90 : DOMINE, DOMINUS NOSTER Comunién de la Semana XXIX del Tiempo Ordinario | . Gustave SANCHEZ Lento é macstoso espresno Soprano | Doxmi-ne, mus nos ~ tex, Do - mi- nus nos - ter, Alto Se = Do-mi-ne, Do-mi-ms nos = ter, express Tenor | Bajo Do-misite, Do-mi-mus nos = ter, Do-mi-ne, Do - mi- mus nos - ter, Domine, —Dp-mi-nus quem ad-mi - m-bi-lo est no qum ad-mni = ra bile quam ad igi ~ me bile + Domine, Do-minnus © quam ad-sni -m-bile est mo ~~ men um Domine, Dominus ' Domine, Dominus nos ~ ter, roster, Do- minus Domine, Dominus Domine, Dominus noster, Do - minus Domine, Do-minus “nos - ter, Domine, DominusDOMAINE, DOMINUS NOSTER 91 Pha nosso quan adi = ra-bile cst 1 ae quan od i -ra-bile St quam adni -ri-bile es. 4 quam od mi ~im-bile est no men teu in wend ver-so—, _f Piilento empo 1 in Qeni- versa te f A in oni ver=an fa wai-vone le - , t in wal-vernsa te - [—_. bo B “ia u- ni - ver-sa_—_ in w-ni-verssa fe = : sncor pense walt sleane - pit — oH P —~, 3 i f mal im wenl-ver-n, eo en iver = emt Lf a E 1 1 B - om te - ml ‘Sow arn Foe, CANON92 _DOMINE EXAUDI ‘Text: Psalm 102: 1-2 Music: George Malcolm Translation: © Lord bear my prayer Ler my ey reach You, cdo nor turn you fice ay fem mgDomine, non sum dignus. Lentissimo. Moderato. . vou. vou it Do = ml = ne, pon vou 1 E =| z DS - mi ene, nom auth pera, aud tan -tumdle gnusyut In seb foo - turn tan tum dle ver = muy uh on tren aah fee. tum mo gous ut tn. troy sub too tum uy sed tan tum dle ver = a lentanience y ton expresi dion, see mk bi a stent bE te mh ma mooDS. ah Smo, no tom ds, gnuey ee efteriunds = Ins tron sob tosotiin mo” —-” “um; wed tan. tumdlo 3 inno rit SESS Ah vor. bo et ef. me oe og aisma mo pace > YO < Moderato. i eee A Bp = eee 2 E De. ‘ml = no,” ie tum a v = = = zy 3a SE Dee nk Sey non ebm as tre sub to = otuin = = > ¥ tan. tum: ate tan. tumdie ver SSSSoprane 1 Soprano 2 ‘Tenor " EGGE PANIS ANGELORUM ~I_ veo pn nis An + ge - 16 - rum = E+ ce p= als ise abel (albu eat eae ose fno'> tus Ai 95 G.B. Polhr’. “2 bussoc fants angelorum we ait = ten eZ nit - ten fac97 ECCE PANIS ANGELORUM 71 Andante Polen ‘Tenort 4 ‘Tenort I vacctus oh = 2 Bassi PES =| Bo ee pa Fa_otux 6 viv aw. to Drum: We Se va. als 9h, a =f pod nonmit.tendus ca nonintiten . dus - =e non raltatendus © én’. al bus, “tas tur, A-gnus PaschaeSS turmmina po. tt | bus, de. pu. te tur, (eee Hone ee = Bone pastor, > P= f == a= : 2 stor, Bo.ne pu stor, “pis nly Ye. re, iia nos tu oes Fe bownm te VE. = ats fm terra vf. ven t1.um, fn terra vi. ven. tum,99 Ego sum A, CASANOVES Fig Tipte Ht defen»100 eas vest mand ea vert a hoe =,101 avis inn do ca fet u Pe ee eS a er wits102103 esi ole scour cl Vato de fs Cldos ya auxDlrctoras, con tod elo EGO SUM PANIS ViVUS (0 vi) (061) (y23de uo 60 1870) pony Master: Jord Lui abla Pula fi ba zi Organo, go oun pa nie 20 Par nls quem e- ge si quis wan du104 \iyo uno Hove acuarniusse =aielpor rweoaien ruber / 7E 46 105 rer oor emrenscren commie — SETTLING — ““kecenseuee ‘ Ego sum pastor bonus Zum 2, Sonntag nach Ostern: Magnifikaitantiphon (1, Allelujavers und Communto (2. Fassung). |. Fassung)s Claudio Monteverdi 1582 herausgegeben yon Helmut Hucke ye ee ss i 5 B- gosum|pa - stor a (ee 5 E = go sum [pastor bo - EF AE JA woe he pug, [> sum pastor [bo = 5 - nus, qui a Qs a oS ede ads : a 7 EB ~gosuni | pa-stor bo - . <°famusqut [pas = co or set lees eth | 7 a aera (fz : : F SSS = pas. - eo |'o =. ++ ves|mesas... et | pro o- vibus| me - Is, Psd ee Wert otal msees gees] [een eee | ete 2 | = SS ° 7 ae tt pro o-|- vi-bus me - : f feel eoener ni mei etfs “° =f ef eon no ae = a me - ascog-nos- - co o-ves me - = asse = f : JSF SS <<): —— et pro o - vicbus me po -.nd a-|nimam me - | am, et Cog-nos - cuntme me - et cognos int me me - | ax, 2 —— : —— SS S- 1 et pro Jo = vibus ©, ct. Cog - pos-cuntme fie pe Ie -f e rt : he t = “f pro oO - vibus me pO ~ no @-ni-mam me > amas €og-nos = cuntme me” et cognascunt' me me = “ast et ded. A : Se E = mam me - =| am, feta -{ja, Al -}le-lu - nos cunt ime, be ve aide dy ee aan Mae mamine amp testa} ja, | AD | tele =| jayal : meme 2-2 ff waft ee fpaeoe z = fimim: me 3° "am Al-le-lu = Ja, Al?