OW did you get that w How
do you do it? How do you get away
with it? How do you get them to fall for
your stuff? How are you, anyway?”
There you have the barrage of questions
which are popped at me every day of my
life, including days when the game is called
‘on account of rain. It's a good thing a
humorous cartoonist has got a sense of
humor. Or I might borrow from that jolly
English expression and say, “It's fortunate
my humor is not bad.”
For that ment of the citi which
has been blissfully unaware of my existence
all these years, let me say that my profes
Mike and Ike (they
lock alike), Boob McNutt, and
hundreds of other familiar characters off
the Goldberg drawing board into the homes of
some ten million Americans every day.
sion, by extreme choice, is that of cartoon
ist, having brought into this world such
specimens as Boob McNutt, Foolish Ques
tions, I Never Thought of That, and the type
of cartoon which presents a series of com
traptions working successive order to
make up an invention to solve man’s earthly
difficulties.
Phis latter brainchild has proved my moat
ring device. In this field I have
able to turn ink into gold by a few
strokes of my pen.
In bl nd white, I consider myself the
most p ic inventor in America today, I
figure I turn loose about 400 inventions @
Here's a typical Rube Goldberg nutty invention—follow the letters and see how it worl
80 =
Modern Mechanics an
. Maybe it's
not practical, but it’s good! Reproduced through courtesy of the McNaught Syndicate,Four hundred inventions a year, all of
hem of exceedingly “nutty” brand,
qualify Rube Goldberg, ‘the famous
‘artoonist, as one of the country’s most
prolific and best paid inventors. The
tise rcations ncverpcebeyodd
the pen and ink stage doesn’t prevent
him from “cleaning up” from them.
year. And mine are not simple pieces of
upon an
tion, done in ink, of course, of an app
which a husband r wear at the dinner
table, I would guess that a first c en-
gineer would have to spend a whole month
ina machine shop before he could make the
living and breathing duplicate.
This bit of mechanical folderol which I
‘am now perusing looks like a strait-jacket
Which is strapped around a man’s body after
he is seated at table. Jutting out from its
sides are prongs and clampers which per
him to eat his soup with his right hand,
hold his bread in his left, while the other
gadgets are automatically pouring the coffce,
pulling two pieces of sugar in the cup, then
cream, holding the plates for the next
course aloft, and directing things and the
wife in general.
You've got to admit that’s an invention
that any man could use. Especially when he
home from a heavy day’s work and is
ished and his fraulein fetches the fod-
der at a snail’s pace. To slap together that
“Quick Lunch” machine for everyday use
would run into money. So the farthest it
is in print. My invention in ink goes
ventions for December
Me A e¥Cillion
by RUBE GOLDBERG
Famous Cartoonist
as told to Alfred Albelli
Rube Goldberg, cartoonist, as he looks today.
out to about ten million newspaper and
magazine read
Most of the
human problems.
venting an instr
i I wrestle with v
I spent a long time in-
ment for removing olives
from long-necl bottles. Then there was
another one for retrieving soap which
slipped away from you in the bath-tub.
I've got to admit, however, that there’s one
stickler that I haven't been able to overcome
yet. That is, how to get your nickel back
from a telephone coin box after you've
failed to get a number.
I don't suppose I could make any one
believe that I draw up all those crazy in-
ventions without having had a knowledge of
mechanics and having spent considerable
time in the engineering field. If the truth
8hmust he told, my own private mechanical
series started in the flesh with a course in
the College of Mining at the University of
California.
I went through a lot of processes myself
and I came out of the other end a full-
fledged mechanical engineer. I got a job
in the City Engineer's office in San Fran-
cisco at $100 2 month. My job was map-
ping sewer pipes and water-mains. And
when you folke out front there behold my
mechanical jig-a-ma-jigs with a lot of pipes
in them, you can remain calm and be cer-
-tain that I know what I'm talking about.
Back in those lean, unfruitful and obscure
days I didn’t see any prospects ahead bet-
ter than a raise into the next higher rung,
which meant $150 a month. Today my pipe-
lines which are fearfully lacking in the
geometric refinements of those dimmer days,
return to me an annual flow of $50,000.
Naturally, I couldn't have just thrown
away my beard and drawing tools back
there in the engineer’s office and turned
cartoonist. There had to be the elements,
the talent and ability to draw as well as the
Keen perception to select material for a
possible market. Well, in the first place I
was a born artist. At any rate, the ability
RA PIG
Tas stn Fes
to sketch and draw was latent and just h
to be coaxed to come out,
The one who lies behind the secret of
success, if I may indulge in the frank
mission of my self-esteem, is Charles
a sign painter of San Francisco who was th
‘one to ferret out my artistic potentialitie
as they are sometimes called. I started o
as a pupil and apprentice to Charlie Be
when I was 11 years old.
