GUITAR EFFECTS PROCESSOR

EFFECT LIST

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Effect Type List
EFFECT TYPE
Distortion Digital Distortion Amp Simulator Chorus Symphonic Flange Vintage Flange Phaser Mono Vintage Phaser Stereo Vintage Phaser Tremolo Auto Pan Rotary Ring Mod. Mod. Filter Compressor M.Band Dyna. Dyna. Filter Dyna. Flange Dyna. Phaser Tape Echo Mono Delay Stereo Delay Mod. Delay Delay LCR Echo 8 Band Parallel Delay 8 Band Series Delay 4 Band 2 Tap Mod. Delay 2 Band 4 Tap Mod. Delay 8 Multi Tap Mod. Delay 2 Band Long + 4 Short Mod. Delay Reverb Early Ref. Gate Reverb Reverse Gate Spring Reverb HQ. Pitch Dual Pitch

Description
Advanced distortion. Mainly used for direct connection to guitar amp’s front input. Distortion effect. Mainly used for direct connection to guitar amp’s front input. DG Series amp sound. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Chorus effect. Symphonic effect. Flange effect. Flanger produced by utilizing VCM (Virtual Circuitry Modeling) technology. Maximum 16-stage phaser. Monaural phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology. Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology. Tremolo effect. Autopanner. Rotary speaker simulator. Ring modulator. Modulation filter. Compressor. 3-band dynamics processor. Filter effect. The effect changes according to input level. Flanger effect. The effect changes according to input level. Phaser effect. The effect changes according to input level. Vintage tape echo. Basic monaural delay. Basic stereo delay. Basic repeat delay with modulation. 3-tap delay (left, center, right). Stereo delay with crossed feedback loop. 8-band modulation delay connected in parallel. 8-band modulation delay connected in series. 4-band delay connected in parallel w/2 multi-tap modulation delays. 2-band delay connected in parallel w/4 multi-tap modulation delay. 8 Multi tap modulation delay. 2 band parallel 2 multi tap + 4 band short modulation delay. Hall, room, stage, and plate reverb simulations, all with gates. Early reflections. Early reflections with gate. Early reflections with reverse gate. Spring reverb simulation. High-quality pitch shifter. Pitch shifter.

Short + Medium + Long Mod. Delay 3 band multi tap delay w/3 delay times.

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EFFECT TYPE
3 Band Parametric EQ Multi Filter Reverb+Chorus Reverb->Chorus Reverb+Flange Reverb->Flange Reverb+Symphonic Reverb->Symphonic Reverb->Pan Delay+Early Ref. Delay->Early Ref. Delay+Reverb Delay->Reverb Distortion->Delay 3-band parametric equalizer.

Description
3-band multi-filter (24 dB/octave). Reverb and chorus effects in parallel. Reverb and chorus effects in series. Reverb and flanger effects in parallel. Reverb and flanger effects in series. Reverb and symphonic effects in parallel. Reverb and symphonic effects in series. Reverb and autopan effects in series. Delay and early reflections effects in parallel. Delay and early reflections effects in series. Delay and reverb effects in parallel. Delay and reverb effects in series. Distortion and delay effects in series. Mainly used for direct connection to guitar amp’s front input. Multi effect consisting of Comp + Amp Simulator + Chorus + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Multi effect consisting of Comp + Amp Simulator + Flanger + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Multi effect consisting of Comp + Amp Simulator + Tremolo + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Multi effect consisting of Comp + Amp Simulator + Phaser + Delay + Reverb. Mainly used for direct connection to power amp. Speaker simulator allows direct recording. Multi effect consisting of Comp + Distortion + Chorus + Delay + Reverb. Mainly used for direct connection to guitar amp’s front input. Multi effect consisting of Comp + Distortion + Flanger + Delay + Reverb. Mainly used for direct connection to guitar amp’s front input. Multi effect consisting of Comp + Distortion + Tremolo + Delay + Reverb. Mainly used for direct connection to guitar amp’s front input. Multi effect consisting of Comp + Distortion + Phaser + Delay + Reverb. Mainly used for direct connection to guitar amp’s front input. Multi effect for electric-acoustic guitar.

Amp Multi (Chorus)

Amp Multi (Flange)

Amp Multi (Tremolo)

Amp Multi (Phaser)

Distortion Multi (Chorus) Distortion Multi (Flange) Distortion Multi (Tremolo) Distortion Multi (Phaser) Acoustic Multi

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Decay GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q NGTH NGAT NGHL NGDC Adjusts the amount of distortion Adjusts the volume Adjusts the tone Specifies the post effect EQ1 frequency Specifies the post effect EQ1 gain Specifies the post effect EQ1 Q (bandwidth) Specifies the post effect EQ2 frequency Specifies the post effect EQ2 gain Specifies the post effect EQ2 Q (bandwidth) Specifies the post effect EQ3 frequency Specifies the post effect EQ3 gain Specifies the post effect EQ3 Q (bandwidth) Specifies the post effect EQ4 frequency Specifies the post effect EQ4 gain Specifies the post effect EQ4 Q (bandwidth) Specifies the pre effect EQ level Specifies the pre effect EQ1 frequency Specifies the pre effect EQ1 gain Specifies the pre effect EQ1 Q (bandwidth) Specifies the pre effect EQ2 frequency Specifies the pre effect EQ2 gain Specifies the pre effect EQ2 Q (bandwidth) Specifies the pre effect EQ3 frequency Specifies the pre effect EQ3 gain Specifies the pre effect EQ3 Q (bandwidth) Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Digital Distortion Distortion effect.0 0 to 120 ms 0. EQ 1 Gain EQ 1 Q EQ 2 Freq.0 1.0 to 10.100 to 20.0 200 to 2. Pre EQ 3 Gain Pre EQ 3 Q N.00 k to 10 kHz -12.0 to 12.0 50. Crunch2.00 k to 16.100 to 20. Parameter Type Drive Master Tone Noise Gate Display TYPE DRV MSTR TONE NG Range Distortion1.0 dB 0.0 0.0 dB 0. Fuzz1. Parameter Display Range Lead1. Attack N. Drive1.02 to 2040 ms 6 to 44500 ms Description Type TYPE Distortion type Gain Master Tone EQ 1 Freq.0 dB 0.0 to 10.0 to 12. G.0 50. Overdrive2.100 to 20. Hold N.80 kHz -12.100 to 20.100 to 20.0 to 12. Overdrive1.0 kHz -12.0 to 10. Overdrive1. Crunch1.0 to 12.00 Hz -12. G.0 to 10.0 to 500 Hz -12. Mainly used for direct connection to guitar amp’s front input. Overdrive2. Lead2. Solidstate 0.0 dB 0.0 to 12.0 dB 0.0 dB 0.0 to 400 Hz -12. G. Tube.Effect Parameters Distortion Advanced distortion. EQ 3 Gain EQ 3 Q EQ 4 Freq.0 200 to 1.0 0. Fuzz2.0 2. G. Crunch 0 to 100 0 to 100 –10 to +10 0 to 20 Distortion type Distortion drive Master volume Tone Noise reduction Description 4 . Distortion2. EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq. Drive2. EQ 2 Gain EQ 2 Q EQ 3 Freq.0 600 to 4.0 0.60 kHz -12.0 to 12. Distortion2.100 to 20.100 to 20. Distortion1.0 dB 0.0 to 10. Threshold N.0 0.0 to 12. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq. Mainly used for direct connection to guitar amp’s front input. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq.

10 50.00 kHz –12. Solid 0. G. Threshold N. LSH Gain EQ Freq.02 to 2040 ms 6 to 44500 ms Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description Speaker Simulator SP When using a line connection to connect directly to a mixer. 210 0.0 dB 0 to 100% Description Modulation waveform Modulation speed Amplitude modulation depth Pitch modulation depth Modulation delay time Low shelving filter frequency Low shelving filter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving filter frequency High shelving filter gain Mix level Symphonic Symphonic effect.0 to 0.2 Hz to 8.G EQ.0 dB 10.F EQ. Lead1.F EQ.0 Off.0 ms 21.05 to 40. Hold N.0 to 10. Modern 412.0 0. Triangle 0. AM Depth PM Depth Mod. Crunch2.05 to 40.0 to 10.0 0. this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound N.0 0 to 120 ms 0.0 to +12.0 to 500. G.0 dB 0 to 100% Description Modulation waveform Modulation speed Modulation depth Modulation delay time Low shelving filter frequency Low shelving filter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving filter frequency High shelving filter gain Mix level 5 .00 Hz 0 to 100% 0 to 100% 0.0 Hz to 16.0 0. American 212.0 Hz to 16.Amp Simulator DG Series amp sound.0 0. Delay LSH Freq. YAMAHA 212. Modern 112.0 0.0 dB 100 Hz to 8. Lead2.0 to +12.0 dB 10.00 kHz –12.0 to +12.0 to 10. British 412. Parameter Wave Freq.0 dB 100 Hz to 8.0 to +12. Decay NGTH NGAT NGHL NGDC Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Chorus Chorus effect.0 to 10. Mainly used for direct connection to power amp. American 112.G EQ.2 Hz to 8.0 to 10. Triangle 0. Delay LSH Freq.0 to 500.00 kHz –12.0 to 0.00 Hz 0 to 100% 0. Clean2. G. YAMAHA 112.0 to 10.0 to +12. 410.0 kHz –12. LSH Gain EQ Freq. HSH Gain Mix Display WAVE FREQ DPT MDT LSHF LSHG EQ. British 212. EQ Gain EQ Q HSH Freq. Crunch1. Attack N. Modern 212.0 kHz –12. Parameter Wave Freq.0 ms 21. Clean1. Hybrid 112. Hybrid 412.Q HSHF HSHG MIX Range Sine. Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display AMP GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1. EQ Gain EQ Q HSH Freq. Hybrid 212. Depth Mod. Drive2.0 0.0 to 10.0 to 10. Speaker simulator allows direct recording. G.0 to +12.10 50. HSH Gain Mix Display WAVE FREQ AMDP PMDP MDT LSHF LSHG EQ. Drive1. YAMAHA 412. Heavy2.0 0.Q HSHF HSHG MIX Range Sine. American 412.00 kHz –12.0 to 10.

