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MUZIEKHANDEL SAUL B.

GROEN
8 FERD. BOLSTRAAT 1072 LJ AMSTERDAM
TEL +31 (0)20-6762240 FAX +31(0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
____________________

THE LATE RENAISSANCE


1560 1600
SECULAR MUSIC

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved.

VOCAL MUSIC TO c. 1825


first version, 2006

This catalogue follows the same principles as the one of instrumental music which was issued in 2002 and of which a
completely revised and updated version is in preparation: it tries to link information on the sources (manuscripts and
early printed editions) to all currently available modern editions, not only of the calibre of the Opera Omnia, but also
all those practical ones of more modest scope. However, in the vocal section manuscripts hold much more the
spotlight, as all music up to about 1500 has come down to us in hand-written form; only since the 1530s-1540s the
printing presses flooded the market with editions for a much larger public than before.
Manuscripts
in alphabetical order of the RISM-library sigla which are listed here under the tab "Sources"; they have been selected from
the complete RISM-list, readily available in "RISM-Bibliotekssigel. Gesamtverzeichnis" (1999). To make things easier
you will find a complete list (again under: "Sources") of all manuscripts described here, specifying call names and
sections where to find them. After the description and inventory of each manuscript are to be found the editions (in
facsimile or in transcription) of the complete or partial contents of this ms., editions of anonymous works, and
concordances with other mss. Other editions of works ascribed to a composer (or several composers) can be traced
in the section "Composers A-Z" where the lists of sources refer back to the manuscripts and early prints.
Early Prints
in chronological order of publication
After the description and inventory of each early print are to be found the editions (in facsimile or in transcription)
of the complete or partial contents of this print, editions of anonymous works, and concordances with manuscripts
and other early prints.
Other editions of works ascribed to a composer (or several composers) can be traced in the section "Composers
A-Z" where the lists of sources refer back to the manuscripts and early prints.
Modern Collections
in alphabetical order of titles
All compositions ascribed to a composer are also included in the section "Composers A - Z".
Composers
Organization differs as per composer:
a) Complete list of works; all editions refer to the numbers in that list.
b) Opera Omnia available; all other editions refer to the description of it.
c) No complete work list and no Opera Omnia:
1. editions in chronological order of early prints
2. each publication with a description of its sources
Endless Beginnings
This is a first tentative version of the vocal catalogue. As a sort of "completion" will be a matter of a longer time, I
decided to issue this intermediate state of affairs. It is a house still in the scaffoldings, one room nicely decorated,
some staircases missing, the doorstep scrubbed but the hall still half bare; and the attic.....
Noli me tangere?
I will be grateful for every sensible correction and for information concerning publications I might not have noticed;
this last remark is also meant for all those small scale music publishers who do not normally advertise their issues in
the music magazines.
Thanks
I am very grateful to Saul B. Groen who gave me the opportunity to start this crazy work and who sustains through
all these years.
Orders
Orders to sponsor all this work will be very welcome. Please see: "Order Information".
Help!
The lists of vocal music in this catalogue form by far the most extensive and complicated section of the whole
project. Particular care has been taken to be as clear and explicit as possible. In case you cannot find the right path or
are doubtful about something, please let us know!
Last but not least: we hope that this catalogue will be of help to you and that you will enjoy browsing through it.
Meindert de Heer

= new title or section


= edition
* = choral work only available from a minimum number of copies

MUZIEKHANDEL SAUL B. GROEN


8 FERD BOLSTRAAT
1072 LJ AMSTERDAM
TEL +31 (0)20-6762240
FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

THE LATE RENAISSANCE


1560 - 1600
SECULAR MUSIC

This section contains 4 lists:


A.
B.
C.
D.

MANUSCRIPTS
PRINTS
MODERN COLLECTIONS
COMPOSERS A - Z

A. MANUSCRIPTS
on library sigla

D-Usch 122

Ulm, Schermar 122: Lieder, Motets & Canzonas


D-Usch Misc. 122; 5 partbooks written about 1579, and bound with the 1580
edition of J. Regnart's "Newe kurtzweilige Teutsche Lieder, mit fnff stimmen",
Nrnberg, K. Gerlach / heirs of J. vom Berg.
a4, unless otherwise indicated:
1. I. de Vento: Es fur ein wirt ins hew (from: 1571)
2. (A. Scandello): Ach Gott, wem soll ichs klagen (in 1570; D-Mbs 1501)
3. (J. Meiland): Frisch uf gut gesll lass umbher gan (in 1575; D-HB IV-V/2)
4. (O. de Lassus): Deus qui bonum vinum creasti (in: 1565)
5. Wie hastu mich so hefftiglich
6. Venite exultemus ihr schlemmer
7. (B. Donato): Allein nach dir Herr Jesu Christ (orig.: Se pur ti guardo, in:1550;
also in D-Usch 235)
8. (S. Zirler): Bewar mich herr und sey nit fern (in 1558/20; in D-Usch 235)
9. Haec est vita aeterna
10. (B. Musculus): Hertzlich lieb hab ich dich o Herr (in 1597/7; D-Usch 235)
11. (B. Musculus): In dich hab ich gehoffet Herr (in 1597/7; in D-Usch 235)
12. (J. Walter): Herr Christ der einig Gottes son (in: 1525)
13. (Guilielmus Formelis): Domine a lingua dolosa (also in D-Usch 235)
14. (M. Deiss): Quis dabit oculis meis / Heu nobis Domine / Ergo eiulate pueri
(in 1568/8; see also L. Senfl: Opera omnia, vol. III)
15. (O. de Lassus): Fertur in conviviis (also in D-Usch 235)
16. (P. Sandrin): Dulcis memoria (Doulce memoire) (also in D-Usch 236)
17. (J. Clemens non Papa): Gott ist mein liecht und mein seeligkeit (Ulm 235)
18. (J. de Kerle): Dissipa gentes quae bella volunt, a5 (in 1573;D-Mbs 1536/3)
19. Deus in adiutorium meum intende / Ecce in tenebris (A is lacking)
20. Wann mein Stindlein vorhanden ist
21. (A. Zappler): Congratulamini nunc omnes, a5 (D-Mbs 1640 and 4480;

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D-Rp A.R. 853-854 and 996-1010; see N. Zangius)


22. (W. Figulus): Das alte Jahr vergangen ist (in 1568/11: anon, and 1570/4:
anon.; D-Dl Grimma 51; D-Mbs 1501: anon.; D-Z 81,1 anon.)
23. Angelus ad pastores ait
24. In natali Domini
25. Beatus author saeculi / Christum wir sollen loben schon
26. Gaude et laetare / Freudt euch und jubiliert (D-Dl 1-E-24; D-ROu XVI
71; D-Z 81,1; all anon.)
27. (J. Magdeburg): Allein zu dir Herr Jesu Christ (in 1572)
28. Vom Himmel hoch
29. Joseph, wo ist uns ein Kind geborn
30. (W. Rauch): O herr, ich rief dein Namen an, a5 (in D-Kl I/6)
31. Ein freundtlich weib erfrewet iren man, a5
32. (C. de Sermisy): Was mein Gott will das gscheh allzeit ( = Il me suffit de
tous mes maulx; also in D-Usch 235)
33. (G. Vogelhuber): Wo soll ich mich hinkren (also in D-Usch 235)
34. (A. Scandello): S'io canto (et tu mi spacci) (in 1566; T lacking)
35. (A. Scandello): O dio che pena ( = O di che pena grand'; no T; in 1566)
36. (A. Scandello): Tu sei la causa (de la morte mia) (in 1566; T lacking)
37. (A. Scandello): Mai piu (mi fid femine) (in 1566; T lacking)
38. (A. Scandello): Bella che (tieni li capigli) (in 1566)
39. (A. Scandello): Laveva ( = Haveva na gallina) (in 1566)
40. (A. Scandello): Stya notte me (sognai) (in 1566)
41. (A. Scandello): Quanto debbe (allegrarse la natura) (in 1566)
42. (A. Scandello): O docle vita (mia) (in 1566)
43. (A. Scandello): (Tu mi fai star) (in 1566)
44. (A. Scandello): (In tutto voi ch'io mor'o traditora) (in 1566)
45. (A. Scandello): (Sia maldett'amor (in 1566)
46. (A. Scandello): (Via mia bella) (in 1566)
47. (A. Scandello): (Voria che tu cantass' una canzone) (in 1566)
Editions:
nos. 1-47:
Facsimile of the 5 partbooks of theSchermar copy of the1580 edition of J.
Regnart's "Newe Teutsche Lieder", a5; this ed. contains as well the manuscr.
partbooks of Schermar misc. 122
145,--

242.R7

I-MOe F.1358

"Madrigali Segreti per le dame di Ferrara"


36 Madrigals a5 (SSATB) for the "concerto di donne" at the court of Duke
Alfonso II d'Este at Ferrara (ca. 1580); 4 madrigals each by 9 composers
L. Agostini:
1. Donna mentre vi miro
2. Amiam Fillide amiamo ah non rispondi
3. Ecco le nubi dileguate e spente
4. Quando i pi gravi accenti
P. Isnardi:
5. Perch fuggirmi ahi lasso
6. Questa ch'il cielo onora
7. Ch'io arda e mora e taccia
8. Pu dunque un sogno temerario e vile
I. Alberti:
9. Come pu star fierezza
10. Or che 'l meriggio ardente

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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11. Tanto piacer prov'io tanta dolcezza


12. Chi vuol dir che bellezza
P. Virchi:
13. Con gli occhi molli e con le chiome sparse
14. Tu pur mi fuggi ingrato
15. Ama ben dice Amore
16. Questa vita mortal s bella in vista
A. Milleville:
17. S'Amore deit pura innocente
18. Amorosa fenice
19. Amor non ha il tuo regno
20. Se quella pur pietate
A. dall' Occa:
21. Ben raggion ch'io t'ami
22. Udite amanti udite
23. Io veggio pur pietate ancor che tardi
24. Arsi gi solo e non sostenni il foco
G. Belli:
25. Non miri il mio bel sole
26. Pendeva a debil filo
27. Un arco la mia vita
28. La misera farfalla
F. Manara:
29. Ben fu pari tra noi Donna il partire
30. Non fu senza vendetta
31. Aura dolce odorata
32. Deh lascia omai le selve
V. Fronti:
33. Madonna i'non so dire
34. Su le mie labra un bacio
35. Voi volete, ch'io mora
36. Cura gelata e ria
Edition:
nos. 1-36:
ed. by E. Durante and A. Martelotti; volume I: study (in Italian); volume II:
Music
Appendix:
Virch's "Questa vita mortal s bella in vista" (no. 16) in another version from
his "Secondo Libro dei Madrigalis a cinque voci" (1588)

100.R8

I-Tn R.I-14

63,--

Cancionero Musical de Turin


49 songs a2-a4 (all but one anonymous) from the end of the 16th century and
the beginning of the 17th century; a3, unless otherwise indicated.
1. Por la puente, Juana
2. Ay malogrados pensamientos
a2
3. Ya no soy quien ser sola
4. Qu es esto pensamiento?
5. A la gineta y vestido
a2
6. A Dios esperanas
7. Al enredador
8. Ay suspros
9. Aqu ho hay que esperar

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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MUZIEKHANDEL SAUL B. GROEN


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101.S6

10. Ay amargas soledades


a2
11. Volved pensamiento mo
12. bella pastorcica
13. Cmo puede temer dao?
14. Con iertas desconfianas
15. Cmo retumban los remos
16. De pechos sobre una pea
17. Dnde ests, seora ma?
18. Desdichada la dama
a2
19. De los lamos vengo
20. En esta larga ausencia
21. Fuego de Dios
a2
22. Gaviln que andis de noche
23. La ocasin del mal que siento
24. Madre, la mi madre
25. La morena graciosa
26. En el campo florido
27. Ro de Sevilla
28. = no. 4
29. Mal haya, quien s'enamora
30. No me lo pregunte, madre
31. No pasis el caballero
32. No puedo en tus ojos bellos
a2
33. No quiero contar mi pena
a4
34. Ojos no lloris
35. Horas tristes y amargas
36. Salte y baile
37. Seora, despus que os vi
38. Vay os amores
a2
39. Sobre moradas violetas (by J. de Palomar)
40. Otras veces m'avis visto
41. Mi querido es ido al monte
42. Puse mis cabellos
43. Pensamiento pues dizen
44. Era la noche ms fra
45. Blanda la mano
a2
46. No lloris casada
a2
47. = no. 12
48. En el ms soberbio monte
49. = no. 16
Edition:
nos. 1-49:
ed. M. Querol Galvalda

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

35,--

Page 4 of 465

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B. PRINTED EDITIONS
in chronological order

1565/15

Il primo libro a note negre a due voci


"Il primo libro a note negre a due voci composto per B. Lupacchino con
alcuni de G.M. Tasso...con la nuova giunta di alcuni Canti ...", Venice, 1565
from this collection:
edition in score of the 8 anonymous duos by A. Bornstein:
1. Ancidetemi pur, grevi martiri
2. Pungente dardo che 'l mio cor consumi
3. Ragion ben ch' io canti
4. Il bianco e dolce cigno
5. Voi ve n' andat' al cielo
6. Occhi miei lassi, mentre ch' io vi giro
7-8. without title

101.R8

19,--

Corona della morte dell'...Annibal Caro


1568/16

102.R8

1568/6

"Corona della morte dell'illustre signore il sig. comendator Annibal Caro...",


Venice, G. Scotto, 1568
15 Sonnets set by 15 composers, each in 2 madrigals a5 (the two quatrains; the
two tercets); sonnet no. 15 is a dialogue (SATB / SATB) between Fame and
the Muses.
1a-b. C. Merulo: Svelto ha di morte invido colpo e fero
2a-b. A. Gabrieli: Arbor vittorioso trionfale
3a-b. C. Schieta: Lasso, che a quelli chi ristora i danni
4a-b. M. Comis: Mirabil' arte e peregrino ingegno
5a-b. A. Anville: Queste fur le tue doti, alma gentile
6a-b. F. Adriani: Or che spoglie ha di te l' invido sole
7a-b. E. Ghibellini: Icaro incauto, sconsolato e mesto
8a-b. V. Bell'haver: Ogni strazio mi fia dolce, morendo
9a-b. V. Raimondo: S' aiuto in van dal ciel mai non si spera
10a-b. S. Bertoldo: Tu, tu, CARO, sei morto: e come in vita
11a-b. G. Renaldi: Tu, tu, CARO ancor piangi il mio gioire
12a-b. G.P. da Palestrina: Il CARO morto; e pur lasso non sento
13a-b. D. Grisonio: Poi che le due luci al pianto intense
14a-b. G. Zarlino: Mentre del mio buon CARO il fin rpenso
15. D. Grisonio: Meste e pensose donne che dolenti
a8
Edition:
nos. 1-15:
ed. L. Fava

77,50

(Novi thesauri musici) Liber quintus


"Liber quintus & ultimus, quo varie, tum sacre, tum alijs etiam locis honestissimis competentes ac congruis, plane nove, neque unquam antea, a quopiam
in lucem edite harmonie comprehendentur, veluti selectissima quedam, in D.
Ferdinandi...ac quorundam etiam aliorum illustrissimorum principum atque

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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MUZIEKHANDEL SAUL B. GROEN


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heroum generosorum encomia: octo, sex, quinque, quatuor vocum, a prestantissimis nostri seculi musicis composite, & ad omnis generis instrumenta
musica accommodata; summo studio atque labore Petri Ioannelli de Gandino
bergomensis, collectae...", Venice, A. Gardano, 1568
J. de Brouck:
Carole, qui lato similem tibi quaerit in orbe
Qui rebus claris mensuram nominis imples
Ut vigilum densa silvam cingente corona
J. de Chayne:
Quis dabit oculis nostris fontem lacrimarum
J. de Cleve:
Austria Danubii rapido prosperrima fluxu
M. Deiss:
Quis dabit oculis nostris fontem lacrimarum
A. De la Court:
Carole, caesareo princeps de sanguine splendens a5
H. De la Court:
Aurea dum rutilis surgens aurora quadrigis
Caesaris ad bustum qui Dux Alphonse dolendum
Quid sibi vult haec clara dies coelumque serenum
W. Formellis:
Arma manusque Dei Caesar veneranda potestas a8
A. Gabrieli:
Deus misereatur nostris a12
Lucida ceu fulvo resplendet gemma sub orbe a8
J. Guyot de Chtelet ("J. Castileti"):
Carole ter foelix qui tanti es nominis heres
Chr. Hollander:
Austria virtute aquilas augustaque signa
Casta novenarum iacet aula subacta sororum
Nobile virtutum culmen Rex inclite salve
Vos mea magnanimi proceres quibus ampla senatus
G. Prenner:
Austriaci colles nemora
J. Regnart:
Defunctum Charites Vaetem moerore requirunt
Dic modo Phoebe novo cur ridet lumine coelum
Quicquid graeca loquax
Quod mitis sapiens nulli
Ut vigilum densa silvam cingente corona
J. Vaet:
Ascendetis post filium a6
Aurea nunc tandem rutilante sidere fulgent a6
Ante venis viridis raris qui dotibus annos a6
Currite felices divorum cura quod oras a6
Ferdinande imperio princeps diguissime summo a6
Qui gerit Augusti diademata Caesaris ales a4
Te Deum laudamus a8
G. de Wert:
Egressus Jesus a7
Editions:
see also under names of composers
all 32 motets:

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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ed. A. Dunning; CMM.64/1-2:


volume I
129,-volume II
109,- 4 motets:
1. J. de Brouck: Carole, qui lato similem tibi a6
2. M. Desbuissons: Quid sibi vult
a6
3. J. Guyot (Castileti): Carole ter foelix / Marte animo / Austriadum nomen a8
4. A. De La Court: Carole caesareo princeps / Carole, cui celerem a5
see: Collections: "Staatsmotten fr Erzherzog Karl II von Innersterreich"

212.R5
213.R5

1569/19

Musica de'virtuosi della capella dell'...S. Duca di Baviera


"Musica de'virtuosi della capella dell'illustrissimo et eccellentis. S. Duca di
Baviera a cinque voci, con le rime del S. Antonio Minturno. Libro primo",
Venice, G. Scotto, 1569
29 madrigals a5:
1. O. de Lassus: Al dolce suon del mormorar de l'onde
II. G. Guami (Gioseppo da Lucca): Mai non si vide piu seren'il cielo
III. S. Gatto: Perche lontana da fallaci scogli
IV. F. Cornazzani: Qual nave scorta da celeste lume
V. F. Guami (Francesco da Lucca): Et hor veggio fortun'in mez'il porto
VI. Gio. Battista da Cremona: Di color mill'e variate piagge
VII. A. Cossuvino: Eolo crudel come turbasti l'onde
VIII. I. de Vento: Oscur'abisso mi s' fatt'il cielo
IX. Gio. Battista Romano: Ne piu riveggio per erbosi scogli
X. L. Meldert: Duolsi Giunon di non haver piu nome
XI. M. Troiano: Lungi dal mio tranquill'e fido porto
XII. M. Troiano: Quando fia ch'io le verd'amiche piagge
XIII. M. Troiano: Su per l'onde le fiere e per le piagge
2. O. de Lassus: Spent' d'amor la glori'e spent'insieme / Ma che morta dico io
3. O. de Lassus: Pensier dicea che 'l cor m'aggiaccia et ardi (text by Ariosto)
4. G. Guami: A la dolce ombra de la nobil pianta
II. F. Guami: Vago d'un alt'e faticoso preggio
III. I. de Vento: Mille lacciuoli havena le belle fronde
IV. M. Troiano: Sopra 'l bel verde di novelli fiori
V. A. Cossuvino: Qual meraviglia se mi piacqu'il bosco
VI. G.B. da Cremona: Et hor'il canto e 'l refrigerio e l'aura
VII. M. Troiano: Quando de l'alma pianta e 'l santo bosco
5. G. Guami: Miser 'hoime chi potr piu allegrarmi
6. G. Guami: Siami tu scort'e guida
7. O. de Lassus: Ben convenne madonna in vest'oscura / Solo n'andr col mio
mortale e a voi (text by G. Manrique)
8. O. de Lassus: Chanter je veux la gente damoyselle (canzon francese)
Edition:
all 29 madrigals:
ed. in score by H. Leuchtmann; DTB II/4
193,--

103.R8

1572/11

Een Duytsch Musyck Boek


"Een Duytsch Musyck Boek. Daer inne begrepen syn vele schoone liedekens
met III en V ende VI partijen...Ghecomponeert bij diversche excellente
meesters seer lustich om singhen ende spelen op alle instrumenten", Leuven,
Phalse / Antwerpen, Bellre, 1572

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

NB: many songs in this collection have been taken from Baethen's "Dat ierste
boek van den niewue duytsche liedekens" (Maastricht, 1554) which has
survived in an incomplete form
Songs nos. 1-26: a5; nos. 27-31: a5; no. 32: a6
1. J. Belle: Ick en can mij niet bedwinghen
2. Clemens non Papa: Een Venus schoon fraij van persoen
3. J. Turnhout: Gij meijskens die vander comenscap sijt
4. G. van Turnhout: Compt al uut zuijden, uut oosten
5. L. Hellinck: Janne moije, Janne moije, al claer, al claer
6. L. Episcopius: Vruecht en duecht mijn hert verhuecht
7. N. Faignient: Ick sal den Heer mijn Godt ghebenedijen
8. S. van der Muelen: Altijt so moet ick trueren en swaerlick versuchten
9. N. Faignient: Overvloedighen rijckdom noch armoede groot / Maer Heeree
want ick op der aerden moet leven
10. J. van Wintelroy: Al is den tijt nu doloreus
11. J. Belle: Int groen, int groene, met u alderliefste
12. J. Belle: O amoureusich mondeken root
13. J. Belle: Fluer van alle vrouwen soet
14. J. Belle: O doloreux herte met druck beladich
15. J. Belle: Laet ons nu al verblijden in dese soeten tijt
16. Clemens non Papa: Godt es mijn licht ende mijn salicheijt
17. Clemens non Papa: Alle mijn ghepeijs doet mij soo wee
18. Th. Evertz: Ontwaect van slaep nu, wij ghij sijt
19. L. Episcopius: Susanna heur baeiende in een fontein
20. L. Episcopius: Ick seg adieu, wij twsee wij moeten scheiden
21. Clemens non Papa: De voghelkens vrolick ruijten
22. anonymous: Wij comen hier gheloopen
23. J. de Latre: Al hadden wij vijvenveertich bedden
24. L. Episcopius: Laet varen alle fantasie
25. Clemens non Papa: De lustelijcke meij es nu in sijnen tijt
26. G. van Turnhout: Hoort wel ons bedrijf die vruecht beminnen
27. A. Scockart: David mismoedich sijnde met droefheijt groot
28. L. Episcopius: Princersselijck greijn, die ic ghern aenschouwe
29. G. van Turnhout: Overvloedigen rijckdom noch armoede groot
30. G. van Turnhout: Susanna haer baeijende in een fonteijn
31. L. Episcopius: Een bier, een bier, een bieren broijken
32. L. Episcopius: Ic sou studeren in eenen hoeck
Editions:
nos. 2, 17, 18, 22, 26:
see: Clemens non Papa: Opera Omnia, volume XI
nos. 4, 5, 11, 15, and 23:
ed. B. Thomas (set of 4 scores)
nos. 8, 16, 20, 21 and 25:
ed. B. Thomas (set of 4 scores)
nos. 12, 22, 23 and 25:
see: Collections: "Fifteen Flemish Songs of the Renaissance"; ed. Lenaerts

104.R8
168.R6

1578/17

14,- 14,--

Premier Livre de Chanson a deux parties


"Premier Livre de Chanson a deux parties compos par plusieurs autheurs.
Imprim en deux volumes", Parfis, A. le Roy & R. Ballard, 1578
31 chansons for ST; in alphabetical order per composer:
1-13. A. Gardane: Amour voyant; Au feu au feu vens; Au tems heureux;

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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Douce memoire; De mes ennuitz; Finis le bien; Hors envieux;


Je cerche autant amour; Il ne se treuve en amiti; Mamie un jour;
Quy souhaitez; Sy j'ay du bien; Veu le grief mal
14-21. D. Le Blanc: Avecques vous mon amour; En espoir vis et crainte;
Elle s'en va de moy; Helas quel jour feray je; Le rossignol plaisant
et gratieux; Mon coeur se recommande; Suzanne un jour;
Sur tous regretz
22-31. A. de Villers: Contentement; De ceux qui tant; Helas mon Dieu;
L'yver sera; Mamie est tant honeste; Qu'est il besoing;
Reviens vers moy; Sy quelque fois; Touttes les nuitz;
Voyant souffrir
Edition:
nos. 1-31:
ed. by B. Thomas in 2 volumes:
Volume I: nos. 1-13 by Gardane
14,-Volume II: nos. 14-31 by Le Blanc and Villers
in prep.

105.R8
106.R8

1582/4

Dolci affetti
"Dolci Affetti. Madrigali a cinque voci de diversi eccellenti musici di Roma.
Nuovamente posti in luce", Venezia, l'herede di G. Scotto, 1582:
1a. G.M. Nanino: Mentre ti fui s grato (1. parte)
1b. G.B. Moscaglia: Mentre ti fui s cara (2. parte)
1c. L. Marenzio: Hor, pien d'altro desio (3. parte)
1d. G. de Macque: Or un laccio, un ardore (4. parte)
1e. F. Soriano: Lasso, dunque che fia (5. parte)
1f. Zoilo: Bench, senza mentire (6. parte)
2. G.P. da Palestrina: O bella Ninfa mia, ch'al fuoco spento
3. G.M. Nanino: Poi che 'l mio amor v'annoia
4. A. Stabile: Qual vaga pastorella
5. G.A. Dragoni: Se dal soave et amoroso sguardo
6. G.B. Moscaglia: Per rapidissime onde
7. P. Bellasio: mentre s'imperla e 'nfiora
8. G.M. Nanino: L'aurora e 'l giorno e 'l solo
9. B. Roy: Una bianca cervetta
10. L. Marenzio: In quel ben nato avventuroso giorno
11. N. Pervue: Amor, s'in lei ch' un ghiaccio
12. Angelo Bergamasco (Crivelli): Donna, la bella mano
13. I. Tartaglino: Celeste donna in bel sembiante umano
14. G.B. Locarello: Da' begl'occhi ch'adoro
15a. A. Zoilo: Occhi dolci, occhi cari, occhi soavi (1. parte)
15b. A. Zoilo: Vaghe luci, alti lumi, ardenti faci (2. parte)
16. G. de Macque: La mia leggiadra Clori
17. G.M. Nanino: Da vaghe perle e da vermiglie rose
Edition:
nos. 1-17:
2 Roman madrigal collections:"Dolci Affetti" (1582) & "Le Gioie"(1589);
introduction and critical edition by N. Pirrotta and G. Gialdroni

107.R8

1583/14

54,--

Harmonia celeste
"Harmonia celeste di diversi eccellentissimi musici a IIII. V. VI. VII. et VIII.
voci, nuovamente raccolta per Andrea Pevernage, et data in luce. Nella

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
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_______________

quale si contiene una scielta di migliori madrigali che hoggid si cantino",


Antwerpen, P. Phalse & J. Bellre, 1583
contents on alphabet of names of composers:
1. I. Baccusi: Poi ch' el mio largo pianto a6
2-3. G. Conversi:
2. Quando mi miri a5
3. Io vo gridando a5
4-5. N. Faignient:
4. Basciami mia vita a4
5. Questi ch' indigio fan del mio tormento a4
6-9. S. Felis:
6. Da l' arcadia seconda a5
7. Sonno scendesti in terra a5
8. Al vostro dolce azuro
9. Ahi chi mi romp' il sonno a6
10. A. Ferrabosco I: Tu dolce anima mia a5
11. G. Ferretti: Nasce la gioia mia a6
12. A. Gabrieli: Dolcissimo ben mio a6
13. G.G. Gastoldi: Miracol' in natura a5
14-15. M.A. Ingegneri:
14. Non mi togl' il ben mio a4
15. Spess' in parte dal ciel lucent' e bella a4
16-18. O. de Lassus:
16. Appariran per me a4
17. Per pianto a4
18. S' io esca vivo a6
19-21. G. de Macque:
19. Amor, io sent' un respirar a6
20. Dal suo volto scendea a6
21. Tre gratiosi amanti a6
22-25. L. Marenzio:
22. Che fa hoggi il mio sole a5
23. Madonna, poi ch' uccider mi volete a5
24. Tirsi morir volea a5
25. Qual vive salamandra a6
26. P. Masnelli: Non puo dolce mia vita a4
27. T. Massaino: Ne mai pi vag' in ciel a6
28-33. Ph. de Monte:
28. Io son si vago de li miei sospiri a4
29. Per divina bellezza a4
30. Che fa alma, che pensi a5
31. Correre fiumi a6
32. Ch' io scriva di costei a6
33. I begl' occhi a6
34. G.B. Mosto: Se voi set' il mio cor a6
35. G.M. Nanino: Amor, deh dimmi come a5
36. A. Pace: Mi parto, vita mia a6
37. B. Pallavacino: Quando benigna stella a4
38. G.P. da Palestrina: O, bella Ninfa a5
39-43. A. Pevernage:
39. Dolce mio foco ardente a4
40. Quando la voce a4
41. Il dolce sonno a5

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

42. Misera che far a5


43. Cesar gentil a6
44-45. M.A. Pordenon:
44. Donna la bella mano a4
45. S grande il mio gioire a4
46. P. Quagliati: Quando del mio bel sol a8
47. I. Sabino: Facciansi lieti a7
48. A. Stabile: D'Amor le ricche gemme a5
49. A. Striggio: Nasce la pena mia a6
50. G. Vespa: Madonna, se volete a5
51. G.F. Violanti: O saette d' amor a5
52. G. de Wert: D' un s bel foce a5
Editions:
see also under names of composers
nos. 1-52:
Facsimile edition of the partbooks of the 1583 edition; set of 6 boxed vols.

108.R8

1585/17

55,--

Sdegnosi Ardori, 1585


"Sdegnosi ardori. Musica di diversi auttori, sopra un istesso soggetto di
parole, a cinque voci, raccolti insieme da Giulio Gigli da Immola", Mnchen,
A. Berg, 1585
31 settings a5 of Guarini's "Ardo s, ma non t'amo" by:
G. Ascanio (2), L. Bertani, G. Cavaccio, F. Cornazzano, G. Costa, G. Florio,
G. Fossa, G. Gigli, M.A. Ingegneri, F. Lassus, O. Lassus (2), R. Lassus, L.
Lechner, P. Masnelli, Ph. de Monte, A. Morari, B. Mosto, A. Mussotto, F.
Pagani, C. Porta, P. Ragno, V. Rai, J. Regnart, F. Ricci, Giulio Riccio, F.
Rovigo (2), F. Sale and M. Varotto
Editions:
ed. by H. Leuchtmann ("Musik der Bayerischen Hofkapelle zur Zeit Orlando
di Lassos, II"; DTB II/7
196,- see: Collections: "Settings of "Ardo s" and its related texts"

109.R8

1585/19

Symphonia Angelica (Waelrant)


"Symphonia Angelica di diversi eccellentissimi musici a IIII. V. et VI. voci,
nuovamente raccolta per Huberto Waelrant, et data in luce. Nella quale si
contiene una scielta di migliori madrigali che hoggidi si cantino",
Antwerpen, P. Phalse & J. Bellre
a4:
1. J. Nasco: Laura celeste che si dolcemente / Et io che sempre desioso
2. C. Verdonck: Donna bella e gentile
3. P. Animuccia: Tu mi ponest' innanz' a gl' occh' amore
4. H. Waelrant: Vorria morire per uscir di guai
5. V. Ruffo: Sento dentr' al cor mio
6. V. Ruffo: Cantan fra rami gl' augeletti vaghi
7. M.A. Ingegneri: Chi vuol veder tutta raccolt' insieme / Vedra i biondi capei
8. G. Contino: Vivete lieti & se viver volete / Gloir e vita vera qual vive
9. G. de Wert: Chi salira per me madonn' in cielo
10. B. Spontone: Vieni soave & dilettoso Maggio
11. V. Ruffo: Priam che spunt' il sol i vaghi rai
12. V. Ruffo: Ben mille nott' ho gia passato in pianto

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

110.R8

13. V. Ruffo: Fiere silvestre che per lati campi


a5:
14a-d. Madrigal stanzas composed by 4 composers:
a. G.M. Nanino: Mentre ti fui si grato
b. G.B. Moscaglia: Mentre ti fui si cara
c. L. Marenzio: Hor pien d' altro desio
d. G. de Macque: Hore un laccio un' ardore
15. L. Marenzio: Madonna mia gentil ringratio Amore
16. R. del Mel: Tirrhena mia, le matutine rose
17. Ph. de Monte: Occhi vaghi amorosi ove risplende / Occhi leggiadri
18. G. Piccioni: Duo begli occhi lucenti anzi due stelle
19. G.G. Gastoldi: Un novo cacciator segu' una fiera
20. O. Angelini: Tra le chiome de l' or
21. G. Conversi: Io canter di quell' almo splendore / Ben pos' Amor Natura
22. G. Ferretti: Basciami vita mia, basciam' ogn' hora
23. L. Bertani: Ch' ami la vita mia nel tuo bel nome
24. O. Vecchi: Tra mille fiamme & tr mille cathene
25. O. Angelini: Questa fera gentil che scherza e fugge
26. L. Marenzio: Amor poi che non vuole la bella donna / Chi strinse mai pi
27. L. Marenzio: Rose bianche e vermiglie chi vuol veder
28. G. Ferretti: Leggiadra giovinett' anima mia
29. G. Ferretti: Far potess' io vendetta di colei
30. G.M. Nanino: Lasso ch' ogni augelletto segue hor cantando
31. P. Nenna: Torna amato mio bene torn' a colei
a6:
32. H. Waelrant: Tra romor di tamburi & suon di trombe
33. G. Ferretti: Mirate che m' ha fatto sto mio core
34. I. Sabino: Tirsi in ira di Filli il duol la guida / Et secca o gran pieta
35. G. Ferretti: Occhi non occhi ma lucenti stelle
36. M. Comis: Gioia al mondo non si intiera e salda / Cos cangia costei
37. H. Waelrant: Vorria morire per uscir di guai
38. H. Waelrant: Mi volgio fare hor mai lo fatto mio
39. H. Waelrant: Quanto debb' allegrarse la natura
40. G. de Macque: Vorria saper da voi occhi mortali
41. G.B. Locatello: Gia primavera di vari colori
42. C. Verdonck: Un ape esser vorrei
43. I. Baccusi: Io son bell' e delicata
44. G. Ferretti: Un pastor chies' ad una ninfa amore
45. G. Ferretti: Dolc' amorose e leggiadrette ninfe
46. G. Ferretti: Pascomi sol di pianto e vive in pene
47. I. Baccusi: Il sol si part' ohime si part' il sole
48. I. Baccusi: Felice in braccio a la mia Dea godea
49. G. de Macque: Bacciam vita mia, bacciami ancor
50. A. Gabrieli: Sonno diletto e caro
51. A. Gabrieli: Cinto m' havea tra belle e nude bracia
52. A. Gabrieli: Come voi tu ch' io viva se m' uccidi
53. A. Gabrieli: Clori a Damon dicea: Dolce ben mio
54. G. Ferretti: Un tempo sospirava, piangev' e lacrimava
55. G. Ferretti: Quando mirai questa bella faccia d' oro
Edition:
nos. 1-55:
Facsimile of the partbooks of the 1585 edition; boxed set of 6 volumes

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

55,--

Page 12 of 465

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FAX +31 (0)20-6762240
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_______________

1588/17

L'Amorosa Ero
"L'Amorosa Ero rappresentata da' piu celebri musici d'Italia con l'istesse
parole & nel medesimo tuono", Brescia, V. Sabbio, 1588
nos. 1-17 for SATB; no. 18 for SATTB; all on the poem: Ero cos dicea by
M.A. Martinengo.
1. (M.A. Martinengo)
2. L. Bertani
3. G. Cavaccio
4. G.G. Gastoldi
5. R. Giovannelli
6. M.-A. Ingegneri
7. G.M. Nanino
8. A. Zoilo
9. L. Marenzio
10. R. Barera
11. L. Luzzaschi
12. P. Virchi
13. A. Striggio sr.
14. C. Merulo
15. C. Porta
16. I. Fiorini
17. A. Morsolino
18. A. Ferrabosco I
Edition:
nos. 1-18:
ed. R. Charteris (nos. 2-4, 7 and 9 in original and transposed version)

111.R8

1589/7

49,--

Le Gioie
"Le Gioie. Madrigali a cinque voci di diversi eccel.mi musici della Compagnia
di Roma. Nuovamente posti in luce. Libro Primo", Venezia, R. Amadino,
1589:
1. G.M. Nanino: L, dove par ch'ogn'altro si conforte
2. G.P. da Palestrina: dunque, perfido amante
3. F. Anerio: Pensando che volete
4. L. Marenzio: Rivi, fontane e fiumi, a l'aur', al cielo
5. A. Stabile: A questo tuo famoso e sacro tempio
6. F. Anerio: Quelle rose, che, colt' in paradiso
7. O. Griffi: S'appresso a queste neve a poco a poco
8. R. Giovannelli: Donna, la bella mano
9. G. de Macque: Nei vostri dolci baci
10. A. Crivelli: Sovr'una verde riva
11. P. Quagliati: Amoroso fiammelle amor fuggea
12. A. Zoilo: Ardo il cor e la lingua agghiaccia, ond'io
13. G. Troiano: Siatemi guid' angelici concenti
14. G.A. Dragoni: Qual pena e qual dolore
15. P. Bellasio: Mentre il gran Giove irato
16. C. Malvezzi: Com' contrario il mio nuvol celeste
17. F. Anerio: Da questa pietra amore
18. B. Roy: Al suo apparir il sole indora i monti
19. G.B. Nanino: O leggiadretti e cari
20. G.B. Locatello: Ardo lunge e d' appresso

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

21. F. Soriano: Ohim, l' antica fiamma


Edition:
nos. 1-21:
2 Roman madrigal collections:"Dolci Affetti" (1582) & "Le Gioie"(1589);
introduction and critical edition by N. Pirrotta and G. Gialdroni

107.R8

1590/29

112.R8

54,--

The first sett of Italian Madrigalls Englished


"The first sett of Italian Madrigalls Englished, not to the sense of the originall
dittie, but after the affection of the Noate. By Thomas Watson Gentleman.
There are also heere inserted two excellent Madrigalls of Master William
Byrd, composed after the Italian vaine, at the request of the sayd Thomas
Watson", London, Th. East, 1590
Contents arranged alphabetically by composers and titles; parallel Italian titles
given as well; all dates are of first known editions (1583/15 = "Musica Divina
di XIX autori illustri, a 4.5.6. et 7. voci...", Antwerpen, Phalse/Bellre, 1583):
a) W. Byrd:
1. This is sweet and merry month of May a4
2. This is sweet and merry month of May a6
b) G. Conversi:
3. When all alone my bonny love, a5 (Sola soletta; 1583/15)
c). L. Marenzio:
4. Alas, what a wretched life is this, a4 (Ahi dispietata morte; 1585: 1 L. a4)
5. Every isnging bird, a4 (Vezzosi augelli; 1585)
6. Fair shepherds' queen, a4 (Madonna sua merc; 1585)
7. Farewell, cruel and unkind, a4 (Veggo dolce mio bene; 1585)
8. O merry world, a4 (I lieti amanti; 1585)
9. When first my heedless eyes, a4 (Non vide mai; 1585)
10. Zephirus breathing, a4 (Zefiro torna; 1585)
11. Alas, where is my love?, a5 (Ohime dov''l mio ben (1580: 1 Libro a5)
12. But if the country gods, a5 (Quando'l mio vivo sol; 1580)
13. Fancy, retire thee, a5 (Partir dunque; 1580)
14. How long with vain complaining, a5 (Questa di verd'herbette; 1580)
15. Since my heedless eyes, a5 (Quando i vostri; 1580)
16. Sweetheart, arise, a5 (Spuntavan gia; 1580)
17. Sweet singing Amaryllis, a5 (Cantava la pi vaga; 1580)
18. Though faint and wasted, a5 (Lasso ch'io ardo; 1580)
19. When from myself sweet Cupid, a5 (Madonna mia gentil; 1580)
20. When I beheld the fair face, a5 (Venuta era madonna; 1580)
21. In chains of hope and fear, a6 (Non fero sdegno; 1586: 4 Libro a6)
22. Now twinkling stars do smile, a6 (Sonar le labbra; 1586)
23. O hear me, heavenly powers, a6 (Talche dovunque; 1586)
24. The fates, alas, too cruel, a6 (Questa ord il laccio; 1586)
25. Unkind, o stay thy flying, a6 (Crudel perche mi fuggi; 1586)
26. When Meliboeus' soul, a6 (Di nettare amoroso; 1586)
d) G.M. Nannino:
27. All ye that joy in wailing, a5 (Morir non pu 'l mio core (1583/15)
e) A. Striggio:
28. Love hath proclaimed war, a6 (Non rumor di tamburi; 1583/15)
Edition:
nos. 1-28:
ed. A. Chatterley; MB 74
164,--

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

Page 14 of 465

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

1590/11

Dialoghi musicali
"Dialoghi musicali de diversi eccellentissimi autori, a sette, otto, nove, dieci,
undeci, et dodeci voci, novamente posti in luce. Con due battaglie a otto
voci, per sonar de istrumenti da fiato, di Annibale Padoano et de Andrea
Gabrieli, gi organisti della Serenissima signoria di Venetia in S. Marco",
Venice, A. Gardano, 1590
56 Dialoghi a7-a12 and 2 Battaglie a8 by:
I. Baccusi, V. Bell'haver, L. Belli, L. Bertani, A. Gabrieli (4), G. Gabrieli (5),
G.G. Gastoldi, R. Giovanelli, M.A. Ingegneri, O. de Lassus (8), L. Marenzio
(2), C. Merulo, Ph. de Monte (4), G.M. Nanino, A. Orologio, A. Padovano,
C. Porta (2), A. Preti, T. Riccio, I. Sabino (2), B. Spontone (2), A. Striggio (4)
O. Vecchi (6) and G. de Wert (6)
Edition:
Facsimile of the 12 partbooks of the 1590 edition

113.R8

1591/10

75,--

Melodia Olympica
(collected by Peter Philips)
"Melodia Olympica di diversi eccellentissimi musici a IIII. V. VI. et VIII.
voci, nuovamente raccolta da Pietro Phillippi Inglese, et data in luce.
Nella quale si contengono i pi eccellenti madrigali che hoggidi si cantino",
Antwerpen, P. Phalse & J. Bellre, 1591; R: 1594/7 and 1611/11
a4:
1. A. Pevernage: Com' gran maritre a celar suo desire
2. C. Verdonck: A che pi strali Amor, s' io mi tirendo
3. P. Philips: Voi volete ch' io muoia e mi date dolor
4. L. Marenzio: Non al suo amante pi Diana piacque
5. F. Farina: Morir cor mio poi che n' hai gran desio
6. R. Giovannelli: Ahi che far ben mio senza la dolce aita
7. Palestrina: Mor quasi il mio core
8. P. Bellasio: Donna i begli occhi vostri mi fan guerra
9. G.B. Moscaglia: Si dolci son gli sguardi e si soavi
10. G.M. Nanino: Leg questo mio core con dolci e lieti sguardi
11. Palestrina: Veramente in Amore mortal ogni dolore
12-13. P. Philips: Amor sei bei rubini discoprendo (prima parte)
Perch non poss' ahime com' ape suole (seconda parte)
14. G. de Macque: Se d'altro mai non vivo
15. G. Blotagrio: Amor io sent' un respirar si dolce
16. G.B. Moscaglia: Solo e pensoso in pi desert campi
a5:
17. G.B. Mosto: Dolci alpestre parole movea cantando
18. anonymous: Lumi miei cari che lampeggiat' un si veloce sguardo
19-20. L. Marenzio: Spuntavan gia per far il mondo adorno (prima parte)
Quando 'l mio vivo sol perch' io non pera (seconda parte)
21. G.M. Nanino: Questa si bianca neve ch' or io dolce suggendo
22. G.G. Gastoldi: Clori mia pastorella tu sei fra l'altre belle
23. G.M. Nanino: Dolce fiammella mia s'hai tanto ardire
24. G. Blotagrio: Amor io non potrei haver da te
25. C. Verdonck: Fiammeggiavan due stell' a me d' intorno
26. H. Baccusi: Questo quel chiaro fonte
27-29. L. Marenzio: Deggio dunque partire lasso (prima parte)
Io partiro ma il core (seconda parte)

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Ma voi caro ben mio (terza parte)


30. A. Zoilo: Chi per voi non sospira o non si sente il core
31-32. G.G. Gastoldi: Caro soave e desiato bene (prima parte)
Perch se troppo tardi tu vedrai (seconda parte)
33. Palestrina: Non son le vostri mani come voi dite
34. O. Bassani: Poi che ne prieg' ancorn ne pianto impetra
35. F. Dentice: Ahi crudel stato mio che sol morte desio
36. L. Bertani: Movi il tuo plettro Apollo a men lieta armonia
37. F. Anerio: Il giovenil mio core s' albergo ma diletto
38-39. G.M. Nanino: Quando fra bianche perle al canto (prima parte)
Sentomi aprirsi tutto il lato manco (seconda parte)
40. G. de Wert: Vaghi boschetti di soavi allori
41. anonymous: Mille fiate o dolce mei gueriera
42. A. Pevernage: Infinta belt ch' in voi risplende
a6:
43. P. Philips: Amor che vuoi ch' io facci hor
44. A. Gabrieli: Sperar non si potea da s bella alba (prima parte)
45. V. Bell'haver: Sparve: e ogni stella in cielo (seconda parte)
46. C. Merulo: Tra pure nevi alme purpuree rose (terza parte)
47. B. Donato: Tratto fuora del mar, Apollo il giorno (quarta parte)
48. O. Vecchi: Italia bella, alta nudrice d'Arono (quinta parte)
49. T. Massaino: Poi disse hor che 'l tuo amor (ultima stanza)
50. T. Massaino: Va Musa inanz' l'alba
51. O. Vecchi: La mia candida ninfa un d vidi io
52. L. Marenzio: Potr viver io pi se senza luce rimasto son
53. A. Striggio: La ver l'aurora che si dolce l'aura
54-57. anonymous: Tirsi morir volea (prima parte)
Fren Tirs' il desio (seconda parte)
La bella ninfa sua (terza parte)
Cos morir i fortunati amanti (quarta parte)
58. A. Striggio: Ancor ch'io possa dire che d'haver
59. J.J. van Turnhout: Vorria parlare e dire
60. G.B. Moscaglia: Del secco incolto Lauro figgire l'ombra ria
61-62. H. Sabino: Vestiva i colli e le campgane (prima parte)
Cos le chiome mie soavemente (seconda parte)
63-64. L. Marenzio: Ne fero sdegno mai donna mi mosse (prima parte)
Tal che dovunque v tutto repente (seconda parte)
64. G.B. Mosto: Io mi son giovinetta
65. G. Eremita: Poi che el mio largo pianto, Amor
66. G. Eremita: Arsi del vostr'amor si dolcemente
67. C. Verdonck: Tirsi son io quel misero pastore
a8:
68. P. Philips: Ditemi, signor mio ben che sia picciol dono. Dialogo 2 chori
Editions:
nos. 1-68:
Facsimile of the 1591 edition (boxed set of 6 hardback partbooks)

219.R6

1592/11

55,--

Il Trionfo di Dori
"Il Trionfo di Dori, descritto da diversi, et posto in musica, sei voci, da
altretanti autori", Venice, A. Gardano, 1592
29 madrigals a6:
1. I. Baccusi: Un giorno a Pale sacro (M. Moro)

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_______________

2. I. Sabino: Dove sorge piacevole (F.B. Cavallier)


3. O. Vecchi: Hor ch' ogni vento tace (G.B. Zuccarini)
4. G. Gabrieli: Se cantano gl' augelli (O. Guargante)
5. A. Preti: Ninfe a danzar venite (V. Giscaferio)
6. L. Marenzio: Leggiadre ninfe e pastorelli amanti (Guicciardini)
7. G. de Macque: Vaghe ninfe selvagge (E. di Valvasone)
8. O. Colombani: All' apparir di Dori anzi del sole (G. Muscorno)
9. G. Cavaccio: Giunta qui Dori, e pastorelli amanti (G. Semprevivo)
10. A. Stabile: Nel tempo che ritorna (L. Sanvido)
11. P. Bozzi: All'ombra d'un bel faggio (B. Roncaglia)
12. T. Massaino: S le fiorite sponde (F. Lazaroni)
13. G. Asola: In una verde piaggia (A. Ligegato)
14. G. Eremita: Smeraldi eran le rive il fium' argento (L. Galeazzi)
15. Ph. de Monte: Lungo le chiare linfe (S. Pizzacomino)
16. G. Croce: Ove tra l' herbe e i fiori (G. Belloni)
17. P.A. Bonini: Quando lieta vezzosa (F. Corazzini)
18. A. Striggio: Eran ninfe e pastori M. Manfredi)
19. G. Florio: Pi trasparente velo (G. Benalio)
20. L. Leoni: Di pastorali accenti (M. Campiglia)
21. F. Anerio: Sotto l' ombroso speco (M. di Catanzaro)
22. G. Zerto: L' inargentato lido (C. Accelli)
23. R. Giovanelli: Quand' apparisti o vag' o amata Dori (G.D. Alessandri)
24. G. Costa: Mentr' quest' ombr' intorno (C. Forzate)
25. L. Bertani: Dori quest' ombre e l' aura (C. Camilli)
26. L. Balbi: Mentre pastori e ninfe (M. Palma)
27. G.G. Gastoldi: Al mormorar de liquidi cristalli (P. Malombra)
28. C. Porta: Da lo spuntar de matutini albori (P. Cresci)
29. G.P. da Palestrina: Quando dal terzo cielo (C. Cortesi)
Edition:
nos. 1-29:
ed. H. Powley

114.R8

1595/6

29,--

Lodi della Musica


"Lodi della Musica a tre voci; composti da diversi ecc.ti musici con l'intavolatura del cimbalo & liuto. Libro primo", Rome, raccolta, intagliato et stampato
da S. Verovio, 1595
18 canzonettas for 3 voices with accompaniment for harpscihord (in keyboard
notation; doubling almost exactly the vocal parts) or lute (tabalture; with some
passages not represented in the vocal parts)
1-4 by G.m. Nanino:
1. Ai dolci e vaghi accenti 2. E se tal'hor affetti 3. Cos un leggiadro canto
4. Onde spieghin sue lodi
5-8 by G. de Macque:
5. Spesso il canto 6. E sopra gl'arbuscelli 7. E i travagliati amanti 8. Se dunque
il dolce canto
9-10 by R. Giovanelli:
9. All'hor che di bei fiori 10. E da verdi boschetti
11. F. Anerio: Al suon di cornamusa
12. R. del Mel: Quand' il fido pastore
13. F. Anerio: Al tremolar de l'onde
14. anonymous: L'amoroso delfin lascia i profondi (without lute accomp.)
15. R. del Mel: E le celesti sfere

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16-18 by G.B. Nanio:


16. Mentr' il canore cigno 17. Ecco del canto 18. E voi muse gradite
Edition:
nos. 1-16:
ed. R. Luckhardt with the lute accompaniment only (in French tablature)

115.R8

1597/10

29,--

Le Rossignol musical des chansons


"Le Rossignol musical des chansons de diverses et excellens autheurs de
nostre temps a quatre, cinq et six parties. Novellement recueill & mises en
lumire", Antwerpen, P. Phalse
43 chansons a4-a6
a4:
1. A. Pevernage: si dessus volz levres de roses
2. J.Pz. Sweelinck: Tes beaux yeux causent mon amour
3. Mitou (Th. Champion): Il estoit un clerc qui aymer vouloit
4. C. Verdonck: Le feu couvert dont l'ardeur et la force
5. N. Faignient: Le seul espoir de mieux avoir m'amie
6. E. Du Cuarroy: Rose, vostre beau teint et voz douces odeurs
7. S. Cornet: La peine dure que tant j'endure
8. N. Faignient: Le tien espoir de mieux avoir t'abuse
9. C. Le Jeune: Tu ne l'enten pas
10. A. Pevernage: Ma mignonne debonnaire
11. A. Pevernage: Pour estr'aym par grande loyaut
12. D. Caignet: Hault et bas la chemine
13. C. Le Jeune: En m'oyant chanter quelque fois
a5:
14. R. del Mel: Mignonne, allons veoir si la rose
15. C. Le Jeune: Rossignol mon mignon, qui dans ceste asaulaye
16. G. de la Hle: Mais voyez, mon cher esmoy
17. E. Bernard: L'arbre d'amour un fruit d'amaritude
18. R. del Mel: Mon coeur se recommand' vous
19. Ph. Rogier: tout le plaisir qu'un amant peut avoir
20. R. del Mel: Rossignollet qui chante
21. R. del Mel: Sur la rouse mi fault aller la matine
22. E. Bernard: Pour gaige de ma foy
23. C. Verdonck: Je me plaignoy des beaux yeux de madame
24. C. Le Jeune: Las, il n'a nul mal
25. N. Faignient: Jupiter, tres grand Roy
26. Ph. van Wilder: Je file quand Dieu me donne de quoy
27. Ph. de Monte: Que me servent mes vers
28. R. del Mel: Si doncque tu me veus secourir
29. R. del Mel: Mon fils, ma vie, amour
30. A. Ferrabosco: Le rossignol plaisant et gratieux
31. Ph. Rogier: Amour et la beaut
32. J. de Macque: Sur toute fleur deslite
33. J.Pz. Sweelinck: Tu as tout seul Jean
34. R. de la Cassaigne: Ayant fait de mes pleurs
a6:
35. Ph. Rogier: Veu que de vostr' amour
36. C. Le Jeune: Elle n'eust sceu la chaleur prouver
37. D. Caignet: Pour vous aymer je veux mal, mon coeur
38. H. Naich: De moins que riens

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_______________

39. D. Caignet: Rossignollet du bois


40. Ph. de Monte: Bon jour mon coeur
41. Ph. Rogier: Leal amour ne veut estre pos
42. C. Verdonck: Le printemps se couvre de fleurs
43. D. Caignet: Quand je pense mesjouir
Editions:
nos. 1-43:
ed. G. Hoekstra
nos. 2 and 33:
see: Sweelinck: Opera omnia, volume VII/2 (nos. 47-48)

116.R8

1597/11

141,--

Airs de Court a4-a5


"Airs de Court. Mis en musique 4. & 5. parties. De plusieurs autheurs",
Paris, A. Le Roy & la veufve R. Ballard, 1597
39 anonymous chansons a4-a5
a4, unless otherwise indicated
alphabetical list of titles:
1. Allons vieille imperfaite
2. Amour n'avance le trespas
3. Aussitost qu'une belle ame
4. Beaut vivant pourtraict
5. Belle bergere sans cesser
6. Belle Jeanneton permets
7. Belle qui futes jadis
8. Bergere en passant
9. Berger quelle adventure estrange a5
10. Bien heureux qui se peut dire
11. Cache ton celleste soleil
12. Cruelle tu m'as arrest
13. Dieu te gard Catin a5
14. Dieu vous gard bergerette
15. En m'en revenant de saint Nicolas
16. Entre toutte l'eslitte
17. Ha je te tien ma cruelle
18. Ha toute beste champestre a5
19. Il est vray je le confesse
20. Il tua la mort en naissant
21. Ingrate sans amour
22. J'avois d'une main sangneuse
23. J'ayme en ce village
24. Je trouvay la dame un jour
25. La piaga ch' ho nel core
26. Mon ame est si fort blesse
27. Ne vous offensez point mon ame
28. Nous estions trois nonnes
29. Or que la nuict & le silence
30. Ou t'en vas tu si tost Morphe
31. Pourquoy le ciel a mon bonheur
32. Pourquoy le ciel a mon malheur
33. Press d'ennuy, aflig de douleurs
34. Puis qu'il faut hlas! que je meure a5
35. Quand je voy ce bel oeil

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

36. Tant & tant il m'ennuye


37. Ung amant t'espandit un jour
38. Uni noz coeurs, uni nos faitz
39. Vous me jurez bergere
Edition:
nos. 1-39:
ed. in score by J.A. Bernstein; hardback (This edition contains as well:
"Second livre d'airs des plus excelants musiciens de nostre tems reduiz
quatre parties par M. Di. Le Blanc", Paris, Le Roy & Ballard, 1579: see for
for titles under: D. Le Blanc)

117.R8

1601/16

102.S6
103.S6

104.S6

235,--

The Triumphes of Oriana, 1601


"The Triumphes of Oriana, to 5. and 6. voices: composed by divers severall
authors.Newly published by Thomas Morley batcheler of Musick, and one of
the gentlemen of her Maiesties honorable Chappell", London, Th. East, 1601
25 madrigals a5 and a6:
a5:
(unnumbered): M. East: Hence stars! too dim of light SSTBB or SSATB
1. D. Norcombe: With angel's face SSTTB
2. J. Mundy: Lightly she whipped o'er the dales SSATB
3. E(llis). Gibbons: Long live fair Oriana (Hark did you ever hear?) SSATB
4. J. Bennet: All creatures now SSATB
5. J. Hilton sr.: Fair Oriana, beauty's queen SSATB
6. G. Marson: The nymphs and shepherds danced SSATB or SSTTB
7. R. Carlton: Calm was the air SSATB or SSAAB
8. J. Holmes: Thus Bonny-boots the birthday SSATB
9. R. Nicolson: Sing, shepherds all SSATB or SAATB
10. Th. Tomkins: The fauns and satyrs tripping SSATB
11. M. Cavendish: Come, gentle swains SSATB
12. W. Cobbold: With wreaths of rose and laurel SSATB
13. Th. Morley: Arise, awake, awake SATTB or SAATB
a6:
14. J. Farmer: Fair nymphs I heard one telling SSAABB or SSATBB
15. J. Wilbye: The Lady Oriana SSAAA or SSATT
16. Th. Hunt: Hark! did ye ever hear? SSAATB or SSATBB
17. Th. Weelkes: As Vesta was from Latmos SSATTB
18. J. Milton: Fair Orian, in the morn SSATTB
19. E. Gibbons: Round about her charret SSATTB
20. G. Kirkbye: With angel's face / Bright Phoebus greets SSATTB
21. R. Jones: Fair Oriana seeming to wink SSAATB
22. J. Lisley: Fair Cytherea presents her doves SSATTB
23. Th. Morley: Hard by a crystal fountain SSATTB or SSSATB
24. E. Johnson: Come, blessed bird SSAATB or SSATBB
Editions:
nos. 1-24:
Facsimile of the partbooks of the 1601 edition
ed. H. Fellowes, revised by Th. Dart; The English Madrigalists,volume 32
nos. 3, 16, 21, 24 and Th. Bateson's "Oriana's farewell" (which came too late
to be included in this anthologie and was later published in his first book
of madrigals, 1604):
ed. J. Summerly

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73,- 68,--

8,50

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_______________

1607/25

Tricinia, 1607
"Johann-Jacobi Gastoldi und anderer Autorn Tricinia, welche zuvor mit Italienischen Texten componiert, jetzo aber denen, so dieselbige Sprach nicht verstehen, zu besserm Nutz und Gebrauch, mit teutschen weltlichen Texten in
Truck gegeben. Durch Valentinum Haussmann gerbipol.", Nrnberg, P.
Kauffmann, 1607
47 Tricinia by: G. Gastoldi (15), V. Haussman (5), L. Marenzio (3), T. Pecci:
"l'Invaghito" (11), M. Tantucci: "l'Affettuoso" (10) and O. Vecchi (3), provided
with German texts by Haussmann; known original Italian titles follow German
titles; information on original sources (taken from Lynn's and Koch's catalogue
of the works by Haussmann) below the list of titles.
1-15. G. G. Gastoldi:
1. Amor in was fr schmertzen (S'in fede del mio amore)
2. Saget mir eins Jungfraue
3. Venus gibt mir zu schaffen
4. In eurer Lieb bin ich
5. Zartes Jungfrulein reine (Mentre scherzava Clori col suo Fillen)
6. Mein g'dancken thun mich zwingen
7. Jungfrau ich denck jetzunder (Mi tra d'hoggi' in dimane questa crudel)
8. All meiner freud bin ich
9. All meiner jungen tage (Io son gi mort'ahi lasso)
10. Von Lieb bin ich entzndet (Torna dolce il mio amore)
11. Ach jr zarte und schone
12. Jungfrau ich red mit grunde (Questa colei a chi ha nome di bella)
13. Lasst uns jetzt frlich singen (Poich non m' concesso la dolce bocca)
14. Ach wie empfindt mein Hertze
15. Mein sehnen und mein dichten (Cercai fuggir amore per non sentir dolore)
16. T. Pecci: Amor ich bin gefangen (Caro albergo d'amore)
17. Tantucci: Du hertziges hertz, liebliche Krone (O dell'anima mia parte pia)
18. Tantucci: An einem guten orte, weiss ich ein schnen Garte (Del sol cosi
splendenti non sono i biondi rai)
19. Pecci: Unfreundliches Hertz (Doloroso martire Amarilli crudel)
20-23. Tantucci:
20. O falsches hertz, es bringt mir zoren (Non piu pene piu tormenti)
21. O Hertz von harten Steinen (Da cor di pietra dura seben percuote amore)
22. Ich sing, und ist mein hertze (Fiamme che da begl' occhi gradite)
23. Bey nacht und auch bey tage (Felice chi vi mira ma piu felice)
24. Pecci: Dass jr mein Hertz besitzet (Voi pur da me partite anima mia)
25. Tantucci: Amor, ich bin verwundet (Filli gi non spenta d'amor l'antica)
26. Tantucci: Mein Augen Threnen giessen (Ben' hebbe amica stella)
27-31. Pecci:
27. Komm, mein Schatz, mit mir (Avr soave spira Filli qual fresca rosa)
28. Auff deine liebe hab ich vest gebauet (S'haver pur del boda begl'occhi)
29. Ach Schatz, o ssses Leben (Filli mia Filli dolce al tuo ritorno gioi)
30. Als ich bey meinem schnen Bulen ware (Mentre stava Mirtillo in braccio
a Clori)
31. Ach lieblichs Bild, mir sage (Ahi per uscir di pene morir pur mi)
32. Tantucci: Jungfrulein gehn euch denn (Ahi Lidia non credive alla mia)
33. Pecci: Auff einem glden Wagen (Il faretrato nume s'aggira)
34. Pecci: Holdseligs Hertze, seht was fr schmertze (Deh non pui pene dolce)
35. O. Vecchi: Ach Schatz, wo bleibt die hlffe darauff jr mich
36. Vecchi: Im Leib mein junges Hertze thut springen, tantzen

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_______________

37. Pecci: Mir ist verwundet sehr (l'Ardor c'homai dovrebbe essere spento)
38. Tantucci: Wer kann es doch ermessen? (Occhi un tempo mia vita)
39-41. L. Marenzio:
39. Ach wie werd ich von Cupido bedrenget (Novo Titio son io ch'in cibo)
40. Durch das brennende Feuer (I begil'occhi sereni e'l viso adorno)
41. Ich brinn so ungeheure (Come potr giama finir tanti mieie guai)
42. Vecchi: Es sass ein Vglein
43-47. V. Haussmann:
43. So vil man Wasserwellen
44. O grimmig Lieb, verbrenn doch nicht
45. Grete Magd suchte Merten
46. Jep Dillentent, derselbe Fent
47. Ey Simmer dan botz Velten
Italian sources:
1585: Marenzio: "Il secondo libro delle canzonette alla napolitana", Venice (41)
1587: Marenzio: "Il quarto libro delle villanelle", Venice (39, 40)
1592: Gastoldi: "Canzonette con un baletto nel fine...libro primo", 1592/95:
nos. 1, 5, 7, 10, 12, 14, 17, 18 (here: 1, 5, 7, 9, 10, 12, 13, 15)
1599: Pecci & Tantucci: "Canzonette a tre voci nuovamente composte, et
date in luce", Venice, G. Vincenti: nos. 1-3, 6, 7, 9-12, 14, 18,
21, 23-28, 30 (here: nos. 16-34, 37 and 38)
Edition:
Facsimile of the 3 partbooks of the 1607 edition
68,--

118.R8

1608/22

A. Mller: Deutsche Canzonetten


"Newe Teutsche Canzonetten mit dreyen Stimmen, von den frtrefflichsten
Italianischen Componisten auff ihre Sprach componiret, und hiebevor in
Italia zusammen getruckt. An jetzo aber mit unser Sprach den Teutschen
Musicis, Instrumentisten, und andern der Music Liebhabern zu Gefallen
unterlegt. Durch Andream Myllerum...", Frankfurt am Main, gedruckt bei
W. Richter, in Verlegung Nicali Steinii, 1608
24 Italian canzonettas a3, provided with German texts by Andreas Mller;
original Italian titles in parentheses. The sources for these works are:
1589: "Ghirlanda di fioretti musicali composta da diversi ecc.ti musici a 3 voci
con l'intavolatura del cimbalo et liuto", Rome, (S. Verovio)
1601: "Canzonette alla romana de diversi eccellentiss. musici romani a tre
voci, novamente composte, et date in luce", Venice, A. Gardano
Canzonettas nos. 25-26 are by Mller himself (no Italian model)
1. G.P. da Palestrina: Soll ich den meiden dich (Ahi che questi occhi)
2. Palestrina: Als Piramus kam (Da cos dotte)
3. F. Soriano: Warumb wiltu jetzunder (Ameni colli vaghi)
4. G.B. Zucchelli: Gleich wie ein Adler (Mentre l'Aquila st)
5. J. Peetrinus: Mit Liebes Fewer ich bin (Ardenti miei sospiri)
6. R. Giovanelli: Du edle Music (Vermiglio e vago)
7. A. Crivelli: Wovon sagt mir ohne Schertze (io me n'avedo Amor)
8. J. Peetrinus: Ein trewes hertz in Ehren (Poiche mesto o dolente)
9. G.M. Nanino: Ich sag gantz unerlogen (Tutta gentile e bella)
10. A. Stabile: Ich hab o Jungfraw zart (Ohime partito)
11. R. Giovanelli: Amor du bitter Trancke (Fugge da gli occhi)
12. G.B. Zucchelli: Soll ich dir Schatz (Ohime crudele Amore)
13. R. Giovanelli: Wie soll ich frlich singen (Si vaga la mia)
14. F. Anerio: Wiewol auff dieser Erden (Al suon non posa)

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15. G. Ricordi: Nun mehr hab ich mit Recht (Io ardo Filli)
16. A. Orlandini: O holdseliges Bilde (Ingiustissimo amore)
17. P. Quagliati: Was ists mein Schatz (Ancora che tu m'odii)
18. F. Anerio: Mein Hertz ist gar verzehret (Fiamma che da begli)
19. G. Costa: Wann wirt ein End (Se fredda la mia donna)
20. F. Soriano: Ich frewe mich
21. G.B. Locatello: Dein uglein leuchten (Donna gentil)
22. F. Anerio: Amor du brennendt Fewre (Donna se'l cor)
23. L. Marenzio: Hertzlich thut mich erfrewen (Donna se nel tuo volto)
24. F. Anerio: O weh meins Lebens Kraffte (Mentre il mio miser core)
25. A. Mller: Gleich wie ein Binlein
26. A. Mller: Nun hat ein End
Edition:
Facsimile of the 3 partbooks of the 1608 edition; FESU, vol. 47

119.R8

1609/18

qc.144
qc.145

58,--

Bicinia (Phalse)
"Bicinia, sive Cantiones suavissimae duarom vocum, tam divinae musices tyronibus, qam eiusdem artis peritioribus magno usui futurae, nec non & quibusvis
instrumentis accommoda: ex praeclaris huius aetatis auctoribus collectae...",
Antwerpen, Phalse/Bellre, 1609:
a) with text:
1-11. O. de Lassus:
(all from: "Novae aliquot ad duas voces cantiones", Mnchen, A. Berg, 1577
1. Beatus vir, qui in sapientia
2. Beatus homo, qui invenit
3. Expectatio justorum
4. Fulgebunt iusti
5. Iusti tulerunt spolia
6. Oculus non vidit
7. Qui sequitur me
8. Qui vult venire post me
9. Sancti mei
10. Serve bone & fidelis
11. Sicut rosa inter spinas
12. anonymous: O Maria
13. Josquin: Per illud ave ( = part II of: Benedicta es caelorum regina a6)
14. A. Pvernage: Deux que le trait / Ilz ont / C'est amour
15. A. Pvernage: La vita fugge
16. C. Verdonck: Lunghi da voi
17. C. Verdonck: Dissi a l'amata vita
b) without text:
18-47. 29 Fantasias by:
O. de Lassus (13), G. de Antiquis (2), B. Lupacchino (5), G.M. Tasso (2),
F. Facciola, O. di Martino, T. Papa, S. de Balbis, D. Mansaro, P. Nenna
and S. Felis
Editions:
nos. 1-47:
Facsimile of the 2 partbooks of the 1590 ed.; introduction by P. Stryckers
33,- 8 nos.:
Selection of 8 Fantasias; ed. B.Thomas (ed. also according to other sources) 10,--

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1644/3

Livre Septieme
"Livre Septieme, dat is het boeck van de Zangh-Kunst, uyt verscheyden
auteuren by een vergaert, om met 4 stemmen te zingen, en op nieuw verrykt
met verscheyden stukken a 2.3.4. en 5. stemmen, door D.J. Swelingh ....",
Amsterdam, Joost Jansen, 1644
(the first edition of this collection dates from 1560; in the many editions till ca.
1660 the contents changed continually; this is one of the last issues with a
very mixed repertoire)
57 songs for 2-5 voices; for 4 voices if not otherwise indicated.
J. Baston: C'est a grand tort qu'on dit
J. Berchem: S'io potessi Donna dir
J. Clemens non Papa: A demy mort
Jouons beau jeu tout en riant
Mais languiray-je tousjours
O Souverain Pasteur
Pere eternel
Rossignollet qui chantez au verd
P. Cadac: Je suis deshrite
Th. Crecquillon: Orsus, a cou qu'on se resveil
Pour un plaisir que si peu dure
Toutes les nuits / Qu'est il besoin cercher
Ung gay berger
Vous perdez temps de me dire / Tel en mesdit
B. Donato: Se pur ti guardo dolc' anima mia
N. Faignient: Musica aldersoetste konst
Soyons plaisans
R. Godard: Ce mois de May sur la rouse
Gomaert: Le content est rich' en ce monde
C. de Leeuw Edammer: Een kindeken is ons gebooren a3
C. Petit Jehan: Comme la rose perd en peu d' espace
En attendant le confort
Ph. Roger: D'amour me plains et non de vous / Si tu plains
P. Sandrin: Combien est malheureux
Douce memoire / finy le bien
Si mon travail vous peut donner plaisir / Le dueil yssu de la joye
C. de Sermisy: Tant que vivrai
D.J. Sweelinck: Cecilia Liedt a5
Hoe schoon licht de morghenster
So droegh Kleopatra a2
H. Waelrant: Une pastorelle gentile et un berger
Anonymous songs: Allegez moy
Amarilli mijn schoone gelooft ghy
Cruda mia tiraniella
Cruyceloos ghy doet my pijn
Dan doet het blaauw' gespan
De Mey koomt ons seer lieflijk aen
D'ou vient cela
Il me souffit de tous mes meaux
Languir me fais
Laura, die groene Laur' en ghulde haeren
Mascarada
a3

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169.R6

O Kerstnacht! schoonder dan de dagen


Quando buon hombre viene del vino
Semo tre veccinet semotre
Susann' un jour d' amour sollicite
Un doux nenny avec un doux soubrire
Vitam quae faciunt beatiorem
Vivre ne puis content sans sa presence
Welkom gesellen
Canons: A Dieu ma voix
Beatus qui soli Deo confidit a3
De Nachtegael met zoeten toon a3
Do do do l'enfant a5
Drie gns im haberstroh a3
Genooden roep t'saem a3
Hans die kost hem een paer schoe a3
Hola niemant in huis a3
In gratitudo sequitur a3
Myn vinger, myn duymen a2
Oculus non vidit (canon in unisono) a3
Pinta trahit pintam a6
Sine Cerere & Bacho
Sing mit mir, recht pausier a3
So-la-mi-so a2
't Was een wyf s'en hadde geen kind
Vanitas vanitatum
Verckens muyl
Vive les enfans de Bacchus a2
Vive Nassau tout jamais
Edition:
Facsimile of the 4 partbooks (SATB) of the 1644 edition

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

35,--

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_______________

C.

175.R6

MODERN COLLECTIONS

Anthologie de la Chanson Parisienne au XVIe Sicle


ed. F. Lesure with collaboration of N. Bridgman, I. Cazeaux, M. Levin, K.L.
Levy and D.P. Walker.
48 Chansons; a4 if not otherwise indicated; nos. of chansons in this anthology
in parentheses.
alphabetical list of composers and titles:
G. Boni: Amours et Mars (34)
Rossignol, mon mignon (32)
P. Bonnet: Mon pre et ma mre (48)
A. or J. Boyvin: Mort san soleil (16)
P. Certon: J'ai le rebours (18)
Que n'est-elle auprs de nous (11)
Vostre beaut qu'un chacun (21)
P. Clereau: Comment au dpartir (24)
G. Costeley: En ce beau moys, a5 (28)
Hlas, hlas que de mal j'endure (27)
Th. de Courville: Lorsque mouroy de t'aymer (33)
De Bussy: Las il n'a nul mal (19)
E. Du Caurroy: Prince, la France te veut a6 (45)
Quand j'estois caress de vous a7 (46)
A. Gardane: O doulx regard (38)
C. Goudimel: Amour me tue a5 (29)
Certes mon oeil fut trop adventureux (26)
N. d'Hesdin: Plaindre l'ennuy de la peine a5 (15)
Jacotin: Voyant souffrir celle qui me tourmente (3)
C. Janequin: Cent mille foys (17)
Il estoit une fillette (10)
L'amour, la mort et la vie (8)
Ma peine n'est pas grande (13)
Si come il chiaro (9)
N. de La Grotte: Quand je te veux raconter (25)
C. Le Jeune: Fire, cruelle en amour (39)
Prince, la France te veut a5 (47)
Rossignol, mon mignon a5 (31)
Si le lien se voit deffait (35)
Un jour estant seulet a5 (36)
Vous que l'amour a5 (48)
N. Millot: Susanne un jour a5 (30)
Passereau: Pourquoy donc ne fringuerons-nous (4)
Sur la rouse fault aller (6)
J. Planson: O beaux yeux qui scavez (40)
Puisque le ciel veut ainsi (37)
C. de Rore: Tout ce qu'on peut en elle voir (23)
P. Sandrin: Amour si haut (22)
C. de Sermisy: Dictes sans peur ou l'ouy (2)
Fy, fy, d'amorus (12)

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Je n'ay point plus d'affection (14)


La, la, maistsre Pierre (5)
Las je m'y plains (1)
Ch. Tessier: Alls, lgre, inconstante (41)
anonymous: Frtillarde amoureuse pucette (43)
Fricasse (A l'aventure / Tous mes amys) (7)
O beaut vainement (44)
Tyrcis vouloit mourir (42)
Chronological list of musical sources:
1528: "Chansons nouvelles en musique 4 parties", Paris, Attaingnant (1)
1531: "26 Chansons musicales", Attaingnant (1)
1531: "37 Chansons musicales", Attaingnant (1)
1532: "33 Chansons nouvelles", Attaingnant (2)
1533: "27 Chansons musicales", Attaingnant (3-4)
1535: "Livre premier contenant 29 chansons", Attaingnant (5)
1535/36?: "Chansons musicales esleues": fragment in Bibl. Mazarine (1)
1536: "Premier livre contenant 31 chansons", Attaingnant (2)
1536: "Second livre contenant 25 chansons", Attaingnant (7)
1536: "Tiers livre contenant 21 chansons", Attaingnant (4)
1538/46: "1er Livre contenant 25 chansons", Attaingnant (5-6, 15)
1538: "25 Canzoni francesi a quatro...", Venice, A. Gardane (4)
1530s: F-CA ms. 125-128 (1)
1538: "Le Parangon des chansons. Second livre", J. Moderne (15)
1540: "8e Livre contenant 19 chansons", Attaingnant (8-9)
1541: "Le Parangon des chansons. Huytiesme livre", J. Moderne (11)
1541: "Le Parangon des chansons. 9e livre", J. Moderne (9)
1542: "9e Livre contenant 28 chansons", Attaingnant & Jullet (11)
1544: "15e Livre contenant 30 chansons", Attaingnant (12)
1545: "16e Livre contenant 29 chansons", Attaingnant (13)
1545: "18e livre contenant 28 chansons", Attaingnant (14)
1547: "22e Livre contenant 26 chansons", Attaingnant (16)
1549: "33e Livre contenant 20 chansons", Attaingnant (17)
1551: "Quart livre du recuiel contenant 27 chansons anciennes", Du Chemin (3)
1552/64: P. Certon: "Premier livre de chansons" (18)
1553: "Premier livre contenant 26 chansons", veuve Attaingnant (20, 38)
1553: "Quart livre de chansons", Le Roy/Ballard (19)
1554: "11e Livre contenant 22 chansons", N. du Chemin (21)
1555: "Second recueil de chansons", Le Roy/Ballard (3)
1556: "6e Livre de chansons", le Roy/Ballard (22)
1557: "8e Livre de chansons", Le Roy/Ballard (23)
1559/64/70/75/83: "10e Livre de chansons", Le Roy/Ballard (24)
1561/64/67/71/75/78/91: "14e Livre de chansons", Le Roy/Ballard (25)
1565/72/73: "7e Livre des chansons", Le Roy/Ballard (26)
1567: "Premier recueil des recueils", Le Roy/Ballard (3)
1570/79: "Musique de G. Costeley", Le Roy/Ballard (27-28)
1570: "Les Meslanges de maistre P. Certon", N. du Chemin (11)
1572: "Mellange de chansons", Le Roy/Ballard (29-32)
1575: "Livre de meslanges...choisy...par J. Castro", Phalse/Bellere (23)
1576: G. Boni: "Sonets de P. Ronsard mis en musique", N. du Chemin (34)
1576/78: "Airs mis en musique...par Caietain", Le Roy/Ballard (33)
1583/87/c.91: "24e Livre d'airs et chansons", Le Roy/Ballard (35, 39)
1585: "Livre de meslanges de C. Le Jeune", Plantin (31-32, 36)
1587/88/93/95: "Airs mis en musique...par J. Planson", Le Roy/Ballard (37, 40)

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1594: "Airs mis en musique...par C. Le Jeune", Le Roy/Ballard (35, 39)


1597: Tessier: "Premier livre de chansons", London, T. Este (41)
1600: P. Bonnet: "Airs et villanelles mises en musique", Ballard (38)
1606: "Chansons tant rimes que mesures", P. Ballard (43-44)
1610: Du Caurroy: "Meslanges de musique", P. Ballard (45-46)
1610: "Second livre d'airs 4 de differens augeurs", P. Ballard (42)
1612: C. Le Jeune: "Second livre de meslanges", P. Ballard (47-48)
109.E2

Anthology of Neapolitan Canzonas


ed. Missaglia / Pica for voice and accompaniment
also pieces from the 19th and 20th. c. incl.; only earlier works listed here:
D.-F.-E. Auber: La mamma de Rosa
G. Biffi (16th c.): Io sogno Pascariello
D. Cimarosa: Le figliole che so de vint'anne; Quaglia, quaglia
D. Da Nola: Madonna ciaola mia
G.L. dell' Arpa (16th c.): Dormendo mi sognava; Vilanella che all'acqua vai
T. Di Maio (16th c.): Io pastenai lli frutti
V. Fontana (16th c.): No giorno t'hagio havere
P. Guglielmi (18th c.): Poverella chella figlia
G. Insanguine (Monopoli; 18th c.): Na brutta vajassa
O. de Lassus: S'io fusse ciaolo
G. Paisiello: Felicella; Serenata di Pollocenella
G.B. Pergolesi: Non si ch'ella ch'io lassaje
Perissone Cambio: La rosa
N. Piccinni: No certo munaciello; Gelusiello; Si vene no frostiero
G. Porsile: Cantata sopra l'arcicalascione
G.L. Primavera (16th c.): Mamma no grosso plice; Mira la villanella; La villanella quando all'acqua va
G. Sciroli (18th c.): Io voglio j a vede'
Velardiniello (16th c.): Boccuccia d'uno persic' aperturo; Tu sai che la cornacchia
L. Vinci: Songo li femmene

170.R3

54,--

42,--

Anthology of Renaissance Music


companion volume to A.W. Atlas: "Renaissance Music";
almost all music taken from recent modern editions
1. J. Dunstable: Quam pulchra es a3 (ed. M. Bukofzer)
2. J. Brassart: Sapienciam sanctorum
a3 (ed. Mixter)
3. G. Dufay: Ave regina caelorum a3 (ed. Besseler)
4. J. Dunstable: Veni sancte spiritus / Veni creator a4 (ed. Bukofzer)
5. anonymous: Deo gracias, Anglia a2-a3 (ed. J. Stevens in MB IV)
6. N. Grenon: La plus jolie et la plus belle a3 ed. Reaney)
7. B. Cordier: Se cuer d'amant a3 (ed. Reaney)
8. J. Ciconia: Ut te per omnes / Ingens alumnus Paude a3-a4 (ed. Bent)
9. J. Ciconia: O rosa bella a3 (ed. Bent)
10. J. Dunstable or J. Bedyngham: O rosa bella a3 (ed. Bukofzer)
11. G. Dufay: Rewvellies vous et faites chiere lye a3 (ed. Besseler)
12. G. Dufay: Adieu m'amour, adieu ma joye a3 (ed. Besseler)
13a-b. Binchois: Dueil angoisseus (2 versions: a3 and a4) (ed. Rehm)
14. G. Dufay: Nuper rosarum flores a4 (ed. Besseler)
15. G. Dufay: Ave regina caelorum III a4 (ed. Besseler)

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16. L. Power: Missa Alma redemptoris mater: Gloria & Credo a3 (ed. Curtis)
17. anonymous: Missa Caput: Sanctus a4 (from Dufay: Opera, vol. 2)
18a. G. Dufay: Se la face ay pale a3 (ed. Besseler)
18b. idem: Missa Se la face ay pale: Kyrie-Gloria-Credo-Sanctus-Agnus a4
19. G. Dufay: Missa L'ohmme arm: Agnus Dei a4 (ed. Besseler)
20. Binchois: Magnificat tercii toni a3 (ed. Ph. Kaye)
21. A. Busnoys: Missa L'homme arm: Agnus Dei a4 (ed. Taruskin)
22. R. Morton: Il sera pour vous / L'ome arm a3 (ed. A. Atlas)
23. A. Busnoys: In hydraulis a4 (ed. Taruskin)
24. J. Ockeghem: Missa Prolationum: Kyrie & Sanctus a4 (ed. Fazer)
25a. J. Ockeghem: Fors seulement a3 (ed. Wexler / Plamenac)
25b. J. Ockeghem: Missa Fors seulement: Kyrie a5 (ed. Plamenac)
26. J. Regis: Clangat plebs flores a5 (ed. Lindenburg)
27. A. Busnoys: Je ne puis vivre a3 (ed. Perkins of the Mellon Chansonnier)
28. J. Ockeghem: S'elle m'amera / Petite camusette a4 (source: as no. 27)
29. Hayne van Ghizeghem: De tous biens plaine a3 (ed. Hudson)
30. J. Bedyngham or W. Frye: So ys emprentid a3 (ed. Kenney)
31. anonymous: Mein herz in steten trewen a3 (from R. Strohm: "European
Music, 1380-1500")
32. J. Cornago: Qu'es mi vida preguntays? a3 (ed. Gerber)
33. S. Dall'Aquila: Sufferir son disposto a4 (from: A. Atlas: "Music at the
Aragonese Court of Naples", 1985)
34a. R. Morton: Le souvenir a3 (ed. A. Atlas)
34b. R. Morton: Le souvenir; instrumental arrangement a3 (ed. A. Atlas)
35. J. Martini: La martinella a3 (ed. E.G. Evans)
36. Guglielmo Ebreo: Falla con misuras a2 (from: A. Atlas: "Music at hte
Aragonese Court of Naples", 1985)
37. Josquin: Ave Maria...virgo serena a4 (ed. A.E. Planchart)
38. H. Isaac: Quis dabit capiti meo aquam? a4
39. Josquin or P. de La Rue: Absalon, fili mi a4 (ed. Smijers)
40. Josquin: Miserere mei, Deus a5 (from ed. of the Medici Codex)
41. J. Obrecht: Missa Fortuna desperata: Gloria & Credo a4 (ed. Hudson)
42. Josquin: Missa Pange lingua: Kyrie a4 (ed. Smijers)
43. P. de La Rue: Missa pro defunctis: Introitus a4
44. H. Isaac: Missa de apostolis: Kyrie a6
45. L. Compre: Venes, regretz a3 (ed. Finscher)
46. Josquin: Plus nulz regretz a4 (from ed. Picker of Chanson Album of
Marguerite of Austria)
47. P. de La Rue: Pourquoy non a4 (source: as no. 46)
48. Ninot le Petit: Et la la la a4 (ed. Hudson)
49. Josquin: Baiss moy a4 (from ed. Hewitt of Petrucci's "Canti B")
50. Josquin: Faulte d'argent a5 (ed. Smijers)
51. M. Cara: Ala absentia a4 (from W. Prizer: "Courtly pastimes", 1980)
52. A. Coppini: Canto di zingane a4 (ed. Gallucci: "Florentine festival music")
53. Josquin: El grillo a4 (ed. Smijers)
54. P. Escobar: Passame por Dios barquero a3 (from the Elvas Song Book)
55. J. del Encina: Una saosa porfia a4 (from ed. H. Angles in "La msica
en la corte de los reyes catolocos", 1947)
56. H. Finck: Ich stund an einem morgen a4 (ed. Hoffmann Erbrecht)
57. H. Isaac: Innsbruck, ich muss dich lassen a4
58. J. Ghiselin: La Alfonsina a3 (from Petrucci's "Harmonice...", 1501)
59. A. Schlick: Maria zart von edler art a3
60. anonymous: Riecercar no. 2 from Capirola's luet book (tabl. and transcr.)

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_______________

61. N. Gombert: Quem dicunt homines a6 (ed. Schmidt-Grg)


62. C. de Morales: Missa Quaeramus cum pastoribus: Kyrie a5 (ed. Angles)
63. C. de Sermisy: Je n'ay point plus d'affection a4 (ed. Cazeaus / Allaire)
64. P. Passereau: Il est bel et bon a4 (ed. Dottin)
65. C. Janequin: Les cris de Paris a4 (ed. Merritt / Lesure)
66. Ph. Verdelot: Madonna, per voi ardo a4 (ed. C. Slim: "A gift of madrigals")
67. J. Arcadelt: Il bianco e dolce cigno a4 (ed. Seay)
68. L. Senfl: Das G'lut zu Speyer a6 (ed. Geering / Altwegg)
69a. C. de Sermisy: Tant que vivray a4 (ed. Seay in: P. Attaingnant:
"Transcriptions for keyboard")
69b. J. Ghero: Tant que vivray a2 (ed. Bernstein / Haar)
70. G. Cavazzoni: Chirste redemptor omnium organ (ed. Mischiati)
71. L. de Narvaz: 4 Diferencias sobre Gurdame las vacas vihuela (ed. Pujl)
72. A. de Cabezn: Diferencias sobre las vacas kyeboard (ed. Jacobs)
73. Francesco da Milano: Fantasia (ed. Davison & Apel in: "Hist. Anthology")
74. J. Segni da Modena: Ricercar a4 (ed. C. Slim in "Musica Nova")
75. V. Pellegrini: Canzon detta la Serpentina keyboard (ed. Lynn)
76. C. Merulo: Toccata (ed. Apel & Davison in: "Historical Anthology")
77. C. Gervaise: Pavane d'Angleterre & Galliard a5
78. J. Walter: Ein feste Burg ist unser Gott a4 (ed. Schrder)
79. J. Clemens non Papa: Psalms 36 and 66 from "Souterliedekens" a3
80. W. Cornysh: Ah Robin, gentle Robin a3 (ed. J. Stevens in "Music at
the Court of Henry VIII")
81. J. Taverner: Western Wind Mass: Sanctus a4 (ed. H. Benham)
82. Chr. Tye: Lord, let thy servant now depart in peace a4 (ed. Wrightson
of the Wanley Manuscripts)
83. O. de Lassus: Prophetiae sibyllarum: Prologue only a4 (ed. F. Blume)
84. C. Gesualdo: Moro, lasso, al mio duolo a5 (ed. Weismann)
85a. G.P. da Palestrina: Dum complerentur a6 (ed. Casimiri)
85b. G.P. da Palestrina: Missa Dum complerentur: Gloria a6 (ed. Binachi)
86. G.P. da Palestrina: Nigra sum a5 (ed. Casimiri)
87a-b. T.L. de Victoria: Requeim: Agnus Dei & Versa est in luctum a6
88. C. le Jeune: La bel' aronde a6
89. O. de Lassus: Cum essem parvulus a6
90. O. de Lassus: La nuict froide et sombre a4
91. C. de Rore: Da le belle contrade d'oriente a5 (ed. E. Meier)
92. L. Marenzio: Scaldava il sol a5 (from Cannon e.a.:"The art of music",1960)
93. O. Vecchi: Caro dolce mio bene a4 (ed. DeFord)
94. M. Casulana: Ahi possanza d'amor a4 (ed. B. Pesceralli)
95. Th. Tallis: In ieiunio et fletu a5 (ed. E.H. Fellowes)
96. W. Mundy: O Lord, the maker of all things a4, organ (ed. P. le Huray)
97. W. Byrd: Chirst rising again: part I only a6, organ (ed. C. Monson)
98. Th. Weelkes: As Vesta was from Latmos hill descending a6 (ed. Fellowes)
99a. G.G. Gastoldi: A lieta vita a5 (ed. Sanvoisin)
99b. Th. Morley: Sing we and chant it a5 (ed. E.H. Fellowes)
100. J. Dowland: In darkness let me dwell voice and lute (ed. Fellowes)
101. W. Byrd: Browning my dear a5 (ed. G. Hunter)
102. J. Bull: Walsingham keyboard (ed. Maitland / Squire)
59,-Antiqua Chorbuch
ed. H. Mnkemeyer
part II: Secular Music (5 volumes)
196 works a2-a8 from 1400 to 1750 by German masters

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_______________

105.S6

(see for sources under names of composers)


a4, unless otherwise indicated
Volume I
1. anonymous: Der Walt hat sich entlaubet a3 (from: Lochamer Liederbuch)
2. anonymous: Gross Sehnen ich im Herzen trag a3 (from the Schedel book)
3. Ich sah einmal den lichten Morgenstern a3 (from: Glogauer Liederbuch)
4-8. H. Isaac (see his list of works: nos. A: 5, 10, 12, 13):
4. Innsbruck, ich muss dich lassen I
5. Innsbruck, ich muss dich lassen II
6. Erkennen tu mein traurigs Gmt
7. Kein Freud hab ich auf Erd
8. Ich stund an einme Morgen
9. E. Lapicida: Es lebt mein Herz
10-11. H. Finck:
10. Wach auf, wach auf, mein hchster Hort
11. Ach herzigs Herz
12-15. P. Hofhaimer:
12. Nach Willen dein
13. Herzliebstes Bild
14. Ich hab heimlich ergeben mich
15. Ach edler Hort
16. anonymous: Ich weiss ein hbsches Fruelein (from: "Ein ausszug ...Teutscher Liedein" (ed. G. Forster), 1539: no. 10)
17-19. anonymous ("Ander Theil...Teutscher Liedlein", ed. G. Forster, 1540:
nos. 13, 14 and 27):
17. Fr all ich krn
18. (L. Senfl): Lieblich hat sich gesellet
19. Ich sag ade
20-21. W. Grefinger:
20. Ach Maidlein rein
21. Wohl kommt der Mai
22. W. Heintz: Da trunken sie die liebe lange Nacht
23-26. Th. Stoltzer:
23. Entlaubet ist der Walde
24. Es dringt daher
25. Ihrsgleichen lebt auf Erden nicht
26. Erst wird erfeut mein traurigs Herz
27-28. L. Lemlin:
27. Tag, Nacht ich ficht
28. Der Gutzgauch auf dem Zaune sass a6
29-30. J.L. von Langenau:
29. Drei Laub auf einer Linden
30. Jetzt manchen Tag
31. B. Ducis: Elend bringt Pein
32. G. Schnfelder: Von edler Art
33. M. Greiter: Es wollt ein Jger jagen
34. O. Reytter: Es steht ein Haus km Oberland
35-36. H. Eitelwein:
35. Ich weiss nit, wie ich's halten soll
36. Sie ist der Art von Tugend zart
37. S. Mahu: Ich armes Kuzlein kleine
38. J. vom Brandt: Frisch auf in Gottes Namen
39-40. J. Walter:

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

106.S6

39. Wohlauf, wohlauf! Mit lauter Stimm


40. Wach auf, wach auf, du deutsches Land
41-43. G. Forster:
41. Vergangen ist mir Glck und Heil
42. Ich hab's gewagt
43. Willig und treu
19.-Volume II
44-54. L. Senfl:
44. Hans Beutler der wollt reiten aus
45. Entlaubet ist der Walde
46. Ein Maidlein zu dem Brunnen ging
47. Von erst so wlln wir loben
48. Mit Lust tt ich ausreiten a5
49. Mag ich, Herzlieb, erwerben dich
50. Was wird es doch a5
51. Ich armes Maidlein klag mich sehr
52. Es taget vor dem Walde
53. Ach Elslein, liebes Elselein
54. Quodlibet: Kein Adler in der Welt so schn / Es taget vor dem Walde /
Ich stuend an einem Morgen a6
55-56. A. von Bruck:
55. Elend ich rief
56. So trinken wir alle a5
57-59. anonymous (from: "Bicinia gallica latina et germanica...", Rhau, 1545):
57. Der Mai tritt ein mit Freuden a2
58. Herzlich tut mich erfreuen a2
59. Entlaubet ist der Walde a2
60. M. le Maistre: Ob ich schon arm und elend bin (Quodlibet) a7
61. W. Schmeltzel: Quodlibet
62-69. J. Clemens non Papa (all: German adaptions from his "Souterliedekens")
62. Wer war es, der den Lorbeer brach a3
63. Ich sage ade a3
64. Ach Sorg, du musst zurck stahn a3
65. Es gingen zwei Gespielen gut a3
66. Ach Gott, wem soll ich klagen a3
67. Ich stund an einem Morgen a3
68. Es steht ein Lind in jenem Tal a3
69. Der Winter ist vergangen a3
70-71. anonymous (both; German adaptions of Flemish songs from: "Het ierste
musyck boexken...", Antwerpen, T. Susato, 1551)
70. Ich trag in meinem Herzen (Ick draghe in mynder herten)
71. Wie schwer ist doch das Herze mein (Hoe drucklic is dat)
72-78. C. Othmayr:
72. Ich schnell mein Horn in Jammerston
73. Es steht ein Lind in jenem Tal
74. Wie schn blht uns der Maie
75. Mir ist ein feins brauns Maidelein
76. Wohlauf gut Gsell von hinnen
77. Es ist ein Schnee gefallen
78. Es liegt ein Schloss in sterreich
79-80. A. Utendal:
79. Ich sollt einmal spazieren gahn
80. Ach Maidlein rein

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_______________

107.S6

81. A. Gosswin: Am Abend spt a3


82. anonymous: Ich armes Maidlein klag mein Pein a3 (1588)
Volume III
83-89. O. de Lassus:
83. Wohl kommt der Mai
84. Ein guter Wein ist lobenswert a5
85. Es jagt ein Jger vor dem Holz a5
86. Willig und treu a5
87. Annelein, du singst fein
88. Ich weiss mir ein Maidlein hbsch und fein
89. Audite nova
90-96. J. Regnart:
90. Wenn ich gedenk der Stund a3
91. Nun bin ich einmal frei a3
92. Ach Gott, ein grosse Pein a3
93. Mein Mund der singt a3
94. Wer sehen will zween lebendige Brunnen a3
95. Ach Gott, wie woll ich singen a3
96. Dies ist die Zeit a3
97-104. L. Lechner:
97. Dies ist die Zeit (a4 by Regnart; with 5th part by Lechner)
98. Wohl kommt der Mai
99. Gott b'hte dich
100. Mein grosse Lieb
101. Jagen, Hetzen und Federspiel
102. Gut Singer und ein organist
103. Ach Lieb, ich muss dich lassen
104. Scheiden von Lieb
105-113. G. Lange:
105. Lenz kommt herbei
106. Nun bin ich einmal frei
107. Ach Lieb, ich muss dich lassen
108. Ach, mcht es doch gesein
109. Ich hrt ein Jungfrau klagen
110. gut G'sell, du machst dein Klagen
111. Ein sehnlichs gross Verlangen
112. Ach herzigs herz
113. In rechter Treu
114-119. J.Chr. Demantius:
114. In rechter Treu; by G. Lange, with 5th part by Demantius a5
115. Ach herzigs herz, harr noch ein Weil a5
116. Viel Wollust mit sich bringet a5
117. Lieblich ich hrte singen a5
118. Mein herz und G'mt a5
119. Die Sommerzeit mein G'mt erfreut a6
120-121. I. de Vento:
120. Schn bin ich nit
121. Entlaubet ist der Walde a3
122-123. O.S. Harnisch:
122. Weil ich gross Gunst trag zu der Kunst a3
123. Wenn ich seh deiner uglein Schein
124-125. K. Hagius:
124. Du bist ein Gottesgabe a3

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

19,--

Page 33 of 465

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_______________

108.S6

109.S6

125. Herzlich tut mich erfreuen a3


126-128. M. Schaerer:
126. Herzlich tut mich erfreuen
127. Wie schn blht uns der Maie
128. Ach Scheidens Art
Volume IV
129. N. Rosthius: Frau Nachtigall, mach dich bereit
130. P. Sartorius: Ich hab mir auserkoren
131-132. J. Eccard:
131. Nun schrz dich, Gretlein
132. Hrt ich ein' Kuckuck singen
133. H. Dedekind: Trink ich Wein a3
134-135. A. Gumpelzhaimer:
134. Ach wie elend ist uns're Zeit a3
135. Die finster Nachte a3
136-137. M. Vulpius:
136. Steht auf, ihr lieben Kinderlein
137. Die beste Zeit im Jahr ist mein
138. H.Chr. Haiden: Mach mir ein lustigs Liedelein
139-140. V. Haussmann:
139. Annelein fein
140. Mit Seufzen und mit Klag
141-147. M. Praetorius:
141. Der Winter ist ein strenger Gast
142. Nach grner Farb mein herz verlangt
143. Herzlich tut mich erfreuen
144. Sie ist mir lieb
145. Der Morgenstern ist aufgegangen
146. Wach auf, wach auf, mit heller Stimm
147. Der grimmig Tod
148-160. H.L. Hassler:
148. Ach Lieb, hier ist das herze
149. Nun fanget an ein guts Liedlein zu singen
150. Das Herz tut mir aufspringen
151. Feinslieb, du hast mich g'fangen
152. Jungfrau, dein schn Gestalt
153. Ein alter Greis
154. All Lust und Freud
155. Tanzen und Springen a5
156. Ach weh des Leiden a5
157. Mein G'mt ist mir verwirret a5
158. Fahr hin, guts Liedelein a6
159. Ihr Musici, frisch auf a6
160. Im khlen Maien a8
161-162. A. Rauch:
161. Ach weh des Leiden a3
162. All Lust und Freud a3
163-164. E. Widman:
163. Wer Lust und Lieb zur Musik hat
164. O Musica, liebliche Kunst
Volume V
165-168. M. Franck:
165. Ach, weit bin ich gewesen

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

19,--

19,--

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_______________

166. Ein fauler Baum


167. So wnsch ich ihr ein gute Nacht
168. Kommt, ihr G'spielen a5
169-170. P. Peuerl:
169. Ach Gott, wie gern ich wissen wollt a5
170. Frisch auf, und lasst uns singen a5
171-173. J. Staden:
171. Ach Traurigkeit
172. Ich bitt euch, Jungfruelein
173. Cupido, tu doch rhren a5
174. J. Schultz: Hrt, ihr Herren, lasst euch sagen
175-176. D. Friderici:
175. Wir lieben sehr im Herzen
176. Ade, ich muss nun scheiden
177. J.R. Ahle: Was mag doch diese Welt (with ad lib strings)
178. M. Jacobi: Sichres Deutschland, schlfst du noch
179-181. H. Schtz:
179. Wie nun ihr Herren, weid ihr stumm SWV 155
180. Ride la primavera a5 SWV 7
181. Mi saluta costei a5 SWV 12
182-187. J.H. Schein:
182. Viel schner Blmelein a3
183. Der khle Maien a3
184. Gott grss euch, Schf'r und Schferin a3
185. O Coridon, heut blht dein Glck a3
186. Holla, gut G'sell a5
187. Ihr Brder, lieben Brder mein a5
188-192. H. Albert:
188. Die Sonne rennt mit Prangen a3
189. Die Sonn' ist abgegangen a3
190. Du mein einzig Licht
191. Der Tag beginnet zu vergehen
192. Wer hie zu etwas kommen will
193-194. J.S. Bach:
193. Wie schn leuchtet der Morgenstern
194. Nun ruhen alle Wlder
195-196. G.F. Hndel:
195. Seht, er kommt mit Preis gekrnt (1747)
196. Wie lang, o Herr, droht uns dein Zorn (1748)

19,--

Chester Books of Madrigals


ed. by A.G. Petti; with underlaid keyboard score for rehearsal
178.R6

I. The Animal Kingdom


1. J. Arcadelt: Il bianco e dolce cigno SATB
2. A. Banchieri: Contrapunto bestiale alla mente SSATB
3. O. Gibbons: Silver swan SATBarB
4. Josquin: Il grillo SATB
5. O. de Lassus: Audite nova SATB
6. C. Le Jeune: Petite importune mouche SAT
7. L. Lemlin: Gutzgauch SSSATB
8. C. Le Jeune: La Puce SATB
9. C. Monteverdi: Dolcissimo usignolo SSATB

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

179.R6

180.R6

181.R6

10. P. Passereau: Il st bel et bon SATB


11. Th. Ravenscroft: Three ravens SATB
12. Th. Weelkes: Ape the monkey and baboon STB
13. Th. Ravenscroft: As I me walked (round) a4
14. Th. Ravenscroft: Lady come down and see (round) a4
15. Th. Ravenscroft: New oysters (round) a3
16. Th. Ravenscroft: The old dog a3
17. Th. Ravenscroft: White hen (round) a4
18. anonymous: Well rung Tom (round) a4
19. M. White: My dame hath a lame tame crane (round) a4
II. Love and Marriage
1. O. de Lassus: Mon coeur se recommande a vous SATB
2. J. Dowland: Come again SATB
3. M. Franck: So wnsch ich ihr SATB
4. J. del Encina: Mas vale trocar SATB
5. C. Gesualdo: Sospirava il mio core SSATB
6. C. Monteverdi: Baci soavi e cari SAATB
7. Ch. Tessier: Au joli bois SATB
8. Th. Vautor: Mother I will have a husband SSATB
9. Th. Morley: Arise get up, my dear SATB
10. Th. Ravenscroft: Leave off Hymen SATB
11. L. Marenzio: Scendi dal paradiso SSATB
12. O. de Lassus: Quand mon mari vient de dehors SATB
13. anonymous: Whenever I marry (round) a3
14. Th. Ravenscroft: Hey ho, what shall I say? (round) a9
15. Th. Ravenscroft: I lay with an old man (round) a4
16. Th. Ravenscroft: O my love (round) a4
17. Th. Ravenscroft: What hpa had I? (round) a3
III. Desirable Women
1. anonymous: Traut Marle SATB
2. anonymous: Marfira por vos muero SATB
3. anonymous: Pasa el agua ma Julieta SATB
4. J. Arcadelt: Margot labourez les vignes SATB
5. J. Arcadelt: Carissima Isabella SATB
6. G. Costeley: Perrette disait Jean SATB
7. G. Gastoldi: Bellissima Mirtilla SSATB
8. J. Farmer: Fair Phyllis SATB
9. O. de Lassus: Matona mia cara SATB
10. O. de Lassus: Vedi l'aurora SAATB
11. Th. Morley: No no no no Nigella SSATB
12. Th. Morley: Said I that Amaryllis? SAATB
13. J. Wilbye: Adieu sweet Amaryllis SATB
14. S. Zirler: Ach Gretlein SATB
15. W. Lawes: Come Amaryllis (round) a4
16. Th. Ravenscroft: Go to Joan Glover (round) a4
17. Th. Ravenscroft: Joan come kiss me (round) a3
18. J. Hilton: Pretty Nan (round) a3
19. W. Webb: Good Susan (round) a3
IV. The Seasons
1. C. Le Jeune: Reveci venir du printemps SSATB
2. C. Monteverdi: O primavera SSATB
3. Th. Morley: Springtime mantleth every bough SAB
4. J. Hilton: Now that the spring (round) a3

