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The l\ew lllustrated Treasury of

SO

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NGS

Wlrru-.LEoNARD.

PIANO.VOCAL.GUITAR

The l\ew lllustrated Treasury of

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SONGS

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The following songs are the property of:

BOI]RI\E CO.
Music Publishers
5 West 37th Street
New York, NY 10018

Baby Mine
Give A Little Whistle
Heigh-Ho
Hi-Diddle-Dee-Dee (n Actor's Life For Me)
I'm Wishing
l've Got No Strings
Some Day My Prince Will Come
When lSee An Elephant Fly
When You Wish Upon A Star
Whistle WhileYou Work
Who's Afraid Of The Big Bad Wolf?
ISBN 0-7135-31t5-r{
Disney characters and artwork O Disney Enterprises, lnc.
For all works contained herein:
Unauthorized copying, arranging, adapting, recording
or public peormance is an infringement of copyright.
lnfringers are liable under the law.

Walt Disney Music Company


Wonderland Music Company, lnc.

Y.H"#.=t#,:-'*:sx'
ln Australia Contact:

Hal Leonard Australia Pty. Ltd.


22 Taunton Drive PO. Box 5130
Cheltenham East, 3.192 Victoria, Australia
Email: ausadmin @ halleonard.com
Vst Hal Leonard Online at

www.halleonard.com
Prnted in Hong Kong

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MARY POPPINS, 1961

87
89

A Spoontul of Sus:
Supercalifragilisticexpialidocior.rs

THE IUNGLE BOOK, 196:

DUMBO, 1911

93
96

53 Baby Mine
57 When I See an lrlephant Fly
Minnie's Yoo-Hoo

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WHITE ANI)

THE SEVEII DWARFS, 1937

SONG OF THE SOUTH, 1946

63

Zip-A-Dee-Doo-Dah

SO DEAR TO MY HEART, 1949

65

38
30
34

Heigh-Ho

Some Day My
Prince Will Come

:ii,::\{,;5 irl;i-}1',1

36

Whistle While You Work

CINDERELLA, 1950

44
17

Give a Little Whistle

50
17

I've Cot No Strings

Hi-Diddle-Dee-Dee
(An Actor's Life for Me)

When You Wish Upon a Star

Ev'rybodr \\ an:.

\\-ait,:r: .
THE MANY ADyE.\IL hN-i :
1O2

i},,11 rtl-1 irY

68

A Dream Is a Wish Your


Heart Makes

7O

Bibbidi-Bobbidi-Boo
('lhe Magic Song)

ALICE IJ IVONDERLAI{D, 1951

72

I'm Late

PETER PAIJ, 1953

74
76

The Second Star to the Right


You Can Flyl You Can Flyl
You Can Flyl

LADY AIND THE TRAMP, 1955

80

Bella Notte (This ls the Night)

SEEZ\rG BEAUTY, 1959

82

Once Upon A Dream

101 DALMATIAI'IS, 1961

84

Cruella De Vil

19--

105 Winnie the 1,,.


107 The Wonderf"rl I::
'

:r -

About Tiggers
PETE'S

!iir

Someone's

IX418 THE POOL

Lavender Blue (Dilly Dilly)

l'm Wishing

PT{OCCHIO,7910

:-

THE RESCUERS, 197:

Big Bad Wolf?

S^"OI,Y

99

67 Little April Shower

Who's Afraid of the

''

Trust in lvle tThe l-,,:t--

THE ARISTOCATS, 1971'

BAMBI, 1942

24
27

The Bare \ecer:i:..:

109

DR,1GO\" 1q, Candle ol-r tl-rr',\-.,:

THE FOX AND THE HTIL \,.


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l2

Best

ol liendr

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THE LITTLE MER-\.IID. ]-,,

A 5t-5i .rli.

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115

Part of Your \\'o1;

l2O

Under the

Sea

BEAUTY Al'D IHE

BE.iSf

-i-

724 Be Our Guest


128 Beauty and t]'re B::
ALADDII], 1992

133 Frlend Like \le


138 A Whole Nerv \\'or-:
THE LIOI' KING, 199-}

154
149

Can You Feel the L,

112

Hakuna Matata

Circle of Life

'..

-::

AIDA,2OOO

2O7 Written in the Stars


THE EMPEROR IEW GROOVE,

212

2OOO

My Funny Friend and Me

AIlAlrT1S; THE LOST EMPIRE, 2001

218

Where the Dream Takes You

MONSIERT II'C.,2001

224

If I Didn't Have You

ULO & STITCH,

231

2OO2

Hawaiian Roller Coaster Ride

TREASURE PLAI]ET, 2OO2

235

I'm Still Here (fim's't'heme)

BROTHER BEAR, 2OO3

239

:ral-;

:1. \\'ind
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Friend in Me

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OLD YELLER, 1957

215

Old Yeller

THE PAREIT TRAP, 1961

251

Let's Get Together

Castle in Spain

NEWSIES, 1992

--

253

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BABES n\r TOYA\ID, 1961

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248

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Look Thror,rgh My Eyes

Seize the Day

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DAVY CROCKETT

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Heart

258

The Ballad of Dary Crockett

tt-]

THE MICKEY MOUSE CLUI]

261

Mickey Mouse March

:rt.- Lor-ed Me

,:.
268
263

It's a Small World

27O

Yo Ho (A Pirate's Life for Me)

Promise

272 SONG INDEX

He once described his role this way:

My role? Well, you know I was stumped one


day when a little boy asked, "Do you draw
Mickey Mouse?" I had to admit I do not
draw anymore. "Then you think up the
jokes and ideas?" "No," I said, "I don't do
that." Finally, he looked at me and said,
"Mr. Disney, just what do you do?" "Well,"
I said, "sometimes I think of myself as a little bee. I go from one atea of the Studio to
another and gather pollen and sort of stimulate everybody. I guess that's the job I do."

Of course, that doesn't explain Walt Disney's


uncanny feel for what worked and what didn't,
be it in music, films, or theme parks. Perhaps
Eric Sevareid summed it up best in his tribte to
\\alt on the CBS Evening l/ews the day Disney
died: "He was an original; not just an American
original, but an original, period. He was a
happy accident; one of the happiest this centurv has experienced... People are saying we'l1
ne\rer see his like again."

\favbe it was his Midwestern upbringing and


mid-American, mainstream appreciation for
music and movies, or maybe he was just "a happy
accident," but Walt Disney aimed to create entertainment that he himself would enjoy. Could he
help it if hundreds of millions of people around
the world happened to agree with him?

So although he didn't write "When You Wish


Upon a Star," "Zip-A-Dee-Doo-Dah," or any of
the other hundreds of tunes that make up the
Disney canon, his imprimatur is stamped onto
every song and score. When you hear "Whistle
While You Work," yott may not know that the
words were written by Laruy Morey and the

music by Frank Churchill, but you certainly


know it's a Disney song.

It didn't matter what

a composer's background
was, whether he was a honky-tonk pianist from
Los Angeles, a jingle writer from New york's Tin
Pan Alley, or a pop star from England, when he

wrote for Walt Disney, he wrote in a style that


was, consciously or not, immediately recognizable not as his own, but as Walt Disney's.

"No matter what I or anyone else in the music


department wrote, people always recognized it
as being the 'Disney sound,"' says Buddy Baker,
a longtime Disney staff composer. "But if I was
asked to define the Disney sound or how we got
it, I would have to answer that I didn't know.
It's not something I thought about while I was
writing the music.

"I think a clue to the Disney sound, though,


comes from the man himself," he adds. "Walt
Disney had a wonderful concept of what the
music should be, which is a great clue for the
composer. For instance, if he wanted a big, symphonic scote, he'd tell you that and he'd even
tell you what he'd want it to sound like."

Disney songs represent a style and'sprightliness


*
that makes them eminently hummable and l;i
totally unforgettable. They were very
much a reflection of their patron,
who concentrated on melody

and didn't like anything that


was too loud or high-pitched.

lrtsc lightens a story session in


:lte tnid 1930s as Walt Disney
risits (from left) Webb Smith,
feJ Seors. antl I'into Lolv5.

Even the "Disney" songs and scores being written toda1,', decades after Walt Disney's death,

reflect the spirit and influence of this man


r,r.ho had a special ability to recognize what
kind of music best fit a scene or situation and,
more importantly (and more to the point),
what was good.
It was Walt's direction and influence that led his
composers and musicians to pioneer musical
concepts and technologies that influenced both
the film and music industries for decades-and
continue to do so to this day.

But the music did not start out as Disney's

-i
.

(ToP) Wdlt Disrrey's classic porb'ait with


Mickey Mouse, tdken at tlrc Divtey Studios
on Hyperion Avertue itt the 19ll0s.
Rigltt) ht 1938, Disrrcy pnrclnseLl wtdcvektped property in Burbank, tltich soon
becctrne the pennanent hcrnc to the trctv
Wolt Disnev Stutlits.

a .r

own. In the first several Mickey Mouse cartoons,


produced in 7928 and 1929, the music was
either borrowed or
adapted. An example was Mickey's
-,,
very first cartoon,
n,
- i
Steamboat Willie, reIeased in November,
7928, ar,d featuring
the songs "Steamboat
Bill" and "Trkey in
the Straw"

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,il

Still, even if the music wasn't written


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members of Walt's staff, it was arranged in such


a way that it sounded as if it just might have
been. For instance, "Steamboat Bill," written in
7910, was whistled by the mouse himself during
the opening moments of the cartoon.

NTRODUCTION

ltf ll
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n'Disneydidn'treadorwritemusic rn ract

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during grade

Lil::,,:,'H;' li'xl; THI;

school in Kansas city.

And yet, his influence upon music was, and continues


to be, so profound that the great American composei
Jerome Kern was moved to say, "Disney has made us
of music as language. In the synchronization of
humorous episodes with humorous music, he has
unquestionably given us the outstanding contributicr:
of our time."

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That's lofty praise, especially coming as it did fror:t ;


musical legend like Kern. But what makes his r,r-ords -,.i
the more amazing is the fact that he said them in 191,,.
before the release of Snow White and the Seven Dy,,i"-'
arguably one of Walt Disney's greatest mornents :t :
only in animation, but music as well.

Still, the question remains: if Walt didn't r,r-rite ;:---,


songs or compose any scores, how could he har e r -, *
such a deep and lasting impact on music?

The answel simply enough, is the same wa\- irt r,,;--_--he had such a profound effect upon animation n.ith _- ,.:
so much as drawing even one mouse or dwarf.
Walt was the mover and shaker, the man of vision -".,'l:
gathered around him some of the most talented i,;:-:ers, artists, composers, and musicians, who bou.qitt u-t
his dreams and schemes and made them happen ,under his watchful eve.
_

Walt and Roy Disncy wth the specnl


"Oscar" awctrded to Wdlt in 19-)2 fbr tlrc
credtion of Mickey Mouse.

\,

HE, EARLY YEARS

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urkey in the Straw," which dates as far


back as 1834 and is arguably a sing-song
classic in the tradition of "Camptown
Races" and "My Darling Clementine,"
was not arranged for normal instruments, such
as guitars, flutes, or pianos, but was instead configured to accommodate the variety of "instruments" Mickey plays during the cartoon,
including a washboard, pots and pans, a cat, a
duck, several suckling pigs, and a cow's teeth.
("Turkey in the Straw," by the way, was selected
for Steamboat Willie because it was one of the
only tunes a young assistant animator named
Wilfred Jackson, the sole musician at the small
Disney Studios, could play on the harmonica.)

It could be said that the Disney musical legacy


actually did begin with Walt himself. In 1929,
he teamed with his then-musical director Carl
Stalling to write a song that would
become an anthem of sorts for his
already famous star, Mickey Mouse.

That song, "Minnie's Yoo Hoo,"


was first heard in the 7929 short
"Mickey's Follies." It is the only
song for which Walt Disney ever
took a writing credit.

Mickey Mouse and the musical


improvisation that made him famous
in his debut /ilm, Steamboat Willie.

Stalling to fit the music to the action, while


Stalling felt the action should fit the music.
The Silly Symphonies were a compromise. In
the Mickey cartoons, the music would continue
to play second fiddle to the characters and the
action, but in the Silly Symphonies the music
would rule.
Stalling stayed with the Studio less than two
years, jumping from Silly Symphonies at Disney
to Looney Tnes and Merrie Melodies at Warner

Brothers, where he created his own musical


legacy, composing scores for the likes of Bugs
Bunny, Daffy Duck, and Porky Pig.

But that doesn't mean Walt didn't play an


active role in the creation of the music heard in
all succeeding Disney Studio cartoon shorts and
animated features. He simply entrusted it to
lnore accomplished composers and arrangers,
the first of which was Stalling, ?n old friend
from Kansas City.

Despite Stalling's departure, the Silly


Symphonies continued. In fact, they became so
popular that Walt Disney began beefing up his
music staff in the early '30s to handle the
increased need for music for them.

It was Stalling who persuaded Walt to begin the


Si1ly Symphony cartoon series, which grew out
of disagreements the two had over the use of
music in the Mickey Mouse shorts. Walt wanted

WarnxilEmrfl&
owtr
T.nE LrLE'Fl.an
afrqidof tbA

Tlrc surprise hit song from Three


Pigs spawned a range of
merchdndise, includirrg (left to
right) sheet music, a board
game, and records. These rare
1933 items are treasured by collectors todav.

Little

One of the composers he hired was Frank


Churchill, a young musician who had studied
at UCLA and gained experience playing honkytonk piano in Mexico and performing on a Los
Angeles radio station (as well as serving as a session player in recording sessions for Disney cartoons). This heretofore unsung musician would
play an important role in Disney music over the
next decade. And he started off with a bang,
n-riting Disney's first big hit, a song that came
out of the most famous of the Silly Symphonies,
Tltree

Little

Pigs.

in

1933 during the depths

of

the
l)epression, Three Little Pigs and its famous
song, "Who's Afraid of the Big Bad Wolf?" proi ided hope and humor to a country that was
radlr, in need of both.
Released

\s rvith many Disney films, Three Little

Pigs

.omes from a children's story. But to Churchill,


-t also represented real life. While growing up
.n hls family's ranch in San Luis Obispo,
California, he was given three little piglets to
laise by his mother. All went well until a real
Big Bad Wolf" killed one of them.

\s legend has it, when Churchill was asked to


-,r'rite a song for

the cartoon, he recalled his horriir-ing childhood experience and penned


'\\-l'ro's Afraid of the Big Bad Wolf?" in about
-ir e rninutes, patterning the song loosely on
Happy Birthday." When it was released as a
singie and in sheet music, it featured additional
-r rics by Ann Ronell.

With "Who's Afraid of the Big

Bad Wolf?" Walt

Disney and his staff had created their first singa-long classic. It certainly wasn't going to be
their last.

In 1929,

the

Disney Studio's
creatiye team
included (;tanding from left)
Iohrtrty Cdnnon,

Walt Disney,
Bert Gillett, Ub
Iwerks, Wilfred
lackson, Les

Clark; (seated
from left) Cdrl
Stalling, lack
Kbtg, and Ben

i- *-'

Shorpsteen.

ACOMNGOFAGE,

he next step for Walt Disney and his staff was


the creation of the first fuIl-length animated feature. But Walt wasn't content to "just" create
and produce a feature-length cartoon. He envi-

sioned something more.


From its beginnings, Snow White and the Seven Dwarfs
was planned around music. Howevet, early attempts
at songs did not satisfy Walt. He complained that they
were too much in the vein of so many Holll"wood
musicals that introduced songs without regard to the
story. "We shouid set a new pattern, a new way to use
music," he told his staff. "Weave it into the story so
somebody doesn't just burst into song."
That last line, as simply stated as it is, has

been the guiding


principle

lUaltAisneu's

in

Disney
animated features
from Snow White
and Pinocchio all th-e

way through

rru,11,-bit
lOruarfs
ao6the
.ii..^t^rr

PICTURI

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the

more recent efforts,


including Beauty and
the Beast, Aladdin,

Seuen

k*Q=o.

, :il

alrd The Lion King.

What Walt wanted


with

White and
the Seven Dwarfs was
something closer to
Broadway musical
than Holly'wood motion picture.
Sno14.,

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Frank Churchill and Larry Morey were assigned the


task of writing the songs for Snow White. By the time
all was said and sung, the pair had written 25 songs,
only eight of which ended up in the film. But what an
eight they were, each one a classic in its own right.

The

/irst originLtl moon picture stttmdtrack record

album wds Snow White and the Seven Dwarfs,


released by Victor Records in 1937.

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\\'alt Disney didn't write any songs for Snow


I{hite, but he played an active role in defining
the content of each song and how it would fit
into the film,

as these notes from a story conference on "Whistle While You Work" demonstrate:

{t{ ?-{.t{. t'*-t{

memorable songs ever heard, including "When


You Wish Upon a Star" from Pinocchio (7940),
"Baby Mine" from Dumbo (1947), and "Little
April Shower" from Bambi (1942).

World War

fit in more
with Snow White's handing the animals
Change words of a song so they

"lf you just hum a


merry tune"...and they start humming.

brushes, etc. Snow White:

Then Snow White would start to tell them to


"whistle while you work." She would start
giving the animals things to do. By that time,
she has sung, of course... Birds would come
marching in. Tiy to affange to stay with the
birds for a section of whistling. Orchestra
n ould play with a whistling effect...get it in
the woodwinds...like playing something
instrumentally to sound like whistling...
Get a way to finish the song that isn't just
an end. Work in a shot trucking [moving]
out of the house. Truck back and show animals shaking rugs out of the windows...little characters outside beating things out in
the yard...

Truck out and the melody of "Whistle


\Vhile You Work" gets quieter and quieter.
Leave them all working. The last thing you
see as you truck away is little birds hanging
out clothes. Fade out on that and music
would fade out. At the end, all you would
hear is the flute-before fading into the
"Dig Dig" song [which precedes the song
"Heigh-Ho"] and the hammering rhythm.

{t, *t: yr}b

II brought an abrupt end to

the
Golden Age. At the Disney Studios, the emphasis changed from creating animated features to

producing cartoon shorts and instructional


films to aid the war effort. Even after the war
was over, Walt Disney didn't immediately
return to animated features. Instead, he concentrated on "package" pictures (movies that
featured a series of animated shorts rolled into
one motion picture) and films featuring both
live action and animation.

But Disney's staff of composers continued to


play a significant role in these efforts, writing
such memorable tunes as the Latin-influenced
"Saludos Amigos" and "You Belong to My
Heart" from the two South American travelogstyle films Saluilos Amigos (1943) and The Three
Caballeros (1945), "The Lord Is Good to Me"
fuom Melody Time (7948), and one of the most
popular Disney songs ever written, "Zip-A-Dee-

Doo-Dah," the irresistibly upbeat tune from


Song of the South (7946).

in not
only the Golden Age of Disney Animation in
the late 1930s and early 1940s, but the Golden
.\ge of Disney Music as well. While Disney's

Snow White and the Seven Dwarfs ushered

animators were creating some of the most beautiful screen images ever seen, the studio's composers were producing some of the most

Composer Frank Churchill (left) and seLluence


director/lyricist Larry Morey in tLrc mid 1930s
creating songs for Snow White and the Seven Dwarfs.

SONGS FROM
TN PAI.ALLE,Y

The creotion

oftlrc

Walt Divtey Music Compony and


Disneyland Reccrds enabled the
Disney Studios to release its owtt
music, rather than rely on other
companies. Shown here, a 1959
Disneylantl recrrd album and
1950 slrcet music for Cinderella.

1950, Walt Disney returned to animated


features with the release of Cinderella, but
instead of relying on his music staff for the
film's song score, he turned to writers from
New York's Tin Pan Alley, something he would
continue to do for his animated features

throughout the

1950s.

