Mu 786.3 WOLFF. c THE LITTLE PISCHNA. PIANO. 1.00+BNG A.
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LIBRARY

THE BRANCH LIBRARIES

MY

3 3333 07078 2772

THE NEW YORK PUBLIC LIBRARY. AT LINCOLN CENTER ^-_,
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MY *
•'*

New York, N. Y.

10023

Records may be borrowed free for two weeks. No renewals are allowed.

A

fine of ten cents

charged Records must be returned to the branch from which tliey were borrowed.
t*tm isjil

for each

per calendar day overdue album.

will

be

.

CARL FISCHER'S MUSIC LIBRARY No. 475 THE LITTLE PISCHNA FORTY-EIGHT EXERCISES FOR PIANO Price LOO Carl Fischer INC. New York 3 BOSTON • CHICAGO • DAllAS • tOS ANGELES . a 62 Cooper Square.

.

• .ir^r-- --.WOLFF The Little Pischna Forty.Eight Exercises for PIANO Carl Fischer NEW YORK inc. \> "1 >. _^. IflftlT*!'' H CARL FISCHERS MUSIC LIBRARY N9 475 B. wj ii.

WOLFF. r'rT r ' li ^ ^^^=^ ^E* te*s grrrrm ^ I" ^r r T ^J J ^ Moderate ^ 5S* fsempre legato g 1 a. Each iiicasurf' B. Der kleine Pischna Vorubung-en zu Preparatory Exercises to PISCHNA'S 60 Daily Studies. die goniiic legato Verbindiing zwischen dcr letzten Note des ci)ieu mid der ersteii Note des folgenden Tak- tes a7tziizeigen. . ® 'f r B i^ F=i» ^ ^^ ^ ^^^ a ^ ^eif: r"rrrf r ^S tf r -.47 Copyright MCMVII 'n/ Cnrl Fischer. 4 times Jcder Takt 4 mal.!> c^caLLi.The little Pischna.. ^ ^>^"r iijJJ^'^JjI pS J i ^a m ^ ^^^H^ k-^^^'W^. Xeii^-York.) m l. PISCHNA'S 60 TUgliihen Studien.'ist 2M1 £ a) i/nt fe a7ider->vfirts gebrnucht. 11081. . - The small sliir_h<Te and clsp\vhcro_indioatcs a kgato connection bet'ween the ppr- Drr kleive Bogen mird hier und fcrt note of one meas- ure and the first note of the following bar. Mo d Prat o.

47 . 5 3 2 "' f sempre ' 4^3 2 ? *M=^ legato u± •4 au. ') r V r *f=»f j?^ i» —=— (•• £Ei ^ m ^ Iff: * - r' f Vp f # ^ Moderato. [Us 1 '^^ e ^" fetei ^ ^5 ^ a ^ S!^ ^= *t=^ ¥ I t^ ifJ ?^^ ' ^^^ ^# 11081.i=« ^^ iiee* ¥¥fTffff ¥^^f¥f-tt ^ .3 .-4r7-f.a: fetetei TyrTCC5 ^ ^^¥ . Each measure 4 times Jr-der Tnkt 4 mnl.

^^ Q i r. ^ ^5 f r 3 *^ lUU^ Jig ^^US ^J^ sempre legato 5^^ i ^ r r r '''^ 3 r r ' 't ^'^ 8 "r r f ^ ^ 11081-47 .4 Moderate. tt^tir^''^ S ^ i Y^^f^PffffrffPff^ ^ Moderato. 5. Each measure 4 times -4- Jeder Tnkt 4 -4- 7nal.

JlJ^ 1^ mt^ ajaj^j nnnJJi E^SS ZJC ^ ¥ i^ pfefe Moderate g iht ^ • i& « i ^g gjlXl? ^£j^ •^^lltf ^C££f ^y .rji:m JJ]'ji . ^mtf CILC/ ^' r e^ #-^ r ^^ 11081-47 .