Depth FB.0 Range Description Flanger type Modulation speed Modulation depth Adjusts flanger’s delay time Feedback gain Left and right flange spread (diffusion) Mix level Phaser Maximum 16-stage phaser.0 to 10.0 Description Number of phase shift stages Phaser type Modulation speed Modulation depth Sets the manner in which the phaser acts Feedback gain Sets the phaser’s tone 6 .0 to 10.0 to +12. 4.0 kHz –12.0 to 10. 8.00 Hz 0 to 100% –99 to +99% 0.0 ms 21.F EQ.0 dB 100 Hz to 8.00 to 354.0 to 10. Gain Mod. 10.0 0.0 to 10.00 kHz –12. 6.0 dB 10.0 0. 2 0. HSH Gain Mix Display STAG FREQ DPT FB OFST PHAS LSHF LSHG HSHF HSHG MIX Range 2. LSH Gain EQ Freq.0 to +12. 12.0 to +12.0 to 10.0 to 10.0 to 10.0 to 10.0 0. 16 0.0 kHz –12. EQ Gain EQ Q HSH Freq. HSH Gain Mix Display WAVE FREQ DPT FB MDT LSHF LSHG EQ. Parameter Stage Mode Speed Depth Manual Feedback Color Display STAG MODE SPD DPTH MANU FB CLOR Range 4. Parameter Wave Freq. 16 1.0 to +12.2 Hz to 8.05 to 40.00 kHz –12. minus values for reverse-phase feedback) Modulation delay time Low shelving filter frequency Low shelving filter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving filter frequency High shelving filter gain Mix level Vintage Flange Flanger produced by utilizing VCM (Virtual Circuitry Modeling) technology. 8.0 dB 0 to 100% Description Number of phase shift stages Modulation speed Modulation depth Feedback gain (plus values for normal-phase feedback.Q HSHF HSHG MIX Range Sine.0 to 0. Parameter Stage Freq.Flange Flange effect.0 0.10 50.0 dB 50.0 dB 0 to 100% Description Modulation waveform Modulation speed Modulation depth Feedback gain (plus values for normal-phase feedback. minus values for reverse-phase feedback) Lowest phase-shifted frequency offset Left and right modulation phase balance Low shelving filter frequency Low shelving filter gain High shelving filter frequency High shelving filter gain Mix level Mono Vintage Phaser Monaural phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.0 Hz to 16.0 to 10.2 Hz to 8.0 0. Triangle 0.00 kHz –12. Depth FB.00 Hz 0 to 100% –99 to +99% 0 to 100 0.0 0. LSH Gain HSH Freq. Delay LSH Freq.38 degrees 21.0 0.0 to +12.0 Hz to 16.05 to 40. 12.0 to 500. Parameter Type Speed Depth Manual Feedback Spread Mix Display TYPE SPD DPTH MANU FB SPRD MIX 1. 14. 6. 10. 3 0.0 to 10.0 0.0 0. Gain Offset Phase LSH Freq.G EQ. 2.

0 dB Modulation waveform Modulation speed Modulation depth Panning direction Low shelving filter frequency Low shelving filter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving filter frequency High shelving filter gain Description Rotary Rotary speaker simulator. EQ Gain EQ Q HSH Freq.0 to 10. Triangle.00 Hz Slow.00 Hz 0 to 100% L<->R.0 0.0 dB 100 Hz to 8. Parameter Wave Freq.0 dB 100 Hz to 8. Triangle. Fast 0 to 100 0 to 10 0 to 100 0 to 100 0 to 100% Description Rotation stop. 8.00 kHz –12.0 to 10.G EQ. EQ Gain EQ Q HSH Freq.05 to 10. Square 0.0 Hz to 16. L—>R.00 Hz 0 to 100% 21. 10 1. Turn R 21.05 to 10. Square 0.Stereo Vintage Phaser Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.10 50.0 to +12.F EQ. Parameter Rotate Slow Fast Speed Drive Accel Low High Mix Display ROT SLOW FAST SPD DRV ACCL LOW HIGH MIX Range Stop. Depth Direction LSH Freq.0 dB Description Modulation waveform Modulation speed Modulation depth Low shelving filter frequency Low shelving filter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving filter frequency High shelving filter gain Auto Pan Autopanner.05 to 40. L<—R.0 to +12.Q HSHF HSHG Range Sine.0 to 10.0 to 10. HSH Gain Display WAVE FREQ DPTH LSHF LSHG EQ.0 to 10.0 to 10.G EQ. 2 0. start Slow rotation speed Fast rotation speed Rotation speed (see Slow and Fast parameters) Overdrive level Acceleration at speed changes Low-frequency filter High-frequency filter Mix level 7 .0 0.0 dB 10. 6.0 0.0 to 0.0 0.F EQ. Start 0.0 to +12.0 Range Description Number of phase shift stages Phaser type Modulation speed Modulation depth Sets the manner in which the phaser acts Feedback gain Sets the phaser’s tone Left and right phaser spread (diffusion) Tremolo Tremolo effect.0 to +12.00 Hz 0.2 Hz to 8.00 kHz –12.2 Hz to 8.Q HSHF HSHG Range Sine. HSH Gain Display WAVE FREQ DPTH DIR LSHF LSHG EQ. Parameter Stage Mode Speed Depth Manual Feedback Color Spread Display STAG MODE SPD DPTH MANU FB CLOR SPRD 4.0 kHz –12.00 kHz –12.0 0. Turn L.0 Hz to 16.0 to +12.0 to +12.00 kHz –12.0 dB 10. LSH Gain EQ Freq.0 kHz –12. Depth LSH Freq. LSH Gain EQ Freq. Parameter Wave Freq.05 to 40.10 50.0 to 0.

F FM.05 to 40. FM Freq. Parameter Type Freq.00 to 354. Gain Display THRE RATI ATAK RELE KNEE GAIN Range -54.Ring Mod.0 Hz 0. Knee Comp. Attack Comp. FM Depth Mix Display SRC OSC FM. Band Pass Filter 0. Release Comp.00 Hz 0 to 100% 0. Ratio Comp. band pass Modulation speed Modulation depth Left-channel modulation and right-channel modulation phase difference Filter frequency offset Filter resonance Output level Mix level Compressor Compressor.D MIX Range OSC.0 dB Description Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level 8 . Parameter Source OSC Freq.00 Hz 0 to 100% 0 to 100% Description Modulation source: oscillator or input signal Oscillator frequency Oscillator frequency modulation speed Oscillator frequency modulation depth Mix level Mod. 1 to 5 0.05 to 40. Filter Modulation filter.38 degrees 0 to 100 0 to 20 0 to 100 0 to 100% Description Filter type: low pass. Ring modulator.0 to 0. Depth Phase Offset Resonance Level Mix Display TYPE FREQ DPTH PHAS OFST RESO LEVL MIX Range Low Pass Filter. Threshold Comp.0 to 5000. Parameter Comp. High Pass Filter. high pass.0 to 18. SELF 0.0 dB 1:1 to ∞:1 0 to 120 ms 6 to 11500 ms Hard.

2 Hz to 8. Knee Display SLOP LO.G MI. minus values for reverse-phase feedback) Upward or downward frequency change Sensitivity Delay time offset Low shelving filter frequency Low shelving filter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving filter frequency High shelving filter gain Mix level 9 .0 to +12.0 dB 1:1 to ∞:1 6 to 11500 ms Off.00 kHz –10 to +10 Off. all three bands are affected the same. the opposite will occur.0 dB 100 Hz to 8.G LKUP CEIL L-MX M-HX PRE COMP CMPT CRAT CATA CREL CKNE EXP EXPT ERAT EREL LIM LIMT LATA LREL LKNE Range –6. EQ Gain EQ Q HSH Freq. Release Lim. the threshold of the high band is lowered and the threshold of the low band is increased. When set to 0. Release Lim.M. Bypass Lim.10 50.0 to +12.0 dB –96. –12 dB –96.0 to +12.0 dB 0 to 100% Description Decay speed Feedback gain (plus values for normal-phase feedback.0 kHz –12.2 Hz to 8.G HI. Band Pass Filter 6 to 46000 ms Up. Down 0 to 100 0 to 100 0 to 20 0 to 100 0 to 100% Filter type Filter frequency change decay speed Upward or downward frequency change Sensitivity Filter frequency offset Filter resonance Output level Mix level Description Dyna. 3-band dynamics processor.0 to 0. Parameter Slope Low Gain Mid Gain High Gain Lookup Ceiling L–M Xover M–H Xover Presence Comp.0 to 100.0 to 0.0 Hz to 16. High Pass Filter. On 24. Knee Exp. Ratio Exp. For negative values.0 dB 10. with individual solo and gain reduction metering for each band.0 to 0. Bypass Exp. Ratio Comp. Off 21. Bypass Comp. Parameter Decay FB. On –12.00 kHz –12.F EQ.0 dB 0.0 ms –6.0 dB 0 to 120 ms 6 to 11500 ms 0 to 5 Description Filter slope Low band level Mid band level High band level Lookup delay Specifies the maximum output level Low/mid crossover frequency Mid/high crossover frequency For positive values. The effect changes according to input level.0 to +12. Parameter Type Decay Direction Sense Offset Resonance Level Mix Display TYPE DCY DIR SENS OFST RESO LVL MIX Range Low Pass Filter. Filter Filter effect.0 to 0. Gain Direction Sense Offset LSH Freq. Release Comp.0 dB. Attack Lim.Band Dyna. Threshold Comp.2 Hz to 8. The effect changes according to input level.0 dB 1:1 to 20:1 0 to 120 ms 6 to 11500 ms 0 to 5 Off. Threshold Exp. Down 0 to 100 0 to 100 21. On –54. HSH Gain Mix Display DCY FB DIR SENS OFST LSHF LSHG EQ.0 dB –96. Threshold Lim.0 to +12.0 to –24. Flange Flanger effect.00 kHz –12.G EQ. Attack Comp. LSH Gain EQ Freq.00 kHz 21.Q HSHF HSHG MIX Range 6 to 46000 ms –99 to +99% Up.0 to +12. Compressor bypass Compressor threshold Compressor ratio Compressor attack Compressor release time Adjusts the width of the gain curve just above the compressor‘s threshold Expander bypass Expander threshold Expander ratio Expander release time Limiter bypass Limiter threshold Limiter attack Limiter release time Adjusts the width of the gain curve just above the limiter‘s threshold Dyna.

