Pt

a

F'ULL SCORE

fr Alfred Reed

bL CAIWIh]OREAL

00007249

A Latin FantasY
I
'

INSTRUMENTATION

ASOCIACION
BANDA
DE
MUSTCA
DE CATASPARBA

I Full Sco¡e
I CondensedScore

it
I

,.llPiccoto (3rd Flute) j
3 , . l s tF l u t e
3 2nd Flute
I ilst Obob
I 2nd Oboe
I English Horn
2
4
4
4
2
2
I
:'l
I
I

Eb Clarinet
lst Bb Clarinet
2nd Bb Clarinet
:
3rd Bb Clarinet
Eb Alto Clarinet
Bb BassClarinet
Bb Cont¡abassClarinet
I st Bassoon'
'
2nd Bas;;oon
Contra-bassoon(oPt.)

lst Eb Alto Saxophone
2nd Eb Alto SaxoPhone
2 Bb Tenor Saxopho4p
Eb Baritone Saxophone
lst Horn in F
2nd Horn ilt F
3rd Horn in F
4th Horn in F

lst BbTrunlpet
2nd BbTruinpet
3rd BbTrumpet
lst Bb Coinet
2nd BbCornct
lst Trombone
2nd Trombone
3rd'frombone
i'21:BaritoneTrebleClef
BassClef
,i"2 Baritone
"
;:.ii:
i 6 Basses
(Tubas)
.:.?':1

r

,

i

:

3 1 JUL
.'
- -2ÜOI,
-:jl'
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E ENTRADA
snr_ron
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Prograrn Note
"The Royal Road" or
EL CAMINO REAL (literally
"The King's Highway") wascommissionedby, and is dedicated to, the 58lst Air Force Band (AFRES) and its Com. mander,Lt. Col. Ray E. Toler. Composedduring the latter
half of 1984ánd completedin early'85, it bearsthe sub'iitle:' ",'\ Latiir Fa^r'';sy."
The music is basedon a seriesof chord progressions
c o m m o n t o c o u n t l e s sg e n e r a t i o n so f S p a n i s hf l a m e n c o
(and other) guitarists,whosefiery style and brilliant playing have captivatedmillions of music loversthroughout
and the resultingkey relathe world. Theseprogressions
practically
synonymouswith what
tionships have become
we feel to be the true Spanishidiom. Togetherrvith thg folk
in part dcrivcd by a pro. melodiesthey have under.qcored,
"mclodizing of harmocedure known to musiciansas the
ny;" they have created a vast body of what ¡nost people
would consid'erauthentic Spanish music.
The first sdction of the music is basedupon tlic dance
form known as the Jota, while the second,contrastingsection is derived from the Fandango,but herealteredconsiclerablyin both time and tempo from its usualform. Overall,
t h e i m u s i c f o l l o w s a t r a d i t i o n a l t h r e e - p a r tp a t t e r n :
fast-slow-fast;
.
The first public performance of EL CAMINO REAL
took placeón April l5th, 1985,in Sarasota,Florida, with
the 58lst Air Force Band under the directiortof Lt. Col.

Ray E. Toler;
; .

)
)

'":-2Percussion
I
SnareDrum, BassDrum
II
-l Percussion
,.. Pair of Cymbais,
.
'.:l;,i Suspended
CymbáI,Triangle
..:':',
2 PercussionIII
"i-: ;f¿¡¡lgurine,' Castanets,Wood Block,Maracas
IV., .,,.i '
,.2 Percussion
,r'l:iiBs¡ls,'{ylophone, ¡Vibraphone,Marimba

l'

Piano
H"rp(ort.)Gq,i1af,,fr
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otttlcr¡udt¡c'tu¡
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EL CAMINO liliAtD u r ¡ t i o ¡ ¡c: a . 9 : 3 0
A l l e g r ob r i l l a n t e J = c . 1 3 2
( Irlr¡a)

ili

:;+i

a t e r r r ¡ f ot c o t t f u o c o J

Flutes

Ficcolo
(dbl. Ird Fl.)
O bocs

E n B l i s hl l o r r

g ásson!

Contr¡ba$ooo
(o ption¿l)

f-

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II
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B'

2

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IL

tb Alto

ut usst

Il) Contrab¡$

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á

B! Tc¡o¡

3.

IL

Et Bsltonc

I
2
llorn¡ ln F

4

B' I rumpcl5

)I

Bb Cornct!

Tromboncs

2
3

B¡ritonc
Ba!scr
(Tub¡r)
S l r l n SB a s t
'fin!
pqnl

tI

S¡¡rc lJrum
Be$ Druh

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l'¡lr of Cyilrb¡l!

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Caet¡ntls

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et cÁv¡r.¡o

.fff hsdc¡t nr¡llct¡
Copyrighr@ 1986 by.PlEDtrloMI MUSIC COMI'ANY. .
l¡¡s¡r¡iio¡r¡l Copyriglt Sccurcd Prir¡¡cdi¡¡ u'S'A'
All Righu niícricd

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lJ5n. .l U Él CAMINOBEAL. Obs. lib U bT c n lrb 0¡¡. llsn! C.-------------' r I rtc.FSS . [.t.tt.

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t.lir yb. :AA¡INOfiEAL-FSg -/a r'.l l. ü¡n.l.-: : F F = - .ll I'ic<..D l¡f ú¿t . r. . |:¡ B | 2 flmt. 8!ot.lt. {Jtra u.

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-:il- ur". ¡"llNoReÁt. I C. rn fI I rb! 2 .rsls ----r . B¡$ mF. ¡b¡t.¡r.8¡¡¡. ).

lrrs {1rts} Str. Brr! .ll¡r. .

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ll¡w¡ l lirh¡r| l5lr.il h T t t' I I I I I ll¡r.f . lli$ REAL-FS18 .

\MINO FEAL-FSI9 . . tl¡ lo. lre! ttF. ¡r. t).@ ulrr¡¡ [.( ¡mlr.

ü¡s6 If 0hÜ.B¡r.. Sl. l¡¡$ .

lrrG f. ] l l t l l t ' 2 l . l II rll -|| f | t t l*a.. t1. Ill lil l co.b . I 7 0¡ns. C.t.rse jEl .fl t* ¡¡.E g It IT q 0 bs. t r. uf cb.rn I I -I | . tt¡r. l¡¡oReÁl.

.¡r.il L vibñ [ E LcÁ¡r¡¡."1 I::il g . f-r:.: C'. I t I rr. I I oro'.. !¡r l.rt I I I f " I j : I oa' I I *u' | I L rt¡ o'. rI .¡o .

