TANGOS FOR TWO PIANOS, VOLUME 1

CONTENTS

About Astor Piazzolla 4

About the Music 5

LIBERTANGO 6

VERANO PORTENO 20

TANGATA 38

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4

ABOUT ASTOR PIAZZOLLA

Composer and bandoneonist Astor Piazzolla (1921-1992) transformed the national dance of Argentina, the tango, into an entirely new musical genre of concert music. Born on March 11, 1921 to Italian immigrant parents in Mar del Plata, Argentina, Astor Piazzolla grew up in New York City. At a young age he was exposed to music of both classical and jazz styles and developed a remarkable talent for the bandoneon, the accordion-like instrument central to tango. At age sixteen he returned to Argentina where he earned a place performing in the band of legendary tanguero Anibal Troilo and later formed his own group. He immersed himself in classical music, studying composition with Alberto Ginastera and analyzing the music of Bart6k, Stravinsky and RaveL He later traveled to Paris to work with renowned composer/educator Nadia Boulanger, teacher of Aaron Copland, Leonard Bernstein, Quincy Jones, and many others. It was Boulanger who encouraged him to follow the path of his roots and to form his own voice.

Piazzolla left Paris and created nuevo tango, a synthesis of tango fused with classical and jazz styles; music meant for listening, not dancing. His innovations were met with fierce resistance in the birthplace of tango, so in 1958 he left Argentina for New York City and Europe. New audiences enthusiastically embraced his music, and Piazzolla emerged as an international celebrity. In the following years, Piazzolla and his quintet collaborated with jazz greats and classical stars who performed and recorded his music worldwide. Since his death in 1992, his music has gained increasing popularity, and his work continues to inspire countless performers.

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ABOUT THE MUSIC

Libertango

Composed in 1974, this short instrumental piece serves as the opening work of Piazzolla's first Italian record album bearing the same name. The title is Piazzolla's own creation, a compound word that blends "libertad," meaning freedom, with the word "tango." Piazzolla described the music as "a sort of song to liberty," written in celebration of his new life in Milan, a time filled with new ideas.

This popular song triggered a Piazzolla boom and has since been recorded and performed by numerous singers and instrumentalists worldwide. It expresses a sound unlike anything Piazzolla had composed before with its spectacular rhythmic thrust and jazz-like improvisations interspersed between intoxicating themes.

Verano porteiio

"Summer in Buenos Aires" is the first of Piazzolla's classic Las cuatro estaciones portenas (The Four "Buenos Aires" Seasons), written originally for a stage play in 1965. While the play was not a critical success, the suite of seasons became one of Piazzolla's best-known works, a respectful greeting to Vivaldi and his violin concerti. Thick, dissonant chords, languid melodies, and low tonalities promote the feeling of summer's stifling heat in the portend, the harbor in Buenos Aires. The chromatic slides and percussive effects in the introduction are highly characteristic of Piazzolla and can be found in many of his compositions.

Tangata

In 1969 Piazzolla composed Tangata Silto y Ondina and dedicated it to the Argentine choreographer Oscar Araiz, who had once used his music in a ballet. At the time Piazzolla believed he had two protectors in life: Sylphe, the spirit of the air, and Ondine, the spirit of the water, and in their honor he composed this three-movement suite. The selection presented here is the "Final," a sweeping and intense summary of previous themes and motifs.

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..., ~ :------

·
·
~ =!: ~ ...J. ...J.
- .... - u ............. " , .. + ...... + .. +++++ ... ",..,. ... "'............... ,

>-

a_.. ··'" .

rall.

pp

>- 3

rall.

Adagio (J = 66)

cantabile

mf

Adagio (J = 66)

3

26

64

3

5

Poco pill (~ = 76) jr;

f

6

poco accel.

6

poco accel.

