JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES

Vol. I, No. 1, July 1937 Sign and Symbol (I, pp. 1-11) Jacques Maritain; Mary Morris The Early History of Man in a Cycle of Paintings by Piero di Cosimo (I, pp. 12-30) Erwin Panofsky The Rood of Bromholm (I, pp. 31-45) Francis Wormald Alkestis in Modern Dress (I, pp. 46-60) E. M. Butler A Marsilio Ficino Manuscript Written in Bruges in 1475, and the Alum Monopoly of the Popes (I, pp. 61-62) F. Saxl Donatello’s Judith: A Symbol of ‘Sanctimonia’ (I, pp. 62-63) Edgar Wind An Emblem by Holbein for Erasmus and More (I, pp. 63-66) George Clutton AEnigma Termini (I, pp. 66-69) Edgar Wind A Classical Quotation in Michael Angelo’s “Sacrifice of Noah” (I, p. 69) E. Gombrich Platonic Justice, Designed by Raphael (I, pp. 69-70) Edgar Wind The Maenad under the Cross. Comments on an Observation by Reynolds (I, pp. 70-71) Edgar Wind Some Examples of the Role of the Maenad in Florentine Art of the Later Fifteenth and Early Sixteenth Centuries (I, pp. 71-73) F. Antal The Power of the Name? (I, p. 73) F. Saxl A German Sancho Panza (I, pp. 74-77) W. F. Mainland The Pseudonym of Spinoza’s Publisher (I, pp. 77-78)

Charles Singer An Emendation of Pope by Lessing (I, pp. 78-79) Edgar Wind An Unknown Letter of Nicolas Poussin (I, pp. 79-82) Richard Salomon Vol. I, No. 2, October 1937 Rhetoric and Politics in Italian Humanism (I, pp. 83-102) Delio Cantimori; Frances A. Yates Italian Teachers in Elizabethan England (I, pp. 103-116) Frances A. Yates The Hypnerotomachia Poliphili in 17th Century France (I, pp. 117137) Anthony Blunt In Defence of Composite Portraits (I, pp. 138-142) Edgar Wind Albrecht von Brandenburg as St. Erasmus (I, pp. 142-162) Edgar Wind Machiavelli in an Unknown Contemporary Dialogue (I, pp. 163-166) Felix Gilbert Elizabethan Manuscript Translations of Machiavelli’s Prince (I, pp. 166-169) Napoleone Orsini A Scene from the Hypnerotomachia in a Painting by Garofalo (I, pp. 169-171) F. Saxl Patience and Chance: The Story of a Political Emblem (I, pp. 171177) Rudolph Wittkower Some Musical Representations of the Temperaments (1) Democritus and Heraclitus: A Duet in Major and Minor; (2) The Melancholicus in Instrumental Music (I, pp. 177-180) Alfred Einstein The Christian Democritus (I, pp. 180-182) Edgar Wind A Heathenish Fountain in St. Wolfgang (I, pp. 182-183) F. Saxl The Saint as Monster (I, p. 183) Edgar Wind

Physiognomical Experiments by Michelangelo and His Pupils (I, pp. 183-184) Rudolph Wittkower Verrio’s ‘Terribilita’ (I, pp. 184-185) Edgar Wind Vol. I, No. 3, January 1938 Anonymous Gods (I, pp. 187-196) E. Bikerman The ‘Romano-Campanian’ Coinage: An Old Problem from a New Angle (I, pp. 197-203) Harold Mattingly Relics of Pagan Antiquity in Mediaeval Settings (I, pp. 204-220) W. S. Heckscher Josephus the Physician: A Mediaeval Legend of the Destruction of Jerusalem (I, pp. 221-242) Hans Lewy The Criminal-God (I, pp. 243-245) Edgar Wind The Crucifixion of Haman (I, pp. 245-248) Edgar Wind The Criminal-King in a 19th Century Novel (I, pp. 248-249) Anthony Blunt A Portrait of Constance of Sicily (I, pp. 249-251) S. H. Steinberg Imaginary Journeys from Palestine to France (I, pp. 251-253) Hans Lewy Miraculous Birds (1) ‘Physiologus’ in Beatus Manuscripts; (2) ‘Roc’: An Eastern Prodigy in a Dutch Engraving (I, pp. 253-257) Rudolph Wittkower The Isle of the Amazons: A Marvel of Travellers (I, pp. 257-259) Albrecht Rosenthal Two Notes on the Cult of Ruins: (1) Ruins and Echoes; (2) Utopian Ruins (I, pp. 259-260) Edgar Wind A Symbol of Platonic Love in a Portrait Bust by Donatello (I, pp. 260261) Rudolph Wittkower Homo Platonis (I, p. 261)

Edgar Wind Vol. I, No. 4, April 1938 The Master of Animals (I, pp. 263-265) Roger Hinks The Story of Joseph on a Coptic Tapestry (I, pp. 266-268) Ernst Kitzinger The Six Days of Creation in a Twelfth Century Manuscript (I, pp. 269275) Adelheid Heimann The Crucifix and the Balance (I, pp. 276-280) Francis Wormald Mary in the Burning Bush: Nicolas Froment’s Triptych at Aix-enProvence (I, pp. 281-286) E. Harris Two Early Representations of Lutheranism in France (I, pp. 287-291) George Clutton Meditation in Solitude (I, pp. 292-294) Ursula Hoff “Was This the Face...?” (I, pp. 295-297) W. S. Heckscher Youth, Innocence and Death: Some Notes on a Medallion on the Certosa of Pavia (I, pp. 298-303) Jean Seznec Nugae circa Veritatem: Notes on Anton Francesco Doni (I, pp. 304312) Gertrud Bing Chance, Time and Virtue (I, pp. 313-321) Rudolf Wittkower Charity: The Case History of a Pattern (I, pp. 322-330) Edgar Wind Goethe’s ‘Zueignung’ and Benivieni’s ‘Amore’ (I, pp. 331-339) Ernst Gombrich Poussin’s ‘Flight into Egypt’ (I, pp. 340-343) Charles Mitchell Poussin’s Notes on Painting (I, pp. 344-351) Anthony Blunt Vol. II, No. 1, July 1938

The Arts in the Latin Kingdom of Jerusalem (II, pp. 1-21) T. S. R. Boase The Poetical Sermon of a Mediaeval Jurist: Placentinus and His ‘Sermo de Legibus’ (II, pp. 22-41) Hermann Kantorowicz Trinitas Creator Mundi (II, pp. 42-52) Adelheid Heimann Blake’s ‘Ancient of Days’: The Symbolism of the Compasses (II, pp. 53-63) Anthony Blunt A Mediaeval Formula in Kant (II, p. 64) Edgar Wind Blake’s ‘Glad Day’ (II, pp. 65-68) Anthony Blunt A Simile in Christine de Pisan for Christ’s Conception (II, pp. 68-69) William Wells Mary in the Burning Bush (II, pp. 69-70) Arthur Watson The Seal of St. Nectan (II, pp. 70-71) F. Wormald A Portable Altar in the British Museum (II, pp. 71-72) S. H. Steinberg The Literary Sources of the ‘Finiguerra Planets’ (II, pp. 72-74) F. Saxl ‘Apollo and the Swans’ on the Tomb of St. Sebaldus (II, p. 75) Jean Seznec The Four Elements in Raphael’s ‘Stanza della Segnatura’ (II, pp. 7579) Edgar Wind A Note on Michelangelo’s Pieta in St. Peter’s (II, p. 80) Rudolph Wittkower ‘Adamas Mourned by the Nymphs’ in Schedel’s ‘Liber Antiquitatum’ (II, pp. 80-81) Alice Wolf ‘Good Counsel’: An Adaptation from Ripa (II, pp. 81-82) Lothar Freund ‘Grammatica’: From Martianus Capella to Hogarth (II, pp. 82-84) Rudolph Wittkower

Vol. II, No. 2, October 1938 Translation from the Ancients in Seventeenth-Century France (II, pp. 85-104) R. W. Ladborough King Charles II’s Own Fashion: An Episode in Anglo-French Relations 1666-1670 (II, pp. 105-115) Esmond S. de Beer The Revolution of History Painting (II, pp. 116-127) Edgar Wind Stuart and Revett: Their Literary and Architectural Careers (II, pp. 128-146) Lesley Lawrence Piranesi’s “Parere su L’Architettura” (II, pp. 147-158) Rudolf Wittkower Monuments to ‘Genius’ in German Classicism (II, pp. 159-163) Alfred Neumeyer Hoffmannsthal’s “Elektra”. A Graeco-Freudian Myth (II, pp. 164-175) E. M. Butler Wieland’s and Gluck’s Versions of the “Alkestis” (II, pp. 176-177) Robert Muller-Hartmann God and Prince in Bach’s Cantatas (II, pp. 178-182) Anthony Blunt “Borrowed Attitudes” in Reynolds and Hogarth (II, pp. 182-185) Edgar Wind Shaftesbury as a Patron of Art (II, pp. 185-188) Edgar Wind Domenico Guidi and French Classicism (II, pp. 188-190) Rudolph Wittkower Vol. II, No. 3, January 1939 The Miraculous Cross in Titian’s “Vendramin Family” (II, pp. 191193) Philip Pouncey Transformations of Minerva in Renaissance Imagery (II, pp. 194-205) Rudolf Wittkower ‘Hercules’ and ‘Orpheus’: Two Mock-Heroic Designs by Durer (II, pp. 206-218) Edgar Wind

Cornelio Vitelli in France and England (II, pp. 219-226) Roberto Weiss Giordano Bruno’s Conflict with Oxford (II, pp. 227-242) Frances A. Yates Shakespeare and the Astrology of His Time (II, pp. 243-259) Moriz Sondheim An Echo of the “Paragone” in Shakespeare (II, pp. 260-262) Anthony Blunt Giordano Bruno between Tragedy and Comedy (II, p. 262) Edgar Wind Machiavelli and Guicciardini (II, pp. 263-266) Felix Gilbert ‘Termaximus’: A Humanist Jest (II, pp. 266-268) George Clutton Durer’s “Mannerbad”: A Dionysian Mystery (II, pp. 269-271) Edgar Wind The Triclinium in Religious Art (II, pp. 271-276) Anthony Blunt Vol. II, No. 4, April 1939 A Lecture on Serpent Ritual (II, pp. 277-292) A. Warburg; W. F. Mainland Eagle and Serpent. A Study in the Migration of Symbols (II, pp. 293325) Rudolf Wittkower The Tree of Life in Jewish Iconography (II, pp. 326-345) Zofja Ameisenowa; W. F. Mainland Pagan Sacrifice in the Italian Renaissance (II, pp. 346-367) F. Saxl The Orphic Blessing (II, pp. 368-374) E. Bikerman Two Toponymic Puzzles (II, pp. 375-381) George Hill Prognosis and Diagnosis: A Comparison of Ancient and Modern Medicine (II, pp. 382-398) Walter Pagel Back to top .

Vol. III, No. 1/2 (Apr. 1939 - Jul. 1940); Vol. III, No. 3/4 (Oct. 1939 - Jan. 1940); Vol. IV, No. 1/2 (Oct. 1940 - Jan. 1941); Vol. IV, No. 3/4 (Apr. 1941 - Jul. 1942); Vol. V (1942); Vol. VI (1943); Vol. VII (1944); Vol. VIII (1945); Vol. IX (1946); Vol. X (1947). Vol. III, No. 1/2, April 1939 - July 1940 Allegory in Baroque Music (III, pp. 1-21) Manfred Bukofzer The Popular Theatre of the Rederijkers in the Work of Jan Steen and His Contemporaries (III, pp. 22-48) Albert Heppner Two Drawings of the Fetes at Binche for Charles V and Philip (II) 1549 (III, pp. 49-55) Albert Van de Put The Authorship of the Drawings of Binche (III, pp. 55-57) A. E. Popham El Greco’s “Dream of Philip II”: An Allegory of the Holy League (III, pp. 58-69) Anthony Blunt The Battle Scene without a Hero. Aniello Falcone and His Patrons (III, pp. 70-87) F. Saxl A Counter-Project to Bernini’s “Piazza di San Pietro” (III, pp. 88-106) Rudolf Wittkower A Seventeenth Century Carmelite Legend Based on Tacitus (III, pp. 107-118) T. S. R. Boase Rembrandt’s “Synagogue” and Some Problems of Nomenclature (III, pp. 119-126) Ludwig Munz Julian the Apostate at Hampton Court (III, pp. 127-137) Edgar Wind Titian’s Allegory of “Religion Succoured by Spain”: (1) The Change in Symbolism (III, pp. 138-140) Rudolf Wittkower Titian’s Allegory of “Religion Succoured by Spain”: (2) The Condition of the Picture (III, pp. 140-141) Neil MacLaren A Self-Portrait of Greco (III, pp. 141-142) Edgar Wind

A Poussin-Castiglione Problem: Classicism and the Picturesque in 17th-Century Rome (III, pp. 142-147) Anthony Blunt Drawings of St Peter’s on a Pilgrim’s Staff in the Museo Sacro (III, pp. 147-153) Paul A. Underwood Dante Alighieri Alchymicus Amoris (III, pp. 153-155) C. S. Gutkind A Portrait of Isabella of Castille on Coins (III, p. 155) Helen Rosenau A Symbolic Portrait of Descartes (III, p. 156) Roger Hinks The Monarch’s Crown of Thorns: (1) The Wreath of Thorns in “Paradise Regained” (III, pp. 156-160) Allan H. Gilbert The Monarch’s Crown of Thorns: (2) Heine on Louis Philippe (III, pp. 160-161) Edgar Wind Two Unknown Letters of Charles Burney (III, pp. 161-164) Robert Muller-Hartmann Vol. III, No. 3/4, October 1939 - January 1940 The Este Portrait by Roger van der Weyden (III, pp. 165-180) Ernst Kantorowicz The Religious Policy of Giordano Bruno (III, pp. 181-207) Frances A. Yates Louis Machon’s “Apologie Pour Machiavelle”: 1643 and 1668 (III, pp. 208-227) K. T. Butler “Veritas Filia Temporis”: Hadrianus Junius and Geoffrey Whitney (III, pp. 228-240) Donald Gordon An Illustration by Holbein of the Legend of Herkinbald (III, pp. 241243) Campbell Dodgson A “Memento Mori” among Early Italian Prints (III, pp. 243-248) Horst W. Janson The Title of Campanella’s “City of the Sun” (III, pp. 248-251) Paolo Treves

The Latin Element in the English Currency System (III, pp. 251-254) Gerhard Schmidt The Duke of Wellington’s Funeral Car (III, pp. 254-259) Leopold Ettlinger Vol. IV, No. 1/2, October 1940 - January 1941 Alberti’s Approach to Antiquity in Architecture (IV, pp. 1-18) Rudolf Wittkower The Classical Inscription in Renaissance Art and Politics: Bartholomaeus Fontius: Liber monumentorum Romanae urbis et aliorum locorum (IV, pp. 19-46) F. Saxl Two Roman Reliefs in Renaissance Disguise (IV, pp. 47-66) Phyllis L. Williams The First Facade of the Cathedral of Florence (IV, pp. 67-79) Martin Weinberger The Synagogue and Protestant Church Architecture (IV, pp. 80-84) Helen Rosenau Jean Fouquet: A Study of His Style (IV, pp. 85-102) Otto Pacht The Myth of Philemon and Baucis in Art (IV, pp. 103-113) Wolfgang Stechow The Subject of Botticelli’s “Derelitta” (IV, pp. 114-117) Edgar Wind Vol. IV, No. 3/4, April 1941 - July 1942 The Creation of the Rococo (IV, pp. 119-123) Fiske Kimball The Sources of David’s Horaces (IV, pp. 124-138) Edgar Wind Napoleon as “Roi Thaumaturge” (IV, pp. 139-141) Walter Friedlaender Flaubert and India (IV, pp. 142-150) Jean Seznec Gericault’s Paintings of the Insane (IV, pp. 151-163) Margaret Miller Courbet and Popular Imagery: An Essay on Realism and Naiveté (IV, pp. 164-191) Meyer Schapiro

Vol. V, 1942 Introduction to an “Iconography of Mediaeval Architecture” (V, pp. 1-33) Richard Krautheimer The Mosaic of the Great Palace in Constantinople (V, pp. 34-43) Gerard Brett Eastern Elements in English Ecclesiastical Music (V, pp. 44-55) Egon Wellesz Ivories and Litanies (V, pp. 56-81) Ernst Kantorowicz A Spiritual Encyclopaedia of the Later Middle Ages (V, pp. 82-142) F. Saxl The Apocalypse Block-Books and Their Manuscript Models (V, pp. 143-158) Gertrud Bing Marvels of the East. A Study in the History of Monsters (V, pp. 159197) Rudolf Wittkower The Beginnings of Political Thought in Florence. A Study in Mediaeval Historiography (V, pp. 198-227) Nicolai Rubinstein The Peace of the Ara Pacis (V, pp. 228-231) Arnaldo Momigliano Terms of Architectural Planning in the Middle Ages (V, pp. 232-237) Nikolaus Pevsner Mediaeval Romances in Renaissance Tapestries (V, pp. 237-245) Betty Kurth Vol. VI, 1943 The Ruthwell Cross (VI, pp. 1-19) F. Saxl Alliance of England and Sicily in the Second Half of the 12th Century (VI, pp. 20-32) Evelyn Jamison John of Salisbury and Pseudo-Plutarch (VI, pp. 33-39) H. Liebeschutz The Cycle of Images in the Palaces and Castles of Henry III (VI, pp. 40-50) Tancred Borenius

A Giottesque Episode in English Mediaeval Art (VI, pp. 51-70) Otto Pacht The Fitzwarin Psalter and Its Allies (VI, pp. 71-79) Francis Wormald The Inter-Action of English and Low Country Sculpture in the 16th Century: With a Note on the Works of Joseph Hollemans of Burtonupon-Trent (VI, pp. 80-88) K. A. Esdaile Nicholas Hilliard and Mannerist Art Theory (VI, pp. 89-100) John Pope-Hennessy The Emblematic Conceit in Giordano Bruno’s De Gli Eroici Furori and in the Elizabethan Sonnet Sequences (VI, pp. 101-121) Frances A. Yates The Imagery of Ben Jonson’s The Masque of Blacknesse and The Masque of Beautie (VI, pp. 122-141) D. J. Gordon Some Church Designs by John Webb (VI, pp. 142-150) Margaret Whinney A Classical Aspect of Hogarth’s Theory of Art (VI, pp. 151-153) J. T. A. Burke Pseudo-Palladian Elements in English Neo-Classical Architecture (VI, pp. 154-164) Rudolf Wittkower Eighteenth Century Elysiums: The Role of “Association” in the Landscape Movement (VI, pp. 165-189) H. F. Clark Blake’s Pictorial Imagination (VI, pp. 190-212) Anthony Blunt Ecclesia and an Angel on the Andrew Auckland Cross (VI, pp. 213214) Betty Kurth “The Quakers’ Meeting” (VI, pp. 214-216) F. Saxl An Italian in Restoration England (VI, pp. 216-220) F. A. Yates Federico Zuccari and John Wood of Bath (VI, pp. 220-222) R. Wittkower The Lion Filled with Lilies. A Reminiscence of Leonardo in Hogarth (VI, pp. 222-223)

E. Wind Reynolds and Pope on Composite Beauty (VI, p. 223) E. Wind A Lost Article on David by Reynolds (VI, pp. 223-224) E. Wind Harlequin between Tragedy and Comedy (VI, pp. 224-225) E. Wind “Milking the Bull and the He-Goat” (VI, p. 225) E. Wind Blake’s “Brazen Serpent” (VI, pp. 225-227) A. Blunt Vol. VII, 1944 Mediaeval Art and America (VII, pp. 1-6) C. R. Morey Architects and Builders in Mexico: 1521-1550 (VII, pp. 7-19) George Kubler Benjamin West’s “Death of General Wolfe” and the Popular History Piece (VII, pp. 20-33) Charles Mitchell John La Farge and the South Sea Idyll (VII, pp. 34-39) Henry La Farge Photography and the Development of Kinetic Visualization (VII, pp. 40-45) Beaumont Newhall Frank Lloyd Wright and the ‘Academic Tradition’ of the Early Eighteen-Nineties (VII, pp. 46-63) Henry-Russell Hitchcock The Hall of the Great Council of Florence (VII, pp. 65-81) J. Wilde Right and Left in Raphael’s Cartoons (VII, pp. 82-94) A. Paul Oppe Veritas and Justitia Triumphant (VII, pp. 95-101) Guy de Tervarent Principles of Palladio’s Architecture (VII, pp. 102-122) Rudolf Wittkower Paolo Sarpi’s “History of the Council of Trent” (VII, pp. 123-143) Frances A. Yates

