --

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 22

SAME SHOT CONT. MALE NEWSCASTER (VO OVERLAPPING)A second bank was hit today in South L.A. A masked man

4-63 ITAL

MALE NEWSCASTER (TO AUDIENCE)A second bank was hit today in South L.A. A masked man (hit: robbed) MALE NEWSCASTER (TO AUDIENCE)entered the Bank of the People branch on Western Avenue (Western Avenue: a street in Los Angeles)

605.13

610.05

4.08

4-64 -/ ITAL

610.10

614.02

3.08

102

610.03 LS HIGH ANGLE DOWN ON COCO ON FLOOR NEAR COUNTER WITH PEOPLE AROUND HER. MALE NEWSCASTER (VO CONT)entered the Bank of the People branch on

103

613.03 MLS HIGH ANGLE DOWN ON COCO ON FLOOR CONVULSING AS PEOPLE ASSIST HER. PAN UP OFF HER PICK UP O2 IN HOODED SWEATSHIRT AS HE ENTER FROM RBG TOP OF FRAME CARRYING BUNDLE, PAN L WITH HIM WALKING L AND HE LOOKS BELOW FRAME RFG, THEN GOES BG TOWARD BANK DOORS. MALE NEWSCASTER (VO CONT)Western Avenue and held a woman at gunpoint while emptying an unknown amount from the banks safe deposit box. DISSOLVE TO:

4-65 ITAL

MALE NEWSCASTER (TO AUDIENCE)and held a woman at gunpoint while emptying an unknown amount MALE NEWSCASTER (TO AUDIENCE)from the banks safe deposit box.

614.07

618.09

4.02

4-66 ITAL

618.14

621.13

2.15

104

621.14 INT. HOLLYWOOD HOUSE. BEDROOM. DAY CU DOWN ON STACKS OF MONEY WITH RUBBER BANDS AND PAN UP PICK UP COCO. COCOWere up to forty-five thousand apiece.

4-67

COCO (TO O2)Were up to $45,000 apiece. (up to: now reached to level of)

623.11

630.00

6.05

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 23

105

630.05 MCU O2. 633.09 MCU OTS ON COCO. O2 REAR ANGLE LFG EXITS L. 636.03 MS SIDE ANGLE O2 R STEPS FG OPENS VELVET AS COCO ACROSS TABLE LBG LEANS ON TABLE FACING FG.

106

107

108

642.11 MCU O2 PAN DOWN ONTO VELVET ON TABLE AS HE UNFOLDS IT AND REVEAL JEWELRY INSIDE. HE PICKS UP WATCH AND PAN UP. O2So I guess

4-68-/

O2 (TO COCO)I guess we gotta figure out a way to get rid of this. (figure out: think of, create) (rid of: sell) (this: the jewelry they stole)

649.10

653.08

3.14

109

650.01 MS PAST O2S ARM RFG ONTO COCO LEANING ON TABLE LOOKING FG. O2 (OS CONT)we gotta figure out a way to get rid of this.

110

653.11 MS SIDE ANGLE COCO AND O2. O2 WALKS FG AROUND END OF TABLE OPENING CELL PHONE.

111

659.01 EXT. CENTRAL AVENUE/INT. LUCKYS CAR. DAY MLS CARS IN TRAFFIC JAM AS PEDESTRIANS CROSS FRAME FG R TO L. 661.01 CU REAR ANGLE LUCKY AT WHEEL OF CAR AS MARCHERS BG MOVE BG.

112

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 24

113

663.01 MLS SIDE ANGLE TRAFFIC COP ARM FG HOLDS UP TRAFFIC AS MARCHERS MOVER L TO R. SHIFT FOCUS FG TO LUCKYS REFLECTION IN SIDE VIEW MIRROR. LUCKY (OS)Cmon!

114

669.11 ECU SIDE ANGLE LUCKY PUTS CELL PHONE TO HIS EAR. LUCKY (INTO PHONE)Speak. O2 (VO FILTERED THRU PHONE)Whats goin on, man? LUCKY (OS INTO PHONE)Hey, where you at, man?

4-69

LUCKY (TO O2)Speak.

670.07

671.07

1.00

4-70 ITAL

O2 (TO LUCKY)-- Whats going on? (Whats happening) LUCKY (TO O2)-- Where you at, man?

672.05

674.13

2.08

115

674.15 EXT. HOLLYWOOD HILLS HOUSE/INTERCUT LUCKYS CAR. DAY LS O2 AT WINDOW OF LIVING ROOM. O2 (OS)Around.

4-71

O2 (TO LUCKY)Around. (O2 is being unspecific) LUCKY (TO PROTESTORS)Can you all please get the fuck out of the way? Damn! (fuck: vulgar emphatic) (out of the way: that is, off the street and no longer blocking traffic) (Damn: vulgar emphatic)

675.14

677.05

1.07

4-72-/

678.07

683.08

5.01

LUCKY (VO)Can yall

116

679.05 CU SIDE ANGLE LUCKY LOOKS FG AS PERSON CROSSES FRAME FG R TO L. LUCKY (CONT)please get the fuck out the way?

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 25

117

682.07 CU REAR ANGLE LUCKY AT WHEEL PUTS PHONE BACK TO EAR. LUCKY (CONT)Damn. O2 (VO FILTERED THRU PHONE)Problem? LUCKY (INTO PHONE)All these

4-73

O2 (TO LUCKY)Problem? (Are you having a problem?) LUCKY (TO O2)All these We shall overcome motherfuckers marching holding up traffic. (We shall overcome: Lucky is referencing the civil rights protest song We shall overcome as a way of identifying the kind of people in the march) (motherfuckers: vulgar derogatory remark)

684.09

685.11

1.02

4-74-/

686.00

692.14

6.14

118

686.03 MS SIDE ANGLE LUCKY IN CAR AS MARCHERS BG MOVE PAST CAR L TO R. LUCKY (INTO PHONE CONT)we shall overcome motherfuckers marching, holding up traffic and shit.

119

692.07 MCU THRU WINDSHIELD ONTO LUCKY. LUCKY (INTO PHONE CONT)Hey, look here, playboy. I heard you out here, uh, scrapin up some serious paper.

4-75

LUCKY (TO O2)I heard you out here scrapin up some serious paper. (Ive heard youve been accumulating some large amounts of money; Lucky is indicating hes heard about the bank robberies)

693.09

699.14

6.05

120

699.15 MLS PAST LUCKY REAR ANGLE LFG ONTO MARCHERS BG. LUCKY (OS CONT)I think you should let me get

4-76-/

LUCKY (TO O2)I think you should let me get in on that. (get in on that: participate in the bank robberies with you)

700.10

703.04

2.10

121

702.03 MCU THRU WINDSHIELD ONTO LUCKY WITH PHONE. LUCKY (INTO PHONE CONT)in on that, man.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 26

122

703.09 MLS SIDE ANGLE O2 THRU WINDOW ON PHONE. HE WALKS R. O2 (OS)No, man. Stakes are too high.

4-77

O2 (TO LUCKY)No, man. Stakes are too high. (Stakes are too high: the consequences of failure are not worth risking your involvement)

703.15

708.02

4.03

123

708.13 MCU SIDE ANGLE O2 WITH PHONE. O2 (OS CONT)But I need you to put me in touch with somebody can get rid of these diamonds.

4-78

O2 (TO LUCKY)But I need you to put me in touch with somebody O2 (TO LUCKY)-- to get rid of these diamonds. LUCKY (TO O2)-- I can unload that. (I can sell your diamonds)

708.14

711.12

2.14

4-79-/

712.07

716.11

4.04

124

714.01 CU SIDE ANGLE LUCKY. LUCKYWell, I can unload that.

125

716.13 MCU SIDE ANGLE O2. O2 (OS)Nah, no, no.

4-80-/

O2 (TO LUCKY)No. No way.

717.02

719.15

2.13

126

718.09 MLS SIDE ANGLE O2. O2 (OS CONT)No way.

127

720.07 CU THRU WINDSHIELD ON LUCKY. LUCKY (INTO PHONE)You gonna punk out on me, man? What, I aint good enough or somethin

4-81

LUCKY (TO O2)You gonna punk out on me, man? I aint good enough (punk out: ignore me, disappoint me)

720.11

726.01

5.06

128

726.05 MS SIDE ANGLE O2. HE TURNS WALKS FG. LUCKY (VO FILTERED THRU PHONE CONT)now that youre goin around with your little greasy? You gonna

4-82 ITAL

LUCKY (TO O2)now that youre goin around with your little greasy? (little greasy: impolite slang for a girl, implying shes low class) LUCKY (TO O2)You gonna get money with her before you get it with your own people? (people: family, gang)

726.06

729.01

2.11

4-83-/

729.05

732.14

3.09

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 27

129

729.09 CU SIDE ANGLE LUCKY ON PHONE. LUCKY (INTO PHONE CONT)get money with her before you get money with your own people?

130

733.03 MLS O2 ON PHONE SIDE ANGLE LBG WITH COCO STANDING REAR ANGLE RFG. O2 (OS)Every time Ive ever asked you to do something

4-84-/

O2 (TO LUCKY)Every time I asked you to do something, you drop the ball. (drop the ball: dont succeed, youre not dependable)

733.03

737.04

4.01

131

735.07 CU SIDE ANGLE O2 ON PHONE. O2 (INTO PHONE CONT)you drop the ball. LUCKY (VO FILTERED THRU PHONE)Look, man

132

738.07 CU SIDE ANGLE LUCKY ON PHONE. LUCKY (INTO PHONE CONT)this is for Junior and I

4-85-/

LUCKY (TO O2)This is for Junior and I gotta do what I gotta do for the little man. (I gotta do what I gotta do: I will do whatever I must do) (the little man: Junior)

738.07

744.00

5.09

133

741.09 ECU SIDE ANGLE LUCKY. LUCKY (INTO PHONE CONT)gotta do what I gotta do for the little man.

134

744.03 MLS REAR ANGLE O2 WALKS BG. O2 (OS)Cant do it, man.

4-86

O2 (TO LUCKY)Cant do it. (Cant let you participate)

744.05

745.12

1.07

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 28

135

745.13 MCU SIDE ANGLE LUCKY ON PHONE. LUCKY (INTO PHONE)O Family.

4-87

LUCKY (TO O2)O... Family. (O2, Junior is family to me)

747.05

750.15

3.10

136

751.13 MCU SIDE ANGLE O2 SILHOUETTED IN SUNLIGHT. 755.15 MLS THRU WINDOW O2 ON PHONE RFG AND COCO LBG. O2 (INTO PHONE)Listen

137

138

759.11 MS THRU WINDOW ON O2 ON PHONE. O2 (INTO PHONE CONT)if you fuck

4-88-/

O2 (TO LUCKY)-- If you fuck this up (fuck this up: vulgar slang for ruin this, do a bad job) LUCKY (TO O2)-- I wont.

761.07

764.07

3.00

139

762.09 CU SIDE ANGLE LUCKY ON PHONE. O2 (VO FILTERED THRU PHONE)this up-LUCKY (INTO PHONE OVERLAPPING)I wont. I wont.

140

764.13 MS SIDE ANGLE LUCKY ON PHONE. LUCKY (INTO PHONE CONT)Im a find out where to unload the shit

4-89-/

LUCKY (TO O2)Im gonna find out where to unload the shit and its all good. (unload: sell) (the shit: vulgar slang for the diamonds) (its all good: it will all be fine)

764.12

769.08

4.12

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PAGE 29

141

767.07 MS O2 PACING FG TALKING ON PHONE. LUCKY (VO FILTERED THRU PHONE)and its all good. Now look here

4-90 -/ ITAL

LUCKY (TO O2)Now listen you need to get off the streets. You way too hot. (off the streets: stay hidden) (way too hot: there are too many people looking for you)

770.01

775.14

5.13

142

770.13 MLS PAST COCO SITTING REAR ANGLE ON COUNTER RFG ONTO O2 SIDE ANGLE LBG ON PHONE. LUCKY (VO FILTERED THRU PHONE)man you need to get the fuck up off these streets. You way too hot.

143

775.09 MCU SIDE ANGLE LUCKY ON PHONE. LUCKY (INTO PHONE CONT)When I find somethin, Im a holler back at you and then Im a come meet you

4-91-/

LUCKY (TO O2)When I find something, Ill holler back at you and then Ill come meet you. (holler back at you: contact you)

776.09

781.04

4.11

144

780.07 CU O2 WITH PHONE. LUCKY (VO FILTERED THRU PHONE)where you at. Alright? O2 (INTO PHONE)Alright.

4-92-/

O2 (TO LUCKY)Alright. Go on.

783.11

787.09

3.14

145

784.03 MS SIDE ANGLE O2 THRU WINDOW TALKING ON PHONE. HE LOWERS PHONE, TURNS BG, PAN L OFF HIM PICK UP COCO. LUCKY (VO FILTERED THRU PHONE)Im gone. O2 (INTO PHONE OVERLAPPING)Go on. O2 (OS CONT)He want us to wait right here.

4-93

O2 (TO COCO)He wants us to wait here.

790.11

792.15

2.04

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 30

146

797.03 EXT. STREET. DAY LS HIGH ANGLE LUCKYS CAR DRIVES ALONG STREET BOTTOM TO TOP FRAME. PROTESTORS (OS)Save our streets! LUCKY (OS OVERLAPPING)Yall need to get out the street.

4-94-/

LUCKY (TO PROTESTORS)Yall need to get out of the street thats how you save the street.

798.09

803.12

5.03

147

800.11 MLS PAST BACK OF LUCKYS HEAD RFG ONTO PROTESTORS BG AS CAR MOVES FG TO BG. LUCKY (OS CONT)Thats how you save the street. PROTESTORSBefore its

148

805.05 CU OUT OF FOCUS SIDE ANGLE THRU WINDSHIELD ON LUCKY. PROTESTORS (OS CONT)too late, save our

WOMAN (VO)We have a right to our streets.

149

807.11 MLS SIDE ANGLE PROTESTORS FG AND BG AS LUCKYS CAR MOVES THRU CROWDED STREET L TO R. PROTESTORS (OS CONT)streets! Before its too late

150

810.11 MLS REAR ANGLE AS LUCKYS CAR MOVES BG TURNS L AROUND PROTESTORS WITH SIGNS SIDE ANGLE ON L. PROTESTORS (OS CONT)save our

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 31

151

812.03 ECU CD PLAYER IN LUCKYS CAR AS HIS HAND PUTS IN CD. PROTESTORS (OS CONT)streets! Before its too late!

152

816.11 ECU LUCKYS MOUTH AS HE LIGHTS SPLIFF. 822.03 MCU SIDE ANGLE LUCKY DRIVING PUFFS ON SPLIFF. 824.07 ECU LUCKYS HAND ON WHEEL. 825.11 ECU GUN BUTT TUCKED INTO LUCKYS BELT. 826.13 ECU LUCKYS EYE HALF CLOSED. 828.03 CU GRILL OF LUCKYS CAR. 829.07 MLS REAR ANGLE LUCKYS CAR MOVING TO BG AND ZOOM IN. 831.01 MS REAR ANGLE LUCKYS CAR AND PAN DOWN TO REAR LICENSE PLATE AS CAR STARTS TURNING R.

153

154

155

156

157

158

159

160

832.15 MS ZOOM OUT AS LUCKY TURNS AND DRIVES FG. PAN UP L OFF LUCKYS CAR PICK UP HUMMER RACING FG. 839.11 MS SIDE OF HUMMER RACES RFG, PAN R.

161

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 32

162

842.01 MS HUMMER DRIVES FG. 843.11 MS REAR ANGLE LUCKYS CAR AS HUMMER ENTERS FROM L HEADING TO CUT OFF BUICK. 844.11 MS LUCKYS BUICK AS HUMMER ON R TRIES TO PUSH IT OVER TO L.

163

164

165

845.15 MS SIDE ANGLE HUMMER AS GANGSTER 1 LEANS OUT LOOKING L AND ZOOM OUT. GANGSTER (OS)Hey, nigga, pull over!

4-95-/

GANGSTER (TO LUCKY)Pull over! (Pull your car to the curb)

846.05

847.14

1.09

166

847.11 MS LUCKY DRIVING BUICK AND ZOOM IN AS HE DRIVES LOOKING R. LUCKY (OS)What the fucks wrong with yall?

4-96

LUCKY (TO GANGSTER)What the fucks wrong with yall? (fuck: vulgar emphatic) (yall: all of you)

848.11

850.06

1.11

167

850.07 MS HIGH ANGLE HUMMER DRIVES FG. GANGSTERSay what? Pull

168

852.03 MS REAR ANGLE LUCKYS CAR AND PAN L TO HUMMER. GANGSTER (OS CONT)the fuck over, man.

169

853.05 MS-MLS PAST LUCKY SIDE ANGLE LFG ONTO GANGSTER SIDE ANGLE IN HUMMER BG DRIVING ALONGSIDE LUCKY. GANGSTER (OS CONT)Pull over.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 33

170

854.05 MS PAST GANGSTER IN PROFILE RFG DOWN ONTO LUCKY AT WHEEL DRIVING TO L YELLING FG. LUCKYFuck, you aint

4-97-/

LUCKY (TO GANGSTER)You aint gonna do shit! (shit: vulgar slang for anything violent or injurious to me)

855.04

856.14

1.10

171

855.11 MS LOW REAR SIDE ANGLE HUMMER AS GANGSTERS LEAN OUT TO R FROM WINDOWS POINT GUNS R. LUCKY (OS CONT)doin shit.

172

857.13 MS PAST LUCKY SIDE ANGLE LFG ONTO GANGSTERS BG AIMING RIFLES FG AS HUMMER MOVES THRU FRAME L TO R. LUCKY (OS CONT)Shit.

173

858.11 MS LUCKY BEHIND WHEEL DUCKS DOWN TO L. GANGSTER (OS)Cmon, pull over.

174

859.13 MLS HIGH ANGLE FROM INSIDE HUMMER PAST GANGSTERS GUN RFG DOWN ONTO LUCKY IN BUICK MOVING R TO L. GANGSTER (OS CONT)Move. Move! LUCKY (OS OVERLAPPING)Hey, what you all

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 34

175

861.09 MS LUCKYS CAR PAN R TO HUMMER AS GANGSTERS LEAN OUT WINDOWS TO L WITH GUNS, ZOOM IN. LUCKY (OS CONT)What! GANGSTERPull over, nigga!

4-98-/

GANGSTER (TO LUCKY)Pull over, nigga. This aint no game. (nigga: racial slur, used as term of familiarity between African Americans)

862.15

866.05

3.06

176

863.15 MS PAST LUCKYS ARM ON WHEEL ACROSS FRAME FG ONTO GANGSTERS WITH GUNS BG AND PAN DOWN TO LUCKYS HAND PULLING HIS OWN GUN FROM BELT. GANGSTER (OS CONT)This aint no game, man.

177

865.15 MS PAST GUN IN HAND RFG ONTO LUCKY SIDE ANGLE BG BEHIND WHEEL LOOKS FG AS HE DRIVES L. LUCKYWhat the fuck, nigga?

4-99-/

LUCKY (TO GANGSTER)What the fuck? (vulgar slang for Whats the matter with you?)

866.10

868.11

2.01

178

867.13 MS LUCKY BEHIND WHEEL AND PAN R OFF HIM TO GANGSTERS POINTING GUNS L OUT HUMMER WINDOW AS IT MOVES FG AND ZOOM IN/ZOOM OUT PAN R AS HUMMER MOVES ACROSS FRAME AND LUCKYS CAR ENTERS SIDE ANGLE FROM L CROSSES FRAME TO R. GANGSTER (OS)Pull this raggedy motherfucker over! Right now!

4-100

GANGSTER (TO LUCKY)Pull over! Right now!

868.11

872.06

3.11

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 35

179

875.09 MLS SIDE ANGLE PAN L AS LUCKYS CAR DRIVES R TO L ON STREET WITH HUMMERS HOOD IN FRAME JUST BEHIND RFG. HOLD AND ZOOM OUT SHIFT FOCUS FG TO CU SIDE ANGLE WOMAN GIVING SPEECH IN MARCH. FEMALE PROTEST SPEAKERMildred Thompson was a friend of mine.

4-101-/

FEMALE PROTEST SPEAKER (TO CROWD)Mildred Thompson was a friend of mine. (Mildred Thompson: a woman who apparently was a victim of senseless violence)

878.12

882.01

3.05

180

881.09 LS REAR HIGH ANGLE ON CROWD GATHERED LISTENING TO SPEECH, WOMAN SPEAKING RBG AT LECTERN. FEMALE PROTEST SPEAKER (CONT)And now I struggle to find the words

4-102-/

FEMALE PROTEST SPEAKER (TO CROWD)And now I struggle to find the words to tell my son

882.11

887.04

4.09

181

886.01 MCU REAR ANGLE HIP LEVEL AS GANGSTER MOVES BG TO LUCKYS CAR TAPS WINDOW WITH MACHINE GUN. FEMALE PROTEST SPEAKER (OS CONT)to tell my son GANGSTER (OS OVERLAPPING)Get out!

182

887.07 MCU LOW ANGLE OTS ON GANGSTER MOVING FG. FEMALE PROTEST SPEAKER (OS CONT)what happened to

4-103-/

FEMALE PROTEST SPEAKER (TO CROWD)what happened to his friend.

887.09

889.06

1.13

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 36

183

888.07 MS LOW ANGLE UP AT GANGSTER AS HE PULLS LUCKY REAR ANGLE IN FG OUT OF HIS CAR. FEMALE PROTEST SPEAKER (OS CONT)his friend.

184

889.07 MS SIDE ANGLE LUCKY IS PULLED OUT OF CAR L TO R AS GANGSTER REAR ANGLE RFG AND OTHER GANGSTER SIDE ANGLE RBG HOLD GUNS AT HIM. FEMALE PROTEST SPEAKER (OS CONT)He hears on the news about the

4-104-/

FEMALE PROTEST SPEAKER (TO CROWD)He hears on the news about the war on terror (terror: international terrorism)

891.02

894.15

3.13

185

893.05 MLS PAST PROTEST SPEAKER IN PARTIAL PROFILE OUT OF FOCUS RFG AND CROWD BG ONTO GANGSTERS HOLDING GUNS AT LUCKY BG. FEMALE PROTEST SPEAKER (CONT)war on terror while were being terrorized right

4-105-/

FEMALE PROTEST SPEAKER (TO CROWD)while were being terrorized right here in our streets.

895.09

899.11

4.02

186

897.11 MS ABOVE WAIST LUCKY WITH GUNS AIMED AT HIM. FEMALE PROTEST SPEAKER (OS CONT)here in our streets.

187

900.05 MS LUCKY AND GANGSTERS LEGS AS THEY MOVE R AROUND SIDE OF HUMMER. FEMALE PROTEST SPEAKER (OS CONT)He hears about the vast

4-106-/

FEMALE PROTEST SPEAKER (TO CROWD)He hears about the vast amounts being spent on homeland security (vast amounts: that is, of money)

900.05

905.14

5.09

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 37

188

901.15 CU-MLS PROTEST SPEAKER SIDE ANGLE RFG. FEMALE PROTEST SPEAKER (CONT)amount of money being spent on homeland security

189

905.05 LS HIGH ANGLE OVER CROWD REAR ANGLE FILLING FG ONTO SPEAKER RBG AT LECTERN. FEMALE PROTEST SPEAKER (OS CONT)but this neighborhood is our homeland and where is our security?

4-107

FEMALE PROTEST SPEAKER (TO CROWD)but this neighborhood is our homeland and where is our security?

906.10

912.14

6.04

190

913.15 EXT. INSIDE HUMMER. DAY MCU AS LUCKY GETS PUSHED INTO BACK SEAT OF HUMMER TO FG, THEN PAN R AS HE SITS AND GANGSTER CLIMBS IN BESIDE HIM, THEN PAN R AND PICK UP BIG MEAT WITH ICE CREAM POP. HOLD ON MCU LUCKY L AND BIG MEAT R. LUCKY (OS)Get your hands off of me, fool!

4-108 4-109

LUCKY (TO GANGSTER)Get you hands off me! BIG MEAT (TO LUCKY)You dodgin me, nigga? (dodgin: avoiding) LUCKY (TO BIG MEAT)-- Aint nobody dodgin you. BIG MEAT (TO LUCKY)-- You dont answer my page. (answer: respond to) (page: phone page alerting you that Ive called)

914.00 928.13

916.08 930.05

2.08 1.08

4-110

932.03

935.07

3.04

GANGSTER (OS)Shut the fuck up. BIG MEATYou dodgin me, nigga? LUCKYAint nobody dodgin you -BIG MEAT (OVERLAPPING)You dont answer my page.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 38

191

935.13 ECU BIG MEAT. PAN L OFF HIM PICK ECU LUCKY. PAN BACK R TO BIG MEAT. BIG MEAT (CONT)You must be runnin the Outlaws now.

4-111

BIG MEAT (TO LUCKY)You must be runnin the Outlaws now. (Outlaws: name of a gang) LUCKY (TO BIG MEAT)There you go with that shit. (Once again youre going to go on a rant about that subject) (shit: vulgar slang for topic) BIG MEAT (TO LUCKY)I gave you weight to sell, not to get high with. (weight: drugs) BIG MEAT (TO LUCKY)Wheres my money, nigga?

935.13

938.08

2.11

4-112

939.09

941.14

2.05

LUCKYThere you go with that shit, man. BIG MEATI gave you weight to sell, not to get high with. Wheres my money, nigga?

4-113

944.06

950.01

5.11

4-114

951.00

953.00

2.00

192

953.01 MCU 2 SHOT LUCKY AND BIG MEAT. LUCKYMan, my baby mama been trippin, man.

4-115-/

LUCKY (TO BIG MEAT)My baby mama been trippin. She gonna take me to court, so (baby mama: girlfriend, mother of my kid) (been trippin: shes acting against me)

953.06

959.14

6.08

193

957.09 CU REAR VIEW MIRROR WITH BIG MEATS REFLECTION IN IT. LUCKY (OS CONT)She gonna take me to court, right

194

959.15 MCU BIG MEAT PAN L AS HE ELBOWS LUCKY IN THE GUT. LUCKY (OS CONT)so I have -BIG MEAT (OS)(GRUNTS)

195

961.11 MS REAR ANGLE BIG MEAT GRABS LUCKY IN A HEAD LOCK, OTHER GANGSTERS BACK SEAT R AND FRONT SEAT BG.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 39

196

962.13 CU BIG MEAT HOLDS LUCKY IN A CHOKE HOLD. 964.13 CU REAR ANGLE LUCKY IN BIG MEATS CHOKE HOLD. BIG MEAT (OS)I dont give 4-116-/ BIG MEAT (TO LUCKY)I dont give a fuck about your baby mama or none a that shit! (a fuck: vulgar emphatic) (shit: issue, problem) 966.01 971.08 5.07

197

198

966.09 MCU REAR VIEW MIRROR WITH BIG MEATS REFLECTION. BIG MEAT (OS CONT)a fuck about your baby mama or none a that horse shit!