3

--

-+ TT

~7

76

, - - -
- .
. ~
.. , """"-= ~::: ... ::: ... ~ ... :~:
~ poco aeeel. mf I I
-
-
. ..
t> .... q .... --- .. .. ... _..._ - ., .,~
- -
-e- -e- b;7-
Poco pill encore (J = 100)
800-------------------------------------------------------
~ .. .- • .,...,.. -f'-""" -f'- .L""
..
• ~-~ ~~ ~I I = L..",.j .............
f espressivo
poco aced ~ ....._,
.
-
.... .~. ~ .... . .~. ~ ~ ~ /' ~I ........--
= i = i
... ... 8lJ

111 ~ ~ ~ r=-: -r<. ~
~ ~ ..IE. .... ..IE. ... ..IE. .... :; ... ~~~: ~ ~f ... ..IlL ... ..IE. ...
r r r >~ r r
-
.
~ ... .... .... ~ .... .... "* t>* "* 41- 41-
,,,,,,,,;U- ~"'U'
(8)---------------------------------------------·-·-------------------------------------------------------------------
11 ~.. .. n .. .. IlL -f'- ~ »<. ~ ~ e:~" b. n
..
..
~ r I = 10...- r I
~
" I ~
-.J p- I -- p- I /

83

III ~ .-- --
~
~ ~
.. ~:; "* ::'--'~: -.f ~ -.f ~ -.f ~ -.f ~~
~ >~ . i i i
malta rail. ~.,.. q-fll-~
- ~
-
.... "* "* .... q-.f -.f -.f -.f q-.f -,I,-"v 3
(8)-----------------------------------------------------------------------------,
~ ~ r ~ ..
111 ~ ~ ~ ~ = = f=.. ilL a_------.ll. -
~
.. --
'), I malta rall.
:
,) ;;;;;;iiI r I I PL127

3

86

Pin lento (J = 72)

11if espressivo

Pin lento (J = 72) ~

90

9-Ifl -. ~~----:r:.' :r:. ~ ~'""~#r: ~ ~ ~ p..-------,._. ~ #~ ~'"'eJe: ~
@J
subito accel. -
~ ~. ~~~ --~. -
~
~ ~
~lJ .r-, Allegro molto (~= 126)
"J. ~ -
.
) , subito aceel. 1 r ... ~. .......... -":'- ,,-"
-=======- mf >-~ >-
) .~
[ I J -I I -e-
,
. - Allegro motto (J = 126)

:>t;_.;_-

98 ~ ,..t ~.L ~~t:~ ~~ ~.;_ i ~ .:;,_-----------..a.
n I-::- !;::!;: ~. - - -
, ......
...-'I
·
·
I
n -
, ~: P~ t,- :"(Y -~ -~ ---.. ~'- 1,.----
~
·
·
- - ~ .,. ., l+~ . ~ :~ .... ~::±:; *~
-cr -cr - ~4' :;jj '* "* .
-- 1m

'), - -
.
~
>-~#~ ~
, ~T~ ~ ~
poco accel. >- >-
:>------ <; ~. >-~>- ---- ~" . -.:---._ ._....---....._
·
·
;;;;;;;;;;iI >- - - -
>- >- >- ;.. >-
'l. >- .. .. ~-
- - -
• I I - I I I I
poco accel.
·
·
... ... -# .. if'" .. Pill mosso

.L

Pin mosso

-

PL127

30

111

Pesante

/'}
I
, @J
I mp
\ .
.;;:....._;;.; :>- :>-..__._ :>- <:::
>-~ >-~ ;;...---.....~.~ Pes ante
• J,I.' ... ~ . ;.....---....~ ... ~ i~~b~
u ~#*~ ~~
< mp --=== .if
·
·
#~ :± .... =± ~~ :j .... =± ~~ :j .... :i v

114

/'}
I~
rail.
/'}
, v i#*~ I~ i#l+~ I~ $#I+~~~
J rail.
·
·
~ :± .... ~ ## ~ _,. ~ ## ~. .. ~ =t i~~ ~~
-.t .~

v

.~

v

PL127

31

Poco DJeOO (. = ~.