F¡ A. ¡I g. D (:b.t ritct¡ttt¡¡ tttollo- . 7 BÉTcq |:l B¡L o l)oc. .l\xa. til ^.

lo lcnlo (Í¡eclY) a poco ril. | I I l_ u o. . t.@ puo Mll/. R¡st l'fübr¡t Slr.r. tc¡lr E L v¡¡oi el cel¡ttroREÁL. Solo J-EJ---u: I I rt^.tp ñ¡t bc playcd or Coher m Pi:no' if rccor'' . ¡r Tc!. püo ll¡r. ! a poco ¡I¡.rszq : I lt. I l ' . ¡¡q 'f '. ¡mp.

tt . hs t¡.lr..l Í 2 I b1 2 1 ta¡.h =c.¡r [r.1. Brtr Eb .¡¡ lr+2+21 I .[r (&2fl) r. 8rtr5.lr-.{}2+2) l.ii Slowly rnrt l*rguorocly (J+2+21 ) -c.t+2+2) l.().9] . E . Wi¡d :unrbht . VIINOBEAL. rr7 tr7 orc ro e perr for rfic* I !¡¡¡..rlrl sfr*ly rrrd larrguoruusly . C. (Jbs.FS25 rrpc¡¡ior guri Oliu) : :tt h hr¡cr brndl t¡t rbnd only u¡¡il IEEJ. . 9i$ r.

.t I f t* nnr. . llrst l l Ítñ¡t :- ñ? :? St. B¡s dttu "b vl¡.t- I I l:! A.l¡r. llrrp eL cÁ¡lr.. i I nrr. dlñ.toRgÁr-.pszo ..

" fl B¡r.l] trol)pe .r l l"^'.n t . I I ! : I i f I r 2 J ra' 1""' L B. l . 'I¡r¡1. nrr nr. ü¡¡. f.l[¿ll¡Jl]lg: t: Bint C. Vibrr I lttrr]]o. U¡st ('l'ub.lr.1 i l l"'*li l_ uu..r) .*. t¡¡s 'l'imp.cb. quasi fartdattgu.

. ll¡sr ('¡'ub¡t St¡.t¡¡¡c. T | "^' l á I lÉ Tcn. I t) i I 'I¡nb. [. n lcnrpo . I *o' | I L Brcb. l " I I l l I lB¡ 2 J Y l I I ri. 0o! fiñp. lü l'rrl& ¡¡r.n.xotit t.poco soslendo ¡ tenrpo ": t'. ¡ld.' l. I I l_ lil lht. poco tosl¿ndo. Brn.

ls. (Jbr. r. t : . t:¡ :-:¿rdco t(Ir¿ I I rbt. B¡$ l ¡¡rp. l¡:*! fub¡!. 2 B¡ t. {cr¡üb¡ ! tcr¡rpo lrGrl . U¡n. 8r¿i C. r's'. tt . l ¡nrb.l.

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E.8n. 2 :t r¡l l¡s rruoREÁL . Drrt.ljl¡. C. I:' I r . Obs.rl.

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g. neÁt-rssz cÁrr¡r.¡o .D.j lc¡rtrr¡ tt ^llcsr. s. B..i |j:j.Attcgrobrílhnte Solo (lurd fclt mei 4 Fb Picc.D.---------e t.e¡ II I iI .r l)rillilt¡tc f. I L t* tla Nrc. .rpo f. Ob5. EEd a. üt TitrP.

Li''. c 4 sDt. B¡s TS.-r-n .r.ff#-¿-p il.ff f-l--¿:r-- Ifw". I i. I I t I r: t.u ntr.D.It. I IrJr. B*Ét ('fub.!) Slr. | .

. | . i su¡. 8. rs.rr.r). B¡s 'f ¡mp. -7.-::-------- l¡¡r.cy- I I Llv@d 8¡r. ll¡s¡ l l'uh¡tl S¡r.

ll¡r. pl¡t ¡¡pc¡. ¡l¡sr l-l'úh¡t¡ ll¡.cyn t. I n. .i. I Lwoo¿¡t¡.0.n I j srr. + lf t¡c¡ ¡rt ¡¡crl.ti f¡t¡' rs.

B¡s flnp.Flt. ¡ln* 'Tpta t Cl* U¡r. F S 4 l . r. ('.. ood : Á r 4 t N oR E Á L . ^. l. ll!n!. !t. E-Í.Urtr.¡c. F} E. obi. ¡J-Ttr l¡ llrr. l¡rs l ub¡r. :.D.

-------'-'-=: lt¡t..ine.- I w..t- \ er ¡i¡¡¡¡¡a - oeit cc¡¡ . j:. ll¡¡F I ¡ trh¡¡. ll¡s r. t l . ll *$*. ll . ll.. .-f: r.. lffi lr--- f-i:li:.".llf--J----.r orr.c'lh-Jl. Str.

(:.. Bl Cb. 8¡m. l:-ll.'n I I f I lI * I i t} ^..:! i.il . r.D. itlo. . .\: t:lt. t rn.. l'¡c(.r).s 'finr¡r.1 i? .8. l* B. l. 8¡¿ 0r¡w l ub¡r) t. Obs.

' ob!. l' Lxylo. gs Tlmp. li. I I L nr ch.r.D. w . 83ñ. | ¡. l-r I l l I I l 0 ' 2 I i I 3 I I rra.o. T I r *n' | á I I l¡f Tcn. 0¡1. ¡rs€ ('fub¡¡) Slr.ll.rt5- f¡cc. B!t! C. I l_ rr n. rs. I I I rrrB.

U¡a€! ('fub.F545 .¡)I I I j ' ('¡1.Bü Ti$p.D' I B.-----b ll¡r. j"o I I Lxy¡o. r-s. EL CÁMINOF€Á1.r) str.

t . ¡ Tirp. ¡iil. llF: r _ [:3:. L l:¡ ¡rr. IFF . tlrü (:. I B¡ Tcn. nt B. ¡3G l1A. il.Fls. lÉ cb. Pkc Obr.-'U i i t c¡r. r t l lll-t-t l Lrr. / r l:l {.

ll¡s¡ (Tub¡r' Str. tt¡{ ( . 2 l *r.t 'liht.

t¡ l¡t.ú'filJ. :F. t\i 5lr.. ll ¡Bd l filher. :. [t Crr li' iiit+ t:. l¡s I j . ri "i..:l ! 1..

r''' II L .D..0¡$ Tinp. s. r.B¡r. B¡r!! (Tub¡¡) S1. ¡ L. I I xY¡' L L cÁMr .u..o.

.¿ C. ll (:t.lr po@ t po@ dcta . I r:. TS. ob. I E . I I L lt 8¡t.' tl ti I r!. llna l A E!r. B} B.ll¡s I tr li Tinp. f r I i r*^. I orr.fi.fi.. * ¡ I I ff I I Scll¡ '. -. t¿scs (1'úü{5) Ir Str.rr.D.c. Elc E} t j I 2 rr¡ [r ^.n.(:r.

1. F S s I - . II B¿f. ] ti. uf $. _C.& s TitnP. 0.lr. l_ Er Ert. Tq. | { rr l-'-' I d j crr.---:"-:- I'rc. I L**.r I o^' 1 I ¡r too. ou..." : L C Á M I N OB € Á L . lrr rú I I I I lI r r : .D. t . l lI I I : r:rn.rg (T0brtl S ¡ r .