199

971.09 CU LUCKY IN CHOKE HOLD WITH BIG MEAT R. BIG MEAT PUSHES LUCKY OFF L. BIG MEAT (CONT)I want my money tomorrow. Tomorrow, nigga. FEMALE PROTEST SPEAKER (OS)We have to

4-117

BIG MEAT (TO LUCKY)I want my money tomorrow.

972.01

977.05

5.04

200

978.01 EXT. STREET. DAY MCU AS LUCKY FALLS INTO FRAME ON STREET PUSHED OUT OF HUMMER FROM BG. FEMALE PROTEST SPEAKER (OS)take back our

201

979.15 MS LUCKY ON STREET HORIZONTAL IN FRAME AND HUMMER LEAVES MOVES OFF EXITING R. FEMALE PROTEST SPEAKER (OS CONT)neighborhoods

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 40

202

981.06 MLS LUCKY ON STREET AS HUMMER EXITS FRAME R. FEMALE PROTEST SPEAKER (OS CONT)and save our streets!

203

984.15 CU SIDE ANGLE PROTEST SPEAKER, CROWD OUT OF FOCUS IN BG. FEMALE PROTEST SPEAKER (CONT)Save our streets! Save our streets!

4-118-/

FEMALE PROTEST SPEAKER (TO CROWD)Save our streets! Save our streets!

985.01

989.08

4.07

204

988.14 MLS LUCKY IN STREET HOLDING HIS STOMACH. HE SITS UP AGAINST HIS CAR.

FEMALE PROTEST SPEAKER (OS CONT)Save our streets!

205

991.11 CU SIDE ANGLE SPEAKER. PAN UP TO HER FIST RAISED IN AIR. FEMALE PROTEST SPEAKER (CONT)Save our streets! FEMALE PROTEST SPEAKER (OS CONT)Save our streets! Save our streets! MALE NEWSCASTER (VO)Were coming to you live from

4-119 -/ ITAL

MALE NEWSCASTER (TO AUDIENCE)Were coming to you live from Leimert Park, where the Mayor will be up next

997.01

1001.14

4.13

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 41

206

998.07 INT. BIG MEATS WAREHOUSE. DAY CU TV SCREEN SHOWING PROTEST MARCH, PAN L ACROSS GANGSTER SEATED SIDE ANGLE WATCHING TV DRINKING BEER, CONTINUE L PICK UP JUNIOR LAYING ON BED HORIZONTAL IN FRAME FROM R AND PUSH IN TO CU JUNIOR. MALE NEWSCASTER (VO CONT)Leimert Park, where the Mayor will be up next addressing the crowd of several thousand people.

4-120 ITAL

MALE NEWSCASTER (TO AUDIENCE)addressing the crowd of several thousand people. FEMALE NEWSCASTER (TO AUDIENCE)Police have confirmed that a string of gang-operated businesses (string of: group of) FEMALE NEWSCASTER (TO AUDIENCE)have been robbed. And it appears these robberies FEMALE NEWSCASTER (TO AUDIENCE)have further fanned the flames of a raging turf war (fanned the flames: inflamed) (raging turf war: violent struggle over control of criminal activity in specific areas) FEMALE NEWSCASTER (TO AUDIENCE)between two of L.A.s most notorious kingpins. (kingpins: crime bosses) FEMALE NEWSCASTER (TO AUDIENCE)Details of the robberies are unknown at this time. O2 (TO COCO)Ill be so glad when this shit is over with. (this shit: vulgar slang for this entire situation)

1002.03

1006.00

3.13

4-121 ITAL

1006.05

1011.03

4.14

4-122 ITAL

1011.08

1015.06

3.14

4-123 ITAL

1015.11

1019.14

4.03

FEMALE NEWSCASTER (VO)Police have confirmed that a string of gang-operated businesses have been robbed. And it appears these robberies have further fanned the flames of a raging turf war between two of L.A.s most notorious kingpins. Details of the robberies are unknown at this time. 4-125 ITAL 4-124 ITAL

1020.03

1024.08

4.05

1024.13

1029.08

4.11

207

1030.09 INT. HOLLYWOOD HILLS HOUSE. DAY MS PAN L AS O2 STUFFS STACKS OF MONEY INTO BAG, THEN PAN UP TO MS ABOVE WAIST O2. O2Be so glad when this shit is over with.

4-126

1036.09

1039.13

3.04

208

1040.01 MS MONEY ON TABLE O2 REAR ANGLE RFG TAKES MONEY. COCO ENTERS RBG WITH SUITCASES, PUTS THEM BG ON COFFEE TABLE, LOOKS FG. COCO (OS)God willing, youll have Junior back tonight.

4-127

COCO (TO O2)God willing, youll have Junior back tonight.

1040.05

1045.11

5.06

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 42

209

1047.07 MS O2. COCO (OS CONT)What yall

4-128-/

COCO (TO O2)Whatre you gonna do afterwards?

1049.09

1051.13

2.04

210

1050.03 MS-MLS COCO SIDE ANGLE LFG FACING L AND O2 BG PUTTING MONEY IN BAG. COCO (CONT)gonna do afterwards?

211

1052.01 CU COCOS WAIST AS SHE UNBUCKLES SUITCASE. PAN UP PAST HER CLEAVAGE TO FACE. O2 (OS)I know I need to get my son outta here.

4-129-/

O2 (TO COCO)I know I need to get my son outta here. Im done with this bullshit. (bullshit: vulgar slang for this futile way of life)

1053.05

1060.01

6.12

212

1057.15 MLS PAST COCO SIDE ANGLE OUT OF FOCUS LFG ONTO O2 BG. O2 (CONT)Done with this bullshit.

213

1060.03 CU SIDE ANGLE COCO. COCOHow bout you?

4-130 4-131-/

O2 (TO COCO)How about you? COCO (TO O2)Dont really have any plans. Just a fantasy.

1060.10 1064.15

1061.12 1071.00

1.02 6.01

COCODont really have any plans. 214 1066.15 MCU-MLS COCO RFG AND O2 LBG. COCO FOLDS CLOTHES. COCOJust a fantasy. O2Yeah?

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

PAGE 43

SAME SHOT CONT. COCOYeah. When I used to live in all those different homes I used to take travel magazines and Id cut all the pictures out

4-132

COCO (TO O2)When I used to live in all those different homes COCO (TO O2)I used to take travel magazines and cut all the pictures out

1078.00

1080.06

2.06

4-133

1080.11

1086.13

6.02

215

1087.11 CU SIDE ANGLE COCO COCO (CONT)and I would fantasize that I was there.

4-134

COCO (TO O2)and I would fantasize that I was there.

1087.12

1090.15

3.03

216

1091.03 MS PAST COCO SIDE ANGLE OUT OF FOCUS LFG ONTO O2 BG. COCO (OS CONT)And everybody used to think I was crazy

4-135-/

COCO (TO O2)Everybody used to think I was crazy but...

1092.10

1096.02

3.08

217

1095.03 MLS PAST O2S HIP AND ARM REAR ANGLE RFG ONTO COCO SIDE ANGLE BG PACKING SUITCASE. COCO (CONT)but... I didnt really care, because I felt like Id been all over the world.

4-136

COCO (TO O2)I didnt really care, because I felt like Id been all over the world.

1097.15

1102.04

4.05

218

1102.07 MS ABOVE WAIST PAST BACK OF COCOS HEAD ONTO O2. 1104.13 MS ABOVE WAIST SIDE ANGLE COCO. SHE LOOKS FG. COCOJust cause I aint been to the Sunset Strip dont mean I dont want to travel. 4-137 COCO (TO O2)Just cause I aint been to the Sunset Strip dont mean I dont want to travel. (Sunset Strip: a famous district in Hollywood) 1104.13 1109.15 5.02

219

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PAGE 44

220

1113.01 MS PAST COCO OUT OF FOCUS SIDE ANGLE RFG ONTO O2. O2(LAUGHS)

221

1116.09 MLS O2 REAR ANGLE LFG WITH COCO SIDE ANGLE RBG AS O2 WALKS L MOVING AROUND TABLE. O2 (OS CONT)So, when you get your money, where you gonna go?

4-138

O2 (TO COCO)So when you get your money, where you gonna go?

1117.08

1120.08

3.00

222

1120.09 MCU SIDE ANGLE COCO. COCOTheres this spot I read about. Its on the coast of Mexico. Its called El Lindo.

4-139

COCO (TO O2)Theres this spot I read about. Its on the coast of Mexico. COCO (TO O2)Its called El Lindo.

1123.06

1130.02

6.12

4-140

1131.04

1133.02

1.14

223

1133.05 MS ABOVE WAIST O2 COMES FG, STOPS STANDING SIDE ANGLE LOOKING FG. COCO (OS CONT)And they say that theres magic there in the ground.

4-141

COCO (TO O2)They say theres magic there in the ground.

1135.01

1139.14

4.13

224

1139.15 ECU SIDE ANGLE COCO, O2 OUT OF FOCUS LBG. COCO (CONT)Everything you do is blessed. All you past is buried. And all your pain is forgotten.

4-142

COCO (TO O2)Everything you do is blessed. All your past is buried. COCO (TO O2)All your pain is forgotten.

1141.05

1147.13

6.08

4-143

1150.06

1153.03

2.13

225

1157.09 MS ABOVE WAIST SIDE ANGLE O2.

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PAGE 45

226

1160.05 CU SIDE ANGLE COCO WITH O2 OUT OF FOCUS LBG, THEN SHIFT FOCUS TO O2 AND THEN BACK TO COCO FG AS O2 EXITS R MOVING TO FG. COCOThats where I want to go.

4-144

COCO (TO O2)Thats where I want to go.

1163.05

1165.03

1.14

227

1175.05 CU O2 WALKS FG LOOKING DOWN, STOPS, LOOKS LFG. O2I want you to have something.

4-145

O2 (TO COCO)I want you to have something.

1186.15

1188.12

1.13

228

1188.13 CU COCO TURNS FG LOOKS R. COCOWhat?

4-146

COCO (TO O2)What?

1190.02

1191.02

1.00

229

1191.03 CU O2 AND PAN L AS HE PUTS NECKLACE AROUND COCOS NECK PICKED UP ECU FG, PAN DOWN TO NECKLACE HANGING AROUND HER NECK. PAN UP SLIGHTLY AS SHE FINGERS NECKLACE. O2 (OS)We dont need to let this one go.

4-147

O2 (TO COCO)We dont need to let this one go. (let this one go: sell this item)

1196.10

1199.03

2.09

230

1199.11 CU SIDE ANGLE COCO HEAD BENT R WITH O2 PARTIALLY IN FRAME SIDE ANGLE R. O2 (OS CONT)Take this with you

4-148-/

O2 (TO COCO)Take this with you to Mexico.

1201.04

1204.02

2.14

231

1202.05 CU COCO AND O2, COCO LFG AND O2 STEPS TO R LOOKING AT HER. COCO TURNS LOOKS R AT O2. O2 (OS CONT)to Mexico.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 4A/B

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232

1211.01 CU COCO LOOKING UPPER RFG AT O2 IN PARTIAL PROFILE R. COCO TURNS TO FACE O2, PULLS HAIR BACK. COCOHows it look on me?

4-149

COCO (TO O2)Hows it look on me?

1217.02

1218.12

1.10

233

1219.07 CU SIDE ANGLE O2. O2Its beautiful.

4-150

O2 (TO COCO)Its beautiful.

1221.02

1222.10

1.08

234

1224.09 MCU SIDE ANGLE COCO L FACING O2 R. O2 WALKS OFF TO RBG. COCOThanks.

4-151

COCO (TO O2)Thanks. O2 (TO COCO)I think of so many more things I could be doin to find my son.

1228.03

1229.14

1.11

4-152-/

1237.01

1241.13

4.12

O2 (OS)(EXHALES) I just think of so

235

1238.03 MS O2 COMES FG, STOPS, TURNS SIDE ANGLE FACING R AS COCO WALKS FG FROM BG AND STANDS OPPOSITE HIM, TAKES HIS HANDS. O2 (CONT)many more things I could be doin to find my son. COCOListen to me. Listen to me.

4-153

COCO (TO O2)Listen to me.

1242.02

1246.02

4.00

236

1246.05 MCU SIDE ANGLE O2 L AND COCO R, HER HAND ON HIS SHOULDER. COCO (CONT)There is nothing else you can do right now. Except for wait for Lucky to call.

4-154

COCO (TO O2)There is nothing else you can do right now. COCO (TO O2)Except for wait for Lucky to call. Juniors gonna be fine.

1246.10

1250.04

3.10

4-155-/

1251.03

1257.05

6.02

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237

1254.05 MCU SIDE ANGLE O2 AND COCO. SHE TAKES HIS FACE IN HER HANDS. COCO KISSES O2. COCO (CONT)Juniors gonna be fine. Listen to me. Juniors gonna be fine. Okay?

4-156

COCO (TO O2)Listen to me. Juniors gonna be fine. Okay? O2 (TO COCO)Alright.

1259.15

1266.12

6.13

4-157

1268.13

1270.08

1.11

O2Alright. COCOOkay.

238

1276.11 CU OTS ON O2 AS COCO REAR ANGLE RFG KISSES HIM. HE PULLS HIS HEAD AWAY R. O2Oh, I cant do this

4-158-/

O2 (TO COCO)I cant do this right now. (this: make love)

1281.14

1284.11

2.13

239

1283.04 MS ABOVE WAIST SIDE ANGLE O2 AND COCO AS SHE TAKES HIS FACE IN HER HANDS AGAIN AND KISSES HIM AGAIN. SHE PUTS HER ARMS AROUND HIM AND THEY BEGIN KISSING MORE. O2 (CONT)right now.

COCOCome here.

240

1292.09 ECU OTS ON O2 AS HE AND COCO REAR ANGLE RFG KISS. PAN DOWN ONTO HIS HANDS ON HER BACK. 1299.15 ECU SIDE ANGLE OUT OF FOCUS O2 AND COCO KISSING AND HE SPINS HER AROUND TO FRAME L.

241

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242

1302.09 MS SIDE ANGLE O2 AND COCO KISSING, TRACK L AS THEY MOVE L PAST COLUMN. O2 (OS)Shit. COCO (OS OVERLAPPING)(MOANS)

243

1308.01 ECU SIDE ANGLE O2 AND COCO KISSING. PAN DOWN TO HER BUTTOCKS AS O2 LIFTS HER ONTO TABLE, THEN PAN UP AS HE LIFTS OFF HER SHIRT. 1317.08 ECU REAR ANGLE COCO AS HER IS PULLED OFF TOSSED OFF FRAME L. 1318.07 ECU PAST COCOS ARM ONTO O2 AND PAN L TO HIS HANDS ON HER BACK. 1322.15 ECU SIDE ANGLE COCO AND PAN DOWN TO O2 KISSING HER BREASTS IN HER BRA, HER HANDS ON O2. PAN BACK UP TO COCO AND O2 KISSING. 1329.03 CU SIDE ANGLE O2S HAND ON COCOS HIP AND PAN UP. 1332.01 ECU SIDE ANGLE COCOS STOMACH, PAN UP HER HANDS UNZIPPING O2S SWEATSHIRT. 1335.00 CU REAR ANGLE COCO RFG AND O2 FRONT ANGLE BG AND PAN DOWN AS HE REMOVES SWEATSHIRT.

244

245

246

247

248

249

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PAGE 49

250

1337.13 CU SIDE ANGLE O2S FACE IN COCOS HANDS BURIED IN HER CHEST.

251

1340.01 ECU COCOS HAND GRASPING O2S SHOULDER.

252

1342.01 ECU SIDE ANGLE COCOS SHOULDER. O2 (OS)(INAUDIBLE WHISPER)

253

1345.09 ECU COCOS SHOULDER REAR ANGLE RFG AND O2 SIDE ANGLE L KISSING HER. HER BACK CROSSES FRAME R TO L. COCO (OS)(MOANS) DISSOLVE TO:

254

1348.10 CU COCO REAR ANGLE AND SHE SPINS CLOCKWISE REVEAL O2 PULLED INTO FRAME SIDE ANGLE ON R KISSING HER.

255

1351.03 ECU SIDE ANGLE SLO MO OUT OF FOCUS COCO L AND O2 R, HER HANDS ON HIS FACE AS THEY MOVE THRU FRAME TO L. DISSOLVE TO:

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256

1354.10 INT. BIG MEATS WAREHOUSE. DAY CU TV SCREEN WITH NEWS REPORTER ON SCREEN. FEMALE NEWSCASTER (ON TV FILTERED)In an unusual story, three banks were robbed today by an unidentified man and woman. It has been impossible to determine what the robbers have taken because the items stolen

4-159 ITAL

FEMALE NEWSCASTER (TO AUDIENCE)In an unusual story, three banks were robbed today FEMALE NEWSCASTER (TO AUDIENCE)by an unidentified man and woman. FEMALE NEWSCASTER (TO AUDIENCE)It has been impossible to determine what the robbers have taken FEMALE NEWSCASTER (TO AUDIENCE)because the items stolen were taken from safe deposit boxes.

1354.10

1359.02

4.08

4-160 ITAL

1359.07

1362.11

3.04

4-161 ITAL

1363.01

1367.10

4.09

4-162 -/ ITAL

1367.15

1373.01

5.02

257

1369.05 MS PAST MCU BIG MEAT REAR ANGLE IN LFG ONTO REPORTER ON TV SCREEN BG. FEMALE NEWSCASTER (ON TV FILTERED CONT)were taken from safe deposit boxes.

258

1373.01 MCU BIG MEAT WITH GANGSTER BEHIND HIM RBG AND PUSH IN. FEMALE NEWSCASTER (VO THRU TV FILTERED)The police are investigating leads and are confident that the perpetrators will be apprehended. However, bank officials have

4-163 ITAL

FEMALE NEWSCASTER (TO AUDIENCE)The police are investigating leads and are confident FEMALE NEWSCASTER (TO AUDIENCE)that the perpetrators will be apprehended. However FEMALE NEWSCASTER (TO AUDIENCE)bank officials have stated that the robberies appear to have been well planned.

1373.11

1377.02

3.07

4-164 ITAL

1377.07

1381.08

4.01

4-165 -/ ITAL

1381.13

1387.14

6.01

259

1382.15 ECU BIG MEAT EYES. FEMALE NEWSCASTER (VO THRU TV FILTERED CONT)stated that the robberies appear to have been

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PAGE 51

260

1385.13 CU SIDE ANGLE BIG MEAT AND HE TURNS, LOOKS FG, THEN BACK LOOKING L. FEMALE NEWSCASTER (VO THRU TV FILTERED CONT)well planned. BIG MEATI want those motherfuckers. O2 (VO)Shit is all my fault.

4-166

BIG MEAT (TO GANGSTER)I want those motherfuckers! (motherfuckers: vulgar derogatory remark) O2 (TO COCO)This shit is all my fault. (shit: vulgar slang for bad situation)

1389.01

1392.01

3.00

4-167 ITAL

1395.09

1397.14

2.05

1397.15 LAST FRAME PICTURE. END REEL 4A/B

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 1

COMBINED CONTINUITY & DIALOGUE SC#: FOOTAGE/ SHOT DESCRIPTION/ DIALOGUE:

SPOTTING LIST TITLES & FOOTAGES TITLE#: TITLE: START: FINISH: TOTAL:

START MEASURING 00.00 AT PICTURE START MARK IN ACADEMY LEADER. LABORATORY: 1ST SCENE START: 2ND SCENE START: 3RD SCENE START: 4TH SCENE START: 5-1 COCO (TO O2)O, dont do this to yourself. (this: blame yourself for Juniors predicament) 12.00 22.08 36.14 42.05 14.01 16.14 2.13

12.00 INT. HOLLYWOOD HILLS HOME. DAY MLS HIGH SIDE ANGLE O2 AND COCO, COCO SITTING ON FLOOR AGAINST SOFA, O2 BUCKLING PANTS. ZOOM IN AS HE WALKS FG, TURNS SIDE ANGLE FACING COCO. COCOO, dont do this to yourself.

22.08 MS ABOVE WAIST LOW ANGLE OTS UP AT O2 SITS ON SOFA, LEANS FG. O2 (OS)Yknow all that money that Big Meat O2 (CONT)is after? I took it.

5-2

O2 (TO COCO)All that money Big Meat is after? O2 (TO COCO)I took it.

22.08

25.15

3.07

5-3

35.02

36.06

1.04

36.14 MS ABOVE WAIST OTS ON COCO. COCOWhat?

5-4

COCO (TO O2)What?

40.07

42.01

1.10

42.05 MS SIDE ANGLE O2 ON SOFA L AND COCO SITTING ON FLOOR R. SLOW ZOOM IN. O2He and me did a job.

5-5 -/

O2 (TO COCO)Him and me did a job. He tried to short me. (job: a robbery of some sort) (short me: cheat me out of my share)

48.14

54.01

5.03

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 2

52.00 MCU OTS ON O2. O2 (CONT)He tried to short me.

56.04 CU O2. O2 (CONT)So I took what was

5-6 -/

O2 (TO COCO)So I took what was mine.

56.06

59.01

2.11

57.12 ECU HALF O2S FACE, PAN L. O2 (OS CONT)mine. He found out about it, set me DISSOLVE TO:

5-7 -/

O2 (TO COCO)He found out about it, set me up. (set me up: framed me, arrange to have me caught)

59.14

65.01

5.03

63.14 MCU O2. O2 (CONT)up.

65.05 CU O2. O2 (CONT)I went to the pen.

5-8

O2 (TO COCO)I went to the pen. (pen: state penitentiary, prison)

65.06

67.08

2.02

10

67.14 ECU O2S MOUTH. O2 (CONT)He thought he knew where I stashed my take

5-9 -/

O2 (TO COCO)He thought he knew where I stashed my take but I moved it. (stashed my take: hid my share of the money)

68.06

72.14

4.08

11

71.01 MCU O2. O2 (CONT)but I moved it.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 3

12

73.11 ECU O2S EYES. O2 (OS CONT)He started lookin for it.

5-10

O2 (TO COCO)He started looking for it.

74.14

77.03

2.05

13

77.06 MCU O2. O2 (CONT)He started getting closer

5-11-/

O2 (TO COCO)He started getting closer, so I knew I had to move it again.

77.08

82.09

5.01

14

79.07 ECU O2S EYE. O2 (OS CONT)so I knew I had to move it again. And the only person I could

5-12-/

O2 (TO COCO)The only person I could trust was my baby mama. (baby mama: mother of my child)

83.14

88.01

4.03

15

85.11 MCU OTS O2. O2 (CONT)trust was my baby mama.

16

91.05 MS PAST O2 REAR ANGLE LFG ONTO COCO. O2 (OS CONT)So she came down to see me. I told her

5-13

O2 (TO COCO)So she came down to see me. (down: that is, to the prison) O2 (TO COCO)I told her where it was at, where to move it. (it: O2s money)

91.09

94.02

2.09

5-14-/

95.10

99.13

4.03

17

96.06 ECU O2. O2 (CONT)where it was at, where to move it to. O2 (OS CONT)She dropped

5-15-/

O2 (TO COCO)She dropped Junior off at my grandmothers house

101.12

105.10

3.14

18

102.06 MCU OTS ON O2. O2 (CONT)Junior off

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 4

19

103.05 ECU O2S MOUTH. O2 (CONT)at my grandmothers house, took

5-16-/

O2 (TO COCO)took my money and I aint seen her since. (aint: slang for isnt)

105.15

108.15

3.00

20

106.03 MCU OTS ON O2. O2 (CONT)my money and I aint seen her since.

21

109.01 MS ABOVE WAIST OTS ON COCO. 111.09 CU O2. O2You know the first thing my son said to me when I got out? 5-17 O2 (TO COCO)You know the first thing my son said to me when I got out? (got out: released from prison) 112.04 116.11 4.07

22

23

119.01 MCU OTS ON O2. O2 (CONT)Promise me you aint

5-18-/

O2 (TO COCO)Promise me you aint gonna ever leave me again.

119.03

122.12

3.09

24

120.10 CU O2. O2 (VO)gonna ever leave me again.

25

121.13 ECU O2S EYES.

26

124.13 CU OTS O2. O2I promised.

5-19

O2 (TO COCO)I promised.

125.01

126.14

1.13

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PAGE 5

27

127.08 CU COCO. SHE TURNS SIDE ANGLE L. O2 (OS CONT)Everybody you can think of came at me. Money, credit cards, just

5-20

O2 (TO COCO)Everybody you can think of came at me. (All types of criminals and criminal opportunities were offered to me) O2 (TO COCO)Money, credit cards -- couldnt do it. (stealing money, credit cards: I couldnt do it.) O2 (TO COCO)I made a promise.

128.07

131.13

3.06

5-21-/

132.05

138.14

6.09

28

136.04 MCU OTS O2. O2 (CONT)couldnt do it. Because I made a promise. (SIGHS)

5-22

141.14

143.14

2.00

29

159.02 ECU COCOS ANKLE WITH TATTOO AROUND IT. O2 (OS CONT)Who is Miles?

5-23

O2 (TO COCO)Who is Miles? (O2 is referring to tattoo around Cocos ankle)

160.03

162.00

1.13

30

162.01 CU SIDE ANGLE COCO. SHE LOOKS FG. COCOMy son.

5-24

COCO (TO O2)My son.

165.00

166.10

1.10

31

167.09 MCU OTS ON O2. O2You have a son?

5-25

O2 (TO COCO)You have a son?

167.09

169.00

1.07

32

169.15 CU COCO.

33

173.03 EXT. STREET. DAY. FLASHBACK MS ABOVE WAIST COCO HOLDING HER SON. COCO (VO)I had a son.

5-26-/

COCO (TO O2)-- I had a son. O2 (TO COCO)-- What happened?

173.02

176.02

3.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 6

34

174.11 INT. HOLLYWOOD HOUSE. DAY BACK TO SCENE ECU SIDE ANGLE COCO. O2 (OS)What happened? COCO(SIGHS) He died. O2 (OS)How did he die?

5-27 5-28

COCO (TO O2)He died. O2 (TO COCO)How did he die?

189.06 192.13

191.04 194.13

1.14 2.00

35

197.11 ECU OTS ON O2. COCO (OS)He was hit by a stray bullet.

5-29

COCO (TO O2)He was hit by a stray bullet.

