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MURCHANAs

(Part-2)

1
now ….. ,
WHAT IS NEW ?

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IN THESE CONVENTIONAL
MURCHANAs,

I EXPERIMENTED
BY SUBSTITUTING
‘MATHEMATICALLY ACCURATE’
VALUES IN STEAD OF
THE TRADITIONAL “ROUNDED-OFF”
SRUTI VALUES

3
WHY AM I
‘AVERSE’ to the
“ROUNDED OFF”
SRUTI VALUES ??

4
In this context,
Let us recollect
The wisdom passed on
By “Pythagoras”
the Ancient Greek
Philosopher, mathematician
And musician

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AS PER PYTHOGORAS ….

‘MUSIC’ MEANS
ONLY “ SIMPLE FRACTIONs ”

“ COMPLEX FRACTIONs ”
CAUSE ONLY “ DISCORD ”

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AS PER PYTHOGORAS ….

‘NUMBER’ AND ‘RATIO’ SHOULD BE


EXPRESSED “ MOST ELEMENTALLY ” IN
MUSIC

‘NUMEROSITY’ SHOULD BE GOVERNED BY


STRICT “ ARITHMETICAL ECONOMY ”

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During my Study, I have found
that ‘ROUNDED OFF’ SRUTIs
WOULD RESULT IN
VERY COMPLEX” FRACTIONs
And, therefore, generate

“DISCORD”

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If the ‘srutis’ are converted
into equivalent ‘Fractions’,
they would look
something like this …. ,

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For Example:

‘3’ - srutis = 1088139917 / 990000000


Whereas the nearest ‘mathematical’
value will be :
‘2.76’ - srutis’ (22-FRACTIONs FAMILY) = 12 / 11)

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Another Example:

‘13’-srutis = 1491133598 / 990000000


Whereas the nearest ‘mathematical’
value will be :
‘12.87’-srutis’ (22-FRACTIONs FAMILY) = 3/2

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With this background information,

let us focus on the


‘Formulation of Murchanas’

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SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

I STARTED WITH THE


SADJA-GRAMA FORMAT, AFTER
SUBSTITUTING MEMBERS OF ‘22 – FRACTIONS’,
LIKE THIS !
13
SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

PLEASE NOTE !
“MATHEMATICALLY ACCURATE” INTERVAL VALUES
BETWEEN SWARAs ARE USED HERE,
IN STEAD OF THE “ROUNDED-OFF” VALUES
USED IN THE TRADITIONAL SYSTEM.
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SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

THE ‘SADJA-GRAMA
BASIC SCHEME, BY ITSELF
ACTS AS THE FIRST MURCHANA.

15
SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

REMAINING SIX MURCHANAs,


EVOLVED FROM THIS
BASIC GRAMA,
ARE GIVEN IN THE NEXT SLIDES

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SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

17.1
4.24

7.00

20.45
9.13

13.3

1
7
R(4.24) G(2.76) M(2.13) P(4.24) D(3.74) N(3.34) S(1.55)

17
SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

17.1
4.24

7.00

20.45
9.13

13.3

1
7
R(4.24) G(2.76) M(2.13) P(4.24) D(3.74) N(3.34) S(1.55)

10.68

18.66
14.92
5.79
1.55

8.55
R(1.55) G(4.24) M(2.76) P(2.13) D(4.24) N(3.74) S(3.34)

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SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

17.1
4.24

7.00

20.45
9.13

13.3

1
7
R(4.24) G(2.76) M(2.13) P(4.24) D(3.74) N(3.34) S(1.55)

10.68

18.66
14.92
5.79
1.55

8.55
R(1.55) G(4.24) M(2.76) P(2.13) D(4.24) N(3.74) S(3.34)

14.02

18.26
3.34

11.89
4.89

9.13
R(3.34) G(1.55) M(4.24) P(2.76) D(2.13) N(4.24) S(3.74)

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SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

17.1
4.24

7.00

20.45
9.13

13.3

1
7
R(4.24) G(2.76) M(2.13) P(4.24) D(3.74) N(3.34) S(1.55)

10.68

18.66
14.92
5.79
1.55

8.55
R(1.55) G(4.24) M(2.76) P(2.13) D(4.24) N(3.74) S(3.34)

14.02

18.26
3.34

11.89
4.89

9.13
R(3.34) G(1.55) M(4.24) P(2.76) D(2.13) N(4.24) S(3.74)

15.63
8.63

12.87
7.08

17.76
3.74

R(3.74) G(3.34) M (1.55) P(4.24) D(2.76) N(2.13) S(4.24)

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SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