William Harvey: Some Neglected Aspects of Medical History (VII, pp. 144-153) Walter Pagel The Heroic and the Ideal Landscape in the Work of Nicolas Poussin (VII, pp. 154-168) Anthony Blunt Vol. VIII, 1945 Two Models for the “Heures de Rohan” (VIII, pp. 1-6) J. Porcher Botticelli’s Mythologies: A Study in the Neoplatonic Symbolism of His Circle (VIII, pp. 7-60) E. H. Gombrich Melancholia in the Sonnets of Lorenzo De’ Medici (VIII, pp. 61-67) Andre Chastel Principles of Palladio’s Architecture: II (VIII, pp. 68-106) Rudolf Wittkower Hymenaei: Ben Jonson’s Masque of Union (VIII, pp. 107-145) D. J. Gordon Two Bavarian “Gnadenbilder” and Their Records in Art (VIII, pp. 146151) Campbell Dodgson The “Crucifixion of St. Peter”: Caravaggio and Reni (VIII, pp. 152160) Walter Friedlaender The Drawings of Giovanni Benedetto Castiglione (VIII, pp. 161-174) Anthony Blunt Flaubert and the Graphic Arts (VIII, pp. 175-190) Jean Seznec French Sixteenth Century Genre Paintings (VIII, pp. 191-195) Jean Adhemar Massacre and Persecution Pictures in Sixteenth Century France (VIII, pp. 195-199) Jean Ehrmann A Musical Symbol of Death (VIII, pp. 199-203) Robert Muller-Hartmann Vol. IX, 1946 An “Antique” Reworking of an Antique Head (IX, pp. 1-9) Ranuccio Bianchi Bandinelli

Mediaeval Biographies of Ovid (IX, pp. 10-59) Fausto Ghisalberti The Origin of the Word “Humanist” (IX, pp. 60-73) Augusto Campana Febris: A Poetic Myth Created by Poliziano (IX, pp. 74-95) Alessandro Perosa; Peter Murray; Mrs. Peter Murray The Architecture of Brunelleschi and the Origins of Perspective Theory in the Fifteenth Century (IX, pp. 96-121) Giulio Carlo Argan; Nesca A. Robb “Policy”: Or the Language of Elizabethan Machiavellianism (IX, pp. 122-134) Napoleone Orsini The Pagan Origins of the Three-Headed Representation of the Christian Trinity (IX, pp. 135-151) R. Pettazzoni Friedrich Creuzer and Greek Historiography (IX, pp. 152-163) Arnaldo Momigliano Vol. X, 1947 Fritz Saxl: January 8th, 1890-March 22nd, 1948 (X, unpaginated, 2 pp.) Ingres and the Antique (X, pp. 1-13) Agnes Mongan Virgil’s Fourth Eclogue (X, pp. 14-19) Harold Mattingly The Reconstruction of a Polyptych by Michele Giambono (X, pp. 2026) Evelyn Sandberg-Vavala Queen Elizabeth as Astraea (X, pp. 27-82) Frances A. Yates Illustrations of Shakespeare’s Plays in the Seventeenth and Eighteenth Centuries (X, pp. 83-108) T. S. R. Boase Voltaire and Fragonard: Notes on a Legend (X, pp. 109-113) Jean Seznec A Title-Page in Blake’s Illustrated Genesis Manuscript (X, pp. 114122) Piloo Nanavutty Lord Lindsay’s History of Christian Art (X, pp. 123-131)

John Steegman Van Gogh and Literature (X, pp. 132-147) Carl Nordenfalk Saligia (X, pp. 148-150) Arthur Watson The Borders of Filarete’s Bronze Doors to St. Peter’s (X, pp. 150153) Helen Roeder A Humanist Invective against an Unnamed English Poet (X, pp. 153155) R. Weiss The Frontispiece to Sigismondo Fanti’s Triompho di Fortuna (X, pp. 155-159) Robert Eisler Penny, West, and the ‘Death of Wolfe’ (X, pp. 159-162) Edgar Wind Back to top. Vol. XI (1948); Vol. XII (1949); Vol. XIII, No. 1/2 (1950); Vol. XIII, No. 3/4 (1950); Vol. XIV, No. 1/2 (1951); Vol. XIV, No. 3/4 (1951); Vol. XV, No. 1/2 (1952); Vol. XV, No. 3/4 (1952); Vol. XVI, No. 1/2 (1953); Vol. XVI, No. 3/4 (1953); Vol. XVII, No. 1/2 (1954); Vol. XVII, No. 3/4 (1954); Vol. XVIII, No. 1/2 (1955); Vol. XVIII, No. 3/4 (1955); Vol. XIX, No. 1/2 (1956); Vol. XIX, No. 3/4 (1956); Vol. XX, No. 1/2 (1957); Vol. XX, No. 3/4 (1957). Vol. XI, 1948 The Zodiacal Miniature of the Tres Riches Heures of the Duke of Berry: Its Sources and Meaning (XI, pp. 1-34) Harry Bober St. Zacharias the Prophet and Martyr: A Study in Charms and Incantations (XI, pp. 35-67) A. A. Barb The Evolution of the Caritas Figure in the Thirteenth and Fourteenth Centuries (XI, pp. 68-86) R. Freyhan A Stained Glass Atelier of the Thirteenth Century: A Study of Windows in the Cathedrals of Bourges, Chartres and Poitiers (XI, pp. 87-111) Louis Grodecki; Mary Weedon

Allegory and Romance on a Mediaeval French Marriage Casket (XI, pp. 112-142) David J. A. Ross Gothic: Origin and Diffusion of the Term; The Idea of Style in Architecture (XI, pp. 143-162) E. S. de Beer Icones Symbolicae: The Visual Image in Neo-Platonic Thought (XI, pp. 163-192) E. H. Gombrich Vol. XII, 1949 French Influences on the Origins of English Gothic Architecture (XII, pp. 1-15) Jean Bony The Decorative Character of Westminster Abbey (XII, pp. 16-20) Geoffrey Webb Animal-Headed Gods, Evangelists, Saints and Righteous Men (XII, pp. 21-45) Zofia Ameisenowa The Construction of Certain Seals and Characters in the Work of Agrippa of Nettesheim (XII, pp. 46-57) Karl Anton Nowotny Developments in Renaissance Perspective: I (XII, pp. 58-79) John White Who Is Jan van Eyck’s “Tymotheos”? (XII, pp. 80-90) Erwin Panofsky Rabelais, the Last of the French Erasmians (XII, pp. 91-100) Raymond Lebegue Bernardo Rucellai and the Orti Oricellari: A Study on the Origin of Modern Political Thought (XII, pp. 101-131) Felix Gilbert The Life of Polydore Vergil of Urbino (XII, pp. 132-151) Denys Hay Poet and Architect: The Intellectual Setting of the Quarrel between Ben Jonson and Inigo Jones (XII, pp. 152-178) D. J. Gordon Archbishop Abbot’s Tomb at Guildford: A Problem in Early Caroline Iconography (XII, pp. 179-188) Joseph Burke

Notes on Petrarch, John of Salisbury and the Institutio Traiani (XII, pp. 189-190) Arnaldo Momigliano; H. Liebeschutz Petrarch Minutiae (XII, pp. 190-191) R. Weiss Emendation to Francesco da Fiano’s Invective (XII, pp. 191-192) Erwin Panofsky An Unpublished Letter of Ulrich von Hutten (XII, pp. 192-196) Richard G. Salomon A Note on Magic Squares in the Philosophy of Agrippa of Nettesheim (XII, pp. 196-199) I. R. F. Calder Antoine Caron’s Massacre Paintings (XII, pp. 199-200) Jean Adhemar The So-Called ‘Portrait of Mansard and Claude Perrault’ by Philippe de Champaigne (XII, pp. 200-202) Helene J. Adhemar Vol. XIII, No. 1/2, 1950 The Coronation of the Virgin on a Capital from Reading Abbey (XIII, pp. 1-12) George Zarnecki Early Italian Nature Studies and the Early Calendar Landscape (XIII, pp. 13-47) Otto Pacht The Early Publications of the Temples at Paestum (XIII, pp. 48-64) S. Lang European Vision and the South Pacific (XIII, pp. 65-100) Bernard Smith The American and Nature (XIII, pp. 101-149) Hans Huth Vol. XIII, No. 3/4, 1950 Gonzaga Symbols in the Palazzo del Te (XIII, pp. 151-188) Frederick Hartt The Sala dei Venti in the Palazzo del Te (XIII, pp. 189-201) E. H. Gombrich Holbein, Torrigiano and Some Portraits of Dean Colet: A Study of Holbein’s Work in Relation to Sculpture (XIII, pp. 202-236) F. Grossmann

The Twelve Pictures “Ordered by Velasquez” and the Trial of Valguarnera (XIII, pp. 237-284) Jane Costello Ancient History and the Antiquarian (XIII, pp. 285-315) Arnaldo Momigliano The Eagle-Stone (XIII, pp. 316-318) A. A. Barb The Vulture Epistle (XIII, pp. 318-322) A. A. Barb The Pictorial Source of Ripa’s “Historia” (XIII, pp. 322-323) L. D. Ettlinger A Seventeenth-Century Typological Cycle of Paintings in the Armenian Cathedral at Julfa (XIII, pp. 323-327) T. S. R. Boase The Grave of Euripides in Robert Browning (XIII, pp. 327-328) J. H. Croon Vol. XIV, No. 1/2, 1951 The Lateran Fresco of Boniface VIII (XIV, pp. 1-6) Charles Mitchell The First Edition of Lucian of Samosata (XIV, pp. 7-20) E. P. Goldschmidt New Light on Humanism in England during the Fifteenth Century (XIV, pp. 21-33) R. Weiss “Nebulae in Pariete”; Notes on Erasmus’ Eulogy on Durer (XIV, pp. 34-41) Erwin Panofsky Developments in Renaissance Perspective: II (XIV, pp. 42-69) John White The Belvedere as a Classical Villa (XIV, pp. 70-91) James S. Ackerman Transformations of Dante’s Ugolino (XIV, pp. 92-117) Frances A. Yates An Italian Poet at the Court of Henry VII (XIV, pp. 118-119) Francis Wormald Hypnerotomachiana (XIV, pp. 119-125) E. H. Gombrich

An Illustration of the Ugolino Episode by Pierino da Vinci (XIV, pp. 125-127) J. Wilde Titian’s Allegory of ‘Religion’ (XIV, pp. 127-132) E. Tietze-Conrat Antoine Caron’s Paintings for Triumphal Arches (XIV, pp. 132-134) Frances A. Yates A Note on Thomas Gainsborough and Adriaen de Vries (XIV, p. 134) Graham Sawyer Petrarch Minutiae: Correction (XIV, p. 135) R. Weiss Vol. XIV, No. 3/4, 1951 Petrarch and the Textual Tradition of Livy (XIV, pp. 137-208) G. Billanovich The Genesis of the Teatro Olimpico (XIV, pp. 209-220) Licisco Magagnato ‘Gli Amori de’ Carracci’: Four Forgotten Paintings by Agostino Carracci (XIV, pp. 221-233) Otto Kurz Seventeenth-Century English Literature on Painting (XIV, pp. 234258) Luigi Salerno Racine and Chauveau (XIV, pp. 259-274) Raymond Picard Despot and Despotism: Vicissitudes of a Political Term (XIV, pp. 275302) R. Koebner A Leonardo Drawing and the Medici Diomedes Gem (XIV, pp. 303304) Bettina H. Polak Notes on ‘Hercules at the Crossroads’ (XIV, pp. 305-309) E. Tietze-Conrat Vol. XV, No. 1/2, 1952 State Festivals in Egypt and Mesopotamia (XV, pp. 1-12) H. Frankfort Minos of Crete (XV, pp. 13-19) John Forsdyke

The Image of the Delian Apollo and Apolline Ethics (XV, pp. 20-32) R. Pfeiffer The Dating of the Column of Marcus Aurelius (XV, pp. 33-47) John Morris An Illustrated Evangelistary of the Ada School and Its Model (XV, pp. 48-66) Wilhelm Koehler Nectanebus in His Palace: A Problem of Alexander Iconography (XV, pp. 67-87) D. J. A. Ross Revivals of Roman Law (XV, pp. 88-98) H. F. Jolowicz The Hero with Two Swords (XV, pp. 99-100) Martin Robertson Vol. XV, No. 3/4, 1952 The Motif of Radiance in Rembrandt’s Biblical Drawings (XV, pp. 101-121) H.-M. Rotermund English Painting and France in the Eighteenth Century (XV, pp. 122135) Ellis K. Waterhouse Italian Models of Hogarth’s Picture Stories (XV, pp. 136-168) Hilde Kurz The Moral Purpose of Hogarth’s Art (XV, pp. 169-197) F. Antal The Horse of Marcus Aurelius: A Controversy between Diderot and Falconet (XV, pp. 198-228) H. Dieckmann; J. Seznec Diderot and Le Genie du Christianisme (XV, pp. 229-241) Jean Seznec Blake’s Vision of Slavery (XV, pp. 242-252) David V. Erdman An English Copy of a Carracci Altarpiece (XV, pp. 253-254) T. S. R. Boase A Classical ‘Rake’s Progress’ (XV, pp. 254-256) E. H. Gombrich An Unpublished Notice of Diderot on Falconet (XV, pp. 257-258) H. Dieckmann

Blake and Emblem Literature (XV, pp. 258-261) Piloo Nanavutty Vol. XVI, 1/2, 1953 The Castle of Gaillon in 1509-10 (XVI, pp. 1-12) Roberto Weiss St. Francis and the Birds of the Apocalypse (XVI, pp. 13-23) F. D. Klingender Jewish Antecedents of Christian Art (XVI, pp. 24-44) Cecil Roth A Newly Discovered Manuscript of Opicinus de Canistris: A Preliminary Report (XVI, pp. 45-57) Richard G. Salomon Notes on Some Early Giotto Sources (XVI, pp. 58-80) Peter Murray The Modus Tenendi Parliamentum (XVI, pp. 81-99) V. H. Galbraith Orpheus the Theologian and Renaissance Platonists (XVI, pp. 100120) D. P. Walker The Conflict of Ideals in Mutianus Rufus: A Study in the Religious Philosophy of Northern Humanism (XVI, pp. 121-143) Lewis W. Spitz Heliodorus’ Aethiopica in Art (XVI, pp. 144-152) Wolfgang Stechow Job and Christ: The Development of a Devotional Image (XVI, pp. 153-158) G. Von der Osten Two Mysterious Busts at the Porta Nolana in Naples (XVI, pp. 158159) E. Tietze-Conrat A Lost Painting in Henry III’s Palace at Westminster (XVI, p. 160) D. J. A. Ross A Note on the “First” Edition of the Latin Translation of Some of Lucian of Samosata’s Dialogues (XVI, pp. 161-162) Jose Ruysschaert The Illusion of Postel’s Feminism (XVI, pp. 162-170) M. A. Screech Vol. XVI, No. 3/4, 1953

Huius Nympha Loci: A Pseudo-Classical Inscription and a Drawing by Durer (XVI, pp. 171-177) Otto Kurz Petrarch and the Story of the Choice of Hercules (XVI, pp. 178-192) Theodor E. Mommsen Diva Matrix: A Faked Gnostic Intaglio in the Possession of P. P. Rubens and the Iconology of a Symbol (XVI, pp. 193-238) A. A. Barb Pollaiuolo’s Tomb of Pope Sixtus IV (XVI, pp. 239-274) L. D. Ettlinger Brunelleschi and ‘Proportion in Perspective’ (XVI, pp. 275-291) R. Wittkower The Perspective of Piero della Francesca’s ‘Flagellation’ (XVI, pp. 292-302) R. Wittkower; B. A. R. Carter Eclecticism and the Carracci: Further Reflections on the Validity of a Label (XVI, pp. 303-341) Denis Mahon Portraits “a l’antique” on French Mediaeval Gems and Seals (XVI, pp. 342-350) H. Wentzel; Charles Mitchell The Castle of Gaillon in 1509-10 (Additional Note) (XVI, p. 351) Roberto Weiss Vol. XVII, No. 1/2, 1954 The ‘Harvester’ Vase of Hagia Triada (XVII, pp. 1-9) John Forsdyke Personification as a Mode of Greek Thought (XVII, pp. 10-21) T. B. L. Webster An Unsolved Problem of Historical Forgery: The Scriptores Historiae Augustae (XVII, pp. 22-46) Arnaldo Momigliano The Crab and the fly: A Study in Animal Symbolism (XVII, pp. 47-86) W. Deonna Irish High Crosses (XVII, pp. 87-97) Robin Flower Alexander the Great in Mediaeval Theology (XVII, pp. 98-114) George Cary

The Art of Ramon Lull: An Approach to It through Lull’s Theory of the Elements (XVII, pp. 115-173) Frances A. Yates An Unrecorded Follower of Piero della Francesca (XVII, pp. 174-181) D. J. A. Ross Fire-Altars of the Sassanian Period at Balkh (XVII, pp. 182-183) A. D. H. Bivar Remarks on the “Adoratio” under Diocletian (XVII, pp. 184-189) H. Stern Vol. XVII, No. 3/4, 1954 In Memoriam: Henri Frankfort. Director of the Warburg Institute 1st May 1949 - 16th July 1954 (1 p.) The Wilton Diptych (XVII, pp. 191-203) Francis Wormald The Prisca Theologia in France (XVII, pp. 204-259) D. P. Walker Cephalus and Procris: Transformations of an Ovidian Myth (XVII, pp. 260-287) Irving Lavin The Programme of the SS. Annunziata in Florence (XVII, pp. 288300) S. Lang Michelangelo on Effort and Rapidity in Art (XVII, pp. 301-310) Robert J. Clements Aretino: Artistic Adviser to Francis I (XVII, pp. 311-318) J. Adhemar The Decoration of the New Palace of Westminster, 1841-1863 (XVII, pp. 319-358) T. S. R. Boase A Horatian Ode and Its Descendants (XVII, pp. 359-365) John Sparrow Cephalus and Procris: Underground Transformations (XVII, pp. 366372) Irving Lavin Cosi fan Tutte (Procris Included) (XVII, pp. 372-374) E. H. Gombrich The Religious Views of Abraham Ortelius (XVII, pp. 374-377) Rene Boumans

A Book from the Gonzaga Library at Mantua (XVII, pp. 377-380) D. E. Rhodes A Renaissance Work Copied by Wedgwood (XVII, pp. 380-381) Jennifer Montagu Burlington, Adam and Gandon (XVII, pp. 381-382) Maurice Craig A Note on James Barry and Edmund Burke (XVII, pp. 382-384) R. R. Wark John Runciman’s ‘Lear in the Storm’ (XVII, pp. 385-387) W. M. Merchant Vol. XVIII, No. 1/2, 1955 The Vine Columns of Old St. Peter’s in Carolingian Canon Tables (XVIII, pp. 1-15) Elisabeth Rosenbaum Apollonio di Giovanni: A Florentine Cassone Workshop Seen through the Eyes of a Humanist Poet (XVIII, pp. 16-34) E. H. Gombrich A Group of Florentine Drawings for an Altar (XVIII, pp. 35-53) Otto Kurz Michelangelo’s Designs for the Medici Tombs (XVIII, pp. 54-66) Johannes Wilde Images of the Human Hand as Amulets in Spain (XVIII, pp. 67-89) W. L. Hildburgh Milton and the Conjectura Cabbalistica (XVIII, pp. 90-113) R. J. Zwi Werblowsky A Lost Fresco of Niccolo dell’ Abbate at Bologna in Honour of Julius III (XVIII, pp. 114-122) Sylvie Beguin William Talman (XVIII, pp. 123-139) M. D. Whinney An Illustration of the Five Senses in Mediaeval Art (XVIII, pp. 140141) F. Mutherich Identification and Translation of a Letter of Guarino Guarini of Verona (XVIII, pp. 142-143) Patricia Hochschild Vol. XVIII, No. 3/4, 1955

An Oxford College and the Gothic Revival (XVIII, pp. 145-188) T. S. R. Boase The Original Plan of the Divine Comedy (XVIII, pp. 189-210) Hiram Peri Joachism and the English Apocalypse (XVIII, pp. 211-244) R. Freyhan The “Third Reich”: A Fifteenth-Century Polemic against Joachism, and Its Background (XVIII, pp. 245-295) Ruth Kestenberg-Gladstein Poussin’s Drawings for Marino and the New Classicism: I. Ovid’s Metamorphoses (XVIII, pp. 296-317) Jane Costello The Drawing of an Angel in MS. 28, St. John’s College, Oxford (XVIII, pp. 318-319) Barbara Raw Some Van Eyckian Illuminations from Italy (XVIII, pp. 319-321) Roberto Weiss Vol. XIX, No. 1/2, 1956 The Role of Amulets in Mesopotamian Ritual Texts (XIX, pp. 1-39) Beatrice L. Goff Mensa Sacra: The Round Table and the Holy Grail (XIX, pp. 40-67) A. A. Barb The Illustrations of St. Anselm’s Prayers and Meditations (XIX, pp. 68-83) Otto Pacht Cavallini and the Lost Frescoes in S. Paolo (XIX, pp. 84-95) John White ‘Combat between Carnival and Lent’ by Pieter Bruegel the Elder: An Allegorical Picture of the Sixteenth Century (XIX, pp. 96-109) C. G. Stridbeck Shaftesbury’s Last Commission (XIX, pp. 110-116) J. E. Sweetman Coleridge’s Ancient Mariner and Cook’s Second Voyage (XIX, pp. 117-154) Bernard Smith Virtutum et Viciorum Adumbracio (XIX, pp. 155-156) L. D. Ettlinger John Evelyn at Tivoli (XIX, pp. 157-158)