117 ~

fl ~ - :;- fl"; - >- ~
~ I I
f >-.....--. >-~ >-~ ~ :;-~
.",.. ;. .,. . .,.~.,. >-...--.. #q~ #_# .. . .fL_~ ~A
·
·
Poco meno (.I = 126) >-
f) --- >- .......____ -... ---- >- ~
.~ ~: T #~ ~ 4!- T ~: T
f >-~
·
·
~ ~ ~ ~ ~ ~ ~ ~ ±~ ~ ~ ~ 120

fI - h .. I >- ~ >- 11.
~ ;::-: 6:[_J I WI
~
>--- ;. ~b.",...#-
·
·
, >~-
~ ~g -.f ~T #~~.!~:~ >-~~:~:~!~
>-
·
·
,,:::j: T ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 113

" I~~ - h~ !±~.
-lor.
.
HI - 6:::L..l I >--.._: LJ I
-
>-
-: .:«>: "...
c-
o
- -
I I
.
I' #::;;;!: ....... +t~~L.(~ .. / >-'Z_T >-~ .. ~:~:~ ...
~ ~:> :>-
>-
- -
·
·
#~ ~ ~ ~ #~ ~~ q~ q~ = W ~ ~
= :>
"iI 134 :o-~

>

32

126 ~ .~: (2.- ,4-~t: f9--
I- ~ .p. ~
'l ~j9:- r,._ ~
J •
>....-.... >~ >-
.>: ~I>:'~ > >,..-;, .. ~,.... .;.;.--- ;.,e- =----,.----; ... _.;._ ._""'
- - II! I'
_fl I
/
1 t . - IJ' - ~~ >~ =----~~~ ~>~ ~
~ mf
J -
·
·
\
~1t W? lJ ~~- ~ ~- ~ ~: .... -#
>- J30~ ~~~ p_- ~ ~~- .fL ===~~ ~ € ~ ~ _,R.
,... ~ ~.
I
, tJ
<
I tJ '""'"' ,.-... >~- >- ,-,- _a~_ > F"i9 ~- >".-.,_
. - .
\
tJ >- > -
r

I
, ~ >~>-~ >-~ >~ ".~ >-- >-~>-~ ~ >-~ >~ :>--
.' ~ ~. -# fl .. ~,;.. ~ ~, - 1>- _ ,~
I
, tJ '--I ~~ - ._;;_.._.---
< :>- >~
j fl ff~ 1> .. 0,.. ~~~~~ >~ .;. jL q~ ~~ ~~
:
\
t! ". -
8"a---------------------------------------------------------------------------
() ~ .. .. ~ .. .. ,.-.. .. .;. ::- .. .. ~ .... -_._ ..
tJ =<:» >~. >"-.----- == T 8-J ~ === I =--.J L--J
< mp
>r--, >~. >- r">, >,--_ > ,..,--. =rr-.
·
·
-#-' ~- -#- =- ~- =- .. - ... .... r
-- f

PL 127

157

\ - ~ ~ - >-
• .:; ... - 'T!'~'--'" -.~. -
>-~ >-~ ~
~ .c,. ~~~--..~ ::.... - .1, ..... ~~--..4IL
>-~ ... ~ .... ~ ~ ~
·
-
>- - >- -
~-----------------------------------------------------------------------------------------------------------------------
\ » r»: Ij,j. ..-.. r--.
.
Ii '1=:1 I C::L...J W '== I =-...i - '= I Id.......l L...J
~ >-r---. >-~. >-r-'. =rr-. =>-. >- r">. =r=-, >-~. =r+-.
·
~ Ii=. • f*-. -: • t;i=. ~ t;i= . -:: • ~. 1; t;i: . -: I.f()

\ - >- ---- I~ .. .,~'#. ..
~
14 ~ "*~ '.J :>- >-~
>-~ >- >- ~ ~I'il-"""_~. ~
>/1":'. ~~ ~-I"-#~ ~ >-~# ~~~ ~~~~ ~. r=
·
:>- --
~----------------------------------.------------------------------------------------------------------------ ____ v_v,
\ ~ = I _f=ii 11 _l _a_ J R'i 11
• == I 1:::L..J L......J .._., .._.,
~ :> r">, >-~. >-~. >-~. =r=. >-~. =r=.
>-~. :>-~.
-
·
=i ~. • f*-. ...." =i t;i=. • ~ . -::; • t;i:. • f*.. - ~. 143

