Shinden Fudo Ryu Dakentaijutsu

List Of Contents
Kihon Waza: Beginning Techniques Dakentaijutsu: Striking Atemi No Tanren: Proper Body Conditioning Ten no kata 8 Techniques Chi no kata 8 Techniques Shizen Shigoku no kata 10 Techniques Kuden: History and Traditions

Shinden Fudo Ryu Kihon Waza
Tatara Ken
(Secret Fists) Fudo ken (Spiritual blade)

Use the clenched fist for punching, and striking NOTE: The fists involve more than just striking with the hand. By moving the legs, the speed of the fist is doubled. Sweeping fudo ken as you walk to kage. NOTE: Here rather than punching with the hand, bring the leg forward first and throw the fist at the opponent. This; is a characteristic of the fist of Shinden Fudo-ryu. One punches in a straight, natural manner. This fist is not twisted here. Thus, for instance, when punching the opponent's throat, the punch is set up from here. It is already determined here. This makes the punch strong. Then launch forward. NOTE: Here you walk forward, opening to the side based on the manner of walking, at which time you punch naturally. This punch is for when you are walking past each other.punch in from below. You punch naturally. Walk naturally in this manner. Shifting to the side, punch with the fist. So you do not punch straight. You walk like this and deliver a vital point strike in a natural manner. Walking like this, shift the legs a little and strike. Shuto ken (Wake up rolling strike) Use the sides of the hands, with the hand open approx 60 Degrees. Snap the hand open on impact. (The strike is used a lot.) Shako Ken (Claw strike) Use the palm, and the fingertips to strike and rake, then change this into a fist. Note: In this five finger fist, the five fists of the fingertips as well as the one fist of the palm hit the target. Also use in a slapping motion. Kikaku Ken (Demon horn strike) Using the thick bone on the forehead, sides, and the back of the head, in a smashing butting action.

it is very dangerous if you don't land feet first. The fact of the two swords is important. Juji Geri (Cross kick) Kick the foot across the other leg low as walking. The heel contacts first. Put on a sword. Zenpo Kaiten (Forward roll. and thus one proceeds to toughen all of one's body. Put on a long and short sword. one leg and two leg kicks when one's balance is upset after a single leg kick. Of course the fists rest on the attitude that "I am a fist". Note: Next. not as a snap kick. Note: The break fall here is very important. Sokuyaku Geri (Sole of foot) Use the bottom ball.Note: The forehead is also a fist. When thrown with a back throw while wearing a sword. heel (sole) of the foot. to shove into the target. Break the fall in this manner. relaxed) Koho Kaiten (Backward roll and push up then tobi for distance) Atemi no Tanren (Body Conditioning) Trees: . That is how one trains. Taihenjutsu Ukemi With a partner do hip throws while landing on your own feet. you have to come in between the swords. When you come in here. one executes a backward roll break fall.

Grabbing the core of an old tree and pull it out. one would train using the bamboo to increase one's power. Note: Then one must condition the fists. making use of this bamboo's elastic force is very significant for strengthening one's body. . Climb tree and strangle with legs also dropping back for a type of situp. This nice sized tree could be used to toughen the forehead. Note: Before all. one breaks gradually. doing body strikes against a tree. Becoming able to sense such things is also part of the training. Note: Walking through a bamboo grove one practises the unique kicking method of Shinden-ryu. Here. This is training in take-ori("bamboo break") kicking. Note: Then one tears bark off trees. knowing nature is the foundation. One walks and kicks without stopping. First one must condition the legs and hips. Note: One uses trees to practice the do-jime torso srangle.Use fallen branches across shoulders to swing and strike trees and to lift as weights to condition hips and legs. This is similar to tearing human skin. Use young trees. The ganseki-nage differs depending on direction. Make full and proper contact with tree to build up striking power with strikes and kicks. part of a withered tree broke off and fell. Thus one trains by using the things of nature to make the body strong. with a series of blows. Note: Here. Strip bark from trees with shako. rather than breaking at once. Juji geri to trees as walking. rest arm on them and force to bend by stepping in all directions. Discovering such possibilities. Breaking old branches with shuto. Thus one bends the bamboo while changing position. Step around a tree as if to throw. Note: For the taijutsu of ganseki-nage throws.

