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VIOLAPART '

VOLUME 6

Suzuki Method International

INTRODUCTION

FOR THE STUDENT: This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition, there are piano accompaniment books that go along with this material.

FOR THE TEACHER: In order to be an effective Suzuki teacher, a great deal of ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule, in order to remain current via institutes, short and long term programs. You are also encouraged to join the International Suzuki Association.

FOR THE PARENT: Credentials are essential for any teacher that you choose. We recommend you ask your teacher for his or her credentials, especially listing those relating to training in the Suzuki Method. The Suzuki Method experience should be a positive one, where there exists a wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance.

In order to obtain more information about the Suzuki Method, please contact your country's Suzuki Association, the International Suzuki Association at 3-10-15 Fukashi, Matsumoto City 390, Japan, The Suzuki Association of the Americas, 1900 Folsom, #101, Boulder, Colorado 80302, or Summy-Birchard Inc., c/o Warner Bros. Publications, 15800 NW 48th Avenue, Miami, FL 33014 for current Associations' addresses.

CONTENTS
Exercises. .4
IT] La Folia, M. Marais. .6
IT] Allegro, G.H Fiacco .10
QJ Suite in G Major, J.S. Bach .12
0 Arioso, J.S. Bach .15
Exercises. .16
IT] Adagio and Rondo in D, WA. Mozart .18
Adagio, .18
Rondo. .19
[!] Hungarian Dance No.5, J. Brahms .22
Position Etudes. .24
[2J Concerto for Two Violins, J.S. Bach. .25
[!] Concerto in B minor, G.F. Hande/ICasadesus . .29
I. Allegro moderato. .29
II. Andante rna non troppo .35
III. Allegro molto .36 4

Tonalization

S. Suzuki

Tonalization exercises should be practiced at each lesson. Exercise for beautiful tone and vibrato.

3 2 ~ ~ ~ 2 3 4 3 1

liB ¢ r r I r r Itt I L r I r r I r ~ I ~ II

G D G-----------

11K b~~ ~,t I~ I IT r It f If r I t r It r I <i I,

I

G------

D G
3 2 3 4 3 2 3 1
3 4 1
IF r IF r IF r IF r IF J 10
G C II

c------

1 3234323431 1

liB ~~~~ ¢ J J I r Fir r I r r- I r r I r J I 0 II

C-----G-----------c----------

Exercises for finding exact intonation

CD 2 6

~

liKe ~g F

4 4

y;O ~O 3 1

IF E E E In

2

;---:; 2

F ~ I r'

I

4 4

o 2 6' 1 2 0 ~O 3 1 2 3 2

IIBB V{ r I a r r lOr f j IJ

G string - - - - - - - - - - - - - - - - - - - _ - - - _

012 14 4232 1

IIBI,]'1 r- 18 r I~Q F~ I J

* :11

G string . _

@ 1 4 1 ~4 0 ~~ 3 2 1

liKe jq r I jM' ~ I ~ r #0 I r'

* :11

Shifting exercises for #4

1 1 4

IIStf?

a

I

II

J-------

J-------

5

Exercises in Octaves

D. Preucil

ri r r r r r:: I i r I r I I I I I I I I

6J ~ 1 J J 1

v r I r I L I I I I I

J

, - j J 1 3 I
/' - • ...L II' /' _"
I"'" - I"'" • _ _"" I"'"
tJ I I I I I I l I r I r i r I i
J -j 3J
41 I
I 3
lin. _ I"'" -_ _- /' Keep fingers 1 and 4 dow
l 1 I I I I r I r i r I i r r r r?; when shifting
n

Also practice s I liB ~ r ~ 'r E I I

with this variant: ) (r;± IT ) rj -t ~r etc,

6

[IJ La Folia

M. Mantis

Realized and arranged by Doris Preucil

Allegro moderato (J = 76)

