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Voice

As recorded by Harry Connick Jr....
By: Harry Connick Jr.

Come By Me

Transcribed and Arranged By: Matt Amy

New Orleans Shuffle
(q=160)


      
Come by

       

me

come talk

Bb7



           
 

mf
    


 
6


  

 

how

We

 

can

come

F7#9

 

Tell me

            


 



  

  

be

my


     
 
 


14


  
be
F7#9

  



   

 

Bb7




Will

you

         

 




 

sun - shine for - ev - er

      
 


 

by
Bb7

 


                   
 
 

 

 




 
 
10

 

to me ba - by

      







Will


you

            


 


 

 
18

   
a friend of


               
 

 

 

 
  

 

mine.

    

Try me out
Eb7

and

     
   

  
(Continue comping



 insimilar style)




Bb7




(Roll!)

2

Voice

19


      

 
        

if you get ex - cit - ed


 

Bb7


 
23




Take me home
Eb7

 

   

C9

   

 

    



get - her

  
33


 

Come by

 


  


     
     

  
me

    

  

   

My luc - ky

 

  
day

           
Bb7

 

        

 

 

come love with me ba - by

  

 

wemight fit to

  


            
  

F7#9

 
 

Im

Bb7

That would be

  

 

F7

  

           


  

Eb7

Wait and see

Eb7

 

Once we're there

    

wecanrock all night

G7

Bb7


    

Bb7

      


  

28



love to be In - vit - ed

 

sureyou'llbe de - ligh - ted



I


 

Eb7


May - be

 

C7

   

   

Voice

38


   
we
F7


    
 
43



   

  

   

Bb7

could run

 

Guitar Solo

a - way

   

3

42

Bb7

  

   
Comp

    

 

[Elec. Bass]


Bb7


                        
F7#9

  
49







  


  

  
54

  


  

   


Bb7

 

   

   

   

  

 

Bb7

 

 

  


Eb7

    
                  
       
 











F7#9

4

Voice

59





Bb7





 
69



C9






Bb7

F7

   

Bb7

Eb7

     




 



74 Heavy Shuffle

 


   








 


 

Bb7

Eb7










Bb7

Eb7


 

  
Bb7#9b13/E

        


  





Bb7

   

  

   

 

G7

   



             
F7#9

Bb7

 

 

Eb7

  

74

Eb7

   



        

  

64









Bb7

Eb7

                         
80



  

   





F7

F7#9

F#7

     













       Bb7


           

by We can come  F7          be        .5 Voice 85                                       Bb7                           F7 91                                      Eb7                                Eb7 97 97         Well Come by        102        how  F7 C7    me         F#7 F7                 Bb7       mf            by  Bb7 Tell me                               Will you  Bb7    come talk to me ba .

shine for .ted Eb7   Wait and               Once we're there   and if you get ex .ed a friend of                E7#11  be       F7  Bb7 121   Try me out           mine.get .cit .ev . 117  Will you             That would            .6 Voice 107             my sun .er         Bb7        112             Bb7     3 f     F7                        f Bb7 Eb7          Bb7               Bb7  Take me home     we can rock all night    C7             G7             I Eb7       we might fit to .vit .ed                            3 love to be In .her                           see   Im sure you'll be de .ligh .

be Eb7 way Bb7      come love with me ba .way Bb7 a .ky     F7             136           3  May .Singer we C7        could           C7 mp       F7      Bb7 we C7               ff      141                         Ab7  me       May .be we  G7   May .be G7              could run a -    F#7   F7             [Cue]     Ab7        // Bari Fill          a .           be My luc .way  F7      could run   run      F7 Rall .by          Bb7          Come by                day       131  7 Voice 126   Eb7         Bb7#9    .

...As recorded by Harry Connick Jr. 1st Alto Sax By: Harry Connick Jr. Come By Me 4 New Orleans Shuffle (q=160)      12 18 24 Transcribed and Arranged By: Matt Amy 42 31 Guitar Solo      ff                               74  Heavy Shuffle  74 f                     78  82       86                              Soli f           3                             91 95         97              mf 100                       104                       .