step mae migi putting other arm between A's hidari arm and butsumetsu. step between legs. step between legs. One would foremost use the things of nature. Beginning Techniques 1. strike with shako ken to doko raise both arms into hira ichimonji no kamae turn away from A and pull in to drop A at your feet. Ganseki Otoshi (Dropping a big rock) A: Migi tsuki D: Fall ushiro to uke. or grabs and holds. strike with shako ken to doko raise both arms into hira ichimonji no kamae turn away from A to nage. Ganseki Nage (Throwing a big rock) A: Migi tsuki D: Fall ushiro to uke. 2. Nichi Geki (Solar Strike) .Note: One grabs and crushes. step mae migi putting other arm between A's hidari arm and butsumetsu. a withered core inside a big tree. Shinden Fudo Ryu DakentaiJutsu Ten No Kata (8 Techniques) (1 technique/2 henka) 1. This training increases gripping strength for chokes or seizing muscles. Note: For training in the ancient teachings one did not build a dojo or make training tools and then train.

attempts seio nage. D: Reach ushiro and dori scabbard with hidari te. D: Hidari shuki ken to butsumetsu. The opponent comes with a back throw. attempts seio nage. D: Cover migi te. force tsuba into kage with migi te (or if unarmed fudo ken). Moreover. bring back to dori A's migi te. 1a.while wearing swords. there are no set postures. This is one possibility. Strike in here with the elbow. Stomp butsumetsu to finish. This way one can control the opponent using his swords. Nichi Geki Henka . D: Hidari te between himself and A's knuckles. a vital point attack results.while wearing swords.A: Kumi uchi. One can choke here using the swords. Note: In Shinden Fudo-Ryu. 1d. Here it is important to drop the hips. This alone can defeat the opponent. Nichi Geki Henka A: Kumi uchi. Nichi Geki Henka A: Kumi uchi. Nichi Geki Henka A: Kumi uchi. Note: The opponent grabs and goes to apply a technique. Or. drop body weight. keep knees next to knees. attempts seio nage. to find the opponent's weapons. as the opponent comes in. hidari giri to migi yaku to take down. take his scabbard from behind. Here. the sword guard strikes into the ribs. this right hand is the trick. migi te lies on top of other arm palm facing up (does not mune dori). jime with migi te pushing shoto. One uses it. 1c. Note: The opponent grabs you and goes to apply a technique. Body change becomes the postures. turn anti clockwise. for example. Let's go to the next. place migi foot behind migi foot (keep knees bent) push tenmon to nage. Note: The opponent comes to apply his technique. but the hand is even more important. 1b. lift migi te toward tenmon. Using this hand. His sword guard hits a vital point. attempts seio nage.

twist head to throw away. 2. This is one possibility. Then strike the opponent. Step across with your feet. Here you can break his back. to break back and nage. D: Cross migi te over and (a: fudo ken to asagasumi) (b:) slap asagasumi. Take him like this. From there. attempts seio nage. going down with your leg. Note: A strike to the shichibatsu vital point. Note: This time the opponent comes in to throw. or D: Juji no kamae to mae with hidari leg. Move like this. hidari te under to use bottom of fudo ken to strikeshichibatsu / koe area. (c:) shuto ken to uko. attempts seio nage. Then turn him around. You use a head hold. fudo ken to asagasumi.A: Kumi uchi. Note: Take the opponent in this manner. From here. without striking the face. D: Migi fudo ken to shichibatsu and control migi te with pressure. Let's do another one. take him this way. Nichi Geki Henka A: Kumi uchi. hold other side with hidari te to jime. This is a variation against a throw. 1f. D: Juji no kamae to ushiro to nage no kamae. Once more. Nichi Geki Henka A: Kumi uchi. pulling back with the hand. Gekkan (Moon Liver) A: Migi tsuki to tenmon. attempts seio nage. 1e. This too makes him submit. This time move in the other direction. . strike in and choke. walk around to take down ushiro. Use your legs.