>-

>-

>-

I"J I ;; .... ....... ~ .. .. .. .. .. . .. ...-... .. Ij,j. >- >- »<. .:.
.
~ == I =-...I ._. -- I ~ 0......./ = I =-..J l.......l
mp >-~. >-~. =r=.
>-~. >-~. >-~. =r=>. >-~. =rr-.
·
·
f4 ~. 4 t;.i=. -= • t;i:. 4 ~. -= 4 ~. "4 ~.
8w--------------------------------------------------------------------------------------------------------------~-----
>- >- .. ,-... ~;. I ~-I"-.. ;; _._~ >- ~ .;_,-..# ~~
• - -
I ff
~ - >-
~ >- .... >- "* "*>- - '11' ... >- ... :> .... >- ... '1 PL127

151 Poco meno (.I = 116) ~

34

146

') I lot 0> 0> ~ .. 0> >- ~
I
) ,) == I - ~ == I ~

t =>:">. >-~. >- r:">. >- ".-..-... >- ".-..-... >- .r:"">.

~ ~. ~ ~. -:: ~ ~. ~ ~. -=
(8)------------------------------------------------------------------------------------------------------------;_----------
fl >- I lot>- ., ~~ ~ >- ~;.,..--.._,..., f:
~ -
<
J fl >- 0>
U ~ # :4t # :4t ">- I ,_ # P7 • >- #
>- 148

0> 0> r-.- 0> >- >- >
j ~ .
== I ==-..! 1........1 1:::::= I t::::::=....... L......J == I =--.J L......J
rall.
! =r=-, =>r>. >~. >- r">, >-~. >- r>. =r=-, >- r">. =r=.
·
·
~ ~. ~ ~. -:: =- ~. ~ ~. -= ~ ~, ~ ~. -::
(8)------------------------------------;:------------------------------------------~---------------~~--l
fl >., ~., ~~ ~ ~ ., ~ >- I .,~;. ., ~~.I ~. ~"~
~ - ;;;;;;;iii' --
rail.
fl - - ~
U ... > ... >- ... - - ... #> >- >- >

fl ......., I> - __.., 1 ~ - _..., 1 >- -
f
1 ~ >-~ >'-..._../ ;:-'
f
) -9--- C----e- -e- ---------
·
·
Poco meno (.I = 116)
('j
I
, u r~: ~: ~~ r~-~: ~~~~~ ~ '~: ~: ~~
< ;;;r >------
J . ,
\ ~....._,. . poco rail. e dim.

-.eo-

>-~-

poco accel.

Allegro marcato (..I = 126)

800---------------------------------------------------------------------------------------------------------

>~ >~-e-

r.>;

>-

I Allegro marcato (.,: = 126)

)6

(8t--- ---------------------- ~ ~"-"_Q_
162 .r-J 1-
f'l 1
q-, ~ ~ 1..00--
~ ~ k.Q-
:>~ :>...---.._.
t ~
~:
~
:> -
... I "- ~

- "-
f'I 1 • ~ q~
~ . . .
:>~
I@j . . -, . ~
~
t 7
... q ... .. f) •
-,;- ~ q~
~=it ~ (8t - - --- ----------_ .... :>~ ~. ce-
iL .... --- f-
1~ ~~ .;.
.....
@) ... c.....- ;::- ~
:> :>...---.._.
t ~ ~
·
·
:>
t I ~
f'l ~ ~
:~ 1!
-. .... ~
@) >~
t 7 ~
:i ~ -,;- ---
-,;- ... -,;-
~ ---------------------,

------------------------- >

(8t - - -- ------_ ... _--- ~ ~~
I~ ___., (II- _ J,j .;. f0-
r q.. 'I!' ~ ~
.._; ~ it:
:>~ :>~. _Q_
t ------. -u
· ,
:> -
iL I "- ~
"- fj: .
f'l I , -" ~ q~
r ~ . . .
. . . . ~ >~
:>~.
, 7J
, -. ~ ... • lJ.*
· , ~
.,
T ... ,,_ '27