2 108 1st Alto Sax                       112 3 3                 f 116       121        125                                                 133       140                   f       129          mf      Still Loud!!         ff                   Rall .Singer     mp     [Cue] // Bari Fill       f 2 .

12 18 24 Transcribed and Arranged By: Matt Amy 42 31 Guitar Solo    ff Heavy Shuffle                                      f  78                      82       86                            Soli f         3                              91 95  100   97                     mf                            104                            .. 2nd Alto Sax Come By Me 4 New Orleans Shuffle      (q=160) 74 74 By: Harry Connick Jr.As recorded by Harry Connick Jr...

Singer   [Cue]       f      ff           mp    // Bari Fill     .2 2nd Alto Sax 108                            112 3 3 116      121        125      129        133       138  142  2                      mf                  f                          f                                    Still Loud!!           Rall .

As recorded by Harry Connick Jr... Come By Me 4 12 Transcribed and Arranged By: Matt Amy 24 18 42 31 Guitar Solo    ff                                 f Heavy Shuffle 78                       82       86      90  94         99                        Soli                    f 3                    97         mf                               103                          . 1st Tenor Sax New Orleans Shuffle     (q=160) 74 74 By: Harry Connick Jr..

Singer   [Cue]                                    ff     Fill  // Bari      f .2 1st Tenor Sax 107                              111 3 3                        f             mf 115 119          123    127                                  141            131 135              f                 Still Loud!! 2 mp  Rall .

Transcribed and Arranged By: Matt Amy 12 18 24 42 31 Guitar Solo     ff                                      f Heavy Shuffle  74                     78 82      86         91       95  100        Soli  f                          3                               97   mf                                         104                              ... 2nd Tenor Sax Come By Me 4 New Orleans Shuffle (q=160)     74 By: Harry Connick Jr..As recorded by Harry Connick Jr.

2 2nd Tenor Sax 108                              112 3 3                 116      121     125    129    133        2 138  142                            mf                                                 f         Still Loud!!        ff       Rall .Singer   [Cue]   f                 mp    // Bari Fill     .

. Bari Sax Come By Me New Orleans Shuffle     (q=160) 74 74 4 12 Transcribed and Arranged By: Matt Amy 24 18 42 31 Guitar Solo      ff                                      f 78 Heavy Shuffle                      82       86             90  94     119                f 3                               Soli          114                             97 16           3 3      f               f . By: Harry Connick Jr.As recorded by Harry Connick Jr...

2 Bari Sax            123                   127               131       135      Rall .Singer  146 148        mp       3        C7 3 3         Solo Fill f [Cue] *Recorded Solo ff                      142 2         Still Loud!!                 3        .

As recorded by Harry Connick Jr.. 1st Trumpet 4 New Orleans Shuffle     (q=160) 12       74 74 f       78   105 mf      109                     3                            99   3                           ff          3       87 91 31 Guitar Solo                42               Transcribed and Arranged By: Matt Amy 24 18      Heavy Shuffle 82 By: Harry Connick Jr.. Come By Me      2                  97 2                 ..

Singer   [Cue]   // Bari Fill       f .2 3      3 113   118   f    1st Trumpet                 f     123                       127                       131  135  Still Loud!!        7                    ff Rall .

..As recorded by Harry Connick Jr. Come By Me 2nd Trumpet 4 New Orleans Shuffle (q=160)     74 74 Heavy Shuffle f          105 mf          109                 3                     99 3                        3           91         87                                31  82 24 Guitar Solo 42 ff             78 12 18 By: Harry Connick Jr. Transcribed and Arranged By: Matt Amy 97      2                   2                 ..

2 113   118   2nd Trumpet 3      3 f                  f     123                      127                       131  135         7   Still Loud!!   Rall .Singer                [Cue]   ff   f // Bari Fill     .

. Transcribed and Arranged By: Matt Amy          3                    2                  97 2                   ..As recorded by Harry Connick Jr.. Come By Me 3rd Trumpet New Orleans Shuffle (q=160)     74 4       78       82             mf 105          109                                        99 3                   3                 87 91 31          24 Guitar Solo 42 ff 74 Heavy Shuffle f 12 18 By: Harry Connick Jr.

