Dream Theater - Bass Anthology (Bass Recorded Versions) - 2014 PDF

Intro
Tempo I: Fast q = 176

Beyond This Life
Words and Music by John Petrucci, Michael Portnoy, John Myung, Jordan Rudess and Kevin LaBrie
1999 WB MUSIC CORP. and YTSE JAMS, INC.
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission
from Dream Theater - Metropolis Part 2: Scenes from a Memory
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2.
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6-string bass, tuning:
(low to high) B-E-A-D-G-C
(Guitar)
G#5
B5 G5 F#5 G#5
B5 G5 F#5 G#5
B5 G5 F#5
Bass
C5 B5 A#5
f
A5
?#
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G#5 B5 G5 F#5 G#5 B5 G5 F#5 G#5 B5 G5 F#5
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C5 B5 A#5 A5 G# G#7
?#
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D# G#7
Bass Fig. 1
G#5 B5 G5 F#5 G#5 B5 G5 F#5
?#
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G#5 B5 G5 F#5 C5 B5 A#5
End Bass Fig. 1
A5 C5 B5 A#5 A5

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Digital Conversion 2014 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
Sorgdal
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Head
Verse
1.
G#m
line: - Mur
G#
der, - young
G#m6
girl killed.
G#m(add )
b13
9
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Bass Fig. 2 End Bass Fig. 2
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Des
G#m
prate - shoot
G#
ing - at Ech
G#m7
os - Hill.
G#maj7(no3rd)
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&
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Dread
Bass: w/ Bass Fig. 2 (6 times)
G#m
ful - end
G#
ing, - kill
n
G#m6
er - died.
G#m(add )
b13
9
Ev
G#m
i - dent
n
G#
- ly -
&
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su
G#m(add )
b13
9
i - cide.
C5
-
B5 A#5
A
A5
wit
C#m
ness - heard a
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Bass
Bass Fig. 4
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hor
E
ri - fy - ing - sound.
G#m
He
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3 2 4
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Sorgdal
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4
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6
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&
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ran
C#m
to find a wom
E
an - dead and ly
D#
ing - on the
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End Bass Fig. 4
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ground.
A
Interlude
*
G#
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*Sung 1st time only.
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G#7 D# G#7
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Stand
Verse
2.
Bass: w/ Bass Fig. 3 (3 1/2 times)
G#m
ing - by
G#
her
was
G#m
a man,
C5 B5 Bb5 A5
&
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nerv
G#m
ous, - shak
G#
ing, - gun
G#m7
in hand.
C5 B5 Bb5 A5
&
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Wit
G#m
ness - says
n
G#m7b5
he tried
n
G#m7
to help,
C5 B5
but
Bb5
hed
A5
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6 6 6 6 6 6 6 6 6 6

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1
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0
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3 2
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Sorgdal
6
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&
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turned
G#m
the
weap
n
G#m7b5
on - on
Bass: w/ Bass Fig. 4
G#m7
him self.
C5
-
B5 A#5
His
A5
&
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bod
C#m
y - fell a cross
E
- that poor young girl.
G#m
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Af
C#m
ter - shout ing - out
E
in vain the wit
D#
ness - ran to
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call
A
for as sis - tance. - A sad
C#m
close to a bro
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ken - love af -
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Bass
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fair.
D#
E# D#/Fx
A/C#
b
Pre-Chorus
Dm(add9)
Our deeds have trav
Badd11/D
eled -
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b
*w/ crystal echo
*Pitch shift, reverse delay & reverb create swell
of multiple octaves above notes played.
&
b
far.
Dadd9 Dm(add )
11
9
Dadd9 Dm(add9)
What we have been
Badd11
is
?
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Sorgdal
5
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2
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&
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what
Bb7#11
we are.
E7b9 Dm(add9)
Our
deeds have trav

Badd11
eled -
?
b
&
b
far.
Dadd9/Ab Dm(add )/G
9
11
Dadd9/Ab Dm(add9)
What we have been
Badd11
is
?
b
&
b
what
Bb7#11
we are.
E7b9
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Interlude
?
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8va
crystal echo off
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Bass tacet
6
Bass: w/ Bass Fig. 4 (2nd meas.)
C5
B5 Bb5 A5
Guitar Solo
G#5
B5 G5 F#5
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G#5
B5 G5 F#5 G#5
B5 G5 F#5 C5
B5 Bb5 A5
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Sorgdal
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She
Verse
3.
G#m7
want ed - love for ev - er, -
but
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Bass
Bass Fig. 5
3
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he
G#m7
had an oth -
er - plan.
B C# F#5
He
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End Bass Fig. 5
3
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fell
G#m7
in to - an e vil - way;
she had to let him down.
She said, I
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cant
G#m7
love a way
ward - man.
B
C# F#5
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C#m
She may have found a rea
E
son - to for -
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Bass
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Sorgdal
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give.
Oh, yeah, yeah.

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3 3
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C#m
If he had on ly - tried
E
to change.
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Was
D#
their fa tal - meet
(A)
ing - pre ar - ranged? -
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Verse
(G#m)
Had 4.
*
a vi lent - strug gle - tak en - place?
There was ev ry -
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Bass Fig. 6
*Lead voc. doubled by bkgd. voc. w/ dist. next 22 meas.
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2 4 5 6 2
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2 4 5 6

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5 7 5
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Sorgdal
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sign that led there.
(E)
(G#m)
Wit ness - found a
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End Bass Fig. 6 Bass Fig. 7
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switch blade - on the ground.
Was the vic tim - un

B5 C#5
a - ware?
B5
-
C#5
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End Bass Fig. 7
3
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(G#m)
They con tin - ued - to in ves - ti - gate.
They found a note in the

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kill ers - pock et. -
Bass: w/ Bass Fill 1
(E)

(G#m)
It could have been a
&
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su i - cide - let ter.
May be - he had lost

B5 C#5
her love.
B5 C#5
15
8
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Bass Fill 1
4
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2
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0 0 0 0 0 0
8
Sorgdal
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15
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12
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9
8
9
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3
2
3
2
15
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15
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3
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Bass
Interlude
9
8
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Verse
C#m
I 5. feel theres on ly -
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one
E
thing left to do.
?#
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C#m
Id soon er - take my
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2 1 2 4 3 4 6 7 6 7 9
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6 8 9

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Sorgdal
6
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6
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&
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life
E
a way - than live
D#
with los ing -
#
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&
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you.
D#5 E#sus4
D#/Fx A7/C#
b
Pre-Chorus
Tempo I
Dm(add9)
Our
deeds have trav

Bm7b5add11/D
eled - far.
Dadd9
?#
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b
w/ crystal echo
&
b
Dm(add )
9
11
Dadd9 Dm(add9)
What
we have been
Bm7b5add11
is what
Bb7#11
we
?
b
&
b
are.
E7b9 Dm(add9)
Our
deeds have trav

Bm7b5add11
eled - far.
Dadd9/Ab
?
b
e
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6
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6 8 9
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5 7 5
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6 7 8 10
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6 8 10
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0
5 2
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10
Sorgdal
1.
2.
5
4
5
4
&
b
Dm(add )/G
9
11
Dadd9/Ab Dm(add9)
What
we have been
Bm7b5add11
is what
Bb7#11
we
?
b
&
b
are.
E7b9 A
#
#
All
Chorus
Dadd9
that we learn
E9/B
this
Gmaj7add13
time
?
b
crystal echo off
#
#
Bass Fig. 8
&
#
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(What
Em9
we have been
is
is
car
what
Dadd9
we are.)
ried - be yond -
E9/G#
this
?#
#
&
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#
Gmaj7add13
life.
Dadd9/A Dadd9/A
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End Bass Fig. 8
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11
Sorgdal
Play 6 times
Play 3 times
5
4
12
8
2
2
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Interlude
G#(b5)
6
C5 B5 A#5 A5 G#5 B5 G5 F#5
?#
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G#5 B5 G5 F#5 G#5 B5 G5 F#5 C5 B5 A#5 A5
?#
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Keyboard Solo
(G#m)
?#
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(C#m) (G#m)
?#
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A#5 A5 F#5 Fx5
?#
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(G#m) A#5 B5 F#5 Fx5
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2 2 2
3 3 3 2 2 2
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2 2 2
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3 2 6 6 6 6 5 5 2 3
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4
2
3 2 2 4
2
3 2 6 6 6 6 7 7 2 3
12
Sorgdal
h = 95
Play 4 times
Play 8 times
Play 3 times
Play 3 times
2
2
9
4
?#
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Interlude
(G#m)
#
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Guitar Solo
(Bm)
3
3
?#
#
(Em)
3
?#
#
(Bm)
3
3
?#
#
C#5
3
3
?#
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C5 A5 A#5 (Bm)
3
?#
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C#5 D5 A5 A#5
3
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n #

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2 3 4
2
4
2 4 5 6 2
4 4 4 4 5 6 7
5
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5 7 8 9

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7 7 7 7
5 6 7
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5 7 8 9 5
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5 7 8 9 5
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5 7 8 9 5
7 7 7 7

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9 9 7 9
7 9 11
9 11
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9 9 11
9
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10 10 10 5 6
13
Sorgdal
q = 205
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Play 4 times
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?#
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Interlude
Half-time feel
(Bm)
?#
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b
?
b
Keyboard Solo
*
(Dm)
9
4 b
b
b
b
*Drums w/ feel next 8 meas.
2
2
?
b
b
b
b
(Fm)
9
4
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?#
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Guitar & Keyboard Solo
(G#m)
?#
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7
5 7
7
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5 7
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7 9
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5 7
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5 7
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1 3
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6
4
6
6 8
6
4 6
6
4
6
4 6
6
4
6

2 4 4 4 4 2 4 4 4 4 2 4 4 4 2 4 4 4 4 2 4 4 4 4 2 4
2

2 4 4 4 4 2 4 4 4 4 2 4 4 2 4 4 4 4 2 4 4 2
4 6
4
14
Sorgdal
?#
#
#
#
#
?#
#
#
#
#
?#
#
#
#
#
Interlude
(G#m)
3
?#
#
#
#
#
?#
#
#
#
#
Guitar/Keyboard Unison
C#m E F#
?#
#
#
#
#
G#m

2 4 4 4 4 2 4 4 4 4 2 4 4 4 2 4 4 4 4 2 4 4 4 4 4 2 4
2

n #

j
2 4 4 4 4 2 4 4 4 4 2 4 4
4
6 4
6
6 6 4
6 4
7
4 5 6
7 2

n #

4
2 4
4
2
4
2 4 5 6
4
4 6
4
2 4
4
2
4
4
6 4
6 4
7

n #

n #

4
2 4
4
2
4
2 4 5 6
4
4 6
4
6 4
6
6 6 4
6 4
7
4 5 6
7
7 7

4 4 4 4 4 4 4 4
0 0 0 0 0 0 2

n #

n #

4
2 4
4
2
4
2 4 5 6
4
4 6
4
6 4
6
6 6 4
6 4
7
4 5 6
7
7 7
15
Sorgdal
poco rit.
poco rit.
q = 195
6
4
6
4
?#
#
#
#
#
C#m E
End half-time feel
?#
#
#
#
#
D# E# D#/Fx A/C#
b
&
b
Pre-Chorus
Dm(add9)
Our deeds have trav
Bm7b5add11
eled - far.
Dadd9/Ab Dm(add )/G
9
11
Dadd9/Ab
?
b
&
b
Dm(add9)
What we have been
Bm7b5add11
is what
Bb7#11
we are.
E7b9
?
b
&
b
Dm(add9)
Our deeds have trav
Bm7b5add11
eled - far.
Dadd9/Ab Dm(add )/G
9
11
Dadd9/Ab
?
b

4 4 4 4 4 4 4 4
0 0 0 0 0 0 0 0

6 6 8 8 10 10
9 9 9

#
j
j
n

w
w n

w b

b
3
5 2
4 3 4
j

w #

w
w n

w b

w
5 2 1
0

#
j
j
n

w
w n

w b
b
5 2
4
10 11 11
16
Sorgdal
1.
2.
Slightly slower q = 185
rit.
&
b
Dm(add9)
What we have been
Bm7b5add11
is what
Bb7#11
we are.
E7 A
#
#
?
b
#
#
&
#
#
All
Chorus
1st time, Bass: w/ Bass Fig. 8
2nd time, Bass: w/ Bass Fig. 8 (1st 7 meas.)
Dadd9
that we learn
E9/B
this
Gmaj7add13
time
&
#
#
(What
Em9
we have been
is
is
car
what
Dadd9
we are.)
ried - be yond -
E9/G#
this
&
#
#
Gmaj7add13
life.
Dadd9/A Gmaj7add13
life.
&
#
#
Dadd9/A
Outro
Dadd9 E9/D
Gmaj7add13/D
Em9/D
?#
#
Bass
?#
#
Dadd9 E9/D Gmaj7add13
Dadd9/A
j
w

w n

w b

5 5 2 1
0
0
w w w w
12
3
w w
3
17
Sorgdal
Intro
Moderately fast q = 150
Breaking All Illusions
Music by John Petrucci, John Myung and Jordan Rudess
Lyrics by John Petrucci and John Myung
2011 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC
All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP.
All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP.
from Dream Theater - A Dramatic Turn of Events
4
4
5
8
2
4
4
4
7
8
4
4
4
4
5
8
2
4
4
4
9
8
4
4
5
8
2
4
2
4
4
4
7
8
4
4
4
4
5
8
2
4
4
4
&
(Gtr. & kybds.)
?
Bass
f
?
Am F G
?
Em Am C G/D G/B Em F G
?
Am F G Em Am C

7 7 7 7
8 8 8 8 10 10 10 10 8 7 7 7 7
7 7 7 7 10 10 10
8

10 10
9 9 9
7 7 7
7 7 7 9 9
7 7 10 10
5 5 5 5 1 1 1 1 3 3 3 3 1

0 0 0 0 5 5 5 5
3 3 3
1 3 3
2 2 2
0 0 0 1 1 1
5
3
3 2

5 5 5 5 1 1 1 1 3 3 3 3 1 0 0 0 0 5 5 5 5
3 3 3
1
1
Sorgdal
9
8
4
4
5
8
2
4
2
4
4
4
9
8
4
4
4
4
5
8
2
4
4
4
9
8
5
4
?
Dm G/B E5 F5 G A5 F5 G5 F5
?
E5 A5 C5 D5 G/B E5 F5
?
A5 F5 G5 F5 E5 A5 C5
?
D5 G/B E5 F5
Bass Fig. 1
Fsus2
?
G Em7 Fmaj7
?
G Em

3 3
2 2 2
0 0 0 1 1 1 3 3 5 5 7 7 5 5 5 5 1 1 1 1 3 3 3 3 1

0 0 0 0 5 5 5 5
3 3 3
1 3 3
2 2 2
0 0 0 1 1 1
5
3
3 2
0 3

7 7 7 7
8 8 8 8 10 10 10 10 8 7 7 7 7
7 7 7 7 10 10 10
8

10 10
9 9 9
7 7 7 8 8 8
9 10 12 9
10
12 1 1 1 1 1 1 1 1 1 1

3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1

1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0
2
Sorgdal
1.
2.
4
4
5
8
5
8
2
4
4
4
7
8
7
8
9
8
3
8
4
4
4
4
7
4
6
4
6
4
5
4
7
4
?
Fmaj7 Dm G/B
End Bass Fig. 1
?
Bbsus2#11 Bb E/G# E
?
? 4
4
?
D5
b
b
Bass Fig. 2
Interlude
Gm(add9)
?
b
b
End Bass Fig. 2

1 1 1 1 1 1 1 1 1 1
5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 2 2
b
#

1 1 1 1 1 1 1 1 1 1
4 4 4 4 4 1 0 0 0 0
0
7
9
7
7 9
7
0

4
5
7
3
5
7
0
7
10 9 7
0
7
11 7
9
10
7 9
7
0
4 5 7
3
5
7
0
7
10 9

8
10
7
10
9
12 9
10 9
8
10
7
10
9
12 9
10 9
9
10
12 10 8 10 7
w

5 5 7 5
6 5
8
10
8
10
8
10
8
10
8 10

J

J

J

J

8
10
8
10
12 8 10 8
8
10
8
10
10 12
8
10
8
10
8
10
12 8 10 8
3
Sorgdal
6
4
5
4
7
4
6
4
5
4
7
4
6
4
5
4
7
4
7
4
6
4
5
4
5
4
7
4
6
4
5
4
5
4
7
4
6
4
5
4
7
4
7
4
6
4
5
4
5
4
7
4
6
4
6
4
5
4
7
4
6
4
&
b
b
Gm
Gsus2
D/G
Eb/G
Gm
&
b
b
Gsus4
D/G
G5
&
b
b
Verse
Gm
With 1. the sun in place,
Gsus
theres a test of faith.
Gmaj7sus2
Streams of thought a -
&
b
b
wak
Eb/G
en.
Gm
- New re al - i - ties, -
Cm/G
sin gu - lar - i - ties, -
&
b
b
Gmaj7sus2
break ing - all il lu
F#(b5)/G
- sions. -
Gm
Interlude
Gm
Gsus
&
b
b
Gmaj7sus2
Eb/G
Gm
Cm/G
Gmaj7sus2
&
b
b
F#(b5)/G
Gm
Verse
Gm
Sud 2. den - burst of heat,
Gsus
burn ing - source of life,
&
b
b
Gmaj7sus2
mas ter - ful - de struc
Eb/G
- tion.
Gm
- Pow ers - not an act.
&
b
b
Cm/G
Its un der - stand - ing - truth,
Gmaj7sus2
chang ing - my di rec
F#[b5]/G
- tion. -
Gm
J

j
j
#
j
J

j
J

j
J

J

j

J

j
J

J
J

J

4
Sorgdal
6
4
6
4
&
b
b
Live
Chorus
Eb
in the mo
F/A
ment, - breathe
Bb/D
in a new be gin - -
?
b
b
Bass
&
b
b
Dm
ning. - Wis
Eb/G
dom - re vealed -
F/A
?
b
b
&
b
b
as
Gm
I un learn - to learn.
Bb
Lifes
Ebmaj7
big gest - bat -
?
b
b
&
b
b
F
tles - of
Bb
ten - are fought
F/A
a lone. -
Gm
Dm
My
?
b
b

J

J

j

J

6 6 6 6 6
8 6 5 5 5 5 5 5 5
5 5 5 5 5 5

j

j

3 3 3
5 3
6 5 3
6
3 3 3 3 3 6 5 5 5 5 5 5 5

j

3
5
3 1 3 1 3
1 3 5
3 5
3 2
3
5
3 5
2 3
4 4 4 4 4 4

6 6 6 6 6 6 6
6 5 3
5
5
6
5
6 3
5
Sorgdal
4
4
4
4
&
b
b
spir
Cm(add9)
it - brings me home.
Abadd9
?
b
b
?
b
b
?
b
b
Interlude
Bass Fig. 3
?
b
b
F#5 C#5 Bb5
?
b
b
w b
8 8 3
1
4
b

b

6 5 6 8 6 5
8 6 8
5
8 6 5 3 5 6 5 3
6 4 6
3
6 4
#

n

b

#
j
3 2 3 5 3 2 3 3 2 3 5
1 3 4 3 1
5
3 1
5 3 2

#

#

3 2 3 5 3 2 3 3 2 3 5
1 3
2 3
4
3
1

n
b

#
j
3 2 3 5 3 2 3 3 2 3 5
1 3 4 3 1
5
3 1
5 3 2
6
Sorgdal
2
4
2
4
4
4
4
4
?
b
b
A Eb Ab
End Bass Fig. 3
D
&
b
b
Em
Verse
3.
G5
rald - thoughts
G(b5)
flow
C5
through my
Gm
con
A
scious - ness, -
F#5 C#5 Bb5
&
b
b
drawn
Cm
to curs es - left be hind.
Db
-
A
Eb Ab D
&
b
b
Test
G5
of will,
G(b5)
the
C5
thresh old
F#5
- to
A
ones faith
&
b
b
Cm Eb
starts
Cm
a fi re - in the
?
b
b
Bass
&
b
b
mind.
Db F#5
C# F#5 Bb5 F#5
G5 F#5
#
?
b
b
3
3
3
#

b

3 2 3 5 3 2 3 3 2 3 5
1 3
5
6
4
5
#
j
j
#

J

J

J

#
J
j

J
j

J

b

#
j
5 3
3
3
6
3 2 3 5 3 2 3 3 2 3 5
1 3 4 3 1
5
3 1
5 3 2

#

#

#

3 2 3 5 3 2 3 3 2 3 5
1 3
2 3
4
2 3
1
2 3 2
7
Sorgdal
A
4
4
5
8
2
4
4
4
9
8
4
4
5
8
2
4
2
4
4
4
9
8
5
4
5
4
4
4
4
4
5
8
5
8
?#
Interlude
E5 C5 D5 C5 B5 E5 G5
?#
A5 D/F# B5 C5
n
A5 F5 G5 F5
?
E5 A5 C5 D5 G/B E5 F5
&
Search
Chorus
Fsus2
ing - out,
G
reach
Em7
ing - in
Fmaj7
to ar -
&
rive
G
where I
Em
be gan.
Fmaj7
- Sights
Dm
re mem
G/B
- bered -
&
in
b
Bbsus2#11
the
Bb
n
light.
E/G# E
Bass tacet
?
Bass

0 0 0 0
3 3 3 3 5 5 5 5 3 2 2 2 2
0 0 0 0 3 3 3 3

5 5 2 2 2
2 2 2 3 3 3 5
3
3 2
0 3
7 7 7 7
8 8 8 8 10 10 10 10 8

7 7 7 7
7 7 7 7 10 10 10
8 10 10
9 9 9
7 7 7 8 8 8
9 10 12 9
10
12
e

e

E

e

e
E e

e

e

E e

e

e

E

e
b
#

1 1 1 1 1 1 1 1 1 1
4 4 4 4 1 0 0
8
Sorgdal
5
8
2
4
4
4
7
8
3
4
3
4
3
16
3
4
2
4
3
4
3
4
3
8
3
4
5
8
7
8
7
8
4
4
3
4
3
4
3
16
3
4
2
4
7
8
2
4
2
4
3
4
3
16
3
4
2
4
2
4
3
4
3
8
3
4
5
8
4
4
&

2
?
Bass
Bass Fig. 4
A5 C5 B5 D5 A5 C5 B5 D5
?
A5 C5 B5 D5 A5 C5 B5 D5
End Bass Fig. 4
?
Am
G Am G/B Am
G Am D5 C/D
&
Bass: w/ Bass Fig. 4 (1st 4 meas.)
A5
C5 B5 D5
A5
C5 B5 D5
Am
G Am G/B
&
Am
G C
Am G/B G
A5
C5 B5 D5
A5
C5 B5 D5
&
A5
C5 B5 D5
A5
C5 B5 D5

0 3 2 5 3 2
3
0 3 2 5
2
5 3 2 5 3 2
3

0 3 2 5 3 2
3
3 2
3
0 3 2 5
2
5 3 2 5 3 2 3 2
3
3 3 3 3 3 3 3 3
9
Sorgdal
4
4
9
8
7
8
7
8
2
4
3
4
7
8
3
4
3
4
3
8
4
4
?
Bass
(Em7) G5
4
4
?
Am G Am G/B Am G C Am G/B G Am G Am G/B
?
C Am G/B G Am Em D
?
C/E Dadd9/F# C/G
?
F/A G/B
?
Fmaj7/C G/D

7 5
7
5
7
7 5
7
5
7 0 0
7 5
7
5
7
7 5
7
5
7 0 0 3

5 3 5 7 5 3
3
5 7 3 5 3 5 7

3
5 7 3 5 0
5 5 5 5 5 5 5 5

#

7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 10 10 10 10 10 10 10 10

12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14

15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17
10
Sorgdal
rit.
C
Slower q = 130
D
?
b
Half-time feel
Dm
Guitar Solo
Cadd9/E
?
b
Bb/F Gm Dm Cadd9/E Gm Am
?
b
Bbadd9 Am7 G
?
b
Bb C
End half-time feel
Dm C/D Dm
?
b
mf
Gm6 Em7b5 Dm/F
?
b
Dm Bb'#11 Gm F/G# E/B

w
w
7
10 7 8 7
8 7 10 8
10 8
7 5
5
6 5
5 7

w
w
w
w
w
8 8
3
3 5
3 5
w
w

6 5 3 3
10 12 10 10
5 5
w

w w w w
6 8 8
3
w w
w w
w w
3 0 1
w w
w w
w #
n
3
6 3 4
2
11
Sorgdal
E
?
b
Am/C A/C# A
Half-time feel
Gm
Guitar Solo
?
b
Dm
?
b
Gm
?
b
Dm
?
b
Gm7
?
b
Dm
w w w #
w

3 4
5 3 3 1

w

w
j
3 3 3 1 1 3
5 3 1

j
w
3 3 3 3 3
3 3 3 1 3
j
3 1 3 5
3 3 1 3 3 3 3 3 1

j
3 1 3 3
3 1 3 1 3 3 3
j
3 1 1 1 3
5 3 3 1 3 3 1 3 1 3 3
12
Sorgdal
?
b
Gm7
?
b
Dm
3
?
b
f
Bb Gm(add9)
3
3
3
?
b
Gm C A
?
b
Dm Cadd9/E Bb/F
3
3
3
3
?
b
Gm Dm Cadd9/E Gm Am

j
3 1 3 3
3 3 3 1 3 3 1 3 3 3

j

3 1 3 3 5
3 3 3 1 3 1 3 1 1 1 3 1 3 3 3

j
3 3
5 3
5
6 5 3
6 6 6 6 3 3
j

j
3 3 1 3
3
3
3 3
5 5

w
w
5
5 7
6
7 5 7 5
7
5
7 0 5 5
0 1
w
w
w
w

j

3
5
0 3 5 5 5 5 5
13
Sorgdal
F
G
5
8
4
4
4
4
5
8
4
4
5
8
5
8
4
4
5
8
5
8
4
4
6
8
3
4
3
4
6
8
5
8
6
8
3
4
6
8
?
b
Bb Am7 Gsus2 G
?
b
Bb C
End half-time feel
Tempo I
D5
?
b
?
b
[D]
?
b b
b
Gm/D
?
b
b
Cm7
w
w

j

6 5 3 3
5 7 5 5 5 5
7
8

j

w
6 6
8
6 6 6 8
12 0 12 13 0 8 0 8 10 0 10 0 10 12 0
#

7 0 8 0 10 0 7 0 12 0 12 13 0 8 0 10 12 0 7 0 8 0 5 0 4 0
12 0 12 13 0 8 0 8 10 0 10 0 10 12 0 7 0 8 0 10 0 7 0

