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Interferencias

For Orchestra

Jos Martnez

Interferencias / Interferences
This!piece!is!about!life,!about!how!one!person!lives!
and!gets!affected!by!others!and!by!the!situations!that!
surround!him.!At!the!beginning!we!all!are!pure,!a!
single!sound,!clear!and!transparent!and!we!are!
trying!to!understand!life.!As!time!goes!by,!we!are!
interfered,!affected,!we!change,!and!the!results!
might!be!waterfalls!of!sounds!and!color!that!paint!
our!life!or!just!a!single!feather!that!floats!in!the!air.!
The!stroke!of!the!unexpected!also!affects!us!and!we!
could!scream!out!loud!a!unison!stream!of!violent!air!
trying!to!get!over!it;!or!we!may!succumb!and!let!our!
melody!escape!away!as!a!weak!lament!into!
time.!There!is!always!an!answer!for!such!
interferences,!the!resulting!sounds!have!their!own!
unique!origin!and!function,!and!those!will!reflect!
how!we!are!being!changed,!how!we!evolve!and!react!
according!to!the!world!around!us.!A!systematic!
result!is!not!conceivable.!Life!is!this!magic!gift!where!
we!only!have!one!chance,!one!direction!to!take,!one!
decision!to!make.!We!travel!in!time!toward!the!end,!
similarly!as!music!is!performed!and!fades!away.!At!
the!end,!we!will!never!be!the!same,!for!the!path!has!
changed!us!but!we!still!have!this!unique!color!and!
character,!our!very!own!melody,!our!own!
personality!learned!at!our!soDcalled!home.!At!the!
end,!we!will!never!know!how!different!our!life!
would!have!been!if!that!day,!that!person,!that!
situation,!that!piece!of!music!had!never!crossed!our!
lives.!

instrumentaTion

!!!

Piccolo
2 Flutes
2 Oboes
English Horn
E b!Clarinet
2 B b!Clarinets
Bass Clarinet
2 Bassoons
Contrabassoon

Timpani (31", 29", 26", 23", 21")

4 Horns in F
3 C Trumpets
2 Trombones
1 Bass Trombone
Tuba

Percussion 4: Bass Drum, Maracas, 2 Toms,


Crotales, 5 Templeblocks, Snare Drum.

Harp
Celesta
Piano

Percussion 1: Marimba, Suspended cymbal,


Tam-tam.
Percussion 2: Xylophone, Glogkenspiel,
Bongos, Brake drum, Tam-tam, Water Gong.
Percussion 3: Vibraphone, Tubular Bells, Log
Drums, Water Gong.

Violin 1
Violin 2
Violas
Cellos
Contrabass!

Symbols
for All Instruments
!

Accelerando - Ritardando!
Play as fast as posible. The
first note should be played
more prominently than the
others!

!
1!

This arrow indicates the


note that should be
played in the strong beat
in a gesture that contains
several grace notes!

1!

/:!!!!!!!!!!!!!!!:!/

Repeat the music inside the repeat signs


until the event marked by the end of the arrow!
L.V.

Woodwinds

Tongue pizzicato (slap)

Aeolic sound (souffl)


Air and sound
Free variation of the pitch.
This can be achieved by moving
the embochure or using the keys
to obtained bisbigliato.
The speed of this variation
is showned in the score
Frulatto!

Brass

Let Vibrate!
+ Stopped (bouch)
o Open!

Strings
s. tasto = Sul tasto, play close to the fingerboard
s pont. = Sul ponticello, play close to the bridge
= Bartk Pizzicato

Mutes

Horn: No Mutes
Trumpets:
Tpt. 1 = Harmon, Plunger and Cup Mutes
Tpt. 2 = Harmon and Plunger Mutes
Tpt. 3 = Harmon, Plugner and Bucket Mutes
All Trombones = Straight and Plunger Mutes
Tuba = Straight Mute
Plunger mute
!
Close to open
Open to Close!
+o

Alternatively open and close


the Plunger Mute, playing and
accel. or rit.
!

Percussion
Percussion 1
K Marimba (To low F)
Suspended Cymbal (16")
Tam-tam
Arco

Percussion 2

!
!
!

!
!

Percussion 4
Bass Drum
Maracas
2 Toms (16", 18")
5 Temple blocks
Snare drum
Crotales (1 octave)
Arco

MALLETS
h

Snare Drumsticks

t q Soft Mallets
y w Medium Hard Mallets
u e Hard Mallets

J Xilophone

uG Glockenspiel Mallets

G Glockenspiel

uX Xylophone Mallets

Bongo Drums
Brake drum
Tam-tam
Water Gong
Arco

Bass Drum or Tamtam Beater

Triangle Beater

Brushes

Percussion 3

Plastic Hammer

H Vibraphone

; Play with the hands and fingers

Tubular Bells
Log drums (4 pitches)

D.S. Dead Stroke

Water Gong
Arco!

Mallets indications are suggestions.


Final decision is up to the performer!

Piano!
inside

Play inside the piano. Different tecniques are requierd to be applied directly on the strings,
such as pizzicato and glissando with a plastic card, strokes with the bare hands

t!

Roll in circles with a soft mallet in the low register of the piano

+!

Dampened sound. One hand dampens the strings before the dampener while the other
plays the notes on the keyboard

ord

Play the piano on the keyboard as ordinary.


!

NOTE:
Rehearsal marks L and N are marked with an X, which indicates that there is no assigned time
signature for these two sections. Instead of this, the music is built by events numbered from 1! to 5!
which the Conductor will indicate with the fingers of one of his hands. The approximate duration in
seconds of the individual or grouped events is indicated but the Conductor could slightly vary them to
reach a better musical result. Music within the repeat bars should be played during the length
indicated by the arrow, mixed with the other instruments it creates an irregular texture. Haupstimme
symbol H!
indicates melodic lines that should be prominent.!
!
!

Instruments are notated where they sound, except for instruments which tranpose at the octave or
double octave: i.e. piccolo, glockenspiel, celesta, contrabass.
Duration ~ 9min

Commissioned by Dr. Jeanne Sinquefield


for the University of Missouri Chancellors Concert

PICCOLO

FLUTE 1

FLUTE 2

Score
4
&

4 Like a slow dawn q = 40

Interferencias
for Orchestra

& #
n

& #
P

&

OBOE 2

&

ENGLISH HORN.

&

CLARINET IN E b

&

CLARINET IN B b 1

&

& #

&

& #

BASSOON 1

BASSOON 2

CONTRABASSOON

?
?

HORN IN F
3 AND 4

&

TRUMPET IN C 1

&

Trumpet in C 2

&

Trumpet in C 3

&

Bass Trombone

TUBA.

Timpani

percussion 1

percussion 2

percussion 3

Percussion 4

harp

Celesta

Piano

violin I

violin II

VIOLA

CELLO
Contrabass

F#

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
#

U
n

U
n

&

TROMBONE 2

&

HORN IN F
1 AND 2

TROMBONE 1

&

F
n
n
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
#

&

&

BASS CLARINET

&

&

OBOE 1

CLARINET IN B b 2

2
4 Jos Martnez
2013
4 #~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4

4 Like a slow dawn q = 40


4
harmon mute
stem in

& #
n

?
?
?