37

Pesante

~--------~-----------------------------------------------------------

A ---------------------------------

3

3

3

3

3

3

.If --===

v

v

Pesante

.If

~--------------------~------------------------ ~_I

3

"I'

<:»

8~ ~ ~ ~J

short gliss. (?ptional)

38

TANGATA

ASTOR PIAZZOLLA (1921-1992)

Adagio (J :: 86)

Piano I

(} -"'- --" - - ;, x
f ~ . . .
.~
pr I =-...i I r I
t -e- -e- -e-- --e- -e------
- - -

Adagio (J = 86) (percussion opt.)
fJJ.i *7'2rr 7'2.
( @_)
Piano II

6

tl .. x ).; ~
. .
I . _ _ .
l ,t) I:::::LJ I r r I I
J .-¥=' * -e-: - ___
rrr 7<2. - -
...
.- !
\
(percussion opt.)
tlJ.i
,
, , I
t) W'" ~"':' ~~ r, ... T ~ T
y_
- - z:
~ p legato I~I I/~I
_----- ----
I ,
I
,
I I 7J r I Tfr 1 tl .. = - fro -
- .-e- _,_ -e-
..
-
r [ I ~
-e:- - f---e-
- - _Q_; _Q_;
tl ....
( ~:
I~I IttJ-~ 1~1 I~
,
#- I /1 I. I #- r I q- r I - " Knuckles on frame.

D _127

© EDITORIAL LAGOS (SADAIC)

All Rights in the US and Canada Administered by WB MUSIC CORP.

Exclusive Print Rights Administered by ALFRED PUBLISHING CO. INC.

This Arrangement©2007 EDITORIAL LAGOS (SADAC "JI Rifhr;; Rese~.'!-.::J Used by Perrm sion

39

-

r '

r

i i

- -

r r

r r

r r r

r r

-

r

40

3~,,! u .... fj-l-J I ------ .k _ :fi_
,0 " s ca~tabile I

t ~ u
.. li* g* ~ ~~ ~ vt . qT
~ li-e-
fl u
j
< ~ ·#rrlirrr mf le~ato j
~ J L J I 1 I I I I I I _l 1 I
·
·
f~ ... ~~ :;t '-'I I 1 1 . r !+r Y r r 1 r r r 1 r r 35 r-e- ~ ~ III!. ;~ ~ ~ :~
flu - • .(l- #. _#. )\ I;_ li~ ,li f-=- kf=:
- - ~
u -=== f
<
t u ,---3---,
u ~4 q4 -d
, I
('ju
U ~. ~ q=[Y" V
J J ~J f ~
t J J J
I I ~~ = ~~
I I I I ~ :;;; fl u , ~ f.',
r-
-
u I --
--:-
rail.
flu f.',
u ~-d :6t ~:€t vt -u-- --u-

flu ~~
~U r- J. .__.....
u rail. ;J'
< (j n "'-'-1 ...--r-1 J~ .~~
~
· .
t': ~~ F= ~. -- - -e-.__.....
= -
<:: - -u-
-!5- 't7 PL127

..J]

43

Solo ad lib.

_; ~

Cadenza ad lib.

f! ~ t t:t' ... ~ )J ·r ..f"-#
- .. ...... ... ... ..
~ p p- !
f p poco a poco aceel.
=>
·
·
-- ':_'-!IeII-
"J.ioI.......,~~~
, ~ -- v
< (Piano I cadenza)
r-.
---o~ 1-- ..... cresco

>-

I

()~ , -e- In ..
-
J '- ""~""~#" q .... #~7~ .. 1~.""~~q~
< r-.
J motto rail. #- ~. ff -e-
:. :rr
·
·
g~= -e: -e-
- -
"U"'____....._o:::>
=> \:..I
_/l_.ioI Solo ad lib.
r-. -
1 '- -
mf
J r-.
·
·
\ d