David R. Coffin The Country House Poem of the Seventeenth Century (XIX, pp. 159174) G. R. Hibbard Poggio Bracciolini and Johannes Hus: A Hoax Hard to Kill (XIX, pp. 174-177) Richard G. Salomon Vol. XIX, No. 3/4, 1956 Cyriac of Ancona and the Temple of Hadrian at Cyzicus (XIX, pp. 179-191) Bernard Ashmole The Alhambra Palace of the Eleventh Century (XIX, pp. 192-258) Frederick P. Bargebuhr Novels in Ebony (XIX, pp. 259-268) Th. H. Lunsingh Scheurleer Flaxman and the Eighteenth Century. A Commemorative Lecture (XIX, pp. 269-282) Margaret Whinney English Artists and the Val d’Aosta (XIX, pp. 283-293) T. S. R. Boase The Hearse-Cloth of Henry VII Belonging to the University of Cambridge (XIX, pp. 294-298) Hugh Tait The Changes in the Iconography and Composition of Veronese’s Allegory of the Battle of Lepanto in the Doge’s Palace (XIX, pp. 298302) Staale Sinding-Larsen A Further Note on Niccolo dell’Abbate’s “Geroglifico” at Bologna in Honour of Julius III (XIX, pp. 302-303) Sylvie Beguin Vol. XX, No. 1/2, 1957 Europa (XX, pp. 1-3) Martin Robertson Elizabethan Chivalry: The Romance of the Accession Day Tilts (XX, pp. 4-25) Frances A. Yates Ut Rhetorica Pictura: A Study in Quattrocento Theory of Painting (XX, pp. 26-44) John R. Spencer

The Theories of Mabillon and Montfaucon on French Sculpture of the Twelfth Century (XX, pp. 45-58) Jacques Vanuxem Johannes Schefferus and Swedish Antiquity (XX, pp. 59-74) Allan Ellenius Robert Wood and the Problem of Troy in the Eighteenth Century (XX, pp. 75-105) T. J. B. Spencer Diderot and ‘The Justice of Trajan’ (XX, pp. 106-111) Jean Seznec Notes on Some Astronomical, Astrological and Mathematical Manuscripts of the Bibliotheque Nationale, Paris (XX, pp. 112-172) Lynn Thorndike A Classical Topos in the Introduction to Alberti’s Della Pittura (XX, p. 173) E. H. Gombrich Vespasiano da Bisticci and Gray (XX, pp. 174-176) A. de la Mare An Early Tudor Programme for Plays and Other Demonstrations against the Pope (XX, pp. 176-179) Sydney Anglo “Spotted to Be Known” (XX, pp. 179-180) D. Coulman Constable and the ‘Massacres de Scio’ by Delacroix (XX, pp. 180185) Michel Florisoone Note on a Forged Date (XX, p. 185) D. P. Walker A Note on Bruegel’s ‘Combat between Carnival and Lent’ (XX, p. 186) Charles de Tolnay Vol. XX, No. 3/4, 1957 Florentine Political Assumptions in the Period of Savonarola and Soderini (XX, pp. 187-214) Felix Gilbert Jean Louis Guez de Balzac’s le Prince: A Revaluation (XX, pp. 215247) Pierre Watter The Rose-Window (XX, pp. 248-297)

Helen J. Dow Tiepolo’s Treatment of Classical Story at Villa Valmarana: A Study in Eighteenth-Century Iconography and Aesthetics (XX, pp. 298-317) Michael Levey The Sea of Time and Space (XX, pp. 318-337) Kathleen Raine John Constable, 1810-1816: A Chronological Study (XX, pp. 338-357) Michael Kitson Observations on the Iconography of the Wound in Christ’s Side, with Special Reference to Its Position (XX, pp. 358-362) Vladimir Gurewich Two Byzantine Scholars and Their Reception in Italy (XX, pp. 363370) A. Keller The Interpolated Text of the Vitruvian Epitome (XX, pp. 370-372) K. W. Gransden A Song from Campion’s Lord’s Masque (XX, pp. 373-375) Frederick W. Sternfeld Back to top. Vol. XXI, No. 1/2 (1958); Vol. XXI, No. 3/4 (1958); Vol. XXII, No. 1/2 (1959); Vol. XXII, No. 3/4 (1959); Vol. XXIII, No. 1/2 (1960); Vol. XXIII, No. 3/4 (1960); Vol. XXIV, No. 1/2 (1961); Vol. XXIV, No. 3/4 (1961); Vol. XXV, No. 1/2 (1962); Vol. XXV, No. 3/4 (1962); Vol. XXVI, No. 1/2 (1963); Vol. XXVI, No. 3/4 (1963); Vol. XXVII (1964); Vol. XXVIII (1965); Vol. XXIX (1966); Vol. XXX (1967). Vol. XXI, No. 1/2, 1958 The Orpheus in the Synagogue of Dura-Europos (XXI, pp. 1-6) H. Stern St. Julian of Toledo in the Middle Ages (XXI, pp. 7-26) J. N. Hillgarth The Gosforth Cross (XXI, pp. 27-43) Knut Berg The Myth of Prometheus: Its Survival and Metamorphoses up to the Eighteenth Century (XXI, pp. 44-62) Olga Raggio

Prophecy and History: Lichtenberger’s Forecasts of Events to Come (From the Fifteenth to the Twentieth Century); Their Reception and Diffusion (XXI, pp. 63-85) D. Kurze The Popular Celebration of the Accession Day of Queen Elizabeth I (XXI, pp. 86-103) Roy C. Strong The Pope-Burning Processions of 1679, 1680 and 1681 (XXI, pp. 104-118) Sheila Williams The Astral Body in Renaissance Medicine (XXI, pp. 119-133) D. P. Walker Una and the Clergy: The Ass Symbol in The Faerie Queene (XXI, pp. 134-137) John M. Steadman Vol. XXI, No. 3/4, 1958 The Dying God (XXI, pp. 141-151) Henri Frankfort Heresy in a Theocratic State (XXI, pp. 152-165) Henri Frankfort The Archetype in Analytical Psychology and the History of Religion (XXI, pp. 166-178) Henri Frankfort; Gertrud Bing Political Ideas in Sienese Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico (XXI, pp. 179-207) Nicolai Rubinstein Riccobaldo of Ferrara, Boccaccio and Domenico di Bandino (XXI, pp. 208-226) Teresa Hankey The Owl’s Ivy and the Poet’s Bays. An Enquiry into Poetic Garlands (XXI, pp. 227-255) J. B. Trapp The Palazzo Barberini: The Contributions of Maderno, Bernini and Pietro da Cortona (XXI, pp. 256-287) Anthony Blunt An Italian Niello Casket of the Fifteenth Century (XXI, pp. 288-295) Mordechai Narkiss The Croyland Quatrefoil and Polychronicon (XXI, pp. 295-296) W. F. Bolton

Giovanni Ambrogio Preda in Rome (XXI, p. 297) Roberto Weiss Vol. XXII, No. 1/2, 1959 An Early Chinese Swan-Maiden Story (XXII, pp. 1-5) Arthur Waley The History and Form of the Seven-Branched Candlestick of the Hasmonean Kings (XXII, pp. 6-16) Heinrich Strauss “Opus Quinque Dierum”: Durer’s ‘Christ among the Doctors’ and Its Sources (XXII, pp. 17-34) Jan Bialostocki Raphael’s ‘Incendio del Borgo’ (XXII, pp. 35-59) Kurt Badt Festivals for the Garter Embassy at the Court of Henri III (XXII, pp. 60-70) Roy C. Strong The Chateau of Montceaux-en-Brie (XXII, pp. 71-87) Rosalys Coope Heroic Virtue and the Divine Image in Paradise Lost (XXII, pp. 88105) John M. Steadman Some Emblematic Sources of Goya (XXII, pp. 106-131) George Levitine Aspects of Mozart’s Heroines (XXII, pp. 132-156) Michael Levey Notes on Some Less Familiar British Astronomical and Astrological Manuscripts (XXII, pp. 157-171) Lynn Thorndike The Repentance of Judas in Piero della Francesca’s ‘Flagellation of Christ’ (XXII, p. 172) E. H. Gombrich Vol. XXII, No. 3/4, 1959 Theories of Categories in Early Mediaeval Chinese Alchemy (XXII, pp. 173-210) Ho Ping-Yu; Joseph Needham A New Manuscript of the Latin Fuerre de Gadres and the Text of Roman d’Alexandre Branch II (XXII, pp. 211-253) D. J. A. Ross

The Reliefs on the Facade of the Duomo at Orvieto (XXII, pp. 254302) John White George Herbert and Caritas (XXII, pp. 303-331) Rosemond Tuve Shipwrecks in English Romantic Painting (XXII, pp. 332-346) T. S. R. Boase Haydon versus Shee (XXII, pp. 347-358) Quentin Bell Federigo Zuccaro’s Visit to England in 1575 (XXII, pp. 359-360) Roy C. Strong The Longthorpe Murals (XXII, pp. 361-362) R. M. Ogilvie The Seven-Year-Old Theseus (XXII, p. 362) E. Tietze-Conrat Salutati’s Epigrams for the Palazzo Vecchio at Florence (XXII, pp. 363-365) Teresa Hankey Boissard’s Costume-Book and Two Portraits (XXII, pp. 365-366) Frances A. Yates Seth or Anubis? (XXII, pp. 367-371) J. Gwyn Griffiths; A. A. Barb The Orpheus in the Synagogue of Dura-Europos: A Correction (XXII, pp. 372-373) Erwin R. Goodenough; H. Stern Sources of Inigo Jones’s Masquing Designs (XXII, pp. 373-374) E. E. Veevers Vol. XXIII, No. 1/2, 1960 Ramon Lull and John Scotus Erigena (XXIII, pp. 1-44) Frances A. Yates The Earlier Work of Giovanni Bellini (XXIII, pp. 45-59) Giles Robertson The Picture of Nobody: An Iconographical Study (XXIII, pp. 60-104) Gerta Calmann An Historical Study of the Portraits of Sir John Suckling (XXIII, pp. 105-126) Thomas Clayton

Time and Eternity: Paradox and Structure in Paradise Lost (XXIII, pp. 127-138) Rosalie L. Colie The Hampton Court Trianon Designs of William and John Talman (XXIII, pp. 139-149) John Harris Cezanne and Poussin (XXIII, pp. 150-174) Theodore Reff Sense or Nonsense in Scientific Jargon (XXIII, pp. 175-176) O. Neugebauer Jordaens’ ‘Night Vision’ (XXIII, pp. 177-178) Erwin Bielefeld Vol. XXIII, No. 3/4, 1960 An Illuminated English Psalter of the Early Thirteenth Century (XXIII, pp. 179-189) Meyer Schapiro Ekphrasis and Aesthetic Attitudes in Vasari’s Lives (XXIII, pp. 190215) Svetlana Leontief Alpers “L’Eglise du Dome” (XXIII, pp. 216-224) A. J. Braham Rigaud’s Portrait Group at Ottawa: A Key to the Artist’s Personal Life (XXIII, pp. 225-238) George Van Derveer Gallenkamp Pygmalion and the Philosophes: The Animated Statue in EighteenthCentury France (XXIII, pp. 239-255) J. L. Carr Francesco Guardi as Vedutista and Some of His Patrons (XXIII, pp. 256-276) Francis Haskell John Graham Lough: A Transitional Sculptor (XXIII, pp. 277-290) T. S. R. Boase Botticelli and Nineteenth-Century England (XXIII, pp. 291-306) Michael Levey Note on the Glazier Psalter (XXIII, pp. 307-308) Francis Wormald A Note on the Symbolism of Some Sculptures of the Ducal Palace, Venice (XXIII, pp. 308-309) B. Rackham

Vasari’s Lives and Cicero’s Brutus (XXIII, pp. 309-311) E. H. Gombrich Edward VI and the Pope (XXIII, pp. 311-313) Roy C. Strong Vol. XXIV, No. 1/2, 1961 The Rocks on the Parthenon Frieze (XXIV, pp. 1-44) Philipp Fehl Logical and Mathematical Symbolism in the Platonic Scholia (XXIV, pp. 45-58) Robert S. Brumbaugh The Taj Mahal in the Context of East and West: A Study in the Comparative Method (XXIV, pp. 59-88) R. A. Jairazbhoy A Mediaeval Mystery Cult in Bosnia and Herzegovina (XXIV, pp. 89107) Marian Wenzel Cain’s Jaw-Bone (XXIV, pp. 108-114) George Henderson Observations on Caravaggio’s ‘Repentant Magdalen’ (XXIV, pp. 114115) Ilaria Toesca The Monk and the Soldier in Plate 58 of Goya’s Caprichos (XXIV, pp. 115-120) Nigel Glendinning A New View of Goya’s Tauromaquia (XXIV, pp. 120-127) Nigel Glendinning A Note on the So-Called ‘Fidei Simulacrum’ (XXIV, p. 128) R. Weiss Vol. XXIV, No. 3/4, 1961 The Chigi Chapel in S. Maria del Popolo (XXIV, pp. 129-160) John Shearman The Chigi Chapel in S. Maria della Pace (XXIV, pp. 161-185) Michael Hirst The Humanist Portrait of Cosimo de’ Medici, Pater Patriae (XXIV, pp. 186-221) Alison M. Brown The Survival of the Kithara and the Evolution of the English Cittern: A Study in Morphology (XXIV, pp. 222-229)

Emanuel Winternitz A Chronological Census of Renaissance Editions and Translations of Galen (XXIV, pp. 230-305) Richard J. Durling Renaissance and Golden Age (XXIV, pp. 306-309) E. H. Gombrich The ‘Institution of the Eucharist’ by Charles Le Brun (XXIV, pp. 309312) Jennifer Montagu The Greek Codices of Palla Strozzi and Guarino Veronese (XXIV, pp. 313-321) Aubrey Diller A Note on Raphael’s Sibyls in S. Maria della Pace (XXIV, pp. 322323) L. D. Ettlinger Poussin’s ‘Triumph of Neptune and Amphitrite’: A Re-Identification (XXIV, pp. 323-327) Frank H. Sommer Pirro Ligorio’s Illustrations to Aesop’s Fables (XXIV, pp. 327-331) Erna Mandowsky Vol. XXV, No. 1/2, 1962 Jeremiah and His Girdle (XXV, pp. 1-8) Adelheid Heimann The Promethean Commonplace (XXV, pp. 9-17) R. Johnson An Anglo-Saxon Bible Fragment of the Late Eighth Century. Royal 1 E. VI (XXV, pp. 18-34) Patrick McGurk Pinturicchio and the Revival of Antiquity (XXV, pp. 35-55) J. Schulz Sebastiano Serlio and Venetian Painting (XXV, pp. 56-64) Cecil Gould Political and Religious Cartoons of the Thirty Years’ War (XXV, pp. 65-86) W. A. Coupe Dryden’s Dialogue on Drama (XXV, pp. 87-112) Dean T. Mace Beroaldus on Francia (XXV, pp. 113-115)

Michael Baxandall; E. H. Gombrich Ennius and Basinio of Parma (XXV, pp. 116-118) Jessie Poesch A Late Twelfth-Century Artist’s Pattern-Sheet (XXV, pp. 119-128) D. J. A. Ross A Saint Identified in a Lee Picture (XXV, pp. 129-130) F. Wormald Jordaens’ ‘Night Vision’: A Rejoinder (XXV, pp. 131-134) Julius S. Held Sources of Two Paintings by Joseph Wright of Derby (XXV, pp. 135136) Robert Rosenblum Aftermath to Opicinus de Canistris (XXV, pp. 137-146) Richard G. Salomon Nature and the Antique in B. R. Haydon’s ‘Assassination of Dentatus’ (XXV, pp. 147-157) Frederick Cummings Correction: The Six Days of Creation in a Twelfth Century Manuscript (XXV, p. 158) Adelheid Heimann Vol. XXV, No. 3/4, 1962 An Eleventh-Century Ivory Pectoral Cross (XXV, pp. 159-171) Richard H. Randall, Jr. Late-Antique Influences in Some English Mediaeval Illustrations of Genesis (XXV, pp. 172-198) George Henderson Numerical Composition in The Faerie Queene (XXV, pp. 199-239) Alastair Fowler Some Principles of Elizabethan Stage Costume (XXV, pp. 240-257) Hal H. Smith The Dance and the Masques of Ben Jonson (XXV, pp. 258-277) John C. Meagher The Abbe de Cordemoy and the Graeco-Gothic Ideal: A Prelude to Romantic Classicism (XXV, pp. 278-320) R. D. Middleton Notes on Cyriac of Ancona and Some of His Friends (XXV, pp. 321323) F. Babinger

A Note on Nicolas Froment’s ‘Burning-Bush Triptych’ (XXV, pp. 323325) Charles I. Minott Maria in Sole and the Virgin of the Rosary (XXV, pp. 326-330) S. Ringbom Some Eighteenth-Century Restorations of Myron’s ‘Discobolos’ (XXV, pp. 330-334) Seymour Howard The ‘Bonus Eventus’ Relief in the British Museum (XXV, pp. 335-337) Otto Kurz Vol. XXVI, No. 1/2, 1963 Olympias and the Serpent: The Interpretation of a Baalbek Mosaic and the Date of the Illustrated Pseudo-Callisthenes (XXVI, pp. 1-21) D. J. A. Ross A Life of St. Edward the Confessor in Early Fourteenth-Century Stained Glass at Fecamp, in Normandy (XXVI, pp. 22-37) Madeline Harrison Erasmus, Humanism, and the Christian Cabala (XXVI, pp. 38-52) Werner L. Gundersheimer The London Pageants for the Reception of Katharine of Aragon: November 1501 (XXVI, pp. 53-89) Sydney Anglo The Abbe de Cordemoy and the Graeco-Gothic Ideal (XXVI, pp. 90123) R. D. Middleton ‘Backgrounds, Introduction of Architecture and Landscape’: A Lecture by J. M. W. Turner (XXVI, pp. 124-147) Jerrold Ziff Macklin and Bowyer (XXVI, pp. 148-177) T. S. R. Boase Constantiniana (XXVI, pp. 178-192) C. Ligota Julian of Toledo in the Liber Floridus (XXVI, pp. 192-196) J. N. Hillgarth An Interpretation of Mantegna’s ‘Parnassus’ (XXVI, pp. 196-198) E. H. Gombrich Sidney’s Experiment in Pastoral: The Lady of May (XXVI, pp. 198203) S. K. Orgel

Vol. XXVI, No. 3/4, 1963 Some Pre-Dynastic Egyptian Figurines: Problems of Authenticity (XXVI, pp. 205-222) Peter J. Ucko; H. W. M. Hodges The Indian Iconography of the Decans and Horas (XXVI, pp. 223254) David Pingree An Illustration in an Anglo-Saxon Psalter in Paris (XXVI, pp. 255-263) Robert M. Harris Notes on the Virtues and Vices (XXVI, pp. 264-303) Rosemond Tuve A Dialogue on Art from the Court of Leonello d’Este: Angelo Decembrio’s De Politia Litteraria Pars LXVIII (XXVI, pp. 304-326) Michael Baxandall Logos in The Temple: George Herbert and the Shape of Content (XXVI, pp. 327-342) R. L. Colie Three Astrological Predictions (XXVI, pp. 343-347) Lynn Thorndike Reynard the Fox and the Smithfield Decretals (XXVI, pp. 347-354) Kenneth Varty The Fabric of Herbert’s Temple (XXVI, pp. 354-358) George Watson Rubens and the Wound in Christ’s Side. A Postscript (XXVI, p. 358) Vladimir Gurewich Poussin’s ‘Neptune and Amphitrite’ at Philadelphia: A ReIdentification Rejected (XXVI, pp. 359-360) Michael Levey An Eighteenth-Century Carved Piece with Medical Associations (XXVI, pp. 361-363) Robert Renehan Goya and Arriaza’s Profecia del Pirineo (XXVI, pp. 363-366) Nigel Glendinning B. R. Haydon and His School (XXVI, pp. 367-380) Frederick Cummings Vol. XXVII, 1964 In Memoriam Gertrud Bing 1892-1964 (XXVII, unpaginated, 2 pp.)

