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Sherlock Holmes (2009.02.02)

Sherlock Holmes (2009.02.02)

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  • SHERLOCK HOLMES - Rev. 2/2/09 1
  • SHERLOCK HOLMES - Rev. 2/2/09 2 CONTINUED: 1 1
  • SHERLOCK HOLMES - Rev. 2/2/09 3
  • SHERLOCK HOLMES - Rev. 2/2/09 4 CONTINUED: 5 5
  • SHERLOCK HOLMES - Rev. 2/2/09 5A CONTINUED: (2) 7 7
  • SHERLOCK HOLMES - Rev. 2/2/09 6 CONTINUED: (3) 7 7
  • SHERLOCK HOLMES - Rev. 2/2/09 7 CONTINUED: 9A 9A
  • SHERLOCK HOLMES - Rev. 2/2/09 8 CONTINUED: (2) 9A 9A
  • SHERLOCK HOLMES - Rev. 2/2/09 9 CONTINUED: (3) 9A 9A
  • SHERLOCK HOLMES - Rev. 2/2/09 10
  • SHERLOCK HOLMES - Rev. 2/2/09 11
  • SHERLOCK HOLMES - Rev. 2/2/09 12A CONTINUED: 13 13
  • SHERLOCK HOLMES - Rev. 2/2/09 13 CONTINUED: 14 14
  • SHERLOCK HOLMES - Rev. 2/2/09 14 CONTINUED: (2) 14 14 HOLMES (CONT'D)
  • SHERLOCK HOLMES - Rev. 2/2/09 15 CONTINUED: (3) 14 14
  • SHERLOCK HOLMES - Rev. 2/2/09 16 CONTINUED: (4) 14 14
  • SHERLOCK HOLMES - Rev. 2/2/09 17A CONTINUED: (3) 15 15
  • SHERLOCK HOLMES - Rev. 2/2/09 18 CONTINUED: (4) 15 15
  • SHERLOCK HOLMES - Rev. 2/2/09 19 CONTINUED: (5) 15 15
  • SHERLOCK HOLMES - Rev. 2/2/09 20 CONTINUED: (6) 15 15
  • SHERLOCK HOLMES - Rev. 2/2/09 21 CONTINUED: 15A-17 15A-17
  • SHERLOCK HOLMES - Rev. 2/2/09 22 CONTINUED: (2) 15A-17 15A-17
  • SHERLOCK HOLMES - Rev. 2/2/09 23A CONTINUED: 19 19
  • SHERLOCK HOLMES - Rev. 2/2/09 24A CONTINUED: 22 22
  • SHERLOCK HOLMES - Rev. 2/2/09 25 CONTINUED: (2) 22 22
  • SHERLOCK HOLMES - Rev. 2/2/09 26A
  • SHERLOCK HOLMES - Rev. 2/2/09 27
  • SHERLOCK HOLMES - Rev. 2/2/09 28 CONTINUED: 27 27
  • SHERLOCK HOLMES - Rev. 2/2/09 29 CONTINUED: (2) 27 27
  • SHERLOCK HOLMES - Rev. 2/2/09 30 CONTINUED: 29 29
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  • SHERLOCK HOLMES - Rev. 2/2/09 32 CONTINUED: (2) 30 30
  • SHERLOCK HOLMES - Rev. 2/2/09 33A CONTINUED: (4) 30 30
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  • SHERLOCK HOLMES - Rev. 2/2/09 35 CONTINUED: (2) 34 34
  • SHERLOCK HOLMES - Rev. 2/2/09 36A CONTINUED: (2) 35 35
  • SHERLOCK HOLMES - Rev. 2/2/09 37A CONTINUED: 38B 38B
  • SHERLOCK HOLMES - Rev. 2/2/09 37B
  • SHERLOCK HOLMES - Rev. 2/2/09 38aA
  • SHERLOCK HOLMES - Rev. 2/2/09 39 CONTINUED: (2) 42 42
  • SHERLOCK HOLMES - Rev. 2/2/09 40 CONTINUED: (3) 42 42
  • SHERLOCK HOLMES - Rev. 2/2/09 41 CONTINUED: (4) 42 42
  • SHERLOCK HOLMES - Rev. 2/2/09 42A CONTINUED: 51 51
  • SHERLOCK HOLMES - Rev. 2/2/09 43A CONTINUED: (3) 51 51
  • SHERLOCK HOLMES - Rev. 2/2/09 43B CONTINUED: (4) 51 51
  • SHERLOCK HOLMES - Rev. 2/2/09 44A CONTINUED: 52 52
  • SHERLOCK HOLMES - Rev. 2/2/09 45 CONTINUED: (2) 52 52
  • SHERLOCK HOLMES - Rev. 2/2/09 46 CONTINUED: 55 55
  • SHERLOCK HOLMES - Rev. 2/2/09 47 CONTINUED: 56 56
  • SHERLOCK HOLMES - Rev. 2/2/09 48 CONTINUED: 58 58
  • SHERLOCK HOLMES - Rev. 2/2/09 49 CONTINUED: (2) 58 58
  • SHERLOCK HOLMES - Rev. 2/2/09 50 CONTINUED: 58B 58B
  • SHERLOCK HOLMES - Rev. 2/2/09 51 CONTINUED: 63 63
  • SHERLOCK HOLMES - Rev. 2/2/09 52
  • SHERLOCK HOLMES - Rev. 2/2/09 53 CONTINUED: 66A 66A
  • SHERLOCK HOLMES - Rev. 2/2/09 54A CONTINUED: (2) 67 67
  • SHERLOCK HOLMES - Rev. 2/2/09 54B CONTINUED: (3) 67 67
  • SHERLOCK HOLMES - Rev. 2/2/09 55 CONTINUED: 68 68
  • SHERLOCK HOLMES - Rev. 2/2/09 56A CONTINUED: 72 72
  • SHERLOCK HOLMES - Rev. 2/2/09 57 CONTINUED: (2) 72 72
  • SHERLOCK HOLMES - Rev. 2/2/09 58 CONTINUED: (3) 72 72 HOLMES (CONT'D)
  • SHERLOCK HOLMES - Rev. 2/2/09 59 CONTINUED: (4) 72 72
  • SHERLOCK HOLMES - Rev. 2/2/09 60
  • SHERLOCK HOLMES - Rev. 2/2/09 61A CONTINUED: (2) 75 75
  • SHERLOCK HOLMES - Rev. 2/2/09 62 CONTINUED: (3) 75 75
  • SHERLOCK HOLMES - Rev. 2/2/09 63A CONTINUED: 76 76
  • SHERLOCK HOLMES - Rev. 2/2/09 64 CONTINUED: 77 77
  • SHERLOCK HOLMES - Rev. 2/2/09 65A CONTINUED: 78C 78C
  • SHERLOCK HOLMES - Rev. 2/2/09 65B CONTINUED: (2) 78C 78C
  • SHERLOCK HOLMES - Rev. 2/2/09 66A CONTINUED: 80 80
  • SHERLOCK HOLMES - Rev. 2/2/09 67 CONTINUED: (2) 80 80
  • SHERLOCK HOLMES - Rev. 2/2/09 68A CONTINUED: (4) 80 80
  • SHERLOCK HOLMES - Rev. 2/2/09 69 CONTINUED: (5) 80 80
  • SHERLOCK HOLMES - Rev. 2/2/09 70 CONTINUED: 82A 82A
  • SHERLOCK HOLMES - Rev. 2/2/09 71A CONTINUED: (2) 83 83
  • SHERLOCK HOLMES - Rev. 2/2/09 72 CONTINUED: 83B 83B
  • SHERLOCK HOLMES - Rev. 2/2/09 73 CONTINUED: (2) 83B 83B
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  • SHERLOCK HOLMES - Rev. 2/2/09 75 CONTINUED: 86 86
  • SHERLOCK HOLMES - Rev. 2/2/09 76 CONTINUED: 89 89
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  • SHERLOCK HOLMES - Rev. 2/2/09 78 CONTINUED: 90A 90A
  • SHERLOCK HOLMES - Rev. 2/2/09 79 CONTINUED: (2) 90A 90A
  • SHERLOCK HOLMES - Rev. 2/2/09 80A CONTINUED: (4) 90A 90A
  • SHERLOCK HOLMES - Rev. 2/2/09 81 CONTINUED: (5) 90A 90A IRENE (CONT'D)
  • SHERLOCK HOLMES - Rev. 2/2/09 82A CONTINUED: 93 93
  • SHERLOCK HOLMES - Rev. 2/2/09 83A CONTINUED: (3) 93 93
  • SHERLOCK HOLMES - Rev. 2/2/09 83B CONTINUED: (4) 93 93
  • SHERLOCK HOLMES - Rev. 2/2/09 84A
  • SHERLOCK HOLMES - Rev. 2/2/09 85
  • SHERLOCK HOLMES - Rev. 2/2/09 86 CONTINUED: (2) 95 95
  • SHERLOCK HOLMES - Rev. 2/2/09 87A
  • SHERLOCK HOLMES - Rev. 2/2/09 88 CONTINUED: 98 98
  • SHERLOCK HOLMES - Rev. 2/2/09 89A CONTINUED: 99 99 IRENE (CONT'D)
  • SHERLOCK HOLMES - Rev. 2/2/09 90A CONTINUED: 102 102
  • SHERLOCK HOLMES - Rev. 2/2/09 90B CONTINUED: (2) 102 102
  • SHERLOCK HOLMES - Rev. 2/2/09 91 CONTINUED: (3) 102 102
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  • SHERLOCK HOLMES - Rev. 2/2/09 94 CONTINUED: (2) 106 106
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  • SHERLOCK HOLMES - Rev. 2/2/09 97 CONTINUED: 110 110
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  • SHERLOCK HOLMES - Rev. 2/2/09 99 CONTINUED: 112 112
  • SHERLOCK HOLMES - Rev. 2/2/09 100 CONTINUED: (2) 112 112
  • SHERLOCK HOLMES - Rev. 2/2/09 101 CONTINUED: 114 114
  • SHERLOCK HOLMES - Rev. 2/2/09 102 CONTINUED: (2) 114 114
  • SHERLOCK HOLMES - Rev. 2/2/09 103 CONTINUED: 116 116
  • SHERLOCK HOLMES - Rev. 2/2/09 104A
  • SHERLOCK HOLMES - Rev. 2/2/09 105 CONTINUED: 118 118
  • SHERLOCK HOLMES - Rev. 2/2/09 106
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  • SHERLOCK HOLMES - Rev. 2/2/09 108
  • SHERLOCK HOLMES - Rev. 2/2/09 109 CONTINUED: 119H 119H
  • SHERLOCK HOLMES - Rev. 2/2/09 110A CONTINUED: (3) 119H 119H
  • SHERLOCK HOLMES - Rev. 2/2/09 110B CONTINUED: (4) 119H 119H HOLMES (CONT'D)
  • SHERLOCK HOLMES - Rev. 2/2/09 111 CONTINUED: (5) 119H 119H
  • SHERLOCK HOLMES - Rev. 2/2/09 112A CONTINUED: (7) 119H 119H
  • SHERLOCK HOLMES - Rev. 2/2/09 113A CONTINUED: 122A 122A
  • SHERLOCK HOLMES - Rev. 2/2/09 114
  • SHERLOCK HOLMES - Rev. 2/2/09 115 CONTINUED: (2) 123B 123B
  • SHERLOCK HOLMES - Rev. 2/2/09 116A CONTINUED: (4) 123B 123B
  • SHERLOCK HOLMES - Rev. 2/2/09 116B
  • SHERLOCK HOLMES - Rev. 2/2/09 117
  • SHERLOCK HOLMES - Rev. 2/2/09 118

Rev. Rev. Rev. Rev. Rev. Rev. Rev. Rev. Rev. Rev.

10/06/08 10/08/08 10/19/08 10/26/08 11/01/08 11/09/08 11/21/08 12/09/08 01/09/09 02/02/09

(Yellow) (Green) (Goldenrod) (Buff) (Salmon) (Cherry) (Tan) (2nd Blue) (2nd Pink) (2nd Yellow)

SHERLOCK HOLMES screenplay by Michael Robert Johnson and Anthony Peckham and Simon Kinberg screen story by Lionel Wigram and Michael Robert Johnson Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him

This script is the confidential and proprietary property of Warner Bros. Pictures and no portion of it may be performed, distributed, reproduced, used, quoted or published without prior written permission.

FULL PINK Elementary Productions Limited - UK Redemption Pictures, Inc. - US 4000 Warner Boulevard Burbank, California 91522 September 29, 2008 © 2008 WARNER BROS. ENT. All Rights Reserved

SHERLOCK HOLMES - Rev. 2/2/09

1.

FADE IN: 1 EXT. STREETS OF LONDON - NIGHT Autumnal streets seen through the sooty glass of a STREET LAMP. Shadows within shadows. Fog in the air. Full moon. WATSON (V.O.) The year was 1891. London was the capital of the world -- the height of modernity, with the hiss of steam and smell of coal in the air. It was also the great cesspool into which all the sinners and criminals of the empire drained. Gas hisses audibly, the street lamp ignites, and casts a POOL OF LIGHT onto the street, silhouetting a MAN making his way through the fog and dark shadows with a lantern. WATSON (V.O.) I had come to London, ten years prior, to find a life after the Afghan war. I had hoped to start a medical practice and settle into a nice, steady existence. The life I found was anything but nice and steady. We can see that the MAN wears a cape. The distinctive silhouette of his deerstalker hat is unmistakable. A FURIOUS CLATTER OF HOOVES APPROACHES in the distance. The MAN tugs on a pipe and turns towards the growing stampede. WATSON (V.O.) And that had everything to do with one man. My friend, my partner, my burden... The MAN exhales a plume of smoke calmly, giving us the impression that he knows something that we don’t. WATSON (V.O.) ... Sherlock Holmes. WHAM! The MAN in the deerstalker hat is KNOCKED FLAT by A RUNNING MAN who has vaulted over a wall, sending him, his pipe, and hat flying across the cobbles. 1

(CONTINUED)

1

SHERLOCK HOLMES - Rev. 2/2/09 CONTINUED:

2. 1

The RUNNING MAN leans down as if to assist, but instead just picks up the smoker’s broken umbrella and studies it. The MAN in the deerstalker hat’s eyes widen as he recognizes his famous assailant. MAN Sherlock Holmes?! SHERLOCK HOLMES offers the handle of the umbrella to the MAN, hauls him to his feet and hands back his broken umbrella. HOLMES My apologies. Send the bill to John Watson, 221B Baker Street. Sherlock Holmes sprints off down an alleyway. takes a step into the road to watch him go -The MAN

-- and is nearly flattened for good by the first of a number of POLICE CARRIAGES, hurtling by on a serious pursuit, Victorian-style. 2 INT. CARRIAGE - CLOSEUP ON THE OFFICERS - NIGHT inside. Big, uniformed guys assemble their weaponry -- a 19th century SWAT team. One man stands out as a leader, older than the rest, INSPECTOR LESTRADE. A man in plainclothes sits to one side of the officers: DR. JOHN WATSON, physically as tough as anyone else in the carriage, but with a more pensive air about him. A thinking man of action. 3 EXT. STREETS OF LONDON - NIGHT Almost tipping over, the carriage turns onto the Embankment and hurtles through the writhing fog along the river. As the carriage banks, we see Holmes cut across the carriage path again, taking a line the horses cannot follow. CUT TO: ANOTHER ANGLE Holmes bursts out of an alley, sprints round a corner and runs across a courtyard to a side door. WE PULL BACK to see the FACADE OF ST. PAUL’S CATHEDRAL. 3 2

O. HOLMES (V. but does not see Holmes. heavy drinker -knuckles to liver.ENTRANCE . 4 5 OMITTED INT. who has pulled his black jacket up to conceal his face.) Then throat. carrying the lantern and a gun.the most vulnerable point. A lantern glow ascends the spiral stairway towards Holmes. He takes a moment to recover. Holmes descends the stairwell to a door and a spiral staircase beyond it. BACK TO 24 fps. First point of attack. The man’s head is thrown back as he spins round. BACK TO 24 fps. A BOWLER-HATTED MAN ascends the stairs.) Stink of alcohol. Holmes launches a hammer blow.O. RAMPING TO 400 fps as a devastating knuckle-punch to the liver doubles up the bowler-hatted thug and crumples him to his knees.) Head cocked to the left. strangling his scream. paralyze vocal chords. The man swings the lantern away again. The man’s mouth opens to cry out.Rev. partial deafness in right ear. He stops at the doorway and peers round the corner. confused.O. (CONTINUED) 4 5 . HOLMES (V. just at the top of the jaw -. as he lowers his jacket and thinks through his plan of attack. He peers about. 2/2/09 3. He peers behind the door and holds the lantern up to the shadows.NIGHT Holmes enters through the door and stands at the top of a stairwell. and we ramp from 24 fps to 400 fps (ULTRA SLOW MOTION) as he makes contact.SHERLOCK HOLMES . PRE-VISUALIZATION IN VARI-SPEED FOCUS ON the spot behind the man’s right ear. stop screaming. but not as fit as he used to be. We see Holmes’ eyes from the shadows. HOLMES (V. We RAMP BACK UP TO 400 fps as his Adam’s Apple is struck with a precision karate chop. Holmes withdraws into the shadows behind the door. CATHEDRAL CRYPTS . he’s fit.

THUG What’s goin’ on. CATHEDRAL CRYPTS . lifts his lantern and proceeds down the spiral staircase. ducks down into the shadows. WHAP! Knuckle punch to liver.NIGHT TWO HARD MEN in bowler hats stand guard. good cigar. CRACK! Karate chop to throat. But Holmes appears from the shadows behind the THUG. grabs his gun hand and pistol-whips him twice with his own gun. John? When he gets no answer. further down into the crypts. THWACK! Hammer blow to ear. 2/2/09 CONTINUED: 4. He has seen the lantern light. 5 SECOND-TIME ACTION . CUT TO: (CONTINUED) 6 7 .5 SHERLOCK HOLMES . Holmes extracts a cigar from the Thug’s top pocket and sniffs it appreciatively.Rev. Holmes places the lantern on the post at the bottom of the bannister. He draws his gun and approaches. Holmes takes his bowler hat from his head and flips it onto his own in one super fast move. 6 7 OMITTED INT.BALCONY . BACK TO NORMAL MOTION as the man crumples to the ground. HOLMES Hhhmm. moving so fast that we can barely see what he’s doing. the THUG points his gun to where we saw Holmes hide. Who do you work for? He jams the cigar in his own top pocket.SUPER FAST REPEAT OF ABOVE Holmes flashes out of the shadows.BOTTOM OF THE SPIRAL STAIRCASE Another bowler-hatted THUG approaches the bottom of the staircase. dropping him. reaches around him. Holmes drags the battered man into the shadows. picks up the man’s bowler and proceeds on. POV .

Rev. out of sight. ANOTHER ANGLE The two HARD MEN on guard turn fast and gather together as they hear footsteps approaching. Just got it. You did. Des? MAN #1 (CONTINUED) . HOLMES Perfect timing. processing angles when -A HEAVY HAND falls on his shoulder.) Watson. Watson hands him his pistol. HOLMES It’s an old shirt. 7 ANOTHER ANGLE Holmes surveys the scene AT A DISTANCE.7 SHERLOCK HOLMES . Thought I’d left the stove on. CUT TO: This is what they do. WATSON Getting his troops in formation. distaste. Eyes alive with intelligence. WATSON HOLMES Where’s Lestrade? Nice hat. reveal -PULL BACK to (The following exchange in whispers. 2/2/09 CONTINUED: 5. Right. WATSON You left this behind. doesn’t take it. WATSON HOLMES Shall we? This is what they like. Is that your blood or theirs? I don’t know. Holmes looks at it with HOLMES Knew I’d forgotten something.

WATSON (CONTINUED) . s’me. but not the man underneath. 2/2/09 CONTINUED: (2) 5A.Rev. Yeah. 7 He can see the hat.7 SHERLOCK HOLMES .

Blackwood chants softly. lit with candles at each corner. fast. The girl. and elbows. We do not yet see his face. trance-like. WATSON (CONTINUED) .NIGHT Thugs dispatched. Some kind of ritual is about to climax. using headbutts. Still kneeling. The Latin incantation 9A 8 9 Holmes is closer to the girl. knees. ANOTHER HOODED FIGURE stands on the edge of the ceremony. never stops. Holmes and Watson look down and see a chilling sight.7 SHERLOCK HOLMES . but no less effective. He is more of a brawler. 8 9 OMITTED INT. not caring if they make a noise or not. Less artful. as if pulled to her feet by invisible hands. powerful stuff. This is LORD BLACKWOOD. Latin incantation repeating and repeating. CATHEDRAL CRYPTS . Her eyes roll back in her head. 9A INT. Blackwood simply ignores them. Their footsteps echo.BALCONY . still hooded. shrouded in shadow. Watson closer to Blackwood. A WOMAN IN WHITE LIES INSIDE A CRUDELY-PAINTED PENTACLE (five-sided figure). CATHEDRAL CRYPTS The second hooded figure moves back and melts into the shadows. 2/2/09 CONTINUED: (3) 6. real. We do not see his face. Holmes and Watson leap from the stairs to Blackwood’s level. 7 Watson takes out the two men. A sword has been placed at her feet. ON THE WOMAN as her lips start to move in time with the incantation.Rev. A HOODED FIGURE KNEELS INSIDE A DOUBLE CIRCLE next to the pentacle. Suddenly. This is spooky. the woman rises up like a broken puppet. Holmes and Watson head down.

2/2/09 CONTINUED: 7. We finally see his face. HOLMES Watson struggles forward against Holmes’ grip. almost mockingly.Rev. She collapses. BLACKWOOD Well done. No. HOLMES (CONTINUED) . Look.9A SHERLOCK HOLMES . grabs the woman’s arm. ready to plunge the point into her heart. strangely. BLACKWOOD Tell me. he is tapped into something dark and cruel.is stopped suddenly by Holmes’ hand grabbing his collar. as a medical man. Holmes. Holmes lunges. WATSON Stay right there. Blackwood throws back his hood. And Watson as well. disarms her and pulls her out of the pentacle. 9A The girl bends with alarming and mechanical suddenness. That’s more than Watson can take. Holmes and Watson are shocked at his identity. it was over before I’d finished the first incision. trains it on Blackwood. Simultaneously and eerily the candles extinguish and a rush of air departs the tunnel. Watson raises his gun. His eyes are intense. whip Blackwood -He moves in to pistol- -. doctor. how did you like my work? (beat) The fifth one was so scrawny. Blackwood raises his hands in front of him. picks up the sword and turns it on herself. WATSON Lord Blackwood?! Blackwood applauds softly.

Rev. HOLMES Impeccable timing. (CONTINUED) . not the Yard. fun. POLICEMEN flood the area. Lestrade. sees nothing.9A SHERLOCK HOLMES . LESTRADE You should’ve waited for my help. (a wry smile) I can’t imagine why they thought you’d need any assistance. Besides.? It is. What a shame. HOLMES If I had. WATSON HOLMES (re: girl) We’ve gone for the doctor.the other end held between Blackwood’s hands. Look. the girl’s parents hired me. INCHES FROM WATSON’S RIGHT EYE is the needle-pointed end of a QUIVERING PIECE OF HIGH-TENSILE WIRE. One more step and Watson gets impaled in the eye.. Watson looks. really nasty concealed weapon. almost invisible --. you’d be cleaning up a corpse and chasing a rumor. and sees it and his eyes flare wide. as Lestrade and his men finally appear. HOLMES Watson looks. LESTRADE (vis Blackwood) Is that -. 2/2/09 CONTINUED: (2) 8. BLACKWOOD That would’ve been A We hear heavy boots on the balcony.. (re: Blackwood) And one for the rope. 9A Holmes seems to be pointing at Blackwood.

put chains on him. (indicating) The double circle’s for his own protection. while others carry the girl away on a stretcher. he turns to Holmes. shakes his head. Holmes sticks the villain’s cigar in Lestrade’s pocket and --. Lestrade eyes the double circle. FLASH! An explosion of light and sparks as a 19th century flashbulb pops. MUSIC AND TITLES OVER -10 10A OMITTED INT. Five girls killed beneath cathedrals at the height of the full moon. 2/2/09 CONTINUED: (3) 9. the pentacle. He watches his men yank Blackwood out of his double circle. hating himself for needing to. Gloved hands mix chemicals in a tray.at the excellent work of Scotland Yard. a bench strewn with scientific equipment. CREDIT SEQUENCE BEGINS. 10 10A . Grudgingly. LESTRADE What do you make of that? HOLMES Some kind of ceremony.Rev. As usual. 9A Lestrade turns. She’s still mouthing the incantation. The SCENE is FROZEN bright for a split-second and then it FADES. HOLMES Bravo. reluctantly. a piece of photo paper on top. LAB Dim light from a burner heats fluid in a jar. not understanding them. LESTRADE London will breathe a sigh of relief -WATSON -.A POLICE PHOTOGRAPHER lifts his massive camera.9A SHERLOCK HOLMES . Lestrade. Have a cigar. frustrated.