- levlu = Ta Abe lest : Eognos' cunt Ime. byes : earn Slee 5 pa ar Pleo. de bi Low a joa = a se feu] ja Al - fu = Ate Ha ba 5 g ee pe lela faye . = - Jay Al + lent ee wei der gute Hirt Id weide meine Shale une gebe mein Leben far mene Sd (dh keane rmieine Schafe und die ‘meinen Kenren mich).107 ERIPE ME “Text: Psalm 143: 9-10 Music: George Malcolm Andante Ree 2 EB =—_——s Pla mosso of eee Do z mi = nee Ad te con- fy : ai, 2 7 nf =—— b Koons Se | vo a ° ° r 2 e Translation: Rescue me froms my encrstes, O Lord, Jor hide myself n you. Teach me to do your wii, Jor you are my God.108 Exultate Justi Ludovico da Viadank(1564-1645) Allegra) = 160 sop Ex = sul ALY TEN BASS ja- sti in Do -— mi- tec = fos ora Novos Ales de Nigréncon - fi- te - mi-ni Do - mi- no in = ste = ri-0 de - cem cor da - rum, in psal - te - ri-0 © de - com cor cles ris de - com fe - ti- um de - com bral Novos Ales de Nig2°91 Novos hres de ork.paa-li-te e ~ pa-li-te e - 5 be- ne psa -li-te e- ol Novos fies de Nigrnde 3S Aes de Norn cet col da col.* 113 4. GAUDENT IN COELIS RICHARD DERING (c. 1580—1630) Brightly but aot fast. th SOPRANO 4} Gou-dent in coe ~ lis Souls of the right ~ cous ‘SOPRANO 2| i-mae sanc-o° = rum, are inheav’n re joie ~ ing, Sf Gau-dent in’ coe” -" “lis an = i-mae Sanc-t0 ~ Souls of the: right > éous are. in heav'n re ~joie ~ B os / lis an = i-mae ,sanc-to ~ “it-deat “in toe cous are in heav'n re souls of the right gau-dent in) | coe’ - lis” “an - i-mae’ sanc-to°- = souls of the right - cous are. in ‘heav'n re'= joie - . ~ sti vest SS = =f FAS = i 4, ves id goa sunt se -c + ty se > . ses, ‘hove fol-low'din Chriss'saxon foot = step, fis 6 e Fes SSS (a=. | sre san - guinemsu-um fid-er ~~ unt, sanguinemsi-um fud-er ~~ ~viour rea - di-ly out-pour'deheir life ~~ Blood, ‘readily ont-pour'd their fe ~~ 32 id - e©-0 cum Chi - ~Blood, now they are with Jo sus in i ~umph 5 = £72 cumChri - sto ex sul - tant) si ~ ne fine, si ~ ne they are withJe ~ sus in ti =. wumph neo ~ er end-ing, new or crest. sine fi-ne, si - me fi- ne, nev ~ er end-ing, nev - er end-ing, 38 Broader f fi-ne, si - ne fi-ne, a ending, nev ~ er ending, si- ne fi-ne, si - ne fine, si = ne 8 neo ~ er end-ing, nev ~ er end-ing, nev - er end =~ ing.Baritono Bajo ry TH Haec dies G.Stein Hee + es quam Te quam f6-olt = oy ex - sul = té Dé = mni-nias 6x amis et ‘mus 115 = 16 = mor inle =~ ia, al oe to Kein, t-k-M- a17 P, Lalgl Sabbntal (1739-1809) ae Hostias et preces Andante == SS toes Ho-si~ as ob pre ~ ces th = bi DS = minno lauds of - 18 ~~ nf Ty su scl-pe pro wen = bus Spas "Tu su - sci-po, pro-a~ni ~ mb118 DOMINICA IN PALMIS. "sImproperium exspectavit Cop moum. (Offertorium in Dominica “Palmarum,) Fre Witt, BE. Stohlo, Libor Motottoruin, fae as In- pro-pé- r+ um aoe a Pas | et’ mi-s6- ri - ei Se + beet tes Shoe te ieee 263YO ni at non in- ¥en. ot de: bes 3120 Inclina Domine Sechs zweistimmige Hymnen, op. 118, 4 5 1839-1901 Andante, J sey = == SSS pe a = rem tu am nd 5 ex + a - dl me nt gO guicdis doin Ui inde AS a. : y 3 i =f 5 SELF A fae In - clisia Bonlcne ton’ tu-am ad meet ex ~ an di me No ego mi 2 ge guide dain Ol und oh. ED po, 7 '

Wat0% or > barmen, errdla = ma. vi we. Bona mite fo dim > - = =} £ = Sah +z Shr - cll-nm — Do-iti-to ren © fu um ad mo, 7 a Me gg B-wiges = ge dir die Oh 2, sf = 2 =| § ; a SSS e. In ~ ci-ue Do-mi-ne mu- + ren t-um ad me, Be. Met > ga B- wiegm not = go gnib-diig dan Or nf” : = of ine, sal- vam fe mich, Aa - bo mit my ar 5 z & mg. ml- vim fae re mid. ha - be mit tiger Mo mit mi Be ‘ # +f Do-mi-ne et Boag, ta aE Doct n0122 Jesu decus angelicum. Armontzsacions ss vool df A.g. CORALE ANTICO. Calmo ed accarezzevole. -ge - U- oum in ~ 6ue sn ey de f. Je. — qui apes unt: tie, -eu - Fie sole. ele si. thant de. ot do- Rd - bus Rh. - 8. 8u-spt-ran- tis Jo-gum quem di. @ - nim! te. que. rant pf. we = woh. ait, at B. la. ort sme, te liguss, ola - mor men . the in. thm. at 2. ne123 87%. Jesu dulefs memoria, Andante? = — . Sad J SSE ik $= rt ftrt tt mez mbctl sa, Dans. ¥ © do“ebr= ai "um, Fons cum, Do-mt> ne, Et tris’ yir- gl nls, A ~ mor no: » flop ma > alll 1. cor- dis “giu'-.dl- ayy Sod su- per mel et 2 Iu- mon’ mén- ti- um, Bx - of = dens om- ne 53. li- stra IG- mi-ne, Pal- sa .mén-tis .ca- 4. stre dul - cé- di- nis, TL- bi aus, ho- nor : = Sas iS —= — See dd = 1, 6m-nl- a, H- jus dul-cls pro - sén-ti- a. % gin dl-.um Bt ‘om - ne de~ sf: d6- rl -un, 3. gi- ne Mun-dum xe- plo dul- ne, 4 n6- mi- nis, Regnum bo-a- ti - ti-di- nis.124 “@. Iésu dGlcis meméria (Prose alributda a SanBernardo) Roderata _Soora® (RE Conine : ee Bajos fn = —_— me md—ni—a, aH dim BE mi Do — mi- Mee oo “crea. -su, dil~¢i tne! ‘no woe, ¢—— mez. s- F gu dans ve nos, €F nos125 drdis qau—di—ar —listra ly —' mi ~ nes i ei) per Sa hhén = = ae == cn ire fie fe i | di-b: sed —‘'sU-per Pol sa_mén ved 20-per pul-sa mén- f a thandein 7 5 ==, reall eae ener fis