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SOLOS FOR TREBLE INSTRUMENT

ESPECIALLY SOPRANO RECORDER

COLLECTION 6
BRITISH MELODIES
Arranged/composed by Clark Kimberling

Here youll find a treasure of free sheet music! Use the music however you wish but
always keep these two things:
the attribution to arranger/composer (top of page)
the copyright notice (bottom of page).
Collection 6 has 240 solos, of which 46 of the finest do not appear here because they are
published commercially just google Solos for Soprano Recorder, Collection 6 (after
August 1, 2010).
The solos are arranged especially to show the amazing capabilities of the soprano
recorder, but they also play well on violin, flute, clarinet, oboe, and other instruments.
Many of the solos include newly composed contrasting segments, especially in cases of
very short originals. The arrangements develop melodies through upward transpositions,
ornamentations, and additions of note not found in the original melodies. To locate
original versions, use Historical Notes 6 and Google.

When performing these arrangements, use a sound system and/or a percussionist.


A percussionist can work wonders and manage your sound system.

Loosely speaking, recorders thrived from 1400 to 1650 and were forgotten from 1700 to
1900, when Arnold Dolmetsch in England and others in Europe began performing on
recorders and manufacturing them.

The metallic transverse flute has more notes and more dynamic range than the recorder
and is thus better suited for use with modern orchestral instruments. On the other hand,
the sound of the recorder has a delicate sweetness of its own and is particularly well
suited to soloing. Add to this the remarkable possibilities of enhancement by a sound
system and occasionally some light percussion, and you have the possibility of a bright
future for this ancient instrument.
Much of the music that originated during 1700-1920 has not been played on recorder
until recently, and even then, most published arrangements dont do enough in the
sense that they dont call for the amazing capabilities of the instrument.
These solos are advanced for recorder and intermediate for flute. They provide excellent
material for developing the techniques of multiple-tonguing, extended breath-control, and
in the case of recorder, the playing of high notes. Interestingly, most advanced music for
soprano recorder is published outside the United States, and even then, not in large
collections. Yet, there are millions of soprano recorders in the United States and the
United Kingdom, and many of their owners will welcome this opportunity to learn and
play some advanced music.
Arrangements of other melodies which are British or near-British are found in Collection
3 (Irish), Collection 4 (Americana to 1865), and Collection 7 (Melodies by Women).
Several of the worlds best known English melodies are published in Collection 2
(Christmas Carols).

WHERE THESE SOLOS CAME FROM


Among the composers of music for dance are James Paisible (Pastorall) and members of
the Dow family of Scottish fiddlers, most notably Nathaniel Dow (Cheap Mutton, Mrs.
Weyme of Cuttlehill, Penny Wedding). Theatre and opera composers include Sir
Arthur Sullivan, as in Gilbert and Sullivan (When I Was a Lad).
Master composers represented in this collection include Giles Farnaby (Quodlings
Delight), Henry Purcell (Minuet, The Sailors Dance), and George Frederic Handel
(Courante, O Ruddier than the Cherry). However, many of the solos are based on
folk songs, of which the composers will probably never be known. These include worldclass melodies, such as Greensleeves (which was probably not composed by Queen
Elizabeth) and The Gaberlunzie Man (which was probably not composed by King
James V of Scotland). The solo Gentil Prince was arranged from a part-song that
possibly really was composed by King Henry VIII.
Solos composed specifically for this collection have names beginning with the letter Z.
These solos extend characteristics of British melody in new ways especially suited to the
capabilities of recorder and flute. Several were composed during visits to England and
Wales.

PLAYING THE SOLOS


Feel free to delete or repeat sections of the solos in order to match the occasion. For
example, if playing where sound dissipates quickly, initial segments of some solos,
pitched mostly in the lowest octave of the instrument, can be skipped. Repetition of
phrases or entire solos is appropriate when one is playing only a few solos over an
extended period of time, as in outdoor playing where the audience consists of strolling
tourists. Sections of some of the solos are intended to challenge the players ability to
play quite fast or high; these sections can be risky so they can be deleted or played at a
tempo slower than indicated by the tempo marking.
Both recorder and flute are capable of a wide spectrum of articulation, ranging from
slurring to extreme staccato-with-chiff, or staccatissimo so short as to be useful as a kind
of pianissimo playing. In some of the solos, passages are marked staccatissimo but
the interpretation of this and other articulations may vary greatly from one player to
another. For staccatissimo, take a look at George Skenes Mixolydian Reel. Another
opportunity is found at measures 18-33 of Greensleeves and Yellow Lace. (An
arrangement of Greensleeves by itself is in Collection 2: Christmas Carols.) Still other
opportunities occur in Kiss Me Quick My Mothers Coming.
Mordents, indicated by a short wavy line above or below a note, as in Sleepy Maggie,
usually mean three fast slurred notes, but where there is sufficient time and at the
performers discretion they may be stretched to five notes, as in the last measures of
Easter Hymn and Pastorall.

NOTES FOR RECORDER PLAYERS


Very high notes on a soprano recorder, beginning at high C (thats c3, printed two lines
above the treble-clef staff, pitched an octave higher), are listed here with fingerings.
These are all played with half-open thumb hole.
Note
c3
c#3
d3
d#3
e3
f3
f#3
g3
a3
c4 (highest note on a piano)

Left hand
2
2,4
2,4
3,4
3
3,4
3
2
2
3

Chart copyright Mel Bay Publications, Inc. 2004. Used by permission.

Right hand
2,3
2,4,5
2,4
3,4
all open
3,4,5
3
2
2,4
2,4

Many recorder players use a modern vibrato, based on diaphragm or throat motion, or
some combination of those two. They apply vibrato to music composed after 1800 in
much the same way that flutists, violinists, and vocalists do. Well-modulated vibrato is
highly recommended for the solos in this collection. Notes that are held for more than one
second, such as a high note at the end of a phrase and especially at the end of a piece,
may be played in the manner of many vocalists: start the tone straight, then develop
vibrato gradually over a short time interval, until full vibrato is on, as in measure 48 of
Bonny Banks of Loch Lomond and the last measures of Kingsfold. Complete
abstinence from vibrato can be regarded as a special effect, as called for in Agincourt
Hymn.
Recorder-glissando is denoted by a straight segment between two notes. Ascending
recorder glissandi work especially well between certain pairs of notes, such as e to g
and e to a. Descending favorites are d to d and d to f. To perform these, simply roll
the fingers gradually from one fingering to the other. Examples: At the Foot of a
Willow, Mrs. Weyme of Cuttlehill, and Zelda. Recorder-glissando differs from
ordinary glissando, in which intermediate scale notes are rapidly fingered and slurred, as
in Colonel Bogey.
The solos specifically composed for this collection that is, the Z-solos at the end are
meant to allow the recorder to do things that were not much called for in early music.
Aside from very high notes and recorder-glissando, you will find challenging chromatic
passages, as in Zingazetti and Zizzle, as well as Joy to the Person of My Love.
Another feature is rhythmic variation that would have been most uncommon in olden
times take a look at Zhickadee and I Wish You Would Marry Me Now. Other
features not found often in early music are extended slurring, as in All Through the
Night and Small Birds Sweetly Singing.

INVITE A PERCUSSIONIST
Feel free to invite a percussionist to extemporize during highly rhythmic solos. Foottapping can also be useful. On some occasions, use a sound-system, and perhaps let you
percussionist double as a sound-system manager.

NOTES FOR FLUTE PLAYERS


Bottom C on flute is middle C on piano, but when a soprano recorder plays the same
written note (the lowest on the instrument), the sound is actually an octave higher. In
other words, loosely speaking, the recorder plays an octave higher than the flute.
Consequently, music written for soprano recorder, when played on flute, is pitched a bit
lower than most flute music. When played as written on flute, the solos in this collection
have a pleasing low effect and, in some cases, may be regarded as specialized flute
music, especially if amplified by a sound system.

ARRANGEMENTS
Each melody is arranged as a solo, but in their original forms, the melodies were of a
variety of types, intended for solo voice, choral, piano, accompanied solo instrument, or
solo for fiddle or bagpipes. In order to arrange the melodies for recorder or flute, a
number of liberties have been taken. This is especially true in cases where the original
melody was too short or too long to fill a single page.
One technique of arrangement is transposition, often in conjunction with variations in
articulation or tempo, as in Bonny Banks of Loch Lomond and Johnnie Cope.
A second technique is the contrasting segment; that is, one that separates renderings of
the original melody. Take a look at Earl Grey, in which a contrasting segment occupies
measures 10-17.
A third technique is chording. With a one-note-at-a-time instrument, chords, in the usual
sense, are not available. However, playing the notes of chords rapidly in succession can
achieve chord-like effects, as well as enhancing a melody in other ways. Examples:
Bunessan, measures 20 and 22; Kingsfold, 50-56; My Eyes Are Fully Open, 18-19; and
Waltzing Matilda, 32-47.

GROUPINGS
English Dances
All Alive; Amarillis; Apley House; Ballet; Bath Carnival; The Beggar Boy; Brigid of the
Fair Hair; Chelmsford Assembly, Cockle-Shells; Daniel Cooper; Daphne; English Dance;
Faithful Shepherd; Female Saylor; Fiddlers Morris; The Friendship; The Frog Galliard;
Hunsdon House; Ill Touzle Your Kurchie; Jacks Health; Jacks Maggot; Katharine
Ogie; Kiss Me Quick My Mothers Coming; Knole Park; Mad Robin; The Merry Doctor;
Morpeth Rant; Mouse in a Trap; Purcells Hornpipe; The Touchstone; Trip to Bath; The
Whisgig

English Folk Songs


A-Roving; At the Foot of a Willow; British Grenadiers; The Cheshire Man; Country
Gardens; Cupids Courtesy; The Death of Parcy Reed; The Derby Ram; Dover Pier; For
Hes a Jolly Good Fellow; Green Grow the Rushes, Oh!; Greensleeves and Yellow Lace;
Highland Mary; Kemps Jig; Ladies of London; Paisibles Hornpipe; Parsons Farewell;
Shepherds Hey; Shepton Hornpipe; Such a Wife as Willie Had; The Sprig of Thyme

English Theatre/Opera Songs and Instrumental Pieces


Andrew and Maudlin; The Baffled Knight; Cold Frosty Morning; Flowers of the Forest;
Good Morrow, Gossip Joan; Handels March; Minuet; My Eyes Are Fully Open; O
Gentlemen, Listen I Pray; The Sailors Dance; Steadfast Shepherd; When I Was a Lad

Hymn Tunes
Aberystwyth; Agincourt Hymn; The Ash Grove; Birstal; Brother James Air; Bryn
Calfaria; Bunessan; Coburg; Easter Hymn; Englands Lane; Kings Lynn; Kingsfold;
Llanfair; O Waly Waly; Royal Oak; St. Denio; Welcome, Happy Morning

Marches
Colonel Bogey; Handels March; Zamarche

Melodies Said to Be Composed Royalty


Coburg (Prince Albert), The Gaberlunzie Man (King James of Scotland), Gentil Prince
(King Henry VIII), Hlas Madame (King Henry VIII), Pastime with Good Company
(King Henry VIII)

Scotish Dances and Songs


Auld Lang Syne; Balquhidder Lasses; Banks of Esk; Banks of Inverness; Bonny Banks
of Loch Lomond; Cheap Mutton; Comely Garden; Dukes Retreat; Dunkeld Harmitage;
Dunse Dings; Earl of Dalkeith; The Fife Hunt; The Gaberlunzie Man; George Skenes
Mixolydian Reel; Gilderoy; Hes Aye Kissing Me; Highland Dance; I Wish You Would
Marry Me Now; Jenny Nettles; Johnnie Cope; Joy to the Person of My Love; Katrin
Hoggie; Kelvingrove; Kilecrankie; Knit the Pocky; Lady Shaftsbury; Lament for Mrs.
Oswald of Auchincruive; Loch Earn; Miss Clementina Loughman; Miss Coulston; Miss
Jessy Stewarts Strathspey; Mr. Blairs Jig; Mrs. Graham of Balgowan; Mrs. Horston of
Rosehalls Favorite; Mrs. MacDouall Grant; Mrs. Weyme of Cuttlehill; O Waly Waly;
Ostend;The Outlandish Knight; Penny Wedding; Prince of Orange; Push about the
Jorum; Rothesay Country Dance; Scottish Hornpipe; Scottish Reel; Shackley Hay;
Sleepy Maggie; The South Bridge of Edinburgh; Sward House; Waltzing Matilda; Whare
Wad Bonie Annie Lie; The Yellow-Haired Laddie

For a list of all the solos in Collection 6, consult Historical Notes 6, which includes
Internet links and provides access to all 12 collections in this series:
Collection 1:
Collection 2:
Collection 3:
Collection 4:
Collection 5:
Collection 6:
Collection 7:
Collection 8:
Collection 9:
Collection 10:
Collection 11:
Collection 12:

African-American and Jamaican Melodies


Christmas Carols
Irish Melodies
Americana to 1865
Americana after 1865
British Melodies
Melodies by Women Composers
Eastern European and Jewish Melodies
American Indian Melodies
Latin American Melodies
African Melodies
Western European Melodies

This work is licensed under the


Creative Commons Attribution 3.0 License.
To view a copy of the license, visit http://creativecommons.org/licenses/by/3.0/
or send a letter to
Creative Commons
171 Second Street, Suite 300
San Francisco, California, 94105, USA.

6
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English Traditional
ALL ALIVE
arr. Clark Kimberling
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60

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 53 tune 278 John Young , London, 1713

AMARILLIS
# 4 q
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Copyright 2005, Clark Kimberling
Source: Playford Ball p4

. n . J
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m
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25

31

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English Traditional
arr. Clark Kimberling

English Traditional
ANDREW AND MAUDLIN
arr. Clark Kimberling
q.
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Copyright 2005, Clark Kimberling
Source: Simpson p21

English Traditional
APLEY HOUSE
arr. Clark Kimberling
h
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& # 22
ben marcato

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13

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19


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31

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G~li~s ~

Copyright 2005, Clark Kimberling


Source: Playford Ball p5

English Traditional
A-ROVING
arr. Clark Kimberling
- - - -3 # # 4 q


& 4

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faster:
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69

Copyright 2004, Clark Kimberling

THE ASH GROVE

Welsh Traditional
arr. Clark Kimberling

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15

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Copyright 2003, Clark Kimberling

q.
j

# 6
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English Traditional
THE BAFFLED KNIGHT
arr. Clark Kimberling
~~~~

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Copyright 2005, Clark Kimberling
Source: Simpson p27

English Traditional
BALLET
q
arr. Clark Kimberling
# 4
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60

Copyright 2005, Clark Kimberling


Source: Simpson p429 (said to be first publ by J. van Eyk as "Ballet")

BALQUHIDDER LASSES

Scottish Traditional
arr. Clark Kimberling

h
# 2
.
& 2
J

ben marcato

.
J
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13

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49

. #

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55

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61

Copyright 2005, Clark Kimberling


Source: Morris (Karpeles) p5

Scottish Traditional
BANKS OF INVERNESS
arr. Clark Kimberling
q
2 .
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m
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slightly faster

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41

45

faster

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 75

English Traditional
BATH CARNIVAL
arr. Clark Kimberling
# 6 q.


& 8 J

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ben marcato

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Copyright 2005, Clark Kimberling
Source: Playford Ball p9

. .

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THE BEGGAR BOY


q.
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English Traditional
arr. Clark Kimberling

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no vibrato

Copyright 2005, Clark Kimberling


Source: Simpson p39

BELIEVE ME IF ALL THOSE ENDEARING YOUNG CHARMS

English Traditional
arr. Clark Kimberling

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Copyright 2005, Clark Kimberling


Chappell vol 2 p140

q
3
&4

William Crotch (?)


arr. Clark Kimberling

BIG BEN

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Copyright 2004, Clark Kimberling

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&

j
#

##

j n nn

> >
J

~~~
m

##

#
&
70


j
#
# #

j
.