A sudden flash of 10E 10F INT. Holmes and Watson stand in front of 221 Baker Street.. Another headline: HOLMES AND WATSON OPEN FOR BUSINESS.. Holmes and Watson getting older. NEWSPAPER LIBRARY Another headline: DOCTOR AND DETECTIVE FOIL JEWELRY SCAM! A picture of Holmes and Watson. 10C 10D INT. The top one reads: STUDENT AND ARMY DOCTOR SOLVE LONDON MYSTERY! A photo of Holmes and Watson in their 20s at a crime scene. NEWSPAPER LIBRARY Another pair of hands search urgently through a row of alphabetized files. The men are front page news now.” A bunch of “H” clippings hit the desk. 10D 10E INT. older. HOLMES AND WATSON SOLVE SEVERED EAR MYSTERY. they look more confident.... More headlines and photos come fast: LONDON DUO DO IT AGAIN! A shot of Holmes and Watson. CELEBRATED DETECTIVE PROVES GUILTY MAN INNOCENT. LAB Chemicals are poured over the paper and spread across it. Their eyes are shut for the photo. and. shaking hands with a royal. More and more headlines. 10B 10C INT.Rev.SHERLOCK HOLMES . 10G . 10B INT. solving crimes.. This time. 2/2/09 10. coming to rest on the letter “H.. holding a goose by its feet and smiling. NEWSPAPER LIBRARY Hands flip through more papers. more headlines: STUDENT AND DOCTOR BEAT COPS TO THE PUNCH AGAIN! ROOMMATES SOLVE BRIXTON MURDERS! Another picture of Holmes and Watson. light as it is exposed. The files are moved to another desk where hands punch text on a vintage typewriter: “CATACOMB KILLER IS INDUSTRIAL TYCOON LORD BLACKWOOD. LAB A faint image is forming on the paper. unaccustomed to flashes.. LAB A negative is clipped over the paper. the article bigger.” 10F 10G INT.

very good. She picks up a paper with the day’s headline “BLACKWOOD HANGS TOMORROW: CLAIMS PACK WITH THE DEVIL. where we see the headline “CATACOMB KILLER CAUGHT!” The photo of Holmes and Watson sits above the fold.. The whole thing is fed into a printing press. she shoos it away. A raven lands on the entry gate. a whirring mass of wheels and gears. (CONTINUED) 12 . The room is a tribute to military and medical order -. dominating the front page. HUDSON. TITLE SEQUENCE ENDS. an OLDER GENTLEMAN who sports an array of medals. SUPERIMPOSE: THREE MONTHS LATER 11 FROM A RAVEN’S POV We FOLLOW a lady.. MRS. and onto a the story in to front we letter at a 10H 10J INT. 2/2/09 11. CAPTAIN PHILIPS Me nerves are the best they been in years.Rev.SHERLOCK HOLMES . 10H INT.AFTERNOON Autumn has turned to winter. WATSON 71 over 104.all is neat and tidy. everything in its place. walking down the street with the day’s shopping. Upside down and back see the words “SHERLOCK HOLMES. thanks to you. then distributed until one lands face-up outside the door of: 221 BAKER STREET. walks up the steps. and inside. 10J 11 EXT.” She continues down the street until arriving at 221 Baker Street. PRINTING PRESS A roller dripping with ink rolls over the story we have seen assembled along with an engraving of the image.” one metal time. 221 BAKER ST. Papers are bundled and tied.WATSON’S APARTMENT Watson takes a blood pressure cuff off CAPTAIN PHILIPS. NEWSPAPER LIBRARY A hand yanks the paper from the typewriter desk where a typesetter begins to assemble blocks of lead type. 221 BAKER ST. . . Captain. 12 INT.

There won’t be so many stairs. 2/2/09 CONTINUED: 11aA. 12 Watson is pleased by that. I hope? WATSON No -. And there’ll be a woman’s touch. too.12 SHERLOCK HOLMES .Rev. (MORE) (CONTINUED) . CAPTAIN PHILIPS Tell me something -.ground floor.your new offices.

WATSON Let’s give it a little longer. Philips hits the floor. 2/2/09 CONTINUED: (2) WATSON (CONT'D) I think we can start to wean you off the medicine -- 11A.S. writes a prescription on a piece of paper.12 SHERLOCK HOLMES . then helps Captain Philips to his feet. 12 BANG-BANG-BANG-BANG-BANG! A dozen GUNSHOTS O. terrified. just to be safe.Rev. (CONTINUED) . (beat) I’ll be right back. Captain Watson suppresses extreme irritation.

WATSON I smell burning. that’s all.HALL As Watson exits his apartment and moves down the hall. Hudson. shoots up the stairs with the paper. Watson takes the newspaper from her. . Hudson’s already-frayed nerves take a turn for the worse. letting his aggravation show once his back is turned to his patient. heads towards them. Urgent. Captain. 13 INT. 12 He heads out. HUDSON (panting) I won’t go in there by myself. (CONTINUED) 13 . his landlady. What will he do? Couldn’t you have a longer engagement? WATSON He just needs a new case. MRS. Mrs. MRS. Captain Philips emerges from Watson’s apartment.12 SHERLOCK HOLMES . HUDSON Come on. MRS. It’ll be quieter. WATSON (as they leave) And perhaps some tea and bread up here when you can. Watson heads down the hallway to the last door. let’s go down. MRS. WATSON Why don’t you take Captain Philips and give him a nice cup of tea. 221 BAKER ST.Rev. WATSON You’re not going in at all. HUDSON What will I do when you leave? He’ll burn the house down around me. not while he’s in this state. Her nerves are almost as bad as Captain Philips’. HUDSON. 2/2/09 CONTINUED: (3) 12. A tendril of smoke wafts out from under it. Which is a relief to Mrs.

13

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12A. 13

Nonetheless, Watson himself. Something fact, Holmes’ usual now, that Watson is

stops, takes a deep breath, gathers like this has happened before (is, in brand of chaos) the difference being, sick to death of dealing with it.

Which doesn’t mean he won’t. Newspaper in hand, Watson opens the door, pokes his head in, cautiously. He sees -14 INT. 221 BAKER ST. - HOLMES’ APARTMENTS Watson squeezes through the doorway to find that the obstruction is Holmes who is sitting in the dark on a chair, blocking the door, aiming a gun (with an odd contraption fastened on its barrel) at the wall. Unadulterated chaos. A series of FLAMING BULLET HOLES blasted into the wall in the (ragged) initials “V.R.” WATSON May I join you in the armory? HOLMES Please... Watson, I’ve been working on a device which will suppress the sound of a gunshot. Watson heads towards the conservatory. HOLMES Please... Don’t, don’t, don’t... Watson pulls open the curtains allowing the light to pour in. It needs work. WATSON May I see?... 14 * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Watson passes him heading to the other side of the room (possibly grabs the gun) picking up a pile of open letters from a table. HOLMES Gently, gently, Watson... Watson whips open more curtains and opens a window. Holmes crawls on his hands and knees over to a table where he finds his sunglasses and puts them on. Watson sits on a chair and begins to leaf though the letters.
(CONTINUED)

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13. 14

WATSON It’s been three months since the last case. About time you found another one. HOLMES I can’t but agree. My mind rebels at stagnation. Give me problems, give me work. The sooner the better. Paper? WATSON

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * She * * * * * * * *
(CONTINUED)

Watson hands Holmes the newspaper. WATSON Let’s see, we have a letter here from Mrs. Ramsey in Queen’s Park -her husband has gone missing. HOLMES He’s in Belgium with the scullery maid. Is it December? WATSON Yes, Holmes. Lady Radford reports a missing emerald bracelet. HOLMES Insurance swindle. Lord Radford likes fast women and slow ponies. I see you’re the attending physician at Blackwood’s hanging. WATSON Yes, it’s our last case together and I wanted to see it through to the end. Awkward pause. Cough.

WATSON Mr. Lewis is seeking... Mrs. Hudson enters carrying a tray of bread and tea. is steeling herself for this interaction. HOLMES (to Watson) There is only one case that intrigues me at present... the curious case of Mrs. Hudson, the absentee landlady. (MORE)

14

SHERLOCK HOLMES - Rev. 2/2/09 CONTINUED: (2) HOLMES (CONT'D) I have been studying her comings and goings and they appear most sinister.

14. 14

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

MRS. HUDSON Tea, Mr. Holmes. Mrs. Hudson crosses to Holmes and puts the tray before him. HOLMES Is it poisoned, nanny? MRS. HUDSON There’s enough of that in you already. She goes to remove an old tray from behind him. HOLMES Don’t touch that. Everything is in its proper place, as per usual. She ignores him and removes the tray then crosses back towards the door noticing a bulldog lying unconscious under the table. MRS. HUDSON He’s killed the dog... again. Watson jumps up. His bulldog, GLADSTONE, lies on the floor in a drugged stupor. WATSON What have you done to Gladstone this time? HOLMES I was simply testing a new anesthetic. He doesn’t mind. Holmes! WATSON As your doctor...

HOLMES He’ll be right as a trivet in no time. Watson’s finally had enough.

(CONTINUED)

Rev. The Royale. Mary’s coming. For dinner. HOLMES Then it’s not official. HOLMES Have you proposed yet? WATSON I’m still looking for the right ring. My favorite. 14 WATSON . A little smile from Holmes. Wonderful. you have nothing to do? Nothing. 2/2/09 CONTINUED: (3) 15. HOLMES WATSON HOLMES WATSON HOLMES WATSON HOLMES * * * * * * * * * * WATSON You’re meeting her. I insist you get out of here. at all.14 SHERLOCK HOLMES . Absolutely.. Holmes. WATSON So. HOLMES * * * * * * * * * * * WATSON Then you’re free this evening. * (CONTINUED) . Not available. HOLMES There’s nothing of interest to me out there. and your friend. you’ve been in this room for two weeks. on earth..

Holmes! WATSON You’re early. talking. like it or not. He notices the details on a pair of gentleman’s cufflinks. He is quite uncomfortable in this setting. 30s. Mary and Watson on either side of him. WATSON May I present Miss Mary Morstan. Half past eight.DINING ROOM Holmes sits in the center of a booth waiting for Watson to arrive. HOLMES My pleasure. Holmes stands. Mr. It really is a thrill to meet you. For the first time. WATSON And wear a jacket. we see a hint of fear in his eyes. MARY The pleasure’s mine. intent on each other -. She extends her hand.he picks up little pieces of information from the other guests. and clearly a woman worth marrying. (MORE) (CONTINUED) . CUT TO: 15 INT.14 SHERLOCK HOLMES . THE ROYALE . Holmes. She’s beautiful. a surreptitious argument between waiters.looks again. Holmes looks at MARY MORSTAN -. 14 WATSON It’s happening. 2/2/09 CONTINUED: (4) 16. And then Watson and Mary arrive. It all becomes quite overbearing. the name on a bottle of wine. The dog wakes up and runs out. Holmes gestures politely.Rev.surprised when they realize Holmes is already there. Watson exits. HOLMES 15 * * Fashionably. leaving Holmes alone in his own chaos. The Royale. they sit. For the life of me I don’t know why it’s taken him so long to get us properly introduced. WE SEE HIS OBSERVATIONS -. There is a decanted bottle of wine on the table.

Poe. 16A. 2/2/09 CONTINUED: MARY (CONT'D) I’ve a whole stack of detective novels at home.Rev. 15 (CONTINUED) . Wilkie Collins...15 SHERLOCK HOLMES . WATSON (proudly) It’s true.

Making these grand assumptions out of tiny details. Take Watson.. But what about a perfect stranger? What can you tell about me? Holmes and Watson exchange a glance -.15 SHERLOCK HOLMES . Mary laughs. A stub from a boxing match. so I can assume he’s a decorated soldier. Then I check his pockets. A few were awarded to veterans of the Afghan war. Now I can infer he’s a bit of a gambler. Holmes less so -. Mr.. right behind you. brave. though.. no no.Rev. 2/2/09 CONTINUED: (2) 17. you know him. (leaning in to Mary) He’s cost us the rent more than once. born to be a man of action.. like all military men.. MARY With all due respect.. by the way. Strong. HOLMES (livening up) Oh. see that walking-stick? A rare African snakewood hiding a blade of high-tensile steel.a forced chuckle. The little details are by far the most important. Holmes. HOLMES .not a good idea. (a wink) I’d keep an eye on that. MARY Watson likes that. HOLMES Yes. And neat. 15 MARY They can seem a bit far-fetched sometimes. ah. WATSON I don’t think that’s necessary -(CONTINUED) . I intend to. WATSON Those days are behind me.

(instantly) You’re a governess. Well done. HOLMES It’s breathing. MARY I insist.Rev. WATSON Yes. 2/2/09 CONTINUED: (3) 17A. So shall we -HOLMES Your student’s a boy of 8.15 SHERLOCK HOLMES . Watson’s getting nervous. actually. I doubt -MARY No. stops him. 15 HOLMES Yes. HOLMES You insist? (at Watson) She insisted. (back to Mary) Then he’s tall for his age. MARY Charlie’s 7. Mary nods. Holmes (CONTINUED) . it’d be wonderful. well done. reaches for the wine.

A very impetuous act by the boy. WATSON There’s nothing wrong with your face.Rev. India blue’s nearly impossible to wash off. 2/2/09 CONTINUED: (4) 18. He shakes his head. HOLMES There are two drops on your ear. 15 HOLMES He flicked ink at you today. anyway. flawless. but you’re too experienced to react rashly -. MARY Is there ink on my face? The WAITER appears..which is why the lady you work for lent you that necklace. not the gems of a governess. WATSON Give us a few minutes. WAITER The gentleman has already ordered for himself. please. the jewels you’re not wearing tell us rather more. (CONTINUED) . pours wine for all.15 SHERLOCK HOLMES . (beat) However. It’s from Asprey’s.. (to Watson) What would madam care for this evening? Watson gives Holmes a hard look: that’s a bit much.

WATSON Both Watson and Mary scorch Holmes with their eyes..Rev.15 SHERLOCK HOLMES . pauses. But the lighter skin where it sat suggests you spent some time abroad wearing it proudly. manic. Now she leaves -- (CONTINUED) . MARY (low) Right on all counts but one. She turns to leave. Mary throws Watson’s wine in Holmes’ face. Holmes pauses. then: HOLMES You were engaged. A doctor perhaps... I didn’t leave my fiance. intensely focused. HOLMES Or at least until someone informed you of its true and rather modest worth. As Holmes talks. he died. moves to help Mary to her feet. They’re leaving. 2/2/09 CONTINUED: (5) 19. faster. turns back. 15 Holmes. Watson gets up. Holmes’ mind has gotten away from him.. He begins talking HOLMES The ring is gone. at which point you broke off the engagement and returned to England for better prospects. The restaurant goes silent.

Holmes hears no words. Holmes very carefully unfolds his napkin and places it into the top of his shirt. He just sees their mouths moving. Holmes lets the wine drip down over him. HOLMES’ POV Happy couples eating. the ring is the only place where his mind stops racing.the sounds muffled and indistinct -. old man. Their orders arrive -.bangs his fists together and moves in. The waiter puts them down. looks around. It interests him. PUNCH BOWL PUB .15 SHERLOCK HOLMES . McMURDO -. She’s lovely. (CONTINUED) . This is soothing to him. 15A-17 OMITTEDINT. Bets rage back and forth through the pressing CROWD.a complete sensory reversal of his experience in the restaurant.which becomes the ROAR of a BLOOD-THIRSTY MOB as a fist smashes into a face with a MEATY THUD. His opponent. The sound of silverware clinking and scraping on fine china rises to an ORCHESTRAL ROAR --.BARE-KNUCKLE BOXING FIGHT 15A-17 NIGHT Holmes staggers back from the blow. 2/2/09 CONTINUED: (6) 20. all sinew and gristle. -. HOLMES Holmes is left at an empty table with wine running down his face.an array of plates piled high. talking.huge but flabby -.then pauses. 15 WATSON Well done. spaghetti style. Suddenly. takes his knife and fork and begins to cut the meat -. laughing.Rev. HOLMES’ POV The room and the fight are calm -. He is stripped to the waist.and Watson goes with her. He tastes his own blood from a split lip.

it was most pleasurable. Oi! McMURDO We ain’t done here. he reaches out and gently touches McMurdo’s face or throat. sometimes even drops his hands. CLOSEUP ON A BEAUTIFUL WOMAN Early thirties. Holmes rolls over. giving him just enough warning to move his head so that a punch grazes him. Finished. HOLMES (walking away) Not done. Holmes is completely in control --. smiles. not just think. a look of pure intrigue in her eyes and a slight smile on her lips as she watches the detective. most of which Holmes ducks or blocks. And as I said. 2/2/09 15A-17 CONTINUED: 21. stands. HOLMES Thank you. BACK TO SCENE McMurdo throws a storm of punches. moment. Holmes begins walking away. Well done. just using his reflexes to protect himself.SHERLOCK HOLMES . 15A-17 He’s able to feel. Holmes’ POV returns to normal when he sees her. shakes his head to clear the cobwebs. (CONTINUED) .Rev. the sound floods back into the room. But that’s all. He throws nothing in return. He is utterly in the Holmes’ hawk-sharp gaze darts down from McMurdo’s face to his muscles as they flex. tramping him and -He knocks Holmes down with a thunderous right.until he notices a face at ringside. when the big man leaves an obvious opening. Once or twice. He looks for the woman. McMurdo senses his opponent’s lapse in concentration and steps on Holmes’ foot. He turns back to McMurdo. She’s gone. thank you.

locking onto the big man’s knee: A little scar-tissue. The crowd falls silent. but from Holmes’ POV.Rev. A row of stone cells. they’re not sure if they like it. Holmes is already turning away before the giant hits the canvas. Hm. The GUARD CAPTAIN approaches a young guard. Holmes strides out of the bar. His eyes tick slowly. banging on the doors to quiet the prisoners. catching him on the back of the head.SHERLOCK HOLMES . there really isn’t any sport. The blinding combination culminates with a spinning kick to the big man’s knee. McMurdo falls. 2/2/09 15A-17 CONTINUED: (2) 22. smells his HOLMES Plymouth gin. over and out. what the hell’s going on down here? 18A (CONTINUED) . braces for combat -As McMurdo Instantly Holmes unleashes a series of superfast moves. Five GUARDS charge down the corridor. 15A-17 Face twisted in disgust. Passing fellow fighters and flirty barmaids.CORRIDOR . McMurdo strides forward and SPITS CONTEMPTUOUSLY at Holmes. nearly invisible. He sees the crowd fall silent. he climbs the stairs towards the upstairs rooms. He doesn’t care. hand. scanning McMurdo. incorporating exotic martial arts. GUARD CAPTAIN Charlie. casting jagged shadows. A full-scale riot is on. which buckles altogether wrong. battered on the outside.NIGHT A candle shivers. He turns. CHARLIE. PENTONVILLE PRISON . who is frozen on the spot. working into a fever pitch. 18A INT. soothed inside. He grabs a bottle in his hand. all is calm. Taking a huge swig. Holmes stops. The sound of prisoners SCREAMING in the dark. Feels the back of his head. The crowd applauds. Steps back into the ring.

get. he tried to stop Blackwood from doing his spells. resumes his soft murmur. GUARD CAPTAIN (louder) -. Eyes closed. We see another guard. lies convulsing on the floor. what’s this all about? BLACKWOOD I’ve a request. down here and get him to the infirmary. That’s a holy book -Blackwood closes his eyes again. sketches of animals. GUARD CAPTAIN You don’t get nothin’ ‘til you stop this devil nonsense. 2/2/09 CONTINUED: 23. GUARD CAPTAIN Boy. an upside-down cross. And now he’s in some kind of fit. 19 On the walls the scrawls of a madman: wild symbols. 19 INT. PENTONVILLE PRISON . a headless sphinx. the Captain starts COUGHING.Rev.NIGHT Blackwood sits dead center in the dark.BLACKWOOD’S CELL . (CONTINUED) .18A SHERLOCK HOLMES . A hint of some method to his madness. Prisoners watch him stumble backwards. He’s confused. 18A CHARLIE It’s Jack. GUARD CAPTAIN All right. The Guard Captain continues around the corner.and you will respect it! Blackwood starts whispering FASTER. Blackwood. WHISPERING ungodly sounds. JACK. you want me to muzzle you -Suddenly. The guards pick Charlie up and carry him away. He coughs harder. GUARD CAPTAIN (to the prisoners in the cell next to Blackwood) You lot shut it! (to the guards) Charlie. LOUDER.

keeps coughing. windowsill flutters away. terrified.19 SHERLOCK HOLMES .Rev. (CONTINUED) . The RAVEN at Blackwood’s Other guards run up. 2/2/09 CONTINUED: 23A. horrified: It’s a small CATHOLIC CROSS on a chain. He looks down. spits it out onto the stone floor. The Captain falls to one Finally the Captain COUGHS SOMETHING UP. 19 Blackwood keeps whispering. knee. Prisoners start SHOUTING.

19

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24. 19

GUARD #2 Get him to the infirmary, now! Guards pull the Captain away. The remaining guard picks up the cross, stares at Blackwood, chilled. Blackwood’s eyes snap open. BLACKWOOD I’ve a request. 20 21 OMITTED INT. PUNCH BOWL PUB - BARE-KNUCKLE BOXING RING - NIGHT The fighting is over and the pub is closing. Only a few people remain cleaning up, mopping the beer and blood. Watson enters fast, looks around, and moves upstairs. 22 INT. PUNCH BOWL PUB - ATTIC Watson walks down a dingy hallway towards a door. With a look of resignation, he opens the door to see Holmes sitting alone in the sterile, barely furnished room. Holmes faces the corner, playing scales on his VIOLIN. On the table next to him, an upside down BEER STEIN and an assortment of prescription medicine bottles. Watson approaches, sees Holmes has bloodshot eyes from lack of sleep. Watson picks one of the medicine bottles which is open. WATSON You know this is for eye surgery? HOLMES I find that it lifts my spirits. WATSON It’s a pathological amorbic process, it increases tissue change and weakness. And you know what a black reaction comes on you afterwards. No answer. More scales. Watson approaches, sees Holmes has bloodshot eyes from lack of sleep. The beer stein is full of FLIES all buzzing about. 22 20 21

(CONTINUED)

22

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24A. 22

HOLMES Look at this. If you play a chromatic scale, they move clockwise. As soon as you switch to a pentatonic scale -Holmes plays a different scale, the flies all stop moving, stick to the glass. WATSON (faking interest) Really? What about when you -oops -Watson picks up the glass, lets loose the flies. Holmes looks up; Watson’s already moving for the door, pissed.

(CONTINUED)

22

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25. 22

WATSON Let’s go. Lestrade wants you at Pentonville Prison. HOLMES That’s your job, not mine. WATSON You’re Blackwood’s last request. Says he has information he’ll give only to you. But Watson’s already out the door. 23 EXT. LONDON - DAWN Watson and Holmes ride in a cab, passing familiar landmarks as the city comes to life. They sit in silence, tension hanging between them. Finally Holmes grabs Watson’s bag, rummages around and pulls out a clean white shirt. Watson looks out the window, frustrated. He sees THE HALF-CONSTRUCTED MASS OF TOWER BRIDGE. Near ground level, workers take down a large BLACKWOOD STEEL sign. HOLMES Look at that structure. What has it been? Five years’ work already? Are you aware that is the first combination of bascule and suspension bridge. Very innovative. No reply. As Holmes is taking off his jacket, he reaches into his pocket and pulls out a wad of money. 23

(CONTINUED)

Silence. I’ll keep it with your check book. locked safely away in my drawer. Holmes puts on his vest. I have your cut from last night.. HOLMES You have the grand gift of silence. (CONTINUED) . She told me. Holmes pulls on the clean shirt.Rev. HOLMES It’s too small for you. Silence. WATSON Well. It makes you quite invaluable as a companion.23 SHERLOCK HOLMES . WATSON And your grand gift is the uncanny ability to demoralize people. 2/2/09 CONTINUED: 26. Watson. Watson punches him square in the face. HOLMES The opera house is featuring Don Giovanni and I could easily procure two tickets if you had some cultural inclination this evening. WATSON That’s my waistcoat. I was aware she’d been engaged. it’s my property and I want it back. by the way. Holmes rubs his jaw. 23 HOLMES Oh. HOLMES So that’s a ‘no’ to the opera then? Watson’s steaming. Holmes takes off his shirt.. You weren’t there so I laid your customary bet -Silence. HOLMES You’re right.