Three Elusive Amulets (XXVII, pp. 1-22) A. A. Barb The Evesham Psalter (XXVII, pp. 23-41) D. H. Turner Notes on the Virtues and Vices (XXVII, pp. 42-72) Rosemond Tuve The Bible and Eternity: John Wyclif’s Dilemma (XXVII, pp. 73-89) Beryl Smalley Bartholomaeus Facius on Painting: A Fifteenth-Century Manuscript of the De Viris Illustribus (XXVII, pp. 90-107) Michael Baxandall The Language of Humanism and the Language of Sculpture: Bertoldo as Illustrator of the Apologi of Bartolomeo Scala (XXVII, pp. 108-136) Alison M. Brown; Alessandro Parronchi The Origin of an Archaeological Plan of Rome by Alessandro Strozzi (XXVII, pp. 137-163) Gustina Scaglia Nicolas Audebert and the Villa D’Este (XXVII, pp. 164-190) R. W. Lightbown Pirro Ligorio on the Nobility of the Arts (XXVII, pp. 191-210) David R. Coffin The Theology of Marlowe’s The Jew of Malta (XXVII, pp. 211-240) G. K. Hunter Eternity and the Afterlife (XXVII, pp. 241-250) D. P. Walker Musical Humanism, the Doctrine of Rhythmus, and the Saint Cecilia Odes of Dryden (XXVII, pp. 251-292) D. T. Mace Moment and Movement in Art (XXVII, pp. 293-306) E. H. Gombrich The Stevensweert Kantharos: Its Metrology and Eastern Connexions (XXVII, pp. 307-311) A. D. H. Bivar Some Unpublished Astrological Illustrations from Central and Eastern Europe (XXVII, pp. 311-312) K. Fischer The Iconography of the Deposition without St. John (XXVII, pp. 312317)

Paulina Ratkowska Two Pieces of Fifteenth-Century Political Iconography (XXVII, pp. 317-320) P. S. Lewis A Hitherto Unpublished Letter on Benozzo Gozzoli’s Frescoes in the Palazzo Medici-Riccardi (XXVII, pp. 321-322) Andreas Grote Philip II’s Impresa and Spenser’s Souldan (XXVII, pp. 322-324) Rene Graziani The Xenophon Translation Attributed to Queen Elizabeth I (XXVII, pp. 324-326) L. Bradner Robert Fludd’s Theory of Geomancy and His Experiences at Avignon in the Winter of 1601 to 1602 (XXVII, pp. 327-335) C. H. Josten Francisco Pacheco’s Apotheosis of Hercules (XXVII, pp. 335-337) G. Kunoth A Caritas Romana by Murillo (XXVII, pp. 337-339) Enriqueta Harris John Langhorne and Turner’s ‘Fallacies of Hope’ (XXVII, pp. 340-342) Jerrold Ziff Photogenic Drawings (XXVII, pp. 342-343) R. B. Beckett Vol. XXVIII, 1965 Logical and Mathematical Symbolism in the Plato Scholia, II. A Thousand Years of Diffusion and Redesign (XXVIII, pp. 1-13) Robert S. Brumbaugh A Twelfth-Century Defence of the Fourth Figure of the Syllogism (XXVIII, pp. 14-28) A. I. Sabra Byzantinism and Romantic Hellenism (XXVIII, pp. 29-43) Cyril Mango Gregory the Great, the Destroyer of Pagan Idols. The History of a Medieval Legend concerning the Decline of Ancient Art and Literature (XXVIII, pp. 44-65) Tilmann Buddensieg A Castilian Tradition of Bible Illustration. The Romanesque Bible from San Millan (XXVIII, pp. 66-85) John W. Williams

A Twelfth-Century Manuscript from Winchcombe and Its Illustrations. Dublin, Trinity College, MS. 53 (XXVIII, pp. 86-109) Adelheid Heimann The Iconography of the Four Panels by the Master of Saint Giles (XXVIII, pp. 110-144) William M. Hinkle Henry VI of England and the Dual Monarchy: Aspects of Royal Political Propaganda, 1422-1432 (XXVIII, pp. 145-162) J. W. McKenna The Medals of Pope Julius II (1503-1513) (XXVIII, pp. 163-182) Roberto Weiss Guarino, Pisanello and Manuel Chrysoloras (XXVIII, pp. 183-204) Michael Baxandall Eros and Anteros or Reciprocal Love in Ancient and Renaissance Art (XXVIII, pp. 205-208) Guy de Tervarent Bibles Francaises Apres le Concile de Trente (1546) (XXVIII, pp. 209222) Eugenie Droz An Unknown Chapter in the Life of John Dee (XXVIII, pp. 223-257) C. H. Josten A Rembrandt Problem: Haman or Uriah? (XXVIII, pp. 258-273) Madlyn Kahr The Medal against Time: A Study of Pope’s Epistle To Mr Addison (XXVIII, pp. 274-298) Howard Erskine-Hill A. M. Warburg (XXVIII, pp. 299-313) G. Bing Empedocles’s Fiery Fish (XXVIII, pp. 314-315) J. Longrigg The Hero with Two Swords: A Postscript (XXVIII, pp. 316-317) Martin Robertson A Serbo-Byzantine Betrothal Ring (XXVIII, pp. 317-319) F. M. Heichelheim; H. A. Hickl-Szabo The Breviary of Saint Louis: The Development of a Legendary Miracle (XXVIII, pp. 319-323) L. S. Crist The Salamander in Van der Goes’ Garden of Eden (XXVIII, pp. 323326)

Robert A. Koch The Solitary Bird in Van der Goes’ Garden of Eden (XXVIII, pp. 326329) Herbert Leon Kessler Some Seventeenth-Century Miniatures from the University of Cracow (XXVIII, pp. 329-331) Ewa Chojecka De Lineamentis: L. B. Alberti’s Use of a Technical Term (XXVIII, pp. 331-335) S. Lang Excerpts from the Codex Huygens Published in London in 1720 (XXVIII, pp. 336-338) Carlo Pedretti Poussin’s Marine Venus at Philadelphia: A Re-Identification Accepted (XXVIII, pp. 338-343) Charles Dempsey The Woman of Sestos: A Plinian Theme in the Renaissance (XXVIII, pp. 343-348) Susan Woodford Vol. XXIX, 1966 Antaura. The Mermaid and the Devil’s Grandmother: A Lecture (XXIX, pp. 1-23) A. A. Barb The Debate on Primitivism in Ancient Rhetoric (XXIX, pp. 24-38) E. H. Gombrich Three Illustrations from the Bury St. Edmunds Psalter and Their Prototypes. Notes on the Iconography of Some Anglo-Saxon Drawings (XXIX, pp. 39-59) Adelheid Heimann The Bury Bible (Cambridge, Corpus Christi College, MS. 2) (XXIX, pp. 60-81) C. M. Kauffmann A Logos Creator at Chartres and Its Copy (XXIX, pp. 82-100) Jan van der Meulen The Salvation of the Heathen: The Exploration of a Theme in Piers Plowman (XXIX, pp. 101-116) G. H. Russell The Mulier Amicta Sole and Her Attendants. An Episode in Late Medieval Finnish Art (XXIX, pp. 117-134)

Anthony Cutler Cardinal Giordano Orsini (d. 1438) as a Prince of the Church and a Patron of the Arts. A Contemporary Panegyric and Two Descriptions of the Lost Frescoes in Monte Giordano (XXIX, pp. 135-159) W. A. Simpson Correggio’s Amori di Giove (XXIX, pp. 160-192) Egon Verheyen Titian’s Old Testament Cycle (XXIX, pp. 193-205) Madlyn Kahr Graces, Muses, and Arts: The Urns of Henry II and Francis I (XXIX, pp. 206-218) Victoria L. Goldberg The Classical Perception of Nature in Poussin’s Earlier Works (XXIX, pp. 219-249) Charles Dempsey Puget’s Gallic Hercules (XXIX, pp. 250-263) Theodore Reff Moral Intention in the Fables of La Fontaine (XXIX, pp. 264-281) Margaret M. McGowan Dryden and Vossius: A Reconsideration (XXIX, pp. 282-295) H. Neville Davies A Reply to Mr. H. Neville Davies’s ‘Dryden and Vossius: A Reconsideration’ (XXIX, pp. 296-310) D. T. Mace Plagiaries-by-Memory of the Rake’s Progress and the Genesis of Hogarth’s Second Picture Story (XXIX, pp. 311-348) David Kunzle Biblical Illustration in Nineteenth-Century English Art (XXIX, pp. 349367) T. S. R. Boase On the Origin of the Word ‘Expressionism’ (XXIX, pp. 368-385) Donald E. Gordon Art in ‘The Epoch of the Great Spiritual’: Occult Elements in the Early Theory of Abstract Painting (XXIX, pp. 386-418) Sixten Ringbom The Illustration of Codex Ebnerianus (XXIX, pp. 419-424) Cecelia Meredith Giovanni Contarini, a Venetian at Oxford: 1392-1399 (XXIX, pp. 424432)

Anthony Luttrell Notes on the Astrological Predictions for A. D. 1430/1431 in MS. Harley 3731 (XXIX, pp. 432-433) O. Neugebauer An Emblematic Portrait by Dosso (XXIX, pp. 433-436) Felton Gibbons Poussin and Aesop (XXIX, pp. 436-437) A. F. Blunt The Textual Sources of Poussin’s Marine Venus in Philadelphia (XXIX, pp. 438-442) Charles Dempsey Vol. XXX, 1967 Otto Fein 1906-1966 (XXX, unpaginated, 1 p.) Women in Charge: The Function of Alternatives in Early Greek Tradition and the Ancient Idea of Matriarchy (XXX, pp. 1-35) Simon Pembroke Seventy-Eight Vitruvius Manuscripts (XXX, pp. 36-70) Carol Herselle Krinsky Studies in English Manuscript Illumination, Part I: Stylistic Sequence and Stylistic Overlap in Thirteenth-Century English Manuscripts (XXX, pp. 71-104) George Henderson Studies in English Manuscript Illumination, Part II: The English Apocalypse: I (XXX, pp. 104-137) George Henderson Simone Martini’s The Holy Family (XXX, pp. 138-149) Don Denny Four Tapestries after Hieronymus Bosch (XXX, pp. 150-162) Otto Kurz Pontormo’s Cosimo il Vecchio, a New Dating (XXX, pp. 163-175) John Sparrow Henry IV, the Gallic Hercules (XXX, pp. 176-197) Corrado Vivanti The Musical Theory and Philosophy of Robert Fludd (XXX, pp. 198227) Peter J. Ammann Kepler’s Celestial Music (XXX, pp. 228-250) D. P. Walker

A Volume of Mughal Drawings and Miniatures (XXX, pp. 251-271) Otto Kurz Manner and Meaning in Some Rubens Mythologies (XXX, pp. 272295) Svetlana L. Alpers Bishop Godwin’s ‘Lunatique Language’ (XXX, pp. 296-316) H. Neville Davies Hogarth, Fielding, and the Dating of the March to Finchley (XXX, pp. 317-326) W. B. Coley Ossian in Painting (XXX, pp. 327-356) Henry Okun Turner: An Early Experiment with Colour Theory (XXX, pp. 357-366) Gerald E. Finley The Sources of True Taste. Benjamin West’s Instructions to a Young Painter for His Studies in Italy (XXX, pp. 367-382) Franziska Forster-Hahn Alexander Historiatus a Supplement (XXX, pp. 383-388) D. J. A. Ross John VII’s Adoration of the Cross in S. Maria Antiqua (XXX, pp. 388390) Per Jonas Nordhagen The Archer, the Eagle and the Lamb (XXX, pp. 391-394) Barbara C. Raw Boethius and an Illustration to the Bible Historiale (XXX, pp. 394398) M. W. Evans An Unpublished Detail of the Iconography of the Passion in Le Chastel Perilleux (XXX, pp. 398-401) Marie Brisson A ‘Biface’ Medal of Henry II? (XXX, pp. 401-403) W. McAllister Johnson The Earliest Description of Bosch’s Garden of Delight (XXX, pp. 403406) E. H. Gombrich On Some Celestial Maps and Globes of the Sixteenth Century (XXX, pp. 406-409) Jacob Hess

A Note on the Arithmological Stanza: The Faerie Queene, II. ix. 22 (XXX, pp. 410-414) R. M. Cummings Velazquez and Charles I. Antique Busts and Modern Paintings from Spain for the Royal Collection (XXX, pp. 414-420) Enriqueta Harris Euanthes Redivivus: Rubens’s Prometheus Bound (XXX, pp. 420425) Charles Dempsey The Endymion Myth and Poussin’s Detroit Painting (XXX, pp. 426431) Judith Colton Salvator Rosa’s Justice Appearing to the Peasants (XXX, pp. 431434) Richard W. Wallace An Anatomical Drawing by Alexander Cozens (XXX, pp. 434-438) Arthur S. Marks Pouilly’s Plagiarism (XXX, pp. 438-444) George H. Nadel Pope’s Neighbours: An Early Landscape Garden at Richmond (XXX, pp. 444-446) A. J. Sambrook Back to top . Vol. XXXI (1968); Vol. XXXII (1969); Vol. XXXIII (1970); Vol. XXXIV (1971); Vol. XXXV (1972); Vol. XXXVI (1973); Vol. XXXVII (1974); Vol. XXXVIII (1975); Vol. XXXIX (1976); Vol. XL (1977). Vol. XXXI, 1968 Symbolism in the Plato Scholia (XXXI, pp. 1-11) Robert S. Brumbaugh Thabit Ibn Qurra on Euclid’s Parallels Postulate (XXXI, pp. 12-32) A. I. Sabra Some Early Medieval Figure Sculpture from North-East Turkey (XXXI, pp. 33-72) David Winfield The Capital Frieze and Pilasters of the Portail Royal, Chartres (XXXI, pp. 73-102) Adelheid Heimann

Studies in English Manuscript Illumination, Part III: The English Apocalypse; II (XXXI, pp. 103-147) George Henderson Virtues and Vices in the Chapter House Vestibule in Salisbury (XXXI, pp. 148-158) Rosalie B. Green Piers Plowman and Local Iconography (XXXI, pp. 159-169) R. E. Kaske A Mid-Fifteenth-Century English Illuminating Shop and Its Customers (XXXI, pp. 170-196) Kathleen L. Scott The Signatures and Original Foliation of Leonardo da Vinci’s Libro F (XXXI, pp. 197-217) Carlo Pedretti Leonardo’s Architectural Designs and the Sforza Mausoleum (XXXI, pp. 218-233) S. Lang The Term Emblema in Alciati (XXXI, pp. 234-250) Hessel Miedema Mercurius Ver: The Sources of Botticelli’s Primavera (XXXI, pp. 251273) Charles Dempsey Le Theme de la Madeleine penitente au XVIIeme siecle en France (XXXI, pp. 274-306) Francoise Bardon The Painted Enigma and French Seventeenth-Century Art (XXXI, pp. 307-335) Jennifer Montagu William Hogarth and Antoine Parent (XXXI, pp. 336-382) J. Dobai Delacroix’s Imagery in the Palais Bourbon Library (XXXI, pp. 383403) G. L. Hersey The Architectural Setting of Jane Austen’s Novels (XXXI, pp. 404422) Nikolaus Pevsner The Yale (XXXI, pp. 423-428) Wilma George

An Allegorical Portrait of Emperor Sigismund by Mariano Taccola of Siena (XXXI, pp. 428-434) Gustina Scaglia On the Iconography of the Nymph of the Fountain by Lucas Cranach the Elder (XXXI, pp. 434-437) Michael Liebmann Marvell’s Stork: The Natural History of an Emblem (XXXI, pp. 437438) Kitty Datta New Light on Bernini’s Neptune and Triton (XXXI, pp. 438-440) William Collier Quaestiones disputatae: Poussin’s Venus at Philadelphia (XXXI, pp. 440-444) Frank H. Sommer Harrison, Jonson and Dekker: The Magnificent Entertainment for King James (1604) (XXXI, pp. 445-448) David M. Bergeron Two Eighteenth-Century Frontispieces (XXXI, pp. 448-449) H. A. Hammelmann Vol. XXXII, 1969 Simplicius’s Proof of Euclid’s Parallels Postulate (XXXII, pp. 1-24) A. I. Sabra Observations on the Historiated Lintel of the Holy Sepulchre, Jerusalem (XXXII, pp. 25-40) Alan Borg A Tanner Manuscript in the Bodleian Library and Some Notes on English Painting of the Late Twelfth Century (XXXII, pp. 41-54) L. M. Ayres The Tympanum of the Portal of Saint-Anne at Notre Dame de Paris and the Iconography of the Division of the Powers in the Early Middle Ages (XXXII, pp. 55-72) Walter Cahn Arnold Geilhoven: An Early Disciple of Petrarch in the Low Countries (XXXII, pp. 73-108) Nicholas Mann Alberti’s Colour Theory: A Medieval Bottle without Renaissance Wine (XXXII, pp. 109-134) Samuel Y. Edgerton, Jr.

The Crucifixion of St. Peter: A Fifteenth-Century Topographical Problem (XXXII, pp. 135-161) J. M. Huskinson Bosch’s “Garden of Earthly Delights”: A Progress Report (XXXII, pp. 162-170) E. H. Gombrich Giovanni Pico’s Book of Job (XXXII, pp. 171-199) Chaim Wirszubski Erasmus and the Visual Arts (XXXII, pp. 200-227) Erwin Panofsky Oriental Art and the Orient in Late Renaissance and Baroque Italy (XXXII, pp. 228-279) R. W. Lightbown The Angelic Consolation of St. Francis of Assisi in Post-Tridentine Italian Painting (XXXII, pp. 280-306) Pamela Askew John Toland and the Newtonian Ideology (XXXII, pp. 307-331) Margaret Candee Jacob The Early Career of Alexander Runciman and His Relations with Sir James Clerk of Penicuik (XXXII, pp. 332-343) Susan Booth Constable’s Sky Sketches (XXXII, pp. 344-365) Louis Hawes Antolini’s Foro Bonaparte in Milan (XXXII, pp. 366-385) Carroll William Westfall Papal Patronage in the Early Twelfth Century: Notes on the Iconography of Cosmatesque Pavements (XXXII, pp. 386-390) Dorothy Glass Filippino Lippi’s Wounded Centaur, p. 390 Hugh Lloyd-Jones The Taddei Tondo: A Frightened Jesus? (XXXII, pp. 391-393) Malcolm Easton Mantegna and Francisque Pellegrin, p. 394 W. McAllister Johnson A Note on Marcantonio’s Death of Dido (XXXII, pp. 394-396) David H. Thomas The Source of Titian’s Bacchus and Ariadne (XXXII, pp. 396-397) Angus Easson

From the Alessandro Morente to the Alexandre Richelieu. The Portraiture of Alexander the Great in Seventeenth-Century Italy and France (XXXII, pp. 398-405) Erkinger Schwarzenberg A Neglected Classical Phase of Turner’s Art: His Vignettes to Rogers’s Italy (XXXII, pp. 405-410) Adele M. Holcomb The Lost Opportunity of the Royal Academy: An Assessment of Its Position in the Nineteenth Century (XXXII, pp. 410-420) H. C. Morgan A Corrected Plan of Delacroix’s Ceiling in the Library of the Palais Bourbon (XXXII, pp. 420-421) Lee Johnson Vol. XXXIII, 1970 Representations of the Temple of Jerusalem before 1500 (XXXIII, pp. 1-19) Carol Herselle Krinsky Notes on Some Didactic Illustrations in the Margins of a TwelfthCentury Psalter (XXXIII, pp. 20-40) Karl-August Wirth The Beasts from Job in the Liber Floridus Manuscripts (XXXIII, pp. 4151) Jessie Poesch The Two Caves of Love in the Tristan by Thomas (XXXIII, pp. 52-69) L. Polak The Reconstruction of Nicola Pisano’s Perugia Fountain (XXXIII, pp. 70-83) John White The Mosaics of Pietro Cavallini in Santa Maria in Trastevere (XXXIII, pp. 84-106) Paul Hetherington The Compagnia de’ Magi (XXXIII, pp. 107-161) Rab Hatfield Cosimo de’ Medici’s Patronage of Architecture and the Theory of Magnificence (XXXIII, pp. 162-170) A. D. Fraser Jenkins Hieronymus Bosch in Some Literary Contexts (XXXIII, pp. 171-199) Helmut Heidenreich

Henry the Younger of Brunswick-Wolfenbuttel. Wild Man and Werwolf in Religious Polemics 1538-1544 (XXXIII, pp. 200-234) F. J. Stopp The Meaning of Veronese’s Paintings in the Church of San Sebastiano in Venice (XXXIII, pp. 235-247) Madlyn Kahr The Iconography of Silence and Chapman’s Hercules (XXXIII, pp. 248-263) Raymond B. Waddington Francis Bacon, Natalis Comes and the Mythological Tradition (XXXIII, pp. 264-291) Barbara Carman Garner Rembrandt’s ‘Polish Rider’ and the Prodigal Son (XXXIII, pp. 292303) Colin Campbell Blind Cupid (XXXIII, pp. 304-305) C. D. Gilbert An ‘Ascent of Alexander’ (XXXIII, pp. 305-307) Chiara Settis Frugoni William of Sens and the Double Columns at Sens and Canterbury (XXXIII, pp. 307-313) Kenneth W. Severens An Iconographic Note on Raphael’s Galatea (XXXIII, pp. 313-315) Duncan T. Kinkead Tintoretto and the Roman de la Rose (XXXIII, pp. 315-317) Carla Lord An Iconographical Puzzle: Spenser’s Cupid at Faerie Queene, VII, viii (XXXIII, pp. 317-321) R. M. Cummings Sidney’s Personal Imprese (XXXIII, pp. 321-324) Katherine Duncan-Jones Daniel’s Delia and the Imprese of Bishop Paolo Giovio: Some Iconological Influences (XXXIII, pp. 325-328) Joseph Kau Salvator Rosa’s Engraving for Carlo de’ Rossi and His Satire, Invidia (XXXIII, pp. 328-330) Nancy Rash Fabbri William III and Sir Godfrey Kneller (XXXIII, pp. 330-336) J. D. Stewart