ca— {f~gine, Ming— dum ré rel spay oo =o a deat hake Win dum126 9elesu dulcis memoria Aiidante molto espressivo, pee Tipie le-su cis me~ mo ~ ri- a dans crese. dul Alto E Te. su dul-cis me- mo— ri- a . er Tenor = 7 Je-su dul-cis me-mo - ri-a 5 creac. Bajo FE Je-su dul-cis me- = mo~ ri-adans dis gau ~ dans— ve- ‘ra cor dans - ve ~ ve- ra cor~ dis gau— dia, ve — mf di-s,gau-— “dia, gan - di-a odie a,cor — dis gau-di- a nt ra cor- dis gau ~ i sed stnperme!127 mani a, mni-a, su~ per mel per mel ef___ 0 — mni-a, su- et ° muni a, nf su- permel. et O- mni- a e— jas dul-cis permelet 0 per mel et — ef o- mni- a G en rit, ——— 4). fi- a dul-cis pras-sen-ti- a. rt, pree- sen - —=== cis pre- sen - fti- a, dulcis pree-sen = tira. rit, ti- a, dul-cis prw-sen- ti-a. dul cis praasen- rit. ius dul-cis prae- sen ~ ti — a.128 . Jesu, dulcis memoria + 43. Singerberger Soprano Organ Re FE mo -ri-a, dans Ye = dens ti-bus, quam ploy 8. dans ve quan pi Org. — oe et 8 ain quae-ren_ = ti-bus a mine quie-ren = ti-busSais Jesu, Rex admirdabilis 4 3 voix d'hommes G.P. da PALESTRINA 15. 1698 Moderato Nf Dsrenon 1 4.Jé - sa, Rex Jad. mi lis Et tri,um , BJé . su, dul .| cdo cér. di .|um, Fons vf. vusy &. Te no.stra, | Jé_ su, vox net, No.stri le yy wy As hrenonn r= 1. Jé . su, Rex lis) Et want Fons vt. us, BJé Su, dub. so-[net, Néstri te’; 3.Te nostra, — . > ———— ty ensse epee SS Sins! = 4.Jé 2 Si, Rex ads imi_'ra . bi_ lis © EL tri. wine. 2 dé tu, dul. cé do cor. di. um, Fons vf. vus, 8, Te "~no.stra, Jé. say vox sd- net, No-stti tev pha. tor nd. bi-| lis, fi. men min. 41 o| um, gmé- res ex. pti_|maatyy hi.men min. t.| um, Be) 6. dens b mne mé- tes ex. pri-|maat, Te cor -| da nostra ? f spha.tor nd. bi » lis, ef. hi-men min. i. wn, Be. cé . dens 6. mpe mé. tes ex. pri. mant, Te eér . dan. stta128 . Jesu, dulcis memoria J. Singerberger Je - mu, dul ~ cis me~ po os__pectle Soprano Je = sy dul = ois mo~ Je = Tapes pro-nl- Soprano Organ, ‘mo = ti=2, dans ye us, quam ploy mio = rim dans_ve ten = ti-bus, quan pi Ore, = —= a é eo WL dal els piaeeaén = ‘quieren r sed quid. fn = ve-n-en = th bus. ———= = a et Ooi c= ius. dul - cispre-sén = quae-ren = ti-bus sed qui In = vernb- en ~129 2 2 } a Per ee eee fan ~ dl = bs; nll co = giet6- tur tin © gua va-fet dl = ees ney noo MS to Pil cme = ey ox’ por = fn potest 5 = jk s eI SS SS ESS Ses | ef - nlstur ue 6 = vi = us con = di + tis, nll oo ~ gioth tor lin- gio va-iet_ df = ce = 1 ful sue ~ ey ex = por - tipo -test a i ee | mS & Sere : ees aber aw a v= wy, ju cun's di - us, all oo = gl-t6- tur in= gue valet df = =m B= mmo = re ex ~ per= ts potest , — pane eR A k 5 ee = ef = ni-tr_ au - can «di = 0s, ail oo = gtd tor fin = gua va - let pil - me = re, ex ~ per = fis po teat R 4 J Py dpe S poe in One ae} 2 lo Se ———— = Pap ESS Ore.| deol sanpen met eH Spit trode te ROE | eed Le * = ee i? ie ~ be ei te eee Wena: cot 2 6 ke — Ive 7 WN owe Feu tus [jen $46 dal — 268 pte] Leh Thy tam dor Jen suis, dabers pte #0" Andante phew ta br de. gd 2 be Aa ed = 2 fie abe cis fester ae RE (_. = = cE ESS sete frenkvauh v t a == Z co-gt = PERTUS F-sorest ckepe-nb Uap S37_.38 -SUN'DD Lt oe -RE,131 Jesu, Rex admitabilis 48 voix d'hommes G.P. da PALESTRINA 15." 1598 Moderato Gees SS SSS 1.Jé . su,Rex ademi. ta. bi.| tis Et tricum Devexon | 2.Jé st dut .| cd. do cir. ai -|um, Fons vf. vusy aTe nostra, |Jé- su, vox sé.[net, No-stri te gw 1 = fe ae 4g $TENOR 1 = = | F su, Rex lis Et ik um _ su, dul .| od. do cir - di | um’ Fors vf. ous, no.stra, | Jé. su, vox so-|nel, Néstri te = — = “ty Basse SSS SH 1.Jé 2 SujRex ads ini rd. bi- lis BL tri. um. 2.J6 pu, dul. cé do cor, dt. um, Fons vt - vus, 4.Te nostra, Je. su, vox” s6- net, No-stti tev Pe T, = r : a ~pha. for Dal, 'eé.-. Li. men Bel ct md - res i Te cor r u Dal. cé . do Bo. cé . dens mé. res ex. pri. mant, Te cér - da1 ae zo 7 /~ TS tus de. si - dium. i Bt é.mne de » Vicgant,, Et mune el in peria| mg E — ue E ——— wfa is, To .]tus de. si ma. bi. lis, gau. dium BE oO. mne de. si .