199.01

201.14

2.13

36

204.15 ECU SIDE ANGLE TIGHT ON COCOS NOSE. PAN L AND DISSOLVE TO: COCO (OS CONT)I was in a

5-30-/

COCO (TO O2)I was in a building, on the run. (on the run: hiding from police and authorities)

206.00

210.03

4.03

37

207.02 EXT. STREET. DAY. FLASHBACK MS COCO HOLDING SON. COCO (VO CONT)building, on the run. DISSOLVE TO:

38

210.07 INT. HOLLYWOOD HOUSE. DAY BACK TO SCENE ECU PAN R PICK UP COCOS EYES. COCO (OS CONT)I told him

5-31-/

COCO (TO O2)I told him to play outside.

213.15

216.12

2.13

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PAGE 7

39

214.09 ECU COCOS MOUTH. PAN UP TO HER EYES. COCO (CONT)to play outside.

40

220.09 EXT. STREET. DAY. FLASHBACK MCU SIDE ANGLE COCOS SON SITTING ON DRIVEWAY. PAN DOWN TO TOY TRUCK HE PLAYS WITH. COCO (VO CONT)Be right back.

5-32

COCO (TO O2)Be right back.

221.04

222.12

1.08

41

224.00 INT. HOLLYWOOD HOUSE. DAY BACK TO SCENE ECU COCOS EYES. PAN UP.

42

227.03 EXT. STREET. DAY. FLASHBACK MCU SIDE ANGLE A GANGSTER. COCO (VO)And I remember hearing

5-33

COCO (TO O2)I remember hearing gunshots, thinking...

227.03

233.01

5.14

43

228.09 ECU MUZZLE OF AUTOMATIC PISTOL FIRING. COCO (VO CONT)gunshots

44

229.03 INT. HOLLYWOOD HOUSE. DAY BACK TO SCENE ECU PAN DOWN COCOS FOREHEAD TO HER EYES WITH TEARS, PAN L. COCO (OS CONT)thinkin... just niggas killing each other again.

5-34

COCO (TO O2)just niggas killing each other again.

235.10

238.10

3.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 8

45

240.00 ECU O2S EYE. 242.06 ECU COCOS MOUTH. PAN L AND DISSOLVE TO: COCOWhen I came outside, I heard this lady, she was 5-35 COCO (TO O2)When I came outside COCO (TO O2)I heard this lady, she was screaming 242.01 244.05 2.04

46

5-36-/

247.09

252.02

4.09

47

250.10 CU SIDE ANGLE COCO. COCO (CONT)she was screaming Wheres his mother? Wheres his mother? (PAUSE) Where was his mother?

5-37

COCO (TO O2)Wheres his m other? COCO (TO O2)Wheres his mother?

252.09

256.08

3.15

5-38

262.01

264.03

2.02

48

268.12 EXT. STREET. DAY. FLASHBACK CU ON LITTLE BOYS TOY TRUCK OVERTURNED IN POOL OF BLOOD. 271.09 INT. HOLLYWOOD HOUSE. DAY BACK TO SCENE ECU PAN R TIGHT PICK UP COCOS MOUTH. 276.14 ECU O2S EYES. 279.10 CU SIDE ANGLE COCO. COCO(SIGHS)

49

50

51

52

287.10 ECU O2 PUTS CELL PHONE TO HIS EAR. O2 (INTO PHONE)Lucky.

5-39

O2 (TO LUCKY)Lucky.

289.01

290.01

1.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 9

53

290.15 EXT. INSIDE LUCKYS CAR. INTERCUT INT. HOLLYWOOD HILLS HOUSE. DAY CU SIDE ANGLE LUCKY ON CELL PHONE. PUSH IN TO ECU. LUCKY (INTO PHONE)Change of plans. I cant come to you. Meet me at Imperial Highway bridge right now.

5-40

LUCKY (TO O2)Change of plans. I cant come to you. LUCKY (TO O2)Meet me at Imperial Highway bridge right now. Hurry up.

290.15

293.11

2.12

5-41-/

294.00

299.10

5.10

54

298.08 ECU SIDE ANGLE LUCKY PUTS DOWN PHONE. LUCKY (INTO PHONE CONT)Hurry up.

55

300.12 ECU O2.

56

306.00 ECU O2S EYES. O2 (OS)We gotta go.

5-42-/

O2 (TO COCO)We gotta go.

306.04

307.11

1.07

57

307.00 ECU COCOS EYE. COCO (OS)Lets go. DISSOLVE TO:

58

308.00 EXT. MOUNTAINS. DAY LS MOUNTAINS AROUND LOS ANGELES AT SUNSET. ESTABLISHING. DISSOLVE TO:

59

312.10 EXT. IMPERIAL HIGHWAY BRIDGE. NIGHT MS SIDE ANGLE LUCKY AT WHEEL OF HIS CAR PARKED AS TRAIN MOVES PAST THRU FRAME BG R TO L.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 10

60

325.04 MCU SIDE ANGLE LUCKY WITH SPLIFF IN HIS MOUTH. 330.04 MLS O2S CAR DRIVES FG AND CRANE DOWN TO LUCKYS CAR FACING FG AND LUCKY GETS OUT WALKS BG.

61

62

350.07 CU COCO AND PAN R TO O2 IN CAR AT WHEEL.

63

355.14 MCU LUCKY LEANING FG AS DRIVERS WINDOW IS LOWERED. PAN L PICK UP O2 IN PARTIAL PROFILE LFG. LUCKY EXITS L. O2 (OS)What up, man? LUCKYWhats up, homey?

5-43

O2 (TO LUCKY)-- Whats up? LUCKY (TO O2)-- Whats up, homey?

356.15

360.11

3.12

5-44

O2 (TO LUCKY)Get in.

361.13

363.01

1.04

O2Get in.

64

365.10 MS O2 AT WHEEL AS LUCKY WALKS BG PAN L AS LUCKY CLIMBS INTO BACK SEAT PICK UP COCO LFG IN FRONT PASSENGER SEAT. O2 AND COCO TURN LOOK BG AT LUCKY. O2Fuck

5-45-/

O2 (TO LUCKY)What the fuck wrong with you? (fuck: vulgar emphatic)

376.15

378.09

1.10

65

377.04 CU OTS O2 LOOKING L. O2 (CONT)wrong with you?

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 11

66

378.12 CU LUCKY. LUCKYNothin. Just had a little run in with some niggas.

5-46

LUCKY (TO O2)Nothing. Just had a little run in with some niggas. (run in: altercation) (niggas: racial slur for African Americans)

379.03

383.11

4.08

67

383.14 CU OTS O2 LOOKING L. O2There a problem?

5-47

O2 (TO LUCKY)There a problem?

384.00

385.03

1.03

68

385.04 CU LUCKY. LUCKYThey werent shit. Cmon, what you got, man?

5-48

LUCKY (TO O2)They werent shit. Cmon, what you got? (They werent shit: Those people werent tough or any threat at all) (What you got? What are the diamonds you have for me?)

386.01

391.08

5.07

69

391.09 MCU SIDE ANGLE O2. PAN L AND HE PASSES FELT WRAPPED JEWELRY L TO LUCKY IN BACK SEAT. PAN DOWN AS LUCKY PUTS IT IN HIS LAP, UNCOVERS DIAMONDS.

70

403.12 CU SIDE ANGLE LUCKY IN SILHOUETTE. HE LOOKS UP R. LUCKYHow much you want for this?

5-49

LUCKY (TO O2)How much you want for this? (this: the diamonds)

405.11

407.07

1.12

71

407.09 CU O2 TURNS HEAD L WITH LUCKY OUT OF FOCUS LBG. O2I think its worth like one-fifty to two hundred thousand. Ill let it go for

5-50

O2 (TO LUCKY)I think its worth like one-fifty to two hundred thousand. O2 (TO LUCKY)Ill let it go for ninety. Think you can handle that? (handle that: can you arrange to sell that amount?)

407.13

411.13

4.00

5-51-/

412.02

418.02

6.00

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PAGE 12

72

413.05 MCU HIGH ANGLE DOWN ON JEWELRY IN LUCKYS LAP WITH COCO OUT OF FOCUS RFG LOOKING BG. O2 (OS CONT)ninety. Think you can handle

73

417.10 CU O2 RFG WITH LUCKY OUT OF FOCUS LBG. SHIFT FOCUS BG TO LUCKY. O2 (CONT)that? LUCKYFor sure, man. O2Then lets go

5-52 5-53-/

LUCKY (TO O2)For sure. O2 (TO LUCKY)Then lets go.

419.11 422.02

421.06 423.08

1.11 1.06

74

423.03 CU LUCKY. PAN R TO ECU O2. O2 (OS CONT)man.

5-54

LUCKY (TO O2)Whoa Im doing this shit dolo. (shit: vulgar slang for job) (dolo: slang for solo) LUCKY (TO O2)Your face been all over the TV. Me and you roll up in there together (roll up: arrive) (in there: the place where Lucky plans to sell the diamonds)

424.03

429.07

5.04

5-55-/ LUCKYWhoa, whoa, whoa, whoa, man. Look, Im doin this shit dolo. LUCKY (OS CONT)Shit, man, your face been all over

431.00

437.11

6.11

75

432.14 MCU LUCKY IN BACK SEAT. LUCKY (CONT)the TV. Me and you roll up in there

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 13

76

437.07 CU LUCKY AND SHIFT FOCUS TO ECU COCO LFG. LUCKY (CONT)together, man, they LUCKY (OS CONT)already gonna know we just tryin to unload the shit.

5-56-/

LUCKY (TO O2)they gonna know we just trying to unload the shit. (unload: make a quick sale of) (the shit: vulgar slang for the diamonds)

438.01

441.11

3.10

77

441.03 CU SIDE ANGLE O2. O2Alright.

5-57

O2 (TO LUCKY)Alright.

447.14

449.04

1.06

78

450.02 ECU O2. O2But look, man just hit my

5-58-/

O2 (TO LUCKY)Look just hit my cell soon as you know something. (hit my cell: call me on my cell phone)

450.12

456.04

5.08

79

453.07 ECU SIDE ANGLE COCO LOOKS BG. O2 (OS CONT)cell as soon as you know somethin.

80

455.14 MCU LUCKY EXITS R. LUCKY (OS)Alright.

81

457.03 ECU O2 LOOKING L AS LUCKY EXITS RBG. LUCKY RE-ENTERS RFG, PAN SLIGHTLY L AND SHIFT FOCUS TO LUCKY. O2Lucky we got two

5-59 5-60-/

O2 (TO LUCKY)Lucky O2 (TO LUCKY)we got two hours to get Junior.

458.00 462.10

459.02 465.15

1.02 3.05

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 14

82

463.09 CU O2. O2 (CONT)hours to get Junior, man.

83

467.03 CU SIDE ANGLE LUCKY WITH COCO IN PARTIAL PROFILE OUT OF FOCUS LFG. LUCKY LOOKS FG, THEN EXITS R. PAN L SHIFT FOCUS TO COCO.

84

477.11 CU O2 AND PAN L TO COCO. 483.09 LS EXTREME HIGH ANGLE DOWN ON CARS AS O2S CAR BACKS UP L AND LUCKY BOTTOM R GETS INTO HIS CAR. SLOW ZOOM IN. 489.04 INT. BIG MEATS WAREHOUSE. NIGHT MS TWO GUN TOTING GANGSTERS PUSH DOUBLE DOORS FG AND ESCORT LUCKY FG.

85

86

87

490.06 MS ABOVE WAIST REAR ANGLE LUCKY FOLLOWS TWO GANGSTERS TO BG, GANGSTER ON R STEPS ASIDE TO R REVEAL CAGES BG. 492.12 MS GANGSTER SIDE ANGLE FG WITH GUN MOVES L AND MEN BG IN CAGES MIX DRUGS.

88

89

494.07 MS SIDE ANGLE TWO MEN IN CAGE COUNT MONEY.

90

495.10 MS DOGS IN CAGE.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 15

91

496.11 MS REAR ANGLE GANGSTER WITH GUN WALKS BG PAN R. 498.01 MLS MEN LOAD TANKS INTO BACK OF DELIVERY TRUCK. 499.00 MS LOW ANGLE UP AT GANGSTER GUARD WITH GUN AT RAIL.

92

93

94

499.08 MCU SIDE ANGLE PAN L MAN MIXES DRUGS.

95

499.13 CU SIDE ANGLE MANS HANDS MIX DRUGS IN BAKING SHEET.

96

500.11 MLS PAST HANDS MIXING DRUGS IN FG ON LUCKY BEING ESCORTED TO FG AND TRACK L PAST MAN FG WHO MIXES DRUGS. 503.09 MS ABOVE WAIST OTS ON LUCKY COMING FG. GUARD REAR ANGLE RFG BLOCKS HIS PATH. BODYGUARD (OS)Hold on. Wait right here, homey. 5-61 BODYGUARD (TO LUCKY)Hold on. Wait right here. 503.11 505.15 2.04

97

98

506.14 MS ABOVE WAIST PAST LUCKY REAR ANGLE LFG ONTO GUARD. CIRCLE R AS LUCKY TURNS L TO MLS OTS ON BANK OF TV SCREENS UPPER BG. 511.14 MS PAN R ACROSS BANK OF TV SCREENS, HOLD ON MONITOR SHOWING JUNIOR ON BED.

99

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 16

100

515.08 MCU MONITOR WITH JUNIOR ON BED. 515.11 CU MONITOR WITH JUNIOR ON BED. 517.06 MCU LUCKY LOOKING FG OVER TOP OF FRAME AND PUSH IN.

101

102

103

520.07 ECU MONITOR SHOWING JUNIOR HUDDLED UP ON BED.

104

521.06 MS REAR ANGLE FLASHBACK BIG MEAT SWING ARM DOWN BG HITTING SOMETHING.

105

521.13 MS REAR ANGLE ARM COMING DOWN TO BG.

106

522.02 CU LUCKY WITH EYES CLOSED. HE OPENS HIS EYES.

107

524.01 ECU TIGHT MONITOR WITH MS HIGH ANGLE JUNIOR ON BED.

108

525.15 MLS OVER MAN HORIZONTAL IN FG BENCH PRESSING WEIGHTS ONTO LUCKY AND GANGSTERS SIDE ANGLE BG. BIG MEAT (OS)Come here, nigga.

5-62-/

BIG MEAT (TO LUCKY)Come here, nigga.

526.11

528.11

2.00

109

527.12 CU LUCKY. HE LOOKS L.

110

531.05 CU SIDE ANGLE L TRACK R HE WALKS R.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 17

111

536.06 LS PAST BARBELL WEIGHTS FG ONTO LUCKY WITH GANGSTERS BG WALKING FG AS OTHERS CARRY BUCKET R TO L TRACK R. 539.13 MLS SIDE ANGLE LUCKY IS ESCORTED L TO R BETWEEN TWO ARMED GUARDS AND TRACK R. 543.11 MLS SIDE ANGLE THRU FENCE TRACK L AS LUCKY AND GANGSTERS WALK R TO LFG.

112

113

114

546.13 MS PAST BIG MEAT BENCH PRESSING IN FG ONTO LUCKY WALKING BG TO FG WITH GANGSTER ESCORT AND BIG MEAT RISES FROM LOWER RFG. 549.05 MS PAST WORKER IN CAGE RFG WRAPPING MONEY ONTO BIG MEAT BG OTHER SIDE CAGE SITTING UP.

115

116

551.15 MLS BIG MEAT SITTING ON BENCH AS LUCKY WITH GANGSTERS ENTERS LFG AND WALKS BG. BIG MEATI hear

5-63-/

BIG MEAT (TO LUCKY)I hear you got my money.

554.14

556.12

1.14

117

555.06 MS BIG MEAT AS GANGSTER FG EXITS R AND LUCKY ENTERS L. BIG MEAT (CONT)you got my money.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 18

118

557.03 MLS SIDE ANGLE LUCKY STANDS BEFORE BIG MEAT SEATED WITH GANGSTERS BG AND R. LUCKYI got somethin worth a lot more than what I owe

5-64-/

LUCKY (TO BIG MEAT)I got something worth a lot more than what I owe you.

557.06

561.11

4.05

119

559.15 MCU LOW SIDE ANGLE LUCKY. PAN DOWN L AS HE BENDS L AND UNFOLDS CLOTH REVEALING DIAMONDS. AND LUCKY (CONT)you, Big Meat. Here. BIG MEATS HANDS ENTERS R AND PULLS CLOTH L, PAN L. BIG MEATS HAND PICKS UP PIECE OF JEWELRY. LUCKY (CONT)Yeah. Feel me? Now thats worth about two hundred thousand right there. PAN UP AS HE LIFTS IT. BIG MEAT (OS)Two hundred long, huh? LUCKY (OS)Mm hm. But check it out.

5-65

LUCKY (TO BIG MEAT)Now thats worth about $200,000. (that: the diamonds Lucky has spread out before Big Meat) BIG MEAT (TO LUCKY)200 long? (long: slang for thousands of dollars) LUCKY (TO BIG MEAT)But all you gotta do is break me off 90 thousand (break me off: pay me)

572.15

576.15

4.00

5-66

578.02

579.14

1.12

5-67-/

581.03

586.10

5.07

120

582.05 MS ABOVE WAIST LUCKY WITH GANGSTER LBG. LUCKY (CONT)All you gotta do, break me off ninety thousand, and we good, man. We even.

5-68

LUCKY (TO BIG MEAT)and were good. Were even. (good: all taken care of) (even: all our debts paid, scores settled)

586.15

589.08

2.09

121

590.01 CU PAST ARM ONTO BIG MEAT. BIG MEATI can do that.

5-69-/

BIG MEAT (TO LUCKY)-- I can do that. LUCKY (TO BIG MEAT)-- Cool. (Thats excellent)

591.02

594.06

3.04

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 19

122

592.06 MCU UP AT LUCKY. LUCKYCool.

123

594.07 MS SIDE ANGLE BIG MEAT SITTING, GANGSTER BEHIND HIM BG. PAN L OFF BIG MEAT PICK UP LUCKY. BIG MEATBut whered you get it? LUCKY (OS)Aw, you see, me and my LUCKY (CONT)my boys, man, we had, uh, hit this spot over in Beverly Hills.

5-70

BIG MEAT (TO LUCKY)Whered you get it? (it: the diamonds) LUCKY (TO BIG MEAT)My and my boys hit this spot over in Beverly Hills. (my boys: my gang) (hit this spot: robbed this location) (Beverly Hills: a very expensive area of Los Angeles)

594.15

596.10

1.11

5-71

597.03

602.11

5.08

124

602.13 MS PAST LUCKY REAR ANGLE LFG ONTO BIG MEAT. BIG MEATBeverly Hills, huh? LUCKY (OS OVERLAPPING)Man, we

5-72-/

LUCKY (TO BIG MEAT)-- And we took them G-style. (G-style: like gangsters) BIG MEAT (TO LUCKY)-- Straight up G-style. (Straight up: pure, direct)

604.02

608.00

3.14

125

604.08 MS OTS ON LUCKY. LUCKY (CONT)took em G style.

BIG MEAT (OS)Straight 126 606.04 MS PAST LUCKY REAR ANGLE LFG ONTO BIG MEAT GESTURES. BIG MEATup G style. LUCKY (OS)What

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 20

127

608.01 MS SIDE ANGLE LUCKY. LUCKY (CONT)I came through the spot

5-73-/

LUCKY (TO BIG MEAT)I came through the spot boom!, kicked down the door. (spot: the location)

608.05

612.12

4.07

128

609.09 MLS SIDE ANGLE LUCKY R STOMPS WITH FOOT OPPOSITE BIG MEAT SEATED L. LUCKY (CONT)boom! I kicked in the motherfuckin door.

129

613.00 MS PAST LUCKY REAR ANGLE FG ONTO BIG MEAT SEATED LOOKS OVER SHOULDER AT GANGSTER BG. LUCKY (OS CONT)I told motherfuckers

130

614.07 MCU SIDE ANGLE GANGSTER. LUCKY (OS CONT)Get the fuck

5-74-/

LUCKY (TO BIG MEAT)I told the motherfuckers On the floor right now! Its a jackmove! (motherfuckers: vulgar slang for people) (jack-move: a robbery) LUCKY (TO BIG MEAT)I run through that place smacking bitch-ass no problem. (smacking bitch-ass: vulgar slang for terrorizing and assaulting people) (no problem: easily, without interference)

613.01

619.02

6.01

131

615.14 MS ABOVE WAIST SIDE ANGLE LUCKY. HE WALKS FG. LUCKY (CONT)on the floor right now, nigga. Its a jack move! I was running through that motherfucker smackin up bitch ass nigga with

5-75-/

619.07

625.00

5.09

BIG MEAT (OS OVERLAPPING)Yeah. (CHUCKLES)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 21

132

623.14 CU SIDE ANGLE GANGSTER. LUCKY (OS CONT)no problem. Yknow, Im takin care

5-76-/

LUCKY (TO BIG MEAT)Im taking care of my shit. Im snatching shit (taking care of my shit: carrying out my plan) (shit: vulgar slang for my intent) (snatching: grabbing, stealing) (shit: vulgar slang for items)

625.05

629.06

4.01

133

626.02 CU BIG MEAT REVEALED AS LUCKY REAR ANGLE MOVES L, THEN R BLOCKING BIG MEAT. LUCKY (OS)of my shit. Im over there just snatchin shit. Snatchin

134

630.03 MCU PAST ARM ONTO LUCKY. LUCKY (CONT)whatever I want, cause thats what I do.

5-77-/

LUCKY (TO BIG MEAT, THEN GANGSTER)whatever I want, cause thats what I do. I oughta take your shit. (shit: vulgar slang for possessions) LUCKY (TO BIG MEAT)Now I bring this shit back to you so we can break bread. (shit: vulgar slang for the stolen diamonds) (break bread: make peace, once again be friends)

629.11

634.09

4.14

135

632.09 MLS SIDE ANGLE LUCKY STANDING R OPPOSITE BIG MEAT SEATED L. LUCKY STEPS L. LUCKY (OS)I oughta take your shit, nigga. Now I

5-78-/

634.14

638.01

3.03

136

635.03 MS THRU FENCE SIDE ANGLE ON LUCKY R AND BIG MEAT L WITH GANGSTER STANDING BG. LUCKY (CONT)bring this shit back to you, man, so we can break bread.

137

638.02 CU SIDE ANGLE BIG MEAT. BIG MEATTo me.

5-79-/

BIG MEAT (TO LUCKY)-- To me. LUCKY (TO BIG MEAT)-- To you.

638.07

640.02

1.11

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 22

138

639.00 CU UP AT LUCKY. LUCKYTo you.

139

640.06 MCU PAST ARM ONTO BIG MEAT LOOKS L, R, FG. BIG MEATSo me and you, we could be like, like partners.

5-80

BIG MEAT (TO LUCKY)So me and you, we could be partners.

640.07

645.10

5.03

LUCKY (OS)Ex-

140

645.15 MS ABOVE WAIST LUCKY GESTURES, THEN LOOKS LBG AT GANGSTER. LUCKY (CONT)actly. Par- bus, business partners. Yall

5-81-/

LUCKY (TO BIG MEAT)Exactly. Business partners. You all hear that?

645.15

651.01

5.02

141

649.03 MLS SIDE ANGLE LUCKY STANDING L OPPOSITE BIG MEAT SEATED R, GANGSTERS BG. LUCKY (CONT)hear that? Partners.

142

651.03 MCU SIDE ANGLE LUCKY. LUCKY (CONT)We need to leave these buster ass niggas alone, fuck with your boy.

5-82

LUCKY (TO BIG MEAT)We need to leave these buster ass niggas alone, fuck with your boy. (meaning the others guys are not competent or to be trusted)

651.06

654.10

3.04

143

654.11 CU SIDE ANGLE BIG MEAT. BIG MEATBig Meat n Lucky.

5-83-/

BIG MEAT (TO LUCKY)-- Big Meat and Lucky. LUCKY (TO BIG MEAT)-- Thats whats up. (thats whats up: thats the great new idea)

655.01

659.11

4.10

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 23

144

656.15 MS SIDE ANGLE LUCKY, PAN DOWN R TO DIAMONDS ON CLOTH AS BIG MEAT LEANS L PICKS UP ITEM. LUCKYBig Meat, Lucky thats whats up. BIG MEAT (OS OVERLAPPING)Yeah. Well, this some nice shit.

5-84

BIG MEAT (TO LUCKY)This some nice shit. (This: These diamonds) (nice shit: vulgar slang for very attractive diamond jewelry)

660.02

661.11

1.09

145

661.12 MS SIDE ANGLE LUCKY RUBS HANDS. LUCKYMm hm.

146

662.12 CU BIG MEATS HAND LIFTS WATCH AND PAN UP. BIG MEAT (OS)Specially this watch. LUCKY (OS)Yeah. BIG MEAT (OS)I like this

5-85 5-86-/

BIG MEAT (TO LUCKY)Especially this watch. BIG MEAT (TO LUCKY)I like this watch. A Rolex. Presidential. (Rolex: World renowned brand of watch) (Presidential: a specific model of Rolex)

662.14 665.12

664.14 671.06

2.00 5.10

147

666.06 MS PAST LUCKYS LEGS REAR ANGLE FG ONTO BIG MEAT HOLDING WATCH. BIG MEAT (CONT)watch, Lucky. Rolex.

148

670.02 MCU SIDE ANGLE BIG MEAT WITH GANGSTER BG. PAN L TO LUCKY LAUGHING. BIG MEAT (CONT)Presidential.

5-87

LUCKY (TO BIG MEAT)Only the best.

671.11

673.06

1.11

LUCKY (OS)Only the best. LUCKY (CONT)(LAUGHS)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 24

SAME SHOT CONT. BIG MEAT (OS)So let me ask you

5-88-/

BIG MEAT (TO LUCKY)So let me ask you something.

676.07

678.15

2.08

149

677.09 CU GANGSTER HOLDING RIFLE. BIG MEAT (OS CONT)somethin, Lucky.

150

679.13 CU BIG MEAT. BIG MEAT (CONT)Why you think this Presidential Rolex got my initials on

5-89

BIG MEAT (TO LUCKY)Why you think this Presidential Rolex BIG MEAT (TO LUCKY)got my initials on the back?

680.02

684.12

4.10

5-90-/

686.04

688.12

2.08

151

687.11 CU SIDE ANGLE BIG MEAT PAN L OFF HIM PICK UP LUCKY. BIG MEAT (CONT)the back?

5-91-/

LUCKY (TO BIG MEAT)-- What? BIG MEAT (TO LUCKY)-- Yeah. Right here.

690.01

693.01

3.00

LUCKYWhat?

