Chromatic Mastering

FFcP Major Scale Studies (Ionian Mode):

Copyright www.JazzMando.com

Repeat signs are not arbitrary. Repeat the selections within these bars as often as
you need to make them comfortable and with the best of all possible tone!

1st FFcP

4
2 3

1

T
A
B

5

3 5 7 8

4

2 3

2 3 5 7

8 7 5 3 1

7 5

4 6 8

7 5 3 2

6

4

3

3 5 7 8

8 7 5 3

4

4

4th FFcP
4

4

4 2

8 6 4 2

8 6

4

1 3 4

6 4 3 1

4

6 4 3 1

4

4

3 4

4 6 8

4

2

4

4

1 3 4 6

2

8 7 5

4

1

4

7

2 4 6 8

4

2nd FFcP

2 3 4

3rd FFcP

3

5 3 2

4

4

3 5 7 8

2 4 6 8

2

4 2

8 6 4 2

4

4

1

8 6

4

2 3

2 3 5 7

5 7

5 3 2

7 5 3 2

7

6

1 3 4 6

1 3 4

6 4 3 1

6 4 3 1

1st FFcP

1

3

3 7
21

3

4

1st FFcP

1

17

3 5 7 8

4

3 4

2

4th FFcP

4

5 7

13

4

3rd FFcP

3

9

2nd FFcP

4

2

1

3

3

5 8 7

2

4

5

8

3 7 5 8

3

7

8 5

8 5 7 3

5

8

3

7

8

5 7

3 5

7 3

2nd FFcP

2 4

1 4

3

4 8 6

2

8

2

1

4 2 6

3

4

4

4 8 6

2

8

4

4 2

1

6

2

6 8 4 6 2 4

4

8

4

2

4

6 8 4 6 8 4

com 2 6 1 4 6 3 4 1 3 6 1 3 6 .Chromatic Mastering 25 3rd FFcP 1 3 2 5 29 3 4 3 7 7 2 5 3 1 4 2 3 5 8 7 2nd FFcP 1 3 4 4 2 5 2 4 3 7 2 7 5 7 3 5 2 3 7 2 5 1 6 7 2 5 4 4 4 3 1 4 3 6 4 1 4 1 3 1 6 4 4 4 6 3 4 1 3 6 1 3 6 4 4 5 8 2 3 7 1 3 4 7 2 5 8 7 3 8 5 8 5 7 4 4 3 5 3 8 7 4 8 5 7 2 1 5 8 4 2 6 4 8 6 2 8 4 2 2 6 6 8 4 6 2 4 4 8 2 6 8 4 6 8 4 4 2 5 3 7 3 4 3 2 5 1 2 4 7 3 2 5 3 7 3 7 3 4 4 4 4 7 4 3 3 3 4 4 4th FFcP 3 2 4 3rd FFcP 1 5 4 3 1 4 8 6 3 2 4 4 2 7 3 7 4 1 3 1st FFcP 3 45 3 3 1 4 3 6 4 1 3 41 5 4 4 4 2 6 37 2 4th FFcP 4 33 4 4 2 5 7 3 4 5 2 3 7 4 2 4 4 5 7 2 5 4 4 6 3 1 4 3 6 4 1 6 3 1 4 3 6 4 1 4 1 3 Copyright www.JazzMando.