| dé ri. um, di. Hicgant, EL mine eb in per _| po. tu. um, ot os 0 I ss es ees Peeeeaarane 1 oe) de . ta ..bi- lis,? TE gi. dium Bt 6. imne de - si, dé Pri. um; Ft. di li.gant, El sune’ et. in per. pe- (ws um, Et a s lgan. tr ft ——— = Ti. bi. lis, 6. be | 14 : dé. ri. um, Ht sial dd iri. um. yee ~ (usin, Eb per ., pé- tu-. uml toe : Yee = Fe pune * Si oni jngeait, qu’en raison de sa gravité,ce passage soit d'éxécution dif. ‘Ticite, et de sonarité peu claire, nous ‘conseillerions delexéculer comme suits Ta. tusdo.si - de.Jubilate Deo 133 (Offertorium in Dominica quarta post Pascho) Altegre moderate rrenort “Tenor silty Bajo o Z nd in Ine~ t= --a- ine = ~Ite~ - ea in = trate- © Jubilee Deo - =e Hius fi tea to in con - spe - ctu |e ae apo - due ~~ {jus in t= to jus in exe ul - o = jus in exe ul = = = lus qui - © [Do - mi - mus Jus qui = a (Do ~ mi- nus135 Laudate Dominum {res voces iguales Pagetta r (sn) Do = mlemum — | om ~ nes it Lav- da = te Do = mi-num om nes gen ~ tes masnet in ae = = er - um Glos ea136 Sicut| e-eat in prin ]ei < pi-o et nunc eS ral in prin-fei, > pind sem per et vy? Sicut e+ rat in prin= cf” - “pl = 6° et une ct semper ct in A 1 sitardand ‘yg sae = cu -Ia sae - cu = | fo- cum F fmen a ritaritando aves \ suc = cu ta sae - eu ~ | fo- rum VA suc > cu-la sae- cu lo-rum a = mn +a = 5 : men, AP Yeh aes e216Laudes et gratia. Solemne. voz 1, vor TI, vou Itt. eg i Lau dos et gr ae Lau dos of gris ce o-mnt momén 2 ty i.e cttw138 ee ax aie = ots. mo si. m0 min 0. AR Otis, a}emo ao diy! .* nit ae ee 2c erga ‘orn. inén = toy oan - etfs ao divi 4 Sx = orwe in = toy an. otis sino altargando ao ais = al. mo, om. olla. si. mo seed evie nis = ae dhe vienis - ot. mo, san-otis.si. mo ne di. viznls © sl. mio, san-otisasi-mo a dis vi-nfy = con toda fa sononidad posiile | Lacgo. motto eresa ff z : LD. See seme Sa. ora én : te.139 Maria, Mater gratia puO Gabriel FAURE Op.47—NO 2 Andante’ (J=60) 48220 SOPRANO ou BARYTON, ORGUE ou PIANO. a : fa $4 = ; = Ma - gi-a, Me. fi gm. tiw. Dolee. Ma. rise, Ma. toro: . gra. tie = =F is cle. men . tiaed Dal. ~ ois, ———- reus clo. men . tifa Tempo. io. su, dos ou “Jo. st, Jo. su fo 2° br git glo. rive le Vir. gi-ue Creso. cuit pa) tre = me Sphere ta, Crése. oY eee - =—>. al. mo re cum” pa. tre et Splint. ty . eee een pe eter a eee) erm . = gst ts tS +r & Sf = St fE In sem. pi - ter. nai. sem. pi» ter_-uom —~ eae ge eg ee = fea ef 2 = = - vom sa. ole 2 ke“dest, Salvator mundi (3 vied MENEGALI (xine 69 Qa -143 jNOLI TARDARE! L. Tmmamisaga Amable 0 bone} Jo. se, | no 2 Ti tar. wh vor 0 Von de su, no- Wtars 7 erese poco no =U. taF| da Sore crése: poco no. Ti tarfda . re | ti) bi quod] w_ni_ar, evese poco =|, fi 2 --. bi qudd “uni cae, " “ wee da’ no. Vi tarda 5+ re jquém feta. 4 quanafte a va a wwe - um, quéim fleta sma . re, qui flet a ma. re peo. oxtnsu .Seek 4, Beco oor fme.um, du —|rum et fri-gl. : 2.0 tone | secs,’ quid” | so. us face! - rum et fri-gi « 0 lus fa0i : a aS] 2, 1, Eo.ce cor me-um, du. rum et fri-gi- . 2 O bone desu, quid so.lus faci eee ras, fe — = =; =e = (ASS See SSS a ° 1, dum, ec.'ca oor [ime _ um du. ram ef 2am? 0 bo. te Gi. gl dum, Jam’ ox nune do. eusquid a0. lus faci sam? sieeut di oh 2 eee | Eanes t oz die a ==; — fh} — — =] pa EIS = ISS| Seam, eo’ Go cor me um durum et dum; jam ex mune 2am? 0. bo ne de su,quid go. lus fa.cisam? si-cut di- Fa 7 ar 3 ol. EP SS Ledum, co. ce tor me. um durum of 2am? 0 bolse fi. gl dum, de - si, quid Jam ex none 80. lug, fa. cl am? elsout di. ; = > 8 = === = SS Saas 1. do-tens in | tegris vievi fous jam ex nune | dotens peccata | su. a, 2, lectus, do | Tenset a. Imans,lu.o in Jsi-nu fac ut re—feum — bam, fh bam,45 O Bone Jesu : Monteverdi == Je Mezzo-soprand |Ffeyh— conte [SPR = fe MS, [ese a Gop fon me MS. 5 vo . J ou wi’ quim ob dor mivam in mort Jog me os nein ma nus tu as Do mi ne oO men ta tis, De us us147 11-0 bone Iesu Palestrina Tenor I Tenor I Baritono Bajo re-de- mi - - sti nos ne tu- 0, pre- ti- o- sis- =148 -O Esea viatorum. Armonizzaztone a8 yoo! di AG. Devoto. CORALE ANTICO, Let o- sea vi. & aS eer o yas he, fons a -mo- — -ris, qui je = sul tu um —vul- — - tum,quem 4,Pa-nis An- ge. | lo- “ SS 2.pu - xo..Sal-va . to. 3,00 - M-mus oo. oul. Ba 1-Us-—Stuml 6 - ey-rl_- en - tes — SS 7 : -Ts) to el-t1 - on -ted po- . - ta, Hao B.- ot -% fao ub re-mo-to ve. 2 - lo post P co =! - no non = daque- po - atraso~ 1a 3. . be-ra in ona + =f ols. ma. mus a. - cleo149 O ESCA VIATORUM Aut dgnoto AVULT Assai devoto,dolee o trangnitlo orem Pecenee HEMT 0 o.eca vi.w. to.rum,o pentksAn go. lo. rum 0 0 — Jo.vu tuum vullum quemeo Hus oc. ent tum 6ue man. on eccoll. tum B. overicon_tow ef-ba dul- co.df.no, non Pu-nivepect - © Pac ut, re woty so.to pout, Heber’ In " Pp _—— sas, dabap je ; edict SSE aalemilen Ty — — SS] Bi TT? tr 4 priya cor. daquusreot! . om cor. dx quanrent! . um. coe_lo cer. ovmay a - cl - 9 cere nnsmusecche & $5 eS150 O Bsca viatorum. Bnrico Jansk.