BIG MEAT (OS)Yeah.

152

691.14 MS SIDE ANGLE BIG MEAT GESTURES AT WATCH. BIG MEAT (CONT)Right here.

153

693.02 MCU SIDE ANGLE GANGSTER. 694.15 MCU OTS ON LUCKY. LUCKY(GRUNTS)

154

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 25

155

696.04 CU SIDE ANGLE GANGSTER WITH TOOTHPICK. LUCKY (OS CONT)Naw, naw. BIG MEAT (OS)Right

5-92-/

LUCKY (TO BIG MEAT)Let me see this.

697.11

699.11

2.00

156

697.07 CU SIDE ANGLE OTHER GANGSTER. BIG MEAT (OS CONT)here.

LUCKY (OS)Let me see this

157

698.10 MCU OTS ON LUCKY LEANS L. LUCKY (CONT)shit, man.

BIG MEAT (OS OVERLAPPING)Yeah.

158

699.12 CU PAST ARM ONTO BIG MEAT. HE PUNCHES UP FG TOP OF FRAME. 700.09 ECU SIDE ANGLE LUCKYS CHIN GETS HIT BY BIG MEAT LUCKY FALLS OFF L. 701.01 MLS SIDE ANGLE BIG MEAT HITTING LUCKY AND LUCKY FALLS TO GROUND FG AS BIG MEAT RISES OFF WEIGHT BENCH STUMBLES FG.

159

160

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 26

161

702.04 MS LUCKY ON GROUND ROLLS OVER R ONTO BACK. LUCKY (OS)What the fuck

5-93-/

LUCKY (TO BIG MEAT)What the fucks wrong with you? (fuck: vulgar emphatic )

702.12

704.06

1.10

162

703.05 MLS LUCKY REAR ANGLE SITS UP AS GANGSTERS L AND R STEP CENTER AIMING GUNS AT HIM AND BIG MEAT GETS MACHETE LBG. LUCKY (OS CONT)wrong with you?

163

704.07 MS SIDE ANGLE LUCKY SITTING WITH GANGSTER GUNS TRAINED ON HIM. BIG MEAT (OS)Chop

5-94-/

BIG MEAT (TO LUCKY)Chop-chop. Thats my shit you stole. (Chop-chop: making a cutting sound, saying now its time for you to get cut up) (shit: vulgar slang for possessions)

704.12

709.11

4.15

164

705.05 MCU BIG MEATS WAIST AS HE PULLS MACHETE FROM SHEATH. BIG MEAT (OS CONT)chop, nigga.

165

706.00 MS ABOVE WAIST BIG MEAT PULLS MACHETE AND COMES FG. 707.02 MS PAST BIG MEATS ARM LFG ONTO LUCKY SITTING ON FLOOR. BIG MEAT (OS)Thats my

166

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 27

167

708.00 MLS SIDE ANGLE AS BIG MEAT WITH MACHETE STEPS L TO LUCKY ON FLOOR WITH GANGSTERS L, BG AND R. BIG MEAT POINTS MACHETE AT LUCKY. BIG MEAT (CONT)shit you stole.

168

709.02 MCU LUCKY WITH MACHETE POINT TOUCHING HIM. BIG MEAT (OS CONT)Where the rest of

5-95-/

BIG MEAT (TO LUCKY)Wheres the rest of my shit out of the safe deposit box? (shit: vulgar slang for possessions)

710.01

714.02

4.01

169

711.01 ECU BIG MEAT LEANING FG. BIG MEAT (CONT)my shit out the safe deposit box?

170

713.14 MLS HIGH ANGLE DOWN ON BIG MEAT AND GANGSTERS HOLDING LUCKY AT KNIFE AND GUN POINT ON FLOOR.

171

714.11 MLS LUCKY SURROUNDED BY BIG MEAT REAR ANGLE AND GANGSTERS SIDE ANGLE R AND REAR ANGLE RFG. 715.05 MLS LUCKY REAR ANGLE SURROUNDED BIG MEAT AND GANGSTERS. 717.02 EXT. PARKING STRUCTURE/ O2S CAR/INTERCUT BIG MEATS WAREHOUSE. NIGHT LS PARKING STRUCTURE AND PAN DOWN R PICK UP MLS COCO AND O2 SEATED IN O2S CAR. O2 (OS)Yeah?

172

173

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PAGE 28

SAME SHOT CONT. LUCKY (VO FILTERED THRU PHONE)O, whats up? I got that for you. O2 (INTO PHONE)Alright, so where you wanna meet? 174 728.12 ECU SIDE ANGLE LUCKYS HAND HOLDING CELL PHONE TO EAR. LUCKY (OS)Meet me in the warehouse district. 635 Mitchell. Hey bring the rest of that money.

5-96

LUCKY (TO O2)O, whats up? I got that for you. (whats up: whats going on?) (I got that for you: I took care of those items you wanted me to sell) O2 (TO LUCKY)Alright. Where we gonna meet?

721.08

726.02

4.10

5-97

726.11

728.11

2.00

5-98

LUCKY (TO O2)Meet me in the warehouse district. 635 Mitchell. LUCKY (TO O2)Hey LUCKY (TO O2)bring the rest of that money.

729.01

734.08

5.07

5-99 5-100

736.13 740.04

738.02 742.04

1.05 2.00

175

742.12 MCU SIDE ANGLE O2 IN SHADOWS ON PHONE. O2 (INTO PHONE)Why? LUCKY (VO FILTERED THRU PHONE)I set that Junior thing up, too, yknow. Were good, man.

5-101 5-102

O2 (TO LUCKY)Why? LUCKY (TO O2)I set that Junior thing up, too. Were good. (set that Junior thing up: arranged for Juniors release) (Were good: everything is settled)

744.05 746.10

745.08 753.02

1.03 6.08

176

753.03 ECU LUCKY ON PHONE. LUCKY (INTO PHONE CONT)Were straight. O2 (VO FILTERED THRU PHONE)Damn, Lucky.

5-103

LUCKY (TO O2)-- Were straight. (straight: all parties are satisfied) O2 (TO LUCKY)-- Damn, Lucky. (Damn: vulgar emphatic)

753.13

757.13

4.00

177

759.04 CU SIDE ANGLE O2 ON PHONE IN SHADOW. O2 (INTO PHONE CONT)Good looking, man.

5-104

O2 (TO LUCKY)Good looking, man.

759.13

761.08

1.11

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PAGE 29

178

762.05 CU SIDE ANGLE LUCKY ON PHONE. TRACK R AROUND BACK OF MANS HEAD. LUCKY (INTO PHONE)Fifteen minutes. O2 (VO FILTERED THRU PHONE)See you there, bro. LUCKY (INTO PHONE)Gone.

5-105

LUCKY (TO O2)-- Fifteen minutes. O2 (TO LUCKY)-- See you there.

762.07

765.01

2.10

179

766.13 ECU LUCKY. PAN L OFF HIM REVEAL JUNIOR. 780.05 MS LOW SIDE ANGLE LUCKY AND JUNIOR SITTING ON SOFA, SLOW CIRCLE L. 784.02 MCU OTS ON JUNIOR. 791.13 CU OTS ON BIG MEAT. 794.02 MLS SIDE ANGLE THRU FENCE ON BIG MEAT SITTING, L OPPOSITE LUCKY AND JUNIOR ON SOFA R, GANGSTERS STANDING LBG. 797.14 EXT. WAREHOUSE DISTRICT. NIGHT LS TIME DELAY AS LIGHTS FROM CARS RACE PAST CREATING STREAMING RED LIGHTS. SLOW TO NORMAL SPEED AND PAN L PICK UP LS HIGH ANGLE O2S CAR DRIVES UP STREET BG TO FG AND CRANE DOWN AS IT EXITS BOTTOM FRAME, TILT DOWN HOLD ON PAVEMENT. O2 (VO)Something aint right. 5-106 O2 (TO COCO)Something aint right. (Something isnt right about this meeting) 807.04 808.14 1.10

180

181

182

183

184

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 30

SAME SHOT CONT. COCO (VO)Wait, wait, wait. O, this is, this is one of Meats spots.

5-107

COCO (TO O2)Wait this is one of Meats spots. (spots: an area that Meat controls) O2 (TO LUCKY)Hey, Lucky change of plans. LUCKY (TO O2)Meet me around the corner in ten minutes on 513 Peterson Street. LUCKY (TO O2)Its in the alley. We gonna do the exchange there. (It: 513 Peterson) (the exchange: money for Junior)

809.05

814.08

5.03

5-108 O2 (VO OVERLAPPING)Shit. Hey, Luck change of plan. I want you to meet me around the corner in ten minutes on 513 Peterson Street. No, its in the alley, man. We gonna do the exchange there. 5-110 5-109

818.06 821.02

820.13 827.12

2.07 6.10

829.10

833.12

4.02

185

837.00 EXT. WAREHOUSE DISTRICT. NIGHT MCU SIDE ANGLE O2S CAR IN SILHOUETTE. SUPER OVER TO:

186

841.00 LS MOON WITH POWER POLES FG. SUPER OVER TO:

187

843.00 MCU SIDE ANGLE O2S CAR PULLS INTO FRAME FROM L, EXITS R, HOLD ON COCO REVEALED MLS STANDING BG WITH SATCHEL BAG AND SHE TURNS, WALKS BG, THEN BEGINS CLIMBING FIRE ESCAPE ON R GOING UPPER RFG.

188

853.07 LS PAN DOWN R FROM NIGHT SKY TO CORNER OF BUILDING AS BIG MEATS HUMMER ENTERS BG AND TURNS STARTS FG. 861.00 MLS HUMMER COMES FG AND ZOOM IN.

189

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 31

190

863.02 MS HEADLIGHTS OF HUMMER AS IT TURNS FG. 865.04 MS O2 WAITS WITH ARMS FOLDED. 866.15 LS HIGH SIDE ANGLE AS HUMMER DRIVES FROM R AND STOPS, O2S CAR PARKED L WITH HEADLIGHTS ON.

191

192

193

869.14 MS HUMMER HEADLIGHTS FLASH.

194

872.07 MS O2S CARS HEADLIGHTS.

195

874.13 MLS HIGH SIDE ANGLE HUMMER AS GANGSTERS GET OUT FG.

196

876.10 MCU HUMMER HEADLIGHT PAN DOWN L AS LEGS WALK FG, PAN UP. 888.06 CU BIG MEATS SHOULDER PAN R TO LUCKY AND BACK L TO BIG MEAT ZOOMING BACK AS THEY WALK FG. 894.05 MS REAR ANGLE LUCKY AND BIG MEAT WALK BG. 897.13 MLS HIGH ANGLE O2 WALKS BG TO FG WITH BAG.

197

198

199

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 32

200

902.01 MS-MLS O2 SIDE ANGLE RFG WALKS R AS BIG MEAT AND LUCKY BG WALK TO FG WITH OTHER GANGSTERS ON L AND R ALSO WALKING FG. 903.15 MCU SIDE ANGLE LUCKY PAN L AS HE WALKS L. 909.00 LS HIGH SIDE ANGLE LUCKY AND BIG MEAT STANDING R AND O2 FACING ON L. 912.03 MS ABOVE WAIST SIDE ANGLE O2 PAN L AS HE WALKS L, TURNS FRONT ANGLE. 915.13 MLS PAST O2 REAR ANGLE RFG ONTO BIG MEAT, LUCKY AS JUNIOR LBG STARTS FG.

201

202

203

204

205

916.09 MS JUNIOR RUNS FG, PAN R AS BIG MEAT PULLED INTO FRAME R GRABS AND STOPS HIM. 919.04 MS BIG MEAT GRABBING JUNIOR AND PULLING HIM BACK R. 920.09 MS O2 IN HOODED SWEATSHIRT. BIG MEAT (OS)Where you goin, little 5-111-/ BIG MEAT (TO JUNIOR)Where you going, little man? 920.15 923.03 2.04

206

207

208

922.03 MS ABOVE WAIST BIG MEAT. BIG MEAT (CONT)man?

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 33

209

923.10 MCU JUNIOR WITH BIG MEATS HAND HOLDING HIM. BIG MEAT (CONT)You got my money?

5-112-/

BIG MEAT (TO O2)You got my money?

925.07

927.07

2.00

210

925.06 MS BIG MEAT HOLDING JUNIOR L AND LUCKY R. 927.13 MS SIDE ANGLE O2 LOOKING FG. O2Yall alright? 5-113 O2 (TO JUNIOR, LUCKY)You all alright? 930.11 932.01 1.06

211

212

932.04 MCU JUNIOR IN BIG MEATS GRASP.

213

933.09 CU SIDE ANGLE LUCKY. LUCKYYeah, we good.

5-114

LUCKY (TO O2)Yeah, were good.

933.13

934.13

1.00

214

935.00 MCU LOW ANGLE UP AT BIG MEAT. BIG MEATMy motherfuckin money.

5-115-/

BIG MEAT (TO O2)My motherfucking money. You got it? (motherfucking: vulgar emphatic)

935.02

938.07

3.05

215

937.04 CU LOW ANGLE BIG MEAT. BIG MEAT (CONT)You got it?

216

938.12 CU SIDE ANGLE LUCKY. PAN DOWN RI TO OTHER GANGSTER.

217

942.05 MLS OTS ON O2.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 34

218

944.12 CU BIG MEAT. 946.14 MS ABOVE WAIST JUNIOR IN BIG MEATS GRASP. 948.08 MS SIDE ANGLE O2. 950.06 MLS O2 TOSSES BAG AND PAN DOWN L AS BAG LANDS ON GROUND. 953.09 MLS O2 R AND JUNIOR HELD BY BIG MEAT LFG. 955.12 MCU BIG MEAT. 958.06 MLS PAST O2 REAR ANGLE RFG ONTO BIG MEAT, JUNIOR AND LUCKY. BIG MEAT RELEASES JUNIOR WHO RUNS FG.

219

220

221

222

223

224

225

960.10 MCU O2. HE STARTS BENDING FG.

226

962.02 MLS SLO MO JUNIOR RUNS FG FROM BIG MEAT, LUCKY, OTHERS AS O2 REAR ANGLE LFG BENDS TO MEET HIM. 964.00 MS SIDE ANGLE SLO MO TRACK L WITH JUNIOR RUNNING TO L. 965.10 MS SIDE ANGLE SLO MO JUNIOR RUNNING L SWISH PAN L.

227

228

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 35

229

966.03 MCU BIG MEAT TURNS HEAD SIDE ANGLE R AND NODS, THEN PAN R TO GANGSTER WITH RIFLE.

230

968.15 LS JUNIOR RUNS TO O2 AS GANGSTER FG REAR ANGLE STEPS BG. 970.06 MS JUNIOR REAR ANGLE LFG RUNS BG TO O2 WHO BENDS TO RECEIVE HIM. 971.05 MS ABOVE WAIST LOW SIDE ANGLE LUCKY RUNS L. LUCKYJunior!

231

232

233

972.13 MCU GANGSTER AIMING RIFLE FG AS LUCKY BG GRABS HIM FROM BEHIND. 973.10 MS SLO MO GANGSTER AS LUCKY GRABS HIM MAKES HIM FIRE WILDLY. 974.07 MS ABOVE WAIST SIDE ANGLE JUNIOR RUNS L INTO O2S ARMS.

234

235

236

975.10 MS ABOVE WAIST GRABS JUNIOR PULLS HIM L.

237

976.08 MS-MLS O2 AND JUNIOR RFG RUN RFG AS LUCKY LBG WRESTLES WITH GANGSTER.

238

977.08 MS SLO LUCKY WRESTLES WITH

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

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239

979.00 MS SWISH PAN R TO SLO MO O2 SPINNING L, FLASH OF LIGHTS

240

982.04 MS SLO MO GANGSTER WRESTLES WITH LUCKY.

241

983.12 MS ABOVE WAIST SLO MO BIG MEAT STEPS FG RAISING GUN.

242

984.15 MS SIDE ANGLE BIG MEAT RAISING GUN R AS LUCKY AND GANGSTER WRESTLE R.

243

985.04 MS ABOVE WAIST BIG MEAT RAISES GUN TO FG.

244

985.10 MS ABOVE WAIST SIDE ANGLE LUCKY.

245

985.14 MS ABOVE WAIST SIDE ANGLE LUCKY GETS SHOT, FALLS.

246

986.12 MS ABOVE WAIST REAR ANGLE LUCKY FALLS BELOW FRAME.

247

988.01 MS GANGSTER SPINS FG RAISES RIFLE.

248

989.02 LS PAST ARM LFG ONTO BIG MEAT AND GANGSTER AS LUCKY FALLS. 989.12 MLS SIDE ANGLE O2S CAR SWISH PAN R.

249

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

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250

990.05 MS ABOVE WAIST O2 SPINS FG WITH BOTH GUNS FIRING. 991.03 MS GANGSTER GETS SHOT FALLS BG. 991.13 MS REAR ANGLE GANGSTER FALLS BACK TO FG AS O2 STANDS BG SHOOTING.

251

252

253

992.06 MS SWISH PAN R TO SIDE ANGLE SLO MO O2 FIRING GUNS R.

254

993.15 MS ABOVE WAIST GANGSTER FALLS BG BEING SHOT.

255

994.10 MLS AS BIG MEAT SHOOTS FG, LUCKY AND GANGSTER ON GROUND R. 995.08 MS O2 SIDE ANGLE IN SILHOUETTE. 997.09 MS FRONT OF O2S CAR PAN L AS HE RUNS L. 998.06 MS BIG MEAT ARMS RAISED TO FG. 999.01 MLS BIG MEAT SHOOTING FG AS O2 RUNS ACROSS FRAME FG L TO R. 1000.02 MS ABOVE WAIST REAR ANGLE O2 MOVES R WHILE SHOOTING TO BG

256

257

258

259

260

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 38

261

1003.06 MS BIG MEAT MOVES L FROM FRONT OF HUMMER. 1006.01 MCU FRONT OF HUMMER AND SWISH PAN R TO LUCKY ON GROUND, LEGS OVER GANGSTERS LEGS.

262

263

1010.04 MLS BIG MEAT RUNS BG AROUND SIDE OF HUMMER.

264

1012.02 MLS PAN R AS O2 RUNS R AROUND BUILDING.

265

1014.00 MLS O2 REAR ANGLE TAKES COVER BEHIND CORNER OF BUILDING THEN MOVES R. O2 (OS)Junior, you alright?

5-116-/

O2 (TO JUNIOR)-- Junior, you alright? JUNIOR (TO O2)-- Yeah.

1014.01

1016.12

2.11

JUNIOR (OS)Yeah.

266

1016.07 MCU LOOKS FG SPINS LOOKS BG.

267

1018.02 MS LOW ANGLE O2 MOVES BG. 1019.04 MLS LOW SIDE ANGLE O2 MOVES R TO WHERE LUCKY LAYS ON GROUND.

268

269

1020.15 MS TRACK IN ON LUCKY LAYING ON GROUND AS O2 ENTERS RFG CROSSES FRAME R TO L. O2 (OS)You alright, Luck?

5-117-/

O2 (TO LUCKY)-- You alright, Luck? LUCKY (TO O2)-- Yeah.

1022.01

11026.03

4.02

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PAGE 39

270

1023.03 MS SIDE ANGLE O2 LOOKING DOWN R AND PAN DOWN R PICK UP LUCKY ON GROUND CLUTCHING STOMACH. LUCKY (OS)Yeah, Im alright.

271

1025.07 MS HIGH ANGLE DOWN O2 STRAIGHTENS.

272

1027.02 MCU LOW ANGLE O2 LOOKS L, TURNS BG STARTS TO RUN L.

273

1029.14 MLS O2 ENTERS DASHING TO L EMERGING FROM BEHIND HUMMER.

274

1030.07 MS-LS BIG MEAT LFG RAISES ARM AIMS GUN BG AT O2 WHO RUNS L TO R. 1031.08 MS O2 IN SHADOW TAKES COVER MOVING TO R. 1032.10 MCU LOW ANGLE ZOOM IN ON O2. HE LOOKS BG. 1034.12 LS HIGH ANGLE HUMMER. BIG MEAT (OS)The fuck you runnin from? 5-118-/ BIG MEAT (TO O2)What the fuck you running from? (fuck: vulgar emphatic) 1035.03 1039.09 4.06

275

276

277

278

1037.11 MS BIG MEAT LFG TURNS SIDE ANGLE RAISING GUN SHOOTS BG. BIG MEAT (CONT)Nigga runnin from what?

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 40

279

1040.11 MS O2 BEHIND BUILDING CORNER R RAISES GUN FIRES FG.

280

1042.04 MS ABOVE WAIST SIDE ANGLE O2 STEPS BACK R TAKING COVER.

281

1043.03 MS-LS BIG MEAT LFG LEANS R LOOKING BG.

282

1045.06 MS-LS AS LUCKY IN CRAWLS ON BACK FOR COVER L, GANGSTER DEAD ON BACK ON GROUND R. 1049.04 MS ABOVE WAIST O2 IN SILHOUETTE STEPS L SPINS RAISES GUN FG. O2 (OS)Im hurt, man, lets go! 5-119 O2 (TO BIG MEAT)Im hurt, lets go! 1049.04 1051.04 2.00

283

284

1053.06 MS BIG MEAT SIDE ANGLE LFG RAISES GUN FIRES BG. 1053.14 MS ABOVE WAIST SIDE ANGLE O2 MOVES BACK R TAKING COVER. 1054.06 MCU O2 BIG MEAT (OS)Im right here. 5-120 BIG MEAT (TO O2)Im right here. 1056.07 1058.01 1.10

285

286

287

1059.03 MS O2 STEPS L OUT FROM COVER AND WALKS FG.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 41

288

1066.03 MS-LS BIG MEAT LFG SIDE ANGLE LOOKS BG, O2 LS BG WALKING FG, AND BIG MEAT STEPS R TURNS REAR ANGLE RAISING GUN STARTS WALKING BG TO MEET O2. 1073.06 MS O2 WALKING FG. 1080.14 MLS SIDE ANGLE BIG MEAT ENTERS R AND O2 ENTER L AND BOTH STOP FACING EACH OTHER, BIG MEAT WITH GUN RAISED. O2 (OS)I did six years for you. BIG MEAT (OS)For me? 5-121 O2 (TO BIG MEAT)I did six years for you. (did six years: spent six years in prison) BIG MEAT (TO O2)For me? You got caught. 1090.15 1093.06 2.07

289

290

5-122-/

1094.07

1098.05

3.14

291

1095.04 MS OTS ON BIG MEAT WITH GUN POINTED FG. BIG MEAT (CONT)Nigga, you got caught.

292

1098.06 MS PAST BIG MEAT REAR ANGLE RFG ONTO O2. O2Same old Big Meat

5-123-/

O2 (TO BIG MEAT)Same old Big Meat (Same old: Hasnt changed, same as before)

1099.05

1101.09

2.04

293

1101.02 CU O2. O2 (CONT)fuckin over niggas and everybody else take the fall. BIG MEAT (OS)I

5-124

O2 (TO BIG MEAT)fuckin over niggas and everybody else takes the fall. (fuckin over: cheating, abusing) (takes the fall: gets the blame)

1103.03

1107.01

3.14

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 42

294

1107.06 CU BIG MEAT GUN POINTED FG. BIG MEAT (CONT)made you! I put you in this shit!

5-125

BIG MEAT (TO O2)I made you! I put you in this shit! (made you: taught you and created your success) (put you in: educated you in) (this shit: vulgar slang for this criminal enterprise of ours) O2 (TO BIG MEAT)You knew my son was all I had. O2 (TO BIG MEAT)-- You try to take him from me? BIG MEAT (TO O2)-- Fuck your son! (vulgar emphatic)

1107.06

1111.08

4.02

295

1111.09 CU O2. O2You knew my son was all I had. You gonna try

5-126

1112.03

1115.05

3.02

5-127-/

1117.09

1120.12

3.03

296

1118.07 CU BIG MEAT PULLS TRIGGER, GUN EMPTY. O2 (OS CONT)to take him away from me? BIG MEAT (OVERLAPPING)Nigga, fuck your son!

297

1124.08 CU O2, MOVES R. O2Seven shots

5-128

O2 (TO BIG MEAT)Seven shots. (Your gun only had seven shots and you used them all)

1124.13

1126.11

1.14

298

1128.09 MS BIG MEAT GETS SHOT. 1129.03 LS HIGH SIDE ANGLE AS O2 L SHOOTS BIG MEAT R AND BIG MEAT FALLS BACK R. O2 WALKS L STANDS OVER HIM, LOWERS ARM WITH GUN. O2 RUNS L. LUCKY (VO)(SCREAMS)

299

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 43

300

1159.10 INT. O2S CAR. NIGHT CU LUCKY IN SILHOUETTE, PUSH IN TO HIS BLOODY SHIRT. LUCKY (OS CONT)Damn! O2 (OS)Hold on, Luck.

5-129-/

O2 (TO LUCKY)Hold on, Luck. (Hold on: Dont give in to the pain or become unconscious)

1163.02

1164.02

1.00

301

1164.00 MCU LUCKY PAN L TO COCO IN SHADOW. LUCKY (OS)I swear to God, I didnt mean for it to go down like that, O. My bad-O2 (OS OVERLAPPING)Lucky

5-130

LUCKY (TO O2)Swear to God I didnt mean for it to go down like that. (it: the exchange with Big Meat) (go down: produce a result) (like that: the gunfight that ensued)

1164.07

1167.11

3.04

302

1168.07 ECU SIDE ANGLE O2 LOOKING FG. LUCKY (OS CONT)man. (MOANS)

5-131-/

O2 (TO LUCKY)Chill out we gettin you to the hospital. (Chill out: calm down)

1168.09

1171.06

2.13

O2 (OVERLAPPING CONT)chill out, man. We gettin you to the hospital. 303 1171.04 MCU LUCKY IN SHADOW AND PAN L TO CU COCO IN SHADOW SWISH PAN R OFF HER. LUCKY (OS)No hospital. 5-132 5-133-/ LUCKY (TO O2)No hospital. O2 (TO LUCKY)-- Whatre you talking about? LUCKY (TO O2)-- Take me to Corona with you. (Corona: town in Mexico) 1171.11 1173.06 1173.01 1178.13 1.06 5.07

O2 (OS)Whatre you talking

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 44

304

1174.03 ECU SIDE ANGLE O2. O2 (CONT)about, man? You bleedin all

305

1175.14 ECU SIDE ANGLE LUCKY IN SHADOW, PAN L AND R BACK TO LUCKY. O2 (OS CONT)over my car.

5-134-/

O2 (TO LUCKY)Youre not going with us. Youre going to the hospital.

