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(Tune: G, C, D)

2 Percussion

(Snare Drum, Bass Drum)

3 Percussion 2

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1 Optional Timpani

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Horn in E b
Trombone/Baritone in B b Bass Clef
Tuba in E b Bass Clef
Tuba in E b Treble Clef
Tuba in B b Bass Clef
Tuba in B b Treble Clef

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Available for download from


www.alfred.com/worldparts

(Chimes or Optional Bells or Optional Ship


Bell)

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( Suspended Cymbal, Triangle/Tambourine)

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4 Tuba
1 Mallet Percussion

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World Parts

(World Part Trombone in B b Treble Clef )

INSTRUMENTATION

2 Baritone Treble Clef

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Ghost Ship

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Conductor
Flute
Oboe
B b Clarinet
B b Bass Clarinet
E b Alto Saxophone
B b Tenor Saxophone
E b Baritone Saxophone
B b Trumpet
F Horn
Trombone/Baritone/Bassoon

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4
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Grade 1

TRADITIONAL SEA SHANTY


Arranged by MICHAEL STORY (ASCAP)

PROGRAM NOTES

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Ghost Ship is partially based on the traditional sea shanty Spanish Ladies. The opening flute passage may be played as
a solo if desired.

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NOTES TO THE CONDUCTOR

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The merchant ship Mary Celeste set sail on November 7, 1872, from New York City, loaded with a cargo of commercial
alcohol heading for Genoa, Italy. The ship never reached its destination, and on December 4 of the same year, was
spotted 600 miles west of Gibraltar, floating aimlessly about. After boarding the ship, the rescuers discovered to their
shock and amazement that everyone on board had completely vanished! Theories abound as to what happened to the
crew, including an explosion, pirates, a seaquake, or bad weather; however, to this day, no one knows for sure.

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The chimes part may be played on bells if chimes are unavailable. A ships bell may also be used.

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In the trumpet divisi in the last three measures, it is recommended that only a couple trumpets play the upper notes,
with the majority of the players on the lower notes.

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Take care to balance the trumpet and alto saxophone tone clusters in the section at measure 25, adjusting the volume
as needed.

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Please note: Our band and orchestra music is now being collated by an automatic high-speed system.
The enclosed parts are now sorted by page count, rather than score order.

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I hope you and your ensemble find Ghost Ship to be an exciting and worthwhile musical experience!

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The final chime and suspended cymbal notes should be allowed to resonate until fading out completely.

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BEGINNING BAND

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2012 BELWIN-MILLS PUBLISHING CORP. (ASCAP),


a division of ALFRED MUSIC PUBLISHING CO., INC.
All Rights Reserved including Public Performance

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43 O.
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43

Tune: G, C, D

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? b b 43
b

b 3
&bb 4

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(Suspended Cymbal,
Triangle/Tambourine)

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Susp. Cym.

Percussion 2

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(Snare Drum, Bass Drum)

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Percussion 1

Optional
Timpani

? b b 43
b

(Chimes or Optional Bells


or Optional Ship Bell)

Mallet Percussion

? b b 43
b

Tuba

Trombone/Baritone/
Bassoon

b 3
&b 4

F Horn

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3
&b 4

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Moderately slow = 84

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43

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E b Baritone
Saxophone

B b Trumpet

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B b Tenor
Saxophone

3
&b 4

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3
4

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3
&b 4

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b 3
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3
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B b Bass Clarinet

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B b Clarinet

E b Alto
Saxophone

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Oboe

Traditional Sea Shanty


Arranged by Michael Story (ASCAP)
5

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Flute

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Ghost Ship

Moderately slow = 84

b 3
&bb 4

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FULL SCORE
Approx. Duration - 2:15

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Perc. 2

S.D.

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Perc. 2

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Perc. 1

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43

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49

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48

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Perc. 2

Perc. 1

P
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P
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R

IE

quVI
E
P
W
R
i
E
re
V

E
V

e
R
e w
W

V
IE

? b
bb

Tuba

nl

P
R
s
W
R
W
E
E
V
P VIE
IE
P
u
P
W
R
W
R
E
r
E
V
c
V
IE
I
P
h
E
P
W
R
W
R
a
E
E
V
s
V
IE
P
IE
P
e
R
W
R
W
E

51

eg r
e
al
v
U
s i

IE
E

P
R

IE
V

IE
W

R
P

IE

IE

? b
bb

Timp.