#

b
12 0 12 13 0 8 0 10 12 0 7 8
10 9
7 8 10
8
5
5
5
8 7
5

5
5
8 7 5
6 5
5
5
8 7
5
5
5
8 7
6 3
5
3
8 7
3
5
3
8 7
6
5
14
Sorgdal
6
8
5
8
6
8
3
4
6
8
5
8
5
8
6
8
3
4
6
8
5
8
6
8
6
8
5
8
6
8
5
8
6
8
3
4
3
4
2
4
6
8
3
4
6
8
6
8
5
8
6
8
3
4
6
8
5
8
5
8
6
8
5
8
6
8
2
4
6
8
?
b
b
Eb
?
b
b
Gm
?
b
b
Fsus4 C7/E Eb
?
b
b
Ab
3
?
b
b
Bb/Ab Ab/C
?
b
b
Ab F7/A
3
5
3
8 7
3
5
3
8 7
5 6
5
6
8 7
6
5
6
8 7 5
8 6
5
6
8 7
6
5
6
8 7
8
3
5
3
8 7
3
5
3
8 7
5
5
3
5
3
6 5
3
5
3
6 5
3
6
6
6
8 6
6
6
6
8 6
6 5
6
5
8 6
5
6
5
8 6
5
6
7
6
8 7
6

b

7
6
8 7 5 7 5
8 6 5
8 6 4
5
4
6 5
4
5
4
6 5
8 6
b

4
5
4
6 5
4
5
4
6 5
6
3
5
3
6 5
3
5
3
6 5
5 6 3
5
3
6 5
3
b

b

b

n

5
3
6 5
6
4
5
4
6 5
4
5
4
6 5
4 5
6
5
8 6
5
6
5
8 6
15
Sorgdal
H
6
8
5
8
6
8
2
4
4
4
4
4
2
4
2
4
4
4
5
4
4
4
4
4
2
4
5
4
5
4
?
b
b
Bb G7/B
b
b
b
?
b
b
b
C5 Eb5 Bb/D Bb5 G5 Ab5 F5 G5
?
b
b
b
Bb5 C5 Eb5 Bb/D Bb5 G5 Ab5 F5 G5
?
b
b
b
Eb5 Db5 Gm
?
b
b
b
C5 Eb5 Bb/D Bb5 G5 Ab5 F5 Eb5 Db5
?
b
b
b
Gm Cm
n
b

6
8
6
10 8
6
8
6
10 8
6 7
10
7
11 10
7
10
7
11 10

3 3 3 6 6 6 5 5 5 1 1 1
3 3 3 3 4 4 4 1 1 1 3 3

3
1 1 1 3 3 3 6 6 6 5 5 5 1 1 1
3 3 3 3 4 4 4 1 1 1 3 3
j

3
1 1 1
4 4 4 4
3 3 3 3 3 3 3 3

b
3 3 3 6 6 6 5 5 5 1 1 1
3 3 3 3 4 4 4 1 1 1
1 1 1
4 4 4
5
3 3
5
3 3
5
3
5
3
5
3 3
5
3 3
5
3
5
3
10
8 8
10
8 8
10
8
10
8
16
Sorgdal
Slower q = 100
4
4
4
4
4
4
?
b
b
b
Eb F/Eb
?
b
b
b
Gm F/G
b
b
b
b
b
Bbm
?
b
b
b
b
b
Ab/Bb Gb/Bb Eb/Bb Eb
n
n
n
n
n
&
Search
Chorus
Fsus2
ing - out,
G
reach
Em7
ing - in
Fmaj7
to ar -
&
rive
G
where I
Em
be gan.
Fmaj7
- Sounds
Dm
re mem
G/B
- bered -
&
come
C/Bb
a live.
Bb
-
b
Outro
Gm7 Am
Em brace -
?
Bass
b
10
8 8
10
8 8
10
8
10
8
13
11 11
13
11 11
13
11
13
11
13
11 11
13
11 11
13
11
13
11
5
3 3
5
3 3
5
3
5
3
5
3 3
5
3 3
5
3
5
3
8
6 6
8
6 6
8
6
8
6
8
6 6
8
6 6
8
6
8
6
8
6 6
8
6 6
8
6
8
6
8
6 6
8
6 6
6
4
6
4
e

e

E

e

e
E e

e

e

E e

e
w
%

b b

1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
3 5
17
Sorgdal
rit.
rit.
A tempo q = 95
rit.
&
b
Bb
the days.
Gm7 Am
Dont turn
Bb
a way. -
Dm
Lifes true
C/E
in tent -
?
b
&
b
F
needs pa
Am
tience. - Kar
Bb
ma - starts
Gm7
the sig
Eb
nal. -
?
b
&
b
Cm7
Ab
Fm6
Ebsus4 Dm9
C%
?
b
?
b
Bb'9 Dm9 C'9 Bb'9
j

J

j
J
J

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w

w

6 3 5 6
3 5

w
w
w b
6
5 6 3
4

w
w b

b
w
w
1
4 1
4 3 1
w w
w
w
w
U
1
3 1
1
18
Sorgdal
Intro
Moderately q = 108
Caught in a Web
Words and Music by John Petrucci, Michael Portnoy, John Myung, Kevin Moore and Kevin LaBrie
from Dream Theater - Awake
3
4
4
4
4
4
?#
#
#
#
#
#
Bass *
Bass Fig. 1
C#5
f
E5
*Key signature denotes C# Mixolydian.

?#
#
#
#
#
#
C#5
End Bass Fig. 1
D5
?#
#
#
#
#
#
Bass Fig. 2
B5 C#5 D5 C#5 B5 C#5 D5 C#5
End Bass Fig. 2
&
#
#
#
#
#
#
Verse
B5 C#5
Si 1.
D5 C#5
lence - dis guised, -
B5 C#5
I
D5
watch
C#5
you.
&
#
#
#
#
#
#
B5 C#5
Show
D5 C#5
me the hurt
B5 C#5
that
D5
haunts
C#5
you.

n
0 2 2 2 2 0 0 0 2 2 0 2 2 2 2 0 0 0 5 5

n
0 2 2 2 2 0 0 0 2 2 0 2 2 2 2 0 0 0 3 3
2 4
2 2
4 5
2 2 2 2 2 2 2
2 4
2 2
4 5
2 2 2 2 2 2 2

J

J
J

J
J

1
Sorgdal
3
4
3
4
4
4
4
4
&
#
#
#
#
#
#
A5 B5
Would
C5 B5
you de spise -
A5 B5
the
C5
thrill
B5
if
?#
#
#
#
#
#
Bass
Bass Fig. 3
End Bass Fig. 3
&
#
#
#
#
#
#
all
B5 C#5
you
D5
hide
C#5
were
n
mine?
#
B5 C#5 D5 C#5
&
#
#
#
#
#
#
Interlude
C#5

E5 C#5

D5
&
#
#
#
#
#
#
Verse
B5 C#5
I 2.
D5
cant
C#5
hold on an
B5 C#5
y -
D5
long
C#5
er. -
&
#
#
#
#
#
#
B5 C#5
These
D5
feel
C#5
ings - keep grow
B5 C#5
ing -
D5
strong
C#5
er. -
&
#
#
#
#
#
#
A5 B5 C5 B5
Ech
oes - that
3
deaf
A5 B5
en -
C5
the
3
B5
mind will
&
#
#
#
#
#
#
bur
B5 C#5
y -
D5
my
3
C#5
voice in their
3
wake.
B5 C#5 D5 C#5

e
j
n

0 2
0 0
2 3
0 0 0 0 0 0 0
0 2
0 0
2 3
0 0 0 0 0 0 0
e

e
e

e

e
e
e

e

e E
j
e

e

e

e
e
n

e

e

e

e
E

2
Sorgdal
3
4
4
4
4
4
3
4
4
4
4
4
4
4
?#
#
#
#
#
#
Bass
Interlude
Bass Fig. 4
?#
#
#
#
#
#
End Bass Fig. 4
#
&
#
Chorus
G
Caught in a web,
b
Eb
re moved
Cm
- from the world.
Bb
?#
&
#
G
Hang in - on by a thread,
b
Eb
spin ning - the lies
?#
n

n #

6 4
6 4
7
6 4
7
7
4 7
4 6
6 4
6 4
4 7 4
5 6
4

n

n
n

n
n
6 4
6 4
7
6 4
7
7
4 7
4 6
6 4
6
4
6 4
5 3
4 2
3 1
J
e
e
n
j
e
J
E
j
b

J

J
J

b

b b
b
b

3 3 3 3 3 5 6 8
4 4 4 4 4
6
4
6
4 1 1
3 1
3
1 3 5
6

b

J

e
n
e
e
n
j
e

b

b

b

b b
b
6 6 6 6 6 6 6 6 6 3 3 3 3 3 5 6 8
4 4 4 4 4
6
4
6
4
3
Sorgdal
5
4
5
4
4
4
4
4
4
4
&
#
Dsus4
de vised - in my
3
C5
head.
#
#
#
#
#
#
?# #
#
#
#
#
#
?#
#
#
#
#
#
*
Interlude

&
#
#
#
#
#
#
C#5
D5 C#5 D5
Ive 3.
?#
#
#
#
#
#
&
#
#
#
#
#
#
seen
Verse
C#sus2
the path, the one
C#5
you take.
?#
#
#
#
#
#
Bass Fig. 5
End Bass Fig. 5
&
#
#
#
#
#
#
Shows
C#7(no3rd)
the truth for you
C#5
to make.
A/C# C#5
This
b
j
j

3 3 3 3 3 3
3 5
1 1
3
1 17

n

n
4 4 2 4 2 4 4 2 4 2 4 4 2
2
4 4 2 4 2 4 4 2 4 2 4 4 2 5

J

n

n
0 2 2 2 2 0 0 0 2 2 0 3 3 3 0 2 2 2 2 0 0 0 2 2 0 3 3 3

2 4 4 4 2 4 4 2 4 4 4 2
4
2 4 4 4 2 4 4 2 4 4 4 2
4

J
4
Sorgdal
&
#
#
#
#
#
#
turn
Bsus2
of phrase we might
B7(no3rd)
not see. Is the
?#
#
#
#
#
#
Bass
Bass Fig. 6
End Bass Fig. 6
&
#
#
#
#
#
#
thirst
C#5
of de sire - found so eas i - ly? - Try to
?#
#
#
#
#
#
&
#
#
#
#
#
#
push
me round
the world some more
and make me live in fear. I bare

?#
#
#
#
#
#
Bass Fig. 7
End Bass Fig. 7
&
#
#
#
#
#
#
all
that I
am made of now.
At trac - tive, - I dont care.
Cause
&
#
#
#
#
#
#
e
ven - when I danced with life, no one was there to share.
(Does
this
j

J

J

n

n

0 2 2 2 0 2 2
0 0
2 2 0
2
0 2 2 2 0 2 2
0 0
2 2 0
2
j

J

0 2 2 2 2 0 0 0 2 2 0 2 2 2 0 2 2 2 2 0 0 0 2 2 0 2 2 2

2 4 4 4 2 4 4
2 2
4 4 2
4
2 4 4 4 2 4 4
2 2
4 4 2
4

n

n

j

5
Sorgdal
5
4
5
4
4
4
4
4
4
4
&
#
#
#
#
#
#
voice
the wounds of your soul?)
Does this voice the wounds of your soul?
#
&
#
Chorus
G
Caught in a web,
b
Eb
re moved
Cm
- from the world.
Bb
?#
Bass
&
#
G
b
Eb
?#
&
#
Dsus4
de vised - in my
3
C5
head.
#
#
#
#
#
#
?# #
#
#
#
#
#
?#
#
#
#
#
#
*
Interlude
J
e
e
n
j
e
J
E
j
b

J

J
J

b

b b
b
b

3 3 3 3 3 5 6 8
4 4 4 4 4
6
4
6 6
1 1
3 1
3
1 3 5
6

b

J

e
n
e
e
n
j
e

b

b

b

b b
b
6 6 6 6 6 6 6 6 6 6 3 3 3 3 3 5 6 8
4 4 4 4 4
6
4
6
b
j
j

3 3 3 3 3 3
3 5
1 1
3
1 17

n

n
4 4 2 4 2 4 4 2 4 2 4 4 2
2
4 4 2 4 2 4 4 2 4 2 4 4 2 5
6
Sorgdal
3
4
4
4
5
4
3
4
?#
#
#
#
#
#
C#5 D5 C#5
?#
#
#
#
#
#
C#5 D5 C#5
3
?#
#
#
#
#
#
3
?#
#
#
#
#
#
?#
#
#
#
#
#
?#
#
#
#
#
#
3
n #
n
n

n

n
# n

#

n

2 3 4 5
3 2
5 4 3 2
5 4 3 2
5 4 2 3 3 3 3 2 2 2 2 2 2 2 2
n # n
n
# n #
# n

n

#
3 4 3
6 5 4 3 4
4 3 2
3 2
3 2 1
0 2 3 3 3 3 2 2 2 2 2 2 2 2
n #
n
n

n

n
# n

#
n # n
# n
n #
# n

n

#
2 3 4 5
3 2
5 4 3 2
5 4 3 2
5 4
3 4 3
6 5 4 3 4
4 3 2
3 2
3 2 1
0
#

n
n
#
n

n
#
n

# n
#
#
#
# n

n

n
n
1 2 3 5 4
3 2 5 4
3 2
6 5
4
3
5
4 3
6 5 4
6 5 3
5
7 7 7
# n
# n
#
# n

n #

n #
n
n

n

n
#
6 5
8 7 6
8 7 5
7
9 9 9
4 5 6 7
4 5 6 7
5 4
7 6 5 4
7 6
n

n
#
# n
# n
n #
# n

n

n

#
#

n
n
#

n
#
n

# n
#
n
5 4
7 6
5 6 5
8 7 6 5 6
6 5 4
5 4
5 4 3
2 3 4 5 7 6
5 4 7 6
5 4
8 7
6
5
7
7
Sorgdal
3
4
5
4
5
4
6
4
5
4
5
4
4
4
3
4
3
4
?#
#
#
#
#
#
?#
#
#
#
#
#
Guitar Solo
?#
#
#
#
#
#
6 6 6 6
?#
#
#
#
#
#
6 6 6 6
6 6 6 6
?#
#
#
#
#
#
6 6 6 3
3 3 3 3
&
#
#
#
#
#
#
Interlude
C#5
#
#
# n

n

n
n
# n
# n
#
# n

6 5
8 7 6
8 7 5
7
9 9 9 8 7
10 9 8
10 9 7
9
11 11 11

n
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
n
n
b
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
9
8 8 8 8 8
9
8 8 8 8 8
12
8 8 8 8 8
12
8 8 8 8 8
n
b
n
n
9
8 8 8 8 8
9
8 8 8 8 8
12
8 8 8 8 8
12
8 8 8 8 8
7
5 5 5 5 5
7
5 5 5 5 5
5
5 5 5 5 5
5
5 5 5 5 5
n
n

n

7
5 5 5 5 5
7
5 5 5 5 5
5
5 5 5 5 5
7
5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
8
Sorgdal
Play 4 times
Play 4 times
4
4
?#
#
#
#
#
#
Bass
C#5
?#
#
#
#
#
#
Keyboard Solo
mf
C#5 B5
&
#
#
#
#
#
#
B5
C#5 D5 C#5
Whoa.
B5 C#5 D5 C#5
Tried 4. to
?#
#
#
#
#
#
f
&
#
#
#
#
#
#
live
Verse
C#5
the life you live and saw
it does nt - work for me. I bare

&
#
#
#
#
#
#
all that I am made of now.
At trac - tive, - I cant be.
In -
&
#
#
#
#
#
#
side
B5
the dance of life is one
Ill nev er - hold to me.

(You
cant

n
0 2 2 2 0 0 3 3 3 3
2 4 4 5

n
n

n

2 4 4 5 0 2 2 3

#

n

n
2 4 4 5 2 4 4 5

n

n

9
Sorgdal
3
4
4
4
3
4
4
4
4
4
4
4
&
#
#
#
#
#
#
heal
B5 C#5
the wounds of
D5
my
C#5
soul.)
You cant heal

B5 C#5
the wounds of
D5
my
C#5
soul.
&
#
#
#
#
#
#
Interlude

#
&
#
Chorus
G
Caught in a web,
b
Eb
re moved
Cm
- from the world.
Bb
?#
Bass
&
#
G
b
Eb
?#
&
#
Dsus4
de vised - in my
3
C5
head.
Gadd9
Caught in a web,
b
Ebadd9/G
?#
J
e
e
n
j
e
J
E
j
b

J

J
J

b

b b
b
b

3 3 3 3 3
0 1 3
4 4 4 4 4
6
4
6 6
1 1
3 1
3
1 3 5 1

b

J

e
n
e
e
n
j
e

b

b

b

b b
b
1 1 1 1 1 1 1 1 1
3 3 3 3 3 5 6 8
4 4 4 4 4
6
4
6
4
b
j
b

e
J
e
e
n
j
e
J

j

3 3 3 3 3 3
3 5
1
3
1
3
1
3
5 5 5 5 5 5 5 5
10
Sorgdal
5
4
5
4
5
4
5
4
4
4
4
4
2
4
4
4
&
#
re fused
Cm(add9)
- by the world.
Bbadd9
?#
&
#
Gadd9
b
Ebadd9
spin ning - a cage,
Dsus4
de nied - and mis
3
Csus2
-
?#
&
#
read.
#
#
#
#
#
#
*
Outro
?# #
#
#
#
#
#
?#
#
#
#
#
#

C#5 D5 C#5
E
j
b
n
J

b

J

b b
5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1
e
n
e
e
n
j
e
b
j

b b

n

3 3 3 3 3 3 3 3
6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5
3 5
3

n
3 3 3 3 3 3 3 3
17
4 4 2 4 2 4 4 2 4 2 4 4 2
2

n

4 4 2 4 2 4 4 2 4 2 4 4 2 5
2 3 3 3 3 2 2 2 2 2
11
Sorgdal
A
Tempo I: Moderately fast q = 146-156
Erotomania
from Dream Theater - Awake
Music by Kevin LaBrie, Kevin Moore, John Myung, John Petrucci and Michael Portnoy
B %
5
4
9
8
5
4
5
4
9
8
9
8
5
4
4
4
5
4
5
4
4
4
?#
#
#
(Keyboard)
Esus2
Csus2 D#m7
Dsus2 Esus2
Csus2 D#m7
Dsus2
?#
#
#
Bass
f
F#7sus4 Gsus4 G#9sus4 Asus4 F#7sus4 Gsus4
?#
#
#
G#9sus4 Asus4
5
4
E5 E(b5) E/G# A/C# D5/A Csus4/G Fsus2
?#
#
#
E5 E(b5) E/G# Dsus2 Cm7add11 F#/C# Bmaj7
?#
#
#
E5 E(b5) E/G# A/C# D5/A Csus4/G Fsus2 E5 E(b5) E/G#
n #

n

#
#

#
n

n #

n

n

2 3 4 5
2 5 4
3 3 0 4 5 6 7
4 7 6
5 5 0 2 3 4 5
2 5 4
3 3 0
#
#

#
n

J

n
n
n
n
4 5 6 7
4 7 6
5 0
7
0
7
9 8
7
6 6
4 5
7 6
3
5
3
6
#
J

n
n

b

n
J
n # n

7
0
7
9 8
7
6 6 3 5 7
5 5
1 3 5
3 4 3 2 2
#
J

n
n
n
n
#
J

7
0
7
9 8
7
6 6
4 5
7 6
3
5
3
6
7
0
7
9 8
7
6 6
1
Sorgdal
C To oda

D.S. al Coda
(take repeat)

Coda
D
Play 3 times
E
4
4
11
8
11
8
10
8
11
8
10
8
10
8
11
8
10
8
11
8
11
8
10
8
4
4
5
4
5
4
4
4
?#
#
#
Dsus2 Cm7add11 F#/C# Bmaj7
5
4
?#
#
#
Cm7add11 F#/C# Bmaj7
#
3 3
?#
G F#m F Esus4 G F#m F Esus4
11
8
?#
F5 E5
11
8
G F#m F Esus4 G F#m F Esus4
?#
G F#m F Esus4 G F#m F Esus4 Gsus2 F#sus2 Fsus2
#
#
#
?#
#
#
Guitar Solo
F#7sus4 Gsus4 G#9sus4 Asus4 F#7sus4 Gsus4
?#
#
#
G#9sus4 Asus4
#
#
#
#
#
Half-time feel
(G#m)
n
n

b

n
J
n # n

n
J
n # n

3 5 7
5 5
1 3 5
3 4 4 3 2
5
3 4 4 3 2
# n

j

#
j
n
j
j

3 2 1 0 3 2 1 0 3 2 1 0
j

#
j
n
j
j

# n

# n

3 2 1 0 3 3 3 2 2 2 1 1 1 0 0 3 3 3 2 2 2 1 1 0 0

# n

# n

#
j
n w
3 3 3 2 2 2 1 1 1 0 0 3 3 3 2 2 2 1 1 0 3 2 1
n #

n

#
#

#
n

n #

n

n

2 3 4 5
2 5 4
3 3 0 4 5 6 7
4 7 6
5 5 0 2 3 4 5
2 5 4
3 3 0
#
#

#
n
j

j

4 5 6 7
4 7 6
5 5 4 4 2 4
2 2
4 2
2
4 4 4
4 4 6 6
4
2
Sorgdal

F
5
4
5
4
4
4
5
4
4
4
4
4
5
4
4
4
4
4
6
4
6
4
4
4
2
4
4
4
?#
#
#
#
#
(F#/A#)
?#
#
#
#
#
(B)
?#
#
#
#
#
E F# E/G#
?#
#
#
#
#
F#
3
3
Tempo I
G#sus2 F#add11/A# Emaj7/B
?#
#
#
#
#
C#m E F#add11
?#
#
#
#
#
Emaj7/G# F#/A# G#m F#/A#

4 4 2
2 2
4 2 4 4 4
2 2 4 4
2 4 4 2 4
1 1
4 2

4
2 1 1
4
1 4 2 1
4 2
2 2 1 2
1 1
4 2 4
1
4
2
1
4 2 1
2 1
2

j
j

0 0 2 4 4 2 0 2 4 6 4 2 4
7
4
7 6 4
7 6 4 7
j

6 7
4
7 6
7
4 2 4 4 2 4 4 6 6 4 6 7 6 7

7 6 7
4
7 6 4 2 0 0 0 0 0 0 0 4 2 2 2 2 2 2 2 6

j

w
w
4 4 4 4 4 4 4 7 6 6 6 6 6 6 6 2 4 2 4 4 6
3
Sorgdal
rit.
G
Slower q = 100-104
H
?#
#
#
#
#
B
mf
C#sus2 Esus2 F# E/G# F#/A#
?#
#
#
#
#
Emaj7/B
mp
F#7add11/C# Badd11/D# C#m7/E E5 F#7add11
?#
#
#
#
#
E/G# F#7add11/A#
End half-time feel
Bass Fig. 1
f
B E/B
End Bass Fig. 1
?#
#
#
#
#
F#/B
E/B

F#/B B
Bsus4 B
?#
#
#
#
#
Guitar Solo
B C#m E F#
?#
#
#
#
#
B C#m E F# B
#
#
w

j
w
w
w
w
7
4 4 7 9 11
8
w
w
w
w w
w
9 11
8 9 9 11
w

13 13 15 15
2
4
2
4 4
2 2
4
2
4 4
2

j
j

j
j

j
j

j
0 0 0 0 0 2 2 2 2
0 0 0 0 0 2 2 2 2

j
j

j

0 0 0 0 0 2 2 2 2
0 2
2
4
Sorgdal
I
2
4
4
4
2
4
2
4
4
4
12
8
11
8
?#
#
D Bb/D Dsus D
Am
?#
#
G/A Am7
G/A
D Bbsus2

?#
#
F5/C C Dsus D
Am G/A Am7
G/A

?#
#
#
G Eb/G Fadd9/G
3
?#
C/G Gm7 Cadd9/G
(q = q.)
Tempo I
G
?#
Eb/G F C Gm7/Bb C F5

j
j

j

j
3 3 3 3 3 3 3
5 5 5 5 7 9 9 0
j

J

b
0
7
0
7 7 7
5
7 5
7
3
2 3
0 1
n
j
j

J
1 3
1 1
5 5 5 5 7 9 9 0
7
0
7 7
n

j

j

7
5
7 5
7
3 3 3 3 3 3 3 3 3 3 3 3 3 3

j

j

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

n

b

n
3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1
3 3 3 3 3 3 1 1 1 1 1 1 3 3 3
1 1 1
5
Sorgdal
J
Slower q. = 81 q = 106-115
K
11
8
10
8
11
8
12
8
12
8
10
8
12
8
3
4
4
4
2
4
2
4
5
4
4
4
?#
G F#m F Esus4 G F#m F Esus4 G F#m F Esus4
?#
G D/F# F Em B B7 Em E7
?#
B/F D E
n
Dm B7
?
C D7 G#7b9/B G#7b9 Am A/C#
?
Half-time feel
Dm
G Em E A/C# Dm
G
End half-time feel
E E7 E

?
Bb5 (Bb) (C)

# n

# n

n

3 3 3 2 2 2 1 1 1 0 0 3 3 3 2 2 2 1 1 0 0
10 10 10 9 9 9 8 8 8 7 7

#

n

#
J
#
J
10 10 10 9
7
7
8
7 10 9 5
7
4
7 5 4 1 2
5 3 2
0
j

n

J

3 0
0 3 1
5 7 5 2
.

#

#
3
0
2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4

#

.