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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Page 36 of 465

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FAX +31 (0)20-6762240
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_______________

182.R6

183.R6

5. Th. Morley: Now is the month of maying SATTB


6. C. Janequin: A ce joli mois SATB
7. M. Praetorius: Herzlich tut SATB
8. J. Hilton: Come let us all amaying go (round) a3
9. J. Hilton: Now is the summer springing SST
10. M. Franck: Kommt ihr G'spielen SSTB
11. I. Baccusi: Ben sei felice autunno SSATB
12. Th. Weelkes: To shorten winter's sadness SSATB
13. C. Othmayr: Winter kalt ist vor dem Haus SATB
14. Ph. de Monte: Ceda ogni altra stagion SSATB
15. J. Hilton: Arm, arm arm (round) a3
16. J. Arcadelt: Hiver sera et l't variable SATB
17. Th. Morley: April is in my mistress' face SATB
18. Th. Ravenscroft: Oaken leaves (round) a3
19. M. Praetorius: Winter ist ein strenger Gast SATB
V. Singing and Dancing
1. Alonso: Sol sol, G G A B C STB
2. Chr. Demantius: Lieblich ich hrte singen SSATB
3. H.L. Hassler: Nun fanget an ein guts Liedlein SATB
4. S. Ives: Now we are met STB
5. O. de Lassus: Chanter je veux SSATB
6. O. de Lassus: Tutto lo d SATB
7. Th. Morley: Sing we and chant it SSATB
8. A. Scandello: Vorria che tu cantass' SATB
9. Th. Ravenscroft: Hey down a down (round) a3
10. Th. Ravenscroft: Sing we now merrily (round) a10-a11
11. Th. Ravenscroft: Sing with thy mouth (round) a4
12. Th. Ravenscroft: Sing you now after me (round) a5
13. J. Bennet: Elves dance SSTB
14. B. Donato: Chi la gagliarda SATB
15. G.G. Gastoldi: Ballerino SSB
16. O. de Lassus: Sauter danser SATB
17. P. Passereau: Pourquoi donc ne fringuerons-nous? SATB
18. Th. Ravenscroft: Satyr's dance SSTB
19. Th. Ravenscroft: Round of three country dances in one SATB
20. Th. Weelkes: Strike it up, tabor STB
21. H.L. Hassler: Tanzen und springen SSATB
22. F. Pilkington: Sing we dance we SATTB
23. H. Lawes: Now my lads (round) a3
VI. Smoking and Drinking
1. M. East: O metaphysical tobacco SSATB
2. Th. Weelkes: Come sirrah Jack ho! STB
3. Th. Ravenscroft: Tobacco fumes away SATB
4. J. Wilson: Ahey for an aho SATB
5. anonymous: Quand je bois SATB
6. A. von Bruck: So trinken wir alle SSATB
7. P. Certon: C'est trop parl de Bacchus SATB
8. F. Corteccia: Bacco Bacco SATB
9. J. del Encina: Hoy comamos y bebamos SATB
10. H. Dedekind: Trink ich Wein SAB
11. A. Gabrieli: Canto canto festa festa SSAT
12. O. de Lassus: Guter Wein SSATB
13. J. Ponce: Ave color vini SATB

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16,--

16,--

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184.R6

185.R6

126.S11

14. Th. Ravenscroft: Give us once a drink SATB


15. Th. Ravenscroft: Toss the pot SATB
16. Th. Ravenscroft: Trudge away quickly SATB
17. Th. Ravenscroft: Donnez a boire (round) a4
18. Th. Ravenscroft: He that will an alehouse keep (round) a3
19. Th. Ravenscroft: Banbury ale (round) a4
20. Th. Ravenscroft: Now kiss the cup, cousin (round) a3
21. Th. Ravenscroft: Hey down a down (round) a3
22. Th. Ravenscroft: Hey ho nobody at home (round) a5
23. Th. Ravenscroft: Qhite wine and sugar (round) a5
24. J. Hilton: Call George again, boy (round) a3
25. J. Hilton: If you will drink for pleasure (round) a3
26. J. Hilton: O ale ab alendo a3
27. J. Hilton: O yes o yes (round) a3
VII. Warfare
1. anonymous: England be glad ATB
2. Th. Ravenscroft: We be soldier three a3
3. anonymous: Bravest of soldiers (round) a3
4. W. Lawes: Wars are our delight (round) a6
5. J. Hilton: March bravely on, boys (round) a3
6. C. Janequin: La Guerre SATB
7. G. Costeley: Prise de Calais SATB
8. anonymous: Wir zogen in das Feld SATB
9. C. Othmayr: Quisquis requiem quaeris SSATBB
10. A. Gabrieli: Battaglia SSAATTBB
11. G.G. Gastoldi: Amor vittorioso SSATB
12. J. del Encina: Sanosa porfia SATB
VIII.
1. Th. Ravenscroft: By a bank as I lay SATB
2. Th. Ravenscroft: Go no more to Brainford (round) a3
3. Th. Ravenscroft: To Portsmouth a4
4. Th. Weelkes: Thule the period of cosmography (part I) SSATTB
5. Th. Weelkes: Andalusian merchant (part II) SSATTB
6. anonymous: Je suis d'Allemagne SAT
7. anonymous: Rjouissez-vous belles filles SATB
8. C. de Sermisy: Ceux de Picardie SATB
9. C. de Sermisy: Sur le pont d'Avignon SATB
10. anonymous: Zu Regensburg SATB
11. H. Isaac: Innsburck, ich muss dich lassen SATB
12. C. Othmayr: Es liegt ein Schloss in sterreich SATB
13. J. Walther: Wach auf wach auf du deutsches Land SATB
14. C. van Stappen: Vale vale de Padoa STB
15. Ph. Verdelot: Italia mia SATBarB
16. anonymous: O castillo de Montanges SAB
17. J. del Encina: Levanta Pascual STB
18. J. del Encina: Triste Espaa SATB

16,--

16,--

16,--

Chorbuch der losen Bltter


ed. G. Wolters e.a.
a4, unless otherwise stated
NB: only works falling within the limits of this catalogue have been listed
A. Secular Works

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a. Frau Musica
1. M. Praetorius: Viva la musica (canon a3)
3. L. Cherubini: Auf, lasst uns singen! (text by F. Jde) (canon a3)
4. J.S. Bach: Zwingt die Saiten in Cythara
6. J. Jeep: Musica, die ganz lieblich Kunst
7. H.L. Hassler: Nun fanget an (form: "Neue teutsche Gesang", 1596)
8. J.R. Ahle: Lob der Musik (from: "Anderes Zehn neuer geistl. Arien", 1660;
with 2 violins, viola, bc)
b. Jahreskreis und Natur
9. G.G. Gastoldi: In maienhellen Tagen (transl. G. Wolters) a5
11. J.H. Schein: Der khle Maien a3 (from: "Waldliederlein", 1621)
15. C. Janequin: Im Mai, im Mai (transl. F. Biebl)
16. H.L. Hassler: Im khlen Maien a8 (from: "Lustgarten", 1601)
19. L. Senfl: Laub, Gras und Blt
20. M. Franck: Kommt, ihr G'spielen
21. M. Praetorius: Herzlich tut mich erfreuen
24. C. Othmayr: Stolzer Schreiber (Es ist ein Schnee gefallen)
25. M. Praetorius: Nach grner Farb mein Herz verlangt
30. M. Vulpius: Die beste Zeit im Jahr ist mein
c. Morgen- und Abendlieder
32. M. Praetorius: Der Tag vertreibt die finstre Nacht
34. J.S. Bach: Nun ruhen alle Wlder
36. F. Pilkington: Rest, sweet nymphs
d. Spiel und Scherz, Tanz und Trunk
37. H.L. Hassler: Tanzen und Springen a5 (from: "Lustgarten", 1601)
39. V. Hausmann: Tanz mir nicht mit meiner Jungfer Kthen a5
41. Th. Morley: Nun strahlt der Mai den Herzen a5
43. E. Sartorius: Wohlauf, ihr lieben Gste
45. J.H. Schein: Holla, guter Gsell a5
46. C. Demantius: Frisch auf, singet all, ihr Musici a5
47. B. Donato: Wann uns die Henn' (transl. by G. Wolters)
48. A. Scandello: Ein Hennlein weiss (from: "Newe deudsche Liedlein",1570)
49. anonymous: Den besten Vogel (from:"Teutsche Liedlein, II", Forster,1540)
50. J.R. Zumsteeg: Kartoffelkantate: Schn rtlich die Kartoffeln sind a3
51. O. de Lassus: Audite nova (from: "Libro de villanelle", 1581)
52. A.Scandello: Bonzorno madonna (from:"Il 1 libro delle canzoni nap.",1566)
54. P. Passereau: Il est bel et bon (from: "28 Chansons musicalles", Attaingnant, Paris, 1534)
55. G.G. Gastoldi: An hellen Tagen a5 (from: Balletti a 5 voci", 1591; transl.
by P. Cornelius)
56. B. Donato: Wenn wir hinausziehn (from: "Canzon villanesche alla Napolitane", 1550; transl. P. Cornelius)
57. O. de Lassus: Holla! Welch gutes Echo a8
58. M. Franck: Tanzlied: Zart schne Jungfrulein a5
59. D. Friderici: Wir lieben sehr im Herzen (from: "Musicalisches Strusslein")
60. G.G. Gastoldi: Amor im Nachen a5 (from: "Balletti a 5 voci", 1591)
e. Liebe und Abschied
61. O. de Lassus: Landsknechtsstndchen
65. J. Steuerlein: Mit Lieb bin ich umfangen
66. H.L. Hassler: Jungfrau, dein schn Gestalt (form: "Neue teutsche Gesang")
67. J. Dowland: Say, love, if ever thou didst find
68. J. Eccard: Nun schrz dich, Gretlein! (from: "Newe Lieder", 1589)
73. D. Friderici: Ade, ich muss nun scheiden (from: "Mus. Strusslein", 1617)

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74. J. Dowland: Come agian! sweet love doth now invite


75. anonymous: Ich sag ade (from: "Teutsche Liedlein, II", G. Forster, 1540)
76. H. Isaac: Innsbruck, ich muss dich lassen (from: "Liedlein, I", Forster,1539)
B. Sacred works
f. Weihnachtsfestkreis
78. M. Praetorius: Es ist ein Ros entsprungen
80. J. Eccard: Vom Himmel och da komm ich her a5
82. M. Praetorius: In dulci jubilo
85. J.S. Bach: Uns ist ein Kindlein heut geborn
86. J.S. Bach: Lobt Gott, ihr Christen allzugleich
89. M. Praetorius: Singt und klingt! (from: "Musae Sioniae, VI", 1609)
g. Passion und Trauer, Fronleichnam
90. J.S. Bach: O Haupt voll Blut und Wunden (3 settings from St. Matthew P.)
91. H.L. Hassler: O Mensch, bewein dein Snde gross
92. M. Praetorius: O Lamm Gottes unschuldig
94. J. Rosenmller: Welt ade, ich bin dein mde a5
95. J.S. Bach: Valet will ich dir geben (from: St John's Passion)
96. W. Byrd: Ave verum corpus
97. W.A. Mozart: Ave verum corpus (with strings, bc)
h. Ostern und Pfingsten
98. M. Vulpius: Gelobt sei Gott im hchsten Thron
99. M. Praetorius: Christ ist erstanden
100. H.L. Hassler: Jesus Christus, unser Heiland
101. M. Praetorius: Nun bitten wir den heiligen Geist (from: "Musae Sioniae,
VII", 1609)
102. B. Gesius: Wir danken dir, Herr Jesu Christ
i. Gottvertrauen, Lob und Preis
103. J.S. Bach: Was Gott tut, das ist wohlgetan
104. L. Schroeter: Allein Gott in der Hh sei Ehr
105. H. Schtz: Aller Augen warten auf dich SWV 429
106. H. Schtz: Vater unser SWV 411
107. J.S. Bach: O Ewigkeit, du Donnerwort (from cantata BWV 20)
108. J.S. Bach: Wer nur den lieben Gott lsst walten (from cantata BWV 197)
109. J.S. Bach: Wach auf, mein Herz, und singe (from cantata BWV 194)
110. J.S. Bach: Wachet auf! ruft uns die Stimme (from catata BWV 140)
111. J.S. Bach: Ein feste Burg ist unser Gott (from cantata BWV 80)
112. J.S. Bach: Lobe den Herern, den mchtigen Knig (from cant. BWV 57)
113. J. Obrecht: Alleluja (fuga a4)
114. J.S. Bach: Ehre sei Gott und Lob (Sicut locutus est, from: Magnificat) a5
115. G.Ph. Telemann: Ich will den Herrn loben (canon a3) TVWV 10: 8
116. anonymous: Dona nobis pacem! (canon a3)
19,-100.S7

Consort Songs & Anthems


2nd rev. ed. in score by Ph. Brett; MB 22
a) Anonymous Works:
1. My little sweet darling
1 voice, 4 viols
2. When Daphne from fair Phoebus did fly
1 voice, 4 viols
3. This merry pleasant Spring
1 voice, 4 viols
4. Born is the babe
1 voice, 4 viols; chorus
5. Sweet wat the song the Virgin sung
1 voice, 4 viols
6. What meat eats the Spaniard?
2 voices, 5 viols
7. Of all jolly pastimes
2 voices, 5 viols

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8. My heart doth pant for sorrow


1 voice, 4 viols
9. My mind to me a kigndom is
1 voice, 4 viols
10. The crie of London
1 voice, 4 viols
11. When May is in his prime
1 voice, 4 viols
12. Ah, silly poor Joas
1 voice, 4 viols
13. In terrors trapped
1 voice, 4 viols
14. The Saint I serve
1 voice, 4 viols
15. How can the tree
1 voice, 4 viols
16. Alas, alack, my heart is woe
1 voice, 4 viols
17. Come tread the paths
1 voice, 4 viols
18. In paradise of late a dame begun
1 voice, 6 viols
19. Farewell the bliss
1 voice, 4 viols
20. Come, Charon, come
3 voices, 2 viols
21. O Death, rock me asleep
1 voice, 4 viols
22. Without redress
1 voice, 3 viols
23. Mistrust redeems amiss
1 voice, 4 viols
24. What first did break thee
2 voices, 3 viols; chorus
25. Hold, lingel, hold
1 voice, 4 viols
26. The dark is my delight
1 voice, 3 viols
27. Complian with tears
1 vocie, 4 viols
b) Ascribed Works
28. J. Bennet: Eliza, her name gives honour
a5
29. J. Bennet: Venus' birds
a5
30-34. W. Cobbold (of all 5 works the quintus part is lacking):
30. Amids my bale I bath in blisse
31. For death of her (Elegy for mrs. Mary Gascoigne, 1588)
32. The haughty hearts
33. New fashions now do bear the sway
34. Ye mortal wights
35-38. J. Cosyn (all for 1 voice and 4 viols):
35. Except the Lord the house do make (ps.127)
36. Lord unto thee I make my mona (ps.130)
37. Now Israel may say and that truly (ps.124)
38. Yield unto God (ps.150)
39. R. Dering: The City Cries
40. R. Dering: The Country Cries
41. J. Dowland: Sorrow come
42. R. Farrant: Ah, alas, you salt sea gods
a5
43. R. Farrant: O Jove, from stately throne
a5
44. O. Gibbons: The Cries of London: 2 In Nomines a5
45. N. Giles: Cease now, vain thoughts
a5
46. E. Johnson: Come again
2 voices, 3 viols
47. E. Johnson: Eliza is the fairest queen
1 voice, 4 viols
48. P. Mando: Like as the day
a4
49. W. Mundy: Fie, fie, my fatge
a5
50-55. R. Nicholson (all a5):
50. Cuckoo
51. I am not, I, of such belief
52. In a merry May morn
53. Joan, quoth John
54. No more, good herdsman, of thy song
55. Sweet, they say such winter lies in your lips
56-58. R. Parsons (all a5):

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56. Enforc'd by love and fear


57. No grief is like to mine
58. Pour down, you pow'rs divine
59-61. N. Pattrick:
59. Climb not too high
60. Prepare to die
61. Send forth thy sighs
62-64. N. Strogers (all for 1 voice and 4 viols):
62. A doleful deadly pang
63. Mistrust not truth
64. O heav'nly God
65. Th. Tomkins: O thrice blessed earth-bed
a5
66. Th. Weelkes: The Cries of London
67. W. Wigthorpe: I am not, I, of such belief
1 voice, 4 viols
68. W. Wigthorpe: Smtihs are good fellows
2 voices, 3 viols
69. Were I made juror
1 voice, 4 viols
70. J. Wilbye: Ne reminiscaris
a5
Sources:
GB-AB Brogyntyn 27 (13-17, 23)
GB-Ckc 2 (3, 57, 58)
GB-Ckc 321 (10, 44)
GB-Cu Dd.5.20 (15)
GB-Lbl Add. 17786-91 (1-7, 28, 29, 42, 45, 53, 58-61, 67-69)
GB-Lbl Add. 17792-6 (8-10, 41, 44)
GB-Lbl Add. 17797 (50-52, 54, 55)
GB-Lbl Add. 18836-9 (21)
GB-Lbl Add. 18936-9 (30-34, 66, 70)
GB-Lbl Add. 22957 (11)
GB-Lbl Add. 24665 (15, 25, 26)
GB-Lbl Add. 29366-8 (70)
GB-Lbl Add. 29372-7 (44, 45, 65, 70)
GB-Lbl Add. 29427 (17, 42, 44, 45, 65, 66)
GB-Lbl Add. 30480-4 (22, 23, 46, 47)
GB-Lbl Add. 37402-6 (24, 41, 44, 48, 49, 66)
GB-Lbl Egerton 3665 (42)
GB-Lbl Egerton 2971 (3, 5, 26)
GB-Lcm 684 (10)
GB-Lcm 2049 (6, 25, 58)
GB-Lcm 2059 (44)
GB-Ob mus.sch. F.7-10 (5, 6)
GB-Ob Tenbury 1464 (21)
GB-Ob Tenbury 1465 (47)
GB-Ob Tenbury 3089 (17, 42, 58)
GB-Och 67 (44)
GB-Och 439 (3, 25, 29)
GB-Och 984-8 (1, 11-17, 42, 56)
IRL-Dtc B.1.32 (23, 42)
IRL-Dtc D.1.21 (5)
IRL-Dtc D.3.30 (1, 10)
US-LAuc C.6968M4 (44)
US-NYp Drexel 4180-5 (10, 16, 18-20, 42, 44)
1585: J. Cosyn: "Musicke of 6 and 5 parts...on the common tunes", London
(38-41)

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_______________

1596: W. Barley: "A new book of tablature", London (15)


143.R3

169,--

An English Medieval and Renaissance Song Book


ed. N. Greenberg; introd. J. Newman; reprint of ed. 1961
(NB: scanty source information)
1. St. Godric (12th century): Crist and Sainte Marie a1
2. (13th c.): Man mei longe a1
3. (13th c.): Worldes blis ne last a1
4. (13th c.): Jesu Christes milde moder stud, biheld a2 (GB-Lbl Arundel 248)
5. (14th c.): Edi beo thu hevene quene a2 (GB-Occ 59)
6. Sumer is icumen in, lhude sing cucu canon a6 ex 2 (GB-Lbl Harley 978)
7. (14th c.): Alleluya psallat a3 (voice-exchange) (GB-Ob lat.liturg.d.20)
8. (14th c.): Angelus ad virginem subintrans a3 (GB-Cu Add.710 and
GB-Lbl Cotton, Fragment 29)
9. L. Power: Beata progenies a3 (from the Old Hall Manuscript)
10. (15th c.): Alas departynge is ground of woo a2 (GB-Ob can.misc.213)
11. J. Dunstable: Sancta Maria a3 (I-TRmp 92 e.a.)
12. King Henry IV: Sanctus a3 (from the Old Hall Manuscript)
13. (14th c.): The Agincourt Carol: Deo gracias Anglia a2
14. (15th c.): Nova, nova a1
15. (15th c.): Nowel syng we bothe al and som a3
16. R. Pygott: Quid petis o fili a4 (GB-Lbl Add. 31922: ms. Henry VIII)
17. King Henry VIII: With owt dyscorde a3 (GB-Lbl Add. 31922)
18. King Henry VIII: O my hart a3 (GB-Lbl Add. 31922)
19. W. Cornysh: A robyn, gentil robyn a3 (GB-Lbl Add. 31922)
20. W. Cornysh: Blow thy horne hunter a3 (GB-Lbl Add. 31922)
21. J. Taverner: Gloria from: Western Wynde Mass a4 (GB-Lbl Add.17802-5)
22. Th. Tallis: Agnus from his mass a4
23. Th. Tallis: Salvator mundi a5 (from "Cantiones sacrae", 1575)
24. W. Byrd: Emendemus in melius a5 ("Cantiones sacrae", 1575))
25. W. Byrd: Susanna fayre sometime assaulted was a3 ("Psalmes, Sonets,
and Songs", 1588)
26. W. Byrd: When first by force of fatall destenie a5 ("Songs of sundrie
natures", 1589)
27. Th. Morley: About the may pole a5 ("First Book of Balletts", 1595)
28. Th. Morley: Leave alas this tormenting a5 (same source as no. 27)
29. Th. Morley: Cease mine eyes a3 ("Canzonets to 3 voyces", 1593)
30. Th. Morley: I goe before my darling a2 ("Canzonets to 2 vocyes", 1595)
31. J. Dowland: Toss not my soule a4 (from his "Second book of Ayres")
32. J. Dowland: What if I never speede a4 (from "Third book of Ayres")
33. J. Wilbye: Thus saith my Cloris bright a4 (from first set of madrigals, 1598)
34. J. Wilbye: Alas, what hope of speeding a4 (same source as no. 33)
35. Th. Weelkes: Tan ta ra ran tan tant a3 ("Ayeres or phantastick spirites")
36. Th. Weelkes: Death hath deprived me a6 (same source as no. 35)
37. G. Kirbye: What shall I part thus a5 ("First Set of Engl. Madrigals", 1597)
38. J. Ward: Weepe forth your teares a6 (from his set of madrigals, 1613)
39. O. Gibbons (now attr. to H. Loosemore): O Lord, increase my faith a4
(GB-Lbl Harley 7337)
40-46. Th. Ravenscroft: 6 Roundes and a Carol from his "Pammelia"(1609)
and "Deuteromelia" (1609):
40. Oken leaves a3
41. New oysters a3

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42. O Lord turne not away thy face a4


43. Blow thy horne thou jolly hunter a4
44. Wee be three poore mariners a3
45. He that will an ale-house keep a3
46. Remember o thou man a5
45. Th. Tomkins: Nunc dimittis a4 (from his first Evensong Service in
"Musica Deo Sacra", 1668)
192.R6

19,--

Fifteen Flemish Songs of the Renaissance


a2 - a5; ed. R.B. Lenaerts; Das Chorwerk, 92
1. anonymous: Ic truere ende ic ben van mynnen al zo sieck a3
2. B. Appenzeller: Mijns liefkens bruin oghen a5
3. N. Faignient: O Hemelsch Vader (De Segheninghe) a4
4. J. Verdonck: Alle mijn ghepeys doet mij so wee a2
5. J. Verdonck: Schoon lief wat macht u baten a2
6. J. Florius: O amoureusich mondeken root a3
7. J. Florius: Int groen, int groene a3
8. anonymous: Een meysken eens voerbij passeerde a4
9. anonymous: Wij comen hier ghelopen a4
10. anonymous: Mijn boel heet mij cleker bille a4
11. J. Baston: Lecker beetgen en cleyn bier a4
12. C. Souliaert: Een costerken op sijn clocken clanc a4
13. J. Belle: O amoureusich mondeken root a4
14. J. Clemens non Papa: De lustelijcke mey a4
15. J. de Latre: Al hadden wij vijvenveertich bedden a4
Sources:
1540: "Selectissimae necnon familiarissimae cantiones", Augsburg, Kriesstein (2)
1542: "Tricinia tum veterum tum recentiorum ...", Wittenberg, J. Rhau (1)
1551: "Het ierste musyckboecxken met iver partijen", Antwerpen, T. Susato
(10, 11).
1551: "Het tweetste musyckboecxken met vier partijen", Antwerpen, T. Susato
(8, 9, 12)
1554: "Eerste boeck van de nieuwe duytsche liedekens met 3, 4, 5 & 6 partijen", Maastricht, J. Baethen (9, 15)
1568: N. Faignient: "Chansons, madrigales et motetz 4, 5 & 6 parties...Premier livre", Antwerpen, weduwe J. Laet (3)
1571: "Liber musicus duarum vocum vantiones...", Leuven / Antwerpen, P.
Phalse / J. Belle (4, 5)
1572: "Een Duytsch musyckboeck", Leuven / Antwerepn, Phalse / Belle (9,
13-15).
1573: J. Florius: "Modulorum aliquot tam sacrorum quam prophanorum cum 3
vocibus. Liber unus", Leuven, P. Phalse (6, 7)
1632: "Livre septisme des chansons vulgaires 4 parties", Antwerpen, P.
Phalse (9, 15)
22,50

The Flower of the Italian Madrigal


for mixed voices; ed. J. Roche
199.R6

volume I: Animuccia - Marenzio


1. G. Animuccia: Infinita belt
SAATB
2. J. Arcadelt: Qualor m' assal' Amore / Ma quell' in un momento SATTB
3. J. Arcadelt: Se 'l chiar' almo splendore
SATTB

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200.R6

4. L. Bertani: Cara mia Dafne


SSATTB
5. G. Conversi: Superbi colli / Cos se ben col temp' (Castiglione) SSATTB
6. G. Croce: Valli profonde /Erme campagne (Tansillo)
SSATTB
7. A. Ferrabosco I: Poi ch' io non poss' Amore
SSATB
8. G. Ferretti: Su, su, non pi dormir (canzonetta)
SSATTB
9. A. Gabrieli: O belt rara
SATTB
10. A. Gabrieli: Caro dolce ben mio
SATTB
11. G. Gabrieli: Donna leggiadra e bella
SAATB
12. G. Gabrieli: Dolci care parole
SATTB
13. M. da Gagliano: O Sonno / Ov' 'l silenzio
SATTB
14. M. da Gagliano: Oim tu pianghi, o Filli
SATTB
15. G.G. Gastoldi: Io non posso lasciarti
SATTB
16. G.G. Gastoldi: L'Ardito (Chi guerreggiar desia)
SSATB
17. C. Gesualdo: Crudelissima doglia
SATTB
18. C. Gesualdo: Ecco, morir dunque / Ahi, gi mi discoloro
SSATB
19. O. de Lassus: I' vo piangendo / S che, s' io vissi in guerra
SATTB
20. O. de Lassus: Il grave de l'et / alma tu, che 'l furor (Fiamma) SSATTB
21. L. Luzzaschi: Il vedervi e lasciarvi
SATTB
22. G. de Macque: Morir di dolor
SAATTB
23. L. Marenzio: Dolorosi martir
SATTB
24. L. Marenzio: Scendi dal paradiso
SSATB
25. L. Marenzio: Fuggito 'l sonno (Petrarca)
SATTB
26. L. Marenzio: Come fuggir per selva ombrosa
SSAATB
27. L. Marenzio: Com' dolce il gioire (Guarni)
SATTB
volume II: Monte - Willaert
28. Ph. de Monte: Amorosi pensieri
SSATTB
29. Ph. de Monte: Vergine pura (V. Colonna)
SSATTB
30. C. Monteverdi: Se nel partir da voi
SSATB
31. C. Monteverdi: Mentr' io mirava fiso (Tasso)
SSATB
32. C. Monteverdi: O primavera, giovent de l'anno (Guarini)
SSATB
33. C. Monteverdi: La piaga c' ho nel core
SSATB
34. C. Monteverdi: Io mi son giovinetta
SSATB
35. G.M. Nanino: Morir non pu 'l mio core
SSATB
36. G. Nasco: Madonna, quand' io penso
SATTB
37. P. Nenna: Ecco, o mia dolce pena
SATTB
38. G.P. da Palestrina: Il tempo vola / Ivi vedrai la gloria
SAATB
39. G.P. da Palestrina: Soave fia il morir (V. Colonna)
SAATB
40. B. Pallavicino: O dolorosa sorte (Quirini)
SATTB
41. C. de Rore: Sfrondate, o sacre dive
SATTB
42. C. de Rore: Dalle belle contrade
SATTB
43. V. Ruffo: L'aquila gita al ciel
SATTB
44. A. Striggio: Partir dunque (Guarini)
SSATTB
45. A. Striggio: Non rumor di tamburi (Ariosto)
SSATTB
46. A. Striggio: O ben felice a pieno
SATTB
47. O. Vecchi: Il bianco e dolce cigno (G. Guidiccioni)
SSATB
48. O. Vecchi: Leggiadretto Clorino
SSATB
49. Ph. Verdelot: Quando nascesti, Amore?
SSAATB
50. G. deWert: Amor, io fallo / Pero, s'oltra suo stile (Petrarca)
SATTB
51. G. de Wert: Giunto alla tomba / Non di morte sei tu (Tasso)
SATTB
52. G. de Wert: Valle, che de' lamenti miei / Ben riconosco in voi
SATTB
53. A. Willaert: Qual dolcezza giamai / Alla dolce armonia
SATTB
54. A. Willaert: Passa la nave / Pioggia di lagrimar (Petrarca)
SAATTB

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27,--

27,--

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201.R6

volume III: Ligth Madrigals & Villanellas


55. F. Azzaiolo: L' amanza mia
SATB
56. F. Azzaiolo: Quando la sera canta il griolin
SATB
57. B. Donato: Chi la gagliarda, donna, vo imparare
SATB
58. B. Donato: Viva sempre in ogni etate
SATB
59. G. Ferretti: Mirate che m'ha fatto
SSATBB
60. A. Gabrieli: Dionora, vien, te priego
TTB
61. A. Gabrieli: Ecco l' Aurora
SATTB
62. G.G. Gastoldi: Speme amorosa (Vezzosette ninfe e belle)
SSATB
63. R. Giovannelli: Baci, sospiri e voci
SSATB
64. R. Giovannelli: M' ha punto Amor con velenoso dardo
SSB
65. O. de Lassus: Matona mia cara
SATB
66. O. de Lassus: S' io fusse ciaul'
SATB
67. O. de Lassus: S' io ti vedessi una sol volta il giorno
SATB
68. L. Marenzio: Chi vuol vedere, amanti
SSB
69. L. Marenzio: Dolce mia pastorella
SSB
70. L. Marenzio: I lieti amanti, le fanciulle tenere
SATB
71. L. Marenzio: Perch di pioggia il ciel
SAATB
72. L. Marenzio: Rivi, fontane e fiume a l' aura al cielo
SSATB
73. C. Monteverdi: Crudel, perch mi fuggi (Tasso)
SSATB
74. C. Monteverdi: La fiera vista e il velenoso sguardo
SAT
75. C. Monteverdi: Tu ridi sempre mai
SAT
76. G.D. da Nola: Chi la gagliarde
SABar
77. G.D. da Nola: Madonn' io non lo so
SABar
78. O. Vecchi: Lucilla, io vo morire
SATB
79. O. Vecchi: Mentre il cuculo il suo cuc cantava
SSABar
80. O. Vecchi: Partir, s, s, ch' io mi partir
SATB
81. O. Vecchi: Se tra verdi arbuscelli
SSATB
82. O. Vecchi: Tiridola, non dormire / Sai che io ti dico
SSATTB
83. G. de Wert: Vezzosi augelli in fra le verdi fronde
SSATB
84. A. Willaert: Cingari simo, venite a giocare
SATB
85. A. Willaert: Madonn' io non lo so perch lo fai
SATB
86. A. Willaert: O bene mio! Fa, famm' uno favore
SATB
29,-Chronoloigcal list of Sources for volumes I-III:
c.1538/20: "Di Verdelot le dotte et eccellente compositioni de i madrigali a 5
voci, insieme con altri madrigali di varij autori, novamente ristampati, & ricorretti", Venice, A. Gardane (2, 53)
1541/16: "La piu divina, et piu bella musica, che se udisse giamai delli presenti
madrigali, a 6 voci. Composti per lo eccellentissimo Verdelot. Et
altri musici...", Venice, A. Gardane (49)
1542/17: "Il primo libro d' i madrigali de diversi eccellentissimi autori a misura
di breve...4 vocum", Venice, A. Gardane (3)
1544/17: "Di Cipriano il secondo libro de madregali a 5 voci insieme alcuni di
M. Adriano et altri autori a misura comune novamente posti in luce a
5 voci", Venice, A. Gardane (41)
1545: G. da Nola: "Canzone villanesche a tre voci. Libro primo", Venice,
A. Gardano (76, 77)
1545: A. Willaert: "Canzon villanesche alla napolitane di messer Adriano...
Libro primo", Venice, 1538 (84 - 86)
1546: G. Animuccia: "Il primo libro di madrigali a 4, 5 e 6 voci", Venice (1)
1553: V. Ruffo: "Il primo libro de madrigali a 5 voci", Venice (43)
1557/18: "Il primo libro de villotte alla padoana con alcune napolitane a 4 voci

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intitolate villotte del fiore...", Venice, A. Gardane (55, 56)


1559: A. Willaert: "Musica Nova", Venice, A. Gardane (54)
1550: B. Donato: "Il primo libro de canzon villanesche alla napolitana",
Venice (57, 58)
1561: G. de Wert: "Madrigale del Fiore a cinque voci, Libro Secondo. Con
altri a 6 e 7 nel fine...", Venice, G. Scotto (50)
1561/10: "Il terzo libro delle Muse a 5 voci composto da diversi eccellentissimi
musici...", Venice, A. Gardano (36)
1566: A. Gabrieli: "Il primo libro di madrigali a 5 voci", Venice (9, 61)
1566/17: "Di Cipriano de Rore il quinto libro di madrigali a 5 voci insieme
alcuni de diversi autori", Venice, A. Gardano (38, 42)
1567: O. de Lassus: "Libro quarto de madrigali a 5 voci", Venice (19)
1570/17: "Il primo libro delle justiniane a 3 voci. Di diversi eccellentissimi
musici novamente date in luce", Venice, G. Scotto (60)
1575: G. Ferretti: "Il secondo libro delle canzoni a 6 voci", Venice (59)
1576/5: "Musica di XIII. autori illustri a 5 voci...", Venice, A. Gardano (39)
1579: G. de Macque: "Madrigali a 4, 5 e 6 voci", Venice (22)
1580: L. Marenzio: "Il primo libro de madrigali a cinque voci", Venice (23)
1580: O. Vecchi: "Canzonette. Libro secondo a 4 voci", Venice, Gardano (78)
1581: G.G. Gastoldi: "Canzoni a 5 voci...libro primo", Venice (15)
1581: O. de Lassus: "Libro de villanelle, moresche et altre canzoni a4-a6 &
a8", Paris (65 - 67)
1581: . Marenzio: "Il secondo libro de madrigali a cinque voci", Venice (71)
1581: G. de Wert: "Il Settimo Libro de Madrigali a 5 voci", Venice (51)
1582: L. Luzzaschi: "Il terzo libro de madrigali a 5 voci", Venice, Gardano (21)
1583: Ph. de Monte: "Il primo libro de madrigali spirituali a 6 voci", Venice,
A. Gardano (29)
1583/11: "De floridi virtuosi d'Italia il primo libro de madrigali a 5 voci, novamente composti", Venice, G. Vincenzi & R. Amadino (11)
1583/15: "Musica divina di XIX. autori illustri, a 4.5.6. et 7. voci, nuovamente
raccolta da Pietro Phalesio, et dat in luce. Nella quale si contengono
i pi excellenti madrigali che hoggidi si cantino", Antwerpen, P.
Phalse & J. Bellre (8, 10, 28, 35, 44, 45)
1584: G. Conversi: "Il primo libro de madrigali a 6 voci", Venice, 2nd ed. (5)
1584: L. Marenzio: "Il quarto libro de madrigali a cinque voci", Venice 24)
1584: Monteverdi: "Canzonette a tre voci...Libro primo", Venice (74, 75)
1585: L. Marenzio: "Madrigali a 4 voci. Libro primo", Rome (70)
1585: L. Bertani: "Il primo libro de madrigali a 6 voci", Venice (4)
1585: L. Marenzio: "Il secondo libro delle canzonette alla Napolitane 3 voci",
Venice, Vincenti & Amadino (69)
1585: L. Marenzio: "Il terzo libro delle villanelle a tre voci...", Rome (68)
1585: O. Vecchio: "Canzonette.... Libro terzo a 4 voci", Venice, Gardano (79)
1586: G. de Wert: "L'Otto Libro de Madrigali a 5 voci", Venice (83)
1587: A. Ferrabosco I: "Il secondo libro de madrigali a 5 voci", Venice (7)
1587: O. de Lassus: "Madrigali novamente composti a4-a6", Nrnberg (20)
1587: C. Monteverdi: "Madrigali a 5 voci. Libro primo", Venice, Gardano (30)
1588: R. Giovannelli: "Il primo libro delle villanelle et arie alla napolitano a 3
voci", Rome (64)
1588: L. Marenzio: "Madrigali a quattro, cinque, e sei voci. Libro primo",
Venice (25)
1588: G. de Wert: "Il Nono Libro de Madrigali a 5 e 6 voci", Venice (52)
1589: O. Vecchi: "Madrigali a 5 voci", Venice (47, 48)
1589/7: "Le Gioie. Madrigali a 5 voci di diversi eccel.mi musici della compag-

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nia di Roma...Libro primo", Vencie, R. Amadino (72)


1589/14: "Di Andrea Gabrieli il terzo libro de madrigali a 5 voci, con alcuni di
Giovanni Gabrielli...", Venice, A. Gardano (12)
1590: G. Croce: "Il primo libro de madrigali a 6 voci", Venice (6)
1590: C. Monteverdi: "Il secondo libro de madrigali a 5 voci", Venice, A.
Gardano (31, 73)
1590: O. Vecchi: "Canzonette. Libro quarto a quattro voci", Venice (80)
1590: O. Vecchi: "Selva di varia ricreatione", Venice (81, 82)
1591: G.G. Gastoldi: "Balletti a 5 voci...", Venice (16, 62)
1591: L. Marenzio: "Il quinto libro de madrigali a sei voci", Venice (26)
1592: C. Monteverdi: "Il terzo libro de madrigali a 5 voci", Venice (32)
1593: R. Giovannelli: "Il secondo libro de madrigali a 5 voci", Venice (63)
1595: C. Gesualdo: "Madrigali libro terzo a 5 voci", Ferrara (17)
1595: L. Marenzio: "Il settimo libro de' madrigali a cinque voci", Venice (27)
1596: C. Gesualdo: "Madrigali libro quarto a 5 voci", Ferrara (18)
1596: A. Striggio: "Il quarto libro de madrigali a 5 voci", Venice (46)
1602/6: "Di Marco da Gagliano fiorentino. Il primo libro de madrigali a 5 voci.
Novamente stampato", Venice, A. Gardano (13)
1603: C. Monteverdi: "Il quarto libro de madrigali a 5 voci", Venice (33, 34)
1604: B. Pallavicino: "Il settimo libro de madrigali a 5 voci", Antwerpen (40)
1609: P. Nenna: "Il quarto libro de madrigali a 5 voci", Venice, 2nd ed. (37)
1617/14: "Il sesto libro de madrigali a 5 voci di Marco da Gagliano...Nuovamente stampati", Venice, B. Magni (14)
147.S11

Gesellige Zeit, I
83 German Secular Songs; only original settings listed below
a4, unless otherwise indicated
1. J. Staden: Lobgesang: es ist ein kstlich Ding 3 equal voices
2. M. Praetorius: Der Morgenstern ist aufgedrungen
3. J. Gippenbusch: Wacht auf, ihr schnen Vgelein (Psalterion, 1642)
4. E. Kindermann: Morgengesnglein: Auf, ihr Sinne a3
6. E. Kindermann: Abendgesnglein: Weil nun anbricht die finstre Nacht a3
7. A. Gumpelzhaimer: Die Nacht ist kommen a3
8. M. Praetorius: Die Sonn verbirget ihren Schein ("Musae Sioniae", 1610)
9. J. Staden: Nun schein, du Glanz der Herrlichkeit a3
10. B. Gesius: Der du bist Drei in Einigkeit
a3
11. M. Praetorius: Der Winter ist ein strenger Gast
12. J. Eccard: Der Winter kalt
13. M. Praetorius: Nach grnerr Farb mein Herz verlangt
14. J. Clemens non Papa: Ach Sorg, du musst zurcke stan a3
15. J. Clemens non Papa: Der Winter ist vergangen
a3
16. L. Lemlin: Der Mai will sich mit Gunsten beweisen
17. L. Senfl: Laub, Gras und Blt
18. J.L. Langenau: Wohlauf, gut G'sell, von hinnen
19. L. Lechner: Grn ist der Mai
20. Th. Morley: Now is the month of Maying
a5
21. J.H. Schein: Der khle Maien
a3
22. O. de Lassus: Wohl kommt der Mai
23. anonymous: Sommer ist ins Land gekommen (c.1240; English) canon a6
24. anonymous: Der Mai tritt ein mit Freuden
a2
25. M. Franck: Kommt, ihr G'spielen
26. M. Praetorius: Herzlich tut mich erfreuen

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27. M. Vulpius: Die beste Zeit im Jahr ist mein


28. J. Staden: Drei schne Ding
a3
29. J.H. Schein: Unverhofft kommet oft
30. O. de Lassus: Lebensregel: Von morgens frh mit Gottes Lob
31. L. Senfl: Mag ich Unglck nit widerstan
32. H.L. Hassler: Nun fanget an!
34. J. a Burck: Zur Freud sind wir geladen
35. V. Hausmann: Nichts Bessers kann auf Erden sein
36. J. a Burck: Freut euch, ihr jungen Leute
37. (H. Laufenberg): Ach lieber Herre Jesu Christ a2 (from: F-Sm 222)
38. H. Schtz: Aller Augen warten auf dich, Herre
39. L. Lechner: Danket dem Herren
40. J. Staden: Dank, Lob- und Betgesnglein nach dem Essen a3
41. M. Praetorius: Singt dem Herren
canon a5
42. A. Caldara: Zum Tanz: Mit uns springet, mit uns singt canon a3 (Jde)
43. H.L. Hassler: Tanzen und Springen
a5
44. L. Lechner: Lob der Musik: Mit Tanzen und Springen
45. P. Peuerl: O Musika, du edle Kunst
a5
46. G. Gastoldi: A lieta vita amor in vita / An hellen Tagen
a5
47. C. Othmayr: Stolzer Schreiber: Es ist ein Schnee gefallen
48. anonymous: Die Bauern und der Br: Es gingen drei Baurn und suchten
49. C. Othmayr: Ht du dich!: Ich weiss mir ein Maidlein hbsch und fein
50. L. Lemlin: Der Gutzgauch
a4-a6
51. anonymous: Lieblich hat sich gesellet
52. H. Finck: Ach herzigs Herz
53. L. von Langenau: Drei Laub auf einer Linden
54. H. Albert: Du mein einzig Licht
a3
55. O. Vecchi: Es sass ein Vglein im grnen Bschlein a3 (V. Hausmann)
56. H.L. Hassler: Feinslieb, du hast mich gfangen
57. C. Othmayr: Es steht ein Lind in jenem Tal
58. L. Senfl: Ach Elslein, liebes Elslein mein
59. M. Praetorius: Nun laube, Lindlein, laube
60. C. Othmayr: Ach Gott, wie weh tut Scheiden
61. P. Hofhaimer: Meins Traurens ist
62. anonymous: Ich sag ade
63. H. Isaac: Innsbruck, ich muss dich lassen
64. anonymous: Es ist auf Erd kein schwerer Leid a3 (c.1480)
65. L. Senfl: Entlaubet ist der Walde
66. J. Clemens non Papa: Es steht ein Lind in jenem Tal a3
67. L. Lechner: Gott b'htte dich
68. L. Lechner: Angst, Pein und Schmerzen
69. C. Othmayr: Es ist kein Jger, er fhrt sein Horn
70. M. Greiter: Es wollt ein Jger jagen
71. L. Senfl: Herzog Ullrichs Jagdlied
72. L. Lechner: Ein edler Jger wohlgemut
a5
73. M. Franck: Das Hildebrandslied: Ich will zu Land ausreiten
74. C. Othmayr: Es liegt ein Schloss in sterreich
75. J. Walter: Ein neues Christliches Lied: Wach auf, du Deutsches Land
76. H. Albert: Das Leid ist hier
a3
77. S. Mahu: Ein feste Burg
a5
78. E. Kindermann: Friedensseufzer auf Neujahr: Ach Gott, wie oft hab ich
gehoft (from: Musikalische Friedensseufzer, 1642)
79. E. Kindermann: Fried, wo bist so lang geblieben (same source as no. 78)

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80. B. Resinarius: Verleih uns Frieden gndiglich


81. M. Praetorius: Flamme empor canon
82. O. de Lassus: Gott ist auf den wir immer hoffen
a3
83. anon. : St. Michaelslied: Unberwindlich starker Held (Psalteriolum, 1642) 15,50

Historical Anthology of Music


ed. A.T. Davison and W. Apel
273.R3

Volume I: Oriental, Medieval and Renaissance Music


below only items listed relevant to the vocal sections
II: Early Medieval Music to 1300
B. Monophony:
17. Latin cunductus a1:
a. Song of the Ass: Orientis partibus
b. Rondellus: Christo psallat ecclesia
c. Perotinus: Beata viscera (from D-W 1099)
d. Sol oritur in sydere (from I-Fl Pluteo 29.1)
sources: G.M. Dreves: "Analecta hymnica, XX (a) and XXI (b); D-W
1099 (c); I-Fl Pluteo 29.1 (d)
18. Troubadours:
a. Marcabru: Pax in nomine Domini!
b. Bernart de Ventadorn: Be m'an perdut
c. Guiraut de Bornelh: Reis glorios (3 rhythmic interpretatons)
d. Raimbault de Vaqueiras: Kalenda maya
sources: "Tribune de St. Gervais", X (1); C. Appel: "Die Singweisen des
Bernart de Ventadorn", 1934 (b); G. Reese: "Music in the
Middle Ages": see references there (c); F-Pn f.fr.22543 (d)
19. Trouvres:
a. Richard Coeur de Lion: Ja nuns hons pris (ballade)
b. Perrin d'Agincourt: Quant voi en la fin d'estey (ballade)
c. Douce dame debonnaire (ballade)
d. En ma dame ai mis mon cuer (rondeau) T. 16,1
e. Guillaume d'Amiens: Vos n'aler mie si com je faz (rondeau) T. R44
f. C'est la fin, koi que nus die (virelai; rondeau) T. R9
g. He, dame jolie, mon cuer sans fauceir (virelai) T. 667
h. Pour mon cuer releecier (retrouenge) T.710,2
i. Guillaume le Vinier: Espris d'ire (lai)
sources: J.B. Beck: "Le chansonnier Cang", 1927 (a, b); F. Gennrich:
"Rondeaux, Virelais und Balladen, I", 1921 (c-g); F. Gennrich:
"Die altfranzsische Rotrouenge", 1925 (h); Jeanroy & Aubry:
"Lais et descorts franais", 1901 (i)
20. Minnesinger:
a. Spervogel: Swa eyn vriund dem ander vriunde bigestat
b. Walther von der Volgeweide: Nu alrst lebe ich mir werde
c. Neidhart von Reuenthal: Der May hat menig hercze hoch erstaigett
d. Neidhart von Reuenthal: Winder wie ist nu dein kraft worden
sources: F.L. Saran: "Die Jenaer Liederhandschrift", 1902 (a); R.F.Molitor: "Sammelbnde der Internat. Musikgesellschaft", XII (b);
DT 71: "Lieder von Neidhart" (c-d)
21. Laude:
a. Gloria in cielo e pace in terra
b. A tuta gente facio pregho (ballata)

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c. Santo Lorenzo martyr d'amore (ballata; modified)


source: F. Liuzzi: "La Lauda", II, 1935 (a-c)
22. Cantigas of Alfonso X el Sabio (13th c.):
a. A Madre do que liurou (villancico)
b. Mais nos faz sancta Maria a eu fillo perdonar (villancico)
c. Aque serven todo los celestiaes (villancico)
source: J. Ribera: "La musica de las cantigas", 1922 (a-c)
23. English Songs:
a. St. Godric: Sainte Marie virgine, moder Jesu Cristes (12th c.)
b. Worldes blis ne last no throwe (13th c.)
sources: G. Saintsbury: "History of English prosody": frontispiece (a);
H.E. Wooldridge: "Early English harmony", I, 1897 (b: facs.)
24. Mastersingers:
H. Sachs: Der Glden Ton (Lob sei Gott Vater in dem Thorn)
source: G. Mnzer: "Das Singbuch des Adolf Puschamnn", 1907
C. Early Polyphony to 1200
25. Parallel Organum
a-b. from "Scholia enchiriadis", c.850 a2-a4
c. Hymn to St. Magnus: Nobilis, humilis, Magne, martyr stabilis a2 (12th c.)
source: M. Gerbert: "Scriptores ecclesiastici, I", 1784 (a-c)
26. Free Organum:
a. Cunctipotens genitor a2 (11th c.; from "Ad organum faciendum")
b. Ut tuo propitiatus a2 (11th c.)
c. Alleluia Angelus Domin a2 (11th c.)
sources: "Ad organum faciendum" (a); W. Apel: "The notation of polyphonic music" (b); G. Adler: "Handbuch der Musikgeschichte",
1930 (c)
27. Melismatic Organum:
a. School of Martial, c.1125: Viderunt Hemanuel a2
b. School of Compostela, c.1125: Cunctipotens genitor a2 (Las Huelgas)
sources: W. Apel: "The notation of polyphonic music" (a); H. Angls: "El
Codex musical de Las Huelgas", 1938 (b)
28. Benedicamus Domino:
a. Plainsong
b. School of Compostela, c.1125; organum a2 (Las Huelgas)
c. School of Notre Dame, c.1175: organum a2 (I-Fl Pluteo 29,1)
d-e. School of Notre Dame, c.1200: Domino (clausula) a2 (idem)
f. School of Notre Dame, c.1225: Domino fidelium / Domino (motet a2; W2)
g. School of Notre Dame, c.1225: Dominator / Ecce / Domino (motet a3;
Bamberg Codex)
h. School of Notre Dame, c.1200: Clausula a2 & derivative motet a3:
Pucelete / Je languis / Domino (Codex Montpellier)
i. School of Notre Dame, c.1250: Ternor: Flos filius; with 1. cluasual, 2. Latin
motet, 3. French motet
sources : "Liber usualis", 1937 (a); Angls: "El codex musical de Las Huelgas", 1938 (b); I-Fl Pluteo 20,1 (c-e); D-W 1099 (f); Aubry:
"Cent motets du XIIIe sicle", 1908 (g); Codex Bamberg (g);
Y. Rokseth: "Polyphonies du XIIIe sicle", 1936-9 (h); Codex
Montpellier H 196 (h); W. Apel: "The notation of polyphonic
music" (i)
29. Organum in Leoninus style, c.1175:
Hec dies, a2 (D-W 628)
D. Thirteenth-century Polyphony

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30. Clausulae for "Hec Dies" a2 (D-W 628)


31. Organum, in Perotinus style, a3: Hec dies (from D-W 628)
32. Motets for: Hec dies:
a. Huic main / Hec dies, a2 (Codex Montpellier)
b. O mitissima (Quant voi) / Virgo / Hec dies, a3 (Montpellier, Bamberg)
c. Deo confitemini / Domino, a2 (D-W 1099)
d. Trop sovent / Brunete / In seculum, a3 (Montpellier)
e. In seculum (instrumental), a3 (Bamberg no.108)
33. Two Motets (Montpellier Codex):
a. Alle, psallite / Alleluya, a3
b. On parole / A Paris / Frse nouvele, a3
34. Petrus de Cruce: Aucun / Lonc tans / Annuntiantes, a3 (Montpellier)
35. Je cuidoie / Se j'ai / Solem, a3 (Montpellier no. 332)
36. Adam de la Halle:
a. Li maus d'amer, a1 (ballade)
b. Tant con je vivrai, a2 (rondeau)
c. Diex soit en cheste maison, a3
source: E. de Coussemaker: Oeuvres compltes d'Adam d.l.Halle" (a-c)
37. Two-voice Trope (early 13th c.): Rex virginum amator (D-W 628)
38. Two-voice Conductus: Roma gaudens jubila (early 13th c.) (D-W 628)
39. Three-voice Conductus: Hac in anni janua (early 13th c.) (D-W 628)
III. Late Medieval Music, 1300-1400
42. Sumer is icumen in a4 + rondellus a2 (GB-Lbl Harley 978)
43. Roman de Fauvel: Detractor est / Qui secuntur / Verbum iniquum, a3
source : J. Wolf: "Geschichte der Munsuralnotation", 1904 (corrected here)
44-46. Guillaume de Machaut (from ed. by F. Ludwig):
44. S'il estoit nulz / S'amours tous amans / Et gaudebit (motet a3)
45. Je puis trop bien (ballade a3)
46. virelais:
a. Comment qu'a moy, a1
b. Plus dure que un dyamant, a2
47. Jacob de Senleches: En attendant (ballade a3)
source: W. Apel: "The notation of polyphonic music"
48. B. Cordier:
a. Amans ames (rondeau a3)
b. Belle bonne (rondeau a3)
source: W. Apel: "The notation of polyphonic music"
49. Jacopo da Bologna: Non al suo amante (madrigal a2)
source: F-Pn n.acq.fr. 6771: Codex Reina
50-51. Giovanni da Florentia:
50. Nel mezzo a sei paon (madrigal a2)
51. Io son un pellegrin (ballata a2)
sources : J. Wolf: "Geschichte der Munsuralnotation", 1904 (a); F-Pn
f.it. 568 (b)
52. Ghirardello da Firenze: Tosto che l'alba (caccia a3)
source: W.Th. Marrocco: "The 14th-century Italian cacce", 1942
53-54. F. Landini (from ed. Ellinwood, 1939):
53. Amor c'al tuo suggetto (ballata a3)
54. Sy dolce non sono (madrigal, a3)
55. J. Ciconia: Et in terra pax, a3
source: Ch. van den Borren: "Polyphonia sacra", 1932
56. G. Legrant: Credo, a3 (source: the same as for no. 55)

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57. School or Worcester:


a. Alleluia psallat (motet a3)
b. Gloria, a3
source: A. Hughes: "Worcester mediaeval harmony", 1928
60. Oswald von Wolkenstein: Der May mit lieber zal, a2 (from DT 18)
IV. Early Fifteenth Century
61-62. J. Dunstable (from DT 14 / 15) :
61. O rosa bella, a3
62. Sancta Maria, a3
63. L. Power: Sanctus, a4 (Old Hall ms.)
64. Damett: Beata Dei genitrix, a2 (Old Hall ms.)
65-68. G. Dufay:
65. Alma redemptoris mater, a3 (from DT 14 / 15)
66. Kyrie & Agnus Dei III from mass L'homme arm, a4 (I-Rvat CS. 49)
67. Mon chier amy (ballade a3) (from GB-Ob canon.misc. 213)
68. Adieu m'amour (rondeau, a3) (from ed. F. Blume: Chorwerk, 19)
69-70. Binchois:
69. De plus en plus se renouvelle (rondeau a3) (from ed. Blume: ChW 22)
70. Files marier (chanson a4) (from: Marix: "Musiciens de Bourgogne")
71. A. de Lantins: Puisque je voy belle (rondeau a3) (GB-Ob can.misc.213)
72. H. de Lantins: Ce ieusse fait (rondeau a3) (from: Apel: "Notation")
V. Late Fifteenth Century
73-75. J. Ockeghem:
73. Kyrie & Agnus Dei III form mass L'homme arm (ed. Plamenca)
74. Ma matresse (virelai, a3) (ed. Plamenca)
75. Ma bouche rit (virelai a3) (from: "Odhecaton", Venice, Petrucci, 1501)
76-78. J. Obrecht (from ed. J. Wolf):
76a. O beate Basili (prima pars), a4
76b. O vos omnes (motet a3)
77a-b. Kyrie Ia4 & Agnus Dei II, a2 from: missa sine nomine
78. Tsat een meskin
79. L. Compre: Royne du ciel, a3 (from: "Odhecaton A", Venice, 1501)
80. H. Finck: Veni sancte spiritus / Veni creator spiritus, a5 (from: ChW 32)
82. O rosa bella / In feuers hitz (quodlibet a3 from Glogauer Liederbuch)
VI. Early Sixteenth Century
87. H. Isaac: Zwischen Berg und tiefem Tal, a4 (from DT 32)
90-91. Josquin (from ed. Smijers):
90. Tu pauperum refugium, a4
91. Faulte d'argent, a3
94. G. Fogliano: Ave Maria (laude a4)
source: K. Jeppesen: "Die mehrstimmige italienische Laude um 1500"
95. Two Frottole:
a. B. Tromboncino: Non val aqua, a4 (from ed. Schwartz)
b. Josquin: In te Domine, a4
96. anon.: Per scriptores: Ors car'signori (carnival song a4; c.1500)
source: J. Wolf: "Sing- und Spielmusik aus lterer Zeit", 1931
106. A. de Fvin: Agnus Dei from: Missa Mente tota, a4
source: 1516/1: "Liber quindecim missarum", Rome, A. Antico
107. C. Janequin: L'Alouette: Or sus, vous dormez trop, a4 (ed. H. Expert)
113. A. Willaert: Victimae paschali laudes, a6 (from: "Musica nova", 1559)

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114. N. Gombert: Super flumina Babilonis, a4 (from: "Musica 4 vocum", 1541)


125. J. Clemens non Papa: Vox in rama audita est, a4 (ed. Proske)
128. C. Morales: Emendemus in melius, a5 (ed. D.H. Eslava, 1869)
129. C. Festa: Quando ritrova (madrigal a4; from GB-Lbl Add. 34071)
130. J. Arcadelt: Voi ve n'andat' al cielo (madrigal a4) (same source as 129)
131. C. de Rore: Da le belle contrade (madrigal a5) (ed. F. Blume, VhW 5)
138. C. le Jeune: D'une coline my proumenant (vers mesur; a3-a5)
source: "Le Printemps", 1603, ed. H. Expert)
139. F. Guerrero: Salve Regina a6 (ed. F. Pedrell, 1894)
VII. Late Sixteenth Century
141. Palestrina: Sicut cervus a4 (from: Cplt. Works, XI)
142. Palestrina: Alla riva del Tebro (madrigal a4) (from Cplt. Works, XXXI)
146a. G. de Werth: Cara la vita mia (madrigal a5)
146b. Ph. de Monte: Sanctus from: Missa super Cara la vita, a5 (ed. Borren)
147. G. Costeley: Allon, gay, gay (chanson a4) (ed. H. Expert)
148. J. de Kerle: Exurge, Dominus a4 (ed. Proske in "Musica divina")
149. T.L. de Victoria: O vos omnes a4 (from cpl. works ed. Pedrell, I)
152. G.M. Nanino: Hic est beatissimus evangelista a3 (Proske: Mus. divina)
155. L. Marenzio: Madonna mia gentil a5 (from ed. A. Einstein, vol. I)
156. J. Gallus (Handl): Ecce quomodo a4 (from DT 24)
158. G. Gastoldi: L'acceso (Pi d'ogn' altro Clori) (balletto a5; 1595)
159. Th. Morley: My bonny lass, a5 (from "First book of ballets a5", 1598)
160. F. Anerio: Al suon non posa il core a3 ("Ghirlanda di fioretti", 1589)
161. C. Gesualdo: Io pur respiro, a5 (from 6th book of madrigals)
164. H.L. Hassler: Quia vidisti me, a4 (from ed. in DDT)
165. H.L. Hassler: Ach Schatz, ich thu dir klagen, a5 (from ed. in DTB)
166. G. Aichigner: Factus est repente de coelo sonus a4 (Proske: Mus. divina)
167a. M. Praetorius: Vater unser im Himmelreich, a2 ("Musae Sioniae", IX)
168. M. Franck: So wnsch ich ihr ein gute Nacht a4 ("Berckreihen", 1602)
169. Th. Tomkins: When David heard, a5 (from: Songs 3-6 parts", 1622)
170. Th. Weelkes: hark, all ye lovely saints, a5 ("Ballets & madr. a5", 1598)
171. H. Loosemore: O Lord, increase my faith, a4 ("Tudor church mus., IV")
172. O. Gibbons: This is the record of John, a5 (same source as no. 171)
213.R6

66,--

Introduction to the Italian Madrigal


ed. J. Roche; all for SATB
newly rev. and ed. from the former
"Penguin Book of Madrigals for mixed voices"
1. S. Festa: L'ultimo d di maggio (villotta)
2. Ph. Verdelot: Madonna 'l tuo bel viso
3. Ph. Verdelot: I vostri acuti dardi
4. C. Festa: Dur' 'l partito
5. J. Arcadelt: Il bianco e dolce cigno
6. J. Arcadelt: Voi ve n' andate al cielo
7. F. Corteccia: Se per onesti preghi
8. A. Willaert: Grat' e beniga donna / Quando giunse
9. A. Willaert: Un giorno mi preg / Co' l rem' in mezzo
10. C. de Rore: Non ch' il duol / Ma mentr' io lasso
11. C. de Rore: Ancor che col partire
12. C. de Rore: Mia benigna fortuna / Crudele acerba
13. Perissone Cambio: Nel coglier' e gustare

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14. V. Ruffo: Non rumor di tamburi


15. B. Donato: O dolce vita mia
16. P. Taglia: Com' esser pu che si contrari effetti
17. Ph. de Monte: Dolorosi martir'
18. G. da Nola: Io procaccio martir'
19. G. de Wert: Chi salir per me
20. G. Caimo: Piangete valli
21. G. Caimo: Mentre il cuculo
22. O. de Lassus: Quanto il mio duol
23. O. de Lassus: O occhi, manza mia
24. P. Masnelli: Non pu, dolce mia vita
25. G.P. da Palestrina: Alla riva del Tebro
26. L. Marenzio: Dissi a l' amata mia
27. L. Marenzio: Vezzosi augelli
28. L. Marenzio: Affliger chi per voi / Nulla da voi
29. A. Gabrieli: Occhi sereni
30. O. Vecchi: Il cocodrillo geme
31. O. Vecchi: So ben, mi, c' ha bon tempo
32. R. Giovannelli: La terra, che dal fondo
Sources:
I-Vnm Cl.It. IV.1795-98 (1)
1539/22: "Il primo libro di madrigali d'Archadelt a 4 voci con nuova gionta impressi", Venice, A. Gardane (5, 6)
1543/18: "Il secondo libro de li madrigali de diversi eccelentissimi autori a misura di breve novamente stampato a 4 voci", Venice, A. Gardane (7)
1549/31: "Il vero terzo libro di madrigali de diversi autori a note negre, composti da eccellentissimi musici, con la canzon di cald' arrost, novamente dato in luce. A quatro voci", Venice, A. Gardane (9, 13, 14)
1550: C. de Rore: "Il primo libro de madrigali a 4 voci", Ferrara (10, 11)
1550: B. Donato: "Il primo libro de canzon villanesche alla napolitana",
Venice, A. Gardano (15)
1555: P. Taglia: "Il primo libro de madrigali a 4 voci", Milan (16)
1557/24: "Di Cipriano de Rore il secondo libro de madregali a 4 voci con una
canzon di Gianneto sopra di Pace non trovo con 14 stanze novamente...stampato et dato in luce", Venice, A. Gardano (12)
1558/13: "Secondo libro delle muse, a 4 voci. Madrigali ariosi, de diversi
eccell.mi autori...", Rome, A. Barr (17-19)
1560: O. de Lassus: "Il primo libro di madrigali a 4 voci", Venice (22)
1564: G. Caimo: "Il primo libro de madrigali a 4 voci", Milan, Moscheni (20)
1565/20: "Di Verdelot tutti li madrigali del primo et del secondo libro a 4 voci
novamente ristampati", Venice, A. Gardano (2-4, 8)
1581: O. de Lassus: "Libro de villanelle, moresche, et altre canzoni", Paris (23)
1582/11: "Madrigali di Paolo Masnelli veronese...Libro primo a 4 voci",
Venice, A. Gardano (24)
1584: G. Caimo: "Il secondo libro di canzonette a 4 voci", Milan / Venice (21)
1585: L. Marenzio: "Madrigali a 4 voci. Libro primo", Rome (26, 27)
1585: O. Vecchi: "Canzonette a 4 voci, libro terzo", Venice (30)
1586: L. Marenzio: "Madrigali a 4, 5, e 6 voci. Libro primo", Venice (28)
1586: Palestrina: "Il secondo libro de madrigali a 4 voci", Venice (25)
1587: G. Giovannelli: "Il primo libro di madrigali a 4 voci", Venice (32)
1589: A. Gabrieli: "Madrigali e ricercari a 4 voci", Venice (29)
1590: O. Vecchi: "Selva di varia ricreatione", Venice (31)
23,--

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_______________

Invitation to Madrigals
ed. Th. Dart (vols. I-V), D. Scott (vols. VI-VII),
Fellowes / Dart (vols. VIII-XI) and A. Harman (vols. XII-XIII)
206.R6

207.R6

Volume I: for SAB


Th. Bateson:
Beauty is a lovely sweet
Love is the fire
Your shining eyes
W. Byrd:
Non nobis Domine
Upon a sumer's day
Th. Campion: Jack and Joan
M. East: Follow me, sweet love
Th. Ford: Now I see thy looks were feigned
J. Hilton: Dear, may some other
W. Holborne: Change then, for lo, she changeth
Th. Morley:
Do you not know?
O fly not, love
O sleep, fond fancy
Springtime mantleth every bough
Though Philomela lost her love
J. Mundy: As I went a-walking
Th. Tomkins: How great delight
J. Ward: In health and ease
Th. Weelkes:
Cease, sorrows, now
Come sirrah Jack ho
Late in my rash accounting
Though my carriage be but careless
J. Wilbye: Ye restless thoughts
H. Youll: Sweet Phyllis, stay
Volume II: for SATB
Th. Bateson: Phyllis, farewell
J. Bennet: Weep, o mine eyes
W. Byrd:
Deo gratias
Wouded I am
Th. Campion: Never weather-beaten sail
R. Dering: Dear love, be not unkind
J. Dowland: Wilt thou unkind?
R. Edwards: In going to my naked bed
J. Farmer: Fair Phyllis, I saw
Th. Ford: Since first I saw your face
R. Jones: Farewell daer love
Th. Morley:
April is in my mistress' face
Say gentle nymphs
Since my tears and lamenting
M. Peerseon: Lock un fair lids
F. Pilkington: Amyntas with his Phyllis fair

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_______________

208.R6

209.R6

Th. Weelkes: Now every tree


Th. Whythorne: I have ere this time
J. Wilbye: Adieu sweet Amarillies
Volume III: for SSA
Th. Bateson: Nightingale
W. Byrd: Benedictus
M. East:
How merrily we live
See Amaryllis shamed
J. Hilton: If it be love
W. Holborne:
Full fathom five
Where the bee sucks
R. Jones: Sweet Kate
Th. Morley:
It was a lover and his lass
Lady, those eyes
See mine own sweet jewel
This love is but a wanton fit
Though Philomela lost her love
W. Porter: When fisrt I saw thee
Th. Tomkins: Sure there is no god of love
J. Ward:
Fly not so fast
Go wailing accents
Th. Weelkes:
Those sweet delightful lilies
Though my carraige be but careless
J. Wilbye: Away, thou shalt not love me
H. Youll: While joyful springtime lasteth
Volume IV
24 graded works a2 (SA or TB)
1. G.M. Tasso: Duo (1559)
2. Josquin des Prez: Per illud ave (1521)
3. anonymous: Canonic Duo (1545)
4. A. Licino: Canonic Duo (1546)
5. Th. Morley: Solmization, or: The Gamut made easy
6. B. Lupacchino: Solfeggio
7. P. Certon: Contentez vous (1545)
8. J.P. Sweelinck: Voici du gai printemps (1612)
9. O. di Lasso: Exspectatio justorum (1577)
10. A. Gardane: Crucifixus (1553)
10a. after D. Ortiz: Division on Gardane's Crucifixus
11. O. Vecchi: Fantasia
12. O. di Lasso: Duo (1577)
13. P. Vinci: Fontana di chiazza (1560)
14. O. di Lasso: Duo (1577)
15. A. Pevernage: La vita fugge (1590)
16. O. di Lasso: Sicut rosa inter spinas (1577)
17. J.P. Sweelinck: Liquide perle (1612)
18. Th. Morley: I should for grief and anguish (1595)
19. anonymous: puzzle-canon (c.1520)
20. J. Dunstable: Esurientes (1453)

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_______________

210.R6

211.R6

21. V. Galilei: Fantasia (1568)


22. O. di Lasso: Justus cor suum tradet (1577)
23. P. Nenna: Fantasia (1590)
24. G.G. Gastoldi: Fantasia (1598)
Sources:
1545: "Bicinia gallica, latina, germanica... secundus tomus", Wittenberg, G.
Rhau (3, 7)
1546: A. Licino: "Il secondo di duo cromatici", Venice, Gardane, 1546 (4)
1553: "Il primo libro a due voci", Venice, A. Gardane (10)
1553: D. Ortiz: "Libro...de glosas..", Rome, Dorico (10a)
1559: B. Lupacchino & G.M. Tasso: "Il primo libro a due voci", Venice,
Gardane (edition of 1642 used: 1, 6)
1560: P. Vinci: "Il primo libro della musica a due voce", Venice, Scotto (13)
1568: V. Galilei: "Il Fronimo", Venice, Scotto (21)
1577: O. di Lasso: "Novae aliquot....ad duas voces cantiones suavissimae",
(edition of 1604 used) (nos. 9, 12, 14, 16, 22)
1590: "Bicinia, sive cantiones suavissimae duarum vocum", Antwerpen,
Phalse (ed. of 1609 used) (2, 15, 23)
1595: Th. Morley: "The first booke of canzonets to two voices", London,
Th. East (18)
1597: Th. Morley: "Plaine and easie introduction to musick", London (5)
1598: G.G. Gastoldi: "Il primo libro della muscia a due voci", Milan, Tini
(nos. 11 and 24)
1612: J.Pz. Sweelinck: "Rimes franoises et italiennes... deux parties...",
Leiden, Raphelengius (8, 17)
manuscripts:
GB-Lbl Add. 31922 (19)
I-MOe lat.471 (20)
Volume V: for SATB
Th. Bateson: if love be blind
J. Bennet: Round about in a fair ring
R. Dering: Love shooting
J. Dowland: what poor astronomers
J. Farmer: Take time
G. Farnaby:
Blind love
Construe my meaning
Th. Morley: In ev'ry place
P. Philips: Wherefore sit I complaining
Th. Tomkins: O let me live
J. Ward: Satyr once
Th. Weelkes: Lo country sports!
J. Wilbye:
Change me o heav'ns
Thus saith my Cloris bright
Volume VI: a5-a6
anonymous: Sweet was the song
SSATB
Th. Bateson: Ah, Cupid, grant
SSATBarB
J. Bennet: All creatures now
SSATB
O. Gibbons: Ah dear heart
SSATB
O. de Lassus: Susanna fair (S. un jour)
SSATB
H. Lichfild: Shall I seek to ease my grief?
SSATB
Th. Morley: Sing we and chant it (A lieta vita) SSATB

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

12,--

12,--

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_______________

212.R6

120.R8

Th. Weelkes: Death hath deprived me


SSATBarB
J. Wilbye: Unkind, o stay thy flying
SSATB
Volume VII: a5-a6
anonymous: How can the tree but waste
SSATB
W. Byrd: Though Amaryllis dance in green
SSATB
M. East: Your shining eyes
SSATBarB
J. Farmer: Fair nymphs
SSATBarB
L. Marenzio: I must deaprt (Io partiro)
SSATB
Th. Morley:
My bonny lass (Questa dolce sirena)
SSATB
O grief e'en on the bud
SSATB
Th. Vautor: Sweet Suffolk owl
SSATB
Th. Weelkes: In pride of May
SSATB
J. Wilbye: Lady your words do spite me
SSATB
Volume VIII: Thomas Morley
see under: Th. Morley
Volume IX: Thomas Weelkes
see under: Th. Weelkes
Volume X: John Wilbye
see under: J. Wilbye
Volume XI: Orlando Gibbons
see under: O. Gibbons
Volume XII: Luca Marenzio SATB, I
see under: L. Marenzio
Volume XIII: Luca Marenzio SATB, II
see under: L. Marenzio

12,--

12,--

Italian Musicians and the Imperial House of Austria


Dedication pieces & Works by musicians in the service of the Imperial House
of Austria 1567-1625
ed. in score by A. Einstein; DT 77 (1934; R/1960); see for sources (not
mentioned by Einstein) under names of compsers.
I. Dedication pieces:
1. Ph. de Monte: Carlo ch'en tenerella acerba etade a5 (1567)
2. F. Portinaro: Ove, sacre sorelle a7 (1568)
3-5. A. Gabrieli: 3. Felici d'Adria, e dilettose rive, a8 (1570)
4. La bella pargoletta, a6 (1580)
5. Quel dolce suono e quel suave canto, a6 (1580)
6. C. Zanotti: O di Progenitori Ecclesi Augusti a6 (1589)
II. Works by musicians in the service of the Imperial House of Austria:
7-8. A. Padovano: 7. Dolce mio caro e precioso regno, a5 (1564)
8. Cantai un tempo, et se fu dolc' il canto, a5 (1564)
9-10. M. Flecha: 9. Dal superbo furor de l'onde audace, a5 (1568)
10. Deh porgi mano a l'affannat'ingegno, a6 (1568)
11-13. C. Luython: 11. Erano i capei d'oro e l'aura sparsi, a5 (1582)
12. Sacro monte mio dolce almo soggiorno, a5 (1582)
13. Perch'io t'abbia guardate di menzogna, a5 (1582)
14-16. L. de Sayve: 14. Donna bell'et crudel mi fa morire, a5 (1582)
15. Da poi che tu crudel mi desto morte, a5 (1582)
16. Altro ci vuole che balargalante, a5 (1582)
17. J. Regnart: Ardo si, ma non t'amo a5 (1585)
18. F. Rovigo: Ardo si, ma non t'amo a5 (1582)

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_______________

19. A. Orologio: Occhi miei, che vedeste a5 (1586)


20-22. C. Zanotti: 20. Giacea la mia virt vinta e smarita, a5 (1587)
21. Tirsi morir volea, a5 (1587)
22. Don Licor Bato, a5 (1590)
23-24. Ph. de Monte: 23. Gi fu chi hebbe cara, a7 (1599)
24. Quella fera son'io, a7 (1599)
25-26. G. Priuli: 25. Presso un fiume tranquillo, a9 (1625)
26. Chiudete l'orecchie, a10 (1625)
111.S6

54,--

Liederbuch des Deutschen Sngerbundes


a4 unless otherwise stated
NB: only works falling within the limits of this catalogue have been listed
0. A. Methfessel: Sngergruss des Deutschen Sngerbundes a7
1. H.L. Hassler: Nun fanget an! (from: "Neue Teutsche Gesang", 1596)
2. S. Calvisius: Gott allein die Ehre (from: "Tricinia") a3
4. J.R. Ahle: Lob der Musik (with 2 violins, viola, bc) (from "Anderes Zehen")
5. F. Silcher: Frisch gesungen: Hab' oft im Kreise der Lieben (from: "12 leichte
vierstimmigen Lieder fr den Mnnerchor, op. 39", 1839)
13. J.A.P. Schulz: Heureigen: Wenn khl der Morgen atmet (from: "Lieder
im Volkston")
15. L. van Beethoven: Freundschaft (canon a3) WoO 164
16. K.F. Zelter: Soldaten-Kanon: Nein, hier hat es keine Not
21. anonymous: Wacht auf, ihr schnen Vgelein (from: "Psalteriolum
harmonicum sacrarum cantilenarum", Kln, 1642)
22. M. Franck: Kommt, ihr G'spielen (from: "Relation von dem Actu oratorio
zu Coburg", 1630)
23. Th. Morley: Nun strahlt der Mai den Herzen (=Now is the month of maying)
(form: "First book of balletts to 5 voices", London, 1595)
35. M. Praetorius: Nach grner Farb (ewiger Freud') mein Herz verlangt
(from: "Musae Sioniae", vol. 8, 1610)
51. L. Senfl: Ach Elslein, liebes Elselein
(from book II of Forster's "Teutsche Liedlein", 1540)
52. H. Isaac: Innsbruck, ich muss dich lassen
(from book I of Forster's "Teutsche Liedlein", 1539)
53. anonymous: Ich sag ade
(from book II of Forster's "Teutsche Liedlein", 1540)
54. H.L. Hassler: Feinslich du hast mich g'fangen (from: "Neue Teutsche
Gesang nach Art der welschen Madrgalien...", Augsburg, 1596)
56. C. Othmayr: Mir ist ein feins brauns Maidelein
(from book IV of Forster's "Teutsche Liedlein", 1540)
59. J. Dowland: Ssses Lieb, o komm zurck ( = Come again, sweet love)
(from: "First book of songs or airs", London, 1597)
60. O. de Lassus: Annelein du singst fein
(from: "Sechs teutsche Lieder mit 4 Stimmen", 1573)
61. O. de Lassus: Echo-Lied: Hallo! Wie schn das Echo! ( = O l o che
buon eco" (from: "Libro de villanelle...", Paris, 1581) a8
62. J. vom Brandt: Drei Laub auf einer Linde
(from book III of Forster's "Teutsche Liedlein", 1552)
65. L. Senfl: Ich schell mein Horn
(from J. Ott's collection: "115 Guter newer Liedlein...", 1544)
66. M. Franck: Wie weh tut mir mein Scheiden
(from: "Flores musicales", Nrnberg, 1610)

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67. J. Staden: Kein Lieb ohn Leid sich findt


(from: "Neue teutsche Lieder", Nrnberg, 1609)
68. J. Eccard: Nun schrz dich, Gretlein
(from: "Newe Lieder", Knigsberg, 1589)
69. H.L. Hassler: Tanzen und Springen a5
(from: "Lustgarten neuer teutscher Gesnge", Nrberg, 1601)
70. G. Gastoldi: an hellen Tagen (from: "Balletti a 5 voci con li suoi versi
per cantare, sonare e ballare", Venice, 1591) a5
71. B. Donato: Wenn wir hinausziehn ( = Chi la gagliarda donne vo'imparare)
(form: "Il primo libro di canzon villanesche...", 1556)
72. K.F. Zelter: Gestern traurig, heute lustig (canon a3)
74. J.H. Schein: Rundadinella: Holla, gut G'sell, ich will dir sag'n a5
(from: "Studentenschmauss", Leipzig, 1626)
75. J.H. Schein: Herbei, wer lustig sein will hier a5
(from: "Venuskrnzlein", 1609)
76. D. Friederici: Wir lieben sher im Herzen
(from: "Servia musicalis", Lbeck 1614)
77. L. Lemlin: Der Gutzgauch a6
(from book II of Forster's "Teutsche Liedlein", 1540)
78. E. Widmann: Die Martinsgans: Was haben doch die Gns getan
(from: "Musicalisch Kurtzweil newer teutscher Gesnglein", 1611)
81. J. Haydn: Dir, holde Liebe (canon a4) Hob XXVIIb: 33
82. J.S. Bach: Wach auf, mein Herz, und singe (from cantata no. 79)
84. J.S. Bach: Nun ruhen alle Wlder BWV 392
86. L. Schrter: Freut euch, ihr lieben Christen
(from: "Newe Weihnachtsliedlein", Helmstedt, 1587)
90. C. Freundt: Wie schn singt uns der Engel Schar
(from the Freundt manuscript in D-Z)
91. M. Praetorius: Vom Himmel hoch, da komm ich her a3
92. M. Praetorius: Es ist ein' Ros entsprungen
(from: "Musae Sioniae", vol. 6, 1609 (no. 52))
96. J. Walther: Mitten wir im Leben sind mit dem Tod umfangen
(from: "Geystliche Gesangk Buchleyn", Wittenberg, 1524)
99. J.S. Bach: Wer nur den lieben Gott lsst walten
100. J.S. Bach: Wenn ich einmal soll scheiden
101. F. Schubert: Sanctus (from: Deutsche Messe)
102. A. Gumpelzhaimer: Haussegen: Wo Gott zum Haus nicht gibt (canon a2)
(from his "Compendium musicae")
103. S. Calvisius: Bis hieher hat mich Gott gebracht
(from: "Harmonia cantionum ecclesiasticarum", 1597)
104. H. Schtz: Gottvertrauen: Von Gott will ich nicht lassen SWV 366
105. J. Staden: Danket dem Herren a3
(from: "Hausmusik...2es Teil", 1628)
107. J.S. Bach: Nun danket alle Gott
19,-121.R8

Madrigali Siciliani in Antologie Transalpine, 1583-1616


ed. F. Piperno; Musiche Rinascimentali Siciliane, volume VI
24 madrigals a5 and a6 from anthologies printed outside Italy:
1-4. P. Vinci:
1. Sappi, signor, che Lidia son io a5 (from: "Terzo libro...a5", 1571)
2. Caro, dolce ben mio, perch fuggire a6 (from: "Secondo libro...a6", 1579)
3. Dal sacro Pindo ogni pastor pi saggio (prima parte) a6

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4. Ivi rosa leggiadra e plellegrina (seconda parte) a6


5-11. A. Il Verso:
5. Poi che voi non volete ch'io vi baci a5 (from: Madr. a5, 1600)
6. Il dolce mormorio che fanno l'acque a5
7. Deh, se mostrar tue meraviglie vuoi a6 (from: Madr. a6, book 2, 1601)
8. Del sol cos splendenti a6 (from: Madr. a6, book 2, 1601)
9. Se quel dolor che va innanzi al morire a6 (from: idem)
10. Fresche, vermiglie rose che verrete nel seno a6 (from: idem)
11. Non fiammeggiava ancor nell'oriente a6 (from: idem)
12-14. A. Formica:
12. Ma il cor, ohim, paventa a6
13. S'io non vi miro, occhi leggiadri e vaghi a5
14. Quel s ben nato e s ben colto fiore a6
15-20. T. Giglio:
15. I pi candidi gigli ancor non colti a6 (from: 2 libro a6, 1601)
16. Giunto m'hai, bella tigre a6 (from: idem)
17. Calda pioggia di perle lagrimose (prima pars) a6 (from: idem)
18. Va in pace, anima mia (seconda pars) a6 (from: idem)
19. Che soave concento fa 'l mormorar de l'onde a6 (from: idem)
20. Nel pi fiorito e dilettoso Aprile a6
21-22. A. Fazio:
21. L'amata donna se ne porta il core a6 (from: 1 libro a6, 1601)
22. Crudel nemica e fiera a6 (from: idem)
23. G.P. Flaccomio: Lumi, miei cari lumi, che lampeggiate a5
24. E. Marotta: Vorr veder ci che Tirsi avr fatto a5 (1 L. a5/a8, 1600)
Sources:
1583: "Musica Divina di XIX. autori illustri, a III. V. VI. et VII. voci...",
Antwerpen, Phalse & Bellre (1)
1601: "Ghirlanda di madrigali a sei voci, di diversi eccellentissimi autori de nostri tempi...", Antwerpen, Phalse (2)
1604: "De' fiori del giardino de diversi excellentissimi autori seconda parte a
quatro, cinque & sei voci...", Nrnberg, Kaufmann (14, 15, 20-22)
1610: "Novi frutti musicali. Madrigali a cinque voci di diversi eccellentissimi
musici...", Antwerpen, Phalse (13)
1613: "Il Parnasso. Madrigali de diversi eccellentissimi musici a sei voci",
Antwerpen, Phals (3, 4, 7-12, 16-19)
1616: "Il Helicone. Madrigali de diversi eccellentissimi musici a cinque voci...",
Antwerpen, Phalse (5, 6, 23, 24)
64,-215.R6

Musica Mundana
An anthologly of secular polyphonic music of the 16th century
ed. G. Acciai, M. Berrini, M. Boschini
a4, if not otherwise indicated
1-3. L. Agostini:
(from: "Canzoni alla napolitana a 5 voci...Libro primo", Venice, 1574)
1. Se non mi martellas a5
2. All'arm', all'arm'! a5
3. La pastorella mia a5
4-5. F. Anerio:
(from: "Canzonette a 4 voci...Libro primo", Venice, 1586)
4. Gitene canzonette
5. Pria senza fronde

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_______________

6. anonymous (Francesco Patavino?): Un cavaglier di Spagna


(from: "Canzoni, frottole & capitoli da diversi eccellentissimi musici...Libro
primo. De la Croce", Rome, 1526)
7. J. Arcadelt: La pastorella mia a3
(from: "Livre de trios d'Arcadelt...en 3 volumes", Paris, 1601)
8. J. Arcadelt: At trepida et coeptis immanibus
(from: "Sixime livre de chansons,,, a 4 parties par bons & excellens musiciens...", Paris, 1556)
9-10. F. Azzaiolo:
(from: "Il secondo libro de villotte del fiore alla padoana...", Venice, 1559)
9. Bona via
10. Girometta
11-13. P. Bellasio:
(from: "Villanelle a tre voci, con la intavolatura del liuto...", Venice, 1592)
11. Una fiammella a3
12. Non pi lacci d'amore a3
13. Perch fuggi a3
14. Perissone Cambio: Fontana che dai acqua
(from: "Canzone villanesche alla napolitana a 4 voci di Perissone", 1545)
15. Perissone Cambio: Zuccaro porti dentro
(from: B. Donato: "Il primo libro di canzon villanesche alla napolitana a 4
voci...Aggiontovi anchora alcune villote di Perissone...", 1550)
16-18. S. Cornet:
(from: "Canzoni napolitane a 4 voci...", Antwerpen, G. Laet, 1563)
16. Madonna, o m'ami o no
17. Che t'aggio fatto
18. Parmi di star
19. F. Corteccia: Le vecchie per invidia
(from: "Canzone villanesche alla napolitana di M. Adriano Wigliaret a 4
voci...con la gionta di alcune altre canzone villanesche alla napolitana di F. Silvestrino...et di F. Corteccia...Primo libro", 1545)
20-23. G.D. da Nola:
(nos. 21-22 from: "Canzone villanesche...Libro primo", Venice, 1545;
nos. 20 & 24 from: "Canzone villanesche ...Libro secondo", 1545)
20. Madonna, nui sapimo ben iocare a3
21. Chi la gagliarda vo' imparare a3
22. Cingari simo venit' a giocare a3
23. O dolce vita mia, che t'haggio fatto a3
24-26. B. Donato:
(from the same source as no. 15)
24. Mill'anni sono
25. Guarda sciagura ch'aggio
26. O quant'amore
27-30. G.A. Dragoni:
(from: "Il primo libro delle villanelle a 5 voci...", Venice, 1588)
27. Partisti, ahi dura sorte a5
28. Crudel m'uccidi a5
29. Donna, se lo mio core a5
30. M'ha punto amor a5
31. T. Fabrianese: La canzon della gallina (from the same source as no. 15)
32. D.M. Ferrabosco: Io mi son giovinetta
(from: "D. autori il primo libro d'i madregali de diversi eccellentissimi
autori a 5 voci...", Venice, A. Gardane, 1542)

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33. G. Ferretti: Male per me tanta belt a5


(from: "Il terzo libro delle napolitane a 5 voci...", Venice, Scotto, 1570)
34. S. Festa: L'ultimo d di maggio (from the same source as no. 6)
35. J. Fogliano: Tua volsi esser sempre mai
(from: "Canzone, sonetti, strambotti et frottole. Libro primo", Siena,
P. Sambonetto, 1515)
36-37. V. Fontana:
(from: "Canzone villanesche...a 3 voci alla napolitana...Libro primo",
Venice, A. Gardano, 1545)
36. Io ti vorria contar a3
37. Tu sai madonna mia a3
38. A. Gabrieli: La verginella a3
(from: "Libro primo de madrigali a tre voci...", Venice, 1575)
39-40. J. Gallus:
(from: "Quatuor vocum Liber I harmoniarum moralium", Prague, 1589)
39. Si tibi gratia
40. Linquo coax
41-42. G.G. Gastoldi:
(from: "Canzonette a 3 voci...Libro secondo", Mantua, 1595)
41.Amor, forza ch'io 'l dica a3
42. O miei sospiri ardenti a3
43-45. L. Marenzio:
(from: "Il secondo libro delle canzonette alla nap. a 3 voci", 1585)
43. Ahim, qual fu l'errore a3
44. Alla strada a3
45. Giovani incauti a3
46. G. Nasco: Vorria che tu cantassi
(from: "Il primo libro di canzon villanesche alla napolitana a 4 voci",
Venice, G. Scotto, 1556)
47-49. A. Scandello:
(from: "El primo libro de le canzoni napoletane a IIII voci...", Nrnberg, U. Neuber & Th. Gerlatz)
47. Aveva na gallina capelluta
48. In tutto voi ch'io mora
49. Se per sentir dolor
50-52. O. Vecchi:
(from: "Canzonette...libro secondo a 4 voci..3a impr.", Venice, 1585)
50. Rendimi il gentil viso
51. Lucilla, io vo morire
52. Fa una canzone
53. M.H. Werrecore: La bataglia taliana
(from: "La bataglia taliana...a 4 voci", Venice, A. Gardano, 1549)
54-55. L. Viadana:
(from: "Canzonette a tre voci...Libro primo", Venice, R. Amadino,
1594)
54. Fammila Pedr'antonia a3
55. Bella, sai perch t'amo? a3
56-57. A. Willaert:
(from the same source as no. 19)
56. Cingari simo
57. Vecchie letrose
98,--

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

122.R8

Musicians from the Low Countries & Italy


at the Court in Graz of Karl II, 1564-1590
ed. by H. Federhofer (music) and R. John (texts); DT 90 (1954)
a) Masters from the Low Countries:
1. J. de Cleve: Officium in festo corporis Christi
2. L. de Sayve: Missa Lyram, lyram pulset
3-5. J. de Brouck: a motet and 2 chansons:
Laeta dies
Pleurs et souspirs
Une angelette
b) Italian masters:
6. A. Padovano: Magnificat tertii toni
7. S. Gatto: Missa Scarco di doglia
8. F. Rovigo: Missa in Dominicis diebus
9-10. G.B. Galeno: 2 madrigals:
Elpin baciando la sua cara Alcea
Ama ben dice Amore
11-13. P.A. Bianco: 2 villanelle and a madrigal:
Intorno al bianco tuo petto scherzando
Fuggite amore
Piange a cantando
14-15. M. Ferrabosco: 2 canzonette:
Che giovarebbe haver bellezza
Se si spezzasse sta dura catena

100.R7

49,--

Music of Scotland, 1500-1700


ed. in score by K. Elliott; song-texts ed. by H.M. Shire; 3rd rev. ed; 1975
A. Latin Church Music:
1. anonymous: Mass
a3
2. anonymous: Mass Rex virginum
a4
3. R. Carver: Mass L'homme arm
a4
4. anonymous: Mass Felix namque
a6
5. R. Carver: O bone Jesu
a19
6. anonymous: Descendi in hortum meum
a4
7. R. Johnson: Deus miseratur nostri (ps.67)
a4
8. D. Peebles / F. Heagy: Si quis diligit me a4-a5
B. Music for the Reformed Church:
10. A. Blackhall: Blessed art thou (ps.128)
a5
11. A. Blackhall: Judge and revenge my cause (0s.43)
a5
12. A. Kemp: Te Deum (We praise thee, o God)
a4
13. J. Angus: Our Father, whiche in Heaven art (The Lord's Prayer)
a4
14. J. Angus: All my belief (The xii Articles of the Christian Fayth)
a4
15-17. D. Peebles: 3 settings of psalm 1: The man is blest
a4
18-19. D. Peebles: 2 settings of psalm 18: O God, my strength and fortitude a4
20. A. Blackhall?: O God, my strength and fortitude
a4
21. D. Peebles: Ye children, which do serve the Lord (ps.113)
a4
22. A. Kemp: Ye children, which do serve the Lord (ps.113)
a4
23. anonymous: Ye children, which do serve the Lord (ps.113)
a4
24. anonymous: Psalm 6 in Reports
a4
25. D. Peebles: Psalm 124: Now Israel may say
a4

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26. A. Kemp: Psalm 124: Now Israel may say


a4
27. anonymous: Psalm 124: Now Israel may say
a4
C. Songs:
a) unaccompanied:
28. The gowans are gay
29. In a garden so green
b) accompanied by instruments:
30. anonymous: My heartly service (The Pleugh Song) TT, bass
31. (P. Cadac): Our father God celestrial S and viols (TrTB)
32. (R.) Johnson: Come palefaced death
S and viols (TrTB)
33. anonymous: Woe worth the tyme
S and viols (ATB)
c) for 3 or 4 voices:
34. anonymous: Alas that same sueit face
STB
35. anonymous: O lusty May
SATB
36. anonymous: All sons of Adam: the Christmas medley
ATB or TTB
37. J. Fethy: O God abufe
ATTB
38. J. Fethy?: The time of youth
SATB
39. anonymous: Support your servand
SATB
40. anonymous: Richt soir opprest
SATB
41. anonymous: O mortal man
SATB
42. anonymous: Departe, departe: The lament of the Maister of Erskyn SATB
43. anonymous: How suld my febill body fure?
SATB
44. (R.) Johnson: Defiled is my name
SATB
45. anonymous: Absent I am
SATB
46. anonymous: Remember me, my deir
SATB
47. anonymous: The flaming fire
SATB
48. anonymous: Nou let us sing
SATB
49. A. Blackhall: Adeu, o desie of delyt
SATB
50. anonymous: Before the Greeks durst enterpryse
SATB
51. anonymous: My bailful briest
SATB
52. anonymous: No wonder is suppose
SATB
53. anonymous: In throu the windoes of myn ees
SATB
54. La Grotte (set by?): Lyk as the dum Solsequium
SATB
55. anonymous: Evin dead behold I breathe
SATB
56. anonymous: What mightie motion
SATB
d) accompanied by lute or harpsichord:
57. anonymous: Come my Children dere
58. anonymous: Since that my siches
59. anonymous: Joy to the person of my love
60. anonymous: Care away go thou from me
61. anonymous: Where art thou, hope?
62. anonymous: Doune in yone gardeine (Christ in Gethsemane)
63. A. Melvill?: Let not, I say, the sluggish sleep
64. anonymous: Come love, let's walk
65. anonymous: Walking I chanc'd into a shade
66. anonymous: When chill cold age
67. anonymous: Begone, sweit night
68. anonymous: Then wilt thou goe
69. anonymous: Balulalow (Ane sang of the birth of Christ)
70. anonymous: Yee Gods of Love
71. anonymous, set by mr. Beck: Hollow my Fancie
72. anonymous, set by mr. Beck: O're Hill, 're Mountains (Fancy free)
73. anonymous: One yeir begins (Lady Lothian's Lilt) without accompaniment

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D. Instrumental Music:
74. anonymous: Ane Exempill of Tripla
a4
75. (R.) Johnson: In Nomine
a5
76. anonymous: Prince Edward's Paven
a4
77. anonymous: The Queine of Ingland's Paven
a4
78. anonymous: Paven
a4
79. (Galliard)
a4
80. (J. Black): Lytill Blak
a3
81. J. Black?: Ane lessone upon the First Psalme
a4
82. J. Black?: Ane lesson upon the Secund Psalme
a4
83. J. Lauder: My Lord of Marche Paven
a4
84. anonymous: Ane Ground
a3
85. (Wilson?): Wilson's Fantasie
a4
Musical Sources:
GB-Cfm: The Tolquhon cantus partbook, 1611 (1, 31, 39, 40, 53, 55, 80)
GB-DU Wighton collection (59)
GB-En 5448: Lady Anne Ker's music book (41, 55, 56, 60, 64)
GB-En Acc.9769 84/1/6: The Balcarres lute book (59, 69, 71, 72)
GB-En Adv.5.1.15: the Scone Antiphonary, the Carver Choirbook (1-3, 5)
GB-En Adv.5.2.14: William Stirling's cantus partbook (46, 48, 49, 51, 59, 60,
62, 67, 68, 73, 80, 83)
GB-En Adv.5.2.15: John Skene of Hallyards' mandora book (54, 59, 64, 68)
GB-En Adv.5.2.19: John Leyden's lyra-viol manuscript (59, 64)
GB-En Panm. 10: Duncan Burnett's music book, c.1610 (22, 26, 67, 84)
GB-En Panm. 11: Robert Edward's commonplace book (19, 31, 34, 39-47,
50, 54-59, 62, 64, 68, 83-85)
GB-Eu 64: the Dunkeld partbooks (4)
GB-Eu La.III.111: James Guthrie Manuscript (59)
GB-Eu La.III.487: William Mure of Rowallan's lute book (50)
GB-Eu La.III.488: William Mure of Rowallan's cantus partbook (40, 41, 45,
47, 54, 55, 80-83, 85)
GB-Eu La.III.490: John Squyer's music book (46, 48, 60, 64)
GB-Eu La.III.491: Louis de France's music book (29, 46)
GB-Lbl Add. 4911: "The Art of Music collecit out of all ancient doctouris of
music", c.1580 (16, 20, 31, 38-41)
GB-Lbl Add. 10337: Elizabeth Roger's Virginal Book (69)
GB-Lbl Add. 30480-84: the Hamond partbooks (32, 43)
GB-Lbl Add. 31390 (75)
GB-Lbl Add. 36484: David Mellvill's bassus partbook (31, 34, 39-41, 47,
53, 55, 80, 81-83, 85)
GB-Eu, IRL-Dtc and GB-Lbl: Thomas Wode's partbooks (6-15, 18, 21, 25,
25, 30, 33, 36, 37, 42, 48, 49, 52, 54, 56, 60, 64,
76-78, 83)
IRL-Dtc D.3.30: the Dublin Virginal Book (78, 79)
US-LAuc: Robert Taitt's music book (53)
US-NYp Drexel 4257: John Gamble's commonplace book (69)
US-Wc: Mellvill's "Ane buik off roundells" (34)
Alex. MacAlman's music book, c.1650 (45, 46)
1622: "The Nightingale...Songs and Sonnets", London, P. Hannay (65)
1635: "The Psalmes of David", Edinburgh, edited by E. Millar, printed by A.
Hart (17, 19, 20, 23, 24, 27)
1662/66/82: "Cantus, Songs and Fancies", Aberdeen, J. Forbes (28, 29, 33,
36, 38, 42, 43, 46, 50-52, 54, 55, 59-61, 63, 64, 66, 67, 70)

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& manuscript copy with additional music: GB-P collection


Ruggles-Brise (48)

173,--

Das Musikwerk
Eine Beispielsammlung zur Musikgeschichte; ed. K.G. Fellerer
only works listed here which fall within the limits of this catalogue
216.R6

146.R3

Volume XI: Das mehrstimmige Lied des 16. Jahrhunderts; ed. H. Engel
1. Italy
1. Bartolomeo degli Organi: Questo mostrarsi lieta a tutte l'hore a4
2. M. Cara: Oime el cuor, oime la testa! a4
3. A. Coppini: Teco, signora mia, senta sempr il mio core a4
4. A. Coppini: Dall' infelice grotte a4
5. S. Festa: Se'l pensier che mi strugge a4
6. J. Arcadelt: Sapet' amanti per ch'amor' cioco a4
7. C. de Rore: Mia benigna fortuna a4
8. D. da Nola: Occhi miei oscurat' el nostro sole a3
9. A. Gabrieli: Quand'io ero giovinetto a5
10. L. Marenzio: O fere stelle a6
2. France
11. J. Caron: Hlas que pourra devenir a4
12. Josquin: Tenez moy en vos bras a6
13. P. Certon: Si jay en tousjour mon vouloir a4
14. N. Gombert: Hors envieux retirez vous a4
3. England
15. W. Byrd: What is life or worldy pleasure a4
16. Th. Morley: Though Philomela lost her love a3
17. Th. Morley: The fields abroad with spangled flowers a4
18. Th. Weelkes: Hence Care thou art too cruel a5
19. J. Wilbye: Weep, weep, weep, mine eyes a5
20. J. Dowland: Fine knacks for ladies a4
4. Spain
21. J. de Encina: Gasajmonos de husi a4
22. G. Mena: Yo pens que mi ventura a4
23. J. Vasquz: Ojos morenos a5
24. M. Flecha: Ay que bino en tierra estrana a5

29,--

Volume XXX: Die Improvisation; ed. E.T. Ferrand


anonymous: Domine refugium (plainchant); Ad annuntiandum (plainchant)
anonymous: Ubi caritas et amor (a2; 15th c.; from US-Wc ML 171.J.6)
anonymous: Virgene benedecta (song of praise; 15th c.)
anonymous: Domine miserere (16th c.; ambrosian)
anonymous: Lasciar il velo (madrigal)
anonymous: Arietta (c.1700)
G. Binchois: Veni creator a2 + fauxbourdon
A. de Boesset: N'esperez plus (air de cour for voice and lute; diminutions in
Mersenne's "Harmonie Universelle", 1636: p.411-413)
G.B. Bononcini: Sempre piango (chamber duet; with ornamention by C.A.
Benati from manuscript in I-Bc)
Th. Brewer: O that mine eyes could melt into a flood (declamatory style; ornamentation from GB-Lbl Add. 11608)
S. Calvisius: canons on a chorale melody (from his treatise "Melopoeia", 1592)

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I. Chamater: Introit: Puer natus (from his: "Li introiti fondati sopra il canto
fermo del basso...a4-a6...commodi a cantari a misura breve ed
anco alla ordinaria", Venice, 1574)
I. Donati: O admirabile commercium (solo motet from his "Il secondo libro
de motetti a una voce e bc, op. 14", Veniec, 1636)
F. Durante: Son io (chamber duet for SA, bc; from "XII Duetti da camera":
GB-Lbl Add. 31552; as arranged for SS, bc and with
ornamentation by G. Masi in 1776: "Duetti per studio di
maniera di cantare e per essercizio di accompagnare al
cemabalo", in I-Rc and GB-Lcm)
H. Finck: Te maneat semper
J.A. Hiller: Vom Dienst der Creatur (aria)
P. Hofhaimer: Nach willen dein SATB
T. Michael: Psalm 18 (from "Musicalischer Seelen-Lust ander Theil", 1637)
C. de Rore: Signor mio caro a4 (with ornamentation from G. Bassano's:
"Ricercate passaggi et cadentie, per potersi essercitar ne diminuir",
Venice, 1585)

39,--

Der Schulchor

113.S6

Eine Chorsammlung fr alle Schulgattungen


unter Mitarbeit fhrender Musikerzieher, Chorleiter und Komponisten
ed. E. Kraus
a4 unless otherwise indicated
NB: only works falling within the limits of this catalogue have been listed
vol. I: Secular songs in old and new settings
1. M. Praetorius: Der Morgenstern ist aufgegangen
(from "Musae Sioniae,VI", Wolfenbttel, 1609)
4. J. Walter: Wach auf, wach auf, du deutsches Land
(from: "Ein newes Christlichs Lied", Wittenberg, 1561)
7. J. vom Brandt: Frisch auf in Gottes Namen
(from: "Newe teutsche Liedlein, III", Nrnberg, 1549)
9. M. Praetorius: Nach grner Farb mein Herz verlangt
(from: "Musae Sioniae, VIII", Wolfenbttel, 1610)
11. anonymous: Herzlich tut mich erfreuen a2
(form: "Bicinien", Wittenberg, G. Rhau, 1545)
12. M. Praetorius: Herzlich tut mich erfreuen
(from: "Musae Sioniae, VIII", Wolfenbttel, 1610)
14. L. Senfl: Mit Lust tt ich ausreiten a5
(from H. Ott's coll. "121 newe Lieder", Nrnberg, 1534)
19. J.L. Langenau: Drei Laub auf einer Linden
(from: "Frische teutsche Liedlein, II", Nrnberg, 1540)
20. J. vom Brandt: Drei Laub auf einer Linden
(from: "Frische teutsche Liedlein, V", Nrnberg, 1556)
23. anonymous: Lieblich hat sich gesellet
(from: "Frische teutsche Liedlein, II", Nrnberg, 1540)
25. anonymous: Entlaubet ist der Walde a2
(form: "Bicinien", Wittenberg, G. Rhau, 1545)
26. L. Senfl: Entlaubet ist der Walde
(from J. Ott's coll. "115 guter, newer Liedlein", Nrnberg, 1544)
27. Th. Stolzer: Entlaubet ist der Walde3
(from: "Frische teutsche Liedlein, I", Nrnberg, 1539)
29. L. Lemlin: Der Gutzgauch auf dem Zaune sass
a6

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114.S6

(from: "Frische teutsche Liedlein, II", Nrnberg, 1540)