>j: ^.Moderato - ^T>v r rrrrtr ^m^. i ^— 8.. Each measure 4 times Jeder Tnkt 4 nud. »7 J aempre legato m \^ "^ J J ' i ^ C£!d' ^XE/ rp^ '^ ^ L^/kfff^^ 11081-47 . ^^m ^ "^^Ca-^EJEj-" Moderato.

vyyrp. -f sempre legato ^\\ W^ J ^ ' ^i K ii£tfW££a'E^ ^^^^^^^^ s IW^^?^^ ^ te=p rr-ry 11081-47 .i^-i ^^ ^ii =^ mk ^^ ^ r ^ t< '^ll^hZlfJ^Z ^m fti==fe ii. r V'' tf fef^ F^^^fXj^ i 1 9. 3. ^^»^ 0-r0- 4 J' ¥ > J r iTp r r ^ ' ? P i >:yrBrVVTfrie Moderato.

s Moderato. 2 11. 4 10. Each measure 2 times Z i' 'I i J I J legato is: ^ ^ Jeder Takt 2 mal. f sempre '' f% ^U is: iiJ J- ' *tertau iLss rjsjyi^^^ ^S Jnii U iiJ ii 3 Moderato. ^ legato ^^ ^P=f k: *^ ZP ^^ ^ sempre ^B S i w-r f*^ i w ^ t ^J i fJ J J ^^ 11081-47 .

9 i ^ffi )jj tfjj I p =itefev Moderato. ^ T-n £^^ i 11081-47 .

- r .10 Moderate. J m 4 "^^M^ 4 i^^-^ '5 13. hB ' TJjjjT. ¥-Y^ Moderate. Each measure 2 times Jedcr Tnkt 2 mid. J J .J ^ Si^ y? "rttr i cte'^cxr^ ^ ^ ^ ^ H^ f^ &LL Tija-mj^ ^^ g ^ Cllhrr^' ^Imi [ fr s 14. T "r ii r r ^ ^ r ^f «. :i^ tiff j^4 1 i^ji ^ J^ sempre legato i S V iinKi-47 in. ig 1. ^ ^ ^^ ^sejnpre legato 3 ^ ^ E ^ .

11

i
§!

^S
i
fel

^ E^^
^Jqt

15.

^ ^
Moderate.
Eiach

measure 4 times

Jcder Tnkt i mnl.

%

4

^Au^ -d—
tool

^

i ^S

^'f sempre legato

^ F^S s^
s

*y
^
^

r r

Lr

r^
:

-

^ (^''^ »^'^

-

^j:?t3 jt7"^
r

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,]yffl73;Tp
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r:

^
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fei
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r

r

r

r ^r

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:^=»

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rrrr r r r r r

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a) This number fingering:

is

also to be practised with the following

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a) Diese Ninmner tnitss nuch sntz ffeiibt werdcn: ^

mit dem folgenden Fi7iger-

f
11081-47

^

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[71]

rrp

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p,

imrrn gT7i ;tt^

p ^m

12

Moderate
3

4

16

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ttff

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a)

Practise also with the following

finseriiif;;:
,

a)
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Man

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iibc (inch iiiit

dctn folffcndcii

Fmgcrsutz:

r>

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4 5
I

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4

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I

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5

4

etc

Moderate.
Earh measure
'i

times. _ Jcdcr Takt 2 mal.

Hold down
U081-47

'

all

the left-hand fingers.

Alle Finger dcr Ihiken Hitnd licgcn Itinscn.

li

u*.-^i

-^u

IS

m

^
(

^ pTH^ ui^ :ir-^^^ di'fn

13

1^

^^^^^^

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^fe

— —t [rts
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r-r^

r r

1

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M ^^-Wrri
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r

f_r r

^4r^Crj>jLrCr^^c:^Tj:f>jif^

T[^T sfrr
Moderate

18.

<

Hold down

all the

left-hand timbers.

Ai/c Fh/ficr dcr linlccn

Hand

/iCfiTii l/fsacii

.

11081-47

^ .t?3ro . s L^'-^ Lr-£s ^" r f r r 11081-47 .?l?^ g:g! .s Jeder Tnkt 2 mal d 9 d • d :s j| J empre legato f Jtt * ti* J ^ ^ » r J > g^ * i J i^ pp f in^'fj^ink ^ j^ -r^-m CT f ^ r?!.^ r?i^j^n7^. >P'*''''V: tie m ^ ^. •i Each measure 2 times E t^ 19.14 Moderate.

47 .15 W~^ 11081.

— Jedcr Takt 2 mtil. S 20. Each measure 2 times.< 1^ J senipre legato ^ ^^ llOSl-47 .16 Lento.