.
.
#
5 5
5 9 10 12
9
11 12
9 10 10
10 10
2 0
2
4 4
b b

0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3
6
Sorgdal
L
N
3
4
4
4
2
4
5
4
?
(Bb/D) (C/E)
Tempo I
Guitar Solo
Gm Bb
?
Dm G Am
?
E F Dm E
?
E7
#
#
#
Half-time feel
F#5
?#
#
#
2nd time, end half-time feel
A5 F#5 A5/E
?#
#
#
F#5 F#7sus4 Gsus4

w w
w b w
5 5 5 5 7 7 7
3 6

5 5 5 5 5 5 5
3 3 3 3 3 3 3 5 5 5 5 5 5 5

w
0 0 0 0 0 0 0 1 1 1 1
5 5 5
0
w w w

.

.

.

.

0 0 2 2 2 2 2 2 2 2 2 2
.

.
.

.

.

.

.

.
j

2 2 2 2 2
2 4
2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0
2 0
.

.

.

.

.

.

n #

n

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 4 5
2 5 4
3 3 0
7
Sorgdal
1.
2.
rit.
O
9
8
5
4
5
4
4
4
4
4
4
4
2
4
?#
#
#
G#9sus4 Asus4 F#7sus4 Gsus4 G#9sus4 Asus4
5
4
?#
#
#
E5 E(b5) E/G# A/C# D5/A Csus4/G Fsus2 E5 E(b5) E/G#
?#
#
#
Dsus2 Cm7add11 F#/C# Bmaj7
5
4
Dsus2 Cm7add11
b
b
?
b
b
*
Free time
Cm7add11
mf 3 3 3 3
3 3 3 3
*Key signature denotes C Dorian.
?
b
b
3 3 3 3
8va
?
b
b
Cm7
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
mp
Cm7add13
Segue to Voices
8va
let ring
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
#
#

#
n

n #

n

n

#
#

#
n
4 5 6 7
4 7 6
5 5 0 2 3 4 5
2 5 4
3 3 0 4 5 6 7
4 7 6
5 0

J

n
n
n
n
7
0
7
9 8
7
6 6
4 5
7 6
3
5
3
6
7
0
7
9 8
7
6
n
n

b

n
J
n # n

n
n

b

n
J
n

3 5 7
5 5
1 3 5
3 4 3 2 2
3 5 7
5 5
1 3 5
1

1 1 1 1
1 8
10
6 6 6 8 8 8 10 10 10
8 8 8 10 10 10
8 8 8 10 10 10 12 12 12

10 10 10 12 12 12
10 10 10 10 12 12 14 14 12 14 15 14 12
15 14 12 14 15 14 12 14 15
12 14 15 14 12
15 14 12
15

13 12 13 15
12 14 15
12 15 14 15 17 15 14 14 15
13
15 14
8
Sorgdal
Intro
Moderately q = 108
Fatal Tragedy
Words and Music by John Petrucci, Michael Portnoy, John Myung, Jordan Rudess and Kevin LaBrie
Faster q = 140
4
4 &
#
Segue from I. Through My Words
Em
A lone - at night,
E
I feel so strange.
&
#
Em
I need to find
E
all the an swers - to my dreams.
&
#
B B/A
When
Em/G
I sleep at night,
Em
I
&
#
hear
B
the cries. What does this mean?
F#m
?#
Bass
f
Em E
steady gliss.
Half-time feel
B
&
#
B/A
Em/G
Verse
Em
I
1. shut the door and trav eled -

?#
1
b
j

j
w

j
#
#

w w w

0 0 12 5 0
2 2
e
e
e
e
e
e
e
e
e
e
e
e
e
e

w

.

0
3 3 0 2 3 0 0 2 3
2
1
Sorgdal
2
4
2
4
2
4
4
4
4
4
4
4
&
#
to
E/Bb
an oth - er - home.
Em
I met an
?#
&
#
old er - man; he seemed
#
A#7/C#
to be a
#
lone. -
I
?#
&
#
felt
B
that I could trust
B/A
him. He talked
Em/G
to me
Em
that night: Lad,
&
#
(Ah.)
?#
1
&
#
did you know a girl
E/Bb
was mur dered - here?
Em
This
fa tal -
?#

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
e
e
b
e
e
e
e
e
e
e
e
b
e
e
e
e
e
e

e
e
e
e
e
e
w b b
b

1 1 4
2 5
4
3 3 0 2 3 0
e
e
e
e
e
e
e
e
e
e
j
e
e
#
e
e
e
e
e
e
e
e
e
e
e
e
e
e

n
j

w # #

#
#
0 2 3
2 4 4 7
5 8
7
6 6
#
j
#
J

J

J

e
e
#
j
w
w
#
2 2 0
3 3 0 2 3 0
e
e
e
e
e
e
e
e
e
e
e
e
b
e
e
e
e
j
e
e
e
e
j
e
e
e
e

e
e
e
e
e
e

b
w b b
b

0 2 3
2 2 1 1 4
2 5
4
3 3 0 2 3 0
2
Sorgdal
&
#
trag e - dy - was talked
#
A#7/C#
a bout - for
#
years.
Vic -
?#

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
&
#
to
B
ri - as - gone for ev -
B/A
er, - on ly - mem
Em/G
o - ries - re main. -
Em
She
&
#
(Ah.)
?#
1
&
#
passed
B
a way, - she was so
F#m
young.
?#
3
let ring
&
#
Em

E
?#
let ring
e
e
e
e
e
e
e
e
e
e
j
e
e
#
e
e
e
e
e
e
e
e
e
e
e
e
e
e

#
j

w # #

#
0 2 3
2 5 4 4 7
5 8 8
7
6 0
#

J

J

#
j
w
w
#
w
w
w
w

w
2 2 0
3 3 2 3 0

#
#

#
j
#

2 2 9
9 11 13 11 13 11 9 9
2
4
2
w

#
j
n

w w w
2 2
4
8 9 7 9 9
0 0
3
Sorgdal
6
4
6
4
6
4
6
4
?#
Em
&
#
#
#
#
#
Chorus
F#m
With out - love,
A
with out - truth,
?# #
#
#
#
&
#
#
#
#
C#m
(there can be
E/G#
no turn ing - back.)

B

End half-time feel
?#
#
#
#
&
#
#
#
#
F#m
With out - faith,
A
with out - hope,
C#m
(there can be
E/G#
no peace
Emaj7/G#
of
?#
#
#
#

0 12 0 0 0 0 0 0 0 0 0 0 0 0
7 7
0 0 0 0 0 0 0 0
n

0 0 0 0 0
7 7
0 1 2 2 4
0 0 2
J
w
w

4
0 4 4
0 2 2 2 2
12
4 2 4
4 0
2 2 4
0 0 2 4
0 4 4
4
Sorgdal
3
4
3
4
7
8
7
8
2
4
2
4
2
4
7
8
2
4
7
8
2
4
7
8
7
8
2
4
9
8
4
4
4
4
&
#
#
#
#
mind.)
A
C#m G#m B
#
Interlude
B
?#
#
#
#
?#
C7
B7 Em D#
Em B C7
B7
?#
Em D#
Em Am Em
?#
Bass Fig. 1
E5
End Bass Fig. 1
&
#
As
Verse
2.
Half-time feel
Em
the night
?#
n
j

J

#

5
3 7
8 9 8
9 6 4 4
0 2 3 2 2 6 9
#

#

6 7 9 7 9 10
9
0 2 3 2 2 6 9
#

6 7 9 7 10
9
2
2
3 0
0
2
2
3 2 3
0 2
3 2

j

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
j
E
j
E

.

.

.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
Sorgdal
&
#
went
#
F#/E
#
on, I
#
#
start
n
Am/E
ed -
&
#
to find my way.
Em
End half-time feel
I
&
#
learned a bout - a
?#
Bass
*
*Downstroke w/ fingernail.
&
#
trag
#
F#/E
#
e - dy, - a
#
mys
n
F/E
ter - y -
&
#
still to day. -
Em
I
&
#
tried
B
to get more an swers, -
but he said,
B7/A
Youre on your own,
?#
Bass
E
#

E
#
E
n
e

e
J
e

e
e

e

e

e

e

e %
w
e
E

e
e

e

e e

E

0 0 0
7
9
7
9
0 0 0 0 0 0 0 0 0 0 0 0 0
E

e
e

e

e

e

e

e

e

e

E
e
J
e

e

e

e
w
%

e

J

J

J

#

#

#

2 3 0 2
1
2 2
2 4
2 2
2 1
2 3 2 0 2 0 3 0 2
1
2 2
0 2
6
Sorgdal
&
#
then he turned
Em/G
a way - and left me as I stand
?#
&
#
Em
there all a lone. - He
?#
&
#
said,
B
Youll know the truth
as your fu
F#m
ture - days un fold. -
?#
3
&
#
Un
3
fold.
Em
-
E
?#

J

J

J

J

J

#

#

#

2 2
2 1
2 3 2 0 2
3
3 0 2
1
2 2
2 4
2 2
2 1
2 3 2 0 2
J

J

J

J

#

#

# n

# n

b

#
0 2 3
0 1 2
1 4 2
0
2 1 0 2
4 3 2
2
1 0
3
2
2
1

#
J

J
.
n
#

#

# n

2 2 2
4
2 2
2
2 2
5 4
2
4 3
4 5 4 5 4 2
5 4
1 2
4 3
2
2 0
j
w
w

# n

w w w
2 0 2
4 3 2
2 3 0 0
7
Sorgdal
6
8
6
8
6
8
6
8
?#
Half-time feel
Em

E

&
#
End half-time feel

#
#
#
#
Chorus
F#m
With out - love,
A
with out - truth,
?# #
#
#
#
let ring
let ring
&
#
#
#
#
C#m
(there can be
E/G#
no turn ing - back.)

B

?#
#
#
#
&
#
#
#
#
F#m
With out - faith,
A
with out - hope,
C#m
(there can be
E/G#
no peace
G#m
of
?#
#
#
#

w
b
0 0 0 0
7
9
0 0 0 0 0
7
9
0 0 0 0 0 0
7
8
b

n
n
j

0 0 0 0 0
7
8
0 0 1 2
4
2 2 2 4
0
3 7
0
7
0 2
J
w
w

4 4 4 4 4
4 4 4 4
0 2 2 14 14 14
14
4 2 4
4 0
2 2 2 2 2 4
0 0 0 0 0 2 4 4 4 4
4 4
8
Sorgdal
1.
2.
4
4
4
4
6
4
&
#
#
#
#
mind.)
A
C#m
G#m B

#
?#
#
#
#
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
#
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
?#
Em/G G[#5] G C#m7b5/G Cmaj7/G
Interlude
Em (Em)
2
?#
?#
?#
j

0 4
4
2 16 2 14 14
w

0 2 3 0

0 2 3
5
0 3
4
0 3
3
3
2
0 2 3 0 0 0 0 2 3 0 0 0

0 2 3 0 0 0 0 2 3 0 0 0 0 2 3 0 0 0 0 2 3 0 0 0

0 2 3
5
0 3
4
0 3
3
3
2
0 2 3
5
0 3
4
0 3
3
3
2
9
Sorgdal
Play 3 times
Play 4 times
Play 4 times
Play 3 times
Play 4 times
6
4
4
4
4
4
?#
?#
?#
Em F#/E Am/E
?#
(F#m)
Guitar Solo
(Em)
?#
(F#5)
?#
(Em)

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

2 2 2 2 2 2 0 2 3 0 0 0 0 2 3 0 0 0
0 2 3
5
0 3
4
0 3
3
3
2
2 2 2 2 2 2

0 2 3 0 0 0 0 2 3 0 0 0 0 2 3
5
0 3
4
0 3
3
3
2
10
Sorgdal
Play 3 times
?#
(F#5) (Em)
?#
(F#5)
?#
(Em) (F#5)
?#
Keyboard Solo
B5
?#
?#
(Em) (F#5)

2 2 2 2 2 2 0 2 3 0 0 0 0 2 3 0 0 0
0 2 3
5
0 3
4
0 3
3
3
2
2 2 2 2 2 2
0 2 3
5
0 3
4
0 3
3
3
2
2 2 2 2 2 2

J

J
7 7
14 14 12 14 12 14 12
14 12 7 7 7
9
7
14 12 12

7 7
14 14 12 14 12 14 12
14 12
14 12 14
12
14 12
14 12
14
12
14 12 9 7
10
0 2 3
5
0 3
4
0 3
3
3
2
2 2 2 2 2 2
11
Sorgdal
Play 3 times
Play 3 times
Play 4 times
2
4
4
4
?#
(Em)
?#
(F#5) (Em)
?#
(F#5)
?#
(Em)
?#
(F#5) (B)
?#
(Em)

0 2 3 0 0 0 0 2 3 0 0 0 0 2 3
5
0 3
4
0 3
3
3
2

2 2 2 2 2 2 0 2 3 0 0 0 0 2 3 0 0 0
0 2 3
5
0 3
4
0 3
3
3
2
2 2 2 2 2 2

0 2 3 0 0 0 0 2 3 0 0 0 0 2 3
5
0 3
4
0 3
3
3
2

2 2 2 2 2 2 7 7 7
9
7 7
7 9
10
7

#

7 7 7
7
7 7
10
7
9 10 7 6
8 7
6 9
7 10 9 10 7 9
10
7
9 10 7 7
12
Sorgdal
4
4
?#
Outro
Double-time feel
(B)
?#
(B/A)
?#
(Em)
?#
?#
(B)
?#
(B/A)

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14

j

0 0 0 0 0 0 0 0 0 0 0 0 7 0 0 0 0 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7 5 7
7
7 5 7 5 7
5
7 5
5
7 5
7

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7 5 7
7
7 5 7 5 7
5
7 5
7 5
7 5

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 12 12 12 10 10 10 12 12 12 10 10 10 12 12 10
12
13
Sorgdal
2
4
2
4
4
4
?#
(Em)
?#
End double-time feel
?#
(C)
3
3
?#
(Am)
3
?#
(Em)
?#
Em
Spoken: Now it is time to see how you died.
Remember that death is not the end,
Em
but only a transition.

0 0 0
7 5 7
7
7 5 7 7 5 7
5
7 5
0 0 0
7 5 7
5
7 5
5
7 5 7 5
7 5

0 0 0
7 5 7
7
7 5
7 5 9 7
10 7
0 0 0
7 5 7
5 5 7 7 9
7 12
14

14 15 17
14
15 17
14 16 17
14
16 16 17 16 14
17 15 14 15 17
14 12
15 14 12 14 15
12 10
14

12 10 12 14
10 9
12 10 9 10 12
9 7
10 9 7 9 10 7 9 10
7 9 10 7
9 10
7 9 7

0 0 0
14 14 14 12 12 12 14 14 14
12 12
14
0 0 0
14 14 14 12 12 12 14 14 14
12 12
14

0 2 3 0
14
Sorgdal
Intro
Moderately fast q = 140
Learning to Live
Words and Music by Kevin LaBrie, Kevin Moore, John Myung, John Petrucci and Michael Portnoy
from Dream Theater - Images and Words
1.
2.
15
8
7
4
6
4
6
4
4
4
3
4
5
4
4
4
?#
#
#
(Keyboard) 4
Bass
f
F#sus2
?#
#
#
F#sus2 E5 F#5 E5 G5
?#
#
#
F#5 E5 F#5 E5 G5
?#
#
#
C#m7 G5/C# A/C#
6
4
?#
#
#
E5/B G5/D E5

2 2 2 5 5 5
4 4 4 2 2 2
5 5
7

n
9 9 9
5 5 5 7 7 7
11 11 11 12 12 11
2 0 2 0 3
n

n
2 0 2 0 3
4 4 4 4
2 2
4 4 4 4
0 0
2 2 2 5 5 5

6 6 6 6
4 4
6 6 6
4
6 6 6
4 4 4
6
4
6 6 6 6 6 6 6 6 6

6
4 2 2 2 5 5 5
2 2 2 2
0 0
2 2 2 2
0 0
1
Sorgdal
4
4
5
8
3
4
7
4
7
4
13
8
7
4
7
4
13
8
7
8
7
8
4
4
7
4
7
4
6
4
7
4
7
4
6
4
7
4
6
4
7
4
6
4
7
4
?#
#
#
E5
?#
#
#
F#5 F#5/E F#sus4/B F#m/A
let ring
let ring
E5 F#5 F#sus2/G# E5
?#
#
#
F#5 F#5/E F#sus4/B F#m/A
let ring
let ring
E5 F#5 F#sus2/G# E5
?#
#
#
Asus2 Esus2 F#5 E5/B Gsus2
#
?#
Bass Fig. 1
Em
End Bass Fig. 1
&
#
C/E

Am/E

Esus2

n
n

.

.

2 2 2 2
0 0 0 0 0 0 0 12
12 11
8
10 9
0 0 0 0 0 0 0 0 0
.
9
11
11
0
11
11
9 11
11
11
0
11
11
11
0
9
9
9
11
11
11
11
11
11
0
9
9
.
9
11
11
0
11
11
9 11
11
11
0
11
11
11
0
9
9
9
11
11
11
11
11
11
0
9
9
w n w
12
14
16
12
14
16
12 2
2
3

#
J

0 0 0
5 7 7
0 0 0
7 7
0
4 5
0 0
6 7
0 0
7 9
2
Sorgdal
7
4
6
4
7
4
7
4
6
4
7
4
7
4
6
4
7
4
7
4
6
4
7
4
7
4
6
4
7
4
7
4
6
4
7
4
7
4
6
4
7
4
7
4
6
4
7
4
6
4
6
4
7
4
6
4
&
#
Verse
Em
There 1. was no time for pain, no en er - gy - for an ger. -
&
#
Sight
C/E
less - ness - of ha tred - slips a way. -
&
#
Walk
Am/E
ing - through win ter - streets a lone, - he stops and takes a breath with
&
#
con
Esus2
fi - dence - and self - con trol. -
&
#
Em9
I look at the world and see no un der - stand - ing. -
&
#
Cadd /E
#11
9
Im wait ing - to find some sense of strength.
&
#
Am(add9)/E
Im beg ging - you from the bot tom - of my heart to show me un der - stand - -
&
#
Em9
ing. - I need to live life like some
&
#
peo ple - nev er - will, so find me kind
Cadd /E
#11
9
ness, - find me beau ty, - find me truth.

j

j

J

j
j
b

J
e
e
j
e
J
e
e
j
e
J
e
J
e
3
Sorgdal
poco rit.
poco rit.
q. = 117
6
4
7
4
6
4
6
4
7
4
6
4
6
4
6
4
12
8
12
8
&
#
When temp ta
Am(add9)/E
- tion - brings me to my knees and I
&
#
lay here drained of strength, show me kind
Bass: w/ Bass Fig. 1 (1st meas.)
Em9
ness, - show me beau ty, - show me truth.
&
#
The way your heart
Chorus
Am7
sounds makes all the
3
?#
Bass
3
&
#
dif
Bm7
frence. - Its what de cides
Em7
- if youll en dure - the pain that
?#
let ring
&
#
we all feel. The way your heart
Am7
beats makes all the
?#
let ring
J

J
e
j
e
J
e
J
e
#
J

0 0
6 7
0 0
9 7
9
0 0
7
0 0 0

J

j

j
2 2 2
4
5
0 2
0
2
0
2
0
j

J

J
#

j
n
J

2
0
2
0
7 7 8 9
7
9 9
0 0
7 7
0 0 0
4
Sorgdal
11
8
11
8
12
8
12
8
12
8
12
8
11
8
11
8
12
8
12
8
12
8
12
8
7
4
7
4
&
#
dif
Bm7
frence - in learn ing - to live.
Em7
?#
&
#
Here
Am7
be fore - me is my
?#
&
#
soul,
Bm7
Im learn ing - to live.
Em7
?#
&
#
I wont give up
Am7
till Ive no more to give,
Bm7
no
B5
more to give.
?#

2 2 2
4 4
5 7 7
7
5 7
4 5 4
5
j

J

7 7
7
5 7
4 5 4
5
7
0 0
7
0 0 0

2 2 2
4 4
5 7 7
7
5 7
4 5 4
5
j

j
j

J

j

7 7
7
5 7
4 5 4
5
7
0 0
7
0 0 0 2 2 2 2 2
5
Sorgdal
q = 152-158
7
4
6
4
7
4
7
4
6
4
7
4
7
4
6
4
7
4
7
4
6
4
7
4
7
4
7
4
6
4
6
4
7
4
7
4
7
4
7
4
6
4
6
4
7
4
7
4
?#
Interlude
Bass Fig. 2
E5 Bb[b5] E5
End Bass Fig. 2
F5
&
#
E5
Bb[b5] E5
Whoa.
F5
&
#
Lis
Verse
2.
*
*Harmony implied by keyboards; next 16 meas.
E5
tning - to the cit y - whis per - ing - its vi lence, -
&
#
C
I set out watch ing - from a bove. - The
&
#
nine
Am
ties - bring new ques tions, - new so lu - tions - to be found.
I
?#
Bass
&
#
fell
Em
in love to be let down.
?#

j
n
0 0 0 7 0 0 0 0 6 0 0 0 0 12 12 0 0 0 1
E

e

e

J

J

#

J

j
j

J

J

n
0 0 0 7 0 0 0 0 6 6 0 0 0 0 12 12 0 0 0 0 1
J

J
J

J

n
0 0 0 7 0 0 0 0 6 0 0 0 0 0 12 0 0 0 0 0 1
6
Sorgdal
7
4
7
4
6
4
6
4
7
4
7
4
7
4
7
4
6
4
6
4
7
4
7
4
7
4
7
4
6
4
6
4
7
4
7
4
7
4
7
4
6
4
6
4
7
4
7
4
&
#
Once
Em7
a gain - we dance in the crowd, at times a step a way -
from a
?#
&
#
com
C
mon - fear thats all spread out, wont lis ten - to what you say.
?#
&
#
Once
Am(add9)
youre touched, you stand a lone -
to face the bit ter - fight.
?#
&
#
Once
E7sus2
I reached for love, and now I reach
Esus2
for life.
#
#
#
?# #
#
#

J

n
0 0 0 7 0 0 3 0 0 7 6 0 0 0 12 12 0
2
0 0 0 0 1 1

J

J

J
j

b n

j

n
7 0 0 0 0 0 0 6 7 0 0 0 0 0 1
n
n
n

3 2 0 0 7 3 2 0 0 3 3 2 0 6 6 0
5 4
0
3 2
0 1 0 0 0 0 0 0
#

b
n
n
n

3 2 0 0 7 0 0 3 2 0 0 3 0 0 3 2 0 6 6 0
5 4
0
3 2
0 1 0 0 0 0 0 0
7
Sorgdal
q = 142-146
Play 4 times
7
4
7
4
4
4
4
4
&
#
#
#
Interlude
[F#5]
#
#
#
#
#
*
Bridge
F#7add11
An oth - er - chance to lift
?#
#
#
#
#
#
#
#
Bass Fig. 3
let ring
*Key signature denotes F# Mixolydian.
&
#
#
#
#
#
my life,
Badd11
a, free the sen sa - tion - in my heart,
?#
#
#
#
#
let ring
let ring
&
#
#
#
#
#
D6sus2
to ride the wings of dreams
E5
in to -
?#
#
#
#
#
let ring
let ring
let ring
let ring
let ring
&
#
#
#
#
#
chang
F#sus2/E
ing - ho ri - zons. -
F#7add11
It brings in ner - peace with in - my mind.
?#
#
#
#
#
End Bass Fig. 3
let ring

n

4 4 4 4
2 2
4 4 4 4
0 0
2 2 2 5 5 5 4 4 4 4
2 2
4 4 4 4
j
n

J
n

J
2 2
4 4 4
2 2
4
2
4 4 4 4
2 2
4 4 4 4
2 2
4 4 4
2 2
4
2
J

n
j
J

J

n n

0 0 0 0
5 5
0 0 0 0
5 5
0 0 0
5 5
0
5
2 2 2 2
0 0
2 2 2 2

J

J

J
J

J
0 0
2 2 2
0 0
2
0
8
Sorgdal
A
7
4
7
4
7
4
6
4
4
4
4
4
&
#
#
#
#
#
Badd11
As Im lift ed - from where Ive split
D6sus2
my life,
&
#
#
#
#
#
I hear an in no - cent - voice.
E5
I hear kind
F#sus2/E
ness, - beau ty - and
&
#
#
#
#
#
truth.
F#5 E5 F#5 E5 G5 F#5 E5 F#5 E5 G5
#
#
#
?#
#
#
#
#
Bass
#
#
#
?#
#
#
F#5 F#5/E F#sus4/B F#m/A F#5
F#5/E F#sus4/B F#m/A E5
F#5 F#sus2/G# E5
?#
#
#
F#5 E5/B Gsus2 F#5 Em(add9)
?#
#
#
F#7add11 B

n n

J

J
J
n

J

J

J

J
e
j
w% e e
j
e
n
J
e
n

j
n
2 0 2 0 3 2 0 2 0 3
j
2

j

w n

j

j
n

2
2
3 2 0 3
j

J

j
w
2
6 11 9 11 9
11 11
2
2
9
Sorgdal
poco rit.
B
q = 130
C
6
4
2
4
2
4
4
4
2
4
4
4
2
4
4
4
4
4
2
4
4
4
2
4
4
4
?#
#
#
Aadd9 Amaj9 C#m7 Bsus4 C#m7 Asus2 Eadd9/G# Asus2 Badd11/F#
?#
#
#
Eadd9 E7sus4 Am9/E
?#
#
#
E6(no3) Eadd9
2
?#
#
#
Guitar Solo
F#sus2 Bsus4 B
*
*4th string is retuned to D w/ headstock detuner.
?#
#
#
D Dadd9 E Eadd9
**
**4th string is retuned to E w/ headstock detuner.
&
#
#
#
Ah.
F#sus2
?#
#
#
let ring
j

w

j

0 0 4 2 4
5 4 5 2
w

j
w
0 0
w w
0
w w w w
w w w w
2
2
w w w w
w
w
w
w
w
w
w
w
0
7
9
%
w
%
w
%
w

4 4 4 4
2 2
4 4 4 4
2 2
4 4 4
2 2
4
2
4 4 4 4
2 2
4 4 4 4
10
Sorgdal
&
#
#
#
Ah.
Bsus4
?#
#
#
let ring
let ring
&
#
#
#
B
Ah.
D
?#
#
#
let ring
let ring
let ring
&
#
#
#
Dadd9
?#
#
#
let ring
let ring
let ring
let ring
let ring
let ring
let ring
&
#
#
#
Ah.
E Eadd9
?#
#
#
let ring
E
j
w
%
w
%