This is one point. When throwing. the opponent is forced to submit. This time you are both wearing swords. The opponent falls forward. The sword guard goes into the ribs. pull katana to nage. pull up to matsukaze and tsuki asagasumi at same time. If you lift the sword it becomes even more painful. 2b. Note: The opponent comes with a punch. ~ That is why I moved into the space between the hilts. as you can see. Then pull him forward with a broad movement. Gekkan Henka A: Migi tsuki to tenmon while wearing swords. . D: Hidari uke (glide type) and dori. 2a. falling across the arm. the opponent displaces his own ribs with his sword guard. lift the elbow and come in with the knee. stepping back to take down (optional breakfall over arm) (option if he is wearing swords. when the opponent is wearing swords. If you want to do something nastier. From there. migi te to katana. Bring head down and choke. Then as you lean on the arm it becomes painful. In such a case. use the hilt like this. In this way. He punches. Here. hidari te to keichu tojime. Then turn to the side. just some simple techniques can be very powerful. Then throw. you can break it. Now use the other sword to stab. migi tsuki to migi uko and dori (optional shuki ken to asagasumi) migi giri to gorin. Then as you take the opponent's shoulder. Note:The opponent comes in. Move into here. you cannot kick with your feet.D: Hidari uke (glide type) and dori. The opponent punches. the swords can hit you. Gekkan Henka A: Migi tsuki to tenmon while wearing swords. The arm is the crux here. Strike him with this. The opponent punches. If he comes with the other hand. you can avoid the strike. Move in and kick. Then draw back. with an elbow strike. Avoid. From here. Dodge by avoiding the strike. move into headlock with hidari leg mae. lean on arm and pull on scabbard) (option if you are wearing swords draw and cut neck). draw back and kick. Then as you lean on his arm and pull on his sword. Moving forward across it. Then choke. When you move in here. move in like this. fudo ken to happa and finish in gedan ichimonji no kamae. This is important. Then bring down forward. twist head. This type of body movement is important.

koho kaiten to finish. take his scabbard.c. Then take him down in this direction. Then eventually you can proceed to draw. tobi into ashi jime. Then rather than taking the shoulder. Then draw the sword. D: Dori katana. tsuki to tenmon with base of migi fudo ken. push katana ushiro. migi te to scabbard and pull around to take down mae pulling on scabbard lean across and pull up on sword as well. finish withkagato ken to shinchu. D: Ryote dori daimon. raise arms ryote dori daimon. tobi into do jime. pull ryote yaku to chi on back. . D: Go over hidari arm. 3d. tsuki to tenmon with base of migi fudo ken. 3. migi jodan) ryote mune dori in jime. When you've moved out to a distance. 3a. Cut. 3b.When squeezing from outside.D: Hidari uke (glide type) and migi giri to gorin. Fubi Henka A: Cross hands (hidari gedan. D: Move head from jime. Fubi Henka A: Ryote mune dori. migi jodan) ryote mune dori in jime (with swords). migi jodan) ryote mune dori in jime (with swords). Note: When the opponent comes in wearing a pair of swords. hit hijizume and push Note: Some people say that when the opponent is wearing two swords you have to squeeze from outside. Then squeeze like this with the swords. drop weight. you can do something like this. Fubi Henka A: Cross hands (hidari gedan. Fubi (Brought down by the wind) A: Cross hands (hidari gedan. come in with a kick. if you take the swords like this he will stagger back. and holding him down.slide down. draw and cut neck Note: Punch.

D: Move head from jime. migi te on top. Fubi Henka A: Cross hands (hidari gedan. dori te's. step under to migi and sit on A's leg. take hold of A's migi fingers and pull out to migi. you have to lift the sword as you go to grasp. Uryu Henka A: From ushiro. ryote dori daimon. D: Otoshi body weight. stepushiro onto migi knee to nage. you can throw things into his eyes and the like. migi jodan) ryote mune dori in jime. drop weight. D: Pull arms down. step around entraping their body between legs and push over on hadome to push head into chi. lift his swords as you grab his shoulders. lift te's. step ushiro with hidari foot behind A's migi foot. bringing migi arm over into ura gyaku. dori migi te. half neilson. tobi into do jime. lean hidari. koho kaiten. 4b. tsuki to asagasum with katana handle. 3d. Press in here. press into gokoku with thumbs. Note: When the opponent comes with a choke. step migi. pressure into santo's. and skin. Rather than just falling. Then come in from behind like this. go into ura gyaku. Then fall back and get right up. walk to nage . grasping his shoulders from inside in front is one technique. let go hidari te. D: Otoshi body weight. D: Ryote dori daimon. nage no kamae to nage on head. 4. Uryu Henka A: Ushiro bear hug. When he comes to grab. Squeeze his torso and press down on his jaw. Note: When the opponent has come in like this. Hit with the hilt. Then leap like this. Uryu (Rain dragon) A: From ushiro. slide down. half neilson. 4a. under arms to uko. grab and nage dirt to finish. raise arms push katana. There are many variations when the opponent is wearing a pair of swords.