4 Like a slow dawn q = 40


4
?

2
4

arco

&

arco
Tam-tam

&

H
#w

&

)))))))))))))))))))))U

m
w

#
p

&

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n
o
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F

&

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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B
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4 Like a slow dawn q = 40


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U
1st stand
s. tasto

# .
n

2
4

&

1st stand
s. pont.

#
n

1st stand
sord.

#
p

Copyright 2013 Jos Martnez

arco
crotales

&

unK

arco

Snare Drum

4
4

&

4
4

s. tasto

#w
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.
.
P

Interferencias

2
A

6
PICC.

FL. 1

FL. 2

OB. 1

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OB. 2

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B b CL. 1

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B. CL.

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BSN. 1

BSN. 2

C. BN.

B b CL. 2

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HNS. 1, 2

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HNS. 3, 4

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C Tpt. 1

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C Tpt. 2

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TBN. 1

TBN. 2

B. Tbn.

TUBa

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Bucket mute

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Timp.

Perc. 1

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Perc. 2

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Perc. 3

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Perc. 4

hp.

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solo 1
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solo 2

Interferencias
11
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FL. 1

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FL. 2

OB. 1

OB. 2

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E b CL.

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B b CL. 1

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TUBa

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harmon mute
stem out

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Pno.

VLN. II

VLA

VC.

Cb.

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pizz.

tH

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11
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Cel.

Perc. 2

hp.

&

Perc. 4

&

Perc. 1

Perc. 3

11
Timp.

&

HNS. 3, 4

TBN. 2

# fl

&

TBN. 1

HNS. 1, 2

C TPT. 3

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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FL. 2

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OB. 2

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C. BN.

HNS. 3, 4

C Tpt. 1

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TUBa

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5
4

Perc. 1

Perc. 2

Perc. 3

Perc. 4

hp.

Cel.

Pno.

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VLA

VC.

Cb.

&

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4B More active q = 63
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senza sord.

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Bongos
play with hands

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Toms
play with hands

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TBN. 1

4B More active q = 63Interferencias


4

&

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HNS. 1, 2

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BSN. 2

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Interferencias
21
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FL. 1

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FL. 2

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OB. 1

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OB. 2

B b CL. 1

B b CL. 2

B. CL.

BSN. 1

BSN. 2

C. BN.

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#
Fp

&

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plunger mute

#
p

w
F

plunger mute

w
F

w
F
w
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#
p

plunger mute

Perc. 2

Perc. 3

Perc. 4

hp.

Cel.

Pno.

&
&

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F

VLA

VC.

Cb.

>

T. Blocks

&

&

?
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1st and
pizz. 2nd stands

&

&

&

F each performer should

b b

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each performer should


play at a different speed

#
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#
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6

b
p

n .
p

sord.

# .
p

# #

plunger mute

w
F p
+
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. b .

D.S.

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b .

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D.S.

b b b

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semi pedal

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bw
p

OpOPoppp

tutti

&

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pizz.

tutti

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pizz.
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sord.

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play at a different speed

b b

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1st and
pizz. 2nd stands

VLN. II

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21
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n
F
3.

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plunger mute

1. +

#
#

5
P

21

Perc. 1

plunger mute

Timp.

&

TUBa

b
P

&

B. Tbn.

&

HNS. 3, 4

TBN. 2

&

TBN. 1

F
b b

F

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21

C Tpt. 2

HNS. 1, 2

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Interferencias

6
> >
#

&

25
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FL. 1

FL. 2

OB. 1

OB. 2

E. HN.

E b CL.

B b CL. 1

b
&

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3

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BSN. 1

BSN. 2

C. BN.

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C Tpt. 1

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C Tpt. 2

&

C TPT. 3

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Perc. 1

Perc. 2

Perc. 3

Perc. 4

Cel.

Pno.

&

>

&

3
3

# n #
!
5

VLA

VC.

Cb.

jet whistle

1j
b

1
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1.

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.

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inside

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Div.

VLN. I

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5

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sord.

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w

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pizz. with a
plastic card

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n
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.
F

sord.

slam the
keyboard cover

1 n #
# n

P
L.V.

b

!
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L.V.

# ww
&

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n .
P

Div.

s. pont.

.
F

w
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OpOPOpoO

b b

Tam-tam

OpOPopop

&

&

T. Bells

hp.

&

25
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1
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HNS. 3, 4

TUBa

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B. Tbn.

# n
# #

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HNS. 1, 2

TBN. 2

25

TBN. 1

# n
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solo

B. CL.

B b CL. 2

F
b

Interferencias
b b b n b b b b n
b .
n

n
b
&
7
p

b .
b n # b b b n

&
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p

30
PICC.

&

FL. 1

&

FL. 2

&

OB. 1

OB. 2

&
&

E. HN.

&

E b CL.

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B b CL. 1

&

B b CL. 2

&

B. CL.

&

BSN. 1

BSN. 2

C. BN.

1
# n
n

HNS. 3, 4

# #

C Tpt. 2

C TPT. 3

TBN. 1

TBN. 2

B. Tbn.

TUBa

# # # n

1
# n

1
b

b b

1
b b b

Perc. 1
Perc. 2

Perc. 3

Perc. 4

Cel.

Pno.

!
w
?w
2. +
Fp
? w
Fp

&
&
&
?

VLN. II

VLA

VC.

Cb.

1j

1
# n

1
b

#
J

F
!

3. +

F
plunger mute


#
P

o+

plunger mute

#
P

o+

p
# o

o+


#
p

plunger mute

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# o

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n .
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F

b . .

b
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straight mute

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straight mute

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p

straight mute

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b
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#
B
p

F
# . n . # . .

n >

f
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sord.
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f 3 arco


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n b

a
b

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Bass Drum


>>
f

straight mute

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nw
p

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p
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Unis.
senza sord.

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30
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&
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C Tpt. 1

# n

&

30
HNS. 1, 2

&

b
3

n b

inside
with a plasitc card

w
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#
F>
n
F>

Interferencias

&

35
PICC.

FL. 1

FL. 2

OB. 1

OB. 2

E. HN.

&

&

&

&

B b CL. 2

&

B. CL.

&

C. BN.

?
?
35

HNS. 1, 2

HNS. 3, 4

C Tpt. 1

C Tpt. 2

C TPT. 3

TBN. 1

TBN. 2

B. Tbn.

TUBa

Perc. 1

Perc. 2

&
&
&
?
?
?
?

&

p>

p>

harmon mute
stem in 3

. n .
F

harmon mute
stem in 3

.
F

.
F

harmon mute
stem in 3

VC.

Cb.

n n

b n 1

1
b
b

#
f

# .
&
!

# .
F

&

b
p

w
w
w
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fl
F

Bass Drum

uH

&

intense

>
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>

>

&
&

L.V.

D
www

Div. a 3
sord.

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nw
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p>
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p>

Unis.

#
P
#
P

Unis.

Div.
sord.

VLA

b
!

Div.
sord.

VLN. II

# >
p

!
.

35
VLN. I

Perc. 4

Pno.

? #

&

Cel.

Perc. 3

hp.

35
Timp.

.
f
w

B b CL. 1

BSN. 2

&

&
.
&

E b CL.