32. L. Senfl: Mit Lust tritt ich an diesen Tanz a6
(from J. Ott's coll. "115 guter, newer Liedlein", Nrnberg, 1544)
34. V. Haussmann: Tanz mir nicht mit meiner Jungfer Kthen a5
(from his: "Ausszug aus Teutschen Tntz und Venusgarten", 1609)
37. H. Albert: Du mein einzig Licht a3
(from his "Arien, VII", Knigsberg, 1648)
39. C. Othmayr: Mir ist ein feins brauns Maidelein
(from "Reutterische und Jegerische Liedlein", Nrnberg, 1549)
41. J. Clemens non Papa: Es gingen zwei Gespielen gut a3
(from: "Souterliedekens", Antwerpen, 1556)
43. L. Senfl: Ach Elslein, liebes Elselein mein
(from H. Ott's coll. "121 newe Lieder", Nrnberg, 1534)
44. W. Schmeltzl: Wenn ander Leut schlafen
(from his: "Quodlibet", Nrnberg, 1544)
47. L. Senfl: Es taget vor dem Walde a5
(from J. Ott's coll. "115 guter, newer Liedlein", Nrnberg, 1544)
49. C. Othmayr: Es steht ein Lind in jenem Tal
(from "Reutterische und Jegerische Liedlein", Nrnberg, 1549)
51. J. Clemens non Papa: Ach Sorg, du musst zurcke stahn a3
(from: "Souterliedekens", Antwerpen, 1556)
53. A. Scandello: Schein uns, du liebe Sonne
(from his: "Newe und lustige weltliche deudsche Liedlein", 1570)
55. H.L. Hassler: Mein G'mt ist mir verwirret a5
(from his "Lustgarten neuer teutscher Gesng", 1601)
64. L. Senfl: Ich armes Maidlein klag mich sehr
(from J. Ott's coll. "115 guter, newer Liedlein", Nrnberg, 1544)
66. H. Isaac: Innsbruck, ich muss dich lassen
(from: "Frische teutsche Liedlein, I", Nrnberg, 1539)
67. H. Isaac: Innsbruck, ich muss dich lassen
68. L. Lechner: Ach Lieb, ich muss dich lassen a3
(from his"Teutsche Villanellen", Nrnberg, 1590)
69. J.S. Bach: Nun ruhen alle Wlder (from: St. Matthew Passion)
79. M. Franck: So wnsch ich ihr ein gute Nacht
(from: "Musikalische Bergkreyen", Nrnberg, 1602)
22,-vol. V: Madrigals & Chansons
a. Italian Madrigals
1. B. Donato: Chi la gagliarda
(from: "Il primo libro di canzon villanesche alla napolitana", Venice, 1551)
3. A. Scandello: Bonzorno, madonna
(from: "Il primo libro delle canzoni napolitane", Nrnberg, 1566)
5. G. de Wert: Misera! non credea ch'agli' occhi miei a5
(from: "L'ottavo libro de madrigali", Venice, 1586)
6. H. Schtz: Mi saluta costei a5
(from: "Il primo libro de madrigali", Venice, 1611)
7. Ph. Verdelot: Madonna, per voi ardo
(from: "Il primo libro de madrigali", Venice, 1537)
8. M. Cara: Non tempo d'aspettare
(from: Franciscus Bossinensis: "Tenori e contrabassi intabulati...Libro
primo", Venice, 1509)
9. G.P. da Palestrina: Ovver de' sensi priva
(from: "Il primo libro de madrigali", Venice, 1555)
10. C. Monteverde: O primavera giovent de l'anno a5

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(from: "Il terzo libro de madrigali", Venice, 1592)


11. O. Vecchi: Se ben mi ch' bon tempo
(from: "Selva di varia ricreatione", Venice, 1590)
12. L. Marenzio: Occhi dolci e soavi a3
(from: "Il quarto libro delle villanelle", Venice, 1592
b. French Chansons
13. Passereau: Il est bel et bon
(from the collection "Vingt et huyt chansons musicales", Attaingnant, 1534)
14. P. Cadac: Je suis dshrite
(from the collection "Quart livre contenant xxviii chansons nouvelles", Paris
P. Attaingnant, 1540)
15. J. Conseil: L'autre jour jouer m'allais
(from the collection: "Trente et une chansons musicales", Attaingnant, 1529)
16. C. de Sermisy: Au joli bois
(from the collection: "Trente et une chansons musicales", Attaingnant, 1529)
17. O. de Lassus: Si vous n'tes en bon point
(from: "XVII. Livre des chansons nouvelles", Florence, 1565)
18. F. Regnart: Petite Nymfe foltre
(from: "Posies de P. Ronsartd et autres potes", Paris, 1579)
19. C. Le Jeune: O Rose, reine des fleurs a5
(form: "Le Printemps", Paris, 1603)
20. P. Certon: Je ne fus jamais si aise a3
(from: "Premier livre de chansons", Paris, 1552)
c. English Madrigals
27. O. Gibbons: The silver swan a5
(from: "The first set of madrigals and motetts", London, 1612)
28. J. Wilbye: Adieu, sweet Amaryllis
(from: "The first set of English madrigals", London, 1598)
29. W. Cornyshe: Adieu, my heartis lust a3
(from: GB-Lbl Add. 31922; after ed. Davison / Apel)
30. W. Byrd: The nightingale so pleasant a3
(from: "Songs of sundrie natures", London, 1589)
31. Th. Morley: April is in my mistress' face
(from: "Madrigalls to foure voyces", London, 1594)
32. J. Dowland: What if I never speed
(from: "The third and last booke of songs or aires", London, 1603)
d. German Madrigals
34. E. Widmann: Was haben doch die Gns getan
(from: "Musicalisch Kurtzweil newer teutscher Gesnglein", Nrnberg, 1611)
36. L. Senfl: Ich armes Kuzlein kleine
(from J. Ott's collection: "Hundert und fnfftzehn guter newer Liedlein",
Nrnberg, 1544)
38. S. Calvisius: Musik und Gsang a3
(from: "Ausserlesene teutsche Lieder", Leipzig, 1603)
39. V. Haussmann: Dass ich jetzt fahr dahin
(from: "Neue teutsche weltliche Canzonette", Nrnberg, 1596)
40. Ch. Demantius: Es ist nit zu ermessen a6
(from: "Conviviorum deliciae", Nrnberg, 1608)
41. M. Franck: So wnsch ich ihr ein gute Nacht
(form: "Musicalischer Bergkreyen", Nrnberg, 1602)
22,-Settings of "Ardo s" and its related texts
ed. G.C. Schuetze in 2 volumes; with extensive introduction

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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217.R6

218.R6

66 Settings of Guarini's poem "Ardo s, ma non t' amo"; most composers have
set the "proposta" only, some as well the "risposta" by Tasso (Ardi e gela a tua
voglia) and a few also the "contra risposta" by Tasso (Arsi et alsi mia voglia)
and "conclusione" by Tasso (Ardesti in finto foco).
Volume I
NB: "Ardo s, ma non t'amo", unless otherwise indicated
1a. O. Vecchi (with contrafactum by S. Molinaro: "Amo te me non amas") a6
1b. O. Vecchi: Ardi e gela tua voglia a6
2a. F. Nicoletti a5
2b. F. Nicoletti: Ardi o gela a tua voglia a5
3. O. Angelini a5
4a. Ph. de Monte a5
4b. Ph. de Monte: Ardi e gela a tua voglia a5
4c. Ph. de Monte: Ne ardor ne gelo mai a5
5a. C. Porta a5
5b. C. Porta: Ardi e giela tua voglia a5
6a. M.A. Ingegneri a5
6b. M.A. Ingegneri: Ardi e gela tua voglia a5
7. M. Varotto a5
8. F. Rovigo (first setting; with anonymous contrafactum: "Laudem te") a5
9. F. Rovigo (second setting) a5
10. L. Bertani a5
11. J. Regnart a5
12. G. Cavaccio a5
13. G. Flori a5
14. G. Costa a5
15a. P. Masnelli a5
15b. P. Masnelli: Ardi e gela a tua voglia a5
16. B. Mosto a5
17. P. Ragno a5
18. V. Rai
a5
19. G. Riccio a5
20. L. Lechner a5
21. F. Sales a5
22. F. Ricci a5
23. O. de Lassus (first setting) a5
24. J. de Fossa a5
25. A. Morari a5
26. G. Ascanio (first setting) a5
27. G. Ascanio (second setting) a5
28. Ph. Cornazzani a5
29. A. Mossato a5
30. F. de Lassus a5
31. R. de Lassus a5
32. F. Pagani a5
33. G.Gigli da Imola a5
34. O. de Lasso (second setting)
a5
Volume II
35. A. Dueto a4
36a. A. Trombetti a4
36b. A. Trombetti: Ardi e gela tua voglia a4
37a. R. Giovannelli a5

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98,--

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37b. R. Giovannelli: Ardi, e gel' tua voglia a5


38a. G. Eremita a5
38b. G. Eremita: Ardi o gela a tua voglia a5
39a. C. Monteverdi a5
39b. C. Monteverdi: Ardi o gela a tua voglia a5
39c. C. Monteverdi: Arsi et alsi a mia voglia a5
40. R. Rodio a4
41a. A. Preti a5
41b. A. Preti: Ardi e gela a tua voglia a5
42. F. Farina a6
43a. G.B. Mosto a5
43b. G.B. Mosto: Ardi e gela tua voglia a5
44a. T. Graziani a5
44b. T. Graziani: Ard' e giel' tua voglia a5
45a. I. Sabino a5
45b. O. Crisci: Ardi gela tua voglia a5
46. D. Lauro: Ardo s...Che scemato a3
47. S. Dentice a5
48a. S. Cantone a5
48b. S. Cantone: Ardi e gela a tua voglia a5
48c. S. Cantone: Arsi et alsi mia voglia a5
48d. S. Cantone: Ardesti in finto foco a5
49a. H.L. Hassler a5
49b. H.L. Hassler: Ardi e gela tua voglia a5
50a. H.L. Hassler: Ich brinn und bin entzndt gen dir a4
50b. H.L. Hassler: Brinn und zrne nur immer fort a4
51. G.B. Galeno
a7
52a. G.C. Gabussi a5
52b. G.C. Gabussi: Ardi e gela tua voglia a5
53. A. Savioli a5
54a. P. Sartorius a5
54b. P. Sartorius: Ardi e gela a tua voglia a5
55a. A. Il Verso: Arsi et alsi mia voglia a5
55b. A. Il Verso: Ardesti in finto foco a5
56. A. Il Verso
a6
57. A. Banchieri a5
58a. J. Grabbe a5
58b. J. Grabbe: Ardi, e gela a tua voglia a5
59. P. Benedetti S, bc
60a. A. Taroni a5
60b. A. Taroni: Ardi e gela tua voglia a5
61a. M. Albano a3
61b. M. Albano: Ardi, e gel' a tua voglia a3
62a. G. Fornaci
S, bc
62b. G. Fornaci: Ardi gela tua voglia S, bc
62c. G. Fornaci: Arsi et alsi a mia voglia S, bc
62d. G. Fornaci: Ardesti in finto fuoco S, bc
63. C. Milanuzzi SSB, bc
64. A. Grandi
TTB, bc
65. D. Crivellati
STB, bc
66. G.M. Bononcini a5
Sources:
1583: O. Vecchi: "Madrigali a 6 voci. Libro primo", Venice (1a-b)

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1585: O. Angelini: "Il secondo libro de' madrigali a 5 voci", Venice,Gardano (3)
1585: F. Nicoletti: "I finti amori. Madrigalia 5 voci...op. 2", Venice (2)
1585/17: "Sdegnosi ardori. Musica di diversi auttori, sopra un istesso soggetto
di parole, a cinque voci, raccolti insieme da Giulio Gigli da Immola",
Mnchen, A. Berg, 1585 (4 - 34)
1586: A. Dueto: "Il secondo libro de madrigali a 4 voci", Venice, Gardano (35)
1586: G. Eremita: "Madrigali a 5 voci. Libro primo", Ferrara, V. Baldini (38a-b)
1586: R. Giovannelli: "Il primo libro de madrigali a 5 voci", Venice (37a-b)
1586: Ph. de Monte: "L'undecimo libro delli madrigali a 5 voci", Venice (4a-c)
1586: C. Porta: "Il quarto libro de madrigali a 5 voci", Venice (5a-b)
1586: A. Trombetti: "Il primo libro di mdarigali a 4 voci", Venice (36a-b)
1586/19: "Fiamma ardente de madrigali et canzoni 5 voci, con un dialogo
10 de diversi soggetti, novamente raccolte, et date in luce per G.B.
Portio novarese", Venice, G. Vincenzi / r. Amadino (7)
c.1587: F. Farinia: Madrigali a 6 voci. Libro I": S only in GB-Ob (42)
1587: M.A. Ingegnieri: "Il quinto libro de madrigali a 5 voci", Venice (6a-b)
1587: C. Monteverdi: "Madrigali a 5 voci... Libro primo", Venice (39a-c)
1587: A. Preti: "Primo libro de madrigali a 5 voci", Venice (41a-b)
1587: R. Rodio: "Il secondo libro di madrigali a 4 voci", Venice, Scotto (40)
1587/13: "Di Hippolito Sabino il sesto libro de madrigali a 5 et a 6 voci...",
Venice, G. Vincenti (45a-b)
1588: T. Graziani: "Il primo libro de madrigali a 5 voci", Venice (44a-b)
1588: G.B. Mosto: "Il terzo libro de madrigali a 5 voci", Venice (43a-b)
1590/22: "Madrigali a 3 voci di D. Lauro et di f. Stivori...Libro primo",
Venice, R. Amadino (46)
1591: S. Cantone: "Il primo libro de madrigali a 5 voci", Venice (48a-d)
1591: S. Dentice: "Primo libro de madrigali a 5 voci", Naples, heirs of M.
Cancer (47)
1596: H.L. Hassler: "Madrigali a 5.6.7. & 8. voci", Augsburg, Schigk (49a-b)
1596: H.L. Hassler: "Nee Tetsche gesang nach art der welschen Madrigalien
und Canzonetten", Augsburg, V. Schnigk (50a-b)
1598: G.C. Gabussi: "Il secondo libro de madrigali a 5 voci", Venice (52a-b)
1598: G.B. Galeno: "Il primo libro de madrigali a 7 voci", Venice, Amadino (51)
1600: P. Sartorius: "Madrigali a 5 voci, libro primo", Venice (54a-b)
1600: A. Savioli: "Madrigali a 5 voci, libro terzo", Venice (53)
1601: A. Il Verso: "Madrigali a 6 voci...libro secondo", Venice, Amadino (56)
1608: A. Banchieri: "Festino nella sera del gioved grasso avanti cena, genio al
terzo libro madrigalesco con 5 voci, & opera diverse
deciottesima", Venice, R. Amadino (57)
1609: J. Grabbe: "Il primo libor de madrigali a 5 voci", Venice, Gardano(58a-b)
1610/2: S. Molinaro: "Fattiche spirituali..Libro primo a sei voci" (1a: c.f.)
1611: P. Benedetti: "Musiche...a voce sola e basso continuo", Florence, heirs
of C. Marescotti (59)
1612: A. Taroni: "Il primo libro de madrigali a 5 voci, con due nel fine a 8 voci",
Venice (60a-b)
1616/11: M. Albano: "Il primo libro di canzoni, e madrigaletti, a 3, et a 4 voci"
Naples, G.G. Carlino (61a-b)
1617: G. Fornaci: "Amorosi respiri musicali...in quali si contengono scherzi, arie,
canzoni, sonetti, e madrigali, per cantare nel chitarrone, a
1, 2 e 3 voci...libro primo, opera seconda", Venice, G.
Vincenti (62a-d)
1620: C. Milanuzzi: "Aureau corona de scherzi poetici a 2, 3 e 4 voci con il
basso continuo. Primo libro, opera terza", Venice (63)

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1622: A. Grandi: Madrigali concertati a 2, 3, & 4 voci per cantar e sonar nel
clavicembalo, chitarrone, o altro simile stromento...libro
secondo, opera XI", Veniec, A. Vincenti (64)
1628: D. Crivellati: "Cantate diverse a 1, 2, e 3 voci, con l'intavolature per la
chitarra spagnola in quelle pi approposito", Rome, G.B.
Robletti (65)
1678: G.M. Bononcini: "Madrigali a 5 voci sopra i 12 tuoni, o modi del canto
figurato, libro primo, opera undecima", Bologna, G.
Monti (66)
219.R6

Seven Canons of the 16th Century


for two equal voices
ed. by B. Thomas (set of 2 scores)
1. anonymous: Les Bourguignons misrent le camp devant la ville
2. C. Verdonck: Prest est mon mal, loing je voi mon remede a2 or a3
3. G.M. Asola: Hor che la terra di fioretti e fronde si rinviste
4. L. Lemlin: Converte nos, Deus
5. G. Forster: Timete Dominum omnes Sancti eus
6. A. Brumel: Benedictus qui venit in nomine Domini
7. Hier S. (?): Quam pulchra es, amica mea
Sources:
1539: "Le Paragon des chansons, Quart livre", Lyon, J. Moderne (1)
1545: "Bicinia gallica, latina et germanica", Wittenberg, G. Rhau (4: there attributed to L. Senfl; 5-7)
1584: G.M. Asola: "Madrigali a due voci, accommodati da cantar in fuga",
Venice, G. Vincenti (3)
1590: "Bicinia, sive cantiones suavissimae duarum vocum", Antwerpen, P.
Phalse (2)

223.R6

9,--

Six Comical Chansons a4


ed. B. Thomas (set of 4 scores)
1. C. Janequin: Au joly jeu
2. P. Certon: C'est grant piti
3. Gosse: Je fille quant Dieu me donne
4. Delafont: Il estoit ung jeune homme
5. C. Janequin: La plus belle de la ville
6. J. Planson: Chambriere, chambriere
Sources:
1529: "Trente et une chansons musicales", Paris, P. Attaingnant (1)
1533: "Vingt et quatre chansons musicales a 4 parties", Paris, Attaingnant (5)
1536: "Second livre contenant XXV chansons", Paris, Attaingnant (2)
1545: "Sixiesme livre contenant XXIX chansons nouvelles", Attaingnant (3)
1545: "Dixseptiesme livre contenant XIX chansons", Paris, Attaingnant (4)
1593: J. Planson: "Airs mis en musique a 4 parties", Paris, Le Roy & Ballard (6)

123.R8

98,--

9,--

Sixteenth-century Portuguese
Vilancetes, Cantigas & Romances
edition of the music and complete texts and introductory study by M. Morais;
Portugalia Musica 47.
The music comes from three sources:

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a) Cancioneiro Musical of the Lisbon Nat. Library (P-Ln C.I.C.60)


b) F-Peb 56: songbook of the Bibl. de l'cole Nat. Sup. des Beaux Arts, Paris
c) M. Leito d'Andrade's Miscellanea , published in 1629 (P-Ln Res 1895P)
A. 72 three-part songs:
Songs nos. 1-19 from source a); nos. 20-71 from b); no.72 from c)
1. Vos virgem sois nostra madre
2. Terra donde me criei
3. Quiso nuestro Dios aeterno
4. De gram prision nos quit
5. Ninha era la infanta
6. Secaronme los pesares
7. Soledad tenguo de ti
8. Passame por Dios barquero
9. Mis ojos tristes lhorando
10. Hijas de Jerusalem
11. Em mi gram suffrimento
12. Ojos tristes males
13. Non me pregunteis a mis males
14. Puse mis amores
15. Por mi mal me lo tomastes
16. Si tantos monteros
17. Acabarseam mis plazeres
18. Parto triste saludoso
19. O Tempo bom tudo cura
20. No lhores pastor amigo
21. Dalha den cima del cielo
22. Quan baxo aposentas
23. Senhora del mundo
24. Esta trabalhosa vida
25. Mis sospiros despertad
26. Ha ia sofrido tamto el alma mia
27. No piemsen que adacabar
28. De mi ventura quexoso
29. Um nuevo dolor me mata
30. Seora aumque no os miro
31. De vos e de mim quexoso
32. Mi querer tanto os quiere
33. Vos seora a matratarme
34. Desde que io te vi Joanilha
35. Dipues vienes delhaldea
36. Como pasare la sierra
37. Yo sonhava que me ablava
38. Amtonilha es desposada
39. Pois tudo tam pouco dura
40. Soy serranica
41. Quem viese aquel dia
42-43. Minina dos olhos verdes
44. Ya nam quero ser pastora
45. Em vida de tamtos danos
46. Nam vos acabeis tam edo
47. No amdes tam aborrido
48. Dodesta tu galhardia
49. Ai dolor quo mal me tratas

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50. Bem sei que minha tristura


51. Ja no poso ser comtente
52. Yo tacomsejo Pascual
53. Quem quiser comprar huma vida
54. Quem te hizo juam pastor
55. Pemsamdo que se acabava
56. Despues que pasaste el rrio
57. Nam mespamto ja de no
58. Quero mir morar al monte
59. Adomdeastas alma mia
60. Quamto tempo trablahei
61. Ya morio todo el prazer
62. Do vosso bem querer senhora
63. Olhos que amdais agravados
64. Levamtese el pemsamento
65. Foyse gastamdo a esperana
66. Na fomte esta lianor
67. Quem no tem cohesimento
68. Es naido Dios pastores
69. Non tendes cama bom Jesus no
70. Como estais virgem y madre
71. No tragais borzeguis pretos
72. Puestos estan frente a frente
B. 72 Songs for one voice:
All 70 come from source b); titles alphabetically arranged
73. Ado bueno por aqui
74. Adondo tienes las mentes
75. Amor loco amor loco
76. A partida que me parta
77a-b. A pelayo que desmayo (2 settings)
78. Ay que biviemdo no bivo
79. Ay Santa Marya
80a-b. Biem poderna mi desvemtura (2 settings)
81. Buem comde ferno gomalves
82. Como se podera partir
83. De la dule my enemyga
84. De linda serrana
85. Despierta triste pastor
86. Dexaldos my madre
87. Dexe de ser amador
88. Dime tu seora
89. Domde estaa tu galharida
90. El dollor que estaa secreto
91. En toda la transmontanha
92. Guavyla gavyla bramco
93. Haze amor i no es amor
94. Io mestamdo em Comibra
95. Ja no quiero ser pastor
96. Lagrimas de saudade
97. La terryble pena mya
98. La zorrilha com el galho
99. Ledo rrosto me vero
100. Llove a menudo

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101. Lo que queda es lo segura


102. Los braos traigo camsados
103. Minega la del boscal
104. Mis arreios son las armas
105. Mya fee
106. No val deas mais belas
107. Nunca crei que la morte
108. Oiga todos my tormento
109. Otro biem si a vos no temgo
110. Para que me da tormento
111. Partir na matrevo
112. Pemsando que se acabava
113. Penar io por voz seora
114. Por aquel postigo viejo
115. Porque lhora moro
116. Pues que veros fue ocasion
117. Quem me ora dera
118. Que sentis coraom mio
119. Quero mir my madre
120. Quim por veros pena y muere
121. Quiem pudiese e quiem hiziese
122. Quien tal noch pierde el seso
123. Quien te hizo Juan pastor
124. Quyem te hizo Juam pastor
125. Riberas del Duero arriba
126. Se cuidaes que sois senhora
127. Se me amym na casa
128. Se my anima estaa com vos
129. Secaromme los pesares
130. Senhora pois soes fermosa
131. Senhora quem vos disser
132. Sola rama ninha
133. Soy garredica
134. Tardasses amor tardasses
135. Toda my vida os ame
136. Todos vienen dela vella
137. Triste vide vivyre
138. Tu me digas alma mia
139. Vemtura sim alegria
140. Ysabel y mas Maria
141. Zagaleja de lo verde
224.R6

30,--

Songs from the Spanish Cancioneros


ed. by Chr. J. Pountain and Chr. J. Whitbourn
1-3. Canciones a2:
1. anonymous: Cmo puedo you vivir?
2. anonymous: No soy you quien veis vivir
3. anonymous: Que todos se passan en flores
4-16. Canciones a3:
4. anonymous: Fontefrida, Fontefrida
5. Alonso: La tricotea
6. J. del Encina: Es la causa bien amar

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7. J. del Encina: Quin te traxo, cabellero?


8. P. de Escobar: Pssame, por Dios, barquero
9. F. Milln: O dulce y triste memoria
10. A. de Mondjar: Remedio para vevir
11. anonymous: Si la noche haze escura
12. anonyous: O dulce suspiro mo!
13. F. Guerrero: Beatriz, cmo es possible?
14. F. Guerrero: Fresco y claro arroyuelo
15. G. de Morata: Essos tus claros ojos, Jeromica
16. G. de Morata: La rubia pastorcica
17-37. Canciones a4:
17. J. de Anchieta: Con amores, mi madre
18. J. del Encina: Triste Espaa sin ventura
19. Luchas: A la caa, sus, a caa
20. P.J. Aldomar: Ah Pelayo qu desmayo!
21. anonymous: Ay, luna que reluzes!
22. anonymous: Ojos garos ha la nia
23. anonymous: Si te vas a baar, Juanilla
24. anonymous: Soy serranica
25. M. Flecha: Teresica hermana
26. anonymous: Ay Jess, qu mal fraile!
27. anonymus: Corten espadas afiladas
28. D. Garn: Llorad conmigo, pastores
29. F. Guerrero: Prado verde y florido
30. J. Navarro: No ves, Amor, que esta gentil mouela?
31. J. Vzquez: Con qu la lavar?
32. J. Vzquez: De aquel pastor de la sierra
33. J. Vzquez: De dnde vens, amores?
34. J. Vzquez: De los lamos vengo, madre
35. J. Vzquez: En la fuente del rosel
36. J. Vzquez: No me llamis sega la herba
37. J. Vzquez: Qu sents, coran mo
38-40. Canciones a5:
38. J. Vzquez: Morenica me era yo
39. J. Vzquez: Serrana, dnde dormistes?
40. F. Guerrero: Dezidme, fuente clara
Sources:
Cancionero musical de palacio (1505-1521): E-Mp 1535 (4-10, 17-19)
Cancionero musical le la casa de Medinaceli (c.1560): priv.coll. Don B. March
16/6/12 (12-16, 26-30)
"Villancicos de diversos autores, a dos y a tres y a cuatro y a cinco bozes...",
Venice, Scotto, 1556, from the Uppsala copy: S-Uu utl.vok.mus.tr. 611
(1-3, 11, 20-25)
J. Vzquez: "Recopilacin de sonetos y villancicos a quatro y a cinco",
Sevilla, 1560: from the unique copy in the priv.coll. of Don B. March:
16/6/8/1-5 (31-39)
F. Guerrero: "Cancioneros y villanescas espirituales", Venice, 1589, from the
unique set of partbooks in the libr. of the Colegio de Patriarca, Valencia (40)
152.R4

42,--

Theatergesang; ed. W. Osthoff


"Theatergesang und darstellende Musik in der italienischen Renaissance (15.
und 16. Jahrhundert); vol. I: Textteil; vol. II: Notenteil"; Mnchner Verffent-

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_______________

lichungen zur Musikgeschichte, Bd. 14 (1969)


volume II contains editions of the following works, here arranged in approx.
chronological order:
a) Laude in Belcari's "Rappresentazione di Abramo e Isacco" (1449) and G.
Santi's "Allegorie" (1474):
1. anonymous: Chi serve a Dio cum purit di core a3
2. anonymous: Jay pris amours, a3: a. rondeau; b. lauda: Laude e grazie
b) Music for Lorenzo de' Medici's "Rappresentazione di San Giovanni e Paolo",
Florence, 1489:
3a. anonymous: Amor i vo fugendo a2
3b. anonymous: Vieni a me peccatore a3
c) Song of victory because of the fall of Granada (rome, 1492):
4. anonymous: Viva el gran Re Don Fernando a4
d) Song for A. Cammelli's (il Pistoia) tragedy "Filostrato e Panfila", 1499:
5. anonymous: Porta ognun al nascimento (frottola) a4
e) Florentine carnival songs, intradas and masquerades of the late 15th and
early 16th century:
6. anonymous: Ben venga Maggio a2
7. anonymous: Quant' bella giovinezza a3
f) The frottola with carnival texts:
8. B. Tromboncino: Fate ben gente cortese a4
9. B. Tromboncino: Nui siam tutti amartelati a4
g) Music in the "Rappresentazione di Santa Margherita" (ca. 1500):
10. anonymous: O vage montanine pastorelle, a4: a. villota; b. lauda: O vaghe
di Jes o verginelle
11a. anonymous: Jamo alla caccia a4
11b. anonymous: A la chaza a4
h) Song for G. del Carretto's play "Nozze de Psiche e Cupidine", 1502:
12a-c. B. Tromboncino: a. Crudel fugi se sai (canzonetta) a4; b. keyboard
intabulation; c. compared with M. Cara's Fugi se sai fugir, a4
i) Song for B. Castiglione's eclogue "Tirsi" (Urbino, 1506):
13a. B. Tromboncino: Queste lacrime mie (ballata) a4;
13b. F. Violante's Forza d'amor, a4 (compared with 13a)
j) Song of praise in the 3 Latin eclogues by P. Corsi (Rome, 1509-1510):
14a. anonymous: Hanc io lucem (ode) a4
14b. H. Alauro: Laura romanis decorata pompis a4 (compared with 14a)
romanis, a4
k) Dialogue in the frottole:
15. A. Stringari: Don don - Al foco al foco a4
16. anonymous: La pastorella si leva per tempo a3
l) The vilota and Verdelot as arranger:
17. Ph. Verdelot: Hoime che la brunetta mia a6
m) Seneca's "Quis dabit pacem populo timenti":
18. P. de La Rue: Quis dabit pacem a4
n) Music for Machiavelli's comedies "Clizia" and "La Mandragola":
19. Ph. Verdelot: O dolce notte (madrigal) a4
20a. Ph. Verdelot: Quanto sia liet'il giorno
20b. intabulation for voice and lute of no. 20a
20c. setting a5 by L. Balbi
21. A. Marri: Si soav' l'inganno (madrigal) a5
o) The early madrigal (Verdelot, Arcadelt e.a.):
22. Ph. Verdelot: Se gli occh'ond' io tutt'ardo a4
23. Ph. Verdelot: Se l'ardor foss'equale a4

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24. Ph. Verdelot: Quella che sospirand'ogn'hor desio a4


25. Ph. Verdelot: Trist'Amarilli mia a4
26. Ph. Verdelot: Amor quanto piu lieto a4
27. J. Arcadelt: Ecco che pur doppo si lunghi affanni a4
28. J. Arcadelt: Quanto fra voi mortali a4
29. J. Arcadelt: Dai dolci camp'Elisi a4
30. C. Festa: Quanto piu m'ard'et piu s'accende il foco a4
31. C. Festa: Piu che mai vagh'et bella a4
32. C. Festa: Come lieta si mostra a4
33. C. Festa: Altro non 'l mio amor a3
34. Maistre Jhan: Altro non 'l mio amor a5
35. Ph. Verdelot: Altro non 'l mio amor a5
p) F. Corteccia's music for the Florentine intermedii of 1539:
36a. Vatten'almo riposo (prologue of Aurora) a4
36b. Chi ne l'ha tolt' oyme (Le syrene) a6
36c. Vientene almo riposo (La notte) a5
36d. Bacco bacco e u o e (Ballo di satiri et baccante) a4
q) F. Corteccia's music for F. d'Ambra's comedy "Il Furto" (Florence, 1544):
37a. Non le parol'o l'herbe a4
37b. A gran torto si lagna a4
37c. O come nulla vale a4
r) Music (by Rore e.a.) for G. Cintio's tragedy "Orbecche" (Ferrara, 1541):
38. G. Animuccia: La giustitia immortale a3
39. related to Rore's tragedy madrigals: G. Ferro: L'inconstantia che seco han
le mortali a5
s) Mascherata by Ph. Verdelot:
40. Ph. Verdelot: Mandati qui d'amor a6
t) Music for A. de Beccheri's pastorale "Sacrificio" (Ferrara, 1555):
41a. A. della Viola: Tu ch'ai le corna (song of the priests) a5 & voice + lyre
41b. A. della Viola: O Dei Silvestri (final canzone) a4
u) Music for F. d'Ambra's comedy "La Cofanaria" (Florence, 1565):
42. A. Striggio: A me che fatta son negletta e sola (madrigal) a8
Sources of the music (* = primary source)
a) Manuscripts:
D-LEu 1494: the Leopold Codex (11a)
E-Sc 5-I-43: the Colombina Chansonnier (*11b)
F-Pn n.acq.fr. 4379 (2)
F-Pn Vm7 676 (4b)
I-Fc Basevi 2440: the Basevi Codex (10) and Basevi 2495 (19: A missing)
I-Fn Banco Rari 337 (*11a)
I-Fn Magl.XIX.108 (*16) and Magl.XIX.164-167 (10)
I-Fn Panciatichi 27 (*1, *11a)
I-Fn Fondo Rosso-Cassigoli R.C. 395 (*7)
I-Fn II.I.232 (*18)
I-MOe alpha F.9.9 (*3)
I-Rvat Cod.lat. 3441 (*14a)
I-Urbino: Palazzo Ducale: intarsie in the studiolo (*2)
I-Vnm Ital.Cl.IV, 1795-1798 (10, 12a, 13a, *13b)
US-Wc M.2.1.L25 Case: the Laborde Chansonnier (2)
b) Prints:
1493: C. Verardi: "Historia baetica", Rome (*4)
1507: "Frottole libro octavo", Venice, O. Petrucci (*8)
1508: "Frottole libro nono", Venice, O. Petrucci (*5, *9, *12c)

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1513:
1514
1517:
1526:
1530:
1533:
1536:
1537:
1537:
1538:
1539:
1539:

1541:

1546:
1555:
1547:
1556:
1556:
1563:
1565
1566:
1575:
1584:
1589:
1594:

"Canzoni sonetti strambotti et frottole libro tertio", Rome, Antico (*12a)


"Frottole libro undecimo", Venice, O. Petrucci (*13a, *14b, *15)
"Frottole intabulate da sonare organi libro primo", Rome, Antico (*12b)
"Fior de motetti e canzoni novi composti da diversi eccellentissimi
musici", Rome, Giunta (*3: bass missing)
("Madrigali de diversi musici libro primo de la serena; Rome) (*33: no T)
"Madrigali de Verdelot...", Venice, Scotto / Antico (*20a: B only)
"Intavolatura de li madrigali di Verdelotto da cantare et sonare nel canto,
intavolati per messer Adriano", Venice, Scoto (*20b)
"Il primo libro de madrigali di Verdelotto", Venice, O. Scotto (*20a)
"Il terzo libro de madrigali di Verdelotto", Venice, O. Scotto (*19, *22)
"De i madrigali di Verdelotto et de altri eccellentissimi auttori a 5 voci,
libro secondo", Venice, O. Scotto (*34, *35)
"Il terzo libro de madrigali novissimi di Archadelt a 4 voci", Venice, G.
Scotto (*27-*30)
"Musiche fatte nelle nozze dello illustrissimo Duca di Firenze...et della
illustrissima consorte sua mad. Leonora da Tolleto", Venice, A. Gardane (*31, *32, *36a-d)
"La piu divina, et piu bella musica, che se udisse giamai delli presenti
madrigali, a sei voci. Composti per lo eccellentissimo Verdelot et altri
musici...", Venice, A. Gardane (17)
Ph. Verdelot: "Madrigali a sei voci", Venice, 1546: 2nd ed. (*17a, *40)
A. Beccari: "Il Sacrificio", Ferrara, F. di Rossi da Valenza: copy I-Fn
(E-6-6-46) with appendix in manuscript (*41a-b)
F. Corteccia: "Libro primo de madrigali a 4 voci", Venice, Gardano
(*37a-c)
"Di Verdelot tutti li madrigali del primo & del secondo libro a 4 voci,
novamente ristampati &...corretti", Venice, Gardano (20a, *23 - *26)
C. Festa: "Libro primo di madrigali a 3 voci", Venice, Gardano (*33)
"Libro primo delle laudi spirituali da diversi eccell. e divoti autori,
antichi e moderni composte...", Venice, F. Rampazetto (6)
G. Animuccia: "Primo libro de madrigali a 3 voci", Rome, Dorico (*38)
"I Madrigali del primo et secondo libro di Verdelot a 4 voci; nuovamente ristampati, et...corretti", Venice, Claudio da Coreggio (*20a)
"Il quinto libro delle Muse...", Venice, Gardano (*21)
"Musica de diversi auttori illustri per cantar et sonar in concerti a 7, 8,
9, 10, 11 & 12 voci...Libro primo", Venice, Vincenti & Amadino (*42)
"Musicale essercitio di Lud. Balbi...a 5 voci", Venice, Gardano (*20c)
G. Ferro: "Primo libro de madrigali a 5 voci", Venice, Amadino (*39)
69,--

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D. COMPOSERS

Adriani, F.

A-Z

Francesco Adriani
1539 - 1575
2 Madrigals a5:
1. Or che spoglie ha di te l'invido sole
2. Ma tu, come di lor te stesso e lei
see: Prints 1568/16: "Corona della morte dell'...Annibal Caro"

Agostini, L.

Lodovico Agostini
1534 - 1590
4 Madrgals a5 (SSATB):
1. Donna mentre vi miro
2. Amiam Fillide amiamo ah non rispondi
3. Ecco le nubi dileguate e spente
4. Quando i pi gravi accenti
see: Manuscripts: I-MOe F.1358: "I Madrigali Segreti per le donne di
Ferrara"
"Canzoni alla napolitana a 5 voci...Libro primo", Venice, 1574
from this collection:
5 Canzoni a5:
1. Ancor che col partir (parody of de Rore's madrigal)
2. Chi la dira
3. Non fu Venere
4. O villanella
5. Vita de la mia vita
ed. B. Thomas (set of 5 scores)
4 Canzoni a5:
1. All' arm', all' arm'
2. La pastorella mia
3. Solo e pensoso
4. Tre cose son' in terra
ed. B. Thomas (set of 5 scores)
3 Canzoni a5:
1. Se non mi martellas'
2. All'arm', all'arm'!
3. La pastorella mia
see: Collections: "Musica Mundana", ed. Acciai e.a.
Roma non fu:
included in: "Music for crumhorns", volume II; ed. B. Thomas

124.R8

125.R8

sb.154

Alberti, I.

17,--

17,--

17,--

Innocentio Alberti
c.1535-1615
4 Madrigals a5 (SSATB):
1. Come pu star fierezza

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2. Or che 'l meriggio ardente


3. Tanto piacer prov'io tanta dolcezza
4. Chi vuol dir che bellezza
see: Manuscripts: I-MOe F.1358: "I Madrigali Segreti per le donne di
Ferrara"
Aleotti, V.

Vittoria Aleotti
c.1573 - after 1620
"Ghirlanda de' madrigali a quattro voci", Venice, 1591
Editions:
compl. ed. by C.A. Carruthers; Music at the courts of Italy, vol. I (hardb.)
separately available from this edition:
*Baciai per haver vita SATB
*Hor che la vaga Aurora SATB

126.R8
127.R8
128.R8

Anerio, F.

146,- 2,50
2,50

Felice Anerio
c.1560 - 1614
3 Madrigals a5:
1. Pensando che volete
2. Quelle rose, che, colt' in paradiso
3. Da questa pietra amore
see Prints 1582 / 1589: "Two Roman madrigal collections: "Dolci Affetti"
(1582) & "Le Gioie" (1589)
2 Canzonettas a4:
1. Gitene canzonette
2. Pria senza fronde
source: "Canzonette a 4 voci...Libro primo", Venice, Vincenzi/Amadino, 1586
see: Collections: "Musica Mundana", ed. Acciai e.a.
Al suon non posa il core a3 (from: "Ghirlanda di fioretti", Rome, 1589)
see: Modern Collections: "Historical anthology of music", vol. I
2 Canzonettas for 3 voices and lute accompaniment:
1. Al tremolar de l'onde
2. Al suon di cornemusa
see Prints 1595/6: "Lodi della Musica"
3 Canzonettas a3, provided with German texts by A. Mller:
1. Al suon non posa / Wiewol auff dieser Erden
2. Fiammache da begli / Mein Hertz ist gar verzehret
3. Donna se'l cor / Amor du brennendt Fewre
see: Prints 1608: A. Mller: Deutsche Canzonetten (nos. 14, 18 and 21)
Sotto l' ombroso speco (M. di Catanzaro)
see: Prints 1592/11: "Il Trionfo di Dori"

Angelini, O.

a6

Orazio Angelini
fl 1583 - 1592
2 Madrigals from his "Primo libro de madrigali a 5 voci", Venice, 1583:

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1. Tra le chiome de l' or


2. Questa fera gentil che scherza e fugge
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
"Il secondo libro de' madrigali a 5 voci", Venice, A. Gardano
from this collection:
Ardo s, ma non t'amo
see: Collections: "Settings of "Ardo s" and its related texts", vol. I
Anvilla, A.

Adriano Anvilla
fl 1566 - 1568
2 Madrigals a5:
1. Queste fur' le tue doti, alma gentile
2. Deh, che simili a noi nacquer mortali
see: Prints 1568/16: "Corona della morte dell'...Annibal Caro"

Arbeau, Th.

Thoinot Arbeau
1520 - 1595
Belle, qui tines ma vie SATB
*ed. Carus (together with 3 madrigals by other composers)

129.R8

Arpa, G.L. dell'

2,--

Giovanni Leonardo dell' Arpa


c.1525 - 1602
2 Villanelle:
1. Dormendo mi sognava
2. Vilanella che all' acqua vai
see: Collections: "Anthology of Neapolitan canzonas", ed. Missaglia e.a.

Ascanio, G.

Gioseffo Ascanio
Ardo s, ma non t'amo (2 settings a5):
see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s"and its related texts", I : nos. 26-27

Asola, G.

Giammatteo Asola
?1532 - 1609
Madrigali a 2 voci, 1587
"Madrigali a due voci accomodati da cantar in fuga diversamente sopra una
parte sola...Novamente restampati & corretti", Venice, G. Vincenti, 1587
36 sacred madrigals in canonic form:
1. Cantan fra rami gli augelletti vaghi / E quella a' fiori, a' pomi, a la verdura
2. Or che la terra di fioretti e fronde / Tra densi bronchi e leggiadretti rami /
Sento una voce omai scender dal cielo / Quest' gi mi fu di tempo in tempo/
Onde vaghi fioretti e verdi poggi / Di gelo accesa del mio ardente lume
3. Caos: Pria che 'l ciel fusse il mar, la terra e 'l foco / Non era chi portass' il
novo giorno / Quindi nascea che stando in un compsto / Ma quel c'ha cura
di tutte le cose
4. Scorgi, dolce signor, tutti i miei passi

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5. Bench dal fier maritre


6. Quando, Signor, per far loco al tuo amore
7. Pensier doglioso che mi struggi il core / O felice chi t'ama
8. S dolce 'l mio contento
9. O sacro eletto core
10. Da quel foco ch'accende
11. Quest' amoroso caldo
12. Quest' compagn' eterno
13. Qual si pu aver in terra
14. S'erge sopra le sfere
15. Come la cera 'l foco
16. Ecco il carro d'Elia
17. Cara virt, che fai / Per te caro a se stesso
18. Et cieca infelice / Fuggi, deh fuggi, o stolta
19. Se de l'eterna vita l'amor celeste pegno
20. Qual eletto arbuscello
21. Giova mai sepmr' e proge
22. Eterno foco vivo
23. Dolce la pace mia
24. Se sol d'amor sei degno
Editions:
nos. 1-24:
ed. A. Bornstein
nos. 10-17 and 24:
"Nine canonic madrigals for 2 equal voices"; ed. B. Thomas (set of 2 scores)
no. 2 (first part only):
see: Collections: "Seven canons of the 16th century for 2 equal voices"

130.R8
131.R8

52,- 9,--

In una verde piaggia (A. Ligegato)


a6
see: Prints 1592/11: "Il Trionfo di Dori"
Azzaiolo, F.

246.R6

FILIPPO AZZAIOLO
fl 1557 - 1569
Villotte a4, I-III
"Il primo / secondo / terzo libro de(lle) villotte (del fiore) alla padoana con
alcune napolitane (e madrigali) (e bergamasche) a 4 voci", Venice, 1557 /
1559 / 1569.
Editions:
from these 3 collections a4:
6 Villotte:
1. Al d dolce ben mio
2. Chi passa per sta strada
3. Come t' haggio lasciat', o vita mia
4. Gentil Madonna
5. Tanto sai fare
6. Vorrei che tu cantassi
ed. B. Thomas (set of 4 scores)
5 Villotte:
1. Bernardo non puo stare
2. Bona via faccia barca
3. E levai me d'una bella mattina
4. Girometta, senza te

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

14,--

Page 86 of 465

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_______________

5. Mille gentil salute


ed. B. Thomas (set of 4 scores)
2 Villotte from 1 Libro:
1. Quando la sera canta il griolin
2. Ti parti, cor mio
included in: "Music for crumhorns", volume III; ed. B. Thomas
2 Villotte from 1 Libro:
1. L' amanza mia
2. Quando la sera canta il griolin
see: Collections: "The Flower of the Italian Madrigal", volume III
2 Villotte from 2 Libro:
1. Bona via faccia barca
2. Girometta, senza te
see: Collections: "Musica Mundana", ed. Acciai e.a.

247.R6

sb.155

Baccusi, I.

14,--

17,--

Ippolito Baccusi
c.1550 - 1609
3 Madrigals a6:
1. Io son bell' e delicata
2. Il sol si part' ohime si part' il sole
3. Felice in braccio a la mia Dea godea
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
Dialogo musicale:
see: Prints 1590/11: "Dialoghi musicali"
Ben sei felice autunno SSATB
see: Collections: "Chester Books of Madrigals", volume IV
Poi ch'el mio largo pianto a6
see: Prints: "Harmonia Celesta...raccolta per A. Pevernage..."
Questo quel chiaro fonte a5
see: Prints 1591/10: "Melodia Olympica"
Un giorno a Pale sacro (M. Moro) a6
see: Prints 1592/11: "Il Trionfo di Dori"

Balbi, L.

Lodovico Balbi
c.1545 - in or before 1604
Mentre pastori e ninfe (M. Palma) a6
see: Prints 1592/11: "Il Trionfo di Dori"
"Musicale essercitio di Lud. Balbi...a 5 voci", Venice, Gardano
from this opus:
Quanto sia liet'il giorno, a5
see: Collections: "Theatergesang"; ed. W. Osthoff

Banchieri, A.

ADRIANO BANCHIERI
1568 - 1634

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_______________

308.S6

Canzoni alla francese, 1596


"Canzoni alla francese a quattro voci per sonare...Libro Secondo", Venice, R.
Amadino, 1596
a) 11 Instrumental Canzonas:
1. La Rovattina
2. L'Ardina
3. La Galluppa revista
4. La Rustica sopra "Vitam eternam"
5. La Pomponazza
6. L'Alcenagina sopra "Vestiva i colli"
7. La Guamina (by G. Guami)
8. La Banchierina
9. La Camerina sopra "Veni dilecte mi"
10. La Feliciana
11. L Oganistina bella (in Echo)
b) 3 Concerti a 8 voci per sonare & cantare (4 voices; 4 instruments):
12. La Battaglia (Udite: ecco le trombe)
13. Magnificat sopra "Lieto godea"
14. Suscepit Israel
Edition:
nos. 1-14:
ed. in score and parts by A. Bares

25,--

309.S6

Canzonette a3, 1597


"Di Adriano Banchieri Bolognese, Canzonette a tre voci, novamente, sotto
diversi capricci, composte, & date in luce. Hora prima di recreatione",
Venice, R. Amadino, 1597
SSB
1. Uccellin lascivetto (prima parte)
2. Tu il sonno lusingando (sec. par.)
3. Ahime chi ti rinselva (terza par.)
4. Perfido ingrato amore
5. Clori lucente, e bella
6. Ben venga maggio
7. Scherzavan gl'augelletti
8. Mentre il bel Maggio
9. Se voi sete il mio core
10. Corisca anima mia
11. Poi che di te son privo
12. Stavo in forse ben mio
13. T'ingannavi ben mio
14. Sentii l'altra mattina
15. Occhi vezzosi e belli
16. Baci dolci e soavi
17. L'aspido pien di morte
18. Donami un baccio amore
19. Cor mio se m'uccidete
20. Samuel samuel
21. Bone sire bella brunetta
Edition:
nos. 1-21:
Facsimile of the 3 partbooks of the 1597 edition; FESU, vol. 7

58,--

La pazzia senile, 1598

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_______________

120.S6

"La Pazzia Senile. Ragionamenti vaghi, et dilettevoli, novamente composti, &


dati in luce con la musica di Adriano Banchieri Bolognese. Libro Secondo,
a tre voci", Venice, R. Amadino, 1598 (rev. 2/1599)
7 characters; intermedii di solfanari & di spazzacamini; bando della Bertolina;
balletto di villanelle SSATTB
madrigal comedy for SSB:
1. L'autore per introduzione: Questa estate per bizzaria
2. Preparamenti di Ninfe e Pastori: Tre vezzosette ninfe
3. Primo intermedio di spazza camini: O la bella brigada
4. Prologo recitato da l'Umor bizzarro: Buon giorno spettatori
5. Atto I, scena I: Povero Pantalon
6. Atto I, scena II: Buratin estu ti
7. Atto I, scena III: Misera che farai
8. Atto I, scena IV: Sassad'al ben strupiado
9. Bando della Sabadina: Udite tutti quanti
10. Atto II, scena I: Ditemi in cortesia
11. Atto II, scena II: Dhe Fulvio anima mia
12. Atto II, scena III: Trinc, tin tin tin tin trnc
13. Terzo intermedio sopra la morte d'un grillo: Ahime come far?
14. Atti III, scena I: Laurette viso d'oro
15. Atto III, scena II: Povero Pantalon
16. Atto III, scena III: Cortesi spettatori
17. Canzon della Violina: L'altra sera essendo in piazza
Editions:
Facsimile of the 3 partbooks of the 1598 edition & modern score with introduction by Renzo Bez 4 volumes in map
Facsimile of the 3 partbooks of the revised 1599 edition (hardback)
ed. in score by B. Somma (Capolavori Polifonici del secolo XVI)

121.S6

Il Zabaione Musicale, 1604


"Il Zabaione Musicale: inventione boscareccia, et 1 libro di madrigali a cinque
voci", Milan, 1604
Edition:
Facsimile of the 5 partbooks of the 1604 edition
72,--

118.S6
119.S6

87,- 60,- 44,--

Barca di Venetia per Padova, 1605


"Barca di Venetia per Padova; dilettevoli madrigali cinque voci...Nuovamente in questa seconda impresssione stoppata, impegolata, & aggiuntovi il
basso continuo (piacendo) per lo spinetto, chittarrone...", Venice, B. Magni,
1623 (first edition: 1605)
5 interlocutori; 5 cantori (SSATB); passaggieri
20 Madrigals a5:
1. Introduttione: L'Humor svegliato
2. Strepito di Pescatori
3. Parone di Barca e Ninetta
4. Barcaruolo a passaggieri
5. Libraio Fiorentino
6. Maestro di musica Luchese
7. Concerto di cinque cantori
8. Venetiano, e theodesco
9. Madrigale affettuoso
10. Madrigale capriccioso
11. Mattinata in dialogo

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12. Dialogo
13. Aplauso mercante Bresciano et hebrei
14. Madrigale alla Romana (stile del Marenzio Romano)
15. Madrigale alla Napolitana (a imitatione del Spano Napolitano)
16. Prima ottava all'improviso nel liuto
17. Seconda ottava all'improviso nel liuto
18. Aria a imitatione del Radesca alla Piemontese
19. Barcaruoli Procaccio et tutta la camerata
20. Soldato svaligiato
Editions:
ed. A. Bornstein:
score
set of vocal parts
ed. in score by E. Piattelli (Capolavori Polifonici del secolo XVI, vol. IX)

122.S6
123.S6
124.S6

Festino, 1608
"Festino nella sera del gioved grasso avanti cena, genio al 3 libro madrigalesco...op. 18", Venice, Magni, 1608
a5
Editions:
complete edition:
(ed. and interpretation by B. Somma); issued in the series "Capolavori
Polifonici del secolo XVI "Bonaventura Somma"
from op. 18:
Ardo s, ma non t'amo a5
see: Collections: "Settings of "Ardo s" and its related texts", vol. II
Contrappunto bestiale alla mente (counterpoint improvised by a cuckoo,
owl, cat and dog against a mock liturgical cantus firmus):
*ed. J. Jrgens
*ed. Castellazzi
see: Collections: "Chester Books of Madrigals", volume I

125.S6

126.S6
127.S6

Vivezze di Flora, 1622


"Vivezze di Flora e Primavera, cantate, recitate e concertate con 5 voci sullo
spinetto e chitarrone....op. 44", Venice, 1622
Edition:
ed. in score by E. Piattelli (Capolavori Polifonici del secolo XVI, vol. XII)

128.S6

Barera, R.

58,- 58,- 52,--

46,--

3,50
7,--

52,--

Rodiano Barera
fl 1596 - 1622
Ero cos dicea SATB
see: Prints 1588/17: "L'Amorosa Ero"

Bartholomaeus

Bassani, O.

Del crud' amor (io sempre), a4:


see: Manuscripts: D-Usch 235 (no. 64)
Orazio Bassani
?1540/50 - before 1609
Poi che ne prieg' ancorn ne pianto impetra a5
see: Prints 1591/10: "Melodia Olympica"

Bassano, G.

Giovanni Bassano

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c.1558 - 1617
Ricercate..., 1585
"Ricercate, Passaggi et Cadentie per potersi essercitarsi nel diminuir terminamente con ogni sorte d'istrumento: & anco diversi passaggi per la semplice
voce...", Venice, Vincenti/Amadino, 1585:
8 Ricercate; Passaggi diminuiti; Cadentie diminuite; "Signor mio caro di Cipriano 4, il primo libor".
Editions:
Facsimile edition
16,50
ed. R. Erig
21,- ed. B. Thomas of the 8 Ricercate only
10,--

va.128
va.129
va.130

Beaulieu, L. de

Lambert de Beaulieu
fl c.1576 - 1590
4 Chansons a4:
1. Bless d'une playe inhumaine
2. Helas que me faut il faire
3. Rosette pour un peu d'absence
4. Si tost que vostre oeil m'eust bless
see: F.M. Caietain: "Airs mis en musique...", Paris, 1576

Bellasio, P.

Paolo Bellasio
1554 - 1594
2 Madrigals a5:
1. Mentre s'imperla e 'nfiora
2. Mentre il gran Giove irato
see Prints 1582: "Two Roman madrigal collections: "Dolci Affetti" &
1587: "Le Gioie" (1589)
3 Villanelle a3:
1. Una fiammella
2. Non pi lacci d'amore
3. Perch fuggi
source: "Villanelle a tre voci, con la intavolatura del liuto...", Venice, A. Gardano, 1592
see: Collections: "Musica Mundana", ed. Acciai e.a.
Donna i begli occhi vostri mi fan guerra a4
see: Prints 1591/10: "Melodia Olympica"
Pu ben fortuna a5
see: L. Luzzaschi: "Compl. unaccompanied madrigals", ed. Newcomb, vol. I

Belle, J.

Jan Belle
born before 1552
3 Dutch songs a4:
Int groene
Laet ons verblijden
O amoureusich mondeken root

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see: Prints 1572/11: "En Duytsch Musyck Boek"


O amoureusich mondeken root, a4:
see: Collections: "Fifteen Flemishc songs of the Renaissance", ed. Lenaerts
Bell'haver, V.

Vincenzo Bell'haver (Bellavere)


died 1587
2 Madrigals a5:
1. Ogni strazio mi fia dolce, morende
2. Pur cos vuol mia stella, e non ho voglia
see: Prints 1568/16: "Corona della morte dell'...Annibal Caro"
Dialogo musicale
see: Prints 1590/11: "Dialoghi musicali"
Sparve: e ogni stella in cielo (seconda parte)
see: Prints 1591/10: "Melodia Olympica"

Belli, G.

a6

Girolamo Belli
1552 - c.1620
4 Madrigals a5 (SSATB):
1. Non miri il mio bel sole
2. Pendeva a debil filo
3. Un arco la mia vita
4. La misera farfalla
see: Manuscripts: I-MOe F.1358: "Madrigali Segreti per le donne di
Ferrara" (nos. 25-28)

Belli, L.

Luigi Belli
Dialogo musicale
see: Prionts 1590/11: "Dialoghi musicali"

Bennet, J.

JOHN BENNETT
c.1575/80 ; fl 1599-1614
Madrigalls a4, 1599
"Madrigalls to Foure Voyces", London, London, W, Barley, 1599
20 madrigals, all a4:
1. I wander up and down SSAT
2. Weep, silly soul disdained SSAA
3. So gracious is thy sweet self SSAT
4. Let go! why do you stay me? SSAT
5. Come shepherds, follow me SATT
6. I languish to complain me SATB
7. Sing out, ye nymphs SSTT
8. Thyrsis, sleepest thou? SATT
9. Ye reslesss thoughts SATB
10. When as I glance SSAT
11. Cruel unkind SSAA
12. O sleep, fond fancy SATB

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13. Weep, o mine eyes SATB


14. Since neither tunes of joy SATB
15. O grief! where shall poor grief? SATB
16. O sweet grief ATTB
17. Rest now, Amphion ATTB
Editions:
nos. 1-17:
ed. E.H. Fellowes. rev. by D. Moroney; The English Madrigalists, vol.23;
This edition includes 3 more madrigals by Bennett:
18. All creatures now SSATB (from "The Triumphs of Gloriana", 1601)
19. Lure, falconers SSAT (from Ravenscroft's "Brief discourse", 1614)
20. Round about in a fair ring SSAT (also from Ravenscroft, 1614)
no. 12:
* ed. Fellowes / Moroney
no. 13:
see: Collections: "Invitation to Madrigals", volume II

134.S6

134a.S6

All creatures now are merry-minded SSATB


from 1601/16: "The Triumphs of Gloriana"
Editions:
see: Prints 1601/16: "The Triumphs of Gloriana"
*ed. Fellowes / Moroney
in: 9 Madrigals a5-a6 by Bennett, Morley, O. Gibbons, Tomkins, Vautor,
Weelkes (2) and Wilbye (2)

134b.S6
193.S6

54,- 4,--

5,- 31,--

2 Madrigals a4 from Th. Ravenscroft's "A brief discourse of the true (but
neglected) use of charfact'ring the degrees...Examples whereof are exprest
in the harmony of 4 voyces", London, T. Adams for L. Lisle, 1614:
1. Lure, falconers SSAT (from Ravenscroft's "Brief discourse", 1614)
2. Round about in a fair ring SSAT (also from Ravenscroft, 1614)
Editions:
no. 1:
see: Collections: "Chester Books of Madrigals", volume V
no. 2 (for SATB):
see: Collections: "Invitation to Madrigals", volume V
2 Consort songs:
1. Eliza, her name gives honour a5
2. Venus' birds a5
see: Collections: "Consort songs and anthems", ed. Brett; nos. 28-29
Bernard, E.

Etienne Bernard
1569/70 - 1600
2 Chansons a5:
1. L'arbre d'amour un fruit d'amaritude
2. Pour gaige de ma foy
see: Prints 1597/10: "Le Rossignol musical des chansons" (nos. 17 and 22)

Bertani, L.

Lelio Bertani
c.1550 - c.1620
Ardo s, ma non t'amo

a5

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see: Prints 1585: "Sdegnosi ardori"; ed. Leuchtmann


see: Collections: "Settings of "Ardo s" and its related texts", vol. I
Cara mia Dafne, a6: SSATTB
from his: "Il primo libro de' madrigali a 6 voci", Venice, A. Gardano, 1585
see: Collections: "The Flower of the Italian Madrigal", volume I
Ch' ami la vita mia nel tuo bel nome a5
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
Dialogo musicale
see: Prints 1590/11: "Dialoghi musicali"
Dori quest' ombre e l' aura (C. Camilli)
see: Prints 1592/11: "Il Trionfo di Dori"

a6

Ero cos dicea SATB


see: Prints 1588/17: "L'Amorosa Ero"
Movi il tuo plettro Apollo a men lieta armonia
see: Prints 1591/10: "Melodia Olympica"
Bertoldo, S.

a5

Spirindio Bertoldo
c.1530 - 1570
2 Madrigals a5:
1. Tu, tu CARO sei morto: e come in vita
2. Misero me che parlo! e chi m'scolta
see: Prints 1568/16: "Corona della morte dell'...Annibal Caro"

Bertolotti, B.

Bernardino Bertolotti
?c.1555 - after 1609
"Il primo libro de madrigali a cinque voci", Venice, Amadino, 1593
from book I:
Io v'ami, anima mia:
see: L. Luzzaschi: "Complete unaccompanied madrigals", ed. Newcomb:
volume II (appendix)

Bertrand, A. de

ANTHOINE DE BERTRAND
1530/40 - 1580/82
Livre des Amours, I
"Premier Livre des Amours de Pierre de Ronsard mis en musique IIII
parties par Anthoine de Bertrand natif de Fontanges en Auvergne", Paris,
A. Le Roy & R. Ballard, 1578
1. Dans le serain de sa jumelle flamme
2. Je parangonne au soleil que j'adore
3. Ces liens d'or
4. Bien qu' grand tort
5. Qui voudra voir dedans une jeunesse
6. Amour, donnoe moy paix ou trve

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132.R8
133.R8

7. Mon Diue, mon Dieu, que ma matresse


8. Tes yeux divins me promettent le don
9. Ces deux yeux bruns, doux fambleaux de ma vie
10. Las, je me plains
11. Je voudrois estre Ixion et Tantale
12. Las! pleust Dieu n'avoir jamais tast
13. Amour me tue
14. Ha seigneur Dieu, que de graces closes
15. Avecques moy pleurer vous devriez
16. Tout me dplait
17. Telle qu'elle est dedans ma souvenance
18. Si doucement le souvenir me tente
19. Amour Arhcer d'une tirade ront
20. Je vy ma Nymphe entre cent damoiselles
21. Le ciel ne veut, Dame, que le joisse
22. Quand en songeant ma folastre j'acole
23. Je parangonne ta jeune beaut
24. Ce ne sont qu'ains, qu'amorces et qu'apas
25. Oeil qui mes pleurs de tes rayons essuye
26. Heureuse fut l'estoille fortune
27. Je veux mourir pour tes beautez, Maitresse
28. Doux fut le trait, qu'Amour hors de sa trousse
29. Ce ris plus dous que l'oeuvre d'un abeille
30. Qu'en tout endroit toute chose se mu
31. Cet oeil besson dont, goulu, je me pias
32. Prenez mon coeur, dame
33. Beaut dont la douceur pourrait vaincre les Roys
34. Qui voudra voir comme un Dieu me surmonte
35. Nature ornant la dame
Edition:
nos. 1-35:
Reprint of the 1926 ed. by H. Expert (Monuments de la musique franaise
au temps de la Renaissance, vols. 4-5) in 2 volumes:
volume I: nos.1-19
volume II: nos.20-35

72,- 72,--

Livre des Amours, II


"Second Livre des Amours de Pierre de Ronsard mis en musique IIII
parties...", Paris, A. Le Roy & R. Ballard, 1578:
1. Je ne suis seulement amoureux de Marie
2. Vous ne le voulez pas
3. Je veux chanter en ces vers ma tristesse
4. Marie, qui voudroit vostre nom retourner
5. Je suis un Demi-dieu
6. Pourquoy tournez vous voz yeux
7. Je suis tellement amoureux
8. Las! pour vous trop aymer
9. Veu que tu es plus blanche que le liz
10. Dittes, maitresse, h que vous ay-je fait!
11. Quand ma maitresse au monde print naissance
12. Mignonne, baisez moy
13. Je ne saurois aymer autre que vous

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14. Plus que jamais je veux aymer


15. Certes, mon oeuil fut trop avantureux
16. H, Dieu du ciel, je n'eusse pas pens
17. Quand je serois un Turc
18. Pour-ce que tu say bien que je t'ayme
19. Quand je vous dys Adieu
20. Donques pour trop aymer 21. Je meurs, helas, quand je la voy si belle
21. Je meurs, hlas, quand je la voy si belle
22. Si jamais homme en aymant
23. las! sans espoir je languis
24. Douce beaut qui je doy la vie
25. Douce beaut qui me tenez le coeur
Edition:
nos. 1-25:
Reprint of the 1926 ed. by H. Expert (Monuments de la musique franaise
au temps de la Renaissance, vol. 6

134.R8

72,--

Livre des Amours, III


"Tiers Livre des Amours de Pierre de Ronsard mis en musique IIII parties",
Paris, A. Le Roy & R. Ballard, 1578
1. Hatez vous petitte folle
2. Sommeillez vous ma belle aurore
3. Jamais on a que tristesse
4. Vivons mignarde en noz amours
5. Beaut qui sans pareille
6. C'est humeur vient de mon oeil
7. O dieu permettez moy
8. Tutto lo giorno
9. Je meurs, hlas, mon angelette
10. Tu dis que c'est mignarde
11. Adieu adieu ma nimphette amiable
12. De nuict le bien que de jour je pourchasse
13. S'il est ainsi que tu m'aimes mignonne
14. Hola Caron
15. Sur moy Seigneur ta main pesante et dure
16. Celuy qui veut savoir
17. Demandes-tu, douce ennemie
18. Las pauvre Didon
19. Devant les yeux nuit et jour
20. Pucelle en qui la triple grace
21. S'il advient au combat
22. Le coeur loyal qui n'a l'ocasion
23. O doux plaisir ^mon plaisant dommage
24. Amy quand tu mourras (Rponse)
25. Du feu chaut l'ardente fureur
Edition:
nos. 1-25:
Reprint of ed. H. Expert from 1920s; Monuments de la musique franaise au
temps de la Renaissance, volume 7

135.R8

Beythonius, P.

72,--

P. Beythonius

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2 Bicinia:
1. Studium verbi Dei, non avariciae
2. Custodia oculorum
see: A. Chrysoponos Gevicenus: "Bicinia Nova", 1579
Bianciardi, F.

FRANCESCO BIANCIARDI
?1571/72 - 1607
Opera omnia; ed. S. Cisilino
Volumes I- VII : see section: Secular music

135.S6

Volume VII: Madrigals a5, Canzonette & Organ works


a) Madrigals
"Il primo libro de madrigali cinque voci. Novamente composto, & dato
in luce", Venice, A. Gardano, 1597
As only the Tenor book of this print survives, the editor has published the following 7 madrigals from other sources (originally the collection comprised
21 madrigals; the ones listed below are nos. 2, 5, 6, 8, 11, 16 and 20)
1. Dolce, grave et acute
2. Io parto, o mio fedele
3. Del vago roscignolo
4. Ardemm' insieme
5. Quand'io miro le rose
6. E tradiomento indegno
7. Tu che spiri: dialogo 6 voci
Sources:
GB-Lbl Egerton 3665 (1, 2)
1605: "Giardino novo bellissimo dei vari fiori musicali...Il primo libro de' madrigali a 5 voci raccolti da Melchior Borghgrevinck...", Copenhagen (3)
1606: "Il secondo libro dei madrigali a 5 voci...", Copenhagen (4)
1613: "Il Parnasso, madrigali de diversi eccelentissimi musici a 6 voci...",
Antwerpen, P. Phalse (7)
1616: "Il Helicone, madrigali de diversi ecc. musici, Antwerpen, Phalse (5, 6)
b) Canzonette spirituali
"Canzonette spirituali a tre voci...libro primo...",Venice, A. Gardano, 1607:
1. Uscite a rimirar
2. Piaga dolce d'amore
3. O piaga impiagatrice
4. Lancia soave
5. Sola fra suoi pi cari
6. Stava l'Addolorata
7. Lungo spatio tacendo
8. mio, poscia riprese
9. Chi d'atro sangue
10. Te dunque in sen
11. Gli occhi volgi
12. A te ch'errar non puoi
13. La croce dunque
14. Deh ch'ho potuto in te?
15. Perfido e inhumana
16. Ahi cor, se pur sei core
17. Deh! come fatto sei

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18. Piaghe non son, ma stelle


19. Fatti sangue diletto
20. Mentre Ges ti miro
21. Alma, ceh fai?
c) Organ works
10 organ works from the organ tablature I-Tn Giordano 8:
1-6. Ricercare I-VI
7-9. Fantasias I-III
10. Fantasia sopra ut re mi fa sol la
Sources:
I-Tn Giordano 8: organ tablature (1-9)
1607: B. Schmid: "Tabulatur Buch...", Strasbourg, L. Zetzner (10)
Bianco, P.A.

52,--

Pietro Antonio Bianco


c.1540 - 1611
"Il primo libro delle canzoni napolitane tre voci di P.A. Bianchi veneziano
novamente posto in luce", Venice, G. Scotto, 1572
from this collection:
2 villanelle: Intorno al bianco tuo petto scherzando
Fuggite amore
see: Collections: "Musicians from the Low Countries & Italy at the Court
in Graz of Karl II, 1564-1590"
"Il primo libro de madrigali a quattro voci di P.A. Bianco...novamente composti e dati in luce", Venezia, A. Gadano, 1582
from this collection:
Piange a cantando
see: Collections: "Musicians from the Low Countries & Italy at the Court
in Graz of Karl II, 1564-1590"

Bicci, A.

Antonio Bicci
Candide perle a6
see no.3 in: L. Marenzio: "Il quinto libro de madrigali a sei voci", 1591
Deh dolc'anima mia a5
see no.7 in: L. Marenzio: "Il settimo libro de' madrigali a cinque voci", 1595

Biffi, G.

Gioseffo Biffi
fl 1596 - 1606
Questi freggi celesti a10 (c.1600)
madrigal for SATBB / SATBB
from the copper table formerly in the Kunstkammer in Stuttgart of the dukes
of Wrttemberg
ed. in score and parts; with colour photographs of the 10 parts & CD

136.R8

Blackall, A.

24,50

Andrew Blackall
1535/36 - 1609
2 Songs a4:
1. Adeu, o desie of delyt

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2. Declair ye banks of Helicon


see: Collections: "Music of Scotland, 1500-1700".
Blotagrio, G.

Guglielmo Blotagrio
2 Madrigals:
1. Amor io sent' un respirar si dolce a4
2. Amor io non potrei haver da te a5
see: Prints 1591/10: "Melodia Olympica"

Boni, G.

GUILLAUME BONI
died after 1594
Sonnets de Ronsard. Premier Livre, 1576
"Sonnets de P. de Ronsard, mis en musique a IIII. parties par G. Boni de S.
Flour en Auvergne. Premier Livre", Paris, Le Roy & Ballard, 1576:
1. J'espere & crain, je me tais & suplie
2. Pour estre en vain tes beaux soleils aymant
3. Puisse avenir qu'une fois je me vange
4. Ce beau corail, ce marbre qui soupire
5. Je voudroy bien richement jaunissant
6. Ha Belacueil que ta douce parole
7. Las! pleut Dieu n'avoir jamais tat
8. Mes soupirs mes amis vous m'estes agreables
9. Comment au departir adieu pourroy-je dire
10. Mignonne, levez-vous, vous estes paresseuse
11. Quand je vous voy ma gentille maitresse
12. Las, je ne veux ny ne me puis deffaire
13. Quand au matin ma desse s'abille
14. Quand au premier la dame que j'adore
15. Lors que mon oeil pour t'oeillader s'amuse
16. Je ne suis point ma guerriere Cassandre
17. Ni les ddains d'une nimphe si belle
18. O trais fichez jusqu'au fond de mon ame
19. Le plus touffu d'un solitaire bois
20. Je me nourris d'une telle ambrosie
21. Un chaste feu qui en l'ame domine
22. Devant les yeux nuit & jour me revient
23. Mon fol penser pour s'envoler plus haut
24. Son chef est d'or, son front est un tableau
25. Que dis-tu? Que fais-tu pensive tourterelle (Dialogue de la tourterelle)
26. Las! sans la voir toute heure je voy
27. Quel dieu malin, quel estre me fit estre
28. Si je trespasse entre tes bras Madame
29. Quand je vous voy ou quand je pense en vous
30. De quelle plante ou de quelle racine
31. Contre le ciel mon coeur estoit rebelle
32. Amour & Mars sont presque d'une sorte
33. Celuy qui fit le monde faonn
34. Franc de raison, esclave de fureur
35. C'est grand cas que d'aymer, si je suis une anne
Editions:
nos. 1-35:

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_______________

137.R8

138.R8

ed. F. Dobbins
no. 32:
see: Collections: "Anthologie de la chanson Parisienne au XVIe sicle"
Sonnets de Ronsard. Second Livre, 1576
"Sonnets de P. de Ronsard, mis en musique 4 parties. Second Livre", Paris,
Le Roy & Ballard, 1576:
1. Je ne suis point, Muses, acoutum de voir vos sauts sous la tarde sere
2. Cent & cent fois penser un penser mesme a deux beaux yeux montrer
3. D'un abus je ne seroy la fable
4. Estre indigent & donner tout le sien
5. Las! sans espoir je languis grand tort
6. Douce beaut qui je dois la vie
7. Ange divin, qui mes playes embme
8. Mignonne vous avez la jou aussi vermeille
9. Mille vrayment & mille voudroient bien
10. Contre mon gr l'atrait de tes beaux yeux
11. Verray-je point le doux jour qui m'apporte
12. Rossignol mon mignon qui par ceste saulaye
13. Quand je te voy seuel assise a par toy
14. Si trop souvent quand le desir me presse
15. Quand je suis tout baiss sur vostre belle face
16. O ma belle maistresse, tout le moins prenez
17. A ton frere Paris tu sembles en beaut
18. Que n'ay-je dame & la plume & la grace
19. Le printemps n'a point tant de fleurs
20. S'il y a quelque fille en toute la contre
21. He que voulez-vous dire estes vous si cruelle
22. Si j'estois Jupiter Sinope vous seriez mon espouse Junon
23. L'homme est vrayment ou de plomb ou de bois
24. Ores l'effroy & ores l'esperance
Editions:
nos. 1-24:
ed. F. Dobbins
no. 12:
see: Collections: "Anthologie de la chanson Parisienne au XVIe sicle"

40,--

40,--

Les Quatrains du sieur de Pybrac, 1582


"Les Quatrains du sieur de Pybrac mis en musicque a. 3.4.5. & 6. parties par
G. Boni", Paris, A. le Roy & R. Ballard, 1582
I.1. Dieu tout premier, puis Pere & Mere honore a4
I.2. Si en jugeant a4
I.3. Avec le jour a3
I.4. Ne va disant a3
I.5. Adore assis a5
I.6. Qui a de soy a5
I.7. Tout l'univers n'est qu'une cit ronde a4
I.8. Dans le pourpris a4
I.9. Il n'y a coin a3
I.10. In ne sauroit a3
I.11. Ce que tu vois a5
I. 12. Ce corps mortel a5
II.1. A bien parler, ce que l'homme on appelle a4

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II.2. Recognoy donc a4


II.3. Il t'est permis a3
II.4. Au ciel n'y a a3
II.5. Il veult, c'est faict a5
II.6. Bref ce qui est a5
II.7. Ne va suivant le troupeau d'Epicure a4
II.8. Et ce-pendant a4
II.9. Heureux qui met en Dieu a3
II.10. Voudrois-tu bien a3
II.11. De l'homme droict a5
II.12. Les biens du corps a5
III.1. Vertu qui gist entre les deux extermes a4
III.2. Qui te pourroit a4
III.3. Le sage fils a3
III.4. Si tu es n a3
III.5. Ce n'est pas peu a5
III.6. Jusqu'au cercueil a5
III.7. Le voyageur qui hors du chemin erre a4
III.8. Aime l'honneur a4
III.9. Ce que tu peux a3
III.10. Hante les bons a3
III.11. Quand au chemin a5
III.12. Ne mets ton pied a5
IV.1. En ton parler sois tousjours vritable a4
IV.2. La verit d'un Cube a4
IV.3. L'oyseleur caut a3
IV.4. Ce qu'en secret a3
IV.5. Fay pois egal a5
IV.6. Garde, soigneux a5
IV.7. L'homme de sang te soit toujours en haine a4
IV.8. Ce n'est pas tous a4
IV.9. Qui a desir a3
IV.10. Vaincre soy-mesme a3
IV.11. Si ton amy a5
IV.12. L'homme est fautif a5
V.1. Voy l'hypocrite avec sa triste mine a4
V.2. Cacher son vice a4
V.3. Aye de toy a3
V.4. Point ne te chaille a3
V.5. Ls! que te sert a5
V.6. Si ce-pendant a5
V.7. A l'indigent monstre-toy secourable a4
V.8. As-tu, cruel a4
V.9. Le malheur est commun a3
V.10. Le sage est libre a3
V.11. Le menasser du Tyran a5
V.12. Vertu s moeurs a5
VI.1. Qui lit beaucoup, et jamais ne mdite a4
VI.2. Maint un pouvoit a4
VI.3. Petite source a3
VI.4. Maudit celuy a3
VI.5. Ne te parjure a5
VI.6. Car Dieu qui hais a5

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VI.7. Un art sans plus en luy seul t'exercite a4


VI.8. Plus n'embrasser a4
VI.9. Il ne fault pas a3
VI.10. H, le dur coup a3
VI.11. Mieux nous vaudroit a5
VI.12. Ce qui en nous a5
VII.1. Parler beaucoup on ne peut sans mensonge a4
VII.2. Du Memphien a4
VII.3. Comme l'on voit a3
VII.4. Ainsi deslors a3
VII.5. On dict soudain a5
VII.6. Nostre heur a5
VII.7. A l'envieux nul tourment je n'ordonne a4
VII.8. Pour bien au vif a4
VII.9. Elle ne faict a3
VII.10. Quand une fois a3
VII.11. Juge ne donne en ta cause a5
VII.12. Dessus la loy a5
VIII.1. Le nombre sainct se juge par la preuve a4
VIII.2. Nouveau Ulysse a4
VIII.3. Songe long tems a3
VIII.4. La loy soubs qui l'estat a3
VIII.5. Fuy jeune et vieil a5
VIII.6. Vouloir ne faut a5
VIII.7. Changer coup de loy & d'ordonnance a4
VIII.8. Je hay ces mots a4
VIII.9. Croire leger a3
VIII.10. Dissimuler est un vice a3
VIII.11. Donner beaucoup a5
VIII.12. Plus que Sylla a5
IX.1. Ri si tu veux d'un ris de Democrite a4
IX.2. A l'estranger a4
IX.3. Je t'apprendray a3
IX.4. Crainte qui vient d'amour a3
IX.5. Qui sauroit bien a5
IX.6. De jour, de nuict a5
IX.7. Je ne veis onc prudence avec jeunesse a4
IX.8. Ne voise au bal a4
IX.9. Du mdisant a3
IX.10. Hayr le vray a3
IX.11. Adversit, dfaveur a5
IX.12. Aime l'Estat a5
X.1. Il est permis souhaiter un bon prince a4
X.2. A ton Seigneur a4
X.3. Qui de bas lieu a3
X.4. L'estat moyen a3
X.5. De peu de biens a5
X.6. Quand tu verras a5
X.7. Les gens de bien ce sont comme gros Termes a4
X.8. L'homme se plaint a4
X.9. Tu ne saurois a3
X.10. Es jeux publics a3
X.11. Cil qui ingrat a5

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X.12. Boire, et manger a5


11. Hausse tes yeux: la voute suspendue a6
12. Nous meslons tout a6
13. Si quelquefois a6
14. En bonne part a6
15. Cil qui se pense a6
16. Plus on est docte a6
Edition:
nos. 1-16:
ed. and introduction by M.-A. Colin

139.R8

Bonini, P.A.

59,--

Pietro Andrea Bonini


mid-16th c. - early 17th c.
Quando lieta vezzosa (F. Corazzini) a6
see: Prints 1592/11: "Il Trionfo di Dori"

Bonnet, P.

Pierre Bonnet
fl 1585 - 1600
Airs et Vilanelles, 1600
"Airs et vilanelles mis en musique 4 & 5 parties par Pierre Bonnet Limosin",
Paris, veuve R. Ballard & P. Ballard, 1600
44 Airs a4 (dessus; haute-contre; taille, basse-contre)
Editions:
ed. H. Expert of 10 Airs; reprint of the 1929 edition (Florilge du concert
vocal de la Renaissance, volume 5):
no. 5: Lieux que j'ay tant aymez, doux sejour de mon ame a5
no. 12: Bien heureux qui se peut dire a4
no. 16: Alors wque mon coeur s'engage a4
no. 18: Pour avoir trop aym vostre bande inesgalle (Dialogue entre le Pote
et les Muses, o le dessus pourra chanter l'air tout seul representant le
Pote, & les Muses toutes les parties chanteront) a4
no. 23: Cessez de ses regrets les mensongeres plaintes a4
no. 27: Rigoureux frein d'amour, si contraire ma flame a4
no. 39: Heureux les bois & les forestz (Dialogue entre les vierges chasseresses
& les courtisanes) a4-a5
no. 40: Francion vint l'autre jour a5
no. 42: C'est trop peu pour moy de pleurer a5
21,50
no. 17: Mon pere & ma mere leur foy ont jur a4
see: Collections: "Anthologie de la chanson Parisienne au XVIe sicle"

140.R8

Mon pre et ma mre a4


from: C. Le Jeune: "Second livre de meslanges", P. Ballard, 1612
see: Collections: "Anthologie de la chanson parisienne au XVIe sicle"
Bottegari, C.

100.S15

Cosimo Bottegari
1554 - 1620
Mi parto
1 voice and accomp. ; from the Bottegari lute book (I-MOe mus. C.311)
included in: "Antiche gemme Italiane", ed. Ricci

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18,--

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Bozzi, P.

Paolo Bozzi
c.1550 - c.1628
All'ombra d'un bel faggio (B. Roncaglia)
see: Prints 1592/11: "Il Trionfo di Dori"

Brouck, J. de

Jacob de Brouck
fl 1568 - 1583
3 State motets:
1. Carole, qui lato similem tibi quaerit in orbe
2. Qui rebus claris mensuram nominis imples
3. Ut vigilum densa silvam cingente corona
see: Prints 1568/6: "(Novi atque catholici thesauri musici) Liber Quintus"
"Cantiones tum sacrae (quae vulgo moteta vocantur); tum profane, 5, 6, et 8
vocum", Antwerpen, 1579
from this collection:
1 Motet and 2 Chansons: Laeta dies
Pleurs et souspirs
Une angelette
see: Colections: Musicians from the Low Countries & Italy at the Court
in Graz of Karl II, 1564-1590"

Byrd, W.

WILLIAM BYRD
1543 - 1623
a) Alphabetical list of works
b) The Byrd Edition; gen. ed. Ph. Brett
c) Other Editions
a) Alphabetical list of works
with ref. to vol. & no. of the Byrd Edition
Ab ortu solis cardine a4 VIIa/13
A carol for Christmas day: This day Christ was born (Hodie Christus natus est)
a6
XIV/27
A carol for New Year's day: O God that guides the cheerful sun, for 1 voice
and 5 viols a6 XIV/28
Ad Dominum cum tribularer / Heu mihi (ps. 119) a8 VIII/7
Adoramus te Christe (1 voice and 4 viols) a5 VIa/1
Adorna thalamum tuum Sion / Subsistit Virgo a3 VIb/23
Ad punctum in modico / In momento indignationis (fragmentary) a5 IX/13
A feigned friend a4 XIV/11
Afflicti pro peccatis / Ut eruas nos a malis a6 III/17
Ah aged dame (1 voice and 4 viols) XV/33
Ah, alas you salt sea gods (1 voice and 4 viols) not by Byrd? XV/46
Ah golden hairs (1 voice and 4 viols) XV/13
Ah silly soul, for 1 voice and 5 viols a6 XIV/31
Ah, youthful years (fragment) XVI/34
Alack when I look back a1 & a5 XI/11
All as a sea a5
XII/28
Alleluia. Ascendit Deus a5 VIIb/2

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Alleluia. Ave Maria / Alleluia. Virga Iesse floruit a5 V/20


Alleluia. Cognoverunt discipuli a4 VIIa/16
Alleluia. Confitemini Domino a4 VIII/1
Alleluia. Emitte spiritum a5 VIIb/8
Alleluia. Vespere autem sabbathi / Quae lucescit a3 VIb/18
Alma redemptoris mater a4 VIb/5
Although the heathen poets a5 XII/21
Ambitious love hath forced me to aspire a5 XII/18
And as the pleasant morning dew (2nd part of: Behold how good a thing)
a6
XIII/39
And think ye nymphs / Love is a fit of pleasure a6 XIII/42-43
An earthly tree (for 2 voices and 4 viols) a6 XIII/40
Angelus Domini descendit a3 VIb/20
Apparebit in finem a5 III/7
Arise Lord into thy rest (ps. 132: 8-9) a5 XIV/18
Arise o Lord, why sleepest thou / Help us o God a5-a6 XI/1
As Caesar wept (1 voice and 4 viols) XV/14
Ascendit Deus a5 VIIb/4
As I beheld I saw a heardsman wild a5 XII/20
Aspice Domine de sede sancta tua / Respice Domine a5 II/11
Aspice Domine quia facta est a6 I/4
Assumpta est Maria a5 V/24
Attend mine humble prayer (ps. 143) a3 XIII/7
Attollite portas prinicpes (Lift up your heads; O ye gates) a6 I/5
Audivi vocem de caelo a5 IX/14
Ave Maria gratia plena a5 V/14
Ave maris stella / Sumens illud ave / Solve vincla reis / Monstra tge esse matrem / Virgo singularis / Vitam praesta puram / Sit laus Deo Patri a3 VIb/16
Ave Regina caelorum a4 VIb/6
Ave regina caelorum (by Byrd?) a5 VIII/10
Ave verum corpus a4 VIa/12
Awake mine eyes a4 XIV/12
Beata es Virgo Maria a5 V/10
Beata virgo / Ave Maria a4 VIIa/9
Beata viscera Mariae virginis a5 V/11
Beati mundo corde a5 VIa/7
Behold how good a thing / And as the pleasant morning dew (ps. 133) a6
XIII/38
Behold how good (fragment) XVI/35
Behold o God the sad and heavy case a2 & a5 XI/12
Behold o God, with thy all prosp'ring eye (verse anthem; text only) XI/22
Benedicta et venerabilis a5 V/7
Benigne fac Domine a5 IX/15
Be unto me, o Lord, a tower a4 XI/17
Blame I confess (1 voice and 4 viols) XV/15
Blessed is he that fears the Lord (ps. 112) a5 XII/8 & XVI/9
Blow up the trumpet (2nd part of: Sig we merrily) a5 XIV/21
Boy pity me (2nd part of: Is Love a boy?) a4 XIII/16
But when by proof (2nd. part of: When younglings first) a3 XIII/11
By force I live (1 voice and 4 viols) by Byrd? XV/42
Canon six in one (and four in two) XVI/32
Canon two in one per arsin et thesin
XVI/33
Cantate Domino canticum novum (ps. 149) a6 III/18

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Care for thy soul a5


XII/31 & XVI/24
Cast off all doubtful care (chorus of no. 40) a4 XIII/25
Cease cares (fragment) XVI/36
(chant: Christe qui lux es) / Precamur sancte Domine a4 VIII/3
(chant: Christe qui lux es) / Precamur sancte Domine a5 VIII/4
Christ rising again / Christ is risen again (for 2 voices and 4 viols c.q. for 6
voices) XI/13 and XIII/46-47
Christ is risen again (2nd part of: Christ rising again; for 2 voices and 4 viols
c.q. for 6 voices) a6 XI/13 and XIII/47
Christus resurgens / Dicant nunc Iudaei a4 VIb/2
Cibavit eos / Exultate Deo / Gloria Patri et Filio a4 VIa/8
Circumdederunt me dolores (ps. 114: 3) a5 III/9
Circumspice Ierusalem / Ecce enim veniunt a6 IX/16
Come help o God a5 XI/18
Come jolly swains a4 XIV/13
Come let us rejoice (ps. 95: 1-2) a4 XIV/16
Come pretty babe (1 voice and 4 viols) XV/16
Come to me grief for ever a5 XII/34 & XVI/27
Come tread the paths 1 voice and 4 viols) not by Byrd? XV/47
Compel the hawk (text by Th. Churchyard) a5 XIII/28
Come woeful Orpheus a5 XIV/19
Confirma hoc Deus a5 VIIb/10
Constant Penelope a5 XII/23 & XVI/18
Constitues eos principes / Pro patribus tuis a6 VIIb/15
Content is rich (1 voice and 4 viols) XV/17
Crowned with flowers and lilies / O worthy queen (1 voice, 4 viols) XV/29
Crowned with flowers I saw fair Amarillis (text by E. Paston?) a5 XIV/22
Cunctis diebus a6 III/19
Da mihi auxilium de tribulatione a6 I/10
Decantabat populus (by Byrd?) a5 IX/17
Defecit in dolore / Sed tu Domine refugium a5 II/1
De lamentatione Ieremiae prophetae / b. Heth / c. Cogitavit Dominus / d.Teth
e. Defixae sunt / f. Joth / g. Sederunt in terra / h. Ierusalem convertere a5
VIII/5
Delight is dead (for 2 voices and 3 viols) XV/30
Deo gratias a4
VIb/12
Depart, ye furies (fragment) XVI/37
Descendit de caelis / Et exivit per auream portam a6 III/14
Deus in adiutorium / Avertantur retrorsum / Exultent et laetentur / Et dicant
semper / Ego vero egenus a6 IX/18
Deus venerunt gentes / Posuerunt morticinia / Effuderunt sanguinem / Facti
sumus opprobrium (ps. 78: 1-4) a5 II/7
Dies sanctificatus illuxit nobis a4 VIIa/3
Diffusa est gratia / Propter veritatem / Audi filia / Vultum tuum / Adducentur Regi / Adducentur in laetitia a5
V/22
Diliges Dominum Deum tuum a8 I/12
Domine ante te omne desiderium (ps. 37: 10-11) a6 IX/19
Domine Deus omnipotens / Ideo misericors a5 IX/20
Domine exaudi orationem meam et clamor a5 IX/21
Domine exaudi orationem / Et non intres in judicium (ps. 112: 1-3) a5 III/6
Domine non sum dignus a6 III/15
Domine praestolamur / veni Domine a5 II/2

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Domine quis habitabit (ps. 14) a9 VIII/8


Domine salva nos a6 III/20
Domine secundum actum meum / Ideo deprecor maiestatem tuam a6 I/11
Domine secundum multitudinem a5 II/15
Domine tu jurasti a5 II/8
Dominus in Sina a5 VIIb/3
Ecce advenit / Deus iudicium / Gloria Patri et Filio a4 VIIa/10
Ecce quam bonum / Quod descendit in oram (ps. 132) a4 VIb/1
Ecce Virgo concipiet / Alleluia a5 V/15
E'en as in seas (1 voice and 4 viols) XV/18
E'en from the depth (ps. 130) a5 XII/10
Ego sum panis vivus a4 VIIa/17
Emendemus in melius quae ignoranter peccavimus / Adiuva nos Deus salutaris noster a5 I/1
Exalt thyself o God (inc.) a6 XI/2
Exsurge quare obdormis Domine (ps. 43: 23-24) a5 III/12
Fac cum servo tuo (ps. 118: 124-125) a5 III/3
Factus est repente a5 VIIb/11
Fair Britain isle (1 voice and 4 viols) XV/34
Fantasia in g for 4 viols a4 XIV/15
Fantasia in g for 6 viols XIV/26
Farewell false Love (on text by sir Walter Raleigh) a5 XII/25 & XVI/20
Felix es sacra Virgo Maria a5 V/9
Felix namque es sacra virgo Maria a5 V/19
First preces and psalms: Preces, a5 / O clap your hands, a5 / Save me o
God, a7 (ps. 47 & 54) Xa/2
From Cytheron / There careless thoughts are freed / If Love by just a4
XIII/19-21
From depth of sin (ps. 130) a3 XIII/6
From virgin's womb (for 1 voice and 4 viols) a5 XIII/35
Gaudeamus omnes / Exultate iusti / gloria Patri et Filio a5 VIa/4
Gaudeamus omnes in Domino / Assumpta est Maria a5 V/23
Gaude Maria a5
V/21
The Great service: Venite / Te Deum / Benedictus / Kyrie / Creed / Mangificat/
Nunc dimittis a10 Xb
Gloria patri qui creavit (3rd part of: Tribue Domine) a6 I/16
Haec dicit Dominus vox / Haec dicit Dominus quiescat a5 III/8
Haec dies a3
VIb/19
Haec dies a5
VIIa/21
Haec dies quam fecit Dominus a6 III/21
Have mercy on us Lord (1 voice and 4 viols) XV/3
Have mercy upon me (1 voice and 5 viols) (ps. 51: 1-2) a6 XIV/25
Hear my prayer, o God. see: Second Preces and Psalms
Hear my prayer, o Lord, and consider a1 & a5 XI/14
Help Lord for wasted are those men (ps. 12) a5 XII/7
Her breath is more sweet (2nd part of: Of gold all burnished) a5 XIII/37
He that all earthly pleasure scorns (1 voice and 4 viols) XV/35
Hodie beata Virgo Maria a4 VIb/11
Hodie Christus natus est a4 VIIa/6
Hodie Simon Petrus a6 VIIb/18
How long shall mine enemies triumph? a4 XI/3
How shall a young man (ps. 119) a5 XII/4 & XVI/7
How vain the toils, for 1 voice and 5 viols a6 XIV/32

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Iesum Nazarenum (Turbarum voces in Passione Domini secundum Ioannem)


a3
VIb/22
Iesu nostra redemptio / Quae te vicit / Inferni claustra / Ipsa te cogat / Tu
esto nostrum gaudium a4 VIIa/19
If in thine heart a6 XIII/44
If Love by just (3rd part of: From Cytheron) a4 XIII/21
If that a sinner's sighs a5 XII/30 & XVI/23
If trickling tears (fragment) XVI/39
If women could be fair (on text by Edward de Vere, Earl of Oxford) a5
XII/17
I have been young (ps. 37: 25) a3 XIV/7
I joy not in no earthly bliss a5 XII/11 & XVI/11
I laid me down a5 XI/19
In angel's weed (1 voice and 4 viols) XV/31
In crystal towers a3 XIV/8
Infelix ego / Quid igitur facima? / Ad te igitur a6 III/16
In fields abroad a5 XII/22 & XVI/17
In manus tuas Domine a4 VIb/7
In resurrectione tua Domine a5 II/10
In tower most high (fragment) XVI/40
In winter cold / Whereat an ant a3 XIV/3-4
Is Love a boy? / Boy pity me a4 XIII/15-16
I thought that Love had been a boy a5 XIII/32 & XVI/31
Iustorum animae in manu Dei sunt a5 VIa/6
I will give laud (fragment) XVI/38
I will not say / Let fortune fail / My years do seek (1 voice, 4 viols) XV/19
Laetania a4
VIb/8
Laetentur coeli / Orietur in diebus tuis a5 II/16
Laudate Dominum omnes gentes (ps. 116) a6 VIIb/21
Laudate pueri Dominum a6 I/7
Laudibus in sanctis / Magnificum Domini / Hunc arguta a5 III/1
La verginella (on text by L. Ariosto) a5 XII/24 & XVI/19
Let not the sluggish sleep a4 XIV/10
Let others praise what seems them best a6 XVI/2
Let us be glad (verse anthem; text only) XI/23
Levemus corda nostra a5 III/10
Libera me Domine de morte aeterna a5 I/17
Libera me Domine et pone me iuxta te / Dies mei transierunt a5 I/2
Litany a5
Xa/4
Look and bow down (fragment) XVI/41
Look down o Lord a4 XI/20
Lord hear my prayer (ps.102) a3 XIII/5
Lord in thy rage (ps. 6) a3 XIII/1
Lord in thy wrath correct me not (ps. 38) a3 XIII/3
Lord in thy wrath reprove me not (ps. 9) a5 XII/9 & XVI/10
Lord to thee I make my moan (1 voice and 4 viols) XV/5
Love is a fit of pleasure (2nd part of: And think ye nymphs) a6 XIII/43
Love would discharge (= 2nd part of no. 29) a5 XIII/34
Lullaby my sweet little baby a5 XII/32 & XVI/25
Make ye joy to God (ps. 100: 1-2) a5 XIV/24
Mass for 3 voices: Kyrie-Gloria-Credo-Sanctus-Agnus Dei IV/2
Mass for 4 voices: Kyrie-Gloria-Credo-Sanctus-Agnus Dei IV/1
Mass for 5 voices: Kyrie-Gloria-Credo-Sanctus-Agnus Dei IV/3

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Memento Domine congregationis tuae a5 II/5


Memento homo quod cinies est (O Lord give ear) a6 I/8
Memento salutis auctor / Maria mater gratia / Gloria tibi Domine a3 VIb/15
Methought of late (1 voice and 4 viols) by Byrd? XV/43
Mine eyes with fervency of sprite (ps. 123) a5 XII/2
Miserere mei Deus (ps. 50: 3) a5 III/13
Miserere mihi Domine a6 I/13
Mount Hope (1 voice and 4 viols) XV/20
My freedom (1 voice and 4 viols) XV/21
My little weet darling (1 voice and 4 viols) not by Byrd? XV/48
My mind to me a kingdom is (on text by Edward Dyer) a5 XII/14 & XVI/14
My mistress had a little dog / But out alas (1 voice and 4 viols) XV/36
My soul oppressed with care (ps. 119) a5 XII/3
Ne irascaris Domine / Civitas sancti tui (O Lord turn thy wroth; Let not thy
wrath; Behold I bring you glad tidings) a5 II/12
Ne perdas cum impiis / Eripe me Domine a5 VIII/11
Nobis datus nobis natus. see: Pange lingua
Noctis recolitur. see: Sacris solemnis
Non vos relinquam orphanos a5 VIIb/13
Nunc dimittis servum tuum / Quia viderunt / Lumen ad revelationem a5 V/4
Nunc scio vere / Domine probasti me / Gloria Patri et Filio a6 VIIb/14
O admirabile commercium a4 VIIa/7
O clap your hands. see: First Preces and Psalms
Oculi omnium in te / Aperis tu manum / Caro mea a4 VIa/9
O dear life (tetx by sir Ph. Sidney) a5 XIII/33
O Domine adjuva me a5 II/3
Of gold all burnished / Her breath is more sweet a5 XIII/36-37
Of flatt'ring speech a3 XIV/2
O gloriosa Domina / Quod Eva tristis / Tu regis alti / Gloria tiibi Domine a3
VIb/14
O God but God (1 voice and 4 viols) XV/6
O God give ear (ps. 55) a5 XII/1
O God that guides the cheerful sun a6. see: A carol for New Year's day
O God the proud are risen against me a6 XI/4
O God which art most merciful (ps. 51) a3 XIII/4
O God whom our offences have justly displeased a5 XI/5
O happy thrice (fragment) XVI/42
O heavenly God (1 voice and 4 viols) not by Byrd? XV/49
O Lord bow down (1 voice and 4 viols) XV/7
O Lord how long wilt thou forget (ps. 13) a5 XII/5
O Lord how vain (1 voice and 4 viols) XV/8
O Lord make thy servant Elizabeth a6 XI/6
O Lord my God a4 XIII/22
O Lord rebuke me not in thy fury a1 & a5 XI/15
O Lord within thy tabernacle (1 voice and 4 viols) XV/1
O Lord who in thy sacred tent (ps. 15) a5 XII/6 & XVI/8
O lux beata Trinitas / Te mane laudem / Deo patri sit gloria a6 I/6
O magnum misterium a4 VIIa/8
Omni tempore benedic Dominum / Memor esto fili a5 VIII/12
O praise our Lord / Extol the greatness / Praise him on tube / The gladsome
sound / All the creatures a5 XI/21
Optimam partem elegit a5 V/25
O quam gloriosum / Benedictio et claritas a5 II/13

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O quam suavis est Domine (hymn for the Ascension) a4 VIIa/18


O rex gloriae Domine virtutum a5 VIIb/6
O sacrum convivium a4 VIa/14
O salutaris hostia a4 VIa/13
O salutaris hostia a6 VIII/6
O sweet deceit a5 XVI/14
O that most rare breast a5
XII/35 & XVI/28
O that we woeful wretches (1 voice and 4 viols) XV/9
O trifling toys (fragment) XVI/43
Out of the deep a6 (by O. Gibbons?) XI/7
Out of the orient crystal skies (1 voice and 4 viols) XV/10
O you that hear this voice (on text by sir Philip Sidney) a5 XII/16 & XVI/16
(chant: Pange lingua) / Nobis datus nobis natus / verbum caro / Tantum ergo
a4
VIa/15
Pascha nostrum immolatus est a5 VIIa/24
Peccantem me quotidie (Let us arise from sin) a5 I/3
Peccavi super numerum a5 IX/22
Penelope that longed a5 XIII/27
Petrus beatus / Quodcunque vinclis / Per immensa saecula / Gloria Deo a5
VIII/9
Plorans ploravit et deducet / Dic Regi a5 VIa/3
Post dies octo / Mane nobiscum a3 VIb/21
Post partum virgo a5 V/18
Praise our Lord, all ye gentiles (ps. 117) a6 XIV/29
Precamur sancte Domine. see: Christe qui lux es
Preces / Responses a5 Xa/1
Preces Deo fundamus (fragement) XVI/44
Prevent us o Lord a5 XI/8
Prostrate o Lord I lie a5 XII/27 & XVI/21
Psallite Domino a5 VIIb/5
Puer natus est nobis / Cantate Domino / Gloria Patri et Filio a4 VIIa/1
Quem terra pontus aethera / Cui luna / Beata Mater / Beata caeli nuncio /
Gloria tibi Domine a3 VIb/13
Quis me statim (1 voice and 4 viols) XV/37
Quodcunque ligaveris a6 VIIb/20
Quomodo cantabimus / Si non proposuero a8 IX/23
Quotiescunque manducabitis a4 VIa/11
Quis est homo qui vult venire / Diverte a malo (ps. 33) a5 III/2
Recordare Domine testamenti tui / Quiescat Domine a5 III/11
Reges Tharsis a4 VIIa/11
Reges Tharsis (by Byrd?) a5 IX/24
Regina caeli / Quia quem meruisti / Resurrexit sicut dixit / Ora pro nobis a3
VIb/17
Rejoice rejoice with heart and voice (chorus of no. 35) a4 XIII/24
Rejoice unto the Lord (1 voice and 4 viols) XV/11
Responsum accepit Simeon a5 V/5
Retire my soul a5 XIV/17
Resurrexi / Domine probasti me / Gloria Patri et Filio a5 VIIa/20
Right blest are they (ps. 102) a3 XIII/2
Rorate caeli / Benedixisti Domine / Gloria Patri et Filio a5 V/12
Sacerdotes Domini a4 VIa/10
(chant: Sacris solemnis) / Noctis recolitur / Dedit fragilibus / Panis angelicus
(by Byrd?) a5 IX/25

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Salve Regina / Eia ergo a4 VIb/4


Salve Regina / Et Iesum benedictum a5 III/4
Salve sancta parens / Eructavit cor meum a5 V/6
Salve sola Dei genitrix a4 VIb/9
Sanctus (by Byrd?) a3 IX.27
Save me, o God. see: First Preces and Psalms
Save me, o God, for thy name's sake (by Byrd?) a5 XI/9
Second preces and psalms: Preces, a5 / When Israel came out of Egypt, a5 /
Hear my prayer o God, a5 / Teach me o Lord, 1 and 5 voices + organ
(ps. 114, 55 & 119: 33) 2 versions Xa/3
Second service: Magnificat / Nunc dimittis M solo and 5 voices with organ
Xa/6
See those sweet eyes a5 XIII/29 & XVI/29
Senex puerum portabat a4 VIb/10
Senex puerum portabat a5 V/3
Short service: Venite / Te Deum / Benedictus / Kyrie / Creed / Magnificat /
Nunc dimittis a6 Xa/5
Sicut audivimus a5 V/2
Siderum rector a5 I/9
Similis illis fiant a4 (= 2nd section of: In exitu Israel; 1st section by J.
Sheppard; 3rd section by W. Mundy) VIII/2
Sing joyfully unto God our strength / Blow the trumpet a6 XI/10
Sing we merrily / Blow up the trumpet (ps. 81: 1-4) a5 XIV/20-21
Sing ye to our god a3 XI/24
Sing ye to our Lord (ps. 149: 1-2) a3 XIV/6
Sith Death at length (1 voice and 4 viols) XV/22
Sith that the tree (1 voice and 4 viols) XV/23
Solve iubente Deo a6 VIIb/16
Speciosus forma / Lingua mea a5
V/17
Spiritus Domini replevit / Exsurgat Deus a5 VIIb/7
Surge illuminare a4 VIIa/15
Susanna fair a5
XII/29
Suscepimus Deus / Magnus Dominus / Gloria Patri et Filio a5 V/1
Susanna fair a3
XIII/8
Susanna fair a5
XVI/22
Teach me, o Lord. see: Second Preces and Psalms
Te deprecor (2nd part of: Tribue Domine) a6 I/15
Terra tremuit a5 VIIa/23
The eagle's force (text by Th. Churchyard) a3 XIV/1
The careless thoughts are freed (2nd part of: From Cytheron) a4 XIII/20
The day delay'd (1 voice and 4 viols) by Byrd? XV/44
The fair young virgin a5 XVI/1
The greedy hawk (text from Whitney's "A choice of emblemes", 1586) a3
The Lord is only my support (1 voice and 4 viols) XV/2
The man is blest (1 voice and 4 viols) XV/4
The match that's made for just and true respects a5 XII/26
Then for a boat (2nd part of: Upon a summer's day) a3 XIII/13
The nightingale so pleasant a3 XIII/9
Third service: Magnificat / Nunc dimittis a5 Xa/7
This day Christ was born a6. see: A carol for Christmas day
This sweet and merry month (reprint of no. 8 in "The first sett of Italian
madrigalls Englished", 1590; text by Th. Watson?) a4 XIV/9
This sweet and merry month of May a6 XVI/3