Originally 28th Street in Manhattan, Tin Pan


Alley was home to many of the largest song
publishers in the United States. Each publisher
employed an army of songwriters who worked
out of small offices furnished with nothing
more than pianos and music stands. During the
summer, the writers would open their windows
in a futile effort to get some relief from the stifling New York heat (the buildings weten't air
conditioned). The noise of the pianos echoing
through the street gave one the impression of
people banging on tin pans, hence the name
"Tin Pan Alley."
Walt didn't consciously set out to use Tin Pan
Alley writers for Cinderella. While in New York
on business prior to the start of production, he
kept hearing on the radio a catchy novelty
song, "Chi-Baba Chi-Baba," written by the
team of Mack David, Jerry Livingston, and Al
Hoffman. He was so taken with the song that
he ended up hiring the trio to write the songs
for Cinderella. Perhaps it's no surprise, then,
that one of the songs, "Bibbidi Bobbidi Boo," is
in the same vein as "Chi-Baba."

Walt again turned to Tin Pan Alley for Alice ht


Wonderland (7951), primarily because he felt
the film would need an abundance of noveltrsongs, something the Tin Pan Alley gang \\ras
quite adept at producing. In all, 14 songs were
written for Alice, including "I'm Late," one of
nine tunes written for the film by Bob Hilliard
and Sammy Fain, and "The Unbirthday Song''
contributed by the Cinderella trio of David,
Hoffman, and Livingston.
The renaissance in Disney animation continued
through the 1950s and early 1960s with the
release of such animated features as Peter Patt

(1953), Lady and the Tramp (1955), Sleephtg


Beauty (1959), and 101 Dalmatians (1961). The
bulk of the songs continued to be written by Tin
Pan Alley tunesmiths, such as Sammy Cahn,
Sammy Fain, and Jack Lawrence. The notable
exception was Lady and the Tramp, which featured songs by Peggy Lee and Sonny Burke.

The increasing reliance on outside writers for


songs for the animated features presented no
danger to the jobs of Disney's crack staff of
composers and arrangers. At least they didn't
seem worried by it, perhaps because they were
so busy.

"

[The 1950s were] a hectic time at the Studio,"


recalls Buddy Baker, who joined the Disney
music staff following a career in big bands and
radio. "We had the weekly series lDisneyland,
rrhich later became The Wonderful World of
Divrcy, among other titles] to write music for,
plus the daily show lThe Mickey Mouse Clubl.
This was in addition to the feature films the
Studio was producing. And Walt demanded
quality, whether it was music for a multi-million
dollar animated feature or a television show."
\\-ait's staff of composers was so busy writing the
music they often turned to anyone who was
readr', willing, and able to write the lyrics, be
:her- animators, scriptwdters, story editors, or, in
ihe case of "Old Yeller," Studio nurses (the lyrics
:or that song are credited to Gil George, who was
-n fact Disney Studio nurse Hazel George).

Tom Blackburn, the scriptwriter for tine Davy


Crockett series, had never before written a song,
but that didn't stop him from adding the lyrics,
120lines of them (the completed version has 20
stanzas of six lines each).
Even before the television series went on the
air, "The Ballad of Dar,y Crockett" took the
country by storm. Bruns and Blackburn's little
"throwaway" tune became a national sensation, much as coonskin caps would when the
show premiered.

"lt certainly took everybody

at the Studio by surpdse," said Bruns. "The irony of it was that most
people thought it was an authentic folk song
that we had uncovered and updated. Usually
when you have a hit song, there are always lawsuits claiming prior authorship. In the case of
'Datry Crockett,' not a single suit was filed."

Disnev staffers at the time included music direc-

:or Oiiver Wallace ("Old Yeller" and "Pretty


Irish Girl"), Jimmie Dodd ("The Mickey Mouse
\farch"), and George Bruns ("Zorro" and "The
Ballad of Dar,y Crockett").
Bruns's experience writing "The Ballad of Dar,1z
Crockett" for the Davy Crockef series of TV
shorvs was pical of the way songs were written
:or \\hlt Disney in the harried '50s, though.the
:esults were far from typical.

\\alt needed what I call a little 'throwaway'


tune that would bridge the time gaps in the
storr- of Davy Crockett," recalled Bruns. "He
needed a song that would carry the story from
one sequence to another. I threw together the
nrelody line and chorus, 'Da*,t, Darry Crockett,
ng of the Wild Frontier,' in about 30 minutes."

Composer George Bruns created a diverse


range of music for Disney, from the atuardwirung score f'or Sleeping Beauty to the
hit song "The Ballsd of Davy Crockett."

Lrotkcn
*o
{,i Ii'

"Tht, Boltoti o Dovy

;
ii:#;r; {:;:

@"lsj*',

* fi

sffitTtffiffiff?

THE SHE,RMAT{S
MARCH
THROUGH
DISNEY

f the 1950s were characterized by Walt


Disney's reliance on Tin Pan Alley songwriters, the trend in the 1960s could be summed
up in two words: Sherman Brothers.
Hired by Walt Disney in 7961as staff songwriters, Richard M. and Robert B. Sherman proved
versatile and prolific during their almost
decade-long association with Disney, writing
more than 200 songs, many of which have
trecome timeless classics.

The pair penned songs for animated features


(The Sword and the Stone 17963), The lungle Book

11967l, The Aristocats l197Ol) and featurettes


(Winne the Pooh and the Honey Tree 119661), liveaction musicais (Summer Magic [1963], The
Happiest Millionaire 179671), live-action nonmusicals (The Parent Trap [7967), In Search of the
Castaways 11962), The Monkey's Uncle [1965],
That Darn Cat 17965)), musicals combining liveaction and animation (Bedknobs and Broomsticks
Room
17971)), theme parks (The Enchanted Tiki
Fair
17963)), and even the New York World's
(Carousel of Progress, It's a Small World [1964))'

Songwriters Richortl Shcrmttn (left)

mtl

Robert

Shennan (right) recw tlrc music /br Mary


Poppins with the fthn's co-prodtrcer and writer,

Bill

Wctlsh (ccttter).

Perhaps

the greatest achievement t

ii--:

Sherman Brothers' Disney career came in 1:r=


with the release of Mary Poppins, for rvhich ti:. '
wrote 74 songs and earned trt'o Aca.1t::-"
Awards, one for Best Song ("Cl-itm-Cll--:-Cheree") and the other for Best Song Score

"Writing songs for Mary Poppins \ras a s,l:l!writet's dream. Each song we did had a purl'- ::
a reason for being," says Robert Shermatl. =l- - ing the long-held philosophy of \\-alt Drsr-.'"
about music in motion Pictures.

Typical of their experiences composill r-ir--:


for Mary Poppins was the inspiration L'rll - -one of the most popular and memoralrle :.;::.:
in the film, "supercalifragilisticexpialidoci .^:
"When we were little boys in summer

call:

the Catskill Mountains in the mid 1v-r

.-l
)

explains Richard Sherman, "we heatd tl-tis ','.'- ::


Not the exact word, but a word verr- sitrl-,:i:
'supercal.' It was a word that was longer -l---.--

'antidisestablishmentatianism,' and it S31 c --:


.''l-kids a word that no adult had. It n'as ollr

special wotd, and we wanted the Banks chilc;=


to have that same feeling."

lt:

i
i

17

1.:,;. Plpplns also proved

to be the crowning
,i:rer-ement of Walt Disney's long and storied
:i:eer. Combining live-action, animation, and
,: Sherman Brothers song score, it was
-: cuhnination of everything he'd
::rn rvorking toward in his
::--re than 40 years in the film
:-

"lsiness.

-t,
r

-,r

hen Walt Disney passed


j',\'a\- on December 15,
966, there was concern

::rat his studio would not be


-':ie to survive without him.
l -rt Walt had confidence it
',,,',:uld. "I think by this time my
s:aff...[is] convinced that Walt is

--qht, that quality will win out," he


:nce said. "And so I think they're going to stay
:r-ith that policy because it's proved that it's a

good business policy... I think they're convinced and I think they'll hang on, as you say,
after Disney."

'-";;:

'il

Throughout the 7970s and 1980s


the Disney Studios continued

1$M. producing animated and liveaction features, but all of


k
them, with the exceptions
ffi

ffi

';,,:::';,

#:,::,;;?ii,"::l

non-musicals. That didn't

mean there weren't any


songs
::1i-::

in Disney movies. Such

animated features

as

The

(1977) and The Fox and


the Hound (1981) did feature songs,
but these songs were usually performed
during the opening or closing credits and were
not essential to the storv.
Rescuers

//'lseag eql
pue ,(}neafl,,
Jauurlv\-Jelso

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'1u,r 'a1s e ]I o] Sur8uuq 'leJtsnrrt pa]Purlue

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'rulg aql JoJ s8uos xIS aloJm onp aql

ueIV au]ed Sutltr,r aur13uo1 slq qlIM


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sdrqs aq1 'ssaura,ral alpuoqlaJJe pue ruJel{f,

{Jo ,t,taN ur erull e uod afuo,, a}oJm-of, oqM


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MaNl p uuql ra]]aq slql ,t,tau>l auo ou sdeqra

sll JIeq ppq splrsnur ,(e,r,r.peorfl pelqnorl .{err


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i1truag s,upruLISV pJeMoH pue ua{uary uplv sr
I66f lO aJOf,S Iefrsnlu snorfrlap lsolu aLIL, :lle ]r
ses aurzu8erLr \aa/wsht { q tulrJ er{} Jo Mar^al V

,'eapl o ldauo: e ssardxa Ja]laq plnol


rrsnur eJeqM rullJ Jno uI seaJe lno arn8r o1
se,r,r a8ualleql aql 'JalfeJpqf, e saulJep o ,ftols
aq] saf,uelpe JISnlu ]saq eI{J,, 'aroaq sreal

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ue uoM .(aq1 qrrqa,r ro) ptowrary aqln aq
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'1r

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aloJm ua>Iuahl pue ueuqsy s8uos uales aqJ

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'pJoJr{J}rd uuaq pue 'ueuqJH ueCI '.r,roltue

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s,oe6 e,(q ua]]rM seun] a^IJ peJn]al rullJ arlJ

aloru
,{11ear plnom 1eq1 s8uos pe}ue,lr M yDwDN
aln aqJ. Jo{ 'suor}en}rs ur sJa}f,eJeqJ ro s8uos
Surlrr,r o1 pasn eJe I pue uply,, 'panu4uor aq
,,'punorS4leq Jaleaq] Iefrsnru e tuoq 3u[uo3,,
Sur,Lup s8urql daa pue pJeMJoJ.ftols aqtr

'lq8noqlralJ ue are s8uos


aLI] pue ]sJrJ aruof ol sueas .fto1s aq1 'srullJ
]soru rllr^A 'apeu aJe slerrsnru pue s.{e1d ,{e,tr
aql aloru sI qf,ILIM 3ut4roa,t o ,{e.tt e pue sllDIS
Jo las Jeqlo alol{.tt e asn ue: no.{ aceld e s,u,,
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Surureldxa'ueurqsy prcs,,'slettsnu,{enpeorg
op o] a:ed lea3 ]sel aqt sI uoIlpLUIuV,,

'apurap e ueql erour ur Ipfrsnur peleurrue


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\v/
Jo espelar eq] qll^{ gg6l ul paSueqr leql il

\J

iI]I{VSStVNIiT
TY]ISNNIY

Before his death


in March of 7997,
Ashman had written lyrics for three songs in the next big
Disner. animated feature, Aladdin, including
Friend Like Me." Once again, the composer was
i,an \fenken. For the rest of the score, Menken
,,-llaborated with lyricist Tim Rice, a theatre veti:Arl rrho, earlier in his career, wrote Evita arrd
,r:.ilj Clrst Superstar with Andrew Lloyd
r,rebber. Menken, Rice, and the film were hon-:d n'ith an Academy Award for Best Song for
r \\-hole New World."

l-sner-'s live-action musical tradition contin-

.";cd

rr-ith the 7992 release of Newsles, a full-scale


:-r-,.1uction about the organization of newsboys

.:r \err York early in the 20th century. The


).-:i, br. Alan Menken and Jack Feldman,

-:,-udes the boys' inspirational anthem, ,,Seize


,:-: Dar."
-">

::e 1990s continued, Disney

definitely reafas the world's best producer of


:.-:'.rrliu1 and successful animated films. The next
j:--.:lated musical, released in 7994, was the uni.":::rlir beloved The Lion King, the allegorical
:: n oi the love between a lion cub and his
:,:lcr. Tim fuce was signed first to write the
-.,:-cs. "The studio asked me if I had any
s-iggestions as to who
i;-r'ld n-rite the music.
Tl-ier said, 'Choose
:nr bodv in the

--::r-i its place

i,;-r16l

and choose

::e best.' I

said,
e11, Elton John
',-"'ould be fantastic."'
The producers were
',r,

:: first hesitant to
a'rproach the legcndarv rock star, but

The songwriting tearn of Howard Ashman (left) and Alan Menken


Awanls for their work on The Little Mermaid all

receiyed Academy

Beauty and the Beast.

as it turned out, he was anxious to come on


board. "I actually jumped at the chance," John
confessed, "because I knew that Disney was a
class act and I liked the story line and the people
immediately."
Has there ever been a musical number on film,
live or animated, that surpasses the emotional
beauty of the opening number, "Circle of Life"?
Rice, who first wrote the words for the
song, was amazed at the speed with
which Elton John composed. "I
gave him the lyrics at the
beginning of the session at
..1{,\l:
ll
about two in the afternoon.
t/ ?l
By half-past three, he'd fin,lr \\
ished writing and recording a
stunning demo." Disney added
another Academy Award to its
collection when "Can You Feel
the Love Tonight?" was cited
t,

as Best Song.

20

the first Disney animated feature inspired by factual history. It brought


another major theatre talent into the Disney
Studios in Stephen Schwartz, who wrote the
Iyrics for the score, with music once again by
Alan Menken. Schwartz knew success at a
young age on Broadway as the composer and
lyricist of Godspell and Pippin. The combined
talents of Menken and Schwartz produced yet
another Academy Award for Best Song for
"Colors of the Wind," a chart-topping hit for
Pocahontas was

singer Vanessa Williams.

Alan Menken's sixth score for Disney lr-as


another collaboration with Stephen Schwartzthe adaptation of the classic 19th century Victor
Hugo novel The Hunchback of Notre Dame.This

was an incredibly ambitious undertaking in


every regard. Just the task of adapting a screenplay from the sprawling novel is difficult
enough, but creating a satisfying animated musical from this complicated story was a monumental task. The resulting critically acclaimed
film is evidence of just how splendidly all those
involved succeeded. The score contains an

il

;l

il

Toy Story, the first full-length feature film ani


mated entirely on computers, takes place among
the magical lives of a six-year-old's collection of
toys. A special film like this needed a unique

extensive, expressive collection of songs borron ing influences from gypsy music, French musrc,
and traditional liturgical music. The richly emotional songs include "God Help the Outcasts,"
which, beyond the film score was recorded brBette Midler, and "Someday," which became a
hit ior the vocal group All-4-One.

kind of song, and Disney found that in


singer-songwriter Randy Newman.
"You've Got a Friend in Me"
is the chummy song that
expresses the easy goodwill of the enchanting

story of Woody,
and Andy.

Brtzz,

Fot Hercules, Disney turned to a new source for a

story: ancient Greek mythology. But this was no


dull classroom textbook topic as realized br
Disney Studios. The film is a marvelously entertaining tale of the triumph of a true hero.
enlivened by new songs, once again by an
Menken, with lyrics by Dad Zippel, a Tonr-'
Award winner for his work on the Broadway musicalCity of Angels. Rock singer Michael Bolton had
a hit single with the
expansive, soaring
"Go the Distance,"
certainly an anthem

befitting the mighty


son of Zeus.

That same year, Disney released two hugely suc_


cessful animated features: Tarzan^', an adapta_
tion of the Edgar Rice Burroughs classic, and, Toy
Story 2, a follow-up to the 1994landmark com_
puter-animated blockbuster. Scored by pop_
rocker and longtime Genesis member phil
Collins, the Tarzan'" soundtrack included the
lr-orld beat infused "Two Worlds,,, and the No. 1

Adult Contemporary hit ,,you,ll Be in My


Heart," which beat out Randy Newman,s Toy

Story 2 nominated song ,,When She Loved Me,,

to win the 1999 Grammf for Best Original


Song from a

Motion picture.

ne\ / century came new Disney


escapades-including 2000's original animated
feature, The Emperor's New Groove, the story of
Kttzco, a young, self-absorbed Incan emperor. He
vexes a scorned sorceress who, botching a plan to
poison him, turns him into a talking llama
instead. Scored byJohn Debney, the film also features songs by composer David Hartley and lyri_

With the

cist/performer Sting, who earned a 2OOO


Grammf nomination for Best Original Song for
their collaboration on "My Funny Friend and
Me." Other notable artists who lent their voices
to this madcap Disney offering were Tom Jones,
Eartha Kitt, and Shawn Colvin.

.-.::::r.3

Yd

,**frf'

Producing its first 70mm format cartoon since


1985's The Black Caulclron, Disney released
Atlantis: The Lost Empire in the summer of 2OOl.
In a story more reminiscent of a Jules Verne
adventure than its typically meffy fare, Disney
dispensed with the cute creatures and sing-along
pop songs for their telling of the legendary myth.
With a score by renowned composer James
Newton Howard, and the hit song ,,Where the
Dream Tkes You," performed by Grammf-winning R&B artist Mya, the critically acclaimed
Atlantis was nonetheless shut out as an Oscar
nominee for the 2001 debut of the Best Animated

by

Feature category
fellow Disney release
Monsters, Inc.-one of the top-grossing films of
2OOl. Like the t-tvo Toy Sory films and, A Bug,s Life
Disney closed the final year of the twentieth cen_
turv in its customary grand style with a Walt
Disney World-Epcot Center event featuring origi_
nal songs performed by the incomparable London
Svmphony Orchestra. Hang successfully encap_
sulated the zeitgeist of the dar.vning millennium,
conductor Gan Greenway,s uplifting yet dynamic
composions of goodwill and camaraderie were
recorded and released on 1999,s Millennium
Celebration Album, including the single ,,ptomise.,,

before it, Monsters, Inc.-the fourth creation by


computer-animation giant pixar-featured the
latest in computer animation technology. The
film is about two monsters who, as employees of
a scream-inducing factory called Monsters, Inc.,
make sure that their menacing brethren are sufficiently lurking in closets and under beds for the
purpose of frightening children. Although losing
the Oscar for Best Animated Feature that year,
Monsters Inc. did garner a Gramm;p for Best

Original Song for composer/lyricist Randy

Newman's "lf I Didn't Have you.,,

the Best Animated Feature of


2002. Also featured is the rocker

frontman of the Goo Goo Dolls,


John Rzeznik, whose original

song

"l'm Still Here (Jim's

Theme)" hit No. 10 on Billboard's


Adult Top 40 chart.

,.

orphaned Hawaiian

girl adopts

- :-:-:,r it-rg, genetically engineered pet in


- ::-,.rcclriog
tale of misfit friendship, Lilo anrl
--':::reknor,r,nst
to Lilo, her new friend
:r possesses a high intelligence and
--r -.1n strength, escaped to Earth after
* - :-r-id bv an extraterrestrial mad scientist
,:-,'.rtrrr. The Lilo and Stitch soundtrack,
-:-:t:.rs Elrris Presley's "BIue Hawaii,,, and
. -.,:r 'Har,r,aiian Roller Coaster Ride,,, hit
.-- :, )lbon tl's Soundtrack chart, and went as
.: l'._-. 11on theBilLboard2OO.

--

,ris Stevenson meets the Jetsons in


: : -'r.z_t//.e Plctnet, released in November of
--, :]1s adaptation of the classic yafn, a
':. rrrlrdJim longs for the swashbuckling
-:-.:.s of plrates and the high
seas. Atter
- ,r--. upon a map charting the course to
': --I l-reasure Planet-notorious for the
,. : spracspirate booty it stores-Jim joins
:',", --,1 a space-faring ship in search of this
- :',,rld. Once again, the compositional
- -, ,Tames Newton Howard is heard
.-:-.,'.1t the Treasure Planet score, which
-- : _- rlin the film an Oscar nomination as

Disney turned again to Tarzatfn'


singer/songwriter Phil Collins for
2003's Brother Bear, the story of a
young Native American boy
named Kenoia intent on avenging his father, who was killed by a
mother bear protecting her cubs.
While on his quest, Kenoia is
himself transformed into a bear,
which gives him a new and profound perspective. A charming
and lesson-inspiring story, Brother
Bear eatned an Oscar nomination
for Best Animated Feature in
2003. The film made its mark on a number of
Billboard charts as well, as Collins's soundtrack
reached No. 2 on the Soundtrack chart in 2004,
and the single "Look Through Mv Eyes,, went to
No. 5 on the Adult Contemporary chart.

it was Walt Disney himself who summed


up best the reasons for the important role and the
incredible success music has enjoyed in Disney
animated features, live-action motion pictures,
Perhaps

and theme parks:


"Music has always had a prominent part in all our
products from the early cartoon days. So much so,
in fact, that I cannot think of the pictorial story

without thinking about the complementary


music that will fulfill it... I have had no formal
musical training. But by long experience and by
strong personal leaning, I've selected musical
themes, original or adapted, that were guided to
wide audience acceptance.