(1498) Adngio(d 27) pe ES poe ity | : pp bO |pe> oe vi-a -|t - ruml, 0 2.0 |] Jymphe fons a - {més - ris, gul 8,0 |] Je-su tu- um |vul - tum quem} = = +, ft mabns oc + vor-dp pro=fin= pannis apd ~oi + Ss Tt To: =e v i i ——t ai eta: 6+ jan. ri-én-tes | cl- ~ be dul fs to |ai-tl-én-tes.[po- - ta hpo ; 8 fac |ut re-mé-to |ve- - Je. post “so ~06-di- ne non po- la no-Btre151 RADA ) Aug: Witherder 1..0 es - ea vi -a-to- ~ 2.0 Iym-pha ‘fons wemg = 2 - : Lae Buy fe vp Ma ei) cnr rentee eres =f ian a nig An £0 =F -| rum, An-ge - Pye ro. Sal. var -| risy./ Sal-va- “| tui»? oc 1.0. | pacnis” An- # = i Tonbis. Anche ~ 1d-rum, An-ge -2 tig tian -f | tb Bik a= LE pee t ini na, manna dé, © cor-de “nls, sub’ pa-nis. rap fe wld. a Re mé-to | tan - WE, -|sti-rhz ei tes oi <_ ba, ah ‘ot = tes [ot T ban 2 tos J po tas dul - e+ dem} ve ~ Io ae cor te quae - = Ee c6 + dil ne" hon’ so = In® nd strat ré-= nai fac inl 1 cor to quae} rgn zee ~ 2. yre_} =e J car to quae | his” - na cer, - né-mus tor to. quas - a v , ro - : ee tt ln 2 cig Cor te’ quae f réntt = w | So. la 1G. hs uw - na | siti - e cer - nd - mus“Andante £ . Tenorl [ =e == a= p 2.6 wesmott fa. te [aorta Do- m “Hoge. myquemve Ja 1 tum founead.aph- et = ‘Tonorl 11 ay =H 0 mo- mont morta Do» wl. 2 Jeu, quemve - it aot et Bassi OQ MEMORIALE (alte! sae de 4.0m 2. Ms = ay, quemye . In 2 -tum Ee praest quod ts fans ho am at. for UF Te renve -| Fi ae lquoa te Jorsestans ho jam eto | te beet im o4 ‘Te reve ah = a Pa-nfa vi -vus = fam > pracatind ko — ml = O-ra: float, Jud! quodtam’ a}. 2 Ut gee = Sere = jaen,s de Te I zt Te il Tel ey Vi.sustmbe ee = fa - corneas mper dul - 68 tus tu 2 ve ——- Tet 6, Viva shin be. i = jaiR f= =a = spre min 2H dete fol-ve- reat ted fomperdulce |sr-tecte, aut = 06 win, 2, ta” ceranens e bun te cea aS a8 aoa F a = Re Tet sem - perjetTellt “Pinestaweucmiea lt «de To vi —vere,.. Ub ‘Te roveta.ta cer. nens fa.cl.v, ‘Vibisim bela — tus,visu sn be ~ pe-re, dul glowriese, th - Eee a em perdu) - fe =p 5 dus tu ote me pe rey glo Lomo any.154 Omnes gentes 3.B. Lally (1633-1687) All’ Moderato Sopranos 1 O-mnes gen-tes pliw-di-te mi. - nlvbus, | O-mmes —_gen-tes Sopranos IF O-mnes gen ~tes plu - » Altos | pliudi-te, pliu-di-te_m& plu - di-te, plin-di-te ma ~ ni-bus, | bus, pliu-di-te- “md plu-di-te, plu - di-te mé - ni-bus, Ss eas Ben - 63 pldu-di-te mi" = albus, plda-di-f8 °° pldm - di-te mA, ~ ni-bIB, ct can - th = te in vo-ce e-xul-ta-ti - 6-nis, ct can té = fe e-xul-ta-ti- 6 in vo - cc e-xul-ta- ti 6 et can té-tc, ct can- {4 - to in155! 21 et cane th te vo-ce @-xul-ta-ti- 6 ~ nis, 6 = -T- bens, ¢ > mult156 Tenorl 1 ‘Tebort Haset O SACRUM CONVIVIUM157 pi gnus mins thi. PP Sst mens tm ple tur. ie : J. ri-xe no - we fe Pee SoS eee roll, =158 O sacrum convivium Moteie 3 vices tenes LUIS pe ARAMBURU + P vor I, . Osa” etumeon- vi~ ve voz Ht, 2 ey i i 0. ae Ep eriivons Wy vor in, a a, “eranjcon = vl ~ chun“ con ¥1- vie tiny mf enum comin i in fuo, Chit =slus, ri iui ao tm quo Chrt-stus nf. fe~ co tetur me~ mo= reaIn ple tur gm "l= w rene hi ple-tur grat a Jus; mens fy ple-tur gra~ Hea ate ‘niens) in" ple ~ tur ian i mt mers h'=" ple~ tur gral a et hu “mens tn -"'ple~ fir gras b=160 aoe O sacrum convivium. (Teserses £) Muy moderado y expresivo. 2 - vous SSS 0 wepmon sow ee r == = 7 vos SS =| © an,erumeon . vh . wi. um, yor us = Pr : 7 Le 0 myerimeon” whe mi, t3 crete oo fe) $e p rh =| um, tx quo Ghri ~ atus eres a ia om in quo Chl. tus crete E Ss es eecon amplitue = mone ima.plé. tur mene Ips aoe rene fin.plé = tur : Ei SSS moneteiplé . sur grt. thay mois im. ple © grit lay Bek Lay meek Is ple Bn fuempo paseval. iene im pid — Wea 2 tur UAL. La y fad = tur, inozbia pi --gnus “da Sn tiempo pascual, a sae". = la S55) + ory no.bis + 20 tempo pascal.162 O Sacrum conviviim Ismieol Hernfndez (1982) Soprano O Sn = orumeon vi-vi~ um in. quo Chri= — stus_ Sopiano oO Sa - cumoon- vi - vi um . oO Sa - crumeon - vf - - vi - um, - dy . 8. re - co-li ~ s. Christus su-mi ~ tur: tur mes m6 A. stus. su-mi= tue. re - co-li~ tur gps mb-ri = a Pas + sie aya 2 Ss. : jus. Mens im = ple = tur s. e - 2 ius. “Mens int: plé - tur A. “6-nis e@ = ius, Pas - si- 6-nis e@ ~- ius, Mens’ im - plé - tur pi-gnus da ~ gre - ti a, et fu - Wh - me GI6 - ri - ac, fo - pe pi-gnus da_ fo - Ii, Ie - Ii -_ial tor alleen eee No seal Ni tal1,-0. sacrum Conviviam yTante, a Yialona Tenor s ‘O- sie cram Con- vie ‘Tenor 1. “ Barltono, © sacrum Convi= Da Bajo. #a-erum Con- vi mf = Ii quo Chri- satus su mi~ in quo Chri- stus su = aah in quo Chri~ stus in F Foe, OSes se 2 re- cO~ He fur-me- mo = thr: re~ co- lictur me-mo = rl re ree ture “re