1179.02

1182.07

3.05

LUCKY (OS OVERLAPPING)You take me to Corona with yall, man, alright?

O2 (OS OVERLAPPING)Youre not goin with us, man. Youre goin

306

1181.06 CU SIDE ANGLE O2 AT WHEEL DRIVING. PAN OFF HIM R THEN L PAST HIM PICK UP LUCKY THEN PAN BACK R TO SIDE ANGLE O2. O2 (CONT)to the hospital. LUCKY (OS)What you mean I cant go? COCO (OS OVERLAPPING)Junior, put your hand here and press.

307

1184.07 MCU LUCKY IN SHADOW. LUCKY (OS)Agh!

O2 (OS)Relax, man.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 45

308

1185.11 CU SIDE ANGLE O2. COCO (OS)Gimme your jacket. Hurry up.

LUCKY (OS OVERLAPPING)Oh, you just gonna treat me like that? 309 1190.01 CU LUCKY. LUCKY (CONT)You just gonna leave me in some fuckin hospital? 5-135 LUCKY (TO O2)Youre just gonna leave me in some fucking hospital? (fucking: vulgar emphatic) 1190.01 1192.11 2.10

O2 (OS OVERLAPPING)Listen, man, later 310 1192.14 CU COCO IN COMPLETE SHADOW. O2 (OS CONT)for all 311 1193.12 MCU LUCKY BACK SEAT AS COCO FRONT PASSENGER SEAT TURNS BG IN COMPLETE SHADOW. O2 (OS CONT)this bullshit. 5-136-/ LUCKY (TO O2)Im good. Im trying to tell you. (good: Im physically fit) 1194.08 1197.12 3.04

LUCKY (OS)Listen, man, Im good. Im tryin to tell ya.

312

1197.06 MCU LUCKY IN SHADOW GRIMACING IN PAIN. SWISH PAN R TO SIDE ANGLE O2. LUCKY (CONT)Agh! Damn!

5-137-/

COCO (TO O2)-- I gotta put pressure on it. (it: Juniors wound) O2 (TO JUNIOR)-- Put more pressure on it.

1199.13

1203.11

3.14

COCO (OS)I gotta put pressure on it.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 46

SAME SHOT CONT. O2 (OS OVERLAPPING)Junior, put more O2 (CONT)pressure on it. 313 1203.06 MCU JUNIOR REACHES FG TO HELP LUCKY. LUCKY (OS)Dont put no more pressure on it JUNIOR (OVERLAPPING)Its gonna be okay. 5-138-/ LUCKY (TO JUNIOR)That hurts! 1204.00 1206.10 2.10

314

1205.06 MCU PAST HAND FG ONTO LUCKY BACK SEAT. LUCKY (CONT)man. That shit hurts.

315

1206.11 CU SIDE ANGLE O2. COCO (OS)O, hes bleeding

5-139-/

COCO (TO O2)Hes bleeding right through it.

1206.15

1209.05

2.06

316

1207.09 ECU PAN R TO SIDE ANGLE LUCKY IN SHADOW. COCO (OS CONT)through it. Hes bleeding through it.

317

1209.03 CU SIDE ANGLE O2 LOOKING FG TO BACK SEAT. LUCKY (OS)We gotta stop!

5-140

O2 (TO COCO)Put more pressure on it.

1209.11

1212.01

2.06

O2 (OVERLAPPING)Put more pressure on it!

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PAGE 47

SAME SHOT CONT. COCO (OS OVERLAPPING)We need to pull over.

5-141-/

COCO (TO O2)Hes bleeding right through it.

1212.06

1214.06

2.00

318

1211.14 ECU SIDE ANGLE COCO COCO (CONT)Were putting pressure on it.

319

1213.11 ECU SIDE ANGLE LUCKYS NOSE, EYE. COCO (OS CONT)Hes bleeding through. We need

5-142-/

COCO (TO O2)We need to pull over. We gotta do something. (pull over: pull the car off the road)

1214.11

1217.12

3.01

320

1215.00 MCU PAST COCOS SHOULDER ONTO JUNIOR IN BACK SEAT. COCO (OS CONT)to pull over. We gotta do something. We gotta

321

1217.01 CU O2S HAND ON WHEEL IN SHADOWS THEN PAN UP TO SIDE ANGLE O2. COCO (OS CONT)pull over. O, the gas station right there comin

5-143-/

COCO (TO O2)O, pull over -- that gas station right there.

1218.01

1222.06

4.05

LUCKY (OVERLAPPING)Junior, tell your pop. 322 1219.12 MLS OUT FRONT WINDSHIELD MOVING BG THEN TURN R INTO GAS STATION, TURN L INTO GAS PUMP ISLANDS. COCO (OS CONT)on up. Cmon, the gas station right there.

O2 (OS OVERLAPPING)Hold on!

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PAGE 48

SAME SHOT CONT. LUCKY (OS)Please dont stop the fuckin car!

5-144

LUCKY (TO O2)Please dont stop the car!

1223.06

1225.08

2.02

COCO (OS OVERLAPPING)Stop the fuckin car.

323

1228.02 EXT. GAS STATION. NIGHT MS LOW ANGLE O2S CAR MOVES PAST GAS PUMPS TO FG, TRACK BACK PAN L AS IT REACHES FG TURNS L, STOPS SIDE ANGLE FACING L. PAN R AS O2 GETS OUT OF CAR.

324

1235.00 MS ABOVE WAIST REAR ANGLE FOLLOW O2 AS HE RUNS BG CIRCLES L AROUND BACK OF CAR GOES TO REAR ANGLE PASSENGER DOOR, OPENS IT AND STARTS PULLING LUCKY OUT. LUCKY (OS)(GRUNTS)

325

1242.11 MS OVER TOP OF CAR ONTO O2 AS HE HELPS LUCKY, START TRACK L AS THEY MOVE L. LUCKY (OS CONT)(GRUNTS)

326

1246.01 MCU TRACK BACK WITH O2 HELPING LUCKY FG, REVEAL COCO AND JUNIOR BEHIND THEM BG. LUCKY (OS)Damn!

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PAGE 49

327

1249.10 MCU REAR ANGLE TRACK BG PAN R FOLLOWING O2 HELPING LUCKY TO BG, THEN TRACK L PASSING GATED BARS AS THEY GO L THEN BG TO RESTROOM DOOR. LUCKY (OS)(GROANS, GRUNTS) O2 LEANS LUCKY AGAINST WALL BG TURNS L TO OPEN DOOR AS COCO ENTERS RFG JOINING THEM. O2 (OS)Stay right here.

5-145

O2 (TO LUCKY)-- Im gonna get the key. COCO (TO LUCKY)-- Stop moving!

1263.03

1266.00

2.13

O2Oh!. LUCKYFuck! O2Let me get a key. DOOR IS LOCKED AND O2 RUNS FG EXITS RFG AS LUCKY HITS DOOR IN FRUSTRATION. COCOJust wait. Stop moving!

328

1266.01 INT. GAS STATION MINI MART. NIGHT. MCU OTS ON MINI TV ON SHELF. FEMALE NEWSCASTER (VO FILTERED THRU TV)In a victory for South Los Angeles residents today, Mayor Villaraigosa announced a forty five percent increase in Police officers

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 50

329

1276.08 ECU LOOK-ALIKE. SWISH PAN L OFF LOOK-ALIKE PICK UP O2 AT WINDOW. FEMALE NEWSCASTER (VO FILTERED THRU TV CONT) assigned to the area and vowed to support communities --

5-146

O2 (TO LOOK-ALIKE)I need the key to the bathroom.

1281.07

1283.05

1.14

O2I need the key to the bathroom.

330

1283.09 MS PAST O2 REAR ANGLE LFG ONTO LOOK-ALIKE REAR ANGLE INSIDE BOOTH. LOOKALIKE LOOKS OVER SHOULDER FG. LOOK-ALIKEYou gotta buy some gas.

5-147 5-148-/

LOOK-ALIKE (TO O2)You gotta buy some gas. O2 (TO LOOK-ALIKE)I need the key! I gotta use the bathroom!

1284.06 1286.05

1286.00 1290.05

1.10 4.00

O2 (OS)I need the key

331

1287.01 CU O2. O2 (CONT)to the bathroom. I gotta use the bathroom, man.

332

1290.03 MCU OTS REAR ANGLE ON LOOK-ALIKE FACING R. LOOK-ALIKEThen buy some gas, bro.

5-149

LOOK-ALIKE (TO O2)Then buy some gas, bro. (bro: urban slang for friend, literally meaning brother)

1290.14

1292.12

1.14

333

1293.12 CU O2 AT WINDOW LOOKS DOWN FISHING THRU POCKETS BELOW FRAME, THEN PAN DOWN TO O2S HANDS IN BOOTH SCOOP. O2Are you fuckin serious, man? Here.

5-150

O2 (TO LOOK-ALIKE)Are you fucking serious? Here. (fucking: vulgar emphatic)

1293.10

1298.10

5.00

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PAGE 51

334

1300.11 MCU OTS ON LOOK-ALIKE. LOOK-ALIKEWhich pump, man?

5-151

LOOK-ALIKE (TO O2)Which pump? (From which pump do you want to pump gas?)

1301.02

1302.06

1.04

O2 (OS)Man

335

1302.11 ECU O2. O2 (CONT)fuck the pump, nigga.

5-152-/

O2 (TO LOOK-ALIKE)Fuck the pump, nigga! Gimme the key to the bathroom. (Fuck: vulgar emphatic) (nigga: racial slur)

1302.11

1306.03

3.08

336

1304.05 CU OTS ON LOOK-ALIKE. O2 (OS CONT)Gimme the key to the

337

1305.02 ECU O2. O2 (CONT)bathroom! LOOK-ALIKE (OS OVERLAPPING)Man, just chill

5-153-/

LOOK-ALIKE (TO O2)Chill, man thats all you had to say in the first place. (Chill: relax, settle down)

1306.08

1310.08

4.00

338

1306.12 CU SIDE ANGLE LOOK-ALIKE TURNS FG, PAN DOWN TO MONEY SCOOP BELOW WINDOW. LOOK-ALIKE (CONT)out, man. Thats all you had to say in the first

339

1309.04 CU O2 PAN DOWN AS HE PUTS MONEY IN SCOOP BELOW WINDOW, THEN PAN UP TO O2. LOOK-ALIKE (OS CONT)place, man.

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340

1312.03 CU-MS PAST LOOK-ALIKE SIDE ANGLE RFG ONTO O2 BG AND TRACK R LOOK-ALIKE WHO TURNS FG AND O2 EXITS RBG. O2 (OS)What the fuck wrong with you?

5-154

O2 (TO LOOK-ALIKE)What the fucks wrong with you? (fuck: vulgar emphatic)

1312.08

1314.06

1.14

341

1316.02 EXT. GAS STATION RESTROOM. NIGHT MS LUCKY HOLDING STOMACH WITH COCO AND JUNIOR WITH HIM AS O2 ENTERS RFG AND BENDS L OPENING RESTROOM DOOR. PAN L TO CU SIDE ANGLE O2 THEN PAN DOWN AS HE UNLOCKS, OPENS DOOR. PAN UP. LUCKY (OS)Hurry up, man.

342

1322.01 INT. RESTROOM. NIGHT MS HIGH ANGLE LUCKY STUMBLES THRU DOORWAY AIDED BY COCO AND JUNIOR AS O2 HOLDS DOOR. 1324.05 MS HIGH SIDE ANGLE LUCKY FALLS THRU DOORWAY L WITH COCO TRYING TO HELP.

343

344

1324.13 MCU SIDE ANGLE LUCKY FALLS TO FLOOR L, PAN DOWN L. LUCKY CLUTCHES HIS STOMACH. COCO (OS)No.

LUCKY (OVERLAPPING)(GRUNTS)

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 53

345

1326.07 MS HIGH ANGLE OTS ON LUCKY ON FLOOR AS COCO SIDE ANGLE L TRIES TO HELP, O2 REAR ANGLE RFG AND JUNIOR ECU REAR ANGLE RFG CROSSES FRAME R TO. O2 (OS)Whoa, whoa.

346

1327.06 MCU COCO WITH O2 BEND DOWN INTO FRAME FROM UPPER L, JUNIOR VISIBLE BG. LUCKY (OS)(GRUNTS)

347

1328.05 MCU COCOS HAND ON LUCKYS BACK.

348

1329.05 MS HIGH ANGLE AS O2 AND COCO HELP LUCKY REAR ANGLE TO HIS FEET, JUNIOR COMING IN TO HELP ON R. 1330.14 MCU SIDE ANGLE LUCKY GRABS COCOS PURSE FG FOR SUPPORT, PAN L AS HE STUMBLES L. COCO (OS)(GRUNTS) LUCKY (OS)(GRUNTS)

349

350

1333.10 MLS HIGH ANGLE STRAIGHT DOWN INTO RESTROOM STALL AS O2, COCO AND JUNIOR HELP LUCKY TO BOTTOM OF FRAME INTO STALL, PAN DOWN.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 54

351

1335.15 MS HIGH ANGLE STRAIGHT DOWN INTO STALL AS O2 SITS LUCKY ON TOILET WITH HELP FROM COCO TOP OF FRAME.

352

1336.09 MCU HIGH PAN DOWN FROM COCOS HANDS, O2S SHOULDER TO LUCKY ON TOILET FACING TOP OF FRAME, LEANING AGAINST WALL BOTTOM FRAME. O2 (OS)Here.

353

1338.11 MS ABOVE WAIST PAST O2S ARM LFG ONTO LUCKY SLUMPED AGAINST WALL AND PUSH IN. O2 (OS CONT)Oh

354

1340.02 CU SIDE ANGLE LUCKY FACING TOP OF FRAME AS O2 PULLS OPEN HIS SHIRT REVEALING BULLET WOUND. O2 (OS CONT)shit.

355

1341.06 MS ABOVE WAIST PAST O2 REAR ANGLE LFG ONTO LUCKY SLUMPED AGAINST WALL. 1342.03 CU LUCKY AS O2 PULLS OPEN HIS SHIRT EXPOSING WOUND. LUCKY (OS)(GRUNTS)

356

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PAGE 55

357

1344.06 CU O2 LOOKING DOWN BELOW FRAME RFG. HE LOOKS L, PAN L TO COCO OUT OF FOCUS BG AND SHIFT FOCUS TO COCO. LUCKY (OS CONT)(GRUNTS) O2 (OS)Go see if they got

5-155-/

O2 (TO COCO)Go see if they got some peroxide or first aid kit?

1347.04

1354.09

7.05

358

1348.03 MCU HIGH SIDE ANGLE OTS DOWN ON LUCKY SLUMPED L FACING UPPER R. HE TRIES TO SIT UP. O2 (OS CONT)see if they got some

359

1350.05 MS ABOVE WAIST PAST O2S ARM LFG ONTO LUCKY WITH JUNIOR PARTIALLY IN FRAME SIDE ANGLE R. O2 (OS CONT)peroxide

360

1351.03 MS HIGH REAR ANGLE COCO AND PAN R AS SHE TURNS RUNS R EXITS RESTROOM THRU DOOR R. SWISH PAN BACK L TO O2, LUCKY AND JUNIOR IN STALL. O2 (OS CONT)or first aid O2 (CONT)kit, anything.

361

1354.12 ECU LOW ANGLE UP AT O2 LOOKING DOWN BELOW FRAME. HE LOOKS L. O2 (CONT)Junior, got get some

5-156-/

O2 (TO JUNIOR)Junior, get some paper towels.

1355.15

1358.03

2.04

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PAGE 56

362

1357.02 MS O2 SIDE ANGLE BENT R WITH LUCKY SLUMPED BG NUDGES JUNIOR AND PAN DOWN L AS JUNIOR RUNS L FROM STALL TO PAPER TOWEL DISPENSER, PULLS OUT PAPER TOWELS, THEN PAN BACK R TO O2 WITH LUCKY. O2 (OS CONT)paper towels. How bad is this. Lemme see if it went through.

5-157-/

O2 (TO LUCKY)How bad is this? Let me see if it went through. (it went through: the bullet went all the way through and out of your back)

1358.15

1363.10

4.11

363

1362.13 MS SIDE ANGLE JUNIOR AT TOWEL DISPENSER AND PAN R TO ECU O2 BEND RFG. O2 (OS CONT)Hold on.

LUCKY (OS)Ah, shit!

364

1365.09 INT. STATION MINI MART. NIGHT. MS COCO OPENS DOOR RUNS IN FROM BG. 1368.10 ECU LOOK-ALIKE, SWISH PAN L PICK UP COCO AT REGISTER WINDOW. COCO (OS CONT)Excuse me. COCO (CONT)Do you have any hydrogen peroxide? 5-158 COCO (TO LOOK-ALIKE)Excuse me. Do you have any hydrogen peroxide? 1369.00 1372.07 3.07

365

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PAGE 57

366

1372.08 MCU OTS ON LOOK-ALIKE REAR ANGLE HEAD TURNED R. HE LOOKS BACK TO BG. LOOK-ALIKENah. COCO (OS)Alcohol, anything like

5-159-/

COCO (TO LOOK-ALIKE)Alcohol, anything like a first aid kit?

1373.04

1376.04

3.00

367

1374.08 ECU COCO SHAKES HEAD. COCO (CONT)that. First aid kit?

5-160-/

LOOK-ALIKE (TO COCO)If we do, its aisle three.

1376.09

1378.09

2.00

LOOK-ALIKE (OS)If we do its

368

1377.06 MS OTS ON LOOK-ALIKE REAR ANGLE IN BOOTH PROFILE, LOOKS BACK BG AND PAN L WITH COCO AS SHE RUNS L THEN BG DOWN AISLE. LOOK-ALIKE (CONT)in aisle three.

COCO (OS)Shit.

369

1381.14 MS SECURITY MIRROR SHOWING COCO MOVING DOWN AISLE BG TO FG, THEN PAN DOWN L OFF MIRROR PICK UP COCO COMING AROUND END OF AISLE FROM R TURNS FG THEN PAN DOWN R TO FIRST AID ITEMS ON SHELF. SHE GRABS SOME AND CROSSES FRAME FG EXITS R. FEMALE NEWSCASTER (VO FILTERED THRU TV)An ex-convict recently released from San Quentin.... Police

5-161-/ ITAL

FEMALE NEWSCASTER (TO AUDIENCE)Police now have a photo of the female member of the team.

1389.06

1395.11

6.05

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PAGE 58

370

1389.11 MCU OTS ON MINI TV IN BOOTH. FEMALE NEWSCASTER ON SCREEN CHANGES TO MUG SHOT OF COCO. LOOK-ALIKES HEAD TURNS PROFILE AS COCO ENTERS RFG CROSSES FRAME TO REAR ANGLE LFG. LOOKALIKE TURNS FRONT ANGLE AND CU OTS ON LOOK-ALIKE. FEMALE NEWSCASTER (ON TV FILTERED CONT)now have a photo FEMALE NEWSCASTER (VO FILTERED THRU TV CONT)of the female member of the team. Shes been identified as a -COCO (OS)Here.

371

1400.05 MS ABOVE WAIST PAST COCO REAR ANGLE LFG ONTO LOOKALIKE IN BOOTH. LOOK-ALIKE GESTURES BG AT TV. FEMALE NEWSCASTER (VO FILTERED THRU TV)...armed and dangerous. LOOK-ALIKEYo, youre, youre the girl from the TV.

5-162-/

LOOK-ALIKE (TO COCO)Youre the girl from the TV. Youre the bank robber chick. (chick: slang for woman)

1400.11

1404.04

3.09

372

1402.14 MS OTS ON COCO WHO DASHES R AND PAN R PAST LOOK-ALIKES BACK AS COCO REACHES DOOR. LOOK-ALIKE (OS CONT)Youre the bank robber chick. COCO (OVERLAPPING)Shit! LOOK-ALIKE (OS)No, no Hey

5-163-/

LOOK-ALIKE (TO COCO)No, hey its cool. You all are the shit! (its cool: the fact that your the bank robber girl is fine with me) (You: You and your partner) (all the shit: fantastic and very popular)

1404.09

1409.12

5.03

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PAGE 59

373

1405.05 MCU PAN R AS LOOK-ALIKE LEANS R LOOKING FG THRU BOOTH WINDOW. LOOK-ALIKE (OS CONT)yo, hey LOOK-ALIKE (CONT)its cool. Listen

374

1407.02 MS THRU BOOTH WINDOW COCO TURNS FG. LOOK-ALIKE (OS CONT)Yo, yall are the shit, man.

375

1409.13 MCU LOOK-ALIKE LEANS R LOOKING FG. HE SHAKES HIS HEAD ROCKS BACK AND FORTH AS HE TALKS. LOOK-ALIKE (CONT)You guys are like the new modern day Bonnie and Clyde. For real. Yo, can I get your autograph?

5-164

LOOK-ALIKE (TO COCO)You guys are like the new modern day Bonnie and Clyde. (Bonnie and Clyde: Bonnie Parker and Clyde Barrow, two infamous and notorious bank robber from the 1920s) LOOK-ALIKE (TO COCO)Can I get your autograph?

1410.01

1414.08

4.07

5-165-/

1415.05

1420.08

5.03

376

1417.05 MS THRU BOOTH WINDOW ON COCO. PAN L AS SHE COMES L BACK TO REGISTER WINDOW. LOOK-ALIKE (OS CONT)Lemme get your autograph.

377

1426.00 MS ABOVE WAIST OTS ON LOOK-ALIKE AS COCO STEPS TO RFG TURNS REAR SIDE ANGLE FACING LOOK-ALIKE INSIDE BOOTH AND PUSH IN TO MCU OTS ON LOOK-ALIKE. LOOK-ALIKE (CONT)Thats whats up. Yo, that shit you guys did with the Kingpins was most def, girl

5-166

LOOK-ALIKE (TO COCO)Thats whats up. (Im excited that youre here and giving me an autograph) LOOK-ALIKE (TO COCO)That shit you did with the Kingpins was most def. (That shit: those deeds, things) (Kingpins: bosses of crime gangs) (most def: excellent, admirable)

1426.09

1428.03

1.10

5-167-/

1430.03

1435.05

5.02

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 60

378

1434.04 CU OTS ON COCO. LOOK-ALIKE (OS CONT)for real.

COCOYeah.

LOOK-ALIKE (OS)Yeah. 379 1437.09 CU OTS ON LOOK-ALIKE. LOOK-ALIKE (CONT)You got a phone number with that? 380 1439.07 CU OTS ON COCO. SHE EXITS R, PAN R. LOOK-ALIKE (OS CONT)Yo, hey -5-168-/ LOOK-ALIKE (TO COCO)You got a phone number with that? (with that: your autograph) 1438.00 1440.01 2.01

381

1441.12 INT. STATION REST ROOM. NIGHT CU DOWN ON JUNIOR LOOKING DOWN R. LUCKY (OS)(SCREAMS)

382

1443.07 MCU LUCKY GRIMACING AS O2S HANDS PRESS AGAINST WOUND. 1444.12 MS O2 AND JUNIOR REAR ANGLE TEND TO LUCKY SLUMPED AGAINST WALL ON TOILET FRONT ANGLE. O2 NUDGES JUNIOR FG OUT OF THE STALL AND PAN DOWN AS JUNIOR COMES FG BOTTOM FRAME, TURNS BG. O2Back up, Junior. 5-169 O2 (TO JUNIOR)Back up, Junior. (Back up: Step back) 1445.01 1446.09 1.08

383

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 61

384

1448.00 MLS HIGH ANGLE STRAIGHT DOWN ON STALL AS COCO ENTERS TOP FRAME RUNS BOTTOM FRAME PAST JUNIOR STANDING R AND PAN DOWN. O2 (OS)Gimme

385

1449.15 MS HIGH ANGLE STRAIGHT DOWN ON O2 BENT FROM R OVER LUCKY SITTING ON TOILET AS COCOS HANDS TOP OF FRAME OPEN BOTTLE PASSING IT TO O2. O2 (OS CONT)that, gimme that. COCO (OS OVERLAPPING)Here.

386

1451.04 CU SIDE ANGLE LUCKY PAN L TO O2S HANDS. 1452.02 CU HIGH SIDE ANGLE LUCKY AS O2S HANDS ENTER R TWIST OPEN PEROXIDE BOTTLE AND PAN DOWN. LUCKYWhat is that? 5-170 LUCKY (TO O2)What is that? (that: the bottle O2 is about to pour over Luckys wound) 1452.09 1453.11 1.02

387

388

1454.13 MCU COCO RIPS OPEN GAUZE PACKAGE, PAN UP. LUCKY (OS CONT)What the fuck is that?

5-171-/

O2 (TO LUCKY)Gonna make you feel better.

1455.05

1457.02

1.13

O2 (OS)Gonna make you feel

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 62

389

1456.04 CU HIGH SIDE ANGLE AS O2S HAND POURS PEROXIDE ONTO LUCKYS WOUND AND LUCKY L CRIES OUT IN AGONY. O2 (OS CONT)better. LUCKY(SCREAMS)

390

1457.09 CU PAN UP TO LUCKY SCREAMING IN PAIN. LUCKY (CONT)(SCREAMS)

391

1458.11 CU LUCKY MOUTH WIDE SCREAMING IN PAIN. LUCKY (CONT)(SCREAMS)

392

1460.05 EXT. FREEWAY. NIGHT LS HIGH ANGLE HELICOPTER SHOT MOVING BG AS FREEWAY TRAFFIC BELOW BG MOVES TOP AND BOTTOM FRAME. ESTABLISHING.

393

1467.15 INT. O2S CAR. NIGHT CU SIDE ANGLE PAN UP FROM JUNIOR SLEEPING HEAD ON COCOS LAP TO COCO DOZING, ALL IN SHADOWS OCCASIONALLY ILLUMINATED. PAN R TO O2 DRIVING.

394

1481.03 CU O2 DRIVING.

395

1485.03 CU SIDE ANGLE O2 DRIVING.

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PAGE 63

396

1490.05 CU SIDE ANGLE COCO SLEEPING, HEAD LEANING R. SHE WAKES, LOOKS UP FG THEN RFG. COCOWhere are we? O2 (OS)Just sixty

5-172 5-173-/

COCO (TO O2)Where are we? O2 (TO COCO)Sixty miles from the border. Probably got another hour. (border: between the U.S. and Mexico)

1497.06 1499.03

1498.14 1505.06

1.08 6.03

397

1500.01 CU O2, REVEAL COCO LBG AS LIGHTS FLASH. O2 (CONT)miles to the border. Probably got another hour. COCOUh huh.

398

1508.13 CU SIDE ANGLE O2. HE LOOKS FG. O2Tell you what? As soon as we get there, you goin to get checked

5-174-/

O2 (TO LUCKY)Soon as we get there you gonna get checked on, despite what you say. (checked on: medically examined and tended to)

1508.14

1516.03

7.05

399

1512.03 ECU-MS PAST O2 SIDE ANGLE RFG LOOKING BG AT LUCKY SLUMPED AGAINST PASSENGER CAR DOOR. O2 (OS CONT)on, brother.

400

1514.10 CU SIDE ANGLE O2 DRIVING. HE LOOKS FG. O2 (CONT)Despite what you say. (PAUSE) You hear me?

5-175

O2 (TO LUCKY)You hear me?