17 \l r f ^T \ r f r =P=^ .

^^ I a ^ 4 3 4 ^ r^ . allein.b ^ [> ? i. hand alone. Each measure 4 •2 .-^m s a j M * > j. Jcder Takt i mul.-> 4m4\. i ^ Jeder Takt 2 4 itial J jy^ ^ I (through all the keys. E 22.^lUl i: I P ^^ lie fe For the left ii^ g N9 33.j4^t^i ^^JCT3I3 I | l /jii «OT^ -y-^r H^n g ^ lit ]I^W . •Z 3 t-^" o f sempre legato Wn^ii^i MVf^ ^ h«-i ii fcn. /* 1 2 ^ ^ sempre legato 12X1 ^ .|J^ W ^ b 1 . For the right hand alone..IS Introductory Exercise to N? SI Vorijbung zu Fu7' die rechte N9 21.ib'>« 3 5 ^ ^^^^\^^^^^^^^ i ^ ffi^ 3 5 I t P « P i 2 i 4 4 W I ^^B 11081-47 . through durrh a lie Tonarten.\^i^ I ^ i»-tf ^ -o- i V- ^S^: ( l^H^^i t^t^t . I Each measure % times. ^ Moderate. times. Hand allein. diirch (die Tonartcn. Hand ^ Moderate. |g4 Vorubung Fiir die linke Introductory Exercise to zu N9 33.^.m -rr 3 P^3^ ?^ 21. K 1 7^ t4. {through ' all the keys.

^ f*^ . *' jp^ ci:!a /* 24.. 3 1 I =i3i i^tt i 3 ' j^iijj„jjjrTO^^ 8 times . 8 mat. 14 ^ f . • 1 . ^ 8 mat. f sempre legato »^ 14 4 times 8 times ^ . P i 2 I a 1 23. ^ .. -^^ «• ttpr rP^Pf. z 1 i# |£ #lke m. 4 sempre legato ^ ^ 3 1 ^ 1 I f* ^ Ma/. S^S Moderate. /" sempre legato )!:=»<•?. g ^it^i>qpifi>r fe^ i * J r*r r « gl« ^ ^i N^ p T - '^^""^^^gmr ^ $ 9'- i.^ r • it - ' --= > ^f f >#^' 4 1 ##-_• i>i ""F^ 26.TH] ^ /* setup re legato d=^ ?»?? .» a 1 Moderate..4' u^ J^it^C^ 25. 11081-47 . H times <? « ettee .3 I ^'m ^^J. «rrrr .. .4 ^14 4 **? ^ //w/. I .^^ ^¥ < ^ ^ i» ^^ ^^^g fefe tls | l . ^ll lt 4 I tif^ iiii i ti^ ^^ 1 iM %^ 77 prp «i Moderate. it i ^ J. rfejpi 4 1 kS 4 J *J 8- Moderate 4 .19 i ^P JzOl. 5 '^L-A .

4 inn/. t^T^j 28/ /* i ^IliillMiM^^^^ ^feJ^ ^ sempre legato ^ I ^< ^^^ agx^ _ *=PC rr^' J I =E -f i times. 1 .-:. ^<^ jT^^^-^ 27 /* . ?w^^^^«j5£*jE|yi|-»>f. /* Moderate..20 4 '• ^1 Moderate. 1 A 8 q 4 1 ^ 1 sempre legato 7>2^8«^r* faf]^ . ^^^yi^ 4 13 ^ 4 1 f sempre lea-ato trr * ^rr§ L 1 4 ^ :t I '• i ' ' ' :t I '« . Moderato. pJI^zi 4 ^< sempre legato Se -^ 1? » »* 1 times. ///«/. »j *' '» ^ " g>. i 1 3 (8i»^ * . 4 mal. IIOM-W . ^ ^* irr. Moderato. ^^^^M E^^ ^^^p^ 29.i Vkl ^tett^. 5^ \ ~jf^ I timrs. 30. Moderato.'. i i/inl. ^ ///ff/. ' 3 times.\>%l H 3 I 4 I '» f^l tinii's.