V
E

E
R

E
&

E
R

Tbn./Bar./
Bsn.

Mlt. Perc.

&b

&b

&b

Tpt.

IE

&

R
IE
W

P
R

E
V

Bar. Sax.

IE

&b

IE
T. Sax.

IE

P
R

A. Sax.

Hn.

IE
W
E
V

B. Cl.

IE
W

V
E

&b

Cl.

IE

P
R

IE

b
&bb

Ob.

Fl.

P
R

IE
V
E
R

b
&bb

11

W
IE

I
V

n
f
n
f
n
f
n
f

IE
V
E

54

55

##
n#
nn

nnb
nnb

nnb

E
58

P
R

O.

W
IE
57

E
V

56

O.
p

P
R

P
W
E

IE

P
R

n#

nnb

W
IE

n
f

#
f

IE

##

#
f

n
f

n
f

nb
n

nl

n
f

IE
W

nb
n

n
f

E
V

E
R
P

IE

53

O
P
R

IE

V
IE
W

38303S

P
R

Perc. 2

quVI
E
P
W
R
i
E
re
V

E
V

IE

IE

Perc. 1

IE

P
R

P
L

P
R
s
W
R
W
E
E
V
P VIE
IE
P
u
P
W
R
W
R
E
r
E
V
c
V
IE
I
P
h
E
P
W
R
W
R
a
E
E
V
s
V
IE
P
IE
P
e
R
W
R
W
E

P
R

V
IE

IE

eg r
e
al
v
U
s i
W

IE

E
V

? b
bb

b
&bb

e
R
e w

IE

R
P

V
R

bb

IE
W

&

Tuba

E
V

IE

? b
bb

E
W

IE

IE

&b

? b
bb

Timp.

Tbn./Bar./
Bsn.

Mlt. Perc.

&

Hn.

&b

Tpt.

IE

IE
W

P
R

E
V

Bar. Sax.

&

IE

&b

IE
T. Sax.

P
R

A. Sax.

IE
W
E
V

B. Cl.

IE
W

V
E

&b

Cl.

IE
W

IE

P
R

b
&bb

Ob.

IE

P
W

Fl.

b
&bb

P
R

IE
V
R

12

W
IE

y
,

IE
V

E
V

P
R

IE
E
V

P
R

62

O.
p

P
R

IE
W

IE
W

61

W
IE

R
P

60

IE

W
IE

IE

59

P
R

IE

nl

O.
f

P
R
s
W
R
W
E
E
V
P VIE
IE
P
u
P
W
R
W
R
E
r
E
V
c
V
IE
I
P
h
E
P
W
R
W
R
a
E
E
V
s
V
IE
P
IE
P
e
R
W
R
W
E
P

IE

IE

Tamb.

IE
W

E
V

IE

P
L

IE

E
V

Timp.

Perc. 2

f
? .

b
f

f
&b

Perc. 1

Mlt. Perc.

38303S

quVI
E
P
W
R
i
E
re
V

E
V

P
R

IE

IE
W

R
W

P
R

V
IE

b .

Tbn./Bar./
Bsn.

P
R

eg r
e
al
v
U
s i

e
R
e w

V
R

&

V
E
R

V
E
R
P

W
IE
V

E
IE
&

E
V
W

IE

P
IE

R
IE
W

##

59

Tuba

IE

P
R

IE

IE
W

#
& # .

Hn.

IE

IE

T. Sax.

Tpt.

#
& .

Bar. Sax.

P
R

&

A. Sax.

IE
W
E
V

&

B. Cl.

V
E

&

Cl.

P
R

W
IE

&b

Ob.

&b

P
R

IE
V
E
R
59

Fl.