&
#
50

. .

29

36

John Wesley's Sacred Harmony


arr. Clark Kimberling

b
&b
8

15

BIRSTAL

Copyright 2005, Clark Kimberling

Traditional
BOLD BRENNAN ON THE MOOR arr.English
Clark
Kimberling
q
.
.
# 4 j

& 4 .

&
6

# .
&
10

# .
&
14

. m

.
J

. . . . j

3
.
. . . j

.
3

#

.


. .
&
..
22
j
.
# . # . . . N .

j
&
m
26
. . . .

# . . . # .

# .


&
18

.
.
j
# N .


&
J

m
36
. . m
# .


&
J

31

. . . . j
#


.
&

41

# . . . . . j .
&
46

Copyright 2005, Clark Kimberling


Chappell vol 2? Traditional p124

BONNY CHARLIE

Scottish Traditional
arr. Clark Kimberling

# 4 h
& 4
fl
fl
7
#
.

&


fl
13
.
#

&
fl
19
.
#


&
J
#

&
25

. .

J

. 6 q.

8 J j
fl
37

#
.
j

.
.

&
J
J

&

31

j .

&

44

j j 98
J

# 9 . # # 4 h

J

& 8
4
fl

.
56
##

&
50

##

&
63

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 489

English Traditional
BRIGID OF THE FAIR HAIR
arr. Clark Kimberling
q. j

j
j
& b 68 j . j . j . J

~~~
8

. .
. .

&
.

.
&b

21
.

&b
.
14

~~
.

b
#

b
.
J


b #
.

J j .
&
J J
.
J

35

..

bb . .
. . j
&

28

m . . . m

J J
& b .

42

b . n n # N
b
J

. J
&

J
49


#
. .

J
.
&
J
.
61
# . . . . . . . . . . .
.
&
. . . .

68

.

# J

&

55

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 282 tune 1486 footnote (see Index), Rutherford coll., London 1756

m
m
.
J

English Traditional
BRITISH
GRENADIERS
arr.
Clark Kimberling
# 4 q
j
& 4

#
&

.
.

J . J
J

14

&
20

&

# ##

n
j ###

n
n

# ## .

J


&

m
31
q.j
n
# ## n
j
j
#
. .
6

&
8 .
J
3

26

## . .
&
J
36

.
j . . J .
J
J

# # . J J . j j
J
J J

&
J
J RJ
J
41

## . . . 4
&
4
J
47

. . . m


tempo primo (or slightly slower)

ben marcato

. . m
. m .

.
##


&
J
53

m
# # m . . .
. . . . . .

&
60

Copyright 2004, Clark Kimberling

BROTHER JAMES' AIR


h
## 3

& 2 . .
6

&
11

&

##

. .

##

.
.

# ##

&
16

21

&

# ##

.
.

.
.

.
.


. .

J. L. Macbeth Bain
arr. Clark Kimberling

.
.

.
.

###

.
.

.
.

. .

n n nbb


bb

w
&

bb
w
&

26

legato

30

b . .
b
&
34

. . . . . .

. . . . . .

Copyright 2004, Clark Kimberling

BRYN CALFARIA
h
bb 3
& 2

ben marcato

William Owen (Welsh)


arr. Clark Kimberling

b
b
. 22
&

32

b 3 > > .
n

b
. . . .
& 2
. n n
13

&
18

> . . > . . > .

2
3

.

& .
2
2
24

29

&

>

3
3 # . j

b
n

&

3
37
3
.

n #
J . j

&b

33


&b
41

44

&b

22


32

. .

.
.

. n #

Copyright 2004, Clark Kimberling

BUTTERED PEASE
q or faster
# 2

& 4
#
&

#

&
13

#

&
19

# .

&

25

nb b #

#

&
31

bb #
&
j

bb #
&

43

49

&

j
#


&
&

j
#

# .
#

55

61

37

Traditional English
arr. Clark Kimberling

3
Copyright 2005, Clark Kimberling
Source Kidson Morris #11

nn

THE CARMAN'S WHISTLE

h.
6
&4
6

& #
m

j
. .

William Byrd
arr. Clark Kimberling

&

j
.

& . j
-

. J

11

16

.
& J
21

.
m

## .

&
J
26

30

&

34

&

38

&

##
##
##

# # . J .
J

. . .

J
J J

.
J
-

##
.
#
.
&
J
43

Copyright 2005, Clark Kimberling


Source: Chappell 253 (Fitzwilliam)

English Traditional
CHELMSFORD ASSEMBLY
arr. Clark Kimberling
q.

# 6
J

J J

& 8
J
J

.
.

# .
&
J
8

J
J
.
.
J
J

# J . J
&

15

# . j
J
J
&

22

n a # J J

J J
J
n

# .

J
J
&
29

36

&

43

&

# .

n a # J

J J
J

# . J
J

J .

# .

# . J
J

J .

J
&
J
J

.
.
49

# # .
&
J
55


J
J

J
& .
J
61

67

&

# a #

n n J
J

.
J
J
J
J
J
J
Copyright 2005, Clark Kimberling
Source: Playford Ball p15

q
b 4
& b 4 j
b
&b
6

English Traditional
arr. Clark Kimberling

THE CHESHIRE MAN


. J .

j
.

. .

j

#
#
J
J

b
b
& .
11

j . # .
J n m

bb j .
n # -

&

#
- #
J
16

21

&

bb

. # #

#
n

.
j

.
J
# n

J
J

# # . N J . .

J
#

#
&
J
J
26

## .
&
31

-
. # #



J
# #

##
&
36

. # #
#
J

# # - -

#
&
40

# #

.
J

-.

. j
# #
##

#
# .
&
44

Copyright 2005, Clark Kimberling


Source: Broadwood and Maitland p 29

THE CLEAN CONTRARY WAY

q
2

&4
#

.
&
#
14

&

. # Nm
.

&
7

21

English Traditional
arr. Clark Kimberling

b 2 #
m
. 3

&
4
4
27

&b
35

. n
#

Nm A

. #

&b
41

. 3
4
&b
48

. # . # 2 . . # .

n 4

# . . # .

&
54

60

&

# . .
Copyright 2005, Clark Kimberling
Source: Simpson p109

. .

Prince Albert
arr. Clark Kimberling

COBURG

q
#
& 44
6

&

~ ~

#

&
11

# 6
& 4 .
16

46

# ## 4

#
# ##


&
21

# ##
&
26

# ## 6

&
4 .
31

.
& .
36

40

&

nn n 4

>
> . >
>


#
>

> > > > > > > > > >
>

&

44

Copyright 2005, Clark Kimberling


Source: Methodist Hymn Book (British, 1904)

English Traditional
COCKLE-SHELLS
arr. Clark Kimberling
# 2 h
j
j

.
& 2
.
m
ben marcato

#
j


&

.
m
7

#
j

.
&


13

#

&
m
25
m

&
19

m
m

&
32


#
n .


&

J
37

j .

&

J
43

.
.

&

J
J
49

. . . . . . . .

&
55

. .
. .
&
61


.

J

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 44

COLD FROSTY MORNING

English Traditional
arr. Clark Kimberling

3
q.
& 68 j J j . . j J
.
.
.

&
7

N . #
j . .
J
.
3

N .
N .
j j


&


J
J
12

N . #m N .
N .
j 9

&

8
J
J
J

q
25
. .
j
#
.
.
9 . # 2

. .
.
.

&8

4
. . .
.
. .
fl
. . . . # N . . . . .
. . . .
32
.

N
N


##

.
.

& .

.
39
. . . . # N . . . . .

.
N
.
##

.

. .
&
.
18

.
. . 4
# # N . . . .
.

. .
&
4 -
.
46

>
. .
j

.
&
>
>
3
56
b.
. .

j

& .
>
3
j

61 j .
.
. b . J . . .

&
51

j

>
.
J

q.
n n 6 >
8 .
J
>

. J j
. . b .
J

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 111

# ## 4
& 4

David Dow
COMELY GARDEN
arr. Clark Kimberling
q
n
n m n

n
# # # n > n n

&
n
5

# ## n
&
9

. n n J n
J

# ## n . n n j n

&
J
13

17

&

# ##

a n m

# # # a m n
.

.
&
21

m a m
# # # a m nm m

n
&
m
25

n . n nfaster:
n 4 q
b
# ## n . 6

n 4

4

&
29

b b
b.

&
33

b.
b 6 b .

b
&
4
37

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 410

CUPID'S COURTESY

# 3 h.
& 4
8

&
15

. . . . . J #

&
m

# #

&

~~

.
# #
& #
#

&

37

44

&

52

&


m
h
# n 2 .
4

# # 3 j h.

.
# # . J. . . J #
&
66

# # m
&
59

# # # #

23

30

English Traditional
arr. Clark Kimberling

## # #
&
73

Copyright 2005, Clark Kimberling


Source: Simpson p148

English Traditional
DANIEL COOPER
arr. Clark Kimberling
h
.

& 22
m
8

&

. J . J

.
. J J

. .
. .
. . . . . .
. .

.

.
22
m
. . . . . . . . . . . . .

& .
.
29
. . . . . . .

.
&
. .
36
. .
##
. . . . . . . . . . .
. . .

&
.
.
.
44
m . .
.
.
##


J

J
&
w
&
15

##
&
53

~~~~~~~~~~~~~~~
m

.
.

J J w

. .
. .
. .
. . . . . . . . .
# # . . . . . . .

.
&
m m
m m
66

# # . . . . .



.
&
. .
73
# # . . . . . . . . . .

.
&
60

79

&

##

.
. . . .



Copyright 2005, Clark Kimberling
Source: Simpson p160

DAPHNE

English Traditional
arr. Clark Kimberling

q.
# 6 j
j
j

& 8
J
J
J

ben marcato

J . J j

.
&

J
J
9

J j j

.
&
J
J J
.
J
17

j
# J
n b

J . b J J
&
J
J
25

. .

b J

J
J


J
& J
J
33

bb . . J
J
&
J
J
40


J
bb J

J
&
J J J
J .
47

bb J
n

n J J
.
&

J
J
J
54

. .

J
J

&

J
61

.
&
J
68

. . . .
. . . . . . .

J
Copyright 2005, Clark Kimberling
Source: Playford Ball p48

. . .
.
J

English Traditional
THE
DEATH
OF
PARCY
REED
arr.
Clark Kimberling
q
#
.
& 44
J
6

&

. J 46

j .

J
&
.
11

44 . j

j
J

### 4
. 6

&
4
J 4
16

# ## .

. J 46
&
J
21

# ## 4

& 4
. J
26

44

# ## j
. 6 n nn n 4

& J
4


J 4
J
31

. 6
.

J

J 4
&

36

6
&4
41

.
4
.
J J J . J
J
4
J
J

&
J

J
46

Copyright 2005, Clark Kimberling


Source: Northumbrian Minstrelsy (1882) p42

6
J 4

THE DERBY RAM


q..
. .
> .

6
j

J
b
J
& 8 J
J
J . J

b
& J
7

.
j .
J

. .

.
& b . j .
12

17

&b

>

j
.

>
j
.

English Traditional
arr. Clark Kimberling

. J . J

j
.

j
.

.
J

j .

. . . J

. . . . . . . . . .
. . . . # > n . .

J
.

J
.

. . . . . . . . .
j
. j
j

.
.
b

. j
&

. . .
.
>
22

. . . j . . .
j
j

.
. . . . .
&b
. . .
.
>
32
. . . . . . . .

.
.


n .
&b J
27

j . . . . J
.

. . .
.
.

.
.
>
.

. . . . . . . .
>
# # J n
j

&
J
J
37

. . . . . . . . .
.
>
j

. . .
& . . .

J
J
J
.
42

47

&

.
# . . .

Copyright 2005, Clark Kimberling


Source: Broadwood and Maitland p 44

.
.

J .
.

English Traditional
DOVER PIER
arr. Clark Kimberling
q

2 j
j j

&4


J J

j j

&

J

J J
9

.
&J
17

J
&
26


.
J

& J .
33

.
b
j

bb
n .

bb . .
& b
40

n #m N
J

bb b . n n
&

48

##
& J
56

n j n n n # # j
J
. . .

# # m

&
63

# # J

&
71

. . .

.

j


Copyright 2005, Clark Kimberling
Source: Playford Ball p25

Scottish Traditional
DUKE'S RETREAT
arr. Clark Kimberling
q or faster
# 2

.
& 4 . . .
.

.
. .
&
.

. .
.
8


&
. .
15

. .

#


&
. .
22

# .


&
. .
29

. .
. .

. . . .
. . . . . m .
#

&
36

. . m .
# .


&
.
43

50

&

n
. .
. .

. . . . .
&
56

. .

.
& .
62

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 780

English Traditional
DUKE UPON DUKE
arr. Clark Kimberling
q
.


2

&4


8

&

ben marcato

15

& .
22

&


&
29

36

&

&
&

# .

#
.
&
53

#
&

59


j m

j
.

42

48

# #

Copyright 2005, Clark Kimberling


Source: Simpson p200

DUNKELD HARMITAGE

Niel Gow
arr. Clark Kimberling

q (fast)
#
& 44 . .
ben marcato

& . .
5

# . .

&
9

# .

&
13

. a

.
j

&

17

21

&


j n b b

b . .
n
b

n
&

25

J #

.
.

&
29

# .

&
33

# .

&
37

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 245

Scottish Traditional
DUNSE DINGS
arr. Clark Kimberling
# # # 4 q
.
n

& 4
J
n
J
ben marcato

n
# ## .

n
&
J
J

# ##

&
9

n n n
J

# ## n
n

n
&
J
13

17

&

21

&

# ##
# ##

m
a n m

m
a n m

n
# # # . . . .

n
&
J

J
25

n
# # # . . .

n
&
J
J
29

n
# # # . . . . . . . . . . . . . . . . . . . . . . n .



&
n
J
33

# # # . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


&
37

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 246

EARL OF DALKEITH

Scottish Traditional
arr. Clark Kimberling

& 4
.


&
.
m
6

.
. m m


&b
.
11

& b .
16

b . b


.
m

b
.N

m
b

.
b

&
.
21

.
b


&
.
m
26

N. .
b


&b
.
31

bb

bb .

&

36

. .
. .

.
.

.
b

&

41

.
.
. .
m . .

b

.
&b

45

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 247

ENGLAND'S LANE
# # 2 h

& 2

6

&

##

English Traditional
arr. Clark Kimberling

## .
3

&
2

J
11

## 3
& 2 .
16

21

&b

nn 2 N #

b 2

N
. j


&b

26

3
2 .
&b
31


b
&
35

&b


. j

. .

22

. .

. . #


b

&
39

44

.
.

. J

Copyright 2005, Clark Kimberling


Source: Simpson p203 and H82#88

ENGLISH DANCE

q (fast)
#
.
& 42
ben marcato
#

& 43 .
7

&4
25

#
&
29

& 24
33

# n

&

&

43 .

2
&4
41

n 2
4

43

37

45

24

43
.

.
&
19

24
.

& 43 .
13

English Traditional
arr. Clark Kimberling

.
3
4

Copyright 2005, Clark Kimberling


Source: EH Jones

42
.
42

Traditional English
FAITHFUL
SHEPHERD
arr.
Clark Kimberling
q
.

# 2
~

& 4


ben marcato

#
~

& ~
7

#
~

#
&
13

#
~

& ~

# . . . .

19

25

&

31

&

. .