2 2
4 4 4
2 2
4
2
4 4 4 4
2 2
4 4 4 4
2 2
4 4 4
2 2
4
2
w
%
#
E

j
w
%
n

4 4 4 4
2 2
4 4 4 4
2 2
4 4 4
2 2
4
2
0 0 0 0
5 5
0 0 0 0
w
%
w
%

E

5 5
0 0 0
5 5
0
5
0 0 0 0
5 5
0 0 0 0
5 5
0 0 0
5 5
0
5
j
w
%
w
%
w
%

2 2 2 2
0 0
2 2 2 2
0 0
2 2 2
0 0
2
0
2 2 2 2
0 0
2 2 2 2
11
Sorgdal
D
q = 136
6
4
6
4
4
4
6
4
4
4
4
4
6
4
4
4
6
4
6
4
4
4
6
4
6
4
6
4
4
4
4
4
&
#
#
#
Dadd9
?#
#
#
let ring
let ring
?#
#
#
Eadd9
?#
#
#
Bsus
?#
#
#
Eadd9
&
#
#
#
Whoa.
Dadd9
Whoa. Whoa.
?#
#
#
0 0
2 2 2
0 0
2
0
4 4 4 6 6 7
0 4 4 7
4
2

4 4 4 6 6 7 7
4 4 7
4
2
4 4 4 6 6 7 7 4 6 6 6 7 7 9 9 6 6 7 6
7

6 6 6 7 7 9 9 6
4 4 4 6 6 7 7
4 4 7 9
7
4 4 4 6 6 7 7 4

9 9 9 11 11 13 13
9 9 12 14
12
9 9 9 11 11 13 13
9 9 12 14
12
9 9 9 11 11 13 13 9
e

e
J
e

e

e
e

e
J
e

e

e

e
J
e

e

11 11 11 13 13 14 14
12 12 14 16
14
11 11 11 13 13 14 14
12 12 14 16
14
11 11 11 13 13 14 14 11
12
Sorgdal
E
(q = q.)
F
12
8
&
#
#
#
F#9sus4
?#
#
#
let ring
3 3
?#
#
#
Half-time feel
Guitar Solo
E7sus4 E D6sus2 D6#11 Esus4 E
let ring
?#
#
#
Dsus2 D Bm(add9) Bm Amaj7/C# C#m
?#
#
#
D6 D
End half-time feel
Esus2
#
?#
Dsus2 Esus2 Dsus2
w
%
w
%

E

4
2
4
2
4 4 4 4 4 4 4
2
4
2
4 4 4 4 4 4
w
0
7 5 5 5 7
0
j

5 5 5 2 2 2 4
4 7 6
w
w
6 6 7 4 6 4
6
5 5 5
0
w
5
0
5
13
Sorgdal
Play 4 times
q. = 127
q. = 120
G
q. = 116
8
8
6
8
8
8
8
8
6
8
7
8
6
8
7
8
2
4
2
4
5
8
4
8
6
8
4
8
5
8
4
8
4
8
6
8
4
8
5
8
5
8
4
8
6
8
4
8
?#
?#
?#
?#
E7sus4
Cmaj7

?#
A7sus4
Bm7
Bass Fig. 4
E7sus4
?#
Cmaj7 A7sus4 Bm7
End Bass Fig. 4
&
#
Em7
Cmaj7

A7sus4

7 7
7
5 7
4 5 4
5
7
7 7 7 5 7
4
7 7 7 5

7
4 5
7
5 4
7
4
7 7
7
5 7
4 5 4
7
4
7 5
7 5 7
5 7 7 5
7 3

#

5
7 4 5
7 4
5
7
7 5 7 5
7
5 5 5 4 4 4
7 7 7 7 4
5
7 5

U
7 7

7
9
7 9
7
7
9
7 9
7
7
9
7 9
7

7
9
7 9
3
5
5
2 5
3
5
5
2 5
3
5
5
7
5 7
5
8 7
7
5
7
14
Sorgdal
H
q. = 120-126
I
4
8
5
8
4
8
6
8
12
8
5
8
5
8
4
8
6
8
4
8
5
8
5
8
4
8
6
8
&
#
Bm7

Em7
Cmaj7

?#
Bass
A7sus4 B7sus4 Gmaj7(no3rd)
Guitar Solo
Am7 Bm7
?#
Em7 Cadd9 Am7 Bm7
?#
Em7 Am7 Bm7
?#
Em7 Cadd9 Am7 Bm7
&
#
Em
Cmaj7

A7sus4
Bm7
&
#
Em
Cmaj7

A7sus4

5
7
5 7
5
8 7
9
9
9 10
12
5
7
5 7
5
7 7
9
9
9 10
12

7
9
7 9
7
8
3
5
5
2 5
2
5
7
5 7
5
7 7
9
9
9 10
12

7
9
7 9
7
7
9
7 9
7
7
9
5
7
5 7
5
7 7
9
9
9 10
12

7
9
7 9
7
8
3
5
5
2 5
3
5
7
5 7
5
7 7
9
9
9 10
12
15
Sorgdal
J
K
1.
2.
12
8
9
8
12
8
?#
Bass
Bsus4 G
Keyboard Solo
Am7 Bm7 Em7 Cmaj13 Am7 Bm7
?#
Em9
let ring
Am7 Bm7 Em7 Cmaj13 Am7 Bm7

?#
Em C
&
#
G
A5 F#m7 G A5
The
F#m7
way your
?#
&
#
heart
Chorus
Asus2
sounds
makes all the dif

D
frence. -
Its what de -
?#
let ring
7
9
9
9 10
12
0 0 2 2
2 2
3 3 0 0 2 2
2
0
2
0
2
0
0 0 2 2
2 2
3 3 0 0 2 2

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 8 8 8 8 8 8 8 8 8 8 8

3 3 3 3 3 3 5 5 5 2 2 2 3 3 3 3 3 3 5 5 5 2 2 2

J

j

#
j
J
0 0
7 7
2
5 6 7
16
Sorgdal
&
#
cides
E7sus2
if youll en dure - the pain that we
Csus2
all feel. The way your
?#
let ring
&
#
heart beats makes all the dif
Bm7
frence - in learn ing - to live.
Esus2
?#
&
#
D
Dsus4 D
Spread
Asus2
be fore - you is your soul,
D
so for -
?#
let ring
&
#
ev
E7sus2
er - hold the dreams with in - our hearts.
Csus2
Through na tures - in flex - i - ble -
?#
let ring

J

J
J

w
0
11
3
J

J

w

j
j

j
3 2 2 2 2 2 2
0
j

J
j

J
w

J
5 0 0
7 7
2
5 7

J

J
J

J

J

J
J

J
J

w w
0
11
3 3
17
Sorgdal
2nd time, begin fade

Play 3 times and fade
9
8
9
8
12
8
12
8
12
8
9
8
12
8
9
8
12
8
12
8
9
8
12
8
9
8
12
8
9
8
12
8
9
8
12
8
&
#
grace,
Dsus2
Im learn ing - to live.
Outro
Esus2
?#
Bass Fig. 5
?#
End Bass Fig. 5
&
#
Bass: w/ Bass Fig. 5 (till fade)

2
Em

&
#
Csus2
G5
Em

Csus2
&
#
G
A Em

Cadd9
A5
&
#
Ah.
Em
Ah.
C G A5
&
#
Ah.
Em
Ah.
C G A5
j
w
w

5
0 0 0
7
5
0 0 0
7
5
7 7 7

8 8 8 8 8 8 8 8 8 8 8 8 3 3 3 3 3 3 5 5 5 2 2 2
j
w w

w w

18
Sorgdal
Intro
Moderately q = 105
MetropolisPart 1
The Miracle and the Sleeper
Play 3 times
Play 4 times
Play 3 times
4
4 &
#
(Keyboard & perc.)
(E5)

D/E Dsus4/E Cadd9/E
&
#

D/E Dsus4/E Esus2

D/E Dsus4/E Cadd9/E
?#
Bass
f
D/F# Gsus2 Esus2
?#
D/F# Gsus2 Cadd9 D/F# Gsus2 Esus2
?#

?#

(Em)

0 0 2 0 3 0 0 0 0 0 0 0 0 0 0 0

0 0 0 0 0 0 2 0 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 2 0 3 0
w

J

J
0
5 5 5 5 7 7 5

.

.

5 5 7
0 0 0 0 0 0 2 2 3
5
3 3 0 2 3
1
Sorgdal
6
4
6
4
5
8
5
8
?#
Bass Fig. 1
E5
End Bass Fig. 1
3 3 3 3
&
#
C/E
Dsus2/E D/E Dsus4/E

The 1.
Cadd9/E
&
#
smile
Verse
of dawn ar rived - ear ly - May.
D/E Dsus4/E
She
Esus2
car ried - a
3
gift from her
3
&
#
home.
D/E Dsus4/E
The
Cadd9/E
night shed a
3
tear to tell her of
3
fear
D/E
and
Dsus4/E
of
3
Esus2
&
#
sor row - and
3
pain shell nev er - out
3
grow.
D/E
-
Dsus4/E Cadd9/E
Death is the
3
first dance, e
3
-
&
#
ter nal. -
D/F# Gsus2 Bsus2
Theres no more free dom. -
?#
Bass
3
.

.

.

.

.
0 0 0 0 0 0 2 2 3
5
3 3 2 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

j

J

j

n
j
#

j
#

0 0 0 0 0 0 2 0 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2
Sorgdal
5
8
5
8
6
4
6
4
5
8
5
8
6
4
6
4
6
4
6
4
5
8
5
8
4
4
4
4
7
8
7
8
4
4
4
4
&
#
G5 D'9/F# Bsus2
The both of you will be
Em
con
Dsus2/A
-
?#
&
#
fined
Csus2 C
to
G D/F#
this
Esus2
mind.
3
?#
&
#

#
#
Verse
Bsus2/F#
I 2. was told theres
?# #
#
P
&
#
#
a
Gmaj13
mir a - cle - for each
E7sus4
day that I try.
Bsus2/F#
I was told theres a
3
?#
#
Harm.
loco
15ma
Harm.
let ring
Harm.
15ma
loco
let ring
Pitch: A
P

n
j
#

#

e
j
e

j
e

5 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 7
5
e

J

J

w
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 2 0

J
w w
0
4
4
4
4
2 3
5
0
2
2
3
4
4
3
Sorgdal
7
8
7
8
4
4
4
4
7
8
7
8
4
4
4
4
&
#
#
new
Gmaj13
love thats born for each
E7sus4
one that has died.
Bsus2/F#
I was told thered be
3
?#
#
Harm.
loco
15ma
Harm.
let ring
Harm.
15ma
loco
let ring
Pitch: A
P
&
#
#
no
Gmaj13
one to call on when I
E7sus4
feel a lone - and a fraid. -
Bsus2/F#
I was told if you
3
?#
#
Harm.
loco
15ma
Harm.
let ring
Harm.
15ma
loco
let ring
Pitch: A
P
&
#
#
dream
Gmaj9
of the next world, youll
Gsus2
find your self
Bsus4/F#
- swim
Gadd9
ming - in a
3
?#
#
Harm.
loco
15ma
Harm.
let ring
let ring
Pitch: A
&
#
#
lake
Em9
of fire.
Bm
As a child, I thought
G/B
I could
3
live with out
3
-
?#
#
let ring
4
4
2 3
5
0
2
2
3
4
4
j

J

4
4
2 3
5
0
2
2
5
4
4
j

J

4
4
2 3
5
3 5 3 2
5
3
5
3
5
3
5 5
3

2
0
2
0
2 2
0
2 2 2
0
4 4 4 0 2 2 2 5 5 5 5 7
4
Sorgdal
&
#
#
pain,
Em/B
with out - sor
D/F#
row.
A
-
Bm
As a man, Ive
?#
#
3
3
&
#
#
found
G/B
its all
3
caught up with
3
me.
Em/B
Im a -
?#
#
3
&
#
#
sleep
D/F#
yet Im so
A
a
#
fraid.
Esus2
-
?#
#
#
&
#
D/F# Gsus2 Cadd9/E

Verse
Some 3. where, - like a
3
&
#
scene from a mem
(Scene
D/F#
ry, -
from
Gsus2
a mem
Esus2
ry. -
theres a pic ture - worth a
e
j
e
J
E

2 2 2
0
4
0 0 0 2 3
0 2 2 2
0
4 4 4 0

2 2 2 5 5 5 5 7 2 2 2
0
4
0 0 0
j
w

2 2 2 2 3 3 3 3
0
0 0 0 0 0 2 2 3
5
3 3 0 2 3
w w

J

j

j

5
Sorgdal
6
4
6
4
5
8
5
8
5
8
5
8
6
4
6
4
5
8
5
8
6
4
6
4
&
#
thou sand - words.
Thou
D/F# Gsus2
sand - words.
Cadd9/E
E lud - ing - stares,
the
&
#
fac es - be fore
Fac
D/F#
-
es
Gsus2
-
me,
be
Esus2
fore -
it hides
me.)
a way -
and will
&
#
nev er - be heard
D/F#
of
Gsus2
a
Cadd9/E
gain. - De ceit - is the
&
#
sec ond - with out
D/F#
- end.
Gsus2 Bsus2
The cit ys - cold blood teach es - us to sur vive. -
?#
Bass
&
#
G D'9/F# Bsus2
Just keep my heart in your eyes and well stay
Em
a
D/A
-
?#

e

e

e

e
e

e

e

J
j
#

0 0 0 0 0 2 0 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

e
j
e

5 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 7
5
6
Sorgdal
e. = 136 e = 188
A
q = 126-134
1.
6
4
6
4
5
8
5
8
12
16
12
16
12
16
12
16
13
16
13
16
5
16
5
16
3
4
3
4
3
4
7
8
3
4
7
8
3
4
3
4
7
8
3
4
3
4
7
8
&
#
live.
Csus2 C
The third
G D/F#
ar -
?#
&
#
Esus2
- rives.
G
D/E Dsus2/C#
A/C#
#
#
?# #
#
?#
#
Bsus2 Asus2 Bsus2 Gsus2 Asus2
3
4
?#
#
B5 A5

+ +
sim.
?#
#
B5 G Asus2
3
4
e
J

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 2
J

J
.
J

#
j
0
5
4
2
4
6
4
4 4
4
0
2
4
2
4
2
0 2
4
6
4
4 4
4
3
5
7
5 7
9
7 0
7
9 16
16
16
16
7
9 16
16
16
16
7
9 16
16
16
16
5
7 14
14
14
14
5
7 14
14
14
14
5
7 14
14
14
14
5
7
.

16
16
16
16
7
9 16
16
16
16
7
9 16
16
16
16
7
9
16 16
3
5
16 16
3
5
16 16
5
7
16 16
7
Sorgdal
2.
1.
2.
7
8
3
4
7
8
3
4
3
4
7
8
4
4
3
4
4
4
4
4
9
8
4
4
4
4
9
8
?#
#
G Asus2 B5 A5
let ring
let ring
let ring
*
?#
#
B5 Gsus2
Harm.
loco 8va
Harm.
loco
8va
Harm.
loco
let ring
8va
3
4
Gsus2
Harm.
loco 8va
Harm.
loco
8va
8va
loco
let ring
Harm.
Bsus2
Pitch: A D G A D G D
?#
#
Asus2 Bm7 Gsus2 Em(add9) F#sus2 Dsus2
?#
#
Am Asus2 Am(add9)/E Asus2
?#
#
Gsus2 Em11 Fsus2#11 E5
#
#
#
#
#
?#
#
#
#
#
**
F#7add11 E5 F#7add11
F#7add11
**Key signature denotes F# Mixolydian.
.

.

16 16
3
5
16 16
3
5
16 16
5
7
16 16
2
4
4
2
0
2
0
2
0 0
2
4
4
3
5
3
5
3
5
0
3
5
3
5
3
5
5
0 2
4
6
4
4 4
4
0
2
4
2
4
2 0
7
5
7
3
5
7
0
2
4 5 4
2
2
4
6 7
5
0
n
J
w
w
10 9
7
7
w
J
n

7 5 5 8 8
0
w

j

j

j
2 0 2 2 2 2 2 2 2
8
Sorgdal
B
C
9
8
4
4
?#
#
#
#
#
E5 F#7add11 Esus2 F#sus2 Esus2
?#
#
#
#
#
Bass Solo
F#sus2 F#7add11
3 3 3 3

+
*
*Tap w/ indicated fingers.
1
+
3
+
1
+
3
++
22
+
1 sim.
?#
#
#
#
#
G6 Aadd9
3 3 3 3
?#
#
#
#
#
Badd11 E5 F#7add11
3 3

?#
#
#
#
#
Double-time feel
(F#)
?#
#
#
#
#

j
w

j
w

0 2 0 2
2
4
9
11
9
4 9 9
9
2
4
9
11
9
4 9 9
9
2
4
9
11
9
4 9 9
9
2
4
9
11
9
4 9 9
9
n
n
n

n
n
n
n

n
3
5
10
12
10
5 10 10
10
3
5
10
12
10
5 10 10
10
5
7
12
14
12
7 12 12
12
5
7
12
14
12
7 12 12
12
w
w
w
w
7
9
14
16
14
9 14 14
14
7
9
14
16
14
9 14 14
14
2
4

0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
9
Sorgdal
Play 3 times
D
Play 3 times
3
4
3
4
?#
#
#
#
#
?#
#
#
#
#
?#
#
#
#
#
E5 F#7add11
?#
#
#
#
#
n
n
n
n
n
?
*
4
*Key signature denotes E Phrygian.
T
+

+
T
+

+
?
T
+
T
+
T
+
T
+

+

0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

.

.
0
7
9 16
7 10
10 12 10
0
7
9 16
7 10
10 12

.

0
7
9 16
0
7
9 16
0
7
9 16
0
7
9 16
7 10
10 12 10
10
Sorgdal
Play 5 times
Play 4 times
q = 116
q = 130
Play 4 times
E
e. = 126
Play 3 times
e = 194-200
18
16
18
16
7
8
2
8
2
8
7
8
4
8
11
16
7
8
7
8
12
16
9
16
9
16
5
16
7
16
5
16
7
16
7
16
5
16
7
16
5
16
7
16
5
16
?
T
+
T
+

+
T
+

+
?
?
8va
?
loco
#
?#
?#

.

0
7
9 16
0
7
9 16
7 10
10 12 10
0
7
9 16
7 10
10 12 10

#
#

0 0 0
2 2 2
0 0 0
2 2 2
2
2 3
3
3
4
6
7
7
7
8
10
11
J
#
#
n b
b
b
b
J

b

n

10 11
11
12
14
15 16 15 14 13
17 16
20
13 13
14
15
b

b

2 2 1 1 0 0
3 3 2 2 1 0
3 2 3
4
2 3
5
3
4
2
4
2

3 2 3
4
2 3
5
3
7
10
7
9
8 5
9
5
7
8
5
7 7
10
7
9
8 5
9
5
7
8
5
7
3
7
3
5
7 5
4
5
7
3 7 5 3
7
3
5
7 5
4
5
7
3 7 5
2
11
Sorgdal
e = 180
5
16
7
16
5
16
7
16
5
16
5
16
7
16
3
16
5
16
7
16
7
16
5
16
7
16
5
16
7
16
5
16
5
16
7
16
5
16
7
16
5
16
5
16
7
16
5
16
9
16
10
16
10
16
5
16
3
4
?#
?#
?#
?#
?#
8va
?#
loco
G D/E Dsus2/C# A/C#
#
#

4
2
5
2 3
5
3
7
3
0
4
0
5
0
7
0 2
4
2
5
2 3
4
3
5
3
7
3 5
n

n

5
5
7
5 7
7
7
9
7 8
9
8
10
8
12
8 9
9
9
9
12
9
11
10 7

11
7
9
10
7
9 9
12
9
11
10 7
11
7
9
10
7
9 10
14
10
12
14 12
11
12
14
10 14 12 10

14
10
12
14 12
11
12
14
10 14 12 5
9
5
7
5 4
7
4
5
4 7
11
7
9
10
7
9 9
12
9
11
9 10
14
10
12
14
11
12 12
16
12
14
12 10
14
10
12
10 14
17
14
16
17
14
16 16
19
16
.
J

.
#
j
12 14 12 11 11
14 12 10 9
10 10 9
5 7 5 4 4
7 5 3 2
3 3 2
5
4
12
Sorgdal
F
q = 120
3
4
4
4
4
4
4
4
4
4
?#
#
Bm(add11) Gmaj7/B Em9/B Dadd9/F# Asus2
3
?#
#
Bm(add11) Gmaj7/B Em(add9)/B Dadd11/F# Aadd11
3
&
#
#
Be
Outro
Bm(add11)
fore - the leaves
Gmaj7
have fall
Em9
en, -
Dadd11
A
?#
#
&
#
#
be
Bm(addb6)
fore - we lock
Gmaj7
the doors,
Em9 Dadd11 A
?#
#
&
#
#
Bm
there must be
G/B
the third and last
?#
#

2 0 0 2 0 0 2
0 0 0 2 3
0

2 0 0 2 0 0 2
0 0 0 2 3
0

J

2
3 2 0
5 5 0

J

2
3 2 0
5 5 0

J
j

.

.

2 2 2 2 2 2 2 2 2 0 2
0
2 2 2 2 2 2 2 2 2 2 0 2
0
2
13
Sorgdal
&
#
#
dance.
Em/B
This one will last
D/F#
for ev
A
- er. -
?#
#
&
#
#
Bm
Me trop - o - lis
3
- watch
G/B
es - and
3
thought ful - ly
3
-
?#
#
&
#
#
smiles.
Em/B
Shes tak en - you to
D/F#
your home.
A
b
?#
#
b
&
b
Bb
It can on
C/Bb
ly - take place when the
?
b

2 2 2 2 2 2 2 2 2 0 2
0
2
2 3
0

J

.

.

2 2 2 2 2 2 2 2 2 0 2
0
2 2 2 2 2 2 2 2 2 2 0 2
0
2

2 2 2 2 2 2 2 2 2 0 2
0
0
2 3 3
0

6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
14
Sorgdal
rit.
rit.
&
b
strug
Gm
gle - be
3
tween - our chil
Dm
dren - has
3
end ed. -
?
b
&
b
F/C
Now the Mir
C
a - cle - and the Sleep
Ebadd9/Bb
er -
?
b
let ring
&
b
know
Bb
that the third

Fadd9/C
is
3
love.
?
b
let ring
&
b
Love
Cadd9
is the
3
Dance of E
3
ter
Free time
D
- ni - ty. -

U
?
b
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
let ring
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

J

j

j

j

3 3 3 3 3 3 3 3 3 3 3 3
6 6 6 6 6 6

7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
10 9 7
j
#

w
w
#

w
U
8
9
10
11 12 11
0
11
10
15
Sorgdal
Outcry
Music by John Petrucci, John Myung and Jordan Rudess
Words by John Petrucci
from Dream Theater - A Dramatic Turn of Events
Moderately slow q = 85
4
4
6
4
4
4
4
4
&
#
#
Intro
(Synth. drone)
10 sec.

