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Sangre Latina

(a la Brasilera)

   
Guitar I 

 










mf expressivo

Guitar II

 
 

  

2

 

5




 
4



  
 

Guitar Duet

$

Allegro q = 120

Jaime Romero

4
1
3







              
   
  

II

IV

2

2

3

 

1


 

VII



ritmico

  
 






    



       

 


    2

     
 

     

  
 

     
 

   

IX

3

8

 
 






II

 

4









www.LatinGuitarScores.com

0

mp

 
 


   
  
1
  
p

           2 10      1 2 3 2     XII    II IV II                                                      m 14     i P                p        IV II I XII                                                                    18 mf        21              4 1 3                               II IV mp 2  2         p p 1 4 3 3                II 1 2 3 2 1                        1 4 3  4 2                                                                2 2 IV II 3 .

   VII           mf 1/2II mp         p IV V                              29 VI     1                            4 mf III To CodaØ                   3 IV                25 1/2II IV     0   3 3                                             1 4 1 2 2 1                             4 33 4         35 2 4 3 2 1      VI              V IV VII VI                                                          IV 4    2                           II I .

    4 38                     1 23 IV IV                                             3 1      46       II      48       2 II    2 II              II                  III                  2 3           II                1 4 3                     1/2CI 3      3 I           42 1 4 3 0                                             3               4 0 0 II .

                          3 4 2          1 II 2                        56 0 4 3 1 3 4 2 2 0 II                                2 2             1                  III II 59 4     ad libitum 0 4 3 1 5                                      1  2  2  52                                                                  62 II                                                 .

1/2CVII 4 2 64                              4 1 2 0 1 0 2 0 1  6 68                            II                                                        1/2CVI CVII 0 4 3 1 0 4 3 1 2 2                            3 CVI 3 4 2 0 II   II           1                                        75    II                            2             72                                             1/2CVII                                II .

3 CodaØ                                                83               .                78 7  1 4 1 3 1 3 1 3                                        D.S. al Coda II    81     3 3                                       3 3 rit.

LatinGuitarScores.Guitar I Sangre Latina (a la Brasilera)         Allegro q = 120 mf   6   $  expressivo         Guitar Duet       Jaime Romero     2  4    3 4 2                                    IX 3 1 mp    15   20     25            1 2 3 2             p       VII         mf XII      2 2    mf                 1 2 3 3                                 p p     10  1 VI   p                     www.com .

Guitar I To CodaØ           30                   IV  2     VII VI 1                                                       4 34 2    38            46 1 2 3       II                              3   0  1/2CI  49                           42 52      3                                                  ad libitum .

S. al Coda       83                           rit.Guitar I     58   61 3                                  1/2CVII 4 2 64                                        4 1 2 0 1 0 2 0 1          1/2CVI                                    1/2CVII CVII CVI 69                  73    78                                       D. CodaØ .

LatinGuitarScores.com .Guitar II Sangre Latina (a la Brasilera)     Allegro q = 120  $                               II IV 2               5       8 Jaime Romero 4 1 3 Guitar Duet 2               II         II IV                           10 m i P VII ritmico                                1    p 0 II                                  IV                                      14            17 XII           4 1 3              II I II     II     IV                                 mp 2 www.

2 Guitar II 1 4 3 1 4 3 4 2                                                     2 2 21 IV V                              1/2II 25 mp II IV 3          1                     4 mf III To CodaØ 1/2II     0          3  3                                    1 4 1 2 2       32      IV  35 4 3 2 4            IV 4           2 1                IV IV                                     3 38 1             42              VI V IV         II I   1 4 3 1 4 3 II                        2 2 II                            III 2 3    II  29     .

Guitar II 3                                                 3   I      II 0 0 4 49             3 4 52 2  II           1  2  0 4 3 1 2 0 4 3 1 2 3 4 2 2 2 2 0 II 1                59       II                          56                               1  46   4                           III II                                                  II 61          64                   II                                        .

4 Guitar II     69    0 4 3 1 0 4 3 1                    3 3 4                                   72 2 2 2 2 0 II II         II           1 II                                         75 1 4 1 3 1 3 1 3                                          78 II D. al Coda 3 3                                   81 3 3 rit. 3 CodaØ                                 83 .S.