# . .

. .
&
37

~
~
&

43

49

&

#
~
&
&

~
~

~
~

55

61

~
~

Copyright 2005, Clark Kimberling


Source Kidson Morris #14

s .
~
~~ ~
Glis

English Traditional
arr. Clark Kimberling

THE FEMALE SAYLOR


h
. . .
bb 2 . . . .


. #
& 2
. .
9

&

bb

. . .

. . . .
.
. # .

. .
.
. .
.

68

q.
.
.

# .
.
.
N j j . n #
b 6 J #

J
b

J J J
J
J
J
J
& 8
h
25
> n
2
bb j j .
2

.
. .
&
2
2
2
J J
17

bb 2 > n > n Nn
& 2
31

> n
32

bb 3 2 > n > n n 3
& 2
2
2
36

. . .

2

&2
41

. . .

&
49

. . .
#
3

q.
. # .
57
6
J J
&8

N J


.

.
3


# # .

J
J J
J
J

j
. # . N
#m
J
J J
. .
&
J J J J
63

Copyright 2005, Clark Kimberling


Source: Playford Ball p36

. . .

.
.

n n 22

68
.

J .

FIDDLER'S MORRIS

Traditional English
arr. Clark Kimberling

. .
2

b

& 4 . .
. .

. . . . . . . .
..
7
.
.
.
.
.
.
.

.
.

&


.
. . . . . . . .


&b
. .
13

19

& b . .

. .
. .
3

# n
j

3
2
&b 4 4
25

n
&b
31

& b #
37

. # n

n #

# n

n#

3
4

. # n
n #

n 42

. >
. >

.
2 . . . . .

&4
43

. # #
.


&
50

56

&

. > .
. . . .

. > .
. > .


&
J
62

Copyright 2005, Clark Kimberling


Source Kidson, Morris, #5

q
j
4
&4
ben marcato

William Gow
THE FIFE HUNT
arr. Clark Kimberling

.
# J .

J
j
JJ
J

.
j
# J .

&

J J
J
6

j
# j #
J

&
J
J

10

j
.
# j # J
J
J
&
J J

14

.
.

. . . . . . . . . . . . #m. . . n . . . . . . . . . . . . .

J
&
. .
18

staccatissimo


##

J
#

&
22

subito legato

# # m .

&
26

ben marcato

j # J J
J
j J

# # m .
# .


j J
&
J J
30

## # j # n

J
&
J
J J

34

# # m # j #
J
&
JJ

J
38

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 253

# ## 2
& 4
8

&

# ##

q
j

. .
j

# ##
. .
&
15

James Hook
arr. Clark Kimberling

FLOWERS OF THE FOREST

. .

. .

# ##
&

22

.

J

# # # j
.



n
&
J
~ .
36
n

.
# ##
#


& .
29

~ .

.
. .
##
&
44

~~ .

j .

~~ .

.
. . .
##

&
51

58

&

##

j
# # j

J
&
65

.
n
. ~~
##

. .

&
72

Copyright 2005, Clark Kimberling


Source: Levy Box 109

THE FRIENDSHIP
h
b 2

b
& 2
6

&


bb n

. n

James Paisible
arr. Clark Kimberling


n n
J
&b


11

bb
&
16

~~~~~~~

# n
J

& .
. . . .
26
m
b

b
.
&b
J
21

bb

b
b
&

J
32

~~~~~
# n

.
bb . J b . . . .
J
&
J
36

b
b
&
41

bb . n
J
&
47


n n


bb
n

&

52

Copyright 2005, Clark Kimberling


Source: http://memory.loc.gov/music/125/0003.gif (1713)

q
# 3
& 4
9

&

THE FROG GALLIARD


j .
j

. .
J

#
&
25

j
. . J

j
.

.
J
.


&

33

41

&

# .

j
.
. . J
J
.

. .

& . J
17

English Traditional
arr. Clark Kimberling

faster:

. . j

. J . J .

. . # . N
j

.
J

J
&

J
49

57

&

65

&

73

&

81

&

89

&

##
##
##
##

.
h.

. .

J

J

faster:

##

. m .

J
3
m .

.
.

J
J

m .
.

J # . NJ .

J

J
. . J .
.


J
Copyright 2005, Clark Kimberling
Chappell p275

GEORDIE
h

2
&b 2

English Traditional
arr. Clark Kimberling

.

J

& b . .

. n . J
.
J


n n# #

&

.

13

. J

&

19

25

&

# .

&
31

. # . J . .


n # . J

# #
. .

&
37

. .
J
&
43

Copyright 2005, Clark Kimberling


Chappell vol 2? Traditional tunes p25

Scottish Traditional
GILDEROY
arr. Clark Kimberling
q
.


& 4 . J
m

. . J

&
7


&
m
13

.
. J .

46

&
19

m
m m

#

4
&4

m
m m
31

#

&

25

.
.


J b J
&
m
. . .

43

. .
m

j
&b
37

m
.

b
j

&
J

. . .
.

55

&b J
49

. . . .


6 .
.
J

b
&
4
3

61

Copyright 2005, Clark Kimberling


Source: Simpson p253

THE GIRL I LEFT BEHIND

q

4
&b 4

j
&b
6

&
12

18

&b

&b

J
23

&b

&

41


. J

.
# . n #

# .

. .

T
m . . .
. .
.

&b
33

37

. J . j

28

English Traditional
arr. Clark Kimberling

&

faster

#
j
&

46

Copyright 2005, Clark Kimberling


Chappell vol 2 p187

& b 44

English Traditional
GOOD MORROW, GOSSIP JOAN
arr. Clark Kimberling
q
. .

. . . J .

b
. . .
&

8

&b
14

&b
19

j .

. .
.
.
.


J
&
25

31

&b

m. . - .

q
~~~~n # N .
.
faster:
Gliss

.
.
.

# m




J
&

. .
43
.

. . . .

.
#

&
m
49
.

# # m m
~
~
&
~
m
~~

37

m

.
61
.
.
.

~ . J

&
# .
&
55

Copyright 2005, Clark Kimberling


Chappell vol 2 p98



m
.

GRAMERCY PENNY
h
.
# 2

.

& 2

English Traditional
arr. Clark Kimberling

& .


.
7

13

&


#
. .

#

&

19

&


25

. . .

faster
.
. .
n
N

& . . . J J

m.

37
.

.
. .
&

. . . . .

43

.
.

.

&
31

#
&

49

&

m
. . .
61

. . .

&

J
m
55

Copyright 2005, Clark Kimberling


Source: Simpson p262

GREEN GROW THE RUSHES, OH!

# # 4 q

& 4

# # . . . . .

&

English Traditional
arr. Clark Kimberling

. . . . . . . .
j

# # . . . . m m
. . . .
5
4

&

. . . . 4 . . . . 4
. .
13
~
~~~
## 4


& 4

##
&
17

m m m
~~~
.
.

. .

## 6
& 4 . . . .
21

. . . . 46
. . . .

nnb 4 N
.


4

.
J
&b
25

&b
29

~~~
~~~
. . . m m
&b
.
33

. . . . . . . . . . . . . . .


&b
37

~~~

m m
. . .

& b .
41

. . . . . . . . . . . .
. .

Copyright 2005, Clark Kimberling


Source: Broadwood and Maitland p 156

HANDEL'S MARCH
h
# 2

& 2 . . . . .
ben marcato
~~~~
8
#


&
. . .
~~~~
15
#

&

.
. .

George Frederic Handel


arr. Clark Kimberling

.
.

.
.

. . . .

.
.
.

#
j
j

# . J
. . . .
&
. . .
22

.
#

. j . j
. .
&
u
.
.
.

.
36
T

.
.
.

.
.
.
.
.
.
## .

.
&
29

# # ~~~ . . . . .

&
43

T . . . . . .

>
# # > ~~~ . .

.
&
50

# ##
m

.
. . >

>

. . .

~
. .
# # # > . . . . 3




&
57

## .

&
64

- - - - - - - - - - - - - - ~ - - .

Copyright 2004, Clark Kimberling

HLAS MADAME

# # 2 q. . .
& 4
##

&
9

# # . . . . . m

#
&
17

##
&
25

. . .

#
J

.
J

## . j
&
J #

# j
J

m
#
J

j
j J # J
J

# j

J
J
J

33

Court of King Henry VIII


arr. Clark Kimberling

n n . .
b

# n #

. . j #
j m m .

&b
41


b
&
50

. . .
. m j
m j

.
.
.
.

# J n

#
J

# m #
&
58

63

&

70

&

# m #
#

.
. # # . . m

m m

m
. m
.
.

.
.

#
Copyright 2005, Clark Kimberling
Source: EH Jones

# # 2 q j
& 4

8

&
15

&

##
##

>

>
# # . .

&
. . . . m .
&

##

j
m

22

29

Scottish Traditional
arr. Clark Kimberling

HE'S AYE KISSING ME

. . .
.


j . .
.

q.
>
#
j n 68 . .
faster:

. >

# >

.
&

m J
35

.
# . j .

.
&
J

J
m
42

j > . > . > .


& .
49


> . > .

J
.
J
3

# >
j . j

&
J
J .
.

61
.

#

& .

55

> .

.
>
J


J
j .
-

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 68

Scottish Traditional
HIGHLAND DANCE
arr. Clark Kimberling
q.
.
.
.
6 . . . . . . . . .
. . . . . . . . . . . . . . .
&8
J
J .
J
fl

> . . . .
. . . # > . .

.
.
.
.
#

.
.
6
9
. J
& . . . J 8 .
8
J .
J
J fl .
8

. . .
. . .

.
.
.
.

.
.
.

. . . .

.
.
.

9
6

J
.
. 8 .

&

8
J

J ..
J
fl .
q
22

. . . . . . . .

9
2

& .
J . . . J 8 .
4
15

legato

29

&

. # #

3 j

2 #
4

. #

&
4
35

q.
.
3 j 6 . . . . . . . .
. . . .
J .
&4
8
fl
47
> . .

.
#
. . . .

9
6
&
J . . . J 8 .
8
J
41

.
. . . . . . . .
J
. . .
. . . .

J fl . .

. . . . # > . . . . .
. 6 . . . . .

.
.

&
J
J
8
J . . . J 8
53

.
.
.
. . .
. . . . . . . . . . . . . . .
9
&
J .
J
J . . . J 8 .
fl
59

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 521

HIGHLAND MARY

Scottish Traditional
arr. Clark Kimberling

bb 4 q
. . j

& 4

J
b

.
b

&

J
7

13

&

bb

. .

q.

n
6
6 j

.

j
j
j

J

&
J
J
19

25

& .
31

&

.
J
J
j .

J
J

. J .


&b
J

36

&b
41

47

&b


h or faster
b 22

. .
J

Copyright 2005, Clark Kimberling


Chappell vol 2? Traditional p85

THE HUNDRED PIPERS


# ## 6 j
j .

& 8

J
7

&

# ##

Scottish Traditional
arr. Clark Kimberling

j
J

# ## . j
j
J

.
&

J
13

19

&

25

&

# ## .
# ##


J
J .
J
J

n## j

j j


J
#

J

# # J .
&
J
31

J
j


## j
nn j

&


J
J J
J
37

& J
J
43

& .
49

J j J .

J
& J
J .
55

61

&

j J

J
J



J
J
Copyright 2005, Clark Kimberling
Source Johnson ...(or Internet)

J
J
.
J

&
7

&

##
##

English Traditional
HUNSDON
HOUSE
arr.
Clark Kimberling
q.
>
.
j j
6 j j
J . .
j

j
8 . J
J

. J >
>
.
ben marcato
. >
. >

. > .

JJ
JJ
J J .
J
J

# # . >
&
JJ
13

j J .

. >
JJ

. >
# # >
.

J
&
J
J
J J

nn

19

j
J
#
J
&b
25

. .

J
&b
J
31

&b

>

JJ
&b

37

44

. >
JJ
&b
50

.
. . . . . .
. .
J
J
.

J .

&b

&b

>
J J

61

. . >
JJ

>
J J

.
J

. . . J .
j

Copyright 2005, Clark Kimberling


Source: Playford Ball p51

> j
J J J

>
>

j
JJ
J J J

.
J >
J
J

56

# . . . # .

q
4
& 4 . J
6

&
11

&

John Stafford Smith


THE HUNTER'S SONG
arr. Clark Kimberling
. .

.
J


J
J
<
<
.

. j
3

.
J
. . . .

m

16

&
21

&

.
J

. J

<
<
. .

J
. J

##

##

. . . .

&

29
. m . . . .
# # . . . . m

.
&
25

33

&

##

# # . . . . m



&
37

m
J

##

. . . .

&
.
45
. m
# # . . . m

.
&
41

Copyright 2005, Clark Kimberling


Source: U FL library (rare)


. . .

..
. . .

# 6
& 8

English Traditional
I'LL TOUZLE YOUR KURCHIE
arr. Clark Kimberling
q.
m . . . . .

j
.

. . .
J . . . . . . . . .

m . . .

. .

. .
J
& . . . . . .
J . . . . . .
. .
. . .
6

.
# m . . . . . . . j

J
J
& . . .
. . . . . .
. . .
11

# m . . . . .
. . . . . .
&
J . . .
. .
. . . .
.
. . .
21
. m . . . . . 9
#

J
& J
8 . . . . . 8
J . . .
.
16

#

&
.

#
J

26

# .
& J
31

j
. n . . .

. . .
& . J # J
.
36

. . . J . . . . . . J
&
J . . .
42

J .
&
J
J
48

.
J J

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 304

.
J

English Traditional
arr. Clark Kimberling

q.
# 6 . n . . a
j . n

& 8 J

JACK'S HEALTH

m
# . . .
n

. .

&

j . n . . J J .

&

13

# J J # .
&

j j

25
J J
#


& .
J
19

. # #
n m . a

# .
J
.
& J

31

# # # . # n m . n m . . a
j
. n

.
&

37

43

&

# # # m m

j m . n m . . a J

# # # . . . # .

J
&

. . . . . .
.

55
.

# ##
j
J
j
J

.
&

49

rit. >
# # # m . .
J > .

J
&
J
61

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 94 tune 486 footnote, Neal coll., Dublin 1726

English Traditional
JACK'S MAGGOT
arr. Clark Kimberling
h

## 2
.

J
& 2

ben marcato

## .
&
7

13

&

##

.
##

## . . .
&
J J
31


. J . J .

## .
&
&

. .

19

25

subito legato

# .
#

& b n
37

.
nn b

#
n #

marcato


## .

&

43

48

&

##

n nn

b
legato

&b
54

59

&

. J .
J

## .

# .
# # .
#

marcato


. J . J .
Copyright 2005, Clark Kimberling
Source: Playford Ball p55

Scottish Traditional
JENNY
NETTLES
arr. Clark Kimberling
q
. #
. # .
.
.
.
.


& 44 .
.
.

. # j
# .
. .
.
&

#m
j . .

&
12

.
m #m

.
j #

.
&
16

m # .
# . #



&
20

# #
. #
.


. .

# . .
&
24

.
.
# # # . . . # m . . #
. .

&

J
29

## . #

. .

&
J
m
39
.
#

## . #

&
J
. #
m
43

m #
.

##


&
.
.
47

.
.

.
##

N

&
35

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 259

English Traditional
JOAN TO THE MAYPOLE
arr.
Clark Kimberling
q or faster
#

j
& 44 . .

> # . > > # .


#

&
. J
J . J
8

> # .
# >
& J . J
14

>

> # .

. .

#
j 6
.

.
&

4

19

.
. .
# 6
j

.
J
& 4 . 4 J
25

# . j
# . . J . j # #

&

31

# . . . . .
6 . ## 4
J

&
4
4
J
m
3
43
m
.
# # . m .


&
J
37

> # . > > # .

# # . >J # . >J >J # . .

J
J . J


.
&
49

55

&

>
## .