(Synth. perc.)
4
(Keyboard)
7
?#
#
Bass
Bass Fig. 1
f
Bm D A
?#
#
G D A
?#
#
Bm D A
?#
#
Em D A
End Bass Fig. 1

0 0 0 0 0 0
2 5 4
3
2 5
3 3 3 3
5 5 5 5 5 5 5 5

3 3 3 3 3 3 3 3
3 3 2 3
2 5 4
3
5 5

0 0 0 0 0 0
2 5 4
3
2 5
3 3 3 3
5 5 5 5 5 5
5 5 5 5 5 5 5 5 3
0 2
5 4
0 3 5
4
0 3
2
2
1
Sorgdal
?#
#
Bm D F#m
?#
#
G D A
?#
#
Bm D A
?#
#
Em G Bm A
?#
#
B5 (Bm)
?#
#

0 0 0 0 0 0
2 5 4
3
2 5
3 3 3 3
2 2 2 2 2 2 2 2

3 3 3 3 3 3 3 3
3 2 3
2 5 4
3
5 5

0 0 0 0 0 0
2 5 4
3
2 5
3 3 3 3
5 5 5 5 5 5

j

5 5 5 5
3 3 3 3 7 5 5 5 5 5 5 5
w w w w w
0

n

0 0 0 0 5 6 0 3 5 0 2 3 0 0 3 5 0 0 0 0 2 3 0 2 6 0 2 3 0 0 5 6
2
Sorgdal
3
4
?#
#
?#
#
Bass Fig. 2
B5 Bsus4
?#
#
Bsus2 Bm Bm7
End Bass Fig. 2
&
#
#
Some
Verse
1.
Bm
where - o ver - head, - dis
C#/B
tant - thun der - roars, the
&
#
#
rev
G/B
o - lu - tion - has be gun, - the war
Bm7
to end all wars.
F#m/B
&
#
#
As
Bm
I wel come - death, I hear
C#/B
the bat tle - cry.
&
#
#
Bul
G/B
lets - fall like fi re - rain ing - from
Em/B
the sky.
F#m/B

0 0 0 0 3 5 0 5 6 0 3 5 0 0 2 3 5 0 5
3
2
3
5 0 7 0 7
5
4
5
7 0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
j

J

j

#

j

J

r

#
j

3
Sorgdal
3
4
3
4
3
8
3
8
2
4
2
4
3
4
3
4
3
4
3
4
2
4
2
4
3
4
3
4
3
8
3
8
3
8
3
8
2
4
2
4
3
4
3
4
4
4
4
4
4
4
4
4
&
#
#
Em
The reb el - in us all some day
B5
- gets tired
C
?#
#
Bass
&
#
#
of be ing - pushed a round. -
D Am
But free dom - has a price.
?#
#
&
#
#
The cost
E5
is bur
Fadd9
ied - in the ground.
?#
#
&
#
#
C5 D5 G5 D/F# D5 C B5

We 2.
?#
#
n
0 0 0
5 7 7 7 7
0 0 2 3
5
3 2 3 0
0 1
j

J

n
J
n

n

1
8 8 8 8
0 2
3 2 0 0 0
5 7
5 7 0 0 0
n
j
n
n

2 3
5
3 2 3 0
0 1
3
1
8 8 8 8
j
n

#

w w w w
1 3
3 2
3 1 0
4
Sorgdal
&
#
#
suf
Verse
Bass tacet
Bm
fered - far too long.
F#m/B
We gath er - now,
G/B
grow ing - strong -
&
#
#
Em/B
er. - We will
Bm
not be ig nored -
A/B
an y - more, -
G/B
an y - long -
&
#
#
Em/B
er. - Our an
C
them - will guide
Am7
us.
#
?#
#

Bass
mp
#
6
&
#
Rise
Chorus
Em
up, be count
G
ed,
D
- stand
?#
f
&
#
strong
C
and u nite. -
G D
?#
J

J
j
J

J

n

1 1 1 1 1 1 1 1
5 5 5 5 5 5 5 5 5 5 5 5
e
j
e
J
e
J
e
e
j
e
e
e

0 0 0 0 0 0
2 5 4
3
2 5
3 3 3 3
5 5 5 5

J

j

j
3 3 3 3 3
3 2 3
2 5 4
3
3
5
Sorgdal
&
#
Wait
Em
for the out
G
cry.
Bm
- Re -
?#
&
#
sist
C
ance - is call
Em
ing
D
- to night. -
#
#
?# #
#
&
#
#
Interlude
(Bm)
?#
#
Bass Fig. 3
?#
#
End Bass Fig. 3
e
j
e
J
e
J
e
e
j
e
e
e

0 0 0 0 0 0
2 5 4
3
2 5
3 3 3 3
2 2 2 2 2 2

3 3 3 3 3 3 3 3 7 5
3 2
3
J

n

n

0 0 0 0 2 3 0 5 6 0 3 5 0 0 2 3 0 0 0 0 2 3 0 3 5 0 5 6 0 0 2 3

n

0 0 0 0 3 5 0 5 6 0 3 5 0 0 2 3 0 0 0 0 2 3 0 3 5 0 5 6 0 0 2 3
6
Sorgdal
3
4
3
4
3
4
3
8
3
8
2
4
2
4
3
4
3
4
&
#
#
Far
Verse
3.
Bm
too man y - years of cha
C#/B
os - and un rest, -
?#
#
&
#
#
far
G/B
too man y - voic es - bru
F#m/B
tal - ly - sup pressed. - We
?#
#
&
#
#
fight
Bm
for what is just, for all
C#/B
that we be lieve. - We
&
#
#
fight
G/B
till death or glo ry,
- fight
Em(add9)/B
to be set
F#m/B
free.
&
#
#
Em
The streets are bathed in blood. Time to
B5
step down
C
?#
#
Bass
r

#

n

n

0 0 0 0 2 3 0 5 6 0 3 5 0 0 2 3 0 0 0 0 2 3 0 3 5 0 5 6 0 0 3 5
j

J
r

n

n

0 0 0 0 2 3 0 5 6 0 3 5 0 0 2 3 0 0 0 0 2 3 0 3 5 0 5 6 0 0 2 3
#
r
n
0 0 0
5 7 7 7 7
0 0 2 3
5
3 2 3 0
0 1
7
Sorgdal
A
3
4
3
4
2
4
2
4
3
4
3
4
3
8
3
8
3
8
3
8
2
4
2
4
3
4
3
4
4
4
4
4
4
4
4
4
7
8
7
8
4
4
7
8
&
#
#
and time to walk a way. -
D
Am
Youll nev er - rule me now,
?#
#
&
#
#
though you
E5
may stand
Fadd9
up on - my grave.
?#
#
&
#
#
C5 D5 G5 D/F# D5 C
#
#
#
#
#
B5

?#
#
#
#
#
#
#
?#
#
#
#
#
?#
#
#
#
#
j

n
J
n
n

n

j

3
1 1
8 8 8
0 2
3 2 0
5 7
5 7 0
n
j
n
2 3
5
3 2 3 0
0 1
3 8 8 8

n

#

1 3
3 2
3 1 0

0 0
7
0
8
0 0
7
0
8
0
12
0
11
0 0
7
0
8 7
0
7
0
8
0
12
0
11

n

n

0 0
7
0
8 7
0
7
0
8
0
12
0
11
0 0
7
0
8 7 5 7
0
8
0
6
0 8 0 5
8
Sorgdal
B
Play 3 times
7
8
3
4
5
8
5
8
7
8
4
4
4
4
7
8
3
4
3
4
5
8
4
4
4
4
?#
#
#
#
#
?#
#
#
#
#
?#
#
#
#
#
?#
#
#
#
#
3
3
3
?#
#
#
#
#
?#
#
#
#
#

0 0
7
0
8 7
0
7
0
8
0
12
0
11 7 7
9
7
8
7 7
10
7
9
7 7
n

n

10 9 7 6
9 7 6 3 0 2
4 0 7
6
7
7
7 0
6
7
7
7
10
0
9
0 7
6
7
7
7 0
6
7
7
7
1 2
3
2
0
0 7
6
7
7
7 0
6
7
7
7
10
0
9

7
7
9
7
8
10
7
10
7
9
7
7
10 9 7 6
9 7
8 9
10 9 10 7
11
7
9

.

.

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

.

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
9
Sorgdal
5
8
2
4
3
16
5
4
7
8
7
8
4
4
7
8
3
4
3
4
5
8
?#
#
#
#
#
8va
?#
#
#
#
#
loco
?#
#
#
#
#
?#
#
#
#
#
?#
#
#
#
#
?#
#
#
#
#
#
3 3 3
n

n

n

n

n
n

0 1 5
3 2
4 5
3
3 2 1
3
5 4
3 2
15
14
12
11
13

n

n

n
n

n
11
13 10
12 9 10
9
7 1
3 2
4 5 1 4 0
2
4
3
n

n

n
5
6
7
7
8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4
3 3 3 3 3 3 3 3
n

n
#

n

n

5 4 1 5 5
4
4 7
7 8
6 7 9 10
8 9 10 8
10 9 7 6
7 6 3 2
5 4

n

0 0 0 0
1 2
3
2
0
0 0
1 2 5 4

n

n

n

0 0
11
9
10
12 9 12 9 11 8
9 11 9 8
10 9 7 6 7
9 7 9 6
8
6
7
10
Sorgdal
C
D
2
4
7
16
5
8
5
8
2
4
7
16
5
8
5
8
2
4
3
8
3
8
3
16
3
8
2
8
3
8
3
8
5
16
3
8
7
16
?#
Em(maj7) Asus2#11 A
?#
Em(maj7) C#sus C#m
?#
A/C A7/C
n
Double-time feel
?
F5 G5 D5 (Db7) C5 F5
?
3
3
?
3
3
3

n
#

#

0 0 0 0 0 0 0 0 5
7 5
8 6 7 4
5
# #

#
#

#

0 0 0 0 0 0 0 0
4 4 7
6
6 9 8 6
n

.

.

.

.

.

.

.

.

.

.

.

.
3 3 3 3
1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0

b

1 3
3 2 1
1

2 3 2 0 2 3 2 0 3
4
5
2 3 2 0 2 3 2 0
2
3 1
2 0
1
n

#

b

2 3 2 0 2 3 2 0 3
4
5 3 4
2 3 2 0 2 3 2 0
2
3 1
3 2 0
1
3 1
11
Sorgdal
E
7
16
3
8
2
4
7
16
7
16
3
8
2
4
3
4
3
4
5
8
5
8
4
4
4
4
?
?
6
6
?
D5
?
3
4
3 3 3 6 3 3 3
6
?
Em Gm D D7
?
G F#7b9 Bm

n

#

#

#

n

b

n
b

b
b
b
0
0
0
1
2
2 3
4 2
5
3 4 1
2
3
2
4
5
6
2 5
3 1 0 8
11
10

n

#

#

#

n

#

b
b

b
0
0
0
1
2
2 3
4
7
10
8 9
11
12 15
14
13 14
15
16
13
14
15
3 3 3 3 3 3 3 3 3 3 3 3 3 3

b

b

#

n
#
5
7 5
7 5
7 5
6 5
7 5
6 5 6
5
5
7 5
7 5
7 5
6 5
7 4
6 3
4 6
n
#
n

b

#

2 2 2 2 4 4 5 5
5 5 5 5
5 5 8 8 7 7 7 7 4 4 4 4
3 3 3 3 3 3 3 3

#

#

#

2 2 2 2
4 4 5 5
1 1 1 1
5 5 4 4
4 4 4 4 2 2 2 2 4 4 4 4 5 5 5 5 5 5
12
Sorgdal
F
7
16
7
16
3
16
5
16
5
16
10
16
9
16
6
16
6
16
5
16
7
16
5
16
5
16
2
4
7
16
6
16
?
Em Gm D D7/C Em C#7 Bm
?
Half-time feel
Csus2#11 C Bmaj7#11 B Asus4
End half-time feel
A
6
?
?
?
3
?

#

#

#

0 3
3
8 7 3 2 0
2 0 2 3
w n
w b
w
1
6 5 5 5 5 5 5 5 5 5
7 5
7 5 7 0
#

#
#

#

n

n
#

#
7 9 10 7
10 9 0
7 9 10 7
10 9 0
5 7 8 5
8 7 0
5 7 8 5
8 7 0 10 8 7

#

#

#

#

#
10
7 8
10
7 7 8
6
7 8
6 7 9 7 6
8 7
6
8 7
10 8 7 8 7 5 7 5 4
n
#

#

#
#

#

#
3 2 3 5 3 2 3 2 3
1
3 2 5 3 2
4
3 2 3 2 3
4
3
5
2

#
#
n

#

3 5 6 5 3 5 6 8 6 5 6 5 6
3 4 6 4 3
6 5 6
3 4
6 3
13
Sorgdal
6
16
5
16
7
16
5
16
5
16
2
4
7
16
6
16
6
16
5
16
7
16
5
16
5
16
2
4
7
16
6
16
6
16
5
16
7
16
5
16
5
16
2
4
7
16
?
3
?
?
3
?
?
Bm C#
3
?
D E
# n #
#
n # n #

n
#
# n

# n # n #
n
#
#
n
4 3 4 6 4 3 4 3 4
2
4 3 6 4 3
5
4 3 4 3 4
5
4
6
3
#
#

#

#

#

#

#

#

#
4 6 7 6 4 6 7 9 7 6 7 6 7
4 5 7 5 4
7 6 7
4 5
7 4

n

#

n

6 5 6 8 6 5 6 5 6
4
6 5 8 6 5
7
6 5 6 5 6
7
6
8
5
# n

#
#
n # n #
#

#

# n #
#

6 8 9 8 6 8 9 11 9 8 9 8 9
6 7 9 7 6
9 8 9
6 7
9 6
#

#

#

#

#

#

#
7 6 7 9 7 6 7 6 7
5
7 6 9 7 6
8
7 6 7 6 7
8
7
9
6
#

#

#

#

7 9 10 9 7 9 10 12 10 9 10 9 10
7 8 10 8 7
10 9 10
7 8
10 7
14
Sorgdal
G
2
4
5
8
2
4
2
4
4
4
?
?
6
6 6 6 6
6
?
B/F
#
6 6 6 6
?#
Em Em7 D
?#
Am/E Em7 D
?#
Em Em7 Bm
# n #
#

#

# n #
#

#

#

11 10 11
8 9
11 8
12 11 12
9 10
12 9 6 5 6 8 9 8 9
6 7 6 7 9 10 9 10
7
10
7
# n

#
# n

#

#

#

#

#

6 5 3 8 6 5 9 8 6 8 9 8 9 11 9 8 12 11 9 11 12 11 9 8 9 11 9 8 14 12 11 12 14 11 12 14
#

#

w
12 11 14 12 11 12 14 11 12 14 12 11 14 12 11 12 14 11 12 14 12 11 12 14 15

5 5 5 5 5 5
7 7 5 5 5 7 7 5 7

5 5 5 5 5 5
7 7 5 5 5 7 7 5 7
5
3 5

5 5 5 5 5 5
7 7 5 5 5 7 7 5 7
15
Sorgdal
?#
C/E Em D
&
#
Verse
Em(add9)
You 4. can look
G
the oth
Dadd11/F#
er - way,
Am
or you can face
?#
&
#
G
the light.
D6/F# Em(add9)
Al though - it seems
G
so far
Bm
a way, -
?#
let ring
&
#
Cadd
#11
9
free doms - worth
Em
the fight.
D
#
#
?# #
#

j

J

5 5 5 5 5 5
7 7 5 5 5 7 7 5 7 7 12 10

J

J
j

j

.
j
0
2
0 0
2
2
0 3 2 2 3 5 0 5 5

3 2
4
5 3 2
0
7
0 3
2
3 3
3
1 1
7 5
5 4
5
5
16
Sorgdal
&
#
#
Rise
Chorus
Bm
up, be count
D
ed,
A
- stand strong
G
and u nite. -
D A
&
#
#
Wait
Bm
for the out
D
cry.
A
- Re sist
Em
- ance - is call
D
ing.
A
-
&
#
#
Rise
Bm
up, be count
D
ed,
F#m
- stand
?#
#
Bass
6
&
#
#
strong
G
and u nite. -
D A
?#
#
&
#
#
Wait
Bm
for the out
D
cry.
A
- Re -
?#
#
e
j
e
J
e
J
e

e
j
e
e
e

j

e
j
e
J
e
J
e

e
j
e
e
j
e
J
e
J
e

e
j
e
e
j
e
J
e

0 0 0 0 0 0
2 5 4
3
2 5
5 5 4 5 5 5 5
4
4
2 2 2 2

3 3 3 3 3 3 3 3
3 3 2 3
2 5 4
3
5 5
e
j
e
J
e
J
e

e
j
e

0 0 0 0 0 0
2 5 4
3
2 5
3 3 3 3
5 5 5 5 5 5 5 5
17
Sorgdal
rit.
&
#
#
sist
Em
ance
G
- is call
Bm
ing
A
- to night. -
?#
#
&
#
#
Outro
G/D
The world
Dm
watch es - on
G/D
while we risk
Dm
our lives.
?#
#
&
#
#
B/F
Locked in a king
Fm
dom - of fear
D/A
as our chil
Am
dren - die.
?#
#
?#
#
Bm G/B A/B Bm G/B F#/B Bm G/B A/B Bm E5

5 5 5 5
3 3 3 3 3 3 3 3 7 7 7 7 5 5 5 5 5 5 5 5
j
n

n

n

3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
5
b

n

j
b

b
n
b
j
j

b
b
n
n
n
n
b
b
b
b

b
6
8
6
8
6
8
6
8
8 9
11
9
11
9
11
9 9 11
n

w
U
12 12 0 0 0 0 0 0
3 2 0
18
Sorgdal
Intro
Moderately q = 102
Pull Me Under
1992 OCTA MUSIC, INC. and YTSE JAMS, INC.
1.
2.
1.
2.
4
4 &
#
(Guitar)
Em(add11)
Em(add9)
Em6
C/E
E7sus4
&
#
Em(add11)
Em(add9)
Em6
C/E
Fadd#11 C/E
Fadd#11/E
?#
Bass
Em(add11)
f
Em9 Em6 Cadd9/E E7sus4 Em(add11)
?#
Em9 Em6 Cadd9/E Fadd#11/E Em(add11)
?#
Em9 Em6 Cmaj7/E Cmaj7 D6(no3rd)
?#
Cmaj7/E Cmaj7 Fadd#11 E5 A5 G5 E5 F#5 G5 E5

#
J

n
J

14 12 11 12
11
12
10
12
12
14 16 14 12

#
J

n
J
.

.

.

.

.

11 12
11
12
10
12
14 15
14 16
5 7
0 0 0 0 0 0 0 0 0
.

.

.

.

.

.

.

.

.

.

.

.

j
5 7
0 0 0 0 0 0 0 0 0
5 7
0 0 0 0 0 0 0 0 0
5 7
0
3 3 3 5
.

.

j
n

.

.

.

.

.

.

5 7
0
3 3 3
1 0 0 0 5 3 0 0 0 0 0 0 0 2 3 0 0 0 0
1
Sorgdal
1.
2.
1.
2.
Play 3 times
?#
C#5 G5 E5 B5 C5 D5 B5 C5 F5
?#
E5 E7(no3rd) E6(no3rd)
?#
Cmaj7/E Dsus2 Cmaj7/E Fmaj7(no3rd)
Bass Fig. 1
E5
End Bass Fig. 1
&
#
Verse
Esus2
Lost
1. in the sky,
Cadd#11/E
clouds
Esus4
roll by and I roll with
C/E
them.
Cadd#11/E
&
#
Esus2
Ar
rows - fly,
Cadd#11/E
seas
Esus4
in crease - and then fall a
C/E
gain. -
Fsus2/E F5#11/E
&
#
This
Pre-Chorus
Esus2
world is spin
Cadd9
ning - a round - me.
?#
Bass
let ring
let ring

.

.

.

n

n

n
0 0 0
4
3 0 0 0 0 0 0 0
2 3 5
0 0 0
2 3
1

#

0 0 0 5 3 0 0 0 0 0 0 0 0 0 2 3 0 0 0 0 0 0 0 0 0
4
3 0 0 0 0 0 0

n

n

n

0 0 0
2 3 5
0 0 0
2 3
1 0 0 0 0 0 0 0 0
j

J

j

J

0 0 0 0 0 0
7
0 0 0 0 0 0 0 0 0 8 8 8 8 8 8
10
8 8 8 8 8 8 8 8 8
2
Sorgdal
&
#
This
C#m
world is spin
Gsus2
ning - with out -
Badd11
me, and
?#
&
#
ev
Em(add9)
er - y - day sends fu
Cadd
9
#11
ture - to past.
?#
let ring
&
#
Ev
C#m
er - y - breath leaves me one
Gsus2
less to
Badd11
my last.
?#
&
#
Interlude
Double-time feel
Esus2 D7sus4
?#
j

#

#

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
j

J

J

j

j
0 0 0 0 0 0
7
0 0 0
3 3 3 3 3 3 3 3 3
#
j

n

j

#

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
j

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3
Sorgdal
?#
A9/C# C5 C5#11
?#
Esus2 F#5
#11
b9
?#
Aadd9/C# C5 F5 F5add#11
&
#
Watch 2.
Verse
E5
the
spar row - fall ing, - gives new

G5
mean
Asus4/E
ing - to it all. If not to day, -
?#
&
#
A/E
nor yet to mor - row, - then some oth
C/E
er - day.
D/E
Ill
take sev
E5
en - lives for one and then my
&
#
on
E7(no3rd)
ly - fath ers - son. As sure as I
E6(no3rd)
did ev er - love him, I am
# n
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
# n
n
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1

j

b

n

0 0 3 0 0 2 0 3 0 0 6 0 5 0 0 3 0 1 0

J

#

4
Sorgdal
&
#
not
C
a fraid. -
D
This
Pre-Chorus
E5
world is
?#
Bass
3
&
#
spin
C
ning - a round - me. The whole
A
world keeps
?#
3
3
&
#
spin
G5
ning - a round -
B5
me, and all
E5
life is
?#
3
&
#
fu
C
ture - to past. Ev
A
er - y - breath leaves me one
?#
3
3
n

#

0 2 3 2 0
3 2 0
5 4 2
5 4 2
3 1 0 2 3 5
2 3 2 3 2
5
2
3 5 2 5 3 2

#

0 3 5 7
3 5 3 5 3
7
3
5 7 3 7 5 3 0 5 7 9
5 7 5 7 5
9
5
7 9 5 9 7 5
j

#

0 7 8 10
7 10 7 10 7
8 0 8 10 12
9 12 9 12 9
10 0 10 12 14
10 12 10 12 10
14
10
12 14 10 14 12 10

#

0 12 14 15
12 14 12 14 12
15
12
14 15 12 15 14 12 0 14 15 17
14 16 14 16 14
17
14
15 17 14 17 15 14
5
Sorgdal
%
% %
2
4
3
8
3
8
3
8
2
4
2
4
4
4
4
4
&
#
G5
less to
B5
my
last.
E5
Interlude
F5
?#
?#
B5 C6sus2 B A5 G5 Csus2
&
#

n
Pull
Chorus
Am(add11)
me un der.
-
?# n
&
Pull
Am9
me un der.
- Pull
Am6
me un der. - Im not
?
n
n

n
0 15 17 19
15 19 15 19 15
17 0 13
15
14 15
14
17
0 0 0 0 0 0 0 0 0 0 1
n

.
1 1 1 1 1 1 1 1 1 1
2
7 8 8 7 7 5 3
3
7
e

e

e

e
J

j

7 5 7
5
7 7 7
0 0 0 0 0 0 0 0 0 0 0 0
e
e
e
e
e
e
e
e
J
e
e
#
e
e
e
e
e
e
e
e
e
e
e
e

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6
Sorgdal
2 C To oda

1 C To oda

Play 4 times
&
a
Fmaj7/A
fraid.
-
Fadd9 Gadd9
All
Liv
1., 3.
{
2.
Am(add11)
that
ing -
I
my
feel
life
is
too
Em/B Cmaj7
hon
much
or
in
- and
the
spite.
sun
?
&
All
on
D7
I
ly -
can
un
do
til -
is
your
E5
to set
will
}
Fsus2
it right.
Bbsus2
#
Interlude
E5
? #
&
#
Verse
E5
Dust 3. fills my eyes,
E7(no3rd)
clouds
E6(no3rd)
roll by and I roll
?#
3
&
#
with
Cmaj7
them.
D5 E5
Cen tu - ries - cry,
E7(no3rd)
?#

~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~
e
e
#
J
e

0
1 1 1 3 3
0 0 0 0 0 0 0 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3

J

J

b
.

.

.

.

.

5 5 5 5 5 5 7 7 8 8 8 8 8 8 1 1 1 0 2
0 0 0 0 0 0 0 0 0

J
0 3 5 7
5 7 5 7 5 7 5
7 0 3 5 7
5
5 7 5
8
5 5 5 5 5 5
0 3 5 7
5 7 5 7 7 5
7
Sorgdal
&
#
or
E6(no3rd)
ders - fly and I fall a
Cmaj7
gain. -
F5
This
Pre-Chorus
Esus2
world is
?#
let ring
&
#
spin
Cadd9
ning - in side - me. The whole
C#m
world is
?#
&
#
spin
Gsus2
ning - in side - of
Badd11
me. Ev
Em(add9)
er - y - day sends
?#
let ring
&
#
fu
Cadd
#11
9
ture - to past. Ev
C#m
er - y - step brings me clos -
?#

J

J

0 3 5 7
5 7 5
8 1 1 1 1 1 1 0 0 0 0 0 0
7
0 0 0 0 0 0 0 0 0

#
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
j

J

3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
0 0 0 0 0 0
7
0 0 0
#
j

n

#
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
8
Sorgdal
D.S. al Coda 1 1
Coda
1.
2.
&
#
Gsus2
er - to
Badd11
my last.
Interlude
Esus2
?#
?#
F#5
b9
#11
Aadd9/C#
&
#
C5
E5
&
is done.
Bbsus2
#
?# ? #
?#
Keyboard Solo
Em(add11) Em(add9) Em6 C%
Harm.
loco
8va
D6sus2
let ring
?#
Em6 C%
Harm.
8va
loco
F6#11
let ring
Em(add9)
Harm.
8va
loco
Em11
Harm.
8va
let ring
Pitch: A
3.2
j

3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

#
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
J

J

n
n
n
3 3 3 3 3 3 3 3
0 13
15
14 15
14
17
0
8 8 8 8 8 1 1 1 1
w w w

0 8
7
7
8 10 10 10
w
J
O
J
O
0 8
7
7
8 13 13 13 0
4
0
9
Sorgdal
1.
2.
?#
loco
Em%
Harm.
Cadd
#11
9
13
8va
loco
let ring
Harm.
8va
let ring
C/E
8va
let ring
loco
Fmaj7sus2#11
steady gliss.
?#
Guitar Solo
E5 C
?#
C#m(add9) G5 B5
?#
Esus2
let ring
Cadd9/G
?#
C#m(add9) G5 B5
?#
Csus2#11 Am(add9) Em(add11) Gsus2 F5 G7 F/A
#
J
O
n
n
J

#

0
4
8
7
7
4
13 13 13 11 7 5 3

0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3
#

4 4 4 4 4 4 4 4 4
3 3 3 3 3 3
2 2 2 2 2 2

J

j

j
0 0 0 0 0
7
0 0 0 3 3 3 3 3 3 3 3 3
#

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2

.

.
.
n
.

.

.

.

.

.
8
11
12
0
10 9
0
4 5
3
5 5 7 5
1 1 1 1 3 3 3
0
10
Sorgdal
D.S.S. al Coda 2 2
Coda
&
#
G/B
n
&
it right.
Bbsus2
?# n ?
3
3
&
Pull
Chorus
Am(add11)
me un der.
- Pull
Am9
me un der.
-
?
&
Pull
Am6
me un der. - Im not a
Fmaj7/A
fraid.
-
Fadd9 Gadd9
?
&
Liv
Am(add11)
ing - my life too
Em/B Cmaj7
much in the sun on
D7
ly - un til - your
E5
will
Fsus2
?
J

J

.

.

b
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 8 8 8 8 8 1 1 1 1 1 1
e

e

e

e
J
e
e
e
e
e
e
e
J
e

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
e
e
#
e
e
e
e
e
e
e
e
e
e
e
e
e
e
#
J
e
e

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 3 3

j

J

J
J

0 0 0 0 0 0 0 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 7 7 8
11
Sorgdal
&
is done.
Bbsus2
#
Outro
E5

? #
?#
3
?#
E7(no3rd) E6(no3rd) Cmaj7/E D5/E
3
?#
E5 E7b9(no3rd) Em6
?#
C/E C5 Bb5 E5 E7b9(no3rd)
J

J

b
.

.

.

.

.

.

.

.

.

.

