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La Enunciación en Poesía

La Enunciación en Poesía

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Marginalidad y enunciación

Poesía chilena 1983-2009
A Naza y Janelle
Índice general
INTRODUCCIÓN.............................................................................................................9
I. MARGINALIDAD Y MARGEN................................................................................17
1. 1. Significantes pef!"ati#!s................................................................................19
1. $. L!s asg!s %efinit!i!s........................................................................................$&
1. &. Las in#esi!nes 'i(i%ina'es..................................................................................$)
1. *. E' c!nte+t!..........................................................................................................&)
1. *. 1. Las ciencias s!cia'es..................................................................................&)
1. *. $. E' %isc,s! c,'t,a'.....................................................................................*1
1. -. E' p!tencia' %e #isi(i'i.aci/n %e' ate.................................................................-0
II. LA ENUNCIACIÓN EN 1OES2A.............................................................................-&
$. 1. E' enf!3,e en,nciati#! c!"! inst,"ent! %e an4'isis........................................--
$. $. Un ca"(i! %e pespecti#a...................................................................................-7
$. &. La s,(5eti#i%a% en e' %isc,s!.............................................................................6&
$. *. E' s,5et! %e' %isc,s!..........................................................................................69
$. -. 1!p,esta %e ,n "!%e'!. ....................................................................................7&
III. LA D7CADA DEL )08 EL MARGEN COMO RESISTENCIA Y
CONTAMINACIÓN.......................................................................................................79
&. 1. Una s,pep!sici/n p!('e"4tica.........................................................................)1
&. $. Zonas de peligro %e T!"4s 9ais8 'a intensi%a% testi"!nia'.............................96
&. $. 1. La testificaci/n :%e;ctica !('ic,a<.............................................................9)
&. $. $. Tes #!ces. ...............................................................................................101
&. $. &. La c!nta"inaci/n %e '!s c,ep!s.............................................................11-
&. &. Lumpérica %e Dia"e'a E'tit8 'a "!staci/n pef!"4tica.................................1$$
&. &. 1. E' c;c,'! %e 'as "ia%as..........................................................................1$7
&. &. $. La !n%,'aci/n en,nciati#a c!"! estategia %es!ienta%!a.....................1&-
&. &. &. L! "='tip'e > '! ne,t!.............................................................................1*$
I?. LA D7CADA DEL 908 EL DISTANCIAMIENTO CR2TICO DE LA MIRADA. .1*9
*. 1. Una #isi(i'i.aci/n %is!nante.............................................................................1-1
*. $. Metales pesados %e Yan@! G!n.4'e.8 'a #isi(i'i.aci/n pef!"4tica %e 'as ti(,s
,(anas......................................................................................................................16*
*. $. 1. La en,nciaci/n estatifica%a > ac=stica %e' p!e"a ant!p!'/gic!...........166
*. $. $. E' ant!p/'!g!Ap!eta > s, !t! (4(a!....................................................17&
*. $. &. L!s #ai#enes %e 'a #i!'encia....................................................................179
*. &. La insidia del sol sobre las cosas > Calas %e Ge"4n Caasc!8 'a "ia%a
s!pesi#a %e' flâneur-voyeur....................................................................................1)$
*. &. 1. E' f'Bne, "!nta5ista................................................................................1)&
*. &. $. La "ia%a e/tica8 ca"p!s 'ag!s > p'an!s fi5!s......................................1)7
*. &. &. La "ia%aA"!nta5e...................................................................................19$
*. &. *. La caicia > 'a #!.....................................................................................196
?. LA D7CADA DEL $0008 AMCI?ALENCIAS DE UN T7RMINO ?ACIADO.....$0&
-. 1. Ente '! c!ncet! > '! si"(/'ic!.......................................................................$0-
-. $. ran Avenida > Aire !uemado %e G'a%>s G!n.4'e.8 'a esti'i.aci/n %e ,na
"agina'i%a% e(e'%e.................................................................................................$17
-. $. 1. La Di"Ep!st,a %e 'a c!inci%encia ateA#i%a.............................................$1)
-. $. $. 1!FticaG c,ep!G ci,%a%............................................................................$$&
-. $. &. H,ga c!n e' #!>e,is"! %e' 'ect!...........................................................$$)
-. &. Compro fierro %e H,an CaeI!8 tanspia '! 3,e se #e...................................$&$
-. &. 1. 1especti#as s!(e e' sinsenti%! > %es#aneci"ient! c!nt!'a%! %e 'a
instancia escit,a'................................................................................................$&*
-. &. $. Intensi%a%G inte,pci/nG %isc,s!s 'an.a%!s............................................$&9
CONCLUSIÓN.............................................................................................................$*7
CICLIOGRAJ2A...........................................................................................................$--
INTRODUCCIÓN
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)if"%"nci @ )" *& $&$.*% $%&'&(i) $&% "* g&+i"%n& n"&*i+"%*.
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51
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II. LA ENUNCIACIÓN EN .OESÍA
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III. LA D2CADA DEL 345 EL MARGEN COMO
RESISTENCIA Y CONTAMINACIÓN
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