Unjaku / Hibari (Cloud sparrow) A: Migi tsuki to tenmon. . From there. . Note: Next with your arms up high. 4d. 5. dori tento. nage. Here. hit him with your knee. step around beside into nage no kamae again to nage. rather than trying to escape. dorimigi leg. Holding with the fist. A: Otoshi migi mae into nage no kamae. Uryu Henka A: From ushiro. D: Otoshi migi mae into nage no kamae. 5. Unjaku / Hibari Henka A: Migi tsuki to tenmon while wearing swords. migi fudo ken to asagasumi. you can pull like this to throw him over. you press into the gokoku vital point. He also gets your neck. You can't use your hands. NOTE: Use this to parry the opponent's punch. This is one version. Let's go to the next variation. I let it go because it hurts. half neilson. Unjaku / Hibari Counter D: Migi tsuki to tenmon while wearing swords. Move like this. keep hold. Press down. it is important to bring his hands down. Get his leg here. D: Slightly draw sword allowing them to tsuki handle. Note: The opponent holds you firmly. Then throw him forward. hit with sokki ken.Note: From this hold. ukemi on A to crush. 5a. pull. migi te dori sleeve under hidari wanshun. From there continue with this hold. Uryu Henka A: From ushiro.D: Raise arms. migi fudo ken to asagasumi. D: Bend migi. full neilson. you can take his hands. 4c.

dori A's sword. D: Otoshi hidari mae into nage no kamae. step in and break hijizume over migi forearm. 5b. twist into shoulder nage. Setuyaku (Snow gleam) (Dancing snow) A: Migi tsuki to tenmon. . Also come in with the shoulder. 6.D: Otoshi migi mae into nage no kamae. tsuki to kinteki. finish with sokki ken to kirigasumi. Avoid. turn A's arm over. D: Dori tsuki. pull arm out shuki ken to kage. dori hijizume with other te. D: Otoshi. shoulder to kaku (migi to migi). Then stab. NOTE: The opponent punches. migi shuto ken to uko. Kick in a way that he can't see it. draw sword and hit nose with tsuba while standing. then the kick. The hand comes in together. taking out the knee. shoulder to under migi arm as you stand. NOTE: Come in like this. dori migi toki. Unjaku / Hibari Henka A: Migi tsuki to tenmon. Unjaku / Hibari Henka A: Migi tsuki to tenmon. 5b. lift balance. You can deliver a series of kicks. finish with folding arm ushiro head and hold with sokki ken. Setuyaku Henka A: Migi tsuki to tenmon. sliding down A's migi yaku and landing on toki with sokki ken. D: Uke and dori. Move up while drawing the sword. 6a. draw sword completly and tsuki with sword to kage. zenpo kaiten. turn and step across both legs to shoulder nage. geri to asagasumi. lift to break balance. The punch goes in together. NOTE: Next go in like this.

bend your body over A's hand in taki . go under arm twisting it up and ushiro. This time. From there. Karai Henka A: Katate mune dori. Sometimes the term "elbow" (hiji) is used in reference to the legs. Strike in. Karai (Mist thunder) A: Katate mune dori. pull down to nage. Applying the gyaku. move in with the hips and throw the opponent. step across ushiro both legs. dori tsuki with hidari te. D: Dori under. do not twist his arm. applying it with the legs. The elbow hits here as well. sokki ken to keichu and other sokki ken into kodenko. D: Dori tsuki. dori daimon. Press down with the knee and apply a total choke. migi tsuki to kage. step ushiro to take down. NOTE: Rather than punching with the hand. Here. keeping arm up between legs and push down on palm. moving with the body. From there. Avoid. take him down. lift. it is important to rotate his wrist. use the legs to deliver the hand to the opponent's vital points. NOTE: The opponent punches. move here into omote-gyaku. draw . 8. From there. step ushiro with hidari leg. migi shuto ken to wanshun. move out hidari and dori hijizume. hold him down. When not twisting. dori daimon. Setuyaku Henka A: Migi tsuki to tenmon. migi tsuki to kage.NOTE: The Opponent comes punching. 7. The vital point strike with the elbow goes in right away. Musan(Fog scattering) A: Migi chudan tsukiD: Swivel migi leg ushiro out of way. change feet to pull down. fold armushiro head then pull up as you apply second sokki ken to kirigasumi. migi fudo ken to tenmon to lift balance. D: Dori under. Bring it there and then hit. step migi mae.ori. Then apply gyaku. pull other arm ushiro and up at hijizume. 6a. sokki ken to butsumetsu. You are pressing down on his neck and twisted arm. 8a. The strike goes in here.