Gain Direction Sense Offset Stage LSH Freq. Thru 0 to 100% Description Delay time Feedback gain (plus values for normal-phase feedback. 21.R HRAT HPF LPF MIX Range 0.0 Thru.0 Hz to 16. Down 0 to 100 0 to 100 2.0 to 2730. 21.Dyna.0 to +12.0 to 10.00 kHz –12. 6. minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Mix level 10 . The effect changes according to input level.0 dB 50.0 to +12.0 Hz to 16. LSH Gain HSH Freq.0 Hz to 16.0 to 1350. Parameter Decay FB.0 to 10. minus values for reverse-phase feedback) Upward or downward frequency change Sensitivity Lowest phase-shifted frequency offset Number of phase shift stages Low shelving filter frequency Low shelving filter gain High shelving filter frequency High shelving filter gain Mix level Tape Echo Vintage tape echo.2 Hz to 8. Parameter Time Feedback Level Display DT FB LEVL 0. 16 21. 12.0 0.2 Hz to 8.0 kHz.1 to 1. Parameter Delay L Delay R FB. minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Mix level Stereo Delay Basic stereo delay. 8.0 ms –99 to +99% –99 to +99% 0.00 kHz 50. Thru 0 to 100% Description Left channel delay time Right channel delay time Left channel feedback (plus values for normal-phase feedback.0 Thru.0 kHz.0 0.00 kHz 50. 4.0 dB 0 to 100% Description Decay speed Feedback gain (plus values for normal-phase feedback. Gain High Ratio High Pass Filter Low Pass Filter Mix Display TIME FB HRAT HPF LPF MIX Range 0.R FB. 14. Phaser Phaser effect.0 kHz –12. minus values for reverse-phase feedback) Right channel feedback (plus values for normal-phase feedback.0 Range Delay time Delay feedback level Delay level Description Mono Delay Basic repeat delay.0 ms –99 to +99% 0. Gain L FB. 10.1 to 1.0 to 1350.0 to 10. Gain R High Ratio High Pass Filter Low Pass Filter Mix Display DT. Parameter Delay FB.L FB. HSH Gain Mix Display DCY FB DIR SENS OFST STAG LSHF LSHG HSHF HSHG MIX Range 6 to 46000 ms –99 to +99% Up.2 Hz to 8.0 ms 0.L DT.

0 ms 0.0 Thru.R DTFL DTFR FB. Delay Basic repeat delay with modulation.0 to 2730.0 Thru. minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Mix level Echo Stereo delay with crossed feedback loop. Delay R FB. Thru 0 to 100% Description Left channel delay time Right channel delay time Left channel feedback delay time Right channel feedback delay time Left channel feedback gain (plus values for normal-phase feedback.00 kHz 50.00 kHz 50.L DT. minus values for reverse-phase feedback) Right to left channel feedback gain (plus values for normal-phase feedback.00 kHz 50. minus values for reverse-phase feedback) Right channel feedback gain (plus values for normal-phase feedback.C DT. Level L Level C Level R FB. Parameter Delay L Delay R FB.L LV.0 ms 0.0 to 2725. Gain High Ratio High Pass Filter Low Pass Filter Mix Display DT.2 Hz to 8.0 ms 0. Gain High Ratio High Pass Filter Low Pass Filter Mix Display DT.0 to 2730.0 Hz to 16.Mod. Gain L FB.0 ms 0. Thru 0. Delay L FB.00 Hz Thru. 21.0 to 1350. minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Mix level 11 . center.0 Hz to 16.1 to 1.1 to 1. Gain Freq. 21.05 to 40. Parameter Wave Delay FB. minus values for reverse-phase feedback) Modulation speed High-pass filter cutoff frequency Low-pass filter cutoff frequency High-frequency feedback ratio Modulation depth Mix level Delay LCR 3-tap delay (left.0 to 2730. Gain R L->R FB.2 Hz to 8.0 ms –100 to +100% –100 to +100% –100 to +100% –99 to +99% 0.2 Hz to 8.R FB HRAT HPF LPF MIX Range 0.0 0 to 100% 0 to 100% Description Modulation waveform Delay time Feedback gain (plus values for normal-phase feedback.0 kHz. Parameter Delay L Delay C Delay R Delay FB.R L->R R->L HRAT HPF LPF MIX Range 0. right). High Pass Filter Low Pass Filter High Ratio Depth Mix Display WAVE TIME FB FREQ HPF LPF HRAT DPT MIX Range Sine.0 kHz.L DT. Thru 0 to 100% Description Left channel delay time Center channel delay time Right channel delay time Feedback delay time Left channel delay level Center channel delay level Right channel delay level Feedback gain (plus values for normal-phase feedback.0 ms 0.1 to 1.0 to 1350.0 ms –99 to +99% 0.0 ms –99 to +99% –99 to +99% –99 to +99% –99 to +99% 0.0 to 2730.0 to 1350.0 to 1350.R DTFB LV.L FB.0 ms 0.C LV. Triangle 0. minus values for reverse-phase feedback) Left to right channel feedback gain (plus values for normal-phase feedback. Gain R->L FB. 21.0 kHz.0 Hz to 16.

it will synchronize with that band.0 to 10.0 to R10.0 to 10.) Effect Level ELVL 0.0 ms Low Cut Filter LCFn Off to 10.0 ms Low Cut Filter LCFn Off to 10.0 0.0 High Cut Filter HCFn Off to 10. Sine wave or other (“other” is the wave selected in the Wave Form Parameter above).0 * Edit window page no.0 Direct Level DLVL 0.0 0. Other Normal.0 to 10.0 to R10.0 to 10. Effect level Level of direct sound Pan for direct sound Delay time Filter cuts low frequencies Filter cuts high frequencies Delay’s feedback level Modulation waveform. Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band. it will not synchronize.F.0 0. corresponds to delay band no.8 Band Parallel Delay 8-band modulation delay connected in parallel. Saw Up. it will not synchronize. Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band.0 to 10.) Effect Level ELVL 0. Sine wave or other (“other” is the wave selected in the Wave Form Parameter above).0 to 10. Parameter Wave Form Display W. Effect level Level of direct sound Pan for direct sound Delay time Filter cuts low frequencies Filter cuts high frequencies Delay’s feedback level Modulation waveform.0 0.0 to R10.0 Direct Pan DPAN L10. Time DTn 0. Phase of the delay The output time of the delay sound in regard to the time of the delay loop (see page 31) Modulation speed (modulation phase if the band is synchronized with another band) Modulation depth Position in the stereo field of the delay sound. Reverse 0 to 100 % 0. Saw Down Description Selects the modulation waveform used for “other” in the Wave Parameter below.0 1 to 8 *n = delay band no.1 to 696. 8 Band Series Delay 8-band modulation delay connected in series.0 L10.0 to 10.0 Direct Pan DPAN L10. Saw Up.F. Reverse 0 to 100 % 0. Saw Down Description Selects the modulation waveform used for “other” in the Wave Parameter below. Other Normal.0 to 10. If set to the same number as the current band. If set to the same number as the current band. Parameter Wave Form Display W. Range Triangle. it will synchronize with that band.0 L10.0 High Cut Filter HCFn Off to 10. corresponds to delay band no.0 Wave Phase Tap Speed Depth Pan Level Sync WAVn PHSn TAPn SPDn DPTn PANn LVLn SYNn Sine.0 1 to 8 *n = delay band no. Phase of the delay The output time of the delay sound in regard to the time of the delay loop (see page 31) Modulation speed (modulation phase if the band is synchronized with another band) Modulation depth Position in the stereo field of the delay sound.0 Direct Level DLVL 0.0 to 10.0 to 10.0 to 10.0 to 10.0 Feedback FBn 0.0 Feedback FBn 0. Time DTn 0. 12 .0 * Edit window page no.1 to 696.0 to R10.0 Wave Phase Tap Speed Depth Pan Level Sync WAVn PHSn TAPn SPDn DPTn PANn LVLn SYNn Sine. Range Triangle.

Page7:Band2 Tap3. Effect Level ELVL 0. and tap no. Page3. Saw Down ter below. Delay 2-band delay connected in parallel w/4 multi-tap modulation delay. Page7) Modulation waveform. Page5:Band3 Tap1. Effect Level ELVL 0.0 to 10. Page1:Band1 Tap1.0 to 10. Parameter Display Range Description Selects the modulation waveform used for “other” in the Wave ParameWave Form W.0 to 10.0 ms Delay time (Page1. Page3. it will not synchronize.0 Delay’s feedback level (Page1.0 to 10.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band.0 Level of direct sound Direct Pan DPAN L10.0 Delay’s feedback level (Page1. Phase PHSn Normal.0 to 10.) *n = delay band no. and tap no.0 Position in the stereo field of the delay sound. Page4:Band1 Tap4. Other in the Wave Form Parameter above). Phase PHSn Normal. it will not synchronize. Page5 only) Modulation waveform. Page5. Page5.0 Pan for direct sound * Edit window no. Triangle. Page5:Band2 Tap1.4 Band 2 Tap Mod.0 to R10. Page7:Band4 Tap1.0 Modulation depth Pan PANn L10. corresponds to delay band no.) *n = delay band no.F.0 Effect level Direct Level DLVL 0. Page5 only) Feedback FBn 0.0 another band) Depth DPTn 0.0 Modulation depth Pan PANn L10. Delay 4-band delay connected in parallel w/2 multi-tap modulation delays. If set to the same number as the current band.0 to 10.0 Pan for direct sound * Edit window no.0 to 10. Page4:Band2 Tap2. Page5 only) High Cut Filter HCFn Off to 10. Page3. Triangle. Page7) Feedback FBn 0. Page3. it will synSync SYNn 1 to 8 chronize with that band. Page3:Band1 Tap3.1 to 1430. Parameter Display Range Description Selects the modulation waveform used for “other” in the Wave ParameWave Form W. If set to the same number as the current band. Page8:Band2 Tap4 Time DTn 0.0 to 10.0 Filter cuts low frequencies (Page1. 13 . corresponds to delay band no.0 Effect level Direct Level DLVL 0. 2 Band 4 Tap Mod. Page7) High Cut Filter HCFn Off to 10. Sine wave or other (“other” is the wave selected Wave WAVn Sine. Page1:Band1 Tap1.0 to R10. Page3:Band2 Tap1. Page7) Low Cut Filter LCFn Off to 10. Sine wave or other (“other” is the wave selected Wave WAVn Sine.F.0 to 10. Page6:Band2 Tap2. Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0. Page2:Band1 Tap2. Saw Up. Page8:Band4 Tap2 Time DTn 0. Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0.0 Position in the stereo field of the delay sound. Page2:Band1 Tap2.0 another band) Depth DPTn 0.0 ms Delay time (Page1.0 Filter cuts high frequencies (Page1.0 Filter cuts low frequencies (Page1. Page5.0 Filter cuts high frequencies (Page1. Page6:Band3 Tap2.0 to 10.2 to 2920.0 to 10. Page5 only) Low Cut Filter LCFn Off to 10. Page5. it will synSync SYNn 1 to 8 chronize with that band. Level LVLn 0.0 to 10.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band.0 to R10. Saw Up.0 Level of direct sound Direct Pan DPAN L10. Other in the Wave Form Parameter above). Level LVLn 0. Saw Down ter below.0 to R10.