BSN. 1

ww

ww

#
p

Unis.

b
P

# #

b .
n
#
#

#
n

F #intense

>
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Interferencias
40
PICC.

FL. 1

FL. 2

OB. 1

OB. 2

E. HN.

&
&

&

&

#w

#
&

&

#w

nw

# .

#w
p

&

# .

n .

b n

# .

E b CL.

&

&

B b CL. 1

&

& # .

B b CL. 2

&

& n .

B. CL.

&

&

BSN. 1

BSN. 2

C. BN.

? n
?

40
HNS. 1, 2

&

HNS. 3, 4

&

C Tpt. 1

C Tpt. 2

C TPT. 3

TBN. 1

TBN. 2

B. Tbn.

TUBa

>
f

&

a2

>

P
a2

>

Perc. 1

Perc. 2

Perc. 3

Perc. 4

hp.

Cel.

Pno.

&

VLN. II

VLA

VC.

Cb.

# #

n n

n # .
f

b
P

&

?
?

y K# #

>

>

> > .

>
J

1
.

b n #

b n

1
b .

#
F

n
p

&

#
!

&

n # .
f

open


> >

open

&

& # .

&

&

> >

>
J

#
.

n # .
# .

f
n .
f
open
# .
f
.
open

>

>

>

>

>

>

>

>

>

open

n
p

w
E

u rJ

f
> >

&

?
&
&

?
&

&
&
B
?
?

# n

senza sord

40
VLN. I

40
Timp.

n
f

.
>
>

#
f

>
f

>

> > .

>
J

&

n #

senza sord

> >

Div.

Div.

col legno
jet

... . .
#
f

Unis.

col legno

>
J

.jet
.. . . . .


f
> >
Unis.

senza sord

senza sord pizz.


Div.

n #
F

# n
f

Interferencias

10

b b
b
b .

45
PICC.

FL. 1

FL. 2

OB. 1

OB. 2

E. HN.

E b CL.
B b CL. 1

B b CL. 2

B. CL.

BSN. 1

BSN. 2

C. BN.

&

&

f
b .

&
&

&

HNS. 3, 4

C Tpt. 1

&

&

F
?

b .
# b # J
p

n
.
#
J
6

Timp.

&

> > > > >


3

45 F
?

b b

b
F

b b
b

&

> > > > >


3

>

Maracas
move in circles

b # .

OpOPoppp

&

&

&

?
&

VLN. II

&

#
# b # n .

p
> > > > >
>
B

Cb.

45

VC.

b b b n b

&

# b .

VLN. I

VLA

b
f

&

Pno.

b
F

Cel.

b b
.

Perc. 2

hp.

.
.

b .
b

>

Perc. 4

Perc. 1

Perc. 3

# n .
p

&

TUBa

&

C TPT. 3

B. Tbn.

&

&

TBN. 2

&

C Tpt. 2

TBN. 1

&

b b b
n b b

p
b b

45
HNS. 1, 2

b .

?
?

# n .

5
3

S. Cymbal

uH
#

# #

OppPOOpO

n n # #

#
3

#
3

L.V.
n

r
r
#

6
!

#
# # #
3

b b

b
p
n

L.V.

L.V.

b
p

#
3

senza sord

b
p

t .

b n
F

J b .
3
F
3

b b

b
F

n n
F
3

48
PICC.

FL. 1

&
&

B b CL. 1

&
&

&

&

&

&

?
brassy

C Tpt. 2

C TPT. 3

TBN. 1

TBN. 2

B. Tbn.

TUBa

Perc. 1
Perc. 2
Perc. 3
Perc. 4

hp.

Cel.

Pno.

& # # .
f
1

1
b .

1
j
#

&

VLN. II

VLA

VC.

Cb.

3
4

6
5

#
# .
p

3
4
?
?

## #

open

open

# .

# .

&
?
&

?
&
&
B
?
?

&
?

.
.

j
j

3
4

# #

4
4

# n b # n .

p
5
#
# .
p

n
3

Div.

b .

.
F

b b

b b b b

b
F

10

5

b b b
b b b .
F
b b
b

b
b

b
b b

b b .

n . # .

b
3

b b

b b
b

1.

#
f

3.

#
f

# .
# .

# . # .

# . #
.

# #
> >
t S. Cymbal

a>

>

Bass Drum

.
#

# . # .

b
# . .

.
.

&

b .
.

b b b

4
4

F
#


b b

# .

# # # .

b .

b b b b
b b b

# .

b .

# b # .

# # n .
p

&

&

&

48
VLN. I

#.
# # # #
p
F

&

48
Timp.

&

48

C Tpt. 1

# #

# .

&

HNS. 3, 4

&

HNS. 1, 2

#.

&

&

11

10

&

B. CL.

C. BN.

&

BSN. 2

F
#

&

B b CL. 2

BSN. 1

&

OB. 1

E b CL.

# .
# #

&

E. HN.

&

4
4

Interferencias

&

FL. 2

OB. 2

&

3
4

4
4

pizz.

pizz.
5
F
n .

pizz.

Unis.

F
#

pizz.

bpizz.

F
b

p
b b b .
p
F
5

b b

b
F
b
f

Interferencias

12
51
PICC.

FL. 1

FL. 2

b b b b @ @ @ @ @ @
b b b
&
b
@ @ @ @
!

&
@ @ @ @ @ @ @ @ @ @

p
#

&

&
&

10

OB. 1

OB. 2

&

&
&

E. HN.

&

&

E b CL.

&

&

B b CL. 1

&

&

B b CL. 2

&

&

B. CL.

BSN. 1

BSN. 2

C. BN.

b
b
b
b b

b
5
p
f

&

b b

b
f

b
b b

?
51

HNS. 1, 2

&

# # #

HNS. 3, 4

&

# # #

# #
# #

&

&

C TPT. 3

&

&

TUBa

Perc. 1

plunger mute

n
p

?
?

Perc. 3

&

Perc. 4


&

Cel.

Pno.

VLN. II

VLA

VC.

Cb.

H b

f
#

f
b

?
&
?

b #
5

n
3

# .
# .

arco

&

# # #
f
3

&

arco

arco

b
3

ppoPOOOO

&

b b b

51
VLN. I

&
hp.

# b #
.
p

n .

# #

.
# #

s. pont.

bs.pont.

10
6

# n .
p 3


.
+

o
.

growl

b
3

#
b

pOoPOOOO

b
!

b n


n
p

&

# #

b
3


p
b
!

.
p
"

b > >

..

> >

>

>

>

>

>

open

l

f

Tam-tam

p
7

k T. Bells
&

.
b b

>

h Toms

>

# > >
open

n > >

# > >
# > >

>

>

#
#
>

>

oOOPOOoo

J5

b
b b

>

.
.

f
b

Perc. 2

growl

plunger mute

? # w+
p

51
Timp.

&

C Tpt. 2

B. Tbn.

&

TBN. 2

F
.
n # #

n .

#
.

#
p

#
p
F

b
.
p
F
.

n # n
p

# #

&

C Tpt. 1

TBN. 1

.
# #

&

&

?
?

.
# # n

# #

Div.

n
.

ord.

Div.