Rhodes: Sir William to Sir Walter. Notes to Save Sir Walter Scott the Trouble of Looking out Information about Rhodes. W. Gell, 1832 (XXXIII, pp. 336-343) Edith Clay The Subject of Millais’s Christ in the House of His Parents (XXXIII, pp. 343-345) Edward Morris An Unpublished Petition Exemplifying the Oneness of the Community of Nineteenth-Century French Artists (XXXIII, pp. 345353) Albert Boime Vol. XXXIV, 1971 Observations on a Number of Liuthar Manuscripts (XXXIV, pp. 1-11) Katherine B. Powell The Sculpture Programme of the Porte des Comtes Master at SaintSernin in Toulouse (XXXIV, pp. 12-39) Thomas W. Lyman The Iconography of a Romanesque Chalice from Trzemeszno (XXXIV, pp. 40-64) Piotr Skubiszewski The Tomb of Saint Louis (XXXIV, pp. 65-82) Georgia Sommers Wright Illustrations Direct and Oblique in the Margins of an Alexander Romance at Oxford (XXXIV, pp. 83-95) S. K. Davenport Alberti and FILARETH. A Study in Their Sources (XXXIV, pp. 96-114) John Onians ‘Il Concetto dell’Anima’ in Leonardo’s Early Skull Studies (XXXIV, pp. 115-134) Martin Kemp Citarea ‘su una impresa di bronconi’ (XXXIV, pp. 135-177) Salvatore Settis Works of Art from Rome for Henry VIII. A Study of Anglo-Papal Relations as Reflected in Papal Gifts to the English King (XXXIV, pp. 178-203) Margaret Mitchell Plus Ultra, Non plus Ultra, and the Columnar Device of Emperor Charles V (XXXIV, pp. 204-228) Earl Rosenthal

Johannes Molanus on Provocative Paintings. De Historia Sanctarum Imaginum et Picturarum, Book II, Chapter 42 (XXXIV, pp. 229-245) David Freedberg Erasmus in France in the Later Sixteenth Century (XXXIV, pp. 246261) Margaret Mann Phillips Bound Theory and Blind Practice: Pietro Testa’s Notes on Painting and the Liceo della Pittura (XXXIV, pp. 262-296) Elizabeth Cropper The Illustration of Sir Walter Scott: Nineteenth-Century Enthusiasm and Adaptation (XXXIV, pp. 297-317) Catherine Gordon Stitchery in Classical and Renaissance Art (XXXIV, pp. 318-320) Elizabeth Birbari The Wound in Christ’s Side (XXXIV, pp. 320-321) A. A. Barb Moses Shown the Promised Land (XXXIV, pp. 321-324) Adelheid Heimann The Heraldry of Hector and Its Antiquity (XXXIV, pp. 325-326) R. A. Dwyer Botticelli’s Three Graces (XXXIV, pp. 326-330) Charles Dempsey Boccaccio’s Ninfale Fiesolano in Early Florentine Cassone Painting (XXXIV, pp. 331-333) Paul F. Watson The Poison-Woodcut by the ‘Petrarch-Master’ (XXXIV, pp. 333-335) A. A. Barb Erasmus and the Iconography of Pieter Aertsen’s Christ in the House of Martha and Mary in the Boymans-van Beuningen Museum (XXXIV, pp. 335-336) P. K. F. Moxey The Celestial Cartography of Giovanni Antonio Vanosino da Varese (XXXIV, pp. 336-337) Deborah Jean Warner Appearances of the Red Cross Knight in Book Two of Spenser’s Faerie Queene (XXXIV, pp. 338-350) Robin Kirkpatrick Spenser’s Fourth Grace (XXXIV, pp. 350-355) Gerald Snare

The Natural Course of Light Inverted: An Impresa in Chapman’s Bussy D’Ambois (XXXIV, pp. 356-360) Albert R. Braunmuller An Early Painting by Frans Pourbus the Younger: Dit Was Ghemaeckt int Jaer 1508 van My Fransken Povrbvs als ick ovt Was 10 Jaer (XXXIV, pp. 360-362) Egon Verheyen Rubens and Optics: Some Fresh Evidence (XXXIV, pp. 362-366) Michael Jaffe Exhortatio ad Virtutem: A Series of Paintings in the Barberini Palace (XXXIV, pp. 366-372) Jennifer Montagu Blake’s Newton (XXXIV, pp. 372-377) John Gage Constable and Wordsworth: The Ecological Moment of Romantic Art (XXXIV, pp. 377-386) Karl Kroeber Turner and Scott (XXXIV, pp. 386-397) Adele M. Holcomb John Gibson’s Satan (XXXIV, pp. 397-399) Edward Morris Correction: The Beasts from Job in the Liber Floridus Manuscripts, p. 399 Jessie Poesch Vol. XXXV, 1972 The Lintel Fragment Representing Eve from Saint-Lazare, Autun (XXXV, pp. 1-30) O. K. Werckmeister A Note on Jacobus (XXXV, pp. 31-80) Christopher Hohler Artists, Suppliers and Clerks: The Human Factors in the Art Patronage of King Henry III (XXXV, pp. 81-107) R. Kent Lancaster Antichrist and the Iconography of Dante’s Geryon (XXXV, pp. 108122) John Block Friedman Christian Hebraism and the Ramsey Abbey Psalter (XXXV, pp. 123134) Lucy Freeman Sandler

Some Similarities between Queen Mary’s Psalter and the Northern Passion (XXXV, pp. 135-144) O. S. Pickering The Pictorial Programme of the Sala della Pace: A New Interpretation (XXXV, pp. 145-162) Uta Feldges-Henning Books and Their Owners in Venice 1345-1480 (XXXV, pp. 163-186) Susan Connell The Fire Next Time (XXXV, pp. 187-199) Bo Lindberg Dissection and Divinity in Leonardo’s Late Anatomies (XXXV, pp. 200-225) Martin Kemp Veronese and Daniele Barbaro: The Decoration of Villa Maser (XXXV, pp. 226-246) Richard Cocke The ‘Rainbow Portrait’ of Queen Elizabeth I and Its Religious Symbolism (XXXV, pp. 247-259) Rene Graziani Claude and Architecture (XXXV, pp. 260-283) I. G. Kennedy The Iconography of the Marble Gallery at Frederiksborg Palace (XXXV, pp. 284-293) Meir Stein Leibniz and Language (XXXV, pp. 294-307) D. P. Walker ‘Medusa’ or the Physiognomy of the Earth: Humbert de Superville’s Cosmological Aesthetics (XXXV, pp. 308-338) Barbara Stafford The Italian Tour of William Hilton R. A. in 1825 (XXXV, pp. 339-358) Marcia R. Pointon J. M. W. Turner and Sir Walter Scott: Iconography of a Tour (XXXV, pp. 359-385) Gerald E. Finley Cain’s Murder-Weapon and Samson’s Jawbone of an Ass (XXXV, pp. 386-389) A. A. Barb The Holy Sepulchre Lintel (XXXV, pp. 389-390) Alan Borg

Sforzinda, Filarete and Filelfo (XXXV, pp. 391-397) S. Lang The Rucellai Family and Its Loggia (XXXV, pp. 397-401) F. W. Kent Butler’s Character of Hudibras and Contemporary Graphic Satire (XXXV, pp. 401-404) Laurel Brodsley Vol. XXXVI, 1973 The Meaning of Horace’s Ut Pictura Poesis (XXXVI, pp. 1-34) Wesley Trimpi Ovid’s Tomb: The Growth of a Legend from Eusebius to Laurence Sterne, Chateaubriand and George Richmond (XXXV, pp. 35-76) J. B. Trapp The Crucifix of Fernando and Sancha and Its Relationship to North French Manuscripts (XXXVI, pp. 77-91) Marlene Park Carpentry and Design in Duccio’s Workshop: The London and Boston Triptychs (XXXVI, pp. 92-105) John White Some Remarks on Mamluk Playing Cards (XXXVI, pp. 106-128) Michael Dummett; Kamal Abu-Deeb Federigo da Montefeltro’s Patronage of the Arts, 1468-1482 (XXXVI, pp. 129-144) Cecil H. Clough The Travels of Bernardo Michelozzi and Bonsignore Bonsignori in the Levant (1497-98) (XXXVI, pp. 145-197) Eve Borsook The Invention of the Columnar Device of Emperor Charles V at the Court of Burgundy in Flanders in 1516 (XXXVI, pp. 198-230) Earl E. Rosenthal English Ruins and English History: The Dissolution and the Sense of the Past (XXXVI, pp. 231-255) Margaret Aston Spenser’s Amoretti VIII and Platonic Commentaries on Petrarch (XXXVI, pp. 256-276) Jon A. Quitslund The Orchestra of Sir John Davies and the Image of the Dance (XXXVI, pp. 277-304) Sarah Thesiger

The Iconography of Poussin’s Painting Representing Diana and Endymion (XXXVI, pp. 305-318) Francis H. Dowley Carlo Fontana’s Project for a Church in Honour of the ‘Ecclesia Triumphans’ in the Colosseum, Rome (XXXVI, pp. 319-337) Hellmut Hager Falsificazioni Epigrafiche di Girolamo Asquini (XXXVI, pp. 338-354) Maria Pia Billanovich The Bird Carista (XXXVI, pp. 355-357) Salome Zajadacz-Hastenrath A Medieval Definition of Scientific Experiment in the Hebrew Picatrix (XXXVI, pp. 358-359) M. Plessner Horatian Reminiscences in Two Twelfth-Century Art Critics (XXXVI, pp. 359-360) John Gage Towards a Literary Source for the Scenes of the Passion in Queen Mary’s Psalter (XXXVI, pp. 361-365) Marion Roberts Chaucer’s Attitude towards Astrology (XXXVI, pp. 365-366) Frank D. Gilliard The Iconography of the Frescoes in the Oratorio di S. Giovanni at Urbino (XXXVI, pp. 367-373) Penelope A. Dunford Mantegna’s St. Sebastians: Stabilitas in a Pagan World (XXXVI, pp. 373-377) Joan G. Caldwell Tarsie: Design and Designers (XXXVI, pp. 377-382) M. J. Thornton Marcantonio Michiel’s Collection (XXXVI, pp. 382-385) Jennifer Fletcher A ‘New Route’ in 1822 Turner’s Colour and Optics (XXXVI, pp. 385390) Gerald E. Finley Turner’s Illustrations to Napoleon (XXXVI, pp. 390-396) Gerald E. Finley Some Commercial Aspects of the Boydell Shakespeare Gallery (XXXVI, pp. 396-401) Winifred H. Friedman

Vol. XXXVII, 1974 The Klosterneuburg Altar of Nicholas of Verdun: Art, Theology and Politics (XXXVII, pp. 1-32) Helmut Buschhausen Scrutamini Scripturas: Joachimist Themes and Figurae in the Early Religious Writing of Arnold of Vilanova (XXXVII, pp. 33-56) Harold Lee The Stefaneschi Altarpiece: A Reconsideration (XXXVII, pp. 57-103) Julian Gardner The Nevill Hours and the School of Herman Scheerre (XXXVII, pp. 104-130) Gereth M. Spriggs Fifteenth-Century Dutch Bible Illustration and the Historia Scholastica (XXXVII, pp. 131-144) Sandra Hindman Francesco Giorgio’s Commentary on Giovanni Pico’s Kabbalistic Theses (XXXVII, pp. 145-156) Chaim Wirszubski The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy (XXXVII, pp. 157-173) Marcia B. Hall Henry Peacham and the Art of Drawing (XXXVII, pp. 174-190) F. J. Levy Rubens’s Arch of the Mint (XXXVII, pp. 191-217) Elizabeth McGrath The Devotion of the Forty Hours and Roman Baroque Illusions (XXXVII, pp. 218-248) Mark S. Weil Virtue’s Wintry Reward: Pietro Testa’s Etchings of the Seasons (XXXVII, pp. 249-279) Elizabeth Cropper Carlo Fontana and the Jesuit Sanctuary at Loyola (XXXVII, pp. 280289) Hellmut Hager Shaftesbury’s Illustrations of Characteristics (XXXVII, pp. 290-312) Felix Paknadel English Realism: George Eliot and the Pre-Raphaelites (XXXVII, pp. 313-329) John Murdoch

The Exaltation of David (XXXVII, pp. 330-333) Hugo Buchthal Two Panels on the Ruthwell Cross (XXXVII, pp. 333-336) D. R. Howlett Iconographical Notes towards a Definition of the Medieval Fool (XXXVII, pp. 336-342) D. J. Gifford The Letters Genuine and Spurious of Giovanni Rucellai (XXXVII, pp. 342-349) F. W. Kent Battista Guarini and a Book at Oxford (XXXVII, pp. 349-353) Dennis E. Rhodes The Good Friday Liturgy and Hans Memling’s Antwerp Triptych (XXXVII, pp. 353-356) Maurice B. McNamee An Antique Prototype for Michelangelo’s Fall of Man (XXXVII, pp. 356-358) Avraham Ronen Vesta and the Martyrdom of St. Lawrence in the Sixteenth Century (XXXVII, pp. 358-362) Robert W. Gaston The Placement of the Equestrian Statue of Marcus Aurelius in the Middle Ages (XXXVII, pp. 362-367) Philipp Fehl Young Milton and the Telescope (XXXVII, pp. 368-373) Lubomir Konecny The Medici in Elizabethan and Jacobean Drama (XXXVII, pp. 373378) T. S. R. Boase King Charles II’s Own Fashion: The Theatrical Origins of the English Vest (XXXVII, pp. 378-382) Diana De Marly Vol. XXXVIII, 1975 Three Manuscripts for Lucchese Canons of S. Frediano in Rome (XXXVIII, pp. 1-52) Edward B. Garrison The Miniature Cycle in the Sandomierz Pantheon and the Medieval Iconography of Alexander’s Indian Campaign (XXXVIII, pp. 53-71) Krystyna Secomska

Some Cardinals’ Seals of the Thirteenth Century (XXXVIII, pp. 72-96) Julian Gardner English Misericords of the Thirteenth and Fourteenth Centuries and Their Relationship to Manuscript Illuminations (XXXVIII, pp. 97-108) Christa Grossinger Lettura storica degli affreschi della ‘Camera degli sposi’ di A. Mantegna (XXXVIII, pp. 109-135) Rodolfo Signorini The Florentine Entrata of Leo X, 1515 (XXXVIII, pp. 136-154) John Shearman Joseph Scaliger’s Edition of Catullus (1577) and the Traditions of Textual Criticism in the Renaissance (XXXVIII, pp. 155-181) Anthony T. Grafton A Netherlandish History by Joachim Wtewael (XXXVIII, pp. 182-217) Elizabeth McGrath On the Date and Function of Some Allegorical Sketches by Rubens (XXXVIII, pp. 218-233) Julius S. Held Chapman’s Ovids Banquet of Sence: Its Sources and Theme (XXXVIII, pp. 234-257) Louise Vinge The Perspective of Shadows: The History of the Theory of Shadow Projection (XXXVIII, pp. 258-287) Thomas Da Costa Kaufmann ‘Pintura’: Background and Sketch of a Spanish Seventeenth-Century Court Genre (XXXVIII, pp. 288-313) Gareth Alban Davies English Church Monuments to Women Who Died in Childbed between 1780 and 1835 (XXXVIII, pp. 314-332) N. B. Penny Jacopo Sansovino’s Madonna in Sant’Agostino: An Antique Source Rediscovered (XXXVIII, pp. 333-338) Mary D. Garrard A Connoisseur’s Shopping-List, 1647 (XXXVIII, pp. 339-341) J. P. Ferris An Unusual Binding Design after Durer’s Melencolia I (XXXVIII, pp. 341-342) William Hauptman Vol. XXXIX, 1976

An Early Fourteenth-Century English Breviary at Longleat (XXXIX, pp. 1-20) Lucy Freeman Sandler The Housing Problems of Cardinal Francesco Gonzaga (XXXIX, pp. 21-58) D. S. Chambers A Confraternity of the Holy Ghost and a Series of Paintings of the Life of the Virgin in London and Munich (XXXIX, pp. 59-68) Stella Mary Newton Magic and Radical Reformation in Agrippa of Nettesheim (XXXIX, pp. 69-103) Paola Zambelli Reuchlin’s De Verbo Mirifico and the Magic Debate of the Late Fifteenth Century (XXXIX, pp. 104-138) Charles Zika The Voynich ‘Roger Bacon’ Cipher Manuscript: Deciphered Maps of Stars (XXXIX, pp. 139-150) Robert S. Brumbaugh Arma Virumque... Nicolo dell’Abate’s Aeneid gabinetto for Scandiano (XXXIX, pp. 151-170) Erika Langmuir A Quaker-Kabbalist Controversy: George Fox’s Reaction to Francis Mercury van Helmont (XXXIX, pp. 171-189) Allison Coudert The Decorations for Archduke Leopold William’s State Entry into Antwerp (XXXIX, pp. 190-198) Hans Vlieghe The Stylistic Term ‘Plateresque’ (XXXIX, pp. 199-230) J. B. Bury The Legend of the Three Hermes and Abu Ma’shar’s Kitab al-Uluf in the Latin Middle Ages (XXXIX, pp. 231-234) Charles S. F. Burnett Bonaventura Berlinghieri’s Palmettes (XXXIX, pp. 234-236) Ernst H. Gombrich An Unpublished Bodleian Miniature: The Entombment in the Holy Sepulchre (XXXIX, pp. 236-237) Barbara G. Lane Bartolomeo Scala’s Dealings with Booksellers, Scribes and Illuminators, 1459-63: (1) Bartolomeo Scala (XXXIX, pp. 237-239) A. M. Brown

Bartolomeo Scala’s Dealings with Booksellers, Scribes and Illuminators, 1459-63: (2) The Book Trade (XXXIX, pp. 239-245) A. C. de la Mare A Drawing for Santa Maria presso San Satiro (XXXIX, pp. 246-253) R. V. Schofield Of Beggars: Lucas van Leyden and Sebastian Brant (XXXIX, pp. 253257) Lawrence A. Silver Architecture in Vasari’s ‘Massacre of the Huguenots’ (XXXIX, pp. 258-261) E. Howe On the Iconography of a Carving in King’s College Chapel, Cambridge, p. 262 Jennifer Fellows The Iconography of Spenser’s Occasion (XXXIX, pp. 263-266) John Manning; Alastair Fowler Henry Fuseli’s ‘Queen Katherine’s Vision’ and Macklin’s Poets’ Gallery: A New Critique (XXXIX, pp. 266-268) Marcia Allentuck The Origin and the Concept of ‘Classique’ in French Art Criticism (XXXIX, pp. 268-275) J. J. L. Whiteley Delacroix Emblematicus, His Unknown Studies after Bonasone (XXXIX, pp. 275-280) Sara Lichtenstein Vol. XL, 1977 John of Salisbury’s Manuscripts of Frontinus and of Gellius (XL, pp. 126) Janet Martin Saint Mark’s Trophies: Legend, Superstition, and Archaeology in Renaissance Venice (XL, pp. 27-49) Marilyn Perry The Brancacci Chapel: Studies in Its Iconography and History (XL, pp. 50-98) Anthony Molho Sant’Andrea at Mantua and Gonzaga Patronage 1460-1472 (XL, pp. 99-127) D. S. Chambers Leonardo and the Visual Pyramid (XL, pp. 128-149)

Martin Kemp On the Scholarship of Politian and Its Context (XL, pp. 150-188) A. Grafton Lefevre d’Etaples, Symphorien Champier, and the Secret Names of God (XL, pp. 189-211) Brian P. Copenhaver Extraits des Glosae super Platonem de Guillaume de Conches dans un manuscrit de Londres (XL, pp. 212-222) Edouard Jeauneau The Coryciana and the Nymph Corycia (XL, pp. 223-239) Phyllis Pray Bober Andrea Palladio, Polybius and Julius Caesar (XL, pp. 240-255) J. R. Hale Descartes’s Dreams (XL, pp. 256-273) Alice Browne Herod’s Demon-Crown (XL, pp. 274-276) Miriam Skey John of Salisbury’s Policraticus in Thirteenth-Century England: The Evidence of Ms Cambridge Corpus Christi College 469 (XL, pp. 276282) Amnon Linder New Light on the Circulation of the A-Text of Seneca’s Tragedies (XL, pp. 283-290) R. H. Rouse; A. C. de la Mare The Throne and the Seven-Branched Candlestick: Pico della Mirandola’s Hebrew Source (XL, pp. 290-292) Moshe Idel Two Notes on Diego da Sagredo (XL, pp. 292-300) Nigel Llewellyn The Authorship of the Recueil d’Arras (XL, pp. 301-313) Lorne Campbell Inigo Jones: An Allegory Recovered, p. 314 Stephen Orgel Rubens’s Infant-Cornucopia (XL, pp. 315-318) Elizabeth McGrath A Sixteenth-Century Illustrated Treatise on Comets (XL, pp. 318322) Jean-Michel Massing