ñ.*lt :' it cÁurr. !.i IrF rI hl iJr' IH 4i I ri'i il| )fi 8¡r. l¡rt flj L.¡n . t: F L i:r ti'.b '. Slr.. ' ll¿st l'fub¡¡) .' t É*:j ! .

Cta "l ¡ Trba I l B¡r. B¡$ CAMINO REAL.F icapc-(f .* I I [_ El 8:r. I tt r.T I II I ü L t ' I *^' . B.]:rrcr (Tul¡¡¡l S(¡.. [.

19 ij st'.Bi¡ry 9ü f{ .crn...ll Tca ' El B¡r.n.-' Ttnp. (Tub¡¡} t-. rs.D.. I I ''u' I rr. i.. . {[.o I :l'. I É r. T ! a l¡q 4 fl'.r'o i. | . j[xrto . s¡r.

. Cyor:. . Ornr. D. I 0. 1..mb¡ l¡¡ WINOREAL. ':i libr.r. !sttt glr¡tl B¡$ ¡rnp. I (:.or".11. tt¡rr. ¡ 8.FSss . D.

3rd Flute (A ktin FantasY) . (Dbl. ALFRED REED ( 1985) Allegro briltañte > .l f nt¡rnationzl Copvricht Securcd Printed in U.- m.. .| 1 i l 1 L . ) ' : EL CAMII{O REAL -..S.- PICCOLO .*. .A . E @ copyright @ r gao by PTEDMoNTMUsIc CoMPANY All Iliohrc n"i"r".

l. lr¿sl .rrí .21 Flute 1)=.'i!J:*.11351 (freelY) poco 13. temPo : (3+z+3 ¡ : I i i I poco sost.r.'il.r:-^-r Slowly antl languorouslY Molto lento spoco nr..2".a tempo -.-.h¡ (3+Z+2) mp molto ten ed espr.' poco a poco rit. molto (lunga) 6\ ()=)) (3+2+3) .-.r .{.!. f 3 poco sost. Poco a poco cresc' poco allarg- f .

a^ . (to Piccolo) € -2 (l"T"j U m . .c.P]CCOLO molto rit. =hg3 Tempof ¡0"* brillante .'-'-:=\ 1 G.

. ..¡f -Soü --=>' - * fff. ff sost.

C: i a t e m p o .^\.. CAMII\TOREAL (A l-atin Fantasy) lsl FLUTE ALFRED REED (1985) Allegro brillante > (lunga) 6\ ."t i ) * tlt-2 +-) 2 n-ti €F\ ¡ \ + ¡ ! ! ! ' r ' r L n t :* G + i ) t i r+>. 2 4E> .c o n fuoco .1t- E t4gj f _ ú /-->-. E¡]T.A.2 e- :i 'p-.a.S. _ ¡ ¡ I C-¿ Copvrighr C) 198ó bv PIEDMONT lttUSIC CO^{['ANY All llighrs Rcserved In¡cr¡¡arion¡lCopyrighrSccured Prir¡tcdi¡r tl. Ér-} . . .

meno mosso. quasi fandango.tr. poco a poco cresc.rempo.lst FLUTE zf. t t o r a .0=)¡ 77L? -H (3+2+2 ->|'j\ mQ molto ten. FP ' ( n o n ./'espr.v. -.f a. tempo lr¿51" poco allarg.t r o p p o ' poco sostenclo a tempo. :? . l poóo a poco ritenutomolto stm. sol"$c-é '. :>-ffi 7 Slowly and languorously (3+2+2) ^ (..b=)) (3+2+3) poco a pocoJ!!: Molto lento (ireely) 1.f' 4 : . >L? -t 2 3 :---?P ..:. -r i ¡ e n u t o n z o l r o 1 1 5 1 1m a n o n . ed cspr. cantando .

soli molto r¡t.f' sracc.-.. -"Lii .- 2 ."''.ñ *&444444444444444&4-i >?? .. ¡ a lempo --(lunga) h97r./of a f Gi. /i¡ @ empof AIIegro briliante rnp _ Soli "t2i i EE .h. jf' 1¿ F ?) ./-.*ii¿ e-t2 L ¿.h-.- t @ 'u > 2 LttL = ¡O' .1sl FLUTI rñr l¡ a irl l'.

bi ++ /_+\ 1.I st FLLITF 6 A.: = >---\ % - - z-- C.s"ll r". 2 g '!- 2 . l-at -__- íaxÉEÉE 23¿ . "f . q+ l- > >/.- |-b:l iL n H- I Lv*t 2 Lt¿ . .--\.---a'.

..: -...: ?171"-=¡:> --=gEti .ñ'*g.:ff -: -:----¡j'-*l-:-:.. / - - ? ¿.con fuoco .-' - C> +W )'-=: ! + 2 2 >-7<---\ -*-...¿^J EL CAMINIOREAL (A Latin Fantasy) 2nd FLUTE ALFRED REED (I985) Allegro brillante > a tempo .-.

Slowly and-languorously (.l 11511a tempo.t- ..Znd FLUTE t-frú=rC--. .l:.gresc' 1f ---j rít.=. @ . ntolto ri' +' t [_qd t c¡rrrando . molto f. Ci f: ) o ü sost ffi p (non-vibra poco a Poco ritenuto molto ftm (iunga) ñ\ (.1=J) / ?¿?¿? \-¿/ U Jtfolto lento (freely) \ a- - -i mP molto retr ed espr. a tempo ¡ff'nto Ito espr.f' esPr.pocoa poco.quasifandango.ma non troppo poco sostendo poco sost.b) +2+3) @ pocos poc'o'ii.

-a fi.A'.u1ga) ll9SlTempof lf Allegrobríliante +*i* ffi. . (l..2nd FLUT} ' t 1 . .

. e .. -:.n<iFLUTI.. . . ? ttz frr ñ*7 ..: : .

con fuoco >../.d .":: {f+ isnlrl ¡:la :: :.1. E - Copyright @ 1986 by PIEDMoNTtvlusIc CoMPANY InternaiionalCopyright Secured Printcd in U.S'A AJI Rights Rii"*.\y'rq Allegro brillante (lunga) á\ a tempo . E./ $¡¡. lliiiii.r*rls \.- .' : É l l n j + ' . ¡ .:'fJ *'i\-'-:.*f -:"N_.

lst OBOE trr poco a poco (lunga) rít. molto /ñ lffdl yo¡1o rentoUreeIy) Solo mp espr. a tempo. poco a poco crcsc.or' f molto sonore. poco rit: pocoa Slowly and languorously ¡¡¡ Itvul ^ l -. a rtempo => . rit. .brr.molto ftstl *" non troPPo. Dolo l?+)+)\ '/-\ . quasi fandango. r y 3 poco sostenda poco sost.- L I ! : tempo f1-481" poco allarg.

