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"MEGALOVANIA

"
Undertale

Composition by Toby Fox
Arrangement by Jester Musician

                              
A Sans arrêt  = 120

Piano

3

5

  

      
      














 
 





      
A′

  
7



 

  

  
        

 

         
  



         

  
        

 

         

 

Toby Fox © 2015

        
        

         

9            B    11 13                                      C′  2            C  17                                                                      15         "MEGALOVANIA"                                                            3    Toby Fox © 2015                                                                                                            .

19 21 23                                             D            27                                                                                                                                                     25   "MEGALOVANIA"  Toby Fox © 2015                                                      3 .

"MEGALOVANIA" 29  E  31   35   37 4                                                                33                                        6    6                                                                      E′ Toby Fox © 2015 .

                 F                                                                                                                                                                                           47                     45  "MEGALOVANIA"                                                 Toby Fox © 2015                          5 .39 41 43             cresc.

C.  53      2.49          51  G  58 6                               55           1.        "MEGALOVANIA"                                                                                                                                                                                                        D. Toby Fox © 2015 .