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PIANO/CONDUCTOR The Last Five Years Scene Ten: Audition Sequence (Cathy) Music and lyries by Jason Robert Brown Cue: Jamie clears stage. eee > I come home wo me, TH wear a sweet - er [Pao. Solo m9} [3 Fr \[ereva > e) And hope — that, You'll... “Okay. Thank you." ‘Copyright © 2000 by Jason Rober Brown All rights controlled by Semolina Farfalle Music Co. (ASCAP) International Copyright Secured All Rights Reserved 1suso2 Piano/Conductor #10 - Audition Sequence six And in line With two hun ~ dred girls. Who are win young - er and thin - ner__ than me Who have al - read = y been to the 102 Piano/Conductor iE} wait - ing five ho = urs com - ing and go - ing In 2] ly room, There's a 12 aS #10 - Audition Sequence And watch ~ ing the girls____ Just = dress es that look just Tike this, ta = ble of men " Piano/Conductor “4 ee be Fo = —— == vs uh y gay Whowe en sit ~ ———— SS or + 102 | Piano!Conductor o5- #10 - Audition Sequence o— ot — == = Cs _ 1 ama of # ——— = SS J sees 7 ¢ $ - 55 7 * - —+> e P a 3 Ei rei — = = talent - ed per = sont Grant me Grace! == Sh ba _ _ oe eet = —— om eS v _ = 2. —— ee When you come.. {[Pno. Solo] > > 1 can’t “Find” her pitch] Piano/Conductor #10 - Audition Sequence (certo =o rie) 3 3 33 hhome.. should have fold them I was sick last week. They're gon-na think this is the way I sing. Why is the pi-an-ist play-ing so loud? Po, Soo to m9) Should 1 sing louder? TH sing loud -er. —-May-be 1. should stop and stat over. I'm gon-na stop and start 0 - Why is the dir-ec tor star-ing at his crotch? Why ig that man star-ing at_my — re-su-mé? re-su-mé [made-up half of my —re-su-mé, Look at me. Stop look-ing at that, look at_ me! 102 Piano/Conductor #10 - Audition Sequence ea 3 3 3 3 2 look at my shoes. hate these fuck-ing shoes... Why did I pick these shoes? Why did I pick this song? Why did. I pick this ea-oer? Why Molto rit, rr docs this pianist hate me? IFT don’t get the call-back, can go to Crate and Bar-rel with Mom to SS= 7 : buy acouch Not that T want to spend a day with Mom, but Ja-mie needs space t© write, since 'm ob-vi-ously such a hhoc-1i-ble, annoy -ing dis traction to him, What's he gon-na be like when we have kids? And calla woce 102 | Piano/Conductor #10 - Audition Sequence s Atempo Why am 1 work-ing so hard? These are the peo-ple who cast Lin-da Blair in a mu-sic-al. Je sus mt Christ, 1 suck, 1 suck, 1 suck! When fin = ‘lly you come home Ton, “Okay thank you Jamie phone call) ‘Vamp - at least 20s P (s6teCello 2) (vith tensity) 102 Piano/Conductor -9- #10 - Audition Sequence fcltceteenetet h-teet tenet tteeteerets pie pp SSCS i a ee = = gar den of herbs, Twill not ether inthe sensi = ble shoes Pushing oe = 11102 Piano/Conductor -10- #10 - Audition Sequence miss - ing the clues. Twill not be the girl trot = ting ot be the girl who re qui- mesa man to get by, When you come eS 40! Pa. Solo} - — Piano/Conductor ete #10 - Audition Sequence [13] Stowly (deticatetyy ws) home. (Jamie book-reading) — mp dim. ¢ rit, pocw a poco Cutoff on Jamie:"Stop!” 102