2/2/09 CONTINUED: (2) 26aA. looks out the opposite window. . Holmes frowns.Rev.23 SHERLOCK HOLMES . 23 Holmes hands him the waistcoat which he promptly tosses out of the carriage window.

2/2/09 26A. Police keep them away from the entrance.Rev. PENTONVILLE PRISON . 24 25 OMITTED 25 . Blackwood’s death is the headline. Watson stops. WATSON You go ahead.EARLY MORNING Already a CROWD is gathering outside the jail. papers are for sale. Holmes heads inside. 24 EXT. I’ve no business with him while he’s alive.SHERLOCK HOLMES . Religious zealots and occultists swarm.

sees Holmes. No way this creep’s getting to him. BLACKWOOD Thank you for joining me. if you have other duties to attend to. sir. HOLMES Where are all the other prisoners? GUARD We had to move ‘em. In the shadows he can barely make out Blackwood.CORRIDOR . it’s like he can get inside your head. BLACKWOOD QUOTE from Revelations tbd. Holmes can see how spooked the Guard is..BLACKWOOD’S CELL . GUARD Much obliged. nervous GUARD leads Holmes down the shadowy corridor. They share a smile -. otherwise we were going to have a riot on our hands.Rev. HOLMES I’m sure I can find my own way from here. getting closer.DAY Holmes approaches Blackwood’s cell.two heavyweights sizing each other up. thank you. Holmes listens. Thank you. Blackwood pauses. HOLMES Love what you’ve done with the place. who’s reading aloud to himself. 2/2/09 27. There’s something about him. All the cells are now EMPTY. 26 INT.DAWN A pale.. PENTONVILLE PRISON .. turns. PENTONVILLE PRISON . The Guard high-tails it out of there.. 27 (CONTINUED) . sir.SHERLOCK HOLMES . strolling insouciantly. 26 27 INT.

Holmes seems to be studying Blackwood’s ear.Rev. BLACKWOOD Allow me to enlighten you. Your error in judgement is to assume I’ve been holding the brush at all -. HOLMES However. (CONTINUED) . Despite the bars between them. 2/2/09 CONTINUED: 28. Blackwood is right at the bars. HOLMES Actually. your work in the crypt was akin to a finger painting. my friend will pronounce you dead shortly and I thought I might keep him company. and that’s why you’re really here.27 SHERLOCK HOLMES . BLACKWOOD How can I help? HOLMES I’d already followed the murders with some interest and while my heart went out to the families of the victims. Your mistake is to imagine that anything earthly has led to this moment. Suddenly. close to Holmes. I couldn’t but notice a criminal mastery in the stroke of your brush -BLACKWOOD You’re too kind.I am merely the channel. 27 HOLMES A small point of concern. BLACKWOOD So now you’re curious as to whether there’s a larger game afoot. the men are close together. by comparison.

(beat) For you and I are bound on a journey that will twist the very fabric of nature.27 SHERLOCK HOLMES .after you’re hanged. I might have spared five lives. of course. BLACKWOOD Those lives were a necessity. Holmes. HOLMES I wonder if they’d let Watson and I dissect your brain -. BLACKWOOD But I will rise again. HOLMES I must say. As Holmes walks away. BLACKWOOD Pay attention! Three more shall die. you’ve come a long way down from the House of Lords. HOLMES Bon voyage. and there is nothing you can do to save them. too. and it worries me. you must widen your gaze. Steel your mind. I need you. (beat) I sense fragility beneath your mask of logic. Holmes. I’m concerned you underestimate the gravity of coming events. Then you would serve a greater purpose. a sacrifice. BLACKWOOD Mr. Blackwood. 2/2/09 CONTINUED: (2) 29. Blackwood calls after him. Five otherwise meaningless creatures called to serve a greater purpose. Holmes steps back. 27 HOLMES My only wish is that I’d caught you earlier. (MORE) (CONTINUED) . shakes his head. I’d wager there’s some deformity that would be scientifically significant.Rev.

The place is bustling with cops and officials. Not for this one.CORRIDOR . members of the government and cops. Blackwood walks up into the noose. Father. 29A. LESTRADE What did he want? Nothing. PENTONVILLE PRISON . 29 INT.MORNING Holmes walks down the corridor.GALLOWS The room where the execution takes place is packed to the rafters with senior officials.27 SHERLOCK HOLMES . CUT TO: A SHOT OF GATHERED WITNESSES AND OFFICIALS CUT TO: A SHOT OF THE EXECUTIONER CUT TO: 29 (CONTINUED) . meets Lestrade and a PRIEST. HOLMES Don’t think you’re needed. PENTONVILLE PRISON . Watson is there too. or by the time you realize it was you that made it all possible it will be the last sane thought in your head.Rev. 2/2/09 CONTINUED: (3) BLACKWOOD (CONT'D) You must accept that this is beyond your control. 27 28 INT. HOLMES 28 Holmes looks at the priest. We get a good look at some of the faces.

29 A SHOT OF BLACKWOOD smiling malignly. CUT TO: A SHOT OF THE NOOSE slipping around Blackwood’s neck.DAY Holmes is out cold.S. 2/2/09 CONTINUED: 30. His final words: BLACKWOOD Death is only the beginning. . 221 BAKER STREET . dead. CUT TO: A SHOT OF THE PERSPIRING PRIEST clutching his Bible. 30 INT. CRACK! His eyes fly open. CUT TO: A SHOT OF WATSON checking Blackwood’s pulse. CUT TO: A SHOT OF THE TRAP DOOR opening. CUT TO: A SHOT OF THE HOOD going over Blackwood’s head.29 SHERLOCK HOLMES . Legs fall through and yank tight. CRACK!! He pronounces Blackwood 30 * * * * * * (CONTINUED) IRENE (O. The show is over. lying on his tiger skin rug.) London’s so bleak this time of year.Rev.

flips through newspaper clippings and police reports.. IRENE Not that I’m pining for New Jersey. He tests the door to make sure it’s still locked. olives. tea from Ceylon and olives from Cyclades. She stands and Holmes watches her every move as she crosses to him.. etc.. Dates from Jordan.30 SHERLOCK HOLMES . As soon as she clears he quickly moves over to a concealed safe. Irene grabs a file from Holmes’ desk. IRENE I prefer to travel in the winter. IRENE Theft of Velasquez portrait from the King of Spain. As she passes a small table that has been outfitted with tea. her back to Holmes.. putting the walnuts in front of him and flashes him a smile. Scandalous affair ends engagement of Hapsburg Prince to Romanov Princess. Holmes stealthily turns down a photo of Irene. 30 REVEAL: Irene Adler sits on the stairs near Holmes’ lab. dried fruit. IRENE I brought a few souvenirs. just before she turns back to face him. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * (CONTINUED) .. IRENE I came across this as I was setting up. She leans down.. Irene opens the file. Missing naval documents lead to resignation of Bulgarian Prime Minister. Irene gets up to cross the room. I thought we’d have a little tea party to cheer us up. Only once her back is turned does Holmes lever himself upright. 2/2/09 CONTINUED: 31. cracking walnuts. stunned by this intrusion.Rev.

it’s a wonderful opportunity to see you again. 30 HOLMES Simply studying your methodology for when the authorities ask me to hunt you down. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * (CONTINUED) . Let’s not dwell on the past. TRACK INTO Irene’s hypnotically beautiful eyes.Rev. revealing and enormous diamond.30 SHERLOCK HOLMES . I’m Irene Adler again and I need your help to find someone. Then. IRENE Why are you so suspicious? HOLMES Should I answer chronologically or alphabetically? Irene pulls out an ENVELOPE. IRENE By the looks of things you’re between cases at the moment. 2/2/09 CONTINUED: (2) 32. Holmes almost melts. Holmes reaches for Irene and pulls on a chain around her neck. IRENE I don’t see my name anywhere. Plus. Irene reaches for something inside her jacket and Holmes grabs her hand. No ring? IRENE He snored. the Maharajah’s missing diamond. Another souvenir? IRENE He has a palace full of them. HOLMES Ah. They move to sit at the table. husbands. HOLMES But your signature is clear. There’s nobody more brilliant or who knows London better than you. HOLMES And you.

* * * * * * * * * * (CONTINUED) . IRENE I’m my own man. HOLMES Who are you working for? Just for a brief moment. 30 IRENE This is all the information you need. 2/2/09 CONTINUED: (3) 33.Rev. she can’t hide the anxiety in her eyes.30 SHERLOCK HOLMES . She hands him the envelope.

She pauses behind him as she exits. HOLMES Keep your money.does a speechless double-take when he sees who it is. Holmes examines the envelope. 31 INT. . 2/2/09 CONTINUED: (4) 33A. Irene keeps moving. waits for her to pass -Hello. On it is stamped the letterhead of the Grand Hotel. IRENE They gave me our old room. As she walks out she puts her photo back upright.Rev.STAIRS Irene descends the stairs just as Watson is coming in.30 SHERLOCK HOLMES . She ignores him. 221 BAKER ST. He lifts his hat. . I didn’t say I’d take the case. 30 She stands and pulls out a large bag of coins. IRENE 31 * * * * * * -. John.

I wager he’ll find our man within twenty-four hours. LONDON STREET We PICK UP Irene crossing a street. 32 EXT. CARRIAGE Irene sits. 2/2/09 34. You wager? MORIARTY (CONTINUED) 33 . looks around her. walks on.SHERLOCK HOLMES . cracks open the carriage window and slides the folded paper partway out. She turns into the alley. Someone waiting outside takes the paper. Before she can speak. CUT TO: IRENE emerges from the alley holding a lovely bunch of roses.Rev. She passes a DARK ALLEYWAY. and the carriage starts moving. Irene is made to wait as Moriarty finishes writing a complex mathematical equation (in astronomy). CUT TO: IRENE approaches a waiting carriage. A full beat goes by before he turns to Irene. folds the paper to reveal that it is addressed to THE ROYAL ASTRONOMICAL SOCIETY. HOLD ON the alley for a long beat. Moriarty closes the window. This is PROFESSOR MORIARTY. and their footsteps clatter away. MORIARTY I assume he’ll do it? IRENE Not for money. finally prepared to engage with her. Looks. Too dark to see much in there. gets in. turns to address a man-shaped shadow filling the opposite corner of the carriage. but for me. a gesture from the shadow stills her. CUT TO: 32 33 INT. She sniffs them appreciatively. Pauses.

A better word. they lurch forward. 34 EXT.33 SHERLOCK HOLMES . me leg! BEGGAR 34 (CONTINUED) . the coach comes to a halt. Ow. it’s accurate. I -- IRENE MORIARTY I sincerely hope IRENE Suddenly. LONDON STREET A rough-looking BEGGAR wearing an eye patch has fallen under a wheel of the coach. 2/2/09 CONTINUED: 34aA.Rev. 33 I’m certain.

34 Get out of it! COACH DRIVER BEGGAR You run me over.Rev. sir. limping toward the window where Moriarty and Irene sit. yes it would. He has disgusting blackened teeth. sir. BEGGAR A little charity would go a long way. (CONTINUED) .34 SHERLOCK HOLMES . yes you did! COACH DRIVER You fell right into the carriage! The Beggar is up. 2/2/09 CONTINUED: 34A.

The gun rests on the Beggar’s forehead. The carriage moves on. anyway? (CONTINUED) 35 * * * * * * * * * * * * * * * * * * * * * * * .Rev. Within a nanosecond. Are you a masochist? HOLMES Allow me to explain. she made a proper idiot of you. almost enraged.. The cold eyes of the man that holds the weapon bore into the skull of the Beggar. very concerned. . HOLMES You’ve had your fun. completely transformed now. 221 BAKER ST.. I -WATSON I know. WATSON Look at you. who backs off in fear.34 SHERLOCK HOLMES .HOLMES’ APARTMENT Holmes is washing his face in a basin on the other side of the room. 35 INT. all aflutter. instead of just being tricked into being a witness at her wedding like last time -HOLMES I don’t believe -WATSON You dress up as clergyman and actually perform the ceremony.Watson won’t stop. 2/2/09 CONTINUED: (2) 35. 34 He reaches toward the window. Leaping about. WATSON Don’t you remember what she did to you? She turned you inside out. utterly alive. She’d love that. I’m sorry. I can’t believe you ran after her like a schoolboy again. HOLMES Thank you. Watson approaches. Moriarty extends his hand into which a PISTOL appears. delivered by a concealed mechanism (Travis Bickle style). This is a hopeless cause -. you were going to explain something. WATSON What’s she after.

Those are my dates. a beard. It’s more than a technicality.Rev. 2/2/09 CONTINUED: 36. a human canoe. She can sit on your back and paddle you up the Thames...35 SHERLOCK HOLMES . WATSON I’ve upset you. HOLMES Now it’s time to press on. Holmes picks up his violin. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * (CONTINUED) HOLMES It doesn’t matter -WATSON What could she possibly need? An alibi. red hair. we’ve had our last case together. WATSON I won’t interrupt. Luke Reordon. Holmes looks like he’s had enough. Midget! So you agree? HOLMES WATSON HOLMES No. I don’t agree. 35 HOLMES Now it’s time to press on. Holmes. four foot ten. She likes ginger dwarfs. Go on. I can tell. said too much. WATSON I’ve already read it. WATSON Case solved! You’re just not her type. HOLMES Regrettably. Holmes grabs the envelope back. missing two front teeth. I’ve . You’re misrepresenting the dimensions of foreshortened people.

doing? WATSON What were you just * * * * * * * * * * * * HOLMES Will you allow me to explain. . Holmes plucks his violin. 221 BAKER ST. WATSON That’s what I’ve been trying to do. I’m just saying. the notes play over a FLASHBACK of the previous scene. 2/2/09 CONTINUED: (2) 36A. . Once Irene leaves. Holmes weighs the distance and hurls himself down with a determined look.REAR YARD Holmes flies from the window and lands neatly on a tin roof. turning down an alley. He bolts into -36A INT. . and looks out to see her walking down Baker Street. 37A-37D OMITTED 37A-37D 37 36A 36 . 221 BAKER ST. The jump to the next level is a more taxing prospect. he steps quickly to a window.INT. Holmes snatches his coat and runs down the other end of the corridor.HOLMES’ APARTMENT We see Irene step out.Rev. He JUMPS out the window to -37 EXT. one has disproportionate limbs the other does not. IRENE Why don’t I see myself out. 36 FLASHBACK . Alright. all from HOLMES’ POINT OF VIEW. He lands just right.CORRIDOR He sees Watson coming up the stairs. 35 HOLMES No. 221 BAKER ST. Before Watson can speak.35 SHERLOCK HOLMES .

Even without the man -.SHERLOCK HOLMES . Irene frisks him expertly. eyes bulging. all the way to his collar. There is excitement in her eyes. cutting his belt.but at the other side. 38 EXT. Still holding the roses. how nice of you. Quick as a snake. 38B INT. the man finds himself smacked up against the bricks with Irene’s hand over his mouth. heads for the street one block over from Baker Street. He closes in to grab her --. He obeys. stops at the same alley that Irene disappeared into -. this turns her on. trapping her. CUT TO: HOLMES’ POV DOWN ALLEY from concealment: BUNCH OF ROSES. Another man steps in behind her.who is scrofulous and sly -. IRENE Oh. 38B (CONTINUED) .Rev. 2/2/09 37. dropping him immediately. 38 38A EXT. COAL SHED Holmes jumps off the shed. The move ends with Irene’s finger over her own mouth. LONDON STREET He runs down the mews in great haste.no woman in her right mind would go down this alley. signalling the mugger to be quiet.and WHAP!WHAP!WHAP! Gets three cosh-strikes across the chin. She’s mugging the mugger. Cut you a deal ‘cos you’re so pretty. then his clothes. Irene walks towards a MAN HOLDING A 38A MAN WITH ROSES Got some roses for you. she slices upwards with a razor-sharp knife. ALLEY The man with the roses beckons Irene forward. sweetheart.

He drops a coin in his hand. a wallet. takes his wallet too. 39 EXT. LONDON STREET Holmes exits the alley. runs on. rubs it on his face and hands. then pops it in his mouth. On second thoughts. but this time we can see that Holmes gets a view of the man on the other end of the weapon before the carriage pulls away. He pauses to singe the sleeve of Watson’s coat on a fairground fire-breather’s flames.38B SHERLOCK HOLMES . does it? And -naughty boy -. -. He snatches a HAT from a one-eyed old BEGGAR with his hand out. Again he stops the coach and again the gun comes out. she turns back. stepping daintily over the crumpled man on the floor. LONDON STREET Holmes emerges as the beggar we saw previously. that’s the Irene I know. I’ll return them.and leaves. takes the roses -IRENE These are lovely. Holmes picks up the pace. chews it to blacken his teeth. look. 38C EXT. He hurries after Irene down the alley. then another coin and snatches the beggar’s eye patch too. 38B IRENE Oh. thank you. He runs past a coal cart. 2/2/09 CONTINUED: 37A.here’s another one. snags a lump of coal. CUT TO: ANGLE ON HOLMES HOLMES Now. Doesn’t look like yours. 39 38C . then leaves. catches a glimpse of Irene through a STREET FAIR. shall I? She takes both wallets. which is being assembled.Rev.

HOLMES Well.Rev..S. 40 INT..SHERLOCK HOLMES . A man has to make a living. WATSON And yet she works for him.) Mister Holmes. It’s nothing to do with me. That’s bad money. pale. He’s got Adler on edge. I’ve had just about enough -Clarky! HOLMES 40 * * * * * * * * * * * * * * * * * * * VOICE (O. thinking. ... 221 BAKER ST. CONSTABLE CLARK Inspector Lestrade asks that you come with me. Watson. WATSON Which is no mean feat.HOLMES’ APARTMENTS (PRESENT) Holmes strums one more chord on his violin. 2/2/09 37B. scared. Breathless. WATSON You know what. at once. HOLMES This man intrigues me. I’ll be paying the rent entirely on my own.. but leave this case.. sir.? He turns to see. Irene’s bag of money still sits on the table. I may not have a choice. (CONTINUED) . After all. CONSTABLE CLARK standing at the door. scared. Holmes motions to the bills. HOLMES She’s intimidated.

* * * * * * * * * * * * * * * * * * * . 40 HOLMES (mumbles) What’s he done now. WATSON * * * * * * * * * CONSTABLE CLARK It’s Lord Blackwood. Clarky laughs.Rev. lost his way to Scotland Yard? Watson. I have tea with Mary and her parents this evening. WATSON Are you taking this seriously? HOLMES Like it or not. you’d do well to hide your medical certificates in case they’re revoked. HOLMES Watson. No girl wants to marry a doctor who can’t tell if a man’s dead or not. it’s a matter of professional integrity. HOLMES It is not my reputation at stake here.40 SHERLOCK HOLMES . WATSON I’ll leave this one in your capable hands. It appears he’s come back from the dead. 2/2/09 CONTINUED: 38. WATSON Well that’s clever seeing as how I pronounced him dead myself. grab a compass. They all move to the exit. You means us. Watson walks into his office. Us means you. CONSTABLE CLARK A groundsman saw him walking through the graves. sir. just this morning.

Rev. 41 EXT. THE BLACKWOOD BURIAL PLOT . 2/2/09 38aA. Blackwood comes from old money. Holmes and Watson exit. Watson barely lifts his head. Not a place for a picnic. 42 (CONTINUED) . scanning the ground while Holmes appears to have taken an interest in a clump of trees in the distance. and lots of it.ESTABLISHING . Watson carries a black leather FORENSICS KIT. THE BLACKWOOD ESTATE . Any possible evidence there might have been has been trampled. opens the door.and it’s starting to rain.DAY Judging by the estate. We FOLLOW the carriage hurrying Holmes and Watson forward. A COP stops the carriage. 41 42 EXT. not even on a bright sunny day -. They walk up the pathway towards the Blackwood Family Crypt.SHERLOCK HOLMES .DAY Generations of wealth buried in moss-covered marble memorials. Nothing but standard-issue police bootprints. WATSON Look at this mess.

He is sweating. spooked. whispering to themselves. shaken. They’d rather be anywhere but here. they see the marble doors of the crypt have been BLASTED OPEN FROM THE INSIDE. Police lamps light one large marble CRYPT.this is interesting. 42 HOLMES Scotland Yard at their finest. once again. Holmes and Watson share a quick glance -.Rev. Lestrade emerges from the crypt. The cops are in tight clusters.42 SHERLOCK HOLMES . (CONTINUED) . As Holmes and Watson approach. 2/2/09 CONTINUED: 38A.

pale and terrified. LESTRADE (low. He notices the Blackwood CREST.42 SHERLOCK HOLMES . HOLMES And the coffin? LESTRADE We’re digging it up now.smashed outward like they were nothing. direction. duly chastened. You can question him if you like -. Holmes disappears in the opposite As soon as their backs are turned. Lestrade marches over to a nervous knot of cops. The witness is over there. Lestrade does take Holmes’ handkerchief. checking the hinges. you’re forbidden to talk about this to anyone. and the image of a SPHINX. CUT TO: (CONTINUED) .Rev. Holmes inspects the door. Are we bloody clear on that? The cops nod. grabs a fistful of blue in each hand. Lestrade waves it off. LESTRADE Look at those slabs of marble -they’re half a ton each if they’re a pound -. Watson heads for him. 42 Holmes offers Lestrade his handkerchief. not a word.but you won’t get much. stands out of the rain under an ancient cypress tree. Holmes. angry) If you lot don’t stop behaving like a bunch of superstitious milk maids. drags his boys in close. LESTRADE Explain it if you can. 2/2/09 CONTINUED: (2) 39. He doesn’t want Holmes or Watson to hear this. On second thought. you’re on double-time! You’re an embarrassment! Also. The old GROUNDSKEEPER.

a few moments. do you know if this is a spruce or a sycamore? Lestrade shakes his head. Four beefy. 42 THE GROUNDSKEEPER mumbles the Lord’s Prayer under his breath.Rev. Watson takes a boiled sweet from his pocket. The Groundskeeper just keeps praying. He’s in shock. Holmes walks over holding a small branch from a tree. plainly terrified. 2/2/09 CONTINUED: (3) 40. They place it on the ground. They all turn to see the coffin has been extracted from the crypt. Holmes chuckles. step back. HOLMES Inspector. OPEN IT!! LESTRADE (CONTINUED) . Watson immediately goes into doctor mode checking his pulse. pops it in the man’s mouth and gently sits him down. LESTRADE The witness stated that he saw Lord Blackwood rise from the grave. accusingly) Well? You pronounced the man dead. him. crossing themselves. or the Yard. Lestrade stomps up. It hasn’t been a good day for WATSON We should give him There’s a clunk. WATSON (stung) He had no pulse. (at Watson. soil-stained cops emerge lugging the coffin. looking in his eyes. murmuring.42 SHERLOCK HOLMES .

HOLMES All yours. eerie groan. jams it under the lid and levers it off with a slow. Watson opens his forensic kit. LESTRADE That’s not Blackwood. Inspector.. 42 But no one moves. silver tools.Rev. A DEAD BODY in the coffin.three quarters of an inch. Holmes hands the pen back to Lestrade. may I see your pen? Lestrade hands over a nice fountain pen. Lestrade looks at it with dismay. the cops move backward. Vials. Holmes and Lestrade move forward. (CONTINUED) . HOLMES Now that we have a firm grasp of the obvious. The coffin is filled with EARTH. The body is a much smaller man than Blackwood. overflowing.a small measure of revenge.snatches the crowbar away. WATSON Missing two incisors in the upper jaw. disturbed. putting the time of death at ten to twelve hours ago. begins examining the body. He takes a CALIPER. in everyday clothes. They brush away a layer of dirt. He marches forward --. Holmes spots something glinting in the man’s dirt-filled pocket.. (a look at Holmes) Adler’s midget...42 SHERLOCK HOLMES . still stunned.. with red hair. The cops pass a CROWBAR around as if it were red-hot. Watson’s had enough. HOLMES Inspector.. He uses the pen to fish out: a POCKET WATCH. takes it in Holmes’ handkerchief -. WATSON Lividity is late stage. Holmes takes the pen and pries open the corpse’s mouth. 2/2/09 CONTINUED: (4) 41. to reveal. Diptera deposits are approximately -(measuring) -. revealing: two missing teeth in the man’s jaw.