back.ori te and hold with body. twist and pull other arm ushiro and up at hijizume. step hidari mae. Sukisha Ko Ryu Home Page Shinden Fudo Ryu Jutaijutsu List Of Contents Kihon Waza: Beginning Techniques Contained in Dakentaijutsu: part of the Ryu Kamae no kata: 5 postures Shoden no kata: 16 Techniques Chuden no kata: . D: Dori over. Karai Henka A: Katate mune dori. shuki ken to hijizume to push. 8b. Then fold the hand into take-ori. Then pull his arm out straight. Bring the punch in like this. when the opponent grabs your lapel. Then take the other arm and get his spine. Take the hand into take-ori and apply a joint reversal to the elbow. Then the elbow goes in. Punch. then the elbow. dori daimon. move like this with his grabbing hand to punch him in the solar plexus. bend body up ushiro and push down on kodenko to break. migi tsuki to kage. Taking both his arms. NOTE: This time. shuki ken to butsumetsu. pull down by walking ushiro. attack his spine. Taki . Punch by hiding the fist so that the opponent cannot see it.

4. The right hand is in fudo ken and held behind the head.11 Techniques Okuden no kata: 8 Techniques Kuden: History and Traditions Shinden Fudo Ryu Jutaijutsu Kamae Kata (5 Postures) 1. Hira Ichimonji No Kamae (Flat Number One Posture) (Receiving Posture) Standing straight up. the hand is open. 2. Seigan No Kamae (Straight eye posture) The left leg is forward. hands straight out at sides. Fudoza No Kamae (Za Kamae) (Meditation Posture) Sitting with right foot into left knee and behind on heel of left foot. The left arm is pointing at the opponent's heart. knees slightly bent. 3. and slightly bent. Katate Seigan No Kamae .

Kata Mune Dori (Single Chest Capture) A: With migi te dori hidari mune. migi keri to kage. The left arm is pointing at the opponent’s eyes. come up on the migi foot. The right hand is in fudo ken and held behind the head. NOTE: Combine all so that they are postures not poses.(One Handed Straight eye posture) The left leg is forward. go up onto migi knee sitting next to A and putting hidari te into ura gyaku on the floor (the arm is bent at 90 . Kata Mune Dori Henka A: From fudoza no kamae. dori mune with the migi te. D: From fudoza no kamae. migi keri to gorin. 5. feet. and slightly bent. shoulder width apart. the hand is open. D: Dori te with both te's. cover the te and dori it in two handed ura gyaku. Shizen No Kamae (Natural Posture) Standing straight up. pull while stepping ushiro onto migi knee. hands in fudo ken on hips. take ori to finish. Shinden Fudo Ryu Jutaijutsu Shoden Gata (16 Techniques) (1 technique/2 henka) 1. knees slightly bent. 1a. dori migi daimon with migi te.

D: Fudoza no kamae. D: Dori migi shichibatsu area securing skin / obi with hidari te. raising the migi sokki ken. with migi te dori upper mune and uko (optional securing of nerve points in uko area). and strike with a migi tsuki. pull lower shichibatsu mae with hidari te while pushing upper uko region. 3. 5. kaiten to the hidari and continue the pressure.degrees). dori mune with migi te. pull onto back on hidari side. 2. Ude Ori (Arm Break) A: From seiza no kamae. this is called te kubi. step up with migi foot. and then lean back to the migi. apply pressure to hijizume by using sokki ken. migi foot keri's gorin. Ryu Ko . 4. use a grab to the collar bone to shift him if he refuses to move. Use the thumb in the neck to shift him to your left. Instead of the thumb. Gyaku Kata Mune Dori (Reverse Single Chest Capture) A: Fudoza no kamae. Matsu Kaze (Pine Tree Wind) A: Kumi uchi. and dori A's ura gyaku with the migi te. lean to hidari. step in with migi foot and shichibatsubehind A's shichibatsu. half off when lying across the knee. pull A onto his back. come up to migi knee and pull hijizume (te still in ura gyaku) with hidari te. come up on the migi foot. This fall can be hard. His buttocks should be half on. use your thumb to control his fall. migi te holds A's te on floor and with the hidari pulls the hijizume. lifting A with your shichibatsu and his uko to nage. otoshi onto back. migi te comes over and dori te in ura gyaku. D: From seiza no kamae. Note: The meaning of Matsu Kaze is to remove the opponents wind by grabbing the throat.