. m .
. m

## .
.


&
J
61

m m
.

Copyright 2005, Clark Kimberling


Chappell vol 2 p100

Scottish Traditional
arr. Clark Kimberling

KATHARINE OGIE
4
&4

q
. . J . .
J
J

&
7

m
.


.
&
13

.
#

&
19

25

&

. . .

N
# .

.
&

m #

31

46

6 b 4 . . J . .
4
J
J
&4
37

&b
43

. . .

. .
.

&b
49

Copyright 2004, Clark Kimberling


Source:Keller p39

2
&2

KATRIN HOGGIE
h
. J .

. . . .
.
&
8

21

& .

.
&

# # . > .

J
.
&

46

&

51

&

33

# # . . . . .

&

27

40

. J

. J .

. . . .


& . J
15

John Young
arr. Clark Kimberling

>
. . J

. > . J .

##

. > . # . .
J

##

#
N

. .

# # # N

&
rit.
. .
61

. . . . . . . . .
##


& . .
no vibrato
56

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 39

KELVINGROVE

Scottish Tradtitional
arr. Clark Kimberling

q or faster
# 4


& 4

.
.
#




&

# .
&
13

.
J J

. .

###

# # # . .
. . . . . . . .
. > . .

&
.
. .
..
..
.
.
>
.
24
. . . . . . .
. . . . . . .
# # # . .
.
.

&
. .
. >
>
29
# # # . . . .
n nn
. j

J
. J J

.
&
J
.
34
.
. . . . . . . .
. . . . . . .

.
&

.
. . . . . . . .
37
.
.
.

. . . . . . . .



&
18

. .
. . . .


&
41

. J .
J
J J
&
45

Copyright 2004, Clark Kimberling

KEMP'S JIG

. .
.
& 24
.
&
7

. .

English Traditional
arr. Clark Kimberling

. . . . . . . . . . . . . .
b

.
& . . .
m
13

. . . . . . . .

. . . . . .
. . .
& b
.
m
19

25

&

33

&

. .
.
&
.
m
42

&
48

. .

. . . . . . . . . . . . . .
b

.
& . . .
m
54

. . . . . . . .

. . . . . .
. .
& b
m
60

Copyright 2005, Clark Kimberling


Source: EH Jones p34

KILECRANKIE

q
# 2

& 4 J
#
j
&
7

#
& J
19

& n
# j
& .
25

.
.
# # . . . . . . . . m
&
J
##
& J
42

&

##

.
. .
.
.. .
. . . . . . .

. . . . . . . . m
.
.

. . . . . . n . . n . . . . . .

.
# # . n . . . . . . . . . m

&
J
48

##

&

. . . . . . . . . . . . . . m . . . . . . . m . . .
. # # q
. faster:

32

38

j
m

13

Scottish Traditional
arr. Clark Kimberling

53

m
J

. . . . . . n .

.
. . . . . n . . n . . . . . .

.
.
. . . . . n . . n . . . . . . . . . m

J
Copyright 2005, Clark Kimberling
Source: N Gow (Carlin) tune 593

KING'S LYNN
q
. j

# 4
& 4

# .

&
8

& . .
15

21

&

bb

English Traditional
arr. Clark Kimberling

n b

j
b .

n .

b J .
b
&

J
26

faster

bb
.
nb
& J
J
J .
m
35
m

.
&
3
fl fl
.
39
n .
. . . .

&b
31

. n .
.
J
J
&b
43

. . . >
.

&b
47

. . >


fl fl
Copyright 2004, Clark Kimberling

. .
. . . .
.
.
3

KNIT THE POCKY

Scottish Traditional
arr. Clark Kimberling

q
. . . . . .
.
.

# 4 j . . . . . . . .

. j J
& 4 J
. . . .
.
6
. . . . . .
. . . . . .
.
.

.
.
# . . . .

. j J
&
. . . .
.
.
11
. . . . . . . . . . . . . . .
# . . . . . . . . . . .

&

. .
.
.

j J
.

. . . . . . . .
.
. . . . . . .

. .
m
.

# . j m

j m

j
j

&
. J
. j
J
J
16

# j . J
& J

23

. . . . .
.



N . . . . .
#
j n j J
.

.
J
&

.m
30

. . . . . . . . . . .
. . . . . . . . .
. . . .

j J
. . . j J
j J

&.
.
.
35

40

&

.
. .
.
. .
. .
.
.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.
.
.

.
.
.
.
.
.
.
.
.
.

.
.

.
.
. . . . .
. .
45
&

no vibrato

Copyright 2004, Clark Kimberling

KNOLE PARK
q
. . .
. . . . m .
## 2

& 4 . . .
. .
.
7
. . .
# # . .
.

.
&

.
13
. . .
. . .
##

& . . .

>
# # m . . m .
.
&
.
.
. .
25
# # . . . . . .

&
19

31

&

##

. . . . . .

.
. . . . .

.
m . m . m .

n nb

English Traditional
arr. Clark Kimberling

. . .

. .
.
>
. . . . m .
. .
. . . . . .
.
.
.

. ... .

. - .

.
.
.

.
.
.
.

.
.

# n

. A N

subito legato

# #

b
A

.
&

37

m m


m m

#
# #
b

&


43

49

&

55

&

61

&

##
##
##

. . . m .

. N . a
.
3
.
. . . .
. . .
.

.
.
.
. . .
. .
.

n##

. . .
. .

. . >
. .
. .
. m . m . m .
.
.
m .
.
. . . .
. .
j

Copyright 2005, Clark Kimberling


Source: Playford Hall p. 62

LADIES OF LONDON

English Traditional
arr. Clark Kimberling

# # 6 q.
& 8 j . J
##
& # .
7

13

&

##

m
J J # .
J

n n 6 . . . .
j
9

8 . . . . . b 8

. . .
.

.


J

& b # . J n #
J
18

.
. . . . . .

.
.

.
b

&

. J
25

. m
.
.

# # .

.
& b J
J
31

. N bb

bb . . J
&
J
38

44

&

bb n .

J J #m .

. . .
.
bb m . .
&
50

9 . . . . .
8
J

Copyright 2005, Clark Kimberling


Source: Simpson p421

J
.

LADY ELIZABETH COLE'S DELIGHT

q..
j
.
6
.
&8 J
J
#
J
J
J
J
>
.
7

. . . . . . . . .
#

J
. J
&
J
J
J
J
13

. .
. . . . . . . . . . . . . .

J
J .

& .
>
19 .
. . . . . . . . . . . . .
. . . .
&
J
J
.
.
25
# . .
. . . . . . . .
J
&
J
J
. . . . # .
.

.
.

.
.

.
& . .

J
J

Robert Mackintosh
arr. Clark Kimberling

. . . . . .

j
#

. . . . . .

. . . j # J
.
. . . . .
. .

. . . . . . .
J

.
&

30

36

2
.
.
42 .

J . . .


J

&
J
J
2

.
&
48

. .

. . . . . . . .

&
54

j
& # .
>
60

# .
J
J
J
J
>
.
. . . . . . . # # J
J
J
. J
J
2

. .
. . . . . . . . . . . . . . . . . J
J
J
Copyright 2005, Clark Kimberling
Source: Gore #15

.
J

Scottish Traditional
LADY SHAFTSBURY
arr. Clark Kimberling
h
bb 2
.

.
.

& 2


J
J
J



J
.
15

J > .
bb . . .
J
&
J
J
J
22
m . >

n
b
. .
J J n
J J
&b
J
b
&b
8

29

&

35

&

. .
J

bb
bb

. j

. J . j .

.
bb . J

&
. j
42

. J

.
.



J
J
J
56
.

bb
. .

J
&
J
b
& b .
49

J . .
b
b
J
&
J
62

bb J J n
&
68

.
J . J .
Copyright 2005, Clark Kimberling
Source: N Gow (Carlin) tune 105

LAMENT FOR MRS. OSWALD OF AUCHINCRUIVE

q
#

& b 44 j .

Nathaniel Gow
arr. Clark Kimberling

. n

# 4
& b
J
5

6 . .
b
& 4

j 44 . # . n

#
# 4
& b .
J#
13

. .

4
J 4
. J

6 . .
b
& 4
17

.
b
&
21

j . .
J

. .
&b

faster
#
# . n
J n . .

24

#
&
28

#
.

# #

# . .

&
J
J

J
3
31

# .
# # .

.
&
3
35

# # # 6 m .
&
J
4
J
3
39

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 107

THE LASS OF PATTIE'S MILL


q
## 4
.
& 4
J
.
## . .
&
J

13

&

##

. .


J
3

Allan Ramsey
arr. Clark Kimberling

## .
.

&
J

J
19

26

&

##

J

.

## .
&
33

n b n n b . J .

.
&b
& b .
45

faster

39

. A


&
J
52

.
.
&b J
59

46 . J J 44 .
Copyright 2005, Clark Kimberling
Source: Fleischmann p. 269

LLANFAIR
q
# 4

& 4
# .
& J
7


&
13

.
J

. 6
4
J

# ## .

&
J
# ##
&
29

&

# ##

&

n nn 4
4

# . . . . . J


.
&

46

. 6
4
J

faster


&

### 4
4

m
m
# . J

37

41

4 .
&4
33

~~
j

#

. j . . J

18

24

Robert Williams
arr. Clark Kimberling

6
4

Copyright 2004, Clark Kimberling

LOCH EARN
#
& 22
7

&
.

h
. .
. . . .
.
~
. ~~ .
.
. .

# . . . . . . . . . . . . . .

&
12

# . . . . ~~~~ . .

&
. . .
.
23

#
~ . .
~

~
& .
. .
. .
.
17

.
~
~~ .

.
~
~ ~ .

. . . . .
. . .
. .
.
. . . . . . . . . . . . . . . .
. . . . . J
. . . . . . . . . . . .
.

. . . . . . . . .
.

.
. .
.
.

Nathaniel Gow
arr. Clark Kimberling

.
. .

.
~
~~ .

. . . . .
. .

. 32 .
.
. . .

.
~
~~~ .

. . .

nb 2
b 2

b 3 2 3 .
2

&
2
2
2
2

.
. . . . . . . . . .

.
32


b 2
~~~~
b
& 2
27

~2~~ . .
3
#
bb


n 2
.
2
&
. .
36

.
~
~ .
& . ~
.
.
.
.
.
45

#
~
~

~
& .
.
.
.
41

.
.

.
~
~
~
.

. . . .
. . .
. . .
. .
.
32

Copyright 2004, Clark Kimberling

English Traditional
THE MERRY DOCTOR
arr. Clark Kimberling
q.
. . . . . .
.
.
.

.
.
.
.
. . . . .
#

.
.
.
.
.
.
.
.
.
.
9

.
.
.
.
.
.
.
.
.
.

. .
&8

.

. . . . . .
. . . . . .
. . # . .
.

.
.
.
.
#

.
.
.
.
.
.
.

.

& . . . . .
J
6

. . . . . N. . . . N . . .
. .

&
11

.
.
# . . . . . . . # . # . n J.

.
. . . . N. . . .
j
N . . . .
12

&
8
.
15

q
34 > > > >
>
>

>
34 > > > > > > 42 > > 43
> >
25
> >
> # > >
>
>
>
>
>
>
>
>
>

& 43 42
43
>
>
>
> > > 2 > >
&
4
19

> > # > # > >

&
31

q.
.
.
.
.

.
.
.
.
#

.
.
.
.
.
.
.
.
.
98 . . . . . . . .

. .. .

. . . . .
.
.
.

.
.
.
.
#

. .
. . . . . . . . . . . . . . . . . . .
&
J .
36

. .
. . . . .
# . . . # . # .
&
41

.
. . . . N. . . . N . . .

. .

. . . . . .
.
.
.

.
.
.
.
.
.
.

N . . 12 N . . # .
# . . . # # n J
8
J J
&
45

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 201

Nathaniel Gow
MISS CLEMENTINA LOUGHMAN arr. Clark
Kimberling
q
.
.
2


&b 4


b

&
8


b
. J
&
15

j
n J
J

. J

.
&
22

q.

.
.

#
b

J
&
J
8
J
29

#
j . . .
j J


&
J
J
J
36

j J . .
#
J
J

J

&
J
43

j 2 q

&
4 . J
49

# .
&
55

61

&

J
J

. J

. .
. n
Copyright 2005, Clark Kimberling
Source: N Gow (Carlin) tune 141

Niel Gow
MISS
COULSTON
arr. Clark Kimberling
q
.
> . . .
b 4

.
& 4

> . . .
b .
.

&

.
5

. .
.
bb .
.
.



&
9

13

&

bb . #

. . . . .

.
. . . . .

. .
bb . .

&

J

J
17

. # . .
.
bb


&
. J

21

. . .
.
n

bb

.
&
. n n
faster

25

&
29

. . .

. .
. .

.


&
32

36

&

. . . #

. .
. .

.
.

.
. .

# #

&

39

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 142

Nm .
.

MISS JESSY STEWART'S STRATHSPEY

Scottish traditional
arr. Clark Kimberling

q
. .
. .
. .
bb 4
.
.
.

.
.
.
.
.
& 4 . . .
..
. . .
. . . . . . . . .
6
.

.
.

b
.

. .

& b . . . . .

. . . . . . . . .
. . . . . . . . .

.
.
b
. .
. .

b
&
.

. . . . . . . . .
. . . . . . . . .
16

.
.
.
.

b
..

. .

. .
& b .

.
. . . . . . . . .
21


.
. . . . . .
bb

&
11

. . . .
. .
bb . . . .

. .

&

26

faster

. .
. .
.
.
.
.
nn

bb

.
. . . . .
&

. . .
. . .

..
.
.
.

36
.

.
.

.
. .

.
.
. . . .
. . . .
.
&

31

.
.
. . . . . . . . . . .
. . . . . . . . . . . . . .



&
.
42

faster
.
.

.
.
.
.
.
#

.
.

. # .
. .
&
..
..
.
47

rit. . .
.

.
.
## .

.
.
.
.

. .
. . .
&
..
52

Copyright 2004, Clark Kimberling


Source: Fleischmann 793

William Shield
MORPETH RANT
arr. Clark Kimberling
h
.
# # 2 .

. .

& 2

.
.
# # . .


&

.
7

. . . . . . .
. .
.
.
# # m

&

.
13

. . . . . . . . . . n . . m
# # . . n . . m

&
19

.
# # . .
. .



&
25

.
. .

2
nb 2 J J

&
.
.
m
37
. . . . J . m # . J J 3
J

&b
2
31

##

m . .
#
J J
>

2
>

>
> > > > >

&b
>
. . . . . . . .

.

48


. b .

&b
.
43

53

&b

> >

. . . . . . . . . . b . . m >

staccatissimo
Copyright 2005, Clark Kimberling
Source: Jig,Reels&Hornpipes EH Jones p6

English Traditional
MOUSE IN A TRAP
arr. Clark Kimberling
# 6 q.
. j . j. j
. j . j. j
& 8 J

#
. j . j . j
. j

&

n
# . j . j . .

&

13

h
. . .

. . .
.
.

& n J

4
19

# . . . . . . . . 6 . . . . . . . . . . . . . . . . . . n .
J 8

&
26

.
44 . . .

# . . . . . . . . . . . . 6 . . . . . . . . . . . . . . . . . . 9
J 8

&
8
33

# 9 . . . # # 6 . . a . . .

& 8
8
J J
J J
J
J
39

# # . . .
.

&
J
J
J
J
45

. . . . . . . . . . . . . . n . .
.
.

##

&
J J
51

. . . . . . . . . . .
. . .
.
.