co- Wi-turme- mo. ti- @ pass re~ €0- H-tur.the=in0 ~ a pag —= — 2p pas-si- o-nis| eo si- o-nls,passl- si-o- nis — 2 ‘o-nis,pas-si- o-nis e~ ius;===—pos- si-o-nis_e~ pos ei-0-nis, 7 = sl-o-nis e- jus; pads si-o-nis Mosso . mens im ~ ple- lar mens im ple-tur P mensim- ple-tur » €S its, ‘quGChri~ stis, ~su-— wie 163164 fiction eeeel c | a, ‘mens Im~ ple-tur = a oe” mene Tm, ple tur —— = a). mens'im- ple- tur — [sep = == = F SEF mens im- ple-tur gra~ ti <= Sf, “Mi tempo i ®@ no- bis lee = np tempo no-bis p-gnus. Sees ae d bis pi- nfatempo Se = FS tu-re glo-ri- | @ no~ bis pi-gnus accel. ‘Al~ Je~ iu- ia, al~ Je~lu= fa, grand td =e I= Te mens im — nus da~ tur, : 4 Al= Je ~ lu~ia, jehs im——=—— pletur da = °* tir, Al~ Ie ~ meng im = =~ PPS Pr +o le-lu— ia, al le— = = mon A:165 0 sacrum conviffiurty : . . Aug. Wiltberger - “Mitssiges Tempo. —— =a oO” wet in” quo” “Christus: sif-s-te2-. mi tury! if a Chei-ttus 8 ==] = me tus. "in quo | Chri-s f oi = tur; at ee ~ vi - vi-um, in quo Chrigius -$4— mi - {urs ==. Te Preef mens ~ | Seine z | i Pot biti = hi plé-tur, ea tie Bld ert Piss rae gli] = = ae,© SALUTARIS a tres voces iguatos Grimg xvi a Andante a= 7 7Tous droits @exdoution réseruds. Copyright by A.Durand & Cl°1920 pg pgggadts Aux WPelits Chaitteure's ta Groise de Bois 168 “PUERI CANTORES” +” Repdoratlo internationatia 45, ruo Bigtno Plachat,Paris 478 France, -O Salutaris Lent Pidors Caplet (A), SOPRANY (@ewons) ‘MEZZO-SOPRANI| (anyrons) cCONTRALTY (asses) — : wvixedib, 0 Se Iu. ta . tle Hos. . He Que om. U- fin dis Pip pan: dls | os 2 Bel - le, pre . {munt__ SS = la pre fnunt_— a Yo. bur, {-fer__ ro. bur, | fer ea Da ro. bur, fer a Voix ov Orgue - cae Paris, 4, Place de ta Madeleine.169 22] . Tempo . Unf © dt Jno. ‘que’ | Do - i Sit som. pl Ps | ee’ i = ave “trl {no ."que {Do's . -- mt . [no Sit sem - pl - me | eg) Dent - trina s que Dos No. bis’ do. = ee Z No. bis, do - a 4 pear ete) deat nt ee Eee No... bis do ~ net in Rit. a Tempo (sans lenteur) = dim. pe... tila —— lp =— | 2 par tr - a AL. D7. men,170 O salutaris hostia CH. Cound. Adagio Bel = bk pre -mmunt he re -mint he = i = Bel -teprk -muntho va = Haw, re = unt ho = ota, be a Bel Mk pre-munt bo = athe = Wa, pre =imonthe =stl= = Hea de ce seen = = de pre smuntho = at bel + La pre muntho ai = a Qe ken = - do pe-muntho = a= Wha, oe = creeps edo pre-munt ho = b= «Koa, 2O salutaris hostia 170* sei Ch. Gouneel ve : eres = gee epi == SE ae = Oly vp. SSS Gast oe omeluete crix hos sta, quay SS = ome lu: tares hos ating, quan choeur we © an lusts ls wm, oF © su-hetn-ris hovati-n, © 0 salute YD. oJ athum,aysecoe-li_ pan: dis Ose lute tis 0 ek fasta tis Balsa premunt hor =| Balls premant_ how ho- sti-a, quite, eoe-Il pandis 0 - stiumy, quae ese, = ‘si ho, © etiam, aype coe pans 0° ugg, cor; pana = =f = = 2 aa Ft 9 -atium: Bells premunt ho gag. coe tt pa © + stiumyquee coe pandis [,- stium: Bel: Te premunt ho: quae coe-li pancdis 0 - sthum, quae coe li panrdis 27 cv 27.022001171 fer aus xis tum, da Yel: Ju premuntho = ati - ro + bor, bel - Ie premunt ho « lum, da ro- bun fer au + Xt bel Ie premuptho «ath - five, da ror bur fer a= xl livum, da orese. de bel ty premuntho = oto bun fer au xd = fiom, bel premunt ho = ati - femunt ho = ati- Wh fer au + xi + Thum, bet Te premunt ho = at = Ik tiara, telu > taeris hoe et Satis hoe st: tari ho- stb ste ris hoo sli = iarKEPEKIUKIO: MUSICAL.” : 17 editado por la Academia San Gregorio: Magao del Sersinario Diocesano'de Vitoria (0 SALUTARIS HOSTIA , f igual s 7 acne Juan Bautista Martini (1706-1784) And.! sostennto U == ne) soe lo. ta - ris hés . sti. ques 2 U. oni trl. no» quo Dos mi ~ no, sit p_ " oe + & 4 1 0 que: 2 U- sit P _ . . m 3 —— as = =f Spo =z i a) sa. lu. las ris ho - sti- que 2 U0. ni. tt: no- que Do~ mi. tio, sit sane tt = S| } co. li,’ pans dis 6 - : : ‘ som. pi ter - na glo : s o con energta lina bol-la vie Bel-la pre- munt ho- stl - sis ne ter - mi-no, avi ‘Pp + sti um; soe qui vi- tom a * bela Bel-la pre- munt ho. si - qui vie sti. um; i qui vi-tom si- ne ter- mi no, rie 9 Bella pre-munt ho. st line bello qui vistay sie ne + ter - —mit-no, qui viz sti. ums = toc)172 fi (SS hg ee Pre~munt hostf + li. a, Da’ ro-bur, for ‘ads xi. fi-um, ‘da ro. bur, tam si.ne tor. mi. no, No.bis do. net in pa - trio no.bls do. peat md aa =p SS pre-munt hostf - lie o, Da. ro.bur fer au J tam si- ne tor. mi. no, No- bis do. net in === a “pre.munt hostf.. li- 0, fom sivne fermi. no, dim, _ c= [SSS = ra = Powe fer "gu ee oxi Hieum, fer au - da ro. bur, net