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PostmodErzJFowles

PostmodErzJFowles

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Published by: jodrix on Aug 05, 2010
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02/13/2013

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There are two versions of The Magus. In the present discussion, I will
only make use of the second, revised version, on the grounds that Fowles him-
self has avowed to be unsatisfied with the formal realization of the first (cf.
Acheson 1998; 19).

The Magus is first of all classifiable as a story of initiation. Its prota-
gonist, the twen Nicholas Urfe, has just about finished his higher education as
he encounters the opportunity of getting a teaching post in Greece. In keeping
with his rather inconsequential and irresponsible behaviour towards women,
he accepts the post, which also offers him a comfortable way of dropping his girl-
friend Alison. He has little contact with his colleagues, but he meets the fasci-
nating Maurice Conchis, definitely the character that is implied by the novels
title. In a series of riddles and sometimes occult experiences, Conchis is trying
to teach Nicholas what existential authenticity is about (something that Nicholas
has profoundly misunderstood, as we will see in the following section), and that

43

the general mystery of this world can never be captured in whatever categories
we consider appropriate. At the end of the novel, there is continuing uncertainty
about whether Nicholas has really achieved existential authenticity, while there
is no doubt that he knows very well what it is all about.
So much for the content of the novel. Any full analysis of the novel's
complex content would come close to simply paraphrasing it, and the above
summary is meant only to set the frame for the discussions. Other elements of
the content of The Magus will be mentioned only when they are pertinent to
the interpretation.

There are three topics which I would like to identify and to discuss in
The Magus. The first is the critique of representation, a topic we are already
familiar with. In the present novel, there are two aspects that merit closer ana-
lysis, one of which is the closer analysis of how Nicholas (who 'writes' in the
first person) represents himself both at the beginning and the end of the novel,
and how this representation exemplifies the Politics of Representation as de-
fined by Linda Hutcheon. The other aspect is an analysis of some exemplary
experiences that Conchis confronts Nicholas with, and a discussion of what
they are supposed to represent to Nicholas. The second topic is the intertex-
tual organization of the novel, which is linked to the critique of representation
in that the intertexts mentioned give rise to certain interpretations on behalf of
both Nicholas and the reader, which are frustrated or at least shattered. The
third topic is a discussion that takes up some aspects discussed at the hand
of The Collector: we will discuss the 'Collector Mentality' as a typically male
pattern of behaviour, as well as see how the novel both inscribes and subverts
this metanarrative of masculinity.

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