Pl127

f}jf
~
t

~
flJ.l ~ ~ * ~
J U 1 • -- I • "J r ~
-z=>, ~ .. -s=>: .e-: I
-f*- ~ , ~
- ~ 1.000"'" r

42

47

51

flit
~
·
·
flJ.l~1 * I ,--5---::: I~
~
f
J u ~ '-¥ r: ., " ... ~~~ ....... "J r- [J~
< ~~d
';'n I ... • !
·
·
! r $ :6 r 54

I'l".
I
J @)
j
\
a tempo
flJ.I cresc. e accel. 5_ ~ -
r-
Ufp LJ-J lU [U V[U tIJ /+ .. .,- mf ., ..
< PI .r fP_
br ~r
r f"'"rt"r" .. .. .. ..
·
·
I Pl127

43

57

,~
II
·
·
- -
f'llol .,.. . === 1- .... _
~ I r I I ~bf!'bf!'bf!' ;1--- --- ... It.. .. ' •
f

S ~ ~ ~~ ~l-.b~:;um~~~.
• .. .. ., ~ I J :;
·
·
- ~ r
... 8'Y • .J

60

'} 01
41
I'JOI ,__ - I
~ ri r I I 1..J "* 'T .. .. ;It:_ r C rq+tl_
p
T fa I .,.. • u I I
·
·
c,_.L.-- I I
- i