# b # #.
p
Div.
.
arco
# n
p

arco

Div.
.

..

# ..

ord.

>

Unis.

s. pont.

Unis.

s. pont.

ord.

Unis.

>
#
>
Unis. #

>

Unis.

>
#

>
#
>
#

>

3
4

Interferencias
G
55
PICC.

&

FL. 1

&

FL. 2

&

OB. 1

&

OB. 2

E. HN.

E b CL.

B b CL. 1

B b CL. 2

B. CL.

BSN. 1
BSN. 2
C. BN.

HNS. 1, 2

HNS. 3, 4

C Tpt. 1

&
&

& #
f
&
&

Perc. 1

Perc. 2

Perc. 3

Perc. 4

hp.

Cel.

b b

b b

b
? n
f

b b

b
&
f

VLN. II

VLA

VC.

Cb.

b b

?
( )

? #w
F

F
b b

&

&

b b

# #

# #

&
?

# #

# #

b b n

b
b

b
!

&

uG

b b b

b
3

b b

&

3
4
?

J
n > > > > > >
n

Drum
h Snare
> > > > > >

&

n >

>

&

#
>
#
>

b b b
b b b

b b b

&
b
b
b

&

b b

b b

uK

uH

>

>

b >
b

>

b b

3
4

&

b b

w
w

pOpPpOOp

&

&

w
w

&

&

b
b b

b
b b

&

&

&

55
VLN. I

ord.

Pno.

G
55 b
? n
f

55
Timp.

&

TUBa

C TPT. 3

B. Tbn.

b b
b b b
b

p
6
b b
b b
b b

6
p

3
b

b b

6
b b
b b b
b

6

p
b b
b b b
b
5
5

p
b b
b b b
b
5
5

p
5

&

TBN. 2

&
f

C Tpt. 2

TBN. 1

6
b b
b b b
b

6

p
6
b b
b b b
b

6

13

n # ..

Div.
# # ..

Div.

ww

ww

ww

ww

b > > > > > >


b

n > > > > > >


n

# # #
b > > >
b

># ># >#


Div. n
n

# # #
Div.
n n n
b
> > >

Div.

># ># >#



>#

>#

>#

# # #
n n n

> > >

3
4

>

#
b >
b
3

>#

#3

b
>
3

>

>#

>#

>

>
# #
>
n n

2
4

14

59
PICC.

FL. 1

FL. 2

OB. 1

OB. 2

E. HN.

E b CL.

B b CL. 1

B b CL. 2

B. CL.

BSN. 1

BSN. 2

C. BN.

#
&


& #

C Tpt. 1

C Tpt. 2

C TPT. 3

TBN. 1

TBN. 2

B. Tbn.

TUBa

>

?
>

a2

& n .
!

& b .
!
&
!
&
!
&

? #
>
?
?
?
?

#
>
n >

n
>

Perc. 2

Perc. 3

Perc. 4

Pno.

&

Bass Drum

VC.

Cb.

2
4

#
>

Agressive and bellic

Agressive and bellic

>
#

&

>
#

&

# .

# .

.
.

# .
# .

.
.

33

? #

&
&

?
&

n#

2
4

L.V.

each performer should


play at a different speed

&

b b

# #

b .

b .

b .

b .

b .

b .

Unis.

each performer should


play at a different speed

& # #
VLA

each performer should


play at a different speed

VLN. II

Tam-tam

#
>

a2

59
VLN. I

Cel.

Agressive and bellic

2
4

Perc. 1

hp.

b b

&

b b
&

&
#
>

# >

59
Timp.

Agressive and bellic

&

& b

n n
#
&

a2

HNS. 3, 4

#
& # #



&

59
HNS. 1, 2

Interferencias

#
? #

arco Unis.

arco Unis.

#
3

. b . b
.

b
b

. b . b
.

b . . b . . b . .

b . . b
. . .
.

. b b #
. . . .

b .

# b #.
n . b .
. .
.

15

Interferencias
64
PICC.

&

&

FL. 1

&

&

FL. 2

&

&

&

&

OB. 2

&

&

E. HN.

&

&

OB. 1

E b CL.

& #

b n

b b

. .

. b n # .

BSN. 2

C. BN.

&

?
64

HNS. 1, 2

HNS. 3, 4

&

C Tpt. 1

&

C Tpt. 2

&

C TPT. 3

&

TBN. 1

TBN. 2

B. Tbn.
TUBa

f
f

?
?

a2

# #

# #

# # # #

#
#

& n

# #

b
.

# # #

b b b
b

b b

. . # .

b b .

b b b
b

b b b

b b

b b

b b b b

# # # #

#
b

b b b

&

BSN. 1

B. CL.

b b b b

&

&

b b

&

b b b

B b CL. 2

&

&

b b b

B b CL. 1

?
?

64
Timp.

Perc. 1

Perc. 2

&

Perc. 3

Perc. 4

hp.

Cel.

Pno.

& #

& # . . . . .

? b .
.
#

# .

?
&
&

?
& #

# . . .

.
. . #

&

VLA

Cb.

yJ

VLN. II

VC.

&

64
VLN. I

? ybK

. . . . .
n

# .
f

. # . .

.
. .

. # .

# . . #

. . . b . b .
b . . .

n
?

n .

. .

. b . .

. b . . n . # .

# . # .
.

.
# .

. # .

. b . . . .
b b

# .

n .

# .

# .

.
. .

. . # .

# .

#
.

69
PICC.

&

&

FL. 1

&

&

&

&

&

&

OB. 2

&

&

E. HN.

&

&

E b CL.

&

B b CL. 1

&

&

B. CL.

&

BSN. 1

?#

BSN. 2

?#

FL. 2

OB. 1

B b CL. 2

C. BN.

HNS. 3, 4

&#
?

&

C Tpt. 2

&#

C TPT. 3

&

TBN. 2

B. Tbn.

TUBa

#
#

&

b b

Perc. 3

&

Perc. 4

b b b

# .

# #

n
3

# .

# .

# .

b n

b
F

b b

b b

. .
# .

.
.

# .

# .

n .

# #

# .

b
#

&

& . . n .
? .
b .
69

&

# .

#
#

.
# .
b . . .

. n . .

# .

.
#

# . .
.

b . n . .
.
b .
. . b
. .
. # n

. b . .

. .
.
.

.
.
. . b

b . . b . .
. b .

. .
b . n .

# . b .
b . . b .
.

B
?
?

# .

n .

# .

b .

#
3

#
n
3

b .

# .

.
3

#
3

. # . . # .

.
.

. b
.
.

4I Sostenuto q = 54
4
b
b
?

4I Sostenuto q = 54
4

. n . # . .
. n . . .

Tam-tam

4I Sostenuto q = 54
4
w

&

. # .

w
n

nw
n

b . . b . . . . . b . . n . # .

.
.

# .

&

b b b
F
.
b .
#
. . # .

&

#
.

# # # n

# #

f
w

&

p
a2

# b
b

b b b

b b b
b

a2

Cb.

VC.

VLA

& n

VLN. II

b b b
b b

#
b n

b b b

b b

&

b b

&

b b b

H
b b

Perc. 2

VLN. I

Pno.

b b b b
5

Cel.

b b b b

b b b

b b

hp.