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Though Amaryllis dance in green a5 XII/12 & XVI/12


Though I be Brown (1 voice and 4 viols) XV/38
Thou God that guid'st a2 & a5 XI/16
Thou poets' friend (1 voice and 4 viols) XV/24
Timete Dominum / Inquirentes autem a5 VIa/5
Tollite portas / Quis ascendet a5 V/13
Tribue Domine a6 I/14
Tribulationes civitatum / Timor et hebetudo / Nos enim pro peccatis nostris
a5
II/14
Tribulatio proxima est / Contumelias et terrores a5 III/5
Tristia et anxietas / Sed tu Domine qui non derelinquis a5 II/4
Triumph with pleasant melody / What unacquainte cheerful voice / My faults
o Christ (1 voice and 4 viols) XV/12
Truth at the first (1 voice and 4 viols) XV/26
Truth for a time (1 voice and 4 viols) XV/25
Tu es pastor ovium a6 VIIb/19
Tu es Petrus a6
VIIb/17
Tui sunt coeli a4 VIIa/4
Turn our captivity (ps. 125: 5-7) a6 XIV/30
Unam petii a Domino / Ut videam voluntatem Domini a5 VIa/2
Unto the hills (ps. 21) a6 XIII/45
Upon a summer's day / Then for a boat a3 XIII/12-13
Veni sancte spiritus et emitte / O lux beatissima / Da tuis fidelibus a4 VIIb/12
Veni sancte spiritus reple a5 VIIb/9
Venite comedite a4 VIIa/14
Venite exultemus Domino a6 VIIb/22
Victimae paschali / Dic nobis Maria a5 VIIa/22
Vide Domine afflictionem / Sed veni Domine a5 II/6
Vide Domine quoniam tribulor / Quoniam amaritudine (by Byrd?) a5 IX/26
Viderunt omnes a4 VIIa/5
Viderunt omnes / Notum fecit Dominus a4 VIIa/2
Vidimus stellam ejus a4 VIIa/12
Vigilate nesictis enim a5 II/9
Viri Galilei quid admiramini / Omnes gentes plaudite a5 VIIb/1
Virgo Dei genitrix a5 V/8
Visita quaesumus Domine a4 VIb/3
Vultum tuum deprecabuntur / Eructavit cor meum a5 V/16
Wedded to will is witless a5 XIV/23
Weeping full sore a5 XIII/26
What is life or worldly pleasure a4 XIV/14
What pleasure have great princes a5 XII/19 & XVI/5
What steps of strife (1 voice and 4 viols) XV/27
What vaileth it to rule a5 XVI/6
What wights are these? (fragment) XVI/45
When first by force a5 XIII/31 & XVI/30
When Israel came out of Egypt. see: Second Preces and Psalms
When I was otherwise a5 XIII/30
When younglings first / But when by proof a3 XIII/10-11
Wherat an ant (2nd part of: In winter cold) a3 XIV/4
Where Fancy fond a5 XII/15 & XVI/15
Where the blind (1 voice and 4 viols) XV/39
While Phoebus used to dwell (1 voice and 4 viols) XV/28
While that a cruel fire (fragment) XVI/46

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MUZIEKHANDEL SAUL B. GROEN


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While that the sun a4 XIII/23


Who likes to love a5 XII/13 & XVI/13
Who looks may leap a3 XIV/5
Who made thee Hob (for 2 voices and 4 viols) a6 XIII/41
Whom hateful harms (1 voice and 4 viols) by Byrd? XV/45
Why do I use my paper ink and pen? a5
XII/33 & XVI/26
With lilies white (1 voice and 4 viols) XV/40
With sighs and tears (fragment) XVI/47
Wounded I am / Yet of us twain a4 XIII/17-18
Wretched Albinus (1 voice and 4 viols) XV/41
Ye sacred muses (1 voice and 4 viols) XV/32
Yet of us twain (2nd part of: Wounded I am) a4 XIII/18
b) The Byrd Edition; gen. ed. Ph. Brett
360.S11

Volume I; ed. C. Monson


Cantiones quae ab argumento..., 1575
"Cantiones quae ab argumento sacrae vocantur, quinque et sex partium, autoribus Thoma Tallisio & Guielmo Birdo Anglis, serenissimae reginae maiestati a
privato sacello generosis, & organistis...Excudebat Thomas Vautrollerius
typographus Londinensis...", London, 1575
34 motets a5-a8: 17 by Tallis, 17 by Byrd
The 17 motets by Byrd (nos. in 1575 print in parentheses):
1. Emendemus in melius quae ignoranter peccavimus / Adiuva nos Deus salutaris noster a5 (3)
2. Libera me Domine et pone me iuxta te / Dies mei transierunt a5 (5)
3. Peccantem me quotidie (Let us arise from sin) a5 (6)
4. Aspice Domine quia facta est a6 (10)
5. Attollite portas prinicpes (Lift up your heads; O ye gates) a6 (11)
6. O lux beata Trinitas / Te mane laudem / Deo patri sit gloria a6 (12)
7. Laudate pueri Dominum a6 (17)
8. Memento homo quod cinies est (O Lord give ear) a6 (18)
9. Siderum rector a5 (19)
10. Da mihi auxilium de tribulatione a6 (23)
11. Domine secundum actum meum / Ideo deprecor maiestatem tuam a6 (24)
12. Diliges Dominum Deum tuum a8 (25)
13. Miserere mihi Domine a6 (29)
14 - 16. Tribue Domine - Te deprecor - Gloria patri qui creavit a6 (30-32)
17. Libera me Domine de morte aeterna a5 (33)
Manuscript sources:
B-Br II-410: table book, ca. 1620 (1, 2)
F-Pc (in F-Pn) Rs. 1186 (2)
GB-Cfm 178 (4, 8, 14)
GB-Ckc 26 (1-3)
GB-Lbl Add. mss: 5059 (5), 14398 (12), 17786-17790 (7), 17792-17796
(7), 18936-18939 (1), 23624 (2-12, 14-17), 29247 (4-6,
8), 29996 (6), 30480-30484 (1), 30810-30815 (4-6, 8)
and 47844 (2, 6, 7, 10)
GB-Lbl Madr. Soc.: A.22-A.27 (1) and C.8 (7, 9)
GB-Lbl R.M.: 24.c.11 (1, 7, 14), 24.d.2 (3-5) and 24.h.11 (7)
GB-Lcm: 1065 (13), 2041 (4-6, 8) and 2089 (4-6)
GB-Ob Mus.: e.1-5 (5) and f.25-28 (12)
GB-Ob Tenbury: 340 (4-6, 14-16), 341-344 (1, 5, 6, 8), 369-373 (1),

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

379-384 (4, 14), 997 (1-4) and 1469-1471 (8)


US-NYp Drexel 4180-4185 (7)
361.S11

135,--

Volume II; ed. A. Brown


Cantiones Sacrae I, 1589
"Liber primus sacarum cantionum quinque vocum. Autore Guilielmo Byrd...
Excudebat Thomas Est ex assignatione Guilielmi Byrd...", London, 1589
16 sacred songs a5:
1. Defecit in dolore / Sed tu Domine refugium
2. Domine praestolamur / veni Domine
3. O Domine adjuva me
4. Tristia et anxietas / Sed tu Domine qui non derelinquis
5. Memento Domine congregationis tuae
6. Vide Domine afflictionem / Sed veni Domine
7. Deus venerunt gentes / Posuerunt morticinia / Effuderunt sanguinem / Facti
sumus opprobrium (ps. 78: 1-4)
8. Domine tu jurasti
9. Vigilate nesictis enim
10. In resurrectione tua Domine
11. Aspice Domine de sede sancta tua / Respice Domine
12. Ne irascaris Domine / Civitas sancti tui (O Lord turn thy wroth; Let not thy
wrath; Behold I bring you glad tidings)
13. O quam gloriosum / Benedictio et claritas
14. Tribulationes civitatum / Timor et hebetudo / Nos enim pro peccatis nostris
15. Domine secundum multitudinem
16. Laetentur coeli / Orietur in diebus tuis
Manuscript sources:
B-Br II. 4109: table book, c.1620 (7, 10, 12)
GB-Cfm 179: score (1)
GB-Cp: "Former" set (12) and "Latter" set (16)
GB-DRc A 3: organ (12), C 4 - C 7 (12), C 9 - C 11 (12), C 15 (12), C 17
(12) and C 19 (12)
GB-EL (in: GB-Cu) 1: organ (12), 2: organ (12) and 29: T (12)
GB-CF D/DP.Z6/1: B (2, 4, 6-8, 10-15)
GB-GL : B, c.1640 (12), TD from adds. to Barnard partbooks (12), organ
part, 17th-18th c. (12)
GB-Lbl Add.: 5058: score (1, 4, 8-11, 14-16), 5059: score (2), 14398: score
(1-12), 17784: B (12), 17792-17796: Sx lacking (4, 10, 12, 13),
23624: score (8), 29247: lute (5, 6, 8, 9, 12, 14, 15), 29372-29377:
Myriell's "Tristitiae Remedium" (10, 12), 29427 (10), 30087: score
(12), 30478: TC (12), 30479: TC (121), 30481-30484 (12),
32377: C (2, 12) and 47844: Ct (12)
GB-Lbl Harley 7337: score (12)
GB-Lbl RM: 24.c.11: score (12), 24.d.2: score (4, 5, 11-14), 24.h.11: score
(12).
GB-Lcm 1047: TD (12), 1189: score (12), 2036: CAB (16: 2nd part only),
and 2089: lute (1, 4, 6, 8, 9, 12, 14-16)
GB-Lcm Madrigal Society: B.1 - B.10 (13), G.27: T (9, 15)
GB-Lsp: TD, BD and BC (12)
GB-Ob mus. d.162: BD (12) and e1. - e.5 (2, 11, 12, 14)
GB-Ob mus.sch.: c.45-c.50 (10, 16), e.423: Ct (2-16)
GB-Ob Tenbury 341-344: B lacking (2, 4-15), 349-353 (13), 359-363 (13),
369-373 (1, 4, 6-15), 374-378 (13), 389: C (2, 4, 6-8, 1-14, 16),

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

Page 114 of 465

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

1382: T (12), 1442: B (12), 1469-1471: T & Q lacking (12) and


1486: T (7, 10, 12-14, 16)
GB-Och 10: score (12), 47: organ (12), 984-988 (2-4, 7, 8, 10, 12-14, 16)
and 979-983 & 1024: T lacking (2-6, 11-14)
GB-Ojc 181: B (12)
GB-WB P 14: T (12) and P 12: Ct (12)
GB-Y M.: 1/2 and 1/5 - 1/8: CtC, MD, CtD, TD and BD (12), 499: B (12)
IRL-Dtc Press B.1.32: printed book with ms. adds. (12)
US-BEm M2. C645. Case B: organ part (12)
US-NH the Filmer partbooks (10)
US-NYp Drexel 4180-4184 (10, 12) and the Chirk Castle partbooks (12)
private collections: the Wilmott ms.: CT (7, 10, 12-14, 16) and the James ms.:
S (2, 4, 6-8, 10-14, 16)
Early prints:
1641: "The first book of selected church musick...collected out of divers approved authors, by John Barnard...", London, E. Griffin (12)
1663; 2/1664: J. Clifford: "The Divine Services and Anthems usually sung in the
cathedrals and collegiate choirs of the Church of England", London (12) 156,-362.S11

Volume III; ed.A. Brown


Cantiones Sacrae, II (1591)
"Liber secundus sacrarum cantionum, quarum aliae ad quinque, aliae ver ad
sex voces aeditae sunt. Autore Guilielmo Byrd...Excudebat Thomas Este ex
assignatione Guilielmi Byrd...", London, 1591
21 motets (nos. 1-13: a5; nos. 14-21: a6):
a5:
1. Laudibus in sanctis / Magnificum Domini / Hunc arguta
2. Quis est homo qui vult venire / Diverte a malo (ps. 33)
3. Fac cum servo tuo (ps. 118: 124-125)
4. Salve Regina / Et Iesum benedictum
5. Tribulatio proxima est / Contumelias et terrores
6. Domine exaudi orationem / Et non intres in judicium (ps. 112: 1-3)
7. Apparebit in finem
8. Haec dicit Dominus vox / Haec dicit Dominus quiescat
9. Circumdederunt me dolores (ps. 114: 3)
10. Levemus corda nostra
11. Recordare Domine testamenti tui / Quiescat Domine
12. Exsurge quare obdormis Domine (ps. 43: 23-24)
13. Miserere mei Deus (ps. 50: 3)
a6:
14. Descendit de caelis / Et exivit per auream portam
15. Domine non sum dignus
16. Infelix ego / Quid igitur facima? / Ad te igitur
17. Afflicti pro peccatis / Ut eruas nos a malis
18. Cantate Domino canticum novum (ps. 149)
19. Cunctis diebus
20. Domine salva nos
21. Haec dies quam fecit Dominus
Manuscript sources:
GB-Cfm 178: score (19)
GB-Cp: "Latter" set: MD, CtD, TD, BD, MC (3)
GB-CF D/DP.Z6/1: B (7-10, 12, 16)
GB-Lbl Add.: 5058: score (3, 7), 29246: lute (16: opening only), 29247: lute

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

Page 115 of 465

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

(3, 7, 8, 16), 30810-30815 (15, 16, 20), 32377: C (19), 4115641158: CAB (16: opening only)
GB-Lbl RM. 24.d.2: score (16, 19: opening only)
GB-Lcm 2035: CAB (19: opening only), 2036: CAB (16: opening only),
2089: lute (3, 7, 8, 11)
GB-Lcm Madrigal Society: G.27: T (4)
GB-Ob mus.sch. e.423: Ct (2, 4-14, 16, 17, 19)
GB-Ob Tenbury: 340: lute (16, 19, 20), 341-344: B lacking (3, 7-9, 13, 16:
opening only), 349-353 (4), 369-373 (2-4, 7, 8), 379-384 (19), 389:
C (3, 7-9, 12, 16), 807-811: B lacking (14-21) and 1486: T (16, 19)
GB-Och 45: table book (16: opening only), 979-983 & 1024 (6, 7, 9, 10, 12,
14, 16: parts 1 & 2 only; 17, 19) and 984-988 (3, 5-7, 12, 13)
GB-Y M. 5/2 (1: 3rd part only; 18, 21)
IRL-Dtc Press B.1.32: printed book with ms. adds. (17)
private collections: the Willmott ms.: CT (16) and the James ms.: S (3, 7-9, 12,
16).
164,-363.S11

364.S11

Volume IV; ed. Ph. Brett


The Masses
1. Mass for 4 voices: Kyrie-Gloria-Credo-Sanctus-Agnus Dei
2. Mass for 3 voices: Kyrie-Gloria-Credo-Sanctus-Agnus Dei
3. Mass for 5 voices: Kyrie-Gloria-Credo-Sanctus-Agnus Dei
First prints:
The 3 separate editions by Thomas East, London, without title pages, of
1592/93 (1), 1593/94 (2) and 1594/95 (3)
Manuscript sources:
GB-Cfm 112: score (2) and 179: score (2)
GB-Lbl Add. 29382-29385 (2)
GB-Lbl RM. 24.d.2 (2)
GB-Lcm Madrigal Society A.52-56 (2: Kyrie and Gloria only)
GB-Ob f.17-19: ATB (1, 2)

108,--

Volume V; ed. Ph. Brett


Gradualia I, part 1: the Marian masses a5
1. Suscepimus Deus / Magnus Dominus / Gloria Patri et Filio
2. Sicut audivimus
3. Senex puerum portabat
4. Nunc dimittis servum tuum / Quia viderunt / Lumen ad revelationem
5. Responsum accepit Simeon
6. Salve sancta parens / Eructavit cor meum
7. Benedicta et venerabilis
8. Virgo Dei genitrix
9. Felix es sacra Virgo Maria
10. Beata es Virgo Maria
11. Beata viscera Mariae virginis
12. Rorate caeli / Benedixisti Domine / Gloria Patri et Filio
13. Tollite portas / Quis ascendet
14. Ave Maria gratia plena
15. Ecce Virgo concipiet / Alleluia
16. Vultum tuum deprecabuntur / Eructavit cor meum
17. Speciosus forma / Lingua mea
18. Post partum virgo
19. Felix namque es sacra virgo Maria

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
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_______________

20. Alleluia. Ave Maria / Alleluia. Virga Iesse floruit


21. Gaude Maria
22. Diffusa est gratia / Propter veritatem / Audi filia / Vultum tuum / Adducentur Regi / Adducentur in laetitia
23. Gaudeamus omnes in Domino / Assumpta est Maria
24. Assumpta est Maria
25. Optimam partem elegit
First print:
"Gradualia: ac cantiones sacrae, quinis, quaternis, trinisque vocibus concinnatae
...Authore Gulielmo Byrd...", London, Th. East, 1605 (1-25)
Manuscript sources:
GB-Lbl Add. 5058: score (23: part 1 only), 34040: C (10) and 41156-41158:
SAB (1, 6, 12)
GB-Lcm 2035: CAB (1, 6, 12) and 2036: CAB (1, 12; 22: Propter veritatem
Adducentur regi only)
GB-Ob Tenbury 349-353 (10) and 369-373 (1, 4, 6, 8, 10-15; 16: Alleluia
only; 21; 22: Propter veritatem only; 23, 25)
153,-365.S11

Volume VIa; ed. Ph. Brett


Gradualia I, part 2: All Saints & Corpus Christi a5-a4
nos. 1-7: a5; nos. 8-15 a4
a5:
a) Non-liturgical works:
1. Adoramus te Christe (1 voice and 4 viols)
2. Unam petii a Domino / Ut videam voluntatem Domini
3. Plorans ploravit et deducet / Dic Regi
b) All Saints:
4. Gaudeamus omnes / Exultate iusti / gloria Patri et Filio
5. Timete Dominum / Inquirentes autem
6. Iustorum animae in manu Dei sunt
7. Beati mundo corde
c) Corpus Christi:
a4:
8. Cibavit eos / Exultate Deo / Gloria Patri et Filio
9. Oculi omnium in te / Aperis tu manum / Caro mea
10. Sacerdotes Domini
11. Quotiescunque manducabitis
d) Antiphons and hymns for Corpus Christi and the Blessed Sacrament:
12. Ave verum corpus
13. O salutaris hostia
14. O sacrum convivium
15. (chant: Pange lingua) / Nobis datus nobis natus / verbum caro / Tantum ergo
First print:
"Gradualia: ac cantiones sacrae, quinis, quaternis, trinisque vocibus concinnatae
...Authore Gulielmo Byrd...", London, Th. East, 1605 (1-15)
Manuscript sources:
GB-Cfm 57: score (4: part 2 only; 5: verse only) and 114: score (11)
GB-Lbl Add.: 5058: score (3; 4: part 1 only), 18936-18939: CATB (1, 12),
35001: score (11)
GB-Lcm 2036: CAB (5: verse only)
GB-Ob Tenbury: 349-359 (5), 359-363 (4: part 2 only; 5), 369-373 )1, 3, 4:
part 2 only; 5, 7) and 374-378 (4: part 2 only; 5)

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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MUZIEKHANDEL SAUL B. GROEN


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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

366.S11

Volume VIb; ed. Ph. Brett


Graduala I, part 3: Other Feasts & Devotions
nos. 1-12: a4; nos. 13-23: a3
a4:
a) Antiphons and other settings of sacred texts:
1. Ecce quam bonum / Quod descendit in oram (ps. 132)
2. Christus resurgens / Dicant nunc Iudaei
3. Visita quaesumus Domine
4. Salve Regina / Eia ergo
5. Alma redemptoris mater
6. Ave Regina caelorum
7. In manus tuas Domine
8. Laetania
9. Salve sola Dei genitrix
10. Senex puerum portabat
11. Hodie beata Virgo Maria
12. Deo gratias
a3:
13. Quem terra pontus aethera / Cui luna / Beata Mater / Beata caeli nuncio /
Gloria tibi Domine
14. O gloriosa Domina / Quod Eva tristis / Tu regis alti / Gloria tiibi Domine
15. Memento salutis auctor / Maria mater gratia / Gloria tibi Domine
16. Ave maris stella / Sumens illud ave / Solve vincla reis / Monstra tge esse
matrem / Virgo singularis / Vitam praesta puram / Sit laus Deo Patri
17. Regina caeli / Quia quem meruisti / Resurrexit sicut dixit / Ora pro nobis
b) Holy Week and the Easter season:
18. Alleluia. Vespere autem sabbathi / Quae lucescit
19. Haec dies
20. Angelus Domini descendit
21. Post dies octo / Mane nobiscum
22. Iesum Nazarenum (Turbarum voces in Passione Domini sec. Ioannem)
c) Antiphon for the Candlemas processsion:
23. Adorna thalamum tuum Sion / Subsistit Virgo
First print:
"Gradualia: ac cantiones sacrae, quinis, quaternis, trinisque vocibus concinnatae
...Authore Gulielmo Byrd...", London, Th. East, 1605 (1-23)
Manuscript sources:
GB-Lbl Add.: 29246: lute (13-17), 34800 AB: ST (13-16), 41156-41158:
CAB (4: opening only; 5: opening only; 16, 17)
GB-Lcm 2036: CAB (5: opening only; 13-16)
GB-Ob f.17-19: ATB (1)
GB-Y M.5/2: SDCQ (13, 18)
US-Ws 460328: ATB (1: part 1 only)
119,--

367.S11

Volume VIIa; ed. Ph. Brett


Gradualia II, part 1: Christmas to Easter
nos. 1-19: a4; nos. 20-24: a5
a4:
a) Mass of the Nativity:
1. Puer natus est nobis / Cantate Domino / Gloria Patri et Filio
2. Viderunt omnes / Notum fecit Dominus
3. Dies sanctificatus illuxit nobis
4. Tui sunt coeli

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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MUZIEKHANDEL SAUL B. GROEN


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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

5. Viderunt omnes
b) Christmas antiphons and responds:
6. Hodie Christus natus est
7. O admirabile commercium
8. O magnum misterium
9. Beata virgo / Ave Maria
c) Mass of the Epiphany:
10. Ecce advenit / Deus iudicium / Gloria Patri et Filio
11. Reges Tharsis
12. Vidimus stellam ejus
15. Surge illuminare
d) Motets for the Mass of the Blessed Sacrament:
13. Ab ortu solis cardine
14. Venite comedite
e) Corpus Christi and the Votive Mass of the Blessed Sacrament:
16. Alleluia. Cognoverunt discipuli
17. Ego sum panis vivus
18. O quam suavis est Domine (hymn for the Ascension)
19. Iesu nostra redemptio / Quae te vicit / Inferni claustra / Ipsa te cogat / Tu
esto nostrum gaudium
a5:
e) Mass on Easter Day:
20. Resurrexi / Domine probasti me / Gloria Patri et Filio
21. Haec dies
22. Victimae paschali / Dic nobis Maria
23. Terra tremuit
24. Pascha nostrum immolatus est
First print:
"Gradualia: seu cantionum sacrarum quarum aliae ad quator, aliae ver ad
quinque et sex voces editae sunt. Liber secundus. Authore Gulielmo Byrde...
Excudebat Thomas Este Londini, ex assignatione Gulielmi Barley", London,
1607 (1-24)
Manuscript sources:
GB-Cfm 114: score (2-14, 16-19)
GB-Ob: f.1-6 (21, 24) and f.17-19: ATB (1-6, 8, 9; 10: verse only; 15, 19;
20: verse only)
368.S11

148,--

Volume VIIb; ed. Ph. Brett


Gradualia II, part 2: Ascension, Pentecost, St. Peter & Paul
nos. 1-13: a5; nos. 14-22: a6
a5:
a) Mass of the Ascension and antiphon, second Vespers:
1. Viri Galilei quid admiramini / Omnes gentes plaudite
2. Alleluia. Ascendit Deus
3. Dominus in Sina
4. Ascendit Deus
5. Psallite Domino
6. O rex gloriae Domine virtutum
b) Mass of the Pentecost and Magnificat antiphon, first Vespers:
7. Spiritus Domini replevit / Exsurgat Desu
8. Alleluia. Emitte spiritum
9. Veni sancte spiritus reple
10. Confirma hoc Deus

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

Page 119 of 465

MUZIEKHANDEL SAUL B. GROEN


8 FERD BOLSTRAAT
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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

11. Factus est repente


12. Veni sancte spiritus et emitte / O lux beatissima / Da tuis fidelibus
13. Non vos relinquam orphanos
a6:
c) Mass and antiphons, feast of SS. Peter & Paul and St. Peter's chains:
14. Nunc scio vere / Domine probasti me / Gloria Patri et Filio
15. Constitues eos principes / Pro patribus tuis
16. Solve iubente Deo
17. Tu es Petrus
18. Hodie Simon Petrus
19. Tu es pastor ovium
20. Quodcunque ligaveris
d) Miscellaneous motets:
21. Laudate Dominum omnes gentes (ps. 116)
22. Venite exultemus Domino
First print:
"Gradualia: seu cantionum sacrarum quarum aliae ad quator, aliae ver ad
quinque et sex voces editae sunt. Liber secundus. Authore Gulielmo Byrde...
Excudebat Thomas Este Londini, ex assignatione Gulielmi Barley", London,
1607 (1-22)
Manuscript sources:
GB-Lcm Madrigal Society A.16-21 (20)
GB-Ob f.1-6 (1-15, 17, 20-22)
GB-Ob Tenbury 349-353 (1-5) and 359-363 (1)

148,--

369.S11

Volume VIII; ed. W. Edwards


Latin Motets from ms. sources, part 1: to the late 1570s
1. Alleluia. Confitemini Domino a4
2. Similis illis fiant a4 (= 2nd section of: In exitu Israel; 1st section by J.
Sheppard; 3rd section by W. Mundy)
3. (chant: Christe qui lux es) / Precamur sancte Domine a4
4. (chant: Christe qui lux es) / Precamur sancte Domine a5
5. De lamentatione Ieremiae prophetae / b. Heth / c. Cogitavit Dominus / d.Teth
e. Defixae sunt / f. Joth / g. Sederunt in terra / h. Ierusalem convertere a5
6. O salutaris hostia a6
7. Ad Dominum cum tribularer / Heu mihi (ps. 119) a8
8. Domine quis habitabit (ps. 14) a9
9. Petrus beatus / Quodcunque vinclis / Per immensa saecula / Gloria Deo a5
10. Ave regina caelorum (by Byrd?) a5
11. Ne perdas cum impiis / Eripe me Domine a5
12. Omni tempore benedic Dominum / Memor esto fili a5
Appendix:
Sections 1 (In exitu Israel, by J. Sheppard) and 3 (Benedixit omnibus ,by W.
Mundy of no. 2
159,--

370.S11

Volume IX; ed. W. Edwards


Latin Motets from ms. sources, part 2: from the late 1570s onward
alphabetical listing of titles:
13. Ad punctum in modico / In momento indignationis (fragmentary) a5
14. Audivi vocem de caelo a5
15. Benigne fac Domine a5
16. Circumspice Ierusalem / Ecce enim veniunt a6
17. Decantabat populus (by Byrd?) a5

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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MUZIEKHANDEL SAUL B. GROEN


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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

18. Deus in adiutorium / Avertantur retrorsum / Exultent et laetentur / Et dicant


semper / Ego vero egenus a6
19. Domine ante te omne desiderium (ps. 37: 10-11) a6
20. Domine Deus omnipotens / Ideo misericors a5
21. Domine exaudi orationem meam et clamor a5
22. Peccavi super numerum a5
23. Quomodo cantabimus / Si non proposuero a8
24. Reges Tharsis (by Byrd?) a5
25. (chant: Sacris solemnis) / Noctis recolitur / Dedit fragilibus / Panis angelicus
(by Byrd?) a5
26. Vide Domine quoniam tribulor / Quoniam amaritudine (by Byrd?) a5
27. Sanctus (by Byrd?) a3
159,-Sources for volumes VIII and IX:
GB-Cfm 178: score (16)
GB-CF D/DP.Z6/1: B (13, 14)
GB-Lbl Add: 5058: score (5: e,f,g,h; 14), 17802-17805 (2), 18936-18939:
Q lacking (1, 27), 23624: score (23, 26), 29247: lute (14, 22),
31390: table book (6, 7), 32377: CC (3, 5), 37402-37406 (17)
and 47844: Ct (22)
GB-Lbl RM. 24.d.2: score (1, 8, 11, 12, 23)
GB-Lcm 2041: Medius (16), 2089: lute (10, 11, 14)
GB-Lcm G.9-15 (23)
GB-Ob mus.sch. e.423: Ct (11-15, 22)
GB-Ob Tenbury: 340: lute (16), 341-344: B lacking (9, 14), 369-373 (5: b,c,
e,g,h; 9, 10, 14), 379-384 (16), 389: C (6, 14, 18, 21-23, 26)
and 1486: T (9, 10)
GB-Och 45: table book (1), 979-983 & 1024 (5, 6, 11, 12, 14, 15, 18-20,
22, 24, 25) and 984-988 (4, 14, 17)
private collections: the Willmott ms. (9, 10) and the James ms. (6, 14, 18,
21-23, 26)
371.S11

Volume Xa; ed. C. Monson


The English Services, part 1
1. Preces / Responses a5
2. First preces and psalms: Preces, a5 / O clap your hands, a5 / Save me o
God, a7 (ps. 47 & 54)
3. Second preces and psalms: Preces, a5 / When Israel came out of Egypt,
a5 / Hear my prayer o God, a5 / Teach me o Lord, 1 and 5 voices + organ
(ps. 114, 55 & 119: 33) 2 versions
4. Litany a5
5. Short service: Venite / Te Deum / Benedictus / Kyrie / Creed / Magnificat /
Nunc dimittis a6
6. Second service: Magnificat / Nunc dimittis M solo and 5 voices with organ
7. Third service: Magnificat / Nunc dimittis a5
Sources:
a) manuscripts
GB-Cfm 117: score (5: without Venite; 6)
GB-Cp the "former" set: CtD2, TD and TC lacking (2, 3)
GB-Cp the "latter" set: CtC at least lacking (1, 2; 5: without Venite)
GB-Cpc mus. 6.1-6: MC, CtC lacking (6)
GB-Cp G.v.30: prayer book with music interleaved (1; 5: Kyrie only)
GB-DRc A 1: organ (1: responses only; 5: without Venite), C 8: Ct (5: without
Venite), C 12: T (5: without Venite), C 13: T (3; 5: without Venite), C 18:

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
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_______________

BD (2), E 4-11 (3) and E 11a: CT (3; 5: without Venite


GB-EL (in GB-Cu) 1: organ (4; 5: without Venite; 6) and 28: T (5: without
Venite; 6)
GB-GL B (3: ps. 55 inc. & ps. 119: 33 only; 5: without Venite), TD and TC:
ms. copies of Barnard partbooks with additions (2, 3, 5: without Venite),
B, c.1700 (5: without Venite) and organ, c.1670 (5: without Venite)
GB-Lbl Add: 17784: B (6), 29289 (5)
GB-Lbl RM. 23.1.4: B. Cosyn's virginal book (5) and 23.m.4: CtC (5: without
Venite, Kyrie, Creed)
GB-Lcm 1045-1051 (5)
GB-Llp 764: B (2, 3, 6)
GB-Lsp partbooks: CtD, TD (5: without Venite)
GB-Ob mus. c.48: BD (5: without first 2 mvts.), and d.162 & e.23-25: BD,
A, T, B (5: without Venite e.a.; 7)
GB-Och 6: organ (3: ps. 119: 33 only), 88: organ (1; 5: Te Deum, Magnificat
& Nunc dimittis only), 437: organ (5: without Venite), 438: organ (5: without Venite & Kyrie), 1001: organ (5, 7) and 1220-1224: 3 parts at least
missing (5: without Venite; 6)
GB-Ojc 180: B (2; 3: ps. 114 & 55 only; 5-7) and 315: B (5: Te Deum only)
GB-Ob Tenbury 791: organ (6), 1023: score (5: Te Deum & Benedictus only),
1382: T (4) and 1442: B (5: without Venite & Benedictus)
GB-Och Gibbs 12 (1; 5 : Kyrie only)
GB-WB P 11 & 14-17: Ct, T, T, B, BD (2: ps. 54 only; 5: Te Deum, Magnificat & Nunc dimittis only), P 11: Ct (6)
GB-WRch 2a: CtD (2: ps. 54 only), 3: TC (5: imperfect, without Venite), 4:
BD (5: without Venite) and 51: organ (5: without Venite)
GB-Y 1/1-8: the Gostling partbooks (5), and M.29: B (3)
US-NYp: the Chirk Castel partbooks (3: ps. 119: 33 only; 4)
b) Prints:
1641/5: "The first book of selected church musick...Collected out of divers
approved authors by John Barnard...", London, E. Griffin (2; 3: ps.114
only; 5-7)
1664: J. Clifford: The Divine Services and Anthesm usually sung in the cathedrals and collegiate choirs of the Church of England", London, 1663
(3: ps. 119: 33 only)
135,-372.S11

Volume Xb; ed. C. Monson


The English Services, part 2
The Great service: Venite / Te Deum / Benedictus / Kyrie / Creed / Mangificat/
Nunc dimittis
a10
Sources:
GB-Cp the "former" set: 4 partsk lacking (Magnificat and Nunc dimittis only)
and CtD, TD and BC from the "latter" set (Magnificat and Nunc
dimittis only)
GB-Cpc mus. 6.1-6: MC, CtC and organ missing (without Venite)
GB-DRc A 1: organ (without Venite), A 2: organ (without Venite), C 13: T
(without Venite), C 18: BD (without Venite), E.4-11: CtD and BD
lacking; E 11a: Ct (without Venite)
GB-Lbl Add. 17792-17796: Sx lacking (Te Deum only), 31443: score (Magnificat imperfect; without Venite and Nunc dimittis)
GB-Lbl RM. 24.d.2: autograph score of J. Baldwin (fragments of Te Deum
and Benedictus only)
GB-Ob Tenbury 791: organ (without Venite)

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FAX +31 (0)20-6762240
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_______________

GB-Y M.31/1: MD (Venite & Te Deum only)


373.S11

135,--

Volume XI; ed. C. Monson


The English Anthems
a) full anthems:
1. Arise o Lord, why sleepest thou / Help us o God a5-a6
2. Exalt thyself o God (inc.) a6
3. How long shall mine enemies triumph? a4
4. O God the proud are risen against me a6
5. O God whom our offences have justly displeased a5
6. O Lord make thy servant Elizabeth a6
7. Out of the deep a6 (by O. Gibbons?)
8. Prevent us o Lord a5
9. Save me, o God, for thy name's sake (by Byrd?) a5
10. Sing joyfully unto God our strength / Blow the trumpet a6
b) verse anthems:
11. Alack when I look back a1 & a5
12. Behold o God the sad and heavy case a2 & a5
13. Christ rising again / Christ is risen a6
14. Hear my prayer, o Lord, and consider a1 & a5
15. O Lord rebuke me not in thy fury a1 & a5
16. Thou God that guid'st a2 & a5
c) from secular sources:
17. Be unto me, o Lord, a tower a4
18. Come help o God a5
19. I laid me down a5
20. Look down o Lord a4
21. O praise our Lord / Extol the greatness / Praise him on tube / The gladsome
sound / All the creatures a5
d) fragmentary works:
22. Behold o God, with thy all prosp'ring eye (verse anthem; text only)
23. Let us be glad (verse anthem; text only)
24. Sing ye to our god a3
Sources of the music:
a) Manuscripts:
GB-Cfm 88: score (6, 8), 117: score (1, 5, 6, 8, 10)
GB-Cp: the "former" set (4, 6, 10) and the "latter" set (3, 6, 8) and ms. 46:
organ (4, 6, 10)
GB-Cpc Mus. 6.1-6 (1, 6, 9, 10, 13)
GB-DRc mss: A 1: organ (1, 3, 4, 6, 10), A 2: organ (10), A 5: organ (12, 13),
A6: organ (8, 9), C 1: M (1, 12, 13), C 2: Ct (13, 14, 16), C 2*: Ct
(4, 6, 8-10, 14), C 3: CtD 2 (13, 16), C 4: CtD 2 (1, 3, 4, 6, 8-13),
C 5: CtD 2 (1, 3, 4, 8-13), C 6: CtD 1 (1, 3 4, 6, 8-10, 12, 13),
C 7: CtC 1 (1, 3, 4, 6, 8-14, 16), C 9: TD (1, 3, 8, 11-13), C 10: TC
(1, 3, 9-13), C 11: TD (1, 3, 4, 6, 8-10, 13, 14, 16), C 12: T (1, 4, 6,
8, 10), C 14: TC (13, 14, 16), C 15: TD (1, 3, 4, 6, 8-10), C 16: BD
(1, 3, 4, 6, 8-10, 13, 14, 16), C 17: BC (1, 3, 4, 6, 8-10), C 19: B
(1, 3, 8, 12-14, 16), C 19a: B (10)
GB-EL 1: organ (1, 3, 4, 10), 4: organ (6, 9, 10, 16), 28: T (1, 6, 9, 10, 16)
GB-GL B, c.1640 (1, 8, 10); ms. copies of Barnard partbooks with additions:
TD (5, 8, 10, 13, 16) and TC (8); B, c.1700 (8, 10); organ part,
c.1670 (8, 10, 13, 14)
GB-LF: TD (9) and BC (6)

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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8 FERD BOLSTRAAT
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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

GB-Lbl Add: 15117: treble and lute (11), 17784: B (1, 6, 8-10, 13),
17792-17796: Sx lacking (3, 5, 10), 17797: CATQB (21),
18936-18939: CATB, Q lacking (21: only parts 3 and 4),
22597: T (3), 29247: lute (1, 3), 29366-29368: CBQ only (10: as by
Mudd), 29372-29377: Myriell's "Tristitiae Remedium" (8-10, 13, 18,
19), 30087: score (5, 6, 8, 10, 13-16), 30478: TC (1, 3-6, 8-10,
12-16), 30479: TC (1, 3, 4, 6, 8-10, 13, 14), 31992: lute
(1, 3, 5, 13, 21), 34203: organ (10), 37402-37406 (1)
GB-Lbl Egerton 2009 / 2011 / 2012: CAB: lacking: TQ (1)
GB-Lbl Harley 7337: score (6, 8, 10)
GB-Lcm 1045-1051: BD lacking (5, 6, 11, 13-16)
GB-Llp 764: B (1, 5, 6, 8, 13, 14, 16)
GB-Lsp TD, BD and BC (6, 8, 10)
GB-Ob d.162: BD (8, 11, 13, 14) and f.2024: Q lacking (10)
GB-Ob mus.sch. d.212-216 (10), d.233-236: T & Q lacking (13), e.381: Sx
(10), e.423: Ct (13)
GB-Ob Tenbury: 341-344: B lacking (1, 13), 389: C (1, 9), 791: organ (6, 11,
13, 14, 16), 1023: score (1, 2, 8), 1382: T (1, 3-6, 10, 11, 13, 14,
16), and 1442: B (9, 10)
GB-Och 6: organ (13, 16), 47: organ (6, 10), 56-60: B lacking (9), 525: organ
(6, 10), 354: MD (9), 551: TC (9), 984-988 (3, 6, 8), 1001: organ
(1, 3-11, 14, 16), 1012: B (8, 9) and 1220-1224: at least 3 parts
lacking (1, 3, 4, 6, 10, 13, 14)
GB-Ojc 180: B (1-3, 5, 6, 9-11, 13) and 181: B (4, 7, 8, 14, 16)
GB-SHR SRO 356 Mus.ms. 4: T (3)
GB-WB P 11 & 14 & 15 & 16 & 17 (9)
GB-WRch 1: CtD (1, 9), 1a: CtC (9), 2: CtD (1, 9), 3: TC (1, 9), 4: BD (1, 9)
GB-Y M. 1/1-8: the Gostling partbooks (6, 8-10) and M.29: B (1, 3, 4, 6,
8-10, 13, 14, 16)
US-BEm M2. C645. Case B: organ (4-6, 8-10)
US-CAh 30: 1-4: ATQB, C lacking (3)
US-NYp Drexel 4180-4185 (3, 5-8, 10), 4302: score (13) and 5469: organ
(1, 5, 6, 8-10, 13, 15)
US-NYp the Chirk Castle partbooks (13, 14, 16: attr. to Giles)
US-Ws V.a.412: T (13)
b) Printed sources:
1589: W. Byrd: "Songs of sundrie natures", London (13)
1641: "The first book of selected church musick...collected by J. Barnard",
London (5, 6, 8, 10, 13-16)
1611: W. Byrd: "Psalmes, songs and sonnets", London (24)
1614: Sir William Leighton: "The Teares or Lamentacions of a Sorrowfull
Soule", London (17-20)
1663: J. Clifford: "The Divine Services and Anthems usually sung in the cathedrals and collegiate choirs of the Church of England", London (2, 3, 5,
6, 8, 10, 13-16).
149,-374.S11

Volume XII; ed. Ph. Brett


Psalmes, Sonets and Songs, 1588 a5
"Psalmes, sonets, & songs of sadnes and pietie, made into musicke of five parts:
whereof, some of them going abroade among divers, in untrue coppies, are
heere truely corrected, and th'other being songs very rare and newly composed...by William Byrd", London, Th. East, 1588

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FAX +31 (0)20-6762240
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_______________

a) Psalms:
1. O God give ear (ps. 55)
2. Mine eyes with fervency of sprite (ps. 123)
3. My soul oppressed with care (ps. 119)
4. How shall a young man (ps. 119)
5. O Lord how long wilt thou forget (ps. 13)
6. O Lord who in thy sacred tent (ps. 15)
7. Help Lord for wasted are those men (ps. 12)
8. Blessed is he that fears the Lord (ps. 112)
9. Lord in thy wrath reprove me not (ps. 9)
10. E'en from the depth (ps. 130)
b) Sonnets & Pastorals:
11. I joy not in no earthly bliss
12. Though Amaryllis dance in green
13. Who likes to love
14. My mind to me a kingdom is (on text by Edward Dyer)
15. Where Fancy fond
16. O you that hear this voice (on text by sir Philip Sidney)
17. If women could be fair (on text by Edward de Vere, Earl of Oxford)
18. Ambitious love hath forced me to aspire
19. What pleasure have great princes
20. As I beheld I saw a heardsman wild
21. Although the heathen poets
22. In fields abroad
23. Constant Penelope
24. La verginella (on text by L. Ariosto)
25. Farewell false Love (on text by sir Walter Raleigh)
26. The match that's made for just and true respects
c) Songs of sadness and piety:
27. Prostrate o Lord I lie
28. All as a sea
29. Susanna fair
30. If that a sinner's sighs
31. Care for thy soul
32. Lullaby my sweet little baby
33. Why do I use my paper ink and pen? (text by H. Walpole?)
34. Come to me grief for ever (text by Th. Watson or E. Dyer)
35. O that most rare breast (text by Th. Watson or E. Dyer)
375.S11

n.y.p.

Volume XIII; ed. Ph. Brett


Songs of sundrie natures, 1589
"Songs of sundrie natures, some of gravitie, and others of myrth, fit for all companies and voyces. Lately made and composed into Musicke of 3.4.5. and 6.
parts....", London, Th. East, 1589:
a3:
1. Lord in thy rage (ps. 6)
2. Right blest are they (ps. 102)
3. Lord in thy wrath correct me not (ps. 38)
4. O God which art most merciful (ps. 51)
5. Lord hear my prayer (ps.102)
6. From depth of sin (ps. 130)
7. Attend mine humble prayer (ps. 143)
8. Susanna fair

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FAX +31 (0)20-6762240
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_______________

9. The nightingale so pleasant


10-11. When younglings first / But when by proof
12-13. Upon a summer's day / Then for a boat
14. The greedy hawk (text from Whitney's "A choice of emblemes", 1586)
a4:
15-16. Is Love a boy? / Boy pity me
17-18. Wounded I am / Yet of us twain
19-21. From Cytheron / There careless thoughts are freed / If Love by just
22. O Lord my God
23. While that the sun
24. Rejoice rejoice with heart and voice (chorus of no. 35)
25. Cast off all doubtful care (chorus of no. 40)
a5:
26. Weeping full sore
27. Penelope that longed
28. Compel the hawk (text by Th. Churchyard)
29. See those sweet eyes
30. When I was otherwise
31. When first by force
32. I thought that Love had been a boy
33. O dear life (tetx by sir Ph. Sidney)
34. Love would discharge (= 2nd part of no. 29)
35. From virgin's womb (for 1 voice and 4 viols)
36-37. Of gold all burnished / Her breath is more sweet
a6:
38-39. Behold how good a thing / And as the pleasant morning dew (ps. 133)
40. An earthly tree (for 2 voices and 4 viols)
41. Who made thee Hob (for 2 voices and 4 viols)
42-43. And think ye nymphs / Love is a fit of pleasure
44. If in thine heart
45. Unto the hills (ps. 21)
46-47. Christ rising again / Christ is risen again (for 2 voices and 4 viols c.q.
for 6 voices)
Sources:
GB-Cpc 6.1-6 (46, 47)
GB-DRc sources, all for nos. 46-47: A 5: organ, C 1: M, C 2: Ct, C 3: CtD2,
C 4: CtD2, C 5: CtC2, C6: CtD1, C 8: Ct, C 9: TD, C 10: TC,
C 11: TD, C 14: TC, C 16: BD and C 19: B
GB-GL TD, c.1660 (46, 47) and organ part, c.1670 (46, 47)
GB-Lbl Add: 17784: B (46, 47), 29372-29377 (46, 47), 29996: organ (24,
35, 40), 30087: score (46, 47), 30478: TC (46, 47), 30479:
TC (46, 47), 31443: score (1), 31992: lute (38-40, 46, 47),
GB-Lbl RM. 24.d.3: Will Forster's harpsichord book (8)
GB-Lcm 1045-1048 & 1051 (46, 47), 2041: M (38, 39),
GB-Llp 7643: B (46, 47)
GB-Ob mus.sch. d.162: BD (22, 46, 47), d.233-233: TQ lacking (46, 47)
and e.423: Ct (46, 47)
GB-Ob Tenbury 341-344: B lacking (46, 47), 791: organ (40, 46, 47), 1382:
T (46, 47)
GB-Och 1220-1224: several parts lacking (46, 47)
GB-Ojc 180: B (46, 47)
GB-WRch 1a: CtC (25)
GB-Y M.29: B (46, 47)

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

US-NYp Drexel 4302: score (46, 47) and 5469: organ (46, 47)
US-NYp the Chirk Castle partbooks (46, 47)
US-Ws V.a.408: Tr (46, 47)
1641: "The first book of selected church musick....collected by J. Barnard",
London (46, 47)
1663: J. Clifford: "The divine services and anthems usually sung in the cathedrals and collegiate choirs of the Church of England", London (46, 47)
376.S11

n.y.p.

Volume XIV; ed. J. Morehen


Psalmes, songs, and sonnets, 1611
"Psalmes, songs, and sonnets...Fit for voyces or viols of 3.4.5. and 6. parts.
Composed by William Byrd...", London, Th. Snodham, the assigne of W.
Barley, 1611
32 works a3-a6; * = on text from G. Whitney's "A choice of emblems", 1586
a3:
1. The eagle's force (text by Th. Churchyard)
2. *Of flatt'ring speech
3-4. *In winter cold / *Whereat an ant
5. *Who looks may leap
6. Sing ye to our Lord (ps. 149: 1-2)
7. I have been young (ps. 37: 25)
8. *In crystal towers
a4:
9. This sweet and merry month (reprint of no. 8 in "The first sett of Italian
madrigalls Englished", 1590; text by Th. Watson?)
10. Let not the sluggish sleep
11. A feigned friend
12. Awake mine eyes
13. Come jolly swains
14. What is life
15. Fantasia in g for 4 viols
16. Come let us rejoice (ps. 95: 1-2)
a5:
17. Retire my soul
18. Arise Lord into thy rest (ps. 132: 8-9)
19. Come woeful Orpheus
20-21. Sing we merrily / Blow up the trumpet (ps. 81: 1-4)
22. Crowned with flowers I saw fair Amarillis (text by E. Paston?)
23. Wedded to will is witless
24. Make ye joy to God (ps. 100: 1-2)
a6:
25. Have mercy upon me, for 1 voice and 5 viols (ps. 51: 1-2)
26. Fantasia in g for 6 viols
27. A carol for Christmas day: This day Christ was born (Hodie Christus natus
est)
28. A carol for New Year's day: O God that guides the cheerful sun, for 1
voice and 5 viols
29. Praise our Lord, all ye gentiles (ps. 117)
30. Turn our captivity (ps. 125: 5-7)
31. Ah silly soul, for 1 voice and 5 viols
32. How vain the toils, for 1 voice and 5 viols
Sources:
GB-DRc A 1: organ (25), C 1: M (25), C 10: TC (25), C 11: TD (25), C 19:

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

B (25)
GB-Lbl Add: 30478: TC (25: attr. to Gibbons), 31992: lute (32)
GB-Lbl Egerton 2009-2012 (22, 23)
GB-Lcm 2041 (22, 23)
GB-Llp 764: B (25)
GB-Ob f.20 & f.22-24: CSxTB (25)
GB-Ob Tenbury 791: organ (25)
GB-Ojc 181: B (25)
GB-SHR SRO 356 mus.ms. 5: B (25)
GB-Y M.29: B (25: attr. to Gibbons)
US-CA mus. 30 (22, 23)
1690: "The first sett of Italian madrigalls Englished...By Thomas Watson...
There are also heere inserted two excellent madrigalls of master William
Byrd, composed after the italian vaine...", London, Th. East (9)
135,-377.S11

Volume XV; ed. Ph. Brett


Consort Songs for voice & viols
41 Consort Songs for voice and viols from manuscript sources
All songs for solo voice and four viols, except no. 30 (2 voices, 3 viols).
nos.1-12: Psalms and spiritual songs; nos.29-32: Moral songs and sonnets;
nos.33-41: later songs; nos.42-49: appendices: doubtful attributions.
1. O Lord within thy tabernacle
2. The Lord is only my support
3. Have mercy on us Lord
4. The man is blest
5. Lord to thee I make my moan
6. O God but God
7. O Lord bow down
8. O Lord how vain
9. O that we woeful wretches
10. Out of the orient crystal skies
11. Rejoice unto the Lord
12. Triumph with pleasant melody / What unacquainte cheerful voice / My
faults o Christ
13. Ah golden hairs
14. As Caesar wept
15. Blame I confess
16. Come pretty babe
17. Content is rich
18. E'en as in seas
19. I will not say / Let fortune fail / My years do seek
20. Mount Hope
21. My freedom
22. Sith Death at length
23. Sith that the tree
24. Thou poets' friend
25. Truth for a time
26. Truth at the first
27. What steps of strife
28. While Phoebus used to dwell
29. Crowned with flowers and lilies / O worthy queen
30. Delight is dead (for 2 voices and 3 viols)
31. In angel's weed

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_______________

32. Ye sacred muses


33. Ah aged dame
34. Fair Britain isle
35. He that all earthly pleasure scorns
36. My mistress had a little dog / But out alas
37. Quis me statim
38. Though I be Brown
39. Where the blind
40. With lilies white
41. Wretched Albinus
Appendix:
a) doubtful attributions:
42. By force I live
43. Methought of late
44. The day delay'd
45. Whom hateful harms
b) considered not to be by Byrd; not included in this edition:
46. Ah, alas you salt sea gods
47. Come tread the paths
48. My little weet darling
49. O heavenly God
Sources:
GB-Lbl Add: 5068 (37), 15117 (6, 49), 17786-91 (46, 48), 17792-6 (43),
18936-9 (2-3, 5, 7, 14, 19-20, 23, 29-30, 42, 45), 29247 (15),
29372-7 (30), 29401-5 (4, 7-11, 17-20, 22-23, 26, 28-29,
31-41, 44), 30480-4 (12), 30485 (6), 31992 (2-9, 11, 13-15,
21-22, 25-28, 30-33, 37) and 34050 (30).
GB-Lbl Egerton 2009-12 (9-10, 29)
GB-Lcm 2041 (10, 30), 2049 (24, 32) and 2089 (37)
GB-Ob mus.sch.: f.20-24 (12) and e.423 (5-6, 8-9, 13-14, 25)
GB-Ob Tenbury: 369-373 (37), 389 (1), 1469-71 (4, 11)
GB-Och 984-8 (1, 8, 12-13, 15, 28, 44)
US-CA 30 (7-11, 14-15, 17, 27-29, 31-33, 36-37, 39, 41)
US-NYp Drexel 4180-5 (16, 30, 46)
private collection: the James ms. (1)
378.S11

135,--

Volume XVI; ed. Ph. Brett


Madrigals, Songs & Canons
a) Madrigals & Partsongs:
1. The fair young virgin SATTB (1588)
2. Let others praise what seems them best (A gratification unto Master John
Case, for his learned book, lately made in praise of Music) SSATTB
3. This sweet and merry month of May SSATTB (1590)
4. O sweet deceit SMsATB
5. What pleasure have great princes? SATBB
6. What vaileth it to rule? MsMsTTB
b) Consort songs: the original versions of songs revised for the prints of
1588 and 1589; all for voice and 4 viols:
7. How shall a young man?
8. O Lord, who in thy sacred tent?
9. Blessed is he that fears the Lord
10. Lord in thy wrath
11. I joy not in no earthly bliss

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

12. Though Amaryllis dance is green


13. Who likes to love
14. My mind to me a kingdom is
15. Where Fancy fond
16. O you that hear this voice
17. In fields abroad
18. Constant Penelope
19. La verginella
20. Farewell, false Love
21. Prostrate, o Lord, I lie
22. Susanna fair
23. If that a sinner's sighs
24. Care for thy soul
25. Lullaby, my sweet little baby
26. Why do I use my paper, ink and pen?
27. Come to me, grief, for ever
28. O that most rare breast
29. See those sweet eyes
30. When first by force (I that sometime)
31. I thought that Love had been a boy
c) Canons:
32. Canon two in one per arsin et thesin
33. Canon six in one (and four in two)
d) Appendix: Fragmentary songs (mostly without text):
34. Ah, youthful years
35. Behold, how good
36. Cease cares
37. Depart, ye furies
38. I will give laud
39. If trickling tears
40. In tower most high
41. Look and bow down
42. O happy thrice
43. O trifling toys
44. Preces Deo fundamus
45. What wights are these?
46. While that a cruel fire
47. With sighs and tears
Sources:
Primary manuscript sources:
GB-Lbl Add. 17792-17796 (12, 22, 26)
GB-Lbl Add. 18936-18939 (29)
GB-Lbl Add. 29247: lute book (4, 5, 18, 20, 21)
GB-Lbl Add: 29401-29405 (4, 8-11, 16, 17, 23, 24, 26, 30)
GB-Lbl Add. 40485: keyboard score (23-25)
GB-Lbl Add. 31992: lute book (5-10,12-14,16-27, 30, 34-38, 40-42, 45-47)
GB-Lbl Add. 37402-37406 (8, 21)
GB-Lbl Egerton 2009-2012 (4, 6, 14, 17, 26)
GB-Lbl Harley 2412 (44)
GB-Lbl RM. 24.d.3: Will Forstser's Virginal Book (14, 22, 24)
GB-Lbl K.2.f.1 (5)
GB-Lcm 2041: M (2, 4, 6)
GB-Ob mus.sch. e.423 (11-14, 16-19, 22, 25-28, 30, 31)

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

GB-Ob Tenbury 389: D (24, 39, 43)


GB-Ob Tenbury 1469-1471: CAB (9, 24)
GB-Och 984-988 (7, 9-15, 17, 19, 22, 24-28)
US-CA mus. 30: C lacking (4, 6-13, 16-26, 30, 31)
B. Prints:
1589: W. Byrd: "A gratification unto Master Iohn Case, for his learned booke,
lately made in the praise of Musicke", London, Th. East (2)
1590: Th. Watson: "The first sett of Italian Madrigalls Englished", London, Th.
East (3)
1588: N. Yonge: "Musica Transalpina: Madrigals translated of foure, five and
sixe partes", London, Th. East (19)
1597: Th. Morley: "A Plaine and Easie Introduction to Practicall Musicke",
London, P. Shrot (32)
135,-Volume XVII; ed. K. Elliott
Consort Music
see: section "String Ensembles"
c) Other Editions
alphabetical listing
c) Other Editions
1. Collections
379.S11

A Byrd Anthology: 14 anthems and motets, selected by John Milsom and ed.
by J. Milson, A. Brown, T. Symons, D. Skinner, P. le Huray, D. Willcocks, A.
Greening and J. Morehen; all for SATB:
I/1, II/12 and 15, III/20 and 21, VIa/6, VIIa/8 and 17, IX/14, XI/8, 10 and
22, and XIV/18 and 29

24,--

9 Anthems a4-a5-a6:
II/13 and 16, III/13 and 21, VIa/6 and 12, X/3, XI/10 and XIV/27
see: Collections: "The Oxford Book of Tudor anthems"

380.S11

V/1-25, VIa/1-15 and VIb/1-23:


"Gradualia: ac cantiones sacrae, quinis, quaternis, trinisque vocibus concinnatae
...Authore Gulielmo Byrd...", London, Th. East, 1605
Facsimile of the 6 partbooks of the 1605 edition
69,--

381.S11

VIIa/1-24 and VIIb/1-22:


"Gradualia: seu cantionum sacrarum quarum aliae ad quator, aliae ver ad
quinque et sex voces editae sunt. Liber secundus. Authore Gulielmo Byrde...
Excudebat Thomas Este Londini, ex assignatione Gulielmi Barley", London,
1607.
Facsimile of the 6 partbooks of the 1605 edition

69,--

382.S11

VIa/4-7: 4 Motets for All Saints SSATB


*ed. Dunkley

11,--

XII: "Psalmes, sonets, & songs of sadnes and pietie...", 1588:


ed. I. Gammie in score and parts of 10 Songs: nos.12, 13, 15, 22, 24, 28,
29, 32, 34 and 35

42,--

383.S11

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E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

384.S11

384.S11

384.S11

386.S11

nos.: 11, 12, 14, 16, 24, 34, 35:


ed. Ph. Brett; set of viol parts (TrTTB) of 20 consort songs (incl. as well
XIII/13 and XV/7, 9, 16-19, 22, 26, 28, 33, 35, 38)
no. 12: Though Amaryllis dance in green
see Collections: "Invitation to Madrials", vol. VII
XIII: "Songs of sundrie natures...", 1589:
Facsimile of the six partbooks of the 1589 edition
no. 12: Upon a summer's day
see Collections: "Invitation to Madrials", vol. I
no. 13:
ed. Ph. Brett; set of viol parts (TrTTB) of 20 consort songs (incl. as well:
XII/11, 12, 14, 16, 24, 34, 35 and XV/7, 9, 16-19, 22, 26, 28, 33, 35,
and 38
no. 17: Wounded I am
see Collections: "Invitation to Madrials", vol. II
XV: Consort songs:
nos.: 7, 9, 16-19, 22, 26, 28, 33, 35, 38:
ed. Ph. Brett; set of viol parts (TrTTB) of 20 consort songs (incl. as well:
XII: 11, 12, 14, 16, 24, 34, 35) and XIII/13
nos.: 4, 8, 10, 11, 31, 32, 34, 36:
ed. in score and parts by S. McCoy and B. Hunt from GB-Lbl
29401-29405.

42,--

138,--

42,--

42,--

39,--

2. Single Works
in alphabetical order

387.S11

Arise, Lord, to thy rest, a5 (XIV/18):


ed. B. Thomas (set of 5 parts)

388.S11

Audivi vocem de caelo SAATB (IX/14):


*ed. Brown

6,--

390.S11

Ave verum corpus, SATB (VIa/12):


*ed. Ph. Brett
*ed. Morehen

3,- 5,--

391.S11

Cantate Domino SSATB (III/18):


*ed. le Huray / Willcocks

5,--

392.S11

Christe qui lux es et dies SATBB (VIII/4):


*ed. Greening

5,--

393.S11

Civitas Sancti Tui (Bow thine ear = 2nd part of: Ne irascaris Domine)
SATTB (II/12):
*ed. Fellowes / Shaw

6,--

394.S11

Come, help, o God SSATB (XI/18):


*ed. Milsom

5,--

395.S11

Come, woeful Orpheus (XIV/19):


ed. B. Thomas (set of 5 parts)

389.S11

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

12,--

8,50

Page 132 of 465

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

396.S11

397.S11

Crowned with thorns, a5 (XIV/22):


ed. B. Thomas (set of 5 parts)
Lamentations (De lamentatione jeremiae prophetae) ATTBarB (VIII/5)
*ed. and reconstr. by S. Dunkley (missing part editorially reconstructed:
Bariton: bars 1-33, 80-88, 124-129)

8,50

9,--

Deo gratias SATB (VIb/12)


see: Collections: "Invitation to Madrigals", volume II

398.S11

Domine, salve nos SSATTB (III/20):


*ed. Symons

5,--

399.S11

Domine secundum multitudinem SATTB (II/15):


*ed. Symons

5,--

400.S11

Earthly tree, an, SS + keyboard / Cast off all doubtful care, SSAT (XIII/40
and 25):
*ed. Ph. Brett

4,--

401.S11

Ego sum panis vivus SATB (VIIa/17):


*ed. Skinner

5,--

403.S11

Emendemus in melius, SATTB (I/1):


*ed. Ph. Brett
*ed. Symons

4,- 5,--

404.S11

Exsurge Domine
*ed. Smart

7,--

405.S11

Great Service (II):


Magnificat & Nunc dimittis only; a10 & organ; ed. C. Monson

402.S11

SATB (III/12):

13,--

Haec dies, a3 (VIIb/19):


see: Collectiond: "Musica Divina", ed. Aciai e.a.

406.S11

Haec dies SSATTB (III/21):


*ed. le Luray / Willcocks

407.S11

Haec est dies SATB or ATTB


attributed to Byrd in GB-Ob ms. Eng.th.b.2; probably spurious
*ed. as printed in the Annual Byrd Newsletter, no. 2 (1996)

408.S11

Hodie Christus natus est, SATB (VIIa/6):


*ed. Ph. Brett

4,--

409.S11

Is Love a boy? SATB (XIII/15):


*ed. G.E.P. Arkwright

3,--

Justorum animae, SSATB (VIa/6):


*ed. Ph. Brett
*ed. Greening

3,50
5,--

410.S11
411.S11

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

5,--

2,50

Page 133 of 465

MUZIEKHANDEL SAUL B. GROEN


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FAX +31 (0)20-6762240
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_______________

413.S11

Laudibus in sanctis, SSATB (III/1):


*ed. Ph. Brett
*ed. Smart

414.S11

Laetentur caeli
*ed. Symons

415.S11

Lord, in thy rage (Domine in furore) SAT (XIII/1):


*ed. G.E.P. Arkwright

416.S11

Lullby my sweet little baby, SATB (XII/32; cradle song):


*ed. Ph. Brett for A and 4 viols

5,--

417.S11

Magnificat & Nunc dimittis from the Short Service SATTB (Xa/5):
*ed. Greening

7,--

412.S11

418.S11
419.S11

420.S11
421.S11

SATBarB (II/16):

Mass a4 (IV/1):
ed. Ph. Brett
ed. F. Hudson in pocket score
Mass a3 (IV/2); ed. Ph. Brett
ed. Ph. Brett (Byrd Edition)
ed. F. Hudson in study score; sources: a) first edition by Th. East, 1593-4
(+ ms. copies of this ed.); b) 2nd ed. by T. East, c.1599 ( = ms. copies of
this ed.); c) J. Baldwine's copy after the 1st ed. (GB-Lbl R.M. 24.d.2);
d) GB-Cfm 30.G.5: ms. copy by J. Immyns (18th c.); e) GB-Lbl Add.
29382: also an Immyns copy; f) GB-Cfm 2.F.22: an imperfect copy in
score from the beginning of the 18th c.

423.S11

Mass a5 (IV/3):
ed. Ph. Brett
ed. F. Hudson in pocket score

424.S11

Miserere mei SATBB (III/13):


*ed. Milsom

422.S11

6,- 9,50

5,--

2,50

10,- 13,--

8,50

12,--

11,- 13,--

5,--

Non nobis, Domine


canon a3; misattributed to Byrd
see: Collections: "Das Kanon Buch": no. 391
see: Collections: "Der Kanon", ed. F. Jde: no. 23

425.S11

426.S11
427.S11

428.S11
429.S11

O Lord, my God SATB (XIII/22):


*ed. G.E.P. Arkwright
O magnum mysterium (VIIa/8):
*ed. Ph. Brett
*ed. Skinner
Praise our Lord, all ye Gentiles, SSATBB (XIV/29):
*ed. Ph. Brett
*ed. Symons

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

2,50

4,- 6,--

4,50
6,--

Page 134 of 465

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FAX +31 (0)20-6762240
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_______________

431.S11

Prevent us, o Lord SAATB (XI/8):


*ed. Skinner
*ed. Pritchard a4 (SATB)

5,- 5,--

432.S11

Psallite Domino, SSATB (VIIb/5):


*ed. Ph. Brett

3,--

433.S11

Rorate caeli desuper SAATB (V/12):


*ed. Milsom

6,--

430.S11

434.S11
435.S11

Sacerdotes Domini, SATB (VIa/10):


*ed. Ph. Brett
*ed. Milsom
see: MA: "Musica Divina", ed. Aciai e.a.

3,- 6,--

436.S11

Salve Regina, SATB (VIb/4):


*ed. Ph. Brett

437.S11

Second Service: Magnificat & Nunc dimittis SSAATB (Xa/6):


*ed. Fellowes

438.S11

Siderum rector, SSATB (I/9):


*ed. Monson

4,--

440.S11

Sing joyfully, SSAATB (XI/10):


*ed. Monson
*ed. Morehen

4,- 6,--

441.S11

Teach me, o Lord (from: Second Preces & Psalms) SAATB (Xa/3):
*ed. Fellowes / Webber

4,--

442.S11

Te Deum & Benedictus from: Short Service SAATTB (Xa/5):


*ed. Greening

7,--

443.S11

The nightingale so pleasant SAT (XIII/9):


*ed. G.E.P. Arkwright

2,50

444.S11

This day Christ was born, SSAATB (XIV/27):


*ed. Morehen

4,50

445.S11

Though Amaryllis dance in green, SATTB or S and 4 viols (XII/12):


*ed. Byrd Edition

3,50

446.S11

Tu es Petrus, SSATTB (VIIb/17):


*ed. Ph. Brett

4,--

447.S11

Vigilate SATBarB (II/9):


*ed. Morehen

7,--

438.S11

4,--

7,50

What is life or worldly pleasure a4:


see: Collections: "Das Musikwerk", volume XI
Wounded I am, SATB (XIII/17):

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

*ed. Ph. Brett

448.S11

3,50

Ye sacred muses 1 voice, 4 viols (XV/32)


ed. C. Bartlett in score and parts

449.S11

Caietain, F.M.

16,--

FABRICE MARIN CAIETAIN


fl 1570 - 1578
Airs mis en musique, I (1576)
"Airs mis en musique a quatre parties par Fabrice Marin Caietain sur les
posies de P. de Ronsard & autres excelens potes de nostre tems. (Premier
Livre)", Paris, A. le Roy & R. Ballard, 1576
Only SA have survived of the 1576 edition; STB of the 1578 reprint
40 airs: 32 by Caietain, 4 by L. de Beaulieu, 3 by J. Th. de Courville and 1
by Le Roy
List of contents on alphabet of names of composers and of titles:
1-4. L. de Beaulieu:
1. Bless d'une playe inhumaine
2. Helas que me faut il faire
3. Rosette pour un peu d'absence
4. Si tost que vostre oeil m'eust bless
5-36. F.M. Caietain:
5-6. Amour, Amour donne moy paix / Que doibs-je faire?
7. Ce n'est asss ma Charite
8. Cetuy la paignit vivement
9. Ceux qui paignent amour sans yeux
10. Di moy quel est l'Amour
11. Douce maitresse touche
12. En mon cueur n'est point escrite
13. Ferme foy nul mieux que moy
14. He Dieu du ciel jen'eusse pas
15. Je veux chanter et dire
16-17. Je vous offre ces vers / Vous ne me verrez point
18. La belle gloire, le bel honneur
19. L'Amour qui me tourmente
20. Las! je n'eusse jamais pens
21. Le petit enfant amour
22. Le Soleil & nostre Roy
23. Mais voyez mon cher esmoy
24. Ma petitte columbelle
25. Nul de tout poinct
26. Petite nimphe folastre
27-28. Plus tu cognois que je bruis / Te laisseray-je
29. Quand je pense aux plaisirs
30. Qui fait honneur auy Roys
31. Qui veut savoir Amour
32. Retirons nous mignarde
33. Sur toute fleurette desclose
34. Une jeune pucelette
35. Une puce j'ay dedans l'oreille
36. Vous me tuez si doucement
37-39. J.Th. de Courville:

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

141.R8

37. Arme, arme o mes loyaux pensers


38. J'en ayme deux tout a la foys
39. Lors que mouroy de t'aimer
40. A. Le Roy:
40. Quel feu par les vens anim
Editions:
nos. 1-40:
in: ed. in score of Caietain's "Airs mis en musique...", book I and II, by J.A.
Bernstein; hardback
no. 39:
see: Collections: "Anthologie de la chanson parisienne aux 16me sicle"

269,--

Airs en musique, II (1578)

141.R8

"Second Livre d'Airs. Chansons, villanelles napolitaines & espanolles mis en


musique quatre parties par Fabrice Marin Caietain", Paris, A. Le Roy &
R. Ballard, 1578
22 chansons, 8 villanelles and 2 Spanish songs; titles in alphabetical order
a) Airs et chansons franoises:
1. C'est mourir mille foys (Billard)
2. Celle qui de mon mal (Desportes)
3. Dieu vengeant la mesconnoissance
4. De quoy te sert
5. Ha coeur infortun (Billard)
6. Ha mon dieu je me meurs (Desportes)
7. J'ay creu tousjours (Desportes)
8. J'ay voulu baiser ma rebelle (Desportes)
9. Je ne l'ay dit qu'a moy
10. La blanche violette (Amadis)
11. Laurette ma cher' alliance (Amadis)
12. Loing de ta lumiere Themis (Amadis)
13. Ma folastre, ma rebelle (Amadis)
14. M'ostant le fruict (Desportes)
15. Non non je veux mourir (Desportes)
16. Qui vous rend mes yeux (Desportes)
17-18. Que sert de confesser / Si l'amour me tourmente (Aamadis)
19-20. Somne qui viens les mortelz / Vous voulez estre hermite (Passerat)
b) Villanelle Napolitane:
21. Al apparir del sol
22. Amor fatto appunto
23. Chi vol veder un bosco
24. N n giamai
25. Non vi mand
26. Scachiero e diventato
27. Voi donne belle
28. Viddi speranza un d sola
c) Espagnolles:
29. Falsa ms la spiga
30. Madre a l'amor
Edition:
nos. 1-30:
in: ed. in score of Caietain's "Airs mis en musique...", book I and II, by J.A.
Bernstein; hardback

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

269,--

Page 137 of 465

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_______________

Caignet, D.

Denis Caignet
died in 1625
4 Chansons:
1. Hault et bas la chemine a4
2. Pour vous aymer je veux mal, mon coeur a6
3. Rossignollet du bois a6
4. Quand je pense mesjouir a6
see: Prints 1597: "Le Rossignol musical des chansons" (nos. 12, 37, 39, 43)

Caimo, G.

142.R8

GIOSEPPE CAIMO
c.1545 - in or before 1584
Madrigals a4, I (1564)
"Il primo libro de madrigali a quattro voci", Milano, F. Moscheni, 1564
1. Non vide Febo mai
2. Stando per maragivlia / Ma'l cor che stava
3. Gratia non vider mai / S che non bramo
4. Qual gratia sparse mai / Se di bellezza il sol
5. Ecelsa e generosa prole / Sotto l'ombra del qual
6. Chi vuol veder in terra / Ella coi rai
7. Se potesse morir
8. Sestina: Che pro mi vien (S'armata il cor / Scalda col tuo valore / Non consentir / O desta in lei pietate / China le sant' orecchie)
9. I capegli d'or fin
10. Li vostr' occhi
11. Anchor che col partire
12. E se tu, riva, udisti
13. Andate, o miei sospiri
14. Gratia, voi sete
15. Piangi, colle sacrato / Lagrimate, voi fiumi
16. Piangete, valli
17. Ardir, senno, virt
18. Dialogo a 8 voci: Donna, l'ardente fiamma a8
Editions:
nos. 1-18:
in: G. Caimo: Madrigali & Canzoni for 4 and 5 voices; ed. L.E. Miller
(containing: Il primo libro libro a4, Madrigali...libro quarto a5, and the
madrigals and canzonas a 5 from "Fiammi ardenti", 1586)
no. 16:
see: Collections: "Introduction to the Italian Madrigal", ed. J. Roche

130,--

Canzonette a4, II (1584)


"Il secondo libro di canzonette a quattro voci", Milano, P. Tini / Venice, G.
Vincenti & R. Amadino, 1584
Edition:
from this collection:
Mentre il cuculo
see: Collections: "Introduction to the Italian Madrigal", ed. J. Roche
Madrigals a5, IV (1584)
"Madrigali a cinque voci...libro quarto", Milano, P. Tini / Venice, G. Vincenti,

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& R. Amadino, 1584


1. Sculpio ne l'alma Amore
2. Come esser pu
3. Va lieto a mort' il core
4. Vedesti, Amor, giamai
5. Gel' ha madonna il core
6. Thirsi morir volea / E mentre il guardo
7. Il piansi un tempo
8. Parto da voi
9. Mi suggean l'api il mele
10. Poi che 'l mio largo pianto
11. Poi che ne' bei sospiri
12. Scorpir l'ardor mio / Risposta: Se voi sete il mio sol
13. Se voi set' il mio cor
14. Che fa hoggi il mio sole
15. Chi mov' il pi / Perch 'l raggio divin
16. ben ragion
17. Canzone: O sola, o senza par (Amor vid'io / S dolci odori / Come in arido
legno / Cener et ombra
Edition:
nos. 1-17:
in: G. Caimo: Madrigali & Canzoni for 4 and 5 voices; ed. L.E. Miller
(containing: Il primo libro libro a4, Madrigali...libro quarto a5, and the
madrigals and canzonas a 5 from "Fiammi ardenti", 1586)
130,--

142.R8

Fiamma ardente (1586)


"Fiamma ardente de madrigali et canzoni, cinque voci, con un dialogo
dieci de diversi soggetti, novamente raccolte, et datte in luce per Gio. Battista
Portio novarese", Venice, G. Vincenzi & R. Amadino, 1586
22 madrigals and canzonas; 14 by Caimo, 4 by M. Varotto and 4 anonymous
The 14 works by Caimo are:
1. Mirate che m'ha fatto
2. Date la vela al vento
3. Bene mio, tu m'hai lasciato
4. Un' ape esser vorei
5. Gioia mia dolc' e cara
6. Dolci sospir'
7. Lo core mio
8. Vola, vola, pensier / Risposta: Torna, torna, pensier
9. Tutte l'offese
10. Canzone: Partomi, donna (Il cor e l'alma / Forz' ch'io parti / Haim,
meschino
11. Occhi leggiadri
12. Questa crudel
13. 'Na volta m'hai gabbato
14. Con tue lusinghe, Amore
Edition:
nos. 1-14:
in: G. Caimo: Madrigali & Canzoni for 4 and 5 voices; ed. L.E. Miller
(containing: Il primo libro libro a4, Madrigali...libro quarto a5, and the
madrigals and canzonas a 5 from "Fiammi ardenti", 1586)
130,--

142.R8

Cantone, S.

Serafino Cantone

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_______________

fl 1580 - 1627
Ardo s, ma non t'amo / Ardi e gela a tua voglia / Arsi et alsi mia voglia /
Ardesti in finto foco a5
from his: "Il primo libro de madrigali a 5 voci", Venice, A. Gardano, 1591
see: Collections: "Settings of "Ardo s" and its related texts", vol. II
Capilupi, G.

Gemignano Capilupi
1573 - 1616
Canzonette a3, 1597
"Canzonette a tre voci di Horatio Vecchi et di Gemignano Capi Lupi de
Modona, tutte diligentemente e con molto spirito vestite con la intavolatura
del liuto", Venice, A. Gardano, 1597
34 songs with lute accompaniment in tablature
V = Vecchi; C = Capilupi
1. Deh, cant'Aminta un'aria a la romana (V)
2. Per l'ottavo miracolo del mondo (V)
3. Ora ch'ogn'animal entr' 'l suo letto (V)
4. L'amara dipartita (C)
5. Mentre l'aquila affisa gl'occhi al sole (C)
6. Nisa, dolce ben mio (C)
7. Gi l'ond'e 'l vento tace (C)
8. Al tremend'e potente re del mondo (V)
9. La fiamma che m'incende (C)
10. Temarario Fetonte (C)
11. O felice nocchiero (V)
12. Io dissi e dico e sempre i' son per dirti (V)
13. Mentre, belle signore (V)
14. A l'acqua, a l'aria, a le tempest'e a'venti (C)
15. Pi che mai vaga e bella (C)
16. S'udia un pastor l'altr'ieri (V)
17. Or ch' lungi il mio bene (V)
18. Chi brama di veder quanto pu Amore (C)
19. Non date fede, o amanti (V)
20. Non pi saette al core (C)
21. Piangete, occhi miei lassi (C)
22. Il marmo fino del pi forte monte (V)
23. Odo da tutti dire (V)
24. Non ho pi vit' Amore (C)
25. Amar donna che strugge (C)
26. L'ultima volta ch'io (V)
27. Chi scuopr'oggi fra noi tanti splendori? (V)
28. Ti chiam'e non rispondi (V)
29. Care amorose (C)
30. Amanti, amanti (C)
31. Lusinghiero desio, che da'begl'occhi (V)
32. O, dolcezza amarissime d'amore (C)
33. Udite, udite, amanti (V)
34. Questo troppo, signora (V)
Editions:
nos. 1-34

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ed. A. Bornstein:
score
40,-3 vocal parts (canto I; canto II; basso) and lute part
80,- Facsimile of the 1606 edition (without lute accompaniment) in 3 partbooks
by P. Kauffmann, Nrnberg: "Canzonette, mit dreyen Stimmen Horatii
Vecchi unnd Gemignani Capi Lupi, zuvor mit Italianischen Texten jetzo aber
zu besserm gebrauch denen welche Italianisch nicht verstehen mit Teutschen
Texten belegt und inn Truck gegeben durch Valentin Haussmann Gerbipo.".
The titles of the German translations provided by Haussmann are:
1. Umb deinent willn brinn ich inn heissen flammen
2. Wenn ir Jungfrau thut br die Gassen gehen
3. So sey nun gliech ein mal ein zorn gewaget
4. In meinem jungen Hertzen, bald biss in Todt leid ich
5. Ach Schatz, liebliche Kronen mein hchste freud
6. Wie dass liebliche Liecht, die klare Sonne
7. Hertzlieb was schweigt ihr stille?
8. Amor du herrschest auff der weiten Erden
9. Jungfrau ir habt entzndet mein Hertz
10. Ach wunder schn Jungfraue dass ich mit fleiss
11. Auff dich hab ich mein Hertz ohn falsch gewendet
12. Bey Nacht wenn ich soll schlaffen so schweiff ich hin
13. Vil threnen heiss mein augen jetzt aussgiessen
14. Wenn ich gedenck der stunden da ich eur kundtschafft
15. Jungkfrau auss was gemthe gabst du mir zuverstehn
16. O wie ein selig leben ist dem gegeben der Liebes zwang
17. An euch bin ich gebunden durch Lieb, hab ich befunden
18. Merckt ir Liebhaber all in welchem Stande ir jetzund thut
19. Feins Lieb ich hab gespret dass eur schimpffen
20. Durch mein fleissiges und vielfaltigs bitten
21. Viel falsche Leute mir wllen nicht gnnen
22. Gleich wie ein kler Schatt das hertz erquicket
23. Was von schnen Jungfrauen lsst sich ein Aussbund schauen
24. Jungfrau mercket jetzt eben die wort, die ich will geben
25. Schns Lieb thut nicht erschrecken ich will euch jetzt
26. Wenn ich dein frreundlich g'bernden und lieblich schwenck bedenck
27. Was hab ich fr ein Glantz jetzund gesehen
28. Wie habt ir Jungfrau also schweiffend sinne kein Vogel mag
29. O ssse Lieb wie hast du so umbgeben mit vil schmertz
30. Warumm wendst du dich denn von mir dieweil ich dien so treulich
31. O schnes Lieblein mein Rosenstnglein bist mir
32. Mein Hertze was ligt dir an fr schmertze?
33. Hoert wunder ber wunder wir wlln euch singen
34. Ist nicht einer vorhanden der auss Glass oder Kanden
59,--

lf.178
lf.179
143.R8

Caputi, M.

Manilio Caputi
fl 1592 - 1593
Poi che per darlo voi, a5:
from his: "Libro primo de' madrigali a IIII", Naples, G. Cacchio, 1592
see: G.D. Montella: "Primo libro de madrigali a 5 voci"; ed. Chou: appendix

Carlton, R.

Richard Carlton
c.1538 - ?1638

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Calm was the air


SSATB or SSAAB
see: Prints 1601/16: "Triumphs of Oriana"
Cassaigne, R. de la

R. de la Cassaigne
Ayant fait de mes pleurs, a5:
see: Prints 1597/10: "Le Rossignol musical de chansons" (no. 34)

Castro, J. de

JEAN DE CASTRO
c.1540 - c.1600
Chansons a3, I (1575)
"Livre de chansons nouvellement compos troys parties", Paris, A. Le Roy
& R. Ballard, 1575
1. Mon coeur se recommande vous tout plain d'ennuy et de martire
2. Alons allons gay gayment ma mignonne vous & moy
3. Mon coeur ravy d'amour fort variable au beau jardin joli du dieu
4. Quand mon mary vient de dehors ma rente est d'estre batue
5. Tout ce qu'on peut en elle veoir n'est que douceur et amiti
6. ce matin ce seroit bonne estreine de desjuner le bon jambon sal
7. Sy par souhait je vous tenoye secretement belle brunette joyeusement
8. Un advocat dit sa femme Sus m'amie que jourons nous
9. Comme la tourterelle languit jusqu' la mort ayant perdu sa belle colombe
10. O t'attend ta miastresse, amy ne dy doux port (Seconde partie)
11. O vin en vigne gentil joly vin en vigne
12. Joons beau jeu tout en riant sy faisons chere lie
13. Vous qui aymez les dames, blande loquimini
14. demy mort par maladie, navr je suis las pour mourir
15. Sorterz mes pleurs hatez vous de descendre dessus le feu
16. Reoy mignonne entre tes bras ma vie
17. J'ay trop servy de fable au populayre
18. Tous les regretz qu'onques furent au monde
19. Veux tu ton mal & le mien secourir
20. Le voulez vous j'en suis trs bien contente (Rponse)
21. Susanne un jour d'amour solicite
22. Alix avoit aux dents la malle rage
23. Fuyons tous d'amour le jeu comme le feu
24. Petite folle estes vous pas contente de me bayser cinq cens foys
25. Vray dieu disoit une fillette donnez confort mon grief mal
26. Le rossignol playsant & gratieux, habiter veut toujours au verd bocage
27. Il estoit un clerc qui aymer vouloit
28. De retourner mon amy je te prie, pour contenter l'esprit de ton amye
29. Elle s'en va de moy la mieux ayme
30. En un lieu o l'on ne void goute, je n'iray jamais sans lumiere
31. Or sus coup qu'on se resveille
32. Margot labourez les vignes vigne vigne vignolet
33. Frisque & gaillard un jour entre cent mille
34. Bon jour mon coeur bon jour ma douce amye
35. Je ne seray jamays bergere sy le berger n'est avec moy
36. Ce faux amour d'arc & de flesches s'arme
37. Quand je veux en amour prendre mes passetems mamye en se moquant

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38. Alors je luy respon quand moy je ne say (Seconde partie)


39. Arrousez vo vy vos violettes, arrousez vo vy violier
40. Las! voullez vous qu'une personne chante
41. Puis que mon coeur j'ay mis en la puissance d'un seul vainqueur
Editions:
nos. 1-41:
ed. J. Bernstein in: The 16th-century Chanson, volume V: J. Castro: "Livre
de chansons...a troys parties", 1575 & "Second livre de chansons... troys
parties", 1580 & selected chansons from: "Dixiesme livre de chanson
quatre parties", 1570.
nos. 1, 23, 24, 32 and 34:
"Five chansons for 3 voices"; ed. B. Thomas (set of 3 scores)

137,- 12,--

Chansons, Odes, et Sonetz de Ronsard, 1576

145.R8

"Chansons, odes, et sonetz de Pierre Ronsard, mises en musique quatre,


cinq et huit parties", Leuven, P. Phalse / Antwerpen, J. Bellre, 1576
22 settings of poems by Ronsard for 4, 5 and 8 voices:
1. Amour, dy moy de grace / Mais je te pry dy moy, est-ce point le Dieu Mars /
Pauvret (respond Amour) et quoy ignores tu
2. Amour me tue, et si je ne veus dire / Il est bien vray, que ma langueur desire /
Tay toy langueur: je sen venir le jour
3. De peu de bien on vit honestement
4. Si le ciel est ton pays et ton pere / Que viens tu fair, cruels, en la terre?
5. Quand je dors je ne sens rien / Toutesfois je suis vivant
6. Je te hay bien (croy moy) maitresse
7. Mignonn', allon voir si la rose / Las, voys comm' en peu d'espace / Donc, si
vous me crois, mignonne
8. Ah je meurs, ah baise moy
9. Las, o fuis tu? atten encor un peu
10. Si je trepasse entre tes bras, madame
11. Quand je vous voy, ma gentille maitresse/ Par tout mon chef le poil rebours
se dresse
12. Je ne saurois aymer autre qu vous / Vos yeux ne sont si gracieus et dous
13. La nuict m'est courte, et le jour trop me dure / Vostre je suis, et ne puis
estre mien
14. Mignonne, levs-vous, vous estes paresseuse / Hier en vous couchant
15. Mon Dieu, que j'aim' baiser les beaus yeus / Cet oeil besson dont, goulu
16. Je suis homme n pour mourir / Pource fuys vous-en, esmoy
17. Pleut-il Dieu n'avoir jamais tat / Qui eut pens, que le cruel destin
18. Je suis tellement langoureus / J'ay pour mon hote nuict et jour
19. Quand tu tournes tes yeus ardens
20. O Pucelle plus tendre
21. Petite Nymfe folatre
22. Que dis tu, que fais tu, pensive
Edition:
nos. 1-22:
ed. J. Brooks
93,-Chansons a3, II (1580)
"Second Livre de Chansons, Madrigalz et Motetz a trois parties", Paris, A.
Le Roy & R. Ballard, 1580

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144.R8

a) Chansons Franoises:
1. A qui sont deubs ces vers
2. O ma belle maitresse tous le moins prenez / Non non ne venez poinct
3. J'ay cent mille tourmens / Tant plus le suis malade
4. Mais voyez mon cher esmoy voyez / De telle faon voz yeux / Au contraire
voz beaux yeux / Que sans l'aide des chaleurs
5. Las! je n'eusse jamias pens / Si bien accort j'eusse appereu
b) Madrigalz:
6. Stando m'un gionro / Indi per alto mare / In un boschetto / Chiara fontana /
Una strania fenice / Alfin vid' io per entro fior
7. Poi che per ben amar
8. Gionto on' ha' mor
9. Si traviat' el folle mio desio / Et poi ch'el fren perso
c) Motetz:
10. Recordare Domine testamenti tui
11. Tres juvenes qui custodiebant corpus / Tunc scribentes singuli
12. Gaude Maria, virgo / Gabrielem Archangelum
13. Si pater est Adam
14. Tanquam jam moriturus
15. Caro mea vere est cibus
16. Foelix illa animi, divisque simillimus
17. Hic est panis qui de coelo descendit
Edition:
nos. 1-5:
ed. J. Bernstein in: The 16th-century Chanson, volume V: J. Castro: "Livre
de chansons...a troys parties", 1575 & "Second livre de chansons... troys
parties", 1580 & selected chansons from: "Dixiesme livre de chanson
quatre parties", 1570.

137,--

Sonets, Chansons a2, I (1610)

112.S4

"Sonets, Chansons a deux parties...Livre Premier", Antwerpen, P. Phalse


7 songs a2 in 3 sections (no. 4 in 8 sections):
1. Amour ingrat me lache / Et haut / Comme il
2. Ce vilain mesdisant / Qu'un vanteur / Mais qu'il
3. Je ne puis tout fach / Je ne puis / Il est dur
4. Je serois un grand sot / Car pour / J'ay est / Maistresse - Mais ton coeur /
Je perds donc 'Je te veux / Bref tu serviras
5. Qu'est-ce mon coeur / He sens tu / Quest-ce qui
6. Si douce est la douleur / La franche / Et mesme
7. Tu brules bien content / Tu es ja en / Puis donc
Edition:
nos. 1-7:
Facsimile ed.of the 2 partbooks (ST); introduction by L. Vereertbrugghen

18,--

Chansons, Sonets a2, II (1610)


"Chansons, sonets, stanses et epigrammes a deux parties par maistre Iean de
Castro. Livre Second", Antwerpen, P. Phalse, 1610
all works for ST:
1. Pour voz biens faits gentes pucelles gentes
2. Cela ce dit en vain qui veut estre delivr (premire partie)
3. Helas combien de fois resolu de poursuivre (seconde partie)

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4. Mais ce pendant tousjours ce petit dieu (troisime partie)


5. Les Muses de l'amour ayment la grande douceur (premire partie)
6. Que si un amoureux embrasse Cupidon (seconde partie)
7. M'amour quand je m'efforce a contempler tes yeux (premire partie)
8. Mais ne m'est sinon fort gratieux (seconde partie)
9. Or m'amour fay souvent que c'est esclair (troisime partie)
10. Las ou fais tu, arreste toy pillarde (premire partie)
11. Ou si tu veux n'usant point de rigueur le retenir (seconde partie)
12. Non non ne pensez pas qu'il advienne m'amie (premire partie)
13. Et pourtant d'estre vostr'a jamais (seconde partie)
14. Vivez doncques m'amour contente (troisime partie)
15. De me faire la guerre amour a bien pouvoir (premire partie)
16. Mais ils n'auront puissance de ma nef (seconde partie)
17. Mais si mon esperance est vaine (troisime partie)
18. Lors la trouppe fidelle, des loyaux amoureux (quatrime partie)
19. Si au cieux as pris naissance (premire partie)
20. Si l'ambrosie divine & la liqueur nectarine (seconde partie)
21. Si madame a sceu destruire tes traicts (troisime partie)
22. Pour la douleur que j'essaye (quatrime partie)
23. Las j'erre tous pensif dans ce bois solitaire (premire partie)
24. La quelle avec amour cruelle & infidelle (seconde partie)
25. Mais que seroy je las le Ciel qui a puissance (troisime partie)
26. Pourtant de le cherir a jamais j'ay enui (quatrime partie)
27. Mais trop cruelle helas sera il possible (cinquime partie)
28. H veux tu que pour moy (sixime partie)
Edition:
Facsmile of the two partbooks (ST) of the 1610 edition

146.R8

Casulana, M.

147.R8

15,--

MADDALENA CASULANA
c.1540 - after 1586
25 Madrigals; ed. B. Pescerelli
ed. B. Pescerelli
ed. in B. Pescerelli's: "I Madrigali di Maddalena Casulana" (study + edition);
Studi e testi per la storia della musica (ed. Gallo / Bianconi), vol. I
nos. 1-24: a4; no. 25: a3
1. Ridon or per le piaggie erbett' e fiori (Petrarca)
2. Amor per qual cagion mi mandi a terra
3. Io d'odorate frond' e de bei fiori
4. Ahi possanza d'amor, com' in un tempo
5. O notte o ciel o mar o piaggie o monti (V. Quirino)
6. Morte - Che vi? - Te chiamo - Eccom' aprresso (S. Aquilano)
7. Ben venga il pastor mio anz' il mio Sole. Prima parte
8. "A dio, Lidia mia bella". Seconda parte
9. Cinta di fior, un giorno. Canzon prima parte
10. Gli ochi lucent' e belli. Seconda parte
11. La dea che nel mar nacque. Terza parte
12. Io, felice pastore. Quarta parte
13. Per lei pos' in oblio. Quinta parte
14. Monti selve fontane piagg' e sassi (J. Sannazaro)
15. Vagh' amorosi augelli
16. S'alcun vi mira fiso

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_______________

17. Come fra verd' erbette


18. Viv' ardor, viva fiamma
19. Il vostro dipartir, donna, mi diede
20. Gran miracol d'amore, quel che uccide
21. Morir non pu il mio cuore
22. Sculpio ne l'alm' Amore
23. Vedesti Amor giamai di s bel sole
24. Se scir si ved' il lacci' a cui dianz' io
25. Stavasi il mio bel Sol al sol asiso (G. Strozzi) a3
Sources:
1566: "Primo libro de diversi eccellentissimi auttori a quattro voci intitulato Il
Desiderio", Venice, G. Scotto (21-24)
1568: "Di Madalena Casulana il primo libro de madrigali a quattro voci",
Venice, G. Scotto; R/1583 (21-24)
1570: "Di Madalena Casualan il secondo libro de madrigali a quattro voci",
Venice, G. Scotto (1-20)
1586: "Il Gaudio. Primo libro de madrigali de diversi eccellenti musici a tre
voci novamente ristampati", Venice, erede di G. Scotto (25)

34,--

Ahi possanza d'amor a4


from her: "Secondo libro de madrigali a quattro voci", Venice, Scotto, 1570
see: Collections: "Anthology of Renaissance Music", ed. Atlas
Cavaccio, G.

GIOVANNI CAVACCIO
c.1556 - 1626
Musica a4 (1597)
"Musica a quattro voci. Ove si contengono due fantasie, che dan principio e
fine all'opera, canzoni alla franzese, pavana co'l saltarello, madrigali, & un
proverbio non so se antico, o moderno", Venice, 1597
(*nos. 6, 10, 14 and 19 with text in all voices; all other pieces are instrumental)
1. La Bertani
2. La Nicolina
3. La Verit
4. La Lafranchina
5. La Brigientia
6. *Dal tempo che tanta il cucco (il proverbio)
7. La Solcia
8. La Foresta
9. La Fina
10. *Mentre mia stella miri
11. La Bignani
12. La Nova
13. La morari
14. *Argo son le miserie
15. La Villa chiara
16. L'Agosta
17. La Marina
18. La Pasti
19. *Ero cos dicea
20. La Benaglia
21. La Massaina
22. La Moiola

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23. L'Aresia
24. Pavana
25. Saltarello
26. La Gastolda
Editions:
nos. 1-26:
ed. D. Salvatore:
score
54,-set of parts
49,- ed. F. Summer in score (hardback); this edition contains as well: "Canzoni di
diversi per sonar con ogni sorte di stromenti", Venice, 1588 (see for compl.
contents under this title in the list of Collections)
225,--

sb.412
sb.314
sb.197

Ardo s, ma non t'amo, a5:


see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I
Ero cos dicea SATB
see: Prints 1588/17: "L'Amorosa Ero"
Giunta qui Dori, e pastorelli amanti (G. Semprevivo)
see: Prints 1592/11: "Il Trionfo di Dori"
Cavendish, M.

a6

Michael Cavendish
c.1565 - 1628
Ayres in Tabletorie & Madrigalles a5 (1598)
"14. Ayres in Tabletorie to the Lute expressed with Two Voyces and the Base
Violl or the Voice & Lute only, 6. more to 4. voyces and in Tabletorie, and 8
Madrigalles to 5 voyces", London, P. Short, 1598
a) 14 Airs for 2 voices and bass viol or for 1 voice and lute:
1. Stay Glicia stay
2. Why should my muse
3. Mourne Marcus mourne
4. Have I vow'd & must not break it
5. Finetta fiare and feate
6. Love is not blind, but
7. Love the delight of all well thinking
8. The heart to rue the pleasure of the eye
9. Silvia is faire, yet scorning love unseemly
10. Curst be the time when first mine eyes beheld
11. Faire are those eyes
12. Wandring in this place as in a wildernes
13. Every bush now springing
14. Downe in a valley
b) 6 Songs for 4 voices and lute:
15. Wanton wanton come hether wanton
16. Say shepherd say
17. Faire are those eyes whose shine
18. Fairewell dispaire
19. Slie theese if so you will belleve
20. What thing more cruell can you doe

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c) 8 Madrigals for 5 voices:


21. In flower of April springing
22. Zephirus brings the time that
23. Much it delighted to see Phillis smiling
24. Come gentle swaines & shepherds
25. To former ioye now turnes
26. Faustina hath the fairer face
27. Every bush now springing
28. Wandring in this place
Editions:
nos. 1-28:
Facsimile of the 1598 edition; introductory note by D. Greer
nos. 15-20:
see section Lute: Voice(s) & Lute: "Collected English Lutenist Partsongs
(1597-1622)", volume I
nos. 21-28:
ed. E. Fellowes, rev. by Th. Dart (1961); The English Madrigalists, volume
36 (Cavendish, Edwards, Greaves, Holborne)
no. 24:
see: Prints 1601/16: "Triumphs of Oriana"

lf.124

334S6

Champion, Th.

39,--

59,--

Thomas Champion
died in or after 1580
Il estoit un clerc qui aymer vouloit, a4:
see: Prints 159/107: "Le Rossignol musical des chansons" (no. 3)

Clereau, P.

PIERRE CLEREAU
fl 1539 - 1567
Dixiesme livre de chansons, 1559
"Dixiesme Livre de Chansons tant Franoises, qu'Italiennes, nouvellement
composes quatre parties par M. Pierre Clreau", Paris, A. Le Roy & R.
Ballard, 1559
only AB of ed. 1559 extant, however SATB of ed. 1564
Alphabetical list of titles:
1. Alls mes soupirs amoureux
2. Ce m'est un mal que je n'eusse pens
3. Comment au departir
4. Che giova posseder
5. Du plus grand mal que par trop
6. Je ne veux plus que chanter
7. La grand ardeur de mon affection
8. L'amour qui me tourmente
9. Mais de quoy sert le dsirer
10. Mon petit chien aym
11. Nature ornant la dame
12. Ne prends esgard, Mariane
13. Petite fole estes vous pas contente
14. Puisque je voy que mes afflictions
15. Qual piu scontento amante
16. Qui veut escrire de Guionne

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148.R8

17. Qui voudra voir dedans


18. Sar signor' io sol del mio
19. Si ta grandeur, si ta flicit
20. Sol fa mi re la
Editions:
nos. 1-20:
ed. J. Bernstein; this edition contains as well Clreau's "Les Odes de Pierre
de Ronsard, mises en musique troys parties...", Paris, Ballard, 1575; The
Sixteenth-Century Chanson, vol. 7; hardback
no. 3:
see: Collections: "Anthologie de la chanson Parisienne au XVIe sicle"

137,--

Odes de Ronsard a3, 1575


"Les odes de Pierre de Ronsard mis en musique troys parties, par Pierre
Clereau", Paris, A. Le Roy & R. Ballard, 1575
The 1575 edition adds 16 chansons to the chansons of the French chansons in
the 1559 edition ("Premier livre de chansons tant Frqanoises qu' Italiennes
troys parties").
Alphabetical list of titles:
1. jamais croy qu'il en soit la pareille, vous madame de beaut
2. Amoureux suis de la plus belle qui fut oncques dessous les cieux
3. Ardeur ne se peut voir s'elle n'est feinte, en amour sans avoir soupon
4. Ces grands races orgueilleuses, ces gros diamans luisans
5. Comme la corne arentine de la lune en son croissant
6. Comme l'aigle fond d'enhaut, ouvrant l'esps de la ne
7. Comment Amour me veux tu tourmenter?
8. Comm'un qui prend une coupe seul honneur de son tresor
9. Content ou non il faut que je l'endure
10. De peu de bien on vit honnestement
11. D'un gosier mache-laurier, j'oy crier, dans licofron ma Cassandre
12. Est-il permis aux humains d'entreprendre?
13. Ha! tu t'en ris mauvaise si je change couleur
14. Helas! ma mere, helas! maman!
15. J'ay bien mal choisy ce que je voy, d'avoir fait amy
16. Je suis contraint d'estimer, et d'aymer ce qu'en vous j'ay peu comprendre
17. La lue entre les dieux a fait des envieux
18. La lune est coustumiere de naistre tous les mois
19. Le comble de ton savoir et de tes vertus ensemble
20. Le cruel amour vainqueur de ma vie sa sujette
21. Mais que me vaut d'entretenir si cherement un souvenir
22. Ma petite colombelle, ma petitee toute belle
23. Mignonne alons voir si la roze qui ce matin avoit d'esclose
24. Mignonne qui beaut a tant de biens prest
25. Mon oeil au traits de ta beaut esblouy par affection
26. Nous avons quelque fois grand'faute, soit de biens, soit de faveur haute
27. O dieux que j'ay de plaisir! qaund je sens mon col saisir
28. Olus voit tout & rien, Olus voit que son bien assez croit d'heur' en heure
29. O pucelle plus tendre qu'un beau bouton vermeil
30. O que douce fut la presence! Las! qu'ores m'est dure l'absence!
31. Ores qu'on voit en toutes pars le sang humain par terr'espars
32. Par ma douceur le monde, et la machine ronde je tiens en ma cordelle
33. Par Phoebus dpriser veit ses enfans briser Niope violente

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34. Pis ne me peut venir que j'ay jusques icy, pour vostre souvenir je languis
35. Quand le soleil se reveille dorant le ciel du beau jour
36. Sans lever le pied j'abatray la rouse
37. Ton nom que mon vers dira, tout le monde remplira
38. Venus ayant Vulcain mary salle & vilain se tuoit de plorer
39. Vivre en espoir me convient desormais, puis que vers moy ne se montre
Edition:
nos. 1-39:
ed. J. Bernstein; this edition contains as well Clreau's "Les Odes de Pierre
de Ronsard, mises en musique troys parties...", Paris, Ballard, 1575; The
Sixteenth-Century Chanson, vol. 7; hardback

148.R8

Cobbold, W.

137,--

William Cobbold
1560 - 1639
The Consort Songs & Viol Consorts in five parts
a) Consort Songs:
all for voice and 4 viols
1. From a starre
2. For death of her (Elegy for Mrs. Mary Gascoigne, 1588)
3. Ye mortal wights: Venus her lamentation for Adonis
4. I plunged am poore wreach in woe
5. Amids my bale
6. The haugthye harts
7. O froward fate
8. The rare effects
Unattributed and doubtful pieces:
9. As phisicks skill
10. By force I live
Pieces for which no literary text is extant:
11. Sighes doe your part
12. Jamyes amant
b) Viol Consorts a5:
13. Anone
14. Sub diversis speciebus
Editions:
nos. 1-14:
ed. in score and parts by I. Payne; all from: GB-Lbl Add. 18936-9; Q supplied by the editor
nos. 2, 3, 5, 6 and: "New fashions now do bear the sway" (same source) for
voice and 4 viols:
see: Collections: "Consort songs and anthems", ed. Ph. Brett: nos. 30-34

101.S8

With wreaths of rose and laurel

67,--

SSATB

see: Prints 1601/16: "Triumphs of Oriana"


Colombani, O.

Oratio Colombani
c.1550 - after 1595
All' apparir di Dori anzi del sole (G. Muscorno)
see: Prints 1592/11: "Il Trionfo di Dori"

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a6

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Comis, M.

M. Comis
2 Madrigals a5:
1. Mirabil arte e pregrino ingegno
2. Valor, senno, bont, desiri onesti
see: 1568/16: "Corona della morte dell'...Annibal Caro"
Gioia al mondo non si intiera e salda / Cos cangia costei
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)

Conforti, G.B.

a6

Giovanni Battista Conforti


fl 1550 - 1570
Madrigali, 1567
"Madrigali di Giovan Battista Conforti, nuovamente dati in luce et corretti da
Claudio da Correggio a cinque voci. Libro Primo", Venice, C. Merulo, 1567
22 madrigals a5 (SATTB):
1. O cara et dolce mia fiamma
2. S'hoggi son senz' honor
3. O foll' e miser ben
4. Che pu pi farm' il cielo?
5. O felice d'amor fiamma vivace
6. Tiranno amor
7. La vostra alta virtute
8. Se bellezz' e honestade
9. Lacci, catene e eppi
10. Tento ma invan
11. ben amara vita
12. Ben lasso mi credea
13. Se pu quel bel di voi
14. Al chiaro lume
15. Amor l'altr' hier
16. Madonna, hor che direte
17. Dunque baciar
18. Nasce la vita mia
19. Che debb' io far?
20. Se tutta ghiaccio sete
21. Vespesiana, io veggio
22. Non rumor di tamburi
Edition:
nos. 1-22:
Critical edition in score by D. Kmper of Conforti's "Ricercari" (1578) and
"Madrigali" (1567); Concentus Musicus, vol. IV; hardback

149.R8

Contino, G.