1521.15

1523.05

1.06

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PAGE 64

401

1527.10 CU O2 SIDE ANGLE RFG LOOKING BG AT MS LUCKY IN PASSENGER SEAT. O2 REACHES BG, SHAKES LUCKY. O2 (OS CONT)Luck.

402

1532.09 MCU SIDE ANGLE O2 LEANS FG SHAKES LUCKY. O2 (CONT)Luck!

403

1532.12 MS PAST O2 SIDE ANGLE RFG IN SHADOW AS HE LEANS BG SHAKES LUCKY. 1535.05 MS THRU FRONT WINDSHIELD AS O2 LETS GO OF WHEEL REACHING L TO SHAKE LUCKY WHOS DEAD. PAN R. O2Lucky!

404

405

1537.05 EXT. FREEWAY/INT. O2S CAR. NIGHT MLS O2S CAR SWERVES R.

406

1538.12 MCU SIDE ANGLE COCO R AS O2 LFG REACHES FOR LUCKY L. JUNIOR (OS)Dad

407

1539.04 MCU O2 SITS BACK STRAIGHT FROM L GRABS WHEEL. PAN UP. JUNIOR (OS CONT)watch it!

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PAGE 65

408

1540.04 MS REAR ANGLE O2S CAR SWERVES L THEN STRAIGHTENS, AVOIDS HITTING OTHER CAR.

409

1541.12 MLS O2S CAR SWERVES L.

410

1543.04 MS O2S CAR DRIVES BG TO LFG PAN L AS IT CROSSES FG EXITS L, REVEAL HIGHWAY PATROL CAR WITH STOPPED WITH OTHER CAR BG. 1546.08 MCU SIDE ANGLE CHP OFFICER IN CAR LOOKS OVER SHOULDER LFG. MALE DISPATCH (VO FILTERED THRU RADIO)Patrol 16,

411

412

1549.06 MS PAN L PICK UP O2 AT WHEEL, COCO LBG AS O2 TRIES TO LEAN L. COCO (OS)Shit! O2Lucky!

413

1552.02 MCU SIDE ANGLE LUCKY SLUMPED AGAINST CAR DOOR DEAD. PAN R TO COCO. 1554.07 CU O2 LOOKING FG THEN R TO DRIVE THEN FG. O2Shit. Get up, man. 5-176 O2 (TO LUCKY)Get up! 1556.02 1557.09 1.07

414

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PAGE 66

415

1558.10 ECU O2 LOOKING LFG, PAN DOWN R TO LUCKY. O2 (CONT)Lucky! O2 (OS CONT)You cant be dead.

5-177

O2 (TO LUCKY)Lucky you cant be dead.

1558.11

1565.11

7.00

416

1566.15 MS O2 WITH COCO BEHIND HIM BG. SHIFT FOCUS TO BG AS O2 LOOKS BG WHERE CHP LIGHTS FLASH THE SHIFT FOCUS TO O2 AS COCO MOVES IN SEAT. O2 (CONT)Lucky. COCO (OS)Oh, shit. Shit. O2Police behind us.

5-178

O2 (TO COCO)Police behind us. (A police car is following us)

1573.09

1575.02

1.09

COCO (OS)What?

417

1577.05 MS LOW ANGLE CHP CAR MOVES FG.

418

1579.06 MLS REAR ANGLE O2S CAR AS CHP CAR ENTERS R.

419

1582.04 MLS PAST O2S CAR LFG ONTO CHP CAR BG, HEADLIGHTS FILL FRAME.

420

1583.04 MCU SIDE ANGLE INSIDE O2S CAR AS COCO LOOKS R OUT REAR WINDOW, THEN L, PAN L. COCOShit! Holy

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PAGE 67

421

1586.06 ECU O2, PAN L PICK UP COCO AND SHIFT FOCUS BG TO COCO. SHE LOOKS BG, PAN L AND CHP HEADLIGHTS FILL FRAME. COCO (OS CONT)shit.

422

1593.03 MS CHP CAR MOVES FG. SWISH PAN R TO MCU SIDE ANGLE O2 AT WHEEL. 1596.07 CU O2 PAN R AS CHP CAR MOVES FG COMING ALONGSIDE O2S CAR. 1598.07 MCU COCO WITH O2 OUT OF FOCUS RFG. PAN R PASSED O2 TO WINDOW OF CHP CAR, SEE COP AT WHEEL THRU WINDSHIELD. COCOOh, shit. CHP OFFICER (OS FILTERED THRU MEGAPHONE)Driver 5-179-/ CHP OFFICER (TO O2)Driver, pull your vehicle to the shoulder now! (shoulder: a lane adjacent to the freeway where you can stop your car safely) 1606.03 1609.09 3.06

423

424

425

1606.08 CU SIDE ANGLE O2 LOOKING BG AT CHP CAR BG. CHP OFFICER- (OS FILTERED THRU MEGAPHONE)pull your vehicle to

426

1608.04 ECU O2 LOOKING R. PAN L HE LOOKS FG. CHP OFFICER (OS FILTERED THRU MEGAPHONE)the shoulder now.

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PAGE 68

427

1609.10 ECU TIGHT O2S FOOT ON GAS PEDAL.

428

1610.07 MS PAST FRONT EDGE WINDSHIELD OF O2S CAR ONTO SIDE ANGLE CHP CAR OUT OF FOCUS, THEN CHP CAR MOVES BG AS O2S CAR SPEEDS AHEAD FG, PAN SLIGHT L PICK UP O2. CHP OFFICER (OS FILTERED THRU MEGAPHONE)Driver, pull over!

429

1613.12 MCU TRACK BG WITH FRONT HEADLIGHTS O2S CAR, THEN PAN L AS IT MOVES ACROSS FG R TO L, PAN DOWN. SWISH PAN R PICK UP CHP CAR TRYING TO KEEP UP, SWISH PAN L AND DOWN BACK TO FRONT HEADLIGHTS O2S CAR.

430

1620.03 MLS TRACK BG FOLLOWING O2S CAR RACING BG WEAVING THRU OTHER CARS. PAN R, L. 1624.08 MLS SIDE ANGLE O2S CAR RACES R PASSING OTHER CARS. COCO (OS)Go! Go! Go! Go! 5-180-/ COCO (TO O2)Go! Keep going! 1625.09 1628.15 3.06

431

432

1627.05 MS PAST COCO OUT OF FOCUS RFG ONTO CHP CAR BG THRU REAR WINDSHIELD IN PURSUIT. COCO (OS CONT)Keep going!

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PAGE 69

433

1629.02 MS SIDE ANGLE TRACK L WITH O2S CAR RACING L PASSING OTHER CARS.

434

1632.03 MCU SIDE ANGLE TRACK L WITH O2S CAR RACING L. PAN R PICK UP CHP CAR RACING L IN PURSUIT PASSING OTHER CARS WITH ZOOM THRU FRAME L TO R. 1636.10 MCU COCO, PAN L THEN R PICK UP SIDE ANGLE O2. COCO (OS)Theres more coming. 5-181 COCO (TO O2)Theres more coming. (more: additional police cars) 1637.08 1639.01 1.09

435

436

1640.03 MLS TRACK BACK AS CHP CAR RACES FG PURSUING O2S CAR PART IN FRAME RFG, THEN PAN L PICK UP 2 ND CHP CAR BG. PAN R PICK UP MCU SIDE ANGLE O2 AT WHEEL. 1644.10 MS TRACK BACK AS O2S CAR RACES FG AND CHP CAR LBG CHASES, THEN PAN L AS O2S CAR CROSSES FG EXITS L THEN CHP CAR ENTER CROSSES FG EXITS L.

437

438

1646.14 MLS PAN L REAR ANGLE OUT CHP WINDSHIELD FOLLOWING OTHER CHP CAR RFG WHICH FOLLOWS O2S CAR RBG RACING TO BG. 1650.01 CU THRU FRONT WINDSHIELD ON O2 LOOKING RFG AT SIDE VIEW MIRROR. COCO (OS)Go!

439

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PAGE 70

440

1652.05 CU SIDE VIEW MIRROR SHOWING MLS CHP CAR IN REFLECTION. 1654.09 CU SIDE ANGLE O2. PAN L PICK UP COCO LEANS R REVEAL LIGHTS FROM CHP CAR BG THEN PAN BACK R AS COCO PUTS JUNIOR IN SEAT BELT. O2Put Junior in the seat belt. 5-182 O2 (TO COCO)Put Junior in the seat belt. 1655.03 1657.05 2.02

441

442

1661.10 MS TRACK L WITH SIDE ANGLE O2 DRIVING, PAN UP TO HELICOPTER WITH SPOTLIGHT SHINING DOWN TO FG. 1664.15 LS HIGH ANGLE HELICOPTER POV TRACKING BG FOLLOWING CAR CHASE OF O2 ON FREEWAY BELOW. 16667.04 ECU O2 LEANS FG TRYING TO LOOK UP LFG. COCO (OS)We waist deep 5-183-/ COCO (TO O2)We waist deep in this shit now. (waist deep: colloquialism for being very involved in something to the point where its very difficult to get out of) (this shit: vulgar slang for this bad situation, unintended consequences of our criminal behavior) 1669.12 1672.04 2.08

443

444

445

1670.11 CU SIDE ANGLE COCO. COCO (OS CONT)deep in this shit now.

446

1672.14 CU SIDE ANGLE O2, PAN L TO COCO, THEN BACK R TO O2. O2Put him in a seat belt!

5-184-/

O2 (TO COCO)-- Put him in a seat belt! COCO (TO O2)-- Hes in a fucking seat belt. (fucking: vulgar emphatic )

1673.03

1677.01

3.14

COCOHes in a fucking seat belt.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 5A/B

PAGE 71

447

1676.11 CU O2. O2Hold on.

5-185-/

O2 (TO COCO)Hold on.

1677.09

1678.12

1.03

448

1678.08 ECU BRAKE PEDAL AND O2S FOOT SLAMS IT. 1679.05 MS SWISH PAN L PICK UP SIDE ANGLE O2S CAR RACING R THEN IT SWERVES FG AS CHP CAR BG CONTINUES R. 1680.09 MS TRACK BG FOLLOWING REAR ANGLE THRU WINDSHIELD ON O2S CAR WHICH VEERS R STARTS SPIN.

449

450

451

1682.06 MCU O2 WITH COCO BG SPINNING CLOCKWISE.

452

1683.09 MLS O2S CAR SPINS L. 1684.12 MLS O2S CAR SPINS L TURNING BG. 1686.02 MLS O2S CAR SPINS TO REAR ANGLE AS CHP CAR IN FROM L ALSO SPINS TURNING BG.

453

454

455

1687.08 MS CHP CAR FG SPINS AS 2 ND CHP CAR IN FROM RBG ALSO STARTS TO SPIN.

456

1688.14 MS SIDE ANGLE O2S CAR TRACK R AS IT SPINS TO FG.

457

1690.03 MCU O2 HOLDING WHEEL IN SPIN.

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PAGE 72

458

1691.03 MS FRONT ANGLE O2S CAR COMES OUT OF SPIN RACES FG.

459

1692.14 MLS O2S CAR RACES FG DOWN ON RAMP, EXITS LFG.

460

1694.03 LS HIGH ANGLE HELICOPTER SHOT TRACK R AS O2S CAR DRIVES R PASSING CAR GOING L. 1697.04 LAST FRAME PICTURE. 1700.04 FINISH MARK. END REEL 5A/B.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 1

COMBINED CONTINUITY & DIALOGUE SC#: FOOTAGE/ SHOT DESCRIPTION/ DIALOGUE:

SPOTTING LIST TITLES & FOOTAGES TITLE#: TITLE: START: FINISH: TOTAL:

START MEASURING 00.00 AT PICTURE START MARK IN ACADEMY LEADER. LABORATORY: 1ST SCENE START: 2ND SCENE START: 3RD SCENE START: 4TH SCENE START: 12.00 25.15 27.10 29.10

12.00 EXT. INTERSTATE RAMP/ ORANGE COUNTY STREETS. NIGHT LS HELICOPTER HIGH BG SHINES SPOTLIGHT DOWN AND O2S ENTERS BG CRESTING RAMP RACES FG PASSING OTHER CAR ENTERING RFG GOING UP RAMP. O2S CAR EXITS RFG AS LIGHT FILLS FRAME AND HELICOPTER PURSUES EXITING TOP OF FRAME. 25.15 CU O2 DRIVING. 27.10 LS LOW ANGLE UP AT HELICOPTER WITH SPOTLIGHT SHINING DOWN TO FG. 29.10 MS HIGH ANGLE DOWN ON O2S CAR MOVES THRU FRAME FROM TOP TO BOTTOM, EXITS BOTTOM.

31.03 MLS LOW ANGLE O2S CAR RACES UP STREET BG TO FG.

33.14 MCU THRU WINDSHIELD ON O2 TURNS WHEEL L.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 2

34.11 MS O2 AT WHEEL, LUCKY DEAD PASSENGER SEAT AS O2 SPINS CAR L.

35.04 MLS LOW ANGLE O2S CAR CAREENS TURNING L.

36.09 MLS O2S CAR SPINNING L TO REAR ANGLE DRIVES OFF BG.

10

38.11 MS THRU WINDSHIELD ON O2S CAR TRACK BACK AS IT DRIVES FG.

11

39.14 MLS THRU OUT FRONT WINDSHIELD ONTO ONCOMING CAR, SWERVE L AND R. 42.07 CU O2 PAN R AND L.

12

13

43.14 MS SIDE ANGLE O2S CAR TRACK L WITH IT RACING L PASSING CARS. 45.03 CU O2.

14

15

46.04 MLS THRU WINDSHIELD ON CAR COMING FG.

16

47.05 CU O2.

17

48.03 MLS O2S CAR MOVING FG AGAINST TRAFFIC SWERVES L TO AVOID CAR MOVING BG.

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PAGE 3

18

49.03 MLS OUT O2S FRONT WINDSHIELD MOVING BG SWERVES R TO AVOID TRUCK.

19

50.01 MLS HIGH ANGLE DOWN ON O2S CAR CROSSING FRAME TOP TO BOTTOM, PAN L.

20

51.01 MLS SIDE ANGLE O2S CAR ENTERS L RACES R PAN R AS IT GOES BG. 51.12 MS PAN UP TO O2 THRU WINDSHIELD DRIVING. 53.01 MS SIDE ANGLE O2S CAR TRACK L WITH IT RACING R TO L PASSING CARS OPPOSITE WAY GOING L TO R. 55.05 MLS O2S CARS POV MOVE FG AS IT MOVES AROUND WHITE CAR ON L.

21

22

23

24

56.05 CU O2 IN SILHOUETTE DRIVING.

25

57.11 MLS O2S CAR GOES AROUND CAR ON R THEN BRAKES SWERVES TURNS TO L UNDER HELICOPTER SPOTLIGHT. 59.07 MLS HIGH ANGLE DOWN ON O2S CAR SPINNING COUNTER CLOCKWISE UNDER SPOTLIGHT, PAN L.

26

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PAGE 4

27

60.11 MCU THRU WINDSHIELD O2 HOLDING WHEEL HARD LEANING L. COCO (OS)- O Shit!

28

62.02 MLS LOW ANGLE O2S CAR SPINNING COUNTER CLOCKWISE WHILE IT SLIDES TO BG.

29

63.11 LS LOW ANGLE O2S CAR SPINS BG WHILE SLIDING BG.

30

64.13 LS O2S CAR SPINS SLIDES BG AS OTHER CAR REAR ANGLE ON R MOVES BG. 66.07 CU O2 CLUTCHING WHEEL MOVING IN AND OUT OF FRAME FROM L. 68.02 LS HIGH ANGLE O2S CAR IN SPOTLIGHT STRAIGHTENS ITSELF RACES OFF BG AND PAN UP.

31

32

33

70.01 MCU O2 AT WHEEL PAN L PICK UP COCO LBG IN SILHOUETTE.

34

74.00 LS OUT FROM PARKING STRUCTURE PAN L AS O2S CAR RACES BG TO LFG THEN TURNS HEADS FG. 76.02 MLS HIGH ANGLE O2S CAR TURNS TO BOTTOM OF FRAME MOVING PARKING STRUCTURE, EXITS BOTTOM FRAME.

35

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 5

36

77.06 MLS SIDE ANGLE PAN R O2S CAR MOVES L TO R ENTERING PARKING STRUCTURE.

37

80.00 INT. PARKING STRUCTURE. NIGHT MCU THRU WINDSHIELD O2 DRIVING. COCO (OS)I think we lose them.

38

83.09 MLS SIDE ANGLE TRACK R WITH O2S CAR RACING R THE TURNS COMES FG AND PAN L AS IT RACES R TO L. 88.01 MLS SIDE ANGLE O2S CAR MOVES BG TO RFG, PAN R AS IT CROSSES FRAME L TO R MOVES BG.

39

40

90.11 MS SIDE ANGLE LOWER PART OF O2S CAR AS IT MOVES THRU FRAME L TO R, PAN R AS IT SCREECHES TO A STOP. 92.07 MLS REAR ANGLE O2S CAR BACK UP TO FG, STOPS. 98.10 MS SIDE ANGLE O2 GETS OUT OF CAR FG AND MOVE UP OVER TOP OF CAR FG AS O2 STARTS TO R. O2 (OS)Grab my son. 6-1 O2 (TO COCO)Grab my son. 100.06 101.13 1.07

41

42

43

101.14 MCU SIDE ANGLE LUCKY DEAD IN O2S CAR.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 6

44

103.02 MS ABOVE WAIST O2 COMES FG, PAN DOWN R AS HE OPENS TRUNK OF HIS CAR, LOOKS FOR OBJECT.

45

107.00 MS ABOVE WAIST SIDE ANGLE O2 REMOVES OBJECT FROM TRUNK, EXITS R, PAN L PICK UP COCO COMING OUT OF O2S CAR PASSENGER SIDE. 110.09 MCU REAR ANGLE O2 TRACK BG AS HE GOES BG. 112.05 CU PAN L TO O2 THEN PAN DOWN AS HE INSERTS TOOL INTO A CAR DOOR TO OPEN IT.

46

47

48

114.11 MS COCO STANDS PAN L AS SHE GOES L. COCOO, whatre you doing?

6-2

COCO (TO O2)What are you doing?

115.01

116.10

1.09

49

116.11 MCU SIDE ANGLE O2 BREAKS INTO CAR, EXITS L GETTING INTO CAR. COCO WALKS BG TO FG, ZOOM IN. O2We gotta split up. COCOWhat?

6-3

O2 (TO COCO)-- We gotta split up. (split up: separate and go in different cars) COCO (TO O2)-- What?

117.06

120.07

3.01

50

120.08 ECU TIGHT ON IGNITION AS O2 TRIES TO HOT-WIRE CAR. O2 (OS)(GRUNTS)

51

124.01 MCU THRU WINDSHIELD DOWN ON O2 HOT-WIRING CAR.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 7

52

126.10 MCU SIDE ANGLE O2 STARTS CAR. 128.14 MS ABOVE WAIST SIDE ANGLE DOWN ON O2 IN DRIVERS SEAT OF CAR. HE TAKES PAD OF PAPER FROM DASHBOARD, WRITES ON IT. COCO (OS)The fuckre you doin? 6-4 COCO (TO O2)What the fuck are you doing? (fuck: vulgar emphatic) O2 (TO COCO)I need you to take Junior and the money. 128.14 130.08 1.10

53

6-5 -/

130.06

134.10

4.04

O2Look, I need you to take Junior

54

133.12 MCU COCO LOOKING L. SHE LOOKS FG AS O2 ENTERS RISING INTO FRAME REAR ANGLE. O2 (OS CONT)and the money.

6-6 6-7 -/

COCO (TO O2)No. O2 (TO COCO)When I pull outta here, the police are gonna follow me. (pull outta here: leave this parking structure)

134.15 137.09

136.05 140.15

1.06 3.06

COCONo. O2 (OS)When I pull outta

55

138.11 MCU SIDE ANGLE O2 L FACING COCO R. O2 (CONT)Here, the police are gonna follow me.

56

141.00 ECU O2. O2 (CONT)You gotta get on the freeway and go the other way

6-8 -/

O2 (TO COCO)You gotta get on the freeway and go the other way - south. (freeway: an interstate highway)

141.04

145.02

3.14

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PAGE 8

57

144.09 CU OTS ON COCO. O2 REAR ANGLE LFG CROSSES FG EXITS R, COCO TURNS GOES R, TRACK WITH HER. O2 (OS CONT)south. Im a meet up with yall later.

6-9

O2 (TO COCO)-- Ill meet up with you later. COCO (TO O2)-- No. Were in this together. (in this: involved in this predicament)

145.07

148.14

3.07

COCO (OS)No, were in this together.

58

149.05 MS PAST COCO REAR ANGLE LFG ONTO O2 BENT BG. HE STANDS TURNS SIDE ANGLE. O2Junior, get outta the car and get

6-10-/

O2 (TO COCO)Junior, get out of the car and get in the front seat.

149.03

152.01

2.14

59

151.02 MCU JUNIOR COMES FG OUT OF O2S CAR, EXITS R. O2 (OS CONT)in the front seat. COCO (OS)Youre not

6-11-/

COCO (TO O2)Youre not leaving us.

152.06

154.11

2.05

60

153.02 MS JUNIOR WALKS L AS O2 CU FG EXITS L, TRACK L. COCO (OS CONT)leaving us.

6-12-/

O2 (TO COCO)Theres no time for argument.

155.02

157.10

2.08

O2 (OS)Theres no

61

155.08 MS PAST O2 SIDE ANGLE R ONTO COCO, PAN R PICK UP O2 REAR ANGLE RFG. HE TURNS PROFILE L. O2 (OS CONT)time for argument. If they catch us, my son is in

6-13-/

O2 (TO COCO)If they catch us, my son is in the system. Im not having it! (in the system: is going to be raised up through the state controlled welfare system) (having it: going to allow it)

158.15

164.10

5.11

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 9

62

161.01 ECU O2. HE EXITS R. O2 (CONT)the system. Im not havin it!

63

166.04 MS REAR ANGLE COCO AND O2, TRACK L AS O2 GOES AROUND BACK OF CAR TO L. 167.08 MCU SIDE ANGLE JUNIOR IN CAR. O2 ENTERS LBG LEANS FG INTO CAR, FACES JUNIOR. O2Junior, listen to me, okay? 6-14-/ O2 (TO JUNIOR)Junior, listen to me. Im gonna go somewhere. 171.00 175.13 4.13

64

65

173.10 MCU OTS ON O2. O2 (CONT)Im about to go somewhere.

66

177.04 CU OTS ON JUNIOR. HE SHAKES HIS HEAD. O2 (OS CONT)But Im comin back for you. I just need you to take care of Coco. JUNIORNo.

6-15

O2 (TO JUNIOR)But Im coming back for you. I need you to take care of Coco. JUNIOR (TO O2)No.

177.09

182.13

5.04

6-16

183.05

184.06

1.01

67

184.07 MCU OTS ON O2. O2Junior, trust me on this.

6-17-/

O2 (TO JUNIOR)Trust me in this.

187.00

191.04

4.04

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 10

68

189.07 CU OTS ON JUNIOR. O2 (OS CONT)Trust me.

6-18

JUNIOR (TO O2)You promise youll come back for me?

191.09

195.03

3.10

JUNIORYou promise youll come back for me?

69

196.05 MCU OTS ON O2. O2Ill always come back for you.

6-19

O2 (TO JUNIOR)Ill always come back for you.

196.09

199.02

2.09

70

199.13 ECU SIDE ANGLE O2 AS HE SHAKES PINKIES WITH JUNIOR R, PAN R PICK UP JUNIOR WHO HUGS O2. JUNIORPromise?

6-20

JUNIOR (TO O2)-- Promise? O2 (TO JUNIOR)-- Promise.

199.13

203.13

4.00

O2Promise.

71

206.08 CU SIDE ANGLE COCO CRYING. JUNIOR (OS)I love you, Dad. O2 (OS)I love

6-21-/

JUNIOR (TO O2)-- I love you, Dad. O2 (TO JUNIOR)-- I love you. Put your seatbelt on.

207.03

211.07

4.04

72

209.00 MCU OTS ON O2. PAN UP AS HE STANDS, CLOSES CAR DOOR AND GOES R, PAN R. O2 (CONT)you. Put your seatbelt on.

JUNIOR (OS)Okay.

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PAGE 11

73

213.13 MS TRACK R AS O2 WALKS BG TO RFG, PICK UP COCO REAR ANGLE IN FG AND CIRCLE R TO MS ABOVE WAIST SIDE ANGLE COCO L FACING O2 R. O2Im gonna give you

6-22-/

O2 (TO COCO)-- Im giving you my cell number. (cell: cell phone) COCO (TO O2)-- You dont have to do this. (this: separate and make the police follow you)

217.03

220.12

3.09

74

217.10 ECU OTS COCO. O2 (OS CONT)my cell phone number. COCO (OVERLAPPING)You dont have to do this.

75

220.07 ECU OTS ON O2. O2Call me. If I dont hear from you in ten minutes, Im comin back for you.

6-23

O2 (TO COCO)Call me. If I dont hear from you in 10 minutes, Im comin back.

221.01

225.07

4.06

76

225.08 ECU OTS ON COCO. 230.00 ECU OTS ON O2. O2Just take care of my son. 6-24 O2 (TO COCO)Just take care of my son. 230.01 232.08 2.07

77

78

234.01 ECU OTS ON COCO. COCOWith all my heart.

6-25

COCO (TO O2)With all my heart.

235.07

237.09

2.02

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PAGE 12

79

238.06 ECU OTS ON O2. HE HUGS COCO REAR ANGLE LFG. PAN DOWN, UP AS THEY KISS, SEPARATE. PAN R AS O2 MOVES BG, TURNS GOES BG TO HIS CAR, OPENS DOOR THEN TURNS SIDE ANGLE LOOKS FG, WAVES ARM. SWISH PAN L TO ECU SIDE ANGLE COCO FACING L TURNS SIDE ANGLE LOOKS R. O2Get outta here. Go!