JazzMando.com 3 2 4 2 6 2 6 2 4 8 4 8 4 2 .Chromatic Mastering 1st FFcP 49 4 4 3 7 8 7 3 3 7 53 4 3 3 1 1 7 3 5 8 5 3 3 7 7 5 8 5 8 3 8 5 8 5 8 3 3 7 7 3 8 2nd FFcP 4 8 4 4 4 2 2 4 8 4 4 8 4 8 4 6 4 8 2 6 4 4 4 4 8 6 2 6 2 4 2 6 2 2 4 8 6 4 8 4 2 3rd FFcP 57 1 3 2 5 1 2 3 2 5 3 2 5 2 2 5 5 3 7 7 5 2 7 3 7 3 5 61 4th FFcP 3 6 1st FFcP 3 3 7 69 4 4 6 1 7 3 2 5 2 3 5 7 1 3 3 7 2nd FFcP 4 4 4 4 5 3 4 4 4 65 3 4 4 3 4 3 6 3 6 3 6 1 4 1 6 3 1 4 1 4 6 4 1 4 1 4 6 3 6 3 6 4 4 8 7 3 4 7 4 3 7 3 5 8 5 3 7 5 8 5 8 3 8 5 8 5 8 3 7 4 4 4 3 7 3 8 4 4 4 8 4 8 2 8 4 8 4 8 4 6 2 6 4 8 6 2 6 Copyright www.

Chromatic Mastering 3rd FFcP 73 4th FFcP 5 2 3 4 3 4 3 1 3 2 3 5 2 3 5 3 7 1 4 1 7 3 6 3 4 1 4 6 2 5 3 4 4 1 4 6 4 1 1 4 2 5 3 5 7 4 4 3 6 6 3 7 4 3 6 3 6 4 7 3 4 5 8 7 3 8 5 3 5 3 7 2nd FFcP 4 2 6 4 8 7 5 8 3 7 8 6 2 8 2 4 4 6 2 7 2 3 5 3 7 6 4 8 4 5 2 7 6 6 8 4 4 5 4 6 2 4 8 2 6 8 4 7 7 6 2 2 4 2 5 7 3 4 2 5 3 4 7 2 5 7 3 3 5 4 4 4 1 6 3 4 6 4 1 6 3 1 6 1 1 3 6 1 4 Copyright www.JazzMando.com 4 5 4 4 3 4 4 4 4 1 8 3 5 8 3 4 4 4th FFcP 6 3 7 4 4 5 5 4 4 4 5 3 7 4 3rd FFcP 3 5 5 4 4 93 7 4 4 6 3 3 5 7 1st FFcP 3 8 5 89 2 5 4 3 6 1 85 4 4 4 6 81 2 2 3 2 2 5 5 77 1 3 1 3 6 3 4 1 3 6 1 4 4 4 6 6 .

2nd & 3rd. Keep the fingers low and stealth. Speed is a by-product of good tone and not the the other way around. Get comfortable with the transition from one to the next in the pair. 5 5 4 4 Practice Tips: Copyright www. at-the-ready for smooth and stable note connectivity. Soloing and melodic mojo is maximum in this register.com 4 4 7 2 5 4 6 2 6 . This is not a race. 3rd & 4th.. ringing notes be unwilling to move to the next measures until this is accomplished. The exercise is as much about tone as it is fretboard familiarity..JazzMando.Chromatic Mastering 97 1st FFcP 1 3 4 2 3 8 5 101 4 3 7 5 8 4 4 3rd FFcP 5 3 4 7 1 3 1 2nd FFcP 2 105 2 3 1 2 6 7 5 3 7 2 3 1 5 5 3 7 4 5 8 3 7 5 8 4 3 7 4 5 8 3 8 3 4 2 4 8 6 2 8 2 4 5 2 7 3 6 4 2 5 3 7 6 4 8 5 4 4 1 6 3 8 4 3 6 3 8 4 6 3 8 6 2 6 4 8 2 6 4 1 8 3 6 8 3 7 4 8 4 4 4 7 2 5 7 3 4 4 8 4 2 7 5 4 6 6 4 4 4 109 4th FFcP 4 6 3 3 8 5 1 8 2 5 3 4 6 7 3 4 3 4 2 4 8 3 6 3 5 8 4 4 6 Accept no compromise. Enjoy the rich tone potential within this range of your instrument's fingerboard. allow only healthy. Work on the the relationship between neighboring consecutive fingering pairs--1st & 2nd.