Singer   [Cue]     f // Bari Fill     .2 113 3 3         f 118     3rd Trumpet               f                                                 123   127 131  135         7   Still Loud!!                        ff Rall .

Transcribed and Arranged By: Matt Amy 4 New Orleans Shuffle (q=160)     74 12          f       82    mf 105       109                             3                             3         99                              3               87 91 31 Guitar Solo         24 42 ff 74 Heavy Shuffle 78 18 2                   97 2                 ...As recorded by Harry Connick Jr. 4th Trumpet Come By Me By: Harry Connick Jr..

2 113 4th Trumpet 3 3         f 118                 123            127 Still Loud!!                                                131           135  7            ff     Rall .Singer  [Cue]   f   f // Bari Fill   Solo Fill  C7#9 .

.. Come By Me 1st Trombone 4 New Orleans Shuffle (q=160)      74 Heavy Shuffle f               78 99  103      107  111                             4                     97                      91                  ff          31 Guitar Solo       87 42              82 24 18               74 12 By: Harry Connick Jr.As recorded by Harry Connick Jr.. Transcribed and Arranged By: Matt Amy mf                                               3   3       f         .

2 116               121 f 125       129                 133 142     1st Trombone       Still Loud!!            Rall .Singer   [Cue]                            ff                7   // Bari Fill      .

. 4 New Orleans Shuffle (q=160)      74 Come By Me 12      Heavy Shuffle f         78  4              97                      91                                           87    31 Guitar Solo                82 24 42 ff         74 18 Transcribed and Arranged By: Matt Amy  mf                                                                    99 103           107  . 2nd Trombone By: Harry Connick Jr..As recorded by Harry Connick Jr..

2         111 116               f 125       129                 133 142          121    Still Loud!!    Rall .Singer  f        3  2nd Trombone 3  [Cue]                                       f      ff              7   // Bari Fill      .

Come By Me 3rd Trombone 4 New Orleans Shuffle (q=160)      74                                 97       99      103               107                                                 4                                                 87 31 Guitar Solo          f 78 82 24 42 ff 74 Heavy Shuffle     91 12 18 By: Harry Connick Jr. Transcribed and Arranged By: Matt Amy mf                 .As recorded by Harry Connick Jr....

Singer   [Cue]  ff         f    7   // Bari Fill     .2 111        116    3rd Trombone 3 3                f                 f          125               129                          Still Loud!!      142                   121 133     Rall .

As recorded by Harry Connick Jr.. Bass Trombone New Orleans Shuffle (q=160)      4           f 78         99                  103                                4     97                            91        31 Guitar Solo  87 24 42           12 18 Transcribed and Arranged By: Matt Amy ff 74 Heavy Shuffle 74 82 By: Harry Connick Jr... Come By Me             mf                                    107                                .

2 111         116     Bass Trombone             121                129                  142                                                                            Still Loud!!   Rall .Singer  3 f f 125 133 3         [Cue]  ff         f 7   // Bari Fill     .

..If Piano Doesnt Bb7         New Orleans Street Beat style Bb7                       F7#9 Bb7                           Bb7 Eb7                         F7#9 Bb7 Bb7 Eb7 Eb7 Bb7 G7                     C9 Eb7 F7 Bb7                         Bb7                    F7#9 74 Eb7Heavy Shuffle Bb7 Eb7 Bb7 Bb7#9b13/E Eb7                       mf     Bb7                         Bb7   F7 F#7 F7#9                     F7 . Electric guitar New Orleans Style (q=160)      By: Harry Connick Jr. Transcribed and Arranged By: Matt Amy Come By Me 4 12 18 24 42 Solo .As recorded by Harry Connick Jr..