6-26 6-27

O2 (TO COCO)Get outta here. O2 (TO COCO)Go!

253.07 256.08

255.02 257.14

1.11 1.06

80

261.14 MS PAST COCO SIDE ANGLE FG ONTO O2S CAR AS IT DRIVES OFF TO BG. COCO TURNS, COMES FG. 264.13 CU THRU WINDSHIELD ON O2 DRIVING FG PASSING PARKING STRUCTURE LIGHTS. HE LOOKS L.

81

82

268.09 MCU LUCKY DEAD IN PASSENGER SEAT. PAN R TO O2. 270.12 MS SIDE ANGLE TRACK L WITH O2 DRIVING HIS CAR THRU STRUCTURE L. 273.07 LS HIGH ANGLE O2S CAR COMES FG AND PAN DOWN. 275.15 MS-MLS COCO SIDE ANGLE LFG LOOKS DOWN BG TO LOWER LEVEL AS O2S CAR ENTERS BG AND DRIVES THRU FRAME R.

83

84

85

86

277.07 MS LOW ANGLE UP AT COCO LOOKING DOWN TO FG.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 13

87

279.10 MS SIDE ANGLE TRACK L O2S CAR DRIVES R TO L PASSING COLUMNS.

88

281.02 MCU THRU WINDSHIELD ON O2.

89

283.00 MLS O2S POV MOVING BG OUT PARKING STRUCTURE AND TURNING R, PAN L.

90

285.07 LS LOW ANGLE THEN FULL GLARE OF HELICOPTER SPOTLIGHT FILLS FRAME 287.06 EXT. ORANGE COUNTY STREETS. NIGHT MCU O2 IN SILHOUETTE DRIVING. 288.10 MLS OUT WINDSHIELD OF O2S CAR MOVING BG SWERVES L REVEAL POLICE CAR MOVING FG THEN SWERVE R.

91

92

93

289.11 MLS O2S CAR DRIVES BG AROUND COP CAR L MOVING FG AND OTHER COP CAR RFG MOVING BG. 2 ND CAR CHASES O2S CAR BG. PAN UP TO HELICOPTER WITH LIGHT. 294.10 MS COP CAR MOVING FG SPINS TURNS REAR ANGLE, PAN L AS IT RACES BG JOINING ANOTHER COP CAR CHASING O2 TO BG.

94

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PAGE 14

95

302.11 MS SIDE ANGLE COP CAR RACING R TO L, PAN L OFF CAR PICK UP O2S CAR WITH OTHER POLICE CARS IN PURSUIT DISTANT BG GOING UNDER BRIDGE THEN TURNING R. O2S CAR EXITS FAR RBG.

96

314.15 INT. PARKING STRUCTURE. NIGHT MLS AS COCOS CAR ENTERS LBG AND TURNS HEADS FG. 325.08 MS LOW ANGLE COCOS CAR ENTERS R AND TURNS GOES BG EXITING PARKING STRUCTURE. 327.08 EXT. PARKING STRUCTURE. NIGHT LS HIGH SIDE ANGLE AS COCOS CAR COMES OUT OF PARKING STRUCTURE FROM R, TURNS AND DRIVES OFF TO BG. PAN UP. 337.00 EXT. ORANGE COUNTY STREETS/INT. O2S CAR. NIGHT MS THRU WINDSHIELD ONTO LUCKY DEAD IN SEAT, PAN UP TO HELICOPTER CHASING FROM BG SHINING LIGHT FG. 339.12 CU THRU WINDSHIELD PAN L TO O2 DRIVING, SHIFT FOCUS TO BG WHERE COP CAR WITH FLASHING LIGHTS CHASES. SHIFT FOCUS TO BACK TO O2.

97

98

99

100

101

347.12 MS TRACK BACK WITH O2S CAR RACING FG AS COP CARS BG PURSUE. PAN DOWN TO O2S HEADLIGHTS AS CAR DRIFTS OFF FRAME L.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 15

102

355.10 LS HIGH SIDE ANGLE DOWN ON STREET AS O2S CAR RACES L TO R WITH COP CARS IN PURSUIT AND HELICOPTER UPPER L SHINING LIGHT FOLLOWING, THEN ZOOM IN ONTO COCOS CAR PASSING PURSUIT MOVING R TO L AND TRACK WITH IT L.

103

363.03 INT. COCOS CAR. NIGHT MCU SIDE ANGLE PAN UP TO JUNIOR LFG AND COCO DRIVING RBG. 375.13 ECU JUNIOR. 379.12 EXT. STREETS. NIGHT MLS SIDE ANGLE TRACK L WITH O2S CAR DRIVING L. 381.10 LS TRACK L HIGH SIDE ANGLE O2S CAR DRIVING R TO L WITH COP CARS CHASING. 382.13 LS HIGH SIDE ANGLE TRACK L O2S CAR CHASED BY POLICE UNDER SPOTLIGHT RACING L.

104

105

106

107

108

383.13 LS HIGH SIDE ANGLE TRACK L O2S CAR CHASED BY POLICE.

109

384.12 ELS HIGH SIDE ANGLE TRACK L AS COPS CHASE O2S CAR.

110

385.10 ELS HIGH SIDE ANGLE O2S CAR MOVING L CHASED BY COP CARS.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 16

111

386.11 ELS HIGH REAR ANGLE AS O2S CAR MOVES BG ON BRIDGE WITH COP CARS FOLLOWING.

112

389.01 ELS HIGH SIDE ANGLE TRACK R AS O2S CAR RACES L TO R ALONG BRIDGE. 392.03 LS HIGH SIDE ANGLE POLICE CHASING O2 R AND PAN UP LONG BEACH PORT WITH SHIPPING CONTAINERS. 398.07 ELS HIGH ANGLE PORT OF LONG BEACH. 399.14 LS PORT OF LONG BEACH HARBOR. 401.02 LS HIGH ANGLE CIRCLE L DOWN ON SHIPPING CONTAINERS AT PORT.

113

114

115

116

117

405.15 INT. COCOS CAR. NIGHT MCU SIDE ANGLE DOWN ON TOY IN JUNIORS HANDS THEN PAN UP TO COCO AS SHE PUTS CIGARETTE IN HER MOUTH, LOOKS FG. 420.13 MCU SIDE ANGLE COCO RFG AND JUNIOR LBG AS COCO TAKES CIGARETTE FROM HER MOUTH.

118

119

427.12 CU COCO IN SHADOW. PAN DOWN AS SHE PUTS CIGARETTE AWAY..

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 17

120

430.15 MCU SIDE ANGLE JUNIOR LOOKING R RFG, COCO IN PARTIAL PROFILE OUT OF FOCUS RFG.

121

435.12 ECU SIDE ANGLE COCO WITH JUNIOR IN SHADOW AS COCO LIFTS CELL PHONE, DIALS AND PUTS IT AGAINST HER EAR. 454.03 ECU COCO IN DARK HOLDING CELL PHONE, ILLUMINATED SEVERAL TIMES BY LIGHTS FROM PASSING CARS. O2 (VO FILTERED THRU PHONE)You all clear? COCO (INTO PHONE)Yeah. 6-28 ITAL O2 (TO COCO)You all clear? (Are you free from any police pursuit) COCO (TO O2)Yeah. Were clear. Hows it going? (it: the situation where you are) 460.04 462.01 1.13

122

6-29-/

462.15

469.09

6.10

123

463.04 CU-MCU SIDE ANGLE COCO RFG ON PHONE WITH JUNIOR LBG. COCO (INTO PHONE CONT)Were all clear.

124

467.06 MCU JUNIOR LOOKING R, MOMENTARILY ILLUMINATED. COCO (OS CONT)Hows it goin?

125

470.03 EXT. LONG BEACH HARBOR/ INT O2S CAR/INTERCUT INT/ COCOS CAR. NIGHT MLS LOW ANGLE UP AT POLICE HELICOPTER.

126

474.12 ELS HIGH REAR ANGLE TRACK BG FOLLOWING PURSUIT AS COPS CHASE O2S CAR.

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PAGE 18

127

477.01 MLS REAR ANGLE COP CARS CHASING O2 MOVING BG. 480.01 MS SIDE ANGLE TRACK L WITH COP CARS RACING L. O2 (OS)Sorry 6-30-/ O2 (TO COCO)These fools are on my ass, but Im about to shake them. (fools: the police) (on my ass: vulgar slang for right behind me) (shake: get away from) 480.09 486.14 6.05

128

129

481.13 CU O2 IN COMPLETE SHADOW ON CELL PHONE AS LIGHTS OF COP CAR BG GIVE CHASE. O2 (INTO PHONE CONT)fools are still on my ass, but Im gonna

130

485.04 MCU TRACK BACK WITH O2 DRIVING IN SILHOUETTE, PAN R PICK UP COP CAR BG GIVING CHASE. O2 (OS CONT)shake em in a minute.

131

486.15 MLS SIDE ANGLE AS O2S CAR ENTERS R MOVING L WITH COP CAR IN PURSUIT AND ANOTHER COP CAR ENTER RFG MOVING BG. 488.01 CU SIDE ANGLE WINDOW ON CAR WITH OTHER COP CAR LIGHTS REFLECTED. O2 (OS)Hold on a second. 6-31 O2 (TO COCO)Hold on a second. (Hold on: wait) 488.08 489.12 1.04

132

133

489.13 MS TRACK BACK AS COP CAR MOVES BG TO RFG, PAN L PICK UP O2S CAR RACING FG.

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PAGE 19

134

491.15 MLS AS O2S SWERVES RACES FG AROUND CIRCLE WITH JUST AHEAD OF COP CARS.

135

494.00 LS HIGH SIDE ANGLE AS O2S DRIVES L TO R EXITING FRAME WITH COP CARS CHASING MOVING L TO R THRU FRAME EXITING R. 497.03 ECU O2 IN COMPLETE DARK ON PHONE. 500.13 MCU SIDE ANGLE O2, PAN L PICK UP COP CARS BG THRU REAR WINDSHIELD CHASING TO FG. O2 (OS)So whats it gonna be like 6-32-/ O2 (TO COCO)So whats it gonna be like in Mexico? 503.10 506.09 2.15

136

137

138

505.03 CU SIDE ANGLE O2 IN SILHOUETTE ON PHONE DRIVING L TO R. O2 (INTO PHONE CONT)in Mexico?

139

506.10 ECU SIDE ANGLE COCO. COCO (INTO PHONE)Its gonna be beautiful.

6-33

COCO (TO O2)Its gonna be beautiful.

511.03

513.08

2.05

140

513.09 MLS LOW ANGLE UP AT HELICOPTER ENTERS BOTTOM FRAME MOVING TOP OF FRAME WITH SPOTLIGHT.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 20

141

517.04 MCU O2 ON PHONE IN SILHOUETTE, PAN L, R, L, R AS O2 DRIVES FG. O2 (INTO PHONE)So whats the name of this place? COCO (VO FILTERED THRU PHONE)El Lindo.

6-34 ITAL

O2 (TO COCO)-- Whats the name of this place? COCO (TO O2)-- El Lindo.

516.09

521.09

5.00

142

522.06 MS TRACK BACK WITH O2S CAR RACING FG UNDER LIGHT, COP CAR LBG IN PURSUIT.

143

524.07 MS-MLS REAR ANGLE COP CARS CHASE O2S CAR.

144

526.02 MCU O2 IN DARK DRIVING. 527.15 MLS OUT FRONT WINDSHIELD THEN SWISH PAN L, R PICK UP MCU O2 SIDE ANGLE DRIVING.

145

146

531.10 MS SIDE ANGLE O2 DRIVING CAR L ILLUMINATED THEN DARK.

147

533.06 MS SIDE ANGLE O2S CAR MOVING R, PAN L PICK UP COP CAR IN PURSUIT. 537.06 MS COP CAR RACES FG, HIS CAN AND CAUSES EXPLOSION. 540.05 MS OUT O2S REAR WINDOW ONTO COP CAR MOVING FG AROUND EXPLOSION.

148

149

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 21

150

541.00 MS TRACK BACK WITH O2S CAR RACING FG AWAY FROM EXPLOSION.

151

543.00 CU SIDE ANGLE COCO WITH PHONE. COCO (INTO PHONE)O.

6-35

COCO (TO O2)O.

543.06

544.09

1.03

152

544.12 MLS EXPLOSION THEN PAN DOWN PICK O2 DRIVING FG. 549.00 CU SIDE ANGLE JUNIOR LOOKING FG. COCO (OS)Are you there? O? 6-36-/ COCO (TO O2)Are you there? O? 549.01 550.14 1.13

153

154

550.05 CU SIDE ANGLE COCO ON CELL PHONE, JUNIOR IN DARK LFG. 552.04 MCU O2 DRIVING FG GETS ILLUMINATED BY SPOTLIGHT, JIGGLE L AND R. O2 (INTO PHONE)Let me speak to Junior. 6-37 O2 (TO COCO)Let me speak to Junior. 552.09 554.11 2.02

155

156

555.11 ECU COCO WITH PHONE. 557.15 MLS O2S CAR RACES FG FROM BUILDING EXITS RFG. 561.10 CU SIDE ANGLE COCO WITH PHONE. SHE LOOKS FG. COCO (INTO PHONE)Sure. 6-38-/ COCO (TO O2, JUNIOR)Sure. Its your father. 562.06 566.12 4.06

157

158

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 22

159

564.14 CU COCO PASSES PHONE FG, PAN DOWN L SHIFT FOCUS TO JUNIOR CU SIDE ANGLE. COCO (CONT)Its your father. JUNIOR (INTO PHONE)Hey, Dad.

6-39-/

JUNIOR (TO O2)-- Hey, Dad. O2 (TO JUNIOR)-- Whats up, little fella? (Whats up: How are you, what is happening?)

572.07

576.02

3.11

160

574.01 MCU SIDE ANGLE O2 WITH PHONE AS CAR RACES R, BG PASSING R TO L. O2 (INTO PHONE)Whats up, little fella?

161

576.11 CU SIDE ANGLE COCO WITH JUNIOR OUT OF FOCUS LFG. JUNIOR (OS)Nothing.

6-40-/

JUNIOR (TO O2)Nothing. We can see some cool ships in the water. (cool: impressive, fantastic)

577.12

584.04

6.08

162

578.12 CU SIDE ANGLE JUNIOR WITH PHONE. JUNIOR (INTO PHONE CONT)We can see some cool ships from here in the water.

163

584.05 MLS OUT O2S CAR RACING BG NARROWLY AVOIDS HITTING FORK LIFT PASSING FRAME FG R TO L. 585.05 MLS AS O2S CAR RACES FG AND PAN R AS IT CROSSES FG. 587.15 MLS OUT O2S CARS WINDSHIELD MOVING BG TOWARD HEADLIGHTS OF ONCOMING COP CARS.

164

165

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 23

166

592.04 MS SIDE ANGLE O2S CAR DRIVES L TO R, PAN R AS IT STOPS AND SPINS COUNTER CLOCKWISE.

167

594.13 MLS O2S CAR WITH COP CARS BEHIND BG AND ZOOM IN AS O2S CAR EXITS LFG AND COP CARS FOLLOW EXIT LFG, RFG. 599.03 ECU SIDE ANGLE JUNIOR WITH PHONE. JUNIOR (INTO PHONE)Dad? 6-41 JUNIOR (TO O2)Dad? 599.08 600.08 1.00

168

169

600.09 CU O2 IN SHADOW DRIVING TALKING ON PHONE. O2 (INTO PHONE)Yeah?

170

604.07 ECU SIDE ANGLE JUNIOR ON PHONE. JUNIOR (INTO PHONE)Can I have another toy horse, with

6-42-/

JUNIOR (TO O2)Can I have another toy horse, with the cowboy this time?

604.09

611.09

7.00

171

608.13 MLS OUT REAR WINDSHIELD TRACK BACK AS COP CARS CHASE FG. JUNIOR (VO FILTERED THRU PHONE)the cowboy this time?

172

611.00 CU SIDE ANGLE O2 ON PHONE AS BG FLIES BY R TO L. O2 (INTO PHONE)You want it to be the same color? JUNIOR (VO FILTERED THRU PHONE)No.

6-43

O2 (TO JUNIOR)You want it to be the same color? JUNIOR (TO O2)No. I want one with spots.

614.00

616.09

2.09

6-44 -/ ITAL

617.09

623.01

5.08

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 24

173

618.08 ECU SIDE ANGLE JUNIOR. JUNIOR (INTO PHONE CONT)I want one with spots. What are those called?

6-45

JUNIOR (TO O2)-

626.05

628.03

1.14

What are those called?

174

628.04 CU O2 IN SILHOUETTE, THEN LIGHTS SHOW HIM. O2 (INTO PHONE)Pinto.

6-46-/

O2 (TO JUNIOR)-- Pinto. JUNIOR (TO O2)-- Yeah. Pinto.

628.10

633.10

5.00

175

631.11 ECU TIGHT SIDE ANGLE JUNIOR. JUNIOR (INTO PHONE)Yeah. Pinto.

176

634.01 MCU O2. O2 (INTO PHONE)Yeah.

6-47-/

O2 (TO JUNIOR)-- Yeah. No problem. JUNIOR (TO O2)-- Thanks, Dad.

635.06

641.10

6.04

177

636.04 ECU SIDE ANGLE JUNIOR WITH PHONE. O2 (VO FILTERED THRU PHONE)No problem. JUNIOR (INTO PHONE)Thanks, Dad.

178

641.14 MCU JUNIOR PAN R AS HE PASSES PHONE R TO COCO.

179

646.11 CU O2. O2 (INTO PHONE)I love you.

6-48

O2 (TO COCO)I love you.

647.00

648.11

1.11

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 25

180

649.08 ECU COCO WITH PHONE. COCO (INTO PHONE)I love you too.

6-49

COCO (TO O2)I love you, too.

654.08

656.05

1.13

181

656.06 CU O2 WITH PHONE, COP LIGHTS FLASHING BG. 659.10 ECU SIDE ANGLE COCO WITH PHONE. O2 (VO FILTERED THRU PHONE)Me, too. 6-50 ITAL O2 (TO COCO)Me, too. 662.15 664.12 1.13

182

183

669.01 MLS PAN DOWN L PICK O2S CAR TURNING AND RACING L TO R, COP CARS IN PURSUIT, THEN PAN UP TO HELICOPTER. 674.11 LS HIGH ANGLE CRANE DOWN AS O2S CAR RACES UP ROAD TO FG WITH COP CARS FOLLOWING.

184

185

678.13 MS COP CAR MOVING FG PAN L AS IT MOVES ACROSS FRAME R TO L. 681.12 MLS TRACK BACK WITH COP CAR RACING FG AND 2 ND COP CAR MOVES L FROM BEHIND FIRST ALSO RACING FG. 684.05 MS SIDE ANGLE TRACKING R WITH O2S CAR RACING R, PAN DOWN TO HIS TIRES.

186

187

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 26

188

687.09 MLS LOW ANGLE O2S CAR RACES LBG TO RFG WITH COP CARS FOLLOWING, PARTIALLY EXITS RFG SCREECHING TO A STOP. 690.05 CU O2 IN SILHOUETTE ON PHONE. 693.02 MLS OTS OUT O2S CARS FRONT WINDSHIELD MOVING BG TOWARD END OF ROAD AND WATER BG. 694.10 MLS PAN R ACROSS WATER, LIGHTS BG. 697.05 MCU SIDE ANGLE O2 ON PHONE. 699.01 MLS COP CARS SLOW TO A STOP. 702.05 LS LOW ANGLE UP AT HELICOPTER, PAN DOWN R PICK UP COP CARS SIDE ANGLE AND POLICEMAN GETS OUT AIMS RIFLE TO R. 710.04 MS SIDE ANGLE COP C AR WITH LIGHTS FLASHING. 712.02 CU SIDE ANGLE COCO ON PHONE. 714.08 CU SIDE ANGLE JUNIOR.

189

190

191

192

193

194

195

196

197

198

717.09 CU SIDE ANGLE O2 ON PHONE.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 27

199

721.11 MLS POLICE BEHIND THEIR CAR DOOR WITH WEAPONS AIMED FG, PAN DOWN TO WATER IN HARBOR.

200

726.14 ECU O2 ON PHONE IN SILHOUETTE, LIGHTS BG. HE LOWERS PHONE. COCO (VO FILTERED THRU PHONE)O?

6-51 ITAL 6-52

COCO (TO O2)O? O2 (TO COCO)Gotta go.

727.00 734.09

728.04 736.06

1.04 1.13

O2 (INTO PHONE)Gotta go.

201

739.08 ECU SIDE ANGLE COCO WITH PHONE.

202

744.07 ECU JUNIOR.

203

747.14 MLS HIGH ANGLE O2S CAR FG, COP CARS BG. PAN UP L ALONG SPOTLIGHT TO LS LOW ANGLE HELICOPTER. 756.13 CU SIDE ANGLE O2 IN SILHOUETTE. SPOTLIGHT MOVES IN BG. 762.13 MLS OVER HOOD OF O2S CAR ONTO COP CARS BG. 764.14 CU O2. HE LOOKS L, PAN L TO LUCKY DEAD IN PASSENGER SEAT. AS SPOTLIGHT PASSES, O2 ADJUSTS LUCKYS COLLAR.

204

205

206

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 28

207

774.01 MLS COP CARS WITH POLICEMAN TAKING COVER BEHIND CAR R AIMING WEAPON FG. SHIFT FOCUS FG AS O2 IN SILHOUETTE LEANS INTO FRAME FROM L LOOKING L, THEN LOOKS FG. 784.03 CU SIDE ANGLE O2S HANDS ON WHEEL IN DARK, LIGHT SHINES.

208

209

787.13 CU O2S HANDS ON WHEEL, PAN UP TO O2 IN SILHOUETTE.

210

790.10 ECU SIDE ANGLE O2S FOOT PRESSES GAS PEDAL.

211

791.12 CU O2S TIRE SPINS, STARTS FG.

212

792.09 MS REAR ANGLE O2S TIRES AND CRANE UP AS CAR RACES BG.

213

794.13 MS O2S CAR COMING FG EXITS RFG.

214

796.05 MS THRU WINDSHIELD O2 BEHIND WHEEL TRACK BACK AS HE DRIVES CAR FG. 798.05 MS LOW ANGLE RACING BG ALONG STREET. 800.10 MS SIDE ANGLE TRACKING R WITH O2S CAR RACING R.

215

216

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 29

217

801.12 MLS TRACKING R WITH O2S CAR RACING R. 802.14 MS LOW ANGLE RACING BG ALONG R, HARBOR LIGHTS BG. 804.05 CU O2 IN SILHOUETTE. 805.02 MLS LOW ANGLE AS O2S CAR ENTERS BOTTOM FRAME AND PASSES THRU FRAME BOTTOM TO TOP.

218

219

220

221

806.04 LS LOW ANGLE O2S CAR LEAVES PIER AND PROPELS ITSELF AIRBORNE TO FG.

222

807.01 LS SIDE ANGLE O2S CAR TRAVELS THRU AIR R TO L OFF PIER. 808.06 MLS SIDE ANGLE O2S CAR FLIES THRU AIR R TO L AND SMASHES INTO WATER WITH BIG SPLASH. 810.15 MLS AS O2S CAR HITS WATER MOVING FG AND ZOOM IN AS HUGE SPLASH ERUPTS.

223

224

225

818.13 LS HIGH REAR ANGLE O2S CAR FLOATS A MOMENT IN WATER THEN BEGINS SINKING. HELICOPTER FLIES THRU FG R TO L. 828.14 LS SIDE ANGLE O2S CAR SINKING, STEAM RISING FROM WATER.

226

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 30

227

831.14 MLS SIDE ANGLE STEAM ON WATER FROM WHERE O2S CAR SINKS, PAN UP R.

228

842.03 LS WATER, HARBOR LIGHTS BG, PAN R TO AREA IN WATER WHERE O2S CAR SINKS AND HELICOPTER BG SHINES SPOTLIGHT. 848.08 LS HELICOPTER AND PAN DOWN R TO WATER AS O2S CAR GOES FULLY SUBMERGES AND DISAPPEARS. DISSOLVE TO:

229

230

861.09 EXT. INTERSTATE 5. NIGHT MLS HIGH ANGLE TRACKING L DOWN ON COCOS CAR DRIVING ON FREEWAY L. 866.05 MCU REAR SIDE ANGLE COCO HOLDING PHONE. 868.01 ECU SIDE ANGLE COCO LOWERS PHONE. 873.04 MCU SIDE ANGLE JUNIOR LFG AND COCO RBG. SHE LOOKS FG AT JUNIOR. 879.13 ECU JUNIOR. 883.10 ECU COCO LOOKING L. SHE LOOKS RFG.

231

232

233

234

235

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 31

236

896.08 MLS HIGH ANGLE TRACKING L WITH COCOS CAR DRIVING L. IT GOES BENEATH OVERPASS, CONTINUES L AND ZOOM OUT PAN L TO EXTREME LS INTERSTATE, THEN PAN UP TO CITY LIGHTS. DISSOLVE TO:

237

931.08 EXT. BEACH IN MEXICO. DAY MLS GENTLE WAVES ROLLING FG, MORNING SUN UPPER R. PAN R PICK UP HOUSE NESTLED IN PALM TREES RBG. 981.05 INT. ADOBE HOUSE. JUNIORS ROOM. DAY MCU SIDE ANGLE MEXICAN DOLL HANGING AGAINST WALL. 984.10 MLS JUNIOR ENTERS RFG RUNS BG AND JUMPS ON BED CATCHING TOSSED BALL. HE GETS UP TOSSES BALL AGAIN RFG, CATCHES IT, GOES BG AND STARTS TO MAKE BED. COCO (OS)Junior. JUNIORComing. 6-53 COCO (TO JUNIOR)-- Junior. JUNIOR (TO COCO)-- Coming. 990.08 995.02 4.10

238

239

240

995.13 INT. ADOBE HOUSE. KITCHEN/ DINING AREA. DAY MCU BOWL OF EATEN CEREAL AND PAN UP AS COCO PICKS UP BOWL, LOOKS RFG, THEN WALKS BG TAKING DISHES. COCOJunior. COCO (OS CONT)Cmon, youre gonna be late for school.

6-54

COCO (TO JUNIOR)Youre gonna be late for school.