Perc. 1

69
Timp.

C Tpt. 1

TBN. 1

69
HNS. 1, 2

4I Sostenuto q = 54
4

Interferencias

16

2
4

73
PICC.

FL. 1

&
&

FL. 2

&

OB. 1

&

OB. 2

E. HN.

E b CL.

b b

b b

17

Interferencias
J

Agressive and bellic q = 63


&

&

&

&

&

B b CL. 2

& w

&

&

?
?
?

2
4

C Tpt. 1

&

C Tpt. 2

&

b b

C TPT. 3

&

73
HNS. 1, 2

HNS. 3, 4

TBN. 1

TBN. 2

B. Tbn.

TUBa

b b

b b

Perc. 1

Perc. 2

2
4
?

Cel.

Pno.

VLN. II

VLA

VC.

Cb.

b
# . . .
b .
# . .

a2

o
and
Gliss

& #

a2

Glis

s.

# .

Agressive and bellic q = 63

&

Tam-tam

Snare Drum

?
&
&

?
73

VLN. I

n
p

? #
.

Perc. 4

Agressive and bellic q = 63

? # .

J
&

? # .

Perc. 3

hp.

73
Timp.

&

C. BN.

&

BSN. 2

&

& w

BSN. 1

&

B b CL. 1

B. CL.

&
&

?
?

b
b

b
b

b b

2
4

Agressive and bellic q = 63

b . . .

? b . . .

# .
# .

.
.

. b
. . b
.
. b . .
b .
3

.
.

n . .
n . .

Interferencias

18

#
& @

#
@

77
PICC.

FL. 1

&
&

b b b

# .

b b b

b .

# .

# .

FL. 2

&

OB. 1

& b

OB. 2

& b

E. HN.

E b CL.

&
&

b
b

B b CL. 1

& b

B b CL. 2

& b

B. CL.

BSN. 1

BSN. 2

C. BN.

&
?
?
?
77

HNS. 1, 2

&
?

C Tpt. 1

TBN. 2

B. Tbn.

TUBa

Perc. 1

Perc. 2

Perc. 3
Perc. 4

hp.

Cel.

.
.

#
#

@
#

@ #

@
#

@ #

#
@

@
#

@
#

@
#

K
? y

b
#

uH
# #

&

& # #
# #

# #
& # #

b .

b .

.
n .

b .
.

n .

b .

& b
.

b .

b . . . #
3

b . . . #

b . #
b . #

. . . . .
b . b
. .
b .

.
. . b

# .

.
. .

# .

. .
.

b .

n . . b .

. b . . .
. b . . .
3

.
.

. b . .
. b . .

n #

# .

&

&

&

yJ

&

VLA

&

&

&

VLN. II

&

Cb.

77

VC.

# #

VLN. I

@ #

&
Pno.

?
p

@
#

#
#
@ @ @

?
f

&

&

f
?

&

#
# #
@ @ @ @

b
#

77
Timp.

TBN. 1

C TPT. 3

b .

n b

C Tpt. 2

2.

4.

HNS. 3, 4

b .

#
@ @ @

#
@ @ @

pOpPpOpp

b .

b .

# .

b .

# .
# .

. # .

# .

#
#

.
.

. # .

19

Interferencias
b
&

81
PICC.

FL. 1

FL. 2

OB. 1

OB. 2

E. HN.

E b CL.

B b CL. 1

B b CL. 2

B. CL.

BSN. 1

b
&
b
&
&
&
&

b n
b
b n
b
b n
b

b
b

b
b

b
b

b n
b

& b

& b

b n
b
b n
b

b
b

b
b

C. BN.

&

&

C Tpt. 2

&

C TPT. 3

&

Perc. 1

Perc. 2

Perc. 3

Perc. 4

hp.

Cel.

Pno.

b b
n
@ @ @ @
@ @ @ @ b
n
3

# .
# .
3

.
.

b n
b

&

&

VLA

B
.
? b .
? b .

b .

. . . . . .
b

b b

3
3

b
3

b
b

b .
b .
.

b .

b .

#
#

#
#

. . .

b .

. . .

. .
b . . . .

b .

b .

. . .

# . . .
# . . .

#
#

n .
n .

#
#

#
#

# .
# .

.
.
.
.

# .
3

b .
b .

#
#

b .

b .

b .

n .

b .

b .

# .

b .

b .

b b

b .

. .
b . . . . . .

b .

b .

b .

b .

b .

b .

n . . .
n . . .

b .

. . .

b .

b .

b .

b .

.
.
b . . . .

. .

b .

b .

. .
b . . . . . .

n .

#
# ##
#
#
# ##
#

b .
3

b .

b .

&
p
.

# #
#

# #
#

&
p

@ @ @ @ b
b b n

&
p

b
f

@ @ @ @ b
b b n

b .

crotales

.

. b . . . .

b b
b b n
@ @ @ @
@ @ @ @ b
b b n

?
p

?
p

n .

b b

?
p

n .

&

n b
b b n
@ @ @ @
n b
b b n
@ @ @ @

# b

&

&

& b

a2

? b
&

@ @ @ @ b
n

n b
b b n
@ @ @ @
b

@ @ @ n @ b
b n

& .

Cb.

VLN. II

VC.

81
VLN. I

a2

81
Timp.

C Tpt. 1

TUBa

81

B. Tbn.

TBN. 2

b
b

TBN. 1

HNS. 3, 4

b
b n
@ @ @ @

BSN. 2

HNS. 1, 2

n b
n
@ @ @ @
n b
n
@ @ @ @

b n
b

& b

b
&

.
. .

. . .

. . .

. . .

.
. . .
.
. . b
#

b .
b .

.
. . b
3

204 K

85
PICC.

&

Interferencias

4 Sostenuto q = 54

FL. 1

&

w
f

FL. 2

&

OB. 1

&

w
f

OB. 2

&

E. HN.

&

E b CL.

&

B b CL. 1

&

B b CL. 2

&

B. CL.

BSN. 1

BSN. 2

C. BN.

&
?
?
?

HNS. 1, 2

HNS. 3, 4

C TPT. 3

&
?

B. Tbn.

TUBa

?
?

Perc. 1
Perc. 2
Perc. 3
Perc. 4

hp.

Cel.

Pno.

&

w
w

Tam-tam

S. Cymbal

&

w
w

T. Bells

?
&

&
?

&

VLN. II

&

Cb.

&

VLN. I

VC.

85

VLA

b b

b b

b b

4K
4 Sostenuto q = 54
?

85
Timp.

b
b

&

TBN. 2

b
b

b
b

& w

C Tpt. 2

TBN. 1

b
b

&

C Tpt. 1

b b

4 Sostenuto q = 54
4
b
?
b

85

b b

b b

b b

b b

B
?
?

K
4 Sostenuto
q = 54
4w

b .
b

.
b b

b .
b

b .
b

.
b b

s. pont.

s. pont.
w

ws. pont.

ws. pont.

ws. pont.

b
3

j
b
p

35~40"

4~5"

PICC.

&

FL. 1

FL. 2

&

OB. 1

&

OB. 2

&

E. HN.

&

E b CL.