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> - ff molto sonore ¿r t¿ m l-----. | ?+1+1\ poco a poco cresc. ":Tq ('b=.- . molÍo ttgt¡t) 1) =.b¡ (3+2+3)<->.lsr EASSUON m to lento IrLílMor (freely ) poco a poco it.f .b¡ _-poco). : poco allarg...:.'>'nP I ' mP (3+2+3 poco sostendo' a temPo poco sost.mt¡f rnf ----_ @ a tempo ry -sub.

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lst BASSOON -- mf : - ._J f @ gliss' .ffi .ffi .

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r¡ poco allarg.-.-. mottomS:iif .0=)) +2+3) poco a poca rit. @ Molto lento (freely) 1. ?---' a temPo J - m f :?iempo.<\poco a poco ritehuto molto h fil SlowlY and languorouslY (lunsa 'rñ- <:.Eb CLARINtrI . rit. :=- .

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tempo ':___-/ ? { sub.-- .a tempo molto rit. ma non ¡roppo rít. tempo \--J.r 'PlTempo I" Allegro bdllante mp< . a tempo poco sost.--/ rtuÍ - mp mp a . quasi fandango. molto r . \ ry poco sost. }].Bb BASS CLARNE"I i1451.f . (lunga) 6\ .Soli gY .cantando m .¡f' a tempo.. meno mosso. Ed a tempo.

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.con fuoco sffi ff 1ff (reedy) @u.S. ¡f marc.ó INO REAL A ktin EbBARITONESAXOPHONE Fanrasy) ALFREDRTED(I985) (lunga) /ñ Allegro ¡rillante > a tempo .".\¡U.=1 Ug Copyrigl't@ rlee by ptEDMoNTrrluslc coMpANy All Righa Reserved In¡ernarional CopyrighrSecured Printedin U. ) I ¿tlU .A. - rnf - f sempremarc. l.t.

¡"¡*.a tempo . ?? A.CI. ' .b=)) (3+2+3) .mf IiEl a tempo.im..'_: i .1. Stowlyandlanguorously(.r..:-'r- -¡-:: E¡ BARITONE SAXOPHONE fÍ.:a. lrarl ma non rroppo (3+2+3). '. poco sost. molto ? poco allarg.. guasi fandango. poco a poca ritenuto molto (lunga) 6\ ffi -.... sub. :==>- d..{'¡'1:.l p+2+2)^ (..J{J1.t .1Bi. Bsn.b=)) {3+2+2) rit.r¡:.

a tempo - @ molto rit. meno mosso. ntp<.cl.r+f .l=.-_ a tempo. -\___--/ --=--/ molto rit. . sost. Itgol"tempo f llszJr.¡l .Eb B AR-ITON]-SAXOTHONI poco. cantando c-B.

}.OPHONL fit-.E' tsARITONt SA. ff sempre 1ff .p_qtg a poco cresc.

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.. f Molto lento (freely ) tllE @ tt?Tlt" andlangrorouslY (.cantando molto rit. - =. liOf --:__---------__ ..':'.i r .-.'\jf:-?/ j.f¡ 11921 1.. .e{vr:'4 1.b) (3+2+3) '*. (.i..u! i I " r ¡\t.b=. ri h-€l " rempo @n f molto sonore e Forlou.t ii¡i)ll.'.b= ) ) (3+2+2) pocoallarg._--_\ CUP MT.-- Tempo f (rffigai 1198i Alesro brillante la1 ¡ .\ ¿. ) tD SoliTo molto rit. " tempo..meno mosso.:.fr . U a' . poco a poco n¡..' 1- ':' lsf Bb CORNEI sost.

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7 u|Jec7t/O AN4INO REAL - (A l¿tin Fantasy) 2ndBb CORNET ( l u n e a) Allegro brillarite .con luoco > sost. ff a tempo .S. Jf ff - > > ' ¡ff molto sracc.A . Copyrighr@ 1986by pIEDMoNTMuslc coMpANy AJIRighrsReserved Inrcrnarional CopyrightSecurcd Prir¡red i¡r U.

. a tempo hG!or. E.l a tempo.¡ j. {uasi fandango. nvt<. molto trlotto kento(freety) 11291 (.!(.f- 'sost.b=)) (3+2+z) (3+z+3¡ 5= ^ rit. lrorl ma non troppo ST poco a poco rit.¿ ¡ \IP. ¡f --' l t l ' t l lLLtl poco a poco ritenuto molto lilflSlowly andlanguorously 1. 2nd Br CORNFI .b=. . :---a tempo 11801 -- ..b) (3+2+2) pocoattarg. f145J" tempo poco sostendo f moltosoffio*. ? \--/molto rít.

_ r""---'t 12681 ^ r J . ¡ff sost. Jlt sost. r-v. . ?---- Poc-oa poco cresc.2nd Br COIiNL-] <sffi ff r . . 3 >'\ molto marc.

. .> . r' ^1' :. OPEN ==--- - sim @.f' "/Í' Copyrighr@ 1986by P¡EDIúONTMUstC CotvtpANy AII RightsReserved lntcrnational CopyrighrSccured Prinredin U. ]:L CAI{INO REAL i I I Alleero b¡illante a tempo .! !\ .+. 1 i l_: . . \.. VEJ E mXf stacc. r r i .--_.¡I 1 ¡ lt ! ! q ¡ : r ! a . f .con fuoco z-': ? /+) "v-n t# JT.S.A.

b) (3+2+3) lento flEglMolto 1.'!¡t.menomosso.=)r @ ate :t( r¡8{r . " tempo. molto Ed" lflfl (. EE tempo.cantando CUP molto rit.tr f OPEN poco a poco (lunga) ritenuto molto /¡\ EU égwly and languorously 113511:+z+z¡ ^ rit. . FIlrj.b=.b=)¡ (3+2+2) poco allarg. quasifandango'manon troppo molto rit.¡ lst B¡ TRUI'4PL-I fr'totr.

l i . .' G ' .lst Bb TRLIIVÍPE-I Tempo f N*grs brillante . .t .ff = ? '-- Jf sost. > I Piqt pta T-----l li.

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/i h4t u tempo (?+)r-1\ \ r ' r ' J l r-----ra tempo.¡-¡-g . I OPENM fÍ DOCO a DOCO ''' stowtv"ltj langq. man_on rit. @ri:)l rt . t t .0=)¡ poco a poco nt. inolto rit. 7 (Ireety) (. molrc 11511 nontroppo troppo H (3+ +2+3) molto rit. quasi fandango.2nd B. I I<UMPL-¡ zi-.olouslY ftt ul +2+2) .'.' riúnuto molto (lun8a) /i E . .menomosso.cantando H"r./¡ . l!=J ) / ?+t+? \ ffi Molto lento .u.- ¡lf sost. " tempo.