1003.02

1006.02

3.00

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 32

241

1009.12 INT. JUNIORS ROOM. DAY MCU FRAMED PICTURE OF O2 AND JUNIOR AS JUNIOR REAR ANGLE RFG REACHES IN PAN L AS HE ADJUSTS HAT ON DOLL, THEN PAN DOWN AS HE HOLDS PICTURE. 1020.13 MCU SIDE ANGLE JUNIOR. 1027.01 EXT. ADOBE HOUSE. DAY MS COCO ENTERS R AND PAN L AS SHE WALKS LFG DESCENDING STEPS. COCOJunior. SHE CROSSES FRAME R TO L GOES BG AND STOPS AS JUNIOR RUNS FG FROM BG WITH SCHOOL BAG. PUSH IN AS COCO BUTTONS HIS SHIRT. COCO (OS)Hey. JUNIORHey. COCO (OS)And what was it 6-55-/ COCO (TO JUNIOR)And what was it that was taking you so absolutely long? (taking you... long: taking so much time to get ready) 1043.10 1049.10 6.00

242

243

244

1045.03 MS ABOVE WAIST SIDE ANGLE JUNIOR L COCO R BUTTONS HIS SHIRT. COCO (CONT)that was taking you so absolutely long. JUNIORI was just cleaning

6-56-/

JUNIOR (TO COCO)I was cleaning my room in case Dad comes when were not here.

1050.02

1055.04

5.02

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PAGE 33

245

1051.03 MCU OTS ON JUNIOR, COCO DROPS BELOW FRAME RFG. JUNIOR (CONT)my room in case Dad comes when were not here.

246

1055.05 MCU PAST JUNIORS ARM LFG ONTO COCO. COCOJunior

247

1060.06 CU JUNIOR. 1064.11 CU PAST ARM ONTO COCO. COCO (CONT)Dads not coming. 6-57 COCO (TO JUNIOR)Dads not coming. 1065.03 1067.05 2.02

248

249

1067.12 CU OTS UP AT JUNIOR. JUNIORI know, but it makes me feel better if I think he might.

6-58

JUNIOR (TO COCO)I know, but it makes me feel better if I think he might.

1069.09

1074.14

5.05

250

1076.03 CU OTS DOWN ON COCO. COCOGot your lunchbox.

6-59-/

COCO (TO JUNIOR)Got your lunchbox. (Got: Here is)

1082.06

1085.00

2.10

251

1083.11 MLS SIDE ANGLE JUNIOR AND COCO ON PORCH. COCO STANDS AND THEY WALK TOGETHER R, EXIT R. JUNIORThanks. COCOYou ready? JUNIORYes.

6-60

COCO (TO JUNIOR)-- You ready? JUNIOR (TO COCO)-- Yeah.

1086.12

1090.10

3.14

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 34

SAME SHOT CONT. COCO (OS)Okay. Cmon.

252

1093.00 MLS REAR ANGLE COCO AND JUNIOR WALK BG FROM PORCH DOWN TO BEACH BG. COCO (OS)So hows school?

6-61

COCO (TO JUNIOR)-- So hows school? JUNIOR (TO COCO)-- Its okay.

1101.05

1104.14

3.09

JUNIOR (OS)Its okay.

253

1108.02 EXT. BEACH. DAY LS COCO AND JUNIOR WALK FG ON BEACH. COCO (OS)I heard you have a girlfriend. JUNIOR (OS)Who told you that? COCO (OS)I cant tell you that.

6-62

COCO (TO JUNIOR)-- I heard you have a girlfriend. JUNIOR (TO COCO)-- Who told you that?

1109.03

1113.07

4.04

6-63 6-64

COCO (TO JUNIOR)I cant tell you. JUNIOR (TO COCO)Shes just helping me with my Spanish.

1113.12 1115.10

1115.05 1118.14

1.09 3.04

JUNIOR (OS)Shes just helping me with my Spanish.

254

1118.15 MS SIDE ANGLE JUNIOR AND COCO WALK L ON BEACH, TRACK WITH THEM L. COCO POINTS L. COCOAnd what can you say? JUNIORI dont know.

6-65

COCO (TO JUNIOR)And what can you say? JUNIOR (TO COCO)I dont know.

1120.01

1121.13

1.12

6-66

1122.12

1124.04

1.08

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 35

SAME SHOT CONT. COCOWhats... that?

6-67 6-68

COCO (TO JUNIOR)What is... that? JUNIOR (TO COCO)El mar. (Spanish for ocean) COCO (TO JUNIOR)And what is that?

1128.01 1131.08

1131.01 1133.05

3.00 1.13

JUNIOREl Mar.

6-69-/

1136.14

1138.05

1.07

COCOMm hm. And whats that? 255 1137.14 MLS SIDE ANGLE TWO SIT IN BOAT ON SAND, ANOTHER BOAT BG, TRACK BG. JUNIOR (OS)Una lancha. COCO (OS)Yeah. 256 1144.09 MS TRACK BACK WITH COCO AND JUNIOR WALKING FG. COCO POINTS FG. COCO (CONT)And what about that? 6-71-/ COCO (TO JUNIOR)And what about that? 1147.01 1148.14 1.13 6-70 JUNIOR (TO COCO)Una lancha. (Spanish for small boat) 1140.11 1143.07 2.12

257

1148.07 MS REAR ANGLE TRACK BG FOLLOWING COCO AND JUNIOR WALKING BG. COCO PUTS HAND ON JUNIORS HEAD. JUNIOR (OS)Una familia. COCOYeah.

6-72

JUNIOR (TO COCO)Una familia. (Spanish for a family)

1150.07

1153.02

2.11

258

1157.00 MS COCO AND JUNIOR TRACK BACK AS THEY WALK FG. COCO POINTS FG AND SUDDENLY JUNIOR STOPS. COCO (CONT)How about that?

6-73

COCO (TO JUNIOR)How about that?

1158.12

1160.03

1.07

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PAGE 36

259

1164.06 EXTREME LS PERSON IN FOG COMING FG, DOG RUNS ON BEACH L TO R.

260

1170.15 MCU PAN R TO JUNIOR WHO DROPS SCHOOL BAG AND PAN L AS HE RUNS L, EXITS LFG. JUNIORPadre.

6-74-/

JUNIOR (TO COCO)Padre! (Spanish for father.)

1173.05

1175.10

2.05

261

1174.09 MLS COCO AND JUNIOR AS JUNIOR RUNS FG. COCOJunior.

262

1176.09 ELS PERSON IN FOG FAR BG. 1181.15 MCU SIDE ANGLE COCO RUNS L IN SLO MO. 1184.04 MS REAR SIDE ANGLE TRACK L WITH JUNIOR RUNNING L IN SLO MO. 1186.02 EXTREME LS SIDE ANGLE THRU PALM TREES FG ON JUNIOR RUNNING R TO L ON BEACH SLO MO.

263

264

265

266

1189.13 MCU SIDE ANGLE COCO RUNS L IN SLO MO. SHE PUTS HER HANDS TO HER MOUTH.

267

1196.02 CU SIDE ANGLE O2S HAND HOLDING DOLL HORSE FG HAND, COWBOY BG HAND WALKING L TO R SLO MO, THEN PAN UP TO CU SIDE ANGLE O2.

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 37

268

1208.10 MCU SLO COCO LOWERS HAND PAN L AS SHE RUNS L. 1212.05 MCU SLO MO SIDE ANGLE COCOS FEET TRACK L WITH HER RUNNING L, PAN UP TO MCU COCO RUNNING L.

269

270

1219.10 LS O2 WALKING FG COMING OUT OF FOG. HE STARTS TO RUN. 1226.12 MCU SIDE ANGLE JUNIORS LEGS RUNNING L AND TRACK L WITH HIM SLO MO. 1229.07 MCU SIDE ANGLE TRACK L WITH JUNIOR RUNNING L IN SLO MO. 1231.14 MLS-LS AS JUNIOR REAR ANGLE RFG RUNS TOWARD O2 LBG WHO RUNS FG.

271

272

273

274

1235.09 EXTREME LS HIGH ANGLE AS JUNIOR AND COCO RUN BG AND O2 RUNS FG AND THEY MEET IN CENTER, EMBRACE. FADE TO BLACK. 1272.00 BEGIN MAIN END CREDITS. directed by V O N D I E C U R T I S H A LL

story b y MICHAEL MAHER N DARIN SCOT T

screenplay b y VONDIE CURTIS HAL L produced b y PRESTON HOLMES

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 38

executive producer TED FIEL D

executive producers TREVOR MAC Y MARC D. EVAN S

executive producers RUSSELL SIMMON S S T A N L A T H AN

executive producers AMY KAUFMAN A. DEMETRIUS BROW N

d irector of photograph y SHANE HURLBU T production designe r WARREN A. YOUN G edited b y T E R I L Y N A . S H R O P S H I R E , A . C . E. music b y TERENCE BLANCHARD

additional music b y D E N A U N P O R T ER

music supervisor JABARI ALI costume designer MARIE FRANC E casting b y ROBI REED TYRESE GIBSON

WAIST DEEP MEAGAN GOOD

WAIST DEEP COMBINED CONTINUITY & SPOTTING LIST REEL 6A/B

PAGE 39

LARENZ TAT E H. HUNTER HAL L

KIMORA LEE SIMMON S a nd T H E G A M E

a film b y VONDIE CURTIS HAL L

a RADAR PICTURES a nd RSVP PRODUCTION S productio n

a R OGUE PICTURES a nd INTREPID PICTURES presentation Unit Production Manage r DWIGHT WILLIAMS

First Assistant Directo r NOGA ISACKSON

Second Assistant Directo r J.J. LINSALAT A CAST (In Order of Appearance) O2 Newscaster #1 Junior Guard Coco Rock Lucky Newscaster #2 Meat Fencing House Lady Man Gangster #1 Gangster #2 Black Security Guard White Security Guard Bank Manager TYRESE GIBSON SHAWN PARR H. HUNTER HALL JOHNNY C. PRUITT MEAGAN GOOD DARRIS LOVE LARENZ TATE WILLIAM DUFFY THE GAME KIMORA LEE SIMMONS WIL E. YOUNG SYCO SMOOV AKA DEWAYNE TURRENTINE, JR. WADE ALLAIN-MARCUS TERRELL CLAYTON RAY BENGSTON EARL MINFIELD

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PAGE 40

END CREDITS CONT. Bank Woman Angry Black Woman Newscaster #3 Look-A-Like Newscaster #4 Newscaster #5 Female Radio DJ Male Radio DJ Radio Guest DAGMAR STANSOVA KASI LEMMONS LAURA MIRO POVERTY AKA TOMMY ABATE DAWN REAVIS DYLAN TAYS YOLANDA YOYO WHITAKER JULIO GONZALEZ MICHAEL ERIC DYSON

STUNTS
Stunt Coordinator O2 Stunt Double O2 Stand-In O2 Driving Double Meats Bodyguard #1 Meat Stunt Double Meats Bodyguard #2 Lucky Stunt Double Impatient Jacker Fight Choreographer Go-Mobile Driver Helicopter Pilot O2 Stunt Double Coco Stunt Double/Stand-In Camera Bike Driver JULIUS LEFLORE JASON BRITTAN JULIUS DENEM OUSAUN ELAM VERNON HAWTHORNE J.T. HOLT FARLEY JACKSON JOHN LEFLORE SEAN ANTHONY MORAN MARCUS SALGADO KEVIN C. SCOTT BEN SKORSTAND CC TAYLOR KRISTA WOODS DANNY WYNANS

UTILITY STUNTS RONALD KARTOON ANTWINE RANDOLPH LEROI RICK AVERY SCOTT LEVA ERIK BETTS JUSTIN LUNDIN EDDIE BRAUN JALIL JAY LYNCH KOFI ELAM JOHN MOIO FRANK GARDNER BENNIE MOORE JOEY GARDNER CHRIS OHARA J. ARMIN GARZA II ROBERT POWELL JODY HART SCOTT ROGERS JERMAINE HOLT THOMAS ROSALES JR. LARRY HOLT JEFF SAUNDERS JEFF HURD RANDALL SMITH RASHON KAHN SHARON SWAINSON HUBIE KERNS JOEY TUREAUD BRET KIENE OBA VITA AMANDA LEFLORE OSEI VITA-BARNES JENSEN LEFLORE CRYSTAL WEAVER LARRY WILLIAMS Post Production Supervisor First Assistant Editor Assistant Editor Art Director Set Decorator A-Camera/Steadicam Operator First Assistant A-Camera Second Assistant A-Camera B-Camera Operator First Assistant B-Camera Second Assistant B-Camera C-Camera Operator DAVID DRESHER KENNY MARSTEN LARA GRANT Y OOJUNG HAN CHERYLE A. GRACE, SDSA ROBERTO DE ANGELIS MARC MARGULIES MATTHEW STENERSON GARY HATFIELD STEVEN MANNY MANN JOEY ODONNELL TODD BARRON

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END CREDITS CONT. First Assistant C-Camera Second Assistant C-Camera Camera Loader Camera Production Assistant Script Supervisor Production Sound Mixer Boom Operator Sound Assistant Costume Supervisor Key Costumer Key Set Costumer Costumers LAWRENCE NIELSEN DEREK C. EDWARDS GARY BEVANS PO-KING CHAN SYDNEY GILNER DAVID PARKER, C.A.S. JEFF ERDMANN STEVE KLINGHOFFER FRANK PERRY ROSE ELAINE CHASE MCGHEE DEMETRICUS HOLLOWAY PATTY MALKIN SEANETTE DAVIS CHANTHOU KOZBERG JOANETTA S. STOWERS GENEVA NASH-MORGAN ADAM BRANDY BECKY COTTON JASMINE KIMBLE LINDA STEVENSON-KHAN EDDIE M. BARRON PAULA ASHBY NICHOLSON TODD R. HIGGINS DAVID TERPIN MICHAEL BOOK MICHAEL WAGSTAFF JEFFREY CHIN ANN ROSENCRANS DAVID C. RUSSELL JOHN JANUSEK JOHN P. SHINE MICHAEL E. LISTORTI ROBERT J. REILLY TOMMY LEE DONELL WILEY BRYAN SATURDAY ASHFORD JAMES B. STIRITZ KEVIN WADOWSKI NEAL WILDE MICHAEL BLAZE RICK CHAVEZ STAN W. COCKERELL DAVID AARON JOE D. RAMSEY JIM GUARRERA JAMES CAMOMILE ELIA P. POPOV SUSAN EHRHART CHARLINE ST. CHARLES CLAIRE BARCOS JUANA MARIE FRANKLIN CRAIG AMENDOLA STEVEN D. WILLIAMS, M.P.S.E ERIC A. NORRIS, M.P.S.E.

Key Makeup Artist First Assistant Makeup Artist Makeup Artists Key Hairstylist First Assistant Hairstylist Hairstylists Chief Lighting Technician Best Boy Electric Rigging Gaffer Best Boy Rigging Gaffer Lamp Operators

Key Grip Best Boy Grip Dolly Grip Key Rigging Grip Best Boy Rigging Grip Grips

Property Master Assistant Property Masters Armorer Special Effects Coordinator Special Effects Foreman Special Effects Technicians Production Supervisor Assistant Production Coordinator Production Secretary 2nd 2nd Assistant Directors Supervising Sound Editors

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END CREDITS CONT. Sound Effects Editor Dialogue Editors Supervising ADR Editor ADR Editor Foley Supervisor 1st Assistant Sound Editor Supervising Music Editor Music Editor Additional Music Editors Music Coordinators Music Consultant Music Legal and Clearance Additional Music Clearance Re-Recording Facility Re-Recording Mixers Recordist ADR Mixer Foley by Foley Supervisor Foley Mixer Foley Artists JASON W. JENNINGS, M.P.S.E GAS TN BIRABEN BYRON WILSON CLIFF LATIMER, M.P.S.E. BOBBI BANKS, M.P.S.E. THOM BRENNAN ROY SEEGER TODD BOZUNG CARL SEALOVE JEN MONNAR DEL SPIVA SEASON KENT MARGARET MCDONALD JOHN HOULIHAN CHRISTINE BERGREN JENNIFER PRAY WIDGET POST PRODUCTION MATTHEW IADAROLA GARY GEGAN MATTHEW DUBIN ALAN FREEDMAN, C.A.S. SOUND SATISFACTION GAR Y J. COPPOLA, C.A.S. CHRIS TRENT EDWARD M. STEIDELE JERRY TRENT BARBARA HARRIS MONIKKA STALLWORTH JENNIFER DECLUE SABRINA GRAY STEPHEN SPRAGUE SARAH CONNOLLY JAIME SERRANO DRUE L. POWELL GILBERT BARNHARDT TODD HAVERN ALEX BETUEL RAFI COVINGTON L.D. COZY MYKAL WILLIAMS JOHN WARNER MARK LAYTON BROWN ANGELO BUA CHAD CANALE JOSEPH GENNA NELSON HULL RICK WEVER TOMKATS CATERING DIRK LONG JESSE CERVANTES RACER RANGEL ANTHONY WOODS ELIZABETH COLUMBA WARREN DRUMMOND ALYSIA ALLEN

Voice Casting Assistant to Mr. Holmes Assistant to Mr. Hall Assistant to Mr. Williams Office Production Assistants Key Set Production Assistant Set Production Assistants

Leadman On Set Dresser Swing Gang Boss Set Dressers/Swing Gang

Caterers Craft Service Set Medic Storyboard Artists Art Department Coordinator

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END CREDITS CONT. Art Department Production Assistants Construction Coordinator Construction Foreman Labor Foreman Paint Supervisor Propmaker Gangboss Construction Medic Location Manager Key Assistant Location Managers Assistant Location Managers Locations Production Assistant Insurance Provided by Legal Services Provided by MARK FINER ANGIE SIMPSON ROBERT CASS MCENTEE RYAN MAJUS CRILL HANSEN JOHN J. PASSANANTE TERRY SHEFFIELD ADRIANA DE LA CRUZ

WAYNE MIDDLETON PTAH SHABAF HILARY WALKER CES HARDY RONALD KARTOON ANTWINE DANNATIS BANKS AON/ALBERT G. RUBEN SHEPPARD MULLIN RICHTER & HAMPTON, LLP ROBERT DARWELL ALEXIS GARCIA ASHLEY KRAVITZ CHRIS KAHN CARRIE JONES AMY CHERRIX KATHY GEORGIA EDWARDS SHARON TAKSEL MARTIN GLOVER HENRY H. LOWE IV RICHARD CLARK CASSANDRA O. BUTCHER SIDNEY R. BALDWIN DUKE FOSTER SPENCER FOSTER GAIL RUCKEL

Clearance Services Provided by Production Accountant First Assistant Accountant Accounting Clerk Payroll Accountant Post Production Accountant Production Video Assist Video Assist Production Assistant 24 Fr. Video Engineer Unit Publicist Still Photographer Transportation Coordinator Transportation Captain Studio Teacher

SECOND UNIT Second Unit Director Second Unit Production Associate First Assistant Director Second Assistant Director Second Unit Stunt Coordinator Director of Photography/Operator Camera Operator Script Supervisor Sound Mixer Video Assist JULIUS LEFLORE SABRINA GRAY DAVE HALLINAN STEVEN BUHAI OUSAUN ELAM GARY HATFIELD PAUL HUGHEN DAVID KESSLER KEITH L. SMITH LISA MCNEIL JEFF ERDMANN JIMI JOHNSON ANDREA REED

Casting Associate

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END CREDITS CONT. Casting Assistant Digital Motion Picture Laboratory Services, Digital Film Recording and Digital Intermediate Services Digital Intermediate Timer Color Science Digital Data Management Digital Data Conform Digital VFX Supervisor Digital Film Scanners EARL MINFIELD LASERPACIFIC A KODAK COMPANY TIMOTHY T. VINCENT DOUG JAQUA JEFF CHARLES CARRIE OLIVER VALANCE EISLEBEN MICHAEL CASTILLO DAVID WHITE CRAIG DEMARTINI MAI SUZUKI KYLE DEVRIENDT TIMOTHY T. VINCENT NANCY FULLER JESSE KOBAYASHI MR. X INC. EVAN JACOBS DENNIS BERARDI FIONA CAMPBELL WESTGATE SARAH MCMURDO AARON WEINTRAUB ROB DEL CIANCIO ROBERT GREB ANNU GULATI JOEL SKEETE MICHAEL STEWART BONNIE DICKSON DAVID SINGER RUBINA COKAR DARCY BANGSUND MATEO NOVACOVICI LINDA ROSE RIGHT LOBE DESIGN GROUP KURT SMITH BRYAN ARENAS

Digital Restoration Digital Film Recording Services Digital Dailies Timer Digital Laboratory Project Managers

Digital Visual Effects by Visual Effects Supervisor Visual Effects Executive Producer Visual Effects Producer Visual Effects Production Manager Compositing Supervisor Digital Compositors

Compositing Assistant Operations Manager Office Administrator Systems Administration VFX Accountant Titles by Lab Color Timer Dolby Sound Consultant

Orchestrators

TERENCE BLANCHARD HOWARD DROSSIN

Conductor Music Copyists

HOWARD DROSSIN YO ELEVEN MUSIC

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END CREDITS CONT. Engineers BRIAN VALENTINO (ORCHESTRAL SESSIONS) GREG HARTMAN (RHYTHM SESSIONS) KORY KRUCKENBERG JON SCHLUCKEBIER JOHN WINTERS INGRID SABEE ROBIN BURGESS VINCENT BENNETT SIMON JAMES TERENCE BLANCHARD / KEYBOARD AND PIANO MIKE SCOTT /ELECTRIC GUITAR DERRICK HODGE /ELECTRIC & UPRIGHT BASS OSCAR SEATON / DRUMS KENDRICK SCOTT / PERCUSSION BASTYR UNIVERSITY KENMORE, WA

Scoring Crew

Session Coordinator Session Assistant Contractor Rhythm Section

Recorded at

SONGS LIKE THIS Written by Nathaniel D. Hale and Louis Harden, Jr., Dedrick Rolison and Andre Lamont Taylor Performed by Mack 10 featuring Nate Dogg C o u r t e s y o f H o o- Bangin R ecords/Capitol Records Under license from EMI Film & Television Music Nate Dogg appears courtesy of Nate Dogg, Inc./Love and Happiness Productions KREASE KHAKI FLOW Written by Jimmy Rodgers and Dominick Wickliffe Performed by Crooked I Courtesy of Dy n a s t y I n s t r u m e n t a l G r o u p Under license from Ford Music Services BAD GIRL Written by Leroy Austin, Christopher Featherstone, Aminata Schmahl, Safietou Schmahl, John Jackson and Nastacia Kendall Performed by Black Buddafly featuring Fabolous Courtesy of The Russell Simmons Music Group/Island Def Jam IM BOUT A DOLLA Written by Dan D. Thomas, Craig Miller, Charles Penniman, Johnean Jimenez and David King Produced by Dilemma for Hello World Music Productions Performed by Kanary Diamonds featuring Kam and G. Malone G. Malone appears courtesy of Big Ego Entertainment/Sony Urban/Columbia Kam appears courtesy of Hereafter Entertainment Kanary Diamonds appears courtesy of Paragon Entertainment Group AYY Written by Denaun Porter and Tyrese Gibson Performed by Denaun Porter and Tyrese D e n a u n P o r t e r a p p e a r s c o u r t e s y of Shady Records Tyrese appears courtesy of J Records THIS IS MY LIFE MAN Written by Jimmy Rodgers and Dominick Wickliffe Performed by Crooked I Courtesy of Dynasty Instrumental Group Under license from Ford Music Services GUTTAVILLE Produced by Victor Holmes Written by Lamarr House, Victor Holmes, Rodney Jones, Tamos Houston and Danny Saber Performed by Dro featuring Tay Nati and Boskags Courtesy of The Russell Simmons Music Group/Island Def Jam Tay Nati and Boskags appear courtesy of P e d a r o l Records ROLL THE DICE Written and Produced by Dali Performed by Benjilino and Divine Verbal Dialect Benjilino appears courtesy of HeadQuarter Entertainment Under License by HeadQuarter Entertainment Divine Verbal Dialect appears courtesy of Solar Pa nel Entertainment

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END CREDITS CONT. TURN THEY LIGHTS OUT Written by Russ e l l B r o w n , V i n c e L a n g s t o n a n d S t a c e y Wagner Performed by Chico & Coolwadda Chico appears courtesy of Valentino Entertainment Group Coolwadda appears courtesy of Assault Entertainment Under license from Ford Music Services CHILD SUPPORT W r i t t e n b y O S h ea J a c k s o n , T e a k U n d e r d u e , Dejon Underdue, William Calhoun and David Lopez Performed by Ice Cube Courtesy of Lench Mob Productions, Inc.

DOLLA DOLLA BILL Written by Nathaniel D. Hale and Josef Leimberg Performed by Nate Dogg Nate Dogg appears courtesy of Nate Dogg, Inc./ Love and Happiness Productions Under license from Ford Music Services and Love a n d H a p p i n e s s Productions THIS AINT A GAME Written by Jonathan Rotem, Tremain Neverson, Charles Schruggs, Anthony Anderson, and Steve Howse Performed by Lil Eazy E featuring Bone Thugz N Harmony Lil Eazy E appears courtesy of L.A. Entertainment/Virgin Records B o ne T h u g z N H a r m o n y a p p e a r s c o u r t e s y o f Full Surface Records Under License From EMI Film & Television Music

REASON Written by Andre Wilson, Lamia Dannelle Jackson, Phillip Johnson, KC Wilson and Bruce Hornsby Performed by Andre Boogie Wilson C o u r t e s y of Paradise Records, LLC Soundtrack Available on RSMG (logo) Island Def Jam Recordings (logo) Blind Date footage Courtesy of Universal Studios Licensing LLLP Troubled Island mural courtesy of Noni Olabisi Production Services Provided by Timeless Releasing 2005 LLP Special Thanks KASI LEMMONS ERICA HUGGIN S SCOTT KROOPF LASER PACIFIC MEDIA CORPORTATION (logo) KODAK MOTON PICTURE FILM (logo) PRINTS BY TECHNICOLOR (logo) DTS (logo) IATSE (logo)

DOLBY DIGITAL (logo) MPAA (logo)

Copyright 2006 Focus Features LLC All Rights Reserved Country of First Publication: United States of America. Focus Features LLC is the author of this motion picture for purposes of the Berne Convention and all national laws giving effect thereto. THE CHARACTERS AND EVENTS DEPICTED IN THIS PHOTOPLAY ARE FICTITIOUS. ANY SIMILARITY TO ACTUAL PERSONS, LIVING OR DEAD, IS PURELY COINCIDENTAL. THIS MOTION PICTURE IS PROTECTED UNDER THE LAWS OF THE UNITED STATES AND OTHER COUNTRIES. UNAUTHORIZED DUPLICATION, DISTRIBUTION OR EXHIBITION MAY RESULT IN CIVIL LIABILITY AND CRIMINAL PROSECUTION. 1811.12 LAST FRAME PICTURE. END REEL 6A/B

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