"But credit for the memoraLrle songs and scores


must, of course, go to the brilliant composers and
musicians who have been associated with me
through the years."

From Walt Disney's Mickey's Follies

Words by WALT DISNEY and CARL STr


Music by CARL STl

- ie
bu - sy

sweet

down
bttzz

hors

es

whin - ny

wills

sing - in'

in

of

the chick - en house,


the bum - ble bee,

my
they

neith - er
eve

tle
Min - nie
mean much to

O 1930 Walt Disney Music ComPanY


Coovrisht Renewed

fat
- ning bells

nor
a

25

C7

C7

feed heart

ing

time

for

is

down

tn

the an - i -mals,
the chick - en house,

G]

Adim

I just
and I'll

can - ni-bals,

Ifin -

nie mouse

and they howl


where I long

D7

G7

turn

my

meet

her

heel,
there,

the hen
that frag -

to
mid

and

to

E]

growl
be

like
with

the

my

house

steal,

rance

rare,

and
sing

you

to

Bb

hear me sing
her this mel -

this
o

song.f

'dv.l

Bb

oId

oh

the

G7

hount

dog

with

his

bow,

old

tom

cat

with his meow,

meow, meow,

C7

wow,

wow,

the crows caw,

caw,

and

the

26

mule's hee -

what a rack - et

haw

lis - tened to the Koo - koo kook his koo -

nie,s

and I've heard

koo,

With the cows and

my lit - tle Min -

like

the chick

ens,

the roost - er

cock his

doo

all sound like the dick - ens, when

27

Who,s

Affg-m$s- ri,tru"

ffkue

Beg* $m#" &,w*m,ii['P


From Walt Disney's Three Little Pigs

Words and Music by FRANK CHURCHILL


Additional Lyric by ANN RONELL

Who's

a-

fraid of

big

the

bad wolf?

Who's

a-

fraid of

the

I
I

bad woll?

Tra

la

D+

Who's

la.

- fraid of the big bad wolt

To CodaS

e
i,g

lb

bad wolf,

big

bad wolf?

Who's a - fraid of the big bad wolf?

(oplriF,\l6 oitbr Borr,


Cop right Renerved

Co.

Tra

la

la

28

f Long

Came

go, there were three

day when

the

fate

did

Pl8s,

D/F* D#dim7

big

lit - tle hand-some piC - gy


the wolf blew in - to

frown

and

For

the

With

A1

y big, Yer- y bad_wolf they_ did - n't give


pufPt he puffed just e-nough and the hay house fell three
right

bad, ver-

gruff,ttpuff,

wigs.
town.

figs.
down"

Num -

ber one was

One and Two were

ver

scared to

D/F# D#dim7

gay-death

and he built his house with


of the big bad wolf - ie,s

hay.

breath.

With
66By

the

hey - hey

toot, he blew on his flute and he

hair of your chin-ny-chin, I'Il

blow

you inr" and

the

played a-round all

day.

twig house an-swered yes.

Num

No

- ber two was


one left but

fond
num

of jigs

and

ber Three to

so
he built his
saYe the pig - tet

twigs.
- i - ly.

house with

fam

three said, ttNix on

all were

safe ln

Heigh did-dle did-dle,


When they knocked,

playedon his fid-dle and


fast un - locked and

I will buitd my

tricks,
side

he
he

and the bricks

house with

hurt wolf - ie's

danced

with la - dy
in with

saidrttCome

bricks."

Num -ber

Now

they

had no

chance to
slid down the chim-'ney and,

He

So,

pride.

pigs.
me!tt

he

D/Ff

D#dim7 A7

no chord

sing and- dance 'cause- work and play don't mix!


oh, by- Jim-'ney, in the fi - re he was fried.

Ha
Ha

ha
ha

ha! The
ha! The

two lit-tle, do lit-tle


lit-tle, free lit-tle

three

CODA

pigs just winked.nd laughed,ha ha!


piCs re - joiced and

laughed,

ha

ha!

From Walt Disney's Snow White And The Seven Dwarfs

Words by LARRY MOREY


Music by FRANK CHURCHILL

Slowly
Bb/G

BbE

Gm

lor rg

dtsl'

it

mf

C7

- ing

for

some - one

Bbm/Db

Bb/D

F6

you

nev _

C'7

FmajT

F6

er

)n

Copvright O I 9.17 bv Bourne Co.


Copvright Rcneu,cd
lnternational Copyright Securcd All Rights lieserVCd

t)

)t

)a

]r"k.

l[i-l

rove

mg

Dm7/G

n'on't you grant

wish - ing

this

fa -

vor

well.

With your mag -

ic

won't you tell my loved one what

to

do?

-t1

.i:

W
W
Y@

**&^!,

From Walt Disney's


Snow rMhite And The Seven Dwarfs

Words by LARRY MO
Music by FRANK CHURCI-

Rather fast

Some
Some

da v
da v

e'e

rt

mo - ment will
mo - ment we

DTIA

Bb

ml

rll

rince

will

come,

find

my

love,

tF

;fir

'l

l#P

when

the

prince

for

my

heart

Copyright O 1 937 bv Bourne Co.


Copyright Renewecl
lnternationaJ Copyright Secured All Rights Reserec

of
will

my

start

dreams comes
skip - ping

to
a

36

Whistle While
You Work
From Walt Disney's
Snow White And The Seven Dwarfs

Words by LARR\ '


Music by FRANK CHL

whis - tle loud and


sing your - self a

long.

Just

'
song.

Copyright O 1 937 by Bourne Co.


Copyright Renewed
lnternlin?l

Cnnvrioht e,rrprl

All pi.hl.

8...^,-

35

whis
day

Bb+
and

steal

things

wetve

a
been

my

Ab7

Gm7

love

per
we'll

"l
say

C7

kiss
long

some

day

or
ing

two though

to

though

he's
she's

I
I

both -

dontt

For - get your trou '

er

C#dim7

be

just

cheer

bles,

- ful

chick - a - dee. And

whis

- tle while

you

C#dim7

oD, get smart tune

to

whis -

tle

you

work.

C6

n I

'

Y-*

{ue"r;8"'{}
The Dwarfs' Marching Song
From Walt DisneY's
Snow White And The Seven Dwarfs
';:t

l:::7:r,

Words by LARRY MOREY


Music by FRANK CHURCHILL

March tempo

We

dig
dig

Am7

dig
dig

dig
d

dig
diC

dig dig
diC dig

dig
dig

in our

and we

Copyr8ht @ 1937 bY Bourne Co.


CoPr right Reneu cd

lnternational Copyright3ecured All Right: Re'errecl

mine
trY

the whole day

to do

our

39

Am/C

al - ways
d,r*rn the

srng,
scale

for

as

when
we

all

B7

you
go

Em

there ain't a bet - ter thing


i.rg down
the
trail

dig
march

D7

MLDE.
1,,:,ng.

than a
right a -

can
to the

you

tune,

long,

D- F,

whis

tle

rhy

thm

B1

croon.
!(]n9.

"Heigh -

home

your
from

trou work

bles

8o,

we

go"

Am7

Fm6

or
of

can
the

heigh - ho."
heigh - ho."

ho,
ho,

D7

make

than a
right a -

just
(Whistle)

keep

To

rt's

G/B

sing -

ing

f
40

B7l

Em

long, "Heigh "Heigh -

heigh heigh -

heigh heigh -

ho,
ho,

ho,
ho,

if

ho."
ho,"

seY

heigh - ho.t' "Hei


heigh - ho." t'Hei

feel enina

you're

ing

r
BTID*
you

pos'i-tive-ly

can't

Em

wrong *ith
with

(Whistle)

heigh - ho."

6'Heigh

(An Actor's Life For Me)


From Walt DisneY's Pinocchio

Words by NED WASHINCTON


Music by LEICH HARLINE
Cm7b5 F7

FdimT

b-v Bourne Co.


CoPYriSht Renewed

Copyrlght O 1 9.10

lnternational Copyright Securecl All RiShts Reserved

Cm7

F7

42

EbmT

could

pick

na - ture was - n't

and

hm/b)

did-dle-dee -

high

silk hat

and

sil

_--/
dee,

an

ver

cang,

act - or's

life

of gold with

mer_

dia -

mond chain.

44

flvq: r,L , e* eVh

i;trr-

From Walt Disney's Pinocchio

Words by NED WASHINCTC


Music by LEICH HARLII
Moderately fast
Eb

'-----'

(Whistle)-

Copyright O 1 940 by Bourne Co.


Copyright Renewed

45

Fdim/Ab

AdimT

tle

squeak,

whis - tle's weak,

Gm

puck - er

Eb/G

D7/F* CmlF}

blow.

your

the straight and

Iit -

(Whistle)-

tle

Wkrewa Yffir.',

{Jpffir:l

'i'"

,.'rt ,-'rr

From Walt Disney's Pinocchio

Words by NED WASHINCTON


Music by LEICH HARLINE

Copyright o 1 940 bv Bourne Co.


Copyright Reneu'cd
lnternational Copyright Secured Ail Riqhts Reserved

48

G9 Gdim7 G7

r rrr
the sweet ful

IF

fill - ment of

their

se

cre

49

G7*s(b9)

long

aJ To
L-

'

rng.

rtr

G7

Like

bolt

out

2t

. ,, 1990s Disney developed an anir*r--r ir-r Orlando, Walt Disney ,


-.-..::rtion Florida. Mulan is the
.. -.r filn-r largely created
-.. :-.llazlng state-of-the-art
--.-sted animation. This
.'- - - -.1 tale is of a coura--:-: C}-rinese woman who
: -rrrlY disguised as a man

:-:: ailing father can be

-, - -:.:r-

serr'lce. Technology

- -11r'\ralTlic camera

:r

before possible
-:i. - l rr-ith especially
. : --.',d scenes and the attack of the
. -.: :,-r-tSS, b1, Matthew Wilder and
- - . -:=- rnclude "Reflection" and "Honor
.-,

ative musicals ever to open on The Great


White Way. The stage adaptation from the
animated film opened on Broadway on
November L3, 1997, and contains additional songs by Elton John and Tim Rice, as
well as songs by Hans Zimmet, Lebo M, Mark
Mancina, Julie Tymor, and Jay Rifkin. The
stunning production was also directed and
co-designed by cutting-edge talent Julie
Tymor. The musical won the 1998
Tonf Award for Best Musical,
and is the biggest hit New
York has seen in many
years, with sold-out houses
booked many months in advance,
On the heels of its Broadway success wlthThe Lion
Klng Disney triumphed once again

with another EltonJohn/Tim

:,r iltost exciting developments

at
: - -:: :reer-i the expansion of the com.-.:-:eSS to include Broadway musicals.
- -- -;: Beost was adapted for the stage
- -:::.on, lvith additional songs by Alan
, ; -. :rrJ Tirn Rice. The show opened on
- :'" -l \pril 18,7994, andatthiswriting
- ,, :.lbrated its tenth annivetsary and

: ::: sirth longest-running

"

-:

show in
:-, iriston.. A touring company of the
.-,-,s

been a smash success on the road.

: : -i::r'r-r to a piece of Broadway became


.- : :.1r1gible with the acquisition and ren- :re \ew Amsterdam Theatre. Built in
- -- r.stored to its original splendor, it is

:
- r rrerstone in the major redevelopment
. - - : \:-eet in New York. The New Amsterdam
r-: . -

Tlte Lion King, one of the most

innov-

Rice

collaboration, 1999's Aida.


Inspired by the Verdi opera of
the same name, Aida is t]:le

story of Egyptian prince


and war-hero Radames,
who, although betrothed
to Princess Amneris,
enters into a forbidden
romance with the war-captured Aida, herself also, but
secretly, of royal bloodlines.
The play captured four Ton;f
Awards in 2000, including Best
Original Musical Score, and a Grammf
that same year for Best Musical Show Album. A
single of one of the show's most beloved songs,
"Written in the Stars," as recorded by EltonJohn
and LeAnn Rimes, reached No. 2 on Billboard's
Adult Contemporary Charts andNo. 4inCatada.

O Disnef
originaL Dutch
Cast, photos by
f)ccn van N'feer

50

From Walt Disnev's Pinocchio

Words by NED WASHINCTOI


Music by LEICH HARLIN

Moderately
G

but-ter fly's wing?

D]

What's

Fdim D7

the rea - son

the

of a trou ba
r__- j _____r

smile

C-opyright @ 1 940 bv Bournt Co.


Copyright Reneu,ed
lntcrnational Copyright Secured All Rights Res-"rved

dour?

D+

Whl does a breeze hare

bar

rel

fun?

of

en the hee who's

Ev

son-of- a -

gun,

or make me

frown.

\
I

r=-J

be -

cause theY're

string - less

free,

the

same

r--J-____t

DTsus

DTsus

D7fl s

I've

got

no strings

strings

but

now

fret

DTsus D]

DTsus

had

to make me

hold me down.

['m

free,

there

are

strings

it's

I'm as hap-py

as

noth-ing ev - er wor - ries

have

fun,

atatf

'

GJJ

How I

love

my lib - er - ty,

there

are no strings on

['ve

'1;-n

; ii9 ,
.:

'*. - ?

;:,t-r'

From Walt Disney's Dumbo

Words by NED WASHINCTON


Music by FRANK CHURCHILL
Moderatelv- slow

Eh

Cm/Bb

Bb/D

Abm6

/ -------.l

Abm6/Bb

Bb7

-4

don't you

mine

cry.

t_-..-.---r______t

rrtr

*fl',1

Abm6

dry

,-

to

my

heart,

neY

3 --------t,

r-

,-3-----,

1941 lv Walt Disnei' Productions


CoP'rlght Renerlecl
world Riehts Controllecl I Bourne Co.
lnternational Co"pvright Securecl A I Ri,hts Rcserved
Copyright

Bb7

your

r-3-----1
close

Abm6/Bb

- er

to

part,

3 -----1

ba-by
f-3-,

of

Cm/Bb

r..-.?--*

one-

whenyou

Abm6/Bb Bb7

,-----

Cm/Bb

Abm6/Bb Bb7

r.----.?----

mind-

don't

what they

say.

r_.7_____

r-l------1
spar-

,-

kle and
3 ---.._-1,

--8---.-..1,
shine,

nev-er
.-l----.-'

.-----1

tear,

ba-by
f-l----1

of

,-l----

DmllG

they'd

Yo,

lov -

up

end

ing

you

a-3------t

ar

hf

r
o

o
Dm7/G

Cm/Eb

Cm

G7

Au

too.

those

r-l

-----1

Gm

peo-

ple who

scold

--c.<,

U
Cm

Gm/Bb

<>

<>

what

they'd

Am7b5

D7

grYe

just for

r=-.-.7

______l

the

Gm

DIF*

right

to

U
Fm7

Bb7

Eb

hold

you.

From

Cm/Bb

Bb/D

your

r-l------

head

to

your

Ab6

toes.

r.=--l-------r

- -

Abm6

56

Abm6/Bb Bb7

Abm6 Abm6/Bb B;7

CmiBb

r=-,7----

much,

you're

good-ness

r_.7_____

,-l-----,

f-l------1
pre- cious to

r-"

cute as

.-3-----

ba-by
,-

i ftt f

can

ba-by

of

r-,?-----1

of

I ------1

a: I

.li

.:

i:...., .,1. ..,.., ill,.,l: .:li- .ii.


;il-

li.ll;

.:1,.

-il,

li-

From Walt Disney's Dumbo

Words by NED WASHINCTON


Music by OLIVER WALLACE

C9

trm7lBb

When I think

Just

to

I have to laugh

a-bout

Fm7/Rb

Bblb9

Eb

EbIG

Bb7

Fm7

Bb7

think a-bout it bends me

Copyright O 1941 by Walt Dilney Productions


CoPl'right Renerved
World Rights Controllecl b'Bourne Co.
lnternational Copyright Secured All Rights Rcscrved

right

Bbl

58

saw

pea

gar -

*f

nut

stand,

den

walk.

heard

band,

stalk,

I
I

saw
saw

a
a

-l

EbIG EbM/Gb

Ebl*s
-J

, le that
pig with an

need

But I
But I

eye.

ty.

think
think

I
I

will have
will have

seen
seen

-J

thing
thing

front porch
su - gar

when
when

see

heard
saw

I
I

fly.
fly.

see

a dia-mond
the jel
ly

ring,

roll,

saw
saw

saw
saw

a
the

a
a

pol ' ka dot rail


pick - et fence that's

Bb/Ab

Eb/G

road
no

tie.
lie.

when
when

I
I

Ebm/Gb

Eb7i5

Bb7/F

t-

But I
But I

-1

will have
will har.e

think
think

seen
seen

\
i

thing
thing

e-phant
e-phant

see an el
see an el

flY.
flY.

fr

Abm

saw a
ev - en

clothes- horse
heard

rar' up and
choc - o late

buck.
droP.

They

tell
went

me that

in-to

a man
a store,

made
saw

a
a

Abm

veg

bi

- 'ta
cy

ble
cle

ttTruck.'1
shop.

n't
You can't de
I

oid -

see
nY

_-

that,
the

IonlY
things

that

You

but
but

60

to
know

be

ia -

soc

take

ble

just

tain things

there's cer

their
can't

saw

The

oth

BbIAb

slide,

chance, -

Eb/c

Ebm/Gb

Bb]IF

saw an old cow


saw an old barn

hide,
dance,- -

so

gull i

I
hle

thought- I'd

sort

of

r-J

think
think

I
I

will have
will have

seen
seen

-3----------

e-phant
e-phant

just laugh'd till

Ab

867+s

Bb'7

But I
But I

I
I'm

and

ev
ev

'ry
'ry

thing
thing

when
when

' .:. t-. t ,t1:


, ti t. a.it.-

,41 -ut-rr. -ara,..: lil


,,,,,t.r',..

;at. t'4. ,,'1t Y trr I ?-'1- .-...


.._,.!
..:.
i:.....'!:_

.,:.

From Walt Disney's Bambi

Words by LARRY MOREY


Music by FRANK CHURCHILL

Moderately
C

Drip,
Drip,

e
frII
rrhere

all

drip,
drip,

drop,
drop,

A - pril
A - pril

tit
tit

Drip, drip, drop,


Drip, drip, drop,

a-round.

that you fall.

lit-tle
lit-tle

ToCoda$ u

e
lcau
$,on't

- ti -ful
care at

sound.

Drip,

A -pril
A -pril

show
show

er,
er,

what

Itm

a
a

drip,

drop, when

O 1942 Wonderland Music Company, Inc


Copyright Renerved
Rights Reserved Used by Permission

as

tune
tune

ev

you

-'ry

the

sky

can com-pare with your


get - ting wet and I

B7

all.

All

beat - ing
beat " ing

show
show

ls

cloud - y

mu - sic can bright - en the

t'How - dy"

drip, drop,

day.

say "Good - bye" right

I'll

lit-tlegay

lit-tle

A-pril

ser- e -

nade.

nev -

er

be

when the

Zip-A-Dee-Doo-Dah
From Walt Disney's Song Of The South

Words by RAY CILBERT


Music by ALLIE WRUBEL
Moderately fast

Bb

zip

MY'

FTIC

zip

doo

won-der

Plen

ful

a- dee

,l

O 1945 Walt DisneY Music ComPanY


All Riohr.

Copyright Renewed

Rp+^ed l.1'"6 rr ppris.ion

ty of

sun

It's

it's

the

r'act - chtll."