17.1
4.24

7.00

20.45
9.13

13.3

1
7
R(4.24) G(2.76) M(2.13) P(4.24) D(3.74) N(3.34) S(1.55)

10.68

18.66
14.92
5.79
1.55

8.55
R(1.55) G(4.24) M(2.76) P(2.13) D(4.24) N(3.74) S(3.34)

14.02

18.26
3.34

11.89
4.89

9.13
R(3.34) G(1.55) M(4.24) P(2.76) D(2.13) N(4.24) S(3.74)

15.63
8.63

12.87
7.08

17.76
3.74

R(3.74) G(3.34) M (1.55) P(4.24)


11.32 D(2.76) N(2.13) S(4.24)

19.87
17.11
12.87
7.98
4.24

R(4.24) G(3.74) M(3.34) P(1.55) D(4.24) N(2.76) S(2.13)

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SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

17.1
4.24

7.00

20.45
9.13

13.3

1
7
R(4.24) G(2.76) M(2.13) P(4.24) D(3.74) N(3.34) S(1.55)

10.68

18.66
14.92
5.79
1.55

8.55
R(1.55) G(4.24) M(2.76) P(2.13) D(4.24) N(3.74) S(3.34)

14.02

18.26
3.34

11.89
4.89

9.13
R(3.34) G(1.55) M(4.24) P(2.76) D(2.13) N(4.24) S(3.74)

15.63
8.63

12.87
7.08

17.76
3.74

R(3.74) G(3.34) M (1.55) P(4.24)


11.32 D(2.76) N(2.13) S(4.24)

19.87
17.11
12.87
7.98
4.24

R(4.24) G(3.74) M(3.34) P(1.55) D(4.24) N(2.76) S(2.13)


10.11

19.24
13.45

15.00
6.37
2.13

R(2.13) G(4.24) M(3.74) P(3.34) D(1.55) N(4.24) S(2.76)

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THE
AMAZING
OBSERVATION !

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WHEN THE
SEVEN MURCHANAs
WERE FORMULATED AS PER THE
CONVENTIONAL PROCESS …… ,

I FOUND THAT ……. ,

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NINE MEMBERS OF THE
FAMILY OF ‘22 FRACTIONs
NOT REVEALED SO FAR,
WERE FOUND SEATED
IN THESE MURCHANAS !

25
SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

17.1
7.00
4.24

20.45
9.13

13.3

1
7
R(4.24) G(2.76) M(2.13) P(4.24) D(3.74) N(3.34) S(1.55)

10.68

14.92

18.66
5.79
1.55

8.55
R(1.55) G(4.24) M(2.76) P(2.13) D(4.24) N(3.74) S(3.34)
3.34

14.02

18.26
11.89
4.89

9.13
R(3.34) G(1.55) M(4.24) P(2.76) D(2.13) N(4.24) S(3.74)
7.08

15.63
8.63

12.87

17.76
3.74

R(3.74) G(3.34) M (1.55) P(4.24)


11.32 D(2.76) N(2.13) S(4.24)

19.87
7.98

17.11
12.87
4.24

R(4.24) G(3.74) M(3.34) P(1.55) D(4.24) N(2.76) S(2.13)

19.24
13.45

15.00
6.37

10.11
2.13

R(2.13) G(4.24) M(3.74) P(3.34) D(1.55) N(4.24) S(2.76)

THESE ‘NINE’ SIMPLE FRACTIONS ARE


MARKED IN RED in White background 26
SADJA – GRAMA MURCHANAS

22.00
0.00

12.87

17.76
16.21
2.76

4.89

9.13
S S”
R (2.76) G(2.13) M (4.24) P(3.74) D(3.34) N (1.55) S (4.24)

17.1
7.00
4.24

20.45
9.13

13.3

1
7
R(4.24) G(2.76) M(2.13) P(4.24) D(3.74) N(3.34) S(1.55)

10.68

14.92

18.66
5.79
1.55

8.55
R(1.55) G(4.24) M(2.76) P(2.13) D(4.24) N(3.74) S(3.34)
3.34

14.02

18.26
11.89
4.89

9.13
R(3.34) G(1.55) M(4.24) P(2.76) D(2.13) N(4.24) S(3.74)
7.08

15.63
8.63

12.87

17.76
3.74

R(3.74) G(3.34) M (1.55) P(4.24)


11.32 D(2.76) N(2.13) S(4.24)

19.87
7.98

17.11
12.87
4.24

R(4.24) G(3.74) M(3.34) P(1.55) D(4.24) N(2.76) S(2.13)

19.24
13.45

15.00
6.37

10.11
2.13

R(2.13) G(4.24) M(3.74) P(3.34) D(1.55) N(4.24) S(2.76)

REST
ALL ‘DERIVATIVES’ ARE
“COMPLEX FRACTIONS” (MEANT FOR DISCORD)27
TAKING STOCK OF THE SITUATION ….