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mf
= .__. ~============ f

V AR.I - Dolce (J = 76)

p

a

21 ~ ______

::=" 7 1 3~ 4 2 I

liB F ~ Q'lf tv IF ,h= lair IP

cresco ----------------------------------------------

rit. ======~ p

7

VAKIl Risoluto (J = 100)

~ • 0 • ~ i

33 • 0 '. 0 •

liB" P ti J ¥ It t tf J 1Ft tJ J ¥ k C r r J/ I

f· . (simile)

marcato

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liB: r l! ]= h P r r J I f OJ' J:: 1£ f Or bY I

3 3

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II. l r
r - detache (2)

(4) e: ~ e ~ (4) ~ ,,_ ~
44 ~ !'- ~~ • I- (l- • f- - I-
r- III --
I"'"
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attacca

V AK III Energico (J = 104) tr

V ~~~ V

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rit.

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V AR IV Espressivo (J = 76)

65 ~~ ~ ~ 2 R 0 l~~tr ____

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p

~ 3 _ 3 ~

77 - - ~ r " V 0 2

liB Crt it IFF ® I cg GG~ I r * II

~ attacca

VARV J=72

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mf

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Tit.

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VAR VI d = 100)

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p (2 x f)

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103 1.

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cresc -------------------------------------------------------------------------------------------------------

Coda J = 84

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- f- 1--, I-- -
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. . ,
IIV _,
f .' ~. ~. 117

V r"I

2

121 ~ ~. f!:_ ~"_. II. ,,_ ~ ~' f!:_ ,._. ,,_ ,,_
f- f- l--. I-- -
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10

A ""'0 [IJ AllegrG)0 G.H. Fiocco

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IIIf( f f ref ~ f r r r r h ~ P r I [ r r r F r P r s r : a [J

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2-

Examples of ornaments

ir r ffE

r

!I

written played

11

29rr' 3 2 4

IIBC2 v JJJJJSJJ IjjjJJJJJrfEfrfEfI

.ff P poco a poco cresco

1 ~

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1.

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a tempo CD I 2V I"':\.

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poco rit. mj' (to bar 39) f

39 4 ~ 0 f'!:.~ ~ ~ ~ t_~ ~~ f!:t!:_ 4 0 f!:t!:. 4V

liB 00 ruY 00 00 I OOLtLfWJWJ: I gstWij , P I

Ii m IT [ [ frill r [ f f f I ill IT IT [ r r tJ j J [ E#§ r I

cresco poco a poco dim ..

Fine

44 ~ t?4 °t p- Tt ~ t 3~ ~~V",~1

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4 ~ V

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poco a poco cresco

V D. S. $S at Fine

49 ~ r f'!:. 1 1 4V A er: - ~ V

liB F U ftC C Uri L P I r ier r [ r r I rt 0 r L ~ II

f .ff ~ro~ f

Examples of ornaments

llif~ c n [ E 6i) ~n r

r-~~ IE .r rrer

II

written 3 written

played

played 3

12

fI] Suite in G Major

Allemande ( J = 60 )

1.S. Bach

15 ~~~o ~

19 # ~§J tEE ITT L [ r ff?r 1 D fJ11 be Dr~. :11

<:»

13

23 ~ ptr r-7 ~ 4 0

118# #ElEQ@ffW tJliSjfEE[#EllFqjl

f=:::=-mf

V I

25 3 ~ ~ ~ t~ ~ 1 3~ ~b c-,_

liB ~ if! r r r r r f ~ f L G fiG r [ [ r bl r~ t 01-1

cresco f = -

15

[I] Arioso

7 1.

2.

cresco f molto rit.

16

Chromatic Scale Exercises

D. Preucil

CD

Iii (I fB ~JQ] qtS #J J I £p In d5j 51 II

01122334 43322110

o

2 2 3 3 4

4 3 322

o

01122334 433221 0

liB Q/r ;1 #Q r Sf I Q qg ~@ ~rJ I

o 1

'~}r y iCC sf It! !E} q~ II

2

2

3

3

4

4

3

3

2

2

o

II

II

First practice slurring one beat. Then practice with one bow for each measure.