Ev

FTICB|ID

ttsa

- tis - fact- ch'll.t' Zip

a-dee

zip

doo

a- dee

- ay!

Won - der-ful

feel

won-

der - ful

-'ry-thing

is

'ii

,-*, rr -r,,,-!,-*'1, ,"il .,,-,tl, l!-..11 ]l',,'u ,. ,.


,_ _s-_
}* 1r"
:'* l .;.,r'_,.
l,t 'tt it ll
tt i,
-;r'l{i r, -1t:1!|! 1r.,rt,
..-_.
14..1,: 'rr.r
.

"

(Dilly Dilly)
From Walt Disney's So Dear To My Heart

Words by LARRY MOREY


Music by ELIOT DANIEL

r
C

if

lrlwere
I youl

-ly, dil - ly

lr:3rl

Gm7

Who

dil

king,

told

me

O 1948 Walt Disney Music Conrpan;


Copyright Reneu'ed

All Rihl: Re.erred U.ed hr Permi-.ior

dil - ly, dil -

Iy,

who told

me

-rr
J'

your dil - ly, dil - Iy

dil - Iy, dil - ty

heart

feels

way

I
I

,.
pret

- ty lit - tle church

on

dil - ly, dil - Iy

day

tn

dil - ly, dil - ly

dress

IrilI

lyou'llf

fl

you'lll

I t'nI

I r

fl

l-vl
I yourl

68

-:l:nn&#l

('
! ,;.r.3::i
1,f;' { f ,
k" d *"1"
. af ,1I E I Xit t'-&
6 $ t1.ttah\.")

From Walt Disney's Cinderella

Words and Music by MACK DAV


AL HOFFMAN and JERRY LIVINCST(
Moderately slow, with expression

O I948 Walt Disney Music Company


Copyright Renewed

69

[Iave

rain-bow will come smil -

----'-----/

thru. -.'............_-

ling

heart

griev - ing,

is

you keep on be '

No

Am7

A9

F9

how your

day-

in your dreams

faith

Iiev - ing'

mat - ter

D7

dream that

AmltB

You

Am7

will come

true.

true.

9va-----,
A

Bibbidi-Bobbidi-Boo
(The Magic Song)
From Walt Disney's Cinderella

Words by JERR'I Music by MACK DAVID anc a-

Brightly
F

sa'la-

put 'em

to

geth

ga-doo - lamen-chic-ka boo - Ia bib-bi-di-bob-bi-di-boo

- er and what have you

bib-bi -di

got

la men - chic - ka

boo - la

bib-bi-di-bob-bi-di-boo

O 1948 Walt Disney Music Company


Copyright Renewed

All Rioh,. R-.e^ pn

I l- h. n-.-i.-

..,,

re-st
6 ra'frn>
tr x . ,,*B
Lq;
From Walt Disney's Alice

Brightly

In Wonderland

IE
m

--aF
Itm

Ia tE,

for

Irm

Yer-y im-

O 1949 Walt Disney Music Company


All B;-hi.

Copyright Renewed

B---.,

a.l

I .-

h. P^.-i-.i,,-

por -

tant

date.

it - ,ll

mag

do

- ic

be -

or

lieve it

,7

bib-bi-di

not,

- di -

boo.

,,

F3

G7 J

Dm7

Bhm

Sa-la- ga-doo- Ia

but

men-chic-ka boo - le-roo,

the

thing-a-ma-bob that does thejob is


g

Gm7 g

bib - bi - di- bob-bi - di - boo"

Sa-la-ga-doo-la

men-chic-ka

boo

Ia

bib- bi - di - bob-bi - di - boo

put 'em to-geth-er and what have you got


,?

bib-bi-di

-bob-bi-di bib-bi-di-bob-bi-di

bib-bi-di - bob-bi-di - boo.


3

73

whis -

kers

hop, hop,

too much

took

hop, I

wish that I

run

time

could

fly.

and

dare to stoP

There's dan - ger if

and

D7

herets

the

rea - son

why,

rab - bit

Itm

(you see) I'm

G7

Cantt e - ven say good ' bye, hel ' lo, I'm

late, I'm late, Itm

late.

74

'F&xr* %i**r-x'xxx %,*-xx.


. "{{--*,
.,.1L-& *. il&&..
:,-l*-"r

""&.-&*-&'-

.*

e
.
$rr ,-:11*
f &q+'
1,J1l. ff{X('r?}$
il,\.3
#
$&,S;i{r-il
-&-.

From Walt Disney's Peter Pan

Words by SAMMY C,\:


Music by SAMMY Fr
Moderately slow with expression

Eb

G]

The

sec

- ond

star to the right

E|IG

C9

to tell you that the dreams you plan

star to

the right

real

ly

shines

in the night for

Ab/Bb

Ab9 EblG

can

shines with

O.1951 Walt Disney Music Company


Copyright Renewed

come

true.

Fm7

BbTlF

Eb

Land you

Eb

AbiBb Bb9

Fm7

need, it's light will lead you

so I'll

Bb9

one who

where

know

loves

Bb+
me.

you

And when

gleam-ing

EbIG

lit ' tle

you

in

skies

the

bring him mY way'

Fm7

c'7b9

star that shines

the

star

G7b9tD

Ab

are'

lit - tle

a - bove,

lead

Eb

BbTtAb

we'll thank the

Twin-kle, twin- kle

there'

Eb9

BbmT

BbmT

Fm7 F*dim EblG

each

time we say "Good- nightr"

Ab/Bb Bb7+s(b9)

sec' ond

from

the

right.

me to

the

76

.\(1

tia,
t-t.,* *l:r. ta
.!.,,r.t,r.._-.r-

:
a.r r1
fli
t.t a
il
* i!

a:

,.-

, ..

,1

_t_'9*
til * t{ ,
1l

f,

From Walt Disney,s peter pan

Words by SAMM\ ,Music by SAMI\1) :

Moderately slow
Eb

Think of the pres-ents you,re brought,

rein-deer in the

an

sky.

-y

mer-ry lit - tle thoughL

You can

O 1951 Walt Disney Music Cornpany


Copyright Renewed
ed I l.o.'] h,

All Riphlc R-.en

p^.-,.. i^^

You

can

77

Fm7

Eb-

Bb7

You

can

fly!

Think of the hap-pi-est things,

Bb7

that's the way to

get

Now you

wings.

can - dy

own

Bb7

Look! You're

your

Eb

Eb

ris -

ing

Ab

the floor. Don't

Bb7

You

won

Eb

can

flv!

You

can

der

why.

Fm7

Bb7

flv!

You

can

fly-

store.

78

Soon

ifr

you'll zoom all a - round the room, atl it

faith

and

But the thing that's a pos - i - tive

When therets

takes is

a smile in vour heart

must

rsa

lit - tle bit of Pix -

ie

79

B: 1

Bl7

f
=
--l t

It' s

sim - ple plan.

Yer-y

You

can

what bird -

ies

AI

--+
=
least

Bb7

it's

worth

You

try.

Fm 7

Bb7

Eb

Eb

--+

2
You can

Hb-

fly !

.
You

can

fly
=I

fly!

can

80

Bella l{otte
(This Is The Night)
From Walt Disney's Lady And The Tramp

Words and Music by PECCY


and SONNY BUF
Slowly, with expression

GI

is the

This

night

a beau - ti - ful night-

and

we

call

it

bel

AmTlD I
at

Look

lr

ly

the

they

skies,

have

in their eyes-

stars

on this

g
bel

love

of your

'l

ir

8l

bout

star

--

when

You

make

DTbe(f s)

this_

is the

and

night

the

heav-

ens are right-

on this

82

#sacm &Jpexxa ,& KSremxxa


From Walt Disney's Sleeping Beauty

Words and Music by SAMMY

and JACK LAWREI


Adapted From A Theme By Tchaiko,

O 1952 Walt Disney Music Compan,


Copyright Renewed

CdimT

it,s

true

vis -

G#dim7

ions are

FIA

D7

you'Il love me

dream.

at

they

know what you'Il

Gm

way you did

dom

Gm

YoUt

^
do;

sel -

D7

if

E]/G*

Gm

once

dream.

Gm7/C

up-on

-8--!,
1*' 'v e
*
"{,'-1
*
x' *rl, &t"it * i* .,,.,f
& &".;r 1,' .*
,r l'_ I i ft , '1{ #
11

From Walt Disney's LO1 Dalmatians

Words and Music


MEL LE\
Bb9

O 1959 Walt Disney Music Company


op right Reneu ed^

in her

like

stare;

in -

a spi - der wait '

no - cent

dren

had bet - ter

be

'

first

you

the shock,

think Cru'el ' la is

the

dev

'

ware. -

Cru ' el ' la

Look out for

ing for

af - ter time haswore a-way

chil -

De-

il,

you come to

re

a - lize

youtve

86

seen her

kindof

eyes_

Yam

- pire-

neY

- er re - leased.-

bat,

watch -ing

in -

The world

you fromun - der-neath

hu-man beast,-

was

such a

she ought to be locked- up

whole-someplace un

87

A Spoonful Of Sugar
From Walt DisneY's Mary PoPPins

Words and Music by RICHARD M. SHERMAN


and ROBERT B' SHERMAN

Brightly

In

ev

job

-'ry

feath
bees

thatmust be done there is an


- er - ing his nest has ver - Y
that fetchthe nec - tar from the

of
to

el - e-ment

lit-tle

time

flow - ers to

You
while

fun.

the

rest
comb

nev - er

Bbdim7 D9

fun and
er-ing his

nd
gath

tire

the

snap

ofev-er

bits
buzz

the job's

of twine and
- ing to and

suit,

be
he has a

niP, from

ev-'ry

comes

mer
flow

-'rY
Though quite in

twig.

Be

fro.

a piece of
ry tune to
er that they

Am7

A7

take

And

game.

Iark!

toot.

He

knows

sip.

And

hence,

cake.

O 1963 Wonderland Music Company, lnc'


Coovrisht Renew ed
{ll Righr< Re'enpd U'"d br Pernr'"ion

eY

cause theY

task

tent
take

Bbdim7

D7

A spree!
a song
they find

youun - der in his pur a lit - tle

DdimT

It's
will
their

tt8

ver - y clear to

see.

job a - long.
task is not a grind.

move the

That
For
For

med- i - cine

a
a

ful

wown,

Bbdim7 D7lA

sug -

ar

med- i - cine

helps the med - i - cine

Just

89

Words and Music by RICHARD M. SHERMAN


and ROBERT B. SHERMAN

Brightly

C#dim7

Mary Poppins:

Sup-er-cal-i

though

the

ex-pr

frag

some -

sound

thing

O 1963 Wonderiand ,\1usic Companr', lnc

All

CoPi'right Reneu'ecl
Rights Rescrved Usecl lr,Pernrissior

quite

G7

90

- frag-il

-is

-tic

- ex -pi

-al

- i

do

Pearlies:

Um

did - dle did - dle did - dle, um

did -

Bert: Be
dle ay! Mary lU"
Poppins: lSo

was

eY -'ry

just

-where

no need

to

a
he
dis -

lad,
went
Dayr

did -

dle

cause I
trav - eled
when the

me
he'd
just

did -

ay!

wa

all

cat

fa
use

sum

ther gaYe
his word
- mon up

fraid
round
got

me

and

this

dle

did -

dle

to speak
the world
your tongue,

did - dle

when
and
therets

nose a tweak and


all would say, '6There
word and then you've

9t

told
pes
got

saved

me

clev

lot

me

was

bad.

er

gent!"

to

say.

ach

time

of

day

it

can

change

el' - er teard and


mord and then they
to me girl and

then one day I


But
.
I When dukes and ma - 'a
Derr:
i Rrrt
bet - ter use it

this
ask
no\

big -

Bertand I fne
I I

in'
with
your

learned a word
- ra - jas pas
care - ful - ly

gest

Mary Poppins:

Pearlie:

is 'ow it
me out to
me girl's me

*,:T'

One

Ar:

wife. All:

word

spe said

that
the

or

you
cial

it

Sup

She's

- er - cal '
3.Sup-er-cal'i

cious!
cious!

E - Yen though
Sup-er-cal-i

the

3Xl

1.,2.

C*dim7

fr": il - is ft'- il - is -

tic
tic

- ex -pi
- ex -pi

- al - i
- al - i

92

sound of
it
is
frag - il - is -tic

If you say
Sup-er-cal-i

some - thing quite a


- ex - pi - al - i

loud e-noughryoutll
al - ways sound
frag -il - is - tic -ex-pi-al-i

Sup-er-cat'i

pre

Sup-er-cal-i

mru
frag -il
frag -il

-is
-is

-tic
-tic

-pi
-pi

-aI
-al

-i
-i

-do

it

93

,dF&@
.\-

:l

;:

ii-1,

rt:'-ti.i

ii.,;...,..r;

_,.,,,. ,, ir

...r

.r ,

i.,

From Walt Disney's The lungle Book

Words and Music by


TERRY GILKYSON

Bright tempo (with spirit)

Look for

BbmajT

F]

ne ne -

1.,3. bare

the

2. bare

ces
ces

SI

ties, the
ties, the

si - ties;si - ties;-

for for -

a-bout
a-bout

get
get

wor wor -

your
your

sim sim -

Ple bare
ple bare

ne
ne

G7

D7

Bb7

ces
ces

ries
ries

and
and

your
your

strife.
strife.

br

mean
mean

Bb

F1

c7*5

the
the

bare
bare

ne-ces-sl
ne-ces-l

O 1964 Wonderland Music Conrllanr', lnc


CoPYright Renetr

pi,,!- p-.-.'

orl

ecl

I ., hr Pprrn .. nn

ties,
ties,

Moth - er
or
that's why a

Na '
bear

ture's
can

re - ci-pes_
rest at ease_

that bring the bare


with just the bare

ne

ne

ces - si - ties
ces - si - ties -

of
of

life.
life.

ev-er I
or pric-kl - y
in my back

roam,
pear,

no chord

Wher-ey-erlwan

Whenyou- pick a
3. So just try to re -

I could - n't be
you- prick a
if you act like that

and

wher-

paw
lax

fond

raw
bee

Oh yeah!)

paw..acts-

r rr

?a

The tees
Don't pick

are
the

Don't spend your

of my
next time

big
be you're work-in, too

home.
ware.

hard.

tr

in' in
the
tree to
make some
ly pear by
paw, when you pick
a
time just look- in' a - round for
some-thing you
bazz prick -

yard,

hon

- ey just
try to use
that canlt

pear,
want

for
the
be

Dm7

look un-der the


need to
.When you find out you can

me.

But

cIaw.

found.

Gm

D7

G7

You

you don't

C7

Gm

plants and
take a glance
use the claw when you pick a pear
go a-long
Iive with - out it and

ants,
then
big paw - pawr -have I
think-in' a - bout- it I'll

may
giY

tell

be try
en you

a
a

you some-thing

few.
clue?

not

life

The bare

Dm

will come

Gm

C7

they'll come to

to

F6

A
2.,3.

Look for

the

you!

7r f

ne

true.

C7

of

the
the

D7

fan - cy

ces-si-ties

at
of

rocks and

(The Python's Song)


From Walt Disney's The lungle Book

Words and Music by RICHARD M. SHER,V


and ROBERT B. SHER/V

Moderately

1966 Wonderland Music Company, lnc

97

r-.7------r
Slip in ,

to

sail on a
r-'7 ------

ber,

slum

Bb7

r_./

Slow tol

-__-__.l

-------t

,-3

ty and sure 'lY


a

Your

"----1

r_J|______r

sen -

r--.-.? ------l

ses will cease to

r-l--___

re

r--.?-----

Dm6

no chord

lax,

tt

\7

99

Ev'rybody Wants
To Be A Cat
From Walt Disney's The Arstocats

Words by FLOYD HUDDLESTON


Music by AL RINKER

With a beat

lai7

Em

D7

Em(maj7)

hows

where

'cause ev

it's

at!

-'ry-thing else is

Ev - 'ry-bod

ob

- so - lete.

- y pick-in' up on

ware

of a

1968 Walt Disney r!1usic Cornpanl,


fnnwriohi Pp..,.,..1

square-

the

beat,

whenhe of-fers to share- his

100

milk ,b ,tn--

If it

I've

has-n't been tried,

heard some

sug - gest you pro - vide

corn-y birds who tried to

Em7

Em6

tv

cat's the on-ly

cat

who knows how

But ev -'ry-bod - y wants to

to swing!-

I Em

Bm7 Em

be

a cat!-

purr

be-tween two

Am

fur - ry

friends may

Ib ,r""'t rt."in I ,

Bi

llpm

be

old hat,

101

F#m7

Come on, scat

EmajT

gli

turn me on,

AmajT

I'll

take my horn and my best tone, _ then

Gm7

EmajT

C7s

Let's take it to an-oth-er

FmajT

take

Gm7

few

ad

libs

C]

B7

--

B7

F#m

blow a lit - tle soul

in

to

the

Gm7

key,

FmajT

mod

u-late, then wait

for

me,

I'il

AhmT

and pret-ty

the

oth

er cats will all

com-mence-

t'1

AbmT

Db7

con -gre-gat-ing on the fence,- be

Am7

D7

,?

Aml

D.C. aI Fine
B1

Am7b5 F#m7

neaththe al-ley'son-ly light,-where ey -'rynight is out

of

sight!

if

: i..

.'

,{..,}

From Walt Disney's The Rescuers

Words by CAROL CONNORS and AYN ROBI


Music by SAMMY I
Gently, expressively
D

DmajT

Be trrave lit - tle one.

Make a

wish for each sad

D6

lit - tle

tear.

With pedal throughout

Hold your head up

J)

though

no

one r near.

Some-one's wait - ing

.t

There'll be

O 1976 Walt Disney Music Company and Sanrmy Frin Trust


Adnrinistered_by Walt Disney Music Compan-v

frox-n

F#m

c*1

)naj7

used

to

You'll be part

be.

of

that you

the

see.

Ffm

Al -

Some-onets wait - ing

B1

Em

keep

lit - tle prayer

in your

to

and you're sure

pock

see

the

c*]

tighL

ways

Soon there'll be joy

F*m7b5 87

F*m

hap

and

your

lit-tle worldwill

be

Am D
r-

G/A

brig ht.

Have

faith

lit - tle one

'til your hopes

and

your wish- es

come true.

r-t ))
D-

Winnie The Pooh


From Walt Disney's
The Many Adventures Of Winnie The Pooh

Words and Music bv RICHARD M' SHERMAN


and ROBERT B. SHERMAN
Broadly
C7

Win - nie The Pooh'

tub - by

Win - nie The Pooh,

lit - tle cub'by all

stuffed

with fluff'

He's

Moderate Waltz

ToCodaS

Win - hie The Pooh'

Win-nie ThePooh,

wil - ly nil - ly sil - ly

dred

wood

where

Chris

C]

to -

pher

in

Deep

bear.

Gm7

FfdimT

hun

ole

Gm7

FmajT

bin

plays,

\-'--/-/
O 1963 Wonderlancl Muslc Compan.v. lnc
Copyright Renewed
All Rights Reserved Used b1'Perrlissiorr

the

106

Tempo

Gm7

\-,

child -

hood

days.

don-key named

Ee-yore is

his

friend, and Kang-a and lit

Dm

andPig-let

CODA

and there's

Dm7

G]

OwI but mostof all Win-nie-The-Pooh.

- ttr

'.t

, :i..l

,r

From Walt Disney's


Tlte Many Adventures Of Winnie The Pooh

Words and Music by RICHARD M. SHERMAN


and ROBERT B. SHERMAN

Brightly

1.,3. The

2.

won - der
won - der

Their
They're

things!
chaps!

thing a-bout
thing a-bout

tops

load

-ed

Tig
Tig

bot - toms are made out


to

leap

in

ls

are made
with vim

are
are

won - der - ful


won - der - ful

out

of

rub

their

and

with

they

love

Tig - gers
Tig - gers

IS

of springs!
your laps!

They're boun
They're jump

196,1 \,Vonderlnd NiLrsic

ConrP.rr, nc

Copvright Renetr el

cy, troun

y,

bump

cy floun
y, clump

cy, poun - cY, I


y, thump - y, I

108

Fun!-_Fun!