94,--

GIOVANNI CONTINO
c.1513 - c.1574
Madrigali a5, 1560
"Il primo libro de' Madrigali a cinque voci", Venice, G. Scotto, 1560
20 madrigals a5:

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150.R8
151.R8

1. A pi d'un odorifero ginebro


2. Vergine bella
3. Mentre 'l rettor de l'Arno
4. Ecco sorge a noi l'alba
5. Poi che 'n vio sola
6. Splendean le stell' in ciel
7. Or ch'i sublimi gradi
8. Ben che mill' e mill' occhi
9. Ecco s'en vien
10. Amor perch' io sempr' ami
11. S' anch' i vestiggi
12. Vergine santa
13. Misera spoglia
14. Ogni coll' e ogni riva
15. Tu ch' hai di Giove
16. Sdegna l'idalio verde
17. S'io piango e mi lamento
18. Passa la lave 'l mar
19. D'abit' onesto
20. D'abit' onesto
Edition:
nos. 1-20:
critical ed. by R. Vittori; hardback

85,--

Madrigals from anthologies and tablatures


ed. and introduction by R. Vittori
a) 11 Madrigals a4:
1. Dolce mio ben
2. Col seno pien di rose
3. Voi mi dite madonna
4. Da mille gravi affanni
5. Quando fia mai quel giorno
6. Se voi sete cuor mio
7. Sara s'io resto vivo
8. Dolci son le catene
9. Chi brama di veder
10. Non mi duol di morire
11. Vivete lieti
b) 8 Madrigals a5:
12. Dal gran pastor Ideo
13. Mentr' io tengo pur gli occhi
14. O chiaro nodo
15. Qual duo veneni uniti
16. Se quel lieto
17. Qual ad or ters' e fin
18. Sempre ch' irato Giove
19. Ah, forsennati
c) 16 Intabulations for organ and lute
transcribed from the tablatures into modern keyboard score
20. Di men stupor
21. Chi vuol veder
22. Sapete amanti

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23. In quel giardin


24. Chi creder giamai
25. Alma beata e bella
26. In questo d giocondo
27. Mille fiate
28. Vidi sorger
29. Amor perch io esempre ami
30. Chi non sa dove accenda
31. Quando che io perse il core
32. Che pena si pu dire
33. O che rose vermiglie
34. Nasce una pietra
35. Hor che el leggiadro
Sources:
D-ASsb 4783: Aschaffenburg organ tablature, c.1583/91 (1, 4-9, 11, 20-35)
1549/31: "Il vero terzo libro di madrigali de diversi autori a note negre",
Venice, A. Gardane (1)
1557/23: "Di Cipriano de Rore il quarto libro d'i madregali a 5 voci con uno
madregale a 6 et uno dialogo a 8...", Venice, A. Gardano (12)
1561/15: "Di Cipriano et Annibale madrigali a 4 voci insieme altri eccellenti
autori novamente con ogni diligentia stampati et dati in luce, Libro
bro quinto", Venice, A. Gardano; R: 1566/18 & 1575/15 (2)
1562/6: "I dolci et harmoniosi concenti fatti da diversi eccellentissimi musici
sopra varii soggetti. A 5 voci. Libro primo...", Venice, G. Scotto
(13-15).
1566/3: "Il Desiderio secondo libro de madrigali a 5 voci, de diversi auttori,
nuovamente posti in luce, per Giulio Bonagionta da S. Genesi",
Venice, g. Scotto (16)
1566/23: "Di Hettor Vidue et d'Alessandro Striggio e d'altri eccellentissimi
musici, madrigali a 5 & 6 voci di novo posti in luce de Giulio Bonagionta da San Genesi...", Venice, f. Rampazetto (17, 18)
1569/20: "La eletta di tuta la musica intitolata Corona di diversi novamente
stampata libro primo", Venice, (Zorzi?) (4-11)
157015: "I dolci frutti primo libro de vaghi et dilettevoli madrigali di diversi
eccellentissimi auttori a 5 voci, novamente posti in luce per...Cornelio
Antonelli da Rimino detto il Turturino", Venice, G. Scotto (19)
1584/15: "Fronimo dialogo di Vincentio Galilei nobile fiorentino. Sopra l'arte
del bene intavolare et rettamente sonare la musica negli strumenti
artificiali, et in particulare nel liuto...", Venice, heirs of G. Scotto
(4, 6, 19-23)
1585/19: "Symphonia angelica di diversi eccellentissimi musici a 4, 5 et 6 voci,
nuovamente raccolta per Huberto Waelrant...", Antwerpen, P.
Phalse & J. Bellre (11)
145,- Dolce mio ben a4
see: Prints 1549: "Il vero terzo libro di madrigali...a note negre"
Vivete lieti a4
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
Conversi,G.

Girolamo Conversi
fl 1571 - 1575

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Io canter di quell' almo splendore / Ben pos' Amor Natura


see: Prints 1585/19: "Symphonia Angelica" (Waelrant)

a5

2 Madrigals a5:
1. Io vo gridando
2. Quando mi miri
see: Prints 1583/14: "Harmonia Celeste" (Pevernage)
Sola soletta a5
see: Prints 1583/15: "Musica divina"
as: When all alone my bonny love
see: Prints 1590/29: "The first sett of Italian madrigalls Englished..."
Superbi colli / Cos se ben col temp' (Castiglione), a6: SSATTB
from his: "Il primo libro de madrigali a sei voci. Novamente ristampati",
Venice, erede di G. Scotto, 1584
see: Collections: "The Flower of the Italian Madrigal", volume I
Cornazzani, Ph.

Phileno Agostino Cornazzani


c.1543/45 - 1628
Qual nave scorta da celesta lume, a4:
see: Prints 1569: "Musica de'virtuosi della capella dell'...S. Duca di Baviera"
Ardo s, ma non t'amo, a5:
see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I

Cornet, S.

Sverin Cornet
c.1550 - 1582
3 Canzoni a4:
1. Madonna, o m'ami o no
2. Che t'aggio fatto
3. Parmi di star
source: "Canzoni napolitane a quattro voci...", Antwerpen, J. Laet, 1563
see: Collections: "Musica Mundana", ed. Acciai, e.a.
La peine dure que tant j'endure, a4:
see: Prints 1597/10: "Le Rossignol musical des chansons" (no. 7)

Cossuino, A.
Costa, G.

see: A. Gosswin
Gasparo Costa
fl 1580 - 1590
Ardo s, ma non t'amo, a5:
see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I
Mentr' quest' ombr' intorno (C. Forzate)
see: Prints 1592/11: "Il Trionfo di Dori"

a6

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Se fredda la mia donna, a3 / Wann wirt ein End:


see: Prints 1608/22: A. Mller: Deutsche Canzonetten (no. 19)
Costeley, G.

GUILLAUME COSTELEY
c.1530 - 1606
Musique, 1570
"Musique de Guillaume Costeley, organiste ordinaire et vallet de chambre, du
treschretien et tresinvincible Roy de France Charles IX", Paris, A. Le Roy &
R. Ballard, 1570
104 works a4 - a6: 101 chansons (some sacred) and 3 motets (see: # after title)
alphabetical list of titles; a4 if not otherwise stated; original page number indicated after each title:
1. A ce joly matinet (34)
2. Adieu monde puis qu'en toy (49)
3. *Allez mes premieres amours (p. 3)
4. *Allon gay gay bergeres (10)
5. *Allons au vert bocage (23)
6. *Amour tu faiz de nos coeurs (11)
7. *Approche toy jeune Roy (Prise du Havre) (42)
8. Arreste un peu mon coeur a5 (58)
9. Audite coeli # a5 (66)
10. *Bien, bien je vous pardonne (31)
11. *Bouche, qui n'a point de semblable (24)
12. Catin veut espouser Martin a5 (61)
13. *Ce beau tems me fait resjouir (15)
14. *Celle qu'ainsi fire voyez (responce) (17)
15. Celuy qui dit les astres (49)
16. Chanton de Dieu les merveilles (50)
17. *Chassons ennuy et toute desplaisance (6)
18. Combien roulent ilz d'accidentz (51)
19. Comment l'Eternel obscurcy (55)
20. De quoy me sert mignarde (27)
21. Dessoubz le may, pres la fleur (35)
22. *Dieu Cupido, ce grand vilain (28)
23. Domine salvum fac regem # (64)
24. *D'ou vient que ce beau tems (14)
25. Du clair soleil vient la lumiere (44)
26. D'un gosier machelaurier (52)
27. *Elle craint l'esperon (16)
28. En ce beau moys, en ce temps a5 (60)
29. Eructavit cor meum # a5 (65)
30. *Esprit doux de bonne nature (22)
31. *Fy du plaisir qui mille ennuys (6)
32. Grosse garce noire et tendre (21)
33. *Guillot un jour estant dliber (8)
34. *Hardis Franoys et furieux (Prise de Calais; La guerre de Calais) (36)
35. Helas que de mal j'endure (47)
36. *Herbes et fleurs qu'on voit (24)
37. Heureux qui d'un soc laboureur (57)
38. Il n'est trespas plus glorieux (50)
39. *J'ayme mon Dieu et sa saincte parolle (29)

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40. *J'ayme trop mieux souffrir (26)


41. *Je n'ay plaisir sinon (33)
42. Je ne puis croire qu'on meure (51)
43. Je ne veux plus penser (58)
44. *Je ne veux point l'amour (33)
45. *Je pleins le tems de ma jeunesse (10)
46. *Je sens sur mon ame pleuvoir (28)
47. *Je t'ayme ma belle (Responce) (32)
48. *Je veux aymer ardantement (5)
49. *Je voy des glissantes eaux (32)
50. *L'an & le moys, le jour (Responce) (27)
51. *Las faut il qu'on m'estime (7)
52. *Las je n'eusse jamais pens (7)
53. *Las je n'iray plus (19)
54. Las las helas il n'est homme (45)
55. *La terre les eaux va beuvant (5)
56. *L'autrier priay de danser (21)
57. Le cleste flambeau (56)
58. Le clerc d'un advocat (25)
59. *Le jeu, le riz, le passetems (25)
60. *L'ennuy, le dueil, la peine (12)
61. *Le plus grand bien qu'on sache (30)
62. Le souhait du juste il faut dire (52)
63. Le viaire serain de mon Roy (48)
64. Ma douce fleur ma margeurite (54)
65. *Mais que sert la richesse (3)
66. *Mercy n'aura qui ne prend (36)
67. *Mignonne allon voire si la rose (11)
68. *Muses chantez le loz (9)
69. *Noblesse git au coeur du vertueux (15)
70. Nous voyons que les hommes (4)
71. *O belle Galathe ensemble (38)
72. *O combien est heureux (40)
73. O Jupiter la paix, la guerre a5 (62)
74. *O mignonnes de Jupiter (40)
75. O que je suis troubl (55)
76. Oyez hommes Franoys (53)
77. Par ton saint nom je le confesse a5 (62)
78. *Perrette disoit Jehan (8)
79. Plus est servy et plus se plainct a5 (60)
80. Pourquoy amour n'a il plus de flambeau a6 (63)
81. *Puis que ce beau moys (12)
82. *Puis que la loy tres pure (23)
83. *Quand le berger vit la bergere (29)
84. *Quand l'ennuy facheux vous prend (41)
85. *Quand ma maistresse rid (31)
86. *Que de passions et douleurs (16)
87. Que des baisers de sa bouche (53)
88. Qu'est il plus gay (48)
89. Que vaut Catin ceste fuitte a5 (59)
90. *Qui n'en riroit mais (39)
91. *Qui void alors que les ventz (34)
92. Seigneur Dieu ta piti (18)

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93. Si c'est un grief tourment (13)


94. Si de beaut vous estiez moins (53)
95. *Si quelque ennuy sur moy (9)
96. *S'on pouvoit acquerir Ta grce (49)
97. *Sus debout gentilz pasteurs (13)
98. *Toutes les nuits je ne pense (22)
99. *Un usurier enterra son avoir (4)
100. Un usurier surpirs de maladie (46)
101. Venez danser au son de ma musette (45)
102. *Venus est par cent mille noms (26)
103. Voycy la saison plaisante (48)
104. Voyla Colin que sa mignonne (26)
Editions:
60 Chansons a4:
ed. H. Expert; set of 3 volumes (Matres musiciens de la Renaissance franaise, volumes 3, 18 and 19; 1896/1904/1905); reprint. These 60 chansons
have been indicated in the list above by "*" before the titles
nos. 8, 21 and 103:
ed. H. Expert (Florilge du concert vocal de la Renaissance, volume 4;
1928); reprint
nos. 28 and 35:
see: Collections: "Anthologie de la chanson Parisienne au XVIe sicle".
no. 4:
*ed. E.S. Beebe
see: Modern Collections: "Historical anthology of music", vol. I
no. 34:
see: Collections: "Chester Books of Madrigals", volume VII
no. 39:
*ed. E.S. Beebe
no. 78:
see: Collections: "Chester Books of Madrigals", volume III

152.R8

153.R8

154.R8

155.R8

Courville, J.Th. de

225,--

20,--

2,50

3,--

Joachim Thibault de Courville


died 1581
3 Chansons a4:
1. Lorsque mouroy de t'aymer
2. J'en ayme deux
3. Arm' arm'
see: F.M. Caeitain: "Airs mis en musique...", 1576
Lorsque mouroy de t'aymer:
see: Collections: "Anthologie de la chanson Parisienne au XVIe sicle".

Crisci, O.

Oratio Crisci
fl 1581 - 1589
Ardi gelia tua voglia a5
from: 1587/13: "Di Hippolito Sabino il sesto libro de madrigali a 5 et 6 voci...",
Venice, G. Vincenti
see: Collections: "Settings of "Ardo s" and its related texts", vol. II

Crivelli, A.

Arcangelo Crivelli

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1546 - 1617
2 Madrigals a5:
1. Donna, la bella mano
2. Sovr 'una verde riva
see: Prints 1582 & 89: Two Roman madrigal collections: "Dolci Affetti" and
"Le Gioie".
Io me n'avedo Amor / Wovon sagt mir ohn Schertze
see: Prints 1608/22: A. Mller: Deutsche Canzonetten (no. 7)
Croce, G.

Giovanni Croce
c.1557 - 1609

156.R8

Triaca, 1595
"Triaca musicale...nella quale vi sono diversi caprici a 4. 5. 6. e 7. voci",
Venice, G. Vincenti, 1595
ed. A. Schinelli

26,--

157.R8

Dialogo de chori d'angeli


*ed. Winter

4,50

158.R8

Hard by a crystal foutain


SSATTB
from: "Musica Transalpina. The second booke of madrigalles...translated out
of sundrie italian authors and newly published by Nicolas Yonge",
London, Th. East, 1597
ed. B. Clark (set of 6 scores)

SSATB / SSATB

23,--

Ove tra l' herbe e i fiori (G. Belloni) a6


see: Prints 1592/11: "Il Trionfo di Dori"
Valli profonde /Erme campagne (Tansillo) a6: SSATTB
from his: "Il primo libro de madrigali a sei voci", Venice, G. Vincenti
see: Collections: "The Flower of the Italian Madrigal", volume I
De Bussy

De Bussy
fl 1553 - 1583
Las il n'a nul mal a4
see: Collections: "Anthologie de la chanson Parisienne au XVIe sicle"

Dedekind, H.

Henning Dedekind
1562 - 1626
Trink ich Wein, a3
from: "Dodekatonon musicum triciniorum novis iisdemque lepidissimis exemplis
illustratum. Neue auserlesene Tricinia, auf treflich lustige Texte gesetzet
aus etlichen guten, doch bisher nicht publicirten Autoribus zusammen
gelesen und jetz erstmals den Liebhabern der Music zu gefallen in den
Druck verfertiget von Henningo Dedekindo...", Erfurt, Baumann, 1588
Editions:
see: Collections: "Antiqua Chorbuch", part II, volume 4: no. 133

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see: Collections: "Chester Books of Madrigals", volume VI


Deiss, M.

Michael Deiss
born c.1552; fl 1564-1568
Quis dabit oculis nostris fontem lacrimarum
see: Prints 1568/6: "(Novi atque catholici thesauri musici.) Liber Quintus"

De la Court, A.

Antoine De la Court
c.1530/35 - 1600
Carole, caesareo princeps de sanguine splendens a5
see: Prints 1568/6: "(Novi atque catholici thesauri musici.) Liber Quintus"

De la Court, H.

Henri De la Court
died 1577
3 State motets:
1. Aurea dum rutilis surgens aurora quadrigis
2. Caesaris ad bustum qui Dux Alphonse dolendum
3. Quid silbi vult haec clara dies coelumque serenum
see: Prints 1568/6: "(Novi atque catholici thesauri musici.) Liber Quintus"

De Latre, petit Jean

Petit Jean De Latre


c.1510 - 1569
Al hadden wij vijvenveertich bedden, a4:
see: Collections: "Fiteen Flemish songs of the Renaissance", ed. Lenaerts
see: Prints 1572: "Een Duytsch Musyck Boek"

Demantius, Chr.

CHRISTOPH DEMANTIUS
1567 - 1643
Teutsche Lieder a5, 1595
"Neue teutsche weltliche Lieder mit fnff Stimmen welche nicht allein zu singen
singen sondern auch auff allerley Instrumenten zugebrauchen gantz lieblich
componiret und in Truck gegeben durch Christophorum Demantium...",
Nrnberg, P. Kauffmann, 1595:
27 songs: all SSATB, except no.19 (sattb):
1. Ach das ich doch beschreiben kndt
2. Ein Jungfrau liebt im hertzen ich
3. Mit lieb bin ich entznden sehr
4. Ein Jungfrau daucht sich stolz
5. Mein hertz und gmt ist gar in lieb
6. Ein anders will ich wagen
7. Ach hertzigs hertz harr noch ein weil
8. Ach Englischs bild von tugend milt
9. Sag mir Cupido bitt ich dich
10. Was wrdet trsten mich
11. Lieblich ich hrte singen
12. Du hast dich gegen mich gar
13. Ein ssser traum mich thet in

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145.S6

14. Jetzund wilt du gegn mir dein lieb


15. Fr allen andern Jungfreulein
16. Noch lass ich mich nicht krencken
17. Weil du an mir dein untreu hast
18. Mein hertz zu diser frist
19. Mein elend thut sich jetzt vermehrn
20. Lieb habn steht eim jeden frey
21. Amor du Kind solst du sein blind
22. Du fragest mich und wundert dich
23. Mein hertz hat sich verwirrt
24. Zehn tausent gulden sein wol werth
25. Rath zu trauts Jungfreulein
26. Immer hin wer nicht lieben will
27. Vil wollust mit sich bringet
Editions:
nos. 1-27:
in: Demantius: Neue teutsche Lieder a5 (1595) & Convivalium, a6-8 (1609);
ed. C. Becking; Das Erbe Deutscher Musik, Sonderreihe, volume I; cloth 135,- nos. 5, 7, 11, 27:
see: Collections: "Antiqua Chorbuch", part II, volume 3: nos. 115-118
no. 11:
see: Collections: "Chester Books of Madrigals", volume V
Convivalium a6-a6, 1609
"Convivalium Concentuum Farrago, in welcher deutsche Madrigalia, Canzonetten und Villanellen mit sechs Stimmen zusampt einem Echo und zweyen
Dialogis mit acht Stimmen verfasset und beydes zo menschlicher Stimme so
wohl auch allerley Instrumenten accomodiret. Itzo auffs New der Musica
Vorstendigen zo frlicher Ergtzung publicirfet, durch Christophorum
Demantium", Nrnberg, P. Kauffmann, 1609
nos.1-25 for SSATTB; nos.26-28 for SATB / SATB:
1. Die Sommerzeit mein Gemth erfrewt
2. Einsmals Cupido lag und schlieff
3. Ich wnschte ein Edlen Frewlein (Erster Theil)
4. Cupido zu der Stunden (Ander Theil)
5. Als ich nun eins Kurtzweile (Dritter Theil)
6. Solch meine Wort und Rede (Vierdter Theil)
7. Cupido der schalckhafftig Knab
8. Gantz trawrig fhr ich jetzt mein Klag
9. Kanstu die Leute Spitzen
10. Nechten nechten war es fein
11. Hertzlich thut mich erfrewen
12. Als Daphne leusch und schn von Art
13. Gott grss euch liebes Liebelein
14. Ein Jungfraw selbst den Artzt anspricht
15. Wol dem dem ein Tugendsam Weib
16. Frisch auff ohn alles Zagen (Erster Theil)
17. All wilde Thier last lauffen (Ander Theil)
18. Auch wenn ihr werdet antreffen (Dritter Theil)
19. Wolan so last nun draben (Vierdter Theil)
20. Drey schne ding sein die beyde
21. Ich beschwere euch ihr Tchter (Erster Theil)

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22. Wo ist denn dein Freund hingegangen (Ander Theil)


23. Wie ein Jngling einen Jungfraw liebet
24. Mein Freund kom in meinen Garten (Erster Theil)
25. Ich schlaffe aber mein Hertz (Ander Theil)
26. Jungfraw ich het ein Bitt an euch (Dialogus ab 8)
27. Echo: responsum sivis mihi reddere (Echo ab 8)
28. Huc ades insignis Nympharum plantula (Dialogus ab 8)
Editions:
nos. 1-28:
in: Demantius: Neue teutsche Lieder a5 (1595) & Convivalium, a6-8 (1609);
ed. C. Becking; Das Erbe Deutscher Musik, Sonderreihe, volume I; cloth 135,- no. 1:
see: Collections: "Antiqua Chorbuch", part II, volume 3: no. 119

145.S6

"Ander Theil neuer deutscher Lieder, welche zuvor durch den kunstreichen
und gebten Musicum Gregorium Langium...mit dreyen Stimmen componiret,
jetzund...auffs neu gesetzet zu 5 Stimmen", Leipzig, 1615
from this opus:
In rechter Treu; by G. Lange a3, with 2 new parts by Demantius a5
see: Collections: "Antiqua Chorbuch", part II, volume 3: no. 114
Dentice, F.

Fabrizio Dentice
?1525/35 - before 1601
Ahi crudel stato mio che sol morte desio a5
see: Prints 1591/10: "Melodia Olympica"

Dentice, S.

Scipione Dentice
1560 - 1635
Ardo s, ma non t'amo a5
from his: "Primo libro de madrigali a 5 voci", Naples, heirs of M. Cancer, 1591
see: Collections: "Settings of "Ardo s" and its related texts", vol. II

Di Gregorii, F.

F. Di Gregorii
Non fuggir STB
from: "Fiori musicali di divrsi auttori a tre voci. Libro secondo. Novamente
composti, et dati in luce", Venice, G. Vincenti, 1588
see: 17th century: M. Pedersn: Madrigals; ed. K. Messina

Donato, B.

Baldassare Donato
1525/30 - 1603
Tratto fuora del mar, Apollo il giorno (quarta parte)
see: Prints 1591/10: "Melodia Olympica"

Dowland, J.

a6

JOHN DOWLAND
1563 - 1626
Ayres for four voices (SATB)
alphabetical list
1. All ye whom love or fortune hat betraide

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2. A Shepherd in a shade his plaining made


3. Awake sweet love thou art returnd
4. Awaie with these selfe loving lads
5. Burst forth my teares
6. By a fountain where I lay
7. Can she excuse my wrongs with vertues cloake
8. Cleare or Cloudie sweet as Aprill showring
9. Come again: sweet love doth now envite SATTB
10. Come away, come, sweet love
11. Come, heavy sleepe
12. Come when I call, or tarrie till I come STTB
13. Come ye heavie states of night
14. Deare if you change ile never chuse againe
15. Disdaine me still, that I may ever love
16. Faction that ever dwells in court
17. Farewell unkind farewell
18. Fie on this faining, is love without desire
19. Fine knacks for Ladies, cheap, choise, brave and new
20. Flow not so fast ye fountaines
21. Go Cristall teares
22. His goulden locks time hat to silver turnd
23. Humor say what makst thou heere
24. If fluds of teares could clense my follies past
25. If my complaints could passions move
26. If that a Sinner's sighes be Angels food
27. I must complain, yet doe enioy
28. In this trembling shadow cast
29. It was a time when silly Bees could speake
30. Lend your eares to my sorrow good people
31. Love stood amaz'd at sweet beauties paine
32. Love, those beames that breede
33. Me, me and none but me
34. My heart and tongue were twinnes
35. My thoughts are wing'd with hopes
36. Now cease my wand'ring eyes
37. Now, oh now I needs must part
38. Oh what hath overwrought my all amazed thought
39. O sweet woods, the delight of solitarienesse
40. Praise blindnesse eies, for seeing is deceipt
41. Rest awhile you cruell cares
42. Say Love if ever thou didst find
43. Shall I strive with wordes to move
44. Shall I sue, shall I seeke for grace
45. Sleepe wayward thoughts
46. Stay a while thy flying
47. Sweet3, stay a while, why will you?
48. Tell me true love
49. The lowest trees have tops
50. Think'st thou then by thy faining
51. Thou mighty God / When David's life by Saul / When the poore Criple
52. To aske for all thy love
53. Toss not my soul (Finding in fields my Silvia all alone)
54. Unquiet thoughts

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55. Weepe you no more sad fountaines


56. Were every thought an eye
57. What if I never speede
58. What poore Astronomers are they
59. When Phoebus first did Daphne love
60. Where Sinne sore wounding
61. White as Lillies was hir face
62. Whoever thinks or hopes of love for love
63. Wilt though unkind thus reave me of my hart
64. Wofull heart with griefe opressed
65. Would my conceit that first enforst my woe
Main sources (all printed):
1597: "First Booke of Songes or Ayres of Foure Partes with Tableture for the
Lute", London: all 21 songs (1, 3-5, 7, 9-11, 14, 21, 22, 25, 35, 37,
41, 45, 50, 54, 62, 63, 65)
1600: "The Second Booke of songs or Ayres of 2, 4 and 5 parts: with Tableture for the Lute or Orpherian, with the Violl de Gamba", London:
songs nos. 9-22 (2, 8, 13, 16, 19, 23, 24, 36, 39, 40, 44, 53, 61, 64)
1603: "The Third and Last Booke of Songs or Aires newly composed to sing
to the Lute, Orpharion or Viols", London: songs nos. 6-21 (6, 12, 17,
18, 20, 27, 29-31, 33, 38, 42, 49, 55, 57-59)
1612: "A Pilgrimes Solace", London: songs nos. 1-8 and 12-18 (15, 26, 28,
32, 34, 43, 46-48, 51, 52, 56, 60)
Editions:
nos. 1-65:
ed. D. Greer; Musica Britannica, volume 6 (hardback)
nos. 4, 9, 11, 21, 22 and 27:
"In praise of Cynthia"; ed. P.M. Young (Engl.; with Germ. transl.)
nos. 5-7, 9-11, 19, 21, 25, 37, 45, 47 and 55:
ed. E.H. Fellowes, Th. Dart and N. Fortune (lute part in staff notation);
("Invitation to the partsong", vol. 6)
no. 9: Come again, sweet love doth now invite:
*ed. Dart / Fortune for SATB
no. 19: Fine knacks for Ladies:
*ed. Dart / Fortune for SATB
no. 58:
see" Invitation to Madrigals", volume V
no. 63:
see" Invitation to Madrigals", volume II

148.S6
335.S6
149.S6

150.S6
151.S6

Dragoni, G.A.

188,- 6,--

12,- 3,50
3,50

Giovanni Andrea Dragoni


c.1540 - 1598
2 Madrigals a5:
1. Se dal soave et amoroso sguardo
2. Qual pena e qual dolore
see: Prints 1582 & 89 : "Two Roman madrigal collections: "Dolci Affetti"
(1582) & "Le Gioie" (1589)
4 Villanelle a5:
1. Partisti, ahi dura sorte
2. Crudel m' uccidi
3. Donna, se lo mi core

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4. M' ha punto amor


from: "Il primo libro delle villanelle a 5 voci...", Venice, 1588
see: Collections: "Musica Mundana", ed. Acciai e.a.
Du Caurroy, E.

Eustache Du Caurroy
1549 - 1609
Rose, vostre beau teint et voz douces odeurs, a4:
see: Prints 1597/10: "Le Rossignol musical des chansons" (no. 6)
2 Chansons a4:
1. Prince, la France te veut
2. Quand j'estois caress ded vous
see: Collections: "Anthologie de la chanson Parisienne au XVIe sicle"

Dueto, A.

Antonio Dueto
1530/40 - after 1594
Ardo s, ma non t'amo a4
from his: "Il secondo libro de madrigali a 4 voci", Venice, A. Gardano
see: Collections: "Settings of "Ardo s" and its related texts", vol. II

Eccard, J.

JOHANNES ECCARD
1553 - 1611
Newe deuzsche Lieder, 1578
"Newe deuzsche Lieder mit Vieren und Fnff Stimmen gantz lieblich zu singen
und auff allerley Musicalischen Instrumenten zu gebrauchen mit besonderm
Fleiss und Observation componieret...", Mhlhausen, G. Hantzsch, 1578
Nos.1-12 a4; nos.13-24 a5:
1. O Herr durch deinen bittern Todt
2. Gut Singer und ein Organist
3. Ein Fuhrman der fort kommen wil
4. Dieweil umbsonst jetzt alle Kunst
5. Der Music Feind seind Ignoranten
6. Kein Bulerey ficht mehr an
7. Hoscha wenn woln wir frlich sein
8. Ein Elster dunckt sich stoltz und klug
9. Schns Lieb was hab ich dir gethan?
10. Ich stell leicht ab von solcher Hab
11. Ich het mir ein Enlein frgenomn
12. Ein Verrehter und ein Suppenfresser
13. Ach Gott wie gern ich wissen wolt
14. Christ ist erstanden
15. Het ich viel Gelt so wer ich wert
16. Schwerverlangweilig
17. Dann mich jetzund
18. Und das ich dein edle Freundtschafft
19. Aller Welt Sin und Muth
20. Fraw dein Gestalt
21. Man spricht was Gott zusammen fgt
22. Man sagt wol in dem Meyen

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23. Wie hab ich doch Verschuld


24. Ein Guckguck wolt ausfliegen
Editions:
nos. 1-24:
Complete edition by M. Solomon
nos. 2-5, 7, 8, 12:
ed. Chr. Bcker of 7 songs

159.R8
160.R6

105,- 9,50

Neue geistliche und weltliche Lieder, 1589


"Neue geistliche und weltliche Lieder mit Vieren und Fnff Stimmen, gantz
lieblich zu singen, und auff allerley Instrumenten zu gebrauchen...",
Knigsberg, 1589.
ed. in volume 21 of R. Eitner's "Publikationen lterer praktischer und theoretischer Musikwerke, vorzugs weise des XV. & XVI. Jahrhunderts, hrsg. von
der Gesellschaft fr Musikforschung" (29 volumes; 1873-1905). Reprint in
29 volumes; hardback; only available as complete set
2.950
from this collection:
2 Lieder:
1. Nun schrz dich, Gretlein
2. Hrt ich ein' Kuckuck singen
see: Collections: "Antiqua Chorbuch", part II, volume 4: nos. 131-132
Nun schrz dich, Gretlein; SATB:
see: Collections: "Chorbuch der losen Bltter" (no.68)

183.R5

Der Winter kalt a4


see: Collections: Gesellige Zeit, I (no. 12)
Eremita, G.

Giulio Eremita
?c.1550 - c.1600
Ardo s, ma non t'amo / Ardi o gela a tua voglia a5
from his: "Madrigali a 5 voci. Libro primo", Ferrara, V. Baldini, 1586
see: Collections: "Settings of "Ardo s" and its related texts", vol. II
2 Madrigals a6:
1. Poi che el mio largo pianto, Amor
2. Arsi del vostr'amor si dolcemente
see: Prints 1591/10: "Melodia Olympica"
Smeraldi eran le rive il fium' argento (L. Galeazzi)
see: Prints 1592/11: "Il Trionfo di Dori"

Faignient, N.

a6

NO FAIGNIENT
fl c.1560 - 1600
a) Chansons, Madrigales, Motetz, 1568
"Chansons, Madrigales & Motetz a 4, 5 & 6 parties, nouvellement composes. Le Premier Livre", Antwerpen, J. Laet, 1568
Chansons, madrigals and motets a4-a6:
chansons a4:
1. Angelicque bont

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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396.R7

2. C'est de vous
3. Contraint je suys
4. Iamays ne cesseray
5. Ick sal den Heere
6. L'home qui est
7. Maer Heere want ick op der aerden moet
8. O pre un iour j'espere, que tu
9. Or veuilles doncq, je vous supplie
10. O Hemelsche vader
11. O allendighe mensche die daer was verdomt
12. Overvloedighen rijckdom
13. Par un matin tout par souhait
14. Soyons plaisants tous gallans en delaissant
15. Sus prens ton luth ma nymphette
16. Si par raison a vous mon coeur
17. Tout doucement
18. Un pre verd, je cognois
19. Vivre ne puis sur terre, car mort suis a
20. Vivant ne cesseray vos sainctz
21. Vostre rigueur veut doncques que je meure
madrigals a4:
22. Che fai che pensi
23. Deh dove senza me
24. Dormiva ne begl'occhi di madonna
25. Hor ch'il destin consente
26. Ogn'uno sap'hor mai la pena mia
chansons a5:
27. Adieu celle, que iay servi a mon povoir
28. Adieu Anvers, adieu la nobel ville
29. L'oeil dict asses
30. Rijckdom ende haven
31. Sus loues Dieu
madrigals a5:
32. Chi sara may
33. Donna per acquetar
34. Fermis 'il sol
35. Pero se l'opra non giung' al desio
36. Parmi veder la bella donna mia, con la qual
37. S'io mi lamento
motets a4-a6:
38. Deus patris mei Abraham & Deus patris a4
39. Antequam comedam a5
40. Erravi sicut ovis a5
41. Insignis virtute Comes Mansfeldae a5
42. Iamque exorta a5
43. Nunquid dixi a5
44. Multi dicunt a6
Edition:
nos. 1-44:
Facsimile of the 5 partbooks of the 1568 edition; introduction by E. Schreurs
no. 10:
see: Collections: "Fifteen Flemish songs of the Renaissance", ed. Lenaerts

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b) Other editions
2 Madrigals a4:
1. Basciami mia vita
2. Questi ch'indigio fan del mio tormento
see: Prints 1583: "Harmonia Celeste...raccolta per A. Pevernage..."
3 Chansons:
1. Le seul espoir de mieux avoir m'amie a4
2. Le tien espoir de mieux avoir t'abuse a4
3. Jupiter, tres grand Roy a5
see: Prints 1597: "Le Rossignol musical des chansons" (nos. 5, 8 and 25)

2 Chansons a4:
1. Soyons plaisans
2. Musica aldersoetste konst
see: Prints 1644: "Livre Septieme", Amsterdam
Farina, F.

Francesco Farina
died 1575
Ardo s, ma non t'amo a6
from his: "Madrigali a 6 voci. Libro I"
see: Collections: "Settings of "Ardo s" and its related texts", vol. II
Morir cor mio poi che n' hai gran desio a4
see: Prints 1591/10: "Melodia Olympica"

Farmer, J.

JOHN FARMER
born c.1570; fl 1591 - 1601
"The First Set of English Madrigals:
to Foure Voyces...", London, W. Barley, 1599.
16 Madrigals a4 (SATB unless otherwise stated) and one a8:
1. You pretty flowers that smile
2. Now each creature joys the other
3. You'll never leave still tossing
4. Lady, my flame still burning (the first part)
5. Sweet lord, your flame (the second part)
6. Soon as the hungry lion
7. O stay, sweet love (the first part)
8. I thought, my love (the second part)
9. Compare me to the child
10. Who would have thought that face? SAAT
11. Sweet friend, thy absence
12. The flattering words
13. Cease now thy mourning
14. A little pretty bonny lass
15. Fair Phyllis I saw
16. Take time while time doth last
17. You blessed bowers a8: SSATTTBB
Editions:

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_______________

nos. 1-17:
ed. E. Fellowes, revised by D. Moroney; The English Madrigalists, volume 8;
this edition contains as well: Fair nymphs I hear one telling (SSATTB) from
"The Triumphs of Oriana", 1601
63,- nos. 3 and 14:
ed. B. Thomas (set of 4 scores)
7,- no. 15:
*ed. Fellowes / Moroney
3,- see: Collections: "Chester Books of Madrigals", volume III
see: Collections: "Invitation to Madrigals", volume II
no. 16:
see: Collections: "Invitation to Madrigals", volume V
no. 17:
ed. B. Thomas (score and parts)
12,--

161.R8

162.R8
163.R8

164.R8

Fair nymphs I heard one telling SSAABB or SSATTB


see: Prints 1601/16: "The Triumphes of Oriana"
see: Collections: "Invitation to Madrigals", volume VII
Farnaby, G.

GILES FARNABY
c.1563 - 1640
Canzonets, 1598

165.R8

"Canzonets to Fowre Voyces with a Song of Eight Parts", London, 1598


nos. 1-20 for 4 voices; no. 21 for 8 voices
1. My lady's coloured cheeks SATB
2. Carters, now cast down STB
3. Phillida bewailed SATB
4. Daphne on the rainbow SSAT
5. Blind love was shooting SSAB
6. Pearce did love fair Petronel SAAB
7. Pearce did dance with Petronella SATB
8. The wavering planet SSAB
9. Lady, the silly flea SATB
10. Thrice blessed be the giver SSAB
11. The curtain drawn SATB
12. Susanna fair SSTB
13. Love shooting among many (the first part) SSAB
14. Love shooting at another (the second part) SSAB
15. Ay me, poor heart SATB
16. Some time she would SATB
17. Among the daffadillies SSAB
18. Simkin said that Sis was fair SSAB
19. Lady, when I behold your passions SSAB
20. Construe my meaning SATB
21. Witness, ye heavens SSSAATBB
Editions:
nos. 1-21:
ed. E. H. Fellowes, rev. by Th. Dart; The English Madrigalists, volume 20
nos. 5 and 20:
see: Collections: "Invitation to Madrigals", volume V
no. 7:

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E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

see: Collections: "Invitation to Madrigals", volume II


no. 12:
ed. B. Thomas (set of 4 scores)
no. 21:
ed. B. Thomas (set of 8 scores)

166.R7
167.R8

Fazio, A. di

12,- 12,--

Anselmo di Fazio
fl 1589 - 1628
2 Madrigals a6:
1. L'amata donna se ne porta il core a6 (from: 1 libro a6, 1601)
2. Crudel nemica e fiera a6 (from: idem)
see: Collections: "Madrigali Siciliani in antologie transalpine, 1583-1616"

Felis, S.

Stefano Felis
c.1550 - in or after 1603
4 Madrigals:
1. Da l'arcadia seconda a5
2. Sonno scendesti in terra a5
3. Al vostro dolce azuro a6
4. Ahi chi mi romp' il sonno a6
see: Prints 1583/14: "Harmonia celeste...raccolta per A. Pevernage..."

Ferrabosco, A. sr

ALFONSO FERRABOSCO the elder


1543 - 1588
a) Opera Omnia
b) Other Editions
a) Opera Omnia; ed. R. Charteris
vols. III-VIII: Secular Music
(vols. I-II: Sacred Music; vol. X: Instrumental Music)
with nos. according to the catalogue of Charteris

168.R8

Volume III
Latin, French and English Songs
a) Latin Songs:
1. Musica laeta a5 C.79
2. Virgo per incertos casus a6 C.80
b) French Songs:
3. Auprs de vous a5 C.81
4. Las, voulez vous a5 C.82
5. Le rossignol a5 C.83
6. Susanne un jour a5 C.84
c) English Songs:
7. The nymphs that in the groves do sport a5 C.85
8. Tlhe wine that I so dearly got a5 C.86
9. What is the cause a5 (incomplete) C.87
Appendix: English versions of the Chansons:
10. Fair Phillida ( = no. 3) a5 C.E1
11. How shall he sing ( = no. 4) a5 C.E2
12. The nightingale ( = no. 5) a5 C.E3

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

169.R8

13. Susanna fair ( = no. 6) a5 C.E4


Sources:
GB-Lbl Add. 5036 (1)
GB-Lbl Add. 30016-30021 (8, 13)
GB-Lbl Add. 30480-30484 (13)
GB-Lbl Add. 30810-30815 (2)
GB-Lbl Add. 31417 (2)
GB-Lbl Egerton 2009-2012 (7, 10-12)
GB-Lbl Egerton 3665 (4)
GB-Lcm (2)
GB-Ob (1)
GB-Ob Tenbury 389 and 1018 (1, 2)
GB-Och 78-82 and 463-467 (1)
US-NH (1)
1572: "Mellange de chansons tant des vieux autheurs que des modernes",
Paris, A. le Roy & R. Ballard (3)
1588: "Musica Transalpina", London, Th. East (12, 13)
1597: "Le Rossignol musical des chansons", Antwerpen, P. Phalse (5)
Volume IV
Madrigals a5, book I
"Il primo libro de madrigali a cinque", Venice, A. Gardano,1587
1. Se pur
C.88
2. Mentre ti fui s grato (1. parte) (Alemanni) C.89
3. Mentre ti fui s cara (2. parte) (Alemanni) C.90
4. Hor pien d'alto desio (3. parte) (Alemanni) C.91
5. Hor un laccio (4. parte) (Alemanni) C.92
6. Lasso dunque che sia (5. parte) (Alemanni) C.93
7. Ben ch senza mentire (6. parte) (Alemanni) C.94
8. Vorrei lagnar mi a pieno (1. parte) (Tasso) C.95
9. S'io taccio (2. parte) (Tasso) C.96
10. Perle, rubini e ostro C.97
11. O dulcissimo bacio C.98
12. Gi fa mia dolce speme (Tasso) C.99
13. Voi volete ch'io moia (Parabosco) C.100
14. Cara la vita mia C.101
15. Quant'io sono infelice C.102
16. Godea Tirsi gli amori C.103
17. Chi ha cor da partire C.104
18. O crude pene mie C.105
19. Non fingo
C.106
20. Donna, se voi m'odiate (Rinaldi) C.107
Appendix: English version of 14 madrigals:
21. Penelope ever was praised ( = no. 1) C.E5
22. Say sweet Phillis ( = no. 5) C.E6
23. I languish to complain me ( = no. 8) C.E7
24. If silent ( = no. 9) C.E8
25. Rubies and pearls ( = no. 10) C.E9
26. O sweet kiss ( = no. 11) C.E10
27. Sometime my hope ( = no. 12) C.E11
28. What thing more rare than beauty ( = no. 13) C.E12
29. He that enjoy'd of pleasure ( = no. 14) C.E13
30. Thirsis enjoy'd the graces ( = no. 16) C.E14
31. List not to sirens singing ( = no. 17) C.E15

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_______________

32. Who trusts to fortune's smiling ( = no. 18) C.E16


33. The shepherds of fields and mountains ( = no. 19) C.E17
34. Lady, if you so spite me ( = no. 20) C.E18
Sources for nos. 21-34:
GB-Lbl Add. 18936-18939 (21, 31)
GB-Lbl Add. 29372-29377 (23, 24)
GB-Lbl Add. 30016-30021 (25, 26, 30, 34)
GB-Lbl Egerton 995 (26, 27, 34)
GB-Lbl Egerton 2009-2012 (21, 28, 29, 31-33)

170.R8

1588: "Musica transalpina", London, Th. East (25-27, 30, 33)


1598: "Madrigals to five voyces. Celected out of the best approved Italian
authors. By Thomas Morley....", London, Th. East (22-24)
Volume V
Madrigals a5, book II
"Il secondo libro de madrigali a cinque", Venice, A. Gardano, 1587
1. A la dolc' ombra (1. parte) (Petrarch) C.108
2. Non vide il mondo (2. parte) (Petrarch) C.109
3. Un lauro mi difese (3. parte) (Petrarch) C.110
4. Per pi ferm' ogn'hor (4. parte) (Petrarch) C.111
5. Selve, sassi, campagne (5. parte) (Petrarch) C.112
6. Tanto mi picque (6. parte) (Petrarch) C.113
7. Donna, l'ardente fiamma (1. parte) C.114
8. Signor, la vostra fiamma (2. parte) C.115
9. Scoprir l'ardor mio (1. parte) C.116
10. Se voi sete il mio sol (2. parte) C.117
11. Non mi fuggir ben mio C.118
12. Zefiro torna (Petrarch) C.119
13. Gi non fia ver C.120
14. Poi ch'io non poss: Amore C.121
15. Bruna sei tu, ma bella (Tasso) C.122
16. Non lasso martire (F. Spira) C.123
17. Solo e pensoso (1. parte) (Petrarch) C.124
18. S ch'io mi cred'homai (2. parte) (Petrarch) C.125
19. Nel pi fiorito Aprile C.126
Appendix: English version of madrigals
a) Complete versions:
20. Such pleasant boughs ( = no. 2) C.E21
21. Lady, my flame still burning ( = no. 7) C.E22
22. Sweet Lord, your flame still burning ( = no. 8) C.E23
23. Zephirus brings the time ( = no. 12) C.E24
24. Brown is my love ( = no. 15) C.E25
25. In love, where is denying ( = no. 16) C.E26
26. I think that if the hills ( = no. 18) C.E27
27. In flow'r of April springing ( = no. 19) C.E28
b) Incomplete versions from GB-Lbl Add. 34050:
28. What joy delight and pleasure ( = no. 7) C.E29
29. How high was Caesar placed ( = no. 8) C.E30
30. Among the roses sleeping ( = no. 11) C.E31
31. Love is a pleasure ( = no. 12) C.E32
32. Farewell all fancies feigned ( = no. 19) C.E33
Sources for nos. 20-32:
GB-Lbl Add. 5336 (27)

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

171.R8

GB-Lbl Add. 29372-29399 (23)


GB-Lbl Add. 30016-30021 (21-24, 27)
GB-Lbl Add. 34050 (28-32)
GB-Lbl Add. 36484 (23, 27)
GB-Lbl Egerton 995 (20, 26)
GB-Lbl Egerton 2009-2012 (25)
1597: "Musica transalpina. The second booke", London, Th. East (21-24, 27)
1598: "Madrigals to five voyces. Celected out of the best approved Italian
authors. By Thomas Morley....", London, Th. East (20, 26)
Volume VI
Madrigals in Manuscripts and Printed Anthologies, I
1. Poich, lasso, m' tolto (1. parte) (P. Gradinicio) a5 C.127
2. Ch'io sento ad hora (2. parte) (P. Gradinicio) a5 C.128
3. Come solea (3. parte) (P. Gradinicio) a5
C.129
4. Ove le luci giro (4. parte) (P. Gradinicio) a5
C.130
5. Io son ferito a5 C.131
6. Vidi pianger madonna (1. parte) (A. Lionardi) a5 C.132
7. Come dal ciel (2. parte) (A. Lionardi) a5 C.133
8. Tu dolce anima mia a5 C.134
9. Non ardo et son nel foco (1. parte) a5 C.135
10. Foco 'l mio cor (2. parte) a5 C.136
11. Cantai un tempo (Bembo) a5 C.137
12. Non ha tanto a5
C.138
13. Chi per voi non sospira a5 C.139
14. Dolci ire (1. parte) (Petrarch) a5
C.140
15. Forse anchor fia (2. parte) (Petrarch) a5 C.141
16. Amor mi sprona (Petrarca) a5 C.142
17. Deh non ponete fine a5 C.143
18. Dolce, mentre il ciel volse (1. parte) (Coppetta) a5 C.144
19. Felice, hoime! (2. parte) (Coppetta) a5 C.145
20. Standomi un giorno (1. parte) (Petrarch) a5 C.146
21. Indi per un alto mar (2. parte) (Petrarch) a5
C.147
22. In un boschetto (3. parte) (Petrarch) a5 C.148
23. Chiara fontana (4. parte) (Petrarca) a5 C.149
24. Una strania phenice (5. parte) (Petrarch) a5 C.150
25. Al fin vi'io (6. parte) (Petrarch) a5 C.151
26. Hor che la notte a5 C.152
27. Ero cos dicea (M.A. Martinengo) a5 C.153
Appendix: English versions:
28. I saw my lady weeping ( = no. 6) a5 C.E36
29. Like as from heaven ( = no. 7) a5
C.E37
30. In fountain clear as cristal ( = no. 8) a5 C.E38
31. O love, thy fire exceedeth ( = no. 9) a5 C.E39
32. My heart is fire ( = no. 10) a5 C.E40
33. O spiteful love ( = no. 12) a5 C.E41
Sources:
GB-Lbl Egerton 3665 and R.M. 24.d.2 (1, 2, 6-8, 11-25)
GB-Lbl Add. 29372-29377 (28, 29)
GB-Lbl Add. 30016-30021 (28)
GB-Lbl Egerton 955 (28, 29)
GB-Lbl Egerton 2009-2012 (30-33)
GB-Och 78-82 and 463-437 (1-26)
1583: "Harmonia celeste di diversi eccellentissimi musici", Antwerpen, P.

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

172.R8

173.R8

Phalse & J. Bellre (8)


1588: "L'Amorosa Eto rappresentata da' pi celebri musici d'Italia con l'istesse
parole et nel medesimo tuono", Brescia, V. Sabbio (27)
1588: "Musica transalpina", London, Th. East (28, 29)
149,-Volume VII
Madrigals in Manuscripts and Printed Anthologies, II
1. Dolce guerriera mia (1. parte) (Bembo) a6 C.154
2. Ma se con l'apre (2. parte) (Bembo) a6 C.155
3. Grave pene in amor (Ariosto) a6 C.156
4. Cos m' l'aspettar a6 C.157
5. Interdette speranze (Sannazaro) a6 C.158
6. Se lungi dal mio sol (1. parte) (A.F. Riniori) a6 C.159
7.Sola voi no'l sentite (2. parte) (A.F. Riniori) a6 C.160
8. Ecco che un'altra voce (1. parte) (Sannazaro) a6 C.161
9. Et se di vero amor (2. parte) (Sannazaro) a6 C.162
10. Vergine bella (1. parte) (Petrarch) a6 C.163
11. Vergine saggia (2. parte) (Petrarch) a6 C.164
12. Vergine pura (3. parte) (Petrarch) a6 C.165
13. Vergine santa (4. parte) (Petrarch) a6 C.166
14. Vergine sol' al mondo (5. parte) (Petrarch) a6 C.167
15. Vergine chiara (6. parte) (Petrarch) a6 C.168
16. Vergine, quante lagrime (7. parte) a6 C.169
17. Vergine, tale terra (8. parte) (Petrarch) a6 C.170
18. Vergina, in cui (9. parte) (Petrarch) a6 C.171
19. Vergine humana (10. parte) (Petrarch) a6 C.172
20. Il d s'appressa (11. parte) (Petrarch) a6 C.173
21. Mentre ch'il cor (1. parte) (Petrarch) a6 C.174
22. Quel foco morto (2. parte) (Petrarch) a6 C.175
Appendix: English version of madrigals:
23. So far from my delight ( = no. 6) a6 C.E42
24. She only doth not feel it ( = no. 7) a6 C.E43
Sources:
GB-Ob Tenbury 389 and 1018 (1-3, 5)
US-NYp Drexel 4302 (1-22)
1588: "Musica transalpina" (23, 24)
135,-Volume VIII
Madrigals in Manuscripts and Printed Anthologies, III
1. Se pur ver che l'alma a6 C.176
2. Quel sempre acerbo (Petrarch) a6
C.177
3. Io vo piangendo (1. parte) (Petrarch) a6 C.178
4. S che, s'io vissi (2. parte) (Petrarch) a6 C.179
5. Valle, che dei lamenti (1. parte) (Petrarch) a6
C.180
6. Ben riconosco in lei (2. parte) (Petrarch) a6 C.181
7. Lasso me (1. parte) (Bembo) a6 C.182
8. Cerco fermar il sol' (2. parte) (Bembo) a6 C.183
9. Hor vedi, amor (1. parte) (Petrarch) a6 C.184
10. Tu sei prigion (2. parte) (Petrarch) a6 C.185
11. Non lasso martire (F. Spira) a6 C.186
12. Voi volete ch'io moia (Parabosco) a6 C.187
13. Gi disfatt'ha le novi (1. parte) (A.F. Rinieri) a6 C.188
14. Esser non pu (2. parte) (A.F. Rinieri) a6 C.189
15. Benedetto sia 'l giorno (1. parte) (Petrarch) a6 C.190
16. Benedette le voci (2. parte) (Petrarch) a6 C.191

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17. Ogni loco m'attrista (Petrarch) a6 C.192


18. Questi ch'inditio fan dol (Ariosto) a6 C.193
19. Con lagrime ch'ogn'hor (G.B. Amalteo) a6 C.194
20. Fui vicino a cadere (1. parte) (Coppetta) a6 C.195
21. Hor com' augel (2. parte) (Coppetta) a6 C.196
22. Quando la bella (textless and incomplete) C.197
Appendix: English version of madrigals:
23. These that be certain sings ( = no. 18) C.E44
24. I was full near my fall ( = no. 20) C.E45
25. But as the bird ( = no. 21) C.E46
Sources:
US-NYp Drexel 4302 (1-21)
1588: "Musica transalpina", London, Th. East (23-25)
1601: "Ghirlanda di madrigali a sei voci, di diversi eccellnetissimi autori de
nostri tempi. Raccolta di giardini di fiori odoriferi musicali", Antwerpen,
P. Phalse (12)
128,-b) Other Editions
V/14: Poi ch' io non poss' Amore SSATB
from his: "Il secondo libro de madrigali a cinque", Venice, A. Gardano
see: Collections: "The Flower of the Italian Madrigal", volume I
VI/8: Tu dolce anima mia, a5:
see: Prints 1583/14: Harmonia Celeste...raccolta per A. Pevernage..."
VI/27: Ero cos dicea SATTB
see: Prints 1588/17: "L'Amorosa Ero"
VI/28: I saw my lady weeping SATTB
from: "Musica Transalpina. Madrigals translated...", London, Th. East, 1588
*ed. C. Bartlett

174.R8

2,50

III/5: Le Rossignol plaisant et gratieux, a5:


see: Prints 1597: "Le Rossignol musical des chansons" (no. 30)
Ferrabosco, M.

Matthia Ferrabosco
1550 - 1616
(22) "Canzonette a quattro voci", Venice, 1585
from this collection:
2 Canzonette: Che giovarebbe haver bellezza
Se si spezzasse sta dura catena
see: Collections: "Musicians from the Low Countries & Italy at the Court
in Graz of Karl II, 1564-1590"

Ferretti, G.

GIOVANNI FERRETTI
c.1540 - after 1609
Canzoni a6, II (1575)
"Il secondo libro delle Canzoni a sei voci", Venice, erede di G. Scotto,1575
1. Com'al primo apparir

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2. Dolci colli fioriti


3. Voi che te dica
4. Mirate che m'ha fatto
5. Ho inteso dir
6. Su, su, su, non pi dormir
7. (anonymous): Ecco ch'io lass'il core
8. Occhi, non occhi
9. Nasce la gioia mia
10. Un nuovo cacciator
11. Ancor che col partir
12. Non dolor
13. O saporito volto
14. Ognun s'allegra
15. Occhi leggiadri, dov' amor fa nido
16. Qual donna canter
17. Bon cacciator giammai no perse caccia
18. Mettetevi in battaglia
19. O faccia che rallegri
20. Depon l'arco e l'orgoglio
21. O consiacaldari!
Editions:
nos. 1-21:
ed. R.I. DeFord; appendix: three anonymous canzone models for nos. 8,
15, 17 and 19; models by G. Fiorino (no. 11), F. de Laudis (no. 2) and
M.A. Mazzone (nos. 13 and 14)
no. 4:
see: Collections: "The Flower of the Italian Madrigal", volume III
no. 6:
see: Collections: "The Flower of the Italian Madrigal", volume I
no. 9:
see Prints 1583: "Harmonia Celeste...raccolta per A. Pevernage..."
nos. 15 and 17:
2 Canzoni; ed. B. Thomas (set of 6 scores)

175.R8

176.R8

84,--

9,--

10 Madrigals:
1. Basciami vita mia, basciam' ogn' hora a5
2. Leggiadra giovinett' anima mia a5
3. Far potess' io vendetta di colei a5
4. Mirate che m' ha fatto sto mio core a6
5. Occhi non occhi ma lucenti stelle a6
6. Un pastor chies' ad una ninfa amore a6
7. Dolc' amorose e leggiadrette ninfe a6
8. Pascomi sol di pianto e vive in pene a6
9. Un tempo sospirava, piangev' e lacrimava a6
10. Quando mirai questa bella faccia d' oro a6
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
"Il terzo libro delle napolitane a 5 voci...", Venice, G. Scotto, 1570
from the 3rd book:
Male per me tanta belt, a5
see: Collections: "Musica Mundana", ed. Acciai e.a.
Fiorini, I.

Ippolito Fiorini

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c.1549 - 1621
Ero cos dicea SATB
see: Prints 1588/17: "L'Amorosa Ero"
Fiorino, G.

Gasparo Fiorino
fl 1571 - 1574
Ancor che col partir
see: G. Ferretti: "Il secondo libro delle canzoni a sei voci", 1575; ed. R.I.
DeFord (appendix)

Flaccomio, G.P.

Giovanni Pietro Flaccomio


c.1565 - 1617
Lumi, miei cari lumi, che lampeggiate a5
see: Collections: "Madrigali Siciliani in antologie transalpine, 1583-1616"

Flecha, M. II

177.R8
178.R8

MATEO FLECHA jr.


c.1540 - 1604
Madrigals, 1568
"Il Primo Libro de Madrigali a quatro & cinque voci con uno sesto & un
dialogo a otto. Novamente da lui composti", Venice, a. Gardano, 1568
19 madrigals: no. 9 for 3, nos. 1-8 for 4, nos. 10-17 for 5, no. 18 for 6, and no.
19 for 8 voices
1. Alza doglioso canto a4
2. S'una sincera fe'
3. Si brev' el tempo
4. Crin d'oro crespo
5. Sacro a Cibele
6. Vago augelletto
7. Ite, caldi sospiri
8. O qual corona
9. Di d in d vo cangiando a3
10. Lauro gentil a5
11. Voi ch'ascoltate
12. Chi pensa quanto il bel
13. Chiare, fresch'et dolci acque
14. Sento l'aura soave
15. Dal superbo furor de l'onde audace
16. Ay de mi qu 'n tierra agena!
17. Animo invitto
18. Deh porgi mano a l'affannat'ingegno a6
19. Amor, ond' a8
Editions:
nos. 1-19:
compl. ed. by M. Lambea Castro; with introductory study (in Spanish)
compl. ed. by M.C. Gmez Muntan
nos. 15 and 18:
see: Collections: "Italian musicians and the Imperial House of Austria"

43,- 43,--

Ensaladas

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"Las ensaladas de Flecha, meastro de capilla que fue de las serenissimas


Infantas de Castilla, recopiladas por F. Matheo Flecha su sobrino,...con
algunas suyas y de otros authores, por el mesmo corregidas y echas
estampar...", Prague, I. Negrino, 1581
E-Bbc possesses the unique, incomplete copy of this print
15 ensaladas: 8 by Flecha sr., 3 by his nephew, 2 by P.A. Vila and 1 each by
F. Chacn and B. Crceres.
Edition:
2 Ensaladas by Flecha jr.: La Feria, a5 & Las Caas, a5
ed. in score by M.C. Gmez Muntan

179.R8

Flori, Giorg.

25,--

Giorgio Flori
c.1558 - after 1594
Ardo s, ma non t'amo, a5:
see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I

Flori, Giov.

Giovanni Flori
fl 1555 - 1598
Pi trasparente velo (G. Benalio) a6
see: Prints 1592/11: "Il Trionfo di Dori"

Flori, J.

Jacobus Flori
fl 1571 - 1599
2 Flemish songs a3:
1. O amoureusich mondeken root
2. Int groen, int groene
see: Collections: "Fifteen Flemish songs of the Renaissance", ed. Lenaerts

Fonghetti, P.

Paolo Fonghetti
c.1572 - before 1630
Capricci et Madrigali, 1598
"Capricii, et Madrigali di Paolo Fonghetti Veronese, nuovamente composti,
& dati in luce. A due voci", Venice, F. dalle Donne & S. Vargnano, 1598
nos. 1-9 for 2 voices; nos. 10-25 for 2 instruments (untexted):
1. Se da quel vago viso
2. Deh dove senza me
3. A caso un giorno / Vaga d'udir / Con quel poco di spirto / Mentre ch'ella
4. Fingo di non amare
5. Vidi da dui bei lumi
6. Un vostro s
7. Voi bramate ben mio
8. Deh torna me mio Sol
9. Io me ne v la notte
10. Il Conforme
11. Lo Spaventoso
12. Il Penseroso
13. Il Cortese
14. Lo Aero

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qc.231
qc.A9458165

Fontanelli, A.

158.S6

15. Lo Estravangante
16. Polia
17. Polifilo
18. Lo Amoroso
19. Il Philarmonico
20. Fetonte
21. Lo Aspettato
22. Lo Espedito
23. Il Corriero
24. La Biscia
25. Il Fantastico
Editions:
nos. 1-9:
ed. A. Bornstein
nos. 10-25:
ed. A. Bornstein

25,- 25,-ALFONSO FONTANELLI


1557 - 1622

Madregali I, 1595
"Primo Libro di Madregali senza nome a cinque voci", Ferrara, V. Baldini
1. Amor che rider suole
2. Tra i gigli e le viole
3. Hor ch'io del vostro e del mio foco
4. O fortunata rosa
5. I'v piangendo i miei passati tempi
6. Tu miri, o vago ed amoroso fiore
7. Al mio crudo partire
8. Altri goda al tuo canto
9. Morir non pu 'l mio core
10. Cor mio, che fai, che pensi?
11. Moro, e de la mia morte
12. Ridendo mormor pietosa maga
13. Io parto, e nel partire
14. Misero, ch'io sperava
15. Io piango, ed ella il volto
16. Ah, chi mi rompe il sonno?
17. Mentre cor mio vi miro
18. Qual vive Amante pi di me beato?
19. Angiolett' amorosa
Edition:
nos. 1-19:
ed. A. Newcomb; other sources consulted: the Gardano edition of 1603 and
the Magni edition of 1616; for nos. 4, 9 and 16: "Nuova scelta di madrigali
di sette autori", Naples, G. Carlino, 1615
The appendix to this edition contains 4 madrigals by other composers on the
poems of madrigals nos. 4 and 9:
a. R. Giovanelli: O fortunata rosa (from his 3rd book of madrigals a5, 1599)
b. S. d'India: O fortunata rosa (from his 4th book of madrigals a5, 1616)
c. G.M. Nanino: Morir non pu il mio core (from his 1st book a5, 3/1582)
d. A. Cifra: Morir non pu il mio core (from his 3rd book a5, 1615)

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Madrigali II, 1604


"Secondo Libro de Madrigali senza nome a cinque voci. Novamente posto in
luce", Venice, A. Gardano, 1604
1. Riede la Primavera
2. Belt senza pietate
3. Se 'l silentio e la voce
4. Sei tu, cor mio, che vai gridando
5. Io mi son giovinetta
6. Deh, coprite 'l ben seno
7. Non di gentil core
8. Lasso, non odo pi filli mia cara
9. O cara mia Cetra andianne
11. Ecco fuo di stagion l'aria si tempra
12. Colei che gi si bella
13. Qual saria, Donna, un dolce oim d'amore
14. dovr dunque morire
15. A15. Amor, s'al dardeggiar de que' bei lumi
16. Era l'anima mia
17. Arsi un tempo, e l'ardore
18. Padre del Ciel, s'un tempo altrui cercando
Edition:
nos. 1-18:
ed. A. Newcomb; other sources consulted: the Gardano & fratelli edition of
1609 and the "stampa del Gardano" of 1619; additional manuscript sources:
GB-Lbl Egerton 3665: score (madrigals nos. 5, 8, 10, 12, 14, 16, 18) and
GB-Och 510-512: partbooks (madrigal no. 18)
The appendix to this edition contains 7 madrigals by other composers on the
poems of madrigals nos. 1, 4, 6, 7 and 14:
a. G.D. Montella: Riede la primavera (from his 1st. book a4, 1604)
b. R. Giovanelli: Sei tu, mio cor (from his 3rd book a5, 1599)
c. P. Nenna: Deh, scoprite il bel seno (from his 5th book a5, repr. 1612)
d. F. Vitali: Non di gentil core (from his 1st book a5, 1612)
e. S. Dentice: Dovr dunque morire (from his 4th book a5, 1602)
f. P. Nenna: Dovr dunque morire (from his 4th book a5, repr. 1609)
g. F. Vitali: Dovr dunque morire (from his 1st book a5, 1616)

159.S6

Formellis, W.

68,--

Wilhelmus Formellis
c.1541 - 1582
Arma manusque Dei Caesar veneranda potestas a8
see: Prints 1568/6: "(Novi atque catholici thesauri musici.) Liber Quintus"

Formica, A.

Antonio Formica
c.1575? - 1638
3 Madrigals:
1. Ma il cor, ohim, paventa a6
2. S'io non vi miro, occhi leggiadri e vaghi a5
3. Quel s ben nato e s ben colto fiore a6
Sources:
1604: "De' fiori del giardino de diversi excellentissimi autori seconda parte a
quatro, cinque & sei voci...", Nrnberg, Kaufmann (3)
1610: "Novi frutti musicali. Madrigali a cinque voci di diversi eccellentissimi

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musici...", Antwerpen, Phalse (2)


1613: "Il Parnasso. Madrigali de diversi eccellentissimi musici a sei voci",
Antwerpen, Phals (1)
see: Collections: "Madrigali Siciliani in antologie transalpine, 1583-1616"
Fossa, J. de

Johannes de Fossa
c.1540 - 1603
Ardo s, ma non t'amo, a5:
see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I

Fronti, V.

V. Fronti
4 Madrigals a5 (SSATB):
1. Madonna i'non so dire
2. Su le mie labra un bacio
3. Voi volete, ch'io mora
4. Cura gelata e ria
see: Manuscripts: I-MOe F.1358: Madrigali Segreti per le donne di Ferrara

Gabrieli, A.

ANDREA GABRIELI
c.1510 - 1586
Secular Works
A. Chronological list of works
B. Alphabetical checklist of titles
C. Editions
A. Chronological List of Secular Works
contents of each print in alphabetical order
1554: from: "Di Vinzentio Ruffo...li madrigali a 5 voci...
Scielta seconda...", Venice, G. Scotto:
1. Piangete occhi miei a5
1562: from: "I dolci et harmoniosi concenti fatti da diversi eccellentissimi
sopra varii soggetti. A 5 voci. Libro secondo", Venice, G. Scotto:
2. I' vo piangendo (Petrara) a5
2a. I vidi in terra angelici costumi (Petrarca) a5
1564: from "Di Manoli Blessi il primo libro delle Greghesche con la
musica disopra, composta da diversi autori...", Venice, A. Gardano:
3. Cando pinso (Molino) a4
4. Cari cumbangi (Molino) a7
5. Como viver (Molino) a5
6. Mi x stao in tutte cande (Molino) a4
7. Saranda volde (Molino) a4
8. Sassi palae (Molino) a5
1566: "Il primo libro di madrigali a 5 voci", Venice:
9. Ahim tal fu d'amore (Quirino) a5

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10. Aminta mio gentil ( = Jesu dulcissime) a5


11. Da poi che su'l fiorire (Cassola) a5
12. Donna per aquetar vostro desire (Gottifredi)
13. Due rose fresche (Petrarca) a5
14. Ecco l'aurora (Quinno) a5
15. Giovane bella a5
16. Ite caldi sospiri (Petrarca) a5
17. La virt, la bont a5
18. Le chiome a l'aura a5
19. O belt rara a5
20. Passato 'l tempo (Petrarca) a5
21. Perch di fiamm' ancor a5
22. Per monti e poggi a5
23. Quand'io v'odo parlar (Petrarca) a5
24. Quando lieta ver' noi a5
25. Quando penso a quel loco a5
26. Vago uccelletto (Petrarca) a5

a5

1568: from: "Gli amorosi concenti primo libro delli madrigali


de diversi eccelentissimi musici a 4 voci, con un dialogo a 8...",
Venice, G. Scotto:
27. Giovane donna sott'un verde lauro (Petrarca) a4
1568: from: "Corona della morte dell'illustre signore, il sig. Comendator
Anibal Caro...", Venice, G. Scotto:
28. Arbor vittorioso trionfo (G.B. Caro) a5
1568: from: "Di Cipriano de Rore il quinto libro di madrigali a 5 voci
insieme alcuni de diversi autori...", Venice, A. Gardano:
29. Chiedend' un bascio (Nicol degli Angeli) a5
1570: from: "I dolci frutti primo libro de vaghi et dilettevoli madrigali
di diversi eccellentissimi auttori 5 voci...", Venice, G. Scotto:
30. Ma da qual atro cor a5
1570: from "Il primo libro delle justiniane a tre voci. Di diversi eccellentissimi
musici novamente date in luce", Venice, G. Scotto:
31. Ancor che col partire (Molino; parody of D'Avalos) a3
32. Ch'indi dar la bose (Molino) a3
33. Dinora, vien a3
34. Forestier inamorato (Molino) a3
1570: "Il Secondo Libro di Madrigali a 5 e 6 Voci, & uno dialogo
a 8 voci", Venice, A. Gardano, 1570; enlarged 3/1588:
35. Alma beata e bella (Sannazaro) a5 (only in 3rd ed. of 1588)
36. Alma serena e bella a5
37. Amami, vita mia, ch'io t'amo ancora a5
38. Amor che de' mortali ogni cor vede a5
39. Angel dal terzo ciel sceso fra noi a5
40. Ben mille volte il d meco m'adiro (Cassola) a5
41. Come avr pace in terra a5 (only in 3rd ed. of 1588)
42. Cos ogni vostra voglia (Parabosco) a5
43. Deh qual prova maggior, donna, volete (Parabosco) a5

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44. Dimmi, cieco, ch'aventi e fiamm'e strali a5


45. Felici d'Adria e dilettose rive a8
46. Fuggi, speme mia, fuggi (C'ini) a5
47. Gentil madonna, questo a5
48. Gira lunga stagion, lucente e viva a5
49. Laura soave, vita de mia vita (Cassola) a5
50. La viva neve e le vermiglie rose (Amalteo) a5
51. Molino le virt tante e s rare a5
52. Non pur quell'una bell'ignuda mano (Petrarca) a6
53. Non vedi sacr' Apollo a5
54. O dolci parolette, o dolce riso (Cassola) ( = O spes misererium)
55. Quando spirti divini a5
56. Quanti sepolti gi nel foco eterno a5
57. S'al ciel piace, signora a5 (only in 3rd ed. of 1588)
58. Se sol pendando in voi, Chiara, si vede a5
59. Vaghi augelletti, che per valli e monti a5
60. Vostro fui & sar mentre ch'io viva a5

a6

1571: Greghesche et iustiniane...libro primo", Venice:


61. Al d vel prego (Molino) a3
62. Chie val haver (Molino) a3
63. Chiraces nu la semo (Molino) a3
64. Fame pur canto mal (Molino) a3
65. Manoli che faremo? (Molino) a3
66. O agapimu glicchimu (Molino) a3
67. O agnima morusa (Molino) a3
68. O mia canzun (Molino) a3
69. O mia morusa bella (Molino) a3
70. Perch madonna (Molino) a3
71. Tria gerundas (Molino) a3
72. Zentil donn'e segnuri (Molino) a3
1574: "Il primo libro de madrigali a 6 voci", Venice
73. Amor crudel infido a6
74. Amor mi strugge 'l cor (Petrarca) a6
75. Chichi lichi cucurucu a6
76. Con che lusingh' amor tradito ( = Cur te lusit amor) a6
77. De la cimerie grotte a6
78. Donna la vostr' ingiusta crudeltade a6
79. Goda hor beato il Po (Magno) a6
80. Gratie ch'a poch'il ciel largo destina (Petrarca) a6
81. Lasso amor mi transporta (Petrarca) a6
82. Neve e rose ha nel volto (Casone) a6
83. Non mi pesa mio bene a6
84. Quand'io talor mi doglio (Molino) a6
85. Quando nel cor m'entrasti (Molino) a6
86. Rendete al Saracini a6
87. Ringrazio e lodo il ciel (Tansillo) a6
88. S'al' amorose calde parole a6
89. Tu mi piagasti morte a6
90. Volto di mill' e mille gratie adorno a6
1575: "Libro primo di madrigali a 3 voci", Venice:

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91. A caso un giorno mi guid la sorte (Tansillo) a3


92. Che giova posseder citad'e regni? (Benmbo) a3
93. Deh, dove, senza me, dolce mia vita (Ariosto) a3
94. Dunque basciar s bell'e dolce labbia (Ariosto) a3
95. Dunqe fia ver - dicea - che mi convegna (Ariosto) a3
96. E dove non potea la debil voce (Ariosto) a3
97. Ella non sa se non invan dolersi (Ariosto) a3
98. Il dolce sonno mi promise pace (Ariosto) a3
99. La verginella simile alla rosa (Ariosto) a3
100. Non credo che quest'ultime parole a3
101. Sopra'l sanguigno corpo a3
1575: from: "Di Cipriano et Annibale madrigali a 4 voci insieme
altri eccellenti autori...", Venice, figliuoli di A. Gardano:
102. Occhi sereni, angeliche parole a4
1576: from: "Musica di XIII. autori illustri a 5 voci...", Venice,
A. Gardano:
103. Caro dolce ben mio perch fuggire ( = Iam non dicam; = Surge formosa mea
amica) a5
104. Piangi pur Mus'ogn'hor (giustinian) a5
105. Rimanti Amor in sempiterno oblio a5
1577: from: "Il primo fiore della ghirlanda musicale a 5 voci con un
dialogo a 9. De diversi eccellentissimi musici...", Venice, G. Scotto:
106. Quel gentil fuoco a5
1579: "Corona de madrigali a 6 voci di diversi eccellentissimi
musici...Libro primo", Venice, herede di G. Scotto:
107. Fontana d'eloquenza a6
1579: from: "Trionfo di musica di diversi. A 6 voci. Libro primo...",
Venice, G. Scotto:
108. Sperar non si potea da s bell' Alba a6
1580: "Il Secondo Libro de Madrigali a 6 voci", Venice:
109. Che piangi, alma, e sospiri (Molino) a6
110. Cinto (Giunto) m'avea tra belle e nude braccia a6
111. Clori a Damon dicea: Dolce ben mio ( = In civitate Dei) a6
112. Com'esser pu che non sei stanco, Amore a6
113. Come vuoi tu ch'io viva, se m'uccidi a6
114. Dolcissimo ben mio ( = In tribulatione Dominum = Deo nostr perennis =
Surge formosa mea, propera sponsa mea) a6
115. Donna cinta di ferro e di diamante / Vinca dunque il voler a6
116. Hor ch' noi torna (= Cantate Deo, exultate, jsuti) a6
117. La bella pargoletta (Tasso) ( = Lucia sponsa Christi; = Maria Magdalelenae, et altera Maria) a6
118. Mentre la bella Dori e le compagne a6
119. Non ti sdegnar, o Filli, ch'io ti segua ( = Ne confide; = Gott ist getrew) a6
120. O soave al mio cor dolce catena a6
121. Or ch'a noi torna la stagion novella a6
122. Per farmi Amor d'ogn'altro pi contento / Cos di quanto ebbi gi l'alma a6
123. Quel dolce suono e quel soave canto a6

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124. Se tu m'ami, i' t'adoro a6


125. Se vuoi ch'io muoia, o nuovo basilisco ( = Ego flos camupi; = Unicuique
suam viro puellam) a6
126. Sonno diletto e caro ( = Bonum est; = Christe rex; = Veni dilecta mea) a6
127. Tu vuoi, lasso, ch'io pera a6
128. Vieni, Flora gentil, vieni e discaccia ( = Vieni o Jesu mi) a6
129. Voi non volete, donna (Veggio) a6
1582: from: "Il lauro secco. Libro primo di madrigali a 5 voci
di diversi autori", Ferrara, V. Baldini:
130. O in primavera eterna a5
1583: from: "Li amorosi ardori di diversi eccellentissimi musici...
Libro primo a 5 voci", Venice, A. Gardano:
131. In dar natura a voi a5
1586: from: "Musica spirituale composta da diversi eccellentissimi
musici a 5 voci, con 2 dialoghi 10...", Venice, A. Gardano:
132. Signor cui fu gi poco a5
1586: from: "Armonia di scelti authori a 6 voci sopra altra perfettissima
armonia di bellezze d'una gentil donna senese in ogni parte bella...", Venice:
133. Chiaro sol di virtute a6
1586: from: "I lieti amanti primo libro de madrigali a 5 voci,
di diversi eccellentissimi musici...", Venice, Vincenzi & Amadino,
134. Voi sete in grand' errore a5
1586: from: "Corona di 12 sonetti di G.B. Zuccarini alla Gran Duchessa du
Toscana posta in musica da 12 ecellntiss. auttori a 5 voci:, Venice, A. Gardano:
135. Una felice etate (G.B. Zuccarini) a5
1586: from: "Il gaudio primo libro de madrigali de diversi
eccellen. musici a 3 voci...", Venice, herede di G. Scotto:
136. I' di guard'a San Pietro a3
1587: from: "Concerti di Andrea, et di Gio. Gabrieli
organisti della sereniss. sig. di Venetia. Continenti musica di chiesa,
madrigali, & altro, per voci, & stromenti musicali, 6.7.8.10.12. & 16.
Novamente con ogni diligentia dati in luce. Libro primo et secondo",
Venice, A. Gardano:
(53 works by Andrea, 11 by Giovanni)
Secular works by Andrea from this collection:
137. Ah le guancie di rose
a8
138. Del gran tuonante
a10
139. Dunque fia vero
a7
140. Ecco la vaga aurora
a8
141. Ecco Vineggia bella
a12
142. Hor che nel suo bel seno
a8
143. In nobil sangue
a6 (= 2nd part of Giovanni's: Amor s' in lei)
144. Io mi sento morire
a7
145. I' vo piangendo (Petrarca)
a6
146. Nel bel giardin entrate
a6

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147. O Dea che tra le selve


a8
148. O passi sparsi (Petrarca)
a12
149. Pront'era l'alma mia
a8
150. Quand'havr fin d'Amore (Martelli)
151. Sento, sent' un rumor
a8
152. Tirsi che fai
a8
153. Tirsi morir volea (Guarini)
a7

a8

1588: "Chori in musica...sopra li chori della tragedia di


Edipo Tiranno", Venice:
Choro I:
154. Santo oracol di Giove a3
155. Trema la ment'in me stupida a4
156. Sacro, e possente dio a3
157. Quali son hor le tue risposte? a3
158. Dimmelo hor tu a3
159. O del gran Giove a4
160. E te feb'ancor chiamo a4
161. Hor qui benigni ancor a6
162. Giace da morb' affltto a6
163. Gi de li frutti suoi ricca a3
164. Come spessa d'augei a3
165. Ma la misera turba a5
166. Et le tenere spose a2
167. Si raddoppiano gl'Inni a4
168. Levaci tu da tanti stratii homai a2
169. Et d questa Cittade a3
170. Questo, Giove a4
171. Deh ci consenta il ciel a3
172. Et tu Bacco non meno a6
Choro II:
173. Qual , qual colui a4
174. Temp' gi a4
175. C'homai di Giove il figlio a3
176. Per che da le parti pi secrete a6
177. Il qual per folte selve a6
178. Qual tauro afflitto suole a5
179. Cos fuggir sperando a5
180. Ben gravemente mi spaventa a4
181. Che si come non son facili a4
182. Onde dubbia h la mente a2
183. E in certa speme a2
184. Che dianzi unqua non seppi a3
185. Ne ancor saperlo posso a1
186. Che raggion non consente a3
187. Et stolta cosa in ver a6
188. Ma fermament'in me a4
189. Quand' lui gi la monstruosa Sfinge
Choro III:
190. O voglia'l ciel a2
191. E quel tant'habbia sol a3
192. Queste non fia a2
193. Per ch'in esse occulte a3

a6

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194. Ben la giustitia a4


195. Giunta nel maggior colmo a6
196. Prenda pur cura ognuno a4
197. Chi la giustitia sprezza a5
198. Et chi pien d'avaritia a3
199. Ne le sceleratezze a4
200. Da malvaggio a4
201. Ma chi fia tra mortali a6
202. A che debb'io a2
203. Qual di religion pietoso zelo a3
204. O a visitar gl'eccelsi d'Abi e d'Olimpia a4
205. Ma t chi voglia tua reggi e governi a4
206. Hor gl'oracoli antique a6
Choro IV:
207. Misera humana prole a4
208. Quinci l'essempio tuo mirando a4
209. Poscia che t a3
210. O come, sommo Giove a4
211. Tu quasi torre ben fondata a2
212. Quinci ottenuto havendo Regal titolo a2
213. Ma chi pi di te a6
214. Tu quell'utero istesso a3
215. Ma com' a3
216. Te manifesta al fine a6
217. O del seme di Laio a4
218. Me la tua dura sorte a6
219. Ver dir a6
1589: "Madrigali e Ricercari a 4 voci", Venice:
220. Asia felice a4
221. Canto, canto! Festa fuga a4
222. Canzon se l'esser meco (Petrarca) a4
223. Dunque il comun poter a4
224. Febo, Febo, noi cnatiamo a4
225. Fuor fuori a s bel canto a4
226. Gratie che'l mio signor a4
227. In quest' amate sponde a4
228. O belli e vaghi pizzi a4
229. Veggo fra i raggi d'oro a4
230. Vieni vieni Imeneo che gi sen fugg' il sole a4
231. Vorrei mostrar madonna a4
1589: from "Il terzo libro de madrigali a 5 voci, con alcuni di
Giovanni Gabrielli...", venice, A. Gardano:
232. Al dolce volo di Cillenio a5
233. Cor mio s'egli pur vero a5
234. Mentre io vi miro a5
235. Mentre la greggia errando a5
236. Mirami vita mia, mirami un poco a5
237. Non cos bell'appar in Oriente a5
238. Piangeranno le Gratie a5
239. Se mai degnasti Amore a5
240. Tirsi vicin' morte a5

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241. Vita de la vita mia

a5

1590: from: "Dialoghi musicali de diversi eccellentissimi autori,


a 7, 8, 9, 10, 11 et 12 voci...", Venice, A. Gardano:
242. Cantiam di Dio a12
243. Vezzosa Filli a8
244. Vieni vieni Imeneo vieni dunque a8
244a. Aria della Battaglia per sonar d'instromenti da fiato a8
1592: from: "Spoglia amorosa. Madrigali a 5 voci, de diversi
eccellentissimi musici...", Venice, A. Gardano:
245. Ama l'Aquila Giove (Casoni) a5
1601: from: "Mascherate di Andrea Gabrieli et altir autori
eccellentissimi a 3, 4, 5, 6, et 8 voci...", Veniec, A. Gardano:
246. Fradei la x cusi! le no x fuse (mascherata) a3-a4-a10
247. Nu semo arlievi dell'antightae (mascherata) a3-a4-a10
248. Nu tutti buni cumpagni (mascherata) a5
from manuscript source:
249. Se per lasciar di te memoria eterna

a5

(from I-VEaf 220)

B. Alphabetical checklist of titles

91. A caso un giorno mi guid la sorte (Tansillo) a3


202. A che debb'io a2
9. Ahim tal fu d'amore (Quirino) a5
137. Ah le guancie di rose
a8
61. Al d vel prego (Molino) a3
232. Al dolce volo di Cillenio a5
35. Alma beata e bella (Sannazaro) a5 (only in 3rd ed. of 1588)
36. Alma serena e bella a5
245. Ama l'Aquila Giove (Casoni) a5
37. Amami, vita mia, ch'io t'amo ancora a5
10. Aminta mio gentil ( = Jesu dulcissime) a5
38. Amor che de' mortali ogni cor vede a5
73. Amor crudel infido a6
74. Amor mi strugge 'l cor (Petrarca) a6
31. Ancor che col partire (Molino; parody of D'Avalos) a3
39. Angel dal terzo ciel sceso fra noi a5
28. Arbor vittorioso trionfo (G.B. Caro) a5
244a. Aria della Battaglia per sonar d'instromenti da fiato a8
220. Asia felice a4
180. Ben gravemente mi spaventa a4
194. Ben la giustitia a4
40. Ben mille volte il d meco m'adiro (Cassola) a5
3. Cando pinso (Molino) a4
242. Cantiam di Dio a12
221. Canto, canto! Festa fuga a4
222. Canzon se l'esser meco (Petrarca) a4
4. Cari cumbangi (Molino) a7

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103. Caro dolce ben mio perch fuggire ( = Iam non dicam; = Surge formosa
mea amica) a5
181. Che si come non son facili a4
186. Che raggion non consente a3
184. Che dianzi unqua non seppi a3
92. Che giova posseder citad'e regni? (Benmbo) a3
109. Che piangi, alma, e sospiri (Molino) a6
133. Chiaro sol di virtute a6
75. Chichi lichi cucurucu a6
29. Chiedend' un bascio (Nicol degli Angeli) a5
62. Chie val haver (Molino) a3
197. Chi la giustitia sprezza a5
32. Ch'indi dar la bose (Molino) a3
63. Chiraces nu la semo (Molino) a3
175. C'homai di Giove il figlio a3
110. Cinto (Giunto) m'avea tra belle e nude braccia a6
111. Clori a Damon dicea: Dolce ben mio ( = In civitate Dei) a6
41. Come avr pace in terra a5 (only in 3rd ed. of 1588)
164. Come spessa d'augei a3
112. Com'esser pu che non sei stanco, Amore a6
113. Come vuoi tu ch'io viva, se m'uccidi a6
5. Como viver (Molino) a5
76. Con che lusingh' amor tradito ( = Cur te lusit amor; = Non ti sar) a6
233. Cor mio s'egli pur vero a5
179. Cos fuggir sperando a5
42. Cos ogni vostra voglia (Parabosco) a5
200. Da malvaggio a4
11. Da poi che su'l fiorire (Cassola) a5
171. Deh ci consenta il ciel a3
93. Deh, dove, senza me, dolce mia vita (Ariosto) a3
43. Deh qual prova maggior, donna, volete (Parabosco) a5
77. De la cimerie grotte a6
138. Del gran tuonante
a10
158. Dimmelo hor tu a3
44. Dimmi, cieco, ch'aventi e fiamm'e strali a5
33. Dinora, vien a3
114. Dolcissimo ben mio ( = In tribulatione Dominum = Deo nostr perennis =
Surge formosa mea, propera sponsa mea) a6
115. Donna cinta di ferro e di diamante / Vinca dunque il voler a6
78. Donna la vostr' ingiusta crudeltade a6
12. Donna per aquetar vostro desire (Gottifredi) a5
13. Due rose fresche (Petrarca) a5
94. Dunque basciar s bell'e dolce labbia (Ariosto) a3
95. Dunqe fia ver - dicea - che mi convegna (Ariosto) a3
139. Dunque fia vero
a7
223. Dunque il comun poter a4
14. Ecco l'aurora (Quinno) a5
140. Ecco la vaga aurora
a8
141. Ecco Vineggia bella
a12
96. E dove non potea la debil voce (Ariosto) a3
183. E in certa speme a2
97. Ella non sa se non invan dolersi (Ariosto) a3
191. E quel tant'habbia sol a3

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_______________

198. Et chi pien d'avaritia a3


169. Et d questa Cittade a3
160. E te feb'ancor chiamo a4
166. Et le tenere spose a2
187. Et stolta cosa in ver a6
172. Et tu Bacco non meno a6
64. Fame pur canto mal (Molino) a3
224. Febo, Febo, noi cnatiamo a4
45. Felici d'Adria e dilettose rive a8
107. Fontana d'eloquenza a6
34. Forestier inamorato (Molino) a3
246. Fradei la x cusi! le no x fuse (mascherata) a3-a4-a10
46. Fuggi, speme mia, fuggi (C'ini) a5
225. Fuor fuori a s bel canto a4
47. Gentil madonna, questo a5
162. Giace da morb' affltto a6
163. Gi de li frutti suoi ricca a3
15. Giovane bella a5
27. Giovane donna sott'un verde lauro (Petrarca) a4
48. Gira lunga stagion, lucente e viva a5
195. Giunta nel maggior colmo a6
79. Goda hor beato il Po (Magno) a6
80. Gratie ch'a poch'il ciel largo destina (Petrarca) a6
226. Gratie che'l mio signor a4
116. Hor ch' noi torna (= Cantate Deo, exultate, jsuti) a6
142. Hor che nel suo bel seno
a8
206. Hor gl'oracoli antique a6
161. Hor qui benigni ancor a6
136. I' di guard'a San Pietro a3
98. Il dolce sonno mi promise pace (Ariosto) a3
177. Il qual per folte selve a6
131. In dar natura a voi a5
143. In nobil sangue
a6 (= 2nd part of Giovanni's: Amor s' in lei)
227. In quest' amate sponde a4
144. Io mi sento morire
a7
16. Ite caldi sospiri (Petrarca) a5
2a. I vidi in terra angelici costumi (Petrarca) a5
2. I' vo piangendo (Petrara) a5
145. I' vo piangendo (Petrarca)
a6
117. La bella pargoletta (Tasso) ( = Lucia sponsa Christi; = Maria Magdalelenae, et altera Maria) a6
81. Lasso amor mi transporta (Petrarca) a6
49. Laura soave, vita de mia vita (Cassola) a5
99. La verginella simile alla rosa (Ariosto) a3
17. La virt, la bont a5
50. La viva neve e le vermiglie rose (Amalteo) a5
18. Le chiome a l'aura a5
168. Levaci tu da tanti stratii homai a2
201. Ma chi fia tra mortali a6
213. Ma chi pi di te a6
215. Ma com' a3
30. Ma da qual atro cor a5
188. Ma fermament'in me a4

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_______________

165. Ma la misera turba a5


65. Manoli che faremo? (Molino) a3
205. Ma t chi voglia tua reggi e governi a4
218. Me la tua dura sorte a6
234. Mentre io vi miro a5
118. Mentre la bella Dori e le compagne a6
235. Mentre la greggia errando a5
236. Mirami vita mia, mirami un poco a5
207. Misera humana prole a4
6. Mi x stao in tutte cande (Molino) a4
51. Molino le virt tante e s rare a5
185. Ne ancor saperlo posso a1
146. Nel bel giardin entrate
a6
199. Ne le sceleratezze a4
82. Neve e rose ha nel volto (Casone) a6
237. Non cos bell'appar in Oriente a5
100. Non credo che quest'ultime parole a3
83. Non mi pesa mio bene a6
52. Non pur quell'una bell'ignuda mano (Petrarca) a6
Non ti sar, signori (= Hic licet, multi) see: Con che lusingh'amor tradito
119. Non ti sdegnar, o Filli, ch'io ti segua ( = Ne confide; = Gott ist getrew) a6
53. Non vedi sacr' Apollo a5
247. Nu semo arlievi dell'antightae (mascherata) a3-a4-a10
248. Nu tutti buni cumpagni (mascherata) a5
66. O agapimu glicchimu (Molino) a3
67. O agnima morusa (Molino) a3
204. O a visitar gl'eccelsi d'Abi e d'Olimpia a4
228. O belli e vaghi pizzi a4
19. O belt rara a5
102. Occhi sereni, angeliche parole a4
210. O come, sommo Giove a4
147. O Dea che tra le selve
a8
159. O del gran Giove a4
217. O del seme di Laio a4
54. O dolci parolette, o dolce riso (Cassola) ( = O spes misererium) a6
130. O in primavera eterna a5
68. O mia canzun (Molino) a3
69. O mia morusa bella (Molino) a3
182. Onde dubbia h la mente a2
148. O passi sparsi (Petrarca)
a12
121. Or ch'a noi torna la stagion novella a6
120. O soave al mio cor dolce catena a6
190. O voglia'l ciel a2
20. Passato 'l tempo (Petrarca) a5
21. Perch di fiamm' ancor a5
70. Perch madonna (Molino) a3
122. Per farmi Amor d'ogn'altro pi contento / Cos di quanto ebbi gi l'alma a6
22. Per monti e poggi a5
176. Per che da le parti pi secrete a6
193. Per ch'in esse occulte a3
238. Piangeranno le Gratie a5
1. Piangete occhi miei a5
104. Piangi pur Mus'ogn'hor (giustinian) a5

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_______________

209. Poscia che t a3


196. Prenda pur cura ognuno a4
149. Pront'era l'alma mia
a8
203. Qual di religion pietoso zelo a3
173. Qual , qual colui a4
157. Quali son hor le tue risposte? a3
178. Qual tauro afflitto suole a5
189. Quand' lui gi la monstruosa Sfinge a6
150. Quand'havr fin d'Amore (Martelli)
a8
84. Quand'io talor mi doglio (Molino) a6
23. Quand'io v'odo parlar (Petrarca) a5
24. Quando lieta ver' noi a5
85. Quando nel cor m'entrasti (Molino) a6
25. Quando penso a quel loco a5
55. Quando spirti divini a5
56. Quanti sepolti gi nel foco eterno a5
123. Quel dolce suono e quel soave canto a6
106. Quel gentil fuoco a5
192. Queste non fia a2
170. Questo, Giove a4
208. Quinci l'essempio tuo mirando a4
212. Quinci ottenuto havendo Regal titolo a2
86. Rendete al Saracini a6
105. Rimanti Amor in sempiterno oblio a5
87. Ringrazio e lodo il ciel (Tansillo) a6
156. Sacro, e possente dio a3
88. S'al' amorose calde parole a6
57. S'al ciel piace, signora a5 (only in 3rd ed. of 1588)
154. Santo oracol di Giove a3
7. Saranda volde (Molino) a4
8. Sassi palae (Molino) a5
239. Se mai degnasti Amore a5
151. Sento, sent' un rumor
a8
249. Se per lasciar di te memoria eterna a5 (from I-VEaf 220)
58. Se sol pendando in voi, Chiara, si vede a5
124. Se tu m'ami, i' t'adoro a6
125. Se vuoi ch'io muoia, o nuovo basilisco ( = Ego flos camupi; = Unicuique
suam viro puellam) a6
132. Signor cui fu gi poco a5
167. Si raddoppiano gl'Inni a4
126. Sonno diletto e caro ( = Bonum est; = Christe rex; = Veni dilecta mea) a6
101. Sopra'l sanguigno corpo a3
108. Sperar non si potea da s bell' Alba a6
216. Te manifesta al fine a6
174. Temp' gi a4
152. Tirsi che fai
a8
153. Tirsi morir volea (Guarini)
a7
240. Tirsi vicin' morte a5
155. Trema la ment'in me stupida a4
71. Tria gerundas (Molino) a3
89. Tu mi piagasti morte a6
211. Tu quasi torre ben fondata a2
214. Tu quell'utero istesso a3

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_______________

127. Tu vuoi, lasso, ch'io pera a6


135. Una felice etate (G.B. Zuccarini) a5
59. Vaghi augelletti, che per valli e monti a5
26. Vago uccelletto (Petrarca) a5
229. Veggo fra i raggi d'oro a4
219. Ver dir a6
243. Vezzosa Filli a8
128. Vieni, Flora gentil, vieni e discaccia ( = Vieni o Jesu mi)
230. Vieni vieni Imeneo che gi sen fugg' il sole a4
244. Vieni vieni Imeneo vieni dunque a8
241. Vita de la vita mia a5
129. Voi non volete, donna (Veggio) a6
134. Voi sete in grand' errore a5
90. Volto di mill' e mille gratie adorno a6
231. Vorrei mostrar madonna a4
60. Vostro fui & sar mentre ch'io viva a5
72. Zentil donn'e segnuri (Molino) a3

a6

C. Editions

a) National Edition
b) Complete Madrigals; ed. Merritt
c) Other editions
a) National Edition; Fondazioni G. Cini
critical editions; introductions in English/Italian; hardback
Volumes VII, IX: see section: Sacred Music
Volumes I, II, IV, V: in preparation; not yet published
nos. (tentatively) 1-8, 27-34, 61-72, 102-108, 130-136:
in: Volume X: Opere in vita testimoniate in antologie e raccolte de vari autori,
edite e manoscritte
not yet published
in prep.

410.R7

181.R8

nos. 9-26:
Volume II: "Il primo libro di madrigali a 5 voci", 1566

not yet published

nos. 35-60:
Volume III: "Il secondo libro di madrigali a 5 e 6 voci", 1570, 3/1588;
ed. D. Butchart

in prep.

189,--

182.R8

nos. 73-90:
Volume V: "Il primo libro de madrigali a sei voci", 1574 not yet published in prep.

183.R8

nos. 91-101:
Volume VI: "Libro primo di madrigali a 3 voci", 1575; ed. A. Andreotti

184.R8

nos. 109-129:
Volume VIII: "Il secondo libro de madrigali a 6 voci", 1580; ed. F. Colussi

98,--

169,--

nos. 110, 111, 113, 126:


see: Prints 1585/19: "Symphonia Angelica" (Waelrant)

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_______________

185.R8

186.R8

187.R8

188.R8

189.R8

nos. 137-153:
Volume XI/3: "Concerti di Andrea et Gio. Gabrieli", 1587; ed. D. Bryant:
volume 3: The secular works by A. and G. Gabrieli
nos. 154-219:
Volume XII: "Chori in musica...della tragedia di Edipo Tiranno", 1588;
ed. N. Pirrotta

in prep.

95,--

nos. 220-231:
Volume XIV: "Madrigali et ricercari...a 4 voci", 1589 not yet published

in prep.

nos. 232-241:
Volume XIII: "Il primo libro de madrigali a 5 voci di Giovanni Gabrieli...",
1589
not yet published

in prep.

nos. (tentatively) 242-249:


in: Volume XV: Opere postume testimoniate in antologie e raccolte de vari
autori, edite e manoscritte
not yet published

in prep.

b) Complete Madrigals
ed. A. T. Merritt

190.R8

191.R8

192.R8

193.R8

194.R8

195.R8

nos. 31-34, 61-72, 91-99, 136:


Volume I: Madrigals of Libro primo a3, Canzone of Petrarch a3, and
Giustiniane a3

77,--

nos. 3, 5-8, 27, 220-231:


Volume II: Madrigals a4; Greghesche a4, a5 and a7

62,--

nos. 10-26, 36-40, 42-44, 46-55, 56, 58-60:


Volume III-IV: Madrigals of the Primo libro a5, and Madrigals of the Secondo libro a5 (beginning)

99,--

nos. 2, 2a, 28, 30, 35, 41, 57, 103-105, 130-132, 134, 232-241, 245:
Volume V-VI: Madrigals of the Secondo libro a5 (conclusion); Other madrigals a5
107,- nos. 73-90:
Volume VII-VIII: Madrigals of the Primo libro a6
nos. 4, 102, 107, 108, 110-117-120, 122-129, 139, 143-146, 153:
Volume IX-X: Madrigals of the Secondo libro a6; Other madrigals a6;
Madrigals a7

99,--

115,--

196.R8

nos. 45, 109, 137, 140-142, 147, 149-152, 243, 244:


Volume XI: Madrigals a8

54,--

197.R8

nos. 133, 138, 148, 242:


Volume XII: Madrigals a10; Madrigals a12

62,--

c) Other Editions

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

alphabetical list

198.R8

nos. 220-231:
"Madrigali et ricercari", 1589 SATB
Facsimile of the 4 partbooks of the 1589 edition

29,--

Arbor vittoriosa trionfale & Lasso, che a quelli chi ristora (both a5):
see: Prints 1568/16: "Corona della morte dell'...Annibal Caro"
nos. 242-244, 244a:
see: Prints 1590/11: "Dialoghi musicali"
no. 244a. Aria della Battaglia per sonar d'instromenti da fiato a8
see: Collections: "Chester Books of Madrigals", volume VII
no. 221: Canto canto festa festa SSAT
see: Collections: "Chester Books of Madrigals", volume VI
no. 103: Caro dolce ben mio SATTB
see: Collections: "The Flower of the Italian Madrigal", volume I

199.R8

no. 32: Ch'indi dar la bose, a3:


ed. B. Thomas (set of 3 scores)

200.R8

no. 138: Del gran tuonante, a10 (SSATB / SSATB):


ed. B. Thomas (score and parts)

7,--

15,--

no. 33: Dionora vien, te prego, a3:


see: Collections: "The Flower of the Italian Madrigal", volume III
no. 114: Dolcissimo ben mio, a6:
see: Prints 1583/14: "Harmonia Celesta...raccolta per A. Pevernage..."

201.R8

no. 139: Dunque fia vero, a7 (SSATTBB):


ed. B. Thomas (score and parts)

12,--

no. 14: Ecco l'aurora, a5:


see: Collections: "The Flower of the Italian Madrigal", volume III

202.R8

no. 140: Ecco la vaga Aurora, a8 (SATB / SATB):


ed. B. Thomas (score and parts)

13,--

203.R8

no. 141: Ecco Vineggia bella, a12 (SSATTB / SSATTB):


ed. B. Thomas (score and parts)

16,--

no. 45: Felici d'Adria, e dilettose rive (dialogo a8)


see: Collections: "Italian musicians and the Imperial House of Austria"

204.R8

no. 144: Io mi sento morire, a7 (SSSAATB):


ed. B. Thomas (score and parts)

12,--

nos. 117 and 123: La bella pargoletta, a6 & Quel dolce suono, a6:
see: Collectons: "Italian musicians and the Imperial House of Austria"

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_______________

no. 99: La verginella, a3:


see: Collections: "Musica Mundana", ed. Acciai e.a.
no. 19: O belt rara SATTB
see: Collections: "The Flower of the Italian Madrigal", volume I
no. 102: Occhi sereni, angeliche parole, a4:
see: Collections: "Introduction to the Italian Madrigal", ed. J. Roche

206.R8

no. 148: O passi sparsi, a12 (SSATTB / SATTTB):


ed. B. Thomas (score and parts)
*ed. Winter

16,- 7,--

207.R8

no. 150: Quand' havra fin amore, a8 (SSAT / ATTB):


ed. B. Thomas (score and parts)

13,--

205.R8

Quand'io ero giovinetto a5:


see: Collections: "Das Musikwerk", volume XI
no. 108: Sperar non si potea da s bella alba
see: Prints 1591/10: "Melodia Olympica"

208.R8

209.R8
210.R8

Gabrieli, G.

211.R8

a6:

no. 153: Tirsi morir volea, a7 (SSA / ATTB):


ed. B. Thomas (score and parts)

12,--

no. 244: Vieni, Himeneo dunque SATB / ATTB (or: AATBar / TTBarB)
ed. C. Bartlett:
*score
set of 8 chorus scores in alternative clefs for instruments

2,50
10,--

GIOVANNI GABRIELI
c.1553/56 - 1612
a) Opera Omnia, volume VI:
Complete Madrigals
ed. D. Arnold / R. Charteris
Numbers from the catalogue by Charteris
Charteris 85: Alma cortes'e bella a3
86-87. Voic ch'ascoltate / Ma ben veggi'hor a4
88. Ahi, senza te a4
89. Deh, di me non ti caglia a4
90. Labra amorose e care a4
91-92. Quand' io ero giovinetto / Hor ch' io son gi vecchiarello a5
93. Donna leggiadra e bella a5
94. O ricco mio thesoro a5
95-96. Sacro tempio d'honor / Tal di vostra virtute a5
97-98. Signor, le tue man sante / Vergine, il cui figliol a5
99. Da quei begl' occhi a5
100. Dimmi, dimmi, ben mio a5
101. Vagh' amorosi a5

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_______________

102. Queste felice herbette a5


103-104. S'al discoprir de l'honorata fronte / Le piante' allo splendor a5
105. Dolci, care parole a5
106-107. Quando Laura / Queste furon bellezz' et honestate a5
108. Amor s' in lei a6 (2nd part of Andrea Gabrieli's: In nobil sangue)
109. S'io t'ho ferito a6
110. Se cantano gl' augelli a6
111. Scherza Amarilli e Clori a6
112. Dolce nemica mia a7
113. Lieto godea a8
114. O che felice giorno a8
115. Dormiva dolcemente a8
116. Fuggi pur se sai a8
117. Chiar' angioletta a8
118. Addio, dolce vita a10
119. Sacri di Giove augei a12
120. Amor, dove mi guidi a12
121. Udite, chiari e generosi figli a15
Sources:
1575: "Il secondo libro de madrigali a 5 voci de floridi virtuosi del serenissimo
duca di Bavaria con uno dieci", Venice, herede di G. Scotto (91-92)
1575: "Di Cipriano et Annibale madrigali a 4 voci insieme altri eccellenti autori",
Venice, A. Gardano (86-87)
1583: "De floridi virtuosi d'Italia il primo libro de madrigali a 5 voci...", Venice,
G. Vincenzi & R. Amadino (93, 94)
1586: "Musica spirituale composta da diversi eccellentissimi musici a 5 voci,
con due dialoghi 10...", Venice, A. Gardano (97-98)
1586: "Corona di 12 sonetti de G.B. Zuccarini...posta in musica da 12 eccellentissimi auttori a 5 voci", Venice, A. Gardano (95-96)
1587: "Fiori musicali de diversi auttori a 3 voci libro primo...", Venezia, G.
Vincenzi (85)
1587: "Concerti di Andrea, et di Gio. Gabrieli organisti della sereniss. sig. di
Venetia. Continenti musica di chiesa, madrigali, & altro, per voci, &
stromenti musicali, 6.7.8.10.12. & 16. Novamente con ogni diligentia
dati in luce. Libro primo et secondo", Venice, A. Gardano (103, 104,
108, 112, 113, 118, 119)
1589: "Di Andrea Gabrielli il terzo libro de madrigali a 5 voci, con alcuni di
Giovanni Gabrieli...", Venice, A. Gardano (99, 100-105)
1590: "Dialoghi musicali de diversi eccellentissimi autori, a 7, 8, 9, 10, 11 et
12 voci...", Venice, A. Gardano (114-117, 120)
1591: "La ruzina canzone di Filippo de Monte, insieme un'altra di Cipriano de
Rore et altri madrigali de diversi famosissimi autori 6 voci...", Venice,
A. Gardano (109)
1592: "Il trionfo di dori, descritto da diversi, et posto in musica, 6 voci, da
altretantiautori", Venice, A. Gardano (110)
1595: "Di XII autori vaghi e dilettevoli madrigali a 4 voci...", Venice, R.
Amadino (88-90)
1600: "Honori et amori Georgii Gruberi", Nrnberg; lost; ms. copy by Winterfeld (111)
D-Kl manuscript (121)
reprinting
I-VEaf manuscript (106-107)
b) Other Editions

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_______________

C.93 and 105:


see: Collections: "The Flower of the Italian Madrigal", volume I
C.110: Se cantano gl' augelli (O. Guargante)
see: Prints 1592/11: "Il Trionfo di Dori"

a6

C.113: Lieto godea, a8 SATB / SATB:


ed. R. Charteris (set of 8 choral scores)
ed. B. Thomas (set of 8 scores)
*ed. G. Wolters (with text: "Stimmt an: Viva, viva la musica")

212.R8
213.R8
214.R8

29,- 13,- 4,--

C. 114-117 and 120:


see: Pritns 1590/11: "Dialoghi musicali"

215.R8

C. 114: O che felice giorno SATB / SATB:


ed. B. Thomas (set of 8 scores)

14,--

216.R8

C.117: Chiar' Angioletta SATB / SATB:


ed. B. Thomas (set of 8 scores)

14,--

217.R8

C.120: Amor, dove mi guidi SATB / SATB / ATTB:


ed. B. Thomas (score and parts)

19,--

218.R8

C. 121: Udite chari Tritoni: SSSATTTBB (cornetto muto with S 1); Sirene:
SSATTB, basso grande
*ed. in score by R. Charteris

9,50

Gabussi, G.C.