2nd Bb TRUiIPEI TempoI' Srilantej2l0l Cornet2 ¡f marc. . "f' Fff 4 molrc marc. agffz @ poco a poco cresc.

con fuoco .tf.AMII\iO REAL (A btin Fantasy) 3ridBb TRIII

IPET C>.- sim @ lÍ' Copvrighr@ rsee by PIEDMONT tvfUstCCOMPANY All Righrs Reserved In¡ernacional Copyrighr Secured Printcd irr U. . @ stacc. - - mp<rrw \--------l -- .S.<:- - ALFREDREED(198s) (lunga) ñ Allegro bnlllante tempo .sim.¿.A.

rt Mottor:l|r"rtil JIIIIIIIIIIIIIIIil-lil pocoa poco rit.b=)) l?+t+7\ pocoallarg. 1143larempo l-:l n 7:{l meno mosso. - -"---'l_ @ OPEN f lf m poco a poco ritenuto molto (1"¡g") /'¡ ""üt¿and lansuorouslY F 1)=J.cantando EÉ Uf... ¡-¡. (.3rd Bb ]'RUMPL-I STR. '==-molto rit- hgzl.¡ \J-r¿+J ) so. MT. 4lat-art @ ate .

molto marc. ¡lf sost.-po f EO Alle¡robrillante poco a poco cresc. .3É Bi TR[r]

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p stm.i-.1/. .0 -l t r .i¡¡.' . 1 CAMINO REAL (A I-atin Fantasy) lst HORNin I Alleero brillante > (lunga) ri a tempo .A.con íuoco sfli dim. CopyrightO 1936 by ptEDMoNT MUS¡CcoMpANy AJIRightsRcserved In¡crnarionalCopyrighrSccured Printcdin U.S. sempremarc.-.

hC " tempo . -F? l lJ \ Slowly and languorously - {3+2+2). jÜ poco a )oco rítenutamolto lil6l uolto lento(freely) pocoa pocorit.0 t.ijil¿' ) c - lst HORN in I: EA ueJ lf >- sost.-'<1. -j. t#árlp+z+z) 13+2+3) 'st pocoallarg.

molto @ aJffito' quasifandango' manontroppo (3+2+3) poco sostendo f molto espr.lst IIORN'in F rit. \ .-p" I" Atlesro brillante mp ma marc.cantando IHt") ? r¡r- ==-p f198li. @ mosso.

@ /-ñ .lst HORN in F ¡ff' molto sonoreed espr.

tt. @ p sim.ff..7.1..p{.S.f } tn:i-*4.i.soli i i. AMINO RtrAL -ri#..{- l .. @ dim.l. sempre morc. Copyright@ 1986 by PIEDNIoNTMuslc co[ÍPANy All RighrsReserved ln¡crnation¿ICopyrighrSccured Prinredin U.gi (A L¿tin Fantasy) 2nd HORIi in F (1 9 8 s ) Alleero brillante ' (lunga) a tempo .con fuoco /"¡ 'frt ...

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ia'f ^ t. meno mosso. tempo. cresc. @f molto rit. sim. t.2nd HORN in F rtí-ntolI( I. q u a s i f a n d a n g o . n . .T. cantando molto rit.---? (lunga) [iI8l t"*po f Altegrobrilante ? m mp . f18ol"tempo fiEJ¡¡=¡¡ '-*-' - . lroj ¡ t e m p o .t ¿n o n t r o J l p o OPEN .?--¡ poco sostendo poco sostendo a tempo moho espr.na rrbrc. Airs. e semprc marc.

2nd HORN i¡ F

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Copyrighr@ rgse by pTEDMoNI Musrc coMpANy
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.3¡d IIORN in F f sim. ¿:d----- ¡ff molto sonoreed espr.

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(3+2+2). (. \ \ r ' L ' L J h451"tempo .0=) ¡ | 7.oin. ' ' J l \ 1.0 ¡ / ?¿tJ-t \ J . lx? poco a poco ritenuto molto (MUTED) ffi Iruul Slowlyandlanguorously .J-1+'.f _ _.n.-F sosr.th HORN in f trt=*.b =.

molto 6.l a lempo.ry poco sütendo a tempo . m .4th HORN in F rit. quasifandango. . e sen|pre marc. tempo.) Docosostendo moltc rit.ma non troppo rrurr OPEN (3+2+3) . meno mosso.. cantando Fs0l" rempo molfo {_ -__:_-- cresc.

4th HORN in F - f' .

copyright@ tgae by PIEDMoNTMUsIc coMpANy All Righr Rcscrvcd tnrcr¡¡iional CopyrightSccured prin¡edin U.L CAMINO REAL rsoHFN.con fuoco 2'-2 ff .tr . (A l..S.atin Fantasy) oMBONI (lunga) ri >-r------\ a tempo . I I-t-{l lz3 l----l ._. l .. @ lÍt .a- ¿¿ I -------.'OJ¿ > i I .A.: sint.

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molta 11511 a lempo poco sosl. ru Etr /-----\ >IYP .i=."f-<: .í> .@i.-\ ^---\ ?i. .* É€:¡ ffi .atempoh6-il molto ritenuto |!l a 1empo.-.meno mosso.:K_ h92lr. ma non troppo pocosostencio iÍ./--:*-\ moko rit.quasifandango.Dl - @ Tempo ¡t''marcato >z-*--: ff' tflz /. .rf' .lst TROMBOIVI a tempo.cantando -i z.

---.lst TROMBONE +?i. ¿ " 3 * >-*-> * senrpre ¡ff -r. o i .t+. 2 .:. >------. d 1ff' sost. 'r=lq? ¿- 7.

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Ir\ ¡ (freety tento ) hz-glMolto ¡rl \y' (lunga) .üilyrtt t**o-*?j l.2nd TROMBONL --_ poca s poco ritenuto molto a-- rc poro. ..rif:g.

cantando 3ry -ff molto rit.il=.a tempo @ _ a lentpo.Znd TROMBON] ()=)¡ (3+2+2.:' :> - tatl rr at.. ritenuto molro ll5lf ma n poco sost.fr1. h¡51 .) pocoattarg..llr >/-_--\ ?---._rr¡':r:i'tY_ . - flFól " tempo : llg?r. rempo (3+2+3) poco sost. @ " tempo. I- i. meno mosso. ''l quasti fandango. a tempo f moltó sonore molto rit.----_ * lttdl= I mlrcuro .

) stm poco a pocg cresc.Znd TROMBONE nt¡f stacc. = / sempre iff' I .

. urtcr^ ñ^r¡DAl\IV .'-.! "n!i L CAMINO REAL (A Irtin FantasY) 3rd TROI\{BONE Allego brill¡nte (lunga) /¡\ a tempo .con luoco sempre'P'¿stacc.a'..1:l.

¡rd TROIrlbolrj I m poco a Pocoritenuto molto ---T--:- .

a tempo - t-\#/ marcrir. @= tempo .t ntenuto ¡7761¡gllltl ma non troppo rln?n tl pocoaltarg. . ___rffi J marc. f'-..é ll92lr.. . . and languorousil pa(c c polc /:\ n. quasifandango.__ ¡a_ a f..D=.iTempo I" 11981Alegro bnftanre r:' 12lql m ff L t í a ? h¿b.ñ) Z---"--.. meno mosso. @ a tempo. h-45ir tempo poco sost.ll35i (3+2+2) \¿)=')) (3+2+3) a rempo. l. b.3rd TROt{BONE 'e')/) llf gi ¡tlolrclenlc (Íreeb t t () =)¡ (3+2+2) a tempo SIowi¡.[l ñ (lunga) l¡ --r-. "f i JOs¿. cantando nuf molto rit.