13

W
IE

P
R
s
W
R
W
E
E
V
P VIE
IE
P
u
P
W
R
W
R
E
r
E
V
c
V
IE
I
P
h
E
P
W
R
W
R
a
E
E
V
s
V
IE
P
IE
P
e
R
W
R
W
E
P

IE

nl
IE

W
V

IE
IE
W
E
V

O.
p

66

P
R

W
IE

E
V

65

V
E

P
R

IE
W

P
R

64

E
R

W
IE
V
E
R

IE
V
E

IE

R
P

IE
W

O.
f

63

38303S

Perc. 2

IE

IE

E
V

quVI
E
P
W
R
i
E
re
V

Perc. 1

IE

IE

b .

IE

P
R

IE

Timp.

P
L

&b

E
V

Mlt. Perc.

P
R

IE
W

E
V

P
R

IE

e
R
e w

P
R

V
IE

b .

V
E
R
P

W
IE
V
R

eg r
e
al
v
U
s i

V
E
R

IE
W

P
W
IE
V

W
IE
V

E
R

Tbn./Bar./
Bsn.

R
IE
W

E
V

&

IE

P
R

&

Tuba

#
& # .

Tpt.

##

T. Sax.

Hn.

IE

IE
V

#
& .

Bar. Sax.

P
R

&

A. Sax.

IE
W
E
V

&

B. Cl.

V
E

&

Cl.

P
R

W
IE

&b

Ob.

Fl.

&b

P
R

IE
V
R

14

W
IE

nl

,
-

IE

O.
p

71

P
R

P
R

E
V

70

P
R

IE

IE
W
E
V

IE
W

V
W

69

W
68

IE
R

W
IE
E
R

V
E

W
IE

IE

IE

E
V

IE
V
E
R
P

67

N -

quVI
E
P
W
R
i
E
re
V
E

V
E

IE

O.
f

P
R
s
W
R
W
E
E
V
P VIE
IE
P
u
P
W
R
W
R
E
r
E
V
c
V
IE
I
P
h
E
P
W
R
W
R
a
E
E
V
s
V
IE
P
IE
P
e
R
W
R
W
E

P
R

IE

V
E

Perc. 2

b .

IE
W

P
R

IE
W

E
V

e
R
e w
P
R

IE

Perc. 1

38303S

IE

V
E
P

W
IE
V

P
L
Timp.

P
R

IE

E
V

&b

IE
W

W
R

b .

Mlt. Perc.

eg r
e
al
v
U
s i
?

Tuba

IE

V
IE

Tbn./Bar./
Bsn.

E
IE
V

IE

&

N.

E
V

P
R

67

&

IE

R
IE
W

IE

#
& # .

Tpt.

T. Sax.

Hn.

##

IE

#
& .

Bar. Sax.

P
R

&

A. Sax.

IE
W
E
V

&

B. Cl.

V
E

&

Cl.

P
R

W
IE

&b

Ob.

Fl.

&b

P
R

IE
V
E
R
P

67

15

W
IE

I
V

.
.

j

J

IE

E
V
P
R

76

75

IE
W

P
R

IE
W

P
R

>

E
V

IE

74

73

IE

E
R
P

IE

. .

IE

. .

R
P

IE
W

P
R

IE

72

38303S

. .

. .

>

>
>

O.
O.
O.
O.
O.

Perc. 2

IE

Perc. 1

IE

IE

. .

P
L
b

O
. .

IE

E
V

Timp.

E
V

&b

Mlt. Perc.

P
R

. .

IE

P
R

.
.
.

. .

IE

quVI
E
P
W
R
i
E
re
V

E
V

P
R

. .

e
R
e w

R
P

W
IE

E
R

eg r
e
al
v
U
s i
b

. .

div.

. .

IE

nl

V
IE

IE

. .

P
R
s
W
R
W
E
E
V
P VIE
IE
P
u
P
W
R
W
R
E
r
E
V
c
V
IE
I
P
h
E
P
W
R
W
R
a
E
E
V
s
V
IE
P
IE
P
e
R
W
R
W
E

W
IE

E
R

Tbn./Bar./
Bsn.

IE
W

# -

&

IE
W

&

Tpt.

Tuba

#
& #

E
V

P
R

IE

&

Bar. Sax.

IE

IE
W

#
& # -

A. Sax.

T. Sax.

IE

IE

P
R

IE
W
E
V

&

B. Cl.

Hn.

V
E

&

Cl.

P
R

W
IE

&b

Ob.

&b

Fl.

P
R

IE
V
P

16