It’s not right. 2/2/09 CONTINUED: (5) 42.Rev. and pawnbrokers scratch the ticket number and their initials inside the lid. anxious. so the owner -GROUNDSKEEPER (O. Holmes shows him the dusty pocket watch. (etc. Watson. He was as alive as you or me. HOLMES Scratches around the keyhole where the watch is wound. suddenly.) All three men watch the Groundskeeper go. I know what I saw and I know Lord Blackwood. ready to unburden himself. leaves) Our Father Who art in heaven.DAY Holmes stands in the middle of the street contentedly observing humanity. HOLMES Now the game is afoot. 42A-50 OMITTE 51 EXT. 42 Holmes and Watson begin walking away from the crypt. They all want to get the hell out of there. Trust me. Most drunks are the same. HOLMES (CONTINUED) 42A-50 51 . (turns. And I’m not daft. This one has five. They all stop..) He was walking. GROUNDSKEEPER (quivering voice) He was walking but his feet didn’t touch the ground. Lestrade follows. WATSON I fail to see how these fish and chips are different from the three other places we passed along the way. Watson ENTERS FRAME and hands Holmes a bundle wrapped in newspaper.42 SHERLOCK HOLMES . LONDON STREET . It’s not natural..S. The old Groundskeeper stands in front of them. A sudden gust of wind moans eerily.

WATSON You know. I’ve seen things in war that I couldn’t explain. 2/2/09 CONTINUED: 42A. down to the number and placement of the bullet holes that killed him.51 SHERLOCK HOLMES . Watson appears preoccupied. You have to admit that a supernatural explanation is at least theoretically possible.Rev. 51 Just eat. I once heard a man predict his death. WATSON Holmes complies hungrily and they start to stroll along. (CONTINUED) .

(CONTINUED) . hence the scratches.51 SHERLOCK HOLMES . scratches around the keyhole. Each time he wound the watch his hand would slip. HOLMES Very good..H. His face falls. WATSON Maddison and Haig. screws it into his eye. HOLMES The most recent is M.. near indecipherable) Never theorize before you have data. HOLMES Hmm. there are several sets of initials scored into the lid. Invariably. WATSON Pawnbroker’s marks.. and flips Reordon’s watch open. instead of theories to suit facts. what does that tell you? WATSON The owner was most likely a drunk. Holmes pulls out a JEWELER’S LOUP. you end up twisting facts to suit theories. He examines the lid.. Excellent. Watson! You’ve developed considerable powers of your own. HOLMES Let’s see now. 51 HOLMES (mouth full. Watson shakes his head.Rev. 2/2/09 CONTINUED: (2) 43. HOLMES Watson looks extremely pleased with himself until they turn a corner into a street where EVERY SECOND SHOP IS A PAWN SHOP. Watson looks quite chuffed. Adler’s midget is the key to this.

sir? HOLMES Perhaps we do need a little help from the beyond. brothers. They should give us an address. Holmes and Watson look at each other. A GYPSY PALM READER approaches Watson as he turns to leave. DISCREET. I think not. the one I was leaving for before you talked me into coming to dig up dead bodies with you.. wait. ahead of them there on Bow Street. Which leads me to deduce that I’m already late for my appointment with Mary. She has their (CONTINUED) . PALM READER I see two men. attention.51 SHERLOCK HOLMES . On the watch. PAWNBROKERS. a J. PALM READER Reckon your future. Watson is so taken aback by the urgency and gravity of her tone that he doesn’t pull away.Rev.. You remember. 51 HOLMES Oh my Lord. 2/2/09 CONTINUED: (3) 43A. I see the letters S and an L. here we are. HOLMES WATSON The time. WATSON She grabs his hand anyway. RESPECTABLE. PALM READER You need to hear what I have to tell you. WE SEE MADDISON & HAIG. thank you. No. no. Not in blood but in bond. WATSON There’s one thing you’ve missed.

I see.51 SHERLOCK HOLMES ...Rev. Mary? You will be married. A man driven out of his mind by a malign force. 2/2/09 CONTINUED: (4) 43B. Watson looks at Holmes.. HOLMES (to Watson) Do you have any changes? Watson shakes his head as he pays the woman. the letter M.... WATSON This is a new low -... lace doilies.. (horrified) Patterned table clothes.. I see. china figurines. PALM READER I see a letter.. another M.. (CONTINUED) .. Enough. 51 PALM READER (wincing) I see madness. WATSON The Palm Reader looks at Holmes. PALM READER She turns to fat. Watson snatches his hand away.even for you. WATSON You think you are clever don’t you? Holmes feigns innocence....

51 HOLMES It’s the most honest prediction old Flora has made in years. and Holmes is not. That is precisely the reason you can’t find a suitable ring. Here we are. Watson is beaming at: an ENGAGEMENT RING in a box. 52 EXT.51 SHERLOCK HOLMES . Warn your friend. Watson. And you know it yourself.Rev. produces a wad of coins. pleased with himself. Holmes swallows the last of his cod and casts the wrapping aside.MINUTES LATER Holmes and Watson move down the street. he is intercepted by the Palm Reader who grabs his arm. he’s not safe. Mortal peril.. PALM READER I seen something in his hand. as well you should be. 2/2/09 CONTINUED: (5) 44. (CONTINUED) . do you -HOLMES Watson snatches the money. eh? WATSON 52 Holmes turns away. You’re terrified of a life without the thrill of the macabre. Now Watson is smiling. storms into Madison and Haig. Not bad. As he follows Watson. Darkness and great pain. the pawnshop behind them. Holmes is confused until he spots a sign in the window: “Large selection of engagement rings for every wallet. LONDON EAST END . HOLMES Reordon’s lodgings should be right around this bend.. Why. WATSON Do you still have my cut from the fight? Holmes digs into a pocket. Even Holmes is taken aback by this. looks down at the TICKET he got from the pawnshop: an ADDRESS.” Holmes starts to look a bit nervous.

well. looks up at a dark. 2/2/09 CONTINUED: 44A.Rev. dingy LODGING HOUSE. give my regards to Mary. Some (CONTINUED) .52 SHERLOCK HOLMES . HOLMES Looks promising. And possibly dangerous. windows are boarded up. 52 He slows. Oh.

he gestures them inside. 52 Holmes heads for lodging house. CRACK! Watson’s boot flashes past him as he KICKS the door off its hinges. WATSON I can spare ten minutes.DAY The squalid doorway opens into a series of dark rooms. Holmes inspects it. It is fiddly. 53 54 Holmes winds his way up a twisting flight of creaky stairs. LODGING HOUSE Watson checks his watch. (CONTINUED) .52 SHERLOCK HOLMES . It takes him a while. moves through a door. 2/2/09 CONTINUED: (2) 45. every available inch is covered in writing. He kneels to get a better angle with the knife. 55 INT. Scrawled-on paper and pages are tacked to walls and carved into the plaster. biblical Latin and Hebrew. Off Holmes’ pleased reaction. Something did. strange pagan charms hang from the ceiling. HOLMES He clearly felt something was coming to get him. finds a door with scratches on the keyhole. Watson lights a lamp which reveals details of an interior that stops them both in their tracks: From floor to ceiling.Rev. Holmes takes out his knife and goes to work on the lock. WATSON 55 They move further inside where there is a hallway and a basic bedroom. 53 54 OMITTED INT. crucifixes punctuate the yards of text and collage. REORDON’S ROOMS .

something ROTTING.. REORDON’S LAB Instantly. Watson does his best not to gag. sees a sheaf of BURNT PAPERS..) Watson. In the center of the room.Rev.. finds one piece not as burnt as the rest. Holmes moves around the room. Hemlock. WATSON (reeling) Bloody hell. come take a look at this -Watson puts down what he was looking at.. sniffing like a morbid perfumer. Watson digs through his forensic bag. Watson moves to the stove. as if mid-death-rattle. Some of it gives off a distinctly electrical hum. 56 INT. a seething cloud of flies. Formaldehyde. WATSON Has he any hydrochloric acid? 56 (CONTINUED) . impossible to read.. The room is stacked with an alarming amount of scientific and biological paraphernalia.. HOLMES (mumbles) Phosphorous. their bodies frozen in strange contortions.. loving it) Ammonium sulfate. Holmes and Watson step closer to see: DEAD FROGS... Ungodly fragments of limbs and matter float in jars. 2/2/09 CONTINUED: 46.55 SHERLOCK HOLMES . Eyes opened impossibly wide.. pulls out vials. A CREST stamped on it. WATSON Appears he was attempting to follow occult formula with scientific practice. Watson covers his nose with a handkerchief. goes towards. HOLMES (inhaling deeply.S. An experiment generating a massive stench. He digs through them. 55 HOLMES (O.

Ghostly chemistry. HOLMES There’s one odor I can’t put my finger on. stops at an open window. faint words APPEAR on the blank page. 2/2/09 CONTINUED: 47. sniffs) Barley sugar. moves into the next room. TWO THUGS spill into the 57 58 He He (CONTINUED) . Sweet. Slowly. Watson catches it. raises an eyebrow. starts pouring the acid..56 SHERLOCK HOLMES . Something he was working on? WATSON Ferrocyanide. if she planned to do the job herself? HOLMES Maybe it’s not the man she’s after. 57 58 OMITTED INT. but something else. WATSON Why would she hire you to find him.Rev. REORDON’S ROOM BOOM! room. Watson presses the chemical-soaked paper onto the burnt paper.. puts it by the lantern. (stops. smells the CURTAINS: HOLMES Irene was here. starts walking back to the other room. another chemical on a clean sheet of paper. Holmes gets a whiff of something. Long as it’s not too burnt.. 56 Holmes shuffles a few bottles.. almost like perfume. Watson sees the crest is Blackwood’s. Holmes senses something. or sugar. The door WHIPS open.. Watson keeps rubbing the paper together. WATSON He worked for Blackwood.. Sucks the iron right out of the ink.. tosses one to Watson.

58 They are followed by DREDGER. a huge man. Dredger is deadpan. 2/2/09 CONTINUED: 48. sliding it into his hand as a weapon. swinging at them. Sweet tooth. He sucks on a twisty stick of barley sugar (Victorian hard candy). knows it won’t make a dent. HOLMES Let me guess -. It stuns the giant for a beat. He keeps moving. HOLMES You take them. WATSON Seems about fair.Rev. bringing the heavy STEEL ROD with it. ripping it down. gentlemen. just shy of seven feet tall and pushing 400 pounds. He grabs the rod and HURLS Holmes through the air. He spins the rod expertly. The two thugs step toward Holmes and Watson. eyes widen at the giant. I’ll handle Mr. sending him flying into -(CONTINUED) Holmes’ .58 SHERLOCK HOLMES . who follows them into the room. trapping the steel rod under his arm. SMASHING it into Dredger’s face. flipping it so the curtain-rings rain to the floor. but quickly -Dredger LUNGES forward.you’re here to extinguish any connection between the man who lived here and the man you work for? Curious you’d still be running errands for a dead man. slightly deformed. surprised to see Holmes and Watson. They stop. swinging the lamp toward a CURTAIN. Watson meets the men in the middle of the room. He looks at Dredger. HOLMES Hello. He catches the rod. DREDGER Sherlock Holmes. DREDGER (smiles) You do like to talk. In the blink of an eye: He WRAPS UP the curtain. As they dodge and swing back -Holmes grabs a standing lamp.

58 INT. anything he can grab. who falls. which SMACKS into the second thug. He snatches a SHORT SHAFT. kicking the other in the groin. then touches the other end of the pipe with the rod. blades flashing on either side of him. SLAMMING into Watson. 58A INT. and KNOCKS Dredger back twenty more feet. Dredger lurches toward Holmes. A truly pathetic weapon. REORDON’S ROOMS Watson finishes off his thug and plucks the engagement ring off the floor. Head The men whip out knives. and knocking the ring away. scattering all the bottles and tools. trying to gather his senses. the first man HURLS his knife. (CONTINUED) . so -The ENGAGEMENT RING falls to the floor.Rev. REORDON’S LAB Dredger bears down on Holmes. just as -Dredger flies through the air. REORDON’S LAB Holmes crash-lands on the table. a bar-room brawler.58 SHERLOCK HOLMES ... as -Watson tussles with the thugs. As Watson follows the ring with his eyes. and ZZZAPPPP!! The electrical current RUNS ALONG THE PIPE. ZAP! A flash of light and crackle. knocking him off his feet. Holmes thinks quickly. Watson ducks and dodges. as he scrambles toward the ring. Holmes 58B 58A Dredger pulls himself up with the help of a water pipe on the wall. Holmes reaches out for some kind of weapon. Watson fights the first thug. Watson just barely ducks the blade. Holmes looks at the lightning rod in his hand. butting one. He blinks. One of the blades slices his shirt. One of the thugs accidentally KICKS it. climbing off of Watson. The rod sparks and hums. sending it across the ground. ripping off his pocket. the shaft SPARKS. He sees Dredger incoming. cranks his weapon. 2/2/09 CONTINUED: (2) 49. and. Dredger tries to recover. and Dredger gets an ELECTRIC SHOCK that sends him flying back twenty feet -58B INT. stunned by the efficacy of the weapon. who swings the metal shaft desperately.

and heads out -59-60 61 OMITTED EXT. 2/2/09 CONTINUED: 50. picks up the ring. Watson brings up the rear. Watson darkens.Rev. Holmes trails the hulking form of Dredger into this network of struts. frantic as -Dredger rises. trailing Dredger through the gates of a huge commercial shipbuilders. as -61A 62 OMITTED INT. a clear change in his demeanor. They weave through the shadows. bends down. 58B Watson spots the ring rolling towards the window. grips his ruined ring. leaps out the window. darting around people. Holmes sees one of the cables shifting slightly. The vessel can’t be far from completion. Holmes gives chase. which holds the UNFINISHED HULL OF A LARGE SHIP. TOOLEY IRONWORKS . it sits in a wheeled carriage designed to see it smoothly into water.. 63 EXT..58B SHERLOCK HOLMES . then leaps out the window. starts running for it. UN-LAUNCHED SHIP . the whole thing is attached to a heavy chain that coils back around the shed that they just ran through. landing atop a heap of coal..DAY Dredger runs towards a SLIPWAY.FIRST SLIPWAY For now though. just as he’s about to grab it. He looks at the sparking rod and races for the window as well. Watson chases the engagement ring. Dredger gives Watson a cruel smile. and -He 63 61A 62 59-60 61 (CONTINUED) .GATE Dredger runs down the street. takes an angle to cut off Dredger. Watson glares as -Holmes blasts past him. sees: Watson The stone was knocked out of the setting. SLIPWAY . THUD! Dredger’s massive foot STOMPS DOWN ON THE RING. lost in the floorboards. the rest of the ring mangled. knocking people out of his way.. big wooden chocks hold it in place.

Holmes backs away. The ship LURCHES forward. He reaches out. FABRICATION SHED .SLIPWAY A police WHISTLE echoes through the air. 63 ZAP! Holmes steps into Dredger’s path. It’s the last straw for the support mechanism.. 64 EXT.63 SHERLOCK HOLMES . Holmes wrestles Dredger’s head onto the runner and pins him down. 2/2/09 CONTINUED: 51. knocking him back. Dredger knows there isn’t much juice left. tearing others out of his way. and swings the hammer at Holmes.. Watson can see what’s coming.. splintering another chock. A moment of reckoning between Holmes and Dredger: The shaft slowly. ZAP!! Holmes gives another jolt. but the shaft starts to LOSE POWER. They tumble down onto the massive runners on the floor of the slipway.. 64B EXT. UN-LAUNCHED SHIP . Dredger tosses the rod. smashing some of the wooden supports.Rev. And now. just long enough for -Dredger turns 64A 64 Holmes to launch himself at Dredger. FABRICATION SHED From his vantage point. sizzles. for a moment. grabs the weapon and.DAY Watson runs round the end of the building and sees Holmes scrambling under the half-built hull. SECOND SLIPWAY . Dredger in pursuit.. both Holmes and Dredger look up as the HUGE CHOCKS holding the ship EXPLODE BACKWARDS --. as -Dredger grabs a sledgehammer. Holmes! 65 WATSON 64B EXT. out. smiles a terrifying smile.. the whole thing starts to creak.CONTINUOUS ACTION Grappling frantically on the runners. 64A EXT. Dredger kicks out viciously.the PROPELLERS on the stern of the ship start sliding down towards them. 65 . hitting him with the lightning-rod.

great gulps of air disappearing into his lungs.CONTINUOUS ACTION Dredger looks up at the approach of the propellers --. Holmes collapses back.. pulling him backwards across the runners.from vortex to serenity in a matter of seconds.. 66 EXT. They stagger back to the slipway where Dredger was standing.Holmes charges into Dredger again. SECOND SLIPWAY . The timber finally gives way. He realizes the ship has stopped. He’s doomed. but Dredger’s bone-shaking punches have taken it out of him and he sags back to the ground. And. but he doesn’t know why.CONTINUOUS ACTION We see the chain extended taut as a tight-rope behind the half-launched ship.. frothy explosion of water. A beat where the whole business hangs in limbo and. falling through the air -The ship is free again. Holmes’ head hits the ground hard. knocks his head against the runner -.. he sees the great shadow sweeping over him. A quiet beat. SECOND SLIPWAY .the hull screams past him with a sound like the side of the world being torn off --. 2/2/09 52. The SHIP squeals and groans as its timber supports buckle and crack with the weight of the tethered ship. as the leviathan roars down towards him.and then the ship’s away. The ground beneath him shakes. He tries to pull himself to his feet.as he blinks back into consciousness. and sees black metal an inch from his nose. Dredger pulls Holmes down with him. as -- 66 66A EXT.once. Holmes lies semi-conscious.SHERLOCK HOLMES . And they find: (CONTINUED) . Holmes watches the ship drift gracefully out into the river -.Rev. He opens one tentative eye. half expecting to find himself in the after-life. eyes rolled back into his head. helps him to his feet. twice -. Watson arrives. He tries to roll out of the way. The stern lurches to a STOP INCHES from his face. parting the Thames with a vast. 66A Holmes rolls sideways as the propellers slice through the air above his head -.

A giant holding cell where every shade and aspect of Victorian villainy is corralled. The big man is gone. I deserve this. making the odd change here and there. Holmes and Watson. 2/2/09 CONTINUED: 53. Holmes looks up and sees Watson staring at him. shaking his head. 67 INT. WATSON I haven’t slept all night. I clearly deserve it. the ship adrift. Watson sits next to him.. Watson looks at his watch and does a slow. LONDON JAIL . They see the wreckage. Watson? We were set upon. The police whistles get louder.. 66A Nothing. officers swarm the scene. How could I ever be so deluded as to believe I could meet Mary’s parents for tea once I let myself be talked into going with you. No blood or trace. 67 (CONTINUED) . bloodshot eyes. and I’ve come to the conclusion that I must be suffering from to some profound psychological aberration. Now of course I’m in jail.MORNING The next morning. Holmes tries to wiggle his fingers which causes him enough pain that he decides to bind them with Irene’s handkerchief. exhausted.. Holmes wakes up on a bench after a peaceful night’s sleep. and.66A SHERLOCK HOLMES . WATSON I’ve used the time to review my notes on our exploits of the last seven months.. it was selfdefense. He’s reading his notebook.Rev. Watson shakes the notebook in Holmes’ face... HOLMES (theatrically indignant) You’re not implying that I am responsible for our current situation are you. man. deep burn.

your lack of hygiene. Now.67 SHERLOCK HOLMES .. your stealing my clothes. your mess. a little nitrate of silver and the warts will be gone in two weeks..... 67 WATSON (CONT’D) Why else would I continually allow myself to be led into situations where you’re deliberately withholding your intentions from me? HOLMES You’ve never complained about my methods before. Watson snaps at the man. Holmes checks him and drops Brownlee without missing a beat. 2/2/09 CONTINUED: 54. BIG MAN (O.. boys? Put me away for robbery a few years back? Holmes turns and comes face-to-face with a dangerouslooking man who has a few conspicuous WARTS on his face. WATSON I’m not complaining. if you’ll excuse us! Brownlee takes a swing at Watson. your setting our home on fire! HOLMES That was an accident. Mr. I never complain.Rev.. Brownlee..S.) Remember me. (CONTINUED) . I never complain about your violin playing at three in the morning. HOLMES The first time WAS an accident. HOLMES Ah. The fifteenth most dangerous man in London. WATSON Who could forget that face? I told you. Watson challenges him with a look.

67 SHERLOCK HOLMES . We should have her along. My brother Mycroft has a small estate near Chichester. I completely understand now. in the interest of science. I would be going with my future wife -HOLMES Certainly. WATSON If I were going to the country. Watson. You’re not -Me and her. You and I could go out to the countryside. WATSON No. It’s WATSON What I do take issue with is your ruthless campaign to sabotage my relationship with Mary. 2/2/09 CONTINUED: (2) 54A. Let’s get Gladstone out of the house as well. Watson now turns away. You’re overtired and feeling a bit sensitive. HOLMES Invited? Now you’re not making any sense. HOLMES What you need is a rest. 67 WATSON (to Holmes) Nor am I complaining about the fact that you terrorize my patients and perform outlandish experiments on my dog. Not you. Holmes. HOLMES Gladstone’s my dog as well. Watson shakes his head in disbelief.Rev. Why would I not be invited to my own brother’s country home? (CONTINUED) . We could throw a lamb on the spit. HOLMES Watson. It has marvelous grounds and a beautiful folly. completely irritated at Holmes’ lack of understanding.

.. 68 INT. (touches his own head) . forward. He touches his own heart. He must make a decision. Holmes watches him walk out. Watson stands for a beat between Holmes and Mary. He steps Watson steps up. heads off with Watson.. PRISON GUARD As he slides open the bars. (CONTINUED) ... they see. 67 WATSON You’re not human. flanked by prison wardens.CORRIDOR Lestrade heads toward the holding room. Holmes looks confused.he leaves. The bars slide shut. without this. turns..67 SHERLOCK HOLMES . Just Watson. The mob surrounds Holmes. MARY emerges from behind the Guard. And he does --. She gives him a polite nod. John Watson? They hear a BILLYCLUB hit the PRISON GUARD You made bail. then locks eyes with Mary. 2/2/09 CONTINUED: (3) 54B. LONDON JAIL . 68 He’s never looked more alone. You don’t get it. do you? You are this. bars. But the Guard shakes his head.Rev.

. LESTRADE We don’t have time. 69 EXT.your usual impeccable timing. Lestrade holds out a copy of the newspaper. Holmes sees a dark. 2/2/09 CONTINUED: 55. in another life. I’ve an office full of policemen hanging crosses over their desks. The headline reads: “BLACKWOOD LIVES AND THE DEVIL WALKS WITH HIM! MURDERER RESURRECTED!” LESTRADE Tell me you have answers. 70 71 (CONTINUED) . CARRIAGE Holmes enters.. door open. HOLMES All in good time. having just been battered through it by Holmes. A public that’s working itself into a frenzy. HOLMES And you. LESTRADE You know. An ANONYMOUS MAN sits in the other seat. 70 71 OMITTED INT. strange carriage waiting.DAY Holmes and Lestrade march along.68 SHERLOCK HOLMES .Rev. LONDON JAIL . HOLMES Lestrade -. the thug blasts out backwards. Who’s this? HOLMES 69 LESTRADE Try to behave yourself. 68 As the door is opened. an excellent policeman. They just paid a small fortune to bail you out. sir. you’d have made an excellent criminal.

CUT TO BLACK. 71 ANONYMOUS MAN I’m afraid you’ll have to put this on. I’m sure it’s quite a mystery as to where you are. After that. SIR THOMAS Mr. Holmes takes in the scene. lost for a moment between Charing Cross and Holborn. a bump over the Fleet conduit -need I go on? Somewhat stunned. the carriage forked left.. then right. 72 (CONTINUED) . He holds a black hood. TEMPLE OF FOUR ORDERS HEADQUARTERS The hood is pulled off. Holmes. Sir Thomas shakes his head. HOLMES As to where I am -. But I was saved by the bread shop on Saffron Hill.I was.71 SHERLOCK HOLMES . eyes flicking around the room. rises from a pile of papers. the letters on your desk are addressed to Sir Thomas Rotheram. Sir Thomas is not in the mood for this -. FADE IN: 72 INT.that took every ounce of my notinconsiderable experience and skill. admittedly. 2/2/09 CONTINUED: 56. the only bakers to use a certain French glaze on their loaves. SIR THOMAS. Holmes shrugs.but Holmes is on a roll. apologies for summoning you like this.. That would be your official title.Rev. HOLMES As to who you are -. He’s in a grand office where a man in his late 60s. Who you realy are is another matter entirely. and who I am. Lord Chief Justice.