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r.>' .\i?¡.f nurc.!. !.: r<.' .w i. t. .{ORE .\g=.l .irMUslc coAfPANY CopyrighrSccurcd Pri¡r¡cdin U. _ : : .:1i¡ :.A.} + .-'". ' - i " -P o/'.EL CAMII... >..8frf<Uilos ..c¡-.ri¡'1ri1¡¡c-'1. unis.' ¡ i loc¿r- nw dh'.r. : _ .t.! \ r..l. copl'right @ lge¿ by PrEDlrlol. ..*f t59 I >-- ..¡r!\. AJIRighrsRcservcd Inr¿rnarional .{:'fu1'.: t tl (A l-atin FantasY) EARTTONE.t$ 'itir.'-.S.

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crm I I @ all I UOaS CopyrighcC) 1986 by PIEDMONT ¡vfUSIC COIVIPANY AJI RighcsReserved In¡e rn¡tional Copyright Securcd Pri¡ted in U.S.A.con fuoco tr 1 Tuba (alterrute) M semprepe stacc.EED Allegro brilhnte (lunga) ri a tempo .L CAMINO REAL (A latin Fanlasy) (TUBAS BASSES (]985) ALFREDR. .

t'=)) \ r ' ' .) ú poco allarg.t-{er T ¡ tr @ --- -p poco a poco ritenuto molto (' lru n s e"a") ht0 (. .b= )) J+¿+J 1. Mort o lento (freely) .

crisply . ' SI\¡AREDRLI¡Y!.B. -j-. s3lrreu : S-D.f.D.D_tF-===:r s. BASSDRIIM 'i"1 ¿-..A.D (poco) s.( * f i** IE*/. EL CAN4INIOREAL PERCUSSION I.S.D ? copyrighr@rgeo by PIEDIT{oNT MusrccoMpANy AJI Righrs Rcscrvcd In¡c¡narion¿l Copyright Sccu¡cd prin¡cd in U..D B.D B..D B. Alleg¡o brilla4l 3 JF a lemPo' con fuoco Sna¡eDrum BassDrum I n .rtRtfr .:¡l s.

D.íi''.i ii. ¡-.D cresc..D-li"- B-D.? s_D B. iosl B. ffi . s.ii ri -::.D s-D @ B-D -:: s. B-D : a .D ' .jl:L'l PERCUS$ON ] B.

.D @ a rem?o 12.D. .___r llSgf T"mpo _ _ _ s.D. .--.. B.D E-T I. j. .. B.. .IJ .r. . . .. pü? .D B . s. D:( s.t. : . t . . ...D B. . ñ ].[.f¡¡ S. .D.D -tnXf sim.D B.:. ligjl¡. i .' :o ritenurcmoha Cfr J. .Allegrobrillanb ¡. ( .D. .D m --a s. -1 . l-_.. B.. : .D.. .

s.^ B.D @ .'i.D.D i)l ..Wl i I I sJ) a i¡': B.li.B.D.f '.DJfq: S.:.:-l'á i.

CopyriglrtOlgS6 by PIEDMONTMUSICCOIIiPANY-.S.É./a | ( n F ¿t rA l u trP \ \ FT.A CopyrightSecurcd Pri¡¡¡ed ¡ . 6 EL CAMIhIO RT (A l-atin FantasY) IN PERCUSSION TAMBOURINE CASTANETS WOODBLOCK MARACAS 'Allegro brillante a tempo .con fuoco Castanets tJ? m l5 Tamb. ' AIl RighrsRescrved In¡e¡national i¡r U. .t .' 4 sr.sA/u(.""ili'Üfttre('V:.

:".:.. .T.. Thzsl.'k @ .1:""'.:-.11:. F92lr. D .. P with thumb . " .o : . w"B. Tamb --Docoa Poboritenuto molto . molto rit.ma non tr-oppo(3+2+3) Tamb.tr] ERCUSSION Tamb.H.trl :.b-. l Tarnb.'temPo ....delicatelY poco sostendo a temPo Tamb. @ *"'1..o R. .:. molto hD uolto tentoifreely) (lunga) quasifandango.ntolto.ttl'. : r¡ ltsii' rít.

PERCUSSIONM @ Temp AJlegrobrillante @ ¡9 6"r¿"116¡. filfi -ff Cast ( @' Cast. . ( amb ( rmb. ( poco a poco cresc.

nonrroPpo a tempo. Cyms.I}IBAL TRLANGLF ALFREDREED(1985) Allegro brillant (lunga) a tempo . ma. (3+2+3) (3+2+2) g rit.m( 3ifIllfruo.i ''t 1 Trel. {.con luoco h. FEt"'!'/tri' c.cy ü poqoa poco rit. 4 .J . poco sosl-atemPo 2 M copyrighr @tpseby PIED¡IoNTMUs¡ccoMPAN)' AJI Rights Rese¡ved In¡ernitional Copyrighr Sccured Pri¡rtedin Lj.S. '''::::Trn . -:. Cyms. molto a tempo. Cyrns.A.. m : Pr. q Ttgl. to Sus. (Iet ring) ff !o Triangle (let ring) h.Cym.'i' "TR)A*6:gü''='. guasifandango. Cyms. apoco +?+2)3 (freely) . TrL¿-os JiLAL PERCUSSION I] PAIR OF OA'BALS SUSPENDEDCY. ft n. Ttel. poco allarg. (Choke) h. ittolto . @ k. "'P"""". !/T -': lento poco 't.

.f with rci¡ stick r e m p rm .n.Cym. r¡ng @.j=. l'""' >-*----. 'I t z o E ' Sus. m c:nlanClO niollo n:. -. e ¡ om o s s o .Cy Sus. E@ l.P E l l C lr S S l O Nl l 56il )ó-t". Sus.>: rr @ r.Ct'm Er€ mO¡O t¡í. Sus. - - s/ fr letring to &. f . Cyms. of cyms.Cym. Cyms Choke ffi J€cP . poco a poco cresc.

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ry.'. k * 'ffi to Vibra..- Bells IJ I * A f - tr * t | ^ - Xylo ff Bells L J I Jl:-¡a s Xylo. Bells LJ .-------.e '+b* f1u"-.PERCUSSION IV Xylo. .-) ?' Xylo. . .

a tempo 1 b f ¡ molta rüenuto - . fasi) FElaiémpo ritenuto molto ? a lempo.to Ma¡imba p poco sostendo (i+2+3) poco sost.i- lr óol$ls\Á.' ma non lroppo ^' I t r. slow) Víbra. s--.PERCUSSION TV paco a poco ritenuto molto (soft mallets--mororon. I fiE-l r Moltol"nto ibra.lyand languorously -(3+z+319 | I (3+2+3) (soh malletsmotor on. quasi fandango.

meno m o s s o .PEF. .CUSS}CN ]\ a lempo. (hard mallets) to Xylo.c ¿ n t ¡ n d t . [rD. F$rffi"f m bnlllan te to AIIegro m Xylo. Vibra. J (a la MariachiBand) to Vibra. (ha¡d mallets) ' t Xylo.¡=¡¡ (medium hard mallets) (motor otf) .