17

Three Octave Scales and Arpeggios in D major and D minor.

Use full bows with smooth bow and string changes.

D. Preucil

reach

D major scale 4 4

IS #1 e t£:Q39 t7ifrJ I ~ ~_f_A_

D major arpeggio II

1#' t6JId; [fff

II

~ shift hand

D minor arpeggio II

I - ~

11Mb @jw;ra

II

18

[]] Adagio and Rondo in D

Adagio (K 356)

J = 72 W.A. Mozart / Preucil

1 ~ c 2

3~ r=>. 2~~ 2 ~

liB #, ~~ L' r I r F * I F r r r (r C; I @ r r t I

p espressivo

======- -======

19

Rondo ( K 485 ) Allegro ( J = 132 )

W.A. Mozart / Preucil

li#. fiUIT.i1_#oEt I! @J) lOr * I 1;8#. t un Inr * lit;2t G I

mj' mp

17

3

20

mf

39 ~3 1 ~O •• $

1!#.9(-d,ftt9kjltGrp @j Itl@rdr gltI ~I

21

83

118#1 PUR?: I F EmF [Err I F ~ F ~ I; - II

P calando

22

[IJ Hungarian Dance No.5

Allegro

f fieramente

J. Brahms

1 0

3~~

Ir: Ulr

~ 4 3

13 1 1 2 2 Id ~ ~ >

liB k~ r L L r r t r t I r L t r J J J J I [j D B I j if II FG I ell

p~~ if f

4

10mOlJ

---- >

i;Bk~ p;[llf1{ttlf ,lrttttrLtlrHrtrUI

p leggiero 2

1

if f

o

if

~ 4 3 2

;81,iF bilffrtf Y'lf f ISf ~j

if P poco ritenuto

23

87 ~> 2.

• .' ••••• 2.. • 0 2 /,

IHb~ r bJ= If 'ISkblr[[FltFfrtbUI@g;t1IJ~ell

~ pZegglero if

2

1 ~

a tempo

24

Position Etudes

S. Suzuki

Practice these exercises on all strings

The indication

means that pupils should first play

and then

The first finger should always stay down in such practice. Try stopped bows on the slurs at first.

6th Position
A string: ~ 3 ~ 3 4 ~ 3
1 2 2 I ~: 2 If 2
, I r r It r r r r r r
2 r :11
:111: * II

Also practice shifting from 2nd and 3rd fingers as shown in the following examples:

I 1 2 ~3 2 I I I 2 ~3
, 2 F r ,t r F 3 F r ,t r r
~ " f "
I 7th Position

I

r

2

r

2

r

3

f

2

t :11

* II

Also practice shifting from 2nd, 3rd, & 4th fingers as in example above

25

[I] Concerto for Two Violins

1st movement

(Violin II arranged for Viola)

J. S. Bach

Vivace cJ == 96)

I Tutti ~ 0 ~ ~ 0

IMb!l Ma~Tr~r IttL"

f

'~1tIEf E r U r [[ r 1) Wp I)f #~ V W,) JaH j I

::=::::=- P --===:::::::=::=

4

9 4 ;3V 2 ~232432

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-------- -==== ====-

---- f

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mf

26

iMb - * 1;;)13 I ~ ~ jJJJ/h3 I ~ J rfObl@'

f

3 4 3 3

28 ~ 1 0 ~ 04 2 4 ~ ~

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f

4

3 2 1

042

- -
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... 0 ... _
TT
--,; ::Ii" --. • Ill.
,""' ..
- n
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3- 27

43 ~ y

54 ~

28

65 0 4 0 4 0 ~ fe ~ ~

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V 4

f

29

Allegro moderato (J == 96)