j /* : j j jl^ L±—Ld- b^ i | 2=^ ^* • » . tJ t^ 3 P a i l^s^ I J !?^ wgljj ^^ — ti — •r—^ W ^^ L 3X1 11081-47 . N9 33 for tlie risjht 4 5 ^^^ ^^^ ^^^ j3 hand alone: a) //// die rcchtc 4 b) fiz JJJ J.J I r?i ^fpf5p J J —— J — :. Hand « Vorlibungen zu itllein. fc p Ir f N> : c i I I sempre legato ''#^ HPPPPC F i- I I 1 I 4 .in all the ^ ''[^ //^ alien T on a r ten keys. Moderate. Each measure 2 times. . for the left hand alone: bi fiirdir linke Hand ulleiii.^%l%Z ^ g ^i "J. \i)L alien Tonarten .21 Introductory Exercises to a I N9 33.! r- tff:ffF7p#tf cn^7f^'ffr^f - U^l. q « ^ * J 4 m-^ # F. » J *J * J »J » ^ [t> 9 sempre legato ^ WTj J »Jj|=«^=^ £= ^ * " .-> 4 It H r1^rP 1 ri: ^M %lfltfi S i Z%tf^. Tf^ 4 in all the keys. 5 -i ^1 — 4 I I I ^ b rf*' 32. 4 1 Jedcr Takt 2 nial.

^ ^^^ C ^'F P P P I ' ^ sempre legato V(^ F 3 F F F F ^^ ^6!3zfee ^ Nt ' pg^^^ ^ ^g lr=^ fe . Moderate. i 5t=i 33.^p ^. Voriibungen zu N9 33 Fiir die revhte Hand allein.. m'^i^^i^ ^w^i^. ff^^ffff^ f ^ ^ ^ e'~l>. For the right hand alone.#f. vj^ ^p p p CVfr- J"^^^ f F rii "Ff Ff^r f d ijjj^ ^7[jE£f L[ffTfe' gfhf?^' '^ 'y-l^^^fffUrf ^^V* m y^fyffi.oo Introductory Exercises to N9 ' 33..»ff^g~Tfr je iiosi-47 .f.m ^ ^ em. i. 5 ^^ :43s g?^' 'If^^^f^/^ffrrrrr^' ^r f 'Tfrfrrr .

T ^ 54 t :i * 5 Moderate. fe4 ti> r r ^ ^f?=£ "Tf i b> [^^ i # ^ ^ ^ ^ ^ ^ 'Tp ijf • I2=K - #• p f p a ^^ ^ft.tif p f p^itg p 11081-47 .Introductory Exercises to For the left N9 34. a) 'Yo iTT3JJ3JJJJJJJJJ|J »?^J^. Voriibungen zu N? 34.jr i itc. Fiir die linke Hand allein. Z=K i> prp"Tr • r • te£ i t :^ £ fe£ ^ g . hand alone. ^—-^ " ! ^ J /J 3 J 3 ^ ^: :^' -^' j l > » ^ J 3 I"* i ^a ^p^ ^ H « 3 £SS ^^ tt i ^M: fP E ^ •' i^^ I If^ tei =E ^f fei ^ I e y r » r.

i"'"vr r —— t I >- 5* g »v...24 Introductory Exercise to (Right hand alone. Df r iir = r ife bt 41.' 4 '4 4U '4 iU^^«i^^^*JL^=L 110Hl-'»7 . ii 'it*'* s^^^r^^a^ r r ^ r ' gfe r ^r - s fct. \ 1 Vorubung (Rechte \ 1 zu N9 35. < ^ 1^ jr sempre legato ^3 S times A' ? :i I i / /««/. •' ' -I 4 i 1 :i.) 4 Moderate. i 35. l^gffM'l£^ j * :i. Hand allein. ii» ^^ £ J»« ^ g ^ S fcEE^ -^IS^ ti pf!f5ti:^«r^r'"zjj JK^t 4^-^-^ Se ^ .) N9 35. .g=qg M .

pa 1^ r ^.— 8 mid. ---__1 I Voriibung-_i_— 1 zu N9 36. 35 (LinAe Hand allein.tt »tt'j.) Moderato.Introductory Exercise to (Left hand alone.. ' \^ H ' r4- m^ ' ^ I • !'! iEi » 1* J :^ 3 Sac p .*'r . ii J ^ i-J ^ 1 ^ = f '^ =f^ r b ti " iZBI r ^ 1^ ^-^ i 1 1 ^1^^^ 11081-47 .li^ "^ ^J ' ^^ ^ ^J 3E3 P ^ — 9- ' \.< 3 5 1 5 2 o I 4 * /* i '' J ^U ^ ji-J 3 sempre legato H times. m.) N9 36. i 1 4 K 36 .