But

Fun!

the most won - der - ful

thing a - bout tig - gers i

To next strain ll3

Tig - gers

are

cud - di - Iy

fel - Ias.

Tig - gers

are aw - ful - ly

Ev-try-one el -

es

why I

re - peat and re - peat:

Th

From WaIt Disney's Pete's Dragon

Words and Music by AL KASHA


and ]OEL HIRSCHHORN

Smoothly

Am

['ll
[,ll

be
be

your can- dle


your can-dle

on the
on the

wa
wa

burn.

bright,

my

don't give up
soon you'll

know

you're

soul is

you have some-where

see a

to

lost
there

my Iove

'til

eY

r.

and drift - ing,


be - side you,

but the clouds are lift - ing,


Iet this can - dle guide you

turn.

gold - en stream of

for you will al-ways


-'ry wave iswarm and

ter,

ter,

1976 Walt Disnev Mtt<ic eonlp ,y, nc/ l,X/onr/erlrnd Music Company, lnc
,lil nights Reseived ui",t tv p",nrirri,in- - -

light.

CC7
A

cold andfriend-less tide

you

light-ed

found

I'll paint a ray

down.

by

has

Yo,

of hope a - round

r.

let the storm-y

dark-nex

cir-cling in the air

I'll

prayer.

this flame in - side

don't

be your can-dle

on tt

111

here's my hand so

ygu'll make it,

as sure as riv - ers

I'lI

flow,

nev-er let

take it,

look for

['il

reach-ing

me

nev -

er

I'll

let

nev-er let

out

to

From Walt Disney's The Fox And The Hound

Words by STAN

Music by RICHARD IOHNS


C

When you're the

best

hap

of

'pv

you're not
Nei - ther

friends

hav - ing

game,

you could clown

e-ven
one of

you

waresees

you're

your

such

nat - urtl

1977 Walt Disney Music Company and Wonderland Music Company, lnc

fun
bound

so

much fun to - gr
a - round for -

113

Dm7

tf on-Iy

the world would-n't

get

in

G9

if on-ly

the way, _

Em7

A9

Em7

peo-plewould

They'll say you're


r

. 8.--

r-l-------

A9

just let you play.


f-3--1

Dm7
--3------

o-

F;m7

-r-:-l--l
both be -

Bm7b5

ing

E7

you're break-ing

fools,

BmilE

E7

all

the

Am

rules.

-l'-"--,

r--,?-------

Ffm7b5

F7

They can't un-der - stand _

yourmag - ic

G9

When

you're

the

best

won - der-land.

DmTlC

of

friends,

shar- ing

tl4

dis - cov

hope

it

nev - er

when

these mo-ments have

passed-

will

tha

i.'i-r'.i"'r

:.-

A,r:a .l ;t.-

.f .1'.

it.ii_.

.t..t

L".:,:

ai,ri-.

From Walt Disney's The Little Mennaid

Lvrics bv HOWARD ASHMAN


' rrusic by ALAN MENKEN

I wan-na be-

see

tem

dan -

cin',

peo-ple

where the

round- on those,

walk - in'

wan-na see-

are.

what - d

ya

wan-na

tem,

call

F/A

C7

Flip-pin'your fins- You don't

O I988 Walt Disney Music Company and Wonderlnd Music Company, lnc
.ll Riphls Reservt:d U>ed bt Perrt..inn

get too

far.

oh

3 -----1

rStroll-in'

a-

long- down the,

what's that

word

a- gain.

,-1.----,

,-

Up

3 --.-...-l

walk,

where they

up where

-4-----
all

day- in the

Wan-der

sun.

they

run,

up where they

_-J--"-,

r-34,

,-3-------

stay

,-3-'-"-,

.-3-------1,

-4------

P-t-----t
part of

in'

f-

-=--l------

f.-....-.?-------

What

would I

r...-.?-------

give

if

I --'-1

,-3.-._could

--3--------

that

117

T-,----_-l

,-3---.---

would I

to spend

What

r.-.........-.?------

F1

r.-.?-----

,-,9.--..warm on

l --..--l

,-3-----'-

,-

,-3-------

,-t-----

Bb

the

<>
sand.

Bet

- cha

on

they

land

r-r------_r

ATsus

Dm

A7

re - pri - mand- their daugh

Dm/C

Bet they don't

stand.

,-3-'----1

F/G

,-l------

Gr-Jn

F/G

Bright young wom-en,

ters.

un - der

sick

of

swim-min',

read

-y

r-

EimajT

stand.

B|IC

Bb/C

F/A

And read-y

to

know- what the

peo

-ple

know.-

to

t ----1

118

Ask tem

my ques - tions

and get some an - swers.

Whatrs a fire,

and

why does

it, what's the worl

When's-

it my

turn?

.-3---,

-----1,

f_3

Would-

n't

love to

,-3---"-1,

,-

f-3,4

-4-----
plore that shore up

out of

the

,-,?------1,

-4-----

,-,?-------r,r----

Wish I

could

ri--4-------.,

part of

that

world.

,-3-------

\=---//

<>
sea.

ex

---------t,

119

,;,'

:t

1.. .,:

l: ,,;' 1;:l

l;

From Walt Disney's The Little Mermaid


Lyrics by Howard Ashman
lvlusic by Alan Menken

Look at this stuff.

Isn't it neat?
Wouldn't you think my collection,s complete?
Wouldn't you think I'm the girl, the girl who has ev,rything.
Look at this trove, treasures untold.
How many wonders can one cavern hold?
Looking around here you'd think, sure, she,s got ev,rything.
I've got gadgets and gizmos aplenty.
I've got whozits and whatzits galore.
You want thingamabobs, I've got twenty.
But who cares?
No big deal. I want more.
I wanna be where the people are.
I wanna see wanna see 'em dancin',
Walkin'around on those, whatdya call ,em, oh feet.
Flippin'your fins you don't get too far.
Legs are required for jumpin', dancin,.
Strollin'along down the, what's that word again, street.
up where they walk, up where they run, up where they stay all day in the sun.
Wanderin' free, wish I could be part of that world.
What would I give if I could live outta these waters.
What would I pay to spend a day warm on the sand.
Betcha on land they understand.
Bet they don't reprimand their daughters.
Bright young women, sick of swimmin,, ready to stand.
And ready to know what the people know.
Ask'em my questions and get some answers.
What's a fire and why does it, what,s the word, burn.
When's it my turn?
Wouldn't I love, love to explore that shore up above, out of the sea.
Wish I could be part of that world.
O_.1?8q W1lt Disney Music Company and Wonderland Music Company, Inc.

Al1 Rights Reserved Used by Permission

From Walt Disney's The Little Mennaid

Lyrics by HOWARD ASH


Music by ALAN MEN

Brightly
Bb

The sea Down here-

weed

all

is
al - ways green the fish is
hap -

er

ln

py

as

some -

bod

through

off

else - 's
waYes dey

lake.

on

roll.

is

'cause

a
big
they in

mis -

the

take.

bowl.

bout
the

gq
land

'

ing

up

ain't

hap

at
in

thr
thr

world
bowl

a is

round

You,

luck

Y,

Such won

One day-

der

right herethey in-

ful

when the

things

sur

boss

get

on
for

- round
hun -

the
a

o - cean
wors - er

floor.
fate.

you.

What more-

gry

guess who

un - der the

Un - der the

sea.

f Dar

luo

ts

gon'

lin'

it's

bod-y

bet - ter

beat

us,

down

fry- -

where it's

us

and

1)

wet-ter. Take_ it from


eat us in
fri - c -

Up- on

me.

We- what

see.

work- all day.

the

shore they

the

land folks loves_ to

cooh

OutUn

vo -

tin' full - time

trou-bles life_ is

in
der

to
the

the sun
the sea

they

we

the

float-in' un - der the


bub-bles un - der the

way.
hook.

While-

We-

we
got

de
no

t23

From Walt Disney's The Little Mermaid


Lyrics by Hou.ard Ashman
ll4usic by Alan Menken

The seaweed is always greener in somebody else's lake.


You dream about going uP there.
But that is a big mistake.
Just look at the world around you, right here on the ocean floor'
Such wonderful thlngs surround you.

What more is you lookin'for?


Under the sea, under the sea.
Darlin' it's better down where it's wetter.
Take

it from me.

Up on the shore theY work all daY.


Out in the sun they slave awaY.
While we devotin' full time to floatin' under the sea.
Down here all the fish is happy as off through the waves they ro11'
The fish on the land ain't haPPY.
They sad'cause they in the bowl.
But fish in the bowl is lucky, they in for a worser fate.
One day when the boss get hungry guess who gon' be on the plate'
Under the sea, under the sea.
Nobody beat us, fry us and eat us in fricassee.
We what the land folks loves to cook.
Under the sea we off the hook.
We got no troubles life is the bubbles under the sea.
Under the sea.
Since life is sweet here we got the beat here naturally.
Even the sturgeon an' the ray they get the urge 'n' start to play'
We got the spirit, you got to hear it under the sea.
The newt play the flute.
The carp play the harP.
The plaice play the bass.

And they soundin' sharP.


The bass play the brass.
The chub play the tub.
The fluke is the duke of soul.
The ray he can play.
The lings on the strings.
The trout rockin' out.
The blackfish she sings.
The smelt and the sprat they know where it's at.

An' oh, that blowfish blow.


Under the sea.
Under the sea.
When the sardine begin the beguine it's music to me.
What do they got, a lot of sand.
We got a hot crustacean band.
Each little clam here know how to iam here under the sea'
Each little strug here cuttin'a rug here under the sea.
Each little snail here know how to wail here.
That's why it's hotter under the water.
Ya we in luck here down in the muck here under the sea'
O 1988 Walt Disney lvlusic Company and Wonderland Music Company' Inc'
All Rights Reserved Used by Permission

ffi* ffiexr ffiaxmru&


From Walt Disney,s Beauty And The Beast

Lyrics by HOWARD ASH/

Music by ALAN ME\

1ee1 wart

Xn:';[

[:Hi;1l 'i,1-Y'^:dslli:,9-r:,i.

companv, rnc

125

Bm7
li - cious!

Af - ter all,-

Don't

Miss, this

is

be

Bbgf

11

- lieve me? Asfr

the dish

And a

din-ner here-

neY

er

sec-ond

t26

: .:

.:
From Walt Disney's Beauty And The Beast
Lydcs by Howard Ashman
Music by Alan Menken

Lumiere:

Ma chere Mademoiselle,
It is with deepest pride and greatest pleasure that we welcome you tonight.
And now, we invite you to relax.
Let us pull up a chair as the dining room proudly presents your dinnerl
Be our guestl
Be our guestl

Put our service to the test.


Tie your napkin'round your neck, cherie,
And we provide the rest.
Soup du jour!
Hot hors d'oeuvres!

Why, we only live to serve.


Try the grey stuff, it's delicious!

Don't believe me?


Ask the dishesl
They can singl
They can dancel
After all, Miss, this is Francel
And a dinner here is never second best.
Go on, unfold your menu,
Take a glance,

And then you'll be our guest,


Oui, our guestl
Be our guest!
Beef ragout!

Cheese soufflel
Pie and pudding "en flambel"
We'll prepare and serve with flair
A culinary cabaretl

You're alone and you're scared


But the banquet's al1 prepared
No one's gloomy or complaining
While the flatware's entertaining.
We tell jokes.
I do tricks with my fellow candlesticks.
Mugs:

And it's all in perfect taste.


That you can bet!

AIl:

Come on and lift your glass


You've won your own free pass
To be our guest!

Lumeniere:

If you're stressed,
It's fine dining we suggest.

All:

Be our guestl
Be our guestl
Be

Lumeniere:

our guest!

Life is so unnerving for a servant who's not serving.


He's not whole without a soul to wait upon.
Ah, those good old days when we were useful.
Suddenly, those good old days are gone.

127

Ten years, we've been rusting,


Needing so much more
- than dusting.
Needing exercise, a chance to use our skills.

Most days, we just lay around the castle.


Flabby, fat andlazy.
You walked in and oops-a-daisy.
Mrs. Potts:

It's a guest!
It's a guestl
Sakes alive,

Well, I'll be blessed!


Wine's been poured and thank the Lord
I've had the napkins freshly pressed.
With dessert she'll want tea.

And my dear, that's fine with me.


While the cups do their soft shoeing,
I'll be bubbling!
I'11be brewing!
I'11

get warm, piping hotl

Heaven's sakes!
Is that a spot?

Clean it up!
We want the company impressedl
We've got a lot to do.
Is it one lump or two
For you, our guest?

Chorus:

She's our guestl

Mrs. Potts:

She's our guest!

Chorus:

She's our guest!


Be our guest!
Be our guestl

Our command is your request.


It's ten years since we had anybody here,
And we're obsessed.

With your meal


With your ease,
Yes, indeed,
We aim to please.

While the candlelight's still glowing


Let us help you,
We'Il keep going.
Course by course,
One by one!

'Til you shout,


"Enough. I'm done!"
Then we'Il sing you off to sleep as you digest.
Tonight you'Il prop your feet up!
But for now, let's eat up!
Be our guest!
Be our guest!

Be our guestl
Please, be our guestl
O 1991 Walt Disney Music Company and Wonderland Music Company, Inc
A1l Rights Reserved Used by Permission

Beauty And The Beast


From Walt Disney's Beauty And The Beast

Lyrics by HOWARD ASHM


Music by ALAN MENK

O 1991 Walt Disney Music Company and Wonderland Music Company, Inc
Di^L+- D^.^",,^l

L., D^-*i--:^^

129

Eb(add9)

Pared.

the

same.

nei - ther one Pre

Ev - er just

Beau - ty

Ev -

and

the

er as be '

Beast.

fore,

eY - er

just

as

130

as the sun will

Tune as

strange,

find - ing

you can

Tale as old

rrse.

change,

old

Bit-ter-

as

learn - ing you

were

wrong.

as

srfleet e.m

131

Tale as old

as

song as old as rhyme.

Beau-ty and

poco

)I

F(add9)

),u,,,

rhyme. Beau-ty and the

rit.

the

Beauty And The Beast


From Walt Disney's Beauty And The Beast
Lyrics by Howard Ashman
Music by Alan Menken

Tale as old as time,


True as it can be.
Barely even friends,
Then somebody bends

Unexpectedly.
Just a

little change.

Small to say the least.

Both a little scared,


Neither one prepared.
Beauty and the Beast.
Ever just the same.
Ever a surprise.
Ever as before,
Ever just as sure
As the sun will rise.
Tale as old as time.
Tune as old as song.
Bittersweet and strange,
Finding you can change,
Learning you were wrong.
Certain as the sun

Rising in the East.


Tale as old as time,
Song as old as rhyme.

Beauty and the Beast.


Tale as old as time,
Song as old as rhyme.

Beau and the Beast.


@_

1991 Walt Disney Music Company and Wonderland Music

All Rights Reseved Used by Permission

Compan Inc

From Walt Disney's Aladdin

Lyrics by HOWARD ASHMAN


Music by ALAN MENKEN

Bright two-beat
GENIE:

Well

A - li

Ba

- ba had them for-ty thieves.

Sche-her- a

A7

But,

you

mas - ter,

za- de had

a thou-sand

tales.-

Dm

up your

in

sleeves-

you

got

A1

rand of mag - ic ney - er

You got

fails.

some

O Igq2 WdJl Diine) Mu5i( Compan

nd Worderlnd

Muiir ConpJn\.

n(

your

134

cor-

ner

now,

some heaY - y

pt - zazz,

And I'll

say

am - mu

- ni - tion in

hoo and

Mis-ter

See,

A -

your

all

camp.

you

#.

got -

You got sor

ta do is rub that

will your

Iad-din

lan

plea-sure

You ain't

135

A1*5

neY -

er had a friend like

Fm6/C

- tau - rant

mai -

you want.

Yes,

slr,

pride our-

selves

You ain't

ser - Ytce.

Ct - mon

tre

nev

Youtre

- er had a friend like

the

boss,

the

king, the

shah.-

136

yours! True dish-

what you

of

col-umn

you,

dude,

the mood-

col-umn

\v/

you ain't

how 'bout t

a friend like

me.

to

137

ri::r',ti::1.:,:-:l

: :Ll: j,r,:l

From Walt Disney's Aladdin


Lyrics by Howard Ashman
Music by Alan Menken

Genie:

Well, AIi Baba had them forty thieves.


Scheherazade had a thousand tales.
But, master, you in luck'cause up your sleeves
You got a brand of magic never fails.
You got some power in your corner now,
Some hear,y ammunition in your camp.
You got some punch, pizazz, yahoo and how.
See, all you gotta do is rub that lamp.
And I'll say, Mister Aladdin, sir,
What will your pleasure be?
Let me take your order, jot it down.
You ain't never had a friend like me. No no no.
Life is your restaurant and I'm your maitre d'.
C'mon whisper what it is you want.
You ain't never had a friend like me.
Yes sir, we pride ourselves on service.
You're the boss, the king, the shah.
Say what you wish. It's yoursl
True dish, how'bout a little more baklava?
Have some of column "A".
Try all of column "8".
I'm in the mood to help you, dude,
You ain't never had a friend like me.
Wa-ah-ah. Oh my.
Wa-ah-ah. No no.
Wah-ah-ah. Na na na.
Can your friends do this?
Can your friends do that?
Can your friends pull this out their little hat?
Can your friends go poofl
(Spoken:) Well, looky here.
Can your friends go abracadabra,
Let 'er rip and then make the sucker disappear?
So doncha sit there slack jawed, buggy eyed.
I'm here to answer all your midday prayers.
You got me bonafide certified.
You got a genie for your charg d'affaires.
I got a powerful urge to help you out.
So whatcha wish I really want to know.
You got a list that's three miles long, no doubt.
Well, all you gotta do is rub like so. And oh.
Mister Aladdin, sir, have a wish or two or three.
I'm on the job, you big nabob.
You ain't never had a friend, never had a friend,
You ain't never had a friend, never had a friend.
You ain't never had a friend like me.
Wa-ah-ah. Wa-ah-ah.
You ain't never had a friend like me. Ha!

O 1992 Walt Disnel, Music Company and Wonderland Music Company, Inc.
All Rights Reserved Used by Permission

r.38

A Whole New World


From Walt Disnev's Aladdin

Music by ALAN ME\rJ

Lyrics by TlNl Ril

Sweetly

can

heart-

O 1992 Wonderland Music Company, lnc. and Walt Disney Music Company

pen your

139

F*7tA#

take

you

won -

won - der by

mag - ic

car -

new

o -

der

ver, side

pet

fan -

or

tas-tic

where

whole

ways and

GlA IASMINE:
say we're

on

ly dream -

ing.

DID
f-

a daz - zling

place I

knew.

But
-o

A7sus

A7

when I'm

A Whole New World


From Walt Disney's Aladdin
Music by Alan Menken
Lyrics by Tim Rice

Aladdin:

Jasmine:
Aladdin:
Jasmine:
Aladdin:
Jasmine:
Aladdin:
Jasmine:
Aladdin:
Jasmine:
Aladdin:
Jasmine:
Both:
Aladdin:
Jasmine:
Aladdin:
Jasmine:
Aladdin:
Jasmine:
Both:

I can show you the world,


Shining, shimmering, splendid.
Tell me princess, now
When did you last let your heart decide?
I can open your eyes
Take you wonder by wonder
Over, sideways and under on a magic carpet ride.
A whole new world,
A new fantastic point of view.
No one to tell us no or where to go
Or say we're only dreaming.
A whole new world,
A dazzling place I never knew.
But when I'm way up here it's crystal clear
That now I'm in a whole new world with you.
Now I'm in a whole new world with you.
Unbelievable sights, indescribable feeling.
Soaring, tumbling, free-wheeling
Through an endless diamond sky.
A whole new world,
Don't you dare close your eyes.
A hundred thousand things to see.
Hold your breath, it gets better.
I'm like a shooting star I've come so far
I can't go back to where I used to be.
A whole new world.
Every turn a surprise.
With new horizons to pursue.
Ev'ry moment red-letter.
I'll chase them an),where. There's time to spare.
Let me share this whole new world with vou.
A whole new world,
A whole new world,
That's where we'llbe.
That's where we'll be.
A thrilling chase
A wond'rous place
For you and me.