ü..:V:j.l...rir:f::i:i. ( PERCUSS]ON ]V Xylo. -.-_ .. !*r t2801 ^ ?-----. . . -:' -=-.

.j .s. pIEDrvroNT MUslc cojpANY _ Copyrighr@ I Sseby AJIRighrsRcserved Inrcrneiion¡lcopyrighrsecured prin¡edirr u.rÍmnfrLE^g / t EL CAMINO REAL (A l¡tin FantasY) TIMPANI ALFREDREED(1985) Allegro biillante (hard felt sticks) (lunga) /¡ a tempo .con fuoco semprep ..A.

TLlf tANl np<. molto marc. hIi.I5o¡o poco a poco rirenuto nolto .

. --- Jr [!qIJ a tempo.cantando *4rr Pfirins) ringl.7W<.meno mosso. h8ol. m a n o n froppo rit. molto ? | 1t /+ m .¡=¡¡ Tempo I"Allegro brillante p (hard felt mallets) . rempo poco sostelTdo a t e m p o 1 | (medium ha¡d felt sticks) -"-- DOoOSostenclo a tempo @ /nf>é molto rit. quasi fandan. r__5 f' [rg?. (3+2+3) a l e m p o ..eo.TN'PAN] r)=)) 1)=)) pctcc. allarg.im' molto rit.

- sempre ¡ff .IMPAN] paco a poco cresc. (medium felt sticks) -@ E@ sticks P tnf @ p . f .

IPET C>.- sim @ lÍ' Copvrighr@ rsee by PIEDMONT tvfUstCCOMPANY All Righrs Reserved In¡ernacional Copyrighr Secured Printcd irr U. . @ stacc. - - mp<rrw \--------l -- .S.<:- - ALFREDREED(198s) (lunga) ñ Allegro bnlllante tempo .sim.¿.A.

rt Mottor:l|r"rtil JIIIIIIIIIIIIIIIil-lil pocoa poco rit.b=)) l?+t+7\ pocoallarg. 1143larempo l-:l n 7:{l meno mosso. - -"---'l_ @ OPEN f lf m poco a poco ritenuto molto (1"¡g") /'¡ ""üt¿and lansuorouslY F 1)=J.cantando EÉ Uf... ¡-¡. (.3rd Bb ]'RUMPL-I STR. '==-molto rit- hgzl.¡ \J-r¿+J ) so. MT. 4lat-art @ ate .

molto marc. ¡lf sost.-po f EO Alle¡robrillante poco a poco cresc. .3É Bi 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a tempo - t-\#/ marcrir. @= tempo .t ntenuto ¡7761¡gllltl ma non troppo rln?n tl pocoaltarg. . ___rffi J marc. f'-..é ll92lr.. . . and languorousil pa(c c polc /:\ n. quasifandango.__ ¡a_ a f..D=.iTempo I" 11981Alegro bnftanre r:' 12lql m ff L t í a ? h¿b.ñ) Z---"--.. meno mosso. @ a tempo. h-45ir tempo poco sost.ll35i (3+2+2) \¿)=')) (3+2+3) a rempo. l. b.3rd TROt{BONE 'e')/) llf gi ¡tlolrclenlc (Íreeb t t () =)¡ (3+2+2) a tempo SIowi¡.[l ñ (lunga) l¡ --r-. "f i JOs¿. cantando nuf molto rit.

3rd TROITIBONE pta @ .

r.>' .\i?¡.f nurc.!. !.: r<.' .w i. t. .{ORE .\g=.l .irMUslc coAfPANY CopyrighrSccurcd Pri¡r¡cdin U. _ : : .:1i¡ :.A.} + .-'". ' - i " -P o/'.EL CAMII... >..8frf<Uilos ..c¡-.ri¡'1ri1¡¡c-'1. unis.' ¡ i loc¿r- nw dh'.r. : _ .t.! \ r..l. copl'right @ lge¿ by PrEDlrlol. ..*f t59 I >-- ..¡r!\. AJIRighrsRcservcd Inr¿rnarional .{:'fu1'.: t tl (A l-atin FantasY) EARTTONE.t$ 'itir.'-.S.

.B.oha llill guasi fandango.=¿t l (?+)+t).ARITONISB. l¿.r+ ... molro l--. ma non nop-pb .?l tfl z lemPo r_. ".tJ 1--h--r' am. rit.- a ¡empor ¡ | l.:_'' 2 r¿ hr tr @ >'\. tl .) srm-_ . .-_. poco s poco rit. POco atarg.C..

. !-i-- . Ber.:".cantando ::'-":--=-. ']f vind Enscmblc usc I Sccond Baritone. : ########-{l:-=:---E="::.atempo. otherwisc turri.b='h¡ p % ( tunga) ri stm.1165l. >tr-t =--'- ll94t.- =4 Terrpo f Allegm brina'rte lw .meno mosso.:: <.

.I L . i .i lo rr'l @ -.:::-***- semPre Jff . t'.

crm I I @ all I UOaS CopyrighcC) 1986 by PIEDMONT ¡vfUSIC COIVIPANY AJI RighcsReserved In¡e rn¡tional Copyright Securcd Pri¡ted in U.S.A.con fuoco tr 1 Tuba (alterrute) M semprepe stacc.EED Allegro brilhnte (lunga) ri a tempo .L CAMINO REAL (A latin Fanlasy) (TUBAS BASSES (]985) ALFREDR. .

t'=)) \ r ' ' .) ú poco allarg.t-{er T ¡ tr @ --- -p poco a poco ritenuto molto (' lru n s e"a") ht0 (. .b= )) J+¿+J 1. Mort o lento (freely) .

crisply . ' SI\¡AREDRLI¡Y!.B. -j-. s3lrreu : S-D.f.D.D_tF-===:r s. BASSDRIIM 'i"1 ¿-..A.D (poco) s.( * f i** IE*/. EL CAN4INIOREAL PERCUSSION I.S.D ? copyrighr@rgeo by PIEDIT{oNT MusrccoMpANy AJI Righrs Rcscrvcd In¡c¡narion¿l Copyright Sccu¡cd prin¡cd in U..D B.D B..D B. Alleg¡o brilla4l 3 JF a lemPo' con fuoco Sna¡eDrum BassDrum I n .rtRtfr .:¡l s.

D.íi''.i ii. ¡-.D cresc..D-li"- B-D.? s_D B. iosl B. ffi . s.ii ri -::.D s-D @ B-D -:: s. B-D : a .D ' .jl:L'l PERCUS$ON ] B.