Holmes turns to see JOHN STANDISH and LORD COWARD standing behind him.) I think we have the right man. well. it’s standard procedure.Rev. STANDISH (O. Coward is a hard. Standish is an American in his sixties.72 SHERLOCK HOLMES . James Square. Holmes shakes his head. ambitious man in his 30s. SIR THOMAS Yes. (CONTINUED) . you’re also the secret head of the Temple of the Four Orders -in whose headquarters we now stand.the mystery is why you bothered to blindfold me in the first place. I suppose.S. what a massive lack of judgement on their part. on the northwest corner of St. 72 HOLMES Judging by the sacred Ox on your ring. 2/2/09 CONTINUED: 56A. (beat) And as to the mystery -.

yes? You have the same colored irises -. Holmes looks around the room. LORD COWARD What some call the dark arts. That shocks them rigid. HOLMES Fear is the more infectious condition. Ambassador Standish from America and Lord Coward. or practical magic. He SIR THOMAS Be as skeptical as you like -. HOLMES They’re almost interesting.barely -. The danger is that they can also be exploited for more nefarious purposes. isn’t impressed by rank. with diamondshaped hazel flecks -(MORE) (CONTINUED) .but our secret systems have steered the world towards the greater good for centuries.as they enter.a rare dark green. the Home Secretary. 72 SIR THOMAS Sherlock Holmes.practices of our Order? Yes. STANDISH We know you’re are a rationalist. LORD COWARD I suppose you already have some notion as to the -. fear of your own child. sees FLAGS on the walls with ancient symbols.72 SHERLOCK HOLMES . Holmes acknowledges them -. 2/2/09 CONTINUED: (2) 57. We don’t ask you to share our faith. HOLMES Blackwood is your son. only our fears. variations of the SPHINX.Rev. (at Sir Thomas) In this case.

which would make you either brothers. A TENYEAR-OLD BOY -. Evidently. SIR THOMAS The boy was a curse. No one could prove anything of course. HOLMES SIR THOMAS Death followed him wherever he went. or pinna.72 SHERLOCK HOLMES . She was a powerful practitioner. I didn’t have the courage either to take him in or to -(CONTINUED) . father and son. A photograph from the 1860s. Though not enough to survive giving birth to him.Rev.looks on.plus identical outer ears. more likely. SIR THOMAS We were young. What family he had tended to. come to some sort of conclusion.young Lord Blackwood -. 58. but we all knew -Sir Thomas hands Holmes a TINTYPE. digs for something. His mother wasn’t my wife. which only pass down through the direct bloodline. not survive. A man who’s just fallen out a window. the men consult silently. SIR THOMAS He was conceived during one of our rituals. It’s chilling: a death scene. 2/2/09 CONTINUED: (3) HOLMES (CONT'D) (pointing at Sir Thomas’ ear) -. from his birth to arms he made and sold. SIR THOMAS Very few people are privy to that information. They turn back to Holmes. It was before we fully understood the powers we were dealing with. or. and we want to keep it that way.. a BODY covered by a sheet. but she shared our beliefs.. Sir Thomas seems especially shaken. Holmes is appalled and shows it. Sir Thomas opens a bureau. 72 Stunned.

LORD COWARD His power grows daily and exponentially.Rev. turns. We need you to find him and stop him before he does. 73 OMITTED 73 . leaves. His resurrection is evidence of that. Holmes stalks out -. The present and future are worse. Holmes looks at Coward with scathing disdain. I have considerable influence over the police. (beat) Name your price. HOLMES If the rest of his family’s dead. I’ll get him.stops at the door. HOLMES I have one last question. fixes Sir Thomas with a very bleak gaze. why are you still alive? Holmes tosses the tintype onto a table. As Home Secretary. 72 STANDISH All this is history. but not for you. Sir Thomas. 2/2/09 CONTINUED: (4) 59. but it’s not enough.72 SHERLOCK HOLMES . SIR THOMAS We’ve done our best to stop him ourselves. LORD COWARD We’ll give you any assistance we can. What he does next will be far more dangerous -SIR THOMAS -. HOLMES One of the great benefits of my work is that I can pick and choose my clients. What is it? SIR THOMAS Holmes holds up the tintype.he’s going to raise a force that will alter the very course of our world.

(CONTINUED) . PULL BACK TO REVEAL Holmes watching her from a shadowy corner.. She pauses glancing briefly around the room before sitting at a mirrored dressing table. Holmes approaches her somewhat tentatively and reaches for the top button on the back of her dress.. IRENE 75 HOLMES You can stop looking for Reardon. She pulls long thin needles from her hair. 74 EXT.DAY Irene enters wearing a stunning evening dress. Sherlock. the least you can do is help me with the buttons. lets her hair down. IRENE I knew I could count on you. a Derringer from her waistband (which she puts down next to the wine glass). They both eye the Derringer on the table. There’s a decanter on the table next to her from which she pours herself a glass of wine. OR ALT: IRENE To watch a lady undress without her permission is a criminal offense. 2/2/09 60. He looks on silently until: IRENE If you’re going to watch me take my clothes off.. As she continues. IRENE’S HOTEL ROOM .. Then she begins removing an impressive assortment of WEAPONS hidden on her person: she pulls a stiletto from her garter. and scoots up the steps of the massive hotel that’s bustling with people. IRENE So why don’t you come over here and help me instead. Sherlock. THE GRAND HOTEL Holmes comes out of a carriage.Rev. 74 75 INT. That’s better. and could get you into a lot of trouble.SHERLOCK HOLMES .

walks behind a DRESSING SCREEN. now wearing an array of Victorian undergarments. your gaze was averted. Holmes won’t look at her. Unfairly gorgeous.Rev. 75 HOLMES He was buried in Blackwood’s tomb. IRENE Wonderful.75 SHERLOCK HOLMES . HOLMES But I've never known a professor to carry a gun.S. She moves back to the dressing table. IRENE That’s nobody’s business but my own. (CONTINUED) . HOLMES Tell me who you’re working for and what he’s after. HOLMES I can’t help wondering if your employer will be as content with these results? You were uncharacteristically ill at ease in his presence. I couldn’t see his face. We’re not.) Let’s not argue. The huge DIAMOND still around her neck. but I spotted chalk on his lapel. HOLMES Irene steps out. Your hand was trembling. Irene is momentarily taken aback then recovers. IRENE (O. IRENE (behind screen) The eye patch was a nice touch. Holmes steps out to confront Irene. Unbuttoning done. 2/2/09 CONTINUED: 61. Your services are no longer required. and on such a clever contraption. A professor perhaps? Irene gets up. Case closed then. refusing to get turned on.

Irene snatches up her gun. HOLMES When a man you ask me to find ends up dead in the coffin of the most notorious murderer since Jack the Ripper and that murderer manages to return from the dead. 75 I disagree. HOLMES You’re in over your head this time. 2/2/09 CONTINUED: (2) 61A. not only is it my business. we are arguing. Irene kisses him. Irene. hard and angry at first. IRENE This wine is excellent. and the one that disarms Holmes. missing his toe. They will certainly consider your reticence to be an obstruction of justice. Holmes snatches away the smoking Derringer. HOLMES So what’s it to be? IRENE Do we really have to decide now? Irene reaches for the wine. The kiss leads them to the bed. Which in relation to a crime of this magnitude would certainly mean prison time. HOLMES IRENE You see. Holmes grabs her arm.75 SHERLOCK HOLMES . should really try some. Another of the weapons in her arsenal. it’s the business of Scotland Yard and the highest levels of the British government. becoming something else. BANG! A BULLET tears into his shoe.Rev. You Holmes notices her Derringer on the table next to the wine bottle. (CONTINUED) . Holmes gets closer and closer to Irene as he presses his case vehemently.

She’s in charge now. 2/2/09 CONTINUED: (3) 62. IRENE But free. And on my own terms. CLICK! Much better.well.Rev. She starts putting on MAN’S CLOTHING. IRENE He doesn’t resist. Irene walks casually across the room. the other with the key. She gets off him. IRENE I’ve NEVER been in over my head. She approaches. Sherlock -. CLICK! Holmes’ eyes flare with surprise. 75 That’s better. now dressed as a man. not you at this exact moment -- (CONTINUED) . Just like you -. IRENE Irene has handcuffed him to the bed frame. While he struggles on the bed. IRENE This is the only way it could ever work between us. HOLMES How can you live like this -always a fugitive. Irene pulls him down to it. straddles him.one in shackles.75 SHERLOCK HOLMES .

NIGHT Sir Thomas enters the hall from outside. sir. O’Neil didn’t have time to check out. please let them know that Mr.Rev. IRENE -. PERIGRINE. SIR THOMAS’ HOUSE . 2/2/09 CONTINUED: (4) 63. She picks up TWO SUITCASES waiting for her at the door (NEW PROP!) and. IRENE If anyone asks. stands there waiting for him. he looks tired. SIR THOMAS No thank you. as she leaves: IRENE Where’s Watson when you need him? 75A 76 OMITTED INT. (as he heads upstairs) You won’t let those figs go to waste. PERIGRINE Good evening. moves to the doorway. Irene takes the scarf off his neck. Perigrine. Some figs and honey with a nice glass of port? I’ve prepared a tray. His butler.75 SHERLOCK HOLMES . throws the handcuff keys down there. 75 She pulls at the front of his trousers. (beat) I hope you don’t mind settling the bill. will you? 75A 76 (CONTINUED) . I’m going to bed.but generally speaking. OR ALT: IRENE What were you doing consorting with a married business traveller in his hotel room is something you’ll have to explain for yourself. Holmes has no retort.

2/2/09 CONTINUED: 63A. 77 Perigrine heads for the kitchen. Can’t. licking his lips. Not all the way. tries to sit up. like the rushing of wind.Rev. Relaxing. Thomas smiles. drip. drip. The silence is broken all of a sudden when the tap is magically turned on. Sir Thomas opens his eyes in panic. Sir Thomas is overcome with panic.76 SHERLOCK HOLMES .. (CONTINUED) . drip. SIR THOMAS’ BATHROOM Sir Thomas sinks into his bath. as he hears an eerie WHISPER O. sir. INT.S. 76 PERIGRINE Nor the port. goes up. 77 The CAMERA SLOWLY TRACKS IN.

Rev. lit in a sinister fashion.CORRIDOR . Sir Thomas stares up at Blackwood. I must admit.DAY Carrying an armful of laundry. 78 INT. The water closes over his face. Father. who watches him drown. He looks down at himself and reacts with shock.. slowly and surely.) Hello. HOLMES Chambermaids were once such a liberal breed. You can only surrender. a MAID slips a pass-key into a lock and opens the door..S. Besides. 77 BLACKWOOD (O. Her shriek wakes him.77 SHERLOCK HOLMES . He slides back down. to be confronted by the snoring form of Holmes. Clothes in total disarray. 2/2/09 CONTINUED: 64.. the muscles stand out in his neck as he fights paralysis. it’s better than I thought it would be.. then grim recognition sets in. she misinterpreted my intention entirely. still handcuffed to the bed. BLACKWOOD ... slowly. and opposite CONSTABLE CLARK. . (MORE) (CONTINUED) 78 78A .. but might I borrow your hand? 78A INT. It comes from a power greater than yours. POLICE CARRIAGE Holmes sits beside a COP. HOLMES Don’t take this the wrong way. BLACKWOOD You can’t fight it.. Sir Thomas’ eyes widen. The water flows over Sir Thomas. as Blackwood steps closer and takes the sacred RING from his rigid finger. BLACKWOOD I’ve been imagining this moment for a long time. THE GRAND HOTEL ... Thomas blinks and sees that BLACKWOOD now sits in the corner of the bathroom.

2/2/09 CONTINUED: HOLMES (CONT'D) This is why I find this modern religious fervor so troubling. there is no latitude for misunderstanding. He turns. looking for Holmes. Right now.this is. CONSTABLE CLARK (realizing Holmes isn’t there) -. in full virtuoso detective mode.Rev. As Constable Clark continues in. The tub has been drained. SIR THOMAS’ BATHROOM Holmes is briefed by Constable Clark as they enter. (CONTINUED) 78B 78C . SIR THOMAS’ HOUSE .DAY Holmes steps out of the coach. eyes wide open --. Holmes swivels away -CONSTABLE CLARK We’ve checked everything. The Butler didn’t hear anything.only his ring was missing. 78A He looks out the carriage window and sees signs of a spiritualist gathering. 65. where a POLICE OFFICER stands over the tub and Sir Thomas’ body (covered with a blanket). why he exists. in fact. The body was in the tub. CONSTABLE CLARK Well. The kind of crime scene violation that Holmes cannot get them to stop doing. it’s a good thing she was offended or we’d never have found you. and is escorted inside by Constable Clark. Clark ends up talking to thin air. No sign of a break-in.so that Const. continues into the bathroom. puzzled. right here is where Holmes is at his very best -. The coach stops. Holmes is satisfied by what he sees or finds. 78C INT. HOLMES Faith runs riot over reason. finds him right back at the doorway. 78B EXT. The inspector’s been over to Baker Street himself this morning.78A SHERLOCK HOLMES .

And. high up where it’s warm and dry. logic is rare. HOLMES Data.. Neither the officer nor Clark have a response. jasmine? HOLMES Superb. sits in it himself. What is that? HOLMES POLICE OFFICER (smelling) Uhhhh. I suspect this comes from a larger cannister.Holmes is not their boss. 2/2/09 CONTINUED: 65A. sniffs it. opens it. The decent thing to do is catch the killer. (CONTINUED) . HOLMES (incensed) Crime is common.78C SHERLOCK HOLMES . Constable. 78C HOLMES Why did you drain the water? POLICE OFFICER Out of common decency. you could check the ground under the rear windows for any footprints not your own. This may mean he gets on his belly for a floor’seye-view. sees a JAR OF BATH SALTS on the table next to the chair Blackwood sat in.. Holmes is happy. HOLMES Holmes thrusts the open jar under the Officer’s nose. Sometimes he hums or sings to himself. It’ll either be in the pantry. it may mean he looks down from a window sill. sees the chair where Blackwood was perched. scoops it up. He glances around the room. Holmes swivels.Rev.. data! I cannot make bricks without clay! The cops hurry away. data. or in a linen closet with a vent. Now Holmes can really get down to work. Hmm. leans over. Both cops hesitate -. not provide comfort to the corpse..

He steps toward it. as if the wall cracked open. The dust has a line down it. noticing something on a wall. revealing: (CONTINUED) . Holmes steps to the sink. 78C His eyes keep moving. runs his hand along a layer of dust.78C SHERLOCK HOLMES .Rev. 2/2/09 CONTINUED: (2) 65B. grabs a handful of TALCUM POWDER and tosses the powder against the wall.

221 BAKER ST. He steps toward -An ALTAR below the image of the Sphinx. He pushes the panel. and ancient texts. a cow’s BONE. spellbooks. SIR THOMAS’ SECRET ROOM Holmes finds a desk with a prayer table. a large sharp FANG.HOLMES’ APARTMENTS . the walls and shelves are very sparse. Holmes springs to his feet and walks out. four strange objects: a strand of human HAIR. They are startled by the secret room --.DAY Holmes walks up the stairs and finds Watson’s office door open. Maybe he continues singing between words. Clark and the Officer return. On the altar. the Officer proudly hugging a 5 LB. Holmes pockets the altar items and a couple pieces of paper. 2/2/09 CONTINUED: (3) 66. (vis I have no that. He is well into packing his things. 79 80 * * * * 78F 78D 78E (CONTINUED) . CANNISTER OF JASMINE BATH SALTS.78C SHERLOCK HOLMES .Rev. one book open to a picture of Alexander the Great at the Sphinx.Const. and a FEATHER. and the wall shifts. As soon as they arrive. (vis Excellent 79 80 OMITTED INT. opening to reveal a SECRET ROOM. The office is full of boxes. 78C FINGERPRINTS on one of the panels. SIR THOMAS’ BATHROOM -. HOLMES the secret room) idea what to make of the bath salts) work.they are even more startled by the sight of Holmes kneeling at the altar and singing to himself. just as -78F INT. . Holmes enters -78D 78E OMITTED INT.

WATSON There isn’t any. heavy bag and unceremoniously dump it on Watson’s desktop. revealing the dead body of the thug from Reordon’s lodging. boys. 2/2/09 CONTINUED: 66A. WATSON * * * * * * * * * * * * * * * * * * * HOLMES Bring him in. do you mind if I employ it? Be my guest. (CONTINUED) . HOLMES Since this room is no longer in use. They unzip the bag. 80 HOLMES Don’t forget the wallpaper.Rev. Two/three policemen enter carrying a large. Holmes steps aside. Holmes steps into the room.80 SHERLOCK HOLMES . HOLMES Figure of speech.

80 SHERLOCK HOLMES . * * * (CONTINUED) . with the outer elbows and forearms of his coat.) Really. He’s an inspiring conversationalist. But there is some consolation in the knowledge that he can still be of service to his fellow men. WATSON HOLMES No. Poor fellow. starting. Watson keeps packing. he’s your friend from Reordon’s. He didn’t survive Dredger landing on him. 80 Who was he? WATSON * * * * * * * * * * * * * * * * * HOLMES My new roommate. Holmes grabs various instruments and other items from Watson’s newly-packed boxes. Holmes analyzes the body.Rev. Watson snatches them back as quickly as Holmes takes them out. 2/2/09 CONTINUED: (2) 67. Frustrated. (alt: He has more humor than you. of all places.

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68. 80

HOLMES Elbows and arms stained with blood, but older than his own injuries. Plenty of it, layer on layer... Holmes scrapes at the layers of blood with his knife, examines it. HOLMES Though none of it human. Watson slows down slightly. He keeps packing, trying to resist the mystery, but it’s not easy. HOLMES A butcher perhaps...? What else?

Holmes cuts a lock of the man’s hair, ignites it, studies the color of the flame carefully. Watson wrinkles his nose at the smell. HOLMES Hm -- predominantly yellow flame, but with distinct green bursts. Sulfurous. He spent lots of time around industrial work and very little around a wash basin. Holmes uses a curved nail file to scrape dirt from under the man’s fingernails, rubs the evidence between his fingers like a connoisseur. HOLMES Coal... river silt... Watson slows down further, struggling. HOLMES That plus the river silt and industrial slag on his trousers puts him squarely in... A hanging beat. And Watson finally cracks, blurting out: WATSON

Nine Elms.

HOLMES Well done. Now, you didn’t happen to pack the Lord’s Register of members’ interests, did you? Watson pulls it out of a box.
(CONTINUED)

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68A. 80

HOLMES See what Blackwood admits to owning. As Watson flips through it, Holmes plucks a few chords on his violin, thinking. Watson finds the page. WATSON It’s endless, he’s had a hand in just about everything that’s not good for you.

(CONTINUED)

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HOLMES Something brutal by the river... WATSON Woolwich Arsenal... Limehouse Chemical... Queenshithe Slaughterhouse, Nine Elms! HOLMES That’s it, Watson! This should lead us right to Blackwood. Holmes leaps up and readies himself to leave. Not us, you. This gives Holmes pause. HOLMES Right. Well uh... best of luck with everything, then. Same to you. WATSON WATSON * * * * * * *

A brief nod, then Holmes is gone. A beat as Watson continues packing. He heaves a box up, moves for his suitcase. After a moment, he notices... Holmes’ PISTOL. Not again. WATSON * *

He picks it up. As he contemplates the weapon, he becomes more serious. Then angry. He mouths a curse to himself, and sees their DOG giving him a disapproving look. WATSON Yes, I know. Don’t give me that look, Gladstone. He pockets the gun, grabs his jacket and heads out. 81-82 82A OMITTED EXT. COURTYARD - NIGHT A figure moves across the dark, Gothic courtyard. It is AMBASSADOR STANDISH. As he cuts through the shadows...
(CONTINUED)

81-82 82A

He raises his collar. I am honored. He looks as if he’s been to hell. (MORE) (CONTINUED) . Effective immediately.COUNCIL CHAMBER A five-sided room. A few dozen venerable-looking characters arrange themselves in seats. turns to the others -. and keeps moving. STANDISH Are you mad. Coward? Have you any idea what he’s capable of? BLACKWOOD (O. He looks up. betrayed.all except STANDISH. TEMPLE OF FOUR ORDERS HEADQUARTERS . A RAVEN flaps into the night. The crowd is stunned. as the rain comes harder. shipping.NIGHT Standish comes up the stairs. He stays standing as they all sit -. industry -they were given to me for a purpose. 82A A few DROPS OF RAIN trickle down.Rev. As he enters. as he enters -83 INT. trying to dry himself.S. 82B INT. BLACKWOOD I am humbled. TEMPLE OF FOUR ORDERS HEADQUARTERS .who are transfixed by the sight of Blackwood suddenly kneeling before them. gone as fast as it came. STANDISH What’s the meaning of this? did you call us here? Why 83 82B LORD COWARD Sir Thomas is dead. It is locked.82A SHERLOCK HOLMES . wiping the raindrops off his coat. we see the rain stops behind him. He bangs on the door. I nominate Lord Blackwood as head of the Order. Blackwood enters. He hits the door to a building. surprised by the rain. Lord Coward stands next to a central throne.) Of course he does. The door finally opens. and come back more powerful than ever. It’s why he’s here. Standish looks at Coward. (beat) My powers and my assets -munitions. 2/2/09 CONTINUED: 70.

the whole world will. at noon tomorrow. we will take the first step towards a new chapter in history. 2/2/09 CONTINUED: 71. BLACKWOOD You’ve made policy in secret for centuries. Nobody moves. (beat) England will know our power.83 SHERLOCK HOLMES .Rev. we’ll remake the world. for without death there can be no rebirth. we’ll create the future. (beat) With their resources and our power. (beat) Are you with me? STANDISH No.. and will be again.even death holds no sway. We’ll take it from them. sir. BLACKWOOD They’re limitless -.. Then. their government is as corrupt and ineffective as ours.. The men are beginning to like what they hear. (CONTINUED) . Across the Atlantic lies a colony that was once ours. Blackwood smiles -. BLACKWOOD The first act is a necessary one. Blackwood stands. you’ll make it openly.. STANDISH Help me stop him before it’s too late. Now. 83 BLACKWOOD (CONT’D) A magnificent and simple purpose.. (beat) . Their civil war weakened them. prowls. A different future.he’s won. a future ruled by us.. we are not! (turning to the others) The powers he’s playing with are beyond any man’s control.

LONDON STREET .Rev. cross themselves. combusting with an impossible BLAST OF BLINDING HOT FLAMES! The men in the room reel backwards. Flames consuming him. crashing through a window out to -83A EXT. as his body contorts. TEMPLE OF FOUR ORDERS HEADQUARTERS Blackwood turns away from the window. Standish flails. but they are with him. gasp. But as he aims it -.83 SHERLOCK HOLMES . People scream. at Blackwood BLACKWOOD I wouldn’t do that. shocked. lighting city blocks. are terrified. as they witness this unnatural act. Standish pulls a gun. Horses and carriages SCREECH to a stop. surveys them. gape. faint. The flames flicker blinding white. terrified. and -WHOOMPF! Standish lands on the roof of a carriage. 2/2/09 CONTINUED: (2) 71A. 83B INT. People look up. They 83B 83A (CONTINUED) . melting away.he IGNITES.NIGHT The fireball plummets through the sky. 83 In desperation.

Coward produces a brimming silver chalice.83B SHERLOCK HOLMES . As they drink. 2/2/09 CONTINUED: 72. It doesn’t taste good. nods. Blackwood leans close to Coward: (CONTINUED) . The members line up to drink from a CHALICE.Rev. BLACKWOOD Come. 83B Blackwood turns to Coward. drink your allegiance here. but it tastes like power.