Page3. Page3:Tap3.0 to 10. Page5 to Page8) Band6: 0.0 to 10. Delay 8 Multi tap modulation delay. Page5:Tap5.1 to 696.5 to 5890.0 to R10.0 ms Delay time (Page1 only) Low Cut Filter LCFn Off to 10. Saw Up.0 to 10. Triangle. Sine wave or other (“other” is the wave selected Wave WAVn Sine. Level LVLn 0. Range Triangle. it will not synchronize.0 ms Low Cut Filter LCFn Off to 10.0 Filter cuts high frequencies (Page1 only) Feedback FBn 0. Page5:Band3.0 to 10.0 Delay’s feedback level (Page1 only) Modulation waveform.1 to 1430.F. Page6:Band4.0 to 10.0 Direct Level DLVL 0. Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0. Page6:Tap6. 14 . and tap no.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band.0 Modulation depth Pan PANn L10. Band5. it will synSync SYNn 1 to 8 chronize with that band.0 Level of direct sound Direct Pan DPAN L10. Delay time (Page1.0 Direct Pan DPAN L10. Phase PHSn Normal.0 Filter cuts high frequencies (Page1. Page2:Band1 Tap2.) *n = delay band no.0 to 10. Page3. corresponds to tap no. If set to the same number as the current band.F.0 * Edit window page no. Delay 2 band parallel 2 multi tap + 4 band short modulation delay. Page3.0 to 10.0 to 10. Page7:Band5. Saw Down ter below. Other in the Wave Form Parameter above). 2 Band Long + 4 Short Mod. Band2: 0.0 Filter cuts low frequencies (Page1.0 Pan for direct sound * Edit window no. Page3:Band2 Tap1. Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0. Band3.0 to R10. Page5 to Page8) High Cut Filter HCFn Off to 10. Page7:Tap7.0 Filter cuts low frequencies (Page1 only) High Cut Filter HCFn Off to 10. it will not synchronize. it will synSync SYNn 1 to 8 chronize with that band.0 another band) Depth DPTn 0. Sine wave or other (“other” is the wave selected Wave WAVn Sine.0 Position in the stereo field of the delay sound. Other in the Wave Form Parameter above). Parameter Wave Form Display W.0 to R10.0 Modulation depth Pan PANn L10. Phase PHSn Normal. Page5 to Page8) Modulation waveform.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band.0 Effect level Direct Level DLVL 0.0 to 10.0 Time DTn ms.0 to R10. Page1:Band1 Tap1.8 Multi Tap Mod.) *n = delay band no. Saw Down Description Selects the modulation waveform used for “other” in the Wave Parameter below.0 to 10. corresponds to delay band no.0 to 10. Page5 to Page8) Feedback FBn 0. Effect Level ELVL 0. Level LVLn 0. Band4. If set to the same number as the current band. Page4:Band2 Tap2.0 to 10. Page2:Tap2.0 Delay’s feedback level (Page1. Page1:Tap1.0 another band) Depth DPTn 0. Page8:Band6 Band1. Parameter Display Range Description Selects the modulation waveform used for “other” in the Wave ParameWave Form W. Page4:Tap4. Saw Up. Page3. Page8:Tap8 Time DTn 0. Effect level Level of direct sound Pan for direct sound Effect Level ELVL 0.0 Position in the stereo field of the delay sound.

2 to 2180. 100% = all early reflections) High-pass filter cutoff frequency Low-pass filter cutoff frequency Level at which gate kicks in Gate opening speed Gate open time Gate closing speed Mix level 15 .0 Filter cuts high frequencies (Page1. Page2. Page2.0 Effect level Direct Level DLVL 0.0 ms.0 ms 0. Delay 3 band multi tap delay w/3 delay times. Other in the Wave Form Parameter above). Saw Up.0 Delay’s feedback level (Page1.1 to 696. corresponds to delay band no. Parameter Display Range Description Selects the modulation waveform used for “other” in the Wave ParameWave Form W.0 another band) Depth DPTn 0. Page5 only) Band3:0. Parameter Reverb Type Initial Delay ER/Rev Delay Reverb Time High Ratio Low Ratio Diffusion Density ER/Rev Balance High Pass Filter Low Pass Filter Gate Level Attack Hold Decay Mix Display TYPE IDLY ERDL TIME HRAT LRAT DIFF DNST ERBL HPF LPF GATE ATCK HOLD DCAY MIX Range Hall. Reverb Hall. Room.0 ms Low Cut Filter LCFn Off to 10. Level LVLn 0.0 to 10. Page5:Band3 Tap1. Page5 only) High Cut Filter HCFn Off to 10.00 kHz 50.1 to 1.0 to 10.0 Pan for direct sound * Edit window no.0 ms.0 Position in the stereo field of the delay sound. Page6:Band3 Tap2.0 0. room. Effect Level ELVL 0. Delay time (Page1.0 ms 0. Thru Off.0 Filter cuts low frequencies (Page1. Time DTn Band2:0.02 to 2040 ms 6 to 44500 ms 0 to 100% Description Reverb type Initial delay before reverb begins Delay between early reflections and reverb Reverb time High-frequency reverb time ratio Low-frequency reverb time ratio Reverb diffusion (left–right reverb spread) Reverb density Balance of early reflections and reverb (0% = all reverb. 21.0 s 0. all with gates.4 0 to 10 0 to 100% 0 to 100% Thru. Triangle.0 Hz to 16.0 Level of direct sound Direct Pan DPAN L10.Short + Medium + Long Mod. Reverse Phase of the delay The output time of the delay sound in regard to the time of the delay Tap TAPn 0 to 100 % loop (see page 31) Modulation speed (modulation phase if the band is synchronized with Speed SPDn 0. Page4:Band2 Tap3. Stage. Phase PHSn Normal.0 to 10.0 kHz.0 Delay level Setting to synchronize the modulation of different bands (set to any number other than the band number of the current band. it will synSync SYNn 1 to 8 chronize with that band. Page1:Band1 Tap1. Page5 only) Modulation waveform.1 to 2. Page8:Band3 Tap4 Band1:0. –60 to 0 dB 0 to 120 ms 0. Page2.2 Hz to 8. Sine wave or other (“other” is the wave selected Wave WAVn Sine. Plate 0.0 to 100.0 to 10. Page3:Band2 Tap2.0 to 10. Page7:Band3 Tap3.0 Modulation depth Pan PANn L10.2 to 2920. Page2:Band2 Tap1. If set to the same number as the current band. Saw Down ter below. and plate reverb simulations. stage.F.0 to R10. it will not synchronize.) *n = delay band no.0 to 500.0 to R10.0 to 10. Page2. and tap no. Page5 only) Feedback FBn 0.3 to 99.

0 ms –99 to +99% 0.0 kHz.0 0 to 10 0 to 10 0 to 100% 1 to 19 0. Gain Room Size Liveness Diffusion Density ER Number High Ratio High Pass Filter Low Pass Filter Mix Display TYPE IDLY FB SIZE LIVE DIFF DNST ERNO HRAT HPF LPF MIX Range Small Hall.0 Thru.0 Hz to 16.0 to 500. Spring 0.0 kHz. Gain Room Size Liveness Diffusion Density ER Number High Ratio High Pass Filter Low Pass Filter Mix Display TYPE IDLY FB SIZE LIVE DIFF DNST ERNO HRAT HPF LPF MIX Range Type-A.0 0 to 10 0 to 10 0 to 100% 1 to 19 0. Thru 0 to 100% Description Type of early reflection simulation Initial delay before reverb begins Feedback gain Reflection spacing Early reflections decay characteristics (0 = dead.0 to 500.0 ms –99 to +99% 0.Early Ref.1 to 20. Type-B 0.2 Hz to 8.1 to 20. 21. Early reflections.2 Hz to 8. Thru 0 to 100% Description Type of early reflection simulation Initial delay before reverb begins Feedback gain Reflection spacing Early reflections decay characteristics (0 = dead. Random.2 Hz to 8.0 Thru. 21.1 to 20. Large Hall.0 kHz.00 kHz 50. Parameter Type Initial Delay FB. 10 = live) Reflection diffusion (left–right reflection spread) Reflection density Number of early reflections High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Mix level Gate Reverb Early reflections with gate. Plate.0 Hz to 16.0 ms –99 to +99% 0. 10 = live) Reflection diffusion (left–right reflection spread) Reflection density Number of early reflections High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Mix level 16 . 10 = live) Reflection diffusion (left–right reflection spread) Reflection density Number of early reflections High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Mix level Reverse Gate Early reflections with reverse gate. Parameter Type Initial Delay FB. Parameter Type Initial Delay FB. 21.00 kHz 50.0 to 500.0 Thru.1 to 1.1 to 1. Reverse. Thru 0 to 100% Description Type of early reflection simulation Initial delay before reverb begins Feedback gain Reflection spacing Early reflections decay characteristics (0 = dead.1 to 1.0 0 to 10 0 to 10 0 to 100% 1 to 19 0.00 kHz 50.0 Hz to 16. Type-B 0. Gain Room Size Liveness Diffusion Density ER Number High Ratio High Pass Filter Low Pass Filter Mix Display TYPE IDLY FB SIZE LIVE DIFF DNST ERNO HRAT HPF LPF MIX Range Type-A.