tf S ..l. i fe ^ * *t.26 Moderate. .'^fi'''"^r. 4 3 . g ^^ 4 14 1 j-mrriT^ i. ^ 4141 ^ ^^ ^^ ^ M 'Ju^Xlx .. S times * }niil fe ^a*2 ') 4 '41 ttf 4 ^ 'fflf^hF^. » ^ fi g:b'rf^'^ . 1 >_^ "~1^^^i 4 ^? .* ^ ^g ^£ t. l>. ^ i^ £f g 11081-47 .^r' i r«d!i^'rrrv ^ r ^ fe E§E Fff. b* b* U "g ff«^ V-+* £ ^^^^ 1..??1 3 13 13 '* 1 y T nr r r ^r ^^ r r r ^ 1 i l*^^ti^*^ I ^^T^f rf^^ ^ :*=« 3 e ^"^3 t? s it ..^ .

aa-^ 1 3 1 P te rffl^ii^ iirVrr'r^.^ I'* hjL IjA g * I £ *''£ C ''£ frf ffrf S rrf fc rrrrrr * * P i i . < f I se?npre legato I ag n r r "r <jf= .jHar-ijiai. !># „ !.B^ 4 Moderato. 3 I Ibid 4 I I W i I S7 38.> ^?: \ t 55? s V ^ ti^ ^fe ^ ^^ t^r f -f s i ^ b#- ^ U081-47 .

Each measurt.ZH Moderate.47 . 3 vm m .2 times Jcdcr Takt 2 niiil./J *)Practise this number also legatissimo: liosi.

^^ ^ ^E^^ fe r ttrjffrj ^ vJ f r r. i ^ f^ . 1 ^fe.Moderate. r^ Ljrfr. ^^g *i • ^ 1 ! 29 i 1^ it^* 40.| *aP^it^ * * a1so ) /^/r'7 f /.ss I'rn o pt: ^ ^ f^^'I.^ s ?i ^ I** f s^ i^ ^ ^ a i^ ^ l. 11081-47 .^lf.J^ ^^ ^ ^ fe ^^p3 jr^^jT^ i£ te -''- ~* i *)Ebc)iso Icgatissimo: l #^ "f rf J i rCr-.^ I » f. *) ^ i^ •n^rrTTT setup j-e legato ^^m ^ £ ^ !. Each measure 2 times 32m: — Jcder Titkt 2 innl.

:!f *) The fingering shown in brackets is to be used the scales are practised consecutively. 1 41.M. . wenn die To7ileitern hinteremander gei'tbt werden. 11081-4? when *)Der eijigeklnmmerte Ftngersatz ist zu nehmen.r»f^ri::ci^tf.30 Moderato. ^W -F sempre legato 4 times 4 tual.l>-*l'f« ''fsk >tts^e* ettitt t. .

'gSel^e S \ - \?...Mkfi S^teii*ii^ l\^^Mkt%t . ~ '^^^ \?^ -^ ^^ ^r>p^ g^^ ^ l^r^:}^l^^ s it^ ttj^ M ^# . p Up e i^f^ Ilis (i 1 <5 ^^ 11081-47 g ^g g i ^ ^ f r f r .1.

Tonlcitern hintereijiandcr geiibt n^erdcn. i2 42. ^ w^/ ^ ^^^f^ ''^ f^S^P'i'^? S 1 ^ P Mr^^^ C^^g^J r Iti m *=* (a) ^ *) The finffering shown in brarktts is to be used when *)Dpr cinffcklammcrlc Fi7i<Tfrsnfz fsf z// 7ichmen. U081-47 .33 Moderate.tve)ni dip the scales are practised cousecuti%'eIy.< fsempre legato ^ _3 I * d 4 times.