in po. tri. a, in no’ bis. do - ci ne dine 5 pee ———— = = BS = SS Se for ai << xis WS um," da’ fo” bir,” in Pas ti so, nos bis. da. dim: 4 = Sa] = =" € = # + j—— a ad ia ze # - Da’ ro. bur fer au - xi lie. um, da ro. bur, No- bis do’. net in pa. ti. a, no- bis do-i : 173 O.SALUTARIS HOSTIA {eters voces (gules) 46503 OARCIA ROMANO, C. My Fs ae ; ; oo (eee = Soe aes tm om > U =NI TRI-NO-QUE DO = MI = No SBITSEMPI ~ ‘Aa ———— eresc. - : Eo =f = | 2 7 aie Om, “hel- la pre- munt —ho~ pane dis O- at = um, hee : 4a 7 = ; DO mel de eso He ume pate bel: ly pis muni” ee TER-NA GLO ~. RI -~ A QUI VITAM .SI- NE Sfp. Menos aioe ue da ro: bur, da vm, Menos ro-bur, fer da focbu, fer auc xi- H- am, > da ro- bur, Menos - z np =a : —— SS | w de ro-bur, fot, au- “xis, I~ un, de bur, = NO ‘NOBISDO-NETIN PASIRI’~ Ae NO-BIS DO~ 2 rit, = A. mon. FP aa ae vm. We men Papier ase liner oe _ SE p—— Ae men.| 174 O SALUTARIS HOSTIA ‘Lversién yr) Perosi fa - tis no = que ta - fis hos - ti-a quae ni ti = no ~ que = Do - mi-no sit co g pre -:munt~ hos tam si - ne coc - fi pan - dis - hos - ti-um bel - la pre -munt hos - sem - pi - ter- ma glo - ri-a qui vi = tam si = ne | i bur ferau- xi - li do-net in pa - ti | g | tie di da ro - burfer au oxi- um ter - mino nobis do-net in pa- ti - a Vat de Los Caldas 2011 elverehrung d aligrh, Sakramrehtis: a0 iio f- sti gual cob-l ae al o-stlum, pre + maint, ny = bq = la pre~munt, *eee = = Bo, Liv pre= Munk, bq lia. pro-mune ho, ~ eff= =a ao aio Wh -[ any bie = Eee177 20.-Pan divino y gracioso ul : —— Cuerrera Tenor 1 a =p Pan di- vi-noy gra-cio- so pan di- Tenor Il : es pp Pan di- Barltiono Pan di- vi- noygra-cio- so pan di- Bajo = — Pant: di —= vinoygra-clo-80 sa-cro- san-to manjar_que pee ee vingygra-cio-so sa =p —~ —= das sus-ten-toal al-ma mf—a dicho - so Iuéa-quel das sus-ten-toal al-ma mix ao dicho=-~ so fuéa-quel. =. Pp => PH : pee = =| 8 a n 5 = F ' Be ra queen — ta-I di- a pun-toy dos es-pe- cles dos ‘es- pe- cies RP. ho - a P crease, pocoa poco queen ta-les. dos es-pe Creve. pocn a poco queen tales dos és-pe- cles queen ta-les doa bs- érese, poco a poco ta- les erase. poco a pa queen dos es-pe~ nee queen tates dos es-pe= ciesqueen ta- Hles das es: i P = af Tees al~ cies Crig B- a atel al- mags SSS79 - : da. a~ quisegbland =| . =e magsté du - a-qui sggblanda-ré con yo du ra aqui seablanda~ récon tal dul - siel al-magstadu- ra : a-qui sea- récon taf dul- zu ~ ra con tal di jul - = tal dul- zu - a-qat— = zu- ra con tal dul-zu ~ blan-da- rd con: tal dul~ zu- ra a-qui— P = dim, wsepblanda-ré con tal dul- 2u- | ra. dim. ==> fA — sep-blan-da-ré con tal- dul- ra. 1p dim, racon tal— du} - dim, YS sea-blan-da - — sta-blan-da- ra ta) dul- 2u- ra.180 | Pange lingua Mondelscho | Noo Lento An, 3.vi: Santiago Ruiz, | Soprano = i = Pan- ge lin ~ gua glo-ri ~ “6 ~ si Cér ~ po - tis my ~ slé - ri ~ um, ‘Tan~tum er ~ go Sa-era'~ mén-tum ye = ne - ré-mur ct - nu ~ i, a Soprano Pan ~ ge lin guia Tan-tum er - go Sa~ era - mén-tum = tis my + st - i ~ un, ne ~ ré-mur — cér = nu ~ i, a Alto SS a | : Pango lin gia glo-ri- 6 ~ si = po~ ris my ~ sié ~ rh um, | Tan-tum er - go Sa- cra - mén-tum - ~ ré-mur. cér = nu =. a r Organ San-gui - nls~que pre = ti Quem in mun-di pre = hum, et an - ti-quum do - ot mén-tum “no-yo ce-dat ork = ty = & a = . ; nis~que pro ti - 8 ~ si, Quem in mun-di —pré San ~ gui ti-quum do - cu~mén-tum “no-vo ce-dat of = tu 2 5 a nis~ que pre7- 2 6 = si, Quem in ti-quum do - cu-mén-tum “no-vo ce~dat orl - tu - a E Org.181 Fruc~ tus ven ~ is ge~ne ~ 1h ~ si Rex ef - fin dit Pees -tet fi - des sup~ple ~ mén~tum sén ~ su-um de Frue~tus ven - tis gene Rex ef ~ fir~ dit Praes~tot ff} ~ des supple sén ~ suum do Rex of-fi- dit — gen-ti ~ um, sé ~ susum de - féo-tu ~ i Fric=tus ven-tris’” ge= ne "- 6 - si Rex of = fii~dit “gén-ti - um. praes~tet fides sup~ple ~ sin -su'- um de fée-tu - i z 5 Oo : Fruc~ tus ven-iris go ~ ne - 8 Rex of - fi-dit gén-ti - um. praes-tet fides sup-ple ~ mén sén ~su - um de féc-m - i. a ~ si Ree ef - findit gén- ti wm, - tum sén -su ~ um de fec-tu = i Fruc-tus yen-tris Be= ne ~ praes~tet fi ~ des Org.PANIS ANGELICUS m+ Me tis mm de et Do oem te « hm nit © 2001 te Crea Pte Danley done) aco maybe yes, dpe, errno) Giaseppe BAINT (UT75-1840) i = ti183 PANIS ANGELICUS ~~ C. Quintin’ P bys alia. [abs ticeie pesais [ho + mbsinin fit | penis set-= wus ot184 Panis angelicus For Solo and SATB César Franck (1822-1680) Povo tento Organ or Plano (68 l Soprano nls_an - ge-licus Pa-nishominum, Organ or Plano 7 a = + rs terml-num: O. res mi - ra-bitis Dominum Pau - per pal - per _ser-vus et hu-milis, 30 erese. f Pau - per ser-vus et hu-mallis, Ter err Ptr tet) Cle re, cr if — i 4 20000206 - aidre.vanryckeghem@th.kho.be oneal nely Céior Pronrk - Panis angelicus - 137 a tempo Solo =| Pais an = ge-tous fit” pa-nis hominum, Soprano Pa - nis an - ge-lteus fit pa-nlshominum, Organ or Plano coo = Meus fi - gu - ris terml-num: res ml - ra-bills man ~ du-cat Dat ml-numy; © res mi ra-bilis Dominum Pau - - per paul - per ser - vus et hu-mills, man - du-cat Dominum per. servus et hu-malls, dim. Pa = Per ser - vus servus et hu = mill, Pau per ser - vuset hu - mills, cy s atempo186 PANIS ANGELICUS t Wiltberger ‘Opus'64 Pawo nisan F @6 Se Sf ne cus fit | pa nis bs - Sami mun,” : aye. oe pass nis* ain gé SS cus fit ‘pa-nis hd minut, dat | par- ~ nis cod-li-cas fi - gié-ris |-ter-minuin, fi - = ——————— Ef t aun, n Se eeSS = = man=du- cat | = int fe . man-dicat: 1D6~ nin en ae D6-mi ~ num / pair pe 6 poli = vusj,e- | bi mil ser 'vus, ef | bi + milis,.: * pau "per ser a) Bek, ser, ieee patos ot i : Se= ~ mi ~ lis.188 i Pascha nostrum, Semplee (8400) Ot08te Revanollojop.ve N42) a —~ ie 2 Paseha |i ostobel esd Pee - la Al - Wp-ltSANCTUS ae (dela Misn Alemana) ‘Fran Schubert (1797-1828) ‘Tronguilo Shn - sha - shn Sin - toles Sane - tus Jsanc - tus sane - sane - tus | Do Dlos det Sane = tus f. Ble - nates ple - na PLENI SUNT CAELI ET TE - = RRA Bore ne - dicetus gud col = siselo~ sa -na in ex — cel = sige Vides aera 810SANCTUS (€e Misa Alemana) Tranquilo vi] a! Dios del Hl 2 . led os Cin su 2010 1g9* Franz Schubert (1297-1828) Adept. espaol JJ - toes JEL Se - | for i 4190 : : ‘Tollite hostias Maeatoso A Camullle Salnt-Satns (1835-1921) Soprano} Fes” Pe : fa te | Do mi-ntim tn Alto = fe te {Do mt-nam in| & ‘Tenor 7 te 8 i 8 Do- imi iuin in’ "a =e wiv tet | tee ea ul” tet fier’ ra ul tet Pee =e ui tet fei ra a fe-cl- @ Do-milnt, qito-ni-am ve- | nit! AE te: lu | fa, ‘i TAL Te be a feels © Doe mijn, quo-nkam ve- |i, Ab Je he quo-néam've [nit A’ tee he quo-ni- "am ve! nit. AL fa, AL le hn in, fatue fin. Ai fet tee [ia Ab Tee fhe | BAL fe.’ ee © Ab Hes tue Ta, Ab Tee Ie fa AL tee Tue fas AL tee, Tus le fa AL te ta cee Do-mid i, quo-ni-am yer | nit AF le | a a te 8 Fach e Do-miy ni, quo-ni-am ve. | ait, ‘AF le~ Jquo-ni- air, ve [nit, AL “Te tu quent amve ale AR te bar192 4, »Veni Domine« fir Frauendhor Pepa Con moto = Do = ml - ea rol tarda == mee ot it tare daepes et omm = T Gare @gereyet np = My meet omy Mt tar daerey n= Wt fare dae reyplo-bl ta = acy ple-bl tu avy el reemera dit per = ctosy ef reesusen din por sin tn et no-ll-tareda = + Was rey etm = tur sas rey et da = rey et om = tar = lia = 0, et Eaitlon Patera194 Dandente ae Bxeel eta Aridante Pear PP taal. vem, et yeenly ut ant = von non fa = ol = as Exel ete Domine po tentinam Se i = mlene po-tenticam tu -amy — Edition Peters teGTempor SSeS salon, ut ak) = vow nus fel B= sas ut ad wus ae f= SSS et mu-Ml treda- =e, a padi noel tarda =¢ | 196 Veni, Domine. Schuetky, * | oO, nwetiende No -bie- 2% | i Ve-ni, Do-mi-ue, et no-li tar dd - re, no-blis =f we rem 4 | ive- ni, D6- mi-ue, et Get ESe OPE t Sor Jen, te Inudamas. TL.197 “PUERT CANTORES” Pooderatio Inturaatonalis 46,Rue Bugéne Flachat, Paris 47%France VERBUM CARO ORLANDO de LASSUS Povo lento (d=86) (4830-1894) iW 3 Vor. dunt ow ve. rum ver — bo fearnem ef Pum. Hor. bo carnem S-bos ek nem of : ee ieee lguis Chri = =e. =e t= SES fit. Guo samgnis Chri. sti me rtm, ot Copyright 1989 by EDITIONS MUSICALES Gu In SCHOLA CANTORUM clde Ie PROCUHE GENERALE de MUSIQUE OME nue des Saints Pires Paris VII et St Loula-Forht (5 & 022 i cor sin. co. rum st sou. sus’ de. ti | eit, fir. man. dum cor sin. co = poco animato f eno p a o 0 ~ ’ ; = ag ELE : = ee Sit sot ff des wr J = c meno_|P were ew France {MPRIMERIE DES EDITIONS HUNCALSS DE FRANGE, Yerbum caro’ J! Mota a izes yooor anton ¢ 198, a | Bile Victoria siglo XPP) Brensrision te Ltruarviaoga OM. Moderato * A natoden espe) a Wor = [dun ex -feopn 2 [nema | ai, ur CS Vor um” ek. Popa nem ye. rampanum —— a ri, pantie ve poco me runfr.bo | exsnam of th Jolt, ver = 0 poems my nem ef ft. ull, yer. bo ~ ervea ‘car uem of ears nes Jott ol; Pi | guaran. [gulatnriett ave = |e oem ears mam at 5 fh. SHPit que eancgulett mo. moviende poco a pooy ve aninendo rum,fitquo ao | guisChristi Ime nntnandaa pe He fo, rn so oe ~ fay i : as der Lo ame ad Sak, AM tema > deo sna (po00 mas ret a | om. poco map rete = fh afotty sot 1 Po des aut