. .
# # . n . J
.
&
J
staccatissimo

57

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 280

MRS. GRAHAM OF BALGOWAN

Donald Dow
arr. Clark Kimberling

h (fast)
## 2
n
& 2


5

&
9

&

##

m

J n

##

m n n N N #
J b


#
J
&b

13

m
n## n

b

&
J
a

17

21

&

##

J n n b N

&b
#
24

a
#
J n #

# # m

&
27

J
rit.

a tempo
.
# # - - - m - U

&

31

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 444

q j
& b 44
5

&b

. . . .

.
. m. .
&b
9

13

&b

. . . .

MRS. HORSTON OF ROSEHALL'S FAVORITE

Nathaniel Gow
arr. Clark Kimberling

. . . j .
. . . j #

>
j
#

. . . j #
. . . j .

>
.
.
. j . . .
. j

j
#

. . . . .

j
.

.
. m. .
j
j
#m



&
J

17

# n
b

& .


21

j
.
# # j . . . m . m
#

n n
. . .
&b

. . . . .
29

j
m


j . . m
#

.
#

.
. . .
&

. .
33

.
. . m m .
#

&
25

# . . . . . . .

&
36

m
. . . m

. rit.

.
# . . .

&
3

39

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 183

Nathaniel Gow
arr. Clark Kimberling

MRS. MACDOUALL GRANT

#
& # 42
7

&
13

&

##
##

25

&

31

&

j
j


m m J

##

&
19

q
j

##

##

#
j
J n 42

43

. j

&
37

#
m m

&

43

~~ . .
~~ . .


# j

& J
49

~~ . .
~~ . .


J
&
55

#
~~~


43 j
&
61

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 184

Scottish Traditional
NIEL
GOW'S
BONNY
CHARLIE
arr.
Clark Kimberling
q
3
4
j
& b 4 .
ben marcato

&b

r .



..

3

& b . j

11

16

& b ..

r .
j
.
. . .

. . 6 .
#
n 4
J # J
&b
22

n 4
4
J
faster:

q
3
>
>
>
>
>
>



&4

>
>
>
>
26

> >
&
31

.
>
>
iss~ ~


~G~~
> > > > > >

>
> >
3
3

> > >


>
> > > > > > > > > >


&

>
>
> >
3
41
.
. . . .
iss~~
l

& G~~~
J
>
46
. . . . . . . . . . . . # . . . . n . 6 .
J
&
J
4
36

> >

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 13

O GENTLEMEN, LISTEN I PRAY

q.
.

bb 6 J. n . . b . # . . . n . .
& 8

Arthur Seymour Sullivan


arr. Clark Kimberling

.
. n . . .
J
J

b
J

b . n .
n . n n .
. .
A
#

b
.
&
J
J
J
. . .
7

bb b . . . . . n . . . . .
&
J
13

~~~~~~~~~~~~
. j J .

~~~~~~~ .
m
bb . # n . . . . . . . . . . n . . . . > .
J

&
19

. . . n .
.
.

bb
# . . n . . .
. . J n n
&
J
J
J
25

. . . . . # . . # # . #

J # . . . .
J
&
J
J
31

37

&

N . .

b b
. . . . . # . . . . .
J

. j

~~~~~~~~~~~~~~~~~~~ . . .
.
. # # . . . . . . . . # . m . .

J
& J
43

> .
&
49

.
. .
J

Copyright 2005, Clark Kimberling


Source: Trial by Jury

>
J

English Traditional
ONE VERY KEEN WINTER
arr. Clark Kimberling
q
b 3
# . n n
b

& 4

7

&b

b n
b
&
12

b
& b .
17

.
.

#

&
&

>
# # #
n nn

22

27


.
m
j

# # >
# # . #
#

& .
J

3
32

## #

.
&
3
3

38

##
#

&
43

49

&

##

Copyright 2005, Clark Kimberling


Source: Broadwood and Maitland p 39

THE ORIGINAL HIGHLAND LADDIE

Scottish Traditional
arr. Clark Kimberling

q
# 2 j
& 4 . . .

#
. . .
&
M
13
. . . .
#

.
. . J
&
M

20
. . . .
#

.
.
&

. . . .
#

.
. .
&
26

32

&
39

&

. .

J
3

# . . . .

# . .
&
45

. . .
.

.
. .
&
52

.
.
.

. .
&
58

# . . . .
&
64

.

3

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 568

OSTEND
h
4 . . . . . . . . . . . . . . .
&4

.
.
.

. . . . . . .
. . .
.
.

.
.

& . . . .
.
13
. . . . . . . . . . . . . .

&

.
7

.
&
19

25

& .

. #

. . . . . .

. . .

.
. .

32


&
37

. . . . . . . . . . . . . . .

.
&b 4
42

. . . . . . . . . .
.

&b
.
54
. . . . . . . . . . . . . . .

&b
48

. . . . . . .
.

.
. . .

#

&
31

. . .

Scottish Traditional
arr. Clark Kimberling

. . .

. #

. . n
b 44

faster

.
. . . . . . . . . . . . . . .
. . . . . .

. . .

.
. . .

. . . .

#
&b
60

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 5

THE OUTLANDISH KNIGHT

h
## 2

& 2 n . J .
8

&

##

##
.
&

# . j

.
&
# .
&

bb .
&

bb .
&

&

# ## .

.
J

h
#n # # nm . J .
n n

# ##
.
&

.
m

faster:

55

61

.
J # .

43

bb .
&

.
j n b b J

36

49

m
n# .

22

29

n. .

15

English Traditional
arr. Clark Kimberling

nm .

m
Copyright 2005, Clark Kimberling
Chappell vol 2? Traditional p27

English traditional
Clark Kimberling

O WALY WALY
h

# 3
& 2

.
&
6

10

&

# ##

# ##

&
#

#

j
.

& .
24

###

# ## .
&
29

###

n#

n

slightly faster

3
n

slightly faster

&

14

19

.
.

.
. n

3
3
> . 3 >

.
&
34

3
&
39

Copyright 2004, Clark Kimberling

nnn

James Paisible
PAISIBLE'S HORNPIPE
arr. Clark Kimberling
q (fast)
# 3 # . # . # .
& 4
J

# . .
.
&
.
9
# . # .
#

.
#

&
J
5

# . .

.
&
.
17

#
#

.

&
13


&
21

.
#. # #


#
.
#

.
&

25

#
&
29

.
# . # #

# m # # . # .
J
&
J
33

# .

.
&
. .
41
# m
. # .

J J
&
45
. .

# .


&
37

Copyright 2005, Clark Kimberling


Source: http://memory.loc.gov/music/125/0003.gif (1713)

English Traditional
PARSON'S FAREWELL
arr. Clark Kimberling
m. .
.h
. .
. . .


&b 2

.
.
. . . . . .
J
J

b

&
7

. . . . . . . .

. . . . . .

&b
13

. . . . . . . . .

&b
19

# m

&
25

# . .
J
J
&
31

37

&

44

&

# m .
# .

. . . .

m . .

. .
.

#

##

&
&

.
# # # .

m. . . .

m . . . .

52

58

#
n

Copyright 2005, Clark Kimberling


Source: Playford Ball p.83

U
w

King Henry VIII


PASTIME WITH GOOD COMPANY Courtarr.ofClark
Kimberling
q
j
j
.
& 44 . . J . . J . # . J J .
m

j
j
j
j

.
.

& J
# n . J .
m
7

j ## .
.

.
&
#

m
13

# # . .
j . j

.
.

J
&
19

j
## .
j

&

J #
25

nn


# .
& b n #
29

33

&b

# n

J

. . .
J .

.
.
.
b

&
J
37

# n . . . . . . . .

J
&b
J J J
41

# .

&b
J
J
45

Copyright 2005, Clark Kimberling


Source: EH Jones

Malcolm MacDonald
PERTH
RACES
arr. Clark Kimberling
q.

>
### 6 j

& 8
. J j
m

# # # . j j


&
>
13

# ## >

& . J j
m
19

>
# # # . . . . . . . . . . . .

J
&
.
7

. . . . .
.

. . .

. j J . . .
>
.
. .
.
. . . . .

. . .
. . . . . .
>
. J J

. .
.
# # # . j J . . . . . . . . . . . . . . .

&
>
31
n . .
# # # J J .
n
. . n b
&
J
25

&b
38

3
.
2

m
# .
&b
2

44

.
&b
50

#
2

#
#

2

. n # # # > j
. J
m

# # # . j j

&
>
63

>
# ##
.

J
& . J
m
57

Copyright 2005, Clark Kimberling


Source: Gore #67

q
# 3
. . .

& 4 . . . .
..
8
# .
. . . .
&

English Traditional
arr. Clark Kimberling

PHYLLIS THE LOVELY

15

&

# . . .

23

&b

nb

. .

. . . .

#m



n#

~~
.
.
. > . .

n
. . . .
J
..
38

# .
. . . . m
&

b
&
31

44

&

. . . . m . . .

. m

m
J
& b #
52

b
n

&
59

b N

#
n . . . .

~ ~
.
.
. . .
>

&
J
. .
73
# . . . . m . . . . m . . .
&
66

Copyright 2005, Clark Kimberling


Source: Simpson p579

THE POLITICK LADY


.
q.
.
6 . . . .
&8
.
. .
&
# . .
6

11

&

English Traditional
arr. Clark Kimberling

.
.

b # j

.
. .
.

j
.

98


.

.
.
9 . . # 6 . # .
&8
. .
8
16

& . .
21

# . # .
.
&
.
26

31

&

36

&

# .
## .

.
.

. # #

.
.

.
# # . . . .

. .
.

##
#
n

&
41

# # . . .

&
45

j
.

j
.

#
.

j . . 9 .

Copyright 2005, Clark Kimberling


Source: Simpson p760

PRETTY POLLY OLIVER

q

3
&b 4

&b
9

& b .

b bb . j
b
&

b b b . J .
b
&

T
#

... .
T
nn n n # . . . . . T

. . . . . . . . . #T

. J n n n

32

&

bbbb
j

24

j

.

16

39

English Traditional
arr. Clark Kimberling

T . . . . . . .
T
T

.
.
.
#

44
.
&

45

# 4
& 4 51

- - # # # 3 . . . . . .
. .

4

. .
.
# # # . . . . #

. . . .

.
# # # . . . .

&
J

m
.
J

. .

57

&

63

Copyright 2005, Clark Kimberling


Chappell vol 2 p181

PRINCE OF ORANGE

John MacGill
arr. Clark Kimberling

q. or faster
j

& b 68 J J j J
j
.

&

.
7

~~
. .


j
.

&
J .
14

20

&b

27

& b .

. j .

. #

n J j J

J
J
faster

ben marcato

.
#

& .
48

j
j
.

. . . . .
b
J . j .
&
.
&b

~~
.

~~
. m J j
. j

34

41

~~
.

~~
.
.

~~
.

~~

.
#

&
J J .

m
~~
60
.

# .
J
j .
&

54

Copyright 2005, Clark Kimberling


Source: Scottish Country Dance Book 6, #8

Scottish Traditional
THE PRINCESS ROYAL
q
arr. Clark Kimberling
.
. . .
bb 2

. .
& 4 . .

&
# . #

>
.
14
.
.

bb . . . .


&
# # J
>
7

bb 3 . . . . . .

&

28

.
.

bb



J
&
# #

>
35
.
m
.



J
& b

21

b
&b
43

.
. . .
&
50

57

&

63

&

.
n


faster

. .

# #
. >
. . . . .


.


# # J
>
3
# . .
.
.
.

# #
&
#
>
3
3
69

Copyright 2005, Clark Kimberling


Source: Scottish Country Dance Book 2, #7

PRINCE WILLIAM OF GLOS'TER'S WALTZ


arr. Clark Kimberling
h.
.
.
.
# 3



& 4

English Traditional

.
.
J

#
&
10

#
&
19

# . j .


&
J
28


&
37

#
# # . J #
&
46

56

&

. . . . . .

#
&
63

&
72

m .

faster
.
n

.
m

.
&
81

.
. J

.
m . .

. . . .
&
90

Copyright 2005, Clark Kimberling


Source: Playford Hall p.88

PURCELL'S HORNPIPE
h
arr. Clark Kimberling
# 3 >. >
j
. . j .
& 2 J
>
> >
>
>
>
>
>
>
5
j
# .

&

.
J

.
Henry Purcell

# . #.
. .

J
J
&
J

j
#
j

.
& . . . J

17
# . J # . J # .
&

13

# . J # . J .
&

# . N
# .

&

21

25

# . # . J .
& J
29

.
.
. NJ . . . . . .
. J
&
J
37
.
.
. J . . . . . .
. J
&
J
41 .
. . . #m . . . . . .
J
J
J
&
33

. .
.

. .
.
. . .

.
.

J
& . J

J
45

Copyright 2005, Clark Kimberling


Source: Playford Ball p50

#


#

q.

# 4
& 4 J

Scottish Traditional
PUSH ABOUT THE JORUM
arr. Clark Kimberling

.
. . .

.
m .

& .

J

6

11

&

# .j .

.
&
.

>
16

n b A
N .

#

& J b
21

. . .

. . .

bb

&

26

bb N .
& #

31

.
. >


.
b n #

&

36

.
>

. .

.
& b J .
41

Copyright 2005, Clark Kimberling


Source: N Gow (Carlin) tune 312

English Traditional
RED
JOAK
arr.
h
. . >
. . >
. . >ClarkKimberling
. J
. J
. J
# 2


& 2

# >

&
7

. .
.
.

J
J

. . . J . . . .
& .

13

.
.

.
.
.
.

j

&

19

b n b .

b
&

25

b
& b
31

.
. .

bb . . . . J # n
&

37

&

43

#

&
48

53

&

# .

.
n .
n#

faster

. n .
.

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 119

.
il s~s~~
2 .
2
~G~~
.

John Riddell
arr. Clark Kimberling

.
.
# 6 q.
& 8 j . . J . . J
ROTHESAY COUNTRY DANCE

.
.

& . . . J . . J
9

-
-


& .

17

. . . . . . . . . .
. . . . . . . . .

.
.
.
.
.
.

.
.
.
.
.
.
.

.
& . . .
. .
staccatissimo
.
32
# . . . . . # # . . a # J . .
J
.
&

.
25

subito legato

40

&

##

. .
#

j . .

J
.
#

. .n # . .
n
&
. J
56
.
.
#
#
#

& . . J . # . . J
64
-
.
n

# ##
#

& . . J . n n
48

##

j . .

- . . . . .
-

#
.
.
.
.
#


. .

&
. . .
71

staccatissimo

. .
.
# # # . . . . . .
. . . . . . . . . . m . . J
&
. . .
78

Copyright 2005, Clark Kimberling


Source: Scottish Country Dance Book 6, #3

English Traditional
ROYAL OAK
arr. Clark Kimberling
q
.
.

. . .

. .
# # 4 . . .

.
.

J .
& 4

3
6
# # m .
. J J


&

.
# # . . . . . . . . . . # n .

&
3

11

##
&
16

. . . .
.
.

.
.

. .

. . . . . .

# # . . . . . . . . . . . . . . . . . . . . .

&
19

. .

.
.

. #
&

.
. . . .
.
.
~
.
.
29

# # # . . . .
## # #
#
&
24

##

.
.

##
. . . . .

&
3

.
. . . . . . .

34

# ##

.
.

.
&
. .
. . . .
. .
. .
. . .
.
43

.
#

& #
38

. . . . . .
.

# ##
.
&
46

>

> .

Copyright 2004, Clark Kimberling

Scottish Traditional
arr. Clark Kimberling

q.

n
j J
& b 8 j
J J

SAILOR'S JIGG

&b

# .

n
j

J
J

J J

& b n n J

>
19
. . . . .


# .

&b

13

. . . . . . . . . . . . . . . . . . . . . . . . . . . # . .

&b

26

33

&b
39

&b
46

&b

j .
j
.
#

.