&

B b CL. 1

&

B b CL. 2

&

BSN. 1

BSN. 2

C. BN.

HNS. 1, 2

HNS. 3, 4

C Tpt. 1


# #

Timp.

Perc. 1

Perc. 3

hp.

Cel.

Pno.

L
?

VLN. II

VLA

VC.

Cb.

7~8"

,7~8"

&

# .

r
. . . . ,
#
# #
5~6"

f p

# ,

b
F ! f

?
&

harmon mute
stem out

&

4~5"

?
?
?
?

L
?

tK

&

Tam-tam


! sempre


! sempre

Logdrum
play with hands
j

&


j
! sempre

? #
#
F
&

,
#
J
P

>j

>
b b j

continue improvising
similarly

3~4"

?
?

p>

continue improvising
similarly

inside

&

strike the strings with


the bare hands.

j j
#

continue improvising
similarly

&

>j
#

b b
& b

&

&

L
VLN. I

4~5"

b
F

& . . . .. .

p
F

T. Blocks
play with hands

Perc. 4

10~11"

Bongos
play with hands

Perc. 2

&

TUBa

3~4"

C TPT. 3

B. Tbn.

7~8"

&

TBN. 2

&

C Tpt. 2

TBN. 1

B. CL.

7~8"

#
&
p

21

Interferencias

O
&
p
2nd stand
bb O
&
p

4 H

&

1st stand

F
F

B
?

arco

#
F

slowly

pizz.
solo 1

#
F

n
pizz.
solo 2

#
f

pizz.
solo 3

#
F

solo

# #

12~13"

224

4 q = 126

91

PICC.

FL. 1

&
&

FL. 2

&

OB. 1

&

OB. 2

&

E. HN.

&

E b CL.

&

B b CL. 1

&

B. CL.

&

BSN. 2

C. BN.

C TPT. 3

TBN. 1

TBN. 2

B. Tbn.

TUBa

#w

3
4

Perc. 2

?
?

4 q = 126
4
?
# .
p

fl

4~5"