.D @ a rem?o 12.D. .___r llSgf T"mpo _ _ _ s.D. .--.. B.D E-T I. j. .. B.. .IJ .r. . . .. pü? .D B . s. D:( s.t. : . t . . ...D B. . ñ ].[.f¡¡ S. .D.D -tnXf sim.D B.:. ligjl¡. i .' :o ritenurcmoha Cfr J. .Allegrobrillanb ¡. ( .D. .D m --a s. -1 . l-_.. B.. : .D.. .

s.^ B.D @ .'i.D.D i)l ..Wl i I I sJ) a i¡': B.li.B.D.f '.DJfq: S.:.:-l'á i.

CopyriglrtOlgS6 by PIEDMONTMUSICCOIIiPANY-.S.É./a | ( n F ¿t rA l u trP \ \ FT.A CopyrightSecurcd Pri¡¡¡ed ¡ . 6 EL CAMIhIO RT (A l-atin FantasY) IN PERCUSSION TAMBOURINE CASTANETS WOODBLOCK MARACAS 'Allegro brillante a tempo .con fuoco Castanets tJ? m l5 Tamb. ' AIl RighrsRescrved In¡e¡national i¡r U. .t .' 4 sr.sA/u(.""ili'Üfttre('V:.

:".:.. .T.. Thzsl.'k @ .1:""'.:-.11:. F92lr. D .. P with thumb . " .o : . w"B. Tamb --Docoa Poboritenuto molto . molto rit.ma non tr-oppo(3+2+3) Tamb.tr] ERCUSSION Tamb.H.trl :.b-. l Tarnb.'temPo ....delicatelY poco sostendo a temPo Tamb. @ *"'1..o R. .:. molto hD uolto tentoifreely) (lunga) quasifandango.ntolto.ttl'. : r¡ ltsii' rít.

PERCUSSIONM @ Temp AJlegrobrillante @ ¡9 6"r¿"116¡. filfi -ff Cast ( @' Cast. . ( amb ( rmb. ( poco a poco cresc.

nonrroPpo a tempo. Cyms.I}IBAL TRLANGLF ALFREDREED(1985) Allegro brillant (lunga) a tempo . ma. (3+2+3) (3+2+2) g rit.m( 3ifIllfruo.i ''t 1 Trel. {.con luoco h. FEt"'!'/tri' c.cy ü poqoa poco rit. 4 .J . poco sosl-atemPo 2 M copyrighr @tpseby PIED¡IoNTMUs¡ccoMPAN)' AJI Rights Rese¡ved In¡ernitional Copyrighr Sccured Pri¡rtedin Lj.S. '''::::Trn . -:. Cyms. molto a tempo. Cyrns.A.. m : Pr. q Ttgl. to Sus. (Iet ring) ff !o Triangle (let ring) h.Cym.'i' "TR)A*6:gü''='. guasifandango. Cyms. apoco +?+2)3 (freely) . TrL¿-os JiLAL PERCUSSION I] PAIR OF OA'BALS SUSPENDEDCY. ft n. Ttel. poco allarg. (Choke) h. ittolto . @ k. "'P"""". !/T -': lento poco 't.

.f with rci¡ stick r e m p rm .n.Cym. r¡ng @.j=. l'""' >-*----. 'I t z o E ' Sus. m c:nlanClO niollo n:. -. e ¡ om o s s o .Cy Sus. E@ l.P E l l C lr S S l O Nl l 56il )ó-t". Sus.>: rr @ r.Ct'm Er€ mO¡O t¡í. Sus. - - s/ fr letring to &. f . Cyms. of cyms.Cym. Cyms Choke ffi J€cP . poco a poco cresc.

¿ J ' e .A' ln¡er¡raiio¡¡al All Rightsnli. ffi hardestmallets sempreffi Xylo. Copyright@ lsa0 by PIEDMoNTMUSIcC0MPANY CopyriglrtSecurcd Prin¡cdi¡r U.con luoco Allegro brillante unga ri A A Bells u Xylo phone l .E.L CAMTNO REAL 1 l:tin Fanies¡') IV PERCUSS]ON BELLS XYLOPHONE VIBRAPHONEMARI}VfBA a tempo . (lunga) ri ' J ta J ffi netalmallets slm.S.t".

. _ l_: 1 . r_ PERCUSS]ON N' ¡ i It: É -l (hardestmallets) .i . " i -. ¡ . .

ry.'. k * 'ffi to Vibra..- Bells IJ I * A f - tr * t | ^ - Xylo ff Bells L J I Jl:-¡a s Xylo. Bells LJ .-------.e '+b* f1u"-.PERCUSSION IV Xylo. .-) ?' Xylo. . .

a tempo 1 b f ¡ molta rüenuto - . fasi) FElaiémpo ritenuto molto ? a lempo.to Ma¡imba p poco sostendo (i+2+3) poco sost.i- lr óol$ls\Á.' ma non lroppo ^' I t r. slow) Víbra. s--.PERCUSSION TV paco a poco ritenuto molto (soft mallets--mororon. I fiE-l r Moltol"nto ibra.lyand languorously -(3+z+319 | I (3+2+3) (soh malletsmotor on. quasi fandango.

meno m o s s o .PEF. .CUSS}CN ]\ a lempo. (hard mallets) to Xylo.c ¿ n t ¡ n d t . [rD. F$rffi"f m bnlllan te to AIIegro m Xylo. Vibra. J (a la MariachiBand) to Vibra. (ha¡d mallets) ' t Xylo.¡=¡¡ (medium hard mallets) (motor otf) .

ü..:V:j.l...rir:f::i:i. ( PERCUSS]ON ]V Xylo. -.-_ .. !*r t2801 ^ ?-----. . . -:' -=-.

.j .s. pIEDrvroNT MUslc cojpANY _ Copyrighr@ I Sseby AJIRighrsRcserved Inrcrneiion¡lcopyrighrsecured prin¡edirr u.rÍmnfrLE^g / t EL CAMINO REAL (A l¡tin FantasY) TIMPANI ALFREDREED(1985) Allegro biillante (hard felt sticks) (lunga) /¡ a tempo .con fuoco semprep ..A.

TLlf tANl np<. molto marc. hIi.I5o¡o poco a poco rirenuto nolto .

. --- Jr [!qIJ a tempo.cantando *4rr Pfirins) ringl.7W<.meno mosso. h8ol. m a n o n froppo rit. molto ? | 1t /+ m .¡=¡¡ Tempo I"Allegro brillante p (hard felt mallets) . rempo poco sostelTdo a t e m p o 1 | (medium ha¡d felt sticks) -"-- DOoOSostenclo a tempo @ /nf>é molto rit. quasi fandan. r__5 f' [rg?. (3+2+3) a l e m p o ..eo.TN'PAN] r)=)) 1)=)) pctcc. allarg.im' molto rit.

- sempre ¡ff .IMPAN] paco a poco cresc. (medium felt sticks) -@ E@ sticks P tnf @ p . f .

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