8 8 8 8 8 1 1 1 1 0 2
0 0 0 0 0 0 0 0 0
0 2
0 0 0 0 0 0 0 0 0
.

.

.

.

.

.

.

.

.

.

.

.

.

.

0 2
0 0 0 0 0 0 0 0 0
0 2
0 0 0 0 0 0 0
7 7 0 2
0 0 0 0 0 0 0 0 0
.

.

.

.

.

.

.

.

.

.

.

.

0 2
0 0 0 0 0 0 0 0 0
0 2
0 0 0 0 0 0 0 0 0
0 2
0 0 0 0 0 0 0
7 7
.

.

.

.

.

.

.

.

.

.

n #
.

.

.

.

.

0 2
0 0 0 0 0 0 0 0 0
2 3
0 0 0 0 0 0 0 0 0
3 4
0 0 0 0 0 0 0 0 0
n

.

.

.

.

.

.

.

.

.

.

.

.

3 5
0 0 0 0
3 1
0 2
0 0 0 0 0 0 0 0 0
2 3
0 0 0 0 0 0 0 0 0
12
Sorgdal
&
#
Em6
C/E
C5 Bb5
O,
E5
?#
&
#
that
E7b9(no3rd)
this
#
#
Em6
too,
Cadd9/G C5 Bb5
?#
let ring
3 3 3
&
#
too
E5
sol
E7b9(no3rd)
id
#
#
Em6
-
?#
3
3 3
&
#
flesh
Cadd9/G C5 Bb5
would
E5
melt.
E7b9(no3rd)
?#
let ring
3 3
e
j
%
w
%
n #
.

.

.

.

.

n

.

.

.

.

.

3 4
0 0 0 0 0 0 0 0 0
3 5
0 0 0 0
3 1
0 2
0 0 0 0 0
7 7
e
j
%
w
%
n

e
e
j
%
w
%
E
.

.

n #
.

.

n

b
2 2 2 3
0 0 0 0
8 8
3 3 3 4
0 0 0 0
4 3 3 3 5
0
3 1
e
j
%
w
%
e
j
%
w
%
n

e
e
j
%
w
%
.

.

.

.

n
.

.

n #
.

.

0 2
0 0 0 0 0 0 0
7 7
2 2 2 3
0 0 0 0
8 8
3 3 3 4
0 0 0 0
4
E
e
j
%
w
%
e
j
e
e
n
e
J

n

.

.

.

.

n
.

.
3 3 3 5
0
3 1
0 2
0 0 0 0 0 0
7 7
2 2 2 3
0 0
13
Sorgdal
A
Moderately q = 118
Stream of Consciousness
Words and Music by John Petrucci, Michael Portnoy, John Myung and Jordan Rudess
from Dream Theater - Train of Thought
q = 126
5
4
6
4
?#
#
#
#
Segue from Vacant
(Guitar) 8
Bass
f
C#5 Bsus2 C#5
?#
#
#
#
Bsus2 Asus2 G#5 F#5 E5
?#
#
#
#
D#5 G#5
Bass Fig. 1
C#m G#m/B
?#
#
#
#
C#m G#m/B F#m/A
?#
#
#
#
E/G# D#/F# C#m/E B#/D# G#7
End Bass Fig. 1

2 0 2

0 0 0
5 4 4 4
7 5

4
4
2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0

2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5

4 4 4 4 4 4 4 4 4 4
7 7 7 7 7 5 5 5 5 5 4 4 4 4 4 4
4 4 4 4
1
Sorgdal
6
4
5
4
6
4
6
4
5
4
6
4
6
4
5
4
6
4
6
4
5
4
6
4
6
4
5
4
5
4
4
4
?#
#
#
#
Bass Fig. 2
C#m G#m/B
?#
#
#
#
C#m G#m/B
?#
#
#
#
G#5 A5 B D#/F#
?#
#
#
#
G#5 A5 E D#
?#
#
#
#
G#
End Bass Fig. 2
?#
#
#
#
C#m
G#m/B
C#m
G#m/B
?#
#
#
#
F#m/A
E/G#
D#/F#
C#m/E B#/D#
G#7

9 9 9 9 9 9 9 12
11 9
12 11 9 7 7 7 7 7 7 7 7 7 7

9 9 9 9 9 9 9 12
11 9
12 11 9 7 7 7 7 7 7 7 7 7 7

4 4 4 4 4 4 5 5 5 5 5 5 7 7 7 7 7
7 7 7 7 7

4 4 4 4 4 4 5 5 5 5 5 5
5 5 5 5 5 4 4 4 4 4

4 4 4 4 4
4
4 4 4 4 4
4
4 4 4 4 4
4
4 4 4 4 4 4
2
Sorgdal
B
4
4
?#
#
#
#
Bass
D#5 E5 F#5 G#5 D#5 E5 C#5
?#
#
#
#
D#5 E5 F#5 G#5 D#5 E5 F#5 D#5 E5 C#5
?#
#
#
#
Bass Fig. 3
?#
#
#
#
?#
#
#
#
?#
#
#
#
End Bass Fig. 3
#

j

j
4 5
2 4
4 5
8 9 9

j
4 5
2 4
4 5
7 9 6 7
9 9

#

n

4 5
2 5 4 4 5
3 4 6 7 6 4
7 5 4
7 5

4 5
2 5 4
7
4 5
9 9 6 6 7 7
9 9

#

n

4 5
2 5 4 4 5
3 4 6 7 6 4
7 5 4
7 5

#

n

4 5
2 5 4 4 5
3 4 6 7 4
7 5 4
3
Sorgdal
C
D
?#
#
#
#
Guitar Solo
G#7add11

C#m G#7add11

C#m
?#
#
#
#
G#7add11

C#m G#7add11

C#m
?#
#
#
#
Bass
D#5 E5 F#5 G#5 A5 G#/B# C#5 D#5 G#5
?#
#
#
#
D#5 E5 F#5 G#5 A5 B C#5
?#
#
#
#
G#5
?#
#
#
#
(G#)
6
?#
#
#
#

#
j

4 5 7
4 5 8 9 11
11 11

4 5 7
4 5 7 9 9

j

4 4 4 4 4 4 4 4 4 4 4 4

4 4 5 7
4 6 7
4 6
4 4 4 4 4 4 4 4

#

#
6 4 6 7
3 4 6 4 6 7 6 7 9 7 6 4 3
4
Sorgdal
E
e = 248
1., 2., 3.
4.
1.
5
8
5
8
6
8
4
4
4
4
?#
#
#
#
?#
#
#
#
G#7sus4 C#m/E E+/B# C#m G#7sus4 C#m
?#
#
#
#
Guitar Solo
C#m B A E/G# F#m E
?#
#
#
#
D#m7b5 G#7sus4 G#7
5
8
D#m7b5
?#
#
#
#
Bass Fig. 4
?#
#
#
#
End Bass Fig. 4

#

6 4 6 7
3 4 6 4 6 7 6 7 9 7 6
7 4

#

j

4 2
4 5 5 1 2
4 5
4 5 4 2

4 4 0 2 2
5 5 0 4 4 2 2 0
5 5 5

4 4 0
4 4 4
4 4 4 4 4 4 4 4 4 4 4 4

#

#

4 5
2 4 3 3 4 6 7
4 7 6 4
7 6 4 3
5

4 5
2 4 3
6
3 4
7 7 4 4 6 6
7 7
5
Sorgdal
F
2.
1., 2., 3.
4.
q = 121
5
8
6
8
6
8
4
4
?#
#
#
#
Keyboard Solo
C#m B A E/G#
?#
#
#
#
F#m E D#m7b5 G#7sus4 G#7
5
8
D#m7b5
?#
#
#
#
6
?#
#
#
#
#
#
#
#
#
G#m7
?#
#
#
#
#
E7 G#m7
?#
#
#
#
#
E7
#
#
Bm7
3 3

6 7 6 4 4 4 0 2 2
5 5 0 4 4

2 2 0
5 5 5 4 4 0
4 4 4
4 4 4 4 4 4

4 4 4 4 4 4 4

6 7 6 7 6 4
5 4 4 4 4 4 4 4 4

0 0 0 0 0 0 0 0 4 4 4 4 4 4 4 4

0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7
6
Sorgdal
rit.
q = 92
Play 3 times
G %
poco accel.
3
4
4
4
3
4
3
4
4
4
3
8
2
4
3
8
4
4
?#
#
G7 Bm7
?#
#
G7
n
n
w/ dist. & *octaver
C5
*Set for one octave below w/ equal mix.
?
C7
?
C7 Eb7
?
F#7
?
Em D# C#m B D#
#
#
#
#
#

3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7

b n
#

J

3 3 3 3 3
3 6 7
4 5
b n
#

b n
#

b n

b n
#

J

3 6 7
4 5 5
3 6 7
4 5
1 2 3 6 7
4 5
b n
#

b n

b n
#

b
b n

b
b n
3 6 7
4 5
1 2 3 6 7
4
6 9 10
7 8
4 5
b
b n

#

#
#
#
n #
#

n #
#
#
#
6 9 10
7
9 12 13
10 11
7 8 9 12 13
10 11 13
#
#

#

7 6 4 2 1 1 10
7
Sorgdal
q = 100
C To oda

poco rit.
q = 92
D.S. al Coda
Coda
4
4
?#
#
#
#
#
G#m7 E7 G#m7
?#
#
#
#
#
E7
#
#
Bm7 G7
?#
#
Bm7 G7
n
n
C7#9
?
?#
#
#
#
#
E7
#
#
Bm7
?#
#
G7 Bm7 G7
b
b
b

11 11 11 11 11 11 11 7 7 7 7 7 7 7 11 11 11 11 11 11 11

7 7 7 7 7 7 7 14 14 14 14 14 14 14 10 10 10 10 10 10 10

b n
#

14 14 14 14 14 14 14 10 10 10 10 10 10 10 3 6 7
4 5
b n
#

b n
#

J

b n
#

3 6 7
4 5 5
3 6 7
4 5
3 6 7
4 5

j

7 7 7 7 7 7 12 14 14 14 14 14 14 14

10 10 10 10 10 10 10 14 14 14 14 14 14 14 10 10 10 10 10 10 10
8
Sorgdal
H
Faster q = 126
5
4
?
b
b
b
Cm7 Ab7 Cm7
?
b
b
b
Ab7
#
#
#
#
#
#
D#m7
?#
#
#
#
#
#
B7 D#m7
3
?#
#
#
#
#
#
B7
#
#
#
#
C#5
?#
#
#
#
Bsus2 C#5 B5
?#
#
#
#
dist. & octaver off
C#m G#m/B F#m/A

15 15 15 15 15 15 15 11 11 11 11 11 11 11 15 15 15 15 15 15 15

11 11 11 11 11 11 11 6 6 6 6 6 6 6

2 2 2 2 2 2 2 2 2 2 6 6 6 6 6 6 6
2 2 2 2
11
13
11
14
11
13
11
14
9
14
9
13
9
14
9
13
11
13
11
14
11
13
11
14
9
14
9
13
9
14
9
13

2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5
9
Sorgdal
I
6
4
6
4
5
4
6
4
5
4
6
4
5
4
5
4
6
4
5
4
6
4
6
8
6
8
?#
#
#
#
E/G# D#/F# C#m/E B#/D# G#7
?#
#
#
#
C#m
G#m/B
C#m
G#m/B
G#5
A5
?#
#
#
#
B
D#/F# G#5
A5 E
D# G#

?#
#
#
#
Bass
C#m B/D# B E
?#
#
#
#
A D#m7b5 G#7sus4 G#7/B#
?#
#
#
#
C#m B/D# B7 E
?#
#
#
#
A D#m7b5 G#7sus4

4 4 4 4 4 4 4 4 4 4
7 7 7 7 7 7 5 5 5 5 4 4 4 4 4 4
4 4 4 4

4 4 4 4 4 4 6 6 6 6 6 6
7 7 7 7 7 7
7 7 7 7 7 7

#
5 5 5 5 5 5
4 4 4 4 4 4
4 4 4 4 4 4
3 3 3 3 3 3

j

4 4 4 4 4 4 6 6 6 9 6 6 6 14 14 14 14 14 14 7 7 7 7 7 7

5 5 5 5 5 5
4 4 4 4 4 4
4 4 4 4 4
4
4 4 4 4 4
4
10
Sorgdal
J
3
4
?#
#
#
#
G#7
Bass Fig. 5
C#m B/D#
?#
#
#
#
B E A D#m7b5
?#
#
#
#
G#7 G#7/B# C#m B/D#
?#
#
#
#
B E A D#m7b5
?#
#
#
#
G#7
End Bass Fig. 5
?#
#
#
#
C#m
B/D#
D#m7b5
G#
G#/B#
?#
#
#
#
C#m
B/D#
D#m7b5
G#7

4 4 4 4 4
4
4 4 4 4 4 4
4 4 4 4 4 4 6 6 6 6 6 6

7 7 7 7 7 7
7 7 7 7 7 7
5 5 5 5 5 5
4 4 4 4 4 4

#

4 4 4 4 4 4
3 3 3 3 3 3 4 4 4 4 4 4 6 6 6 6 6 6
j

9 14 14 14 14 14 14 7 7 7 7 7 7
5 5 5 5 5 5
4 4 4 4 4 4

4 4 4 4 4
4
4 4 4 4 4
4
4 4 4 4 4
4
4 4 4 4 4 4
11
Sorgdal
1.
2.
rit.
q = 118
5
4
5
4
3
4
5
4
?#
#
#
#
Bass
C#m B/D# B E
?#
#
#
#
A D#m7b5 G#7sus4 G#7/B#
?#
#
#
#
G#7
?#
#
#
#
C#5 Bsus2 Asus2 G#5 F#5
?#
#
#
#
E5 D#5 G#5 G#
?#
#
#
#
C#5

11
14 13 14 13
11 13
16 14 16 14
13 9
13 11 13 11
9 14
14 13 14 13
14
12
13 11 13 11
12
11
13 11 13 11
11
11
14 13 14 13
11
10
14 13 14 13
10
11
14 13 14 13
11
11
14 13 14 13
11
11
14 13 14 13
11
11
14 13 14 13
13

2 0 0 0
5 4 4 4
7

j

j

5 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

2
12
Sorgdal
A
Moderately q = 107
The Dance of Eternity
Words and Music by John Petrucci, Michael Portnoy, John Myung and Jordan Rudess
Play 7 times
B
Faster q = 124
1.
2.
4
4
7
8
3
4
3
4
4
4
7
8
3
4
3
4
4
4
7
8
3
4
3
4
7
8
7
8
3
8
?
b
Bass
Segue from Scene Six: Home
(Kybds. & samples)
D5
10 sec.

f
w/ flanger
3 3
*Slap string w/ fingers.

*S S
?
b b
b
b
**
flanger off
G5 Ab5 G5 F5
3 3 3 3
S
**Key signature denotes G Phrygian.
?
b
b
b
E5 C5 F#5 G5 Ab5 G5 F5
?
b
b
b
E5 C5 Eb5 G5 Abmaj7add13 G5 F6sus2
?
b
b
b
Esus4 Csus4 F#
4
4
Cm Eb7sus4
3

3 3 3 3 X 3 X 3 3 3 3 3

.

j
3 3 3 3 X 3 3 3 3 3 3 3 3 3 3 3
3 4 3
6
n

#
j
5 5 1
2 3 4 3
6
n

b
j

5 5 1 4 4 8
10
10
10
8 11 10
11 10
8
10 11
8 10
8
6
n
n
n

n

#
#

b

b
b

5
7
7 8 7
9 10
8
10
9
7
11
9
10
8 10 11
10 6
4
6 4
1
Sorgdal
3
8
7
16
2
4
7
16
5
8
5
8
7
16
2
4
3
8
4
4
4
4
7
8
3
4
4
4
7
8
7
8
4
4
5
4
5
8
7
16
7
16
2
4
7
16
3
8
7
16
7
16
4
4
3
4
5
4
?
b
b
b
?
b
b
b
b
b
?
b
b
*
D5 Eb5 D5 C5 B5 G5 C#5 D5 Eb5
*Key signature denotes D Phrygian.
?
b
b
D5 C5 Ab5 Gsus2 Fsus2 Dbsus2 Csus2 Absus2 Gbsus2 Fsus2 Dbsus2
b
b
b
**

**Key signature denotes G Phrygian.
?
b
b
b
?
b
b
b
Bb5 Ab5 D5 E5 E5
#
#
#
T
+

+

3 4 3 4 3 4
3 5
3 5 6
3 4 3 4 3
5 3
4 3
6 4 3

3 4 3 4 3 4 3 4
3 5
3 5 6
3 4 3 4 3
5 3
4 3
6 4

j
#
j
3 4 3 1 0
3
2 3 4

j

w b

3
3
4 3 3 4 3 4 3 4

3 4
3 5
3 5 6
3 4 3 4 3
5 3
4 3
6 4 3
3 4 3 4

n
n
n
n
n

.

.
3 4
3 5
3 5 6
6 4
3 3
0
7
9 16
7 10
10 12
2
Sorgdal
C
5
4
2
4
5
4
5
4
2
4
5
4
5
4
2
4
5
4
5
4
5
8
11
4
11
4
?#
#
#
F#sus4 C#sus Csus2
?#
#
#
F#sus4 C#sus Csus2
?#
#
#
F#sus4 C#sus Csus2
?#
#
#
F#sus4 C#sus Csus2
#
3 3
3 3
?#
?#

n
n

#

#
2 2 2
4 4 4
2 2 2
4 4 4
4
4 5
3
4
5
6
7 3
4
5
6

n
n
#

n
#
2 2 2
4 4 4
2 2 2
4 4 4
4
4 5
3
7
6
5
3
4
5
3
4

n
n
#
2 2 2
4 4 4
2 2 2
4 4 4
4
4 5
3
6
9
8
7
7
6
5
4

n
n
b
n

.
n
b

2 2 2
4 4 4
2 2 2
4 4 4
4
4 5
3
5 4 4 3 2 2 1
5 4 4 3 2 2

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
Sorgdal
4
4
4
4
?#
?#
3
?#
Em F#/E Am/E Em F#/E Am/E
?#
Em F# Am Em F# Am
?#
(E5) (C#m7b5) (C7#11)
?#
(E5) (E7)

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

7 7 7 7 7 7 7 7
4 4 4 4 7 7 7 7
7 7 7 7 7 7 7 7
4 4 4 4 4 4 4 4 7 7 7
n
#
b

#
7
7 0
6
7 0
5 4
0
3 2
0
1 0
2
4
3
3
2
n
#
#
#

b
n #

7
7 0
6
7 0
5 4
0
3 2
0
1 0
2
5
3 4 6 7
5 6 8 9
7 8 10
6
10 8 7
4
Sorgdal
D
q = 132
E
?#
(E5) C B
?#
E5 C7 B7
?#
Double-time feel
Em
Piano Solo
G/Db C7 B7 Em
?#
F#7 B7 Em Eb[#5] G/D C#m7b5 C9 B7
?#
Em D#/F# E/G Eadd9/G# Am6 B7
n
?
E5 D5
n
#
b

#

n
#
#

7
7 0
6
7 0
5 4
0
3 2
0
1 0
2
8 7 5 7 4 5 7 8
7 8 9 10
6
7
6 9
n
#
b

.

.

n
j

7
7 0
6
7 0
5 4
0
3 2
0
1 0
2 8 8 8 8 7 7

b

n #

5 5 0 0 5 5 5 0 0 2 2 1 1 0 0 0 3 4 5 5 0 0 5 5 5 0 0

n

b

#

n

#
7 7 7 7 0 0 8 7 6 5 0 0 4 0 0 3 0 0 2 0 0 1 1 1 1 0 0 0 3 4

#

5 0 0 7 0 0 8 0 0 9 0 10 10 10 10 10 12 12

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
Sorgdal
F
?
A5 F5
2nd time, end double-time feel
?
E5 F5 G5
?
w/ dist.
Bass Solo
A5
6 6 6 5 5
5
5
5
?
5 5 5
5
6
6
6
8va
?
loco
8va
8va
5
6
5 5
5
5
5
5
?
loco
dist. off

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6 8 8 8 8 8 8 8 10

10 12 12 12 12 12 10 12 12 12 12 12 10 10 12 12 12
10
12 12 12 12 12 10 12 12
10 12 12 14 14 12 10
12 10 12
10 12 15 15 15 10
12

#

10 12
10 12 14 17 17 17 10
12 10 12
10 12 14 18 18 18 14 10
12 10 12
10 12 14 19 19
14 14 16
14 14
16 17
14 16 17 16 16 14
17

#

n

16 14
17 15 14 17
14 12
15 15 14
14
12
15 14 15 17
14
17 15 14 17
14 15 17
14
15 17
14 16 17
16 16 18 16 14
17 16 14 12
15 14

n
12
15 8 14 0
7 7 9
7
7
5
7
5
9
7
9
7 9 9
10 10 9
7
9
7
10
9
10
9
12
11
12
11
10
9
10
9
5
8 6
6
Sorgdal
G
Play 5 times
3
4
4
4
4
4
?
?
?
?
?
?

5
5 7
8 5 6 8 6 5
5
8 6 5
7 8
6 5
5 7 5 7
5
8 6

5
5 7
8 5 6 8 6 5
5 7
8 5
5 7 8 7
8 7

5
8 6 5
5 7
8 5 6 8 6 5
5
8 6 5
7 8
6 5
5 7 5 7

5
8 6 5
5 7
8 5 6 8 6 5
5 7
8 5
5 7 8 7
8 7

5 0 3 1 0 0 5 7 0 3 0 0 1 3 1 0 5 0 3 1 0 0 7 8 0 3 0 0
5 7 5 7

5 0 3 1 0 0 5 7 0 3 0 0 1 3 1 0 0 5 7 0 3 0 0 10 12 0 13 12 0 0
8 7
7
Sorgdal
Play 5 times
7
16
7
16
6
16
6
16
7
16
?
?
?
?
?
?

5 0 3 2 0 0 5 7 0 3 0 0 2 3 2 0 5 0 3 2 0 0 5
7 5
7
5
7 5 7 5
8

5 0 3 2 0 0 5 7 0 3 0 0 2 3 2 0 5 0 3 2 0 0 5
7 5
7 3 2 0

5 0 3 2 0 0 5 7 0 3 0 0 2 3 2 0 7 0 5 3 0 7 7 8 0 5 0 3 3 5 3 0
8 0 7 5 0 0 8 10 0 7 0 0 5 7 5 0 10 0 8 7 0 10 10 12 0 8 0 0 7 8 7 0
12 0 10 8 0 0 12 14 0 12 10 0 0 14 15 0 14 12 0 0 15 17 0 15 14 0 0 17

J
19 0 17 15 0 19 20 0 19 17 0 20 22 0 20 19 0 22 24 0 22 24 0 22 24 0 22 24
8
Sorgdal
Slower e = 201
H
Faster q = 124
Slower q. = 118
7
16
4
4
5
16
5
16
7
16
5
16
7
16
5
16
5
16
7
16
10
16
4
4
7
8
3
4
4
4
4
4
7
8
9
8
6
8
9
8
9
8
6
8
8
8
7
8
9
8
6
8
?
8va
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
?
loco
A5
*
Bb5/A Am Bb/A Am
let ring
*Refers to 4th string only (next 8 meas.).
?
Bb/A Eb/A A5
let ring
?
b
b
b
*

*Key signature denotes G Phrygian.
?
b
b
b
n
n
n
**
**Key signature denotes E Phrygian.
? 9
8

w
5 6
8 7 7 8
8
12 13
15 14 14 15
15 14 15
17 16
17
16 17
17 16

14
0
14
0 0
14
0
14
0 0
14
0
14
0
14
0 0
14
0
14
0 0
14
0
14
0
14
0 0
J

J

14
0
14
0 0
14
0
14
0 0
14
0
14
0
14
0 0
7
8
8 8
j

J

j
#
j
5
7
8 8
3 4 3
6 5 5 1
2

j
3 4 3
6
7 8 5 4
5
6
#

#
#
j

7 8 5 4
5 4 2 2
7 8
9
Sorgdal
I
Slower q = 112
6
8
4
4
6
8
9
8
9
8
6
8
4
4
3
4
3
4
4
4
3
4
3
4
4
4
12
16
12
16
10
16
12
16
12
16
14
16
5
16
?
? #
#
#
#
?#
#
#
#
?#
#
#
#
?#
#
#
#
?#
#
#
#
#

b

5 4 0 7 8 5 4
5 6
7
#

b
8 5 4 0 7 8 5 4
5 6
n
#

n
n
#

n
n #

n #
0
9 11
13
11
12
13 14
9 10
11 12
0
9 11
13
11
12
13 14
9 10
11 12
8 9
10 11
n
#

n
n
#

n #
#

n #
0
9 11
13
11
12
13 14
9 10
11 12
0
9 11
13
11
12
13 14
10 11 12 13
9 11 12 13
n
#

n
n

n

0
9 11
13
11
12
13 14
9 10
11 12
0
9 11
13
11
12 9 10
11 12
n
#

n
n

n
#

n #
0
9 11
13
11
12
13 14
9 10
11 12
0
9 11
13
11
12 9 10
11 12
8 9
10 11
10
Sorgdal
5
16
6
16
3
4
3
4
4
4
3
4
3
4
4
4
12
16
12
16
10
16
12
16
12
16
14
16
5
16
5
16
6
16
5
16
?#
#
#
#
?#
#
#
#
?#
#
#
#
?#
#
#
#
?#
#
#
#
?#
#
#
#
n #
#

n
14 11 13 11
0
14 11 13 11
0
14 11 13 11
0
10 11 13 14
11 12
n
#

n
n
#

n
n #

n #
0 2 4
6
4
5
6 7
2 3
4 5 0 2 4
6
4
5
6 7
2 3
4 5
1 2
3 4
n
#

n
n
#

n #
#

n #
0 2 4
6
4
5
6 7
2 3
4 5 0 2 4
6
4
5
6 7
3 4 5 6
2 4 5 6
n
#

n
n

n

0 2 4
6
4
5
6 7
2 3
4 5 0 2 4
6
4
5 2 3
4 5
n
#

n
n

n
#

n #
0 2 4
6
4
5
6 7
2 3
4 5 0 2 4
6
4
5 2 3
4 5
1 2
3 4

#

#

#

n #
#

n
7 4 6 4 0 7 4 6 4 0 7 4 6 4 0 3 4 6 7
4 5
11
Sorgdal
J
poco rit.
5
16
7
16
5
16
6
16
5
16
5
16
7
16
6
8
6
8
7
8
7
8
6
8
?#
#
#
#
?#
#
#
#
?#
#
#
#
?#
#
#
#
B5 C#5
?#
#
#
#
A5
?#
#
#
#
F#5
Free time
E5
Segue to One Last Time
B5

#

n

n #

7 4 6 4 0 7 4 6 4 0 7 4 6 4 0 3 4 6 7
4
n

n
n

n
n

n

n

b
n
5 2 4 2
3
5 2 4 2 4 2
3
5 2 4 2
3
2 4 5
2 3 5
b
b
n
b
n
b
b
n
b
n
b
b
n
b
n
n
b

n
b
b
n
6 3 5
6 3
6 3 5
6 3
6 3 5
6 3 5 6 5 3
6 4 3
#
#
#

#

2
4
2
3
6 4 2
4
2
3 4 3
6 4 2
4
4
6
4
4
8 6

4
6
4
4 6 4
8 6 4
7
4 6
5
7
5
6
9 7
7
5
7
5
9 7 6
9 7 5
#
#

#
#

.
n
.