Holmes is on the deck along with a much older man in a sailor’s hat -. are you.NIGHT An industrial area on a bend of the Thames. aren’t you? You wouldn’t have lasted long in the Navy. Slowly a decrepit and eccentric little steam launch chugs INTO VIEW. QUEENSHITHE SLAUGHTERHOUSE .ESTABLISHING . TANNER Just a little leak. He sees a jetty with a few shadows shifting on it. WE SEE a boat is being loaded. 83B BLACKWOOD You control the police. Wharves stretch out into the water. He whispers at Tanner. (CONTINUED) . TANNER Not a great one for the water. and furious. 2/2/09 CONTINUED: (2) 73. Holmes’ head is just visible before he drops over the prow. Holmes starts clambering over the side.Rev. 84 Use them. Coward nods. 84 WATSON There must be fifty yards of mud out there.CAPTAIN TANNER. Holmes scans the banks with a telescope.83B SHERLOCK HOLMES . the boat drifts. Watson glares. Just above the thump of industry we can hear a distinctive and irregular CHUGGING sound. doctor? Army type. Watson’s pissed. Watson is busy with a bucket clearing the boat of a very serious leak. We PULL BACK FROM the scene and look ACROSS the water. EXT. HOLMES Everything all right. The engine shudders off. Captain Tanner? Captain Tanner has few teeth and a large white beard. He’s soaked. Tanner whispers: TANNER That’s as far as we can go. Work doesn’t stop when the sun goes down. nothing to worry about.

Watson carefully leaves his valued possessions behind. Watson glares. He lays down his wallet and looks at Tanner. etc. Holmes looks back at Watson. Watson steps forward. where two more THUGS patrol. TANNER (taking the piss) I am sure you do. HOLMES What are you doing with my gun? Oh. (CONTINUED) . goes over the side. Holmes and Watson scuttle forward. Watson does.Rev. WATSON Come on. Two shadowy THUGS guard the dock. Send for the police when you get there. Holmes doesn’t seem bothered. They look up and see a jetty that heads out into the river. takes the gun. QUEENSHITHE SLAUGHTERHOUSE Holmes and Watson emerge out of the shallows. doctor. please. Watson pulls out Holmes’ GUN. with his walking stick. the closest he’ll come to a confession. WATSON 85 86 HOLMES It was an honest mistake -WATSON There was nothing honest about it. A soft “splosh” as Holmes disappears.84 SHERLOCK HOLMES . let’s get this over with. WATSON I know precisely how much money is in there. 84 HOLMES Pull in at Vauxhall. watch. Tanner nods. covered in mud. 2/2/09 CONTINUED: 74. towards the entrance. 85 86 OMITTED EXT. while more THUGS are loading the boat with something. says nothing.

He turns. 2/2/09 CONTINUED: 75. inspecting it. Holmes whispers.Rev. The twisted blades of slaughterhouse instruments glimmer in the darkness. The big one’s been drinking -..TUNNEL Holmes walks towards Watson who stands in the doorway. Holmes and Watson move through it. Holmes slows. notices that both men have hip flasks. passing Watson into -89 INT. He simply walks up to the door and whacks the larger man in the face with the gun -before dispatching the other with a backhand pistol-whip.. 86 They look out at the thugs guarding the door. And he enters -87 88 OMITTED INT. and sees Watson standing at a set of doors. stopped in his tracks. Watson? Watson has already left. QUEENSHITHE SLAUGHTERHOUSE . might prove easily distracted. not minutes ago.. A few RATS lay dead. Holmes follows. some kind of dark spore. Holmes. QUEENSHITHE SLAUGHTERHOUSE . Metal groans softly.. He slows. He runs his finger through a layer of dust. like a plaintive wail. Nothing. Holmes catches up. 89 87 88 Holmes looks up. As they go. (CONTINUED) . Holmes notices rows of empty tables. He inspects it. Quiet: HOLMES They cleared something out of here. He picks one up. WATSON (O.) You need to see this. takes a whiff.S. spooked. HOLMES The one on the left seems more attentive. picks up one of the dead rats. A truly creepy scene.ANTECHAMBER Shadows on shadows.86 SHERLOCK HOLMES . trying to figure out the best strategy. sensing something behind him. sees something on its skin. and pockets it as he follows Watson. looks at shadows.whether for courage or from habit.

the ceiling. as the hooks move through the air. Blackwood continues. HOLMES It’s chapter and verse. slipping it into his pocket. 2/2/09 CONTINUED: 76. Watson pulls his gun. The hooks in the ceiling are shivering softly. a 118.FACTORY FLOOR A massive space with a maze of machinery full of deadly gears and blades and saws. This is the killing floor. Amen.Rev.) ‘And behold. 89 Holmes pulls out a CIGAR-CUTTER.’ Another voice completes the passage. Shadows hang heavy around him. (CONTINUED) . pulls the trigger. swaying softly. Huge hooks hang from chain belts on an Ibeam. as he joins Watson. draws a bead on Blackwood.S.89 SHERLOCK HOLMES . QUEENSHITHE SLAUGHTERHOUSE . time? WATSON It’s a date. Click. echoing from above: BLACKWOOD (O. the world as you know it ends. a huge number has been scrawled: One-eighteen. strangely. Revelation 1:18. ticking. his eyes narrow. gliding on a track. Holmes and Watson react: this is the first time they’ve seen him in the flesh. I am alive forevermore. ‘I am He that liveth. whispering in the wind. BLACKWOOD I want you to bear witness. Holmes tightens. On the high walls. Now you see the truth for yourself. lifeless and silent for now. CLIPS off the rat’s TAIL. stepping into -90 INT. An automated butchery on a grand scale. 90 Holmes shakes his head.’ Holmes and Watson follow the voice to see: BLACKWOOD in the rafters. BLACKWOOD I cautioned you to accept that this is beyond your control. Misfire. his voice echoes. and was dead. and have the keys of hell and of death. At noon tomorrow.

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77. 90

BLACKWOOD And because I appreciate your help, Holmes, I have a gift for you. Holmes starts climbing up towards Blackwood. BLACKWOOD (voice moving away) She followed you. You led your little lamb straight to slaughter. Suddenly the whole machine starts up. Industrialstrength loud, movement everywhere, empty hooks jerking towards the processing line. Blades and gears and grinders churn. Watson’s eyes go from Blackwood to -A pig carcass as it comes swinging out of the killing area, towards the SCORCHER (which scorches the carcasses with live flame). Then next carcass emerges --- not a carcass, Irene. She is alive, for now. She hangs from two hooks on a track-line, her wrists shackled above her, her mouth gagged. Her eyes show terror until she sees them, then immense relief for a moment, then determination. Holmes looks up to see Blackwood’s shadow retreating. Decision time. 90A INT. QUEENSHITHE SLAUGHTERHOUSE - ASSEMBLY LINE Holmes drops on to the machine and leaps from gear to gear like stepping-stones. He heaves himself up to the conveyor, where Irene is being pulled down the assembly line towards the flames. Watson sprints ahead, looking for a shut-off switch. Holmes unties Irene’s gag. HOLMES It’s your turn in shackles this time. Ahead of them, the pig carcass is scorched in an overwhelming burst of flame. Holmes and Irene are next.
(CONTINUED)

90A

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78. 90A

IRENE But this time no key, unfortunately. Holmes notes that Irene’s hands are shackled to separate hooks. It’s going to take two actions to free her. The flame machine gurgles ominously, gearing up for the next blast. Watson sees a LEVER (PLEASE NOTE, NEW PROP!) that looks promising, turns to head for it -- then his eyes focus on a big canvas splatter cloth. HOLMES I’ve been meaning to ask you something -IRENE Well, I’m a captive audience. Watson rips down the splatter cloth, sprints to Holmes and Irene, tosses the cloth across the conveyor belt to Holmes --- who wraps them up in the thick cloth just before the flames hit them. The heat is excruciating -- but the cloth protects them. Watson watches anxiously as the scorched cloth drops away, revealing that Holmes and Irene made it -- just. Relieved, Watson heads for the lever until “Oh Shit!” he looks ahead --- sees the scorched pig carcass being dragged into a long, conveyor-belt-wide SCALDING TANK OF BOILING WATER. Decision time for Watson -- help Holmes and Irene, or try the lever? He goes for the lever, reaches it, pushes it all the way over --- and the belt speeds up with a jerk. Watson hauls back on the lever, gets the belt back to the original speed, looks around for another possible off switch. Just as they reach the scalding tank, Holmes jumps off the belt (still opposite side to Watson), grabs Irene’s legs and pulls her horizontal just before she’s dragged into the boiling water.

(CONTINUED)

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79. 90A

She’s suspended just above the boiling water, with Holmes moving sideways, keeping pace with her. IRENE (trying her best not to show the strain) You had a question. Holmes keeps hold of Irene’s feet as he maneuvers past various obstacles -HOLMES (same) Ah. Yes. Do you still maintain you’re not in over your head? IRENE (panting) In some countries steam is considered excellent therapy for the skin. -- then is gouged in the back by a whirling fan belt, jerks away, and Irene touches the water, SCREAMS. Watson hears the scream, turns -- then sees something again. It pisses him off. Fuck this machine. When Holmes has Irene stable again: IRENE (weakly) I have to say -- it’s overrated. Holmes has to admire her courage -- until he hears Watson yelling at him. Up ahead a huge pipe spews boiling water into the tank -and impassable obstacle from Holmes’ side of the conveyor belt. Watson points at the I-beam running above them. nods. Irene sees it, too. Holmes

Holmes helps her reach one foot, then other up to the Ibeam. She hooks her feet over it, and is suspended upside down by her shackles and her feet --- and still heading for the pipe spewing boiling water. Watson appears opposite Holmes, nods up at Irene. swings off the I-beam, through the air -She

(CONTINUED)

He braces himself on the belt. (PLEASE NOTE. pulls her horizontal. Holmes darts through a trimming station. swings the meat cleaver at the lock shackling Irene’s left hand. equipment. still shackled by her right hand. Holmes wastes no time. painted red. As Watson holds Irene. swings the cleaver with all his might --. but that’s all. Irene rides the belt upwards. but significantlooking SWITCH on the wall.and Watson catches her feet.just as they both see the pig carcass CUT IN HALF LENGTHWAYS BY A GIANT BANDSAW. 90A -. jumps onto the belt.and pulls the switch down with a really satisfying CLUNK! A bank of lights goes out but the conveyor belt keeps moving towards the giant band saw. So is Sherlock. The bandsaw whines viciously. She’s still shackled. (CONTINUED) . scalded pig carcass precedes them. sprints for the switch. Shit a brick. the scorched. facing the other way just in time to avoid the gush of boiling water. leaves her for Holmes to deal with.smashes the shackle lock. grabs one. 2/2/09 CONTINUED: (3) 80. Irene swings sideways violently. with CLEAVERS HANGING FROM CHAINS. Sparks fly as metal kisses metal. he spots a small. Whew! Watson looks at them with relief -. Irene swings aside. just misses it. NEW PROP!) Watson helps Irene back onto the conveyor belt. she’s showing nerves. Holmes clambers the Up ahead. Sherlock? IRENE Now.close one -. Then both of them see that Watson has reached the SWITCH.90A SHERLOCK HOLMES . catches up to Irene --.Rev. following her.

Watson sprints towards where they fell.. More powerful than anything else. My job is to find out if the rumors are true. She hears Watson opening the door to the dock. stops her. They’re okay. grabs her. Watson shakes his head. And. looking for Blackwood. grateful smile -IRENE Thank you so much. gets up. Then Holmes is under her. boiled. heads after Watson. Irene. She looks at Holmes. Finally. Lately there’ve been rumors of something new. (angry) No more games. -. I owe you. 2/2/09 CONTINUED: (4) 80A. falls forward. They plummet downwards OUT OF FRAME. (MORE) Holmes (CONTINUED) . cutin-half pig carcasses. lifting her high so that she can free her right hand (a move not possible with both shackles). Irene gives Holmes a sweet.sees them lying on a carpet of scorched.90A SHERLOCK HOLMES . HOLMES You owe me information.pulls a knife. turns.. their eyes locking. looks down --. heads for the door. 90A Gets a free haircut. Irene unhooks herself. magical. the truth: IRENE Blackwood’s manufactured largescale weapons for years.Rev. taking Holmes with her.

running toward the door. occasionally knocking him to the ground. As he opens his eyes -(CONTINUED) .. He reaches Irene. Watson! A chemical. Holmes recognizes 91 HOLMES Watson continues down the dock. HOLMES WAATTTSSSSSONNN!!!! Holmes is pushed back barrels that line the it looks as it Watson knocked to the ground by the explosion as the rest of the dock begin exploding arond them -hasn’t survived. Holmes races towards her as more explosions. BOOM! A metallic conductor SPARKS. He sees: Blackwood and the boat are disappearing into the darkness. it. processing.. looking around the dock. 2/2/09 CONTINUED: (5) IRENE (CONT'D) (beat) I would say they are. it lights up all of London. 81. For a moment. he turns realizing he has set off a trap and turns back to warn the others -Holmes. WATSON Time slows. 90A And she’s off. Holmes and Irene run out of the doors following Watson. seeing something on the planks: Steel drums are dripping. but to safety. flames and debris fly all around him in slow motion. picks her up and grabs part of an exploded barrel to shield the two as they run for cover -BOOM! The barrel splinters as a final blast knocks them down.Rev. tripping a wire connected to the steel drums. The drums of chemicals all EXPLODE! A blinding conflagration engulfing Watson. Holmes trails her. NINE ELMS JETTY Watson runs out of doors and towards the end of the dock. Holmes slows. BOOM! Irene is by the blasts and flying debris. They blast through the doors to -91 EXT.90A SHERLOCK HOLMES .

but unconscious. pauses. One reads the paper. unsure whether to enter or not. Mary stays at the door. reaches for the handle.is intercepted by Constable Clark. Mary arrives at the windowed door of a private room. HOSPITAL . CONSTABLE CLARK There’s an order for your arrest all the way from the top. Clarky.Rev. 2/2/09 CONTINUED: 82. so make it look good. but --. sir -so you’ll have to hit me now. 93 INT. Holmes cracks Constable Clark in the sweet spot. Holmes sees this and heads toward his friend. the headline reads: “AMERICAN AMBASSADOR STANDISH BURNED ALIVE!” 93 92 (CONTINUED) . she sees a white-coated DOCTOR. alive.CORRIDOR Two POLICEMEN half-heartedly guard the end of a corridor. THROUGH THE GLASS. HOLMES From Lord Coward? CONSTABLE CLARK Yes. 91 We see Lestrade and his men swarming the scene. makes his escape fast. The headline: “AMERICAN AMBASSADOR STANDISH BURNED ALIVE!” Mary returns past them. HOLMES Thank you. sir. they spot Watson. helps him gently to his knees. studying Watson’s chart. HOSPITAL ROOM WE SEE a newspaper on the nightstand next to a hospital bed. Irene has disappeared. having unsuccessfully washed away tear-stained makeup. The two coppers nod respectfully. there is a smear on her cheek. 92 INT. Holmes turns back to look at the explosion. Holmes turns away.91 SHERLOCK HOLMES .

93 SHERLOCK HOLMES . He mumbles inaudibly. sweating. 93 Watson is burned. his eyes still closed. 2/2/09 CONTINUED: 82A. pock-marked with shrapnel. He’s delirious. (CONTINUED) .Rev. cut. scraped. bruised.

for the pain. Watson tries to sit up again.Rev. We must first manage the pain and combat the infection. WATSON Are they subcutaneous. The surgeon should be along shortly. (CONTINUED) . WATSON Get a mirror. letting the Doctor do his work. Watson looks at his wounded shoulder.) The doctor injects Watson in the arm. coat. This reveals that Mary has entered the room. Doctor. or deeper? DOCTOR They’re near the carotid artery. 2/2/09 CONTINUED: (2) 83. and puts him so directly in harm’s -Watson grabs the Doctor’s arm angrily. etc. WATSON What are you administering? DOCTOR Morphia. I’ll extract them myself. DOCTOR There are four pieces of shrapnel. already in the room. Watson tries to sit up. wincing with pain. handbag. WATSON I haven’t time for that. stands back respectfully. private life. DOCTOR I can’t authorize that. who’s served his country and deserves a peaceful.93 SHERLOCK HOLMES . 93 (NOTE: Mary’s detective novels and magazines. friend is in dire -My DOCTOR Your friend? What kind of friend takes a retired soldier. A sixth of a grain. The shot wakes him.

93 WATSON The best and wisest man I’ve ever known. both our lives are lost. patients.. WATSON (succumbing to the morphine) It was worth a wound. Do you really? MARY Doctor. sharper look at the Doctor.Rev.. The Doctor has no words.93 SHERLOCK HOLMES . worth many wounds. 2/2/09 CONTINUED: (3) 83A. She’s suddenly very angry. I’ll check in on him again shortly. DOCTOR But evidently not wise enough to value your life over his misadventures. Mary steps towards the Doctor. Do you understand that? Can you? -- (CONTINUED) . but not surprised... eyes flashing. to face her. MARY If anything happens to him. Excuse me -MARY DOCTOR (leaving) I have other. ON MARY As she takes a closer... MARY You have nothing more to say to me? DOCTOR Um. The Doctor turns just outside the door. MARY Is that the best you can do? I’m disappointed.

. MARY -.or are you so selfish that’s just not possible. 2/2/09 CONTINUED: (4) 83B.93 SHERLOCK HOLMES . 93 The Doctor can’t face her anger any longer. leaves fast. turns.Rev.

2/2/09 84. 93A/93B OMITTED 93A/93B .SHERLOCK HOLMES .Rev.

SHERLOCK HOLMES . 94 INT. 94 . 2/2/09 84A.CORRIDOR The doctor strides down the corridor past the policemen.Rev. HOSPITAL .

He pulls a pocket knife from his coat. A train crosses on an overhead railway. Gathering himself. They begin to overflow with tears. LONDON . He brushes them away then looks at his wet hand. 94A EXT. Then he pours a ring of salt around that circle. The human hair behind him (at 6 o’clock) and the Lion’s fang to his left (at 9 o’clock). 2/2/09 85. opens the blade. Emotions swirling. The Ox bone directly in front of him (at 12 o’clock). There is something grotesque about his face. horrified. disturbed. We PUSH IN ALL THE WAY.Rev. Holmes stands in the middle of the bare room and starts to lay out the clues he has on the floor. feather. PUNCH BOWL PUB . Then with a piece of charcoal Holmes draws a circle around each image and a circle directly in the center of the four other circles. the pages and strange sacrificial offerings (bone.ATTIC Holmes enters. The eagle feather to his right (at 3 o’clock). We PUSH IN UNDER the railway arch until we can make out a splash of white in the shadows -. he hasn’t completely removed his disguise. In the center circle he draws a pentagram (using wax from a burning candle?).SHERLOCK HOLMES . obscuring him --. 94B-94E 95 He pulls out a newspaper with the story of Standish’s death.the Doctor from the hospital is slumped down against the wall. hair. Parts of it hang down.NIGHT ESTABLISHING SHOT of London. fang) from Sir Thomas’ house. 94A 94B-94E OMITTED 95 INT. so that we CAN SEE that the Doctor is actually Holmes. He then draws lines which join the circles together in the shape of a cross. possibly the bustle of Fleet Street during the morning rush hour. (CONTINUED) .but not obscuring the light of instability in his eyes. cuts his thumb and allows the drops of blood to drip onto the ground just outside the circle. He lights four candles (one at each point of the cross) then stands in the center of the circle. pained.

fuzzy. 2/2/09 CONTINUED: 85A.95 SHERLOCK HOLMES . He struggles to focus on Blackwood. BLACKWOOD (O. Blackwood has appeared behind him within the outer circle of flame. followed by a larger circle beyond that. the circle around Holmes ignites. The words are eerily reminiscent of Blackwood’s chanting.Rev. Holmes sways.) And now it dawns on you. (CONTINUED) .as it hits the ground. you begin to recognize your part in his play. Suddenly one of the drops of blood bursts into flame in mid-air -. BLACKWOOD You see the path he chose for you.S. Holmes snaps around. 95 Then he begins to chant.

he breathes in air -As he comes to life we see events of the recent past flash through his mind. We see -HOLMES’ POV as Blackwood swings the sacrificial sword at Holmes’ head. BLACKWOOD’S TOMB.the sword WIPES the FRAME -96 97 OMITTED INT. so I could die on the biggest stage of all. Why would I take a sixth under St. BLACKWOOD ... It looks as if Holmes has no time to react -WHOOSH -. BLACKWOOD Unless I simply wanted to be caught by the great Sherlock Holmes. or is he hallucinating.. PUNCH BOWL PUB . (CONTINUED) 96 97 . caught in the spell he conjured? CUT TO: A CLOSEUP OF HOLMES His face covered with earth -. 95 BLACKWOOD Didn’t you wonder why it was so easy to catch me? I told you I needed five lives for my resurrection. he can barely see straight. Blackwood raises a sacrificial sword and swings at Holmes’ head.. You made me what I am.ATTIC We see a SERIES OF QUICK CUTS. 2/2/09 CONTINUED: (2) 86. Holmes’ eyes snap open.Rev. Paul’s? Holmes shakes his head.95 SHERLOCK HOLMES .just as we saw Reordon in his coffin. has Blackwood killed Holmes.

We SEE WATSON turning to warn Holmes before EXPLODING -HOLMES!!!! FADE OUT. THE OBJECTS IN SIR THOMAS’ SECRET ROOM.just as we saw Standish. Holmes’ eyes snap open. 2/2/09 CONTINUED: 87. THE RAVEN FLAPPING ITS WINGS. Holmes sees a hazy image of Irene.Rev.97 SHERLOCK HOLMES . THE SPHINX. CUT TO: A CLOSEUP OF HOLMES His face submerged in water inside a copper bath tub -just as we saw Sir Thomas. 97 THE STUFF IN REORDON’S ROOM. STANDISH FALLING THROUGH THE AIR CRASHING INTO THE CARRIAGE. CUT TO: HOLMES Writing and sweating on the bed in the attic. IRENE SAYING “WHERE’S WATSON WHEN YOU NEED HIM?” BLACKWOOD IN THE ROOM AGAIN WITHIN THE FLAME CIRCLE. he breathes in air -THE OPENING CONFRONTATION IN THE CATACOMBS. THE PATTERNS HOLMES HAS DRAWN ON THE FLOOR OF THE PUNCH BOWL. She leans over him smiling sweetly then wraps her hands around his neck and starts to strangle him. . THE DEAD RATS. CUT TO: A CLOSEUP OF HOLMES His face engulfed with flames -.

into the light. -. Irene is at the fire heating some coffee. FADE IN: 98 INT. between them) She brought you here? WATSON Yes.is sitting in the chair where Blackwood appeared.g. Mary said I had a lousy doctor. but with burn flashes. He’s been through it. Holmes’ eyes open and we see: 98 WATSON -. HOLMES (quietly. bloody awful. HOLMES (confused) Watson.. oddly. 2/2/09 87A.or some deathly version of his old friend -. A ghost or a man? He gestures towards the diagram on the floor. United in agony. it seems she might understand the power of partnership. His arm is in a sling.then tosses it away.Rev.? Watson leans closer. He is decidedly alive. You look He writes something in his notebook. WATSON Interesting artwork.ATTIC The sun is rising.. In the b.SHERLOCK HOLMES . The coffee seems ready so she pours a cup. They both look back over to Irene who just finished loading her gun. cuts and bruises. PUNCH BOWL PUB . HOLMES What about the shrapnel in your arm? Watson shows him a piece of shrapnel -WATSON Took it out myself. They both smile. (CONTINUED) .

Exactly. HOLMES (CONTINUED) . but I believe my head requires something a bit stronger to clear the -WATSON I brought you this. Irene walks over and hands Holmes the cup. IRENE I was. I had to get you to pass out to settle down. You know.. 98 HOLMES The fair sex was always your department. I dreamt that you were strangling me. HOLMES Thank you. Holmes takes a drink of coffee.Rev.. 2/2/09 CONTINUED: 88. twisted understanding of one another.. HOLMES Excellent brew. They smile at their unique. HOLMES What time is it? WATSON It’s half past nine.. Watson.98 SHERLOCK HOLMES .

It appears you’re what’s considered a para-neurotic deviant with anti-social proclivities.it’s called psychology. puts one down in front of him. (beat) (MORE) (CONTINUED) .Rev.from the pub’s band -. Quite severe. sits opposite him with the other. doctor. PUNCH BOWL PUB Holmes takes it. 99 Watson and Irene sit at a table. I poisoned that one. 2/2/09 CONTINUED: (2) 89. the SCREECH of a fiddle now comes from upstairs. And untreatable. He takes a sip. Could it be poisoned? He wouldn’t put it past her.is busy getting drunk with the money he has acquired.98 SHERLOCK HOLMES . IRENE No. Irene arrives with two pints. 98 He hands Holmes his VIOLIN. WATSON There’s a new field in the treatment of abnormal personalities -. IRENE Better a snake than a lap dog. The fiddler’s owner -. IRENE Oh. But then he decides that’s absurd. WATSON With your own venom no doubt. Watson looks from Irene to the pint with open suspicion. 99 INT. I’m simply a woman.