Giulio Cesare Gabussi


c.1555/58 - 1611
Ardo s, ma non t'amo / Ardi e gela tua voglia a5
from his: "Il secondo libro de madrigali a 5 voci", Venice, G. Vincenti, 1598
see: Collections: "Settings of "Ardo s" and its related texts", vol. II

Galeno, G.B.

Giovanni Battista Galeno


1550 - after 1626
Madrigali a5, I (1594)
"Il primo libro de madrigali a cinque voci", Antwerpen, Phalse / Bellre, 1594
from this collection:
Elpin baciando la sua cara Alcea
see: Collections: "Musicians from the Low Countries & Italy at the Court
in Graz of Karl II, 1564-1590"
Madrigali a7 (1598)
"Il primo libro de madrigali a sette voci", Venice, R. Amadino, 1598
from this collection:
Alma ben dice Amore a7
see: Collections: "Musicians from the Low Countries & Italy at the Court
in Graz of Karl II, 1564-1590"
Ardo s, ma non t'amo a7
see: Collections: "Settings of "Ardo s" and its related texts", vol. II

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_______________

Gallus, J. (Handl)

JOANNES GALLUS (HANDL)


1550 - 1591
Secular Works
Harmoniae Morales, Liber I-II-III
Prague, 1589-1590; 53 secular motets; all a4
I
"Quatuor vocum liber I. Harmoniarum Moralium, quibus heroica, facetiae,
naturalia, quotlibetica, tum facta fictaque poetica, &c. admixta sunt: nunc
primum in lucem editus...", Prague, G. Nigrinus, 1589
1. Dii tibi, si qua pios respectant numina
2. O Fortuna potens
3. Currit parvus lepulus
4. Qui fugat intrepidos
5. Casta novenarum iacet aula
6. Gallus amat Venerem
7. Quam gallina suum parit ovum
8. Ergo mihi uxorem qualem ducam?
9. Anna soror, soror Anna
10. Heu, crucior certe
11. Nusquam tuta fides
12. Neroes, pugnate viri fortissimi
13. Proditor est ut hypocrita
14. Cogitate miseri
II
"Quatuor vocum liber II. Harmoniarum Moralium, quibus heroica, facetiae,
naturalia, quotlibetica, tum facta fictaque poetica, &c. admixta sunt: nunc
primum in lucem editus...", Prague, G. Nigrinus, 1590:
15. Si vis laudari
16. Si tibi gratia
17. Nil est asperius misero
18. Hanc volo, quae non vult
19. Uxor, amice, tibi est semper mala
20. Quod licet, ingratum est
21. Dulcis amica, veni
22. Si vox est, canta
23. Perfer et obdura
24. Si prolixa facit sapientem barba
25. Quisquis amat dictis
26. Ne iactes
27. Vos, qui nulla datis
28. O homo, si scires
29. Nemo placet stultis
30. Vitam quae faciunt beatiorem
31. Libertas animi cibus
32. Barbara, Celarent
33. Vivite felices
III
"Quatuor vocum liber III. Harmoniarum Moralium, quibus heroica, facetiae,
naturalia, quotlibetica, tum facta fictaque poetica, &c. admixta sunt: nunc
primum in lucem editus...", Prague, G. Nigrinus, 1590:

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FAX +31 (0)20-6762240
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_______________

219.R8

34. In terra summus rex


35. Cui dolus est gratus
36. Archipoeta facit versus
37. Doctus ait
38. Quod vitae sectabor iter
39. O, quam dura premit miseros conditio vitae
40. Sunt tibi vitandi sermones
41. Quid sis, quid fueris
42. O mors
43. En ego campana
44. Nunquam bella bonis
45. Clare vir
46. Linquo coax ranis
47. Anseris est giga
48. Scilicet extremis
49. Lunguarum non est praestantior ulla Latina
50. Livide, quare tibi mea musica displicet uni?
51. Lex et natura
52. Opto placere bonis
53. Pascitur in vivis livor
Editions:
nos. 1-53:
ed. Skulj; Monumenta artis musicae sloveniae, volume 26
nos. 16 and 46:
see: Collections: "Musica Mundana", vol. I; ed. Acciai e.a.

74,--

"Moralia", Prague, 1596 (a5-a8):


1. Diversos diversa iuvant
2. Tempore foelici, multi numerantur amici
3. Usibus edocto si quicquam credis amico
4. Cede repugnanti
5. Quid mihi, Livor
6. Nec Veneris, nec tu vini
7. Sperne lucrum: vexat mentes
8. Quid petitur sacris, nisi tantum
9. Adeste Musae, maximi proles Iovis
10. Quod latet, ignotum est
11. Nescio quid sit amor
12. Qui sermone placet
13. Cui bene succedit
14. Noli laudari
15. Si vitare velis
16. Cui sunt multa bona
17. Carmina laudantur
18. Omnia vincit amor
19. Odi et amo
20. Gaudia principium
21. Turpe sequi casum
22. Qui capit uxorem
23. Oderunt hilarem trstes
24. Principibus placuisse viris
25. Qui cito dat, bis dat

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_______________

26. Qui cantum corvi


27. Permultos liceat cuculus
28. Musica noster amor
29. Musica Musarum germana
30. Multum deliro
31. Inveni protum, spes et fortuna
32. Diligitur nemo
33. Turpe referre pedem
34. Omnis homo nihil est
35. Qui leviter credit
36. Tempore foelici, non cognoscuntur amici
37. Conscia mens recti
38. Pauperiem modico contentus
39. Nobile vincendi genus est
40. Heu quam difficile est crimen
41. Semper pauper eris
42. Quam bene apud memores
43. Dulces exuviae
44. Cum moritur dives
45. Tu ne cede malis
46. Usus amicorum
47. Plus laudatori
Editions:
nos. 1-47:
Edition in the series Munumenta artis musicae Sloveniae; ed. D. Cvetko
Edition by A.B. Skei in 2 volumes:
volume I: motets 1-15
volume II: motets 17-47

220.R8
221.R8
222.R8

Gardane, A.

102,- 62,- 62,--

Antonio Gardane
1509 - 1569
13 Chansons a2:
1. Amour voyant
2. Au feu au feu vens
3. Au tems heureux
4. Douce mmoire
5. De mes ennuitz
6. Finis le bien
7. Hors envieux
8. Je cerche autant amour
9. Il ne se treuve en amiti
10. Mamie un jour
11. Quy souhaitez
12. Sy j'ay du bien
13. Veu le grief mal
see: Prints 1578/17: "Premier livre de chansons a deux parties"

Gastoldi, G.G.

GIOVANNI GIACOMO GASTOLDI


1550s - ?1622
Canzoni, I (1581)
"Canzoni a cinque voci...libro primo", Venice, A. Gardano

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_______________

Edition:
from this collection:
Io non posso lasciarti
SATTB
see: Collections: "The Flower of the Italian Madrigal", volume I

lf.144
223.R8

Balletti a3 (1594)
"Balletti a tre voci con la intavolatura del Liuto, per cantare, sonare & ballare",
Venice, R. Amadino, 1594
16 balletti for 3 voices or for 1 voice and lute accompaniment
1. Sonatemi un balletto (Il Ballerino)
2. La mia amorosa (La Cortigiana)
3. Poi ch' el mio foco (Lo Spensierato)
4. Non morir (Lo Sdegnato)
5. Vive vive Bacco ogn'hor (Il Todesco)
6. O vezzosetta (Il Prigioniero)
7. Vita mia per che (Il Luchesino)
8. Se mi fai saltar (L'Humorista)
9. Per voler d'Amore (Il Felice)
10. Dimmi ch' del mio core (Il Curioso)
11. Che pensi tu (Il Risentito)
12. Non mi dar (Il Tormentato)
13. Fin c'havr vita (Il Costante)
14. Vo lodar (Il Fortunato)
15. O che diletto (L'Invaghito)
16. E vivo a mio despeto (El Passionato)
Editions:
nos. 1-16:
ed. G. Vecchi with lute tablature and keyboard transcription (G.G. Gastoldi:
Opere, vol. A/2)
47,- ed. B. Thomas (including lute tablature)
in prep.
no. 1:
see: Collections: "Chester Books of Madrigals", volume V
Balletti a5 (1596)
"Balletti a cinque voci con li versi per cantare, sonare, & ballare; con una
mascherata de cacciatori a 6 voci & un concerto de pastori a 8 voci",
Venice, R. Amadino, 1591
1. Gloria d'Amore
2. Il bell' humore
3. In contento
4. Il martellato
5. Il piacere
6. L'acceso
7. L'innamorato
8. La bellezza
9. Amor vittorioso
10. Caccia d'Amore
11. Il premiato
12. L'ardito
13. La Sirena
14. Lo schernito
15. Speme amorosa
16. Mascherata de cacciatori
a6

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_______________

224.R8
225.R8

226.R8

227.R8

sb.154

17. Concerto de' pastori a8


Editions:
nos. 1-17:
ed. M. Sanvoisin; Le Puptre, volume X
69,- nos. 1-8:
ed. B. Thomas (set of 5 scores)
17,- no. 6:
see: Modern Collections: "Historical anthology of music", vol. I
no. 9: Amor vittorioso:
see: Collections: "Chester Books of Madrigals", volume VII
nos. 9-15:
ed. B. Thomas (set of 5 scores)
17,- no. 12:
see: Collections: "The Flower of the Italian Madrigal", volume I
no. 15:
see: Collections: "The Flower of the Italian Madrigal", volume III
no. 17; in: 2 Dialoghi for 8 voices or instruments in 2 choirs:
1. Cantiam lieti cantiamo
2. Concerto de pastori: Scacciam l'antico sonno
Sources:
1590: "Dialoghi musicali de diversi eccellentissimi autori", Venice, Gardano (2)
1591: Gastoldi: Balletti a5 (1)
ed. in score and 8 choral scores by B. Thomas
14,- A lieta vita Amor ci invitta
see: Collections: "Anthology of Renaissance Music", ed. Atlas
Viva sempre e scolpita:
included in: "Music for crumhorns", volume II; ed. B. Thomas
17,- 3 Balletti in German translations:
1. Amor im Nachen
2. An hellen Tagen (transl. P. Cornelius)
3. In maienhellen Tagen (transl. G. Wolters)
see: Collections: "Chorbuch der losen Bltter" (nos. 9, 55, 60)
Canzonette a3, I (1595)
"Canzonette a tre voci con un balletto nel fine...Libro primo. Novamente
corrette, & in miglior forma ristampate", Venice, R. Amadino, 1595
1. Poich non m' concesso
2. Ahi! Filli, anima mia
3. Non voglio pi servire
4. Poich, o mio fido amante
5. Mi tra' d'oggi in dimane
6. Poich 'l poter m' tolto
7. S'in fede del mio amore
8. Per mirar lo splendore
9. Non pu sentir diletto
10. Mentre scherzava Clori
11. Sono i begli occhi tuoi facell' e strali
12. Questa colei che sola
13. Tanto bella costei
14. Io son gi mort' ahi lasso
15. Amer donna che 'l mio amor disdegna
16. Ahi, che mi tiene il core
17. Cercai fuggier Amore

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18. Torna, dolce il mio amore


19. Scherzan intorno i pargoletti Amori
20. Amor, fa' quanto vuoi
21. Intermedio de' pescatori: Par che 'l ciel brami
Editions:
nos. 1-21:
Critical edition with introductory study (in Italian) by I.G. Grassi of book I
and II of the Canzonette a3 (1595; 1598)
nos. 1, 5, 7, 10, 12, 14, 17, 18
provided with German texts by V. Haussmann:
see: Prints 1607: "Tricinia" (nos. 1, 5, 7, 9, 10, 12, 13, 15)

229.R8

Canzonette a3, II (1598)


"Canzonette a tre voci...Libro secondo. Novamente con ogni diligentia
ristampata...", Venice, R. Amadino, 1598
1. Se ben vede ch'io more
2. Credete forse di farmi morire
3. O miei sospiri ardenti
4. Io non ti stimo, Amore
5. Tra tutti quanti
6. Vuol ch'io l'ami costei
7. Donna, s' egli pur vero
8. Risposta: Mentre puro e sincero
9. si grande il diletto
10. Colei per cui mi struggo in vivo foco
11. Io foco son, voi ghiaccio
12. Dite, madonna, il vero
13. Se ben parto, mia vita
14. Se la tua grazia acquisto
15. Amor, forza ch'io 'l dica
16. Ridi e scherza, o crudel, pru quanto sai
17. Poich rotto ha il laccio Amore
18. possibil ch' Amore
19. O cruda, ancor non sei
20. Vita de la mia vita
21. Poich sazia non sei del mio martire
Editions:
nos. 1-21:
Critical edition with introductory study (in Italian) by I.G. Grassi of book I
and II of the Canzonette a3 (1595; 1598)
nos. 3 and 15:
see: Collections: "Musica Mundana", ed. Acciai e.a.

48,--

48,--

Other Works
2 Madrigals:
1. Clori mia pastorella tu sei fra l'altre belle a5
2. Caro soave e desiato bene / Perch se troppo tardi tu vedrai
see: Prints 1591/10: "Melodia Olympica"
Al mormorar de liquidi cristalli (P. Malombra)
see: Prints 1592/11: "Il Trionfo di Dori"

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a5

a6

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_______________

Bellissima Mirtilla SSATB


see: Collections: "Chester Books of Madrigals", volume III
Dialogo musicale
see: Prints 1590/11: "Dialoghi musicali"
Ero cos dicea SATB
see: Prints 1588/17: "L'Amorosa Ero"
Miracolo in natura, a5:
see: Prints 1583: "Harmonia Celeste...raccolta per A. Pevernage..."
Un novo cacciator segu' una fiera a5
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
Gatto, S.

Simone Gatto
1540/50 - before Feb 1595
Perche lontana da fallaci scogli, a5:
see: Prints 1569: "Musica de'virtuosi della capella dell'...S. Duca di Baviera"

Gesualdo, C.

CARLO GESUALDO, principe di Venosa


c.1561 - 1613
a) Complete Works; ed. W. Weismann & G.E. Watkins
(vols. 1-6 edited by Weismann, volumes 7-10 by Watkins)

171.S6

172.S6

Volume I
First Book of Madrigals for 5 voices (1594):
1. Baci soavi e cari / Quanto ha di dolce Amore (Guarini)
2. Madonna, io ben vorrei
3. Come esser pu ch' io viva (A. Gatti)
4. Gelo ha Madonna il seno (Tasso)
5. Mentre Madonna il lasso fianco posa / Ahi, troppo saggia nell'errar (Tasso)
7. Se da s nobil mano / Amor, pace non chero (Tasso)
8. S gioioso mi fanno i dolor miei
9. O dolce mio martire
10. Tirsi morir volea / Fren Tirsi il desio (Guarini)
11. Mentre, mia stella, miri
12. Non mirar, non mirare (F. Alberti)
13. Questi leggiadri odorosetti fiori (L. Celiano)
14. Felice primavera / Danzan le Ninfe oneste (Tasso)
15. Son s belle le rose (Grillo)
16. Bella Angioletta, da le vaghe tpiume (Tasso)
Volume II
Second Book of Madrigals for 5 voices (1594):
1. Caro, amoroso neo / Ma se tale h costei (Tasso)
2. Hai rotto e sciolto e spento
3. Se per lieve ferita / Che sentir deve il petto mio
4. In pi leggiadro velo
5. Se cos dolce il duolo / Ma se avverr ch'io moia (Tasso)
6. Se taccio, il duol s'avanza (Tasso)
7. O come gran martire / O mio soave ardore (Tasso)

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31,--

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_______________

173.S6

174.S6

175.S6

8. Sento che nel partire (after d'Avalos)


9. Non questa la mano / N tien face o saetta (Tasso)
10. Candida man quel neve
11. Dalle odorate spoglie / E quella arpa felice
12. Non mai non canger
13. All'apparir di quelle luci ardenti / Non mi toglia il ben mio
Volume III
Third Book of Madrigals for 5 voices (1595):
1. Voi volete ch'io mora / Moro o non moro (Guarini)
2. Ahi, disperata vita
3. Languisco e moro, ahi, cruda
4. Del bel de' bei vostri occhi
5. Ahi, dispietata e cruda
5. Dolce spirto d'amore (Guarini)
6. Sospirava il mio core / O mal nati messaggi
7. Veggio, s, dal mio sole
8. Non t'amo, o voce ingrata
9. Meraviglia d'Amore / Ed ardo e vivo
10. Crudelissima doglia
11. Se piange, ohim, la donna del mio core
12. Ancidetemi pur, grievi martiri
13. Se vi miro pietosa
14. Deh, se gi fu crudele
15. Dolcissimo sospiro (Pocaterra)
16. Donna, se m'ancidete
Volume IV
The Fourth Book of Madrigals for 5 voices (1596):
1. Luci serene e chiare (R. Arlotti)
2. Talor sano desio
3. Io tacer, ma nel silenzio mio / Invan dunque o crudele
4. Che fai meco, mio cor
5. Questa crudele e pia
6.Or, che in gioia credea / O sempre crudo Amore
7. Cor mio, deh, non piangete / Dunque non m'offendete (Guarini)
8. Sparge la morte al mio signor nel viso (sacred madrigal)
9. Moro, e mentre sospiro / Quando di lui la sospirata vita
10. Mentre gira costei
11. A vio, mentre il mio core
12. Ecco, morir dunque / Ahi, gi mi discoloro
13. Arde il mio cor, ed si dolce il foco
14. Se chiudete nel core
15. Il sol, qualor pi splende / Volgi, mia luce (for 6 voices)
Volume V
The Fifth Book of Madrigals for 5 voices (1611):
1. Gioite voi col canto
2. S'io non miro non moro
3. Itene, o miei sospiri
4. Dolcissima mia vita
5. O dolorosa gioia
6. Qual fora, donna, un dolce "Ohim"
7. Felicissimo sonno
8. Se vi duol il mio duolo
9. Occhi del mio cor vita (after Guarini)

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29,--

29,--

31,--

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_______________

176.S6

739.S11

10. Languisce al fin chi da la vita parte


11. Merc grido piangendo
12. O voi, troppo felici
13. Correte, amanti, a prova
14. Asciugate i begli occhi
15. Tu m'uccidi, oh crudele
16. Deh, coprite il bel seno
17. Poich l'avida sete / Ma tu, cagion
18. O tenebroso giorno
19. Se tu fuggi, io non resto
20. T'amo mia vita, la mia cara vita (Guarini; earlier version in: "Teatro de madrigali a 5 voci. De diversi eccellentiss. musici napolitani...", Naples, G.B.
Gargano & L. Nucci, 1609)
Volume VI
Sixth Book of Madrigals for 5 voices (1611):
1. Se la mia morte brami
2. Belt, poi che t'assenti
3. Tu piangi, o Filli mia
4. Resta di darmi noia
5. Chiaro risplender suole
6. Io parto, e non pi dissi
7. Mille volte il d moro
8. O dolce mio tesoro
9. Deh, come invan sospiro
10. Io pur respiro in cos gran dolore
11. Alme d'Amor rubelle
12. Candido e verde fiore
13. Ardita Zanzaretta
14. Ardo per te, mio bene
15. Ancide sol la morte
16. Quel no crudel che la mia speme ancise
17. Moro, lasso, al mio duolo
18. Volan quasi farfalle
19. Al mio gioir il ciel si fa sereno
20. Tu segui, o bella Clori
21. Ancor che per amarti
22. Gi piansi nel dolore
23. Quando ridente e bella
Volumes 7-9: Responsoria & Sacrae Cantiones
Responsoria (1611) & Sacrae Cantiones (1603):
see section: "17th-century sacred music for 3 or more voices"
Volume 10
Instrumental Pieces & Miscellaneous Vocal Works
a) instrumental pieces:
1. Canzon francese a4: the keyboard version from GB-Lbl Add.30491 incorporating the wild embellishments by Luigi Rossi
2. Gagliarda a4 from I-Nc ms. 4.6.3
b) miscellaneous vocal works:
3. In te, Domine, speravi. Psalm a4 from: "Salmi delle compiete de diversi
musici napolitani", Naples, M. Magnetta, 1620 SATB and bc
4-16. Madrigals a6 in facsimile of the original print ("Madrigali a sei voci...",
Naples, M. Effrem, 1626) of which only one part (Quinto) has survived:
4. Ahi, come tosto passa

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31,--

42,--

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_______________

5.Cor mio, ben che lontano


6. De' bei colori aurate
7. Dove fuggi, o mio core
8. Fra care danze in real tetto io vidi
9. Gravi'il ciel d'amore
10. L'arco amoroso e bello
11. Non questa l'aurora
12. O chiome erranti, o chiome (Marino)
13. Parlo, misero, o taccio (Guarini)
14. Piet, Signor, pietade (Pocaterra)
15. Quale spada guerriera
16. Tu che con vari accenti
17-18: Madrigals a5 from: "Di Pomponio Nenna...L'ottavo libro de madrigali
a 5...", Rome, G.B. Robletti, 1618:
18. All'ombra degl'allori (canzonetta) SAATB
19. Come vivi cor mio SAATB

29,--

b) Other Editions
"Partitura delli sei libri de' madrigali a cinque voci dell' illustrissimo, & eccellentiss. Prencipe di Venosa, D. Carlo Gesualdo. Fatica di Simone Malinaro,
maestro di Capella nel Duomo di Genova", Genova, G. Pavoni, 1613;
containing all 6 books of madrigals, printed in score
Facsimile of the 1613 edition (set of 2 volumes)
72,--

230.R8

III/10 and IV/12:


see: Collections: "The Flower of the Italian Madrigal", volume I

231.R8

nos. I/11 and V/3:


*ed. Weismann / Watkins

232.R8

no. II/7:
ed. B. Thomas (set of 5 scores)

233.R8

IV/1, 3, 12; V/3, 4; VI/17:


ed. Winter

10,--

234.R8

nos. IV/10 and V/4


*ed. Weismann / Watkins

2,50

235.R8

nos. VI/7-8:
*ed. Weismann / Watkins

2,50

2,50

8,--

no. VI/10:
see: Modern Collections: "Historical anthology of music", vol. I
nos. VI/15 and 17:
*ed. Weismann / Watkins

236.R8

Gevicenus, Ch.A.
Ghibellini, E.

2,50

see: Chrysoponos, G.A.


Helisio Ghibel(lini)
c.1520 - after 1581

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_______________

2 Madrigals a5:
1. Icaro incauto, sconsolato e mesto
2. E 'l ciel vuol pur che io viva, e che?
see: Prints 1568/16: "Corona della morte dell'...Annibal Caro"
Gibbons, E.

Ellis Gibbons
2 Madrigals:
1. Long live fair Oriana (Hark did you ever hear?) SSATB
2. round about her charret
SSATTB
see: Prints1601: "The Triumphes of Oriana"

Gigli, G.

Giulio Gigli da Imola


Ardo s, ma non t'amo, a5:
see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I

Giglio, T.

Tommaso Giglio
fl 1600 - 1603
6 Madrigals a6:
1. I pi candidi gigli ancor non colti
2. Giunto m'hai, bella tigre
3. Calda pioggia di perle lagrimose (prima pars)
4. Va in pace, anima mia (seconda pars)
5. Che soave concento fa 'l mormorar de l'onde
6. Nel pi fiorito e dilettoso Aprile
Sources:
1601: "Il secondo libro de madrigali a 6 voci", Venice, G. Vincenti (1-5)
1604: "De' fiori del giardino de diversi excellentissimi autori seconda parte a
quatro, cinque & sei voci...", Nrnberg, Kaufmann (1, 6)
see: Collections: "Madrigali Siciliani in antologie transalpine, 1583-1616"

Giles, N.

Nathaniel Giles
c.1558 - 1634
Cease now, vain thoughts, a5:
see: Collections: "Consort songs and anthems", ed. Ph. Brett: no. 45

Giovannelli, R.

RUGGIERO GIOVANNELLI
c.1560 - 1625
Villanelle a3, I (1600)
"Il primo libro delle villanelle et arie alla Napolitana a tre voci di Ruggiero
Giovanelli. Novamente ristampate, & corrette", Venice, G. Vincenti, 1600
1. Stelle che ornando il cielo
2. Non vedo hoggi il mio Sole
3. Donna mi fugge ogn'hora
4. Pien d'ira, e di furore sen v gridando
5. Donna tu sei bella

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_______________

237.R8

6. Porgimi cara Filli


7. Donna gentil saper da voi desio
8. S'ancider vuoi amore
9. Io canter d'amore
10. Io pianger d'amore
11. Occhi dell'alma mia vivaci, e soli
12. M'ha punto amor
13. Mi sento ohime morire
14. Chi vi pensate
15. Credi tu per fuggire
16. Per mostrar d'esser bella
17. Come potr gi vivo scampare
18. Non fia vero gi mai
19. Una barriera
20. Per mirar il vago lume
21. Mi parto, ahi sorte ria
22. Quando dinanzi voi
23. Se del fedel servir
Editions:
nos. 1-23:
Edition of the 3 partbooks of the 1600 edition
no. 12:
see: Collections: "The Flower of the Italian Madrigal", volume III

38,--

Madrigali a5, I (1586)


"Il primo libro de madrigali a 5 voci", Venice, A. Gardano, 1586
from this book:
Ardo s, ma non t'amo
see: Collections: "Settings of "Ardo s" and its related texts", vol. II
Gli Sdruccioli (1587)
"Gli sdruccioli...Il primo libro di madrigali a quattro voci", Venice, G. Vincenti
from this book:
La terra, che dal fondo, a4
see: Collections: "Introduction to the Italian Madrigal", ed. J. Roche

Madrigali a5, II (1593)


"Il secondo libro de madrigali a cinque voci", Venice, A. Gardano, 1593
from this book:
Baci, sospiri e voci
SSATB
see: Collections: "The Flower of the Italian Madrigal", volume III
Madrigali a5, III (1599)
"Il terzo libro de madrigali a cinque voci", Venice, Gardano, 1599
from this book:
Cor mio, benche lontana, a5:
see: L. Luzzaschi: "Complete unaccompanied madrigals", ed. Newcomb, I
O fortunata rosa, a5:
see app. to Newcomb's edition of Fontanelli's "Primo libro de madrigali"
Sei tu, mio cor, a5:
see app. to Newcomb's edition of Fontanelli's "Secondo libro de madrigali"

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2 Canzonettas for 3 voices and lute accompaniment:


1. All'hor che di bei fiori
2. E da verdi boschetti
see: Prints 1595/6: "Lodi della Musica"
3 Canzonettas a3, provided with German texts by A. Mller:
1. Vermiglio e vago / Du edle Music
2. Fugge da gli occhi / Amor du bitter Trancke
3. Si vaga la mia / Wie soll ich frlich singen
see: Prints 1608/22: A. Mller: Deutsche Canzonetten (nos. 6, 11 and 13)
Ahi che far ben mio senza la dolce aita a4
see: Prints 1591/10: "Melodia Olympica"
Dialogo musicale
see: Prints 1590/11: "Dialoghi musicali"
Donna, la bella mano, a5:
see: Prints 1582/1589: "Two Roman madrigal collections: "Dolci affetti" (1582)
& "Le Gioie" (1589)
Ero cos dicea SATB
see: Prints 1588/17: "L'Amorosa Ero"
Quand' apparisti o vag' o amata Dori (G.D. Alessandri)
see: Prints 1592/11: "Il Trionfo di Dori"
Giov.B.da Cremona

a6

Giovanni Battista da Cremona


2 Madrigals, a5:
1. Di color mill'e variate piagge
2. Et hor'il canto e 'l refrigerio e l'aura
see: Prints 1569: "Musica de'virtuosi della capella dell'...S. Duca di Baviera"

Giov. B. Romano

Giovanni Battista Romano


Ne piu riveggio per erbosi scogli, a5:
see: Prints 1569: "Musica de'virtuosi della capella dell'...S. Duca di Baviera"

Gosswin, A.

Antonio Gosswin (Cossuino)


c.1546 - 1597/98
2 Madrigals, a5:
1. Eolo crudel come turbasti l'onde
2. Qual meraviglia se mi piacqu'il bosco
see: Prints 1569/19: "Musica de'virtuosi della cap. dell'...S. Duca di Baviera"
"Newe teutsche Lieder welche gantz lieblich zu singen, auch allerley Instrumenten zu gebrauchen...", Nrnberg, 1581 all a3
from this collection:
Am Abend spt
see: Collections: "Antiqua Chorbuch": part II, volume 2: no. 81

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Graziani, T.

Tomaso Graziani
c.1550 - 1634
Ardo s, ma non t'amo / Ard' e giel' tua voglia a5
from his: "Il primo libro de madrigali a 5 voci", Venice, A. Gardano, 1588
see: Collections: "Settings of "Ardo s" and its related texts", vol. II

Griffi, O.

Orazio Griffi
S' appresso a questa neve a poco a poco a5
see: Prints 1582 & 1589: Two Roman madrigal collections: "Dolci Affetti"
(1592) & "Le Gioie" (1589)

Grisonio, D.

D. Grisonio
3 Madrigals a5-a8:
1. Poi che son le due luci al pianto intese a5
2. Ma tu, la cui virt battendo l'ale a5
3. Meste e pensose donne che dolenti a8 (dialogue between Fame and the
Muses)
see: Prints 1568/16: "Corona della morte dell'...Annibal Caro"

Guami, F.

Francesco Guami
c.1544 - 1602
2 Madrigals, a5:
1. Et hor veggio fortun'in mez'il porto
2. Vagio d'un alt'e faticoso preggio
see: Prints 1569: "Musica de'virtuosi della capella dell'...S. Duca di Baviera"

Guami, G.

Gioseffo Guami
c.1540 - 1611
4 Madrigals, a5:
1. Mai non si vide piu seren'il cielo
2. A la dolce ombra de la nobil pianto
3. Miser 'hoime chi potr piu allegrarmi
4. Siami tu scort'e guida
see: Prints 1569: "Musica de'virtuosi della capella dell'...S. Duca di Baviera"

Guerrero, F.

FRANCISCO GUERRERO
1528 - 1599
a) Opera Omnia; ed. Querol / Llorns

512.R7

Volume I-II: Canciones y Villanescas spirituales


ed. V. Garc; introd. and study (Spanish) by M. Querol
"Canciones y Villanescas espirituales", Venice, Vincenti, 1589
Volume I: for 5 voices:
1. Quand'os miro, mi Dios
2. Claros y hermosos ojos
3. Baxme mi descuydo
4. En tanto que de rosa

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513.R7

5. Dezidme, fuente clara


6. La gracia y los ojos bellos
7. La luz de vuestros ojos
8. O dule y gran contento!
9. Sabes lo que heziste?
10. Plugiera a Dios
11. Mi ofensa 's grande
12. Si del jardin del ielo
13. O qu nueva!
14. O qu plazer!
15. Vamos al portal
16. O grandes paces!
17. Apuestan zagales dos
18. Virgen sancta
20. Oyd, oyd una cosa
21. Pastores, si nos queris
22. Hombres, victoria, victoria!
23. Zagales, sin seso vengo
24. De dnde vienes, Pasqual?
25. Al resplandor d'una estrella
26. A un nio llorando
27. Pues la gua d'una estrella
28. Juicios sobre una estrella
29. Alma, si sabes d'amor
30. Alma, mirad vuestro Dios
31. Dios los estremos condena
32. Estraa muestra d'amar
33. Quiere Dios que le ofrezcamos
Volume II: for 4 and 3 voices:
a) a4:
34. Ojos claros serenos
35. De amores del Seor de cielo y terra
36. Dex del mundo lo que le adornava
37. Adis, verde ribera y pradera
38. Esclareida madre y virgen pura
39. Qu te dar, Seor, por tantos dones
40. Prado ameno, graioso
41. Acaba de matarme, o amor fiero!
42. Sanctssima Mara
43. Pan divino, graioso sacrosanto
44. Vana speran que mi pensamiento
45. Huyd, huyd, o iegos amadores
46. Dios immortal
47. O qu mesa y qu manjar!
48. O celestial medicina!
49. Todo quanto pudo dar
50. Antes que comis a Dios
51. Oy, Joseph, se os da'n el suelo
52. Los Reyes siguen l'astrella
53. Nio, Dios d'amor herido
b) a3:
54. Si tus penas no pruevo
55. Pastor, quien madre virgen mirado

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56. O Virgen, quando's miro


57. O venturoso da!
58. Qu buen ao es el del ielo!
59. Tan largo sido'n gastar
60. Qu se puede desear
61. Es menester que se aierte

29,--

b) Other Editions
no. 5 (Dezidme) & three songs from Cancionero mus. de la casa Medinaceli:
a. Beatriz, cme es possible? a3
b. Fresco y claro arroyuelo a3
c. Prado verde y florido a4
es possible?, a3; Fresco y claro arroyuelo, a3; Prado verde y florido, a4)
see: High Renaissance: Secular Music: MA: "Songs from the Spanish cancioneros"; ed. Pountain and Whitbourn
Five textless canciones a5:
1. Si el mirar
2. No me podr quexar de amor
3. Todos aman
4. Subiendo amor
5. Adis mi amor
ed. in score by J. Ruiz Jimnez from E-GRmf 975 (1-5), NL-Uu 3.L.16:
Lerma Codex (1, 2), E-Lerma, San Pedro: Codex 1 (3-5)

sc.444

Hagius, K.

20,--

Konrad Hagius
1550 - 1616
"Neue deutsche Tricinien fr 3 Stimmen", Frankfurt am Main, 1604
from this collection:
1. Du bist ein Gottesgabe a3
2. Herzlich tut mich erfreuen a3
see: Collections: "Antiqua Chorbuch", part II, volume 3: nos. 124-125

Harnisch, O.S.

Otto Siegried Harnisch


c.1568 - 1623
"Neue kurzweilige teutsche Liedtlein zu 3 Stimmen", Helmstedt, 1587
from this collection:
Weil ich gross Gunst trag zu der Kunst
see: Collections: "Antiqua Chorbuch", part II, volume 3: no. 122
"Neue auserlesene teutsche Lieder", Helmstedt, 1588 a4-a5
from this collection:
Wenn ich seh deiner uglein Schein
see: Collections: "Antiqua Chorbuch", part II, volume 3: no. 123

Hassler, H.L.

HANS LEO HASSLER


1562 - 1612
A. Complete works
B. Other editions

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_______________

A. Complete Works
Gesellschaft fr Bayrische Musikgeschichte
870.S11

871.S11

Volume I; ed. C.R. Crosby & H. Gehrmann (= DDT I/2)


"Cantiones sacrae de festis praecipuis totius anni", Augsburg, 1591, 2/1597
38 Motets a4-a12; * = from the second edition (1597)
alphabetical list of titles:
1. Angelus ad pastores ait a4
2. Angelus Domini descendit a8
3. Ascendo ad Patrem meum a5
4. Beata es virgo Maria a4
5. *Beati omnes, qui timet Dominum / Ecce sic benedicetur a4
6. Beatus vir qui non abiit / Et erit tanquam lignum a4
7. Cantate Domino canticum novum a5
8. Deus, Deus meus a6
9. Deus noster refugium / Deus in medio ejus a6
10. Diligam te Domine a4
11. Dixit Maria ad angelum a4
12. Domine Deus meus a4
13. Domine, Dominus noster / Quid est homo a5
14. Dum complerentur dies Pentecostes a8
15. Duo Seraphim clamabant a12
16. *Ecce quam bonum a5
17. Ego sum resurrectio a3
18. Expurgate vetus fermentum a5
19. Hodie Christus natus est a10
20. In convertendo Dominus / converte, Domine, captivitatem nostram a6
21. Inter natos mulierum a4
22. Jubilate Deo omnis terra / Nos autem populis ejus a8
23. Laudate Dominum in sanctis a8
24. Laudate, pueri, dominum a8
25. Levavi oculos meos / Ecce non dormitabit / Dominus custodit te a5
26. *Magnificat 5. toni a4
27. *Magnificat 8. toni a4
28. Miserere mei Deus a11
29. *Nisi dominus aedificaverit / Cum dederit dilectis a5
30. Nunc dimittis servum tuum a5
31. Nuptiae factae sunt a12
32. O altitudo divitiarum a7
33. *Pater noster qui es in coelis a8
34. Quem in coelo et in terra / Ecce enim qui a te deficiunt a5
35. Quia vidisti me, Thoma a4
36. Tribus miraculis ornatum diem a6
37. Tu es Petrus a4
38. Verbum caro factum est a6
Volume II; ed. R. Schwartz / C.R. Crosby ( = DTB I/9)
"Canzonette" (1590) & "Madrigali" (1596)
a) "Canzonette a 4 voci...Libro I", Nrnberg, 1590
1. Amore l'altro giorno
2. Basciami vita mia
3. Chi gl'occhi vostri mira
4. Chi me consola ahime

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

out of pr.

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_______________

872.S11

5. Chi me dimandar
6. Chi vuol veder
7. Chiara e lucente stella
8. Chiari lucenti rai
9. Come sperar poss'io
10. Core mio
11. Donna se lo mio core
12. Fuggendo andai
13. Hor va canzona mia
14. Io mi sento morire
15. Io son ferito Amore
16. Io vo cantar
17. L'altro hier di sera
18. Mi sento ohime morire
19. Non vedo hogg'il mio sole
20. O tu che mi dai pene
21. Rendimi pur il core
22. Ridon di maggio
23. Sospira core
24. Vivan sempre i Pastori
b) "Neue tetsche Gesang nach Art der welschen Madrigalien und Canzonetten...", Augsburg, 1596
24 Lieder a4-a8:
1. Ach Schatz ich thu dir klagen a5
2. An einem Abend spat a4
3. Brinn und Zrne nur a4
4. Das Hertz thut mir auffspringen a4
5. Dein uglein klar lechten a5
6. Falsch Lieb warumb mich fliehest a6
7. Far hin guts Liedelein a6
8. Feins Lieb du hast mich gfangen a4
9. Frisch auff, last uns ein gutes Glas a6
10. Frlich zu sein in Ehren a5
11. Hertzlieb zu dir allein a5
12. Ich brinn und bin entzndt a4
13. Ich scheid von dir mit Leyde a6
14. Junckfraw dein schne Gestalt a4
15. Kein grsser Fred kan sein a5
16. Mein hertz ist mir gen dir a8
17. Mein Lieb wil mit mir kriegen a8
18. Mit Dantzen jubilieren a6
19. Nun fanget an ein guts Liedlein a4
20. O Auffenthalt meins Leben a4
21. Schns Lieb du machst mir Angst a6
22. Von dir kan ich nicht scheyden a6
23. Wann du Junckfraw forthin a5
24. Zu dir schrey ich umb Hilff a5
Volume III; ed. R. Schwartz / C.R. Crosby ( = DTB I/20)
" Madrigali ", Augsburg, 1596 a5-a8
1. A chi creder degg'io a5
2. Al merto el at valore a8
3. Anchor che la partita a7
4. Ardo s, ma non t'amo / Ardi e gela a5

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_______________

873.S11

874.S11

5. Care lagrime a5
6. Chi vuol veder f pura a8
7. Dolcissimo ben mio a5
8. Donna de miei pensieri (Dialogo) a8
9. Donna, quella saetta / Ma la fiamma a5
10. Echo che fa (Risonanza di Echo) a8
11. Fiammeggiavano in ciel / Ne d'egli ancor a6
12. La bella Filli a5
13. Lieti fiori felici / O soave contrada a5
14. Limpido e fresco fonte / Cos ben che la terra a5
15. Luce ne gl' occhi a5
16. Mentre La Donna mia a6
17. Mo parto a6
18. Miracolo gentile a6
19. Mirami, vita mia a5
20. Musica lo mio core a6
21. O dolci lagrimette a6
22. Qui dove i sacri / Vieni, o Fillide mia a5
23. Rara virt a6
24. Real natura a6
25. Tessea catena d'oro a6
26. Vattene pur, crudel / La tra'l sangue a6
212,-Volume IV; ed. J. Auer & C.R. Crosby ( = DDT I/7)
Masses from " Missae... ", Nrnberg, 1599:
1. Missa super Dixit Maria a4
2. Missa a4
3. Missa a4
4. Missa super Verba mea a5
5. Missa super Ecce quam bonum a5
6. Missa super Come fuggir a6
7. Missa super Quem in caelo
reprinting
8. Missa a8
Volume V-VI; ed. J. Auer & C.R. Crosby ( = DDT I/24-25)
" Sacri concentus ...", Augsburg, 1601, enlarged 2/1612
"Sacri Concentus, quatuor, 5, 6, 7, 8, 9, 10 & 12 vocum...Editio altera, correctam & motectis aliquot aucta...", Nrnberg, P. Kaufmann, 1601, enl.: 1612
53 Motets a4-a12; * = from the 2nd enlarge edition (1612)
1. A Domino factum est istud a8
2. Ad Dominum, cum tribularer a5
3. Aeterni sincera a8
4. Aeternus vere est solus Deus a6
5. Alleluia, laudem dicite a5
6. Angelicos cives a7
7. Angelus ad pastores ait a9
8. Beati omnes, qui timent a8
9. Canite tuba in Sion a5
10. Cantate Domino a4
11. Cantate Domino a12
12. Conditor magni Genitorque / Conditor coeli a6
13. Deus in nomine tuo / Ecce enim Deus a4
14. Domine Deus meus, ne quaeso a6
15. Domine Deus Pater a4
16. Domine, Dominus noster a12

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_______________

875.S11

17. Ecce Maria genuit a5


18. Ego vero afflictus sum a4
19. Esse volens guadere a8
20. Exaltabo te, Domine a8
21. Exsultate Deo a5
22. Exsultavit cor meum a6
23. Gaudent in coelis animae a5
24. Gratias agimus tibi a5
25. Hodie completi sunt dies a6
26. Ite in universum mindum a4
27. *Jubilate Deo omnis terra a4
28. Jubilate Deo omnis terra a8
29. Jubilate Deo a5
30. Laetentur coeli a4
31. *Laudate Dominum de coelis a8
32. *Laudate Dominum in sanctis ejus a8
33. *Laudate Dominum omnes gentes a4
34. Laudate Dominum a8
35. Miserere mei, Deus a8
36. Miserere nostri, Domine a5
37. Misericordias Domine a8
38. O admirabile commercium a6
39. O Domine Jesu Christe a8
40. O sacrum convivium a7
41. *Omnes gentes, plaudite a10
42. Plaude triumphalem a5
43. Quem vidistis, pastores a4
44. Qui laudat Dominum a4
45. Sancta et immaculata a10
46. Sancta Maria a10
47. *Si bona suscepimus a8
48. Surrexit Pastor bonus a6
49. Tibi laus, tibi gloria a8
50. Tu es Petrus a5
51. Usquequo, Domine / Illumina oculos a6
52. Veni, Domine, et noli tardare a8
53. Veni sancte Spiritus a5
54. *Venite, exsultemus Domino a8
55. Vincula dum Christus terit a6
157,-Volume VII; ed. C.R. Crosby
"Psalmen und Christliche Gesng auff die Melodeyen fugweiss componiert"
Nrnberg, 1607
30 Sacred songs a4:
1. Allein zu dir Herr Jesu Christ
2-3. Auss tieffer Noth schrey ich zu dir (2 settings)
4. Auss tieffer Noth schrey ich zu dir / Bey dir gilt nichts denn Gnad und Gunst
Darumb auff Gott will hoffen ich /Und ob es wert biss in die Nacht / Ob bey
uns ist der Snde vil / Ehr sey dem Vatter und dem Son (6 verses)
5. Ehr sey dem Vatter und dem Son
6. Christ unser Herr zum Jordan kam
7. Der Herr ist mein getreuer Hirt
8. Durch Adams Fall ist gantz verderbt
9. Ein veste Burg ist unser Gott

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_______________

876.S11

10. Erbarm dich mein, o Herre Gott


11-12. Es spricht der unweisen Mund wol (2 settings)
13. Gott sey gelobet und gebenedeyet
14. Herr Gott nun sey gepreiset
15. Herr wie lang wilt vergessen
16. Ich hab mein Sach Gott heimgestellt
17. Ich ruf zu dir Herr Jesu Christ
18. In dich hab ich gehoffet Herr
19. Jesus Christus unser Heiland
20. Kompt her zu mir, spricht Gottes Son
21. Mag ich Unglck nicht widerstahn
22. Nun freut euch lieben Christen gmein
23. O Herre Gott begnade mich
24. O Mensch bewein dein Snde gross
25. Vater unser im Himelreich / Geheiligt werd der Name dein / Es kom dein
Reich zu diser Zeit / Dein Will gescheh Herr Gott zugleich / Gib uns heut
unser tglich Brot / All unser Schuld vergib uns Herr / Fhr uns Herr in Versuchung nicht / Von allem bel uns erlss / Amen das ist, es werde war /
Amen das ist, es werde war (10 verses)
26. Wenn mein Stndlein vorhanden ist
27. Wer in dem Schtz des Hchsten ist
28. Wir gelauben all an einen Gott /Wir gelauben auch an Jesum Christ / Wir
gelauben in den heilgen Geist (3 verses)
29. Wo Gott der Herr nit bey uns helt
30. Wo Gott zum Hauss nit gibt sein Gunst
195.-Volume VIII; ed. C.R. Crosby
"Kirchgesng : Psalmen und geistliche Lieder, auff die gemeinen Melodeyen
mit 4 Stimmen simpliciter gesetzt", Nrnberg, 1608
65 Sacre songs a4:
1. Ach Gott vom Himmel sieh darein / Sie lehren eitel falsche List / Gott woll
aussrotten alle Lehr / Darumb spricht Gott: ich muss auff seyn / Das silber
durchs Feuer sibenmal / Das wollstu gott bewaren rein / Ehr sey dem Vatter
und dem son (7 verses)
2. Allein Gott in der Hh sey Ehr
3. Allein zu dir, Herr Jesu Christ
3. An Wasserflssen Babylon
4. Aus tieffer Noth schrey ilch zu dir
5. Christ, der du bist der helle Tag
6. Christe, der du bist Tag und Liecht
7. Christ fuhr gen Himmel
8. Christ ist erstanden
9. Christ lag in Todtesbanden
10. Christum wir sollen loben schon
11. Christ unser Herr zum Jordan kam
12. Christus der uns selig macht
13. Da Israel auss Egypten zog
14. Da Jesus an dem Creutze stund
15. Das alte Jahr vergangen ist
16. Der Herr ist mein getreuer Hirt
17. Der Tag der ist so freudenreich
18. Diss sind die heilgen zehen Gebot
19. Durch Adams Fall ist gantz verderbt
20. Ein veste Burgk ist unser Gott

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

877.S11

21. Erbarm dich mein o Herre Gott


22. Erhalt uns, Herr, bey deinem Wort
23. Erstanden ist der heilig Christ
24. Es ist das Heil uns kommen her
25. Es spricht der unweisen Mund wohl
26. Es woll uns Gott genedig sein
27. Gelobet seystu, Jesu Christ
28. Gott der Vatter wohn uns bey
29. Gott sey gelobet und gebenedeyet
30. Hellft mir Gotts Gte preisen
31. Herr Christ, der einig Gott's Son
32. Herr Gott, der du erforschest mich
33. Herr Gott, ich trau allein auff dich
34. Herr Gott, wir loben dich
35. Herr Jesu Christ, wahr Mensch und Gott
36. Herr wie lang wilt vergessen
37. Hertzlich lieb hab ich dich / Es ist ja, Herr, dein Geschenck / Ach, Herr, lass
dein liebe Engelein
38. Ich danck dir, lieber Herre
39. Ich ruf zu dir, Herr Jesu Christ
40. In dich hab ich gehoffet Herr
41. Jesaia dem Propheten das geschah
42. Jesus Christus, unser Heyland, der den Todt
43. Jesus Christus, unser Heyland, der von uns
44. Komm heiliger Geist
45. Kommt her zu mir, spricht Gottes Sohn
46. Mag ich Unglck nit widerstahn
47. Meine Seel erhbet den Herren
48. Nun bitten wir den heiligen Geist a5
49. Nun freut euch lieben Christen
50. Nun komm der Heyden Heyland
51. Nun lob mien Seel den Herren
52. O Herre Gott, begnade mich
53. O Herre Gott, dein gttlich Wort
54. O Mensch bewein dein Snde
55. Singen wir aus Hertzen Grund
56. Vater unser im Himmelreich
57. Vom Himmel hoch da komm ich her
58. Wann mein Stndlein vorhanden ist
59. Warumb betrbst du dich, mein Hertz
60. Was mein Gott will, das gscheh allzeit
61. Wer Gott nicht mit uns dise Zeit
62. Wer in dem Schutz dess Hchsten ist
63. Wir glauben all an einen Gott
64. Wo Gott der Herr nit bey uns helt
65. Wo Gott zum Hauss nit gibt sein Gunst
90,-Volume IX; ed. C.R. Crosby
"Lustgarten neuer teutscher Gesng, Balletti, Gaillarden und Intraden", Nrnberg, 1601
a) Vocal works:
1. Ach Frulein zart du bist mein Hertz a4
2. Ach Lieb hier ist das Hertze a4
3. Ach Schatz ich sing und lache a4

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

878.S11

4. Ach ssse Seel mit nit so quel / Drumb hertzigs Hertz a6


5. Ach weh der grossen Pein / Und weicht von mir gar serr a5
6. Ach weh dess Leiden muss es dann sein gescheiden a5
7. All Lust und Freud (gagliarda) a4
8. Ein alter Greis wolt ein jungs Midlein a4
9. Ein Brutlein wolt nit gehn zu Beth / Als der Brutigam auff gut Glck /
Und sagt in solcher Brnstigkeit / Darumb ward er sehr ausgelacht a4
10. Gar lang thet ich nach einer Jungfrau a6
11. Gleich wie ein Hirsch gejaget von den Hunden a6
12. Hrt zu all die jr Thugend kennt a5
13. Ich bring mein Bruder ein guten Trunck a8
14. Ich hab dir zu wol getrauet a5
15. Ich habs gewagt und zugesagt a4
16. Ich sing und spring, will alles trauren a6
17. Ihr Musici frisch auff und last doch hren a6
18. Im klen Myen thun sich all Ding a8
19. Kein grsser Freud hett ich auf diser Erden a8
20. Mein G'mth ist mir verwirret a5
21. Mein Hertz dass mir hast gstohlen a4
22. Mit dein lieblichen Augen a4
23. Mir traumt in einer Nacht / Und ich vor Freud / Darauff irn schnen roten
Mund a4
24. Nun hat ein End mein Klagen a6
25. Nun lasst uns frhlich sein (Tantz) a5
26. Tantzen und springen (Gagliarda) a5
27. Unter alln auff diser Erden (Tantz) a5
28. Vor Freuden will ich singen a5
29. Wer liebt auss treuem Hertzen (Tantz) a5
30. Wer singt der sing das es wohl kling a6
31. Zu dir steht all mein Sinn (Tantz) a5
b) Instrumental works:
10 Intradas
1 Gagliarda a6
Volume X; ed. C.R. Crosby
Vocal works from contemporary prints, part I: a4-a8
1. Da chiome d'oro da serena fronte / Ma sol vera onesta a4
2. Jesu ich bitt a5
3. Praemia digna capis a5
4. Verba mea auribus a5
5. Litaniae Lauretanae B.M.V. a6
6. Laudate dominum a6
7. Si bona suscepimus a6
8. Domine Deus Israel / Eripe me de manu inimici a6
9. Jubilate Domino a6
10. Litaney Deutsch a7
11. Omnes gentes a8
12. Audi, Domine, hymnum a8
13. Incipite Domino a8
14. Alleluja a8
15. Confitebor tibi a8
16. Quis novus hic oritur a8
17. Cantemus Domino a8
18. Beati omnes a8

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

176,--

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_______________

879.S11

880.S11

Appendix:
19. Urania tritt auf a6
20. Tu Chimarrhaeus a6
Sources:
1598: "Sacrae symphoniae, diversorum excellentissimorum authorum 4.5.6.7.
8.10.12 & 16 vocibus...", Nnrberg, P. Kaufmann (4, 5, 11)
1604: "De' fiori del giardino di diversi excellentissimi autori. Seconda parte,
quatro, cinque et sei voci...", Nrnberg, P. Kauffmann, 1604 (1)
1606: Hassler: "Melos gratulatorium", Strasbourg, 1606 (3)
1607: "Rosetum Marianum. Unser lieben Frqwen Rosengertlein von drey und
dreyssig lieblichen schnen Rosen oder Lobgesangen...", Dillingen, A. Meltzer (2)
1611: "Promptuarii musici, sacras harmonias sive motetas 5.6.7. & 8 vocum, e
diversis...autoribus...Pars prima", Strasbourg, K. Kieffer (15)
1612: "Promptuarii musici, sacras harmonias sive motetas 5.6.7 & 8 vocum...
Pars altera", Strasbourg, K. Kieffer (9)
1613: "Rest musicalisches Streitkrnzlein: hiebevorn von den allerfrtrefflichsten...Componisten...auffgesetzt...", Nrnberg, B. Scherff (19)
1615: "Reliquiae sacrorum concentuum G. Gabrielis, J.-L. Hasleri, utriusque
praestantiisimi musici...", Nrnberg, P. Kauffmann (6-8, 12-18)
1618: "Odae suavissimae in gratiam...D. Jacobi chimarrhaei...a diversis excellentissimis musicis partim 5, partim 6 vocibus decantatae", n.p., n.d. (20)
1619: Hassler: "Litaney teutsch", Nrnberg, 1619 (10)
148,-Volume XI; ed. C.R. Crosby
Vocal works from contemporary prints, part II: a12-a18
1. In te Domine speravi a12
2. Benedicam Dominum a12
3. Jubilate Deo a12
4. Missa sine nomine a12
5. Caeli enarrant a13
6. Jubilate Deo a15
7. Duo Seraphim a16
8. Exultate justi in Domino a16
9. Congratulamini a18
Sources:
1598: "Sacrae symphoniae, diversorum excellentissimorum authorum, 4.5.6.7.
8.10.12. & 16. vocibus...", Nrnberg, P. Kaufmann (1)
1600: "Sacrarum symphoniarum continuatio. Diversorum excellentissimorum
authorum 4.5.6.7.8.10 et 12 vocibus...", Nrnberg, P. Kauffmann (4)
1615: "Reliquiae sacrorum concentuum G. Gabrielis, J.-L. Hasleri, utriusque
praestantissimi musici...", Nrnberg, P. Kauffmann (2, 5-9)
186,-Volume XII; ed. C.R. Crosby
Vocal works from manuscripts
n.y.p.
Volumes XIII/1-2 and XIV: organ works. See section "Keyboard music"
B. Other Editions
a) Collections
Venusgarten, 1615
"Venusgarten: oder Neue lustige liebliche Tntz Teutscher und Polnischer Art,
auch Galliarden und Intraden mit 4.5.6 Stimmen mit und ohne Text zur
musicalischen Kurtzweil und Recreation den Vocal und Intsrumentalmusi-

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

881.S11

canten zum besten auss unterschiedlichen Exempearn in ein Opusculum


zusammen gebracht und componirt durhc Hanns Leo Hassler von Nrnberg
und Valentin Haussmann Gerbipol.", Nrnberg, P. Kuaffmann, 1615
Only 3 of the 5 partbooks have been preserved (single extant copy in D-Usch:
A, T & Q); this collection contains 39 songs a4 by Haussmann, 10 songs a4
and 1 song a5 by Hassler, 18 dances a4 and 41 dances a5 by Haussmann, and
10 intradas and 1 gagliarda a6 by Hassler.
The Haussmann pieces were first published in "Neue artige und liebliche Tntze"
(1598; 6/1606) and "Venusgarten" (1602) and all 98 of them were then reprinted in "Ausszug auss...der Teutschen Tntz...und. Venusgarten" (1608/9).
The 11 Hassler songs were first printed in his "Neue tetsche Gesang nach Art
der welschen madrigalien und Canzonetten" (1596) and the intradas and the
gagliarda were first published in his "Lustgarten neuer teutscher Gesng, Balletti,
Galliarden un Intraden", Nrnberg, 1601.
For the 98 works by Haussmann: see under his name: "Ausszug...der Teutschen
Tntz...und...Venus Garten", 1608/9: nos. 1-98
Edition:
Facsimile of the 3 remainint partbooks (A,T, Q) of the Schermar copy of the
1615 edition
58,- I/7, VII/26 and VIII/5:
see: Collections: "Antiqua Chorbuch": part I, volume 4: nos. 119-121
IIb / 3 and 12 & III / 4:
see: Collections: "Settings of "Ardo s" and its related texts", vol. II
IIb / 4, 7, 8, 14, 19:
see: Collections: "Antiqua Chorbuch", part II, volume 4: nos. 149-152, 158

882.S11

IIb: 4, 8 and 19 & IX: 2, 3, 7 and 22:


7 Lieder a4; ed. :B. Thomas (set of 4 scores)

14,--

883.S11

IIb/9, 11, 13, 17, 18, 22 and IX/13, 18, 2026, 27, 29:
"Zwlf ausgewhlte Madrigale und Lieder"

10,--

VIIb/14 and 19:


see: Collections: "Chorbuch der losen Bltter" (nos. 7 and 66)

884.S11
885.S11

V-VI/10, 24, 27, 30 and 33:


*ed. A. Reinthaler
VII/2, 9, 24, 26: Four sacred songs a4: Aus tiefer Not; Ein feste Burg; O
Mensch bewein; Wenn mein Stndlein

4,--

11,50

VIII/42 and 54:


see: Collections: "Chorbuch der losen Bltter" (nos. 91 and 100)
VIII/8, 42 and 58:
see: Collections: "Chorbuch zum Kirchenjahr" (nos. 10, 52, 90)
VIII/8, 11, 12, 28, 42, 54, 57, 58, 65
see: Collections: "Die Kurrende", volume I

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

886.S11

IX / 2, 6-8, 17, 18, 20, 26:


see: Collections: "Antiqua Chorbuch", part II, volume 4: nos. 148, 153-157,
159 and 160
IX: 6, 14, 20, 26, 28 and 29:
6 Lieder a5; ed. B. Thomas (set of 5 scores)
16,50
IX/18 and 26:
see: Collections: "Chorbuch der losen Bltter" (nos.16 and 37)
b) Editions of single works
on volume and number of the Compl. Works

887.S11

I/1: Angelus ad pastors ait, a5:


*ed. M. Imrie; SSATB
see: Collections: "Hodie Christus natus est!": no. 5

4,50

I/4: Beata es virgo Maria SATB:


*ed. Proske

5,50

891.S11

I/7: Cantate Domino


*ed. M. Imrie
*ed. J. Schabasser
*ed. Schott

7,- 2,60
2,60

892.S11

I/9: Deus noster refugium


*ed. Tolley

893.S11

I/11: Dixit Maria


*ed. Proske

894.S11

I/16: Ecce, quam bonum a5


*ed. Berberich

895.S11

I/22: Jubilate Deo a12 (SSAT / SATB / ATBB)


ed. B. Thomas (score and parts)

896.S11

I/23: Laudate Dominum a8:


ed. B. Thomas (score and parts)

13,--

897.S11

IIb/8 and IX/26: Feins Lieb / Tanzen und springen SSATB:


*ed. Carus (+ 2 madrigals by Friderici and Gastoldi)

1,75

IIb/8: Feins Lieb, du hast mich g'fangen


*ed. J. Schabasser
*ed. Schott

2,- 1,70

888.S11

889.S11
890.S11

898.S11
899.S11

SSATB:

SAATTB:
7,--

SATB:
1,50

2,20

17,50

SSATB:

IIb/1: Ach Schatz, ich thu dir klagen, a5:


see: Modern Collections: "Historical anthology of music", vol. I

900.S11

IIb/11: *Herzlieb, zu dir allein a5:


*ed. Carus ( + 2 songs by Senfl)

1,75

IIb/13: Ich scheid von dir SSATTB:

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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MUZIEKHANDEL SAUL B. GROEN


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FAX +31 (0)20-6762240
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_______________

901.S11

902.S11

*ed. F. Zelle
IIb/14: Jungfrau, dein schn Gestalt
*ed. J. Schabasser

2,50
SATB:
2,50

903.S11

IIb/19: Nun fanget an ein guts Liedlien SATB:


*ed. Schott
see: Collections: "Chester Books of Madrigals", volume V

904.S11
905.S11

IV/1: Missa Dixit Maria:


*ed. A. Reinthaler; SATB
ed. Proske (together with Hassler's motet "Dixit Maria)

4,- 12,--

906.S11

IV/2: Missa seconda SATB:


*ed. A. Reinthaler; SATB

3,50

907.S11

IV/3: Missa tertia:


*ed. A. Reinthaler; SATB

908.S11
909.S11

910.S11
911.S11
912.S11

2,30

4,--

IV/5: Missa Ecce quam bonum, a5:


ed. Lueger:
score
*choral parts (5); each:

14,- 2,20

IV/8: Missa octo vocum (satb / satb) from: "Missae", Nrnberg, 1599:
ed. M. Imrie
ed. Brenreiter:
score
*choral scores for Choir I and Choir II, each:

20,50
18,- 7,50

V-VI/2: Ad Dominum, cum tribularer a5


see: Collections: "Seven chromatic motets from the Baroque era"

913.S11

914.S11
915.S11
916.S11

917.S11

V-VI/4: Singet ein neues Lied (Cantate Domino)


*ed. J. Schabasser

SATB:

V-VI/7: Angelus ad pastores ait, a9:


*ed. A. Lumsden; SMMT / MATBarB
ed. B. Thomas (score and parts)
ed. Brenreiter; SSAT / SATTB
V-VI/10: Cantate Domino SATB:
*ed. Carus
see: Collections: "Der Schulchor": vol. VI, no. 15

2,50

8,- 13,- 14,--

1,75

918.S11

V-VI/13: In Gottes Nahmen fahren wir SATB:


*ed. Carus (incl. also a piece by Eccard)

919.S11

VII/19: Jesus Christus, unser Heiland SATB:


*ed. Lueger

2,80

920.S11

VII/25, last verse: *Amen, das ist: Es werde wahr SATB

1,25

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

1,25

Page 224 of 465

MUZIEKHANDEL SAUL B. GROEN


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_______________

VII/25 (last verse), VIII/48:


see: Collections: "Die Kurrende", volume II

921.S11

VII/26: Wenn mein Stndlein vorhanden ist SATB:


*ed. Carus ( + Vulpius and Bach)

1,25

922.S11

VII/30: Wo Gott zum Haus nicht gibt sein Gunst SATB:


*ed. Carus ( + M. Franck e.a.)

1,25

923.S11

VIII/1, verse 1: *Ach Gott, vom Himmel sieh darein SATB; ed. Carus

1,25

924.S11

VIII/5: Christe du bist der helle Tag


*ed. J. Schabasser

2,50

925.S11

VIII/6: Christe, der du bist Tag und Licht


*ed. J. Schabasser

254.S11

SATB:

SATB:
2,50

VIII/8, 29 and 58:


see nos. 20, 32 and 48 in: "Kantional: 66 Choralstze alter Meister"
ed. W. Schulze

926.S11

VIII/8: Christ ist erstanden


*ed. J. Schabasser

927.S11

VIII/15: Das alte Jahr vergangen ist


*ed. Haberl / Quack

928.S11

VIII/29: Gott sei gelobtet und gebenedeiet


*ed. J. Schabasser

929.S11

VIII/37: Herzlich lieb hab ich dich SATB / SATB:


*ed. Carus

930.S11

931.S11

SATB:
2,50
SATB / SATB
2,70
SATB:
2,50

5,--

VIII/48: Nun bitten wir den Heiligen Geist SATTB:


*ed. Carus
VIII/54b: Resonet in laudibus
*ed. Haberl / Quack

12,50

1,25

SATB
1,50

VIII/56:
see: Collections: "Der Schulchor": vol. II, no. 70

932.S11
933.S11

VIII/59: Warum betrbst du dich


*ed. J. Schabasser

SAT:

VIII/65: Wo Gott zum Haus nicht gibt sein Gunst


*ed. J. Schabasser

2,50
SATB:

2,50

934.S11

IX/2: Ach Lieb, hier ist das herz


ed. SATB; together with Rosthius: Frau Nachtigall

2,20

935.S11

IX/18: Im khlen Maien SATB / SATB:


*ed. Carus ( + Bach)

1,75

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FAX +31 (0)20-6762240
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_______________

*ed. Schott

936.S11

2,60

IX/19: Kein grsser Freud SATB/SATB:


ed. B. Thomas in score and choral scores (4 for each choir)

937.S11

IX/26: Tanzen und springen SSATB:


*ed. F. Zelle
*ed. Schott
see: Collections: "Chester Books of Madrigals", volume V

938.S11
939.S11

12,--

2,- 2,30

X/2: Jesu ich bitt, verschmh mich nit, a5:


see: Prints 1604: "Rosetum Marianum"
Hle, G. de la

George de la Hle
1547 - 1586
Mais voyez, mon cher esmoy, a5:
see: Prints 1597: "Le Rossignol musical des chansons" (no. 16)

Hilton, J. sr

John Hilton sr.


died in or before 1608
Fair Oriana, beauty's queen SSATB
see: Prints 1601/16: "The Triumphes of Oriana"

Holborne, W.

William Holborne
fl 1597
3 Canzonets a3, contained in his brother's (A. Holborne) cittern tutor:
"The Cittharn Schoole...hereunto are added sixe short Aers Neapolitan like to
three voyces, without the Instrument, done by his brother William Holborne"
London, P. Short, 1597:
1. Change then, for lo she changeth SST
2. Since Boony-boots was dead SSA
3. Here rest, my thoughts SSA
4. Sweet, I grant SSA
5. Gush forth, my tears SST
6. Sit still and stir not SSA
Editions:
nos. 1-6:
ed. in: English Madrigalists, vol. 36; ed. E. Fellowes, rev. Th. Dart;
including madrigals by Cavendish, Edwards, Greaves and Holborne 59,50
no. 1:
see: Collections: "Invitation to Madrigals", volume I
nos. 2 and 5:
see: Collections: "Invitation to Madrigals", volume III

334.S6

Holmes, J.

John Holmes
died 1629
Thus Bonny-boots the birthday SSATB
see: Prints1601/16: "The Triumphes of Oriana"

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Hunt, Th.

Thomas Hunt
fl c.1600
Hark! did ye ever hear? SSAATB
see: Prints1601/16: "The Triumphes of Oriana"

Il Verso, A.

Antonio Il Verso
?c.1560 - 1621
7 Madrigals a5 and a6:
1. Poi che voi non volete ch'io vi baci a5 (from: Madr. a5, 1600)
2. Il dolce mormorio che fanno l'acque a5 (from: idem)
3. Deh, se mostrar tue meraviglie vuoi a6 (from: Madr. a6, book 2, 1601)
4. Del sol cos splendenti a6 (from: Madr. a6, book 2, 1601)
5. Se quel dolor che va innanzi al morire a6 (from: idem)
6. Fresche, vermiglie rose che verrete nel seno a6 (from: idem)
7. Non fiammeggiava ancor nell'oriente a6 (from: idem)
see: Collections: "Madrigali Siciliani in antologie transalpine, 1583-1616"
Ardo s, ma non t'amo a6
from his: "Madrigali a 6 voci...libro secondo", Venice, R. Amadino, 1601
see: Collections: "Settings of "Ardo s" and its related texts", vol. II
Arsi et alsi mia voglia / Ardesti in finto foco a5
see: Collections: "Settings of "Ardo s" and its related texts", vol. II
O sei geloso Amante a5
from his: "Il terzo libro de' madrigali a sei voci", Palermo, Maringo, 1607
(missing alto part supplied by the editor)
see: L. Luzzaschi: "Complete unaccompanied madrigals", ed. Newcomb, I

Ingegneri, M.A.

MARC'ANTONIO INGEGNERI
c.1547 - 1592
Madrigals a4, I
"Di Marc'Antonio Ingegneri il primo libro de madrigali a quator voci, nuovamente con ogni dilligentia ristampati", Venice, A. Gardano, 1578
1. L'alba cui dolci et pargoletti amori
2. Da non veduto aspetto
3. I' vo' cantar mai sempre
4. Lasso che nel partire
5. Da mille gravi affanni
6. Spess' in parte del ciel lucent' e bella (L. Gonzaga)
7. Qual gratia o qual beltate
8. Lassa qui sono e'l core
9. Hore sacre c' havete
10. Chi vuol veder tutta raccolt' insieme / Vedr i biondi capei (Parabosco)
11. Quanto men del mio sole il dolce raggio (Parabosco)
12. Ben misero l'huom che cangia voglia
13. Non m toglia 'l ben mio
14. Come al partir del sol si fa maggiore
15. Come la notte ogni fiammell' viva (Ariosto)
16. ( = no. 7) Qual gratia o qual beltate

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238.R8

239.R8

17. Et se talhor mi porgon qualche speme


18. Se 'l sol si scosta e lascia i giorni brevi (Ariosto)
19. Fugga longe da me torment' e noia
20. Io vo la notte al lume de la luna (Cassola)
21. Amor poi che non vuole (Parabosco)
22. D'un bel chiaro polito et vivo ghiaccio (Petrarch)
23. Ben poria anchor piet con amor mista (Petrarch)
24. I' piango et ella il volto
25. Parto et vi lascio il core
Editions:
nos.1-25:
ed. J.A. Owens; The Sixteenth-Century Madrigal, volume 15
nos. 6 and 13:
see: Prints 1583: "Harmonia Celeste...raccolta per A. Pevernage..."
no. 10:
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)

145,--

Madrigals a4, II
"Il secondo libro de' madrigali di Marc'Antonio Ingegneri a quattro voci , con
due arie di canzon francese per sonare. Novamente composti, et dat in luce",
Venice, A. Gardano, 1579
1. Poscia che troppo i miei peccati indegni / Santa Madre del ciel unica speme
2. La verginell' simil alla rosa (Ariosto)
3. Mentre tu canti io canto teco e moro
4. Giusta cosa non che di voi taccia
5. Bramo veder un d per mia vendetta
6. Ne le dolc' aure estive (Bembo)
7. Occhi dolc' e soavi
8. Lume del ciel che ne' superni giri / O benedetta luce (V. Colonna)
9. Quando l'errante et stanco peregrino (L. Gonzaga)
10. Quando da' bei vostr' occhi i dolci sguardi
11. Parto da voi et so con quanta pena
12. Una leggiadra rosa
13. Lidia miri Narciso (G. Casone)
14. Con voi quando partiste
15. Al vostro dolce azzurro (T. Tasso_
16. Veggio, dolce ben mio
17. Donna real, il cui bel vis' e 'l seno
18. Aria di canzon francese per sonar del primo tono
19. Aria di canzon francese per sonar del ottavo tono
Edition:
nos. 1-19:
ed. M.T. Rosa-Barezzani and M. De Santis; Opera Omnia, volume II/2

39,--

Madrigals a5, III


"Il terzo libro de madrigali a cinque voci. Di Marc'Antonio Ingegneri con due
canzoni franese, novamente composti, et dati in luce", Vencice, A. Gardano,
1580.
1. Stella ch'in ciel con longa chioma ardente / Giulia in cile la pi lucente stella
2. Vaghi boschetti di soavi allori (Ariosto)
3. Bench' io sia certa ingrato che non m' ami
4. Hor ch' Amor m' ha slegata
5. Tallhor per trovar pace

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6. Non orna tanto il ciel quand' sereno


7. Qual incarnata rosa allhor che 'l sole
8. Padre del ciel che i tuoi celesti regni / Fammi udir prego s cortese voce
9. Santa chiesa di Dio
10. Qual vide il sol giamai
11. D'aria un tempo nodrimmi et cibo et vita / Armi di sdegno (T. Tasso)
12. Io non hebbi giamai pace n tregua
13. Dolorosi martir fieri tormenti (Tansillo?)
14. Cantan fra i rami gl' augelletti vaghi (Ariosto)
15. Volga al pi caro amante i lumi ardenti / Gradisca solo e 'l mio languir
16. Jay senty les deux maux de l'amoreux martire / Ung soudat courageux
bless d'un coup de trait (E. de la Botie)
Edition:
nos. 1-16:
ed. M. Mangani; Opera Omnia, volume II/3

240.R8

39,--

Madrigals a5, V
"Il quinto libro de madrigali a cinque voci di Marc'Antonio Ingegneri. Novamente composti, et dati in luce", Venice, A. Gardano, 1587
18 Madrigals a5
Editions:
nos. 4-5: Ardo s, ma non t'amo / Ardi e gela tua voglia a5
see: Prints 1585: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I
Ero cos dicea SATB
see: Prints 1588/17: "L'Amorosa Ero"
Dialogo musicale
see: Prints 1590/11: "Dialoghi musicali"
Isnardi, P.

Paolo Isnardi
1536 - 1596
4 Madrigals a5 (SSATB):
1. Perch fuggirmi ahi lasso
2. Questa ch'il cielo onora
3. Ch'io arda e mora e taccia
4. Pu dunque un sogno temerario e vile
see: Manuscripts: I-MOe F.1358: Madrigali Secreti per le donne di Ferrara

Johnson, E. I

Edward Johnson I
fl 1572 - 1601
2 Consort Songs for the Elvetham entertainment:
1. Come again (2 voices and 3 viols)
2. Eliza is the fairest queen (1 voice and 4 viols)
see: Collections: "Consort songs and anthems", ed. Ph. Brett: nos. 46-47
Come, blessed bird SSAATB
see: Prints 1601/16: "The Triumphes of Oriana"

Kirbye, G.

GEORGE KIRBYE

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died 1634

209.S6

210.S6

"The first set of English Madrigalls, to 4.5. & 6. voyces.


Made and newly published by George Kirbye", London, Th. East, 1597
24 Madrigals; nos. 1-6 a4; nos. 7-18 a5; nos. 19-24 a6:
a4:
1. Lo, here my heart I leave SSTB
2. Alas, what hope of speeding SSTB
3. What can I do, my dearest? SSAB
4. Woe am I, my heart dies SSAB
5. Farewell my love SSAT
6. Sleep now, my Muse SSAT
a5:
7. Ah, sweet, alas, when first I saw SSATB
8. Mourn now, my soul SSATB
9. Sound out, my voice (the first part) SSATB
10. She that my plaints (the second part) SSATB
11. What! shall I part thus? SSATB
12. Sorrow consumes me (the first part) SSATB
13. O heavens! what shall I do? (the second part) SSATB
14. Why should I love? SSATB
15. Sweet love, o cese thy flying SSATB
16. That Muse which sung the beauty of thy face SSATB
17. See what a maze of error SSATB
18. If pity reign with beauty SSATB
a6:
19. Ah! cruel, hateful fortune SSAATB
20. I love, alas, yet am I not beloved SSAATB
21. Must I part, o my jewel? SSAATB
22. Up then, Melpomene SSATTB
23. Why wail we thus? SSATTB
24. Sleep now, my Muse SSAATB
Editions:
nos. 1-24:
ed. E. Fellowes, revised by Th. Dart; The English Madrigalists, volume 24;
also incl. "With angel's face and brigtness" SSATTB (later printed with the
text: "Bright Phoebus greets most clearly) from: "The Triumphes of Gloriana",
1601.
58,- no. 16:
ed. B. Thomas (set of 5 scores)

8,--

With angel's face and brightness (or: Bright Phoebus greets most clearly) a6
SSATTB
see: Prints 1601/16: "The Triumphes of Oriana"
Madrigals from manuscript sources
Only no. 9 has been transmitted complete; all other madrigals
are lacking one part (a5: Quintus; a6: C2 and Sx); the scoring listed
below would have been the complete one
a) adapted consort songs:
1. A wise man poor SAATB
2. My mistress is a paragon SAATB

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3. See, what is life SAATB


4. The ivy green SSATB
5. That man that climbeth SAATB
6. Use thyme whose tender plant SAATB
7. Sleep aye, fond Hope SSATB
8. The tyrant Love SAATB
b) Madrigals:
9. Farewell, false Love SSAB
10. From the Tarpeian Rock SSATB
11. My lady wept (the first part) SSATB
12. But when himself (the second part) SSATB
13. O help, alas SSAATB
14. O shall I die SSAATB
15. Unkind, alas SSAATB
16. O when my love SSAATB
17. Mourn now, my Muse (the first part) SSAATB
18. As sudden death (the second part) SSAATB
Sources:
GB-Lcm 684: CATB (9-18)
GB-Ob mus.f.20-24: CASxTB; Q lacking (1-8)
Edition:
nos. 1-18:
Madrigals from manuscript sources; ed. I. Payne; The English Madrigalists,
volume 39; in this edition the missing parts have been supplied by the editor
(in smaller print). The appendix to this edition contains:
O Jesu look SSATB (from GB-Lbl Add. 29372-29377)

211.S6

Knfel, J.

64,--

Johann Knfel
1525/30 - 1617
Neue teutsche Liedlein, 1581
"New teutsche Liedlein mit fnff Stimmen, welche den mehrern Theil den
Brauch dieser Welt beschreiben und anzeigen als nemlich von Untrew der
Leute, von vil zusagen und wenig halten, von guten Worten und falschen Herzen. Darunter auch andere frliche zur Collation und Freuden wol dienende
Gesenglein eingemischt und gemenget. Welche alle also gemacht dass sie mit
menschlicher Stimme und auff Instrumenten nach eines jeden Gefallen knnen
gebrauchet werden...", Nrnberg, Gerlach & Berg, 1581
23 Lieder a5 (SSATB):
1. Last uns all frhlich singen
2. Wann der Mund spricht: Gott grss dich
3. Habn wir nicht Wein
4. Wol auf, mein edles N, sich her
5. All Ding zergenglich
6. Ein edler Jger wohlgemut
7. Es ist zu klagen dise Zeit
8. Ach edles Bild, wo du nur wilt
9. Es ist die Welt jetzt gar verkert
10. Vil Hass und Neid zu Hof ich leid
11. Ich seiss ein Megdlein hpsch und fein
12. Frlich zu sein in ehren beim Wein
13. Wer umb die Ehr kurtzer Zeit
14. Es ist ein Wort, das hat ein L

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15. Gar kostfrei Leut findt man jetzt fein


16. Herren Gunst, Aprilen Wetter
17. So wnsch ich ir ein' gute nacht
18. Ich vertrau Gott allezeit
19.Nicht weit von Heidelberg, der Stadt
20. Gehabt euch wol zu disen Zeiten
21. Dorn und Disteln stechen sehr
22. Wunder bin ich, Ursach reiz mich
23. Es frt ein Vatter seinen Son
Editions:
nos. 1-23:
Facsimile of the 5 partbooks of the 1581 edition
ed. H. Mller; Das Erbe deutscher Musik (hardback)

242.R8
242.R8

La Grotte, N. de

149,- 103,--

Nicolas de La Grotte
1530 - c.1600
Quand je te veux raconter a4
see: Collections: "Anthologie de la chanson Parisienne au XVIe sicle"

Lange, G.

Gregor Lange
c.1540 - 1587
"Der ander Theil neuer deudscher Lieder fr 3 Stimmen", Breslau, 1586
from this collection: 9 Lieder a3:
1. Lenz kommt herbei a3
2. Nun bin ich einmal frei a3
3. Ach Lieb, ich muss dich lassen a3
4. Ach, mcht es doch gesein a3
5. Ich hrt ein Jungfrau klagen a3
6. Gut G'sell, du machst dein Klagen a3
7. Ein sehnlichs gross Verlangen a3
8. Ach herzigs herz a3
9. In rechter Treu a3
see: Collections: "Antiqua Chorbuch", part II, volume 3: nos. 105-113

Lassus, F. de

Ferdinand de Lassus
c.1560 - 1609
Ardo s, ma non t'amo, a5:
see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I

Lassus, O. de

ORLANDE DE LASSUS
1532 - 1594
Secular Works
(see for sacred works: "Late Renaissaince: sacred music")
A. Complete Works, Old Series
B. Complete Works, New Series: vol. I
B-a. Complete Motets, ed. Bergquist e.a.: vol. I
C. Alphabetical checklist of the Secular works

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_______________

D. Chronological list of the sources in print


E. Separate Editions: smaller collections & single works
A. COMPLETE WORKS, OLD SERIES
Complete Works, Old Series; published on behalf of the Acadmie Royale
de Belgique and the Baeyrische Akademie der Wissenschaften
ed. F.X. Haberl & A. Sandberger; 2nd revised ed. by H. Leuchtmann (volumes
2, 4, 6, 12, 14, 16, 18 and 20) and B. Schmid (volumes 1, 3, 8 and 10);
remaining volumes still in preparation; 21 volumes planned
Earliest printed sources in parentheses behind titles (see chronological
list of sources in print); manuscript sources given for each volume
(see for vols. with sacred works only: section: Late Renaissance: sacred music)
243.R8

Volume II
Compositions with Italian texts, part 1:
a) "Il primo libro di madrigali...a 5 voci", Venice, 1555:
1. Cantai, hor piango
2. (2nd part:) Tengan dunque ver me l'usato stile
3. Guarda 'l mio
4. Alma cortese in pi bel lembo
5. (2nd part:) Ch'udirai un, se si lontan' risuona
6. Gi mi fu co'l desir
7. Quando 'l voler
8. (2nd part:) Onde, come colui
9 .Hor qui son, lasso, e voglio esser
10. Poi che 'l camin
11 .Mentre che'l cor da gl'amorosi vermi
12. (2nd part:) Quel fuoco morto
13. Poi che l'iniquo
14. (2nd part:) Diviso m'ha da bel guardo divino
15. Mia benigna fortun' e 'l viver lieto
16. O invidia, nemica di virtute
17. (2nd part:) Ne per che con atti acerbi e rei
18.Crudel, acerba inesorabil morte
19. Pon fren'al gran dolor
20. Fiera stella a5
21. (2nd part:) Ma tu prendi
22. Quando la sera scaccia
23. S'io tal' hor
24. (2nd part:) Al'hor Lasso
25. Con lei fuss'io
26. Ben mi credea passar mio tempo
27. Sol' e pensoso i pi deserti campi
28. (2nd part:) Si ch'io mi creo homai
29. Pien' d'un vago pensier
30. L'altr'hier sul mezzo giorno
31. Perch nemica
b) 10 Madrigals by O. de Lassus from:
"Secondo libro delle muse, a 5 voci, madrigali d'Orlando di Lassus con
una canzone del Petrarca", Rome, A. Barr, 1557 (contains also one madrigal each by P. Animuccia, A. Barr and H. Vidue, not included here)
32. Standomi un giorno

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33. (2nd part:) Indi per alto mar vidi


34. (3rd part:) In un boschetto
35. (4th part:) Chiara fontana in quel medesmo bosco
36. (5th part:) Una stran' Fenice
37. (6th part:) Al fin vidd' io
38. Mentre fioriv' amor, l'alta mia spene
39. (2nd part:) Cos aspettando da te
40. Vostro fui, vostro son
41. Quel chiaro sol
42. (2nd part:) Che, se la vers'
43. Evro gentil, se d'amoroso ardore
44. (2nd part:) Et in sembiante riverente et humile
45. Volgi, cor mio, la tua speranza a5
46. (2nd part:) Et a noi restar fra sdegni a5
47. Questi ch'indictio fan del mio tormento a5
48. In qual parte del ciel
49. (2n part:) Per divina bellezza
50 .Io son' si stanco sotto il grave peso
51. (2nd part:) Hora, per fare le mie dolcezze amare
52. Candid' albor del ciel'
Manuscript sources:
GB-Lbl Add. 12532 (31-33)
I-Gu F-VII-1: tablature (31-33, 42, 43-45)
244.R8

199,--

Volume IV
Compositions with Italian texts, part 2:
Madrigals a5, books III & IV (1563 & 1567)
a) "Il terzo libro delli madrigali a5 voci d'Orlando di Lassus. Nuovamente raccolto & dato in luce", Rome, A. Barr, 1563 (this print contains also
4 madrigals by C. Ameyden, P. Animuccia, J. Berchem and H. Vidue which
are not included here)
1. L'alto signor
2. Non ha tante
3. (2nd part:) In sonno eterno spero
4. (3rd part:) Secchi vedransi a3
5. (4th part:) Io vo fuggendo a4
6. (5th part:) Deh, che fuss'io con lei
7. (6th part:) Ma sar spento
8. Quanta invidia ti porto, avara terra
9. (2nd part:) Quant'invidi' a quelle
10. Dicesi, che la morte
11. Amor mi strugge'l cor
12. Questi son, lasso, de la mia spem'
13. Quanta invidia vi port', aure beate
14. (2nd part:) Et mentre pi
15. Bella guerriera mia
16. (2nd part:) Ma se con l'opre
17. La vita fugge
18. Amor, che ved' ogni pensier aperto
19. (2nd part:) Ben veggio di lontan' il dolce lume
20. Non s'incolpi 'l sesire
21. Scorgo tant' alto il lume
22. Se si alto pon gir

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_______________

b) "Libro quarto de madrigali a 5 voci", Venice, 1567:


23. La ver' l'aurora
24. (2nd part:) Temprar potess'io
25. (3rd part:) Quante lagrime
26. (4th part:) Uomini e dei
27. (5th part:) Al'ultimo bisogno
28. (6th part:) Ridon hor per le piagge
29. O belta rara
30. Quel rossignuol che si soave piagne
31. (2nd part:) O che lieve
32. Miser, chi speme
33. Il tempo passa e l'hore
34. Che fai? che pensi?
35. (2nd part:) Deh non rinovellar
36. Come va 'l mond'
37. (2nd part:) Ma 'l cieco amor
38. Signor, se la tua gratia
39. Voi ch'ascoltate in rime
40. (2nd part:) Ma ben veggi hor
41. Io vo piangendo i miei passati tempi
42. (2nd part:) Si che, s'io vissi
43. Tutto 'l d piango
44. (2nd part:) Lasso, che par da l'uno
45. Qual nemica fortuna
46. (2nd part:) Lasso, che tal non hanno
47. (3rd part:) Sol' io quanto pi piango
48 (4th part:) Tal hor dico
49. (5th part:) Tal hor par mi la luce
50. (6th part:) Re de gli altri a6
245.R8

199,--

Volume VI
Compositions with Italian texts, part 3:
Madrigals a5 of 1585; Madrigals a4-a6 of 1587
a) "Madrigali novamente composti a 5 voci", Nrnberg, 1585:
1. De l'eterne tue sante
2. (2nd part:) Per questo
3. Io, che l'et
4. O tempo, o ciel'
5. (2nd part:) E sarebbe hora
6. Le voglie e l'opre mie
7. (2nd part:) Non fu colle
8. Un dubbio verno a4
9. Hor vi riconfortate
10. V' son gl' ingegni
11. (2nd part:) Ahi, che la forza
12. Io non sapea di tal vista
13. Quando io penso al fuggir
14. (2nd part:) Vedi, gli dico
15. Io son' si stanco sotto il fascio antico
16. (2nd part:) Ma la sua voce
17. Quando il giorno
18.(2nd part:) Non hebbe huom'
19. (3rd part:) Hor, come i rai

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_______________

20. (4th part:) Parmi che sempre


21. (5th part:) Il mondo muta
22. (6th part:) Poggi, valli, campagne
23. Come la cera al foco a6
b) "Madrigali novamente composti...", Nnrberg, 1587 a4 - a6
24. Per aspro mar di notte a4
25. (2nd part:) Non hanno tante a4
26. (3rd part:) Errai, scorrendo a4
27. (4th part:) Ma quel gran r a4
28. (5th part:) Cos quel che m'avanza a4
29. (6th part:) O voi, gi stanchi a4
30. Cos cor mio vogliate a4
31. Chi fermato di menar sua vita a4
32. Arse la fiamm' consumo a4
33. Deh, lascia, anima, homai a4
34. Come pianta a4
35. (2nd part:) Perch qual peregrin a4
36. Canzon La doglia a4
37. Ecco, che pur vi lasso a5
38. Signor, le colpe mie a5 (1584a/87a) (= 2nd part of "Di terrena armonia"
in 1584a; see for first stanza: Compl. Works, New Series, vol. I, no.26)
39. (2nd or 3 rd. part:) Padre, rivolgi a5 (1584a/1587a)
40. (3rd or 4th part:) Stanco di lagrimar a5 (1584a/1587a)
41. (4th or 5th part:) Voi, che di prave a5 (1584a/1587a)
42. Hor, ch'a l'albergo de monton a6
43. Che giova posseder a5
44. Chi non sa, come spira a5
45. (2n dpart:) Ma quel, ch'una sol a5
46. O fugace dolcezza a5
47. Vedi l'aurora a5
48. Pensier dicea, I a5
49. Il grave de l'et a6
50. (2nd part:) Alma tu che 'l furor a6
51. Pi volte un bel desio a6
52. (2nd part:) Hor a cantar a6
53. Ben sono i premi tuoi, signor mio a6
54. (2nd part:) Poi che si grand' il ben
55. Veggio, se al vero apre ragion a6
56. (2nd part:) Al'hor mi desto a6
57. Tanto e quel ben', eterno amor a6
58. (2nd part:) E puro bene a6
59. Ornando, come suole a6
60. Prendi l'aurata lira a6
61. Tra verdi rami a6
62. (2nd part:) Questi e disceso a6
Manuscript sources:
D-Mbs: 259 (1, 59), 4748: tabl. (9)
GB-Lbl Add. 30816-19 (60)
I-VEaf 220 (44-45)
229,-246.R8

Volume VIII
Compositions with Italian texts, part 4:
Madrigals a4, 1555-1583; Madrigals a5, 1561-1585

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_______________

1. Del freddo Reno a la sinistra riva a4 (1555b)


2. (2nd part:) Ch'il credera? a4 (1555b)
3. (3rd part:) Rotava, ed pur ver a4 (1555b)
4. (4th part:) Si fe cristallo il fiume a4 (1555b)
5. (5th part:) Et io qual fui restai senza la voce (1555b)
6. (6th part:) Hor su la nuda terra a4 (1555b)
7. Per pianto la mia carne a4 (1555b)
8. Queste non son pi lagrime a4 (1555b)
9. Se ben l'empia mia sorte a4 (1555b)
10. Occhi, piangete, accompagnate il core a4 (1555b)
11. Vatene lieta a4 (1555b)
12. Perch'io veggio a4 (1555b)
13. Deh, hor foss' io co'l vago a4 (1558/13)
14. Apparian per me le stell'in cielo a4 (1560a)
15. Non vi vieto per questo a4 (1560a)
16. Quanto il mio duol a4 (1560a)
17. Vivo sol di speranza a4 (1560a)
18. In dubbio di mio stato, I a4 (1560c)
19. Ben veggio di lontan' il dolce lume a4 (1562/7)
20. Ov' condott'il mio amoroso stile a4 (1562/7)
21. (2nd part:) O noiosa mia vita a4 (1562/7)
22. In dubbio di mio stato, II a4 (1562/7)
23. Alma real, dignissima d'impero a4 (1564c)
24. Si com'al chiaro giorno a4 (1566/2)
25. (2nd part:) O sempre vagh' a4 (1566/2)
26. (3rd part:) Tal ch'io possa a4 (1566/2)
27. (4th part:) Al'hor nel a4 (1566/2)
28. (5th part:) Gi senz' affano a4 (1566/2)
29. (6th part:) Altri non vedr a4 (1566/2)
30. A die (che) tenderm', amor a4 (1570f)
31. Deh, sol che sei si chiaro a4 (1570f)
32. Malvaggio horrido gelo a4 (1570f)
33. Quando fia mai quel giorno a4 (1570f)
34. Se ben non veggion gl'occhi a4 (1570f)
35. Vieni dolc' hymeneo a4 (1570f)
36. (2nd part:) Indi gl'acuti strali a4 (1570f)
37. Di persona era tanto a4 (1573c)
38. Sotto duo negri a4 (1573c)
39. Sotto quel sta a4 (1573c)
40. Bianca neve il bel collo a4 (1573c)
41. Mostran le braccia sue a4 (1573c)
42. Spesso in poveri alberghi a4 (1573c)
43. Poi ch'l mio largo pianto a4 (1583/15)
45. La notte che segui a5 (1561/10)
46. (2nd part:) Riconosci colei che prima torse a5 (1561/10)
47. (3rd part:) Come non conosch' io a5 (1561/10)
48. Oh d'amarissime onde a5 (1561/10)
49. Ove sei, vita mia a5 (1561/10)
50. (2nd part:) Come sei stat', o ciel a5 (1561/10)
51. O dolci parolette a5 (1564c)
52. Del auro crin de la tassinia bella a5 (1570f)
53. (2nd part:) Con le stell' a5 (1570f)
54. Chi no'l sa a5 (1576/5)

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FAX +31 (0)20-6762240
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_______________

55. Io ho pi tempo a5 (1575/11)


56. (2nd part:) Almen nel suo fuggir a5 (1575/11)
57. Misera, che far? a5 (1576/5)
58. Soleasi nel mio cor a5 (1576b)
59. (2nd part:) Che piangon dentro a5 (1576b)
60. Nessun visse giamai a5 (1584a)
61. Segui gi le speranze a5 (1584a)
62. Ardo s, ma non t'amo (A) a5 (1585/17)
63. Ardo s, ma non t'amo (B) a5 (1585/17)
Manuscript sources:
D-As 8 (17)
D-B mus.ms. 12603 (1)
D-Mbs 259 (52-53)
F-Pn Bourdeney Codex, nos.76 (7) and 77 (17)
F-VE 698: tablature (7)
GB-Lbl Add.: 12532 (14, 48) and 31442 (14, 43)
GB-Lwa (14, 43)
I-MOe mus.C.311: tabl. (14)
I-Tn Giardano 2: tabl. (14)
P-Cug 242: tablature (2, 7)
247.R8

in prep.

Volume X
Compositions with Italian texts, part 5:
Madrigals for 6 or more voices, 1569-1594;Villanelle & Moresche, 1581
1. Di pensier in pensier a6 (1579/2)
2. S'io esca vivo a6 (1579/2)
3. Hor vi riconfortate a6 (1584a)
4. Silen di rose ha 'l volto a6 (1594/6)
5. Che fai, alma? a7 (1569/18)
6. Ditemi, vita mia a7 (1583/4)
7. S'una feda amorosa a8 (1573c)
8. Hor, che la nuova e vaga primavera a10 (1575/11)
9. Valle profondo a10 (1584/4)
10. Passan vostri trionfi a10 (1584a)
11. Madonna mia, piet a4 (1555b)
12. Tu sai Madonna mia a4 (1555b)
13. No giorno t'haggio a4 (1555b)
14. La cortesia voi, donne, predicate a4 (1555b)
15. Tu traditora m'hai a4 (1555b)
16. Sto, core mio a4 (1555b)
17. O Lucia, miau a3 (1560/14)
18. S'io ve dico a4 (1581b)
19. Ecco la nimph' ebraica chiamata a4 (1581b)
20. Ad altre le voi dare a4 (1581b)
21. Tutto 'l di mi dici a4 (1581b)
22. Parch'hai lasciato
23. Saccio 'na cosa a4 (1581b)
24. Io ti vorria contar a4 (1581b)
25. Hai Lucia buona cosa
26. O bella fusa a4 (1581b)
27 Ogni giorno m'han ditt' a4 (1581b)
28. S'io fusse siaul' a4 (1581b)
29. Matona mia cara (Landsknechtsstndchen) a4 (1581b)

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FAX +31 (0)20-6762240
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_______________

30. Lucia celu, hai bescania a4 (b)


31. S'io te vedess' una sol a4 (1581b)
32. O occhi, manza mia a4 (1581b)
33. Alala, pia calia a4 (1581b)
34. Mi me chiamere a5 (1581b)
35. Cathalina, apra finestra a6 (1581b)
36. (2nd part:) Andar a valenza a6 (1581b)
37. Chi chilichi? a6 (1581b)
38. Canta, Giorgia, canta a6 (1581b)
39. Tutto 'l d mi dici a8 (1581b)
40. Zanni'piasi, patro? Dov' estu? a8 (1581b)
41. O L, o che bon eccho! a8 (1581b) "Echolied"
Manuscript sources:
CH-Bu F.IX.43: tabl. (2) and F.IX.70: tabl. (11, 16)
D-B: 12603 (13, 15) and 40032: tabl. (14)
D-Mbs: 259 (6, 39), 4748: tabl. (3) and 6485 (41)
GB-Lbl Add. 5036 (2)
GB-Och 2 (2)
NL-Uim 3.L.16 (12, 14)
P-Cug tabl. (13, 14)
PL-WRu (7)
620.R7

in prep.