.
2
4
2
3
6 4
4
2
4
2
6 4 3
6 4 2 0 0 0 0
2 2 2
12
Sorgdal
The Glass Prison
Music by John Myung, John Petrucci, Michael Portnoy and Jordan Rudess
Words by Michael Portnoy
2002 WB MUSIC CORP., YTSE JAMS, INC. and WARNER-TAMERLANE PUBLISHING CORP.
from Dream Theater - Six Degrees of Inner Turbulence
Moderately q = 108
4
4
?#
#
I. Reflection
Intro
(Static)
13 sec.

(Bell)
7 Bass 1
*
**Harm.
f
Bass Fig. 1
(Bm) (A/B)
let ring
let ring
8va
**Let harmonics ring throughout.

*Upstem notes only.
?#
#
(G/B) (G#/B)
let ring
(Bm) (A/B)
let ring
let ring
(G/B) (G#/B)
End Bass Fig. 1
let ring
Harm.
8va
&
#
#
Bass 1: w/ Bass Fig. 1 (3 3/4 times)
B5
4
D5/B
C#5/B D5/B
B5
&
#
#

Bm
A/B G/B
E/B Bm
A/B
&
#
#
G/B
G#/B Bm
A/B G/B
E/B Bm
A/B

j
4
0
16
14
16
13
14
0
14
w
0
12
11
12 13
11
13 14
11
0
16
14
16
13
14
0
14 12
11
12 13
11
13
12 4
1
Sorgdal
rit.
Faster q = 170
Play 5 times
5
4
4
4
5
4
4
4
2
4
4
4
?#
#
Bass 1
*
G/B G#/B
let ring
Harm.
**
8va
Half-time feel
loco
Bm
let ring
A G E/G#
*Upstem notes only. **3rd string only.
?#
#
Bm A G G# Bm A
?#
#
G E/G#
End half-time feel
Bm A G G#
?#
#
B5 D5 B5
D5 B5 D5
Bass Fig. 2
B5 D5 B5
?#
#
D5 B5 D5
End Bass Fig. 2
4
4
Bass Fig. 3
?#
#
End Bass Fig. 3
4
4
w

#

0
12
11
12 13
11
13
12 4
5
0
7
5
7
4
5
0
5 3
2
3 4
2 2
4 5
2
5
0
7
5
7
4
5
0
5 3
2
3 4
2 2
4 4
3 3
4 4 5
0
7
5
7
4
5
0
5

U
3
2
3 4
2 2
4 5
2
5
0
7
5
7
4
5
0
5 3
2
3 4
2
4
3
4

0 0 0 0 0 3 0

0 0 3 0 0 0 3 0
0 2
0 2
0
2
0
2
0
2
3 2 0 0 3 2 0 0 0 0 0
3 2 0 0 0 0 0 0 0 0 0 3 2 0 0 3 2 0 0 0 0 0 5 3 0 6 5 0
2
Sorgdal
4
4
2
4
4
4
4
4
2
4
4
4
4
4
2
4
2
4
4
4
2
4
4
4
2
4
4
4
4
4
2
4
&
#
#
Guitar Solo
Bass 1: w/ Bass Fig. 3 (2 times)
Bm
A#7
A7 Em
C#7
&
#
#
Bm
F7
E7 G
A
b
?
b
Bass 1
Double-time feel
Dm C#7 C7 Gm
?
b
E7 Dm Ab7 G7
?
b
Bb C
#
#
#
#
C#m
?#
#
#
#
C7 B7 F#m D#7
?#
#
#
#
C#m G7 F#7 A

8 7 5 5 8 7 5 5 5 5 5 8 7 5 5 8 7 5 5 5 5 5 8 7 5 5 8 7 5 5 5 5 5

8 7 5 7 8 10 8 7 5 5 8 7 5 5 5 5 5 8 7 5 5 8 7 5 5 5 5 5

n

8 7 5 5 8 7 5 5 5 5 5 8 7 5 7 8 10 7 5 4 4 7 5 4 4 4 4 4
n

n

n

n
7 5 4 4 7 5 4 4 4 4 4 7 5 4 4 7 5 4 4 4 4 4 7 5 4 5 7 8
n

n

n

7 5 4 4 7 5 4 4 4 4 4 7 5 4 4 7 5 4 4 4 4 4 7 5 4 4 7 5 4 4 4 4 4
3
Sorgdal
2
4
6
4
?#
#
#
#
#
#
Interlude
?#
#
?#
#
&
#
#
Cun
Verse
1. ning, - baf fling, - pow er - ful. -
Been beat en - to a pulp.

?#
#
&
#
#
Vig
or - ous, - ir re - sist - i - ble. -

Sick
and tired and laid low.

&
#
#
Dom
i - nat - ing, - in vin - ci - ble. -
Black out, - loss of con trol. -
n

n
w w
7 5 4 5 7 8
0 12
n

# n

#
8 7
0 0
7 5
0 7 6 0 0
8 7
0 0 0
8 7
0 0
7 5
0 7 6 0 0
8 7
0 0 6 7
n

# n

n

n

8 7
0 0
7 5
0 7 6 0 0
8 7
0 0 0
8 7
0 0
7 5
0 7 6 0 0
7 8
7 10 9 7
8 7
n

J
j

n

8 7
0 0
8 7
0
8 7
0 0
8 7
0 0 0
8 7
0 0
8 7
0
8 7
0 0
8 7
0 0 0

J

J

J

J

4
Sorgdal
Play 3 times
4
4
4
4
5
4
4
4
5
4
4
4
&
#
#
O ver - whelm - ing, - un quench - a - ble. -
Im pow
#
er - less, - have to let go.
b
&
b
I cant es cape - it. It leaves me frail and worn.
?
b
Bass 1
&
b
Bass 1: w/ Bass Fig. 5
Can no long er - take it, sens es - tat tered - and torn.
#
#
#
#
&
#
#
#
#
Hope less - sur ren - der, - ob ses - sions - got me beat.
?#
#
#
#
Bass 1
&
#
#
#
#
Los ing - the will to live, ad mit - ting - com plete - de
#
#
-
&
#
#
feat.
Interlude
B5 D5 B5
D5 B5 D5
B5
D5 B5
&
#
#

D5 B5 D5
4
4
Verse
Bm
Fa 2. tal
A#7
- de
A7
-
J

J

J

j
j
n

6 5 3 3 6 5 3 6 5 3 3 6 5 3 3 3 6 5 3 3 6 5 3 6 5 3 3 6 5 3 3 3
#
J
n
J

#
J

J
n

n

5 3 2 2 5 3 2 5 3 2 2 5 3 2 2 2 5 3 2 2 5 3 2 5 3 2 2 5 3 2 2 2
#

J

J

#

n

# n
5
Sorgdal
2
4
4
4
2
4
2
4
4
4
2
4
2
4
4
4
2
4
4
4
4
4
4
4
2
4
2
4
2
4
2
4
4
4
4
4
2
4
2
4
4
4
4
4
&
#
#
scent,
Em C#7
Bm
spin ning
F7
- a
E7
round.
G
-
&
#
#
A
Am Bm
Ive gone
A#7
too
A7
far
Em
&
#
#
C#7 Bm
to turn
C#7
back
Em
round.
G A
b
&
b
Dm
Des prate
C#7
- at
C7 Gm
tempt, -
?
b
Bass 1
&
b
E7 Dm
stop the
Ab7
pro
G7
-
?
b
&
b
gres
Bb
sion. -
C
#
#
#
#
C#m
At
?
b
#
#
#
#
3
3
w

j
n

n
j

w

n

6 5 3 3 6 5 3 3 3 3 3 6 5 3 3 6 5 3 3 3 3 3 6 5 3 3 6 5 3 3 3 3 3
j
b

6 5 3 5 6 8 6 5 3 3 6 5 3 3 3 3 3 6 5 3 3 6 5 3 3 3 3 3

n

6 5 3 3 6 5 3 3 3 3 3 6 5 3 5 6 8 5 3 2 2 5 3 2 2 2 2 2
6
Sorgdal
2
4
2
4
4
4
4
4
4
4
4
4
&
#
#
#
#
an
C7
y
B7
- length,
F#m D#7
?#
#
#
#
&
#
#
#
#
C#m
lift this
G7
ob
F#7
ses
A
- sion. -
?#
#
#
#
&
#
#
#
#
B
#
#
Chorus
Half-time feel
(Bm7)
Crawl ing - to my glass pris on, - a
?#
#
#
#
#
#
3 3
&
#
#
place where no one knows,
E5 (Bm7)
my se cret - lone ly - world be gins. -
?#
#
n

n

n

n
5 3 2 2 5 3 2 2 2 2 2 5 3 2 2 5 3 2 2 2 2 2 5 3 2 3 5 6
n
j
# n

n

n

n

5 3 2 2 5 3 2 2 2 2 2 5 3 2 2 5 3 2 2 2 2 2 5 3 2 2 5 3 2 2 2 2 2
e

e

e

e

e
J
e

e
j
e
j
e
j
e
n

n

#

j

.
j

5 3 2 3 5 6 3 2 0 2 3 5
2
2
5
5 4 2
5 0 5
e
j
e
e

e
j
e
j
E

e

e
e

e

e
J
e

e
j
e
j
e

w

j

.
j

2
2
5 0 2
2
5
5 4 2
5 0 5
7
Sorgdal
&
#
#
D5
(Bm7)
So much saf er - here, a
?#
#
&
#
#
place where I can go
E5
to
(Bm7)
for get - a bout - my dai ly -
?#
#
&
#
#
sins.
b
b
(Gm7)
Life here in my glass pris on, - a place I once called home,
C5
?#
#
b
b
&
b
b
(Gm7)
fall in noc tur - nal - bliss a gain. -
?
b
b
E
j

e
J
e

e
J
e
J
j
e
j
e

e

.
j

2
2 2 5
7 6
7 5
10 2
2
5
5 4 2
5 0 5
e
j
e
e

e
j
e
j
e

e

e

e

e
J
e
#

e
J
e
J
e

e
J
e

e

e

e

w

j

.
j

2
2
5 0 2
2
5
5 4 2
5 0 5
j

e

e

e
e

e

e
J
e

e
j
e
j
e
e

e

e
e
J
e

e
j
e

.
j

2
2
5
3
3
6
6 5 3
6 1 6 3
3
6 1
E
e

e

e
e

e

e
J
e

e
j
e
j
e

e

e

E
w

j

.
j

j

n

1 3
3
6
6 5 3
6 1 6 3
3
8 7
8
8
Sorgdal
rit.
Slower q = 112
2
4
4
4
&
b
b
(Bb5)
(Gm7)
Chas ing - a long lost friend I no long er - can con trol,
C5
-
?
b
b
&
b
b
just wait
(Gm7)
ing - for this hope less - ness - to end.
?
b
b
3
?
b
b
End half-time feel
D5 E5 C#5
3
#
#
Interlude
Bm A/B G/B E/B
3
?#
#
Bm A G E7/G#
Half-time feel
Bm A G E/G#
?#
#
Bm A G E7/G# Bm A G E/G#
End half-time feel
j

e

e

e
e

e

e
J
e

e
j
e
j
e

e

e

e
e
J
e

e
j
e

.
j

6 8 6 6 17
3
3
6
6 5 3
6 1 6 3
3
6 1
e

e
J
e

e

e

e
J
e

e
J
e
J
e

e
j
e
j
e

e

e

E
w

j

.
j

j

n

1 3
3
6
6 5 3
6 1 6 3
3
8 7
8

j

#
n

.
n

.
#
w

6 8 5
8
7 6
7 5 7 4 2
0 0

#

5
0
7
5
7
4
5
0
5 3
2
3 4
2
4
3
4 5
0
7
5
7
4
5
0
5 3
2
3 4
2
4 5
2

#

5
0
7
5
7
4
5
0
5 3
2
3 4
2
4
3
4 5
0
7
5
7
4
5
0
5 3
2
3 4
2
4 5
2
9
Sorgdal
rit.
Slower q = 95
Play 4 times
Moderately q. = 129
2
4
6
4
12
8
12
8
12
8
?#
#
Bm A G E7/G# G#
Interlude
II. Restoration
C5
B5 C5 B5 C5 B5 C5 B5
?#
#
C5
B5 C5 B5 C5 B5 C5 B5 C5 B5 C5 B5 C5 B5 C5 B5
&
#
#
Run
Verse
3.
C5 B5
fast
C5 B5
from the wreck
C5
age
B5
- of the past,
C5 B5
a
?#
#
&
#
#
shat
C5 B5
tered - glass pris on
C5
-
B5
wall be hind
C5
-
B5
me.
C5 B5
Fight
C5 B5
past,
C5 B5
&
#
#
walk
C5
ing
B5
- through the ash,
C5 B5
a dis
C5 B5
tant - o a -
C5
sis
B5
- be fore
C5
-
B5
me.
C5 B5

U
0
7
5
7
4
5
0
5 3
2
3 4
2
4
3
4
n

1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0

j
n

j

n

j

1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0

J
J

J

j

J
J

J
10
Sorgdal
?#
#
Bass 1
Interlude
Bass Fig. 8
?#
#
?#
#
?#
#
End Bass Fig. 8
&
#
#
Cry,
Verse
4.
C5 B5
des
C5
prate,
B5
- crawl
C5 B5
ing - on my knees,
C5 B5
?#
#
n
n

# n
n
# n

#
0
9 8
7 8
10 9
7
7
7
8 7
0
9 8
7 8
8 7
7
9
7
7 6
n
n

# n
# n
# n
#

n
#
0
9 8
7 8
10 9
7
7
7
8 7
7
8 7
6 5
6 5
4
4
3
3
2
# n
n
n

# n
n
# n

#
0
9 8
7 8
10 9
7
7
7
8 7
0
9 8
7 8
8 7
7
9
7
7 6
n
n

#
n

# n
#
#

#
0
9 8
7 8
10 9
7
7
7
8 7
9 8
10 9 8 7
9 8 9 8
10 9

J

J
n

j

n

j

1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0
11
Sorgdal
&
#
#
beg
C5 B5
ging - God to please
C5
stop
B5
the in san
C5
- i
B5
- ty. -
?#
#
&
#
#
Help
C5 B5
me.
C5 B5
Im try
C5 B5
ing - to be lieve, -
C5 B5
stop
?#
#
steady gliss.
&
#
#
wal
C5 B5
low - ing - in
C5
my
B5
self - pit
y. -
?#
#
&
#
#
Pre-Chorus
Weve been wait ing - for you, my friend. The

?#
#
Bass Fig. 9

J

J

J

n

j

n

j

#
#
1 0 0 0 1 0 0 0 1 0 0 0
7 10
12 11
10 9
j

J

J
j
n

n

j

8 7 7 7 2
1 0 0 0 1 0 0 0 1 0 0 0

J
J

J
n

j

n
n

#
1 0 0 0 1 0 0 0
7
8
10 9
8 7
7 10
12 11
10 9

J

J

J

n
#

n

7 5 8
7
5
6 0 0 0 0 0 0
7 5 7 8
7
5
6 0 0 0 0 0 0 0
12
Sorgdal
15
8
15
8
12
8
12
8
12
8
12
8
&
#
#
writ ings - been on the wall.
?#
#
&
#
#
All it takes is a lit tle - faith. You
?#
#
&
#
#
know youre the same as us all.
#
#
#
#
#
#
#
?#
#
End Bass Fig. 9
#
#
#
#
#
#
#
&
#
#
#
#
#
#
#
(Help
Chorus
C#7
me.)
I
?#
#
#
#
#
#
#
Bass Fig. 10

J

J

n
#

n

n

n
#

n

n

7 5 8
7
5
6 0 0 0 0 0 0
7 5 7 8
5 7 5 7 8
6 7 9 10
7 9 10 9 7

J

J

n
#

n

7 5 8
7
5
6 0 0 0 0 0 0
7 5 7 8
7
5
6 0 0 0 0 0 0 0

J

J

J

J

n
#

n

n
#

n

n

#

7 5 8
7
5
6 0 0 0 0 0 0
7 5 7 8
5 7 5 7 8
6 7 9 10
7 9 10 9 7
9 8
10
n
n
J
w
w
#

n
J

n
9
11
9
9
9
11 10
9 11 9 12 9
11
9
9
9
11 10
9 11 9 12
13
Sorgdal
&
#
#
#
#
#
#
#
cant break out this pris on - all a lone. -
?#
#
#
#
#
#
#
End Bass Fig. 10
&
#
#
#
#
#
#
#
E5
?#
#
#
#
#
#
#
&
#
#
#
#
#
#
#
(Save
C#7
me.)
Im drown ing - and Im hope less - on my own.

&
#
#
#
#
#
#
#
E5 D5
E5 F5 E5 D5 C5
?#
#
#
#
#
#
#
Bass 1
&
#
#
#
#
#
#
#
(Heal
C#7
me.)
I cant re store - my san i - ty - a lone. -

J

n
j
#
J

J

J
n

J

n
9
11
9
9
9
11 10
9 11 9 12 9
11
9
9
9
11 10
9 11 9
12
n

n
n
12 12 12 12 12 12 12 12 12 12 12 12 0 0 0 0 0 0 0 0 0 0 0 0
n
n
J
w
w
#

n
J

n
j

J

n
j
#
J
n

J
n

n
n
n
J
J
n

J
J
n
12 12 12 12 12 12 12 12 12 12 12 12 10 12 13 12 10 8
n
n
J
w
w
#

n
J
j
J

n
j
#
J

J

J
n

J
14
Sorgdal
&
#
#
#
#
#
#
#
E5 D5
F5
#
#
?#
#
#
#
#
#
#
Bass 1
#
#
?#
#
Interlude
Bass Fig. 11
C5 B5 C5 B5 C5 B5 C5 B5 C5 B5 C5 B5
?#
#
C5 B5 C5 B5 C5 B5 C5 B5
?#
#
C5 B5 C5 B5 C5 B5 C5 B5 C5 B5 C5 B5
?#
#
C5 B5 C5 B5 C5 B5
End Bass Fig. 11
&
#
#
En
Verse
5.
C5
ter
B5
- the door.
Des
C5
per
B5
-
C5
ate.
B5
-
Fight
C5
ing
B5
- no more.
Help
C5
me
B5 C5
re
B5
store
C5
-
B5
to my
C5
san
B5
i - ty -
at
C5
this
B5
n

n
n
n
12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10 10 10 13 13 13 13
n

j

n

j

8 7 7 7 8 7 8 7 7 8 7 7 7 8 7 8 7 7
n

j

n

j

#
#
8 7 7 8 7 7 7 8 7 8 7 7 7 7 10
12 11
10 9
n

j

n

j

8 7 7 7 8 7 8 7 7 8 7 7 7 8 7 8 7 7
n

j

n
n

#
8 7 7 8 7 7 7 8 7 7
8
10 9
8 7
7 10
12 11
10 9

15
Sorgdal
15
8
15
8
15
8
12
8
12
8
12
8
12
8
15
8
15
8
&
#
#
tem
C5
ple
B5
- of hope.
I
C5
need
B5
to learn.
Teach
C5
me
B5 C5 B5
how.
Sor
C5
row
B5
- to burn.
Help
C5
me
B5 C5
re
B5
-
&
#
#
turn
C5 B5
to hu
C5
man
B5
- i - ty. -
Ill
C5
be
B5
fear
less - and thor ough - to en ter - this tem ple - of

&
#
#
hope.

Interlude
6
Be 6. -
&
#
#
lieve.
Verse
C5 B5
Tran
C5
scend
B5
-
C5
the
B5
pain.
C5 B5
Liv
C5
ing
B5
- the life.
Hu
C5
mil
B5
-
C5
i
B5
- ty
C5
-
B5
?#
#
Bass 1
&
#
#
o
C5
pened
B5
- my eyes.
This new
C5
od
B5 C5
ys
B5
- sey
C5
-
B5
of rig
or - ous - hon es - ty.

Se
-
-
?#
#
#

n
j
n

j

n

j

8 7 7 7 8 7 8 7 7 8 7 7 8 7 7 7 8 7 8 7 7 8 7 7
#
j
J
n

j

n

j

#
#
8 7 7 7 8 7 8 7 7 8 7 7 7 7 10
12 11
10 9
16
Sorgdal
15
8
15
8
12
8
12
8
12
8
12
8
15
8
12
8
&
#
#
ren
C5
i
B5
- ty -
that I
C5
nev
B5 C5
er
B5
- knew.
C5 B5
Sound
C5
ness
B5
- of mind
helped
C5
me
B5 C5
to
B5
find
C5 B5
?#
#
&
#
#
cour
C5
age
B5
- to change
C5 B5 C5
all
B5
the things
that I can. Ha!

?#
#
&
#
#
Pre-Chorus
Well help you per form - this mir a - cle.
- You must set your past free.

&
#
#
You dug the hole, but you cant bur y - your soul.
&
#
#
O pen - your mind and youll see.
#
#
#
#
#
#
#
(Help
Chorus
C#7
&
#
#
#
#
#
#
#
me.)
I cant break out this pris on - all a lone. -
j

j
n

j

n

j

8 7 7 7 8 7 8 7 7 8 7 7 8 7 7 7 8 7 8 7 7 8 7 7

n

j

n
n

#
8 7 7 7 8 7 8 7 7 7
8
10 9
8 7
7 10
12 11
10 9
J

J

J

J

J

J

J

J

J

J

J

n
n
J
w
w
#

n
J
j

J

n
j
#
J

J

J
n

J
17
Sorgdal
&
#
#
#
#
#
#
#
E5
?#
#
#
#
#
#
#
Bass 1
&
#
#
#
#
#
#
#
(Save
C#7
me.)
Im
?#
#
#
#
#
#
#
&
#
#
#
#
#
#
#
drown
ing - and Im hope less - on my own.
&
#
#
#
#
#
#
#
E5
?#
#
#
#
#
#
#
Bass 1
4 4
&
#
#
#
#
#
#
#
(Heal
C#7
me.)
I cant re store - my san i - ty - a lone. -

n

n
n
12 12 12 12 12 12 12 12 12 12 12 12 0 0 0 0 0 0 0 0 0 0
n
n
J
w
w
#

n
J

n
j
n

9
11
11 9
11
9
9
11
11 9
11
9
9
11
11 9
11
9
9
11
11 9
11
9

J

n
j
#
J
n

J
n

n n

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
n
n
J
w
w
#

n
J
j
J

n
j
#
J

J

J
n

J
18
Sorgdal
A
Faster q = 144
1.
2.
4
4
4
4
&
#
#
#
#
#
#
#
E5
(q. = q)
?#
#
#
#
#
#
#
Bass 1
?#
#
#
#
#
#
#
Bass 1
Bass 2
#
divisi
Interlude
?#
Bass 2
Bass 1 tacet
?#
?# #
#
n

n
n
n
n

n
n

n

n

12 12 12 12 12 12 12 12 12 12
9
9
7 9 7
9 7 5 7
7
5 7 5
7 5
5
n
n
n

n
n

n

n #

J

7
7
5 7 5
7 5 3 5
5
3 5 3
5 3 4 5 5
10
+
7 12
+
7 10
+
7 5 7 10
+
7 12
+
7 10
+
7 5 7

10
+
7 12
+
7 10
+
7 5 7 10
+
7 12
+
7 10
+
7 5 7
5
7
7
7
5
7 5 7
5
7
7
7
5
7 5 7

5
7
7
7
5
7 5 7
5 7 8 7 5
7 5 7
5
7
7
7
5
7 5 7
5
7
7
7
5
7 5 7

#

J

5
7
7
7
5
7 5 7
5 7 5
7 5
7
5 7
5
7
7
7
5
7 5 6 7
7 9
19
Sorgdal
B
1.
2.
C
1.
2.
D
?#
#
Guitar Solo
Double-time feel
?#
#
?#
#
#
Keyboard Solo
?#
?# #
#
?#
#
Double-time feel
Guitar Solo

n

7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7 9 10 9 7
9 7 9

7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7 9 7
9 7
9
7 9

7
9
9
9
7
9 7 9
7 9 7
9 7
9 5 7
5
7
7
7
5
7 5 7
5
7
7
7
5
7 5 7

5
7
7
7
5
7 5 7
5 7 8 7 5
7 5 7
5
7
7
7
5
7 5 7
5
7
7
7
5
7 5 7

5
7
7
7
5
7 5 7
5 7 5
7 5
7
5 7
5
7
7
7
5
7 5 7
5 7 5
7 5
7
7 9

n

7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7 9 10 9 7
9 7 9
20
Sorgdal
1.
2.
E
1.
2.
F
1.
?#
#
?#
#
#
#
#
Keyboard Solo
?#
#
#
?#
#
#
#
#
?#
#
?#
#

7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7 9 7
9 7
9
7 9

7
9
9
9
7
9 7 9
7 9 7
9 7
9 7 9
7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9