.
..
..
..

.
.

J
.
. .
. .
. .
.
.
.
9 . . # 6 faster

#
J
J 8
J n 8 j J J

# .

j J J

#
& j J

53


# > #
.

J J
& J

.
.
.
69
. . . . . . .
# # .
&

.
75
# . . . . . . . . . . . . . . . . . . . . . . . . # . .
&

61

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 148

Scottish Traditional
SCOTTISH HORNPIPE
q
arr. Clark Kimberling
.
. .
.

j
4

.

. J
&b 4

J
.
.
ben marcato

.
. .

.
J
b

&
.
7

. .
.
j

.
b
J

.
&

13

6
.


. J
4
J
&b

J
19

. . . . . . . . . . .

6
4
. 4 .
&b 4
.
31
. . . . n . . . . . . . . . . . .

&b
25

. .
. . . . . .

faster
. . . . . . . . . . 6 . # 4 .
n 4
&b
4
. .
J
37

. .
. .
. J
#

.

J
&
.
J
43

. .

# .

.
&
.
J
J
55
. J . .
.
#


&


J
J
49

61

&

.
. J



J
Copyright 2005, Clark Kimberling
Source: Fleischmann p. 43

Scottish Traditional
arr. Clark Kimberling

q
& 44 N
SCOTTISH REEL



. .


&
. . . . . .
6

. . . . . . . .
. . . .

& . . . . . . . . . . . . . . . . . . . .
16
. . . . . . .

& . . . .
. . .

sub. legato
11

#
& #
26

31

&

##

46 # # 44

...
. . . .

.
.
.
.
.
.
.
.
44 . . . . . . . . . . . . . . . . . . . . .
...
... .
. . . . . . .
..

.
. . . . . . .
.

. .
.
.
.
.

.
.
. .
. . . .
. . . .
...

& . . .
21

. . . .
.
. . .

. . . . . . .
. . . . . . .
# # . . . . . . . . . . . .

.
.
.


. . . . .
. . . .
&
. .
41
. . . .
# # . . . .

. . .
&
. .
.
45
# # .
&
36

# # . . . . . . . . . . . . . .
. . . . . . . . .
.
.

.
&
. . .
...
49

. . . # .
.
.
# # j . . . . . . . . . . . .

.
.
.

.
&
. . . . .
54

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 56

2
&2
7

&

SHACKLEY HAY
h

. J

&


&
19

& .
25

J
J

.
&
&
43

&b
49

.
. J

b
J


. .


&b

.

J

faster

&b

54

. J

31

37

.
J

13

English Traditional
arr. Clark Kimberling

. . . . . .

. .

Copyright 2005, Clark Kimberling


Source: Simpson p647

SHEPTON HORNPIPE
h
# 2 . . . . . .

& 2

J
ben marcato

.
& J J .
7

. . . .

J
. . .
j . .

. .


.

# n # m. . .
&
.
13

. .


&
19

b 2
&b 2
25

subito legato

English Traditional
arr. Clark Kimberling

. . . .

. . . .
nbb 2

3 .

2
J J 2 .
J

J

J
faster
. . . .
38
.

bb J

n
&
J
J
b
&b
32

.
&
44

. . . .
. .


J J
J
ben marcato

b . . . . . b . .
. b . . . .

j
J J

J J
&

J
49

55

&

.
# # . . . . .
J

.
.
.
# # . J J
&
61

Copyright 2005, Clark Kimberling


Source: Morris (Karpeles) p6

m. .

THE SOUTH BRIDGE OF EDINBURGH

# 6 q.

& 8

.
J

&
J J .
6

#
.

&
J
11

#
& .
16

21

&

Scottish Traditional
arr. Clark Kimberling

. J


J
J J

.
J
J

# J
J
. . . . .
&
fl . fl
faster
31
# . . . . . . . . . . . . . . n
J
&
J
26

36

&

& .
41


.
&
46

.
J


.
J

Copyright 2005, Clark Kimberling


Source Johnson ...Scottish Fiddle 18th cent., p229


.
J

English Traditional
THE SPRIG OF THYME
arr. Clark Kimberling
# 4 q
j

& 4 . . J


J
3

& . .
# .
&
J

.
.

13

b
&b
19

. .

J

.
J

&

36

&

. . J

J

. .

.
.


& J

.
.
& J
47

&

nn .

41

53

. J .
bb . .

&
J J
bb

nbb .

. J
J

25

31

.

J

.

3

Copyright 2005, Clark Kimberling


Chappell vol 2? Traditional p69

q
& 43
>


&
8

ST. DENIO
>
>


& . . .
15

Welsh traditional
arr. Clark Kimberling


>
>

. . . . . . . . . . .
.

>

# # # >

# # >

&
J
>
28
##
. . . . . . . . . . . .

&
22

32

&

##

44

.
. . n . . . .
.

.
# # . . . . . . . . . . . . . . .
. . . .
n

&
. . . .
36

## 3

&
4

40

##

&
46

>
n n >

> >

&b
53

60

&b

. . . . . . . . . . . . . . . .

Copyright 2004, Clark Kimberling

James Hook
arr. Clark Kimberling

STEADFAST SHEPHERD
q.
# 6
j
j
j

& 8

j
j
j
.
9
6

& 8
8 # #
J
m
6

# .
&

11

j
j.

.
.

. .


.
j
&
.
j .
18

# 2 h
. j
.

& 2

25

32

&

# .

# . .
# .

&

. .
38

2
2


. j #


. j .

. .

q.
.
.
n 6

8
J
J .
J

9 #m . 6 . . .
. . . #
m

J
8
J
J
&
8
J
J
45

51

&

. . . . . . .

.
&
58

. .

.
.

.
. .
J
J

j .
J

Copyright 2005, Clark Kimberling


Source: JamesHookEightSongs (Pilkington)

English Traditional
arr. Clark Kimberling

ST. MARTIN'S
h
~~

&2
6

&

&
11


&
16

~
#
.

. j

#
&
26


&
&b

n m # .

b
&
41

j
#

31

36

# N

& .
21

m
# #

# N

b
faster

n n b

n m # .

> n
A> > > > > >
&b
46

Copyright 2005, Clark Kimberling


Source: Playford Ball p.94

> .

Scottish Traditional
SUCH
A
WIFE
AS
WILLIE
HAD
arr.
Clark Kimberling
h
2

&2


&
7

&

13

& . J
19

J
&
25

J
&
31

37

&b

faster

&b

. J

&
55


&b
43

49

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 27

# 6
& 8

John Clark
SWARD HOUSE
arr. Clark Kimberling
q.
j
J

#
j J .
&

. J

j .
& j
J
13

# m

&
19

# .
&
25

nb b

. J
m

J
q
# . j
# .
44

bb N . # # .
&

35
bb 4 # #
& 4
30

64 N 44
.
# .

# . N
q.
bb

&
4
J 8
#
j

40

44

&

bb

b
b
&
49

.
J

bb j


J
&

54

Copyright 2005, Clark Kimberling


Source: Gore #68

English Traditional
THOMAS, YOU CANNOT
arr. Clark Kimberling
q.
## 6
j
j
j
j
.
j
j

& 8
.

J
J
8

&

##

j .

j j

#
n nn
. . . j j .
j

b
& # J

J J . . . . .
. . . .
14

# n
j #
b

j
&
J J
J
20

j j
m # n
#

&
J J
J

26

faster
#

j
#
n
&b
J
J
.
3
32

# ##
j

.
&
38

J

J
J
3

# # # . J J . J

&
J
43

# ## .
j j
J


&
49

j .
J

Copyright 2005, Clark Kimberling


Source: Wooldridge II 17

English Traditional
TIT FOR TAT
arr. Clark Kimberling
# 6 q.j j
j
j
j
& 8 . . J J . j .
.
.

j 9 j
j 6 . j . j
j

& . 8 .
8

J
7

# .
&
13

.
j
j j J j j

. .
J
.

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j
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j

& J . j . .
.
25
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. .
.
.
.

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19

3 . .
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32

37

&

. .
. .

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. . . .
. .
. . . . . m.

2
4
J

. .
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# # . . . . . . . . . . .
j

&
J.
.
49

## 6
J
& 8
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43

# # J .

&
55

61

&

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9 j . j n 2
8
4

. .
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q.
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j
.

8 J .

. . . . . . 9 . 6
8 J
8
J
.
J
J
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. .

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.

. .

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.

. . . 43

. .
.
J

9 .
8
J
J

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 161

q.
.
# # 2 . .
& 4
##
&
6

English Traditional
THE TOUCHSTONE
arr. Clark Kimberling
. . . . . . . . . . . . . . . . . .
.
.

.
.
. .

# # . . . .
&

##

&

. . . .

11

16

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m
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&

31

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.

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21

26

. . . . . . . . .
.

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.

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m . m .

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.
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.

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#

&
.
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.
41
.

#

. . . .
&
. . . . .
~~~~~

.
46

. . .
.
&
36

52

&

# . .

Copyright 2005, Clark Kimberling


Source: Playford Hall p.103

. . . . . .

.

#
& # 68

TRIP TO BATH

English Traditional
arr. Clark Kimberling

q.
j j j j

legato

## .

j
j

&

## j
.

&

13

19

&

##

j j
9


J

J 8

.
.
. .
.
.
## 9
. n . n n b 6 . . # . . . . . . . . . . # .
& 8 .
8 . .
J
30
. . . . . . . . . . . . . . . . . . . . . . . . . .

. . # .
& b . . . # .
.
36
. . . . . # . . . # . . . . . . . . . . . . . 9 .
# 6
.
.
b

.
&
8 J
8
. .
J
25

# 6



J
& 8
J
J
legato
49
m

# m .

j

&

J
J
55

# m .


&

42

61

&

J .

J
3
Copyright 2005, Clark Kimberling
Source: Fleischmann p. 159

English Traditional
WANTON SEASON
arr. Clark Kimberling
h
#
2 # # # #
b

& 2

#
#

&b

11

&b

. #

. # #

m
## a

&b

16

.
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&
21

# # #
&
26

30

&

# # . #

# #

&
34

# #

# #
&
38

# #

.
.

#

#

Copyright 2005, Clark Kimberling


Source: Chappell 272

English Traditional
WATKIN'S ALE
arr. Clark Kimberling
q.

j
j
j

j
& b 68 J J J j . . .
J J
J

j j
j
. J >

&

.
7

j j j j

j j

& J

13

19

&b

. . n b .
j
j

h
faster:
.
.
. . . . .
#

. .

#
j
9
2

n b . 8 .
n 2
&b
25

. . . . . . . . . . . . . . .
# . . . . . . . . .

&
.
30

. . b

. .
. .
. . . . . . . . . . . . J J . . . . . . . . . . .
& .
J

.
.
.
43
.
.

.
.

.
.
.
.
.
. . . . . . .
# . .
n 6
.

& . . .
8
.
q.
. . . .
. . . .
49
.
.

. .

6
J

J J J J
J J J
J
&8
J J
J
37

> .


J
J
J
& J J J
56

.
&J
62

.
J

rit.


J
J J
J
Copyright 2005, Clark Kimberling
Source: Chappell 265 (Fitzwilliam)

Seymour Sullivan
WELCOME, HAPPY MORNING Arthur
arr. Clark Kimberling
h
#
>
## 2


.
& 2
>

# ##
&
7

13

&

# ##

# #

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.
&

n n n >

> # .
&

# # # #

25

31

&

N .

. J # .

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37

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b
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43

b
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48

bb b > . .

. .
.
>

n .

nm # #m n
.

bb . n .
b
&
J

54

>

19


>

Copyright 2005, Clark Kimberling


Source: H82 #179

Welsh Traditional
WELSH
QUICK
STEP
arr. Clark Kimberling
q.


& 8
. . .

&
. .
7

.
. .

.
.
& . . .

13


. . . .


&
. . .
19

.
j
j

&
. .
J
J
25

J
J
J

&
. .
J
31

bb

.
.
&
J

37

bb

.
&
. .
43

. . .

bb . . . . . . . . .
&
48

m. . . . . . .

. .
& b . .
fl
53

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 1018

#
& 42

q
. . .

WHARE WAD BONIE ANNIE LIE

a . .

&
6

# . .
&
11

#
j

&
a

#
n
&
21

31

&

36

&

41

&

#
# . .
#

a j

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b . .
b
&

n
~~

n a

bb . .

&
J
53

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. .

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n

bb

47

. . .

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~

#
n

&

26

n . . .

n . .

16

Scottish Traditional
arr. Clark Kimberling

b . . .

. .

. . .

J
Copyright 2005, Clark Kimberling
Source: Scots Musical Museum no. 324

THE WHISGIG
# 2 h
.
.
.
& 2 . .

.
& .
7

English Traditional
arr. Clark Kimberling

.
.
. .

.
.

. # . .

.
. . #

#
.
&
.
13

# #
. 3 . n b 2

&
.
2
2

19

. .
# . N
N . # . N

2
#

&b 2

25

. .
# 2 . .

.
3

#
b
n

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&
2
2 .
.
31

37

&

43

&

49

&

# ##

. .
.

.
.

.
.
# . . .

.
nn # . . . . . . .

.
.
.
# . . . . . . . . . .

n . . . . . . . .
.
.
. .

60
.
.
.
.
. . . . . . . . . . .

&

J
#
. .


&
.
54

Copyright 2005, Clark Kimberling


Source: Fleischmann p. 281

THE WIND THAT SHAKES THE BARLEY

Scots-Irish Traditional
arr. Clark Kimberling

. . . . . j .
## 2
j .
.
.
. . . .
& 2 . . . . . . . . . . . . . .
.
. . .
..
..
. . . .
## .
j .
.

& . . . . . . . .
..
sub. legato
.
13
# # . . . . . . . . . . . . . . . . . . . . . . . j .

&
7

18

##

j .
.
.

. . . . . . .
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.

. . . . . j .

. . . . . . .
.
22
. . . . j . n .

##
j .
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.
.

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.
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.
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27
. . . .
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J

.
&b

. . .
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.
32
. # . . # . . m . . . .
J
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&

. . . .
. . . . . . . . . . . . . . . 3

#. J
.
&b
2
37

.
& b 32
41

46

&

##

. . . . . j .
## 2
j .
.
.

n 2 . . . . . .

. . . .

.
...
.
...

. . . . . . . . . . . j .
.
.


.
. . .

. . . . . . .
. .
.
Copyright 2004, Clark Kimberling

Scottish Traditional
THE YELLOW-HAIRED LADDIE
arr. Clark Kimberling
# # 3 q
.
j j

& 4
. .

J
9

&
17

&

25

&

32

&

##

##

.
.

. . .

J

## .

m
#n m # #


# #
N

# #

# . . .
j > j

.
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.

m # . . .
# m # #

#
. . . .
&
.
46
m
. . .

&
39

> >
.
# .

&

J J
53

. . . . . . . .

&

59

.
m m m m

# .

44

&
65

> .
>
# 4

3
J
& 4 4
71

. . .
.

Copyright 2004, Clark Kimberling

& b 22

YOUNG JEMMY
h
.

.
J


b
&

&b

13

. # n .
J

.
&b
19

25

& b .

.
J


.
b

&
J
31

37

&

49

m .

&

# .

&

n n#
. J .

faster

. J

.
# #
J

.
J

#
.
&
# .

# #

55

61

. J .

&
43

.
J

English Traditional
arr. Clark Kimberling

. # #
J

Copyright 2005, Clark Kimberling


Chappell vol 2 p36

q
#
& 44

molto legato

&

# n
# #

&
9

Clark Kimberling

ZACCARONI

~~~~
#
# .

#
&


big breath

13

# # n #


N
&
17

# # n m # m

N
&
46

# 4
& 4

21

25

&
29

44

. .
. .
b . . . . .