0 EQ1 frequency EQ2 frequency EQ3 frequency Overall level EQ1 gain EQ2 gain EQ3 gain EQ1 Q (bandwidth) EQ2 Q (bandwidth) EQ3 Q (bandwidth) Description 17 .0 Hz to 20.0 to 1000.0 to 12.0 to 10.0 to 12.0 to 12.0 kHz 0.100 to 20.0 Hz to 20. EQ Level EQ1 Gain EQ2 Gain EQ3 Gain EQ1 Q EQ2 Q EQ3 Q Display EQ1F EQ2F EQ3F LEVL EQ1G EQ2G EQ3G EQ1Q EQ2Q EQ3Q Range 20. Gain 1 Delay 2 FB. EQ2 Freq.0 to 1000. Parameter Mode Delay FB.0 Range Reverb level Description HQ.0 dB -12.0 kHz 20.100 to 20.0 dB -12. Parameter EQ1 Freq.0 ms –99 to +99% –24 to +24 semitones –50 to +50 cents –100 to +100% L63 to R63 –24 to +24 semitones –50 to +50 cents –100 to +100% L63 to R63 0 to 100% Description Pitch shift precision Channel #1 delay time Channel #1 feedback gain (plus values for normal-phase feedback. Parameter Mode Delay 1 FB. Gain Pitch Fine Mix Display MODE DT FB PIT FINE MIX Range 1 to 10 0. minus values for reverse phase) Channel #2 pan Mix level 3 Band Parametric EQ 3-band parametric equalizer. EQ3 Freq.100 to 20.0 dB 0. minus values for reverse phase) Channel #1 pan Channel #2 pitch shift Channel #2 pitch shift fine Channel #2 level (plus values for normal phase. Parameter Reverb Display REV 0. minus values for reverse-phase feedback) Pitch shift Pitch shift fine Mix level Dual Pitch Pitch shifter.0 0. minus values for reverse-phase feedback) Channel #1 pitch shift Channel #1 pitch shift fine Channel #1 level (plus values for normal phase.Spring Reverb Spring reverb simulation.0 to 1000. Pitch High-quality pitch shifter. minus values for reverse-phase feedback) Channel #2 delay time Channel #2 feedback gain (plus values for normal-phase feedback.0 ms –99 to +99% –12 to +12 semitones –50 to +50 cents 0 to 100% Description Pitch shift precision Delay time Feedback gain (plus values for normal-phase feedback.0 -12.0 ms –99 to +99% 0.0 Hz to 20.0 to 10.0 kHz 20. Gain 2 Pitch 1 Fine 1 Level 1 Pan 1 Pitch 2 Fine 2 Level 2 Pan 2 Mix Display MODE DT1 FB1 DT2 FB2 PIT1 FIN1 LVL1 PAN1 PIT2 FIN2 LVL2 PAN2 MIX Range 1 to 10 0.0 0.

High Pass Filter.0 ms 0. Parameter Wave Initial Delay Freq. Thru 0 to 100% 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Reverb and chorused reverb balance (0% = all chorused reverb. low pass.2 Hz to 8.0 Hz to 16.0 0 to 10 0 to 100% Thru.1 to 1. Parameter Type 1 Freq.0 to 500.0 Hz to 16.0 Hz to 16. Band Pass Filter 28. Parameter Wave Initial Delay Freq.0 to 500.Multi Filter 3-band multi-filter (24 dB/octave). band pass Filter 1 frequency Filter 1 level Filter 1 resonance Mix level Filter 2 type: high pass.0 kHz.0 Hz to 16.3 to 99.3 to 99. Band Pass Filter 28. High Pass Filter.00 Hz 0.0 s 0.00 Hz 0.00 kHz 50.0 kHz 0 to 100 0 to 20 Low Pass Filter.05 to 40. low pass. Mod. Band Pass Filter 28. band pass Filter 2 frequency Filter 2 level Filter 2 resonance Filter 3 type: high pass. 100% = all chorus) Amplitude modulation depth Pitch modulation depth Mix level Reverb->Chorus Reverb and chorus effects in series. Triangle 0.0 ms 0.0 kHz. 21.0 Hz to 16.0 s 0. Delay Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb Balance AM Depth PM Depth Mix Display WAVE IDLY FREQ MDT RT HRAT DIFF DNST HPF LPF BAL AMDP PMDP MIX Range Sine. High Pass Filter. Mod. Triangle 0.0 ms 0. Delay Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb/Chorus AM Depth PM Depth Mix Display WAVE IDLY FREQ MDT RT HRAT DIFF DNST HPF LPF BAL AMDP PMDP MIX Range Sine. 1 Level 1 Resonance 1 Mix Type 2 Freq.1 to 1.0 to 500. band pass Filter 3 frequency Filter 3 level Filter 3 resonance Reverb+Chorus Reverb and chorus effects in parallel.2 Hz to 8.0 ms 0. 21.00 kHz 50.0 0 to 10 0 to 100% Thru.05 to 40.0 kHz 0 to 100 0 to 20 0 to 100% Low Pass Filter. 100% = all reverb) Amplitude modulation depth Pitch modulation depth Mix level 18 .0 to 500. Thru 0 to 100% 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Reverb and chorus balance (0% = all reverb.0 kHz 0 to 100 0 to 20 Description Filter 1 type: high pass. 2 Level 2 Resonance 2 Type 3 Freq. low pass. 3 Level 3 Resonance 3 Display TYP1 FRQ1 LVL1 RES1 MIX TYP2 FRQ2 LVL2 RES2 TYP3 FRQ3 LVL3 RES3 Range Low Pass Filter.

0 to 500.00 kHz 50. 100% = all symphonic) Modulation depth Mix level 19 .0 to 500.0 Hz to 16.0 to 500.0 Hz to 16. Parameter Wave Initial Delay Freq.2 Hz to 8.05 to 40. Thru 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Feedback gain (plus values for normal-phase feedback. 21.3 to 99. Delay FB. Thru 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Feedback gain (plus values for normal-phase feedback.05 to 40.0 kHz.0 s 0.0 to 500.0 ms 0. 21.0 kHz. minus values for reverse-phase feedback) Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Reverb and flange balance (0% = all reverb.1 to 1.00 Hz 0.00 kHz 50.0 s 0.0 ms 0. Parameter Wave Initial Delay Freq. Mod.2 Hz to 8. Delay Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb/ Symphonic Depth Mix Display WAVE IDLY FREQ MDT RT HRAT DIFF DNST HPF LPF BAL DPTH MIX Range Sine. Delay FB.0 s 0.05 to 40. Mod. Triangle 0. Thru 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Reverb and symphonic balance (0% = all reverb. Parameter Wave Initial Delay Freq. minus values for reverse-phase feedback) Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Reverb and flanged reverb balance (0% = all flanged reverb.00 Hz 0.0 ms 0.00 kHz 50. 21.0 to 500.00 Hz 0.3 to 99. 100% = all flange) Modulation depth Mix level Reverb->Flange Reverb and flanger effects in series. Mod. 100% = all reverb) Modulation depth Mix level Reverb+Symphonic Reverb and symphonic effects in parallel. Triangle 0.0 to 500.0 ms –99 to +99% 0.Reverb+Flange Reverb and flanger effects in parallel.1 to 1. Gain Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb Balance Depth Mix Display WAVE IDLY FREQ MDT FB RT HRAT DIFF DNST HPF LPF BAL DPTH MIX Range Sine.0 ms –99 to +99% 0.0 Hz to 16.0 0 to 10 0 to 100% Thru.0 0 to 10 0 to 100% Thru.2 Hz to 8.3 to 99. Triangle 0.0 ms 0.0 kHz. Gain Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb/Flange Depth Mix Display WAVE IDLY FREQ MDT FB RT HRAT DIFF DNST HPF LPF BAL DPTH MIX Range Sine.0 0 to 10 0 to 100% Thru.1 to 1.

Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb Balance Depth Direction Mix Display WAVE IDLY FREQ RT HRAT DIFF DNST HPF LPF BAL DPTH DIR MIX Range Sine.0 to 500. minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Delay and early reflections balance (0% = all delay.L DT. L<–R. L–>R. Triangle.Reverb->Symphonic Reverb and symphonic effects in series.0 Hz to 16.0 Hz to 16.0 ms 0. Parameter Delay L Delay R FB.0 0 to 10 0 to 100% Thru. Turn L.R DTFB FB HRAT HPF LPF BAL MIX TYPE IDLY SIZE LIVE DIFF DNST ERNO Range 0.2 Hz to 8.0 ms 0.0 to 1000.0 0 to 10 0 to 10 0 to 100% 1 to 19 Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback. Parameter Wave Initial Delay Freq. Thru 0 to 100% 0 to 100% L<–>R.00 kHz 50.0 s 0.0 ms 0.1 to 1.05 to 40.05 to 40.1 to 1.0 kHz.1 to 1.0 s 0. 21. Mod.0 ms –99 to +99% 0.0 to 500. Thru 0 to 100% 0 to 100% 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Modulation delay time Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Reverb and symphonic reverb balance (0% = all symphonic reverb.0 kHz.0 to 1000. Reverse.2 Hz to 8.2 to 20.0 to 500. Thru 0 to 100% 0 to 100% Small Hall. Turn R 0 to 100% Description Modulation waveform Initial delay before reverb begins Modulation speed Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Reverb and panned reverb balance (0% = all panned reverb. Gain High Ratio High Pass Filter Low Pass Filter Delay/ER Mix Type Initial Delay Room Size Liveness Diffusion Density ER Number Display DT.2 Hz to 8. Delay Reverb Time High Ratio Diffusion Density High Pass Filter Low Pass Filter Reverb Balance Depth Mix Display WAVE IDLY FREQ MDT RT HRAT DIFF DNST HPF LPF BAL DPTH MIX Range Sine.3 to 99.0 0 to 10 0 to 100% Thru. Delay and early reflections effects in parallel.00 Hz 0. 21. Delay FB.0 to 500.0 ms 0. 100% = all early reflections) Mix level Type of early reflection simulation Initial delay before reverb begins Reflection spacing Early reflections decay characteristics (0 = dead. Parameter Wave Initial Delay Freq.3 to 99. Square 0. Plate. 100% = all reverb) Modulation depth Panning direction Mix level Delay+Early Ref. Random.00 kHz 50.0 Thru.0 to 1000.00 kHz 50.0 ms 0. 100% = all reverb) Modulation depth Mix level Reverb->Pan Reverb and autopan effects in series. Large Hall. 10 = live) Left and right early reflections spread Reverb density Number of early reflections 20 . Spring 0. 21. Triangle 0.00 Hz 0.0 ms 0.0 kHz.0 Hz to 16.