fl

6~8"

~~~~~~~~~~~ ,
b

b b ~~~~~~~~~

4~5"

r
,
# #

# #

7~8"

r
# ,

r
# # ,

? n

# ^

^ ,

5~6"

p P ! b p ! F

,
^

N
2

3
4

#
F

# .

N
play on a cymbal placed

1 upside-down over the timpani

X
#
P

S. Cymbal

Tam-tam

! sempre

yHH

continue improvising
similarly

20~25"

&

b
b

&

?
&
&

t! p

M
91
VLN. I

&

VLN. II

&

VLA

Cb.

Tam-tam

VC.

&

harmon mute plunger mute


stem in
+

Perc. 4

Pno.

Cel.

&

Perc. 3

hp.

20~25"
8~10"

91

Perc. 1

nw

Timp.

&

nw

#w

4
4 q = 126
?

C Tpt. 2

b .

&

6~7"

&

C Tpt. 1

&

91

HNS. 3, 4

&

HNS. 1, 2

&

Interferencias

&

&

B b CL. 2

BSN. 1

&

3
4 b .

?
?

4 q = 126
4

# .
p

pizz.

3
4

#
p

# .

&

L.V.

7~8"

4
PICC.

&

FL. 1

&

FL. 2

&

OB. 1

&

OB. 2

&

E. HN.

&

E b CL.

&

B b CL. 1

&

B b CL. 2

&

B. CL.

&

BSN. 1

BSN. 2

C. BN.

HNS. 3, 4

C TPT. 3

&

TBN. 2

B. Tbn.

TUBa

&

Cup mute

25~30"

b #
F p

straight mute

nw

OOOPpOpO

&

9~10"

#
b
b #

OpOPpOpO

,
b

VLA

VC.

Cb.

?
?

nw

nw

#w

straight mute

straight mute

aw

Tam-tam

94

Brake Drum

&

OppPoOOo
ord.

&

n
#

4
O 4
?

L.V.

stand 1
each perfomer should
play at a different speed

stand 2
each perfomer should
play at a different speed
pizz.

b> # > b

6~7"

b>

solo

solo
s. pont.

5~6"

^ ^
^
b
n

6~7"

n
b
J

with a
plasitc card

s. pont.
tutti

&

>

inside

&

94

4~5" b
> # > > b > # >
&
p

#w

&

straight mute

pizz.

VLN. II

h Toms

&

&

nw

4
O 4 Struggling within q = 126

# .

# .

# .

Struggling within q = 126

94

4
VLN. I

&

Pno.

b #

Cel.

7~8"

Perc. 2

hp.

Perc. 4

Perc. 1

Perc. 3

1.

#
!

Timp.

& #
p
&

4
4

C Tpt. 2

TBN. 1

8~9"

C Tpt. 1

6~7"

94

HNS. 1, 2

4~5"

23
4
4 Struggling within q = 126

Interferencias

25~30"

p 3 f

tutti
s. pont.

p 3 f

,
?
?

tutti

tutti

# .
.
.
.
#
#
#
#

# .
.
.
.

3 # .
4

24
96
PICC.

&

FL. 1

&

FL. 2

&

OB. 1

&

OB. 2

&

E. HN.

&

E b CL.

B b CL. 1

B b CL. 2

B. CL.

BSN. 1

BSN. 2

C. BN.

HNS. 3, 4

C Tpt. 1

C Tpt. 2

C TPT. 3
TBN. 1

TBN. 2

B. Tbn.

TUBa

Perc. 1
Perc. 2

Perc. 3

Perc. 4

hp.

Cel.

Pno.

VLN. I

&

&

&

&

&

?
?
?

# . .
# . .

.
.

. .

&

&

. .

# .
p

&

#
.
p

&
&
?

#
p

.
.

1.

# .

open

# .

3
4.

# . .

# .

. .

# .

. . . . #

3.
# #
. . . . ..
p

. . . . . . . . #

4
4

.
.

#
. ..

#
f

&

&

. .
.
. .

www
&

ww
w

&

f
.

# n #

# n #

# #
f

3
3

#
f

# .

# .
# .

. .
. .
. .

. . # .
. . # .
. . # .

.
.
.

. .
. .

open

H yX

p
h Bass
. Drum
. .

&

. . n .

open

. .

# .

a2

a2

. .

#
f

# .

# .

# .

&

3
4

96 w
&

VLA

k# T.. Bells

4
4

. .

. . . . . . .

&

3
4

# .

# # #
f
3

# .

n
b b
5

b b b n

5
3

b b b n


3
5

#
b

n # ##
# n
# #
f
6

n # ##

# n

# #
#
f

# #

&

w
&

Cb.

# .

&

VLN. II

VC.

&

&
F

96
Timp.

Interferencias

&
F

96
HNS. 1, 2

4
4

simile

# . .

simile

# . .

&
&

.
.

tutti

. .
. .

s. pont.

# .

# .
# .

.
.

.
.

4
4

b ord. b

b b

# .
# .

s. pont.

b b
b

b .

s. pont.

&

# #
#
#
p 3

&

# #

3
f
p

5
b
b b
.

b
5
s. pont.
5
b b
b b
B
b #
5

#
# # #

# .
# . . .
#
# # #

# .
# . . .

simile

n . . .
simile

n . . .

.
.

. .
. .

.
.

25

Interferencias
b b

#
#


&

b b b
n b n b n

&

102
PICC.

FL. 1

FL. 2

&

&
&

nw

&

&

&

b n b b

OB. 1

&

OB. 2

&

E. HN.

&

E b CL.

& b

b b b
b n
&
5

b b b n b n b bn
&
5
3
3

&


& # b b b

B b CL. 1

&

B b CL. 2

&

B. CL.

&

BSN. 1

BSN. 2

C. BN.

HNS. 3, 4

C Tpt. 1

C Tpt. 2

?
?
&

n .

n .

n .

.
.
.

.
.

&

TBN. 2

?w
?
?

#
>

>

# .

Perc. 1

&

Perc. 2

Perc. 3

Perc. 4

hp.

Cel.

Pno.


>

#
>

>


>

^
#

^
#

&

G Brake Drum

&

# >

?
>

102
Timp.

#
>

?w

TUBa


>

#
>

&

b . .

&

&

b .

#
>

^
#

VLN. II

VLA

VC.

Cb.

nw

nw

. .

b b b
uH

.
.
.
.

&

#
>

^
#


>

yK # .

# .

open

#
>

>

# . . . . # . .
.

. . . b . . .
b

b . . .
. . b .
.
3
j

#
>

# .

. # .

n
n . .


.
. .
.

n b n b b


.
.
.
.

crotales
arco

& w

&

?
&
&

&

# . # . . .
# . . .
# . n .
. # . # .

ord.
. .
. . b . . . . . b .

ord.

VLN. I

. .

&

&

TBN. 1

B. Tbn.

harmon mute
stem in

C TPT. 3

&

&

102
HNS. 1, 2

&

&

&

&
&

&

B
?
?

.
.

.
.

.
.

.
.

pizz.

pizz.


. .

nO
&n w
p

# #

arco

. .
arco
# #
. .


. .

1st and
2nd stands

# # O

&

1st and
2nd stands

simile

simile

. .
. .

.
.

#
# .

Ow
f
O

.
.

.
.

.
.

.
.

Interferencias

26
108
PICC.

FL. 1

FL. 2

OB. 1

OB. 2

&
&
&

E b CL.

&

B b CL. 1

&

BSN. 1

BSN. 2

C. BN.

#w

&

&

&

&
?

HNS. 3, 4

C Tpt. 1

C Tpt. 2

C TPT. 3

TBN. 1

TBN. 2

B. Tbn.

TUBa

Perc. 1

Perc. 2

? 4.w

e^

center

&

#
f
^ ^

VLN. I

VLN. II

O
&

# #

>

>

#
>
#
>
#
>

p
p

n # #
p

>

j
n .
>

>

>

>

>

>

j
n .
>

>

# . .

>

>

# .

OOOPOOOO

# n
J

n .
f

n
f

.
^

# . .

^ ^

.
^

.
^

# .

^
#

.
^

.
^

L.V.

&

tutti

pizz.

&

pizz.

>

j
b
p

# n #

ppOPOOOO

#
#
# #

#
# .

n .
f

&

O
&

# #

&

108

H
y

ppOPOOpO

Cb.

>

&

VC.

& #

VLA

Perc. 4

Pno.

&

Cel.

w
!

&

# .

& n
p

>
J # .

w
!

? w

Perc. 3

hp.

&

& #
p

2.

108
Timp.

p
#w

>

& .

108
HNS. 1, 2

>

p
#w

>
J # .

#
>

# #
p
# #

&

>
J # .

p
#w

&
&

B. CL.

&

E. HN.

B b CL. 2

ord.

#
f

?
?

arco

arco

.
.

.
.

.
.

.
.

.
.

b
F


b b
b
F
b
b
b b
tutti

b
b b

b
F
5

.
.

.
.

113
PICC.

&

FL. 1

&

FL. 2

&

OB. 1

OB. 2

E. HN.

E b CL.

&

B b CL. 1

&

B. CL.

BSN. 1

BSN. 2

C. BN.

HNS. 3, 4

C Tpt. 1

C Tpt. 2

C TPT. 3

TBN. 1

TBN. 2

B. Tbn.

TUBa

&

?
?
?
?

# .

n .

n .

# .

f 3
jazzy
.
b . . b

f
jazzy
.
b . . b
3

&

f
jazzy
b .

. .

# . . . . . . . . .
f
3

Perc. 2

&

&

&

&

Perc. 4

hp.

Cel.

Bass Drum

#
.

#
.

&
?

VLN. I

VLN. II

VLA

VC.

Cb.

+
b

".

>
113 b b b
?

&
&
B


. .

b b b

# .

.
n n

. b .

. b .

# .
# .

b . b
.
3

. b .

b .

b .

b .

b .

t H b b

.
.

b . b .