63

I'j >I rt-.
II)
~
f.\
·
·
~~~~ q~ ~f: ~ f.\
"l 01 ~ ~.,..p.
..
" I .. I P
mf :bqq~ #~ ~q~ J ~~qJ r-.
OI!:tJ !~
·
· -ec~_-ec -

-U--~""CT

PL127

44

67 Vivace (.I = 156)

I ~
.., -.I- ... ., ... ... ~ ...
ff 111 ....... J I .Jib .. L
.... ~ J .l _L I1J ~~ J ~ J
·
·
=-- ! ! r J 'I HI'" I I f!"
Vivace (.I = 156)
('I~
~
) ·
· 69

I\~
~ ... ;t ... ..,.q ... ..,. ... q ... ~ ~ .. *!f*~~
~ __j.l_l.l.\~l
- - f!" ~t:. ~ '1 1:,[ -,~ *r'
-
1\.- I
~
t
71 ~ ~f!: f; ~ ~ ~ ~ ~ ~f!: ~~~ f!: ~ ~~~~ ... # ... .;.
1\ I >
._;
~ mf .>: j;' >/'fi f >/- - >/i
>~ ~ >- ~
- c, ~ ----...J ~
1\
~ Pl"'!27

45

73 .. .. .. e~~~~~ >- ... ~#~
'\ ~ ..... .. - ... - _. ... ... -
: -
,
t >-/j >-/i
~ .>: Dj: >-Ai I ;i
>-~ l)~ >-
·
·
- r.- --- --..J ---
f'l I
~
·
· 75f1 I ~~~ !,-l) ... ->-~ ;. >-~ l)-!I!-b ... !'-
.>: «>: .-
-v - -
.-~ ~,L ~ ~ ~ ~
·
~ 41- ~ ~.
fl I
~ 78

fI I
~
, t~~
·
·
.>: ~
fI I >-...-- - ---------- -----= ---
I
~ iiiiiiiiiiiiiii ~' "'- *~.~ .. .. ~ .. .. ~ / .. '1' 41- .-. *'-*
f ~
I Fi'TJ
·
u PL127

46

81

('j L
._;
) ·
\ ·
_-
fl - -- ---......._
J ~ ~
.... q ...... I.I .. .. .... PT "T~ - I -4J- .. T -4J-~~ ...... ~ .. ~. I.I~
< -
M"'1!' 1
·
·
?f ..& - :6l:
- 84

('j I
~
·
·
~J
fl .i->: - ...;. ~ ~
~ 3 .. .,. - ., . .. ~-4J- ..
-d -d -& 86

800--------------------------------------------------------------------------------------------------------------_.

fl I .. >-. ;. .. • ~ .. .fL ut t ,. ,. u F9
J ~ ~~ nl V ..... == t:::::::I I::::::::l ., .
ff
fl I ~ ~
.,
~ ":1:: q"": ~ ., -4J-~" .. q.t -4J- • " .. ~-¥ -¥ qT' .... :1:.
>- >-
>- >- ~
fl I .. J
.
u e 'r ') >- r r r r - r r r r
ff >- >- >- >- >-
I
·
· .
- - :::t
- - Pl127

89 ~----------

II. [, .. •

_-=>_

>~:

.. ~ .... :;.-.::

:

v-

1 1

1\ ;

I .. :::::==::::::

c-

u. J

I

f) L

r r

I

= -e-

= -e-

92

(8)--------------------------------------------------------------------------------------,

(). ~_a~_A:~~ ::::::::.A-
I
1 ..
) f'l I
;
\
u '-' ~ ~ ---.: =:----
_f) .J.~~-A-
u ~ 1- 7 ~ -_J. -:J.,-,-:J. -:J. -:J. -:J. -:J. -:J.~
< '=f :>
>- >- -
I
- ~ - ~ - - • fl· "!
- - - -
-e- -e- -e- -e- >-

96

,-------- 3

f'l ~ fL' .i' '" -e- -e-
U r
f cantabile -===:
,-------- 3 ---,
n. ,-- _
·
·
I T
I I
t .. .
.. ·~u ~_ .','~ . :.- ~~~~ .. ~ "'-_J.~ ~~ ...
f oj. ~~ . >-~ >'-.....___./ >'-.....___./ ;::_:
·
·
=i ~ -_J. ~ '* .. 'If 'If - - - - - - - -
- - - - - - r

i

r i

r i

r

i

Pl127

I

I

I

I

48

100

r. ~"f9-. 1. ~----- .....
-
@.! r -
) - IL _
·
·
,
I'l I
f @.! v~:~-&-' ::: ~! : ~:;'::2:@9: ~~=-~$~
I ·
..,;. ~ 4t ~ = ~~ = -~ = ~~ =
it ~~ ~ ~ \}y =4 "JII "JII =4 "JII ""ill /04

t. ...... --------- ..... ..... --------- ...... _L
I
, @.! molto rall. e dim.
) rt-;
,
I'l r-.
u ~~:::=:::@9: ~E~E~ ~~:8W ~~!~~~~
< >- >- "---""' "---""' "---""'
t molto rail. e dim. f.\
·
= ~ = ~~ = ~ = ~~ ~ q:e-
~ = ~~ = ~ = ~~
~ OIl ""ill =4 ""iI ""iI ~ ""iI ""iI ~ ""ill =4 q-rr 109 Cadenza ad lib.

I'l 0>

mf

(Piano I cadenza)

,

PL127

poco a poco act:d..

:>...

49

f

9

5

9

poco a poco accel.

17

rall.

1'1
\u- - -I==' ~ •
- mp
) ·
\
Adagio (J = 72)
I
I ~ ~ -~ ~ ~'-'~ __ ~ 7 .. ~ ~#~~~=d.
..
pp
·
·
--:I::: • --" • ~ .. - .. .H •. 1'1' 3

50

110 Adagio (J = 72)

114

I'. 3 - I ~
~~ ~. _. --.-
u
cantabile -------
) .----- ,.
· ..
\ ·
3-
t
/
\ .. ~ ~ <r:»:» ~
~ ·
·
!l::!: • • .. ~ • • ~:[;J~
- -
- - - - :; ~:;
-e- -u- -e- 3

llS

·il
I --V I "'-"'.!t~.+t-: .
> '-"'
<
) fr' .'*" ~ ,.-.
I > -
1'1 "'"
~ .. 7~7,-,-d-, "':~ .. b~;I~~ --., 1~"'q7"'-'~'
u
)
\ ::: ~ .... ~~#~
r. 77 T - ~ ....
-. PL127

51

122

f'l -
@; ,
... -d" ~ .. ----- --- T-:J. ~----~ ~ ....
...
<
·
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