R DTFB FB HRAT HPF LPF BAL MIX IDLY RT R.1 to 1.L DT. Thru 0 to 100% 0 to 100% 0. 100% = all reverb) Mix level Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Delay->Reverb Delay and reverb effects in series. minus values for reverse-phase feedback) Delay high-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Delay and delayed reverb balance (0% = all delayed reverb.00 kHz 50.0 ms 0.0 Thru. Random.0 kHz. Reverse. Large Hall.0 Thru.0 Thru. Thru 0 to 100% 0 to 100% 0. Spring 0. Gain High Ratio High Pass Filter Low Pass Filter Delay Balance Mix Type Initial Delay Room Size Liveness Diffusion Density ER Number Display DT.0 to 500.L DT.Delay->Early Ref. Delay and early reflections effects in series. 21.0 to 1000.0 ms 0.2 to 20.0 ms 0.0 ms 0. Gain Delay High High Pass Filter Low Pass Filter Delay/Reverb Mix Initial Delay Reverb Time Reverb High Diffusion Density Display DT.2 Hz to 8.2 Hz to 8. Delay FB.3 to 99.0 ms 0.0 s 0.0 to 1000.1 to 1.0 0 to 10 0 to 100% Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback.0 0 to 10 0 to 10 0 to 100% 1 to 19 Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback. Parameter Delay L Delay R FB.1 to 1.R DTFB FB HRAT HPF LPF BAL MIX IDLY RT R.1 to 1.0 to 1000.0 to 1000.0 s 0.1 to 1.0 to 1000.0 0 to 10 0 to 100% Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback. Delay FB. minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Delay and early reflected delay balance (0% = all early reflected delay.0 ms –99 to +99% 0. 100% = all delay) Mix level Type of early reflection simulation Initial delay before reverb begins Reflection spacing Early reflections decay characteristics (0 = dead. Parameter Delay L Delay R FB.HI DIFF DNST Range 0. Thru 0 to 100% 0 to 100% Small Hall.0 to 500. Parameter Delay L Delay R FB.L DT.0 Hz to 16. 21.00 kHz 50.0 to 1000.0 ms 0. Delay FB.0 kHz.3 to 99.2 Hz to 8.R DTFB FB HRAT HPF LPF BAL MIX TYPE IDLY SIZE LIVE DIFF DNST ERNO Range 0.0 ms 0. Gain Delay High High Pass Filter Low Pass Filter Delay Balance Mix Initial Delay Reverb Time Reverb High Diffusion Density Display DT. 10 = live) Left and right early reflections spread Reverb density Number of early reflections Delay+Reverb Delay and reverb effects in parallel.0 kHz. 21.0 Hz to 16.0 ms –99 to +99% 0.0 to 1000.0 ms 0.0 ms 0.0 to 1000.0 to 500. Plate. 100% = all delay) Mix level Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density 21 .0 ms –99 to +99% 0.0 to 1000.HI DIFF DNST Range 0.0 Hz to 16. minus values for reverse-phase feedback) Delay high-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Delay and reverb balance (0% = all delay.00 kHz 50.

Crunch 0. 100% = all delayed distortion) Description 22 .0 ms –99 to +99% 0. minus values for reverse-phase feedback) Modulation speed Distortion drive Master volume Tone control Noise reduction High-frequency feedback ratio Modulation depth Distortion and delay balance (0% = all distortion. Gain Freq.0 to 2725. Overdrive2.05 to 40.00 Hz 0 to 100 0 to 100 –10 to +10 0 to 20 0. Overdrive1. Parameter Type Delay FB.1 to 1.0 0 to 100% 0 to 100% Distortion type Delay time Feedback gain (plus values for normal-phase feedback. Drive Master Tone Noise Gate High Ratio Depth Delay Balance Display TYPE DT FB FREQ DRV MSTR TONE NG HRAT DPTH BAL Range Distortion1. Distortion2. Mainly used for direct connection to guitar amp’s front input.Distortion->Delay Distortion and delay effects in series.

Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level NGTH NGAT NGHL NGDC CTHR CRAT CATT CREL CKNE CGAI WAVE CHDT CHSP CHDP CHLV DTFB DT. Release Comp.0 0.0 0.0 to 10. G. Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display TYPE GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1. Hybrid 412. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini.Amp Multi (Chorus) Multi effect consisting of Comp + Amp Simulator + Chorus + Delay + Reverb. G.HI DLVL DHPF DLPF RIDL RT R. this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound N. Solid 0. For delay. Drive2. American 112.0 s 0.0 0.0 to 10.L DT. Delay Tap L Tap R Delay FB. Mainly used for direct connection to power amp.0 to 30.0 to 10. Threshold Comp.0 to 0.0 0.0 to 10.0 to 10. American 412. Ratio Comp. Crunch1. Modern 212. G.0 0.0 dB 1:1 to ∞:1 0 to 120 ms 6 to 11500 ms Hard.0 to 10. 210 0. G. Attack N.0 to 10.0 to 500. Triangle 0. Speaker simulator allows direct recording.0 dB Sine. 410.0 Hz to Thru 0.0 to 10. British 212.0 ms 0. reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level 23 .02 to 2040 ms 6 to 44500 ms -54.0 to 10. Clean1.0 0.0 to 10. Hybrid 112. Lead2. Threshold N.0 to 18. Hybrid 212. American 212.0 0.0 0.1 to 1.HI RDIF RDNS RLVL Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Chorus modulation waveform Chorus delay time Chorus speed Modulation depth Chorus level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback.0 to 10. For delay.1 to 1. Hold N.0 0.0 to 10. Knee Comp. YAMAHA 212.00 kHz 50.0 to 120 ms 0.0 Off.0 to 10. Lead1.FB D. Modern 412.0 0.0 Thru to 8. Gain Wave Chorus Delay Chorus Speed Chorus Depth Chorus Level FB. YAMAHA 112.R D. Modern 112.0 to 10.0 ms 0 to 10 0 to 100 0.3 to 99. minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass filter cutoff frequency.0 ms 0. 1 to 5 0. British 412.0 to 1000.0 0.0 0. Heavy2.0 ms 0 to 100 % 0 to 100 % -99 to 99 0. YAMAHA 412. Drive1.0 Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description Speaker Simulator SP When using a line connection to connect directly to a mixer. reverb Low-pass filter cutoff frequency. Clean2. Attack Comp. Crunch2. Decay Comp.

Hybrid 412. Release Comp. Modern 112. 1 to 5 0. Mainly used for direct connection to power amp. G.0 0.0 0. Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display TYPE GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1.0 to 120 ms 0. 410.HI DLVL DHPF DLPF RIDL RT R. For delay.0 to 0.0 to 10. Heavy2.0 0. reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level 24 .0 to 10.0 Thru to 8.Amp Multi (Flange) Multi effect consisting of Comp + Amp Simulator + Flange + Delay + Reverb. Threshold N. Clean1.0 0. reverb Low-pass filter cutoff frequency.0 dB Sine. Crunch2. this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound N. Ratio Comp.0 to 500. Hybrid 112. Hybrid 212. Knee Comp.0 0. Gain Wave Flanger Delay Flanger Speed Flanger Depth Flanger Feedback Flanger Level FB. American 112. Attack N.0 0. Crunch1. British 412. 210 0.0 Off. British 212.02 to 2040 ms 6 to 44500 ms -54.0 to 10. Solid 0. YAMAHA 412. For delay. YAMAHA 212.0 to 10. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini.0 0.R D.HI RDIF RDNS RLVL Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Modulation waveform Flanger delay time Modulation speed Modulation depth Flanger feedback Flanger level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback.0 s 0. Modern 412. G.0 ms 0 to 10 0 to 100 0. Modern 212.0 to 10.0 Hz to Thru 0.0 to 10.0 -99 to 99 0.0 to 10.0 0.0 to 10.0 to 10.0 ms 0.0 to 10. Speaker simulator allows direct recording.0 to 10. Decay Comp.00 kHz 50. American 212. Lead1.0 to 10.0 0. Clean2. Delay Tap L Tap R Delay FB. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level NGTH NGAT NGHL NGDC CTHR CRAT CATT CREL CKNE CGAI WAVE FLDT FLSP FLDP FLFB FLVL DTFB DT.0 dB 1:1 to ∞:1 0 to 120 ms 6 to 11500 ms Hard.1 to 1.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.0 0.0 to 10. Drive2. G.1 to 1. Triangle 0.3 to 99.0 Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description Speaker Simulator SP When using a line connection to connect directly to a mixer.0 to 1000. minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass filter cutoff frequency. Threshold Comp. Attack Comp.0 to 10.0 to 18. Hold N.0 0. American 412.FB D.L DT. YAMAHA 112.0 to 10. Drive1. G.0 ms 0. Lead2.

0 ms 0 to 10 0 to 100 0. Threshold Comp. Attack N. Ratio Comp. Solid 0. For delay.0 to 10.0 to 10.0 Thru to 8.0 0. Modern 112.0 0.HI RDIF RDNS RLVL Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Modulation waveform Tremolo speed Tremolo depth Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback. YAMAHA 112. G.0 s 0. Clean2. Drive2.0 0.0 to 10.0 0. 410.0 to 10.0 to 10.0 to 10. American 412. Triangle.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.0 0.Amp Multi (Tremolo) Multi effect consisting of Comp + Amp Simulator + Tremolo + Delay + Reverb. 210 0. this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound N.0 0.0 to 10.1 to 1.0 0.0 to 500. Mainly used for direct connection to power amp.0 to 10. Crunch2.0 to 10.0 to 10. For delay.L DT.0 to 10. Decay Comp. Crunch1. Delay Tap L Tap R Delay FB. Hold N. Modern 412. British 412.0 to 10. Knee Comp. Lead2. G.0 to 1000.0 to 120 ms 0. Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display TYPE GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1. American 112.1 to 1. Threshold N. reverb Low-pass filter cutoff frequency.0 0. 1 to 5 0.02 to 2040 ms 6 to 44500 ms -54.HI DLVL DHPF DLPF RIDL RT R.0 0. American 212.0 to 18. reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level 25 . Hybrid 212.0 dB Sine. Attack Comp.00 kHz 50. Lead1. Drive1.FB D.3 to 99.0 Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description Speaker Simulator SP When using a line connection to connect directly to a mixer. G. Hybrid 112.0 ms 0. Hybrid 412.0 0. Release Comp. Heavy2. YAMAHA 212. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini.R D. British 212. Clean1.0 dB 1:1 to ∞:1 0 to 120 ms 6 to 11500 ms Hard. Gain Wave Tremolo Speed Tremolo Depth FB. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level NGTH NGAT NGHL NGDC CTHR CRAT CATT CREL CKNE CGAI WAVE TRSP TRDP DTFB DT. YAMAHA 412.0 Hz to Thru 0. Squre 0. Speaker simulator allows direct recording. G.0 to 10. Modern 212.0 0.0 to 0. minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass filter cutoff frequency.0 Off.