Volume XII
Compositions with French texts, part I
The Chansons a4 from "Les Meslanges..contenantz plusieurs chansons,
tant en vers latins qu'en ryme francoyse...", Paris, 1576 a4-a6, a8, a10
1. Las, voulez-vous (1555b)
2. L'heureux amour (1576b)
3. Si le long temps (1559/12)
4. Un advocat dit sa femme (L'homme de bien dit son ame) a4 1570b
5. Sauter, danser, faire le tours (1576b)
6. Si par souhait je vous tenoit (1570h)
7. En un chteau, madame (L'homme mortel contemplant) (1570h)
8. Monsieur l'abb (Maistre Robbin) (1564a)
9. Qui dort ici (1564a)
10. Soyons joyeux sur la plaisante verdure (1564c)
11. Quand mon mari vient (Quand l'homme honneste) (1564a)
12. Ardant amour souvent (1564c)
13. ce matin (L'avarte veut avoir) (1564a)
14. Si je suis brun (1573c)
(2nd part:) Ne vous soit trange (1573c)
15. La nuit froide et sombre (1576b)
16. O vin en vigne (Bont divine, vien et monstre) (1570h)
17. Avec vous (Dieu) mon amour finira (1555b)
18. Un jour vis un foulon (On ne peut le fol amour) (1570h)
19. Je l'aime bien (J'aime mon Dieu et l'aimerai) (1555b)
20. Fleur de quinze ans (1564a)
21. Un doux nenny (Ta voix, Dieu, avec ton doux) (1560b)
22. Hlas, quel jour (1560c
23. Le temps pass je soupire (1567/11)
24. Si du mal'heur (1573c)
25. En espoir vis et crainte (1555b)
26. Je suis quasi prest (1570h)

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_______________

27. Du corps absent (1564a)


28. J'ai cherch la science (J'ai du ciel la chance) (1564a)
29. La mort est jeu pire (1564a)
30. Si vous n'tez en bon point (1564a)
31. Le vrai ami (Le vertueux ne s'estonne de rien) (1564a)
32. Or sus, filles (Sus, je vous pri) (1576b)
33. Qui bien se mire (1573c)
34. Sais-tu dire l'Av (1573c)
35. O temps divers (Maudit pech qui me deffens) (1559/12)
36. De vous servir (1570a)
37. Trop endurer sans avoir (de pech) (1555b)
38. Vrai Dieu, disoit une fillette (une ame sainte) (1555b)
39. Il tait une rligieuse (Si j'tois o mon ame) (1565a)
40 .Le temps peut bien (1564a)
41. Petite folle (Troupe fidele, es-tu pas) (1564a)
42. Fuyons tous d'amour (Fuyons de vices) le jeu (1564a)
43. Htez-vous de me faire (1567/11)
44. En un lieu (1564a)
45. Si pour moi avez du souci (Quand mon coeur a quelque souci) (1576b)
46. Mes pas sems (Mes pas Seigneur tant esgarez) (1564a)
47. Un jeune moine (Quitte le monde) (1573c)
48 .Beau le cristal (1576d)
49. Si froid et chaud a4 (1564a)
50. Je ne veux rien qu'un baiser (que deux mots) (1564a)
51. Bon jour mon coeur, bon jour ma douce vie (Christ est mon Dieu) (1564a)
52. Margot, labourz les vignes (1564a)
53. Ce faux amour (Satan) (1564a)
54. En m'oyant chanter (1564a)
55. Quand un cordier (1573c)
56. Ton feu s'teint (1559/13)
Manuscript sources:
A-Wn 19259: tabl. (17, 38, 39)
CH-Bu F.IX.70: tabl. (17, 38, 41, 51))
D-ASm 4783: tabl. (17, 19, 22, 25, 37, 38, 53)
D-B: 40032: tabl. (11, 21, 22, 51), 40208 (1, 11, 17,19, 21, 38, 53) and
40598: tabl. (^, 11)
D-B autogr. v.d. Hove: tabl. (51)
D-DEl 12150: tabl. (22)
D-Kl Mus. 4 103 AA (11, 30, 52)
D-Lr K.N.144: tabl. (51)
D-Mbs: 266 (22, 38), 1501 (21), 1503a (11), 2986: tabl. (22) and 4748:
tablature (35, 51, 56)
D-HB CXX (1, 21, 37, 38, 56)
R-Rp: AN.1 (11, 21, 41, 52), A.R. 774 (27, 31, 37, 40, 56), A.R. 875-860,
(41), A.R. 942-946 (11, 21, 41,52) and A.R. 996-1010 (11,21,30,52)
E-V 17 (1, 17, 21, 38)
F-Pn Bourdeney Codex: no.391 (12)
F-VE 698: tabl. (1, 3, 38, 43, 51, 56) and 711: tabl. (1, 3, 6, 8, 10, 12, 13,
17-19, 21-23, 24, 26-31, 35, 37-44, 46, 49-54)
F-GBfm 79 (51) and 268: Fitzwilliam virginal book (52)
GB-Cu Dd.2.11: tabl. (17)
GB-Lbl Add: 11584 (25) and 12532 (1, 54)
GB-Ob (18)

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_______________

I-Tn Giordano 2: tabl. (11)


NL-Lu Thysius 1666: tabl. (38)
NL-Uim 3.L.16 (1, 6, 8-13, 17, 19, 21, 22, 25, 27, 37, 40-43, 51-53)
P-Cug tabl. (19)
PL-GD 2165 (11, 51, 53)
S-Sm 1: tabl. (51)
622.R7

259,--

Volume XIV
Compositions with French texts, part 2:
The Chansons a5-a8 from "Les Meslanges...", 1576
1. Noblesse gist au coeur a5 (1570h)
2. La terre, les eaux (La terre son Dieu va louant) a5 (1564b)
3. Vive sera et toujours perdurable a5 (1570h)
4. Mon coeur se recommande (Qui laboure champ ou vigne) a5 (1560c)
5. Rends-moi, mon coeur a5 (1561/5)
6. Mon coeur ravi d'amour a5 (1564b)
7. Sur tous regrets a5 (1560c)
8. Susanne un jour a5 (1560c)
9. De tout mon coeur a5 (1564b)
10. J'endure un tourment a5 (1564b)
(2nd part:) Mais quel propos a5 (1564b)
11. Vous, qui aimez les dames a5 (1560b)
12. J'attends le temps a4 (1560c)
13. Chanter je veux la gente (l'heur de l'ame) a5 (1569/19)
14. Un messagier a5 (1570h)
15. Dix ennemis (Mes vains dsirs), tous darms a5 (1576b)
(2nd part:) Et me prenant au collet a5 (1576b)
16. S'il y a compagnon (Il n'y a que douleur) a5 (1576b)
17. Et d'o venez-vous a5 (1564b)
18. Veux-tu, ton mal (Puis qu'en mon mal) a5 (1559/12)
19. (2nd part:) Le voulez-vous a5 (1559/12)
20. Las, me faut il a5 (1560c
21. Un triste coeur rempli a5 (1570h)
22. Ardant amour souvent (Divin amour; La ferme foi) a5 (1560c)
23. Je ne veux plus que chanter a5 (1565a)
24. Au feu, venez-moi a5 (1564c)
(2nd part:) l'eau jettez-toi a5 (1564c)
25. Au temps jadis a5 (1560c)
26. Elle s'en va de moi (Elle prit ma chair) a5 (1560c)
27. Le rossignol plaisant a5 (1560c)
28. Est-il possible moi a5 (1560c)
29. Une puce j'ai dedans l'oreill' a5 (1576b)
(2nd part:) Nul remede a5 (1576b)
30. Le dpartir (Partir d'ici, c'est un departement) a5 (1564b)
31. Comme la tourterelle a5 (1565a)
(2nd part:) O t'attend ta matresse (De l'ternelle liesse) a5 (1565a)
32. Puisque fortune (Pech infame; Puis que pech moi) a5 (1564b)
33. Quand me souvient (Sentant l'effort e la triste) a5 (1570h)
34. Toutes les nuits a5 (1563)
35. Qui veult d'amour (Qui de pech veut savoir) a4 (1576b)
36. Un jour l'amant a8 (1570h)
37. Que dis-tu? a8 (1576b)
38. Dis-moi, mon coeur a8 (1573c)

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

Manuscript sources:
A-Wn 19259: tabl. (8)
CH-Bu: F.IX.70 (8), F.X.21 (8), F.X.25/26 (8)
CZ-Velk s.s. (8)
D-AN IV.g.18 (18)
D-AS 4783: tabl. (4, 7, 11, 20, 21, 26-28)
D-B: 40032: tabl. (8, 26, 27), 40034: tabl. (8), 40212 (8, 30), 40306 (8),
40363 tabl. (8) and 40598: tabl. (8, 12, 21, 28)
D-B mus.pract. 0.60: tabl. of Ochsenkun, ms. suppl. (8)
D-DEl 12150: tabl. (8)
D-HB CXX (4, 6, 8, 12, 27, 28, 30), XXXII,4,4 (8) and XXXII-XXXV (8)
D-Lh A.203 (18)
D-Mbs: 259 (7, 31, 36), 266 (8), 1501 (4, 7, 8), 1640: tabl. (18)
D-Ngm 138037 (8)
D-Nst 96 (18)
D-Rp: A.R:. 774 (27), 853-854 (18), 855-856 (18), 891-892 (18), 942-946
(18), 985-986 (18), 996-1010 (18); AN.1 (18); B: 237-240 (8) and
271-274 (18)
D-W 175: tabl. (8)
D-Z CIII,3.b (8)
E-Mbm 13231 (8)
E-V 17 (4, 8, 27)
E-VAcp (8)
F-Pn Bourdeney Codex: (4, 7, 8, 12, 18, 21, 22, 25, 26)
F-VE 698: tabl. (5, 20, 25, 28) and 711: tabl. (7, 20, 22, 27)
GB-Cfm 24.E.13-17 (4) and 268: Fitzwilliam virginal book (8, 27)
GB-Cu D.d.2.11: tabl. (8, 13)
GB-Lbl Add.: 11583 (8), 29247: tabl. (26), 27247: tabl. (27), 29485 (8),
30016-21 (8, 27), 30485 Lady nevelle's book (8), 30491 (8),
31438 (4, 16), 32377 (8, 17), 33933 (8) and 36484 (8)
GB-Lbl Egerton 995 (8)
GB-Lbl K.i.c.23: ms. suppl. (8)
GB-Lcm 2089: tabl. (27)
GB-Ob Tenbury: 602-6 (27) and 1172 (8)
I-Bc Q 34 (8)
I-MOe C.311 (8)
IRL-Dtc D.3.30: tabl. (8)
NL-At 208.A.27: tabl. (27)
NL-Uim 3.L.16 (4, 6-12, 18, 21, 22, 26, 27)
PL-Brzeg (8, 18)
PL-GD: 2165 (9), 4003 (8)
PL-WRu (8, 18, 36, 38)
S-Skma Sacks tabl. (8)
US-NH tablature (8)
624.R7

218,--

Volume XVI
Compositions with French texts, part 3:
Chansons a3-a8 from the 1571, 1583 and 1583 editions
1. Comme un qui prend a5 (1571a)
2. Ton nom que mon vers a5 (1571a)
(2nd part:) Le comble de ton savoir a5 (1571a)
3. J'espre et crains a5 (1571a)
(2nd part:) Plus je me pique a5 (1571a)

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_______________

4. Un bien petit a5 (1571a)


(2nd part:) Mais vous voir a5 (1571a)
5. Ores que je suis dispos a5 (1571a)
(2nd part:) Verse-moi donc du vin a5 (1571a)
6. Soufflons d'autant amis (Cherchons ailleurs) a5 (1571a)
7. O faible esprit a5 (1571a)
(2nd part:) O jeune archer a5 (1571a)
8. Parents sans amis a5 (1571a)
(2nd part:) Femme qui demande a5 (1571a)
9. Hlas, mon Dieu a5 (1571a)
10. Paisible demaine (Qu'est-ce que Dieu donne) a5 (1571a)
11. Bon jour et puis quelles nouvelles? a5 (1571a)
(2nd part:) Mais si vous cueillez a5 (1571a)
12. D'amours me va a5 (1571a)
13. Pour courir en poste a5 (1571a)
(2nd part:) Pour mettre comme un homme a5 (1571a)
(3rd part:) Pour dbaucher a5 (1571a)
(4th part:) Pour faire plus tt a5 (1571a)
14. Je vous donne en conscience a5 (1571a)
15. De plusieurs choses a5 (1571a)
16. Amour, donne moi paix a5 (1571a)
(2nd part:) Que dois-je faire a5 (1571a)
17. Hol, Caron a8 (1571a)
18. O doux parler a8 (1571a)
(2nd part:) O vermeillons a8 (1571a)
19. On doit le fer battre a4 (1583/8)
20. M'amie a bien le regard a4 (1584a)
21. Puis que vivre en servitude a4 (1584a)
22. La peine dure a4 (1584a)
23. Gurir ma douleur a4 (1584a)
24. Mais qui pourrait a3 (1584a)
25. O mre des amours Ciprine a4 (1584a)
(2nd part:)Tu sais, o gentille desse a4 (1584a)
(3rd part:) Or cesse donc a4 (1584a)
26. Gallans qui par terre a4 (1584a)
27. J'ai de vous voir a4 (1584a)
28. Pre qui habite les cieux a5 (1584a)
29. toi je crie (Ich rief zu dir, Herr Jesu Christ) a6 (1583b)
30. J'aime la pierre prcieuse a5 (1584a)
31. C'tait en ton jeune ge a5 (1584a)
32. Las, je n'iray plus a5 (1576a)
33. Hlas, j'ai sans merci a5 (1584b)
34. Mais qui pourrait a6 (1584a)
(2nd part:) Si mon gentil Francin a6 (1584a)
(3rd part:) Hlas, mon Francin a6 (1584a)
35. Vignon, vignon, vignette a6 (1584a)
36. Si vous tez m'amie a6 (1584a)
37. Dessus le march d'Arras a6 1584a)
38. Du fond de ma pense a4 (1564a)
39. O comme heureux a4 (1564b)
40. Clbrons sans cesse de Dieu a4 (1576d)
41. Secourz-moi a5 (1560d)
42. Que gaignez-vous a5 (1570h)

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_______________

43. Voir est beaucoup a4 (1559/13)


44. Lucesit jam o socii a5 (1583/9)
nos.45-53: from 1583/7 (Altus missing)
45. Avec le jour commence a4 (A lacks) (1583/7)
46. Ce que tu peux maintenant a4 (1583/7)
47. Heureux, qui met en Dieu a4 (1583/7)
48. L'homme se plaint a4 (1583/7)
49. Le sage fils est du pre a4 (1583/7)
50. Croire lger et soudain a4 (1583/7)
51. Les biens du corps et ceux a4 (1583/7)
52. Un jour conclus a4 (1583/7)
53. Si le mal ennuyeux a4 (1583/7)
Manuscript sources:
D-B 40208 (11)
D-HB CXX (41)
F-Pn Bourdeney Codex (41)
GB-Lbl Add. 18936-39 (39) and 31438 (41)
NL-Uim 3.L.16 (1, 39)
PL-GD 2165 (38)
626.R7

263,--

Volume XVIII
Compositions with German texts, part 1
The 3 volumes of German Lieder a5 of 1567, 1572 and 1576
a) 1567: "Neue tetsche Liedlein", Mnchen; a5:
1. Vater unser im Himmelreich (1567c)
2. Ich ruf' zu dir, Herr Jesu Christ (= toi je crie) (1567c)
3. Die Fassnacht ist ein' schne Zeit (1567c)
4. Ist keiner hie, der sprich zu mir (1567c)
5. Der Wein, der schmeckt mir also wohl (1567c)
6. Die Zeit, so jetzt vorhanden ist (1567c)
7. Vor Zeiten, was ich lieb und werd (1567c)
8. Im Land zu Wrttemberg (1567c)
9. (2nd part:) Da das der Herr des Weins (1567c)
10. (3rd part:) Der Richter lacht (1567c)
11. Im Maien hrt man die Hahnen (1567c)
12. Wie lang, o Gott, in meiner Not (1567c)
13. (2nd part:) Verzag', Herz, nit (1567c)
14. Frau, ich bin euch von Herzen hold (1567c)
15. Am Abend spat, bei khlem Wein (1567c)
16. Tritt auf den Riegel von der Tr (1567c)
17. Frhlich zu sein ist mein' Manier (1567c)
18. (2nd part:) Wer frisch will sein (1567c)
19. Ein guter Wein ist lobenswert (1567c)
b) 1572: "Der ander Theil teutscher Lieder...", Mnchen; a5:
20. Mein Mann, der ist in' Krieg zogen (1572a)
21. (2nd part:) Was soll ich euch (1572a)
22. (3rd part:) In welches Haus (1572a)
23. (4th part:) Wollt'st du mich dann (1572a)
24. Nur nrrisch sein (1572a)
25. Erzrn dich nicht, o frommer Christ (1572a)
26. Was kann uns kommen an (1572a)
27. Der Tag, der ist so freudenreich (1572a)
28. Kommt her zu mir, spricht Gottes Sohn (1572a)

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_______________

29. Der Maie bringt uns (1572a)


30. Es sind doch selig alle die (1572a)
31. Willig und treu (1572a)
32. Man sieht nun wohl (1572a)
33. Ein Meidlein zu dem Brunnen ging (1572a)
34. (2nd part:) Das Meidlein trgt Pantoffel an (1572a)
35. Es jagt ein Jger vor dem Holz (1572a)
36. Ich weiss ein hbsches Fruelein (1572a)
37. Ich hab' dich lieb (1572a)
38. (2nd part:) Und wann du freudlich bist (1572a)
39. Einmal ging ich spazieren aus (1572a)
40. (2nd part:) Ich sprach, o Frau (1572a)
41. (3rd part:) Die Frau ganz hflich (1572a)
42. (4th part:) So dank' ich Gott (1572a)
c) "Der dritter Theil schner, neuer, teutscher Lieder", Mnchen, 1576
43. Susannen frumb wolten (1576a)
44. Ich armer Mann, was hab' ich 'tan (1576a)
45. Welt, gelt, dir wird (1576a)
46. (2nd part:) Gelt, Welt (1576a)
47. (3rd part:) Welt, gelt, dir wird (1576a)
48. Mit Lust tt ich ausreiten (1576a)
49. (2nd part:) Das ein, das Annelein (1576a)
50. (3rd part:) Da lagens beieinander (1576a)
51. Gott nimmt (1576a)
52. Mein Frau Hilgart (1576a)
53. (2nd part:) Mein Frau unmild (1576a)
54. (3rd part:) Mein Frau unrein (1576a)
55. (4th part:) Da ich lang stille (1576a)
56. (5th part:) Sie rauft ihr g'nug (1576a)
57. So trinken wir alle (1576a)
58. Der Welte Pracht (1576a)
59. Frhlich und frei, ohn' alle Reu (1576a)
60. Hrt zu, ein neu's Gedicht (1576a)
61. (2nd part:) So find't man (1576a)
62. (3rd part:) Der g'winnen will (1576a)
63. Ich sprich, wann ich nit leuge (1576a)
Manuscript sources:
A-Wn 16704 (27) and 19259: tabl. (27)
CH-Bu F.IX.44: tabl. (3, 4, 33-35, 58), F.IX.70: tabl. (11)
D-B: 30367 (48), 40204 (2), 40034: tabl. (4, 33-34), 40210 (16, 33-34),
40212 (4, 5, 11, 14, 15, 17-18), 40598: tabl. (33-34)
D-DEl 12150: tabl. (34)
D-Dl Grimma 50 (11-13)
D-Dl Lb 31 (12-13, 33)
D-Dl Pirna Cod. III (2)
D-HB V (3), IV-V,2 (11), XI/10,4 (4), XI/10,5 (5)
D-LEm II.6.15: tabl. (11)
D-Mbs 71 (27), 259 (33-34), 516 (27), 2751 (27)
D-Ngm 138037 (4, 5, 11, 14, 16)
D-Rp A.R.: 237-240 (43), 774 (2, 26), 855-856 (27), 942-946 (4, 5, 11,
14-17, 19, 27, 33), 985-986 (4, 5, 14, 16-19, 27), 996-1010
(5,11, 14-16, 27,33-34), 1018 (20); AN.1 (4, 11, 14-19, 27,33);
B: 271-274 (6, 12-13) and 282/281c (5)

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
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_______________

D-Tutzing (11-13, 19)


D-Z: C,5 (27), CIII.3.b (1, 2), CIII,4 (4, 16-18, 24, 33-34), L,1a (33-34)
PL-LEtpn: 31: tabl. (33-34) and 32 (12-13, 19, 33)
S-Skma Sacks tabl. (11)
628.R7

263,--

Volume XX
Compositions with German texts, part 2:
Lieder a3-a8 from prints (1573, 1583, 1588, 1590) and manuscripts
a) 1573: "6 Cantiones latinae...6 teutsche Lieder (a4) sampt einem
Dialogo (a8)...", Mnchen:
1. Ein Esel und das Nussbaumholz a4
2. Annelein, du singst fein a4
3. Aus gutem Grund a4
4. Es tut sich all's verkehren a4
5. Wem soll man jetzund trauen a4
6. Audite nova, der Bauer von Eselskirchen a4
7. Nun grss dich Gott, mein Mndlein rot a8
b) "Neue teutsche Lieder, geistlich und weltlich...", Mnchen, 1583
all a4:
8. Christ ist erstanden
9. Die Gnad' kommt oben her
10. (2nd part:) Wer Gott vertrauen tut
11. (3rd part:) Wir armes Volk
12. (4th part:) Das Volk von Israel
13. (5th part:) Joseph verkaufet
14. (6th part:) Als Holophernes hat
15. (7th part:) Darauf hat Gott gesandt
16. (8th part:) Daniels Knaben drei
17. (9th part:) Daniel geworfen war
18. (10th part:) Darum, o frommer Christ
19. (11th part:) Der dies Lied hat gemacht
20. (12th part:) Hierauf sei nun gepreist
21. Aus meiner Snden Tiefe
22. (2nd part:) Wann sich dein grimmer Zorn
23. (3rd part:) Allein Gott ich vertraue
24. (4th part:) Von gott kein Mensch abweiche
25. Selig ist, der auf Gott sein' Hoffnung setzet
26. Was heut' soll sein a4
27. Wach auf, o Menschenkind
28. (2nd part:) Ist doch Gott gar ein freundlich Mann a6
29. Bauer was trgst im Sacke?
30. Ich weiss mir ein Maidlein
31. Ich hab' ein' Mann
32. (2nd part:) Wann er aufsteht
33. (3rd part:)Nach dem Frhmahl
34. (4th part:) Umb fnffe hin
35. Von morgens frh mit Gottes Lob
36. Ich armes Weib
37. (2nd part:) Bald ich von Gelt
38. (3rd part:) Wann ich dann sag
39. (4th part:) Nun wars umb mich
40. Wohl kommt der Mai

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_______________

c) "Teutsche Psalmen: geistliche Psalmen...", Mnchen, 1588 all a3:


41. Selig zu preisen ist der Mann
42. O Herr, ich klag' es dir
43. Vernimm, Herr, meine Wort'
44. Auf dich, mein lieber Herr und Gott
45. Ich will aus ganzem Herzen mein a3
46. Hilf, lieber Herr, die heilig Frommen
47. Die Toren sprechen wohl
48. Halt mich, o Herr, in deiner Hut
49. Herr, der du meine Strke bist
50. Der Herr erhre deine Klag'
51. Mein Gott, mein lieber treuer Gott
52. Die Welt und all ihr Reichtum
53. Schaff' mir doch Recht in Sachen
54. Herr Gott, mein Hort
55. Ich will dich, Herr, gebhrlich loben
56. Ich will Gott unaufhrlich preisen
57. O selig, dem der treuer Gott
58. Es zeugen des Gottlosen Werke
59. Ich harr' auf Gott
60. Straf' mich, Herr, nicht im Eifermut
61. Wie ein Hirsch gierlich schreien tut
62. Wir haben, Herr, mit unsern Ohren
63. Gott ist, auf den wir immer hoffen
64. Gross ist der Herr
65. Der starke Gott im Himmelreich
d) The German songs a6 from:
"Neue teutsche, unnd etliche frantzsische Gesng...", Mnchen,
1590; all a6
66. Ein guten Rat will geben ich
67. (2nd part:) In Glck und Freud'
68. Ich ruf' zu dir, mein Herr und Gott
69. (2nd part:)Wann du, Herr, wolltest sehen an
70. (3rd part:) Ich harr' auf Gott
71. (4th part:) Mein' Hoffnung steht auf Gott allein
72. (5th part:) Dann bei dem Herern
73. Aus hartem Weh klagt
74. O Mensch, gedenk'
75. (2nd part:) Dort aber wird ein' Stund'
76. Marie voll Genad
77. (2nd part:) Der Herr, der ist mit dir
78. (3rd part:) Du bist gebenedeit
79. (4th part:) Gebenedeit auch ist dein' Frucht
80. In viel Trbsal und Versuchung
81. (2nd part:) Derhalben dann nichts bessers ist
82. Ein Krbelmacher
83. Der Knig wird sein wohlgemut
84. (2nd part:) Du hast ihm geben
85. (3rd part) Dann eh er's hat begehrt
86. Von gott will ich nit lassen
87. (2nd part:) Wann sich der Menschen hulde
88. (3rd part:) Auf ihn will ich vertrauen
Manuscript sources:

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FAX +31 (0)20-6762240
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_______________

A-Wn 16704 (8)


D-B: 40204 (72-74), 40377 (29)
D-Dl Pirna Cod. III (72-74)
D-Mbs 1640: tabl. (8)
D-Ngm 148037 (44)
D-Rp A.R. 774 (21, 27-28, 50, 72)
D-Z CIII.3.b (72-74)
I-Blm M.225 (6, 7)
PL-WRu 1 (7)

215,--

B. COMPLETE WORKS, NEW SERIES

Lassus, O. de

630.R7

Complete Works, New Series; published on behalf of the Acadmie Royale


de Belgique and the Bayerische Akademie der Wissenschaften
general editor: H. Leuchtmann; 26 volumes (hardback) with detailed prefaces,
reproductions from the sources and reports by the editors.
Only volume I contains secular works.
Printed sources in parentheses behind the titles (see chronological list
of sources in print); principal manuscript sources given for each volume
Volume I; ed. W. Boetticher
Motets, Chansons and Madrigals from recovered prints, 1559-1588:
1. Pronuba Juno tibi (Gratia summi; Qui regit astra) a4 (1570a)
2. Praesidium Sara a4 (1570a)
3. Beati pauperes a4 (1572b)
4. Cum rides mihi a5 (1577c)
5. Quicumque vult salvus esse a5 (1577c)
6. Zachaee festinans descende a5 (1565c)
7. Da pacem Domine a5 (1588b)
8. Bestia curvafia pulices (Bestia stultus homo) a5 (1576b)
9. Gloria Patri et Spiritui Sancto a6 (1565c)
10. Lauda Sion salvatorum a6 (1577c)
11. Lucescit jam o socii a4 (1583/9)
12. Voir est beaucoup a4 (1559/13)
13. Canzon se l'esser meco a4 (1584a)
14. Come lume di notte a4 (1584a)
15. Come la notte ogni fiamella a5 (1584a)
16. Che pi d'un giorno a5 (1567a)
17. A voi Guglielmo invitto a5 (1584a)
18. Al gran Guglielmo nostro a5 (1584a)
19. Signor da l'alto trono a5 (1584a)
20. La non vol esser pi mia a5 (1584a)
21. Madonna sa l'amor a5 (1576b)
22. Ove le luci giro a5 (1576b)
23. Si com'i fiori da l'ardente sole a5 (1570/15)
24. Dappoi che sott'il ciel a5 (1584a)
25. Di qua di l a5 (1584a)
26. Di terrena armonia a5 (1584a)
27. Deh perche voglio anco a5 (1584a)
Manuscript sources:
A-Wn 10110 (20)

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
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_______________

D-As: 23 (10); ms. suppl. to 4 273-278 (8)


D-Mbs 1536/III (9)
D-Rp A.R. 786-837 (9), B.223-233 (10)
S-Uu Vok mus i hskr 76b: tabl. (3, 9)

Lassus, O. de

665.R7

224,--

B-a. The Complete Motets


general editor: Peter Bergquist
Edition in 21 volumes; editors: P. Bergquist, J. Erb, D. Crook and R. Oettinger

Volume X
ed. P. Bergquist
"6 Cantiones latinae (a4), adiuncto dialogo (a8); 6 teutsche Lieder (a4), sampt
einem Dialogo (a8); 6 Chansons franoises nouvelles (a4), avecq un dialogue
(a8); 6 madrigali nuovi (a4), con un dialogo (a8)", Mnchen, A. Berg, 1573:
a) 6 Cantiones latinae a4:
1. Quare tristis es anima mea?
2. Quid estis pusillanimes
3. Domine secundum actum meum
4. Fallax gratia
5. Eripe me de inimicis meis
6. Honorabile est inter omnes
b) 6 Teutsche Lieder a4:
7. Ein Esel und das Nssbawmholtz
8. Annelein, du singst fein
9. Auss gutem grundt
10. Es thut sich als verkeren
11. Wem soll man jetzund trawen
12. Audite nova!
c) 6 Chansons franoises a4:
13. Un jeune moine
14. Si du mal'heur vous avies cognoissance
15. Si ie suis brun
16. Quant un cordier cordant
17. Qui bien se mire
18. Sces tu dir l' ave
d) 6 Madrigali a4:
19. Di persona era tanto ben formata
20. Sotto duo negri e sottilissimi archi
21. Sotto quel sta quasi fra due vallette
22. Bianca neve il bel collo
23. Mostran le braccia sue misura giusta
24. Spesso in poveri alberghi
e) 4 Dialogues a8:
25. Unde revertimini
26. Nun grss dich Gott, mein Mundlein rot
27. Di moi mon cueur
28. S'una fede amorosa
Appendix: reconstruction of no.25 with another text ("Unde recens reditus")

77,--

C. ALPHABETICAL CHECKLIST OF THE SECULAR WORKS


a. Italian madrigals

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

b. French chansons
c. German Lieder (incl. sacred songs)
indications after each title:
year = earliest printed source
O = volume and work number in CW, Old series
N = volume and work number in CW, New series
B = works number in ed. Bergquist volume X

a. ITALIAN MADRIGALS
A che (die) tenderm'amor a4; 1570f; O VIII/30
Ad altre le voi dare a4; 1581b; O X/20
Ahi che la forza (2nd pt. of: V'son gl'ingengi) a5; 1585c; O VI/11
Al dolce suon del mormarar de l'onde a5; 1569/19
Al fin vidd'io (6th pt. of: Standomi un giorno) a5; 1557; O II/37
Al gran Guglielmo nostro a5; 1584a; N I/18
Al'hor lasso (2nd pt. of: S'io tal'hor muovo gli occhi) a5; 1555a; O II/24
Al'hor mi desto (2nd pt. of: Veggio se la vero apre ragion) a6; 1587a; OVI/56
Al'hor nel (4th pt. of: Si com'al giorno) a4; 1566/2; O VIII/27
Allala la pia calia a4; 1581b; O X/33
Alma cortese / Ch'udirai a5; 155a; O II/4-5
Alma real dignissima d'impero a4; 1564c; O VIII/23
Alma tu che 'l furor (2nd pt. of: Il grave de l'et) a6; 1587a; O VI/50
Almen nel suo fuggir (2nd pt. of: Io ho pi tempo) a5; 1575/11; O VIII/56
Altri non vedr (6th pt. of: Si com'al chiaro giorno) a4; 1566/2; O VIII/29
A l'ultimo bisogno (5th pt. of: La ver' l'aurora) a5; 1567a; O IV/27
Amor che ved'ogni pensier aperto a5; 1573; O IV/18
Amor mi strugge 'l cor a5; 1563; O IV/11
Andar a valezza (2nd pt. of: Cathalina apra finestra) a6; 1581b; O X/36
Apparian per me le stell'in cielo a4; 1560a; O VIII/14
Ardo s ma non t'amo (I) a5; 1585/17; O VIII/62
Ardo s ma non t'amo (II) a5; 1585/17; O VIII/63
Arse la fiamma e consum a4; 1487a; O VI/32
A voi Guglielmo invitto a5; 1584a; N I/17
Bella guerriera mia / Ma se con l'opr' a5; 1563; O IV/15-16
Ben convenne madonna / Solo n'andr a5; 1569/19
Ben mi credea passar mio tempo a5; 1555a; O II/26
Ben sono i premi tuoi / Poi che si grand' a6; 1587a; O VI/53-54
Ben veggio di lontan' a4; 1562/7; O IV/19; O VIII/19
Bianca neve il bel collo a4; 1573c; O VIII/40
Candid'albor del ciel a5; 1557; O II/52
Canta Giorgia canta a6; 1581b; O X/38
Cantai hor piango / Tengan dunque a5; 1555a; O II/1-2
Canzon la doglia e 'l pianto a4; 1587a; O VI/36
Canzon se l'esser meco a4; 1584a; N I/13
Cathalina apra finestra / Andar a valezza a6; 1581b; O X/35-36
Che fai alma a7; 1569/18; O X/5
Che fai che pensi / Deh non rinovellar a5; 1567a; O IV/34-35
Che giova posseder a5; 1587a; O VI/43
Che pi d'un giorno a5; 1567a; N I/16
Che se la vers' (2nd pt. of: Quel chiaro sol) a5; 1557; O II/42

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Chiara fontana (4th pt. of: Standomi un giorno) a5; 1557; O II/35
Chi chilichi a6; 1581b; O X/37
Chi formato di menar sua vita a4; 1584a; O VI/31
Ch'il credera (2nd pt. of: Del freddo Reno) a4; 1555b; O VIII/2
Chi no'l sa di ch'io vivo a5; 1576/5; O VIII/54
Chi non sa come spira / Ma quel ch'una a5; 1587a; OVI/44-45
Ch'udirai un (2nd pt. of: Alma cortese) a5; 1555a; O II/5
Come la cera al foco a6; 1585c; O VI/23
Come la notte ogni fiamella a5; 1584a; N I/15
Come lume di notte a4; 1584a; N I/14
Come non conosch'io (3rd pt. of: La notte che segui l'horribil) a5; 1561/10;
O VIII/47
Come pianta / Perche qual peregrin a4; 1587a; O VI34-35
Come sei stat' o ciel (2nd pt. of: Ove sei vita mia) a5; 1561/10; O VIII/50
Come va 'l mondo / Ma 'l cielo amor a5; 1567a; O IV/36-37
Con lei fuss'io a5; 1555a; O II/25
Con le stell' (2nd pt. of: Del auro crin de la Tassinia bella) a5; 1570f; O VIII/53
Cos aspettando da te (2nd pt. of: Mentre fioriv'amor) a5; 1557; O II/39
Cos cor mio vogliate a4; 1587a; O VI/30
Cos quel che m'avanza (5th pt. of: Per aspro mar di notte) a4; 1587a; O VI/28
Crudel acerba inesorabil morte a5; 1555a; O II/18
Dappoi che sott'il ciel a5; 1584a; N I/24
Deh che fuss'io (5th pt. of: Non ha tante) a3-a6; 1563; O IV/6
Deh hor foss'io co'l vago a4; 1558/13; O VIII/13
Deh lascia anima homai a4; 1587a; O VI/33
Deh non rinovellar (2nd pt. of: Che fai che pensi) a5; 1567a; O IV/35
Deh perche voglio anco / Dunque fia ver a5; 1584a; N I/27
Deh sol che sei si chiaro a4; 1570f; O VIII/31
Del auro crin de la Tassinia bella / Con le stell' a5; 1570f; O VIII/52-53
De l'eterne tue sante / Per questo a5; 1585c; O VI/1-2
Del freddo Reno / Ch'il credera / Rotava ed pur ver / Si fe cristallo / Et io
qual / Hor su la nuda terra a4; 1555b; O VIII/1-6
Dicesi che la morte a5; 1563; O IV/10
Di pensier in pensier a6; 1579/2; O X/1
Di persona era tanto ben formata a4; 1573c; O VIII/37
Di qua di l a5; 1584a; N I/25
Ditemi vita mia a7; 1584/4; O X/6
Di terrena armonia / Signor le colpe mia / Padre rivolgi / Stanco di lagrimar /
Voi che di prave / Fugga a5; 1584; 1st stanza: N I/26; stanzas 2-6:
O VI/38-42
Diviso m'ha (2nd pt. of: Poi che 'l'iniquo e fero mio destino) a5; 1555a; O II/14
Dunque via ver (2nd pt. of: Deh perche voglio anco) a5; 1584a
Ecco che pur vi lasso a5; 1587a; O VI/37
Ecco la ninph'ebraica chiamata a4; 1581b; O X/19
Ed a noi restare (2nd pt. of: Volgi cor mio la tua speranza) a5; 1557; O II/46
E puro bene (2nd pt. of: tanto e quel ben eterno amor) a6; 1587a; O VI/58
Errai scorrendo (3rd pt. of: Per aspro mar di notte) a4; 1587a; O VI/26
E sarebbe hora (2nd pt. of: O tempo o cielo) a5; 1585c; O VI/5
Et in sembiante (2nd pt. of: Evro gentil se d'amoroso ardore) a5; 1557; O II/44
Et io qual (5th pt. of: Del freddo Reno) a4; 1555b; O VIII/5
Et mentre pi (2nd pt. of: Quant'invidia vi port'aure) a5; 1563; O IV/14
Evro gentil se d'amoroso ardore / Et in sembiante a5; 1557; O II/43-33
Fiera stella s'el ciel ha forza / Ma tu prendi a5; 1555a; O II/21-21

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Gi mi fu co'l desir a5; 1555a; O II/6


Gi senz'affan' (5th pt. of: Si com'al chiaro giorno) a4; 1566/2; O VIII/28
Guarda 'l mio stat'a le vaghezze a5; 1555a; O II/3
Hai Lucia buona cosa a4; 1581b; O X/25
Hor a cantar (2nd pt. of: Pi volte un bel desio) a6; 1587a; O VI/52
Hora per far (2nd pt. of: Io son si stanco sotto il grave peso) a5; 1557; O II/51
Hor ch'a l'albergo de monton a6; 1587a; O VI/42
Hor che la nuova e vaga primavera a10; 1575/11; O X/8
Hor come i rai (3rd pt. of: Quando il giorno da l'onde) a5; 1585c; O VI/19
Hor qui son lasso e voglio esser a5; 1555a; O II/9
Hor su la nuda terra (6th pt. of: Del freddo reno) a4; 1555b; O VIII/6
Hor vi riconfortate a5; 1585c; O VI/9
Hor vi riconfortate a6; 1584a; O X/3
Il grave de l'et / Alma tu che 'l furor a6; 1587a; O VI/49-50
Il mondo muta (5th pt. of: Quando il giorno da l'onde) a5; 1585c; O VI/21
Il tempo passa e l'hore a5; 1567a; O IV/33
Indi gl'acuti strali (2nd pt. of: Vieni dolc'hymeneo) a4; 1570f; O VIII/36
Indi per altro mar vidi (2nd pt. of: Standomi un giorno) a5; 1557; O II/33
In divina bellezza (2nd pt. of: In qual parte del ciel) a5; 1557; O II/49
In dubbio di mio stato a4 (I); 1560c; O VIII/18
In dubbio di mio stato a4 (II); 1562/7; O VIII/22
In qual parte del ciel / In divina bellezza a5; 1557; O II/48-49
In sonno eterno (2nd pt. of: Non ha tante) a3-a6; 1563; O IV/3
In un boschetto (3rd pt. of: Standomi un giorno) a5; 1557
Io che l'et pi verde / Ma conven a5; 1585c; O VI/3
Io ho pi tempo / Almen nel suo fuggir a5; 1575/11; O VIII/55-56
Io non sapeva di tal vista a5; 1585c; O VI/12
Io son stanco sotto il fascio antico / Ma la sua voce a5; 1585c; O VI/15-16
Io son si stanco sotto il grave peso / Hora per far a5; 1557; O II/50-51
Io ti vorria contar a4; 1581b; O X/24
Io vo fuggendo (4th pt. of: Non ha tante) a3-a6; 1563; O IV/5
I vo piangendo i miei passati tempi / Si che s'io vissi a5; 1567a; O IV/41-42
La cortesia voi donne predicate a4; 1555b; O X/14
L'alto signor, dinanzi a cui a5; 1563; O IV/1
L'altr'hier sul mezzo giorno a5; 1555a; O II/30
La non vuol esser pi mia a5; 1584a; N I/20
La notte che segui l'horribil / Riconosci / Come cnon conosch'io a5; 1561/10;
o VIII/45-47
Lasso che par (2nd pt. of: Tutto 'l di piango) a5; 1567a; O IV/44
Lasso che tal non hanno (pt.2 of: Qual nemica fortuna) a5-a6; 1567a; O IV/46
La sua voce (pt.2 of: Io son si stanco sotto il fascio antico) a5; 1585c; O VI/16
La ver' l'aurora / Temprar potess'io / Quante lagrime / Uomini e Dei / A l'ultimo
bisogno / Ridon hor a5; 1567a; O IV/23-28
La vita fugge a5; 1563; O IV/17
Le voglie e l'opre mie / Non fu colle a5; 1585c; O VI/6-7
Lucia celu hai bescamia a4; 1581b; O X/30
Ma ben veggi'hor (2nd pt. of: Voi ch'ascoltate in rime) a5; 1567a; O IV/40
Ma che morta dico (2nd pt. of: spent' d'amor) a5; 1569/10
Ma conven (2nd pt. of: Io che l'et pi verde) a5; 1585c; O VI/3
Madonna mia piet a4; 1581b; O X/11
Madonna sa l'amor a5; 1576b; N I/21
Ma 'l cielo amor (2nd pt. of: Come va 'l mondo) a5; 1567a; O IV/37
Malvaggio horrido gelo a4; 1570f; O VIII/32

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Ma quel ch'una (2nd pt. of: Chi non sa come spira) a5; 1587a; OVI/45
Ma quel gran re (4th pt. of: Per aspro mar di notte) a4; 1587a; O VI/27
Ma sar spento (6th pt. of: Non ha tante) a3-a6; 1563; O IV/7
Ma se con l'opr' (2nd pt. of: Bella guerriera mia) a5; 1563; O IV/16
Matona mia cara a4; 1581b; O X/29
Ma tu prendi (2nd pt. of: Fiera stella s'el ciel ha forza) a5; 1555a; O II/21
Mentre che 'l cor da gl'amorosi vermi / Quel fuoco a5; 1555a; O II/11-12
Mentre fioriv'amor / Cos aspettando a5; 1557; O II/37-38
Mia benigna fortun'e 'l viver lieto a5; 1555a; O II/15
Mi me chiamere a5; 1581b; O X/34
Miser qui speme in cose mortal pone a5; 1567a; O IV/32
Misera che far a5; 1576/5; O VIII/57
Mostran le braccia sue a4; 1573c; O VIII/41
Ne per (2nd pt. of: O invidia nemica di virtute) a5; 1555a; O II/17
Nessun visse giamai a5; 1584a; O VIII/60
No giorno t'haggio havere a4; 1555b; O X/13
Non fu colle (2nd pt. of: Le voglie e l'opre mie) a5; 1585c; O VI/7
Non hanno tante (2nd. pt. of: Per aspro mar di notte) a4; 1587a; O VI/25
Non ha tante / In sonno eterno / Secchi vedransi / Io vo fuggendo / Deh che
fuss'io / Ma sar spento a3-a6; 1563; O IV/2-7
Non hebbe huom' (2nd pt. of: Quando il giorno da l'onde) a5; 1585c; O VI/18
Non s'incolpi 'l desire a5; 1563; O IV/20
Non vi vieto per questo a4; 1560a; O VIII/15
O bella fusa a4; 1581b; O X/26
O belt rara a5; 1567a; O IV/29
Occhi piangete accompagnate il core a4; 1555b; O VIII/10
O che lieve (2nd pt. of: Quel rossignuol che si soave piagne) a5; 1567a;
O IV/31
O d'amarissime onde a5; 1561/10; O VIII/48
O dolci parolette a5; 1564c; O VIII/51
O fugace dolcezza a5; 1584a; O VI/46
Ogni giorno m'han ditt' a4; 1581b; O X/27
O invidia nemica di virtute / Ne per a5; 1555a; O II/16-17
O l o che bon eccho a8; 1581b; O X/41
O Lucia miau a3; 1560/14; O X/17
Onde come colui (2nd pt. of: Quando 'l voler) a5; 1555a; O II/8
O noiosa mia vita (2nd pt. of: Ov' condott'il mio amoroso stile) a4; 1562/7;
O VIII/21
O occhi manza mia a4; 1581 (1557/20 incplt.: 3 voices); O X/32
Ornando come suole a6; 1587a; O VI/59
O sempre vagh' (2nd pt. of: Si come'al chiaro giorno) a4; 1566/2; O VIII/25
O tempo o cielo / E sarebbe hora a5; 1585c; O VI/4-5
Ov' condott'il mio amoroso stile / O noiosa mia vita a4;1562/7; O VIII/21-21
Ove d'altra montagn' ombra tocchi a4; 1567/16
Ove le luci giro a5; 1576b; N I/22
Ove sei vita mia / Come sei stat' o ciel a5; 1561/10; O VIII/49-50
O voi gi stanchi (6th pt. of: Per aspro mar di notte) a4; 1587a; O VI/29
Padre rivolgi (3rd pt. of: Di terrena armonia) a5; 1584a; O VI/39
Parch'hai lasciato a4; 1581b; O X/22
Parmi che sempre sian' (pt.4 of: Quando il giorno da l'onde) a5; 1585c;O VI/20
Passan vostri trionfi a10; 1584a; O X/10
Pensier dicea che 'l cor a5; 1560/19; O VI/48
Per aspro mar di notte / Non hanno tante / Errai scorrendo / Ma quel gran re /

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Cos quel che m'avanza / O voi gi stanchi a4; 1587a; O VI/24-29


Perch nemica. see: Perch sempre nimica mia
Perch qual peregrin (2nd pt. of: Come pianta) a4; 1587a; O VI/35
Perch sempre nimica mia a5; 1555a; O II/31
Perch'io veggio a4; 1555b; O VIII/12
Per pianto la mia carne a4; 1555b; O VIII/7
Per questo (2nd pt. of: De l'eterne tue sante) a5; 1585c; O VI/2
Pien d'un vago pensier a5; 1555a; O II/29
Pi volte un bel desio / Hor a cantar a6; 1587a; O VI/51-52
Poggi, valli (6th pt. of: Quando il giorno da l'onde) a5; 1585c; O VI/22
Poi che 'l camin m '`e chiuso a5; 1555a; O II/10
Poi che 'l'iniquo e fero mio destiono / Diviso m'ha a5; 1555a; O II/13-14
Poi che si grand' (2nd pt. of: Ben sono i premi tuoi) a6; 1587a; OVI/54
Poi che'l mio largo pianto a4; 1583/15; O VIII/43
Pon fren' al gran dolor a5; 1555a; O II/19
Prendi l'aurata lira a6; 1587a; O VI/60
Qual nemica fortuna / Lasso che / Sol'io quanto / tal hor dico / Talhor parmi la
luce / Re de gli altri a5-a6; 1567a; O IV/45-50
Quando fia mai quel giorno a4; 1570f; O VIII/33
Quando il giorno da l'onde / Non hebbe / hor come rai / Parmi che sempre
sian' / Il mondo muta / Poggi, valli a5; 1585c; O VU/17-22
Quando io penso al fuggir / Vedi gli dico a5; 1585c; OVI/13-14
Quando la sera scaccia a5; 1555a; O II/22
Quando 'l voler / Onde come colui a5; 1555a; O II/7-8
Quante lagrime (3rd pt. of: La ver' l'aurora) a5; 1567a; O IV/25
Quanti invidi' a quelle (2nd pt. of: Quanti'invidia ti porto) a5; 1563; O IV/9
Quant'invidia ti porto avara terra / Quant'invidi' a quelle a5; 1563; O IV/8-9
Quant'invidia vi port'aure / Et mentre a5; 1563; O IV/13-14
Quanto il mio duol a4; 1560a; O VIII/16
Quel chiaro sol / Che se la vers' a5; 1556; O II/41-42
Quel fuoco (pt.2 of: Mentre che 'l cor da gl'amorosi vermi) a5; 1555a; O II/12
Quel rossignuol che si soave piagne / O che lieve a5; 1567a; O IV/30-31
Que piangon (2nd pt. of: Soleasi nel mio cor) a5; 1576b; O VIII/59
Queste contrarie tempre (2nd pt. of: Signor se la tua grazia fuoco) a5; 1567a
Queste non son pi lagrime a4; 1555b; O VIII/8
Questi ch'inditio fan a5; 1557; O II/47
Questi son lasso de la mia spem' a5; 1563; O IV/12
Questo e disceso (2nd pt. of: Tra verdi rami) a6; 1587a; O VI/62
Re de gli altri (6th pt. of: Qual nemica fortuna) a5-a6; 1567a; O IV/50
Riconosci (2nd pt. of: La notte che segui l'horribil) a5; 1561/10; O VIII/46
Ridon hor (6th pt. of: La ver' l'aurora) a5; 1567a; O IV/28
Rotava ed pur ver (3rd pt. of: Del freddo Reno) a4; 1555b; O VIII/3
Saccio 'na cosa a4; 1581b; O X/23
Scorgo tant'altro il lume a5; 1563; O IV/21
Se ben l'empia mia sorte a4; 1555b; O VIII/9
Se ben non veggion gl'occhi a4; 1570f; O VIII/34
Secchi vedransi (3rd pt. of: Non ha tante) a3-a6; 1563; O IV/4
Segui le speranze a5; 1584a; O VIII/61
Se si alto pon gir mie stanche rime a5; 1563; O IV/22
Si che s'io vissi (2nd pt. of: I vo piangendo i miei passati tempi) a5; 1567a;
O IV/42
Si ch'io mi credo (2nd pt. of: Sol'pensoso i pi deserti campi) a5;1555a;O II/28
Si come'al chiaro giorno / O sempre vagh' / Tal ch'io possa / Al'hor nel / Gi

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senz'affan' / Altri non vedr a4; 1566/2; O VIII/24-29


Si com'i fiori da l'ardente sole a5; 1570/15; N I/23
Si fe cristallo (4th pt. of: Del freddo Reno) a4; 1555b; O VIII/4
Signor da l'alto trono a5; 1584a; N I/19
Signor le colpe mia (2nd pt. of: Di terrena armonia) a5; 1587a; O VI/38
Signor se la tua grazia fuoco (Queste contrarie tempre) a5; 1567a; O IV/38
Silen di rose ha 'l volte a6; 1594/6; O X/4
S'io esca vivo a6; 1579/2; O X/2
S'io fusse siaul' a4; 1581b; O X/28
S'io tal'hor muovo gli occhi / Al'hor lasso a5; 1555a; O II/23-24
S'io ti vedess'una sol volt'il giorno a4; 1581b; O X/31
S'io ve dico a4; 1581b; O X/18
Soleasi nel mio cor / Que piangon a5; 1576b; O VIII/58-59
Sol'e pensoso i pi deserti campi / Si ch'io mi credo a5; 1555a; O II/27-28
Sol'io quanto pi piango (pt.3 of: Qual nemica fortuna) a5-a6; 1567a; O IV/47
Solo n'andr (2nd pt. of: Ben convenne madonna) a5; 1569/19
Sotto due negri e sottilissimi archi a4; 1573c; O VIII/38
Sotto quel sta a4; 1573a; O VIII/39
Spent' d'maor / Ma che morta a5; 1569/19
Spesso in poveri alberghi a4; 1573c; O VIII/42
Stanco di lagrimar (4th pt. of: Di terrena armonia) a5; 1584a; O VI/40
Standomi un giorno / Indi per altro / In un boschetto / Chiara fontana / Una
strana fenice / Al fin vidd'io a5; 1557; O II/32-37
Sto core mio se fosse di diamante a4; 1555b; O X/16
S'una fede amorosa a8; 1573c; O X/7
Tal ch'io possa (3rd pt. of: Si come al chiaro giorno) a4; 1566/2; O VIII/26
Tal hor dico (4th pt. of: Qual nemica fortuna) a5-a6; 1567a; O IV/48
Tal hor parmi la luce (5th pt. of: Qual nemica fortuna) a5-a6; 1567a; O IV/49
Tanto e quel ben eterno amor / E puro bene a6; 1587a; O VI/57-58
Temprar potess'io (2nd pt. of: La ver' l'aurora) a5; 1567a; O IV/24
Tengan dunque (2nd pt. of: Cantai hor piango) a5; 1555a; O II/2
Tra verdi rami / Questo e desceso a6; 1587a; O VI/61-62
Tu sai madonna mia a4; 1555b; O X/12
Tu traditora a4; 1555b; O X/15
Tutto 'l di mi dici a4; 1581b; O X/21
Tutto 'l di mi dici a8; 1581b; O X/39
Tutto 'l di piango / Lasso che par a5; 1567a; O IV/43-44
Una stran' fenice (5th pt. of: Standomi un giorno) a5; 1557; O II/36
Un dubbio verno a4; 1585c; O VI/8
Uomini e Dei (4th pt. of: La ver' l'aurora) a5; 1567a; O IV/26
Valle profonda a10; 1584/4; O X/9
Vatene lieta homai coppia d'maici a4; 1555b; O VIII/11
Vedi l'aurora a5; 1584a; O VI/47
Vedi gli dico (2nd pt. of: Quando io penso al fuggir) a5; 1585c; O VI/14
Veggio se al vero apre ragion / Al'hor mi desto a6; 1587a; OVI/55-56
Vieni dolc'hymeneo / Indi gl'acuti strali a4; 1570f; O VIII/35-36
Vivo sol di speranza a4; 1560a; O VIII/17
Voi ch'ascoltate in rime / Ma ben veggi'hor a5; 1567a; O IV/39-40
Voi che di prave (5th pt. of: Di terrena armonia) a5; 1584a; O VI/41
Volgi cor mio la tua speranza / Ed a noi restare a5; 1557; O II/45-46
Vostro fui vostro son a5; 1557; O II/40
V'son gl'ingegni / Ahi che la forza a5; 1585c; O VI/10-11
Zanni piasi patro a8; 1581b; O X/40

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b. FRENCH CHANSONS
A ce matin (L'avare veut avoir) a4; 1564a; O XII/13
Amour donne-moy pas / Qud dois-je faire a5; 1571a; O XVI/16
Amour ne veult user a5; 1570d (by Lassus?)
Ardant amour souvent a4; 1564c; O XII/12
Ardant amour souvent (Divin amour; La ferme foi) a5; 1560c; O XIV/22
Assiste moy Seigneur. see: Secours moy
A toy je crie a5; 1583b; O XVI/29
Au feu venez-moy (au feu las) / l'eau jettes-toy ( l'eau de grace vistement)
a5; 1564; O XIV/24
Au temps jadis a5; 1560c; O XIV/25
Avec le jour commence a4; 1583/7 (1581 ed. now lost); O XVI/45
Avec vous (Dieu) mon amour finira a4; 1555b; O XII/17
Beau le cristal a4; 1576d; O XII/48
Bon jour et puis quelles nouvelles (Bon coeur amis) a5; 1571a; O XVI/11
Bon jour mon coeur (Christ est mon Dieu) a4; 1564a; O XII/51
Bont divine vien et monstre. see: O vin en vigne
Ce faux amour (Satan) a4; 1564a; O XII/53
Clbrons sans cesse a4; 1576d; O XVI/40
Ce que tu peux maintenant a4; 1583/7 (ed. 1581 lost); O XVI/46
C'estoit en ton jeune age a5; 1584a; O XVI/31
Chanter je veux la gente (l'heur de l'ame) a5; 1569/19; O XIV/13
Cherchons ailleurs. see: Soufflons d'autant amis
Christ est mon Dieu. see: Bon jour mon coeur
Comme la tourterelle / O t'attend ta maistresse (De l'ternelle liesse) a5;
1565a; O XIV/31
Comme un qui prend (Malheureuse est la troupe) a5; 1571a; O XVI/1
Croire lger et soudain a4; 1583/7 (1581 ed. now lost); O XVI/50
D'amours me va (Le monde va tout rebours) a5; 1571a; O XVI/12
De ce malheur. see: Si du malheur
De l'ternelle liesse. see: Comme la tourterelle
De plusieurs choses a5; 1571a; O XVI/15
Dessus le march d'Arras a6; 1584a; O XVI/37
De tout mon coeur a5; 1564b; O XIV/9
De vous servir a4; 1570a; O XII/36
Dis-moy mon coeur a8; 1573c; O XIV/38
Divin amour. see: Ardant amour souvent
Dix ennemies (Mes vains desirs) tous dsarms / Et me prenant au collet a5;
1576b; O XIV/15
D'o vient cela. see: Que gaignez vous
Du corps absent a4; 1564a; O XII/27
Du fond de ma pense a4; 1564a; O XVI/38
Elle s'en va de moy (Elle prit ma chair) a5; 1560c; O XIV/26
En ce monde. see: En un lieu
En espoir vis et crainte a4; 1555b; O XII/25
En m'oyant chanter a4; 1564a; O XII/54
En un chasteau, madame (L'homme mortel contemplant) a4; 1570b; O XII/7
En un lieu (En ce monde) a4; 1564a; O XII/44
Est-il possible moy (Est-il posssible en ce monde) a5; 1560c; O XIV/28
Et d'o venez vous (Que devenez-vous) a5; 1564c; O XIV/17
Fleur de quinze ans a4; 1564a; O XII/20

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Fuyons tous d'amour (Fuyons de vices) le jeu a4; 1564a; O XII/42


Gallans qui par terre a4; 1584a; O XVI/26
Gurir ma douleur a4; 1584a; O XVI/23
Htez-vous (Haste-toi de me faire) a4; 1567/11; O XII/43
Hlas j'ai sans merci a5; 1584a; O XVI/33
Hlas mon Dieu a5; 1571a; O XVI/9
Hlas mon Francin (3rd pt. of: Mais qui pourroit) a6; 1584a; O XVI/34
Hlas quel jour a4; 1560c; O XII/22
Heureux qui met en Dieu a4; 1583/7 (1581 ed. lost); O XVI/47
Hol Caron a8; 1571a; O XVI/17
Il esteoit une religieuse (Si j'estoi o mon ame) a4; 1565a; O XII/39
Il n'y a que douleur. see: S'il y a compagnons
J'aime la pierre prcieuse a5; 1584a; O XVI/30
J'attends le tems a5; 1560c; O XIV/12
J'ay cherch la science (J'ay du ciel la science) a5; 1564a; O XII/28
J'ay de vous voir a4; 1584a; O XVI/27
Je l'ayme bien (J'aime mon dieu et l'aimerai) a4; 1555b; O XII/19
J'endure un tourment / Mais quel propos (Mais de quoi me sert) a5; 1564c;
O XIV/10
Je ne veux plus que chanter a5; 1565a; O XIV/23
Je ne veux rien qu'un baiser (que deux mots) a4; 1564a; O XII/50
J'espre et crains / Plus je me pique a5; 1571a; O XVI/3
Je suis quasi prest d'enrager (de mourir) a4; 1570b; O XII/26
Je vous donne en conscience a5; 1571a; O XVI/14
La ferme foi. see: Ardant amour souvent
La mort est (Les dez, c'est) jeu pire a4; 1564a; O XII/29
La nuict froide et sombre a4; 1576d; O XII/15
La peine dure a4; 1584a; O XVI/22
Las je n'iray plus a5; 1576a; O XVI/32
Las me fault-il a5; 1560c; O XIX/20
Las voulez-vous a4; 1555b; O XII/1
La terre les eaux (La terre son Dieu va louant) a5; 1564c; O XIV/2
L'avare veut avoir. see: A ce matin
Le dpartir (Partir d'ici, c'est un departement) a5; 1564c; O XIV/30
Le monde va tout rebours. see: D'amours me va
Le rossignol plaisant a5; 1560c; O XIV/27
Le sage fils est du pre a4; 1583/7 (1581 ed. now lost); O XVI/49
Les biens du corps et ceux a4; 1583/7 (1581 ed. now lost); O XVI/51
Les dez, c'est jeu pire. see: La mort est jeu pire
Le temps pass (Le tems perdu je souspire) a4; 1567/11; O XII/23
Le temps peut bien a4; 1564 ; O XII/40
Le voulez-vous (2nd pt. of: Veux-tu ton mal) a5; 1559/12; O XIV/19
Le vray amy (Le vertueux ne s'estonne de rien) a4; 1564a; O XII/31
L'heureux amour (plaisir qui esleve) a4; 1576b; O XII/2
L'homme de bien dit son ame. see: Un advocat dit sa femme
L'homme mortel contemplant. see: En un chasteau, madame
L'homme se plaint a4; 1583/7 (1581 ed. now lost); O XVI/48
Lucescit jam o socii a4; 1583/7; O XVI/44; N I/11
Mais quel propos (Mais de quoi me sert; 2nd pt. of: J'endure un tourment
a5; 1564c; O XIV/10
Mais qui pourroit a3; 1584a; O XVI/24
Mais qui pourroit / Si mon gentil / Hlas mon Francin a6; 1584a; O XVI/34
Maistre Robbin. see: Monsieur l'abb

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M'amie a bien le regard a4; 1584a; O XVI/20


Margot labourz a4; 1564a; O XII/52
Maudit pech qui me deffens. see: O temps divers
Mes pas sems (Mes pas Seigneur tant esgarez) a4; 1564a; O XII/46
Mes vains dsirs vouts dsarms. see: Dix ennemies tous dsarms
Mon coeur ravi d'amour a5; 1564c; O XIV/6
Mon coeur se recommande (Mon coeur se rend toi; Qui laboure champ ou
vigne) a5; 1560c; O XIV/4
Mon feu s'esteint. see: Ton feu s'esteint
Monsieur l'abb (Maistre Robbin) a4; 1564a; O XII/8
Mon triste coeur rempli. see: Un triste coeur rempli
Noblesse gist au coeur a5; 1570b; O XIV/1
O comme heureux a4; 1564c; O XVI/39
O doux parler / O vermeillons a8; 1571a; O XVI/18
O foible esprit / O jeune archer a5; 1571a; O XVI/7
O mre des amours Ciprine / Tu sais o gentille / Or cesse doncques a4; 1584a
1584a; O XVI/25
On doit le fer battre a4; 1583/8; O XVI/19
On ne peut le fol amour. see: Un jour vis un foulon
Or cesse doncques (pt.3 of: O mre des amours Ciprine) a4; 1584a; O XVI/25
Ores que je suis dispos / Verse-moi donc du vin a5; 1571a; O XVI/5
Orsus filles (Sus, je vous pri) a4; 1576b; O XII/32
O temps divers (Maudit pech qui me deffens) a4; 1559/12; O XII/35
O t'attend ta maistresse (pt.2 of: Comme la tourterelle) a5; 1565a; O XIV/31
O vin en vigne (Bont divine, vien et monstre) a4; 1570b; O XII/16
Paisible domaine (Qu'est-ce que Dieu donne) a5; 1571a; O XVI/10
Parents sans amis / Femme qui demande a5; 1571a; O XVI/8
Partir d'ici, c'eset un departement. see: Le dpartir
Pech infame. see: Puisque fortune
Pre qui habites les cieux a5; 1584a; O XVI/28
Petite folle (Troupe fidele, es-tu pas) a4; 1564a; O XII/41
Plus je me pique (2nd pt. of: J'espre et crains) a5; 1571a; O XVI/3
Pour courir en poste / Pour mettre / Pour desbaucher / Pour faire a5; 1571a;
O XVI/13
Puisque en mon mal. see: Veux-tu ton mal
Puisque fortune (Pech infame; Puis que pech moi) a5; 1564c; O XIV/32
Puisque vivre en servitude a4; 1584a; O XVI/21
Quand me souvient (Sentant l'effort et la triste) a5; 1570b; O XIV/33
Quand mon coeur a quelque souci. see: Si pour moy avez du souci
Quand mon mary vient (Quand l'homme honneste) a4; 1564a; O XII/11
Quand un cordier a4; 1573c; O XII/55
Que devenez-vous. see: Et d'o venez vous
Que dis-tu, que fais tu a8; 1576b; O XIV/37
Qu'est-ce que Dieu donne. see: Paisible domaine
Que gaignez vous (D'o vient cela) a5; 1570d; O XVI/42
Qui bien se mire a4; 1573c; O XII/33
Qui de pech veut savoir. see: Qui veult d'amour
Qui dort icy (en nous) a4; 1564a; O XII/9
Qui laboure champ ou vigne. see: Mon coeur se recommande
Quitte le monde. see: Un jeune moine
Qui veult d'amour (Qui de pech veut savoir) a5; 1576b; O XIV/35
Rends-moi mon coeur a5; 1561/5; O XIV/5
Sais-tu dire l'Av (Sais-tu dire bien) a4; 1573b; O XII/34

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Sauter danser faire les tours a4; 1576d; O XII/5


Secours moy (Assiste moy Seigneur) a5; 1560d; O XVI/41
Sentant l'effort et la triste. see: Quand me souvient
Si du malheur (De ce malheur) a4; 1573c; O XII/24
Si froid et chault a4; 1564a; O XII/49
Si j'estoi o mon ame. see: Il esteoit une religieuse
Si je suis brun / Ne vous soit trange a4; 1573c O XII/14
Si le long temps a4; 1559/12; O XII/3
Si le mal ennyeux a4; 1583/7 (1581 ed. now lost); O XVI/53
S'il y a compagnons (Il n'y a que douleur) a5; 1576b; O XIV/16
Si mon gentil (2nd pt. of: Mais qui pourroit) a6; 1584a; O XVI/34
Si par souhait je vous (te) tenoit a4; 1570d; O XII/6
Si pour moy avez du souci (Quand mon coeur a quelque souci) a4; 1576b;
O XII/45
Si vous estes m'amie a6; 1584a; O XVI/36
Si vous n'estes en bon point a4; 1564a; O XII/30
Soufflons d'autant amis (Cherchons ailleurs) a5; 1571a; O XVI/6
Soyons joyeux a4; 1564c; O XII/10
Sur tous regretz a5; 1560c; O XIV/7
Susanne un jour a5; 1560c; O XIV/8
Sus, je vous pri. see: Orsus filles
Ta voix, Dieu, avec ton doux. see: Ung doulx nenny
Ton (Mon) feu s'esteint a4; 1559/13; O XII/56
Ton nom que mon vers / Le comble de ton savoir a5; 1571a; O XVI/2
Toutes les nuitz a5; 1563; O XIV/34
Trop endurer sans avoir (de pech) a4; 1555b; O XII/37
Troupe fidele, es-tu pas. see: Petite folle
Tu sais o gentille (pt.2 of: O mre des amours Ciprine) a4; 1584a; O XVI/25
Un advocat dit sa femme (L'homme de bien dit son ame) a4;1570b;O XII/4
Un bien petit / Mais vous voir a5; 1571a; O XVI/4
Une puce j'ay dedans l'oreill' / Nul remede a5; 1576b; O XIV/29
Ung doulx nenny (Ta voix, Dieu, avec ton doux) a4; 1560c; O XII/21
Un jeune moine (Quitte le monde) a4; 1573c; O XII/47
Un jour concluz a4; 1583/7 (1581 ed. now lost); O XVI/52
Un jour l'amant a8; 1570b; O XIV/36
Un jour vis un foulon (On ne peut le fol amour) a4; 1570b; O XII/18
Un messagier a5; 1570b; O XIV/14
Un (Mon) triste coeur rempli a5; 1560c; O XIV/21
Veux-tu ton mal (Puis qu'en mon mal) / Le voulez-vous a5; 1559/12; O XIV/18
Vignon vignon vignette a6; 1584a; O XVI/35
Vive sera et toujours perdurable a5; 1570f; O XIV/3
Voir est beaucoup a4; 1559/13; O XVI/43; N I/12
Vous qui aymez les dames a5; 1560c; O XIV/11
Vray dieu disoit une fillette (une ame sainte) a4; 1555b; O XII/38
c. GERMAN LIEDER
(incl. sacred songs)
Allein Gott ich vertraue (3rd pt. of: Aus meiner Snden Tiefe) a4; 1583al
I XX/23
Al mein Anfang. see: Le temps peut bien
Als Holophernes (6th pt. of: Die Gnad kombt oben her) a4; 1583a; O XX/14
Am Abent spat, beim khlen (khiellen) Wein a5; 1567c; O XVIII/15

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Annelein, du singst fein a4; 1573c; O XX/2


Audite nova Der Bauer von Eselskirchen a4; 1573c; O XX/6
Auf dich, mein lieber herr und Gott a3; 1588c; O XX/44
Auf ihn will ich vertrauen (3rd pt. of: Von Gott will ich nit lassen) a6; 1590;
O XX/88
Aus gutem Grund a4; 1573c; O XX/3
Aus hartem Weh a6; 1590; O XX/73
Aus meiner Snden Tiefe / Wann sich dein grimmer Zorn / Allein Gott / Von
Gott kein Mensch a4; 1583a; O XX/21-24
Aus tiefer Not. see: Si le long temps
Bald ich von Gelt (2nd pt. of: Ich armes Weib) a4; 1583a; O XX/37
Baur, was tregst im Sacke? a4; 1583a; O XX/29
Bewar mich Herr. see: Ton feu s'esteint
Christ ist erstanden a4; 1583a; O XX/8
Da das der Herr (2nd pt. of: Im Lant zu Wirtemberg) a5; 1567c; O XVIII/9
Da ich lang stille (4th pt. of: Mein Frau Hilgart) a5; 1576a; O XVIII/55
Da lagens beieinander (3rd pt. of: Mit Lust thet ich aussreitten) a5; 1576a;
O XVIII/50
Daniel geworfen war (pt.9 of: Die Gnad kombt oben her) a4; 1583a; O XX/17
Daniels Knaben drey (pt.8 of: Die Gnad kombt oben her) a4; 1583a; o XX/16
Dann bey dem Herren (5th pt. of: Ich ruff zu dir) a6; 1590; O XX/72
Dann eh er's hat begert (3rd pt. of: Der Knig wirdt seyn) a6; 1590; O XX/89
Darauf hat Gott gesandt (7th pt. of: Die Gnad kombt oben her) a4; 1583a;
O XX/15
Darum, o frommer Gott (10th pt. of: Die Gnad kombt oben her) a4; 1583a;
O XX/18
Das ein das Annelein (2nd pt. of: Mit Lust thet ich aussreitten a5; 1576a;
O XVIII/49
Das Meidlein (2nd pt. of: Einmal ging ich spatzieren) a5; 1572a
Das Meidlein trgt Pantoffel an (2 nd pt. of: Ein Meidlein zu dem Brunnen
ging) a5; 1572a; O XVIII/34
Das sauer Trank. see: La mort est jeu pire
Das Volk von Israel (pt.4 of: Die Gnad kombt oben her) a4; 1583a; O XX/12
Der g'winnen will (pt.3 of: Hrt zu ein news Gedicht) a5; 1576a; O XVIII/62
Derhalben dann ichts (2nd pt. of: In viel Trbsal) a6; 1590; O XX/81
Der Herr, der ist mit dir (2nd pt. of: Maria voll Genad) a6; 1590; O XX/77
Der Herr erhre deine Klag a3; 1588c; O XX/50
Der Knig wirdt seyn Wolgemut / Du hast ihm geben / Dann eh er's hat begert
a6; 1590; O XX/83-85
Der Meye bringt uns der Blmlein vil a5; 1572a; O XVIII/29
Der Richter lacht (3rd pt. of: Im Lant zuv Wirtemberg) a5; 1567c; O XVIII/10
Der starcke Gott im Himmelreich a3; 1588c; O XX/65
Der Tag der ist so frewdenreich a5; 1572a; O XVIII/27
Der Wein, der schmeckt mir also a5; 1567c; O XVIII/5
Der Welte Pracht ist hoch geacht a5; 1576a; O XVIII/58
Die Fassnacht ist ein schne Zeit a5; 1567c; O XVIII/3
Die Frau ganz hflich (3rd pt. of: Einmal ging ich spazieren aus) a5; 1572a;
O XVIII/41
Die Gnad kombt oben her / Wer Gott vertrauen thut / Wir armes Volck / Das
Volck von Israel / Joseph verkauffet / Als Holophernes / Darauff hat Gott
gesandt / Daniels Knaben drey / Daniel geworfen war / Darumb, o frommer Gott / Wer diss Lied hat gemacht / Hierauf sey nun gepreiset
a4; 1583a; O XX/9-20

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Die Toren sprechen wohl a3; 1588c; O XX/47


Die Welt und all ihr Reichtum a3; 1588c; O XX/52
Die Zeit, so jetzt vorhanden ist a5; 1567c; O XVIII/6
Dort aber wirdt ein' Stund' (pt.2 of: O Mensch gedenck) a6; 1590; O XX/75
Du bist gebenedeit (3rd pt. of: Maria voll Genad) a6; 1590; O XX/78
Du hast ihm geben (2nd pt. of: Der Knig wirdt seyn) a6; 1590; O XX/84
Ein Esel und das Nssbawmholtz a4; 1573c; O XX/1
Ein guten Rat wil geben ich / In Glck und Freud' a6; 1590; O XX/66-67
Ein guter Wein ist Lobens werd a5; 1567c; O XVIII/19
Ein Krbelmacher in eim Dorff a6; 1590; O XX/82
Einmal ging ich spatzieren / Ich sprach, o Frau / die Frau ganz hflich / So dank'
ich Gott a5; 1572a; O XVIII/39-42
Ein Meidlein zu dem Brunnen ging / Das Meidlein trgt Pantoffel an a5; 1572a;
O XVIII/33-34
Erzrn dich nicht o frommer Christ a5; 1572a; O XVIII/25
Es jagt ein Jeger vor dem Holtz a5; 1572a; O XVIII/35
Es sind doch selig alle die a5; 1572a; O XVIII/30
Es tut sich alles verkeren a4; 1573c; o XX/4
Es zeugen des gottlosen Wercke a3; 1588c; ) XX/58
Fraw ich bin euch von hertzen Hold a5; 1567c; O XVIII/14
Frlich und frey ohn alle Reu a5; 1576a; O XVIII/59
Frlich und frei. see: Quand mon mary vient
Frlich zu sein ist mein Manier / Wer frisch will sein a5; 1567c; O XVIII/17-18
Gebenedeit auch ist dein' Frucht (pt.4 of: Maria voll Genad) a6;1590; O XX/79
Gott ist auf den wir immer hoffen a3; 1588c; O XX/63
Gott ist mein Schtz. see: ce matin
Gott nimbt und geit zu jeder Zeit a5; 1576a; O XVIII/51
Gross Angst und Not. see: Trop endurer
Gross ist der Herr im heilgen Thron a3; 1588c; O XX/64
Gunst geht fr gspunst. see: Soyons joyeux
Halt mich o Herr in deiner Hut a3; 1588c; O XX/48
Herr der du meine Stercke bist a3; 1588c; O XX/49
Herr Gott mein Hort a3; 1588c; O XX/54
Herr Jesu Christ. see: Le vray amy
Hierauf sei nun gepreiset (12th pt. of: Die Gnad kombt oben her) a4; 1583a;
O XX/20
Hilf lieber Herr die heilig Frommen a3; 1588c; O XX/46
Hilf uns, o Herr. see: Si froid et chault
Hrt zu ein news Gedicht / So findt man / Der g'winnen will a5; 1576a;
O XVIII/60-62
Ich armer Mann was hab ich than a5; 1576a; O XVIII/44
Ich armes Weib / Bald ich von Geld / Wann ich dann sag / Nun wars um mich
a4; 1583a; O XX/36-39
Ich hab dich lieb das weist du wol / Und wann du freundlich bist a5; 1572a
O XVIII/37-38
Ich hab ein Mann / Wann er auffsteht / Nach dem Frhmal / Umb fnffe hin
a4; 1583a; O XX/31-34
Ich harr auf Gott (3rd pt. of: Ich ruff zu dir) a6; 1590; O XX/70
Ich harre auff Gott a3; 1588c; O XX/59
Ich ruf zu dir, Herr Jesu Christ a5; 1567c; O XVIII/2
Ich ruf zu dir, Herr Jesu Christ. see: Au feu verez-moy
Ich ruf zu dir, hilf mir. see: Monsieur l'abb
Ich ruff zu dir mein Herr und Gott / Wann du Herr wolltest / Ich harr auf gott /

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Mein Hoffnung steht / Dann bey dem Herren a6; 1590; O XX/68-72
Ich sprach: o Frau (2nd pt. of: Einmal ging ich spazieren aus) a5; 1572a;
O XVIII/40
Ich sprich wan ich nit leuge a5; 1576a; O XVIII/63
Ich weiss nur ein hbsches Frawelein a5; 1572a; O XVIII/36
Ich weiss mir ein Meidlein a4; 1583a; O XX/30
Ich will auss gantzem Hertzen rein a3; 1588c; O XX/45
Ich will dich Herr gebrlich loben a3; 1588c; O XX/55
Ich will Gott unaufhrlich preisen a3; 1588c; O XX/56
Id quid? fit , sit, Wie kann ich dirs abschlagen. see: Je ne veux rien
Im Lant zu Wirtemberg / Da das der Herr/ Der Richter lacht a5; 1567c;
O XVIII/8-10
Im Mayen hrt man die Hanen krayen a5; 1567c; O XVIII/11
In Glck und Freud' (pt.2 of: Ein guten Rat wil geben ich) a6; 1590; O XX/67
In viel Trbsal / Derhalben dann nichts a6; 1590; O XX/80-81
In welches Haus (pt.3 of: Mein Mann, der ist in Krieg) a5; 1572a; O XVIII/22
Ist doch Gott gar (pt.2 of: Wach auf o Menschenkind) a4; 1583a; O XX/28
Ist keiner hie, der sprich zu mir a5; 1567c; O XVIII/4
Joseph verkauffet (5th pt. of: Die Gnad kombt oben her) a4; 1583a; O XX/13
Kein Lieb noch treu ist. see: En un lieu
Kombt her zu mir spricht Gottes Son a5; 1572a; O XVIII/28
Laetamini in Domino und singt in dulci jubilo. see: Je l'ayme bien
Man sieht nun wol wie stet du bist a5; 1572a; O XVIII/32
Maria voll Genad / Der Herr, der ist mit dir / Du bist gebenedeit / Gebenedeit
auch a6; 1590; O XX/76-79
Mein einiger Trost. see: Petite folle
Mein Frau Hilgart / Mein Frau unmild / Mein Frau unrein / Da ich lang stille /
Sie rauft ihr genug a5; 1576a; O XVIII/52-56
Mein Frau unmild (2nd pt. of: Mein Frau Hilgart) a5; 1576a; O XVIII/53
Mein Frau unrein (3rd pt. of: Mein Frau Hilgart) a5; 1576a; O XVIII/54
Mein Gott, mein lieber treuer Gott a3; 1588c; O XX/51
Mein' Hoffnung steht auf Gott allein (pt.4 of: Ich ruff zu dir) a6; 1590; O XX/71
Mein' Hoffnung. see: Fleur de quinze ans
Mein Mann, der ist in Krieg / Was soll ich euch / In welches Haus / Woll'st du
mich dan a5; 1572a; O XVIII/20-23
Merck schnes. see: Hals quel jour
Mit Lust thet ich aussreitten / Das ein das Annelein / Da lagens a5; 1576a;
O XVIII/48-50
Nach dem Frhmal (3rd pt. of: Ich hab ein Mann) a4; 1583a; O XX/33
Nun grss dich Gott a8; 1573c; O XX/7
Nun wars umb mich (4th pt. of: Ich armes Weib) a4; 1583a; O XX/39
Nur nrrisch seyn ist mein Manier a5; 1572a; O XVIII/24
O Herre Gott mein Not. see: Bon mon coeur
O Herr, ich klag es dir a3; 15488c; O XX/42
O Mensch gedenck / Dort aber wirdt a6; 1590; O XX/74-75
O selig dem der treue Gott a3; 1588c; O XX/57
O treuer Gott. see: Ung doulx nenny
Schaff mir doch Recht in Sachen mein a3; 1588c; O XX/53
Seit frisch. see: Margot labourz
Selig ist der auff Gott sein Hoffnung setzet a4; 1583a; O XX/25
Selig zu preisen ist der Mann a3; 1588c; O XX/41
Sie rauft ihr genug (5th pt. of: Mein Frau Hilgart) a5; 1576a; O XVIII/56
So dank' ich Gott (pt.4 of: Einal ging ich spazieren aus a5; 1572a; O XVIII/42

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So find't man (2nd pt. of: Hrt zu ein nes Gedicht) a5; 1576a; O XVIII/61
So trincken wir alle a5; 1576a; O XVIII/57
Straff mich Herr nicht im Eifermut a3; 1588c; O XX/60
Susannen frumb a5; 1576a; O XVIII/43
Tritt auf den Riegel von der Tr a5; 1567c; O XVIII/16
Tue dich, o Herr. see: Du corps absent
Umb fnffe hin (4th pt. of: Ich hab ein Mann) a4; 1583a; O XX/34
Und wann du freundlich bist (pt.2 of: Ich hab dich lieb) a5; 1572a; O XVIII/38
Vater unser im Himmelreich a5; 1567c; O XVIII/1
Vernimm Herr meine Wort a3; 1588c; O XX/43
Verzag' Herz nit (2nd pt. of: Wie lang, o Gott, in meiner Not) a5; 1567c;
O XVIII/13
Von Gott kein Mensch (pt.4 of: Aus meiner Snden Tiefe) a4;1583a; O XX/24
Von Gott will ich nit lassen / Wann sich der Menschen Hulde / Auf ihm will ich
vertrauen a6; 1590; P XX/86-88
Von Morgens frh mit Gottes Lob a4; 1583a; O XX/35
Vor Zeiten was ich Lieb und Werd a5; 1567c; O XVIII/7
Vor Zeiten was ich lieb gehalten. see: Htez-vous
Wach auf o Menschenkind / Ist doch Gott gar a4; 1583a; O XX/27-28
Wann du, Herr, wolltest sehen an (pt.2 of: Ich ruff zu dir) a6; 1590; O XX/69
Wann er auffsteht (2nd pt. of: Ich hab ein Mann) a4; 1583a; O XX/32
Wann ich dann sag (3rd pt. of: Ich armes Weib) a4; 1583a; O XX/38
Wann sich dein grimmer Zorn (pt.2 of: Aus meiner snden Tiefe) a4; 1583a;
O XX/22
Wann sich der Menschen Hulde (2nd pt. of: won Gott will ich nit lassen)
a6; 1590; O XX/87
Was heut soll sein a4; 1583a; O XX/26
Was kann uns kommen an fr Not a5; 1572a; O XVIII/26
Welt, Gelt, dir wird einmal / Gelt, Welt, dir wird / Welt, Gelt, dir wird a5;
1576a; O XVIII/45-47
Was soll ich euch (pt.2 of: Mein Mann der ist in Krieg) a5; 1572a; O XVIII/21
Wem soll man jetzund trauen a4; 1573c; O XX/5
Wenn wir recht tun betrachten. Du fond de ma pense
Wer dies Lied hat gemacht (11th pt. of: Die Gnad kombt oben her) a4; 1583a;
O XX/19
Wer frisch will sein (pt.2 of: Frhlich zu sein) a5; 1567c; o XVIII/18
Wer Gott vertrauen thut (2nd pt. of: Die Gnad kombt oben her) a4; 1583a;
O XX/10
Wer singen will. see: En m'oyant chanter
Wer sucht der findt. see: Qui dort icy
Wie ein Hirsch gierlich schreien tut 13; 1588c; O XX/61
Wie lang, o Gott, in meiner Not / Verzag' Herz nit a5; 1567c; O XVIII/12-13
Willig und treu ohn alle Reu a5; 1572a; O XVIII/31
Wir armes Volck (3rd pt. of: Die Gnad kombt oben her) a4; 1583a; O XX/11
Wir haben, Herr, mit unsern Ohren a3; 1588c; O XX/62
Wohl kombt der May a4; 1583a; O XX/40
Wohlauf gut Gesellen. see: Un jeune moine
Woll'st du mich dan (pt.4 of: Mein Mann ist in Krieg) a5; 1572a; O XVIII/23
Zu aller Stund. see: Ardant amour souvent

D. CHRONOLOGICAL LIST OF THE EARLIEST


SOURCES IN PRINT

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a) Prints containing mostly works by de Lassus ( + letter)


b) Anthologies ( = RISM-number)

a) Prints containing only works by de Lassus


1555a: "Il primo libro di madrigali a cinque voci novamente dato in luce",
Venice, A. Gardano
1555b: "Il primo libro dove si contengono Madrigali, vilanesche, canzoni francesi e Motetti a quattro voci nuovamente impressi", Antwerpen, T.
Susato
1556: "Il primo de Mottetti a cinque & a sei voci nuovamente posti in luce",
Antwerpen, J. de Laet
1557: "Secondo libro delle muse a cinque voci. Madrigali d'Orlandus di Lassus con una canzona del Petrarca", Rome, A. Barr
1560a: "Il primo libro di Madrigali a quattro voci insieme alcuni madrigali d'altri autori novamente stampato & datto in luce", Venice, A. Gardano
1560b: "Liber decimus quintus ecclesiasticarum cantionum volgo moteta vocant V et VI voc. ex omnibus tonis", Antwerpen, T. Susato (enlarged
edition of 1556)
1560c: "Tiers livre des chansons a quatre cincq & six parties novellement
composez...convenables tant aux instrumentez comme la voix",
Leuven/Louvain, P. Phalse
1560d: "Livre de meslanges contrenant six vingtz chansons des plus rares et
plus industrieuses qui se truvent soit des autheurs antiques soit des
plus memorables de nostre temps: composes a cinq six sept & huit
parties en six volumes", Paris, A. le Roy & R. Ballard
1562: "(Viginti quinque) Sacreae Cantiones quinque vocum tum viva voce
tum omnis generis instrumentis cantatu commodissimae ima primum
in lucem editae...", Nrnberg, J. Montanus & U. Neuber
1563: "Il terzo libro delli Madrigali a cinque voci d'Orlando di Lassus novamente raccolto & dato in luce", Venice, G. Scotto
1564a: "Le premier livre de Chansons a quatre parties auquel sont ving et
sept chsosn nouvelles composes par M. Orlando di Lassus cvenables tant a la voix comme aux instruments...", Antwerpen, J. Susato
1564b: "Primus liber concentuum sacrorum quos motetos vulgo nominant quinque & sex vocibus compositorum...", Paris, A. le Roy & R. Ballard
1564c: "Quatriesme livre des chansons a quatre et cincq parties nouvellement
composes...convenables tant aux instruments comme a la voix",
Leuven/Louvain, P. Phalse
1565a: "Dixhuictieme livre de chansons quatree parties par Orlande de
Lassus", Paris, A. le Roy & R. Ballard
1565b: "Modulorum Orlandi de lassus quaternis quinis senis septenis octonis
& denis vocibus modulatorum secundum volumen", Paris, A. le Roy
& R. Ballard
1565c: "Quinque et sex vocibus perornatae sacrae cantiones nunc primum
omni diligentia in lucem editae...Liber secundus", Venice, G. Scotto
1565d: "Sacrae lectiones ex propheta Job quatuor vocum in officiis defunctorum cantari solitae authore O. di lasso...quae nunc primum...in communem omnium usum in lucem prodeunt", Venice, A. Gardano
1566a: "Liber missarum quatuor cum quinque et sex vocum...Liber primus",
Venice, A. Gardano
1566b: "Orlandi lassi sacrae cantiones vulgo motecta appellatae quinque et sex

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vocum liber secundus", Venice, A. Gardano


1566c: "Orlandi lassi sacrae cantiones vulgo motecta appellatae quinque et sex
vocum liber tertius", Venice, A. Gardano
1566d: "Orlandi Lassi sacrae cantiones vulgo motecta appellatae sex et octo
vocum liber quartus", Venice, A. Gardano
1567a: "Di Orlando Lasso Libro quarto de Madrigali a cinque voci da lui
novamente in Germania composti & hora dati in luce", Venice,
A. Gardano
1567b: "Magnificat octo tonurum sex quinque et quatuor vocum nunc primum
excusa et per O.l di Lasso composita", Nnrberg, Th. Gerlatz, in
officina J. Montani piae memoriae
1567c: "Newe tetsche Liedlein mit fnff Stimmen welche gantz lieblich zu
singen und auff allerley Instrumenten zugebrauchen von O. di Lassus
componirt und von im selbst corrigirt....", Mnchen, A. Berg
1568a: "Selectissimae Cantiones quas vulgo motetas vocant partim omnino
novae partim nusquam in Germania excusae sex & pluribus vocibus
compositae per excellentissimum musicum...", Nnrberg, Th. Gerlatz
1568b: "Selectissimae Cantiones quas vulgo motetas vocant martpim omnino
novae partim nusquam iln Germania excusae quinque et quatuor
vocibus compositae per exc. musicum...", Nrnberg, Th. Gerlatz
1569a: "Cantiones aliquot quinque vocum...jam primum in lucem summa cura
atque diligentia editae authore Orlando di Lassus", Mnchen, A. Berg
1569b: "Liber secundus sacrarum cantionum quatuor vocum vulgo motetas vocant cantui imnisque generis instrumentis accomodatarum summa
diligentia aeditus auctoribus O. di Lassus Cypr. de Rore", Leuven/
Louvain, P. Phalse
1570a: "Disieme livre de chansons quatre parties d'Orflande de Lassus &
autres", Paris, A. le Roy & R. Ballard
1570b: "Mellange d'Orlande de Lassus contenant plusieurs chansons tant en
vers latins qu'en ryme francoyse a quatre cinq six huis dix parties",
Paris, A. le Roy & R. Ballard
1570c: "Praestantissimorum divinae musices auctorum missae decem quatuor
quinque & sex vocum antgehac nunquam excusae", Leuven/Louvain,
P. Phalse & J. Bellre
1570d: "Premier livre des chansons a quatre et cinq parties composes par O.
di Lassus, c. de Rore et de nouveau plus correctement que cy devant
imprimes & emendes", Leuven/Louvain, P. Phalse
1570e: "Quinque missae suavissimis modulationbus refertae una quinque reliquae vero quatuor vocibus concinendae...liber secundus", Venice
1570f: "Second livre des chansons a quatre et cincq parties composes par O.
di Lassus, C. de rore & Ph. de Mons, de nouveau corriges & emendes", Leuven/Louvain, P. Phalse
1570g: "Selectiorum aliquot cantionum sacrarum sex vocum fasciculus adiunctus in fine tgribus dialogis octo vocum quorum nihil adhuc in lucem est
editum authore Orlando di Lassus", Mnchen, A. Berg
1570h: "Viginti quinque sacrae cantiones quinque vocum...authore Orlando di
Lassus", Nrnberg, Th. Gerlatz (enlarged edition of 1562)
1571a: "Livre de chansons nouvelles a cinc parties avec deux dialuges: a huict
...d'Orlande de Lassus", Paris, A. le Roy & R. ballard
1571b: "Moduli quinis vocibus nunquam hactenus editi Monachii Boioariae
compositi Orlando lasso auctore", Paris, A. le Roy & R. Ballard
1572a: "Der ander Theil teutscher Lieder mit fnff Stimmen nit allein zum
singen sonder auch aller Handt Instrumenten (wer deren genugsam

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1572b:
1573a:
1573b:
1573c:

1574a:
1574b:
1575:

1575a:

1576a:

1576b:

1576c:
1576d:
1577a:

1577b:
1577c:
1577d:

1579:

1581a:
1581b:

bericht ist) wol und artlich zugebrauchen...newlich componirt in Truck


geben und sonders Fleiss aigner Person corrigiert", Mnchen, Berg
"Moduli quatuor et octo vocum Orlando Lasso auctore", Paris, A. le
Roy & R. Ballard
"Moduli sex septem et duodecim vocum Orlando lasso auctore", Paris,
A. le Roy & R. Ballard
"Patrocinium musices Orlandi de Lasso...cantionum quas mutetas vocant opus novum prima pars...", Mnchen, A. Berg
"Sex cantiones latiane quatuor adiuncto dialogo octo vocum, Sechs
teutsche Lieder mit vier sampt einem Dialogo mit 8 Stimmen, Six
chansons francoises nouvelles a quatre voix avecq un dialogue a
huict, sei madrigali nuovi a quatro con un dialogo a otto voci, summa
diligentia compositae correctae & nunc primum in lucem aeditae..."
Mnchen, A. Berg
"Patrocinium musices Orlandi de Lasso...Missae aliquot quinque
vocum, secunda pars...", Mnchen, A. Berg
"Patrocinium musices Orlandi de Lasso...Officia aliquot de praecitpuis
festis anni 5. vocum, tertia pars...", Mnchen, A. Berg
"Patrocinium musices Orlandi de Lasso...Passio quinque vocum: idem
lectiones Iob & Lectiones matutinae de navitivate Christi quatuor vocum. Quarta pars", Mnchen, A. Berg
"Liber mottetarum trium vocum quae cum vivae voci tum omnis generis
instrumentis musicis commodissimae applicari possunt...", Mnchen,
A. Berg
"Der dritte Theil schner newer teutscher Lieder mit fnff Stimmen
sampt einem zu End gesetzten frantzsischen frlichen Liedlein welche nit allein lieblich zu singen sondern auch auff allerley Instrumenten
zugebrauchen von O. di Lasso...componiert, selbst corrigiert unnd
inn Truck verordnet worden", Mnchen, A. Berg
"Les Meslanges d'Orlande de Lassus contenantz plusieurs chansons
tant en vers latins qu'en ryme franoyse a quatre cinq six huit dix
parties: reveuz par luy et augmentz", Paris, A. le Roy & R. Ballard
"Patrocinium musices Orlandi de Lasso...Magnificat aliquot quatuor
quinque sex & octo vocum. Quinta pars", Mnchen, A. Berg
"Thrsor de musique d'Orlande de Lassus contenant ses chansons
quatre cinq & six parties", (Genve, P. de. St. Andr)
"Liber mottetarum trium vocum quae cum vivae voci tum omnis generis
instrumentis musicis commodissim applicari pussunt auctae nunq.
denu in cluem aeditae", Mnchen, A. Berg
"Missae variis concentibus ornatae ab Orlando de Lassus cum cantico
Beatae Mariae octo modis musicis variatio", Paris, le Roy & Ballard
"Moduli quatuor quinque sex septem octo & novem vocum Orlando
Lassussio auctore", Paris, A. le Roy & R. Ballard
"Novae aliquot et ante hac non ita usitate ad duas voces cantiones
suavissimae omnibus musicis summe uitles: nec non tyronibus qum
ejus artis peritioribus summopere inservientes...summa diligentia
compositae correctae et nunc primyum in lucem aeditae", A. Berg
"Altera pars selectissimarum cantionum quas vulgo motetas vocant
quinque et quatuor vocibus compositarum...et restituta ut sopra indicavimus", Nrnberg, C. Gerlach & heirs of J. Mantanus
"Orlandi lassi musici praestantissimi Liber Missarum quatuor et quinque
vocum", Nrnberg, Gerlach
"Libro de villanelle, moresche et altre canzoni a 4.5.6. & 8. voci...",

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Paris, A. le Roy & R. Ballard


1582a: "Orlandi Lassu musici praestrantissimi Fasciculi aliquot sacrarum cantionum cum qutuor quinque sex & octo vocibus antea quidem speratim excusi nunc vero auctoris consensu in unum corpus redacte",
Nrnberg, Gerlach
1582b: "Lectiones sacrae novem ex libris Hiob excerptae musicis numeris iam
recens compositae: nec non aliae nonnullae piae cantiones omnibus
qui tam vivae vocis quam instrumentorum musicorum cantu non imperit utuntur apprim accommodae quatuor vocum...", A. Berg
1582c: "Missa ad imitationem moduli quinti toni ...cum quatuor vocibus",
Paris, A. le Roy & R. Ballard
1582d: "Motetta sex vocum typis nondum uspiam excusa: singulari authoris
industria iampridem composita et praelo submissa quibus tam voces
humanae quam cuiusvis generis instrumenta musica concentu non iniucundo applicari possunt...", Mnchen, A. Berg
1582e: "Sacrae cantiones quinque vocum quae cum vivae voci tum omnis generis instrumentis musicis commodissimae applicari possunt opus
plan novum nunquam alijs typis excusum...", Mnchen, A. Berg
1583a: "Neue teutsche Lieder geistlich und weltlich mit vier Stimmen welche
nit allein lieblich zu singen sonder auch auff aller hand art Instrumenten zugebrauchen...Erst newlich componirt und in Truck gegeben",
Mnchen, A. Berg
1583b: "Orlandi Lassi Teutsche Lieder mit fnff Stimmen zuvor unterschiedlich
jetzund aber mit des Herrn Authoris Bewilligung inn ein Opus zusammen getruckt", Nrnberg, C. Gerlach & heirs of J. vom Berg
1584a: "Continuation du Mellange d'Orlande de Lassus 3.4.5.6. et dix
parties...", Paris, A. le Roy & R. Ballard
1584b: "Psalmi Davidis poenitentiales modis musicis redditi atque antehac
nunquam in lucem aediti his accessit psalmus: Laudate Dominum de
coelis quinque vocum...", Mnchen, A. Berg
1585a: "Cantica sacra recens numeris et modulis musicis ornata nec ullibi
antea typis evulgata sex et octo vocibus...", Mnchen, A. Berg
1585b: "Hierimae Prophetae Lamentationes et aliae piae cantiones: nunquam
antehac visae ab ipso autore....Recens singulari industria compositae
& in lucem sine menda editae quinque vocum", Mnchen, A. Berg
1585c: "Madrigali novamente composti a cinque voci", Nrnberg, C. Gerlach
1585d: "Sacrae Cantiones: antehac nunquam nec visae nec typis uspiam excusae quatuor vocum recens singulari industria compositae & in lucem
sine menda editae", Mnchen, A. Berg
1587a: "Madrigali a quattro cinque et sei voci novamente composti...", Nrnberg, C. Gerlach
1587b: "Missa ad imitationem moduli Beatus qui intelligit...sex vocibus",
Paris, A. le Roy & R. Ballard
1587c: "Missa ad imitationem moduli Locutus sum...cum se\x vocibus", Paris,
A. le Roy & R. Ballard
1587d: "Patrocinium musices Beatissimae Deiparaeque Virginis Mariae canticum magnificat quattuor quinque et sex vocibus ad imitationem cantilenarum quarundam singulari concentus hilaritate excellentium
authore...", Mnchen, A. Berg
1588a: "Orlandi Lassi, Adriani Hawil (= Hauville), ac nonnulorum aliorum
musicorum missae, quatuor, & quinque vocibus decantandae, nunc
primum Giolio Bonaiuncta S. Genesio, in lucem editae. Accessit
in fine alia missa Jac. Ant. Piccioli Corbario, quinque vocibus con-

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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8 FERD BOLSTRAAT
1072 LJ AMSTERDAM
TEL +31 (0)20-6762240
FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

cinenda. Liber primus", Milano, Francesco & heirs of S. Tini


1588b: "Tertium opus musicum continens lectiones Hiob et motectas seu
cantiones sacras quatuor quinque et sex vocum antea quidem tribus
fasciculis seorsim excusas nunc ver in volumen unum redactas...
additae sunt etiam in fine aliquot piae Ferdinandi Lassi cantilenae
nunc primum in lucem editae", Nrnberg, C. Gerlach
1588c: "Teutsche Psalmen geistliche Psalmen mit dreyen Stimmen welche nit
allein lieblich zu singen sonder auch auff aller hand Instrumenten zugebrauchen durch Orlandum de Lasso...und seinen Sohn Rudolphum
newlich componirt und in Truck verfertiget", Mnchen, A. Berg
1589: "Patrocinium musices Missae aliquot quinque vocum Orlandi de Lasso"
Mnchen, A. Berg
1590: "Newe teutsche unnd etliche frantzsische Gesng mit sechs Stimmen
componiert...und von ihm selbst mit Fleiss corrigiert", Mnchen, Berg
1594: "Cantiones sacrae sex vocum quas vulgo motectas vocant nunc primum
lucem aspicientes tum vivae vocis tum omnivario instrumentorum
concentui accommodae & singulari confectae", Graz, G. Widmanstad
1595: "Lagrime di S. Pietro descritte dal signor Luigi tansillo e nuovamente
poste in musica...con un mottetto nel fine sette voci...", Mnchen,
A. Berg
1597: "Cantiones quinque vocum ab Orlando di Lasso et huius filio Ferdinando di Lasso compositae typis iam primo subiectae et in lucem editae",
Mnchen, A. Berg
1600: "Prophetiae Sibyllarum...quatuor vocibus chromatico more singulari
confecta industria et per Rudolphum eius filium...diligenti adhibita castigatione typis datae", Mnchen, N. Henrici
1602: "Liber primus cantiones sacrae magnificat vocant V et VI vocum authore Orlando de Lasso his accesserunt quatuor ab eiusdem Orlandi filio
Ferdinando de Lasso compositae iam primum in lucem editae",
Mnchen, n. Henrici
1604: "Magnum Opus musicum Orlandi de Lasso...complectens omnes cantiones quas motetas vulgo vocant tam antea editas quam hactenus non
dum publicatas II....XII vocum a Ferdinando...& Rudolpho...authoris
filijs summo studio collectum & impensis eorudem typis mandatum",
Mnchen, N. Henrici
1607a: "Missa ad imitationem moduli Dixit Joseph...cum sex vocibus", Paris,
P. Ballard
1607b: "Missa ad imitationem Or sus coup...cum quatuor vocibus", Paris,
P. Ballard
1610: "...Missae posthumae ritu veteri Romano Catholico in modos qu
senos qu octonos temperatae hactenus ineditae et omnium quas
edidit lectissimae: vulgatae demum affectu studio sumtu superstitis
filij Rudophi de Lasso...", Mnchen, N. Henrici
1619: "Jubilius Beata Verginis hoc est centum Magnificat...IV.V.VI.VII.IIX.
& X. vocibus composita nunc vero Rudolphi de Lasso...labore & impensa praelaudati...", Mnchen, N. Henrici
b) Anthologies ( = RISM-number)
1555/19: "Le quatoirsiesme livre a quatre parties contenant dixhuyct chansons italiennes, six chansons francoises, & six motetz faictz (a la
nouvelle composition d'aucuns d'Italie) par rolando di Lassus nouvellement imprim...", Antwerpen, T. Susato

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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TEL +31 (0)20-6762240
FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

1555/30: "Villanelle d'Orlando di Lassus e d'altri eccellenti musici libro secondo", Roma, V. Dorico
1557/20: "Secondo libro delle muse a tre voci. Canzon villanesche alla napolitana, di nuovo raccolte et date in luce", Roma, A. Barr
1558/13: "Secondo libro delle muse, a quattro voci. madrigali ariosi, de diversi
eccell.mi autori, con doe canzni di Giannetto, di nuovo raccolti et
dati in luce", Roma, A. Barr
1559/12: "Douziesme livre de chansons nouvellement composes en musique a
trois, quatre, & cinq parties par plusieurs autheurs, imprimes en
quatre volumes", Paris, A. le Roy & R. Ballard
1559/13: "Treziesme livre de chansons nouvellement composes en musique
quatre parties, par plusieurs autheurs, imprimes en quatre volumes"
Paris, A. le Roy & R. Ballard
1560/14: "Il terzo libro delle villotte alla napolitana de diversi con due moresche
novamente stampate. A tre voci", Venice, A. Gardano
1561/5: "Douziesme livre de chansons nouvellement composes en musique
quatre, & cinq parties, par Orlande de Lassus, & autres autheurs,
imprim en quatre volumes", Paris, A. le Roy & R. Ballard
1561/10: "Il terzo libro delle Muse a cinque voci composto da diversi eccellentissimi musici con uno madregale a sei, et uno dialogo a otto, novamente per Antonio Gardano stampato & dato in luce", Venice
1562/7: "Il terzo libro delle Muse a quattro voci. Madrigali ariosi, da diversi
eccell. musici raccolti, et dati in luce", Roma, A. Barr
1563/3: "Liber primus Musarum cum quatuor vocibus sacrarum cantionum que
vulgo mottetta vocantur ab Orlando di Lassus, Cipriano rore, et aliis
ecclesiasticis authoribus compositarum, et ab Antonio Barr collectarum et in lucem nunc primum editarum", Venice, F. Rampazzetto
1564/1: "Thesaurus musicus continens selectissimas octo, septem, sex, quinque et quatuor vocum Harmonias, tam veteribus quam recentioribus symphonistis compositas, & ad omnis generis instrumenta musica accomodatas. Tomi primi continentis cnationes octo vocum...",
Nrnberg, J. Montanus & U. Neuber
1564/2: "Thesauri musici tomus secundus continens optimas septem vocum
cantiones ex variis autoribus collectas...", Nrnberg, J. Montanus &
U. Neuber
1564/3: "Thesauri musici tomus tertius continens cantiones sacras, quas vulgo
Motetas vocant, ex optimis musicis selectas. Sex vocum...", Nrnberg, J. Montanus & U. Neuber
1564/4: "Thesauri musici tomus quartus continens selectissimas quinque vocum
harmonias, quas vulgo Motetas vocant...", Nrnberg, J. Montanus
& U. Neuber
1564/5: "Thesauri musici tomus quintus, et ultimus, continens sacras harmonias
quatuor vocibus compositas. Quatuor vocum...", Nrnberg, J. Montanus & U. Neuber
1566/2: "Primo libro de diversi eccellent.mi auttori a quattro voci, intitulato
il Desiderio. Nuovamente posti in luce, per giulio Bonagionta...",
Venice, G. Scotto
1566/17: "Di Cipriano de Rore il quinto libro di madrigali a cinque voci insieme
alcuni de diversi autori. Novamente...Stampato & dato in luce",
Venice, A. Gardano
1567/1: "Suavissimae et iucundissimae harmoniae: octo, quinque et quatuor
vocum, ex duabus vocibus, a praestantissimis artificibus huius arits
compositae, et nunc primum in lucem aeditae...Clemente Stephani

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TEL +31 (0)20-6762240
FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

buchaviense, & Egranorum incola selectore", Nrnberg, T. Gerlach


1567/3: "Primo libro de gli eterni mottetti de Orlando Lasso, Cipriano Rore et
d'altri eccel. musici a 5 et 6 voci, di novo posti in luce per Giulio
Bonagionta da San Genesi...", Venice, G. Scotto
1567/11: "Dixneufieme livre de chansons nouvellement composs quatre, &
cinq parties, par plusieurs autheurs. Imprim en quatre volumes",
Paris, A. le Roy & R. Ballard
1567/13: "Secondo libro delle fiamma madrigali a cinque et sei voci de diversi
eccellentissimi musici di novo posti in luce per Giulio Bonagionta da
San Genesi...", Venice, G. Scotto
1567/16: "Terzo libro del desiderio. Madrigali a quattro voci di Orlando Lasso
et d'altri eccel. musici con un dialogo a otto. Di novo posti in luce
per Giulio Bonagionta da S. Genesi...", Venice, G. Scotto
1568/2: "Novi thesauri musici liber primus quo selectissime planeque nove, nec
unquam in lucem edite cantiones sacre (quas vulgo moteta vocant)
continentur octo, septem, sex, quinque ac quatuor vocum, a prestantissimis ac huius aetatis, precipuis symphoniacis composite,que in
sacra Ecclesia catholica summis solemnibusque festivitatibus, canuntur, ad omnis generis instrumenta musica, accommodate: Petri
Ioannelli bergomensis de Gandino, summo studio ac labore collectae...", Venice, A. Gardano
1568/4: "Novi atque catholici thesauri musici. Liber tertius..", Venice, Gardano
1568/5: "Novi atque catholici thesauri musici. Liber quartus...", Venice, A.
Gardano
1569/18: "Il terzo libro delle muse a cinque voci composto da diversi eccellentissimi musici con uno madregale a sei, et uno dialogo a sette, d'Orlando novamente per Antonio Gardano ristampato", Venice
1569/19: "Musica de' virftuosi della florida capella dell'illustrissimo et eccellentis. S. Duca di Baviera a cinque voci, con le rime del S. Antonio
Minturno. Libro prim", Venice, G. Scotto
1570/15: "I dolci frutti primo libro de vaghi et dilettevoli madrigali di diversi
eccellentissimi auttori cinque voci, novamente posti in luce, per il
R.P.F. Cornelio Antonelli da Rimino detto il Turturino", Venice, G.
Scotto
1575/11: "Il secondo libro de madrigali a cinque voci de floridi virtuosi del
serenissimo ducca di Baviera con uno dieci. Nuovamente posti in
luce", Venice, herede di G. Scotto
1576/5: "Musica di XIII. autori illustri a cinque voci, novamente per Angelo
Gardano raccolta et data in luce. Nella quale si contengono i pi
belli madrigali; che hoggidi si cantino...", Venice, A. Gardano
1579/2: "Corona de madrigali a sei voci di diversi eccellentissimi musici, novamente posti in luce. Libro primo", Venice, herede di G. Scotto
1583/2: "Harmoniae miscellae cnationum sacrarum, ab exquisitissimis aetatis
nostrae musicis cum quinque & sex vocibus concinnatae, pleraeque
omnes novae, necdum in Germania typis scriptae: nunc autem editae
studio Leonardi Lechneri athesini", Nrnberg, Gerlach
1583/7: "Vingdeuxieme livre de chansons quatre & cinq parties, D'Orlande
de Lassus et autres", Paris, A. le Roy & T. Ballard
1583/8: "Vingttroisieme livre de chansons quatre & cinq parties, d'Orlande
deLassus et autres", Paris, A. le Roy & R. Ballard
1583/9: "Vingtquatrieme livre d'airs et chansons quatre & cinq parties, de
plusieurs excelens autheurs", Paris, A. le Roy & R. Ballard
1583/15: "Musica divina di XIX. autori illustri, a IIII.V.VI. et VII. voci, nuova-

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

mente raccolta da Pietro Phalesio, et data in luce. Nella quale si contengono i pi excellenti madrigali che hoggidi si cantino", Antwerpen,
P. Phalse & J. Bellre
1584/4: "Musica de diversi auttori illustri per cantar et sonar in concerti a sette,
otto, nove, dieci, undeci, et duodeci voci, novamente raccolta, et non
piu stampata. Libro primo", Venice, G. Vincenti & R. Amadino
1585/17: "Sdegnosi ardori. Musica di diversi auttori, sopra un istesso soggetto
di parole, a cinque voci, raccolti insieme da Giulio Gigli da Immola",
Mnchen, A. Berg
1586/4: "Beatissimae Virginis Mariae octo cantica modis tonorum octo quaternisque vocibus distincta. Adiectis adhaec duplici Salve Regina.
Missa quinti toni. Christe 3. et 4. voc. et Tibi laus. Auctore Orlando
Lasso", Paris, A. le Roy & R. Ballard
1590/5: "Corollarium cantionum sacrarum quinque, sex, septem, octo, et plurium vocu, de festis praecipuis adnni. Quarum quaedam ante
praestantissimis nostrae aetatis musicis, in Italia separatim editae
sunt, quaedam vero nuperrim concinnatae, nec uspiam typis excusae, at nunc in unum quasi corpus redactae studio & opera Friderici
Lindneri...", Nrnberg, C. Gerlach
1594/6: "Madrigali pastorali, descritti da diversi, et posti in musica da altri tanti
autori sei voci, intitolati il bonbacio. Novamente stampati", Venice,
A. Gardano
1596/2: "Thesaurus litaniarum. Quae a praecipuis hoc aevo musicis, tam in laudem sanctiss. nominis Iesu, quam in honorem deiparae coelitumque
omnium, quatuor, quinque, sex, plurium vocum compositae: ad
communem ver Ecclesiae usum collectae, opera & studio Georgii
Victorini in aede D. Michalis...", Mnchen, A. Berg
1600/5: "Nuove laudi ariose della Beat.ma Vergine scelte da diversi autori a
quattro voci per il rever. D. Giovani Arascione piemontese da Cairo
prete secloare", Roma, N. Mutii
1601/3: "Cantiones sacrae, ab Orlando de Lasso, et huius filio, Rudolpho de
Lasso, sex vocibus compositae typis iam primo subiectae & in lucem
editae", Mnchen, N. Heinrich

E. SEPARATE EDITIONS:
Smaller Collections & Single works

a) Smaller Collections

334.R7

248.R8

"Newe tetsche Liedlein mit fnff Stimmen welche gantz lieblich zu singen und
auff allerley Instrumenten zugebrauchen von O. di Lassus componirt und von
im selbst corrigirt....", Mnchen, A. Berg, 1567
(see for titles of the 19 songs a5: Compl. Works, Old Series, vol. 18)
Facsimile ediltion of the 5 partbooks of the 1567 edition; these partbooks
contain as well Gallus Dressler's: "Zehen deudscher Psalmen", Jena, D. Richzenhain & Th. Rebart, 1562 (a4, a5 and a8)
129,- 30 Chansons from "Les Meslanges", 1576; see Compl. Works, Old Series:
vol. XII (nos. 1-17, 19-21, 24-30, 40) and vol. XIV (nos. 22 and 36) for all
titles; ed. H. Expert (Les matres musiciens de la Renaissance franaise", vol.
ed. H. Expert ("Les matres musiciens de la Renaissance franaise", volume

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_______________

I; 1894). Reprint

249.R7

75,--

Canzoni villanesche & Villanelle


ed. D. Cardamone Jackson; with Neapolitan vocal models and intabulations
for lute, cittern and keyboard
a) Villanesche from:
"Il primo libro dove si contengono Madrigali, vilanesche, canzoni francesi e
Motetti a quattro voci nuovamente impressi", Antwerpen, T. Susato, 1555:
1. La cortesia voi donne predicate
2. Madonna mia, piet chiam' et aita
3. 'No giorno t'haggio havere mintra 'ste mane
4. 'Sto core mio se fosse di diamante
5. Tu sai, madonna mia, ch'io t'amo et voglio
6. Tu, traditora, m'hai puost'a 'sto core
b) Neapolitan models for nos. 1-5:
1a. V. Fontana: La cortesia voi donne predicate
2a. V. Fontana: Madonna mia, piet chiam' et aita
3a. V. Fontana: 'No giorno t'haggio havere mintra 'ste mane
4a. anonymous: 'Sto core mio se fosse di diamante
5a. V. Fontana: Tu sai, madonna mia, ch'io t'amo et voglio
c) Villanelle from:
"Libro de villanelle, moresche et altre canzoni a 4.5.6. & 8. voci...", Paris,
A. le Roy & R. Ballard, 1581
7. Ad altre le voi dare 'ste passate
8. Ecco la nimph' Ebrayca chiamata
9. Io ti voria contar la pena mia
10. O belle, fusa! chi ne vo' accatare?
11. O occhi manza mia, cigli dorati
12. Ogni giorno m'han ditt'a chi favelli
13. Par ch'hai lasciato de non t'affacciare
14. Saccio 'na cosa ch' di legn'e tonda
15. S'io fusse ciaul' et tu lo campnile
16. S'io ti vedess' una sol volt' il giorno
17. S'io ve dico ca sete la chi bella
18. Tutto lo d mi dici, "canta, canta"
d) Neapolitan models for nos. 7, 8, 10, 11, and 14:
7a. G.D. da Nola: Ad altre le voi dare 'ste passate
8a. G.D. da Nola: Ecco la nimph' Ebrayca chiamata
10a. G.D. da Nola: O belle, fusa! chi ne vo' accatare?
11a. anonymous: O occhi manza mia, cigli dorati
14a. V. Fontana: Saccio 'na cosa ch' di legn'e tonda
e) Intabulations for lute (in keyboard notation):
nos. 1, 2, 4-6: from S. Kargel's "Novae, elegantissimae, gallicae, item et
item et italicae cantilenae, mutetae et passomezo, adjunctis suis saltarellis...
in tabulaturam...translatae.../ Newe, schne, und liebliche Tabulatur...
Getruckt zu Strassburg durch Bernhard Jobin. Anno 1575"
2d-e. Two settings from E. Adriaensen's: "Pratum musicum longe amoenissimum, cuius spatiosissimo, eoque iucundissimo ambitu...", Antwerpen, P.
Phalse, 1584 (no. 14 for SB and lute; no. 38 for 3 lutes)
f) Intabulations for 4-course cittern (in keyboard notation):
nos. 1, 2 and 4-6 in Phalse's anthology: "Hortulus cytharae...", 1570
(nos. 149, 150, 152 and 153)
no. 2 from Kargel's "Renovatha cythara...", Strasbourg, B. Jobin, 1578

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_______________

g) Intabulations for 6-course cittern:


nos. 1, 2 and 5 in Kargel's "Nova eaque artificiosa et valde commoda ratio
ludendae cytharae...", Strasbourg, B. Jobin, 1575
h) Intabulations for keyboard of nos. 1 and 3

99,--

250.R8

12 Villanelle a4:
1. La cortesia
2. Madonna mia, piet
3. No giorno t'haggio haver
4. O occhi, manza mia
5. Par ch'hai lasciato
6. S'io fusse ciaul
7. S'io ve dico
8. Saccio 'na cosa
9. Sto core mio
10. Tu sai, madonna mia
11. Tu, tradotora
12. Tutto lo di
ed. B. Thomas

12,--

251.R8

10 Chansons for SATB:


1. Bon jour, mon coeur
2. En un lieu ou l'on ne voit
3. Fuyons tous d'amour le jeu
4. Hlas! quel jour
5. Margot labourez les vignes
6. Petite folle
7. Quand mon mary
8. Si par souhait
9. Soyons joyeux
10. Trop endurer
ed. B. Thomas (set of 4 scores)

12,--

252.R8

10 Madrigals & Villanell a4-a8:


1. Il grave de l'et / Alma tua a6
2. Ben sono i premi / Poi che s grand' a6
3. Prendi l'aurata lira a6
4. Un dubbio verno a4
5. Hor vi rinconfortate a5
6. Ardo s a5
7. S'io ti vedess' a4
8. Io ti vorria cantar a4
9. Matona mia cara a4
10. O la, che bon' eccho a6
ed. A. Mendessohn

10,--

9 Chansons for ATTB from source 1570b:


1. Sauter, danser
2. O temps divers
3. La mort est jeu
4. Avecques vous
5. Un jour vis
6. Las! voulez vous

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
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_______________

253.R8

254.R8

7. En espoir vis
8. La nuit froide et sombre
9. Si vous n'estes en bon point
ed. B. Thomas (set of 4 scores)
4 Madrigals & 4 Chansons:
1. Amor, che ved'ogni pensier aperto a5
2. Ardo s, ma non t'amo a5
3. Occhi, piangete, accompagnato il core a4
4. Spesso in pover alberghi a4
5. Gallans qui par terre a4
6. Je l'aime bien a4
7. La nuit froide et sombre a4
8. O faible esprit / O jeune archer a5
Reprint of ed. F. Blume (1931)

10,--

11,--

8 Dialoghi musicali a7 - a10:


1. Che fai, alme a7
2. Ditemi, vita mia a7
3. Hor che nuova e vaga primavera a10
4. O l, o che bon eccho! a8
5. Passan vostri trionfi a10
6. S'una fede amorosa a8
7. Tutto 'l d mi dici a8
8. Valle profonda a19
see: Prints 1590/11: "Dialoghi musicali"
7 German Lieder a4-a5:
1. Wohl kommt der Mai
2. Ein guter Wein ist lobenswert a5
3. Es jagt ein Jger vor dem Holz a5
4. Willig und treu a5
5. Annelein, du singst fein
6. Ich weiss mir ein Maidlein hbsch und fein
7. Audite nova
see: Collections: "Antiqua Chorbuch": part II, volume 3: nos. 83-89

255.R8

7 Chansons:
1. O temps divers
2. Sais-tu dir' l'Ave
3. Quand un cordier
4. Qui bien se mire
5. Petite folle
6. En m'oyant
7. J'ay de vous voir
ed. H. Expert (Florilge du concert vocal de la Renaissance, volume I;
1924); reprint

20,--

5 Lieder for SATB:


1. Audite nova
2. Aus gutem Grundt
3. Christ ist erstanden
4. Ein Esel und das Nssbawmholtz

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

256.R8

5. Wem soll man jetzund trauen


ed. B. Thomas (set of 4 scores)

14,--

4 Madrigals and 1 Chanson, a5:


1. Al dolce suon del mormorar de l'onde
2. Spent' d'maor la gori'e spent'insieme / Ma che morta dico io
3. Pensier dicea che 'l cor m'aggiaccia et ardi
4. Ben convenne madonna in vest'oscura / Solo n'andr col mio mortale
5. Chanter je veux la gente damoyselle
see: Prints 1569: "Musica de'virtuosi della capella dell'...S. Duca di Baviera"

257.R8

*3 Chansons for SATB:


1. Fuyons tous d'amour le jeu
2. Je suis quasi prt d'enrager
3. Bon jour, mon coeur
*ed. Beebe

3,50

3 Sacred German songs:


1. Maria voll Genad a6
2. Christ ist erstanden a4
3. Von morgen frh mit Gottes Lob a4
see: Collections: "Antiqua Chorbuch": part I, volume 3: nos. 67-69

258.R8

2 Motets a5 (SSATB or SATTB):


1. Resonet in laudibus
2. Videntes stellam
ed. M. Lbenow from source 1582a; set of 5 scores

28,--

3 Madrigals for SATB:


1. Matona mia cara
2. S' io fusse ciaul'
3. S' io ti vedessi una sol volta il giorno
see: Collections: "The Flower of the Italian Madrigal", volume III
2 Madrigals a4 (SATB):
1. Quanto il mio duol
2. O occhi, manza mia
see: Collections: "Introduction to the Italian Madrigal", ed. J. Roche
2 Madrigals:
1. I' vo piangendo / S che, s' io vissi in guerra
SATTB
2. Il grave de l'et / alma tu, che 'l furor (Fiamma) SSATTB
see: Collections: "The Flower of the Italian Madrigal", volume I

sb.153

2 Villanelle & 1 Lied a4:


1. Io ti vorria contar la pena mia
2. S'io ti vedess'una sol volt'il giorno
3. Wohl moomt der Mai
ed. B. Thomas, in: "Music for crumhorns", volume I (nos. 10, 11 and 26)

20,--

3 Lieder:
1. Wohl kommt der Mai
2. Lebensregel: Von morgens frh mit Gottes Lob

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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_______________

3. Gott ist auf den wir immer hoffen


a3
see: Collections: Gesellige Zeit, I (nos. 22, 30 and 82)
2 Secular songs:
1. Holla! Welch gutes Echo a8
2. Landsknechtsstndchen
a4
see: Collections: "Chorbuch der losen Bltter" (nos. 57 and 61)

259.R8

2 Lieder a5:
1. Die Fassnacht
2. Frhlich und frei
ed. B. Thomas (set of 5 socres)

8,--

b) Single Works
in alphabetical order

260.R8

Annelein, du singst fein; SATB


*ed. Doblinger

2,50

Apparian per me, a4:


see: Prints 1583/14: "Harmonia celeste...racc. per Pevernage"
Ardo s, ma non t'amo, a5 (2 settings; 1585):
see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I

261.R8

262.R8

Audite nova, der Bauer von Eselskirchen; SATB


ed. Doblinger
see: Collections: "Chester Books of Madrigals", volume I
*Aus meiner Snden Tiefe SATB
*ed. Carus

2,50

1,20

Chanter je veux SSATB


see: Collections: "Chester Books of Madrigals", volume V

263.R8

Chi chi li chi, a6; ed. B. Thomas (score and parts)


ed. B. Thomas

12,--

Deus qui bonum vinum creasti, a5:


see: Manuscripts: D-Usch 122 (no. 4)

265.R8

Echo-Lied (O l, che bon eccho!), a8 (SATB / SATB):


*ed. A. Robitschek
*ed. L. Andersen

266.R8

Ein guter Wein ist lobenswert, a5; no. 22 in: "Music for crumhorns", volume 3;
ed. B. Thomas
17,- Gott ists, auf den wir immer hoffen
*ed. J. Schabasser

SAT

267.R8

Gross ist der Herr im heilgen Thron

SAB

264.R8

2,50
2,30

2,50

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

Page 276 of 465

MUZIEKHANDEL SAUL B. GROEN


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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

268.R8

*ed. J. Schabasser

2,50

Guter Wein SSATB


see: Collections: "Chester Books of Madrigals", volume VI

269.R8

Herr, der du meine Strke bist


*ed. J. Schabasser

SAT
2,50

271.R8

Hor che la nuova e vaga primavera a 10 in 2 choirs; from: "Dialoghi musicali


de diversi eccellentissimi autori a 7, 8, 9, 10, 11, & 12 voci", Venice, A. Gardano, 1590
ed. B. Thomas in score and choral score (4 for each choir)
*ed. Winter

14,- 6,--

475.R5

Ich weiss mir ein Meidlein hbsch und fein, a4


in: H. Osthoff: "Die Niederlnder un das deutsche Lied, 1400-1640"

65,--

270.R8

272.R8

273.R8

274.R8
275.R8
276.R8

La nuit froide et sombre SATB:


*ed. Broude
see: Collections: "Anthology of Renaissance Music", ed. Atlas
Lobet den Herren (by Lassus?)
*ed. J. Schabasser

2,50

SSATB
2,50

Matona mia cara, a4:


ed. B. Thomas (set of 4 scores)
Latona mia cara, a4; *ed. A. Lumsden; SATB
ed. L. Andersen
see: Collections: "Chester Books of Madrigals", volume III

8,- 3,- 2,60

Mon coeur se recommande a vous SATB


see: Collections: "Chester Books of Madrigals", volume II

277.R8

Nun grss dich Gott, mein Mndlein rot


*ed. Winter

278.R8

O doulx parler
a8 in 2 choirs; from source 1571a
ed. B. Thomas in score and choral scores (4 for each choir)

13,--

279.R8

O la che bon echo


a8 in 2 choirs
ed. B. Thomas in score and choral scores (4 for each choir)

13,--

Passan vostri triomphi a10


ed. B. Thomas (score and parts)
*ed. Winter

12,- 5,--

280.R8
281.R8

a8
7,--

Per pianto la mia carne a4


see: Prints 1583/14: "Harmonia celeste...racc. per Pevernage"
Quand mon mari vient de dehors SATB
see: Collections: "Chester Books of Madrigals", volume II
Que dis tu, que fais tu, a8; ed. B. Thomas in score and parts

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

Page 277 of 465

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

282.R8

ed. B. Thomas in score and parts

283.R8

Quel rossignol
*ed. Stevens

284.R8

Qui dort ici?