Back to top . Vol. XLI (1978); Vol. XLII (1979); Vol. XLIII (1980); Vol. XLIV (1981); Vol. XLV (1982); Vol. XLVI (1983); Vol. XLVII (1984); Vol. XLVIII (1985); Vol. XLIX (1986); Vol. L (1987). Vol. XLI, 1978 The Medieval Legend of the Last Roman Emperor and Its Messianic Origin (XLI, pp. 1-15) Paul J. Alexander Medieval Illustrations of Bede’s Life of St. Cuthbert (XLI, pp. 16-49) Malcolm Baker The Vision of Thurkill (XLI, pp. 50-64) Paul Gerhard Schmidt The Discovery of an Early Man of Sorrows on a Dominican Triptych (XLI, pp. 65-75) H. W. van Os Lorenzo Valla’s De Vero Falsoque Bono, Lactantius and Oratorical Scepticism (XLI, pp. 76-107) Letizia A. Panizza Leonardo’s Eye (XLI, pp. 108-146) James S. Ackerman Doctor Parma’s Medicinal Macaronic: Poem by Bartolotti, Pictures by Giorgione and Titian (XLI, pp. 147-191) William Schupbach The Historiography of Discovery in the Renaissance: The Sources and Composition of Polydore Vergil’s De Inventoribus Rerum, I-III (XLI, pp. 192-214) Brian P. Copenhaver Cardinal Domenico Grimani’s Legacy of Ancient Art to Venice (XLI, pp. 215-244) Marilyn Perry The Painted Decoration of Rubens’s House (XLI, pp. 245-277) Elizabeth McGrath The Fonthill Abbey Pictures: Two Additions to the Hazlitt Canon (XLI, pp. 278-296) Stanley Jones The Corbels in the Dome of Loarre (XLI, pp. 297-301) Katherine Watson Gardens of Virtue in the Middle Ages (XLI, pp. 302-307)

Ellen Kosmer Bishop Bradwardine on the Artificial Memory (XLI, pp. 307-312) Beryl Rowland The Political Significance of Uccello’s Battle of San Romano (XLI, pp. 313-316) Gordon Griffiths The Virgin Snail (XLI, p. 316) Helen S. Ettlinger A Dog Named Rubino (XLI, pp. 317-320) Rodolfo Signorini Hozi... Cadette il Naso a Virgilio (XLI, pp. 320-321) Rodolfo Signorini Papal Conclaves and Prophetic Mystery in the Sistine Chapel (XLI, pp. 322-326) D. S. Chambers Cupid Disarmed, or Venus Wounded? An Ovidian Source for Michelangelo and Bronzino (XLI, pp. 327-331) William Keach Aspects of Imitation in Cavino’s Medals (XLI, pp. 331-334) Charles Davis Bellori, Maratti and the Palazzo Altieri (XLI, pp. 334-340) Jennifer Montagu Goya’s Liberal Iconography: Two Images of Jovellanos (XLI, pp. 340344) Steven A. Mansbach Pugin and Ruskin (XLI, pp. 344-350) Patrick R. M. Conner Vol. XLII, 1979 Figured Poetry (XLII, pp. 1-15) Elizabeth Cook Saturn and the Jews (XLII, pp. 16-27) Eric Zafran The Problem of Provincialism: Byzantine Monasteries in Cappadocia and Monks in South Italy (XLII, pp. 28-46) Ann Wharton Epstein The Master of Gargilesse: A French Sculptor of the First Half of the Twelfth Century (XLII, pp. 47-64) Adelheid Heimann

An Early Fourteenth-Century English Psalter in the Escorial (XLII, pp. 65-80) Lucy Freeman Sandler Pierfrancesco de’ Medici, 1430-1476: A Radical Alternative to Elder Medicean Supremacy? (XLII, pp. 81-103) Alison Brown Cupid and Psyche in Renaissance Painting before Raphael (XLII, pp. 104-121) Luisa Vertova Early Medicean Devices (XLII, pp. 122-143) Francis Ames-Lewis Jean Lemaire de Belges and Prophecy (XLII, pp. 144-166) Jennifer Britnell Rhetoric, Philology and Egyptomania in the 1570s: J. J. Scaliger’s Invective against M. Guilandinus’s Papyrus (XLII, pp. 167-194) A. Grafton George Gilbert Scott and the Martyrs’ Memorial (XLII, pp. 195-206) Nicola C. Smith On the Blank Daniel-Cycle in MS Junius II (XLII, pp. 207-213) Peter J. Lucas The Seven-Branched Candlestick as a Psalter Illustration (XLII, pp. 213-215) Pamela Willetts In the Wake of the Bury Bible: Followers of Master Hugo at Bury St. Edmunds (XLII, pp. 216-224) Elizabeth Parker McLachlan A Note on Pamphilus (XLII, pp. 225-230) Peter Dronke The Iconography of the Months at Lentini (XLII, pp. 230-233) Nancy Rash Fabbri Aspects of the Iconography of the Devil at the Crucifixion (XLII, pp. 233-235) C. W. Marx; M. A. Skey Francesco Filelfo’s Lost Letter De Ideis (XLII, pp. 236-249) Jill Kraye Lorenzo de’ Medici’s Acquisition of Poggio a Caiano in 1474 and an Early Reference to His Architectural Expertise (XLII, pp. 250-257) F. W. Kent Antonio Pollaiuolo’s Use of the Antique (XLII, pp. 257-263)

Laurie Fusco Giulio Romano, Giovanni da Udine and Raphael: Some Influences from the Minor Arts of Antiquity (XLII, pp. 263-272) Toby Yuen Distat Enim Qvae Sydera te Excipiant (XLII, p. 273) Rodolfo Signorini Cosmas and Damian in the New Sacristy (XLII, pp. 274-277) Till Verellen The Last Will of Daniele Barbaro (XLII, pp. 277-282) Bruce Boucher The Author of a Renaissance Commentary on Pliny: Rivius, Trithemius or Aquaeus? (XLII, pp. 282-286) Charles G. Nauert A New Source for John Lyly’s Euphues and His England (XLII, pp. 286-289) Gareth. J. Roberts Landscape and the ‘Art Prospective’ in England, 1584-1660 (XLII, pp. 290-293) James Turner Vol. XLIII, 1980 Some of the Sources of the Ghayat al-hakim (XLIII, pp. 1-15) David Pingree Bernard Silvestris, Natura, and Personification (XLIII, pp. 16-31) Peter Dronke The Reconstructed Toledo Speculum Humanae Salvationis: The Italian Connection in the Early Fourteenth Century (XLIII, pp. 32-51) Evelyn Silber The Windmill Psalter: The Historiated Letter E of Psalm One (XLIII, pp. 52-67) Adelaide Bennett Leon Battista Alberti’s System of Human Proportions (XLIII, pp. 6896) Jane Andrews Aiken The Influence of Hermias on Marsilio Ficino’s Doctrine of Inspiration (XLIII, pp. 97-109) Anne Sheppard Two Commentaries on the Phaedrus: Ficino’s Indebtedness to Hermias (XLIII, pp. 110-129) Michael J. B. Allen

Golden Age and Justice in Sixteenth-Century Florentine Political Thought and Imagery: Observations on Three Pictures by Jacopo Zucchi (XLIII, pp. 130-149) Thomas Puttfarken Greek Sculpture and Roman Copies I: Anton Raphael Mengs and the Eighteenth Century (XLIII, pp. 150-173) A. D. Potts An Aspect of the Early Gothic Revival: The Transformation of Medievalist Research, 1770-1800 (XLIII, pp. 174-185) John Frew The ‘Spectre’ of Science. The Study of Optical Phenomena and the Romantic Imagination (XLIII, pp. 186-200) C. J. Wright The Growth of Interest in Early Italian Painting in Britain: George Darley and the Athenaeum, 1834-1846 (XLIII, pp. 201-220) Robyn Cooper Eve as Reason in a Tradition of Allegorical Interpretation of the Fall (XLIII, pp. 221-226) A. Kent Hieatt Mechanical Wheels of Fortune, 1100-1547 (XLIII, pp. 227-233) Alan H. Nelson Tomaso da Modena, Simone Martini, Hungarians and St. Martin in Fourteenth-Century Italy (XLIII, pp. 234-238) Stella Mary Newton The Book of Wisdom and Lorenzetti’s Fresco in the Palazzo Pubblico at Siena (XLIII, pp. 239-241) Chiara Frugoni Cyriacus of Ancona and the Ottoman Sultan Mehmed II (XLIII, pp. 242-246) Julian Raby Giovanni da Tolentino Goes to Rome: A Description of the Antiquities of Rome in 1490 (XLIII, pp. 246-256) Richard Schofield A New Look at Melencolia I (XLIII, pp. 257-258) David Pingree The Winged Bacchus (Pausanias, Rabelais and Later Emblematists) (XLIII, pp. 259-262) M. A. Screech

A Scholion by Hermias to Plato’s Phaedrus and Its Adaptations in Pietro Testa’s Blinding of Homer and in Politian’s Ambra (XLIII, pp. 262-265) Elizabeth Cropper Vol. XLIV, 1981 A Locus Classicus of Colour Theory: The Fortunes of Apelles (XLIV, pp. 1-26) John Gage Between the Ghaya and Picatrix. I: The Spanish Version (XLIV, pp. 27-56) David Pingree Vincenzo Borghini and Invenzione: The Florentine Apparato of 1565 (XLIV, pp. 57-75) R. A. Scorza El Greco’s Entombment of the Count of Orgaz and Spanish Medieval Tomb Art (XLIV, pp. 76-89) Franz Philipp Dreams and Picture-Writing: Some Examples of This Comparison from the Sixteenth to the Eighteenth Century (XLIV, pp. 90-100) Alice Browne Prolegomena to Friedrich August Wolf (XLIV, pp. 101-129) Anthony Grafton Cubism and ‘The Fourth Dimension’ in the Context of the Late Nineteenth-Century and Early Twentieth-Century Revival of Occult Idealism (XLIV, pp. 130-147) Tom H. Gibbons Leviathan, Behemoth and Ziz: A Christian Adaptation (XLIV, pp. 148156) Lois Drewer A Walrus Ivory Pyx and the Visitatio Sepulchri (XLIV, pp. 157-160) T. A. Heslop A Note on the Origins of the Third Vatican Mythographer (XLIV, pp. 160-166) Charles S. F. Burnett Hermann of Carinthia and the Kitab al-Istamatis: Further Evidence for the Transmission of Hermetic Magic (XLIV, pp. 167-169) Charles S. F. Burnett Two Scholastic Discussions of the Perception of Depth by Shading (XLIV, pp. 170-175) Peter Marshall

A Textual Source for Ghiberti’s ‘Creation of Eve’ (XLIV, p. 176) Helen Ettlinger Laetentur Caeli: The Council of Florence and the Astronomical Fresco in the Old Sacristy (XLIV, pp. 176-180) Patricia Fortini Brown Acquisitions for Ludovico II Gonzaga’s Library (XLIV, pp. 180-183) Rodolfo Signorini A Further Note on the Greek Manuscripts of Palla Strozzi (XLIV, pp. 183-185) Heather J. Gregory Hic Terminus Haeret: Du Terme d’Erasme a la devise de Claude Gouffier: la fortune d’un embleme a la Renaissance (XLIV, pp. 186192) Jean Guillaume ‘What Venus Did with Mars’: Battista Fiera and Mantegna’s ‘Parnassus’ (XLIV, pp. 193-198) Roger Jones A Presentation Volume for Henry VIII: The Charlecote Park Copy of Erasmus’s Institutio principis Christiani (XLIV, pp. 199-202) Cecil H. Clough A Lost Poem by Michelangelo? (XLIV, pp. 202-206) Anthony Hughes Marcantonio Michiel’s Mercury Statue: Astronomical or Astrological? (XLIV, pp. 207-209) J. C. Eade The Invention of Gunpowder (XLIV, pp. 209-211) Scott Schaefer The Chariot of Venus: A Note on Chapman’s Mythographical Sources (XLIV, pp. 211-213) Supriya Chaudhuri The Author of the Codex Huygens (XLIV, pp. 214-220) Sergio Marinelli Rubens’s Emblem of the Art of Painting (XLIV, pp. 221-222) Jeffrey M. Muller Thomas Hobbes and the ‘Far-Fetched’ (XLIV, pp. 222-232) Elizabeth J. Cook Picturing Hobbes’s Politics? The Illustrations to Philosophicall Rudiments (XLIV, pp. 232-237) M. M. Goldsmith

Donec auferatur luna: The Facade of S. Maria della Pace (XLIV, pp. 238-239) Peter Burke The Source of Bunyan’s Mapp of Salvation (XLIV, pp. 240-241) Gordon Campbell Ars longa, vita brevis: The Watteau Study and Lord Percy by J. M. W. Turner (XLIV, pp. 241-247) Gerald Finley Vol. XLV, 1982 ‘This Story Is Not True.’ Fact and Fiction in Antiquity (XLV, pp. 1-13) C. R. Ligota An Illustrated Fragment of Peraldus’s Summa of Vice: Harleian MS 3244 (XLV, pp. 14-68) Michael Evans Simone Martini, the Dominicans and the Early Sienese Polyptych (XLV, pp. 69-93) Joanna Cannon Below the Angel: An Urbanistic Project in the Rome of Pope Nicholas V (XLV, pp. 94-124) Charles Burroughs Giovanni Pico della Mirandola and Jochanan Alemanno (XLV, pp. 125-147) B. C. Novak The Liturgical and Commemorative Allusions in Raphael’s Transfiguration and Failure to Heal (XLV, pp. 148-159) Catherine King Annibal Caro as Iconographer: Sources and Method (XLV, pp. 160181) Clare Robertson Early Medieval Wall-Painting in the Church of San Clemente, Rome: The Libertinus Cycle and Its Date (XLV, pp. 182-185) John Osborne An Illustrated Greek Astronomical Manuscript. Commentary of Theon of Alexandria on the Handy Tables and Scholia and Other Writings of Ptolemy concerning Them (XLV, pp. 185-192) David Pingree Jewish Participation in Royal Funerary Rites: An Early Use of the Representatio in Aragon (XLV, pp. 192-194) Elena Lourie

Marsilio Ficino and the Twelve Gods of the Zodiac (XLV, pp. 195202) Carol V. Kaske Botticelli’s ‘Primavera’: che volea s’intendesse (XLV, pp. 202-210) Paul Holberton Bosch’s Wanderer and a Poverty Commonplace from Juvenal (XLV, pp. 211-216) Rene Graziani Machiavelli and the Interpretation of the Chiron Myth in France (XLV, pp. 217-225) Heather Ingman The Geometric Body in Durer’s Engraving Melencolia I (XLV, pp. 226232) Terence Lynch The Court: Castiglione’s Ideal and Tudor Reality; Being a Discussion of Sir Thomas Wyatt’s Satire Addressed to Sir Francis Bryan (XLV, pp. 232-239) David Starkey Bronzino’s Allegory in the National Gallery (XLV, pp. 239-243) Charles Hope Marvell and the Twelve Caesars (XLV, pp. 244-248) R. J. Dingley La Fontaine Egyptologue (XLV, pp. 248-250) Jean Seznec The Baluster Column: A European Motif in Mughal Architecture and Its Meaning (XLV, pp. 251-262) Ebba Koch Transformations of Cervantes’s ‘La Gitanilla’ in Dutch Art (XLV, pp. 263-270) Ivan Gaskell An Unpublished Letter on the Theme of Religion from Count Lorenzo Magalotti to the Honourable Robert Boyle in 1672 (XLV, pp. 271278) Anna Maria Crino Vol. XLVI, 1983 Towards an Iconography of Anglo-Saxon Architecture (XLVI, pp. 118) Richard Gem

The Illustration of Pliny’s Historia naturalis: Manuscripts before 1430 (XLVI, pp. 19-39) Lilian Armstrong Textual Interpretation in Italy, 1350-1450: Seneca’s Letter I to Lucilius (XLVI, pp. 40-62) Letizia A. Panizza Giordano Bruno: The Texts in the Library of the Ninth Earl of Northumberland (XLVI, pp. 63-77) Hilary Gatti Protestant versus Prophet: Isaac Casaubon on Hermes Trismegistus (XLVI, pp. 78-93) Anthony Grafton The University as Cloister, Garden and Tree of Knowledge. An Iconographic Invention in the University of Cuzco (XLVI, pp. 94-132) Francisco Stastny The Iconography of Stourhead (XLVI, pp. 133-143) Malcolm Kelsall British Travellers and Scholars in the Roman Catacombs 1450-1900 (XLVI, pp. 144-165) Robert W. Gaston Walter Pater’s Marius the Epicurean. The Imaginary Portrait as Cultural History (XLVI, pp. 166-190) Jules Lubbock Edvard Munch’s Dramatic Images 1892-1909 (XLVI, pp. 191-206) Carla Lathe Giovanni Rucellai: An Epitaph, p. 207 F. W. Kent Proverbial Wisdom and Social Criticism: Two New Pages from the Walters Art Gallery’s Proverbes en rimes (XLVI, pp. 208-210) Jean Michel Massing ‘The Prison of Love’: A Medieval Romance in the French Renaissance and Its Illustration (B. N. MS fr. 2150) (XLVI, pp. 211-221) Myra Dickman Orth Emblems and Devices on a Ceiling in the Chateau of Dampierre-surBoutonne (XLVI, pp. 221-228) Maria Antonietta de Angelis ‘The Drunken Alcibiades’: Rubens’s Picture of Plato’s Symposium (XLVI, pp. 228-235) Elizabeth McGrath

Rembrandt and The Slaughtered Ox (XLVI, pp. 235-239) Kenneth M. Craig The Cat and the Cradle (XLVI, pp. 240-242) Julian Treuherz Vol. XLVII, 1984 The Grave of Vergil (XLVII, pp. 1-31) J. B. Trapp An Anglo-Saxon Portable Altar: Inscription and Iconography (XLVII, pp. 32-51) Elisabeth Okasha; Jennifer O’Reilly Alberti’s De Pictura: Its Literary Structure and Purpose (XLVII, pp. 52-71) D. R. Edward Wright Fra Giocondo da Verona and His Edition of Vitruvius (XLVII, pp. 7290) Lucia A. Ciapponi The Astrological Vault of the Villa Farnesina Agostino Chigi’s Rising Sign (XLVII, pp. 91-105) Mary Quinlan-McGrath Art and Propaganda in Late Renaissance and Baroque Florence: The Defeat of Radagasius, King of the Goths (XLVII, pp. 106-118) Henk Th. van Veen Marlborough, Art and Diplomacy: The Background to Peter Strudel’s Drawing of Time Revealing Truth and Confounding Fraudulence (XLVII, pp. 119-135) P. M. Barber Basle, Bachofen and the Critique of Modernity in the Second Half of the Nineteenth Century (XLVII, pp. 136-185) Lionel Gossman Some Medieval and Renaissance Citations of Theophrastus (XLVII, pp. 186-190) R. W. Sharples Seven Manuscripts Palla Strozzi Gave to the S. Giustina Library (XLVII, pp. 190-191) Mark L. Sosower The Birth Date of Agostino Chigi: Documentary Proof (XLVII, pp. 192193) Ingrid. D. Rowland Some Panegyrics to Agostino Chigi (XLVII, pp. 194-199)

Ingrid D. Rowland An Unpublished ‘Pronosticatio’ on the Return of Charles VIII to Italy (XLVII, pp. 200-203) Amnon Linder The Ominous Play of Children: Thomas More’s Adaptation of an Image from Antiquity (XLVII, pp. 204-205) Walter M. Gordon Pirro Ligorio, the Casino of Pius IV, and Antiques for the Medici: Some New Documents (XLVII, pp. 205-209) Robert W. Gaston An Early Sixteenth-Century Genealogy of Anglo-Saxon Kings (XLVII, pp. 209-216) C. M. Kauffmann The Astrological Decoration of the Sala dei Venti in the Palazzo del Te (XLVII, pp. 216-222) Kristen Lippincott How Hermes Trismegistus Was Introduced to Renaissance England: The Influences of Caxton and Ficino’s ‘Argumentum’ on Baldwin and Palfreyman (XLVII, pp. 222-225) J. S. Gill Jean de La Jessee and the Family of Love in France (XLVII, pp. 225228) Heather Ingman Account-Book Covers in Some Vanitas Still-Life Paintings (XLVII, pp. 229-231) Basil S. Yamey A Note on the Iconography of a Medal of Lavinia Fontana (XLVII, pp. 232-234) Jean Owens Schaefer Milton and the Lives of the Ancients (XLVII, pp. 234-238) Gordon Campbell Vol. XLVIII, 1985 The Five Senses in Late Medieval and Renaissance Art (XLVIII, pp. 122) Carl Nordenfalk Rudolph Agricola’s Reading of Literature (XLVIII, pp. 23-41) Peter Mack The Astrological Vault of the Camera di Griselda from Roccabianca (XLVIII, pp. 43-70)