American 112. Delay Tap L Tap R Delay FB. Lead2. 210 0.0 to 10.HI RDIF RDNS RLVL Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Modulation waveform Modulation speed Modulation depth Phaser feedback Phaser level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback.0 0. G. British 212. Release Comp. American 212. Hybrid 212. Hold N.0 to 10. Threshold N.L DT. Solid 0. Attack Comp.0 to 120 ms 0.0 -99 to 99 0. Ratio Comp.0 0.FB D.3 to 99.1 to 1. Gain Wave Phaser Speed Phaser Depth Phaser Feedback Phaser Level FB.0 0. Modern 212.0 0.0 to 18. minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass filter cutoff frequency. Knee Comp. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Drive2.HI DLVL DHPF DLPF RIDL RT R.0 Hz to Thru 0. YAMAHA 412.0 to 1000. Parameter Amp Type Gain Master Tone Treble High Middle Low Middle Bass Presence Display TYPE GAIN MSTR TONE TRE HMID LMID BASS PRE Range Heavy1.0 ms 0 to 10 0 to 100 0.0 ms 0 to 100 % 0 to 100 % -99 to 99 0. Mainly used for direct connection to power amp.0 to 10. G. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level NGTH NGAT NGHL NGDC CTHR CRAT CATT CREL CKNE CGAI WAVE PHSP PHDP PHFB PHLV DTFB DT. Triangle 0.0 0.0 to 10.0 Thru to 8. Hybrid 412.0 0.R D.0 to 10. Heavy2. Decay Comp.1 to 1.0 dB 1:1 to ∞:1 0 to 120 ms 6 to 11500 ms Hard.0 to 10. reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level 26 .0 to 10.Amp Multi (Phaser) Multi effect consisting of Comp + Amp Simulator + Phaser + Delay + Reverb.0 ms 0.0 to 10.0 to 500. Clean1.0 0.0 0. For delay. 1 to 5 0. Drive1.0 to 10.0 to 0.0 Off. Crunch1. Modern 412. Lead1. Hybrid 112. American 412.0 Amp type Adjusts the amount of distortion Adjusts the volume Adjusts the tone Adjusts level of high range frequencies Adjusts level of upper mid frequencies Adjusts level of lower mid frequencies Adjusts level of low frequencies Adjusts level of extremely high frequencies Description Speaker Simulator SP When using a line connection to connect directly to a mixer.0 0. Modern 112. G. 410. Clean2.0 to 10. For delay.0 0. Attack N.0 to 10. YAMAHA 212. this can be used to simulate the natural characteristics of a speaker giving the tone a more natural sound N. G.0 s 0. YAMAHA 112.02 to 2040 ms 6 to 44500 ms -54.0 to 10. Speaker simulator allows direct recording.0 to 10. Threshold Comp. reverb Low-pass filter cutoff frequency.0 to 10. Crunch2. British 412.0 dB Sine.0 0.00 kHz 50.

L DT. Crunch2. Fuzz1.0 200 to 1.0 dB 0.0 to 10.0 0. Pre EQ 3 Gain Pre EQ 3 Q Comp.0 to 10. Threshold N.100 to 20.0 200 to 2.100 to 20. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini.0 to 10.0 dB 1:1 to ∞:1 0 to 120 ms 6 to 11500 ms Hard.0 to 10. Parameter Display Range Lead1.100 to 20.0 to 12.0 to 12.100 to 20. G.80 kHz -12. Tube. Mainly used for direct connection to guitar amp’s front input. EQ 1 Gain EQ 1 Q EQ 2 Freq. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q CTHR CRAT CATT CREL CKNE CGAI NGTH NGAT NGHL NGDC WAVE CHDT CHSP CHDP CHLV DTFB DT. EQ 2 Gain EQ 2 Q EQ 3 Freq.0 to 30. For delay.0 0.0 0. G.0 0. Triangle 0.0 to 10.HI DLVL DHPF DLPF RIDL RT R.0 to 10.0 0.00 k to 10.0 to 12. reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level 27 . EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq.FB D.0 ms 0.0 to 10. Threshold Comp.0 to 400 Hz -12.6 Hkz -12.0 Description Type TYPE Distortion type Gain Master Tone EQ 1 Freq.0 50. Attack N.0 kHz -12.0 dB 0.0 dB 0. For delay.0 dB 0. Distortion1.0 ms 0. reverb Low-pass filter cutoff frequency.100 to 20. minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass filter cutoff frequency.02 to 2040 ms 6 to 44500 ms Sine.0 to 1000.0 to 10.100 to 20.0 Thru to 8. Solidstate.3 to 99.0 to 10.0 dB 0.0 0. Fuzz2.0 -54.0 to 0.0 to 12. Crunch1. Drive1.0 to 10.HI RDIF RDNS RLVL Adjusts the amount of distortion Adjusts the volume Adjusts the tone Specifies the post effect EQ1 frequency Specifies the post effect EQ1 gain Specifies the post effect EQ1 Q (bandwidth) Specifies the post effect EQ2 frequency Specifies the post effect EQ2 gain Specifies the post effect EQ2 Q (bandwidth) Specifies the post effect EQ3 frequency Specifies the post effect EQ3 gain Specifies the post effect EQ3 Q (bandwidth) Specifies the post effect EQ4 frequency Specifies the post effect EQ4 gain Specifies the post effect EQ4 Q (bandwidth) Specifies the pre effect EQ level Specifies the pre effect EQ1 frequency Specifies the pre effect EQ1 gain Specifies the pre effect EQ1 Q (bandwidth) Specifies the pre effect EQ2 frequency Specifies the pre effect EQ2 gain Specifies the pre effect EQ2 Q (bandwidth) Specifies the pre effect EQ3 frequency Specifies the pre effect EQ3 gain Specifies the pre effect EQ3 Q (bandwidth) Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the compressor‘s threshold Output level Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Chorus modulation waveform Chorus delay time Chorus speed Modulation depth Chorus level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback. Drive2.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.0 dB 0. Delay Tap L Tap R Delay FB. Gain N.1 to 1. Distortion2.0 Hz to Thru 0.0 to 500.0 to 12.R D. Release Comp. Attack Comp. Bypass 0.0 50.100 to 20.0 1. Decay Wave Chorus Delay Chorus Speed Chorus Depth Chorus Level FB. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq.0 dB 0.0 2.0 dB 0.1 to 1.0 to 120 ms 0.0 600 to 4. EQ 3 Gain EQ 3 Q EQ 4 Freq. G. Hold N.0 to 12.0 to 12.0 kHz -12.00 kHz 50.0 s 0.00 k to 16.0 ms 0 to 10 0 to 100 0.0 to 18. Ratio Comp.0 to 500 Hz -12.00 kHz -12. Lead2. Knee Comp.Distortion Multi (Chorus) Multi effect consisting of Comp + Distortion + Chorus + Delay + Reverb. 1 to 5 0.0 0. G.0 0. Overdrive1. Overdrive2.

0 dB 0.0 ms 0.0 2. Drive1. Overdrive2.0 0.0 to 400 Hz -12.0 600 to 4.00 k to 16.0 -54.100 to 20. Solidstate.0 dB 0. Mainly used for direct connection to guitar amp’s front input.1 to 1.0 to 10.100 to 20. 1 to 5 0.0 dB 0.0 1. G. G.3 to 99.0 0. Fuzz1. reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level 28 .0 s 0.Distortion Multi (Flange) Multi effect consisting of Comp + Distortion + Flange+ Delay + Reverb. Pre EQ 3 Gain Pre EQ 3 Q Comp. EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq.00 k to 10.0 to 12. Triangle 0.0 dB 0.0 to 0.0 to 10.0 50.1 to 1.0 ms 0 to 100 % 0 to 100 % -99 to 99 0. Distortion2. EQ 3 Gain EQ 3 Q EQ 4 Freq. Knee Comp.0 to 120 ms 0.0 Thru to 8.0 to 12.0 200 to 1. Hold N.0 0. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq. For delay.0 to 10.0 to 18. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q CTHR CRAT CATT CREL CKNE CGAI NGTH NGAT NGHL NGDC WAVE FLDT FLSP FLDP FLFB FLLV DTFB DT.0 to 10. Distortion1.0 to 12. Attack N. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. EQ 2 Gain EQ 2 Q EQ 3 Freq.0 ms 0 to 10 0 to 100 0.0 to 10.6 Hkz -12.0 to 12.00 kHz -12.0 0.0 to 10. Lead2.02 to 2040 ms 6 to 44500 ms Sine.00 kHz 50. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq.HI RDIF RDNS RLVL Adjusts the amount of distortion Adjusts the volume Adjusts the tone Specifies the post effect EQ1 frequency Specifies the post effect EQ1 gain Specifies the post effect EQ1 Q (bandwidth) Specifies the post effect EQ2 frequency Specifies the post effect EQ2 gain Specifies the post effect EQ2 Q (bandwidth) Specifies the post effect EQ3 frequency Specifies the post effect EQ3 gain Specifies the post effect EQ3 Q (bandwidth) Specifies the post effect EQ4 frequency Specifies the post effect EQ4 gain Specifies the post effect EQ4 Q (bandwidth) Specifies the pre effect EQ level Specifies the pre effect EQ1 frequency Specifies the pre effect EQ1 gain Specifies the pre effect EQ1 Q (bandwidth) Specifies the pre effect EQ2 frequency Specifies the pre effect EQ2 gain Specifies the pre effect EQ2 Q (bandwidth) Specifies the pre effect EQ3 frequency Specifies the pre effect EQ3 gain Specifies the pre effect EQ3 Q (bandwidth) Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Modulation waveform Flanger delay time Modulation speed Modulation depth Flanger feedback Flanger level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback.0 ms 0.100 to 20.0 to 10. Drive2. Attack Comp. Threshold Comp. Bypass 0.0 -99 to 99 0. reverb Low-pass filter cutoff frequency.100 to 20.0 200 to 2.R D.100 to 20.0 to 10. Crunch2.0 to 10.0 0.100 to 20.0 dB 0. Gain N.0 Description Type TYPE Distortion type Gain Master Tone EQ 1 Freq.0 0. Overdrive1. Crunch1. Delay Tap L Tap R Delay FB. Release Comp.0 to 12.0 kHz -12. For delay.0 0.0 dB 0.0 to 500. G.0 dB 1:1 to ∞:1 0 to 120 ms 6 to 11500 ms Hard. EQ 1 Gain EQ 1 Q EQ 2 Freq.100 to 20. minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass filter cutoff frequency.0 to 1000.0 50.FB D. Threshold N.0 to 12.80 kHz -12.0 Hz to Thru 0.0 to 500 Hz -12. Tube. G.0 dB 0.0 dB 0.0 to 10.HI DLVL DHPF DLPF RIDL RT R. Ratio Comp. Fuzz2.0 to 10.L DT.0 kHz -12. Decay Wave Flanger Delay Flanger Speed Flanger Depth Flanger Feedback Flanger Level FB. Parameter Display Range Lead1.0 to 12.