Then he moves to the hair. with a lot fewer words -. Then he moves to the ox bone -. He sketches out a lion -he thinks -.Sir Thomas -. but not with a bow. Let me make it simple for you. as he STARES AT THE RITUAL PATTERN he’s laid out on the floor. Next to it Holmes writes Man. Then to an American flag. 99 ALTERNATE DIALOGUE: IRENE (alternate dialogue) Not quite. Where? Who? Holmes returns to his violin. And Holmes emerges. 2/2/09 CONTINUED: IRENE (CONT'D) Understand that. He draws a man’s face. He stands up and draws a sphinx in charcoal on the floor.I’m what’s called a woman. 89A.Rev. doctor. 100 INT. then to Standish with his eagle-topped cane.99 SHERLOCK HOLMES . Then he moves to a Lion fang. He plucks it. Irene and Watson notice the silence. he moves to the feather -. Next. 101 INT. Staring at the Lion fang as if willing the flashes to come. he makes strange atonal sounds. He draws an ox in charcoal.ON HOLMES as he plays the violin. and you’ll have a happy marriage. (beat) Understand that. he strums it.OX ring.he quickly sketches an eagle. PUNCH BOWL PUB The music stops. PUNCH BOWL PUB . 101 100 .a flash of Sir Thomas’ ring with the Ox crest. Next to the feather he writes America. Flash to Reordon’s red hair.BUT no flashes. Next to it he writes a big question mark. Next to the ox bone Holmes writes -. A beat. They swap a glance.a flash to an Eagle in flight -. HOLMES I need a map of London. Flashes to various images of the sphinx that he’s observed over the course of the investigation. and you’ll have a happy marriage.ATTIC .

I may well have reconciled thousands of years of theological disparity. I re-enacted the ceremony we interrupted in the crypt. electric. and Emperors of old that the Sphinx was a door to another dimension. at minimum. Blackwood’s method is based on a ritualistic mystical system that has been employed by The Temple of the Four Orders for centuries.. a gateway to immeasurable power -He tosses Watson the pages from Sir Thomas. 2/2/09 90. HOLMES But I have emerged enlightened.SHERLOCK HOLMES . share the belief with the Kings. At minimum. PUNCH BOWL PUB . your little white tail got rather dirty. 102 INT. HOLMES It is made up of four parts: The Ox. I have done just that. When Blackwood invited me to Pentonville prison. he suggested I widen my gaze and. to get inside it.. the Eagle. and Man -(CONTINUED) . My initial approach was far too narrow. I shall begin. The fraternity who silently control the Empire..Rev. But that’s for another time. the Lion. HOLMES My journey took me somewhat further down the rabbit hole than I had intended. To fully understand this system.. WATSON 102 Watson and Irene shoot Holmes knowing looks. with a few enhancements of my own.ATTIC Holmes is excited. HOLMES Now that you’re sitting comfortably. Pharoahs. IRENE Yes. In fact.

2/2/09 CONTINUED: 90A. represents Man. the feather of an eagle. Each murder was committed at a location that has a direct connection with the Temple.. Map! Watson throws the map down on the floor. We see the Ox body. HOLMES Then Sir Thomas. HOLMES In Sir Thomas’ secret chamber I found the bone of an ox. It corresponds to the point on the cross that Holmes drew that has the hair (6 o’clock).. therefore the System. the ginger midget. He points to a spot on the map south of the Thames. Master of the Temple. Blackwood has killed three men.... wore the ox ring. really flying now. Lion paws. the hair of a man. 102 He points out the individual parts of the Sphinx.Rev. He runs his finger over the map tracing the shape of a cross. We found his body here. covering other parts with his hand.. HOLMES Now. he died here.. (CONTINUED) .102 SHERLOCK HOLMES . HOLMES Since he rose from the grave. the tooth of a lion.. Again the spot Holmes points is directly north of the river and corresponds to the point on the cross that has the ox bone (12 o’clock). Man’s face. Then he picks up the charcoal and (following the map) draws a serpentine curve of the River Thames straight through the middle of the cross that he drew on the floor. it is a widely held belief that within the architecture of the great cities are coded references to this system. (beat) Reordon. Eagle wings.

He connects the dots on the map. They look to where it would correspond to on the map -. HOLMES Correspondingly. Right here.the point at which the other four come together.. WATSON IRENE What is the meaning of this circle? Irene indicates the fifth circle Holmes has drawn -. Holmes scribbles on a piece of paper... Holmes points to the map. HOLMES The headquarters of Temple of the Four Orders where he died is here. Parliament. of a cross.right in the middle of the river. HOLMES It is the fifth element -..102 SHERLOCK HOLMES . Eagle. where the Eagle has been the national emblem for over a hundred years -. Ox. He points to corresponding points on the map and on the cross.. WATSON Man.. 102 HOLMES Standish was Ambassador to America. Their eyes widen as they realize what they’re seeing. 2/2/09 CONTINUED: (2) 90B. WATSON And last on the list: They form three points the Lion.and not by coincidence.the ethereal.Rev. (CONTINUED) . the map will tell us the location of Blackwood’s final act. That which can’t yet be known. Watson and Irene step closer looking at the lion’s fang and then the map.

It looks as though Holmes is about to join them when Lestrade and his men burst into the room. Tough-looking cops sit either side of him. HOUSES OF PARLIAMENT PULL BACK FROM an image of a GOLDEN LION on a banner. PUNCH BOWL PUB . 2/2/09 CONTINUED: (3) 91. sees POLICE OFFICERS flooding the pub. POLICE CARRIAGE .MID-MORNING (LATER) Holmes sits battered. Irene looks out the window. boots echoing. and they drag him away. He simply raises his arms. 102 WATSON It’s right in the middle of the River Thames. though we can see from his face that his spirits are unaffected by his physical state. HOLMES Follow these plans. 103 INT. He looks at Holmes.HALL Holmes races down the hall toward the back door. 104 EXT. cuffed and bruised. Police fill the hall.he can’t believe it’s come to this. shaking his head -. Lestrade sits opposite. HOLMES Watson is about to follow her down. Flings it open. IRENE Holmes folds up his piece of paper. BOOM! They hear doors slamming outside. Ladies first. We’re at the Houses of Parliament. Irene jumps down. hands it to Watson. where more police block his path. Watson goes down. but the door EXPLODES inward. 104 103 102A (CONTINUED) .Rev. Holmes looks back. He quickly moves to a hatch in the floor. Holmes kicks the hatch closed and steps towards Lestrade.102 SHERLOCK HOLMES . Police. 102A INT.

They come to a door. sir. who’s halfway through putting on his official robes. if you could wait outside. Holmes has been making serious accusations about you and the order. why don’t you regale me with your stories of conspiracies.Rev. plenty of flags and enthusiasm. 104 The carriage pulls up. Lestrade pulls his lapel. 2/2/09 CONTINUED: 92. All of which is in stark contrast to the battered figure of Holmes. PARLIAMENT . Holmes sees the hands of BIG BEN. Thank you. Lestrade punches Holmes.LORD COWARD’S CHAMBERS The door is opened by Lord Coward. HOUSES OF PARLIAMENT The place is a hive of activity. Lestrade? LORD COWARD 106 105 LESTRADE Begging your pardon. LORD COWARD I have five minutes before my next engagement. Lestrade knocks. that solves the great mystery as to how you became inspector. climbing toward noon. I know it’s unorthodox. revealing a temple of four orders pin. Crowds are gathering outside. preparing for pomp and circumstance.104 SHERLOCK HOLMES . hawkers and tourists. (CONTINUED) . HOLMES Oh. who is marched through a series of doors and checkpoints along the corridors of power by an angrylooking Lestrade. m’lord. at its ceremonial best. Lestrade. Lestrade leaves and shuts the door. but Mr. 105 INT. 106 INT. and caught off guard by the sight of Holmes cuffed (hands behind him) and flanked by Lestrade and men.

did you assist Blackwood in all the murders or just the one I prevented? Very distinctive those hand-made shoes of yours. but I don’t care much what you think.106 SHERLOCK HOLMES . it starts to smolder and fill the room with smoke. We are giving the weak masses a strong shepherd. Don’t you see it’s for their own good? Smoke fills the room so that Holmes is concealed. Coward. eagle. Coward pulls a gun from the desk and moves to the window. 106 HOLMES I’m curious. I confess to being completely out-matched. I simply wanted to know the location of Blackwood’s final ceremony. isn’t it? Lord Coward slows. looks at Holmes in some astonishment.Rev. 2/2/09 CONTINUED: 93. Mr. HOLMES Nonetheless. lion -. (CONTINUED) .the lion is parliament. LORD COWARD Very clever. but the price of quality is the unique imprint they leave. It’s mercy. I could deduce very little from my investigation. Coward turns away for a moment -. Holmes goes to warm himself by the fire at the other end.Holmes subtly kicks a log from the fire. Holmes. ox. How many members of parliament do you intend to murder at noon today? (beat) Man. But it’s not murder. there is nothing more stimulating than a case where everything goes against you. HOLMES No. HOLMES Fortunately. LORD COWARD I have told you nothing. He opens it to try and clear the smoke. Coward walks towards his desk at one end of the room. and now you have given it to me.

O. We see a -SERIES OF FLASHBACKS Coward’s heel walking through mud.) A touch of red stock brick dust on your knee. HOLMES (V.106 SHERLOCK HOLMES .. Coward.) It’s a shame you made an enemy out of Blackwood.) You and Blackwood laid the final touches to your ceremony in the sewers beneath parliament less than an hour ago. LORD COWARD (V.O. He looks up and Holmes is nowhere to be found. Coward’s knee dropping to the ground.) A faint aroma of excrement.O. Coward performing a ritual. HOLMES (V. Coward quickly moves across the room to lock the door. Holmes.O. (MORE) (CONTINUED) . HOLMES (V.. and the Temple members perform a ritual around a pentagram in the SEWERS. from where you have been standing..Rev. CLOSEUP ON COWARD’S CLOTHES That he’s changed out of and discarded in the corner of the room. The big ceremonial sword is prominent. 106 A pair of handcuffs..) A small bandage on your thumb from where you’ve been vowing.. The powers at our disposal are far greater than you can imagine.O. Blackwood. The mud smeared on your boots from where you’ve been walking.. 2/2/09 CONTINUED: (2) 94. from where you’ve been kneeling. HOLMES But your clothes say infinitely more than you ever hope. HOLMES (V. slide across the floor to Coward’s feet. you would have made a valuable ally.

is there? Coward spins around and shoots at Holmes. when it brings no profit to the wise. HOLMES Well there’s no time to waste then. THAMES . Coward runs to the window and sees Holmes DIVING toward the river Thames.Rev. Holmes runs towards the open window as Coward fires another shot. 107 (CONTINUED) . REVEAL Holmes sitting in a chair behind Coward. 106 LORD COWARD How terrible is wisdom. Holmes. PLUMMETING down down down to -107 EXT.106 SHERLOCK HOLMES .) (CONT'D) Both Houses met today. The entire government will be present. A moment of concern until we hear the familiar “chug” of a struggling engine. He misses. With a single bound. 2/2/09 CONTINUED: (3) HOLMES (V. Holmes leaps out of the window Coward opened. 94A/94B. looks about in the water.O. (turning to Holmes) We take power at noon. He disappears for a moment then surfaces.OUTSIDE PARLIAMENT SPLASH! Holmes dives into the river handcuffed.

IRENE Where to. checks the load.. Tanner turns the boat. Watson stands on the rear deck.. pulling Holmes in on the rope. He’s never going to like guns.. Watson hands over the change from the engagement ring. it pulls him closer to the rickety boat of Captain Tanner. (CONTINUED) . come to think of it. still pleased with himself. TANNER (to Watson) I told you he’d be coming out the top window. Captain Tanner. Clearly the whole escape has been planned. A Watson has the PAPER that Holmes gave him in the attic. HOLMES Port side. did you bring my clothes? Watson hands over a pile of clothes and Holmes’ PISTOL. your instructions were fairly precise. Holmes is pulled up into the boat. her eyes narrow. Tanner smiles. He grabs it with his hands.Rev. Sherlock? Holmes points to a dark recess in the embankment. little too perfectly. Irene looks out. 2/2/09 CONTINUED: 95. WATSON How was Lestrade? HOLMES Performed his role perfectly. soldier boy. 107 Holmes looks in the water and sees a rope trailing on the surface. HOLMES Watson. grimaces. about everything except the window. WATSON Well. Tanner takes it happily. pockets it. Irene is also present. And. Holmes opens the drum. Watson leans over and clips off his cuffs using bolt cutters. No way he’d be coming over the terrace.107 SHERLOCK HOLMES . into the sewers.. When Holmes is level.

Holmes glances up toward Big Ben. 2/2/09 CONTINUED: (2) 96. Holmes has changed into the clothes Watson brought for him. He drinks.Rev. Irene follows. I am about to show you. IRENE Starting early. HOLMES Trust me. unlit. smiles. aren’t we? He offers the flask to her. who swallows it without flinching. The entire government is here. HOUSES OF PARLIAMENT . she takes a hit. hands it on to Tanner.. working their way around corners and through junctions back under the Houses of Parliament. and pulls out the hip FLASK that he took from the men at the slaughterhouse. Holmes nods towards Watson. have a drink.107 SHERLOCK HOLMES . Irene passes him the bottle. pulls a face. He takes a shot. on the edge of the darkness. She can see this is more than a social invitation. grimaces.BOAT Tanner’s boat. WATSON What are we doing in the sewers? HOLMES Patience. 107A EXT. 107 Then Holmes reaches inside a pocket of clothes he is still wearing. The boat is almost at the sewers.. heading into this epic building. We see familiar faces from the Temple of Four Orders. As they head toward the sewers.DAY Expensive carriages fill the courtyard. wipes his mouth. 108-109 OMITTED 110 INT. (Watson has his SWORD STICK and a GUN. the time moving toward noon. SEWERS . TANNER Far as I can go. Doctor.) They move through the shadowy sewer tunnels. Holmes and Watson leap off the boat into the mouth of the sewer. (CONTINUED) 107A 108-109 110 . floats at the opening to the tunnel.

to be precise. those electrodes on either side will send a charge converting the cyanide powder into a gas. 2/2/09 CONTINUED: 97. He pulls something out of his pocket: HOLMES I snipped this off a rather recumbent rat at the slaughterhouse. When activated. the RAT TAIL. Tell-tale signs of cyanide. standing in shadows.Rev. Irene and Watson flank him. It sits below a shattered ceiling. bricks dismantled. Blackwood’s magic. But there is something sitting in it. the faint smell of bitter almonds. Holmes looks back at Watson and Irene. HOLMES That shaft leads directly to Parliament. In the center. But now: Blackwood’s THUGS patrol the area. HOLMES I can tell it from here.110 SHERLOCK HOLMES . a futuristic device: HOLMES Behold. 110 Holmes ducks around a corner. A black glass cylinder is housed in a metal cradle with electrodes on either side. They look down a long tunnel to: The area where Coward and Blackwood were seen in the flashback ceremony with the sword. Cyanide. (CONTINUED) . He points at the device and the exposed shaft over it. Quiet: HOLMES A chemical weapon. stops. WATSON You can tell that from here? No. exposing a VENTILATION PIPE. the pentagram remains. Note the blue discoloration. IRENE All of the people inside that building -WATSON Will be dead at the strike of noon. The first of its kind.

. next. HOLMES Seven minutes to twelve. out of the way otherwise. It’s there when he needs it. The chamber is now full of Lords and senior Royals. Shoulder-to-shoulder. They burst into the area. 110 HOLMES As if by magic. Watson slides his sword stick into a loop on his belt.110 SHERLOCK HOLMES . The CAMERA MOVES THROUGH the shattered ceiling. SEWERS . faster and faster. all the way through a GRATE TO -110A INT. He sees a shadow up in the Lords’ Gallery. checks the crowd. They draw their guns. Irene trails them closely. HOLMES He doesn’t. Holmes front-kicks the 111 112 110A The third thug looks down the barrels of both their guns before he has a chance to fight or flee. they move down the tunnel. 111 112 OMITTED INT. (CONTINUED) . completely surprising the three thugs.DAY Holmes checks his watch. 2/2/09 CONTINUED: (2) 98. Watson pistol-whips the nearest. I wouldn’t. Lord Coward steps up. As they start to take seats. DOWN a bend.. Irene comes in behind them and heads straight for the device.Rev. They nod. UP a channel. WATSON I’ll keep these under wraps. There will be no one left to stop Blackwood and his followers from assuming control.DAY Air blows UP through the grate. PARLIAMENT .

Watson herds the three thugs away from the device. sending both guns spinning away --.Rev. 112 Take this. IRENE I’ve never seen anything like it. she drops the knife. Now unguarded. surrounded by humming. A totally wire-free weapon. (CONTINUED) . Over there. flings Watson away like a discarded paper cup. Dredger spins Watson around..which puts his back to another tunnel.112 SHERLOCK HOLMES . Irene recoils. looking for a way to detach the CYLINDER from the CRADLE (where electric coils and circuits pulse). HOLMES There’s never been anything like it. they move away (two dragging the pistol-whipped one. sparks flashing. the two conscious thugs charge Holmes and Irene. ZAP! Her blade hits a coil. 2/2/09 CONTINUED: 99.Holmes’s gun splashes into the sewer. Dredger jerks Watson’s arms sideways. Watson turns so that he can watch the action at the device --. Gun in each hand.. Before Irene can alert him. both hands held high to grab the guns and smash Watson. which falls into the cradle. sees something past Holmes -RACK PAST HOLMES TO WATSON -Where DREDGER LOOMS OUT OF THE DARK BEHIND HIM. sparking coils. who is out). Holmes joins Irene at the device. She grips her knife. Really quite -She reaches out with her knife and. He must have some kind of remote device sending a signal to the receiver. Electrocuted. head-butts him with a teethrattling blow. HOLMES Holmes hands Watson his gun. WATSON Sullen. Watson’s wrists are crushed from behind. but without much resistance.

Coward looks up. HOLMES (to Irene) Keep at it. staring at a ghost. 2/2/09 CONTINUED: (2) 100. very emphatically. Voices rise. deflecting him for a moment. PARLIAMENT . waiting for the session to begin. SEWERS . trying to figure out how to defuse it. Holmes goes for Dredger. commanding. Holmes lashes out with his feet at Dredger -. Blackwood is calm.112 SHERLOCK HOLMES . BONG! The second chime resounds.who doesn’t even bother to block anything. Holmes crushes the other’s larynx. LORD COWARD 113 All eyes rise to see: BLACKWOOD. and points. Dredger charges towards the device and Irene. Irene sits at the device. simultaneously strangling him and hammering him against the bricks hard enough to dislodge some.DAY The chime echoes. 113 INT. Dredger grabs Holmes. Holmes’ kicks lose steam as he loses air. Blackwood’s followers move to block the doors as -BONG! The first CHIME OF NOON from Big Ben. BONG! 114 (CONTINUED) . up in the Lords’ Gallery.Rev. thrusts him upwards against the sewer roof. 112 Irene shoots one point blank with her Derringer. Holmes flies into him feet-first.DAY Lords and Royals sit in this august hall. It is now clear that Dredger’s sole purpose is to protect the device. Look. 114 INT. The hall goes silent.

I need the bullets. only just keeping Dredger at bay --. Dredger grins --.Holmes sees that the cylinder is welded onto the cradle by two RODS. flexes his bicep. a plan forming.until he is earholed from behind by two bricks. snaps the blade against the wall like a twig. His eyes narrow. staggers back holding his bleeding ears. Dredger grunts angrily. as if scared of the sword -. Dredger drops Holmes. Dredger backs off. BONG! As Watson parries Dredger’s massive slashes and thrusts all around them. HOLMES Give me your gun. 114 IRENE (without looking up) Nine strokes left. rips the sword out of Watson’s grasp with his muscle. gets a haircut from the sword -(CONTINUED) . Watson dives desperately. This is going to be more uneven than usual. BONG! The clock is ticking down. enough.the bowl of his pipe. Watson draws the sword from his sword stick. 2/2/09 CONTINUED: 101. then he pulls it out. lunges with his little sword. pouring the gunpowder into --. Holmes heads back to Irene. He chops open the bullet casings with his knife. BONG! Watson ducks a whooshing cut. WATSON You owe me for the ring. sticks it into the meat of Dredger’s bicep.Rev.but only until he can reach up and pull Blackwood’s ceremonial sword down off a brick ledge. swung with full force by Watson. and moves in to cut Watson in two with the ceremonial sword from head to toe. The bullets.114 SHERLOCK HOLMES . Deadly Irene pops open her Derringer. but not very big. slides the bullets into Holmes' hand.

That’s the extent of Dredger’s plan.114 SHERLOCK HOLMES .hammering them into the wall with a mighty thud. a match -Irene’s eyes narrow.Rev. places the open end of the bowl against the bolt holding the cylinders in place. IRENE her 116 114A 115 Which is when a blood-maddened Dredger thunders into them both. SEWER TUNNEL . Dredger punts him into the sewer with a splash. She rolls up a sleeve. driving Holmes and Irene away from the device --.DAY Holmes rips the stem off his pipe.. Lords are on their feet. Victorian-style.. HOUSE OF LORDS Blackwood has lit four small red candles. and it will work for long enough because -BONG! IRENE (breath crushing out of her) Three. then turns back to the device. Shaped charge. squeezes them against the wall like a human vice. While Watson is down. HOLMES We need a light. angles his huge legs and pushes. Got it. seeing something in the cradle: KNIFE. 116 INT. 114 -. placed them on the balustrade in front of him. Guards are banging outside the doors. arms wide. 2/2/09 CONTINUED: (2) 102. but the doors are locked. Members of the Temple of Four Orders stand in front of anyone going to open them. Then he braces his massive feet.which shatters against the floor. BONG! 114A 115 OMITTED INT. (CONTINUED) . He calmly intones a familiar chant.

. mouth wide with a silent scream. eyes bulging. 2/2/09 CONTINUED: 103.) Dredger turns his head so that he can see Watson. still. ZAP! A spark hits the blade. out of his limp hand. redirecting the spark toward -Holmes’ pipe. The gun falls Irene swipes her hand down into the cradle. Hey! WATSON (O.S.116 SHERLOCK HOLMES .where he found HOLMES’ GUN. crawled from the sewer -. stitch a line down Dredger’s back (aimed so as not to hit Holmes or Irene on the through-and-through) --. He lurches away. on his belly. Fizzling. and. BONG! 116A 117 OMITTED INT. which BLOWS WITH A VICIOUS CRACK! shaped charge shears the steel rods. cams turn. Holmes and Irene reach for the cylinders. HOUSE OF LORDS .DAY Blackwood stands on balcony looking down at the assembled Lords.Rev. BONG! Two! IRENE Holmes and Irene stagger for the device. (CONTINUED) The 116A 117 * * . and she angles the blade. just barely avoiding the sparks and coils. boiling inside. 116 ON THE DEVICE AS IT GOES ACTIVE The batteries begin to fizz madly. snatching her blade.. the dying giant falls like a tree. Bad news.and continue to burn inside Dredger. Watson is face-down on the stones. BAM! BAM! BAM! BAM! Four white phosphorous tracers strobe through the sewer. gears ratchet past each other.

I will not sit idly by and watch you violate the innocence of the public trust as you drag this great Empire into the quagmire that your pride has dug and filled with the excrement of your corruption. He raises his hand and traces a triangle in the air.. Did you really take me for a man who could be dispatched like a truculent servant? I see before me a conspiracy of arrogant old men puffed up by the illusion of their own vainglory. SEWER TUNNELS . 117A INT. stumbling about the world’s stage seeking nothing more than to satiate your own lust and gluttony. 117 BLACKWOOD You seem surprised. your britches stained by the incontinence of your hypocrisy. electrodes sizzle.. circle of flame erupts on the opposite wall. 2/2/09 CONTINUED: 104. triangle of flame erupts on the opposite wall. sending blinding sparks through the cradle. BLACKWOOD I am the pale rider.. Holmes and Irene RIP the cylinder out of the way just as.Rev..117 SHERLOCK HOLMES . I am here to change all this. The second triangle of flame erupts on the opposite wall to complete the pentagram within the circle. 117A A A * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * . the sparks collide in a blinding flash and.DAY ZZZZP! The electrical charge zaps through the device. He raises his hand and traces a circle in the air. BLACKWOOD And my name to you is death. BLACKWOOD I am the fourth horseman. In your hands this once great parliament has become nothing more than a drunken satyr. He raises his hand and traces a second triangle in the air.