Kristen Lippincott Giovanni Battista Benedetti on the Mathematics of Linear Perspective (XLVIII, pp. 71-99) J. V. Field From De die natali to De emendatione temporum: The Origins and Setting of Scaliger’s Chronology (XLVIII, pp. 100-143) Anthony Grafton Minimum and Maximum, Finite and Infinite Bruno and the Northumberland Circle (XLVIII, pp. 144-163) Hilary Gatti Goethe and Caricature: From Hogarth to Topffer (XLVIII, pp. 164188) David Kunzle Imagerie populaire et caricature: la graphique politique antinapoleonienne en Russie et ses antecedents petroviens (XLVIII, pp. 189-221) Marina Peltzer Mercury at the Crossroads in Renaissance Emblems (XLVIII, pp. 222229) Barbara C. Bowen Agrippa, Leonardo and the Codex Huygens (XLVIII, pp. 229-234) Frank Zollner Don Quixote in Broadsheets of the Seventeenth and Early Eighteenth Centuries (XLVIII, pp. 234-238) Johannes Hartau Hogarth’s Madmen (XLVIII, pp. 238-242) Jane E. Kromm Vol. XLIX, 1986 The Twelfth-Century Crusading Window of the Abbey of Saint-Denis: Praeteritorum Enim Recordatio Futurorum est Exhibitio (XLIX, pp. 140) Elizabeth A. R. Brown; Michael W. Cothren An Early French Humanist and Sallust: Jean Lebegue and the Iconographical Programme for the Catiline and Jugurtha (XLIX, pp. 41-65) Donal Byrne Piero della Francesca’s Treatment of Edge Distortion (XLIX, pp. 6690) J. V. Field

Bramante, Michelangelo and the Sistine Ceiling (XLIX, pp. 91-105) Charles Robertson De emendata structura latini sermonis: The Latin Grammar of Thomas Linacre (XLIX, pp. 106-125) Kristian Jensen The Mirabilis Liber: Its Compilation and Influence (XLIX, pp. 126-149) Jennifer Britnell; Derek Stubbs The Image and the Moving Eye: Jean Pelerin (Viator) to Guidobaldo del Monte (XLIX, pp. 150-171) Thomas Frangenberg A Cambridge Platonist’s Materialism: Henry More and the Concept of Soul (XLIX, pp. 172-195) John Henry Shakespearean Allusion in English Caricature in the Age of Gillray (XLIX, pp. 196-210) Jonathan Bate John of Damascus, De fide orthodoxa: Translations by Burgundio (1153/54), Grosseteste (1235/40) and Lefevre d’Etaples (1507) (XLIX, pp. 211-217) Irena Backus Alexander the Great in Medieval Hebrew Literature (XLIX, pp. 218226) W. Jac. van Bekkum Van Eyck’s Illuminated Carafe (XLIX, pp. 227-230) Brian Madigan Roger Bacon and the Composition of Marsilio Ficino’s De vita longa (De vita, Book II) (XLIX, pp. 230-233) John R. Clark Mantegna’s Unknown Sons: A Rediscovered Epitaph (XLIX, pp. 233235) Rodolfo Signorini The Apollo Belvedere and the Garden of Giuliano della Rovere at SS. Apostoli (XLIX, pp. 235-238) Deborah Brown Durer’s Dreams (XLIX, pp. 238-244) Jean Michel Massing A Proposal for the Foundation Date of the Villa Farnesina (XLIX, pp. 245-250) Mary Quinlan-McGrath

Syphilis and Bronzino’s London Allegory (XLIX, pp. 250-255) J. F. Conway The Case for the 1593 Edition of Thomas Combe’s Theater of Fine Devices (XLIX, pp. 255-257) Peter M. Daly Michelangelo’s Lost Sleeping Cupid and Fetti’s Vertumnus and Pomona (XLIX, pp. 257-259) Ruth Rubinstein Ronsard’s Odes as a Source for Poussin’s Aurora and Cephalus (XLIX, pp. 259-261) Philip L. Sohm Arthur’s Round Table in Hudibras (XLIX, pp. 261-264) David Carlson Vol. L, 1987 Foreword to the Fiftieth Volume (L, unpaginated, 1 p.) C. M. Kauffmann; J. B. Trapp Panofsky, Suger and St Denis (L, pp. 1-17) Peter Kidson Pietro Lorenzetti and the History of the Carmelite Order (L, pp. 1828) Joanna Cannon Classical Themes in the Decoration of the Palazzo Vecchio in Florence (L, pp. 29-43) Nicolai Rubinstein Annius of Viterbo and Historical Method (L, pp. 44-56) Christopher R. Ligota Ibn al-Hatim on the Talismans of the Lunar Mansions (L, pp. 57-81) Kristen Lippincott; David Pingree The Private Chapel of Cardinal Alessandro Farnese in the Cancelleria, Rome (L, pp. 82-112) Patricia Rubin The ‘Bellissimo Ingegno’ of Ferdinando Gonzaga (1587-1626), Cardinal and Duke of Mantua (L, pp. 113-147) D. S. Chambers Velazquez and Murillo in Nineteenth-Century Britain. An Approach through Prints (L, pp. 148-159) Enriqueta Harris Lord Ronald Gower, Gustave Dore and the Genesis of the Shakespeare Memorial at Stratford-on-Avon (L, pp. 160-170)

Philip Ward-Jackson Concerning Warburg’s ‘Costumi teatrali’ and Angelo Solerti (L, pp. 171-188) A. M. Meyer The Earliest Chiromancy in the West (L, pp. 189-195) Charles S. F. Burnett A Baronial Bestiary: Heraldic Evidence for the Patronage of MS Bodley 764 (L, pp. 196-200) Ronald Baxter The Medallions on the Sistine Ceiling (L, pp. 200-204) Charles Hope Ajax and Cassandra: An Antique Cameo and a Drawing by Raphael (L, pp. 204-205) Ruth Rubinstein The Venus Belvedere: An Episode in Restoration (L, pp. 205-214) Arnold Nesselrath The Illustrations of Lucian’s Imago vitae aulicae (L, pp. 214-219) Jean Michel Massing Benedetto Varchi and the Visual Arts (L, pp. 219-224) Francois Quiviger An Early Seventeenth-Century Canon of Artistic Excellence: Pierleone Casella’s Elogia Illustrium Artificum of 1606 (L, pp. 224232) E. H. Gombrich Rubens’s Musathena (L, pp. 233-245) Elizabeth McGrath Rembrandt’s Woman Taken in Adultery (L, pp. 245-252) Michael Podro Back to top . Vol. LI (1988); Vol. LII (1989); Vol. LIII (1990); Vol. LIV (1991); Vol. LV (1992); Vol. LVI (1993); Vol. LVII (1994); Vol. LVIII (1995); Vol. LIX (1996); Vol. LX (1997). Vol. LI, 1988 The Letter of Mardochaeus the Jew to Alexander the Great: A Lecture in Memory of Arnaldo Momigliano (LI, pp. 1-13) A. C. Dionisotti

Calendar Dates and Ominous Days in Ancient Historiography (LI, pp. 14-42) A. T. Grafton; N. M. Swerdlow Maimonides in Muscovy: Medical Texts and Terminology (LI, pp. 4365) W. F. Ryan Joachimist Prophecies in Sebastiano del Piombo’s Borgherini Chapel and Raphael’s Transfiguration (LI, pp. 66-83) Josephine Jungic Jurisconsultus Perfectus: The Lawyer as Renaissance Man (LI, pp. 84102) Donald R. Kelley Cassiano dal Pozzo’s Copy of the Zaccolini Manuscripts (LI, pp. 103125) Janis C. Bell The Reception of the ‘New Philosophy’ in Eighteenth-Century Spain (LI, pp. 126-140) Anthony Pagden Sir Joshua Reynolds and Italian Art and Art Literature. A Study of the Sketchbooks in the British Museum and in Sir John Soane’s Museum (LI, pp. 141-168) Giovanna Perini Remarks on a Magical Inscription (LI, p. 169) R. W. Daniel; P. J. Sijpesteijn Ramon Lull and Ecstatic Kabbalah: A Preliminary Observation (LI, pp. 170-174) Moshe Idel The Assumption of the Virgin on the Tabernacle of Orsanmichele (LI, pp. 174-180) Brendan Cassidy Snow Blindness and Underground Fish-Migration: Two More Notes on Theophrastus (LI, pp. 181-184) R. W. Sharples Piers Plowman and Local Iconography: The Font at Eardisley, Herefordshire (LI, pp. 184-186) R. E. Kaske Mnemosyne and Calliope in the ‘Chapel of the Muses’, San Francesco, Rimini (LI, pp. 186-187) Catherine King More on Ibn Al-Hatim (LI, pp. 188-190)

Kristen Lippincott Did Leonardo Develop a Theory of Curvilinear Perspective?: Together with Some Remarks on the ‘Angle’ and ‘Distance’ Axioms (LI, pp. 190-196) James Elkins The Iconographical Sources of a Composite Manuscript from the Library of Raphael de Mercatellis (LI, pp. 197-209) Alain Arnould Cannibalized Prints and Early Art History: Vasari, Bellori and Freart de Chambray on Raphael (LI, pp. 210-220) Jeremy Wood The Prophet Armed: Machiavelli, Savonarola, and Rosso Fiorentino’s Moses Defending the Daughters of Jethro (LI, pp. 220-225) Vivien Gaston Francesco Xanto Avelli and Petrarch (LI, pp. 225-234) Alison Holcroft Homer, Greek Heroes and Hellenism in Giulio Romano’s Hall of Troy (LI, pp. 235-242) Bette L. Talvacchia Some Newly-Discovered Works by Pirro Ligorio (LI, pp. 242-245) Ginette Vagenheim Caravaggio’s Calling of St Matthew Reconsidered (LI, pp. 245-250) Angela Hass The Meaning of Perseus and Andromeda in the Farnese Gallery and on the Rubens House (LI, pp. 250-260) John Beldon Scott Rembrandt’s Jeremiah (LI, pp. 260-264) Sanford Budick Vol. LII, 1989 Indian Planetary Images and the Tradition of Astral Magic (LII, pp. 113) David Pingree The Battle between Christ and Satan in the Tiberius Psalter (LII, pp. 14-33) K. M. Openshaw Action and Report: The Problem of Indirect Narration in the Academic Theory of Painting (LII, pp. 34-51) Sixten Ringbom

On the Prehistory of Politian’s Miscellaneorum centuria secunda (LII, pp. 52-70) Francesco Lo Monaco The Illustrious Poets in Signorelli’s Frescoes for the Cappella Nuova of Orvieto Cathedral (LII, pp. 71-84) Rose Marie San Juan Vincenzo Borghini and the Impresa (LII, pp. 85-110) R. A. Scorza A Treatise by Francesco Bocchi in Praise of Andrea del Sarto (LII, pp. 111-139) Robert Williams Some Elizabethan Allegorical Paintings: A Preliminary Enquiry (LII, pp. 140-166) David Evett Jonathan Richardson, Lord Somers’s Collection of Drawings, and Early Art-Historical Writing in England (LII, pp. 167-187) Carol Gibson-Wood Private and Public Patronage in Victorian Newcastle (LII, pp. 188208) Dianne Sachko Macleod Aristotle’s Advice to Alexander: Two English Metrical Versions of an Alexandreis Passage (LII, pp. 209-213) Telfryn Pritchard The Nomoi of Gemistos Plethon in the Light of Plato’s Laws (LII, pp. 214-219) Ruth Webb An Unknown Letter by Vittorino da Feltre (LII, pp. 219-221) D. S. Chambers Leon Battista Alberti’s Inscriptions on the Holy Sepulchre in the Cappella Rucellai, San Pancrazio, Florence (LII, pp. 221-228) Christine M. Sperling When Was Michelangelo Born? (LII, pp. 228-232) Kristen Lippincott An Unnoticed Description of Isabella d’Este’s Grotta (LII, pp. 232235) S. Kolsky An Allegory of Renaissance Politics in a Contemporary Italian Engraving: The Prognostic of 1510 (LII, pp. 236-240) Mark J. Zucker

St Luke of Bavaria by Engelhard de Pee (LII, pp. 240-245) Zygmunt Wazbinski Rubens’s Latin Inscriptions on His Copies after Holbein’s Dance of Death (LII, pp. 245-250) Kristin Lohse Belkin Painted Statues, Ben Jonson and Shakespeare (LII, pp. 250-253) B. J. Sokol Hannibal’s Dream: A Painting by Jan Miel after an Idea by Emanuele Tesauro (LII, pp. 253-256) Friso Lammertse New Light on the Spanish Ambassador’s Purchases from Charles I’s Collection 1649-53 (LII, pp. 257-267) Albert J. Loomie Hogarth’s Fruitful Invention: Observations on Harlot’s Progress, Plate III (LII, pp. 267-269) Barry Wind Vol. LIII, 1990 Astronomical Chronology and Prophecy: Jean-Dominique Cassini’s Discovery of Josephus’s Great Lunisolar Period of the Patriarchs (LIII, pp. 1-13) N. M. Swerdlow Ancient Perspective and Euclid’s Optics (LIII, pp. 14-41) Richard Tobin Transfiguratio Domini in the Apse at Mount Sinai and the Symbolism of Light (LIII, pp. 42-60) Jerzy Miziolek The Consolatio Philosophiae of Boethius in Medieval Spain (LIII, pp. 61-70) Dietrich Briesemeister A Metrological Investigation (LIII, pp. 71-97) Peter Kidson Galvano Fiamma, Azzone Visconti and the Revival of the Classical Theory of Magnificence (LIII, pp. 98-113) Louis Green Measured Appearances: Documentation and Design in Early Perspective Drawing (LIII, pp. 114-132) Jehane R. Kuhn The Sepulchre on the Facade: A Re-Evaluation of Sigismondo Malatesta’s Rebuilding of San Francesco in Rimini (LIII, pp. 133-143)

Helen S. Ettlinger Cosimo de’ Medici and the ‘Platonic Academy’ (LIII, pp. 144-162) James Hankins The Image of a Fifteenth-Century Court: Secular Frescoes for the Castello di Porta Giovia, Milan (LIII, pp. 163-184) Evelyn Samuels Welch Two Astrological Ceilings Reconsidered: The Sala di Galatea in the Villa Farnesina and the Sala del Mappamondo at Caprarola (LIII, pp. 185-207) Kristen Lippincott An Illustrated Incunable of Pliny’s Natural History in the Biblioteca Palatina, Parma (LIII, pp. 208-216) Hermann Walter Ars Tornandi: Baroque Architecture and the Lathe (LIII, pp. 217-236) Joseph Connors Petronius and Neo-Latin Satire: The Reception of the Cena Trimalchionis (LIII, pp. 237-249) Anthony Grafton ‘Johannes Tertius’: Goethe and Renaissance Latin Poetry (LIII, pp. 250-265) Peter Godman Expiatory Monuments by Carlo Marochetti in Dorset and the Isle of Wight (LIII, pp. 266-280) Philip Ward-Jackson The Trail for Archimedes’s Tomb (LIII, pp. 281-286) D. L. Simms Archimedes’s Tomb and the Artists: A Postscript (LIII, pp. 286-288) J. B. Trapp The Name Picatrix: Transcription or Translation? (LIII, pp. 289-296) J. Thomann Filarete’s Portrait Signature on the Bronze Doors of St Peter’s and the Dance of Bathykles and His Assistants (LIII, pp. 296-299) Catherine King Pollaiuolo’s Lost Hercules and the Lion Recorded on Maiolica? (LIII, pp. 299-301) Timothy Wilson The Procession Portrait of Queen Elizabeth I: A Note on a Tradition (LIII, pp. 301-307) David Armitage

Cesare Ripa: New Biographical Evidence (LIII, pp. 307-312) Chiara Stefani The Story of Dryope: A Rare Subject from Ovid’s Metamorphoses (LIII, pp. 312-315) Ursula Sdunnus Vol. LIV, 1991 The Ysagoge in Theologiam and the Commentaries Attributed to Bernard Silvestris (LIV, pp. 1-42) Michael Evans The Great History of Troy: A Reassessment of the Development of a Secular Theme in Late Medieval Art (LIV, pp. 43-82) Scot McKendrick Hercules and David in the Early Decoration of the Palazzo Vecchio: Manuscript Evidence (LIV, pp. 83-98) Maria Monica Donato The Torlonia Vase: History and Visual Records from the Fifteenth to the Nineteenth Centuries (LIV, pp. 99-116) Luca Leoncini Real Architecture, Imaginary History: The Arsenale Gate as Venetian Mythology (LIV, pp. 117-126) Ralph Lieberman Leonardo da Vinci’s Grotesque Heads and the Breaking of the Physiognomic Mould (LIV, pp. 127-136) Michael W. Kwakkelstein Perspectivist Aristotelianism: Three Case-Studies of Cinquecento Visual Theory (LIV, pp. 137-158) Thomas Frangenberg Alessandro Farnese, Giovanni della Casa and Titian’s Danae in Naples (LIV, pp. 159-171) Roberto Zapperi A Florentine Sketchbook: Architecture, Apparati and the Accademia del Disegno (LIV, pp. 172-185) R. A. Scorza From Imaginary Drama to Dramatized Imagery: The Mappe-Monde Nouvelle Papistique, 1566-67 (LIV, pp. 186-205) Dror Wahrman A Spartan Academic Banquet in Siena (LIV, pp. 206-225) Francois Quiviger A Fragment of ‘Liberal Arts’ Embroidery (LIV, pp. 226-230)

Margaret Gibson The Superiority of Taste (LIV, pp. 230-238) Charles Burnett Pietro d’Abano on Giotto (LIV, pp. 238-244) J. Thomann Riccobaldo of Ferrara and Giotto: An Update (LIV, p. 244) A. T. Hankey The Camera dello Zodiaco of Federico II Gonzaga (LIV, pp. 244-247) Kristen Lippincott; Rodolfo Signorini Daniele da Volterra’s Satirical Defence of His Art (LIV, pp. 247-252) David Jaffe Archaeologists or Pharisees? Reflections on a Painting by Maarten van Heemskerck (LIV, pp. 253-256) E. H. Gombrich Iungit Amor: Royal Marriage Imagery in France, 1550-1750 (LIV, pp. 256-261) David Watkin Milton, Fletcher and the Gunpowder Plot (LIV, pp. 261-268) David Quint Disegni for the Tomb of Alexander VII (LIV, pp. 268-273) Michael Koortbojian Vol. LV, 1992 The Black Andromeda (LV, pp. 1-18) Elizabeth McGrath Medieval Proverb Collections: The West European Tradition (LV, pp. 19-35) Barry Taylor The Arabic Beast Fable (LV, pp. 36-50) Robert Irwin The Early History of the Tempio Malatestiano (LV, pp. 51-154) Charles Hope The Auto da Fe: Ritual and Imagery (LV, pp. 155-168) Francisco Bethencourt Agricola’s Use of the Comparison between Writing and the Visual Arts (LV, pp. 169-179) Peter Mack

Rosso Fiorentino’s Betrothal of the Virgin: Patronage and Interpretation (LV, pp. 180-199) David Franklin Republicanism in the Visual Propaganda of Cosimo I de’ Medici (LV, pp. 200-209) Henk Th. van Veen The Concept of Houding in Dutch Art Theory (LV, pp. 210-232) Paul Taylor The Theory of the Musical Modes in the Academie Royale de Peinture et de Sculpture (LV, pp. 233-248) Jennifer Montagu The Reasoning Eye: Alexander Pope’s Typographic Vision in the Essay on Man (LV, pp. 249-262) Tania Rideout The Chancellor’s Two Bodies: Note on a Miniature in BNP lat. 4915 (LV, pp. 263-265) P. S. Lewis The Frontispiece to an Illuminated Panegyric of Henry VII: A Note on the Sources (LV, pp. 266-270) Paul Gwynne Domenico Campagnola’s Premonition of Meliboeus (LV, pp. 270-272) Louis Waldman Francesco Bocchi on Disegno (LV, pp. 272-277) Claudia Hattendorff Cesare Ripa and the Sala Clementina (LV, pp. 277-282) Christopher L. C. E. Witcombe Vol. LVI, 1993 Poimandres: The Etymology of the Name and the Origins of the Hermetica (LVI, pp. 1-24) Peter Kingsley Medieval Byzantine Magical Amulets and Their Tradition (LVI, pp. 25-62) Jeffrey Spier Europa and the Winged Mercury on Two Cassone Panels from the Czartoryski Collection (LVI, pp. 63-74) Jerzy Miziolek The Rhetorical Works of George of Trebizond and their Debt to Cicero (LVI, pp. 75-84) C. Joachim Classen

