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CELEBRATION SERIES

THE PIANO ODYSSEY@

PIANO

REPERTOIRE

Copyright 2001 The Frederick Harris Music Co., Limited


All Rights Reserved

ISBN 0-88797-734-0

FREDERICK
HARRIS
MUSIC

CELEBRATION SERIES

THE PIANO ODYSSEY

The Celebration Series" was originally published in 1987 to international acclaim. In 1994, a second edition
was released and received with heightened enthusiasm. Launched in 2001 and building on the success of
previous editions, the Celebration Series", The Piano Odyssey" takes advantage of the wealth of new repertoire
and the changing interests and needs of teachers.
The series is breathtaking in its scope, presenting a true musical odyssey through the ages and their
respective musical styles. The albums are graded from late elementary to early intermediate (albums
Introductory to 3) through intermediate (albums 4 to 8) to advanced and concert repertoire (albums 9 and
10). Each volume of repertoire comprises a carefully selected grouping of pieces from the Baroque, Classical,
Romantic, and 20th-century style periods. Studies/Etudes albums present compositions especially suited for
building technique as well as musicality relevant to the repertoire of each level. Student Workbooks and
recordings are available to assist in the study and enjoyment of the music. In addition, the comprehensive
Handbook for Teachers is an invaluable pedagogical resource.

A Note on Editing and Performance Practice


Most Baroque and early Classical composers wrote few dynamics, articulation, or other performance
indications in their scores. Interpretation was left up to the performer, with the expectation that the
performance practice was understood. In this edition, therefore, most of the dynamics and tempo indications
in the Baroque and early Classical pieces have been added by the editors. These editorial markings, including
fingering and the execution of ornaments, are intended to be helpful rather than definitive.
The keyboard instruments of the 17th and early 18th centuries lacked the sustaining power of the modern
piano. Consequently, the usual keyboard touch was detached rather than legato. The pianist should assume
that a lightly detached touch is appropriate for Baroque and early Classical music, unless a different
approach is indicated by the style of the music.
Even into the 19th century, composers' scores could vary from copy to copy or edition to edition. Thus, the
editors of the Celebration Series" have also made editorial choices in much of the Classical and Romantic
repertoire presented in the series.
This edition follows the policy that the bar line cancels accidentals. In accordance with current practice,
cautionary accidentals are added only in cases of possible ambiguity.
Teachers and students should refer to the companion guides - the Student Workbooks and the Handbook for
Teachers - for further discussion of style and pedagogical elements. For examination requirements of The
Royal Conservatory of Music, please refer to the current Piano Syllabus.

Dr. Trish Sauerbrei


Editor-in-Chief

Contents

Gavotte in G Major, HWV 491

Christian Petzold
Christian Petzold
Henry Purcell
attr. Johann Sebastian Bach
attr. Johann Sebastian Bach
George Frideric Handel

Sonatina in C Major, op. 36, no. 1

Muzio Clementi

12
12
14
16

Ludwig van Beethoven

Johann Anton Andre

18
18
19
20

Sonatina in C Major, op. 36, no. 20

Alexander Gedike

22

Morning Prayer, op. 39, no. 1


Horse and Rider, op. 98, no. 5

Pyotr II'yich Tchaikovsky


Alexandr T. Grechaninov
Alexandr T. Grechaninov
Dmitri Kabalevsky
Robert Fuchs
Bela Bartok
Boris Berlin
Yoshinao Nakada
William Lea
Petr Eben
Seymour Bernstein
Ruth Watson Henderson
Nancy Telfer
Christopher Norton

23
24

Minuet in G Major, BWV Anh. 114


Minuet in G Minor, BWV Anh. 115
Hornpipe in B flat Major, Z T683
Musette in D Major, BWV Anh. 126
Polonaise in G Minor, BWV Anh. 119

First Movement
Second Movement
Third Movement

Sonatina in G Major
First Movement
Second Movement: Romanze

Sonatina in A Minor

4
6
8
9

10
11

Third Movement: Rondo

After the Ball, op. 98, no. 13


Clowns, op. 39, no. 20
Timid Little Heart, op. 47, no. 5
Play
The Haunted Castle
The Song of Twilight
Snoopy
Bird on the Windowsill
The Elegant Toreador
Lullaby in Black and White
The Sleeping Dragon
Coconut Rag

26
27
28
29
30
31
32
33
34
36
38
40

Minuet in G Major
BWV Anh. 114
Christian Petzold

(1677 - 1733)

J = 112 -126
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For examinations, the ornaments are optional:


(a)

(b)

Quarter notes may be played detached unless otherwise marked.

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BWV Anh. 115
Christian Petzold
(1677 -1733)

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12

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Z T683
Henry Purcell
(ca 1659 - 1695)

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BWV Anh. 126

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attr. Johann Sebastian Bach

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/1>olonaise in G Minor
BWV Anh.119

J = 88 1\

attr. Johann Sebastian Bach


(1685 -1750)

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Left-hand quarter notes may be played slightly detached. The composer's wedges (mm. 11 and 13) are
equivalent to staccato dots.

:J
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Gavotte in G Major
HWV 491

George Frideric Handel


(1685 - 1759)

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Sonatina in C Major
op. 36, no. 1

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(1752 - 1832)

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Sonatina in G Major
I
Moderato
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(1770 - 1827)

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Sonatina in A Minor
III: Rondo
Johann Anton Andre
Allegretto

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Sonatina in C Major
op. 36, no. 20

Allegro moderato

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J = 100 -108

Morning Prayer
0p. 39, no. 1

Andante

J = 69 - 72

3
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(1840 -1893)
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24

Horse and Rider


op. 98, no. 5

Alexandr T. Grechaninov
(1864 -1956)
Allegro

J.

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26

After the Ball


op. 98, no. 13

Tempo di mazurka
I't

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J = 126 -

132

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2ri

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(1864 -1956)

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27

Clowns
op. 39, no. 20
Dmitri Kabalevsky
(1904 -1987)

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Timid Little Heart


op. 47, no. 5

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The Haunted Castle

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Boris Berlin
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The Elegant Toreador


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Lullaby in Black and White

Ruth Watson Henderson


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The Sleeping Dragon

Nancy Telfer
(1950

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Coconut Rag
Christopher Norton
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