*ed. Beebe

13,--

SSATB
5,-SATB
2,--

Sauter, danser SATB


see: Collections: "Chester Books of Madrigals", volume V

285.R8

S'io esca vivo SSATTB


*ed. Carus

1,70

S'io esca vivo


a6
see: Prints 1583/14: "Harmonia celeste...racc. per Pevernage"
S'io fusse cialo:
see: Collections: "Anthology of Neapolitan canzonas", ed. Missaglia e.a.
Si vous n'tes en bon point, a4:
see: Collections: "Der Schulchor": vol. II, no. 17

sb.155

So trincken wir alle


a5
ed. B. Thomas in: "Music for crumhorn", volume III

17,--

286.R8

S'una fede amorosa a8 in 2 choirs; from: "Dialoghi musicali de diversi eccellentissimi autori a 7, 8, 9, 10, 11 & 12 voci", Venice, A. Gardano, 1590;
ed. by B. Thomas in score and choral score (4 for each choir)

14,--

287.R8

475.R5

Susanne ung jour SSATB


ed. B. Thomas in score and parts
"Susanna fair"; see: Collections: "Invitation to Madrigals", volume VI
*Tritt auf den Riegl von der Tr, a5
in: H. Osthoff: "Die Niederlnder un das deutsche Lied, 1400-1640"

5,--

65,--

Tutto 'l d mi dici SATB


see: Collections: "Chester Books of Madrigals", volume V

288.R8

Tutto 'l d mi dici a8


ed. B. Thomas (set of 8 scores)

14,--

Vedi l'aurora SAATB


see: Collections: "Chester Books of Madrigals", volume III

289.R8

290.R8
291.R8

Vinum bonum
a8
*ed. Lumsden for SATB / SATB
Wer Gott vertrauen tut; SATB:
*ed. Carus
*ed. J. Schabasser

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

6.--

1,50
2,50

Page 278 of 465

MUZIEKHANDEL SAUL B. GROEN


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FAX +31 (0)20-6762240
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_______________

Lassus, R. de

Rudolph de Lassus
c.1563 - 1625
Ardo s, ma non t'amo, a5:
see: Prints 1585/17: "Sdegnosi ardori"; ed. Leuchtmann
see: Collections: "Settings of "Ardo s" and its related texts", vol. I

Latre, J. de
Laudis, F.

see: De Latre, petit Jean


Francesco Laudis
died 1600
Dolci colli fioriti, a5
from: "Il secondo libro de madrigali a 5 voci de floridi virtuosi del serenissimo
ducca di Baviera con uno dieci...", Venice, heirs of G. Scotto, 1575
see: G. Ferretti: "Il secondo libro delle canzoni a sei voci", 1575; ed. R.I.
DeFord (appendix)

Lauro, D.

Domenico Lauro
1540 - after 1607
Ardo s ...Che scemato a3
from 1590/22: "Madrigali a 3 voci di D. Lauro et di F. Stivori...Libro primo",
Venice, R. Amadino
see: Collections: "Settings of "Ardo s" and its related texts", vol. II

Le Blanc, D.

DIDIER LE BLANC
fl 1578 - 1584
8 Chansons a2 from: "Premier livre de chansons a deux parties", Paris, 1678:
1. Avecques vous mon amour
2. En espoir vis et crainte
3. Elle s'en va de moy
4. Helas quel jour feray je
5. Le rossignol plaisant et gratieux
6. Mon coeur se recommande
7. Suzanne un jour
8. Sur tous regretz
see: Prints 1578/17: "Premier livre de chansons a deux parties"
Airs I, 1579
"Airs de Plusieurs Musiciens. Sur les Posies de P. Des Portes & autres des
plus excelants Potes de nostre tems. Reduiz 4. parties, par M. Di. Le
Blanc", Pairs, A. Le Roy & R. Ballard, 1579, 2/1582
43 Airs for SATB
alphabetical list of titles; fol. no. in original edition after each title:
1. Amour dy moy de grace (Ronsard) (33)
2. Amour qui says quelle est ma fly (fol. 5)
3. Apres que tu m'eus offens (A. Jamin) (34)
4. Bless d'une plaie inhumaine (Desportes) (25)
5. Ce petit dieu colere archer (31)

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

Page 279 of 465

MUZIEKHANDEL SAUL B. GROEN


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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

292.R8

6. Ce rare blanc que le vulgaire (29)


7. Ceux qui peignent amour sans yeux (Desportes) (3)
8. Combien que mon ame alors (A. Jamin) (27)
9. Comme sur le renouveau (6)
10. Comme une jeuen fleurette (23)
11. Croire ne puis qu'en terre (10)
12. Dames en qui reluit toute beaut (Baif) (11)
13. Fuiez d'amour l'in constante (A. Jamin) (16)
14. Hlas que me faut il faire (Desportes) (6)
15. Je jeune & je fais penitence (A. Jamin) (16)
16. Je m'en estois all maintenant (A. Jamin) (38)
17. Je veux mourir, le malheur (A. Jamin) (31)
18. La blanche violette (A. Jamin) (18)
19. Les mariniers adorent (30)
20. Mais comment ce fait cela (Baif) (26)
21. Mes yeux cause de ma langueur (A. Jamin) (14)
22. Mignonnette plus douilllette (A. Jamin) (19)
23. M'ostant le fruict de ma fidelle (A. Jamin) (20)
24. Nul de tout point (A. Jamin) (26)
25. O desers escartez (37)
26. O doux baiser colombin (Belleau) (12)
27. O long filetz de sang (9)
28. On demande en vain que la serve (20)
29. On peult faindre par le cizeau (Du Bellay) (32)
30. O nuict jalouse nuict (Desportes) (18)
31. Or que le plaisant Avril (A. Jamin) (15)
32. Pleurs & soupirs je vous ouvre (27)
33. Pour veoyr ma fin (Desportes) (4)
34. Pour vous aimer je veux (Desportes) (2)
35. Quand au matin le grand flambeau (Desportes) (28)
36. Quand j'esprouve en aymant la rigueur (Desportes) (8)
37. Que ferez vous dittes madame (Desportes) (12)
38. Que la lumire est une belle chose (A. Jamin) (35)
39. Quel secours faut il plus (Desportes) (7)
40. Que sert de confesser (A. Jamin) (22)
41. Sus, sus, mon leut dn accord (A. Jamin) (13)
42. Sy tost que vostre oeil m'eust bless (Desportes) (24)
43. Toutes les herbes croissent (A. Jamin) (25)
Edition:
nos. 1-43:
ed. H. Expert (Monuments de la musique franaise au temps de la Renaissance, volume 3; 1925). Reprint

75,--

Airs II, 1579


"Second Livre d'Airs des plus excelants musiciens de nostre tems. Reduiz
quatre parties par M. Di. Le Blanc", Paris, A. Le Roy & R. Ballard, 1579
42 airs a4 (SATB) to strophic poems (names of poets in parentheses):
alphabetical list of titles; fol. no. in original edition after each title:
1. Accuse qui voudra les hommes (Jamin) (25)
2. Amans qui soupirez (Jamin) (fol. 16)
3. Arrestez vous icy, arrestez vous (24)
4. Arriere fureur incense (Desportes) (37)

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

Page 280 of 465

MUZIEKHANDEL SAUL B. GROEN


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FAX +31 (0)20-6762240
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_______________

5. Asss vive la flamme (36)


6. Avec le tems j'esperoys (27)
7. Beau violin tu vaux mieux (20)
8. Blanc est le laict, le Lys (7)
9. Ce n'est pas toy passagere (10)
10. Cil qui n'a veu dedans l'azur des cieux (31)
11. Cruelle loy d'amour (Desportes) (12)
12. Cupidon s'en alloyt (Jamin) (3)
13. Dittes mes yeux et que deviendrons nous (39)
14. Dormant j'ay quelque fois song (34)
15. D'ou vinet qu'un beau soleil (Desportes) (12)
16. Du profond des enfers tout noirci (38)
17. Estant couch pres des ruchettes (Jamin) (22)
18. Fay que je vive (Desportes) (13)
19. Ha dieu que la peine est cruelle (5)
20. Il faut aymer jusques au bout (15)
21. Je garde foy & loyaut (35)
22. Je suis de l'amour espriz (18)
23. Jeune viel enfant le monarque (29)
24. J'ouvre la porte la saison ardante (11)
25. La hayne et le desdain, l'amour (24)
26. Laurette ma cher (Jamin) (9)
27. Le grand soleil faict luire (33)
28. Lyse que j'aime sur tout (19)
29. Lyse tu fuis desdaignant (21)
30. Mon coeur que d'ennuy (23)
31. Onques serf dans les forestz (26)
32. Or que le plaisant Avril (Jamin) (27)
33. O soleil de mon ame (30)
34. Quand vous auriez (Desportes) (8)
35. Que vous m'allez tourmentant (30)
36. Qui prestera la parolle (Du Bellay) (17)
37. Savez vous ce que je dsire (32)
38. Sy jamais plus (Desportes) (14)
39. Sy le teint (Jamin) (34)
40. Sy lors qu'un amant (C. Hesteau, sieur de Nuisement) (2)
41. Tant que j'ay eu du sang (6)
42. Vous avez donc pauvre yeux (4)
Edition:
nos. 1-42:
ed. in score by J.A. Bernstein; hardback (This editions contains as well: "Airs
de court. Mis en musique 4. & 5. parties. De plusieurs autheurs", Paris, A.
Le Roy & R. Ballard, 1597)
235,--

117.R8

Lechner, L.

LEONHARD LECHNER
c.1553 - 1606
a) Complete Works
b) Other Editions
a) Complete Works
Complete Works; ed. K. Ameln e.a.

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

816.R7

817.R7

818.R7

819.R7

commisioned by the International Heinrich Schtz Society


Critical editions of the complete works in scores with standard clefs, shortened
note-value and modern layout, though with "Mensurstrichen" instead of bar lines.
Each volume (hardback) includes a critical report and characteristic samplings
of sources in facsimile
Volume I
"Motectae sacrae (a4-a6)...addita est in fine moctecta (a8 in 2 choirs)",
Nrnberg, 1575; ed. L. Finscher
169,-Volume II
a) "Newe teutsche Lieder zu drey Stimmen, nach art der welschen Villanellen
gantz kurtzweilig zu singen, auch auff allerley Seytenspil zu gebrauchen",
Nrnberg, 1576
b) "Der ander Theyl neuer teutscher Lieder zu drey Stimmen, nach art der welschen Villanellen", Nrnberg, 1577
ed. U. Martin

91,--

Volume III
"Neue teutsche Lieder mit vier und fnff Stimmen", Nrnberg, 1577 (including
also sacred songs); ed. U. Martin

96,--

Volume IV
"Sanctissimae virginis Mariae canticum, quod vulgo Magnificat inscribitur, secundum octo vulgares tonos...quator vocibus", Nrnberg, 1578 (8 magnificat)
ed. W. Lipphardt

79,--

820.R7

Volume V
"Neue teutsche Lieder, erstlich durch...Jacobum Regnart...componirt mit drey
Stimmen, nach art der welschen Villanellen, jetzund aber...mit fnff Stimmen
gesetzet...con alchuni madrigali in lingua Italiana a 5 voci", Nrnberg, 1579:
21 "Kurtzweilige teutsche Lieder" for 3 voices by J. Regnart, arranged by L.
Lechner for 5 voices & original Italian madrigals a5 by Lechner;
ed. K. Ameln
108,--

821.R7

Volume VI
"Sacrum cantionum...quinque et sex vocum. Liber secundus", Nrnberg, 1581;
ed. K. Ameln
158,--

822.R7

Volume VII
"Neue teutsche Lieder mit fnff und vier Stimmen", Nrnberg, 1582 (including
sacred songs); ed. K. Ameln
136,--

823.R7

Volume VIII
"Liber Missarum sex et quinque vocum adjunctis aliquot Introitibus in praecipua
festa, ab Adventu Domini usque ad festum Sanctissimae Trinitatis", Nrnberg,
1584 (3 masses and 10 introits); appendix: models of the masses: O. de Lassus: "Domine, Dominus noster", L. Marenzio: "Non fu mai cervo", and C. de
Rore: "Non lasso martire"; ed. W. Lipphardt
178,--

824.R7

Volume IX
"Neue lustige teutsche Lieder mit vier und fnff Stimmen nach art de welschen
Canzonen", Nrnberg, 1586/1588; ed. E.F. Schmidt

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

91,--

Page 282 of 465

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FAX +31 (0)20-6762240
E-MAIL: ORDERS@SAULBGROEN.NL INTERNET: WWW.SAULBGROEN.NL
_______________

825.R7

Volume X
"Septem Psalmi Poenitentiales sex vocibus compositi,...additis aliis quibusdam
piis cantionibus sex et plurium vocibus", Nrnberg, 1587 (6 psalms a6; 13 motets: nos.1-10 a6, no.11 a7, no.12 a12 in 3 choirs, and no.13 a18 in 3 choirs);
ed. I. Bossuyt
139,--

826.R7

Volume XI
"Neue geistliche und weltliche teutsche Lieder mit fnff und vier Stimmen",
Nrnberg, 1589; ed. K. Ameln

827.R7
828.R7
829.R7

830.R7

116,--

Volume XII
"Historia der Passion und des Leidens unsers einigen Erlsers und Seligmachers
Jesu Christi", Nrnberg, 1594 (this ed. lost or never published; manuscript of
the 1593 performance in Stuttgart in D-Kl); for 4 voices; ed. K. Ameln
full score
76,-*choral score
8,-Volume XIII
"Newe Gaistliche und weltliche Teutsche Gesang samt zwayen Lateinischen"
(1606) for 4-5 voices; ed. after the mansucript in D-Kl (incomplete)
ed. W. Lipphardt

97,--

Volume XIV
Nine works for special occasions:
1. Festgesang zur Einweihung der Altdorfer Hochschule
2. Zwei Kanons als Widmung im Stammbuch des Kantors Theodor Lindner
3. "Quid Chaos"
4. Three Kronborg motets for King Frederick II of Denmark
5. "Illustrissimo heroi ac domino...Ioachimo Eernesto, antiquissimi stemmatis
Anhaldini...Harmoniam hanc Panegyricam composuit" (1582): panegyrics on
prince Johann Ernst of Anhalt (a6)
6. Epithalamium for A.J. Gugel and M. Muffel (1585)
7. Laudatio: motet in honor of August, Elector of Saxony, a6 (1585)
8. "Eadem epitaphia (Martini Crusii), musicis modis...sex vocibus, in Martini
Crusii...De imp.rom. Friderico...Barbarossa...oratio", Tbingen, 1593: 2 epitaph
motets for emperor Friedrich Barbarossa and his wife
9. Music for the wedding of count Johann Georg of Sachsen (1604)
ed. K. Ameln and U. Martin
165,-b) Other Editions of Secular Works
chronological list

293.R8

294.R8

from "Newe teutsche Lieder zu drey Stimmen, nach art der welschen Villanellen", 1576 & "Der ander Theyl neuer teutscher Lieder zu 3 Stimmen",
1577:
Ach Lieb, ich muss dich lassen a3
see: Collections: "Der Schulchor": vol. I, no. 68
*O Welt, sieh hier dein Leben a3

1,80

from "Neue teutsche Lieder mit vier und fnff Stimmen", Nrnberg, 1577
(including also sacred songs):
*3 Lieder a4: Der Unfall reit mich ganz und gar; Ei, wie so ganz freundlich;
So wnsch ich ihr ein gute Nacht; ed. U. Martin

9,50

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295.R8

sb.154
296.R8

*4 Lieder a4-a5: Freundlicher Held; Halt hart, Herz, hchster Hort; Ohn
Ehr und Gunst; Wohl kommt der Mai; ed. U. Martin
from "Neue teutsche Lieder, erstlich durch...Jacobum Regnart...componirt
mit 3 Stimmen, nach art der welschen Villanellen, jetzund aber...mit 5
Stimmen gesetzet...con alchuni madrigali in lingua Italiana a 5 voci",
Nrnberg, 1579:
21 "Kurtzweilige teutsche Lieder" for 3 voices by J. Regnart, arranged
by L. Lechner for 5 voices & original Italian madrigals a5 by Lechner:
Ohn dich muss ich:
included in: "Music for crumhorns", volume II; ed. B. Thomas
2 Lieder a5: Ach Gott, was soll ich singen; Kein grsser Freud:
ed. B. Thomas (set of 5 scores)
Ardo s, ma non t'amo a5
see: Collections: "Settings of "Ardo s" and its related texts", vol. I

9,50

17,- 8,--

from "Neue teutsche Lieder mit fnff und vier Stimmen", Nrnberg, 1582
(including sacred songs):

297.R8

298.R8

sb.155

from "Newe lustige Teutsche Lieder nach Art der Welschen Canzonen",
Nrnberg, 1586/88:
6 Chansons; ed. B. Thomas (set of 4 scores):
1. Mit tantzen und mit springen
2. Der Weiber Gmt
3. Hort was sich hat zutragen
4. Gott b'hte dich
5. Gleich wie ein Schiff
6. Die heimlich Pein
Gott b'hte dich:
*ed. SATB
see: Collections: Gesellige Zeit, I (no. 67)
Lob der Musik: Mit Tanzen und Springen
see: Collections: Gesellige Zeit, I (no. 44)

14,- 2,50

from "Neue geistliche und weltliche teutsche Lieder mit fnff und vier Stimmen"
1589:
Danket dem Herren; included in: "Music for crumhorns", vol. III; ed. Thoma 17,- 8 Secular Works:
1. Dies ist die Zeit (a4 by Regnart; with 5th part by Lechner), a5; from 1579
2. Wohl kommt der Mai; from 1588
3. Gott b'hte dich; from 1586
4. Mein grosse Lieb; from 1590
5. Jagen, Hetzen und Federspiel; from 1590
6. Gut Singer und ein organist; from 1590
7. Ach Lieb, ich muss dich lassen; from 1590
8. Scheiden von Lieb; from 1590
see: Collections: "Antiqua Chorbuch", part II, volume 3: nos. 97-104

299.R8
300.R8

from "Newe Gaistliche und weltliche Teutsche Gesang samt zwayen Lateinischen", 1606 (a4-a5):
*Deutsche Sprche von Leben und Tod (a4)
*Das Hohelied Salomonis (a4)

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

8,50
8,50

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_______________

Ardo s, ma non t'amo, a5:


see: Prints 1585: "Sdegnosi ardori"; ed. Leuchtmann
3 Songs a4-a5:
Grn ist der Mai a4
Angst, Pein und Schmerzen a4
Ein edler Jger wohlgemut
a5
see: Collections: Gesellige Zeit, I (nos. 19, 68, 72)
Le Jeune, C.

CLAUDE LE JEUNE
1528/30 - 1600
Secular Works
"Livre de Melanges de C. Le Ieune", Antwerpen, Chr. Plantin, 1585
quatre voix:
Chansons franaises:
1. Que je porte d'envie
2. Quell' eau, quel air, quel feu / Si je meur dedans l'air
3. Bless d'une playe' inhumaine / Comm' un roc (a3) / Ainsi qu' au clair (a5)
4. Tu ne l'enten pas
5. L'aspre fureur / Seroit ce un feu
6. Je ne me plain de vostre cruaut / Je ne me plain qu'en mon mal
7. Vous estes belle
8. En m'oyant chanter
9. Si dessus vos lvres
10. Je voulu baiser
11. Debat la nostre trill'
12. Si madame eust jadis / L'aveugle mendiant
13. Je ne m'lve icy / Je ne say manier
Canzonette italiennes:
14. O vilanella
15. O occhi manza mia
16. Vorria che tu cantassi / Vorria toccassi / Ch'io canteria
17. Io piango
18. O faccia che ralegra
19. Assa buccuccia
20. Donna voi mi parete
21. Latra traitora
22. Sta costante cor mio
23. Oime crudel
24. Chi vuol vedere
25. Fa mi sicuro
26. Sappi madonna
27. S'io canto tu mi spacci
cinq voix:
Chansons franaises:
28. Un jour estant seulet / Puis en mer haute / Aprs je vy sortir / Au mesme
boys sourdoit / Ay boys je vy un selu fnix / En fin
je vy une dame / O chanson mienne (a6)
29. Mon coeur avecque vous sera

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MUZIEKHANDEL SAUL B. GROEN


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217.S6

30. Susanne un jour


31. Las il n'a nul mal
32. D'o vient l'amour
33. Povre coeur entourn / Quelle aide maintenant
34. J'ay senti les deus maus / Un soldat courageus
35. Rossignol mon mignon / Touttefois rossignol
36. Hlas j'ay sans mercy / L'un en la violette (a6)
Canzonette italiennes:
37. Fuggite amor
38. Di mi donna crudel
39. Raggi dov'
40. Madonna un Eremit'
41. Poi che di si vil foco
42. Mille affanni
43. Sto inamorato
44. Io piansi un tempo
45. Tra le piu belle Ninfe
46. Su su ch' el giorn'
47. Quegli occhi
48. Fuggi fuggi desir
49. Io ti ringrati' amor
50. Viv' in dolor
51. Se Diana in el ciel
52. Na persona che va
six voix:
Canzonette italiennes:
53. Stella crudel
54. Amanti miei
55. Quando lo gallo
56. Ogn'un s'allegr'
57. Pasco mi sol
58. Saporitella mia
Chansons franaises:
59. Elle n'eust sceu
60. Monsieur l'Abb
huit voix:
Chansons franaises:
61. Amour et Mars
62. Arreste un peu mon coeur
Motets & Chansons latines:
63. Sancti Spiritus (a5) / Quando machinam (a4) / Ergo nos supplicantes (a5)
64. Emendemus in melius / Peccavimus cum patribus a5
65. Omne gentes / Regnabit Deus a5
66. Veni sancte Spiritus a6
67. Philomena praevia / Veni dulcis amica a6
68. Adjuro vos filiae Jerusalem / Qu abiit dilectus tuus a8
69. Quae celebrat thermas (Echo decem vocum) a10
Editions:
nos. 1-69:
Critical edition and study (in French) by I. His
Variants in the "Notes critiques" from the following sources:
GB-Lbl Add. ms. 30820-30822 (38, 65)
1572: "Mellange de chansons tant des vieux autheurs que des modernes",

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_______________

218.S6

219.S6

Paris, A. le roy & R. Ballard (35)


1583: "Vingtdeuxieme livre de chansons 1a quatre & cinq parties d'Orlande
de Lassuas et autres", Paris, A. le Roy & R. Ballard (1, 10, 33)
1583: "Vingtquatrieme lvivre d'airs et chansons...de plusieurs excelens autheurs", Paris, A. le Roy & R. Ballard (8)
1586: "Meslanges de la musique de C. Le Jeune", Paris, A. le Roy & R.
Ballard (2-23, 25-32, 34-44, 46, 48, 50, 52, 57, 59-69)
1592: E. Adriansen: "Novum pratum musicum...ad testitudinis tabulaturam
fideliter redacta", Antwerpen, P. Phalse & J. Bellre (30, 46)
1597: "Le rossignol musical de chansons", Antwerpen, P. Phalse (4)
1597: "Il vago alboreto di madrigali e canzoni", Antwerpen, P. Phalse
1601: J. van den Hove: "Florida, sive cantiones...Ad testudinis usum accomodatae...", Utrecht, S. de Roy & J.G. de Rhenen (16, 30, 39, 40,
53, 54, 59)
1605: "Nervi d'Orfeo, di eccellentiss. autori...", Leiden, H.L. de Haestens
(37, 38, 48, 57, 67)
1607: "Meslanges de la musique de C. Le Jeune", Paris, Ballard (3-23,
25-32, 34-44, 46, 48, 50, 52, 59-69)
The appendix to this edition gives the Italian models of the following canzonettas (all a3, except nos. 22 and 26 of which only one part has survived):
nos. 14-22, 24-27, 37, 38, 41-43, 45-47, 49, 51-57
Sources of the vocal models:
1555: "Villanelle d'Orlando di Lassus e d'altri eccellenti musici libro secondo", Rome, V. Dorico (16, 17, 21, 27)
1557: "Canzoni alla napolitana de diversi eccellentissimi autori...Libro primo"
Rome, V. Dorico (26)
1557: "Secondo libro delle muse a tre voci. Canzon villanesche alla napolitana, di nuovo raccolte", rome, A. Barr (14, 15)
1560: "Il terzo libro delle villotte alla napolitana de diversi con due moresche
novamente stampate", Venice, A. Gardano (18, 19)
1562: "De diversi autori canzoni alla napolitana tre voci", Milan, F. Moscheni (22)
1562: "Il quarto libro delle villotte alla napoletana de diversi con due moresche novamente stampate", Venice, A. Gardano (20, 24, 25)
1567: G.D. da Nola: "Il primo libro delle villanelle alla napolitana", Venice,
Claudio da Correggio (37)
1570: "Corona delle napolitane a tre et a quattro voci, di diversi eccellentissimi musici", Venice, G. Scotto (by M.A. Mazzone: 56, 57)
1581: G. Moro da Viadana: Canzonette alla napolitana", Venice, Gardano
(43, 46, 49; by G.A. Veggio: 55)
1582: G. Celano: "Il primo libro di napolitane", Venice, Scotto (41, 42, 45,
51, 52).
1584: E. Adriaensen: "Pratum musicum...ad testudinis tabulaturam fideliter
redacta...", Antwerpen, P. Phalse (38, 53, 54)
1585: G.B. Moscaglia: "Primo libro delle napolitane", Venice, Scotto (47)
139,- nos. 1-13:
ed. H. Expert; reprint of the 1903 ed.: "Matres musiciens de la Renaissance
franaise", volume 16
73,- nos. 28 and 35:
see: Collections: "Anthologie de la chanson parisienne au XVIe sicle"
no. 30:
ed. B. Thomas (set of 5 scores)
12,- no. 61:

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_______________

220.S6

ed. B. Thomas (score and parts)

13,--

"Airs, mis en musique a quatre et cinq parties"


Paris, A. le Roy & R. Ballard, 1594.

221.S6

1. Marchez valeureux les hazars / Si desirez los (a6) / Or allez donc (a6)
2. Je le confesse Cupidon
3. Mon coeur que d'ennuis
4. Si le lien se voit deffait
5. Si onques le feu de l'amour / Jamais d'amour (a3) / Heureux trois fois
6. Fiere cruelle en amour
7. Donnez moy quelque secours
8. Belle la flamme l'envi / O mon amy / O que le fiel
9. Ah! tu me fais de desir mourir
10. Vien belle vien joer au bois
11. D'un coeur fier le refus cruel
12. Las! je me plain las je me deul
13. Je ne say qui te m'eust
14. Francine Rozine nimphette blanchette
15. Deliette mignonette pucellette
16. Plantons le may en ce joly mois
17. Vive l'amour vive d'amour le flambeau
18. Je vi prenant du plaisir
19. Une puce j'ay dedans l'oreil'
20. La belle aronde messagere
21. L'une et l'autre douleur d'amour / Un guerrier
22. O que je peusse mon gr
23. Cruelle sais tu pourquoy
24. Vous que l'amour n'a touch / Ah! que je suis mal'heureux / Vous qui le fort
25. Point ne say pourquoy je nasqui / Mon coeur qui brusle
26. Victoir' aux vainqueurs
27. Donques tu te vas mourant
28. O rose, Royne des fleurs
29. Bien que soit le tourment
30. Si Jupiter s'avisoit faire
31. Lors que mouroy de t'aymer
32. Tous loyaux amoureux
33. Muse honorons de ta chanson
Editions:
nos. 1-33:
ed. I. His
in preparation; not yet available
in prep.
nos. 4, 6, 24 and 31:
see: Collections: "Anthologie de la chanson parisienne au XVIe sicle"
no. 19:
see: Collections: "Chester Books of Madrigals", volume I
"Le Printemps de Claud. Le Ieune natif de Valentienne...
a deux. 3. 4. 5. 6. 7. et 8. parties"
Paris, veuve R. Ballard & P. Ballard, 1603
1. Voicy du gay printems l'heureux advenement a4
2. Revecy venir du Printans l'amoureuze et belle saizon a2-a5
3. La belle aronde mesagere de la gaye saizon est ven a4-a6

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_______________

222.S6

4. Quand le soleil se vient lever pensr y faut a son fait a3-a5


5. Ce n'est que fiel, ce n'est qu'amer, ce n'est que tourment a3-a5
6. Bien fol est qui perd le sens et perd le tans vainement s'amuzant a3-a5
7. Or sus vous dorms trop madame joliette (Le chant de l'alouette quatre
de Jannequin. Sur lequel a est adjoust une cinquiesme voix par Claude
Le Jeune) a5
8. Voicy le verd & le beau May conviant tout soulas a4-a6
9. Brunelette, joliette, m'amourette, mon tout a3-a5
10. O rze reyne ds fleurs, quand je te voy a2-a5
11. Francine, rzine, nimphte, blanchte, parfte beaut a4-a6
12. En coutant le chant melodieus de ces plaizans & tant dous rossignols (Le
chant du rossignol quatre de Jannequin. Sur lequel a est adjoust une 5e
voix par Cl. le Jeune) a5
13. Ma mignonne je me plain de vostre rigueur si forte a2-a8
14. Je l'ay la belle fleur que m'as don, tant que vivray je la garderay a3-a5
15. Mes yeux ne cesseront ils point de regarder ce beau vizage a3-a5
16. Dame, je viens fre homage ta beaut a3-a5
17. Cigne je suis de candeur, cigne je meurs a3-a5
18. A sa chute il se va dejetr celi qui monte plus qu'i ne doit a3-a5
19. Perdre le sens devant tous, trembler, pris & changer tein a3-a5
20. Vivre tout pensif, dfiant & dpit a3-a5
21. Laisse faire nous en serons revengs a3-a5
22. Je soupirois, & je plorois, & me plgnoy fut un tems a3-a5
23. A l'aide helas je suis bless a3-a5
24. Le bandoulier vole l'argent de ceus qui passent les mons a3-a5
25. Quiconque l'amour noma l'amour, vouloit le surnomer la mort a4
26. La brunelette violette reflorit a3-a5
27. L'un mera le violt, l'autre le blanc a3-a5
28. Si Jupiter s'avizoit faire une reine des fleurs a4-a5
29. Patourelles jolites, & fidles patoureaus a3-a5
30. D'un coeur fier le refus crul, m'emplit l'me de feu a3-a5
31. Que nulle toille sur nous ne vienne plus se montrer a3-a5
32. Tu peus de moy te passer, je puis de toy me passer a3-a5
33. Du triste hyver la rigoureuse glace se font aus rays du soleil gracieus a5
34. Ces amoureus n'ont que douleur & tourment a3-a5
35. D'une coline m'y proumenant par la plu verte & plu gaye saizon a3-a5
36. Je ne say qui te meut, je ne say d'o te vient cte fiert? a3-a5
37. Doucte, sucrine, toute de miel, sadinette mon coeur a3-a5
38. La ble gloire, le bl honeur doner a4-a6
39. Amour quand fus-tu n? - Ce fut lors que la terre ssmaille de couleurs
(Dialogue) a7
Editions:
nos. 1-39:
new edition by I. His
in preparation
ed. H. Expert in 3 volumes (Matres musiciens de la Renaissance franaise);
reprint of the 1900-1901 edition. These 3 volumes (vols. 12-14) are not
available separately: only the complete set of 23 volumes of this series
1.195
no. 2:
see: Collections: "Chester Books of Madrigals", volume IV
no. 35:
see: Modern Collections: "Historical anthology of music", vol. I
"Octonaires de la vanit et inconstance du monde.

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_______________

Mis en musique 3. & 4. parties...",


Paris, P. Ballard, 1606
I. Premier mode:
1. Quand on arrestera la course coustmiere du grand courrier des cieux a4
2. Qui ne s'esbahira levant en haut les yeux a4
3. Plustost on pourra faire le jour qui luit a3
II. Seconde mode:
4. Le feu, l'air, l'eau, la terre, ont toujours changement a4
5. Y a il rien si fort, si rude & indomtable que le flot de la mer a4
6. Le beau du monde s'face, soudain comme un vent qui passe a3
III. Troisiesme mode:
7. Comme de l'aigle en l'air l'aisle vite & hautaine a4
8. L'eau va vite en s'coulant, plus vite le trait volant a4
9. Vous fleuves & ruisseaux, & vous, claires fontaines a3
IV. Quatriesme mode:
10. C'est un grand mal que folle ambition a4
11. Qu'as tu? pauvr'amoureuz, dont l'ame demy morte soupire a4
12. C'est un arbre que le monde dont la racine profonde a3
V. Cinquiesme mode:
13. Mon ame, o sont les grans discours de ces humains fils de la terre? a4
14. Quand le jour, fils du Soleil nous dcouvre son resveil a4
15. Le rocher orgueilleux sent tomber sur sa teste la plus rude tempeste a3
VI. Sixiesme mode:
16. Quand la face noire des cieux drobe le jour nos yeux a4
17. Mondain qui vis & meurs au monde perissable a4
18. As-tu mis en oubliance homme ta brutalle enfance a3
VII. Septiesme mode:
19. Quel monstre voy-je l qui tant de testes porte? a4
20. Areste, atens, mondain o cours-tu? a4
21. Plustost les yeux du firmament seront sans rgl mouvement a3
VIII. Huictiesme mode:
22. L'ambitieux veut toujours en haut tebndre a4
23. J'ay de l'avare & de l'ambitieux les grands regrets & la plainte entendu a4
24. Pauvre ver travaille, tracasse, sans te lasser a3
IX. Neufiesme mode:
25. Quand la terre au printemps prend sa verde couleur a4
26. L'est ralumant ses feux, le laboureur tout joyeux a4
27. La glace est luisante & belle. Le monde est luysant & beau a3
X. Dixiesme mode:
28. Lors que la feuille va mourant par l'autonne des-honorant a4
29. Vois-tu l'hyver accroupi, heriss, et renfroign de gele & froidure a4
30. Celuy qui pense pouvoir au monde repos avoir a3
XI. Unziesme mode:
31. Le mondain se nourrit toujours, de l'espoir de ses vains discours a4
32. Quelle est ceste beaut que je voy tant extrme a4
33. C'est folie & vanit d'estre en ce monde arest a3
XII. Douziesme mode:
34. Ambition, volupt, avarice, trois dames sont qui on fait service a4
35. Orfvre taille moy une boule bien ronde, creuse & pleine de vent a4
36. Ce monde est un pelerinage: les meschans forcens de rage a3
Edition:
nos. 1-36:

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_______________

223.S6
224.S6

ed. J. Chailley / M. Honegger in 2 volumes (Monuments de la musique franaise au temps de la Renaissance, volumes 1 and 8; 1959):
Volume I: modes I-VIII
Volume II: modes IX-XII

74,- 74,--

"Airs a III. IIII. V. et VI. parties"


Paris, B. Ballard, 1608
1. Revoicy venir du Printemps a5
2. La belle aronde or'acourant a6
3. Babillarde areonde veus-te a5
4. L'un apreste la glu, que l'autre a l'oiseau a3
5. Un bien non debatu a3
6. Je le confesse, Amour beau a5
7. Libert, libert, tant je cheris ta beaut a5
8. Deux moulins je veux dresser & quelque verrerie a5
9. Unis nos coeurs de volont a5
10. J'en ayme deux tout la fois a6
11. Vive l'amour, vive d'amour le flambeau a5
12-32. Epithalame deux choeurs a4 - a8:
12. Cherchans de combler vos noces en ce lieu
13. O hymen, Hymne hymen
14. Rien tant heureux n'est qu'un couple pris d'maours
15. Rien n'est de tel pris, qu'un couple pour toujours
16. Vos noces nous benissons comme telles & chantons
17. Or mesme que pour vous combler
18. C'est bien ce bon roy par qui ore ont fet
19. Mais Dieu devant luy seul mena tout ce fait
20. Car prou souvent ce que l'on se propose icy pour mieux
21. Ainsi (pouze) il ne te faut ja changer
22. Non plus qu' l'pous prolonger
23. Oy donc la chanson (gentille pouze) qu'or
24. Oy nostre chanson, jeune poux & beau
25. Lors qu'un soleil beau laiise le flot marin
26. Ainsi (pous) quand ce soleil de vertu
27. Quand l'aspre hyver met vens & ngeus frimas
28. Gentille pouze, ainsi te croistre verrons
29. Sous un bel aspect nasquit heureuzement
30. Plein d'heur j'nasquit, par la faveur guid
31-32. Donc entr'aymez vous, onc de plu'grande amour
33.Nimfe veux tu donc savoir a3
34. Bien fol est qui perd le sens a5
35. Vostre tarin me voudroit voir & dans la chambre chanter a5
36. Ce n'est que fiel, ce n'est qu'amer, ce n'est que tourmens a5
37. Petite importune mouche que tu as d'heurs a5
38. Des le matin la beste part a5
39. Mais comment se fait cela, que toy qui peus tout amour mpriser a6
40. Une puce j'ay dedans l'oreile helas! a5
41. Un gentil amoureux sa nimfe cartant a6
42. Quand tes yeux je revoy, digne sujet d'aymer a5
43. O vous reine d'honneur, Princesse & nimfe (Chant hroque) a5-a7
44-53. La Guerre:
44. Arme vous mes loyaux pensers dous a3-a5

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

Page 291 of 465

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45. Tost, boute-selle bride / Bataille compagnons / Si de flme briller a5


46. Marchez vaillants guerriers d'honnuer / Si vous voulez quelque prix a6
47. Donne dedans, sonne la charge a6
48. Rendez-vous tous, mes loyaus pensers dous a5
49. Canaille lasche vous fuyez & vos hidalque s'en vont a5
50. Ja la victoire est nos gens a5
51. Victoire vengeance est nous a5
52. Toy qui d'amour ja vainqueur a6
53. Rendons graces Dieu a6
54. Rompre je veus la prison a5
55. J'endureray la prizon sans regreter libert (Response) a5
56. Dames en qui reluit toute douceur a5
57. Mon amy le voila, voila ton coeur (Responce) a5
58. Un jour ma nymfe amassant les fleurs a5
59. Brunelette, joliette, m'amourette, mon coeur a5
60. En vos yeux je cognois ma faute & mon tort a5
61. Amour cruel que pense-tu a5
62. Au monde sont deux soleils flamboyans & vermeils a5
63. Deliette, mignonette, pucelette, proprelette a4
64. Les diverses douleurs d'amour / Un guerrier anim d'honeur a4
65. Plantons le may d'un coeur tou-gay a5
66. Or velecy le beau may a6
67. Francine roze d'est a6
68. Vous qu'amour tou-bon, favorize de ses biens a6
69. Tel se plaint d'amour l'acuzant a6
70. Ut candore micans assurgit / Luce calens quem dum vegetat a6
71. Muse honorons de ta chanson / Chante enfin qu'apres mil ans / Vive
l'ilustre Henry ( Henry IV) a6
72. O roze royne des fleurs a5
73. Forte beaut, forte douceur a5
74. Je l'ay, la gente fleur a5
75. Nymfe m'amour je te viens l'homage offrir a5
76. Nimfe qui m'as asservy (Dialogue quatre, deux choeurs; a8) / O mon
amy, j'ay bien veu (a4) / Puis que ce feu dedans nous (Conclusion) a5
77. Puis que ne veus me guerir a6
78. Vien (belle) vien te joer ce beau jour a6
79. O le malheur o je suis reduit a6
80. Que ferois-je pour guerir a5
81. Mes yeux ne cesseront ja pas a5
82. Done helas! Quelque petit de soulas a5
83. O que je peusse mon gr, & nuit & jour a5
84. Si onc feu d'amour le plu'-fort le pi (Dialogue; a8) / Jamais d'amour le
chaud feu (a3) / Heureux trois fois le mortel (Conclusion) a5
85. Baize ce pauvre amoureux a5
86. Laisse moy, mchante matresse a5
87. Cigne je suis de candeur a5
88. Voizin il est de prendre le saut a3
89. Que veux-tu fuir? atens moy a5
90. Perdre le sens devant toy a5
91. Le bel honeur & le brave fiat, pipeur a5
92. Puis que veillant je n'ay biens, soulas ny plaizirs a5
93. Suis-je donc n pour vivre ainsi a5
94. O terre, champs, tous les humains a5

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225.S6

95. Vous qui savez que c'est d'amour, vous qui m'oyez lamenter
96. Donque tu vas te mournat, fleur tu flestris a4
97. Mon coeur qui brusle sans cesse a6
Editions:
nos. 1-97:
ed. D.P. Walker in 2 volumes
out of print
no. 37:
see: Collections: "Chester Books of Madrigals", volume I

a5

reprinting

"Second Livre des Airs a III. IIII. V. et VI. parties"


Paris, P. Ballard, 1608
1. Tel qu'Aigle suis trop hardi a5
2. Je me plaignois tout-propos a5
3. Trinke trink trink pon pokras a5
4. Vivre tout honteux, soucieux devenir a5
5. Sui ton erre (coeur bizerre) si en aron a5
6. Come le Foenix ja mort a5
7. A l'ayde, helas amis a5
8. Puis que tu es jeune d'ans a5
9. Pour vous (nimfe) ne cesser a5
10. Le bandoulier va du passant a5
11. Muze resen-toy d'un fat a6
12. Qui onc l'Amour l'amour noma a4
13. La belle fleur qui violet ayme le teint a5
14. Patourelles joliettes, & fidelle' patoureaux a5
15. Oncque ne fut si farouche beaut a5
16. Pourquoy m'as tu quit, mchante sans foy? a5
17. L'un se repaist du violet, lautre du noir a5
18. Si d'une petite oeillade toute d'amour & desir a5
19. Tout autant de regards a3
20. Dedans le noeu suis-je aret a5
21. Lors que le noeu se brizera a5
22. A la fraischeur, je voudrois or a4
23. S'il estoit entre les fleurs a5
24. Ce n'est que beau, que bon, qu'adroit a5
25. D'un sort du ciel arest a5
26. Si folie estoit douleur a5
27. Les boeufs qui le soc tireront sans fin a5
28. Nimfe je suis le Fnis a5
29. D'un coeur fier le refus amer a5
30. Qu'il n'aille plus se montrant a5
31. Trbien tu peux me laisser a5
32. Maistresse i' faut bien un jour a4
33. Ah! tu me fais de dezir mourir a6
34. Tros Anchisiade facilis descensus / In puteum facili descensu proruit
35. O mon amour, tou-mon heur a5
36. Lors que mourois de t'aymer de moy te raillois a5
37. Ces amoureux n'ont que douleurs & enuuis a5
38. Sur la coline me proumenois a5
39. Je ne say qui te tient a5
40. O qu'il est heureux ce franc coeur a5
41. Belle vien tost de queque espoir me caressser a5

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a4

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_______________

226.S6

42. O chaus soupirs, derniers soupirs a5


43. Prens de moy quelque piti, oy tant de sanglots a5
44. Bien que soit la langueur a6
45. Doucette, doux sucre fin a6
46. Mon coeur que d'ennuis a5
47. O mon amour tu t'enfuis & me laisses ici pleine d'ennuis a5
48. Puis que d'ici je m'en vais a5
49. O beaux yeux, le miroir du soleil, le miroir de la beaut a5
50. O traitresse qui fus & la flame & l'humeur de mon coeur a5
51. O doux & beaux yeux, vigoureux regards a5
52. Doucette, doux sucre fin a5
53. Vers qui me puis-je adresser de tou-point a6
54. Donque tu vas te mourant, fleuron tu fletris a4
55. Le bel honeur, & le brave fait pipeur a6
56. Las! je me plains, mais ma matresse est sourde a6
57. Musarum dulces modulos quid spernis aselle? a5
Editon:
nos. 1-57:
ed. D.P. Walker in 2 volumes
out of print

reprinting

"Second Livre des Meslanges"


Paris, P. Ballard, 1612
1-13. Chansons & Airs a4:
1. Las! o vs-tu sans moy pluc chrde que ma vie
2. O feux sacrez, fatales estoilles / Ciel seul ahtheur de si divin ouvrage
3. Certes mon oeil fut trop avantureux / Malheureux non, heureux je me
confesse
4. Perdre rien plus je ne pourroy
5. Fuyons tous d'amour le jeu
6. Maistre Gonin disoit en plain march
7. Nostre vicaire un jour de feste
8. Quand nous avons de quoy faire grand chere
9. Tout ce qui est de plus beau dans les cieux / De l'oeil de l'un le beau printemps se fait / L'un excessif en ardeur fait perur / O doux trespas! mesl
de reconfort / Puisse jamias mon coeur vivre & mourir a4-a5
10. Si tost que vostre oeil m'eut bless
11. Autant en emporte le vent
12. Je pleure, je me deux, je suis plein de maritre
13. D'un oeil fard, dun pipeur entretien
14-20. Madrigales a4:
14. Di pianto e di sospir solo mi pasco
15. Chi secreto non sequend' amore
16. Bona sera comestai core mio bello
17. Tu fai contra la legge di natura
18. Madonna tu mi fai lo contignuso
19. O gratios' e bella, lucente piu che stella
20. tanto mi sei trasuta nelo core
21-29. Chansons & Airs a5:
21. Prince la France te veut par ses vers (Au Roy; vers mesurez)
22. N'as-tu point veu mamie dy dy galeron?
23. Puis que le ciel veut ainsi que mon mal je regrette
24. J'ayme la pierre precieuse

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_______________

227.S6
228.S6

229.S6
230.S6
231.S6

25. Allons gay gayment ma mignonne vous & moy


26. Tout ce qu'on peut en elle voir
27. Quand vous seris quelque fille d'un Scithe
28. Rends la moy cruelle ma pauvre ame
29. Quand sur nostre horizon je voy monter / Si je vy, quel esprit sauroit
30-36. Chansons a6:
30. Je boy toy mon compagnon
31. Je fille quand on me donne dequoy
32. O pas en vain perdus, esperances vaines
33. C'est une dure departie
34. Je suis desherite (Et erunt duo in carne una. Fuga post tria tempora)
35. Je suis desherite
36. O voix o de nos voix le pourtrait sans visage (Echo) / Que cachent les
amans en leur courage? a6-a8
37. Chanson a8: May fait les bois, les prs & les champs rire
38-40. Miscellaneous pieces:
38. S'esbahit-on si je vous ayme a4
39. Comment penss vous que je vive a5
40. Laute joun jou m'en anabi a4
41-43. Pseaumes:
41. Ps. 69: Helas! mon Dieu ton ire s'est tourne a5
42. Ps. 104: Sus, sus, mon ame, il te faut dire bien a5
43. Ps. 117: Toutes gens los le Seignuer (Canon) a6
44-45. Motets:
44. Benedicite domine, omens Angeli eius / Benedic anima mea domino /
Et omnia quae intra me sunt / Benedicite dominum omnes / Gloria patri
et filio / Sicut erat in principio a6
45. Ps. 30: Tristitia obsedit me / Vocabo dominum, veniet profecto (par. de
Savonarola) a5
46. Magnificat (Fuga in diapente) a7
47. O Domine! quis ego sum / Nunc ergo Domine a10
48. Assemblons nous soldats de bonne guise / Nostre goujat jadis charg
d'andouilles a5
49. Vous que l'amour n'a touchs de ce trait a5
50. Premier Fantasie a4
51. Second Fantasie a4
52. Fantasie (Ad imitationem moduli: Benedicta est caelorum Regina) a5
Editions:
nos. 1-52:
ed. I. His
in preparation
no. 21:
ed. B. Thomas (set of scores) ( + Du Caurroy's "Prince la France te veut")
see: Collections: "Anthologie de la chanson parisienne au XVIe sicle"
no. 32:
ed. B. Thomas (set of 6 scores)
nos. 34 and 35:
ed. B. Thomas (set of 6 scores)
no. 37:
ed. B. Thomas (set of 8 scores)
no. 45: Tristitia obsedit me, magno (Savonarola) SSATB
see: Collections: "Savonarolan laude , motets & anthems"

in prep.
12,--

9,- 10,- 14,--

Works from other sources

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_______________

Susanne un jour, a7 (from: "Mellange de chansons tant des vieux autheurs


que des modernes a 5.6.7. et 8 parties", Paris, 1572)
ed. B. Thomas (set of 7 scores)

232.S6

Le Maistre, M.

10,--

MATTHUS LE MAISTRE
c.1505 - before 1577
Geistliche und weltliche teutsche Gesang, 1566
"Geistliche und weltliche teutsche Gesang mit 4 und 5 Stimmen...", Wittenberg, J. Schwertel, 1566
Songs in alphabetical order:
Ach Gott, du liebster Vater mein a4
Ach Gott, erhalt uns bei deinem Wort a4
Ach Gott, vom Himmel sieh darein a4
Ach herzigs A, tu mein gedenken a4
Ach unser himmlischer Vater, lehr und regier a4
All mein Hoffnung im Glauben ist a4
An Wasserflssen Babylon a4
Aus tiefer not schrei ich zu dir I (a4)
Aus tiefer not schrei ich zu dir II (a4)
Beim khlen Wein der Brder mein a4
Bis frhlich, vertrau Gott wohl a4
Bist du der Hnsel Schtze a4
Brich nicht an mir mein Zuversicht a4
Christ ist erstanden von der Marter alle a4
Christ ist erstanden von der Marter alle a6
Christ lag in Todesbanden a5
Christ unser Herr zum Jordan kam a6
Christe, der du bist Tag und Licht a4
Christe, der du bist Tag und Licht a7
Christum wir sollen loben schon a5
Christum wir sollen loben schon a6
Da Glck und Unglck streiten tt a5
Der Fuchs darf Glck, dass seine Tck I a4
Der Fuchs darf Glck, dass seine Tck II a4
Der Herr ist mein Hirte a4
Die Furcht des Herren, glube mir a4
Die Welt trgt einen stolzen Mut a5
Dies sind die heil'gen zehn Gebot a5
Du solt nicht ander Gtter haben a4
Du wllst deilne Gericht, Herr, geben a4
Durch Adams Fall ist ganz verderbt I a4
Durch Adams Fall ist ganz verderbt II a4
Ein feste Burg ist unser Gott a5
Ein Kindelein so lblich ist uns geboren heute a4
Erbarm dich mein, o Herre Gott a4
Erzrn dich nicht, o frommer Christ a4
Erzrn dich nicht, o frommer Christ a5
Es ist heute frhliche Tag a4
Es spricht der Unweisen Mund wohl a5
Es wollt uns Gott gendig sein a4

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_______________

853.R7
475.R5
854.R7

Frh und spat, Tag, Nacht und alle Stund a4


Gelobet seist du, Jesu Christ a5
Gelobet seist du, Jesu Christ a6
Gott der Vater wohn uns bei a5
Gross Freud zwinggt mich zu singen a4
Hab's lang ggedacht bei Tag und Nacht a4
Hart halt ich noch zu dieser Zeit a4
Herr Gott, du bist unser Zuflucht fr und fr a6
Herr Gott, lehr mich das Ende mein a4
Herr Gott, nu sei gepreiset I a4
Herr Gott, nu sei gepreiset II a4
Herr jesu Christ, wahr Mensch und Gott a4
Herr Jesu Christe, Gottes Sohn a4
Herr, kehre dich doch wieder zu uns a4
Herrendienst und Legele Wein tun ber Nacht ausrinnen a4
Herzedle Frucht, mit Ehr und Zucht tust du mich hart bekrnken a4
Hilf, Herr mein Gott, in dieser Not a5
Hr Menschenkind, hr Gottes Wort a4
Jesus Christus, unser Heiland a4
Jesus Christus, unser Heiland a5
Kein Bhlerei ficht mich mehr an a4
Kein Lieb ohn Leid mag mir nicht wiederfahren a4
Kein Lieb ohn Leid mag mir nicht wiederfahren a5
Komm Gott Schfper heiliger Gesit a5
Komm heiliger Geist, Herre Gott a4
Lass gehen, wie es gehet a4
Mensch, willst du leben seliglich a4
Mit Fried und Freud ich fahr dahin I a5
Mit Fried und Freud ich fahr dahin II a5
Nun bitten wir den heiligen Gesit a4
Nun bitten wir den heiligen Gesit a5
Nun freut euch, lieben Christen gmein a6
Nu komm der Heiden Heiland a5
Ob ich schon arm und elend bin a7
Recht inniglich ich mir erwhlt a4
Schm dich, du Tropf a4
Vater unser, der du bist im Himmel a4
Vater unser im Himmelreich a3
Vater unser im Himmelreich a5
Venite, ihr lieben Gesell'n a4
Viel Schwager viel Spiess, ein Sprichwort ist a4
Viel Wort oft haben mich verfhrt a4
Vom Himmel hoch da komm ich her a5
Vom Himmel kam der Engel Schar a5
Wer leid't Geduld und hat kein Schuld a7
Wir glauben all an einen Gott a4
Zu Gott mein Trost allein ich stell a4
Editions:
Facsimile of the 5 partbooks of the 1566 edition
2 Lieder: Aus tiefer Not, a4 & Herzedle Frucht, a4
in: H. Osthoff: "Die Niederlnder und das deutsche Lied, 1400-1640"
(p. 538-541 and 544-547)
*Ach Gott, du liebster Vater mein

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179,--

65,- 2,--

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_______________

*Ach Gott, erhalt uns bei deinem Wort


*Ach Gott, vom Himmel sieh darein
*Aus tiefer Not schrei ich zu dir
Aus tiefer Not schrei ich zu dir:
see: Collections: "Der Schulchor": vol. II, no. 55
*Die Furcht des Herren, glube mir
*Dies sind die heiligen zehn Gebot
*Es wollt uns Gott gendig sein
*Vater unser
*Wir glauben all an einem Gott
*Zu Gott, mein Trost allein ich stell

855.R7
856.R7
857.R7

858.R7
859.R7
860.R7
861.R7
862.R7
863.R7

Leoni,

2,- 2,- 2,--

2,- 2,- 2,- 2,- 2,- 2,--

Leone Leoni
c.1560 - 1627
Di pastorali accenti (M. Campiglia) a6
see: Prints 1592/11: "Il Trionfo di Dori"

L'Estocart, P. de

PASCHAL DE L'ESTOCART
1539? - after 1584
Premier Livre des Octonaires de la Vanit du Monde
"Premier Livre des Octonaires de la Vanit du Monde, mis en musique a
trois, quatre, cinq et six parties...", Lyon, B. Vincent, 1582
1. L'eau va viste en s'escoulant a4
2. Tu me seras tesmoin a4
3. Mondain, si tu le sais, di moy a4
4. Le beau du Monde s'efface a3
5. La glace est luisante et belle a4
6. Quand on arrestera a4
7. Orfevre, taille moy une boule a4
8. Iamais n'avoir et tousiours desirer a4
9. Quand le mondain travaille et tracasse a4
10. Au langage des cieuxx une fois i'entendi a4 (1a voix pareilles)
11. Le Monde est un iardin a3 ( voix pareilles)
12. L'Estranger estonn regarde a4
13. Antiquit, pourquoy as-tu donn le nom de biens a4
14. Le Babylonien a reng sous ses loix a4
15. C'est un arbre que le Monde a3
16. Plus tost on pourra faire a5
17. Ie vi un iour le Monde combatant a5
18. Celuy qui pense pouvoir au Monde repos avoir a3
19. O qui pourra avoir ce bien a4
20. Quel monstre voy-ie l a4
21. Quand le iour, fils du Soleil a5
22. Toy qui plonges ton coeur a4
23. Arreste, arreste, atten, Mondain a4
24. I'ay veu, i'ay veu que le Monde est un songe a3
25. O est la mort? a6
26. C'est folie et vanit a6
Edition:
nos. 1-26:

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MUZIEKHANDEL SAUL B. GROEN


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_______________

ed. H. Expert; Monuments de la musique franaise au temps de la Renaissance, volume X; reprint of the 1929 edition

871.R7

Lisley, J.

75,--

John Lisley
Fair Cytherea presents her doves
SSATTB
see: Prints 1601/16: "The Triumphes of Oriana"

Locatello, G.B.

Giovanni Battista Locatello


fl 1582 - 1628
2 Madrigals, a5:
1. Da begl' occhi ch' adoro
2. Ardo lunge e d' appresso
see: Prints 1582 & 89: "Two Roman madrigla colletions: "Dolci Affetti" &
"Le Gioie"
Gia primavera di vari colori a6
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
Donna gentil, a3 / Dein uglein leuchten:
see: Prints 1608/22: A. Mller: Deutsche Canzonetten (no. 21)

Luython, C.

Carl Luython
1557? - 1620
"Il primo libro de madrigali a cinque voci", Venice, 1582
from this opus:
3 Madrigals: Erano i capei d'oro e l'aura sparsi
Sacro monte mio dolce almo soggiorno
Perch'io t'abbia guardate di menzogna
see: Collections: "Italian musicians and the Imperial House of Austria"

Luzzaschi, L.

LUZZASCO LUZZASCHI
1545? - 1607
a) Complete Unaccomanied Madrigals; ed. Newcomb
b) Madrigali a1-3, 1602
c) The 2 Neapolitan madrigal collection of 1611 and 1613
a) Complete Unaccomanied Madrigals; ed. Newcomb
in 4 volumes

236.S6

Volume I: books 5, 6 and 7 a5


a) "Il quinto libro de' madrigali a 5 voci", Ferrara, V. Baldini, 1595:
1. Aura, ch'errando intorno
2. Iten a volo
3. Lungi da te
4. Se la mia vita
5. O Miracol d'Amore!
6. Ecco, dolce, gradita
7. Ahi, cruda sorte mia
8. Se parti i' moro

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MUZIEKHANDEL SAUL B. GROEN


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9. Tu godi, bell'amante
10. Io vissi, anima mia
11. Cinto di neve
12. All'hor fia lieto
13. Credete a me
14. Vivo da voi lontana
15. Parte il corpo
16. Moro ardendo
17. Come viva il mio core
18. Godete, anima bella
19. Pu ben fortuna
20. Non guardar
b) "Sesto libro de madrigali a 5 voci", Ferrara, V. Baldini,1596:
Only the Quinto part of this book has survived (unique copy in I-Fm)
Four madrigals (nos. 1, 2, 12 and 13) could be completed from the Carli reprint
of 1613 ("Secondo scelta delli madrigali a cinque voci", Naples). Of madrigal
no. 4 the alto and bass parts could be recovered from I-Nc ms. 39.1.1 (canto
and tenore parts are editorial)
1. Sorge la vaga Aurora
2. Ah, come tosto passa
3. Tu, che con vari accenti
4. Non sono, oim, queste mie luci degne
5. Nasce da l'ira sol
6. Talhor io vidi il Cielo
7. Se vi donai, gentil mia donna, il core
8. Non mi togliete il guardo
9. Si pose accorto sdegno
10. O dolorosa gioia
11. Se 'l bel guardo t'infiamma
12. Itene mie querele
13. Cor mio, bench lontana
14. Nelle bell'opre sue
15. Se tu fuggi, io non resto
16. Son quei bei lumi l'arme
17. Doppia dolcezza i' godo
18. Se vi duol il mio duolo
19. Felicissimo sonno
20. Ancide sol la morte
21. Al fin, cor mio, ti vidi
c) "Settimo libro de madrigali a 5 voci", Venice, G. Vincenti, 1604:
Only the canto and basso parts have survived. Nos. 3 and 11 were completed
from the 1613 Carli reprint, and no. 3 as well from I-Nc ms. 39.1.1
1. Questo duol che mi strugge
2. Dov'io fuggo, crudele?
3. Gioite voi col canto
4. Tirsi morir volea
5. Pinage i perduti figli
6. Questa vostra pietate
7. Hor pompa et ostro
8. Nel dolce sen
9. I' temo della speme
10. Di bei colori aurato e rubicondo
11. Dopo lungo digiuno

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12. Non questa l'Aurora


13. Chi di spirto al mio canto
14. Hoggi nacqui, ben mio
15. Smeraldi eran le rive
Appendix:
Texts of madrigals I: 6, 8, 19, 20, II: 1, 13 and III: 6 set by other composers:
a. A. Striggio: Ecco, dolce, gradita a5
b. P. Nenna: Ecco, docle, gradita a5
c. G. Palazzotto e Tagliavia: Se parti io moro a5
d. P. Bellasio: Pu ben fortuna a5
e. A. Il Verso: O sei geloso Amante a6
f. S. Lacorcia: Sorge la vagh' aurora a5
g. R. Giovannelli: Cor mio, benche lontana a5
h. G. de Macque: Questa vostra pietate a5
i. G. Del Turco: Questa vostra pietate a5
Sources of the madrigals in the appendix:
a) A. Striggio: "Il quarto libro de madrigali a cinque voci", Venice, Gardano,
1596.
b) P. Nenna: "Il sesto libro de madrigali a cinque voci", Naples, Sottile, 1607
c) G. Palazzotto e Tagliavia: "Madrigali...a cinque voci, libro secondo", Palermo
Maringo, 1620
d) P. Bellasio: "Il quinto libro de madrigali a cinque voci", Verona, Dalle Donne,
1595.
e) A. Il Verso: "Il terzo libro de' madrigali a sei voci", Palermo, Maringo, 1607
(missing alto part supplied by the editor)
f) S. Lacorcia: "Terzo libro de madrigali a cinque voci", Naples, Vitale, 1620
g) R. Giovannelli: "Il terzo libro de madrigali a cinque voci", Venice, Gardano,
1599.
h) G. de Macque: "Secondo libro de madrigali a cinque voci", Venice, G. Vincenzi, 1587
i) F. Vitale: "Il primo libro di madrigali a cinque voci", Venice, Magni, 1616
156,-237.S6

Volume II
Libro IV & Madrigals published only in anthologies, 1583-1604
a) "Il Quarto Libro de' madrigali a cinque voci", Ferrara, V. Baldini, 1594
1. Crudelissima Donna
2. Quante volte volgete
3. Tra le dolcezze
4. Mentre la notte (O. Cavalletta)
5. Io veggio pur pietate (B. Guarini)
6. Di semplice farfalla
7. Invide siepi
8. "Io v'amo, anima mia" (A. Pocaterra)
9. Tu ribello d'Amor
10. Vero ch'Amor
11. Dolce mia fiamma (T. Tasso)
12. S'homai d'ogni su' errore
13. Se a voi di me non cale
14. Dolorosi martir (L. Tansillo)
15. Questi tuoi dolci sguardi
16. La dove par
17. "Io t'amo", spesso mi dice
18. Gentil bella mia Donna

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19. Fra pi dolci amorosi avolgimenti


20. Se 'l Lauro sempre verde (T. Tasso?)
21. Quand'io miro me stessa (A. Pocaterra)
b) Madrigals published only in anthologies, 1583-1604:
1. Ecco il bel Laur verde a6
2. Filli al partir del suo caro Pastore a6
3. Ero cos dicea a4
4. O soave d'Amor leggiadr'aspetto TB extant only
5. Sia benedetto Amore a4
6. Questa ch'a gli occchi miei discopr'il Sole (A. Grillo) a5
Sources:
1583: "Il lauro verde", Ferrara, Baldini (1)
1586: "I lieti amanti", Venice, Vincenti & Amadino (2)
1588: "L'amorosa Ero", Brescia, Sabbio (3)
1591: "Il giardino dei musici ferraresi", Venice, Vincenti (4)
1597: "Canzonette a 4 voci composte da diversi eccellenti musici", Venice,
Vincenti (5)
1604: "Musica de diversi eccellentiss. auttori a 5 voci sopra i pietosi affetti
del m.r.p.d. Angelo Grillo", Venice, Gardano (6)
Appendix: Musical settings of same poems by other composers:
1. S. Lacorcia: Tra le dolcezze a5
2. P. Virchi: Mentre la notte a6
3. Ph. de Monte: Mentre la notte a5
4. B. Bertolotti: "Io v'ami, anima mia" a5
5. S. Lacorcia: "Io t'amo, anima mia" a5
6. A. Striggio: Dolorosi martir SA extant only
7. G.M. Nanino: Dolorosi martir a5
8. F. Soriano: Dolorosi martir a5
Sources:
1577: "Il primo fiore della ghirlanda musicale", Venice, Scotto (6)
1581: G.M. Nanino & A. Stabile: "Madrigali a 5 voci", Venice, Gardano (7)
1591: P. Virchi: "Il primo libro de madrigali a 6 voci", Venice, Amadino (2)
1592: F. Soriano: "Il secondo libro de madrigali a 5 voci", Rome (8)
1593: B. Bertolotti: "Il primo libro de madrigali a 5 voci", Venice,Amadino (4)
1592: Ph. de Monte: "Il quintodecimo libro de madrigali a 5 voci", Venice (3)
1616: S. Lacorcia: "Il secondo libro de' madrigali 5 voci", Naples (1)
1620: S. Lacorcia: "Il terzo libro di madrigali a 5 voci", Naples, Vitale (5)
114,-238-9.S6

Volumes III - IV: not yet published


b) Madrigali a1-3, 1602
"Madrigali per cantare et sonare a uno, e duo, e tre Soprani, fatti per la
musica del gia ser.mo Duca Alfonse d'Este", Roma, S. Verovio, 1601
12 Madrigals, probably written in the 1580s, for 1-3 sopranos and obbligato
keyboard
a) for 1 soprano:
1. Aura soave di segreti accenti
2. O Primavera giovent de l'anno
3. Ch'io non t'ami cor mio
b) for 2 sopranos:
4. Stral pungente d'Amore
5. Deh vieni hormai cor mio
6. Cor mio deh non languire

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7. Io mi son giovinetta

234.S2

330.S6
331.S6
332.S6

c) for 3 sopranos:
8. O dolcezze' amarissime d'Amore
9. Troppo ben puo questo tiranno Amore
10. T'amo mia vita
11. Non s ch' sia dolore
12. Occhi del pianto mio cagione
Editions:
nos. 1-12:
Facsimile of the 1601 edition; introduction (in Italian) by E. Durante and A.
Martellotti
no. 8:
ed. C. Lee (set of 4 scores)
no. 9:
ed. C. Lee (set of 4 scores)
no. 10:
ed. C. Lee (set of 4 scores)

26,- 14,50
14,50
14,50

c) The 2 Neapolitan madrigal collection of 1611 and 1613


The two Neapolitan madrigal collections of 1611 and 1613
These madrigals were published previously in:
"Il primo libro de' madrigalia 5 voci", Ferrara, F. de' Rossi, 1571 ( = I)
"Il terzo libro de madrigali a 5 voci", Venice, A. Gardano, 1582 ( = III)
"Il quarto libro de' madrigali a 5 voci", Ferrara, V. Baldini,1594 ( = IV)
"Il quinto libro de' madrigali a 5 voci", Ferrara, V. Baldini, 1595 ( = V)
"Sesto libro de madrigali a 5 voci", Ferrara, V. Baldini,1596 ( = VI)
"Settimo libro de madrigali a 5 voci", Venice, G. Vincenti, 1604 ( = VII)
a) : Madrigali di Luzasco Luzaschi et altri autori a cinque voci", Naples, G.
Carlino, 1611:
1. Grazie ad Amor, o me beato e lui (from III)
2. Fuggiti dal mio raggio (from III)
3. Da l'odorate spoglie (from III)
4. Per obedir a la sua Ninfa Alcide / Vedete in qunati modi Amor (from III)
5. Come viver poss'io (from III)
6. O quante volte in van, cor mio, ti chiamo (from III)
7. Il vedervi e lasciarvi (from III)
8. Non guardar, ch se guardi (from V)
9. Credete a me che 'l provo e l'ho provato (from V)
10. Aura ch' errando intorno (from V)
11. Itene a volo, o miei sospiri ardenti (from V)
12. Ahi cruda sorte mia, stelle spietate! (from V)
13. Se parti, i' moro e pur partir conviene (from V)
14. Lungi da te, cor mio (from V)
15. Morir non pu 'l mio core (from III)
16. Vivo da voi lontana (from V)
17. Come viva il mio core (from V)
18. Parte il corpo da voi, ma con voi resta (from V)
b) "Seconda scelta delli madrigali a cinque voci dello Zascho Luzzaschi",
Naples, G.G. Carlino, 1613:
1. O moracol d'Amore! / Ma diviene il morir mercede (from V)
2. Ecco, o dolce, o gradita (from V)
3. Dopo lungo digiuno (from VII)

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4. Ah! Come tosto passa (from VI)


5. Quando miro me stessa i' son pur bella (from VI)
6. Se la mia vita sete (from V)
7. Sorge la vaga Aurora (from VI)
8. Tu godi, o bell' amante (from V)
9. Io vissi, anima mia, per darti vita (from V)
10. Io t'amo anima mia (from IV)
11. Allor fia lieto il core (from V)
12. Dolce mia fiamma, dolce (from IV)
13. Gioite voi col canto (from VII)
14. Cinto di neve omai (from V)
15. Moro ardendo, e m' grato (from V)
16. Signor, s'io resto viva / Ahi, pur forz' ch'io moia (from I)
17. Itene mie querele (from VI)
18. Cor mio, bench lontana (from VI)
19. Tra le dolcezze e l'ire (from IV)
Editions:
nos. a/1-18 and b/1-19:
ed. E. Durante and A. Martellotti in 2 volumes: volume I: essays in Italian
"La devoluzione di Ferrara e gli ultimi anni di Luzzaschi"; "I madrigali a 5 voci"
"Le due "Scelte" napoletane"); vol. II: edition of the music and the poetical
texts; critical commentary. Appendix: 1) Sia benedetto amore (a4; from:
"Canzonette a quattro voci di diversi eccellenti musici", Venice, G. Vincenti,
1597; 2) Questa ch'a gli occhi miei discopre il sole (a5; from: "Musica de
diversi eccellentiss. autori, a 5 voci, sopra i pietosi affetti del Angelo Grillo",
Venice, A. Gardano, 1604
41,- no. a/7:
see: Collections: "The Flower of the Italian Madrigal", volume I

240.S6

Ero cos dicea SATB


see: Prints 1588/17: "L'Amorosa Ero"
Macque, G. de

301.R8

GIOVANNI DE MACQUE
1548/50? - 1614
7 Madrigals a5 and a6, edited by W.R. Shindle:
1. Viv'oriente mio! a5
2. La mia leggiadra Clori a5
3. Goditi pur, novo Terren quel lauro a5
4. Io vidi Amor, con pargoletta mano a6
5. Ne i vostri dolci baci a5
6. Vaghe Ninfe selvagge a6
7. Chi vuol veder un' Sole a5
Sources: "Il quarto libro delle muse a 5 voci...", Venice, Gardano, 1574(1);
"Dolci affetti madrigali a 5 voci...", Venice, 1582, herede di Scotto, 1582 (2);
"Il lauro secco. Libro primo di madrigali a 5 voci...", Ferrara, Baldini, 1582 (3)
"Il lauro verde, madrigali a 6 voci", Ferrara, Bandini, 1583 (4); "Le gioie. Madrigali a 5 voci...Libro primo", Venice, Amadino, 1589 (5); "Il trionfo di dori...
a 6 voci...", Venice, Gardano, 1592 (6); "Di B. Bolognini bolognese, madrigali
a 5 voci. Il primo libro", Napoli, Sottile, 1604 (7)
20,- 3 Madrigals a5:
1. Or un laccio, un oardore

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2. La mia leggiadra Clori


3. Nei vostri dolci baci
nos. 1-3:
see: Prints 1582/1589: "Two Roman madrigal collections: "Dolci Affetti"
(1582) & "Le Goie" (1589)
no. 1:
see: L. Marenzio: Madrigals: Coll./3
3 Madrigals a6:
1. Amor, io sent'un respirari
2. Dal suo volto scendea
3. Tre gratiosi amanti
see: Prints 1583: "Harmonia Celeste...raccolte per A. Pevernage"
2 Madrigals:
1. Hor un laccio un' ardore a5
2. Vorria saper da voi occhi mortali a6
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
Bacciam vita mia, bacciami ancor a6
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
Morir di dolor SAATTB
from his: "Madrigali a 4, 5 e 6 voci", Venice, 1579
see: Collections: "The Flower of the Italian Madrigal", volume I
Se d'altro mai non vivo a4
see: Prints 1591/10: "Melodia Olympica"
Sur toute fleur deslite, a5:
see: Prints 1597/10: "Le Rossignol musical des chansons" (no. 32)
Vaghe ninfe selvagge (E. di Valvasone) a6
see: Prints 1592/11: "Il Trionfo di Dori"
Vorria saper da voi occhi mortali a6
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
4 Canzonettas for 3 voices and lute accompaniment:
1. Spesso il canto
2. E sopra gl'arbuscelli
3. E i travagliati amanti
4. Se dunque il dolce canto
see: Prints 1595/6: "Lodi della Musica"
Malvezzi, C.

Cristofano Malvezzi
1547 - 1599
Com' contrario il mio nuvol celeste
see: Prints 1589/7 : "Le Goie"

Manara, F.

a5

Francesco Manara
fl 1548 - 1591

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4 Madrigals a5 (SSATB):
1. Ben fu pari tra noi Donna il partire
2. Non fu senza vendetta
3. Aura dolce odorata
4. Deh lascia omai le selve
see: Manuscripts: I-MOe F.1358: Madrigali Segreti per le donne di Ferrara
Mando, P.

P. Mando
Like as the day a4
see: Collections: "Consort songs and anthems", ed. Ph. Brett: no. 48

LUCA MARENZIO

Marenzio, L.

1553/54 - 1599
a)
b)
c)
d)
e)
f)
g)

Madrigals a5, books I - IX


Sacred madrigals a5
Madrigals a6, books I - VI
Madrigals a4 and a4-a6
Villanelle a3, books I - V
Madrigals occurring only in collections ( = "coll.")
Alphabetical checklist of titles
a) MADRIGALS A5, books I - IX

302.R8

1580.
Madrigals a5, book I, 1580
"Il primo libro de madrigali a cinque voci", Venice, 1580
14 madrigals: 13 a5, 1 a8; in alphabetical order:
1580/1. Cantava la pi vaga pastorella
1580/2. Che fa hoggi il mio sole
1580/3. Dolorosi martir, fieri tormenti (Tansillo)
1580/4. Lasso ch'io ardo e 'l mio bel sole ardente
1580/5. Liquide perle Amor da gli occhi sparse (L. Pasqualino)
1580/6. Madonna mia gentil ringratio Amore
1580/7. Ohime, dov' 'l mio ben, dov' 'l mio core (B. Tasso)
1580/8. O tu che fra le selve occulta vivi (? Tasso)
a8
1580/9. Partir dunque, ohime mi manca il core
1580/10. Quando i vostri begl' occhi un caro velo (Sannazaro)
1580/11. Questa di verd' herbette
1580/12. Spuntavan gi per far il mondo adorno
1580/13. Tirsi morir volea (Guarini)
1580/14. Venuta era Madonna al mio languire (Sannazaro)
Editions:
nos. 1-14:
in: ed. J. Steele of madrigals a5 books I and II
in: ed. A. Einstein: Marenzio: "Smtliche Werke", I; madrigals a5, books
I-III; Publikationen lterer Musik, vol. IV,1; reprint of 1929 edition
no. 6:
see: Modern Collections: "Historical anthology of music", vol. I
no. 9: "I must depart":
see: Collections: "Invitation to Madrigals", volume VII

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29,-reprinting

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nos. 1580/1, 4, 6, 7, 9-12, 14 and 1585d/1, 7, 9, 11, 17, 18, 20 and


1587a/3, 5, 8, 11:
see: Prints 1590: "The first sett of Italian Madrigals Englished...", nos. 4-26
nos. 1580/1, 13 and 1581a/16 and 1582/6:
see: Prints 1583: : "Harmonia Celeste...raccolta per A. Pevernage..."
nos. 1580/3, 1584c/12, 1588/7, 1591/4 and 1595b/5:
see: Collections: "The Flower of the Italian Madrigal", volume I
nos. 1580/6, 1581b/3 and 1582/12:
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
nos. 1580/12, 1581a/15, 1581b/4, 1584d/20 and 1587a/8:
see: Prints 1591/10: "Melodia Olympica"

302.R8

1581b.
Madrigals a5, book II, 1581
"Il secondo libro de madrigali a cinque voci", venic, 1581
16 madrigals: 15 a5, 1 a8; in alphabetical order:
1581b/1. Al vago del mio sole
1581b/2. Amor io non potrei (Ariosto)
1581b/3. Amor, poi che non vuole (G. Parabosco)
1581b/4. Deggio dunque partire
1581b/5. Fillida mia pi che i ligustri bianca (Sannazaro)
1581b/6. Gi Febo il tuo splendor rendeva chiaro
1581b/7. Gi torna a rallegrar l'aria e la terra
1581b/8. I' piango, ed ella il volto (Petrarch)
1581b/9. Itene a l'ombra de gli ameni faggi (Sannazaro)
1581b/10. La bella ninfa mia ch'al Tebro infiora (F.M. Molza)
1581b/11. Mi fa lasso languire (L. Cassola)
1581b/12. O voi che sospirate a miglior note (Petrarch)
1581b/13. Perche di pioggia 'l ciel non si distille
1581b/14. Quando sorge l'aurora
1581b/15. Se 'l pensier che mi strugge (Petrarch)
a8
1581b/16. Strider faceva le zampogne a l'aura
Editions:
nos. 1-16:
in: ed. J. Steele of madrigals a5 books I and II
in: ed. A. Einstein: Marenzio: "Smtliche Werke", I; madrigals a5, books
I-III; Publikationen lterer Musik, vol. IV,1; reprint of 1929 edition
nos. 1580/6, 1581b/3 and 1582/12:
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
nos. 1580/12, 1581a/15, 1581b/4, 1584d/20 and 1587a/8:
see: Prints 1591/10: "Melodia Olympica"
nos. 1581b/13, 1585c/7, 1585d/7, 1585e/5 and coll./16:
see: Collections: "The Flower of the Italian Madrigal", volume III

29,-reprinting

1582.
Madrigals a5, book III, 1582
" Il terzo libro de madrigali a cinque voci", Venice, 1582
17 madrigals a5; in alphabetical order:
1582/1. Caro dolce mio ben chi mi vi toglie
1582/2. Deh vezzose del Tebro amate ninfe
1582/3. Eccho pi che mai bella e vaga l'aura
1582/4. La pastorella mia spietata e rigida (Sannazaro)
1582/5. Lunge da voi mia vita

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1582/6. Madonna poich' uccider mi volete


1582/7. Occhi lucenti e belli (V. Gambara)
1582/8. O dolce anima mia dunque pur vero (Guarini)
1582/9. Ohime il bel viso, ohime il soave sguardo (Petrarch)
1582/10. Ohime se tanto amate (Guarini)
1582/11. Ridean gi per le piagg' herbette e fiori
1582/12. Rose bianche e vermiglie
1582/13. Scaldava il sol di mezzo giorno l'arco (L. Alamanni)
1582/14. Scherzando con diletto
1582/15. Se la fiamma ardente
1582/16. Si presso a voi mio foco (Guarini)
1582/17. Togli dolce ben mio
Editions:
nos. 1-17:
in: ed. J. Steele of madrigals a5 books III and IV
in: ed. A. Einstein: Marenzio: "Smtliche Werke", I; madrigals a5, books
I-III; Publikationen lterer Musik, vol. IV,1; reprint of 1929 edition
no. 13:
see: Collections: "Anthology of Renaissance Music", ed. Atlas
nos. 1580/6, 1581b/3 and 1582/12:
see: Prints 1585/19: "Symphonia Angelica" (Waelrant)
1582/17 and 1584b/7, 11 and 1584d/15, 20, 1585c/15 and 1585d/3, 11
and 1588/12 and 1599/5:
10 Madrigals for mixed voices; ed. D. Arnold:
nos. 1580/1, 13 and 1581a/16 and 1582/6:
see: Prints 1583: : "Harmonia Celeste...raccolta per A. Pevernage..."

29,-reprinting

29,--

1584c.
Madrigals a5, book IV, 1584
"Il quarto libro de madrigali a cinque voci", Venice, 1584
15 madrigals a5; in alphabetical order:
1584c/1. A che tormi 'l ben mio
1584c/2. Cadde gi di Tarquinio al cieco errore
1584c/3. Corran di puro latte (wedding canzona)
1584c/4. Disdegno e gelosia (Tasso)
1584c/5. Ecco l'aurora con l'aurata fronte (V. Quirino)
1584c/6. Filli, l'acerbo caso
1584c/7. Giunto a la tomba (Tasso)
1584c/8. Mentre il ciel sereno
1584c/9. Quando vostra belt, vostro valore (Ariosto)
1584c/10. Real natura, angelico intelletto (G.B. Zuccarini) (wedding sonnet)
1584c/11. Sapete amanti perche ignudo sia (V. Marcellini)
1584c/12. Scendi dal paradiso
1584c/13. Senza cor, senza luce
1584c/14. Spirto a cui giova gli anni a buona fine
1584c/15. Vaghi augelletti che per valli e monti
Editions:
nos. 1-15:
in: ed. J. Steele of madrigals a5 books III and IV
29,- in: ed. A. Einstein: Marenzio: "Smtliche Werke", II; madrigals a5, books
reprinting
IV-VI; Publikationen lterer Musik, vol. VI; reprint of 1931 edition
no. 7:
*ed. C. Bartlett; SATTB; (handwritten edition)
3,50

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved

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FAX +31 (0)20-6762240
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no .12:
see: Collections: "Chester Books of Madrigals", volume II
nos. 1580/3, 1584c/12, 1588/7, 1591/4 and 1595b/5:
see: Collections: "The Flower of the Italian Madrigal", volume I

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1585a.
Madrigals a5, book V, 1585
" Il quinto libro de madrigali a cinque voci", Venice, 1595
17 madrigals a5; in alphabetical order:
1585a/1. Basciami basciami mille mille volte
1585a/2. Chi vuol veder Amore
1585a/3. Consumando mi vo di piagg' in piaggia (Petrarch)
1585a/4. Dolor tant' la gioia che mi dai
1585a/5. Due rose fresche, e colte in Paradiso (Petrarch)
1585a/6. Filli, tu sei pi bella (C. Pavesi)
1585a/7. Il suo vago gioioso e lieto manto
1585a/8. L'alto e nobil pensier che si sovente (Sannazaro)
1585a/9. La rete fu di queste fila d'ora (Ariosto)
1585a/10. Liete, verdi, fiorite e fresche valli (Sannazaro)
1585a/11. Occhi miei che miraste si bel sole
1585a/12. Ohime, l'antica fiamma (Guarini)
1585a/13. Quella che lieta del mortal mio duolo (G. della Casa)
1585a/14. Se voi sete cor mio
1585a/15. S'io vissi cieco e grave fal'indegno (G. della Casa)
1585a/16. Sola angioletta starsi in treccie a l'ombra (Sannazaro)
1585a/17. Sotto l'ombra de tuoi pregiati rami
Editions:
nos. 1-17:
in: ed. J. Steele of madrigals a5 book V & sacred madrigals a5 (see: 1584b)
29,- in: ed. A. Einstein: Marenzio: "Smtliche Werke", II; madrigals a5, books
reprinting
IV-VI; Publikationen lterer Musik, vol. VI; reprint of 1931 edition
1594.
Madrigals a5, book VI, 1594
"In sesto libro de madrigali a cinque voci", Venice, 1594
17 madrigals: 16 a5, 1 a8; in alphabetical order:
1594/1. Ah dolente partita (Guarini)
1594/2. Amor se giusto sei
1594/3. Anima cruda s, ma per bella (Guarini)
1594/4. Ben ho del caro oggetto i sensi privi (A. Caro)
1594/5. Cantiam la bella Clori
a8
1594/6. Clori mia, Clori dolce (G.B. Strozzi)
1594/7. Clori nel mio partire
1594/8. Deh Tirsi, Tirsi anima mia perdona (Guarini)
1594/9. Donna de l'alma mia, de la mia vita
1594/10. Ecco Maggio seren, che l'ha vestito (G.B. Strozzi)
1594/11. Hor chi Clori beata (G.B. Strozzi)
1594/12. Mentre qual viva pietra
1594/13. Rimanti in pace, a la dolente e bella (L. Celiano)
1594/14. S'io parto, i' moro, e pur partir conviene (R. Arlotti)
1594/15. Still l'anima in pianto (A. Ongaro)
1594/16. Udite, lagrimosi Spirti d'Averno, udite (Guarini)
1594/17. Voi bramate ch'io mora

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Editions:
nos 1-17:
in: ed. J. Steele of madrigals a5 books VI and VII
1595b.
Madrigals a5, book VII, 1595
"Il settimo libro de' madrigali a cinque voci, novamente composto et dato
in luce", Venice, A. Gardano, 1595
16 madrigals by Marenzio and 1 by A. Bicci; in alphabetical order:
1595b/1. Al lume delle stelle (Tasso)
1595b/2. Ami Tirsi e me 'l neghi
1595b/3. Arda pur sempr'o mora (Guarini)
1595b/4. Care mie selve a Dio (Guarini)
1595b/5. Com' dolce il gioire o vago Tirsi
1595b/6. Cruda Amarilli che co 'l nom'ancora (Guarini)
1595b/7. Deh dolc'anima mia (by A. Bicci )
1595b/8. Deh poi ch'era ne' fatli (Guarini)
1595b/9. O disaventurosa acerba sorte (Bembo)
1595b/10. O dolcezze amarissime d'Amore (Guarini)
1595b/11. O fido, o caro Aminta (Guarini)
1595b/12. Ombrose e care selve (Guarini)
1595b/13. O Mirtillo, Mirtillo anima mia (Guarini)
1595b/14. Quell'augellin che canta (Guarini)
1595b/15. Questi vaghi concenti
1595b/16. Sospir nato di fuoco
1595b/17. Tirsi mio, caro Tirsi (Guarini)
Editions:
nos. 1-17:
in: ed. J. Steele of madrigals a5 books VI and VII
ed. S. Ledbetter / P. Myers / M. Ossi; "The Secular Works", volume XIV
no. 1:
*ed. S. Ledbetter; SATTB
no. 16:
*ed. S. Ledbetter; SATTB
nos. 1580/3, 1584c/12, 1588/7, 1591/4 and 1595b/5:
see: Collections: "The Flower of the Italian Madrigal", volume I

29,--

29,- 92,- 2,50


2,50

1598.
Madrigals a5, book VIII, 1598
"L'ottavo libro de'madrigali a cinque voci", Venice, A. Gardano, 1598
16 madrigals a5; in alphabetical order:
1598/1. Ahi chi t'insidia al boscareccio nido (L. Celiano)
1598/2. Care lagrime mie (L. Celiano)
1598/3. Deh Tirsi mio gentil non far pi stratio (Guarini)
1598/4. Dunque romper la f, dunque deggio io (asso)
1598/5. Filli volgendo i lumi al vago Aminta (Tasso)
1598/6. Ite amari sospiri (Guarini)
1598/7. La mia Clori brunetta (L. Celiano)
1598/8. Laura se pur sei l'aura (L. Celiano)
1598/9. Non sol dissi tu poi anima fera (Tasso)
1598/10. O occhi del mio core e d'Amor lumi (Tasso)
1598/11. 11. Provate la mia fiamma (L. Celiano)
1598/12. Pur venisti cor mio (Guarini)

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1598/13. Quand'io miro le rose (A. Grillo)


1598/14. Questi leggiadri odorosetti fiori (L. Celiano)
1598/15. Se tu dolce mio ben mi saettasti (Guarini)
1598/16. Vita soave e di dolcezza piena (Tasso)
Editions:
nos. 1-16:
ed. S. Ledbetter / P. Myers / M. Ossi; "The Secular Works", volume XV
no. 2:
*ed. S. Ledbetter; SATTB
no. 4:
*ed. S. Ledbetter; SATTB
1599.
Madrigals a5, book IX, 1599
"Il Nono Libro de Madrigali a cinque voci", Venice, A. Gardano, 1599
14 madrigals a5 on poems by Petrarca, Dante, Celiano, Guarini and Ongaro;
in alphabetical order:
1599/1. Amor, i'ho molti et molti anni pianto (Petrarch)
1599/2. Chiaro segno Amor pose alle mie rmie (Petrarch)
1599/3. Cos nel mio parlar voglio esser aspro (Dante)
1599/4. Credete voi ch'i' viva (Guarini)
1599/5. Crudele, acerba, inessorabil morte (Petrarch)
1599/6. Dura legge d'Amor, ma bench obliqua (Petrarch)
1599/7. Fiume ch'a l'onde tue ninfe e pastori (A. Ongaro)
1599/8. Il vago e bello Armillo (L. Celiano)
1599/9. La bella man vi stringo (Guarini)
1599/10. L'aura ch 'l verde Lauro e l'aureo crine (Petrarch)
1599/11. Parto on non parto? Ahi come (Guarini)
1599/12. Se s alto pn gir mie stanche rime (Petrarch)
1599/13. Solo e pensoso i pi deserti campi (Petrarch)
1599/14. Vivo i' guerra mendico e son dolente (A. Ongaro)
Editions:
ed. P. Fabri; other sources consulted for this ed.: the 1601 reprint, and the
Siena ms. (I-Sc L.V.34 (ff.1-53v); hardback
1582/17 and 1584b/7, 11 and 1584d/15, 20, 1585c/15 and 1585d/3, 11
and 1588/12 and 1599/5:
10 Madrigals for mixed voices; ed. D. Arnold:

92,- 2,50
2,--

115,--

29,--

b) SACRED MADRIGALS A5
1584b.
Madrigali spirituali a5, 1584
"Madrigali spirituali a cinque voci. Libro primo", Rome, 1584; enlarged
fourth edition: 1610
12 sacred madrigals a5; in alphabetical order:
1584b/1. questo il legno del sacro sangue (Sannazaro)
1584b/2. Gratie renda al signor meco la terra (B. Guidi)
1584b/3. Il di che di pallor la faccia tinse
1584b/4. Le dubbie speme il pianto e 'l van dolore (Sannazaro)
1584b/5. Non fu mai cervo si veloce al corso (Sannazaro)
1584b/6. Padre del cielo hor ch'altra nube il calle (Tasso)
1584b/7. Qual mormorio soave
1584b/8. Quasi vermiglia rosa (A. Orsi)

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FAX +31 (0)20-6762240
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_______________

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1584b/9. Sento squarciar del vecchio Tempio 'l velo (F. Coppetta)
1584b/10. Signor cui gi fu pocho
1584b/11. Vergine gloriosa e lieta
1584b/12. Vergine saggia e pura
Editions:
nos. 1-12:
ed. S. Ledbetter / P. Myers / M. Ossi; "The Secular Works", volume XVII
in: ed. J. Steele of madrigals a5 book V & sacred madrigals a5 (see: 1584b)
no. 1:
*ed. S. Ledbetter; SATTB
no. 7:
*ed. S. Ledbetter; SAATB
1582/17 and 1584b/7, 11 and 1584d/15, 20, 1585c/15 and 1585d/3, 11
and 1588/12 and 1599/5:
10