Infanticide in Passover Iconography (LVI, pp. 85-99) David J. Malkiel Aristotle as a Source for Leonardo’s Theory of Colour Perspective after 1500 (LVI, pp. 100-118) Janis Bell Tommaso della Porta’s ‘Castles in the Air’ (LVI, pp. 119-167) Gerda Panofsky The Geometrical Order of the World: Otto Van Veen’s Physicae et theologicae conclusiones (LVI, pp. 168-182) Christoph Geissmar The Stuart Court Masque and the Theatre of the Greeks (LVI, pp. 183-208) John Peacock Egbert van Heemskerck’s Quaker Meetings Revisited (LVI, pp. 209228) Harry Mount The Political Background to Thornhill’s Paintings in St Paul’s Cathedral (LVI, pp. 229-237) Carol Gibson-Wood Some Eighteenth-Century ‘Restored’ Boxers (LVI, pp. 238-255) Seymour Howard ‘Puro senza ornato’: Masaccio, Cristoforo Landino and Leonardo da Vinci (LVI, pp. 256-260) Hellmut Wohl Isabella d’Este’s Philostratos (LVI, pp. 260-267) Michael Koortbojian; Ruth Webb Wealth, Art, and Display: The Grimani Cameos in Renaissance Venice (LVI, pp. 268-274) Marilyn Perry New Documents concerning the Discovery and Early History of the Nozze Aldobrandini (LVI, pp. 274-280) Francesca Cappelletti; Caterina Volpi An Apocryphal Source in the Me’ or ‘Enayim of Azariah de’ Rossi (LVI, pp. 280-284) Joanna Weinberg Vol. LVII, 1994 From Pythagoras to the Turba philosophorum: Egypt and Pythagorean Tradition (LVII, pp. 1-13) Peter Kingsley

The Sun’s Night Journey: A Pharaonic Image in Medieval Ireland (LVII, pp. 14-34) John Carey The Iconography of Kingship in the Walter of Milemete Treatise (LVII, pp. 35-47) Michael Michael Titian’s Mary Magdalen in the Palazzo Pitti: An Ambiguous Painting and Its Critics (LVII, pp. 48-59) Bernard Aikema Vesalius and Human Diversity in De humani corporis fabrica (LVII, pp. 60-88) Nancy G. Siraisi L’Homme-microcosme dans une estampe medico-philosophique du seizieme siecle (LVII, pp. 89-122) H. D. Saffrey An Egyptian Traveller in the Republic of Letters: Josephus Barbatus or Abudacnus the Copt (LVII, pp. 123-150) Alastair Hamilton Personata Stoa: Neostoicism and Senecan Tragedy (LVII, pp. 151174) Roland Mayer Van Dyck’s Last Religious Commission: An Altarpiece for Antwerp Cathedral (LVII, pp. 175-190) Frans Baudouin The Geometry of a Dome: Ludovico David’s Dichiarazione della pittura della capella del Collegio Clementino di Roma (LVII, pp. 191208) Thomas Frangenberg Horace Walpole and Eighteenth-Century Garden History (LVII, pp. 209-226) Stephen Bending Jacob Burckhardt as Architect of a New Art History (LVII, pp. 227242) Martina Sitt Two Thirteenth-Century Manuscripts of Crusader Legal Texts from Saint-Jean d’Acre (LVII, pp. 243-254) Peter Edbury; Jaroslav Folda Matthias Wagener and Traces of Antonite Humanism in Cologne (LVII, pp. 254-263) Peter Macardle

Antique Candelabra in Frescoes by Bernardino Gatti and a Drawing by Giulio Romano (LVII, pp. 264-269) Jacqueline Biscontin Two Notes on Decorations in the Galerie Francois I at Fontainebleau (LVII, pp. 270-278) Sylvie Beguin The Pythagorean Inscription on Rosa’s London ‘Self-Portrait’ (LVII, pp. 278-283) Eckhard Leuschner Vol. LVIII, 1995 The St Albans Psalter: A Reconsideration (LVIII, pp. 1-28) Kristine E. Haney Defining the Corpus Aristotelicum: Scholastic Awareness of Aristotelian Spuria in the High Middle Ages (LVIII, pp. 29-51) Steven J. Williams The Villa Farnesina, Time-Telling Conventions and Renaissance Astrological Practice (LVIII, pp. 53-71) Mary Quinlan-McGrath Roman Customs Registers 1470-80: Items of Interest to Historians of Art and Material Culture (LVIII, pp. 72-87) Arnold Esch Botticelli’s Mystic Nativity, Savonarola and the Millennium (LVIII, pp. 89-114) Rab Hatfield The Art of Talking about Sculpture: Vasari, Borghini and Bocchi (LVIII, pp. 115-131) Thomas Frangenberg Ioannes Wower of Hamburg, Philologist and Polymath. A Preliminary Sketch of His Life and Works (LVIII, pp. 132-151) Luc Deitz Henry Savile and the Tychonic World-System (LVIII, pp. 152-179) Robert Goulding From Greek Proverb to Soap Advert: Washing the Ethiopian (LVIII, pp. 180-201) Jean Michel Massing Early Anglo-Norman Receipts for Colours (LVIII, pp. 203-209) Tony Hunt The Sitter for Jan van Eyck’s ‘Leal Sovvenir’ (LVIII, pp. 210-215) Jacques Paviot

Scipio’s Wounds (LVIII, pp. 216-234) Silvia Tomasi Velli A Fifteenth-Century Site Report on the Vatican Obelisk (LVIII, pp. 234-248) Brian Curran; Anthony Grafton A Renaissance Image of Jupiter Stator (LVIII, pp. 249-252) Paul Gwynne Aspects of Collecting in Renaissance Padua: A Bust of Socrates for Niccolo Leonico Tomeo (LVIII, pp. 252-265) Jonathan Woolfson; Andrew Gregory A Garden of Statues and Marbles: The Soderini Collection in the Mausoleum of Augustus (LVIII, pp. 265-284) Anna Maria Riccomini Vol. LIX, 1996 The Knot of the Heavens (LIX, pp. 1-13) Godefroid de Callatay Two Astromagical Manuscripts of Alfonso X (LIX, pp. 14-23) Alejandro Garcia Aviles Giotto’s Allegories of Justice and the Commune in the Palazzo della Ragione in Padua: A Reconstruction (LIX, pp. 24-47) Eva Frojmovic Aristotle for the Layman: Sense Perception in the Poetry of Ausias March (LIX, pp. 48-60) Lluis Cabre The Crucified Monk (LIX, pp. 61-102) Almuth Seebohm New Findings about Andrea Mantegna: His Son Ludovico’s PostMortem Inventory (1510) (LIX, pp. 103-118) Rodolfo Signorini The Image of Alexander VI and Cesare Borgia in the Sixteenth and Seventeenth Centuries (LIX, pp. 119-129) J. N. Hillgarth Britannia and Melita: Pseudomorphic Sisters (LIX, pp. 130-147) Derk Kinnane-Roelofsma The Florentine entrata of Joanna of Austria and Other Entrate Described in a German Diary (LIX, pp. 148-173) M. A. Katritzky Carolus Scribanius’s Observations on Art in Antwerp (LIX, pp. 174204)

Julius S. Held The Changing Image of Gustavus Adolphus on German Broadsheets, 1630-3 (LIX, pp. 205-244) John Roger Paas A Private Homage to Galileo. Anton Domenico Gabbiani’s Frescoes in the Pitti Palace (LIX, pp. 245-273) Thomas Frangenberg An ‘Early Christian’ Terracotta Altar (LIX, pp. 274-279) David Knipp Elkanah’s Gift: Texts and Meaning in the Bury Bible Miniature (LIX, pp. 279-285) C. Michael Kauffmann The Vision of St Anthony on a Thebaid Panel at Christ Church, Oxford (LIX, pp. 286-294) Christian Heck Erasmus on William Grocyn and Ps-Dionysius: A Re-Examination (LIX, pp. 294-303) J. B. Trapp The Creation of Adam: A Detail in Mantegna’s Madonna della Vittoria (LIX, pp. 303-304) Rodolfo Signorini Some Misdated Letters of Pietro Aretino (LIX, pp. 304-314) Charles Hope Henry VIII’s Illuminated ‘Great Bible’ (LIX, pp. 315-324) Tatiana C. String The Fortuna of Juan Gines de Sepulveda’s Translations of Aristotle and of Alexander of Aphrodisias (LIX, pp. 325-332) Alejandro Coroleu The Iconography of Velazquez’s Aesop (LIX, pp. 332-337) Nicholas Tromans Vol. LX, 1997 Lifting the Veil: Two Typological Diagrams in the Hortus deliciarum (LX, pp. 1-22) Annette Kruger; Gabriele Runge Merit and Money: The Procurators of St Mark and Their Commissioni, 1443-1605 (LX, pp. 23-88) D. S. Chambers Petrus Christus’s Our Lady of the Dry Tree (LX, pp. 89-110) Hugo van der Velden

Greek Inscriptions on Two Venetian Renaissance Paintings (LX, pp. 111-129) Mauro Lucco; Anna Pontani Jacopo Tintoretto’s Altarpiece of St Agnes at the Madonna dell’Orto in Venice and the Memorialisation of Cardinal Contarini (LX, pp. 130163) Michael Douglas-Scott The Last Tribute to Isabella of Bourbon at Salamanca (LX, pp. 164193) Emilia Montaner John Evelyn and the Garden of Epicurus (LX, pp. 194-214) Alastair Small; Carola Small On Reynolds’s Use of de Piles, Locke, and Hume in His Essays on Rubens and Gainsborough (LX, pp. 215-229) Amal Asfour; Paul Williamson King Avicenna: The Iconographic Consequences of a Mistranslation (LX, pp. 230-243) Dag Nikolaus Hasse Piero della Francesca’s Giants (LX, pp. 243-247) Paul Taylor; Caroline Van Eck Youth and Spring in Botticelli’s Primavera (LX, pp. 248-251) Nicolai Rubinstein Lorenzo Lotto’s Virgin and Child with St Onophrius and St Ignatius of Antioch (LX, pp. 251-253) David Ekserdjian Savonarolan Prophecy in Leonardo’s Allegory with Wolf and Eagle (LX, pp. 253-260) Josephine Jungic Hans Mielich at Titian’s Studio (LX, pp. 260-261) Charles Hope Towards a History of the Library of Antonio Agustin (LX, pp. 261272) Marc Mayer New Light on Two ‘Venuses’ by Correggio (LX, pp. 272-275) Guido Rebecchini The Enigma of St Joseph in Poussin’s Holy Family on the Steps (LX, pp. 276-281) Joseph F. Chorpenning Back to top.

Vol. LXI (1998); Vol. LXII (1999); Vol. LXIII (2000); Vol. LXIV (2001); Vol. LXV (2002); Vol. LXVI (2003); Vol. LXVII (2004) Vol. LXI, 1998 The Berardenga Antependium and the Passio Ymaginis Office (LXI, pp. 1-16) Michele Bacci The Book Collection and Other Possessions of Baldassarre Castiglione (LXI, pp. 17-52) Guido Rebecchini Sacrilege and Redemption in Renaissance Florence: The Case of Antonio Rinaldeschi (LXI, pp. 53-92) William J. Connell; Giles Constable Antoine Morillon, Antiquarian and Medallist (LXI, pp. 93-110) M. H. Crawford Ramus Reading: The Commentaries on Cicero’s Consular Orations and Vergil’s Eclogues and Georgics (LXI, pp. 111-141) Peter Mack Individuality and Inwardness in the Literary Character Sketches of the Seventeenth Century (LXI, pp. 142-157) Jacques Bos Giovanni Guerra and the Illustrations to Ripa’s Iconologia (LXI, pp. 158-175) Stefano Pierguidi Between Tiger and Unicorn: The Temple of Love (LXI, pp. 176-197) Axel Stahler Insanity and the Sublime: Aesthetics and Theories of Mental Illness in Goya’s Yard with Lunatics and Related Works (LXI, pp. 198-252) Peter K. Klein An Emended Joke in Gerald of Wales (LXI, pp. 253-254) Michael Evans A Note on the Ancestors of Christ in the Sistine Chapel (LXI, pp. 254258) Lisa Pon Castiglione and Erasmus: Towards a Reconciliation? (LXI, pp. 258260) Guido Rebecchini The Lambe Speaketh... An English Protestant Satire (LXI, pp. 261267)

Rowena J. Smith Joris Hoefnagel’s ‘Emblematic’ Signature Reconsidered (LXI, pp. 267-272) Lubomir Konecny Veronese, Callet and the Black Boy at the Feast (LXI, pp. 272-276) Elizabeth McGrath Vol. LXII, 1999 Ambrogio Lorenzetti’s “Buon Governo” Frescoes: Two Old Questions, Two New Answers (LXII, pp. 1-28) Quentin Skinner The Annotations of Nicolaus Cusanus and Giovanni Andrea Bussi on the “Asclepius” (LXII, pp. 29-59) Pasquale Arfé Figured Riches: The Value of Gold Brocades in Fifteenth-Century Florentine Painting (LXII, pp. 60-92) Rembrandt Duits The Scientific Instruments in Holbein’s “Ambassadors”: A ReExamination (LXII, pp. 93-125) Elly Dekker; Kristen Lippincott As Good as Gold: The Mobile Earth and Early Modern Economics (LXII, pp. 126-166) Eileen Reeves Lipsius and his Dogs: Humanist Tradition, Iconography and Rubens’s “Four Philosophers” (LXII, pp. 167-198) Jan Papy Isaac Fuller’s “Escape of Charles II”: A Restoration Tragicomedy (LXII, pp. 199-240) David H. Solkin Jean Hardouin: The Antiquary as Pariah (LXII, pp. 241-267) Anthony Grafton Aby Warburg: his Aims and Methods. An Anniversary Lecture (LXII, pp. 268-282) E. H. Gombrich Baluster-Cornered Box Tombs (LXII, pp. 287-295) A. D. Harvey Lorenzo de’ Medici’s Acquisition of the “Sigillo di Nerone” (LXII, pp. 283-286) Melissa Meriam Bullard; Nicolai Rubinstein Vol. LXIII, 2000

Who Wrote the “Twelfth Oration” of Themistius? (LXIII, pp. 1-23) Robert Goulding Tradition and Innovation: Archbishop Chrodegang (742-66) and the Thirteenth-Century Family of Churches at Metz (LXIII, pp. 24-58) Christoph Brachmann The Aretine Polyptych by Pietro Lorenzetti: Patronage, Iconography and Original Setting (LXIII, pp. 59-110) Giovanni Freni Tommaso Malvito and Neapolitan Tomb Design of the Early Cinquecento (LXIII, pp. 111-130) Yoni Ascher Conversations with the Dead: Quevedo and Statius, Annotation and Imitation (LXIII, pp. 131-168) Hilaire Kallendorf; Craig Kallendorf The Horrible Tail-Man and the Anglo-Dutch Wars (LXIII, pp. 169-186) Elizabeth Staffell ‘In This Time Without Emperors’: The Politics of Ernst Kantorowicz’s “Kaiser Friedrich der Zweite” Reconsidered (LXIII, pp. 187-242) Martin A. Ruehl Berthold of Moosburg’s Hermetic Sources (LXIII, pp. 243-258) Antonella Sannino The Chapel of San Girolamo in Santa Maria del Popolo in Rome. New Evidence for the Discovery of the Domus Aurea (LXIII, pp. 259-270) Claudia La Malfa Further Evidence about the Books of Baldassarre Castiglione (LXIII, pp. 271-276) Guido Rebecchini The “Paragone” between Word and Image in “Impresa” Literature (LXIII, pp. 277-286) Dorigen Caldwell “The Lambe Speaketh...” An Addendum (LXIII, pp. 287-294) Malcolm Jones The Old Woman in Velázquez’s “Kitchen Scene with Christ’s Visit to Martha and Mary” (LXIII, pp. 295-302) Marta Cacho Casal Vol. LXIV, 2001 Franciscan Choir Enclosures and the Function of Double-Sided Altarpieces in Pre-Tridentine Umbria (LXIV, pp. 1-54) Donal Cooper

Petrarch’s Laura: The Portraiture of an Imaginary Beloved (LXIV, pp. 55-192) J. B. Trapp Richard Trewythian and the Uses of Astrology in Late Medieval England (LXIV, pp. 193-228) Sophie Page The Prehistory of Modern Scepticism: Sextus Empiricus in FifteenthCentury Italy (LXIV, pp. 229-279) Gian Mario Cao Joachim of Fiore and the Images of the Apocalypse according to St John (LXIV, pp. 281-295) Marjorie Reeves Isabella d’Este and the Travel Diary of Antonio de Beatis (LXIV, pp. 296-308) D. S. Chambers Vol. LXV, 2002 The Eleventh-Century Shift in the Reception of Plato’s Timaeus and Calcidius’s Commentary (LXV, pp. 1-21) Anna Somfai ‘Palma dabit Palmam’: Franciscan Themes in a Devotional Manuscript (LXV, pp. 22-66) Amy Neff Ludovico il Moro and his Moors (LXV, pp. 67-94) Elizabeth McGrath A Regulated Suasion: The Regulating Lines of Francesco di Giorgio and Philibert de l’Orme (LXV, pp. 95-131) Giovanni Galli The De’ Rossi Collection of Ancient Sculptures, Leo X, and Raphael (LXV, pp. 132-200) Kathleen Wren Christian A New Inventory of the Royal Aragonese Library of Naples (LXV, pp. 201-243) Santiago López-Ríos Bartoli, Giambullari and the Prefaces to Vasari’s “Lives” (1550) (LXV, pp. 244-258) Thomas Frangenberg Dioscorides in Utopia (LXV, pp. 259-261) J. B. Trapp

Leo Africanus’s “Descrittione dell’Africa” and its Sixteenth-Century Translations (LXV, pp. 262-272) Crofton Black Characterising the Passions: Michel Anguier’s Challenge to Le Brun’s Theory of Expression (LXV, pp. 273-282) Julia K. Dabbs Vol. LXVI, 2003 A Fresco Portrait of Virgil at Lucignano (LXVI, pp. 1-28) Luke Houghton The Laurentian Library and Michelangelo’s Architectural Method (LXVI, pp. 29-62) David Hemsoll Vincenzo Borghini’s Collection of Paintings, Drawings and Wax Models: New Evidence from Manuscript Sources (LXVI, pp. 63-122) Rick Scorza Inigo Jones, Capricious Ornament, and Plutarch’s Wise Man (LXVI, pp. 123-42) L. E. Semler Cassiano Dal Pozzo, Poussin and the Making and Publication of Leonardo’s Trattato (LXVI, pp. 143-88) Donatella Sparti Playing Games with Otherness: Watteau’s Chinese Cabinet at the Château de La Muette (LXVI, pp. 189-247) Katie Scott The Mosaic of Speech: A Classical Topos in Renaissance Aesthetics (LXVI, pp. 249-63) Eric MacPhail A Note on Leonardi Bruni’s Latin Translation of Plato’s Letters (LXVI, pp. 265-66) Wlodzimierz Olszaniec Reassessing the Renaissance of the Palestrina Nile Mosaic (LXVI, pp. 267-71) Claudia La Malfa Myth and Astronomy in the Frescoes at Sant’Abbondio in Cremona (LXVI, pp. 273-88) Charles Burnett; Marika Leino

Some Aspects of Cardinal Sigismondo Gonzaga’s Collections (LXVI, pp. 289-96) Guido Rebecchini The Spilsburys: A Note on Pseudonyms in Late Eighteenth-Century Art Publishing (LXVI, pp. 297-98) Sally Humphreys Vol. LXVII, 2004 The Sainte-Chapelle Lectionaries and the Illustration of the Parables in the Middle Ages (LXVII, pp. 1-22) C. M. Kauffmann Aristotle in Medieval Spain: Writers of the Christian Kingdoms Confronting the Eternity of the World (LXVII, pp. 23-47) Ann Giletti Virtuous and Sinful Uses of Temporal Wealth in the Breviari d’Amor of Matfre Ermengaud (MS BL Royal 19.C.I) (LXVII, pp. 49-80) Federico Botana The Funding of the Façade of Santa Maria Novella (LXVII, pp. 81127) Rab Hatfield Giannozzo Manetti, Alfonso of Aragon and Pompey the Great: a Crusading Document of 1455 (LXVII, pp. 129-156) Paul Botley Piero Pollaiuolo’s Lost Sacramental Altarpiece of the Corpus Domini (LXVII, pp. 157-192) Stephen J. Milner Studies in the Renaissance Reception of Ancient Vault Decoration (LXVII, pp. 193-231) Hetty E. Joyce Guercino’s Endymion, Hercules and Artemisia for Alessandro Argoli (LXVII, pp. 233-253) Miriam Di Penta On the Date of the Liber Nemroth (LXVII, pp. 255-257) David Juste Noah, Daniel and Job: the Three Righteous Men of Ezekiel 14.14 in Medieval Art (LXVII, pp. 259-267) Berthold Kress

The Exchange of Models in Florentine Workshops of the Quattrocento: a Sheet from the ‘Verrocchio Sketchbook’ (LXVII, pp. 269-274) Linda Pisani Gigantomachia and the Wheel of Fortune in Works of Giulio Romano, Vincenzo Cartari and Anton Francesco Doni, and the Authorship of the Asinesca Gloria (LXVII, pp. 275-284) Stefano Pierguidi Michelangelo’s Mistakes in the Generation of Christ (LXVII, pp. 285294) Paul Taylor Boötes on the Farnesina Ceiling (LXVII, pp. 295-300) Paul Taylor

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