#
m

&

33

&
37

Copyright 2005, Clark Kimberling

q.
. . .

&b 4

ZALLIARD
.

J
. .

j
& b .
.
13
. . .

.
&b
7


b
&
19

25

&b

. .

. . .

. n J #

.
n #

# # . . . .

.
b
&
J
&

# n . j

#
n

. j

31

37

m. . .

Clark Kimberling

n #

. j

. . .

# . . . . . . . . . . .

&
43

48

&

n b . . .
. R b

b
b
&
54

60

&

bb .

.

J


J
.

. . .

. . . . .
. R
.

Copyright 2005, Clark Kimberling

j


J

J

.
. . .

ZAMARCHE

Clark Kimberling

q or faster
2 > . . .

&4
7

&
14

&

> . .

. > . . . # > . . . #

. . . . N. . .
. . . . . . .

~ ~
~ ~

#
a #
n


n
&
.
19

#
#
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25

31

&


n . nm n .

~~~
a #

# n . nm #

~~

#
a #
n

. .
& n
.

37

&
43

> . .
.

#
&
49

55

&

> . .

. > .
. # > . . .
. .

. . . .N. . .
. . . . . .

Copyright 2005, Clark Kimberling

q .
#
#

& # 44
5

&

# ##

ZAMBOOLA
. . .

# ## 6
& 4
m
13

. . . n . j n m n . .

. . . .
# ## n


&
9

Clark Kimberling

. .

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46

nn
n 44 N # #


&
17

. .
.

. . . .
.

.
.

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&
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21

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4
25

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.
.

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.
6

& 4
29

33

&

# ##

. .

#
#

#
. . . .

. . . n . j n m n . .

. . . . . .
# ## n

. .

&

m
37

Copyright 2005, Clark Kimberling

Clark Kimberling

ZAMPIE
#
# 4 q


& 4
# # m m #
&
6

> > >

m m

#
#

&

m m m
. . . .
16


j
# m

&

11

.
# # . # . n . . # . . n # n . .

&

.
3

21

m
# m # m m m #m n m
&
26

.
# # n # n

&

.
31

m m

#
#

&

> > >


36

&
41

46

&

m m m

m
m
#
Copyright 2005, Clark Kimberling

ZASSY FRASS

q
4
&4

.
&
J
7

12

&

Clark Kimberling

. J

. b

J
J

. .a
# . #

#
&
23
# . #
.
# . .

#
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28

.
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18

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39
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&
33

45

&

# .

b N
w
J J
J J 46

j # # 44

## 4
. . b



J
& 4
J
50

56

&

61

&

##
##

. . b b 6 w

J
J
4
Copyright 2005, Clark Kimberling

Clark Kimberling
ZELLY ZING
h
~ ~
m

J

## 2
J
& 2

##
. 3 . .

J
& J
2

22


J
J

. .
~
m



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##

&
J J
11

.
# # .
&
16

n # N

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&

21


&
26

# . . . . .

&
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&
36

2
2


. .

##

J J

~~~~

## 3 . .

& 2
40

31

J
J

J
J

. .
~~
m

##
#

J J
&
44

Copyright 2005, Clark Kimberling

3
2

Clark Kimberling
ZENAZOE
q.
.

6
n . b

& b 8 J
J
J
J
J
J

.
.

J
J
&b
J
J
J
7

J . . .

J
& b n J b J J
J
J
2
2

19
2

# #
#

&
J
J
J
2
2

25
2

.
# n

&b
13


&b
J .
31

. . # # .

J
n

J J

# # . n . .

J
&
J
J
J
J
37

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J
J
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&
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2
2

#
49
.

# .

J
J
&
43

55

&

61

&

# .

J J

#
J

2 2
#

.
J

Copyright 2005, Clark Kimberling

.
J

.
J

ZEPPIFFANY

h
& b 22
&b

.
J

13

&b

Clark Kimberling

.
J

. J

.
j

.
J
.

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.

.

b
J

&
J
19

25

& b .


. J
J

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&

31

#
j
&
38

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j

.
&

45

. J

. . m m
#


J
&
52

.
m
# . J

&
59

. .

. J
J

. J .

Copyright 2005, Clark Kimberling

. J

Clark Kimberling

ZEPTUNE

q
m
j . J .

#
& 44
6

&

# .

m m m

# m # n

&
m
10

&
17

j m

m # n

m #


&
14

# n

. . # j . . . J m # .

J
J
J

# m
j

. J

&

22

m m m . j m
# . j

&


28

# . . . . . . . . . . . .
. .
&


34

38

&

m
3
3
3
3

Copyright 2005, Clark Kimberling

ZESTINA

q.
# 6 . . . . . . . . .
& 8
# . . . j . . . . . .
&

Clark Kimberling

. . . . . .
. . . . . . . . . . .
J
.

. . . . . .
. . . . . . . . . . .
J
.
.
9
# . . n . . n . . . m. . n . . . . . . . . . . . .


&
5

m
# . . n . . . . . . n . . . . . . n . . . . . .

. . . n
&
. . .
17
# m. . . j . . . j . . . j . . . . . . . . . .
j

&

. . . . . . . . . . .
.
13

# m. . . j . . .

. . . j . . . . . . . . . .
&

. . . . . . . . . . .
.
25
. . . .
b n # .

bb


J
&
. . . .
21

. n b
b
##
n n # ##

.
.
n . n n n
# # # # . . . . . .
n n
J
& #

~~~
. . . .
. . . .

33


. . . . . # # #
J
&

29

. . . . . . . . .

##
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37

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##
&
41

. . . . . . . . . . . . . . . . .
J
.

. . . . . . . . . . molto
. . rit.
.

. . . . . . . . .
J
Copyright 2005, Clark Kimberling

ZESTNUT
q
# 4 .


& 4
m .
ben marcato
6

# .


&
m .
11
m
#


&
.
16

&

Clark Kimberling

nm
n n
n

. n
m

# n
n
n

n
&


26
.

#
n

n n
&

m m
31
.
m

#
n
n

&

n
big breath

21

# .

&
36

a .
m .

# .



&
m .
46

# m

&
.
41

# m

&
.
49

Copyright 2005, Clark Kimberling

Clark Kimberling
ZETUNIA
q.
j . >
## 6
j . j j # j
J
J
& 8

>
m
7
- -
. > m J

##

.
#

J
J

J
& J
J
J

.
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j
j
j

&
J
.

13

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j . j j
J
&
J

>
25
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# # . # .


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&
J
J
19

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&
31

J
#

J
J

.
.
J

J
J

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J J

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&
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J
J
J
.
J
J
J
38

>
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.
#

b j

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J
J
J
J
J
J . J
44

. >
j
j

j . j j

J

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J
#


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>
m
56
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##

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J
J
J
& J
J
J
50

# # . >
J
&
62

##


j
.

J
J
Copyright 2005, Clark Kimberling

ZHIRE

q.
# 6 . .
.
& 8

Clark Kimberling

. G~~lis~s~

ben marcato

. .
#
j


&

~
#
.

&

J
J
13

~~

#

&
J
20

#
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26

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.
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&
32

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37

~~ . . . . .
.

. .
. .

. .

j
. G~~lis~s~

. .

~~~

#

&


42

#
.

&

J
47

. .

. . . . .
~~
.

. .
#

J
J
J
&
J
52

Copyright 2005, Clark Kimberling

ZIAH
q.
> b > > >
# N> > # > > > # > n > >
10
& 8

Clark Kimberling

> b > > # > >


> > # > > > >
b
&

# >
>
>
a tempo

.
rit.
8

.
b

>
>
>
>
.
. . # .
b 4 .
10

&
4
8
4

b > >

rubato

N . b . n . . # . . . . # . . n b . . b b . . .

&

12

4
b #
& 4 # b
15

44

- b

b # N

~~~~~~~~~ U ,
- b -
-
#

10
b
&
8

19

- - - - .
b

4
11

&
8
4
22

b #


10
8

.
b n # # n b b b . . . - 4
.
.

.
b

&

4 # . .
..
b

.
.

30
.
.
b

.
b

.
.

. . # . . . . #
. . #

& . . . .
26

34

&

b -

b r ~~
# w

Copyright 2005, Clark Kimberling

ZICAH

Clark Kimberling

q
#
j

& # 44 # . J . # . J . J
# #

&
8

# . . j . n

J
J

# # j
J . #
&
.
14

n#

.
J

.
# . # # . ~~~
.

&
J J
J
20

#
. ~~

. # N

&
J J
26

32

&

. J . J

.
# . ~~
J
&
J
38

. J . J

m .

. .
# n . .
###

J
. # . .

&
J
.
50
. . . > . . . > . . .
# # # > . . . > . . . m .

. .
&
44

55

&

# # # >

> . . m . . m

. .
.
.
. . .
.

#
n


##
~~~
.
&
60

Copyright 2005, Clark Kimberling

h
2
&2

Clark Kimberling
ZICKELPICKEL
. m ~~~
. #
J

3 # .

&

. . . . . . 3
3
3

.
11

b m b b
3
#

b
&
6

. m

.
& .
16

#
&
21

3
#

.