The ‘Designer’ had seeded


20 “simple fractions” 0f the
“ SACRED NUMBERS ”
so far, as given below:

28
TAKING STOCK OF THE SITUATION ….

Sadja-grama-- 6 Fractions
Madhyama-grama-- 5 Fractions
Murchanas of Sadja-grama -- 9 Fractions
TOTAL--- 20 FRACTIONS

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TAKING STOCK OF THE SITUATION ….

WHERE ARE THE ‘TWO’


MISSING FRACTIONs ?

30
TAKING STOCK OF THE SITUATION ….

I CARRIED OUT
A “SEARCH” IN THE
“MADHYAMA-GRAMA MURCHANAs”,
ADOPTING A SIMILAR PROCEDURE

31
MADHYAMA–GRAMA MURCHANAS
0.98 MADHYAMA GRAMA MURCHANAS 22.98

10.11

17.11

18.66
12.87
3.74

5.79
1 2.76 2.05 4.32 2.76 4.24 1.55 4.32

8/11
/605

/165

/605
512

128

384

/55

/55
32

28
2 4.32 2.76 2.05 4.32 2.76 4.24 1.55

/2541
/693

/231

/847
2048

/693
640

160

512
512

/231
128
S- R
3 1.55 4.32 2.76 2.05 4.32 2.76 4.24 R-G
MURCHANAS

64/121
80/99

64/99

20/33
/363
256
/33
28

G-M
4 4.24 1.55 4.32 20/27 2.76 2.05 4.32 2.76 M-P

64/99

16/27
P-D

5/9
8/9

7/9

5 2.76 4.24 1.55 4.32 2.76 2.05 4.32 D-N


N-S

64/99

/1815
1024
/605

/165

/165

/495
512

128

112

256
6 4.32 2.76 4.24 1.55 14.35 4.32 2.76 2.05
8/11

20/33

/121
3.0

/121

64
96
3

7 2.05 4.32 2.76 4.24 1.55 4.32 2.76

0 0.2 0.4 0.6 0.8 1


SRUTI INTERVALS 32
MADHYAMA–GRAMA MURCHANAS
0.98 MADHYAMA GRAMA MURCHANAS 22.98

10.11

17.11

18.66
12.87
3.74

5.79
1 2.76 2.05 4.32
MADHYAMA-GRAMA2.76 MURCHANAS
4.24 1.55 contained
4.32

8/11
The “TWO” remaining MEMBERS of
/605

/165

/605
512

128

384

/55

/55
32

28
2 4.32 the
2.76 FAMILY
2.05 OF
4.32‘22 FRACTIONS’
2.76 4.24 1.55
(Marked in RED AND WHITE)
/2541
/693

/231

/847
2048

/693
640

160

512
512

/231
128
S- R
3 1.55 4.32 2.76 2.05 4.32 2.76 4.24 R-G
MURCHANAS

64/121
80/99

64/99

20/33
/363
256
/33
28

G-M
4 4.24 1.55 4.32 20/27 2.76 2.05 4.32 2.76 M-P

64/99

16/27
P-D

5/9
8/9

7/9

5 2.76 4.24 1.55 4.32 2.76 2.05 4.32 D-N


N-S

64/99

/1815
1024
/605

/165

/165

/495
512

128

112

256
6 4.32 2.76 4.24 1.55 14.35 4.32 2.76 2.05
8/11

20/33

/121
3.0

/121

64
96
3

7 2.05 4.32 2.76 4.24 1.55 4.32 2.76

0 0.2 0.4 0.6 0.8 1


SRUTI INTERVALS 33
My Study of
‘GRAMAs’ AND ‘MURCHANAs’
led me to the
FOLLOWING CONCLUSIONs :

34
FIRSTLY ..

The ‘Designers’ of our


Ancient Music had
“ INTENDED ”
That the “22 Fractions”
derived from the
12 ‘Sacred Numbers’
be the “TRUE SWARAs”

35
SECONDLY ..

The ‘Rounded-off’
Swara-sthaanas given
In Ancient Musicological literature
Should be used as “KEYS”,
For unraveling these
“22 Fractions”

36
THIRDLY ..

The ‘Rounded-off’
Swara-sthaanas given
In Ancient Musicological literature
Should NOT be used “DIRECTLY”
For the vertical development of music

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For more details …. ,
CONTACT ME AT:
Tele: 91 20 30441256
9890266845, 9850121834.
E-Mail: snnambirajan@rediffmail.com
nambi@22sruti.com

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