I got so excited about Mr. Beall’s attempt
to bring out my art that I went in extra
gantly for interior and exterior decoratin
drawing sketches inside as well as outside
the house, much to my parents’ displeasu
as well as my own. Although Mr.
settled down to a modest sign-painting bus
ness, he was considered quite an artist.
devoted three years of his spare time teacl
ing me the rudiments of drawing.
As the last gesture under his wing I drey
an old violin, in pen and ink. It attracted
wide notice, At least I thought it did.
would not have traded that drawing for
Corot, and any art connoisseur will tell yor
that’s going some. My “Old Violin” was
hung in the Board of Education rooms
San Francisco for a great many
Finally, I guess it got tired of ha
(Continued on page 204)'CA00 CA% -Anrothers2.49 Profit!
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(Continued from page 82)
there, or probably somebody got tired, and
today it may be seen hanging proudly in
my father’s home.
From that day on I could be found wist-
fully staring out of windows, fashioning
sketches in my imagination and dreaming of
triumphs yet to be. I remember when I first
took up mechanical engineering how every-
thing was automatically translated in my
mind into sketches and not into mathe-
matical formulae. Toward my senior year
at the University of California I began to
fall away from serious types of drawing and
drifted into the field of caricatures.
The climax, the all-surpassing turning:
point came in my last year at college. I
had always penetrated to the funny side of
it works. The course in analytic me-
3 amused me most that way. The
apparatus which they constructed in that
course was baffling and almost supernatural.
The professor himself seemed like some one
superhuman. He was a tall, gangling,
wizened crony with a red beard and an
Adam’s apple that kept bobbing all the time
he talked. He also wore gold-rimmed
glasses. Most of the time he looked like
he was a part of the machinery.
One particular morning the professor pre-
sented us h a mechanism by which he
could determine the weight of the earth. It
was a mangled and complicated system of
test-tubes, retorts, levers, dynamos and other
instruments which, I frankly admit, I never
deciphered.
The professor rapped for attention, I
distinctly remember, and as we all looked
on breathlessly, for fear that ‘this might
be some infernal machine, he announced to
us in solemn accents that the engine before
us was a barodick, I could have laughed
right out, because it didn't mean a thing to
me, and yet it was the funniest thing I have
ever seen in motion.
I never got over the barodick. Ten years
had elapsed and one day the ion_ of that
goofy contraption returned to me. The idea
burgeoned into a grand reality, but that’s
skipping ten years too lightly, Let us go
back a little and get a view of the trials
and tribulations of the rising cartoonist.
That job in the ineer’s office blew
up after three months. Shortly afterward I
Thank You for Mentioning Modern Mechanics and Inventions for December When Writing to Adethought I had to go in for mining engineer-
ing seriously, but I got one glimpse down
into a mine shaft and then and there my
nerves told me I was an artist. I subse-
quently got a job on the San Francisco
‘hronicle at $8 a week. I drew pictures for
the paper every day for three months, and
not one of them was ever published.
Finally I landed in the sports depart-
ment and I drew fight pictures which got
into the paper. Then the San Francisco
Bulletin lured me away from the Chronicle;
there was so much favorable talk about the
Rube’s fight sketches, Then I looked for
other horizons. New York was elected.
I was 23 when I reached New York. I
had resolved to strike out on my own. Five
editors today can enjoy the privilege of
saying that they threw me out of their offices
when I first got to town. I was footloo:
for only twelve days when the very perc
ing editor of The Mail took a chance on me,
and vice versa.
The first series of my cartoons which
clicked was the Foolish Questions number.
T hit on that one quite accidentally. I had
drawn a picture of a man who had just
fallen out of a five-story window. As he
lay in a heap on the sidewalk a lady chaneed
to come along and she inquired, “Are you
hurt?”
In astonishment, he looked up and re-
plied, “Oh, no. I'm just taking my beauty
sleep.”
That started the Foolish Question rage.
I doped out all I could. But I was a mental-
midget compared to the thousands which
poured in from my new army of follower:
J figure I received 50,000 Foolish Ques
—and I was foolish enough to answer them.
Of course, those answers appeared in synd
cated cartoons, which was all part of the
mysterious process of turning ink into what
it takes to keep the wolf away.
Tt was just about ten years ago that I
decided to use my knowledge of mechanical
engineering in my career as a cartoonist and
artist. The combination has not been a
barren pastime from a financial standpoint
since it brought me some measure of fame
and about $500,000, more or less. There’s a
lot of magic hidden in a bottle of ink if you
know how. Right now I’m busy on a very
special invention. [’m trying to contrive an
apparatus that will do all a drawing for
me, but then it might take all
ings to manufacture it!
Thank You for Mentioning Modern Mechanies and? Inventions for December When Writing to Advertisers
my life sav-,
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