&
26

m b 3
b b .
&
.
31

~~~
. #
J
&
36

3
. . .

. m
. m

45

&

3 #

3

41

&

Copyright 2005, Clark Kimberling

Clark Kimberling

ZIELONA

q
4 # # .
&4

. . .

& . . . .
7

13

&

. . .

j
#

.

. . .

..

.

&
. . .
19

25

&

> > > >



. . .
&
.
30

35

&

40

&

45

&

## .

##

## .

# #
#

faster

.
. . . . . .

. . .
. . .

.
#

m .
# .

Copyright 2005, Clark Kimberling

ZIFFORD
q.
# 6

& 8 J
.

Clark Kimberling

&
J
7

13

&

# .

&

.
25
.

# . n n b b 2 h


2
&
19

b
&b


31

bb .
&
37


32 .

. . .
.
.

. . . . .
.
.

bb
. .

.
&

. .
.
49
.

.
b

.
J
&b
43

q.
. . . . .

.
68
. .
. J
. . . . . .

. . . .
. . .

. .

.
.
.
.

bb

.
.
. . .

J
&

.
61
. . . . .
. .

.
bb
. . . J
.
.

& .
.

J
55

Copyright 2005, Clark Kimberling

ZIGG
q.
# 6 . . .
& 8

Clark Kimberling

# m

..
&
m
m
13

.
# .

.
.



&
m
ben marcato

#
.
&

# .
&
.

19

25

j
.

m
.

. .

j
.
m


# . .

.

&

31

37

&

. .

m m
#
&

43

49

&

# .

.
. .

# m

&

..
m
U . . >
61

.
.

# .

J
.

&
55

Copyright 2005, Clark Kimberling

Clark Kimberling

ZILIEA

q. (fast)

# 6 J
j j # . .
J
& 8
J
>
# . .
j

&


J
J
>
8

. . . . . j

& J #
J
J J
14

. . . . . . . . . . . . . . . . j
. .
& .
J J
21

# # . N .
J
&
28

# m # m . .

J J J
&
35

.
J J

.
J J
J .

J j j j

.
#
j
j

.
J
&
J
J
J
>
42

# . .
j

&
J
J
>
49

# # . . . . . j
J
J

&
J
J
55

61

& .

. .

. .
J

. . . . . . . . . . . . j
J
.
4

Copyright 2005, Clark Kimberling

ZILLIPPIPPI
h.
# 3

& 4
9

&
17

#
&
26

# . .
&
33


..



. . .
.

. . . .

n b .

bb
n

bb
& b
41

. .

& .

Clark Kimberling

. n #

bb . . . . . . . # .
n

& b

..
..
.
m
55 m
N m m
&
48

64

&

. .

J .



&
&

n #

m
nn
n

74

80

. . .
.
.

.
.

. .
. .
Copyright 2005, Clark Kimberling

ZILLOW

q
# 4 # # #
& 4
J J

Clark Kimberling

# . J . # #
&
J J
7

12

&

17

&

#
#

J # J J

m. m.
.
.

. . j


j # #

# # m. N j b
#
& J J
J #
J J #
21

m. m.
# . . . . j

#
#
j

&

J
J
26

# . j b J
#
&
J #
J
30

# #
& J J
35

# m . J

# . # #
&
J J
40

45

&

J # J J
Copyright 2005, Clark Kimberling


& 44

ZIM BOB

Clark Kimberling

. .


. ..
.
T
7


#
&

3
. . #

& . . . .
13

# # #

# # . N

#
&
m
23
# # m # # # . N


&
18

28

&
m

m m

# #
# . #

# # m . # . . . .
&

33

# # . m . . .
&

38

# # . # . . . .
&

43

## .


&

..

. .
T
54
# # . . #



&
48

# # . .
&
60

. #
.
.
.

. .

Copyright 2005, Clark Kimberling

ZIMPASOODLE

.q


& 44

Clark Kimberling

b
b

.
.


&

# m
m #



&
N
9


&
13

.
&
19


m
m

.
&
25

& b

31

&
35

> b
. . b .

. .
&
.
39

43

&

. . b

.
b

rit.

Copyright 2005, Clark Kimberling


b
J

b

.
. b . . .
.

ZINDIDOAH
q.
# ## 6
J .
& 8
J

&

# ##

Clark Kimberling

m j
j

J
J

# # # . m m j

. J
&
m
19
# ##
m . nm
J
J

J
J
&
J
13

# ## . # n # # .
J

J
J
&

25

# # . n n n b A .
J
&

J
31

m m m

.
.

n# J
J
J
&b
37

43

&

## .

m
J m m
J

.
. .
## .

J
&
J . .
J
49


m .
##

J
& . .
J

55

61

&

## .

Copyright 2005, Clark Kimberling

Clark Kimberling
q animato
ZINGAZETTI

. # . j #
4

. J
& 4


J

. .

#
. . #
&
. . . .
m
13

. . b >

&
7

. . . # . . # . . . .

.
.
.
....

b b

. . . # .

. . . .

.

J

# . #

&

J
19

. .
. . . j

#
. J
& J .J
J

25

. m
. .

.J
&
J
. J
32

39

&

# . j

6 . 4


.
# 4
4

.
. . . # . . # .

# # # # # . . .
.
.J
&
. # . . .
.
. .
..
51 .
. . . . . b . . >
. .
.

.
.

. .

.
& . . . . . . .

. .
56
. b . . b .

. # . j

&

J
45

m #
.
&
61

Copyright 2005, Clark Kimberling

h. or faster
.
# 3

& 4
6

&

#
&

&

. .

& .
21

. .
. .
#


&

# N

&
31

&

41

&

46

&

.
. .

m
#

# b

26

36

11

16

Clark Kimberling

ZINGOWALTZ

Copyright 2005, Clark Kimberling

q. . . . . ZINNIA
. . . . . . . . . . . . . . . . .
.
.

6
J

8 J
J
. .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
J

Clark Kimberling

&
7

&
13

&

19

&

#
#
#
#

. . . . . . . . . . . . . . .
.


. . . . . . .
.
J

J
J
. .

#
. . n bA
N

J
#
b

subito legato


. #
bb

.
&
#

25


N
. #

& #
#

. .

. . . . . . . . . . . . . .
.
.
37

. .

.
.

bb

& . n n
J
. .
. . . . . . . . . . . . . . . . . . . .
.
43

.
.
. . .
#
J . J
&
31

49

&

55

&

60

&

bb

#
#
#

. .
.

.
J

J
. .

. .
J
. .

. .

. . . . . . . . . . . . . . . . . . . .


J
. . . . . . . . . . . . . . .
.
.


. .
. . . .
.
.
J

Copyright 2005, Clark Kimberling

ZINNINNINNI
q or faster
14 > > . . . 7 > 6 w
6

J 8 J
&4 J 8
4
J J
14 > > . . . J 7 > 6 w
& 8 J J
8 J
4
5

Clark Kimberling

J
14
8

78
J 88

. . . . . .
. > # . > # .
.

# 7
6 #

78
12
& 78
8
8 J
8
9

>
>
>
# 7 > > > > > > > m . m
& 8
. > > > > > >
>
m
18

>


9
# >
&
8

>
>
> > >
23

12
4
# 9
5

& 8
4
8
8
13

# 12 m
& 8
28

> > . . . 7 6
n n n 14
J 8
8
4
J J
J

& 46 w

> > . . . J 7 6
J 14

8
4
8
J
J
J

w
6
&4

6 # # 7
7

J 88

8
8
8

31

34

. > # .
> . . .

>
.

7
11 J
8 J #
&8
8
8
38

. . . b

15
& 12
8 J
8
41

r
#

. . . . . . . . .

. 46 w

Copyright 2005, Clark Kimberling

12
8

Clark Kimberling
ZINORAH
q.
. . . .
# 6 . . . . > .

J
& 8J
j J
J

# > .
&
j J .
7

12

&

# .

.
# # J .
&
22

&
27

&

##

##

2
##

&
2

J
2

#n . . . . > .

# # . . . . > .
j .
J
&
J

J
47
# # # . . . . m .

j J
&
42

.
# # # . . . m .

&
51

.
J

# # m .
&
J
37

#
J #.

32

17

Copyright 2005, Clark Kimberling

.
J

###

Clark Kimberling

ZIPALO
q.

# 6
j

J .

& 8
J
J

J
J

m
# j
j

J
J
.
J
& J
7


# .
.

&

J
13

.
. j

J

& J
J
m
19

n b J .
j
J

& . b J
J
25

>
bb J

J j
.

&

J

31

bb . > J j
&
J
.
37

&
J
44

n#

.
faster

. . m
#
j

J
&
.
49

. . m
# .
.
&
J
55

Copyright 2005, Clark Kimberling

.
J

4
&b 4

ZIPPA ZAPPAZAROO
q
> # > > > . .

> > >
>
> # > > > . .
>
> >

Clark Kimberling

.
.

. .


&b
>

9
. .


&b
5



. .


&b
13


>

&b

17

sub. molto legato


>

&b

21

25

&b
>

>

>

>

# >

>

>

>

>

>

>

>

>

>

> >
#
a
b

&

> > > > > > > > >


> >
33
> # > > > . . .
&b
> > > >
37
> # > > > . . .
&b
> > > >
29

Copyright 2005, Clark Kimberling

>


> >
.
.

ZIPPLE ZOPPIT
h (fast)
> . j >
j
2 j j
j

j
b
& 2 . J n J
.
>
>
> .
j
j

j
b
& . J n
>
11
. . . . . . . . . . .
.
.
.

& b .
6

j >
J

Clark Kimberling

j j
.
>
. . . . . . . . . . .

. . . . . . . . . . . . . . . . . . .

.
. . . .

. . . . . . . . 3 . . . . 2 . . . . . . . . . . . . . . . . . . . . . . .

J 2
.
&b
2 .
16

staccatissimo

. . . . . . . . . . . . . . . . . . .
. . . . . . . . 3 . .

. .
& b .
2 .
..
26
. . . . n
.

J J
. J
&b 2 J
J J

22

21

. . . n . . . .

J
J

n . . . . . . A . . . .

. . . . . . .
.

&b
> >
47
. n . . . . .

& b
> >
.
53
. . . . . n . .
.
&b
> >

.
.

& b J
31

n . . . . . . . . . . . A. . n . . . . . . A . . . . n . . . . . .




b
&
36

41

. . .

> >
n . . .
.
.
.
.

Copyright 2005, Clark Kimberling

Clark Kimberling
ZIPPOLITO
q.

j
# 6 #


# n
& 8
J
ben marcato

&

#
&
13

#
j

# n

J J . J

# N


&
J
20

m # N

# m # N


&
25

& J
31

#
&
37

# .
&
44

J . J

j .

# # j # n

&

J
49

&
.
55

# j

&

60

Copyright 2005, Clark Kimberling

3
&4

&

3 .

.
& b 42
19

2
&4

44
43 .

& .
13

25

(with vibrato)

Clark Kimberling

ZIPPORAH

j 43 b

3
4

.

.
4 3
&4
4
43

N 3
34
2
b

4
4

2

4

#
N 3

42
&4
4
N
.
& 44

b b b 42

31

37

4
4

#
#

3
4
44
44


3
#


4

4

big breath

b
3 # b
&4
.
49

& 24

56

42
4

rit.
,
43 42 43 .

Copyright 2005, Clark Kimberling

&
6

&

#
#

Clark Kimberling
ZIP ZAP TOE TAP
q
44 # J
j
j .


J

Toe-tap every beat to meas. 18
.

# J n

J
J


J
J J

.
# #
&
J J
11

17

&

# .

~
>
b b > b #

. .
# # j #
J

. .
# j #
J

(Stop toe-tap)
22
# . . N j
J #
#

&
J
J

. .

. .

.
. .

.
. .
# . . . . # J. . . . . . m . J . # . # .
& J
27

. . .
.
.

#
.

# J
.
j
j

J

Toe-tap to meas. 49
38
.

# # J n

J
# J J
J

&
J
32

&


.
#
&
J J
43

49

&

# .

~
>
b b > b #

> b> > > # > n > > > m. .

Heel-tap aggressively

Copyright 2005, Clark Kimberling

Clark Kimberling
ZIP ZIP ZIDDI ZOCK
h
.

2 .

J
&2

&
7

# 3 J .
.
J
2

22 J J

32

.
# 3 J .
2
3

22
2 J J

. 2
& 2
J
.

11

# 2 J 3 J .
. 22 .
& 2
J
2
J
15

N .
&J
20

.
J

j J
& J
J

j . .
j J . J
J
J
J
. . b .
33 b
. b . b

J J
J J
&
27

b . b .
J J
&
38

43

&b

#

n

49

. . . . . . . .

.
m

.
.
# a

54

&
&

. . . . . . . .. .

R
Copyright 2005, Clark Kimberling

Clark Kimberling
ZOCTA VIA
q.

bb 6 j j 9 J J 6 J J
& 8

8
J J
J J 8

bb
j

J 68 J J
8

J
.
&

J
J
J

b . nb

b

&
J J
J J
J
J
J
13

. . . . .

. . j
j

b
J

J
&
J

19

. . . . . . .

j
98
J J
&b
J J J J
25

.
9
6

& b 8 J J 8
2
2
2
31

37

&b


&b
2

43

J J #
J

J
J
J

&
J
. . . .
.
55

. . . .

J
J
J

&
2

49

#
J
&
60


J
J

.
. . . .
.

Copyright 2005, Clark Kimberling

#
& 44

Clark Kimberling

ZOLAIRE

molto legato

j
& . . j .
6

# .
j

&
.

J
11

16

&

21

&

.
bb

b
&b
26

&

41

.

.

.
J
J

&

46

&

## .
## .

.

J

-
j

j
b
b
j

&
.
.
.
##

.
.

nb

j
.
j
b

J

>

31

36

nn##
m

.
.
J
J
m
.
.

J
J .

Copyright 2005, Clark Kimberling

.
J

.
J

.
J

# . N
J

. b
J

h.
3
&4
9

&

17

&

&
25

31

&
37

&

43

&


b
&
57

# N b
b
b b b

& .
49

Clark Kimberling

ZOLARI
#
. J

b
&
64

n
n

n
n
3

- . . . . . n - . . . . . A - . . . . .
b

- . . . . . b - - b - - b - - - b - .

b

&b
70

legato

Copyright 2005, Clark Kimberling

ZOLLIE
q .
.
.
4 . . . . . . . . . .
. . .

&4

Clark Kimberling

. . .
& .
6

.
. . .
m

. . . .

&
11

. .
&
16

. . .

. . .

.
. . . . . . .

j
#

. . n

.
. . .

b b b # # # # # n N
&
21

> >
b b b # # # # N b
&
25

. . . . . .

.
& .

.
. . .
m
.

33 . .
.
.
.
.
.
m


. . . .

&

.
.
. .

&

. .
. .
. .

29

38

. .
&
44

. . . . . . . . .
.

.
.

. . . . . . . . . .

&
49

. . . .

.
. . . . m

Copyright 2005, Clark Kimberling

q
b 4 . . . .
b
. . . . .
& 4
ZONETTA

b
b
&
.
8

Clark Kimberling

. ..
. . . . .

J n

.
J J
J

.
bb b . b . . . .
&
. b . . . # n .
14

bb . .
&

19

b j
& b J .
24

. . . .

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n
# #

# # . #

#
n
#

n n # #
.

# # # # > .

. j J .
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J
29

. . . . . .

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&
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35

41

&

.
n . n n n n n
faster

. . . . . . .

m
J #
J

. . b b b . .
b
&
47

U .
.

# # # n
b

&
51

Copyright 2005, Clark Kimberling

h
2 j
&2

Clark Kimberling
ZONETTO

#
n

#
b

b -
b b # # b
&
5

&

# U
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j # b n - b

- b 78
a tempo

> b > b > N > #


b
>
>
>
b

&8
14


3 J .
4


. . J 2

b b

&
2
n
#
#

18

b b b #

b #
& #

23

big breath

. b . . . . .

b # . . . # . . n . . # . . . . . # . b . n . . # . . b . .

b . b . n b . 5
&
4
27

staccatissimo

> .
.
.
.
.
b

#
.
. . n . . b j 2 b . >
5

&4
. . . . # - 2 . . . .
31

Copyright 2005, Clark Kimberling

h
2 . .
&2
.
.
6

&

. .
.

ZOOBLE

Clark Kimberling

j # .

. .

J
.

. .
J J

# .
J
.
J

.
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.

. # .
j
j # # .
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.
16
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J
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m #
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J J

J J
&

21

26

&

# .

N .
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. # # #
J
#
J

&

3
3
31

#
#
faster

. . .
.
.
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j

&
.
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.
J
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35

# # J
&
40

#
J

j
#
# # #

J
J
.
47
. # #
##

J #. .
J J
&
J J

##
& J
44

Copyright 2005, Clark Kimberling

Clark Kimberling
ZOON CHO
q
. .
. .
4 . . . . . . N . . . . . . . . . . . . . . . .

&4

. .
5

&

. .

. . . . . . . . . . . . .
.
&
9

13

17

. .

21

&
&
&

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&
25

&

. . . . . . . . . . .
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.
.


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. . . . . . . . . . . . .
&
.
37

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.
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4 . . . . . . . . . . . .
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29

33

. .

. . . . . . .
.
.
.


.
.
. .
. .

. . . . . . . . . . .
. .
.

Copyright 2005, Clark Kimberling

44

Clark Kimberling
ZSI ZSI
h (fast)
. .
.

.
J
. . . #
.
2

J
& 2 . . .
.

# # n j .
&
. .
.
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13

.
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J

J
#
&

19

&

# . .

#
#




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&

25

3 .
#
#
2

&

2
2

32

#
n

&

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46

#
. . . # . J
.

J
& . .
#
39

.
.

.
j

&
# . . n . . . .
. . .
.
.

60
.
. J

&J
# .

53

Copyright 2005, Clark Kimberling

q
4 . .
&4

ZUMMINNY
. .

..
.


& .
4

Clark Kimberling

. . . .
.
. . . .

.
. .

. . .
&

. .

#
#
b

&b

. . # #

12

& b n #
16

#n # . .

. .

N
.
N
. .
.
.
. . . . .
. .

.
# # # . . . . .

& .

20

24

&

##

. m. .

. . . n . . . . . . . . m . n . . . . . . . . n
J

## n

&
28

m m

##

&
31

.
#n . N . .

# . . . . . . . . . #
&
35

38

&

.
#

. .


Copyright 2005, Clark Kimberling

. .

. m. .

ZWALES 1

Clark Kimberling

q
# 4 # n # n

# n # # n # n
& 4 J

# # n

# n # . . .
#
& #

. .
5

. . . . . # . . .
# . . . # . . .

# . . .
# . . .
&
. .
10

. . . . . # . . . 6
# . . . # . . .
. .

# . . .
&
4 # . .
.

4
4

14

# 4 #
& 4
18

# m #
&
22

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J
#.

#
J

# # n N b

N # n # .

. . . . . # . . .
# . . . # . . .

# . . .
# . . .
&
. .
30
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# . . . # . . .

J
# . . .
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26

# # n # n
# n # n

&

. . . . .
.
.
.
.
.
.
.

38

#
#
#
.
# # n # n

#
&
34

Copyright 2005, Clark Kimberling

8/5/05 in Wales

Clark Kimberling

ZWALES 2

h. (fast)
. # m #
# 3 . . # #

& 4
.
.

# . . . # . . n .
.
.

. . .
.
14
# # . . . # . n . . . # . # . N m
&
. # .
#
.
&
. . .
8

20

&

. .


. .

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&

.
# .

26

&

32

&

38

44

&
50

&

# #

#
.
&
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56

. .

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.

. .

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m #

. . #

.
.

# . . . # . . n .
.

. .

#
. . # . . . # . n . . # . # . # .
&
.
. .
61

Copyright 2005, Clark Kimberling

8/5/05 in Wales

Clark Kimberling

ZWALES 3

h.
. . .
# 3 j

.
. .
& 4 . .

.
> .
> .

#
# # # j

&

. .
. .
. . .
. .
J
. n
.
.

.
11

. . #
.

& . .
6

16

> > >

# # n

21

# m

&
&

#
&
26

.
.
. .

.
.

# . .
#
&
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31

. .

j . .
.
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&

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. .
. .
36

.
.

# # #

j . . .
&
J
.
.
. .
> > >
. n
.

.
.
46

# n

&
41

Copyright 2005, Clark Kimberling

8/5/05 in Wales

ZYLEIA
h
# 2 .
& 2
J J

#
.
&
7

Clark Kimberling

# 2 J
# .

& 2
J
#

&

.
J J

.

.

J 3
22
# J
2
J
J

13

19

.
J J

.
~
~

.
~~
J J

q.
# 6 #
.

& 8

J
25

6
8


J J
J

h
37
.

j

#

9
2
8

J J
&
2
J
. .
# J m .
&
J
31

#
&

43

J J .

# # .
. 3 2

J J
& J J
2
2
J J
49

#
.
#

&

54

60

&

# ##

.
###
J J

.
~
~
~
J J
Copyright 2005, Clark Kimberling

J .

Clark Kimberling

ZYLLA

q.
# ## 6
j
#

J
. J
J
& 8 J
J J
J J
legato

# ## . .

&
J
J
8

# ##
j

j
j


.

&

14

# ## .
J
&
20

nn # 2 h

# . ## #
&
25

#
#

&
31

q.

n 6 J

J
&
8
J
J
T
42
J #

J
J

J
&
37


&
47

.
&
J
52

.
J

. . . . . .
. .

J
.
. . .
J
. .
Copyright 2005, Clark Kimberling
Source: (based on "Thomas, You Cannot")

ZYRIESHA
q .
# 4 j . . .
j

& 4

J
.
. .

Clark Kimberling

j
. .

j
. n
#

#
j . . . .

&
.
J

J
6


& . j . j . . # n . j
.
16
# n
. # . . .
#


&

J J

J
11

m # . j . .
#

J
#

&
J

J
J
21

# # . n J.
J
J
&
26

m # .
#
j . .
6

&

4
J
J
J

29

. . .
n

4
. j

.
.
.


4
.


.
37
# n . j #
&


# 6

& 4
33

.
. # . .

. . . . . .
j
j
.
.
.

&

.

.
45
#

&
.

41

Copyright 2005, Clark Kimberling