Singer    [Cue] F7     // Bari Fill     Eb7 Bb7#9   F7 .2 Electric guitar   Bb7 Eb7 C7                     Bb7 97 Eb7                  F#7 F7 F7 Bb7          mf F7 Bb7                       Bb7                       Bb7                      F7    Bb7 E7#11 3 Eb7 3 f    Eb7                       C7  Eb7 Bb7 F7        G7 Bb7             Bb7 f F7 Bb7                                                Eb7 Bb7 C7 F7 F#7 ff   Bb7      Bb7 Ab7 Ab7 mp G7 G7     C7 F7                C7     Rall .

Piano As recorded by Harry Connick Jr.. Transcribed and Arranged By: Matt Amy (q=160) Bb7                  mf                                           F7#9 Bb7                                                                                            Bb7                           F7#9      Bb7 (Roll!)                                                     18 Eb7       (Continue comping   insimilar style) G7        Bb7        Eb7 Eb7                   Bb7  C9   Eb7 F7    Bb7    Bb7                            .. Come By Me New Orleans Style By: Harry Connick Jr..

Bass]       Bb7                   Bb7                               Bb7 Solo .If not Guitar       Bb7 F7        F7#9                        Bb7                 F7#9       .2 Piano                         C7             Bb7 F7#9                             Eb7                                 42                           [Elec.

Piano Eb7 Bb7 Eb7 Bb7 C9 Eb7 F7                                                           Bb7 Eb7 G7 Bb7                       3                          F7#9     Bb7              74          Bb7           Eb7     Heavy Shuffle            Bb7 Eb7 Comp Eb7                                  Bb7#9b13/E End Solo                     Bb7           Bb7                  F7 F#7                       F7#9              F7 .

4 Piano                                Eb7           C7                   F#7 F7             Bb7                  F7        Eb7      Bb7  97                                     Bb7     3 f                                                        F7                 E7#11      Bb7      Bb7    mf                 F7   Bb7    3     Eb7         Bb7               Eb7 .

5 Piano                   Eb7           Bb7                           F7  f    F7     C7                           G7 Bb7 Bb7                   Bb7        Bb7                                                      Eb7 C7 F7 F#7 F7    G7          G7             C7    C7            F7   F7 Rall .Singer         [Cue]       Eb7    Bb7 Ab7      ff     mp   Bb7  Ab7     // Bari Fill        Bb7#9    .

..Bass As recorded by Harry Connick Jr.. Transcribed and Arranged By: Matt Amy Come By Me New Orleans Style (q=160)      4             Bb7     3 F7#9    Bb7                   Eb7          24    Bb7         F7#9     Bb7          F7                    Bb7      C9 G7      74 Heavy Shuffle   Eb7   Eb7 F7    F7#9      Bb7         Walk Eb7 Bb7               Eb7        Bb7       Bb7 New Orleans Street Beat style    Bb7#9b13/E                   Bb7 Piano Solo F7#9 Bb7 Eb7 42         Eb7     Bb7 Bb7 9 18 F7          F#7      Bb7               . By: Harry Connick Jr.

2       Eb7    Bb7   Bass Eb7 C7         97  Bb7        F7                        Bb7   Bb7  Bb7             E7#11       Eb7 F7         F7             Ab7        Bb7 G7             Eb7 Bb7       Bb7                         F7 Rall .Singer        Bb7  F#7 F7 F7 Bb7       Eb7        F7    C7      C7 C7           f     C7    F7         Eb7 G7  3 Eb7      Bb7     Bb7  G7     f 3       F7     Bb7    F#7 F7  // Bari Fill         Ab7    Bb7#9  .

Transcribed and Arranged By: Matt Amy Come By Me 4 3 9 18 23 Piano Solo                      New Orleans Street Beat ...As recorded by Harry Connick Jr. Drums New Orleans Style (q=160)     42 By: Harry Connick Jr.on snare rim         p     (2)                 (6) (4) (2)                              (8)                              (4)      (2)                 (6) (4)                                (8)            (2)             74 Heavy Shuffle                                 (2) (4)                            (6)      (8)                 (2) (4) ..

Singer      (2)   // Bari Fill   Fill .2 Drums                            (6)             (8) 97                  (2)                 (6) (4) (2)                              (8) 3   3                 (4)                                               (2)                                         (4) (6)                                 (8)                                        (4) Rall .