Kyu In (Old Street) A: Kumi uchi. pullback. Kimon Dori (Demon Gate Capture) . keep ura gyaku and lie on arm to break. 6. step ushiro and down intomigi nage no kamae to nage. 7a. turn to migi. 8. step back to hidari knee to nage face down. D: Hidari te curls around migi arm securing with muso dori. migi keri. jodan tsuki. move mae with migi keri to kinteki. yoko nagare to take A over top. D: Cover dori with both te's. hidari keri to hidari kaku. strike upper daimon / shinchu with boshi ken. (Do) Udi Ori (? Arm Break) A: Kumi uchi. 7. at same time dori migi te in ura gyakuwith migi te.D: Hidari te curls around migi arm securing with muso dori. D: Dori hidari hijizume with migi te.(Dragon Tiger) A: Hon jime. dori hidari daimon withhidari te. zenpo ukemi with body on arm. step ushiro and down into miginage no kamae to nage 9. Gedan Gake (Low Hook) A: Hidari seigan no kamae. (Do) Udi Ori Henka A: With migi foot mae. dori migi daimon with hidari te. step in with migi foot. step out to migi with hidari jodan uke. dori migi mune with hidari te. D: Hira no kamae.

Jinchu Nage (Centre Of Man Throw) A: Ryote mune dori. Koromo Kaeshi (Garment Over Throw) A: Ryote mune dori. D: Dori daimon. step 45 mae with hidari leg into ihen no kamae. A: Take two steps back (hidari first). migi step onto hidari toki. lift with shichibatsu or osoto nage. migi te dorimigi jakkin. lock dokkotsu and asagasumi by twisting daimon to his hidari. migi arm goes under hidari wakitsubo with tepressing kimon. hidari te dori migi uragyaku. kosshi nage. nage to ground (Maintain pressure on dokkotsu with forearm throughout). D: Dori both hands. 11. kikaku ken to miken. 13.D: Go with A. draw up migi leg and soku keri to migi sai. D: Move to hidari into hira ichimonji no kamae. with hidari te dori migi hoshi. stepushiro shichibatsu and enter into a goshi nage. keep forearm locked to dokkotsu. pulling on arms. 12. migi sokki ken presses on migi under arm. shako ken to kin.A: Ryote mune dori. letting go of the te's does ryote fudo ken to shinchu. step in with migi leg ushiro shichibatsu. step ushiro migi foot. as they otoshi to nage no kamae allowing them to fall on your sokki ken with theirkatsusatsu. D: Kumi uchi. turn to hidari to nage 10. immediatelydori gi with both hands. Satani Nage (Field Valley Throw) . step mae into ihen no kamae. Sakao Otoshi (Headlong Drop) A: Kumi uchi. otoshi body weight.

pull on migihijizume and hidari te as A falls to hidari 14. migi heel keri to migi kaku. step ushiro with hidari foot. step back in with the migi rolling hijizume over as he steps in. D: Step to migi with migi palm under hijizume. D: Kumi uchi. Gyaku Nage (Reverse Throw) A: Kumi uchi. step ushiro with migi foot. apply oni kudaki to migi arm (by dori hijizume). enter and hip nage. A: Try to regain balance. 15. 16. D: Migi te on dori. D: Reach across to dori opposite uragyaku. Copyright Sukisha Ko Ryu. Katate Otoshi (Single Drop) A: Ryote mune dori. D: Place hidari te on A's migi te.A: Dori collar with migi te. otoshi to hidari knee and push to hidari to pull over. pulling A back a little. release hijizume and shako ken to asagasumi. ura gyaku. Gokuraku Otoshi (Paradise Drop) A: Kumi uchi. . turn back to use other arm to hit under both arms to do double seion nage.

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