O 1992 Wonderland Music Company, Inc. and Walt Disney Music Company
All Rights Reserved Used by Permission

Hakuna kfataffm
From Walt Disney Pictures' The Lion King

{
Lyrics by
----

-3

r--i

-J

Timon:
Ha

what a won-der-f'ul

ta...

l-l

---

Tl\r :

-J

BouncShuffle(', ..

\.

G'7

O 1 99.1 \\1onderlancl Music Company, lnc


\ I R;1.' Rn.ened L .eJ hr P^ n .-i,,r

-=----

Timon & Pumbaa:

Timon: Ha

ku

na

ma - ta - ta.-

no chord

a young

moving

along

wart

Pumbaa: When

hog...

dramaticallv

Timon: Very nice. Pumbaa: Thanks.

Timon:

He

found

his

young

wart

ro - ma lacked

145

ap

peal.

He could clear the sa van

Puntbaa:

nah af - ter

Itm

though I

nev - er stood

GTsus

'*I
{nd.

Timon:
oh-

the

shame!

0 tttnpo

He

l:r_

Pumbaa:

shamed! Thought

of

chang - in'

my

Timon:

...ev

- 'ry time that I...

Pumbaa:

Hey, Pumbaa, not in.front of the kids.

Oh, sort1.

/:\

what

J---

won-der-ful
r-3

Timon & Pumbaa:

Simba:

rest

of your

days.

It

means

Timon &

Timon:

Yec, .szg

it

Simba: [t's

kitl!

i
ii

CG

o -

prob-lem-free

Timon & Simba:

Ha-ku

phy.

our

Hakuna Matata
From WaIt Disney Pictures' The Lion King
Music by Elton John
Lyrics by Tim Rice

Timon:
Pumbaa:

Timon:
Timon & Pumbaa:
Timon:
Pumbaa:

Timon:
Pumbaa:

Timon:
Pumbaa:

Hakuna matata...what a wonderfui phrasel


Hakuna matata...ain't no passing craze.
It means no worries for the rest of your days.
It's our problem-free philosophy.
Hakuna matata.
Why, when he was a young warthog...

When I was a young warthogl


(Spoken:) Very nice.
(Spoken:) Thanks.
He found his aroma lacked a certain appeal.
He could clear the savannah after ev'ry meall
I'm a sensitive soul, though I seem thick-skinned.
And it hurt that my friends never stood downwind!
And, oh, the shamel

Timon:

He was ashamedl

Pumbaa:

Thought of changin' my name!


Oh, what's in a name?
And I got downhearted...
How did you feel?
...ev'ry time that I...

Timon:
Pumbaa:

Timon:
Pumbaa:

Timon:
Pumbaa:

Timon & Pumbaa:


Simba:

Timon:
Timon & Simba:
Pumbaa:

Timon & Simba:


All:
Timon:
Alt:
Timon:
Pumbaa:

Timon:
Pumbaa:

Timon:

(Spoken:) Hey, Pumbaa, not in front of the kicls.


(Spoken:) Oh, sorry.
Hakuna matata...what a wonderful phrase.

Hakuna matata...ain't no passing craze.


It means no worries for the rest of your days.
(Spoken:) Yeah, 5ing it kid!
It's our problem-free
Philosophy.
Hakuna matata.
Hakuna matata. Hakuna matata. Hakuna matata.
Hakuna matata. Hakuna matata. Hakuna matata.
Hakuna matata. Hakuna...
It means no worries for the rest of your days.
It's our problem-free philosophy.
Hakuna matata.
Hakuna matata. Hakuna matata.
Hakuna matata.
Hakuna matata. Hakuna matata.
Hakuna matata. Hakuna matata.
Hakuna matata. Hakuna matata.

O 1994 Wonderland Music Company, Inc


A11 Rights Reserved Used by Permission

From Walt Disney Pictures' The Lion King

Music by ELTON iOHN


Lyrics by TIM RICE
Cm/Bb

From the

blink
some

irg,
of

step
us

on the plan
by the way

we ar rrve

day

of

Some

in
soar

us fall

to
to

the
the

et
side,

sun. _
stars.

there's

And

ntore
.i-)lne

to
of

be
us

seen

than

can

through our

sail

ev-er
trou -

O 1 994 Wonder nd 1usic Conrplny, l(:

\l kigh - i".er-,r

l'.*,1 br P n.'.i,,.

more
bles.

to
and

than can ev
have to live

Some say, ttEat


much

all
sun

are

roll -

ing

er

t)

be

with the

There's

or be eat
to take in

as

they

through the

-ioin the stam sap - phi - re

nede.

sky

keeps

great

Some

s2Y,

more

to

you should
and

er
on

take
the

more
end

in
in

than you

less

It's the band

the
the

cle of
cle of

t52

find

Bbrp

D.S. al Coda

CODA

EbIBb

cle of life.-

.,,,

,,.1:,

ii :, :.

From Walt Disney Pictures' The Lion King

Music by ELTON

JO'

Lyrics by TIM R r:
Bb/D

F/A

Bb CrnT BblD

Bb/n

There's
There's

a calm_ sur-ren - der


a time_ for ev-'ry-one,

the heat_ of the roll-ing world_ can beturned-a-way._


that the twist - ing ka - lei - do - scope moves us all-in
turn.
-

when

O 199'1 Wonderland Music Company, lnc


\l' Righ'- Re.er ed Le6 fr1 p- n ssie

to

if

the rush- of day,on - ly learn -

they

An en- chant - ed mo-ment,


There's a rhyme- and rea - son

155

and it
to the

just
beats

sees

wild -

me
out

through.
doors _

with
with

you.

--

yours.

ethe

And

poco cresc.

can

this
- for
of this
-

- less war-rior

nough

rest

heart

star-crossed voy - ag - er

you

feel

ls6

wan-der - er

to - night,

how

it's

rest?-

laid

=--

157

F,b/86

Cm

kings- and-

vag-a-bonds_

be-lieve

Bb/D

ver

Cmeprru

ffitr Kam W&md

From Walt Disney's Pocahontas

Moderately
pb taag.l

Bb

mf
)n

EbmajT

Dm7

Gm

EbmajTE

F9

You

think you own


think the on

the
are the

earth
peo

is

just a dead thing you can claim;


- who look and think like Jor,

ple

O I995 Wonderland Music Company, Inc. and Walt Disney Music Company
All Rights Reserved Used by Permission

- ev - er
-- what
ly peo-ple

land
who

159

know ev - 'rY rock and tree and


you walk the foot-stePs of a

name.

,.

has

crea - ture
strang - er

has a sPir -

life,

it, has

you'll learn

Have vou

things- you nev-er knew- you nev-er

.X

c*
ev - er heard the wolf crY

ot fI asked
let

to the blue

sing with all

the

voic -

es

the
the

grin-ning bob - cat why

of the moun -

ea

- gle tell

tain?

he

You where he's

Can you

Can you paint with all_

wind?

run the hid-den pine_ trails of


rain-storm and the riv - er are

taste the sun-sweet ber - ries


her - on and the ot ter

come
the

v-

roll
we

in

all
are all _

the rich es
con nect - ed

the

the
m1

earth,

my friends;

+'
all

a-

to

each

round you,

oth -

er

once

nev er won-der what ther''rr

161

D.S. al Coda

Dm/A

F(add9)/A

cir -

cle

in a hoop

that

er-

llave you

ends.

CODA

o
wind?

Abmajg

_J__r

---/
cut it

down

then you'll

nev

er

And you'll

know.

wheth - er we are white

Lt

ftnpo

paint with all

-+
'

the wind.

the

You

can

own the earth_ and

Freely
Ebmajg

own is earth

Gm7

you can paint with all

un

CmTlF

the col -

ors

of

the

,/

)
_a-.'

f
-_
I

rit.

(add9

From Walt Disney's Toy Story

Music and Lyrics by


RANDY NEWMAN

-3 -

Easyshuffle(,,..r)\
Eb
GTID

Ebdim/Bb

a friend
a friend

You've got
You've got

F,bIBb

AdimT

You've
You've

When

You

the
got

road

trou -

looks
bles,

got a friend
got a friend

then

in
in

Eb

in
in

rough a
got 'em

O 199-5 Wlt Disn--y Music Company


D. m..ior

\ll R rl. Ro.' 'ed I .u .)

Bb7

and you're

miles

miles

n't - an

If

you just re - mem-ber what your


we stick to - geth - er we can

old pal
see it

Yeah, you've
Yeah, you've -_

gof
got

you've
you've

said.

through, -

a
a

friend
friend

me.
me.

Ebdim/Bb

got
got

a friend
a friend

in
in

^p-

Gb (add2)

un - wind

Bb/D

165

F.bmaj7

-l

Now, some oth-er folks might

be

Iit - tle

hit smart-er than

am.

big - ger and strong

- er

But none of them

too.

Bbl

FdimT

love

you the

way

and

do,

you,

Ab

Bb7#s

boy.

AdimT

-J..._

And as

the years

go

our

bY,

friend'-

ship will
l._

nev

die.

F,bIBb

G7IB

You're gon - na

You've

got a

You've

friend in

You've got

EblBb

Ebdim/Bb

got a

friend in

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#ae&*ms&ru

:-':'rnl Walt Disney's The Hunchback Of Notre Dame

Music by ALAN MENKEN


Lyrics by STEPHEN SCHWARTZ
Eb (add9)

BbmajT/D

the
for

out
noth

casts

hun

gry

ing,

can

the mer
soman-v

Show

But

find
y

on

earth.

than

I.

The lost
God

and

help

O 1996 Wonderland Music Conrpany, lnc. and \'/alt Disnev Music Comrany
All RiHhts Reserved Llsed by Permission

cy

for - got - ten,


the out - casts,

they
the

r68

You
down

God
T

help
thought

the
we

out

casts

all

were

F7b9

I don't

G od.

why

some are blessed, some

know

Why the few You seem

to

BbID

Cm7

Eb 1add9]

they

fear

flee

trsr

us,

Dm

Gsus

not

try

to

the tat - tered, the

seek -

torn,

r
G/B
the

lr'ere

born.

Am

ing

170

for

C/G

tune

have

blown

CmajllG

Fm6 CIE
poor

'------:
odd:

and

CmajT

were

the chil -

dren

of

God.

F/C

Dm

{r q*fl e1g: tfu * *aa&e ms&s


(As Performed by Bette Midler)
From Walt Disney's The Hunchback Of liotre Dame
Music bv Alan Menken
Lyrics bi Stephen Schwartz

I don't know if You can hear me or if you,re even there.


I don't know if You will listen to a humble prayer.
They tell me I am just an outcast;
I shouldn't speak to you.
Still I see Your face and wonder:
Were You once an outcast too?

God help the outcasts hungry from birth.


Show them the mercy they don,t find on earth.
The lost and forgotten, they look to you still.
God help the outcasts or nobody will.
I ask for nothing, I can get by.

But I know so many less lucky than I.


God help the outcasts, the poor and downtrod.
I thought we all were the children of God.
I don't know if there's a reason why some are blessed, some not.
Why the few You seem to favor, they fear us,
Flee us, try not to see us.
God help the outcasts, the tattered, the torn,
Seeking an answer to why they were born.
Winds of misfortune have blown them about.
You made the outcasts; don,t cast them out.
The poor and unlucky, the weak and the odd;
I thought we all were the children of God.
O 1996 Wonderland Music Colpany, Inc. ancl Walt Disney Music Company

All Rights Reserved Used by pemission

t72

Someday
From Walt Disney's The Hunchback Of Notre Dame

Music by ALAN MENK:'


Lyrics by STEPHEN SCHWAR Gently
Ab

Dbm6lAb

+
when we

are

wis

when the world's old

r
B bm71add4

Eb

sus

Ebl

Bbm

O 1996 Wonderland Music Company, Inc. and Walt Disney Music Company
All Rights Reserved Used by Penrission

Fm

when we harr

Db(add2)

Bbm(add2)/Db

AbIC

BbmT

EbIG

B b m7(add4)

Eb'7/G

this bright mil

Db6tAb

174

Bbm6/F Fm

Bbm

F,bTIDb Db

Eb6 Eb

come some

Ab

day.

Broadly
Bb

our fight

will

be

we'll stand

Cm1/(add4)

the

on

we'll

days when

the

sun

hang

Slower

Cm Bb/D

Eb6

Eb6R EbE EbmailtF F7

Ebm6/Bb

tt.
day

,
a.
I

II
-.'t
/ -/'

.A-.

soon.

rit.

I
176

,l'u

i,:i,r.

rX ''i'X

"- *,,* c-r'1

From Walt Disney Pictures' Hercules

Music by ALAN MENK


Lyrics by DAVID ZIPF
Driving 4
G

G/B

there-

awe-some ten

Folks lined

for

up

he goes a-gain.

just

Sweet

to watch him flex,

and un - de - feat - ed and

an

this per-fect pack-age packed

C#dim

pair of per-fect

pecs.

llerc-ie, he

comes,_ he

sees,

he con

- quers.

O 1997 Wonderland Music Company, lnc. and Walt Disney Music Company
Aii Rights Reserved Used by Permission

Hon-ey, the crowds-

were

gr

He showed

the mox

jor-

hunk.

brains and

\
/

ATtcf,

ze-ro

to

he

DTsus

Who put

the glad

Ze-ro

to

he

spunk,

178

Whose

dar- ing

Eb/Bb

FdimT

DllF#

t--//

GTIB

)-/
C

DTsus

Bb

DTsus

BIess

my

soul,

Herc

Cus2/E

feat

L:b I

was on a roll,

un

de

D]IFil

Rid -

ing

high, Spoken: and

the nic -

est

guy'

DTsus

He was

DTsus

a noth - irg,

ze - ro.

ze - ro.

Now he's

a hon -

cho,

r80

he -

He hit

ro.

the heights at

break

neck

t---/
G/B
From

ze -

ro to he

Cf

dim

C/D

Herc

ro.

G/B C C$dim

Am7

C/D

is

G/B

t-,/

!/

C#dim

From Walt Disney Pictures' Hercules


Music by Alan Menken
Lyrics by David Zippel

Muses:

my soul/ Herc was on a roll.


in ev'ry Greek opinion poll.
What a pro/ Herc could stop a show.
Point him at a monster and you're talkin' S.R.O.
He was a no one/ a zefo, zeto.
Now he's a honcho, he's a hero.
Here was a kid with his act down pat.
From zero to hero in no time flat.
Zero to hero, just like that.
When he smiled the girls went wild with oohs and ahs.
And they slapped his face on ev'ry vase.
On ev'ry vahse.
From appearance fees and royalties our Herc had cash to burn.
Now nouveau riche and famous he could tell vou
What's a Grecian urn.
Say amen there he goes again.
Sweet and undefeated and an awesome ten for ten.
Folks lined up iust to watch him flex.
And this perfect package packed a pair of perfect pecs.
Hercie, he comes, he sees, he conquers.
Honey, the crowds were going bonkers.
He showed the moxie, brains and spunk.
From zero to hero, a major hunk.
Zero to hero (Spoken:) ancl who'd athunk?
Who put the glad in gladiator? Hercules.
Whose daring deeds are great theater? Hercules.
Is he bold? No one braver.
Is he sweet? Our fav'rite flavor. Hercules.
Bless

Person of the week

Hercules. Hercules. Hercules. Hercules. Hercules.


Bless my soul, Herc was on a roll, undefeated.
Riding high (Spoken:) and the nicest guy.
Not conceited. He was a nothing, zero, zeto.
Now he's a honcho, he's a hero.
He hit the heights at breakneck speed.
From zero to hero. Herc is a hercl.
Now he's a hero. (Spoken:) Yes, indeed.
O 1997 Wonderland Music Company, Inc. and Walt Disney Music Company
AII Rights Reserved Used by Permission

From Walt Disney Pictures' Hercules

Music by ALAN MENKEN


Lyrics by DAVID ZIPPEL
Slowly

have

of un -

ten

dreamed

of

known

road

to

off
my

far

em - brace

place
fate,

GmajT

he road

ro's

wel-come

may

wan - der,

would be

it

rng
me

will

for me,
to you.

the crowds will


And athou - - sand

where

cheer years _

when thel'

would

be

I'll

be

Ffm
and a

voice

It might take

@ 1997

keeps
a

Bm

say -

ing this is

life,time.

butsome

where I'm meant to be.

how

Wonderland Music Company, lnc. and Walt Disney Music Company


All Rights Reserved Used by Permission

I'll

see

it through.-

And

there some - day.


won't Iook back.- -

can go
can go

the dis
the dis

I will
I'll

tance.
tance.

And

find

my

stay

on

way
track.- -

No, I

D(add9)/Ffr

-\

if

won't ac

I know ev
It's an up

can
be
strong.
cept-- de-,- feat.

'ry
hill

mile

will

be

but I

slope,

worth

D A/Cf Bm D/A

When I

go

dis - tance,

I'll

be

where I

right

':=---/=-.--

Down

an won't

lose

hope

my

r84

D A/Cfl Bm D/A
and my

dis - tance

nev

.iour

Is

com

plete.

oh,

CIF,

But

to look be

yond _ the glo

ry is

the

hard -

est

^ilt^
1 Da

E/G# Ff /A#

he -

ro's

strength _ is meas

ured

by

his

heart.

Emlb5lBb

D(add9)/Ff

shoot

Em/G

- ing

star

the dis

- tance.

I will search

.I

the

.t

D(add9)/Fil

will

face

- its

don't care

D A/Cf Bm D/A

find my

he-

ro's wel-come wait

E,IGi

how far

Ff/Af

can

go

the dis

- tance

r86

,,

|
,,.,, l: I tl : l, t,
il ll tt ,
'l'
' Performed by Michael Bolton)
(As
From Walt Disney Pictures' Hercules
,t

,1.

,r

,:,,:l

Music by Alan Menken


Lyrics by Davld Zippel

I have often dreamed of a far-off place


Where a hero's welcome would be waiting for me,
Where the crowds will cheer when they see my face,
And a voice keeps saying this is where I'm meant to be.
I'11be there someday.
I can go the distance.
I will find my way if I can be strong.
I know ev'ry mile will be worth my while.
When I go the distance, I'll be right where I belong.
Down an unknown road to embrace my fate,
Though that road may wander it will lead me to you.
And a thousand years would be worth the wait.
It might take a lifetime, but somehow I'11 see it through.
And I won't look back.
I can go the distance.
And I'[ stay on track.
No, I won't accept defeat.
It's an uphill slope, but I won't lose hope
Till I go the distance and my journey is complete.
Oh, yeah.
But to look beyond the glory is the hardest part,
For a hero's strength is measured by his heart.
Like a shooting star, I will go the distance.
I will search the world.
I will face its harms.
I don't care how far.
I can go the distance
Till I find my hero's welcome waiting in your arms.
I will search the wor1d.
I will face its harms
TiIl I find my hero's welcome waiting in your arms.
O 1997 Wonderland Music Company, Inc. and Walt Disney Music Company
All Rights Resewed Used by Permission

'Fh

E4X

.. r

#fe"q_
#3" s"#s-t*dh-
q"-q- %- g 1-F i

From Walt Disney pictures, Mulan

Music by MATTHEW WILDER


Lyrics by DAVTD ZlppEL

see

+
nw

C]

am._

but you'll nev - er know

me.

Eb'7

ll^l
e+4
o lqqs \ lt D ..c\ \4,r\:, ( ,,-pJr.)
A'l R:Bl-tr RP.e \-d t s-o ul pe.nr.>run

Ev

- 'ry

day

it's

Ab (add2.l

Now
But

I
some

see

mask

how

world

I
cuur
what's m,

-----

the world,
my heart

but
and

can -

be loved

not fool

for

who

my_
T

e
heart.
am.

is
is

Who
Who
(D.S.) Why

girl
girl
all

I
I
con -

see

lng
ing

straight
straight

ceal

we

think,

see

must

back
back
how

at
at
we

----.

me?
me?
feel?

that
that
we

Ab

E'IG FM7

When will
Why is
Must there

AbIEb

re re ase

my
my
be

flec
flec

who I

show

some -

me

one

['m

have to

hide

my

heart _

and

what I

am now

be - lieve

pre - tend
pre - tend

Must

won't

that
that

F.blG Fm7
for
for

all
all

When will
When will

time?

time.

some - one
some - one

I'm
I'm

my
my

AblBb

Dbmajb

DbmajT

re-flec
re-flec

tion
tion

Fm7

am?

there's

else
else

heart

that

To Coda {-

D.S. al Coda
(take 2nd ending)

CODA

Dbm6D

Fm7

side?