33 ^ m^m ^r^rJd V r^^'tVff J 11081 - 47 .

wenn die To7iletter7i hintereinander geiibt werden. ** 11081.47 .34 Moderato.: r ii '^r ii Am g! when The fingering shown in brackets is to be the scales are practised consecutively. !£!f_ f ffer i ^ r^ f 4 f^ f^ ^ttf Z% ± fuJiiffi^etf . used Der et7igcklammerte Fiiigersatzist zunchmen.

.9 a I .bj...l'g'lg^g: ''jl'ffl'iJ: ^5te«ste*i| g ^i''i^i8f I s- ^ w ^ 11081 ^ ...a..^'^i j^ ^f: --4 feH — 1 :t#|. I i>. ^ •tefe ''g=i«ft ^^ J* i ^^rf^f^f^f^- :!'** ^b^p.. it^^ 4- fe m f -= - ^= H i £ £ ^ r f M 47 . a. Q X .35 ^^^^^^ .. *^^^^B — fe i * it g tr r r^ ^^ ^ ^ f rttr p . tt -te.

wenn. . 11081 . die Toiilcitcrti hititcrcuiaitdcr gciibt wcrden.36 Moderate 4 *'' The fingering shown in brackets is to be used when *-' the scales are practised consecutively.47 Dcr euiffcklainmertc FinfLxrsatz ist zii nchmen.

11081 - 47 .

38 Moderate.^P%f.l iie:%* 4 1 • |»^ Jfch^gf/Efif l gt^mi^jrM 11081-47 . 1 4 4 1 4 Lt.

p .

m 1 - #^ = l '\jrmf)f'Trf7Tij jrUii-ni'i.40 Moderate 4 Et7.rrr7riiiP| ftUi einf 'gt ^P O^j^LffTy^^r^J 11081-47 .

iJ^^ P '^ ^TJ^ w^'f^ ^^^ £: m ^-£^ w^ ^ fei M ^^ ^ ^^m 1 ^? Y^ff-ff ^^' 11081-47 .8- ^^^ Si J jJ g^£.

'> ^ J ''- sempre legato ^r '^ U4^ OjJ^aiT^&j^ . Moderate. !'? ^ P 47.43 ivioueraio.£: i^^i^^^^^'^ "c^^'>U/jTr-JD:inu:i'rrj^ E jj^^ ^^ St JJJ^E^ ^ 1^ 4 11081-47 • T 4 . b-«ff .

j 1 jrJ 1 i 4 .8' r *4 #^p^ 11081-47 p./j. ^ I ^^^^^^^^^^^^^ .ji'^oi':j^j. r f ifrrirr^^ ^lrj£i:jf ^ i^ijjj^ I 'f i ^ji.ni.43 ^I^C^ ^^^t^ r n^t S.

48.44 Moderate.' 11081-47 .

I^H?" F^14LL^ ^ 11081-47 . s te 4 u s s ylf .i ife .45 n^..

Major Scales.. Dis moll. Gi minor. g^ifl^. Db major. C dm: A minor. Et major. FH major. 3 4 E major. 1 1 . Tf liLa' ^ jjjj^r J j J rrmter ^ ^^ i ^ i B minor. F minor. H moll. Cis moll. Es ^ C minor. Ct minor. Des dur. Melodic Minor Scales. f-' ftrr ^. B) Tonleitern. Gdi/r.n ¥n}i i B major. E moll. Amoll. Left hand octave lower. . Bur-Tovleitern.^ . Die li7ike Hand ^mm^^^^^ G major. Melodische Moll-Tonleitem einc Octave tiefer. Gis moll. A dur.^: dur. E minor. Fis dur.46 A) Scales. -^ «-»- 11081-47 . Bb minor. H dur. Fmoll. C moll. D dnr. E dur. 1 C major. Fis moll. J^jjjjrn^'il D major. Fjl minor. m j 2 3 1 jjfflprr -*-» —>—» 1 V 1 • J*. B moll. ll» 3 DjI minor. A major.