7
9
9
9
7
9 7 9
7 9 10 9 7
9 7 9
7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9

7
9
9
9
7
9 7 9
7 9 7
9 7
9
7 9
7
9
9
9
7
9 7 9
7 9 7
9 7
9
7 9

n

7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7 9 10 9 7
9 7 9

7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7
9
9
9
7
9 7 9
7 9 7
9 7
9
7 9
21
Sorgdal
2.
G
H
6
4
4
4
?#
#
?#
#
?#
#
?#
#
?#
#
?#
#
Double-time feel

7
9
9
9
7
9 7 9
7 9 7
9 7
9
7 8
7
9 7
9
7 9
7 9
7 9 7 9
7
9 7
9

7 9
7 9
7
9 7
10 7
9 7
9
7 9
7 9
7 9 7 9
7
9 7
9
7 9
7 9
7
9 7
10

7
9 7
9
7 9
7 9
7 9 7 9
7
9 7
9
8 7
0 0
7 5
0 7 6 0 0
8 7
0 0 0
n

# n

#
n

8 7
0 0
7 5
0 7 6 0 0
8 7
0 0 6 7
8 7
0 0
7 5
0 7 6 0 0
8 7
0 0 0
n

# n

n

n

8 7
0 0
7 5
0 7 6 0 0
7 8
7 10 9 7
8 7
9 7
9
7 9
7 9
7
9 7
10 7
9 7
9

7 9
7 9
7
9 7
10 7
9 7
9
7 9
7 9
3 2 0 5 3 0 3 2 0 0 0 0 0 0
22
Sorgdal
1.
2.
?#
#
?#
#
2nd time, end double-time feel
?#
#
?#
#
?#
#
?#
#

3 2 0 5 3 0 3 2 0 0 0 0 0 0 3 2 0 5 3 0 3 2 0 0 0 0 0 0

3 2 0 5 3 0 6 5 0 5 3 0 3 2 0 0
2 1
3 2 0 2 0 2 3
1

2 1
3 2 0 2 3 2 3
1 2 1
3 2 0 2 0 2 3
1
#

#

#

2 1
3 2 0 2 3 2 3
1 2 1
3 2 0 2 3 2
2 4 5

#

#
2 4 4 2 4 4 2 4 4 2 4 2 4 5 4 2 2 4 4 2 4 4 2 4 4 2 4 2
5 4 2 1
#

n #

#

#

#
2 1
3 2 0 2 3
0 1 2 4 5
2 4 4 2 4 2 4 2 4 5 4 2
5 4 2 1
23
Sorgdal
Play 3 times
Play 3 times
5
4
4
4
4
4
?#
#
Double-time feel End double-time feel
?#
#
?#
#
?#
#
?#
#
?#
#
Double-time feel

n

n

3 2 0 5 3 0 3 2 0 0 0 0 0 0 3 2 0 5 3 0 6 5 0 5 3 0 3 2 0 0
#
#

n #

#

#

#
2 1
3 2 0 2 3
0 1 2 4 5
2 4 4 2 4 2 4 2 4 5 4 2
5 4 2 1
#
n

# n
n

#
n

# n
# n
#
#
n
#

#
9 8
10 9 8 7
9 8
0 0 0
9 8
10 9 8 7
9 8
0
2 1
3 2 3
1 2 4

#

#
2 4 4 2 4 4 2 4 4 2 4 2 4 5 4 2 2 4 4 2 4 4 2 4 4 2 4 2
5 4 2 1

3 2 0 5 3 0 3 2 0 0 0 0 0 0
2 4 4 2 4 4 2 4 4 2 4 2 4 5 4 2

#

#

n

2 4 4 2 4 4 2 4 4 2 4 2
5 4 2 1
3 2 0 5 3 0 3 2 0 0 0 0 0 0
24
Sorgdal
5
4
4
4
4
4
4
4
?#
#
?#
#
&
#
#
Bass 2 tacet

&
#
#
III. Revelation
Verse
B5
Way 7. off
Asus2
in the dis
G
tance - I
E/G#
saw a door
B5
I
Asus2
tried to
G
?#
#
Bass 2
Bass Fig. 13
&
#
#
o pen. -
B5
I tried forc
Asus2
ing - with all
G
of my will,
E/G#
but still
?#
#

3 2 0 5 3 0 6 5 0 5 3 0 3 2 0 0
2 4 4 2 4 4 2 4 4 2 4 2 4 5 4 2

#

#

2 4 4 2 4 4 2 4 4 2 4 2
5 4 2 1
4 6 6 4 6 6 4 6 6 4 6 4 6 7 6 4
J

J

J

j
#

n
j
7 5 3 3 4
5
4
7 5
7 5 3
J

J
#
j

n
j
#

3 3 4
3
5 4 7 5 3 3 4
5
4
7 5
25
Sorgdal
&
#
#
B5
the door
Asus2
would nt
G
- o pen.
-
Bass 2: w/ Bass Fig. 13 (2 3/4 times)
B5
Un a
Asus2
- ble - to trust
G
in my faith,
E/G#
I turned
?#
#
End Bass Fig. 13

&
#
#
B5
and
Asus2
walked a
G
way. -
B5
I looked a round,
Asus2
- felt a
G
chill in the air,
E/G#
took my
&
#
#
will
B5
and
Asus2
turned it
G
o ver.
-
B5
The glass pris
Asus2
on - which once
G
held me
E/G#
is gone,
&
#
#
B5
a long -
Asus2
lost for
G
tress. -
B5
Armed on
Asus2
ly - with lib
G
er - ty
E/G#
- and the
&
#
#
key
B5
of
Asus2
my will
G
ing - ness,
-
B5
Fell down
Asus2
on
G
my knees
E/G#
and prayed,
&
#
#
B5 Asus2
Thy will
G
be done.
B5
I turned a round,
Asus2
- saw a
G
light shin ing - through.
E/G#
The
&
#
#
door
B5
was
Asus2
wide
G
o pen. -
B5
?#
#
Bass 2

n
j
#

7 5 3 4
3
4
2
j

J
J

J
J

J

J

J
J

J

j
#

j

7 5 3 4
3
4
2
5 7 7
26
Sorgdal
Trial of Tears
Words and Music by Michael Portnoy, John Myung, John Petrucci and Derek Sherinian
1997 WB MUSIC CORP., YTSE JAMS, INC. and WARNER-TAMERLANE PUBLISHING CORP.
from Dream Theater - Falling Into Infinity
4
4
?
b
b
b
b
b
I. Its Raining
*
Intro
Free time
(Keyboard)
Ab7
U
(Guitar)
4
Bass
mf
8va
*Key signature denotes Ab Mixolydian.

?
b
b
b
b
b
8va
loco
8va
?
b
b
b
b
b
8va
8va
?
b
b
b
b
b
8va
8va
3
18
20
18
20

.
J
.
J
13
15
13
15
11
13
10
12
9
11
11
13
9
11
9
11
9
11
13
15
.
J
13
15
13
15
11
13
11
13
13
15
13
15
16
18
16
18
18
20
15
17
15
17
16
18
13
15
11
13
b
b
j
9
11
11
13
9
11
9
11
13
15
13
15
13
15
13
15
13
15
1
Sorgdal
Moderately q = 117
?
b
b
b
b
b
loco
6
U
f
b
b
b
b
b
b
?
b
b
b
b
b
b
Half-time feel
Bass Fig. 1
11
13
Ebm(add ) Ebm7add11
?
b
b
b
b
b
b
Gb%#11 Gb%
End Bass Fig. 1
&
b
b
b
b
b
b
Ebsus4
3
Gbsus2
3
&
b
b
b
b
b
b
Un
Verse
1.
Ebsus
der - the sun, there is noth ing - to hide.
&
b
b
b
b
b
b
Un
Gbsus2
der - the moon,
the stran ger - waits in side. -
&
b
b
b
b
b
b
Peo
Ebsus
ple - dis ap - pear, - the mu sic - fades a way. -
j
9
11
11
13
9
11
9
11
2

j
4 4 4 4 4 2 4 4 4 4 2 4 4 4 4 4 2 4 4 4 4 4

j
7 7 7 7 7 4 7 7 7 7 4 7 7 7 7 7 4 7 7 7 7 2
j

j

j

j

j

j

2
Sorgdal
&
b
b
b
b
b
b
Splash
Dbadd9
ing - through the rain,
Ill dream
Cbadd9
with them one day.
?
b
b
b
b
b
b
Bass
&
b
b
b
b
b
b
End half-time feel

#
#
#
#
#
Pre-Chorus
G#m
Its rain in, -
B/F#
rain in -
E#m7b5
on the streets
?
b
b
b
b
b
b
#
#
#
#
#
&
#
#
#
#
#
C#5
of New
C#sus4
York
C#
Cit y.
G#m
- Its rain in, -
B/F#
rain in, - rain
E
in - deep in heav -
?#
#
#
#
#
&
#
#
#
#
#
en. -
Chorus
G#m7
I may have wast
C#7/G#
ed - all those years.
?#
#
#
#
#
Bass Fig. 2

J

j

j

j

j

j

4 4 2 2 2 2 0 2 2 2 2 0 0 0 0 0 0 0

j

J
w

#

j
0
4 4 2 2 1 1
j
e
J
e
j
e
J
e
J
e

2 2
4 4 2 2 0 0 0 0 0 0 0 0
#
J

J
J

n

0 0 0 0 0 0 10 12 4 4
6
4 4
6
4
4 6
4 4
6
4
4 6
4
4 6
3
Sorgdal
7
4
7
4
7
4
7
4
&
#
#
#
#
#
G#m7
Theyre not worth their
G#5
time
G#sus4
in
G#5
tears.
C#7sus4
I may have spent
C#
?#
#
#
#
#
&
#
#
#
#
#
too long in dark
C#7sus4
ness, - in the warmth of
C#sus2
my
C#sus4
fears.
C#add9
b
b
b
b
b
b
?#
#
#
#
#
End Bass Fig. 2
b
b
b
b
b
b
&
b
b
b
b
b
b
Verse
Half-time feel
Ebm(add11)
Take
2. a look at your self, - not
at an y - one - else,
?
b
b
b
b
b
b
&
b
b
b
b
b
b
Gbadd9
and tell
me what you see.
?
b
b
b
b
b
b
#
J

J

j

J
#
J

4 4
6
4 4
6
4
4 6
4 4
6
4
4 6
4 6
4 6
9 9 9 9 9
2 2
4

J

4
2 2 2
2 4
2
6
2 4
2
9 9 9 9 9
2 2 2 2
4
2 2
2 4
2
2 4

j
4 4 4 4 4 2 4 4 4 4 2 4 4 4 4 4 2 4 4 4 4 4

j
7 7 7 7 7 4 7 7 7 7 4 7 7 7 7 7 4 7 7 7 7 2
4
Sorgdal
4
4
4
4
&
b
b
b
b
b
b
Ebm(add11)
I know
the air is cold,
I know
the streets are

?
b
b
b
b
b
b
&
b
b
b
b
b
b
cruel,
Dbadd9
but Ill en joy - the ride to day.

Cbadd9
- Hey.
End half-time feel

#
#
#
#
#
?
b
b
b
b
b
b
#
#
#
#
#
&
#
#
#
#
#
Pre-Chorus
G#m
Its rain in, -
B/F#
rain in -
E#m7b5
on the streets
C#5
of New
C#sus4
York
C#
Cit -
?#
#
#
#
#
&
#
#
#
#
#
y.
G#m
Its rain in, -
B/F#
rain in, - rain
E
in - deep in heav -
?#
#
#
#
#

j

j

4 4 4 4 4 2 4 4 4 4 2 4 4 4 4 4 2 4 4 4 4
j

j

e
e
e
j
E
2 2 2 2 0 2 2 2 2 0 0 0 0 0 0 0 0 12 12
#

j
4 4 2 2 1 1
2 2
j
e
J
e
j
e
J
e
J
e

j

j

4 4 2 2 2 0 0 0 0 0 0 0 0
5
Sorgdal
&
#
#
#
#
#
en, - rain in - deep in heav en. -
?#
#
#
#
#
&
#
#
#
#
#
Chorus
G#m7
I may have wast
C#7/G#
ed - all those years,
G#m7
and theyre not worth their
G#5
time
G#sus4
in
G#5
tears.
&
#
#
#
#
#
C#7sus4
I may have spent
C#7
too long in dark
C#7sus4
ness, - in the warmth of
C#sus2
my
C#sus4
fears.
C#add9
&
#
#
#
#
#
G#m7
And as I walk
C#7/G#
through all my myths,
G#m7
ris ing - and sink -
&
#
#
#
#
#
ing
G#5
- like
G#sus4 G#5
the waves,
C#7sus4
with my thoughts
C#
wrapped a round - me,
&
#
#
#
#
#
C#7sus4
through a trial
C#5
of tears.
G#m(add9)
?#
#
#
#
#
Bass
j

J

J

n

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 10 12
J

j

J
#
J

J
j

J
#
J

J

j

J
#
J

J

j

J
#
J

J
J

J

J
w
j

6 9 9 9 9 9 9 9 9 9
2 2 2 2 2 2
4 4 4 4 4 4 4 4
6
Sorgdal
q = 120
q = 124-126
7
4
7
4
4
4
7
4
7
4
4
4
7
4
7
4
4
4
7
4
&
#
#
#
#
#
C#7(no3rd) Bmaj7(no3rd)
F#add11
?#
#
#
#
#
?#
#
#
#
#
G#m(add9) C#7(no3rd) Bmaj7(no3rd) Esus2#11
#
#
#
?#
#
#
Interlude
F#m7add11 E5 C#m7 Asus2 B5 F#m7add11
7
4
?#
#
#
E/G# Aadd9 B5 F#7sus4
?#
#
#
E/G# Aadd9 B5 F#7sus4
w

4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2

w
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
0

J
9 7 7 4 2 0 2
0 2
4 7 7 2 2 4 4 4

J

9
6 7 6
9
6 6
4 6 6
4
6 6 6
4

9
6 7 6
9
6 6
4 6 6
4
6 6
6
6
4
6 6 6
7
Sorgdal
7
4
7
4
4
4
4
4
7
4
7
4
7
4
7
4
4
4
4
4
7
4
7
4
7
4
7
4
4
4
4
4
5
4
5
4
5
4
5
4
4
4
4
4
&
#
#
#
Hid
Bridge
F#5
den - by
E5
dis guise,
C#5
-
B5 A5
stum
B5
bling - in
a
F#5
world.
A5 E5 F#5
?#
#
#
&
#
#
#
Feel
F#5
ing - un
E5
in - spired,
C#5
-
B5 A5
he gets
B5
in to -
his
F#5
car.
A5 E5 F#5
?#
#
#
*

&
#
#
#
Not
F#5
with in
E5
- his eyes
C#5
to
B5
see.
A5
O
B5
pen - up,
E5 F#5
o
A5
pen - up.
E5 F#5
?#
#
#

&
#
#
#
Not
F#5
much bet
E5
ter - than the
C#5
man you
B5
hate.
?#
#
#

J
9 7 7 4 2 0 2
0 2
4 7 7 2 2 4 4 4

J

J
J

J

J

9
11
7
9
4
6
2
4
0
2
2
2
4
4
0 2
4 7 7 2 2 4 4 4

J

J

9
11
7
9
4
6
2
4
0
2
2
2
4
4
0 2
4 7 7 2 2 4 4 4

n

J

w w
9
11
7
9
7
9
4
6
2
4
0
8
Sorgdal
q = 131
Play 3 times
?#
#
#
Bsus2 C#sus2 E5
b
b
b
b
b
b
?
b
b
b
b
b
b
II. Deep in Heaven
Interlude
Half-time feel
Ebsus2
?
b
b
b
b
b
b
Guitar Solo
Ebsus4 Db/Eb
?
b
b
b
b
b
b
3
?
b
b
b
b
b
b
Ebsus4 Db/Eb
?
b
b
b
b
b
b
w w
w w
w w
0 2 5

4 6 6 4 6 6
4
4 6 4 6 6 4 4 6 6 4 6 6
4
4 6 4 6 6 4 4
j

4 4 4
4 6 4 6 6 4 4
4 4 4

j

J
n
j
n
J
#
n

4 6 4 6 6 4 4
4 4 4
4 6 4
9 14 11 12 11 12
j

4 4 4
4 6 4 6 6 4 4
4 4 4

4 6 4 6 6 4 4 4 6 6 4 6 6
4
4 6 4 6 6 4 4
9
Sorgdal
?
b
b
b
b
b
b
F/Eb
?
b
b
b
b
b
b
Ebm7
?
b
b
b
b
b
b
Db/Eb
?
b
b
b
b
b
b
Ab/Eb
?
b
b
b
b
b
b
C/Eb
?
b
b
b
b
b
b
Db/Eb Eb

n
j

4 6 6 4 6 6
4
4 6 4 6 6 4 4 4 6 6 4 6 6
4 4
3 4 6 4 6 6 4 4

4 6 6 4 6 6
4
4 6 4 6 6 4 4 6 6 4 6 6
4
4 6 4 6 6 4 4

n
j

n
j

4 6 6 4 6 6
4
3 4 6 4 6 6 4 3 4 6 6 4 6 6
4
4 6 4 6 6 4

n
j

4 6 6 4 6 6
4
3 4 6 4 6 6 4 4 6 6 4 6 6
4
4 6 4 6 6 4 4

4 4 4
6
4 4 4 4 4
4
4 4
6
4
4 6
4 4 4
6
4 4 4 4 4
6
4 4
6
4
4 6

4 4 4
6
4 4 4 4 4
6
4 4
6
4
4 6
4 4 4
6
4 4 4 4 4
6
4 4
6
4
4 6
10
Sorgdal
poco rit.
q = 120
Play 8 times
Play 8 times
Play 8 times
Play 4 times
Play 3 times
?
b
b
b
b
b
b
F/Eb Ebm7
?
b
b
b
b
b
b
Ab/Eb Bb
?
b
b
b
b
b
b
Cb5 Db5
End half-time feel
Eb5
?
b
b
b
b
b
b
Keyboard Solo
(Ebm) Ebm
?
b
b
b
b
b
b
Ab7 (Ebm)
?
b
b
b
b
b
b
F/Eb

4 4 4
6
4 4 4 4 4
6
4 4
6
4
4 6 4 6 6 4 6 6
4 4 4
6
4 4
6
4
4 6

4 6 6 4 6 6
4 4 4
6
4 4
6
4
4 6
6 8 8 6 8 8
6 6 6
8
6 6
8
6
6 8
j

8 9 9 8 9 9
7
9 9 11 11 9 11 11
9
11
4 4
4 4 4 6
j

4 4
4 4 4 6
4 4
4 4 4 6

4 4 4 4 4 4 4 4
4 4
6 6 4 6 6 6

4 4
6 6 4 6 6 6
4 4 4
6 6 6 4 6
4
6
11
Sorgdal
Play 4 times
Play 4 times
q = 117
?
b
b
b
b
b
b
?
b
b
b
b
b
b
Ebm7
?
b
b
b
b
b
b
?
b
b
b
b
b
b
Ab/Eb Bb/Eb
?
b
b
b
b
b
b
Cb Db
?
b
b
b
b
b
b
F#5
#
#
#
#
#
III. The Wasteland
Interlude
G#m F#

4 4 4
6 6 9 9 8 8
4 4 4
6 6 4 6
4
6

4 4
6 6 9 8 8
4 4
6 6 4 6 6

n b

4 4
6 6 4 6 6 6
8 6
8
8 6
8
8 6 8 6
8 7 6 4
6 4

4 4 4
6 6 6 4 6 6 6
4 4 4
6 6 6 4 6 6 6

7 7 7
9
7
9 9 8 9
9 9 9
11 11 11 9 11 11 11

#
j
w w
9
11 11 11 11 11 11 11 11
2 4
12
Sorgdal
?#
#
#
#
#
C# G#m F#
Bass tacet
C#

&
#
#
#
#
#
Still
Verse
3.
G#m
a wake, -
F#
I con tin
C#
- ue - to move a long, -
&
#
#
#
#
#
cul
G#m
ti - vat - ing - my
F#
own non sense. -
C#
&
#
#
#
#
#
Wel
G#m
come - to the waste
F#
land, -
C#
where youll find ash -

&
#
#
#
#
#
G#m
- es,
F#
noth ing - but
3
ash
C#
es. -
&
#
#
#
#
#
Verse
Half-time feel
G#m
Still 4. a wake, -
F#
bring ing - change,
C#
bring ing - move ment, - bring ing - life.
?#
#
#
#
#
Bass
w w w w
4

J

J
j
w
j

J

e
e

e
e
J
e

e
j
e
e
J
e
J

e
j
e

e
e

e
w
w
w w
4 2
2
13
Sorgdal
&
#
#
#
#
#
G#m
A si lent - prayer
F#
thrown a way, -
C#
dis ap - pear - ing - in the air.
?#
#
#
#
#
&
#
#
#
#
#
G#m
Ris ing, -
F#
sink ing, -
C#
rain ing - deep in side - me.
?#
#
#
#
#
&
#
#
#
#
#
No
G#m
where - to turn,
F#
I look
C#
for a way back home.
?#
#
#
#
#
&
#
#
#
#
#
G#m F# C#
?#
#
#
#
#
e
j
e e
J
e

e
j
e
j

e
e
e

e
j

e
J
e
e
j
e
J
e

e
j
e

e
j
w
w
w w
4 2
2
e
j

e
J
e
e

e
J
e
e

e
J
e
J
e
e
j
e
J
e

e

e
w
w
w

4 2
2 0 2
j
E
e
e
e

e
e
j
E
e
j
e
J
e
e
j
e
J
w
w
4 2
2 0 2 0 2
%
w
E
%
w
e

w
w

4 2
2 2 2 2 2 0 2 0 2 0 0 2
14
Sorgdal
?#
#
#
#
#
G#m F# C#
End half-time feel
&
#
#
#
#
#
Outro
G#m
Its rain in, -
F#
rain in, -
C#
rain in - deep in heav en. -
?#
#
#
#
#
&
#
#
#
#
#
G#m
Its rain in, -
F#
rain in, -
C#
?#
#
#
#
#
&
#
#
#
#
#
G#m
Its rain in, -
F#
rain in, -
C#
&
#
#
#
#
#
G#m
Its rain in, -
F#
rain in, -
C#
rain in - deep in heav -
?#
#
#
#
#
Bass
4 4 4 2 2 2
2 2 2 2 2 0 2 0 2

e
e
J
e
J

e
J
e
J
e
J

e
J
e
J
e
J
e
J
e
J

e
J

4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
e
J

e
e
J
e
J

e
J
e
J
e
J

e
J
e
J
e
J
e
J
e
J

e
J

4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
2 2 2 2 2 2 0 2 0 2 2 2 2 2
e
J

e
e
e
e
J
e
e
e
e
J

e
e
J
e
e
J
e
e
e
e
J

J

e
e
e
e
J
e
e
e
e
J

e
e
J
e
e
J
e
e
e
e
J

4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2
2 2 2 2 2 2 0 2 0 2
15
Sorgdal
rit.
&
#
#
#
#
#
en.
E F#/E
?#
#
#
#
#
&
#
#
#
#
#
E
?#
#
#
#
#
3 6 6
5
5
?#
#
#
#
#
D#sus2
b
b
b
b
b
*
Free time
Ab7
5
6
*Key signature denotes Ab Mixolydian.
?
b
b
b
b
b
**
mf
8va
loco
**Swell w/ volume knob.
&
b
b
b
b
b
Bass tacet
3
U
w w
w
0
7 9 7 9 7 9 7 11 14 13 11
0
7 9 7 16 14 13
16
w

16 14 13 13 14 13 16
+
13 14 13 14
+
13 14 16
+
13 14 13 14
0
7 9 11
8 9 11 13
16 14 13 14 16
14
13

w
U
16 15 13
16 14 13
16 14 13 11 9 7
11 9 7 6
4
w
w
w
w
9
11
11
13
13
15
9
11
11
13
9
11
9
11
16
Sorgdal

Dream Theater - Bass Anthology (Bass Recorded Versions) - 2014 PDF

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Dream Theater - Bass Anthology (Bass Recorded Versions) - 2014 PDF

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Intro

Tempo I: Fast q = 176

deeds have trav

she had to let him down.

Oh, yeah, yeah.

Was the vic tim - un

They found a note in the

Bass: w/ Bass Fig. 7

May be - he had lost

deeds have trav

deeds have trav

C# F#5 Bb5 F#5

*Key signature denotes C# Mixolydian.

*Key signature denotes C# Mixolydian.

the world some more

and make me live in fear. I bare

At trac - tive, - I dont care.

Does this voice the wounds of your soul?

*Key signature denotes C# Mixolydian.

it does nt - work for me. I bare

At trac - tive, - I cant be.

Ill nev er - hold to me.

You cant heal

Slightly slower q = 136

1. shut the door and trav eled -

no turn ing - back.)

End half-time feel

no turn ing - back.)

Remember that death is not the end,

but only a transition.

to face the bit ter - fight.

F#5/E F#sus4/B F#m/A E5

Bass: w/ Bass Fig. 4 (1st 6 meas.)

Am7 Bm7 Em7 Cmaj13 Am7 Bm7

makes all the dif

2nd time, begin fade

Dsus2/E D/E Dsus4/E

D/F# Gsus2 Cadd9/E

that the third

spar row - fall ing, - gives new

*Slap string w/ fingers.

**Let harmonics ring throughout.

1. ning, - baf fling, - pow er - ful. -

Been beat en - to a pulp.

or - ous, - ir re - sist - i - ble. -

and tired and laid low.

i - nat - ing, - in vin - ci - ble. -

Black out, - loss of con trol. -

Weve been wait ing - for you, my friend. The

Im drown ing - and Im hope less - on my own.

I cant re store - my san i - ty - a lone. -

less - and thor ough - to en ter - this tem ple - of

or - ous - hon es - ty.

that I can. Ha!

Well help you per form - this mir a - cle.

- You must set your past free.

I cant break out this pris on - all a lone. -

I cant re store - my san i - ty - a lone. -

*Key signature denotes Ab Mixolydian.

the stran ger - waits in side. -

End half-time feel

2. a look at your self, - not

me what you see.