b . b .
b .
b . b .
b .
3

. b . .

. .
.
3

# .

# .

# . . . . . . . . . . . .
3

b b b

b b

b b

b b b
b

b b

b b b

b b b

b b

b b b

.
# #

b .

b .

b .

# .

.
n n

b .
b .

. . . b . . .
3

.
.

3
3

b .

b b b b

b b b

.
# #

b b b b
b

.
.

b .

b .

b .

.
.

b .

b .

b .

# .

n .

# .

n .

.
3

b b .

b b

b b b

b b b
b

# .

#
.

b n b

pOOPOOOO

&

b b >
b

L.V.

>
b

? b
b .

b b .
"

&

Pno.

b b b

# . . . . . . . . . .
3

Perc. 1

Perc. 3

b . . b .


. .

b b

b
b

b . . b .


. .
?

5
b b b

b . . b .

?
ord.

?
?

. .
3

b . . .

b . . .

f
jazzy
b .

. .

b b b b

jazzy
.
b . . b

&

&

113
Timp.

.
& # #
p

113
HNS. 1, 2

# b # n .

p
n
.
n #
p

B b CL. 2

.
b #
& #
6
p

n
.

& #
6
p

&

27

Interferencias

.
#

b b

b b . .


. .

. .

b b .

b b

b n b

b b

b n b

# .

b b . .


. .

#
.
#
.

#
.
#
.

#
.
#
.

simile

simile

.
.

# .
# .

.
.

n .
n .

.
.

# .

n .
n .

.
.

# .
# .

Interferencias

28
117
PICC.

&

FL. 1

&

FL. 2

&

OB. 1

&

OB. 2

&

E b CL.

&

B b CL. 1

&

B b CL. 2

&

BSN. 1

BSN. 2

C. BN.

HNS. 3, 4

?
?
?

TUBa

Perc. 2

Perc. 3

Perc. 4

Cel.

Pno.

.
b . b . b .
3

3
.
b . b . b .
3

VLA

VC.

Cb.

b #
3

b
J

b #

b #

b . .

b .

b . .

b . .

b .

b .

.
.
.

.
.
.

b . . . .

b . . . .

n
.

#
f
#
f

nw

nw

J
J

. . . . . . . .

# . . . . >
p

h Bongos
. . . . >
p

# .

. . # . .
>
p

. .

. .

b .
b .

.
.

.
.

.
.

#w
p
#w
p

straight mute

n .

# .

. .

& nw
p
?
.
f
straight mute
?
.
f
?

# .
f
?

# .
f

b . .

b #

b . .

# .

b #

# . . . . . . . .

b #

n .

3
.
b . b . b .
3

n .

# .
n .

. . . .
>
p

. . >

. . . .
>

&

?
&

? b
b .
? b
b .
"
&
&
B
? n
.
? #
.

? b
b
.
? b
b .
"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~


#
.
#

# .
f
#

s. pont.

VLN. II

. . . . . . . .

117
VLN. I

? #
. . . . . . . . . . . .

Rise the Horn

f 3
?

Perc. 1

hp.

Rise the Horn

&

117
Timp.

C Tpt. 2

B. Tbn.

. . . . . . . .

&

TBN. 2

# . . . . . . . .

&

TBN. 1

. . . . . . . .

C Tpt. 1

C TPT. 3

&

117
HNS. 1, 2

f
#

&

E. HN.

B. CL.

. . . . . . .

. . . . . . .

f
# .

B
?
?

#
.

#.

#
.
#.

#. #.

f
#

.
#.

#.

J
3

#
f

simile

simile
.
simile
.

. .

. .

. . . .

. . . .

. . . .

. . . .

29

Interferencias
PICC.

FL. 1

FL. 2

OB. 1

OB. 2

E. HN.

E b CL.

R
b b
123 #
#

&

5

b b b
n b b
n

&

5
#


&

3
5
b
& b b n
5

b b b
b n
&

B b CL. 2

B. CL.

BSN. 1

BSN. 2

C. BN.

HNS. 3, 4

C Tpt. 1

C Tpt. 2

C TPT. 3

TBN. 1

TBN. 2

B. Tbn.

TUBa

Perc. 1

Perc. 2

Perc. 3

hp.

Cel.

Pno.

VLN. I

#
f

open

b .

# . . . #
.
f
.
. # . .
f

& n .

n
.
?

&

>

j #

b b b

b b b
b b b b

# .

&

n .

#

>

&

&

VLA

B
? #
# >

Div.

? n
n
>
Div.

. . .

b b .

b b
b b
s. pont.
b b .
&

&

b b .

b b
.


s. pont.
b b
b b
B
b

# #

. b .

b . .

.
J

b . . b .

# .

.
b

>

H
5
# .
p

. #

#
#

#
p

.
3

b
b .

.
# #

ord.

n .

ord. .
n

#

#
.
ord.

# .

.
3

# n
J

# # .

OOOPOOOO

.
# #

ppOPOOpO ppOPOOOO

b
b .

n .

s. pont.

b . .
.

>

&

.
b . . . # . .

&

&

n .

.
.

&


# .

&

? b
b .

? b
b .
"
123 R

# .

.
&

& b
.

n n n

# n n
n #

# .

n # n
n
&
# n #

n n n

&
# n n n #
n

? #
.

&

>

b b

# .

n b

b b b

&

b n b

? n
.

&

uH
b

b b b b
b
5

#
# .

&

#
# #

&

&

.
&
.

open 3

#
f

b b b b
b
6

? n .

>

? n
# .

& # .

b b b
b b b b
&
b b
3
5

&
b b b
b b b b

? #

.
& #

&

Cb.

&

b b b
b b b
b
b b b n
&

&
? #
.

?
# .

?
n >

&

&

VLN. II

VC.

&

Bass Drum

Perc. 4

&

b
& # b

123
Timp.

&

& b b b

b
n b

&

5
3

123
HNS. 1, 2

&

B b CL. 1

&

#

# .

5
5
#
#
.

L.V.

Interferencias

30
b

&

F 3
b

&

F 3
b

&

F 3

n
b b

5

n
b b

n
b
b

b
b n
b

128
PICC.

FL. 1

FL. 2

OB. 1

OB. 2

E. HN.

E b CL.

B b CL. 1

&

&

&

&

B. CL.

&

BSN. 1

? #
.

BSN. 2

C. BN.

?
?

128
HNS. 1, 2

HNS. 3, 4

&

Perc. 2

Perc. 3

Perc. 4

hp.

Cel.

VLN. II

VLA

VC.

Cb.

.
n n

#
f
3

#
f

.
.

&
&
&

# n
# n

# #
# #

.
# #
.

# .

n .

# .

# .

# .

?
?
?

# >

>

>

b
p

>

>
K
.
# . #

>

# . . # . . # . .
.

.
.
.
.

b
.

>

>

b b
>
b
b
">
# .

# . . .
3

. b . .
.

b b
b b

# . . # .
. . .
3

. n .
. # . # .
5

. .
b .

>
& #

.
.
.

# n

fl

fl

fl

# # .

#
fl

#
fl

fl

b b b

b b
b b

s. pont.

fl

fl

fl

fl

fl

fl

fl

fl

fl

fl

fl

fl

fl

fl

fl

b b
>

Melancholic q = 54

Melancholic q = 54

Water Gong

Glissa

ndo

Maracas

&

inside

t!

Melancholic q = 54

fl

b bb

fl

b b

.
b oOOPoOoO
b b

fl

each perfomer should


play at a different speed
s. pont.

each perfomer should


play at a different speed
s. pont.

fl
#
fl

b b

&

J
& # b b

each perfomer should


play at a different speed

B
? #
# .

&

n n

b n

.
# #

&

n n

& n
>

>

# n

? #
>
?
# >
? n >

&

n #

n n n
#

& #
>

&

b n

n n

Melancholic q = 54

b b

# #

&

&

b
# #

?
?

128
VLN. I

.
# #

?
Pno.

& # #

&

128

Perc. 1

C TPT. 3

Timp.

.
.

&

TUBa

C Tpt. 2

B. Tbn.

# .

&

TBN. 2

C Tpt. 1

TBN. 1

& #

# #

& # #

&
&

&

B b CL. 2

# #

&

b n
b

&

&

# #
fl

fl

fl

fl

fl

fl

s. pont.

b
p
3

s. pont.

b
p

31

Interferencias

Fading away q = 45

133
PICC.

FL. 1

&
&

FL. 2

&

OB. 1

&

OB. 2

&

E. HN.

&

B b CL. 1

&

B b CL. 2

&

B. CL.

&

BSN. 1

BSN. 2

C. BN.

& .

E b CL.

HNS. 3, 4

?
?

?
?
&

C Tpt. 2

&

C TPT. 3

&

TBN. 2

B. Tbn.

TUBa

Perc. 1

Perc. 3

Perc. 4

hp.

p+
#

+
P

plunger mute

? n .
p

Fading away q = 45

P
+

arco

Tam-tam
w
f

Water Gong

Glissando

&

Water Gong

Water Gong

Maracas

Glissando

n
Glissando

Fading away q = 45

133

Cb.

&
?

VC.

j
b
p

Fading away q = 45

Pno.

VLA

plunger mute

&

VLN. II

F
w

#w
?

Cel.

VLN. I

Perc. 2

b .

133
Timp.

b
F

C Tpt. 1

TBN. 1

133
HNS. 1, 2

&

&

&
&

B
?
?


p
b ..

s. pont.

b ..
P

P
n

&

n
Div.

Div.

#
3
p
s. pont.

#
p

s. pont.

# #