Attack Comp.0 0.0 50.0 200 to 2.0 200 to 1. reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level 29 .0 to 10.0 0. Overdrive2.FB D.0 600 to 4. Solidstate.0 kHz -12.100 to 20.0 Hz to Thru 0.0 0.1 to 1. EQ 2 Gain EQ 2 Q EQ 3 Freq.0 Description Type TYPE Distortion type Gain Master Tone EQ 1 Freq.100 to 20.0 dB 0.0 0. Hold N. Knee Comp. Delay Tap L Tap R Delay FB.0 to 12.0 dB 0.0 to 10.0 to 10. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq.0 to 18.0 Thru to 8.100 to 20. Mainly used for direct connection to guitar amp’s front input.0 dB 0.HI DLVL DHPF DLPF RIDL RT R. G.0 to 12.0 to 500. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q CTHR CRAT CATT CREL CKNE CGAI NGTH NGAT NGHL NGDC WAVE TRSP TRDP DTFB DT. G.R D.00 k to 10.0 to 12. Crunch2. Squre 0. Triangle. G.0 dB 0.0 -54.0 to 12. Attack N. Bypass 0.00 kHz 50.0 to 500 Hz -12.0 0.100 to 20.0 to 0.0 to 12.0 0.100 to 20. Drive1. 1 to 5 0.HI RDIF RDNS RLVL Adjusts the amount of distortion Adjusts the volume Adjusts the tone Specifies the post effect EQ1 frequency Specifies the post effect EQ1 gain Specifies the post effect EQ1 Q (bandwidth) Specifies the post effect EQ2 frequency Specifies the post effect EQ2 gain Specifies the post effect EQ2 Q (bandwidth) Specifies the post effect EQ3 frequency Specifies the post effect EQ3 gain Specifies the post effect EQ3 Q (bandwidth) Specifies the post effect EQ4 frequency Specifies the post effect EQ4 gain Specifies the post effect EQ4 Q (bandwidth) Specifies the pre effect EQ level Specifies the pre effect EQ1 frequency Specifies the pre effect EQ1 gain Specifies the pre effect EQ1 Q (bandwidth) Specifies the pre effect EQ2 frequency Specifies the pre effect EQ2 gain Specifies the pre effect EQ2 Q (bandwidth) Specifies the pre effect EQ3 frequency Specifies the pre effect EQ3 gain Specifies the pre effect EQ3 Q (bandwidth) Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Modulation waveform Tremolo speed Tremolo depth Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback.00 k to 16.0 to 12. Crunch1.0 to 10. For delay. Parameter Display Range Lead1. Overdrive1.0 50.0 to 12. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini.0 to 10. Fuzz2.0 ms 0.00 kHz -12. Threshold Comp. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq.0 dB 0.0 1. Distortion2. Pre EQ 3 Gain Pre EQ 3 Q Comp.0 dB 0. Threshold N. Release Comp.0 to 120 ms 0.Distortion Multi (Tremolo) Multi effect consisting of Comp + Distortion + Tremolo + Delay + Reverb. G.0 0. Drive2.0 to 10. reverb Low-pass filter cutoff frequency.6 Hkz -12.0 kHz -12.0 ms 0 to 10 0 to 100 0.0 to 10. EQ 1 Gain EQ 1 Q EQ 2 Freq. Lead2. minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass filter cutoff frequency. Ratio Comp. Decay Wave Tremolo Speed Tremolo Depth FB. Gain N.0 dB 1:1 to ∞:1 0 to 120 ms 6 to 11500 ms Hard. Tube.0 to 10.0 to 10. Fuzz1. Distortion1.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.0 to 1000.02 to 2040 ms 6 to 44500 ms Sine.L DT.0 dB 0.0 to 400 Hz -12.3 to 99.1 to 1.100 to 20. EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq.100 to 20.0 dB 0.0 2.80 kHz -12. EQ 3 Gain EQ 3 Q EQ 4 Freq.0 s 0. For delay.

0 dB 0.100 to 20.80 kHz -12. EQ 4 Gain EQ 4 Q Pre EQ Level Pre EQ 1 Freq. Knee Comp.0 ms 0 to 10 0 to 100 0.0 dB 0. Mainly used for direct connection to guitar amp’s front input.0 ms 0.0 Hz to Thru 0.0 to 500 Hz -12.0 to 400 Hz -12. Lead2.0 kHz -12.0 to 0.0 dB 0.0 to 10.0 s 0.0 1. Decay Wave Phaser Speed Phaser Depth Phaser Feedback Phaser Level FB. Crunch2. Crunch1.02 to 2040 ms 6 to 44500 ms Sine. Parameter Display Range Lead1.0 ms 0 to 100 % 0 to 100 % -99 to 99 0.0 to 10.0 dB 1:1 to ∞:1 0 to 120 ms 6 to 11500 ms Hard.0 200 to 1. For delay. Gain N.100 to 20.0 600 to 4. Pre EQ 3 Gain Pre EQ 3 Q Comp.0 Description Type TYPE Distortion type Gain Master Tone EQ 1 Freq.0 to 10. Delay Tap L Tap R Delay FB.0 0. reverb Initial delay before reverb begins Reverb time High-frequency reverb time ratio Left and right reverb spread Reverb density Reverb level 30 .0 dB 0. EQ 1 Gain EQ 1 Q EQ 2 Freq.0 0.0 to 18. Ratio Comp.0 to 500.0 to 12. Solidstate.FB D.0 0.0 Thru to 8. Hold N.0 dB 0. EQ 2 Gain EQ 2 Q EQ 3 Freq. Overdrive1. Distortion1. Fuzz2. Overdrive2.0 50.0 0. G.0 to 120 ms 0. Bypass 0. Fuzz1.1 to 1.0 to 10. Drive2.0 dB 0.Distortion Multi (Phaser) Multi effect consisting of Comp + Distortion + Phaser + Delay + Reverb. Pre EQ 2 Gain Pre EQ 2 Q Pre EQ 3 Freq.0 to 10.00 k to 16. reverb Low-pass filter cutoff frequency. EQ 3 Gain EQ 3 Q EQ 4 Freq.3 to 99. minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay level High-pass filter cutoff frequency.0 0.100 to 20. 1 to 5 0. G.6 Hkz -12. Attack N.100 to 20.100 to 20.0 0. Tube. Threshold Comp.0 kHz -12.0 50. Attack Comp.0 to 12.0 to 10.0 -54. Triangle 0.100 to 20. G.0 to 10.0 to 10.0 -99 to 99 0.00 kHz -12.0 to 12. For delay.0 to 12. G.0 dB 0. Gain Delay High Delay Level High Pass Filter Low Pass Filter Reverb Ini. Release Comp.0 to 1000.0 to 12. Distortion2.0 to 12.0 0.HI DLVL DHPF DLPF RIDL RT R.00 kHz 50.100 to 20.00 k to 10.0 to 10. Delay Reverb Time Reverb High Reverb Diffusion Reverb Density Reverb Level GAIN MSTR TONE EQ1F EQ1G EQ1Q EQ2F EQ2G EQ2Q EQ3F EQ3G EQ3Q EQ4F EQ4G EQ4Q PELV PE1F PE1G PE1Q PE2F PE2G PE2Q PE3F PE3G PE3Q CTHR CRAT CATT CREL CKNE CGAI NGTH NGAT NGHL NGDC WAVE PHSP PHDP PHFB PHLV DTFB DT.0 200 to 2.0 dB 0. Pre EQ 1 Gain Pre EQ 1 Q Pre EQ 2 Freq.0 to 10.0 to 12.L DT.0 2.1 to 1. Drive1. Threshold N.R D.HI RDIF RDNS RLVL Adjusts the amount of distortion Adjusts the volume Adjusts the tone Specifies the post effect EQ1 frequency Specifies the post effect EQ1 gain Specifies the post effect EQ1 Q (bandwidth) Specifies the post effect EQ2 frequency Specifies the post effect EQ2 gain Specifies the post effect EQ2 Q (bandwidth) Specifies the post effect EQ3 frequency Specifies the post effect EQ3 gain Specifies the post effect EQ3 Q (bandwidth) Specifies the post effect EQ4 frequency Specifies the post effect EQ4 gain Specifies the post effect EQ4 Q (bandwidth) Specifies the pre effect EQ level Specifies the pre effect EQ1 frequency Specifies the pre effect EQ1 gain Specifies the pre effect EQ1 Q (bandwidth) Specifies the pre effect EQ2 frequency Specifies the pre effect EQ2 gain Specifies the pre effect EQ2 Q (bandwidth) Specifies the pre effect EQ3 frequency Specifies the pre effect EQ3 gain Specifies the pre effect EQ3 Q (bandwidth) Level at which compressor activates Compression ratio Time required for compressor to peak after exceeding threshold Time required for compressor to terminate after going below threshold Adjusts the width of the gain curve just above the threshold Output level Level at which the noise gate activates Time required for the noise gate to open after signal exceeds threshold Time noise gate stays open Time required for the noise gate to close after signal goes below threshold Modulation waveform Modulation speed Modulation depth Phaser feedback Phaser level Loop delay time Left channel delay output time (see page 31) Right channel delay output time (see page 31) Feedback gain (plus values for normal-phase feedback.

However.) level is increased. Limiter Chorus/Delay Reverb Type Limiter Level Speed/Time Depth/FB.0 -12.0 0. First Delay Sound Original Sound Feedback Delay Sound Delay Circuit TAP=60% 216msec TAP=100% 360msec TIME 216 msec 360 msec 360 msec 31 . Nylon String1. Dynamic2.0 to 12.0 kHz Off.80 kHz 2.0 0. all subsequent delay sounds will be heard at 360msec.0 to 10. Effect Level Reverb Display TYPE BLND BASS MID TRE PRE VOL STE BASF MIDF TREF PREF LMSW ETYP RTYP LIM SP/T D/FB ELVL RLVL Range Condenser1.0 to 12.0 dB -12.0 to 10.0 50 Hz to 400 Hz 200 Hz to 1.0 to 10. If the Feedback (FB. Chorus. This happens for the first delay sound only. Middle Freq. Delay Off. with the “Tap” parameter set to 60. the first delay sound will be heard at 216msec. On Off.0 0.80 kHz 600 Hz to 4. Dynamic1. Condenser2.0 0.0 to 10.00 k to 16. Tube2.0 dB 0.0 dB -12.0 to 10. the delay shown below is using a delay time setting of 360msec. Nylon String2 0. Parameter Mic Type Blend Bass Middle Treble Presence Volume Stereo Bass Freq.0 to 12. Treble Freq.0 to 10.0 to 12. intervals.0 to 10.0 Microphone simulator type Balance between mic simulator and direct sounds Low frequency level Mid frequency level High frequency level Extremely high frequency level Volume Setting for stereo mic effect Frequency for low frequency EQ Frequency for mid frequency EQ Frequency for high frequency EQ Frequency for extremely high frequency EQ Limiter switch Effect type Reverb type Limiter level Chorus effect speed/delay time Chorus effect depth/delay feedback Effect level Reverb level Description What is TAP? The “Tap” parameter found in delay effects is the timing at which the delay sound is taken out of the delay loop. Tube1.0 0. Plate 0.0 to 10. Presence Freq.Acoustic Multi Multi effect for electric-acoustic guitar.0 dB -12. To illustrate this function. Room. Hall.

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