Fm/Eb

Dm7b.5

Eb/G

When will

Fm7

mv

AbIEb

t92

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:'}

From Walt Disney Pictures' TarzanrM

Words and Muslc


PHIL COLL

Moderately
B

sus2

B b sus2

Put your

faith in

what

you

Soft - ly tread the sand be

Trust
Trust

fam
fam

Two worlds,Two worlds,

most

low

heart,heart,-

let
let

OI
OI

fate
fate

Dm

guide
guide

:
\

E,bIF

we
we

A par-a - disethe shel

Be-neath

see.

O 1 998 Edgar Rice Burrcughs, lnc. and Walt Disney Music Conrpany
All Rights Reserved Used by Pernrission

touchol

of-

by
the

with-in this-

man
trees.

on - ly

A
A

simsim-

world blessed

high

Build high

with
ter

they live
they live

ple
ple

Raise your head up;

love can en

the

the

load.

walls,

love.
here.

in
in

peace.
peace.

Take strength-fromthose that need_

build-

strong

the

beams.

t94

life

tears.

Fm7

heart.

F,bIG

dream is

Fm/C

gone;

but where there's hope,

sus2

some - where, - some-thing is

(a2.)

196

B*

U 3

fttu

(Pop Version)
As Performed by Phil Collins
From Walt Disney Pictures' TarzanrM

Words and Music

Moderately

PHIL COLLIN

t-,'+f.)

Come stop your cry- ing; -

I will

be

here; don't you

it will be all

right.

cry.

Just take my hand,

For one

so

small

)'ou

Why can't they un- der-stand the

O 1 998 Edgar Rice Burroughs, lnc. and Walt Disney Mlrsic Conrpan)

c#rf"

hold

arms will

seem

My

way

They

just

don't

you;

trust

keep

what

you
they

c#ze#

safe

warm.
plain.

can't

This bond

know

be -

tween

us

we're dif - f'rent.

but

can't be bro
deep

in

- side _

I will

ken.
US

be

here;

don,t you _
at all. _

cry.

we're not that dif-fer-ent

And

rbrb

ys, you'll

'Cause

be

I
I

from this

To Coda

{fr

day

on_

r,btb

now

and

for - ev

CODA

what do
must _

they
be

We
It

know?
strong. _

need each

oth - er
may not be with you,

Absus2/F

have,

got

toto hold

hold._

on.

They'll

see

_ in

time,

to

but you've

200

to-geth - er,-'cause

clBb

you'll

my

heart.

I'll

be there

from

this day

on,

You'll

be

in

my

(You'll be

here

heart

in

my

heart.)

no

mat-ter

be with you.)

You'll be here

(I'll

be there.)

F(add2)

['ll be

with you.

*=t
*lT--t

I',ll

-ei(}

rT'-1

be

202

Iaj9

ways, and al

.Iust

ver your shoul-der.

look

Just

ver yourshoul-der.

Just

look

Yer your shoul-der;

look o -

When She Loved Me


From Walt Disney Pictures'
Toy Story 2-A Pixar Film

Music and Lyrics by


RANDY NEWMAN

Tenderly, very freely


F

F/A
A

Gm7

When

+ e -- -=-=

some

+
=

lI

bod -y loved me,

++'

r
I

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Emtb5
ev

-'ry-thing

was beau-ti -

hour

ful.

sad,

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we spent to -geth

GtlB

nb

\nd when she was

Alcfr

was

there

to dry her tears;

Emlb5 t

cfr

and when

she

1999 \Aia t Dlsncy M!sic Compan,v and Pirar Talking pictures


Administc.rerl bv Wall Disncv 1usic fionrpanv
All Rights Reservecl Usecl bv Pernr ssion

F(add2)/C

was hap -

py,

so

\tas

1-l-Tr
Cm/Bb

Through the sum-mer and the

we

was

meant to

be.

Bb

had each oth - er, that was all. Just

Gm7

it

FT1A

Andwhen

she

she

FIA

and I

Csus2

GllB

was

there

to - geth - er,

to

Iike

com-fort her, and I

Bbm6pb

So the years went by; I

clB Gdim/Bb FIA


she

be -

Lone - ly

gan

and

to

drift

stayed

the

Fm6/Ab

was

left

a-lone.

sriil

for the day

nev - er thought she,d look

my

waY,

and

she

me

+-'
and

held

she used

me

to

do,

like she loved

GllB
When some

pmtb5

'ry - thing was beau-ti - ful.

me,

F(add2)/C sb(az)

Alcfr

hour

bod-y loved

Csus2

we spent to-geth

when

my heart,

she

loved

=+eT-r===

ttl

=++T--==

ttl

From Walt Disnev Theatrical Production's Aida

Music by ELTON IOHN


Lyrics by TIM RICE

Moderately slow
C

(Male:)

tr

ord

or

two

G/C F/C

am here

E7 CfdirnT Ani

to tell_ vou

we can nev-er

and then

LE

life-time

of

not

Sim-ple real ly,

know-ing

where

or how

or why

or

when.

you

a
L-rlra

think of me

or

or speak of me

O l9()9

won-der what be-fell

the some-one you once loved

\,Vonclerlad Music Company, lnc., l-lappenst.ince Ltcl. arcl Evac1on I td


All Rights Rcserved Used ltl pernlssion

so

long

l0s

so

go,

(Female:) Nev-er
(Mole:) Noth-ing

well.

I'll

der what can be al

won -

feel

as

Oh, there is
tered. -.-

liv - ingnoth - ing

I
an

_-

shuf-fles

to

bY.

de - cide.

not re pl.
, place to hide.
-

to ask

You don't have

No

mo - ment of

need

(Female:) You are

me

no change of heart,

es - cape,

all

I'll

ev

my
er

fronl
hut

r
ETstrs Ellcf
+
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will think

Some-times in

or dream of you
my dark-est thoughts

and

to

un - der-stand
nev - er learned

love

be--

be

con found

ed

love

and have

that

oul
Iove

pay

per - fect
is to

of

- ing

_
turned.
hand.

re -

in the stars?-

l(otn")ts

Is that

for some crime?_

all

that we are good for,_

C/G

God's ex - per- i - ment_

Are

we

which

we

have

In which

no

we're giv - en par -

a - dise,

------

Dm7

for some crime?

ls

thaf

that

are

we

good

for,

just

stretch

of

mor - tal

this God,s

(Both:)Is

ex

per-i - ment-

(Male:)in

which

we have

no

say?

(Female:)Inwhich

we have_ no

which

we're giv - en par - a - dise


giv

----..,.--_

(Both:) for

--t---

G/C

F/C

Gh(add2)

Ab(add2)

Bb(add2)

T
212

My Funny Friend
And Me
From Walt Disney Pictures'
The Emperor's New Groove

Music

bry

Lyrics by ST
STINC and DAVID HARI

8.5/A

ln the qui

AIE

,fuddrl

et

time of

eye

- ning,

when the

stars

A(add2)

EmajT

and the

Dmaj13

day

has made his

DmajT

and we won-derjust what hap-pened

Bm7

Cf m7

be-fore the world changed, when nol

tr
@

as-sume th

2000 Wonderlnd Music Company, lnc


R'<l-t' Rcs*n FLI I -ed b) I'e m,..r,n

{ll

But you were kind

="?-tp=
l_1 t-]

and you re-mind-ed me_

there are oth - er things

that

that the world

mat

is not my

play_ ground;_

what is sim-ple needs pro

My il-lu-sions all

--?'
I J? v/ l.l -T T-l
-

DmajT

C#m7

Bm7 C#m7

Ff

m C#m7

F#m

----

-J
The on-ly world

kne w was up - side

and now the world and me

A(add2)

You see the pat-terns

Ff

in the

big

m7 E

will know you car - ried me. -

Dmaj7

those con stel-la-tions look

like you and

I.

Cfim7/E

Just like the pat-terns in the

big

Dfim7b5

we

could be lost; we

could

re

A/C#

Bm7 Ct'm7

-)fuse

to try.

But to haye made

it through _

in the dark
-l

who would those luck-y

of my fun-ny friend-

and

me.

-l

I'm not

as

clev-er

as

I thought I

not the boy

-l

T,T
I

t/

tlv

used to

216

A(add2)

D(add2)

Gf m7

you showed me some-thing dif-f'rent;

be - cause

you showed- me some-thing

pure.-

al-ways seemed so cer tain, but

was real

ly nev-er sure.

But you stayed,

and you

Bm7

called

Cf m7

my

name

when oth-ers would haye walked out on a lou

sy game.

r
A(add2)

And look who made it through

friend-and

you.

My Funny Friend and

h,{e

From Walt Disney Pictures, The Emperor,s New Groove


Lyrics by Sting
Mr,rsic by Sting and David Hartley

In the quiet time of evening,


When the stars assume their patterns
And the day has made his journey,
And we wonder just what happened
To the life we knew,
Before the world changed,
When not a thing I held was true.
But you were kind to me,
And you reminded me
That the world is not my playground;
There are other things that matter;
What is simple needs protecting.
My illusions all would shatter,
But you stayed in my corner.
The only world I knew was upside down,
And now the world and me will know you carried me.
You see the patterns in the big sky;
Those constellations look like you and I.
Just like the patterns in the big sky,
We could be lost; we could refuse to try.
But to have made it through in the dark night,
Who would those lucky guys turn out to be
But that unusual blend of my funny friend and me.
I'm not as clever as I thought I was.
I'm not the boy I used to be, because
You showed me something different;
You showed me something pure.
I always seemed so certain,
But I was really never sure.
But you stayed, and you called my name
When others would have walked out on a lousy game.
And look who made it through
But your funny friend and you.
You see the patterns in the big sky.
Those constellations look like you and I.
That tiny planet and the bigger guy.
I don't know whether I should laugh or cry.
Just like the patterns in the big sky,
We'll be together 'til the end of time.
Don't know the answer or the reason why.
We'll stick together 'til the day we die.
If I have to do this all a second time,
I won't complain or make a fuss.
Who would the angels send,
But that unlikely blend of these two funny friends?
That's us.
O 2000 Wonderland Music Company, Inc.
All Rights Reserved Used by permission

218

Where The Dreams


Takes You
From Walt Disney Pictures'
Atlantis: The Lost Empire

Lyrics by DIANE WARRE


Music by DIANE WARRE
and JAMES NEWTON HOWAR

Moderately
C

"!f

t)
=;

=.
)

they

will

say

a-'
you're

but thevwill nev-er

GTsus

+
un -der-stand,

tro,

the jour -

ney

you're

O 2001 Walt Disnev Music Company

\ll

Br. R^,.

\-o L-d

h, P.r ni..i,,r

on.

They'll

try

to

There's some-thing

t)l

=.

=o

they'll

but they

it's

will
the

try

to

be

nev - er

faith

to

un - der-

heart,
de

stand

And you

dream that keeps

So you

r\-,
t-=----;

Iieve

lieve

(still
(still

be be -

lieve),
lieve),

you know-

you

know)

you-(where

YOU

must

must

go)

where the

your dream takes your heart),wherethe

++
(Your dream

will lead you on.)

When

you fi -n'lly

find

you'll

that - place

?l

Bblc

GTsus

find

all-

you

need,

where

the

dream-

takes -

(Where the dream

dream

takes

you.

\-___r-

Go where your heart is meant to

you may find

(you may find) some

dream.

there

(some -

(Where

bod

your

there); some

one

dream takes your heart.)

to

Walt Disney Pictures Presents a


Pixar Animation Studios Film
Monsters, Inc.

Moderately (]-J =

Music and Lyrics br


RANDY NEWMA\

r-l

.\ )

Eb

Sulley:lf I were a rich-

man

with
3

77
I

nlf

++

lt)

O 2001

/alt Disney Music Company and Pixar Talking Pictures


All Rights Reserved Used by Permission

a milJion or

two

22s

pbe

A bo

- some,
(

ta)

Spoken: ) Mike

(lt coulcl lnppen,)

Sullet

l'{o v:a.v !

t-

'cau se dreams

-------1

ADm6

do come

++1

true.

2+

8vb

-)

would-n't

have

have

Would-n't

you.

.i

noth

in'

if

if

did-n't

noth - in'.
Mike (Spoken): Can I tell t,ou sontething?

-i

I did-n't

Mike: For years

have

226

your graceand

vied
SulLey (Spoken):

your

charm.

(You're green with it.)

r-j
loves

you.

you

Sal/eyr

-------

Yes, I

hr rr

-J---------

must

ad

-J

big

guy, you

al - ways come through.

I would-n't

have

BbTsus

noth-ing

.,

did-n't

you.

ll'

AbmajT

Both: You and me

DTsus

Gm7

to - geth-er,

that's how

r-J

it al - ways should

---l---r

be.

---------

-i

r-J
with-out

the

oth - er

don't

rmean

noth

ahf"s

3 ---------t

ing to

f----.-3 ------

h,

noth

-ing

to

me.

r-.--.-J ------

3 -----.---t

bo

r--l

Mike: Hey, I n-neyer told you this,

some-times I

r-J

get

Iit - tle

-31

228

Ebo

Abm6

blue

Sulley: Looks good on

Mike: bttt I would-n't have

)'ou.

BbTsus

F9

C7

noth-ing if

I did-n't

-l

,r

l{

,T-

',r

h aYe

\"4 t*bt

l=

ebo rJ -

ifr

would-n't knowwhereto
Mike: I know v;hat \'on mean, Sulley, becttu'9e...

-t-

go,

Stilley: would-n'f
Mke: Me too, because 1...

know

do.

Mike: Wht' do \ou keep singing my part'l

r__-?

___r abs

don't have to

say

,--3 ---t
it
I'll

Sulley:

Both: both know it,s

salt if anyv,ct.

'Cuuse v,e

r.-J ---r

,-3

--

Abm6

true.

-t

aL-

would-n't

noth-in'if

have

.,

did-n,r

would-n't

haye -

-l

Bb7sus.,
BbTsus

noth-in' if

I did-n't

have. _

I would-j,t

haye -

have

.,

Would-n't
J

have _

if

did-n't

you

WaIt Disney Pictures Presents A Pixar Animation Studios Film Monsters, Inc.
Music and Lyrics by Randy Newman

Sulley:

Mike:
Sulley:

Mike:
Sulley:

If I were a rich man with a million or two,


I'd live in a penthouse in a room with a view.
And if I were handsome,
(Spoken:) No woy!
(Spoken:) It could happen.
'Cause dreams do come true,

I wouldn't have nothin' if I didn't have you.


Wouldn't have nothin' if I didn't have,
Wouldn't have nothin' if I didn't have,
Wouldn't have nothin'.

Mike:

(Spoken:) Can I tell you something?


For years I have envied
(Spoken:) You're green with it.
Your grace and your charm.

Sulley:

Everyone loves you, you know.


Yes, I know, I know, I know.

Sulley:

Mike:
Both:

Mike:

But I must admit it, big guy, you always come through.
I wouldn't have nothing if I didn't have you.
You and me together, that's how it always should be.
One without the other don't mean nothing to me, nothing to me.
(Spoken:) Yeah, I wouldn't be nothin' if I didn't have you to serve.
I'm just a punky little eyeball and a funky optic nerve.
Hey,

never told yotr this.

Sometimes I get a little blue,


Sulley:

(Spoken:) Looks good on you.

Mike:

But I wouldn't have nothing if I didn't have you.

Sulley:

(Spoken:) Let's dance!


(Spoken:) Look, Ma, I'm dancing! Would you let me lead?
Look at that! It's true! Big guys are light on their feet.
Don't you dare dip me. Don't you dare dip me.
Don't you dare dip me. Ow! I should hcme stretched.

Mike:

wouldn't be nothin' if I didn't have you.

Sulley:

Yes, I

Mike:

(Spoken:)

Su1ley:

I wouldn't know where to go,


(Spoken:) Me too, because 1...
Wouldn't know what to do.
(Spoken:) Why do you keep singing my part?
I don't have to say it
(Spoken:) I'll say it anyway.
(Spoken:) 'Cause we...
...both know it's true.
I wouldn't have nothin' if I didn't have,
I wouldn't have nothin' if I didn't have,
I wouldn't have nothin' if I didn't have you.
Wouldn't have nothin' if I didn't have you.
(Spoken:) One more time. It worked!
Don't have to say it,
(Spoken:) Where'd everybody come from?
'Cause we both know it's true.

Mike:
Sulley:

Mike:
Both:
Sulley:

Mike:
Both:

Mike:
Sulley:
Mike:
Sulley:
Mike:
Both:
lvfike:
Su11er':

know what you mean, Sulley, because...

(Spoken:) Let's tske

it

home, big guy!

I wouldn't have nothin'


I wouldn't have nothin'
I wouldn't have nothin'
...you.You. You. A, E, I,
That means you. Yeah.

if I didn't have,
if I didn't have,
if I didn't have...
O,

, I - ', .,:.: llrirlev \fuslc Company and Pixar'lhlkjng


I . :- - :, ..:.::'. J L seai bV Permission

l']ictures

231

c*

Yg

TE

r&,v-a EaEa ffia*

cr

f}

Yto
q-{}&"rer
{{*
E

From Walt Disney's Lilo & Stitch

Words and Music by ALAN SILVESTR|


and MARK KEALI'l HO'OMALU

no

no-

Lead:

lin

A11.

On

ger

ing

gold-en sand
-

in

place
place

the o-

is

where

the
the

I'd rath - er
I'd rath - er

*Chorus: than
Chortts: than

cean blue. - Chorus: Lnd


I'd
lay, Chorus: and.

be be -

sun
sun

if
I
iflon

yond
yond

ght.

R".errrc I

.cd ur P,

had

my surf-board out
the sea-shore dry,

one

ly

ho
ho

O 2002 Walt Disney Musrc Company

lll

on
on

-.ru

wish

had

rl
n

come

my

at
wet,

sea,

free.

l'd
way All: l'd
true Lead:

zon.
zon.

Chonts:

A - wi - ki - wi - ki, mai - lo hi lo hi.


La -wemaii
- la - Ia i ka la ha - na-ha-na. Me_ ke kai
ho

- pa he -'e
i ka pu -'e

Chorus:La

ALI: Fly

All: It's

time

lng

by

to

try

on

the

war

wal

roll - er
roll - er

coast
coast

Lead:

A - wi' ki-wi - ki, mai- lo - hi-lo -

- we mai i ko pa
No wor-ry, no_ fear. Ain,t

hi.Chorus:La

All:Hang loose,- hang ten,howtsit shake- a-shak - a.

t:-_E
/l

To Coda

Pi' - i
Put-tin' in,

Lead:

na lu-lu Ia Ia-ha-la-ha.Chorus:O_ ka mo_a na ha - nu - pa-nu - pa.


cut-tin,
out. Front side. back side, goof-y-foot-edwipe out.
_

cut - tin'up, cut - tin'back,

+.e
Dl-D

t)-l

i ka la ha-na-ha na. Chortts;Me_ ke kai

Lead: La

ho - en

-e-

i ka pu-,e

Chorus: Ha - wai

Let's

go

jump -

in',

surf's

- up

and pump - in'.

with the mo

tion of the

one.

234

cad

Whirl -pools

- ing, swirl - ing.Chorus:Ha - wai - ian roll - er coast -

er

D.C. al Coda

CODA

Lead:

Lead:

La - la

He - le -

he

le mai ka -

kou

e.

Chorus: Ha -

wai - ian

'esa ru"*. E*e-*


(|im's Theme)
From Walt Disney's Treasure planet

Words and Music by


JOHN RZEZNIK

am

ques

do you think
see

the things

tion

you'dthey

to

the

not

an

to be
['m a
I can

an

Irm a boy?
AII you want

un - der
neY - er

^+1
,lf-r

or a moYou can't take


Now you know

do

think
learn
\ran[ lo tell
you
can you

-=-ment

that's

me
me

and
and

you,d _
what's _
.\'ou

ev-er
nev - er

who I

held

throw

I'm

IN

me

not

your arms.