. 1 A moll. [^l^. C moll. ^^h]^ C minor. Fis moll.. . D moll.^3 I Q-T^ jfl ^^m 1 B minor Hmoll. F major.NlJill'" Et minor. Cis moll.47 Bb major.l. B moll. F| minor. 1 1 D minor. Chromatische Tonleitern. G% minor. i^ Qi% minor. B dur. Fmoll. F minor. ^^ 4 C) Harmonic Minor Scales.*!^?e ^»4^ G minor. F dur. Gis moll. j 3S ^PP^ E minor. Es moll. moll. Emoll. '*A ^^ T^]l^\\'^^. Harmonische Moll-Tonleitern. 2 . D) Chromatic Scale. 2 2 '^^\>'i^l\. 3 1 312 31 3 ^^S^A 12 3 1 3 13 12 1 12 8 4 8.-/EllTYeFb:iiOniEW\ G G minor. Bl> ^jijii minor. Gmoll. -. A -4 minor.

I »Tff l . 23 45 3 5 3 5 1123 3345 1 3 5 ll33 3355 i « *^ It lit . 3 5 ^ 2 4 H i bdjui 1 o 5 ^i^ 23 45 132 854 L * « 5 3 ^'' 3 a B * 4 ?2 * 4 1 3 « « 'T 23 45 132 854 rll: 3 5 3 5 3 5 2 4 11 33 f F F 1 s • n trlir-F 3 6 ^ 3 S 1 3 6 3 P» 53 1 « ll -tiJi'. 3 1 35434345 1 3 3 -i I 2 I Z 3 113 3 5 5 8 2 153543 3 1 4 X 3 Z 1 3 5 5 ^'54! i^j<Trf-r i 3 5 * B s| ^3 5 i ^ 1 1^ I 3 I S 3 4 2 3 i 854 1 8 2 45 2 3 # I. 1 :| 3 5 4443 2 2 2 1 3213 6 4 2 4 3 3 !. % 5 4i^ f^ff T 3 5 3 5 2 4 11 3 ^^^^ 3 B 3 6 :H:by'P ^ 2 2 IP 3 & 1 3 445 r 4 2 1 1 3 3 3 4 3 it fl-ffffpf 3 P :ih .i 3 5 B 2 » 5 3 ? 1 P .. t 3 r 1 ^ 1 F S3 8 tot^ 3 B 3 233 455 5 3 11233 33455 4 i 2 1 11 S3 1^ 1 3 1 7 3 .iip» p trYff PM^f #»F»F» 'fYffTffffm .48 Scales in Thirds.. 3 1 Terzentonleitern. » .

