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Final Jumpology

Final Jumpology

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Published by Christian Greer

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Published by: Christian Greer on Jan 08, 2011
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By the Same Authors THE SECOND INFERTADA (1987) THE GLANCE OF THE PYRAMID (1993) THE HORIZONTAL LATTER

(2009)

Dedicated to J.D. : J.M. : C.G.: G.E.

Jumpology Land of Escape The Rogue Eye Landscapes as Gestalt Recreations of the Spectacle It Only Needs to Work Once

Bjorn Gay & Celest Etra

Translated by Arturo Wills

Chimichuri Press Baxia, Portugal Copyleft, 2010

Jumpology
Land of Escape, or, The Rogue Eye

Jumpology 1 and Landscapes as Gestalt Recreations of the Spectacle, or, It Only Needs to Work Once

1

Artistic estrangement: Philippee Halsman + Joesph Beuys

IMPERSONAL EXPRESSIONS

Indicating Existence

a lion in the house she called me drawing the shades

testament token

momentary humming of (im)personal jump

penstamen

testament

to rogue too pentacle spectacle ! molecular

rogue text box

to rogue eye, the impersonal flower

bird-jump, minute hanging mid-air attracting the impersonal

spectacle, vestibule, carpel

un-soled, un-isolated

the literal is hanging mid-air as sight is hanging mid-air, wired through though, and sundry

this

to rogue eye, the impersonal flower

bird-jump, minute hanging mid-air attracting the impersonal

spectacle, vestibule, carpel un-soled, un-isolated the secret was french. the birdʼs stamen, rouge.

THERE IS A SUN. THERE ARE SEVERAL. There he goes, getting Mystical. Grammar was a practice of distraction from the orig. : [Word.] The cider proportionally less, less more than, and rich in tannin. There, certain an obscurity in his explanation, asymmetrical explanation to this, closer, obscurity.

Kredi, Kuri, Ludi

ESCAPE Il ne faut pas oublier que les langues artificielles nʼont pas souvent réussi............ “Do not put me so near to the window, I prefer a place near the door.”

sparse the apo-tropic joy of this

sparse the lip when the tooth jumps through its hoops apo-prosody

Kredi, Kuri, Ludi

:

To believe, To Run, To Play.

Simple simplicity. Beautiful beauty. Drunk drunkenness. What is better than health? I have the largest dictionary of all. Do you know me?

next

next lonely numinous where

this is what they said to latch the artifact

this is that

What happens when you take the figures out of the pictures? Does that make it a landscape? No, the displacement of the signifier changes what is signified. It is the differance 2 .

2

Derrida. Jaques. 1982. "Différance," as it appears in Margins of Philosophy; pp.1-28.

myself

TRICKY LITTLE reflexive bird words ego-next next-nest i knew what to say by knowing saying

it figures like what cannot be thought

elegiac jump

complicity

he is in hell, or not here, or dying.

a lionness with wings illegible has killed a man with her sky-lit marble-harvested real petal of cold sense

variety of the world arises from actions jungle cushion

trance objects of enjoyment phone calls utopia/distopia

waiting for to die is to be held above mourning of torso, cat-jump the nucleus

breaking porcelain thick description his narrative held above everyone elseʼs idea of what happened sparkling coal my death shrine

typo

The technology of this chrysanthemum was just now invented.

I am talking about the flower printed from years ago. complicit flowers, pleated in a landscape

ephemera & vice & versa

And of how we see time in the fabric, and still want to cut through. Itʼs a tissue and itʼs a dye, a temporary thing I got so interested in form and function, I almost forgot the bruises beneath language, colorʼs stamina, stamens wet with pollen jumping.

the expense of land and bruise under

myself

escape

the famous place called

there, there there are not enough peopled words for the peopled pictures

ecstasis / excess

then he put the ravishers to flight

ekphrastic life learning to fly i mean like an excess articluate bird-daemon this well-lit life photo

i could ask for nothing that ground-speak of god-speed and place my wings back in place those fragile wrecks of art, those lattice articles fringing the phantom limb

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