And

a - wav.
a - fraid.

And
And

\.-i
say?

shown? _

am._

.0) \\ 1,J,. o. .rr-, , .- | .Ir.


\rlRc -R.., , {..j
r .-..rr.

I won't

lis

Yeah, you stand


Can you help

ten
here-

me_-

-v-

an
on your
be

236

.a

way.-

own. _
man?

You'll re - move

me

They don't know


They can't break

ffi,

'cause

me

AS

neY -

and

b"\:=

And

er be what you want

Irm
long as

_i
_f

And

want

mo

ment

_ to be real.,

not

me

here

know who I am.

want to touch things

to

can the world

They're the

I S,
II O ( F,'m7

To Coda
To Coda

( They don't knou'

tt ev can't see
( r',,' the one

fr,
fre,

'cause

now,

'cause

D.C. al Coda

(3rd Ending)

but

CODA

Irm

ones,

Ftm

see.

Yeah,

the world

keep on dream-ing for

is

words are just whis-pers and lies

CODA
D.S. al Coda

II

F#m7

['ll

nev - er be

Esus AID

. i,
From Walt Disney pictures, Brother Bear

Words and Music by


PHIL COLLINS

There
There

oh,

all

cause out

But

out

are

will

you'll

Iearn

this

.iour

in
you'll

there
there

some
some

where
where,

(O

2001 \,\/alt Disnev Music Conrpany.


R' .e ,, d I .e,l l,r ro n ,, on

\. Ri;n'.

it's
day

all
light

wait
finds

240

if
if

you
you

be
be

D/F#

watch-ing o -ver

you.

.Iust

take

through

my

A(add4)

DFfr
z----.

just

take

To Coda

look

$6

through

242

D.S. al Coda

look through

my

know there's a

bet -

ter place.) Just take

244

through

f'-------f

--f

-==----

look through my

Optional Ending
Repeat and Fade

-=--

.--

r'-)1-3

{, # &,,*
t, {-.}
I u.t,{1 ?"

,l

,[

,11
-

.:1'
t.!^

From Walt Disney,s Old yeller

Words by CIL CEORCE

Music by OLIVER WALLACE

Moderately bright
D

Yel
Yel

fan -

cy

an-y

do it
troub -Ie

free with
chase he

and
he

- ler
- ler

was
was

mon - grel,

hun - tern

- out a fam - 'ly


knew just how to

prove there's noth- ing

al - ways found it

eared
tear - int
lop -

mon - grel;
hun - ter;

in

\------tree.

to

But he could up and


And when he hunt - ed

it,

dou - ble,

and that's
and that's

O lq5- \\.rlt Disne Mu,ie Curilpan


Di-1,- ^o^q:

ol' f:n",l"d-

how

when old

good

Yel

dog should

Ier

had

\----//
be!

YeI-ler,

come back, Yel-ler!

dog-gone

dog

in

the

\-=--//
West!-

wiii---

Yel - ler was


Yel - ler's just

fight - er.
pup

py.

In
an - y scrap he
[t's plain to see he

knew

just what

has a

root - in' toot - in'

a
a

fight - er,

to

do. _

tree.

The

fam - 'ly

PUP.

PY,

a
a

lit - tle lop- earer

rough and
im -

heart
good

read -

age of

y
his

fel - low,
PaP' PY'

al - though his coat was


he's fris - ky and he's

was true blue.


pup should be.

yel - low,
hap

py,

Yel - Ier,

his
and

bold
that's

come back,

\-----//
West!

<><>
\-----/-/

dog-gone dog

in

Tex

the

w-

r>

\ ------

.g'
_-/

how

as

Yeller!

From Walt Disney's The Parent Trap

Words and Music by RICHARD M. SHERMI


and ROBERT B. SHRMI

Moderate Rock tempo


C

Let's get

bine?share.

|
I

to - geth

Yea,

er.

Let's get

yea,

to - geth-er.

'

yea!

I What do you say?-

t Ev - 'ry d"y,-

We'd be
And tho'

1960 Wonderland Music Company, lnc


Copyright Renewed

I
I

Why don't you and I com


that we could

ttrint ot all

We couldhave a swing-in'
eY -'ry way and ev -'ry

219

to - geth-er.
to - geth-er.

think

you're

swell

huh,

we real - ly

ring

G7
and if

you

stick with

the

Dm7

G7

Noth-in'could be great-er.

Dm7

Suy,

hey, al - li

- ga -

tor!

Let's get to-geth-er.

Two is twice as nice as

Yea, yea

Let's get to-geth-er.

and you can

be.

We'lI be hav-in' twice the

[,

count

to -

geth-er.

Yea, yea

grooY - y

Castle trn Spain


From Walt Disney's Babes In Toyland

Words by MEL LEVEN

Music by CEORCE BRUNS

TanBo rhythm

cas - tle
in
mort-gage and
you must a

our

liv
re
makes

ing rent
val-u
your head

free.

Spain
lease-

gree_

you'll
I
that

Ev And
to

ate.

whirl

O 1961 Walt Disney Music Company


Copyright Reneu,ed

be

will

it

'ry
for
be

rate.

From
You'll

girl.

You

me._

tune will
in on the
what do you

grow
take
say

noth

eat
have

- ing but
me to -

caught

cake

day

eY - 'ry
you'll drink
ina

for -

vil - lage be - low-

this

cent we will

drain.

naught but cham- pagne.


gen - er - ous vein.

in our
in our
to our

cas
cas
cas

tle
tle

tle

tn

ln
ln

Spain.
Spain.

And
You'Il

our

Come

now

be

'.r

il.

From Walt Disney's Newsies

O 1992 Wonderland Music Compay, lnc

All

p|.

R,

I .e h\ Por-,,--i^^

Friends of the friend O - pen the gates

Raise up
Don't be

less

and

the torch and


a - fraid and

(Friends of the friend (O - pen the gates

serze
setze

the way.
de - lav.

(Raise up the torch


(Don't be a-fraid

and

serze
selze

the day.)
the day.)

and
and

light
don't

the way.)

less,

de - lay.)

Neigh- bor

to

neigh

fa - ther

--

ToCoda

CODA
D.S. al Coda

Oc

From Walt Disney's


Dat y Crockett

Words by TOM BLACKBURI


Music by CEORCE BRUN
Moderately
F

Ten - nes - see,


L. Born on a moun-tain top in
up - rose,
teen the Creeks
2. eigh - teen - thir
3. Otr through the woods - he's a marchint a - Iong,

green

est

addin' redskin

makin'

up

state

in

arrows to
yarns an'

4. - 17. (See additional lyrics)

of the free,
tryts-

int a

he was

off
twict

woes.
song,

kilt him a b'ar


raised in the woods so's he knew ev -'ry tree,
is some - thin' he knows, so he should'ers his rifle
Now, In - jun fightin'
an' right - in' a wrong, he's rinry as a b'ar
itch - in' fer fightin'

- ly
he-

three.

Da

goes.

as

strong.

Da
Da

on

rr

Da
Da
Da

Yy

vy
Yy

Crock-ett, king of the wild fron '


don't know
Crock-ett, the man who
Crock-ett, the buck - skin - buc ' ca
-

le

tier!

18. When

fear!

he

come home

his

heard of Houston an,

neer!

land is

rrrr

t f i f

biggest an, his

pot

-i

- tick

Au-stin

land

-in.

an,
is

dooe.

rhe

so.

best.

fr,rn

ern march had


plains he
gras - sy plains to the
west -

to the Texas

lit out grin - nin'


they needed him at
follow - in, his leg - end

lead
man

in' the

king

of -the

who

pi
don't
witd

Sunt

foe,
test,

to fol - low the sun.


theA-la-mo.
in - to the West.

know

fron

Da - vy,
Da - vy,
Da -w,

Da
Da
Da

19. He
20. His

ly Crock-enry Crock-en" rrhe


ry Crock.ru-

Additional Lyrics

4. Andy Jackson

is our gen'ral's

name,

11.

his reg'lar soldiers we'll put to shame.

Them redskin varmints us Volunteerstll tame,


'cause we got the guns with the sure-fire aim.
Davy-Davy Crockett, the champion of us all!

5. Headed back to war from the ol' home

place,

but Red Stick was leadin' a merry chase,


fightin' an' burnin' at a devil's pace
south to the swamps on the Florida Trace.

Davy-Davy Crockett, trackin' the redskins down!


6. Fought single-handed through the Injun War
till the Creeks was whipped an' peace was in store.
An' while he was handlin' this risky chore,
made hisself a legend for evermore.

Davy-Davy Crockett, king of the wild frontier!


7. He give his word an' he give his hand
that his Injun friends could keep their land.
An' the rest of his life he took the stand
that justice was due every redskin band.

Davy-Davy Crockett, holdin' his promise dear!


8. Home.fer the,winter with his family,
happy as squirrels in the ol' gum tree,

12. Now he's lost his love an' his grief was gall,
in his heart he wanted to leave it all,
an'lose himself in the forests tall,
but he answered instead his country's call.
Davy-Davy Crockett, beginnin' his campaign!

didn't vote blind.


They put in Davy 'cause he was their kind,
sent up to Nashville the best they could find'

13. Needin' his help they

a fightin' spirit an' a thinkin' mind.


Davy-Davy Crockett, choice of the whole frontier!

14. The votes were counted an' he won hands down,


so they sent him offto Washin'ton town
with his best dress suit still his buckskins brown,
a livin'legend of growin' renown.
Davy-Davy Crockett, the Canebrake Congressman!

offto Congress an' served a spell,


fixin' up the Govertments ant laws as well,

15. He went

bein' the father he wanted to be,

an'the pea.
Davy-Davy Crockett, holdin' his young 'uns dear!
close to his boys as the pod

9. But the ice went out an' the warm winds

Lookin' fer a place where the air smells clean,


where the trees is tall an' the grass is green,
where the fish is fat in an untouched stream,
an' the teemin' woods is a hunter's dream.
Davy-Davy Crockett, Iookin' fer Paradise!

came

an' the meltin' snow showed tracks of game.

An' the flowers of Spring filled the woods with flame,


an' all of a sudden life got too tame.
Davy-Davy Crockett, headin' on West again!

took over Washin'ton so we heered tell


an' patched up the crack in the Liberty Bell.
Davy-Davy Crockett, seein' his duty clear!
16. Him an' his jokes travelled all through the land,
an' his speeches made him friends to beat the band.

His politickin' was their favorite brand


an' everyone wanted to shake his hand.
Davy-Davy Crockett, helpin' his legend grow!

17. He knew when he spoke he sounded the knell


10. Offthrough the woods we're ridin' along,
of his hopes for White House an' fame as well.
makin' up yarns ant singin' a song.
But he spoke out strong so hist'ry books tell
Hets ringy as a b'ar ant twict as strong,
an' patched up the crack in the Liberty Bell.
ant knows he's right'cause he ain' often wrong.
Crockett, seein' his duty clear!
fear!
Davy-Davy
man
who
don't
know
Davy-Davy Crockett, the

261

Mickey Mouse March


From Walt Disney's The Mickey Mouse Club

Words and Music by


JIMMIE DODD

Brightly
F

C7

Mouse

Who's
Hey,

the Iead - er of
Hi, there! Ho,

FTIEb

club

there!

I -C

Mick

Ctub!

You're

that's made for you

as wel -

Bbm/Db

E-Y

come as

and
can

C7

O 19i5 \\'alt Disne\ \1!! c C^-:::


Copr riqhi Re:e'.,. :;

o -u

S-E!

me!l
be! I

Bb

Mick -

(Shout)

Mick - ey

Don -

Mouse!

ald

Mick - ey Vfr#

ey

C7 (Shout) High!
v\/

-\--l-

er

let

us

and

hold

sing

our ban - ner

a song

and join

high!

the jam - bor

M - O.U - S -

E!

:i .i ,:,,. i

i-::.,-:::

.:.

i.1.. ;:t .]

iii

::

.,,
,

From MILLENNIUM CELEBRATION at Epcot

Music by CAVIN CREENAWAY


Words by DON DORSEY

Moderately slow
Gsus/C

\.-_,
Ev -'ry

eve

nrng

mu

SiC,

GIC

U
brings an

end

rng.

vou

Iis

ten,

if

Am/c

+'
da)

rh)

comes

of

each

r_j

we

_____

\__
!un

Ieg-a

breath

t"-j
set

leads

tions

un-

+.-+'

to
dis

morn

lng

cov

ered,

T.

--

with a
rev-e

T--

264

G
prom
la

of-

ise

op-por

from- ev-'ry

tions

FmajT

\-,
ni -

tu

ty.

for the stars we


there are dia - monds

We can reach

And I know

we-make.

choice

eb(as)#u

find
danc

a - long-

- ing

in

e
Y

the
the

way,
sky;

dream - ing

all

we

as_
have
-

we

to

Iearn

to

do- -

ts

love

o- -

\_,
Prom Prom -

ise
ise

you will
we'll walk

take
side

my hand;

by

side;

as to-

asa

265

grow-

ing

clos

er

through the

moY - lng

years,

.l

through the good

times

and

tears,

the

cfr,,:bs

an - oth

- er

thou

cles

sand cir

'round

tI .I r
_/!

'
rl-

we'll

/:
I

1o-

go

on.

.l

-.?t
-l-)

the

sun.

=r

GiF#

through the good

times

andthe

DIFil

-=---/
--J

*r

------r

's

,' - xxam Wkr&q

From Disneyland and Walt Disney World's


It's A Small World

Words and Music by RICHARD N1. 51-:i'"'


and ROBERT B. SF-:-".'

March tempo

It's

tears;
sun

much
moun

it's a
and a

world

of

just

one

world
smile

that we
- tains di -

of
means

share

vide

laugh
moon

hopes

friend

that
and

world
ter, a
and one gold

and a world
of
ship to
eY - 'ry

it's

we're

the

ceans

1963 Wonderland Music Company, lnc


Copyright Renewed

ware.

wide,

fears.
one,

of
en

There's so
though tht

Itts
it's

a
a

It's

small,

270

Ym Es>
(A Pirate's Life for Me)
From Pirates of the Caribbean at
Disneyland Park and Magic Kingdom Park

Words by XAVIER ATENCIO


Music by CEORCE BRUNS
F

Yo
Yo
Yo

pil - lage, plun- der,


ex - tort and pil - fer,

kin - dle and char and

we
we
IN

kid -nap and rav - age and


raud and em - bez - zle and

burn up the cit -

y, we're

ho,
ho,
ho,

yo
yo
yo

ho,
ho,
ho,

a
a
a

ri - fle and loot. Drink


filch
and sack. Drink
- ig - nite. Drink
flame and

don't

give a

hoot.

pi
pi
pi

up

up
up

Drink up

e - ven high-jack. Drink up

real-ly

fright. Drink

O 1967 Walt Disney Music Conrpan),Cop,vright Renerved

AIlRrBhl.Re*,cd U.nb' P, ns.iun

rate's life
rate's life
rate's life

me 'eart me 'eart me 'eart -

me
me

ies,
ies,
ies,

for
for
for

me.
me.
me.

We
We
We

yo
yo
yo

ho.
ho.
ho.

We

yo
yo

Ma
We

ho.
ho.

271

me 'eart -

'We're

ies.

beg

vil - lains and knaves. Drink


ne'er -do - well cads. Drink

ly bad eggs
-mies 'n' dads.

real mom

ho,
ho,

Drink
Drink

a
a

me 'eart - ies, yo
me 'eart - ies, yo

up
up

up
up

me 'eart me 'eart -

pi - rate's life
pi - rate's life

ies,
ies,

for
for

me.

gars

We're

ho.
ho.

yo
yo

Aye,

and
and

dev but

ho.
ho.

ils

scoun - drels, we're


blight - ers and

and black

sheep, we,re

we'reloved

ho,
ho,

We're

by

our

272

SOI\G TI{DEX

53

267 Mickey Mouse March

Baby Mine

258 The Ballad of Davy Crockett

93 The Bare Necessities

124 Be Our Guest


728 Beauty and the Beast
B0 Bella Notte (This Is the Night)
112 Best of Friends

70

154
109
251
749
158

84

Bibbidi-Bobbidi-Boo (The Magic Song)


Can You Feel the Love Tonight
Candle on the Water
Castle in Spain
Circle of Life
Colors of the Wind
Cruella De Vil

68 A Dream
99

Is a Wish Your Heart Makes

Ev'rybody Wants to Be a Cat

245 Old Yeller

82

Once Upon a Dream

115 Part of Your World


263 Promise
787 Reflection
7

253

34

772
702

87
89

The Second Star to the Right


Seize the Day
Some Day My Prince Will Come
Someday
Someone's Waiting for You
A Spoonful of Sugar

Supercalifragilisticexpialidocious

96 Trust in Me (The Python's


792 Two Worlds

133 Friend Like Me

44

24 Minnie's Yoo Hoo

272 My Funny Friend and Me

Give a Little Whistle

782 Go the Distance


767 God Help the Outcasts

720 ljnder the Sea

742 Hakuna Matata


237 Hawaiian Roller Coaster

203 When She Loved Me

38
47

57 When I See an Elephant FIy


Ride

Heigh-Ho
Hi-Diddle-Dee-Dee (An Actor's Life for Me)

72 I'm

Late

235 I'm Still Here (|im's Theme)

30 I'm Wishing
50 I've Got No Strings

224 If I Didn't Have You


268 It's a Small World

65
248

67

239

Song)

Lavender Blue (Dilly Dilly)


Let's Get Together
Little April Shower
Look Through My Eyes

47 When

You Wish Upon a Star


218 Where the Dream Takes You
36 Whistle While You Work
27 Who's Afraid of the Big Bad Wolf?
i38 A Whole New World
105 Winnie the Pooh
7O7 The Wonderful Thing About Tiggers

2O7 Written in the

270
76
196
163
77

Stars

Yo Ho (A Pirate's Life for Me)


You Can Flyl You Can Fly! You Can FIr-l
You'll Be in My Heart (Pop Version)
You've Got a Friend in Me

Zero to Hero

63 Zip-A-Dee-Doo-Dah

FEATT]RII\G 68 DISI\TY SOI\GS

including:
The Bare Necessities (The Jungle Book)
Beauty and the Beast (Beauty and the Beast)

Circle of Life (The Lion King)


Go the Distance (Hercules)

It's a Small World (Disney Theme Parks)


Look Through My Eyes (Brother Bear)

Mickey Mouse March (Mickey Mouse CIub)


Reflection (Mulan)
Some Day My Prince Will Come (Snow White and the Seven Dwarfs)

Under the Sea (The Little Mermaid)


When You Wsh Upon a S,ar (Pinocchio)
A Whole New World (Aladdin)

Winnie the Pooh (The Many Adventures of Winnie the Pooh)


You'll Be in My Heart (TarzanrM)
You've Got a Friend in Me (ToY StorY)

Zip-A-Dee-Doo-Dah (Song of the South)

THT NTW ILLT]STRATTD TREAST]RY OF'


DISI\EY SOI\GS
Nlusic has always been at the heart of the magical world of Disney. Whether it's the score from an animated

feature film, from television, or from a Disney Theme Park, music adds unique emotional magic to every
Disney story and entertainment experience.

The New ltlustrated IYeasury of Disney Songs is a guided tour through the many legendary years of Disney

music, from "Minnie's Yoo Hoo" of 1930 right up to "Look Through My Eyes" ffom Brother Bear.This
collector's edition begins with a musical history of Disney's greatest songs. Then you'll find piano/vocal
arrangements of 68 classic Disney songs, a comprehensive selection of songs from 1930 to today. Over 1 00

full-color illustrations accompany the text and music, making this a keepsake [o treasure for years to come.

u.s. $29.95

ilillllJJltl|ul|[ililt,

Walt Disney Music ComPanY


Wonderland Music Company, lnc.
DISTRIBUTED
I

ISBN-1 3: 978-0-7935-9365-1
ISBN-1 0: 0-7935-9365-4

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