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Very Easiest Exercises 666 Library —Op. Nachutiicke — Op.00 689 256 726 690 725 672' 81l< 547 Gurlitt. 23. Passage Playing 1.00 —Book 75 75 75 75 75 719 710 711 Words — Op. The Al'. Melodious Pieces 75 665 —Op. Sonatas. 12.50 370 381 —Op. /. 36. Lyrical Pieces. 636.60 722 922 176' Schubert. Op. One Mozart. 139. One Hundred — Op. 24.00 minor) (Eckstein) . Practical Method. (Eckstein) 1. 75 737 —Op. Little School Vel 350* —Op. Op. 15 Studies in Style and 75 Expression 514 —Op. .50 1.75 Pischna.25 75 254 5 2-Part Inventions 75 255 15 3-Part Inventions and Fugues .25 3.60 Vol. 2 1 4. 109 (Eckstein) 889 743* 744 924* 309* 302* Chopin. 718. Twenty-Four Piano . Studies 328* —Op.50 1. 15.50 510 —Op. Nine I. 83 Easiest Velocity Studies for Beginners Hanon. 25. 76.00 Complete II Studies for Beginners Book I . 365* —Op.. terity. 304 Bach. 1. 151. Op. 65. 8) in B Minor 1. Scales and Elxercises Young 475 • Wolff.S. 20 Etudes 75 6% —Op. NEW YORK 3. CHICAGO COOPER SQUARE.50 Op.25 487* —Op.50 484 1. 1 .75 540 Concone. Vol. . 25 Mel. —Op. I 278 417 279 561 —Op.25 1.15 Etudes de Style. Book 29.00 362 Diabelli.. Op. Op. 60 75 75 1. 105. SO Selected Cramer-Buelow. Waltzes 519 Brauer.SO Childhood. 25 Easy Studies Twelve Preludes and Little Pieces 24 Studies 60 75 75 75 656 60 60 919* Brahms. — Bertini. Elem. 75 1. . 61.00 1. 2.75 .OO — Loeschorn. 2 Noveletten — Op. — Symphony 15. Op. 450 Le Couppey. 821.75 75 75 75 75 380* Koehler. BOSTON P43 Inc. Kreisleriana — Op. 17. Teacher and Pupil..60 Low. First Lessons 60 917* —Book 1 60 9I8» —Book II 75 562» Bach Album (Heinze) Beethoven. Op. Sonatinas. 120. 24 Studies 100. 47. 6 Sonatinas 75 388 —Selected Studies 1.75 Short Preludes 5 6 Bach-Busoni.00 1. Book I . • LOS ANGELES DALLAS Lithographed in U. Practical Method. Six Octave Studies.60 599.25 No. 299. Concerto in (Ruthardt) 2. Op 45. . . 4. I 1.00 . 740.00 Practical Exercises 261. 64.00 G I Minor 1. 149. (Freed) Op. Peer Gynt Suite 1 1 1 1 —Book V —Book VI —Op. Etudes —Nocturnes —Polonaises —Preludes (Eckstein) Hundred-Sixty Short Exercises 1.25 361* Duvernoy. 712 —Complete 2. 15 1. Op. 525 521 No. Vol. . Op.. Kinderscena —Op. 66.and 3-Part Inventions 1. 30 Prog. 68. 50. Schumann. Ballad (Pinter) 75 3 5 —Op. 157. Op. Op. Studies 60 423 Grieg.. Impromptus (No. 168. School of Mechanism 75 506 —Op. Studies in Mechanism 1. works and Library Library No. 242. Up. Vol. First Studies 75 .. 2nd Piano Con2.50 509' Sonatina Album (Koehler) 363' ' Streabbog. 37. LAgilite 323* Lemoine. . 327* Heller.75 Schulz. I 190. Op. Twelve Studies for the Development of Velocity 75 75 75 75 1. 12 Easy and Mel75 39. 60 Dally Studies 1060 Rachmaninoff. 12 Little Studies 480* —Op.25 60 Young 1. Exercises 920* —Op. 30. Studies 63. 46.75 — Op.00 1. 1. 20 Sonatas. 39.50 1. 100. Op. 68.SO 338* —Complete 75 339* —Book 1 7S 340* —Book II 341* —Book III 75 342* —Book IV 75 465 —Op. 553. Sonatinas. 20.00 certo. 90. 36-37-38 589* —Op.25 1. 2-Part Inventions . Op. Album for the 16. 31. Sonata (in E 1.00 —Booklll Berens.. The Virtuoso Pianist. . Sonatinas 1. (Eckstein) 921 • —Op.75 75 75 880 208 343 310' Lichner. 12 Sonatinas Op. Op. Op.75 897* 75 3-Part Inventions 898 Bach-Carroll. 49. for the Album 75 75 and Elxpression 320* Herz. 60 1. Newest School of Velocity. 32. odious Studies 609 75 Tchaikovsky.00 324* Burgmuller.00 together with Scenes from l. 25. —Vol. 25 Melodious Studies (Eckstein) 75 483* —Op. 1 60 60 1. 11. School of Velocity 374* Kuhlau. 684* —Complete 728* —Book 1 729* —Bookll 730* —Booklll 714 Haydn. 1. Carnival.Selected Music for PIANO from the CARL FISCHER MUSIC LIBRARY The Carl Fischer Music Library is a universally accepted modem musical edition of standard compositions.A. —Book 1 Studies for the Left Hand .00 Young —Waltzes dementi. 2-Piano Score 15* Schmitt. Five Finger Elxercises . 25 Studies for Rhythm . Y. 12 Melodious 75 383 —Op. Scales & Chords 9. N. Op. Progressive 396* 390* 391* 392* 394* 395* —Op. Op.. 25 Easy and Prog. Little Pischna CARL FISCHER. 46. Albuin for the Complete — Op. Sonatas (D'Albert) 1 — — — — 1 l.00 Mendelssohn. 522 523 524 371 —Studies Complete — Bookl — Bookll — Booklll Book IV Czerny. instructive classics. 300.00 4. (Eckstein) 473* Vol. Op.75 482* —Op. Songs Without 801 802 322 —Vol. phabet 466 —Op. 60 60 1. 849.25 2. —Vol.50 1. Etudes Enfantines . 24.00 Art of Finger Dex3. Preparatory School of 75 Finger Dexterity 685 Op. II Vol. Exercises 329* -Op.

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