. They look around. nothing happens. 117C Nothing happens. PARLIAMENT The men wait for something mythic. 117B EXT. 117D 118 OMITTED INT.SHERLOCK HOLMES . WE SEE something new in his eyes: fear. disappearing into the gallery. it was. 117B 117C INT. first time. SEWER JUNCTION . He ducks away fast. scared.. Yes.Rev. And. IRENE That was something new for us. Nothing at all. Other Temple members eye him. neither knows what to say. She looks past Holmes. Coward looks confused.DAY Holmes and Irene look each other in the eye.. Blackwood hits the remote again. Watson -IRENE HOLMES For the 117D 118 (CONTINUED) . But again. BIG BEN . magical. 2/2/09 104A.DAY BONG! The clock strikes twelve. Everyone is still standing..

HOUSES OF PARLIAMENT . sits up. we made it. HOLMES Make sure Lestrade keeps it intact. He misread her yet again. Just. With his face still pressed to the stones: WATSON I’m pretty sure I heard the last chime. and so is Irene. HOLMES Come on. feels for a pulse.118 SHERLOCK HOLMES . WATSON Which part? The stench of the sewers or the broken bones? (beat) My ankle’s done. seemingly dead. He’s done. Watson nods. relieved. 118 Holmes whips around -. you’re going to miss this. looks. heads for a staircase spiralling even further down. INT. The cylinders are gone. His face darkens. had enough..sees Watson. 118A He watches Holmes sprint into the darkness. you’ve got to admit. Holmes sees Irene’s lithe shadow moving fast into a maze of tunnels. Where’s Irene? WATSON Holmes turns.Rev. 2/2/09 CONTINUED: 105. He goes to him. face grim. Holmes looks down at his friend. WATSON Holmes. He motions to the disabled device. Watson looks around. I’m sorry.. Watson rolls over. 118A . HOLMES Yes.DAY Blackwood flashes downward through the ornate official understory of the Houses. drops to his knees next to Watson.

light. 118C INT. Sees something on the ground It’s WATSON’S SWORD STICK.and pinches tighter. almost imperceptibly. then slithers into the pipe. 118D 118C . hears.a dark. 2/2/09 106. We can make out Irene’s determined profile. dark and nightmarishly claustrophobic as it gets. Then Holmes. Then.Rev.DAY The pipe angles down. damp. ahead -. The continuation of the pipe passes through solid brick at the end of the tunnel -. about 500 yards away. Irene hesitates for a moment. SINGLE SEWER TUNNEL . For a long moment it is pitch black.pauses. The water pipe breaks off jaggedly in mid-air. turns. subterranean. pinched down. forcing Irene to turn sideways to continue. and so does Irene’s rate of movement. PIPE . into the unknown. This is as tight. Blackwood scoops it up.DAY 118B Irene hears Holmes’ angry footsteps behind her. anxious breath the only point of reference. CUT TO: ANGLE FROM THE SIDE Blackwood enters the maze of tunnels.SHERLOCK HOLMES . SEWER TUNNELS . The sound of Holmes’ footsteps drives her forward. Light increases. Blackwood follows them. Irene’s quick. next to Irene’s head.DAY Panting. flung there from the previous action with Dredger. A large-diameter water pipe angles down the tunnel wall. And then the tunnel ends. 118D INT. 118B INT. sees a flash of movement through the labyrinth of tunnels and columns. then sees Irene sprint across the maze. horrible. She picks up speed. claustrophobic gamble. Irene runs along a tunnel that steps lower --.

chest heaving.DAY IN A SERIES OF TIME JUMPS MARKED BY INCREASING EXHAUSTION: Irene finally makes it to a floor in the building that is flooded with sky-bright daylight.a brick-framed window -.DAY Holmes grimaces. 118E INT. 118J INT. HOLLOW BUILDING .Rev. yes --.DAY The pipe emerges from the brick wall in what looks to be the cellar of a building. 2/2/09 107. As fit and athletic as she is.climbing with one hand. 118E 118F INT. vaults onto the fixed ladder and swarms up it. 118F 118G INT.SHERLOCK HOLMES . Irene charges the stairs -118I INT. CELLAR . CELLAR .more stairs. hollow building full of construction equipment. shimmies TOWARDS us. 118H INT. Stonework fairly new. PIPE . An even tighter fit for him.just as Holmes pops out of the pipe. HOLLOW BUILDING . 118H Gritting her teeth. CELLAR . and sees. has to use all her strength to shoulder it aside. Anger lends him energy.DAY Irene emerges at the base of a dark.DAY 118G Irene -.ON THE LADDER . The only ready way out.and -SMASH CUT TO: 118J 118I . enters the pipe. this is a grind.DAY -. cylinders in the other -reaches an iron grate. Dim daylight from an unseen opening shows a fixed ladder heading upwards. upward. Irene accelerates for it. She surges for light -.

Goodbye! He start to move towards her. Woman! SHERLOCK Sherlock appears behind her.REVERSE ANGLE DAY OF IRENE at the top of TOWER BRIDGE. recovered somewhat -. 118K 119-119G OMITTED 119H EXT. the center of the world. She’s climbed up the inside of the Tower.then the glory of London. IRENE You of all people know I will pull this trigger. NEAR 360-DEGREE HELICOPTER SHOT that starts with Irene at the (unfinished) window --. SHERLOCK It’s bad manners to leave without at least saying ‘goodbye. laid out for us in breathtaking.then shows the skeletal bridge spanned tenuously with scaffolding --.SHERLOCK HOLMES . winded. 2/2/09 108.DAY 119-119G 119H * * * * * * * * IRENE She whips out her gun. She’s 250 feet above the Thames. * * * * * * * (CONTINUED) Irene works her way through the construction debris on the bridge.Rev. They circle around each other. PULL BACK and SWEEP INTO a massive. spectacular beauty --. . no further to go.HELICOPTER SHOT . 118K EXT.and returns to Irene as.’ Irene turns. TOWER BRIDGE . She makes it to the end. TOWER BRIDGE . We’ve gone straight from maximum claustrophobia to maximum knee-buckling exposure.WALKWAY .she darts onto the walkway scaffolding that crosses above the Thames.

2/2/09 CONTINUED: 109. that I wish things could be different but you wouldn’t believe me anyway. But Irene doesn’t pause: She swings her legs through the air. stunned. give it a try. Holmes! High above: a RAVEN lands. trying to take out Blackwood’s knees. Blackwood plucks the cylinder out of her hand.119H SHERLOCK HOLMES . She shoots him in the arm. * * * * * * * * * * * * * * * * * * * * * And in that split second -Blackwood drops down from behind Irene. BLACKWOOD You’re better off without her. and KICKS DOWN and -IRENE FALLS OFF THE BRIDGE. As she falls. He moves in again. (CONTINUED) . Her gun goes flying off the side of the bridge.Rev. and kicks her gun away. 119H IRENE I’d tell you I’m sorry. HITS her with WATSON’S SWORD STICK. She drops. HOLMES Why hurry off. But he swipes her legs away.

but hits a bucket twirling above his head. (CONTINUED) * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * . which falls --. And you’ll be the first.which is immediately apparent as Blackwood comes in. The two men finally part. awaiting Holmes. no match for the sword --. mounts a frenzied attack. Blackwood smiles.whipping a coil of rope across the floor. as if to flee (not that there’s anywhere to go) -. 119H EXT. Holmes quickly ducks.. slashes. whips off his scarf and twirls it around Blackwood’s arm. The two men continue their swordfight: Holmes grabs some rope hanging from the scaffolding above and swings off the bridge.WALKWAY . self defense third. Holmes swings back onto the bridge a few feet away from Blackwood. 2/2/09 CONTINUED: (2) 110. Blackwood fires at Holmes. but.Rev. BLACKWOOD I planned to kill a handful of senile old men to make this empire strong.Holmes kicks a huge scaffolding plank. He looks back to Blackwood. his target is the cylinder first. TOWER BRIDGE . Blackwood steps to the edge with his sword out.DAY A look between them and then it’s on. but now because of you thousands are going to die. which Holmes simply tries to survive. binding them together.119H SHERLOCK HOLMES . Holmes grabs a short section of wooden batten out of the railing. A black liquid (tar) begins to pour out in a circle around him. Holmes turns. They continue to spar.. He lands. Holmes swings towards the blade and then pushes off the bridge once again to avoid it. hooking Blackwood around his ankle. -. as before. Holmes is on the defensive throughout. The bullet misses him. The wind will do the rest. chops six inches off the batten. Blackwood second.his eyes lock on to something. Flimsy. Blackwood snarls. He grabs Holmes’ gun (which Blackwood knocked from Irene’s hand earlier). BLACKWOOD All I have to do is break this cylinder. with Holmes cast off towards the end of the bridge. now bound.

119H SHERLOCK HOLMES .. Your reputation and your jailers’ fear did the rest. 2/2/09 CONTINUED: (3) 110A. An ancient Egyptian recipe I believe -. (bath/Reordon flashback) Arranging for your father to drown in his own bathtub required more modern science. 119H Blackwood is DRAGGED down the walkway by the weight of the falling plank. Holmes grabs the cylinders as Blackwood passes. HOLMES (guard choking/ payoff) Who pretended to be possessed outside your cell. HOLMES The simplest involved paying people off. screeching to a painful halt. His fingers are white from strain.a mixture of egg and honey.. You had it broken before your burial then put back together using a mild adhesive. As Holmes steps closer we INTERCUT with relevant FLASHBACKS. Above Holmes: Only * * * * * * * * * the raven starts PECKING at a rope.Rev. He sees the plank swinging dangerously in the storm. like the sandstone slab that covered your tomb. Blackwood strains desperately to hold on. like the prison guard. conjuring tricks. Holmes looks over the edge of the walkway. Blackwood digs his fingers into a gap. Holmes remains cool. Very clever of Reordon to find a paralytic that was activated by the combination of copper and water and was therefore undetectable once the bath water was drained. pulled toward the edge. (burial ground/ licking rocks) Others required more elaborate preparation. (MORE) (CONTINUED) * * * * * * * * * * * * * * * * * * * * * * * * * * . Designed to be washed away by the rain or eaten by animals. HOLMES There was never any magic.

Rev. They didn’t know that you had given them the antidote -. Did Standish mistake it for rain as he entered your Temple? All it took was a spark. until you used the same compound to blow up the wharf. 119H * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * END FLASHBACKS. Ingenious.119H SHERLOCK HOLMES . Had it worked. (Parliament/flask/ ceremony. your followers in Parliament would have watched unharmed as their colleagues were dying around them. 2/2/09 CONTINUED: (4) HOLMES (CONT'D) That might have been quite challenging had he not also tested it on some unfortunate amphibians. An odorless. (CONTINUED) . flammable liquid -.at one of your ceremonies I suspect. tasteless.yet it burned with an unusual pinkish hue. 110B. they would have believed it was magic and that you harnessed the ultimate power. A simple rigged bullet in his gun. Instead. (Standish in rain/ pulling the trigger/ wharf explosion) The death of Standish was a real mystery. dev ice) Like all great performers you saved your piece de resistance for the end.

The rope yanks down a crane. Holmes gives the slightest hint of a smile.) HOLMES You hated your father and the other members of the Temple of the Four Orders for what they did to you. * * * * * * * * * * (CONTINUED) . we hear a faint musical note moving up the same pentatonic scale that Holmes played earlier for his flies. Holmes bends down. How satisfying it must have been to use their own system against them. inexorable dominoes continue to fall.: We see the slow. Holmes looks around at the gathering storm. The storm grows in ferocity. Blackwood is on his knees. Wind whips harder. Blackwood’s imminent death is brought suddenly to a halt. starting a slow. cowed. 119H Blackwood struggles to hold on. Holmes grabs a workman’s ax placed on the side and hurls it at his feet. cutting the rope. lands on a rope.Rev. 2/2/09 CONTINUED: (5) 111. HOLMES You better hope that it’s nothing more than superstition as you performed all the rituals perfectly. (NOTE: Each time one object strikes another.119H SHERLOCK HOLMES . Blackwood can hold on no longer. He screams as he releases his grip and is torn down the walkway at breakneck speed. The timbers start to topple. hits a row of standing timbers. he loses his grip for a second and is dragged back toward the precipice. Holmes doesn’t notice: The Raven’s rope SNAPS. The last timber falls over the edge. strikes another crane.: a bucket drops. Holmes! Blackwood’s eyes are full of fear. Quick as a snake. BLACKWOOD Cut me loose.G.G. subtle DOMINO EFFECT IN B.. IN B. Holmes thoughtfully looks out at the angry storm. the atmosphere electric and dangerous. the crane swings..

the world will see you for what you are.. possibly a small trickle of blood is coming out of her mouth.119H SHERLOCK HOLMES . Blackwood screams as the chains begin to snap off one by one. disappearing into a cloud. 119H HOLMES First. Perhaps there really are some things that cannot be explained. and farther. and finally -SNAP! The last chain CATCHES.Rev.. Holmes just stands there. Oh. CREAK. His brow furrows. Blackwood dangles on the rusty chain. Irene. Blackwood looks up.. Holmes moves down to her. She appears to be dead.. BLACKWOOD We’ll see about that shall we.. * * * * * * * * * * * * * * * HOLMES We’ll see about that shall we.. properly this time. a silhouette against the stormy sky. It’s a long journey from here to the rope. BANG! The top of the crane crashes down. He takes her hand. Holmes looks up. 2/2/09 CONTINUED: (6) 112. Sending Blackwood falling into a lattice of HANGING CHAINS below. with Tower Bridge as his gibbet. sees: IRENE is awkwardly splayed on the lower level. killing him instantly.. TIGHTENS around Blackwood’s neck. Then you will hang. Blackwood looks up. CRACK! The crane dislodges a METAL GIRDER. He falls farther. which misses Holmes by inches as it crashes through the floorboards -Blackwood smirks. Holmes looks over the side of the bridge. The wooden infrastructure supporting Blackwood falls away. HOLMES * * * * * * * * * His fingers move to take her pulse. (CONTINUED) . stunned.. hanged like a common man after all. The bird flaps its wings. He looks out to see: the RAVEN flying away.

HOLMES We’ve still got a moment. cuffing her instead. Key’s in the watch pocket. 119H Her eyes pop open. IRENE You were right. this time. an odd lovers’ moment looking out over the Thames. seat next to her. Irene makes a quick move: she tries to CUFF him. Holmes is ready for it: He reverses the move. IRENE It looks like rain. Moriarty. But * * * * * * * * * * * * * * * * He takes a They sit there for a beat. 2/2/09 CONTINUED: (7) 112A. A bit of a smile and break. he is a professor.119H SHERLOCK HOLMES .Rev. (CONTINUED) .

keeps walking. near a kiss. yes. turns and walks away. And he sees. 120-122 OMITTED 122A EXT. the rain falling hard. (beat) Is the woman up there? HOLMES She won’t be by the time your boys get there. calls out: IRENE You’ll miss me. HOLMES Thank you. Sadly. LESTRADE Now you’re going to be even more arrogant and insufferable than ever. Sherlock. detective. Lestrade. LESTRADE You’re welcome.. Then Lestrade cracks a smile. Holmes keeps moving into the night. Their faces close. 119H Holmes reaches over to grab the key.Rev. TOWER BRIDGE . Cylinder to one of the policemen. The storm curls around him.. At the end of the top of the stairs. Holmes drops the keys down the top of her shirt (just as she dropped them down his pants). She smiles. Holmes hands the (CONTINUED) . 2/2/09 CONTINUED: (8) 113. LESTRADE It’ll be a hell of a trick if Blackwood comes back from this one.DUSK Rain falls softly. HOLMES * * * * * * * * * 120-122 122A Holmes walks away.119H SHERLOCK HOLMES . He snatches the DIAMOND from around her neck. pauses to pick up Watson’s sword stick.

Rev. 2/2/09 CONTINUED: 113A. 122A A shadow is waiting for him. . no words spoken. Holmes holds out Watson’s sword stick. We recognize the figure of WATSON.122A SHERLOCK HOLMES . The two of them stand looking out down the Thames. Holmes can’t help but smile. He joins Watson. Watson takes it.

.STAIRCASE As Watson and Mary climb the stairs.. WATSON I still can’t believe he’s given us that ring. cases we’ve worked on over the years. 221 BAKER ST. (CONTINUED) 123A * * WATSON No question about it -123B * * * .. 123B INT.. Watson laughs then pauses for a moment to consider this idea before they enter. . A DRIVER loads Watson’s boxes into a CARRIAGE that waits in front of the apartment.SHERLOCK HOLMES . 123A INT. 2/2/09 114. He looks dead. MARY All your adventures.. . his back to them. 221 BAKER ST. Holmes had it made into an engagement ring. WATSON Please make sure this one is put on the desk in the front room.DAYS LATER MOVING DAY. it becomes clear that Mary now wears IRENE’S DIAMOND on her finger. Just a few scribbles.. MARY Do you think he’s finally come to terms with you leaving? Of course. 123 EXT. I’d love to read them sometime. WATSON 123 Watson takes a quick look in one of the boxes. MARY What’s in all those notebooks? WATSON Nothing really.Rev. One moment. Mary and Watson walk towards 221B. Watson opens the door of Holmes’ apartment revealing a horrific scene: Holmes is hanging from a rope. 221 BAKER ST.

Watson and Mary walk by. Do carry on. Watson and Mary step in but do nothing to help Holmes. like a caterpillar in a cocoon. Holmes? (CONTINUED) .Rev. WATSON Get on with it. 2/2/09 CONTINUED: 114A. Might we continue this at ground level? WATSON How did you manage it. But it had a surprisingly soporific effect and I was carried off in the arms of Morpheus. Watson pokes him. Holmes. My lord. HOLMES The executioner attached it to a harness. as it were. HOLMES Cleverly concealed in the hangman’s knot was a hook -. WATSON Suicide is not in his repetoire. dear. 123B WATSON Don’t panic. Holmes. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * HOLMES Good afternoon. Clearing your good name. I can’t feel my cheeks. he’s far too fond of himself.123B SHERLOCK HOLMES . thus allowing the weight to be distributed around the waist and the neck to remain intact. MARY Shouldn’t you help him. I should probably come down.I believe my legs have fallen asleep. Turns him around. John? WATSON I hate to stop when he’s on a roll. I was trying to deduce the manner in which Blackwood survived his execution.

WATSON But none of this explains the lack of a pulse. 123B HOLMES I managed it with braces. Enough to mislead a medical mind even as tenacious and well-trained as your own. Watson. It is quite infamous in the region of Turkey bordering the Black Sea for its ability to induce an apparently mortal paralysis.Rev. belts and a coat hook. Watson draws his sword.123B SHERLOCK HOLMES . John. Please. HOLMES He is demonstrating the very effect I’ve just described. I’ll be of no use to you at all. He finally uses his sword stick and slices Holmes down. my tongue is going next. CLOSEUP OF WATSON’S DOG Stiff as a board. WATSON Worse things could happen. It is known locally as -MARY What’s wrong with Gladstone? HOLMES -. HOLMES There is a toxin refined from the nectar of the rhododendron ponticum. WATSON His heart should be ticking in no time.mad honey disease. He doesn’t mind. 2/2/09 CONTINUED: (2) 115. MARY * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * (CONTINUED) . Holmes tumbles to the ground.

Indeed. CONSTABLE CLARK Mr.. MARY There’s a brave boy. 123B Watson feels for a pulse in his dog’s neck -. The dog has regained its vital signs.123B SHERLOCK HOLMES . Well. There. a maintenance man found his body this morning. everything’s going to be all right. They are interrupted by a knock on the door. the day you stopped Lord Blackwood. Constable Clark enters. We believe the sergeant was our first man on the scene. Moriarty. Yes..mind racing. Holmes. Inspector Lestrade asks that you come with me... HOLMES With small caliber bullet. right away.. HOLMES Were there powder burns on his eyebrows? Clarky nods. looking concerned.. sir. HOLMES What is it this time.he shakes his head. there. Shot in the head.complete change of demeanor -.Rev. CONSTABLE CLARK * * * * * * * * * * * * * * * * * * * * * * * * * * * (CONTINUED) WATSON Point blank range. WATSON Where is Blackwood’s device now? . He went missing in the sewers. Clarky? CONSTABLE CLARK It’s one of our sergeants. 2/2/09 CONTINUED: (3) 116. CONSTABLE CLARK HOLMES Holmes and Watson look at each other -.

Rev. WATSON Adler was just a diversion. A KNOCK. 2/2/09 CONTINUED: (4) 116A. Mary looks at Watson who is clearly trying to curb his enthusiasm and interest. Watson nods. Constable Clarke nods. Holmes pulls his coat on. case * * * 124 . sir. Watson nods. Well. HOLMES The wire-free invention was the game all along. CLOSEUP ON HOLMES AND WATSON Piecing it together: HOLMES I’d wager there’s a piece missing. Imagine being able to control any device simply by sending a command via radio waves. sir.123B SHERLOCK HOLMES . WATSON Watson turns to Holmes. 124 OMITTED Clarky.. The Driver pokes his head in.. reopened. HOLMES I’ll leave with you. 123B CONSTABLE CLARK The secret service has it. the Driver exits. DRIVER (to Watson) I’ve loaded the last of your boxes. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * WATSON So you’re saying Moriarty was after a part of the machine and not the poison. They’ve taken over the case.

Rev.INT. We don’t see his face. where Holmes had dismantled Blackwood’s device. SEWER JUNCTION We FOLLOW POLICEMEN heading into the sewer tunnel.) We believe Sergeant Smith was the first officer there. CONSTABLE CLARK (V. They spread out to seal the crime scene. SERGEANT Oi. 125 FLASHBACK . CONSTABLE CLARK (V. and a GUN slides into his hand by means of the same device we saw in the carriage scene with Irene. BANG! 125 .O. SERGEANT SMITH sees a POLICEMAN leaning over the device.) Shot in the head. what you doing? The policeman looks up. 2/2/09 116B.SHERLOCK HOLMES .O.

THE POLICEMAN removes a small receiver-like object from Blackwood’s device. 2/2/09 117. CUT TO: FLASHBACK . Excellent deduction.Rev.complete change of demeanor -. Holmes pulls his coat on. HOLMES Wager. however.. Holmes and Watson look at each other -. Watson. The dog has regained its vital signs. CLOSEUP ON HOLMES AND WATSON Piecing it together: WATSON I’d wager there’s a piece missing. sir. BACK TO PRESENT Constable Clark nods.mind racing. HOLMES Where is Blackwood’s device now? CONSTABLE CLARK The secret service has it. everything’s going to be all right. I thought those days were behind you. They’ve taken over the case.. there. WATSON There’s a brave boy. (PRESENT) HOLMES Were there powder burns on his eyebrows? Clarky nods. CONSTABLE CLARK He was shot at point-blank range.. looking concerned. There.SHERLOCK HOLMES . 221 BAKER ST. 126 INT. 126 (CONTINUED) ..

. the Driver exits. sir.. HOLMES Blackwood’s wire-free invention was the game all along. The MAN from the stairs pokes his head in. WATSON Watson turns to Holmes. MAN (to Watson) I’ve loaded the last of your boxes.. 126 WATSON Moriarty was after the machine not the poison. 2/2/09 CONTINUED: 117A.. HOLMES I’ll walk out with you. Mary looks at Watson who is clearly trying to curb his enthusiasm and interest. Well.Rev. A KNOCK.126 SHERLOCK HOLMES . . Holmes nods. It is undoubtedly the more dangerous and the more valuable of the two.. Watson nods. (wistful) Irene was just a diversion..

221 BAKER ST. puts a hand on his arm. A stiff beat. an understanding between the two men. Magnificent! They climb into Constable Clarke’s black mariah which pulls away down Baker St. Watson.. . MARY Try not to be too late for dinner with my parents and. We PULL BACK FROM the carriage WIDE and UP like our opening on Baker Street -. WATSON Take care of yourself.perhaps the POV of the raven. be careful. Holmes extends an awkward hand.. looks relieved and excited.SHERLOCK HOLMES . Watson A THE END . 2/2/09 118. Doctor. Watson moves to the open door of the carriage but Mary stops him. Holmes. She waves to Holmes as the carriage pulls away.DAY Mary and Gladstone wait for Watson in the carriage. FADE OUT. Holmes and Watson stand in the doorway. HOLMES Magnificent woman. 127 EXT. warm look.Rev. 127 HOLMES An honor working with you. Watson shakes Holmes’ hand.

THIS SCRIPT WAS PREPARED BY WARNER BROS. PICTURES SCRIPT PROCESSING DEPARTMENT (818) 954-4632 .

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