[]] Concerto in B minor I

G.F. Handel / Casadesus

G

9 V

IIB~I ME r

11

4 41 4 4 VV

Ilg #, [C l F r r r r E E r F j .,J :l I E F r r r r F rEb! B9 I

3~ 3 ~

~ ~ (FI#f1trefrrU y rut I

13

-

1-

16

1-

24

mp

© 1924 Editions Max Eschig. Reproduit avec I'autorisation des EDITIONS MAX ESCHIG, proprietaires de I 'oeuvre pour Ie monde entier

30

29 V V 0 3 2 1

'i# ![1~tcijqj Jle mbn ~J J 0 I,j jD JJ HJ Jo ~ ~ IT I

mf dim. p cresco poco a poco -------------------

II~ ~I I@qa E w lliF& lB1 t) leri ~rl NT ft j7 FJ

------------------------------------------------------------------------------ ~

4

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35 ~ 2

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~

31

v

49 4 ~~r---:
, .u. 1 I 1 .~
. - •
....
r-
tJ I ~ #:;i ..._

fO

-

I

-

allarg.

58

a tempo

,~# n HEr rr Qtf

mf

60 V V

~ 4 1 4 ~

,iff ffCC[r-rruuc [jlrrOcroJJHr [II

mp

cresco

32

70 Y II Y ~ # f!:_ ~

,## , le:m ~,* I, @@ r G -C [ r r r L I

mp mj'

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2 ~

liB #, 1 0- h tt to a FE E£~ I g E Er h bt J' *

- - - - - - - - - - - - - - - - - -- - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - --- f

3

118#' tr [1 r [#[ t ttJ E Ef l§Sf r f1~ f

fy 2 1 1

Ils#,Ur ~ f E f Weir Ute Err BUrEl

80 4 4 Y y

IH~I F rr r r err E IT r s r nljJ lEU FL U r 0 6r m I

~ 3 ~

1- *' UI#(CfCUErt ' fqr

82

mp p

Y 3

Y 1

33

p

~ 1

91 O~V ~~""~~~

IIB#_~rrrrB;d Ie l~fFfrrErF~~UI

------------------------------------------------------- ~

93

, j~ ~e!r H r~rF a Jjq)l ~ I

1-

~ 3,,--.

* ,p 1

mp

liB #, q&~a, jqJ EJ IJ qt;!_I_~ __ !~} n n §l rJ

--------------------------------------------------------

34

104

3k-'4~3~f:

I~ I ~§ f1 E tf [ r r f r E [ r E i

mf

110

# 1 _

II -I r [ r r (f CliO

p

112 1

liB #, her c ~ L F VI] J j J lJ I F r [ r r r [ r E l ~ r r c [ ~ I

cresco -------------------------c-------------------

------------------------------------------- f

v

114

> 3

3

;IB#I~ I' q E [#f t tt; t cJ I atE r bib E

= L '._

1

aOUE

120 4 V V r"'I

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allarg. -= f.f

35

II

Andante rna non troppo (J = 60)

= -p

8 ~ * I I I I C'

rit.=====~

pp

cresco

poco

v

is #, fEr rn I Eiqr I qfrf, r I IT t I#r ~ I ! I

cresco -------------------------------------------------------- ~

36

v

is#1 * Hd

p

V III

50 3 3~ ~ 2 1 1 ~ 2 2

IIB#U@) D IF r ill IF] IG I~ J ~I

(112) (4) (1) 't~

= ~ -=====-- f r~l. ======

V 3

54 7 2 4 f:-

IR #, J I I I - I * ¥ E I Wi! ,a I pJ f ~

P

4 V (.\

o ~

~ r-::2~l ~

~ Il: ; r ?JJ I d ~ II

rit.

Allegro molto (J.= 108)

~ 4

3 4 2 ll_

liB #, X f 'P I r 1]3 J j Ig I F le' [ r I F ~J!r.Jj I

,jD j ~J J J I f, r r r r I r} r § L t f-r ~ [f I

III

37

24 2 0 3,..---:; 2 §jY

* ## J zG§3 I r r r B r I a r d J I tJ J RJ- I

28 r""I 3 4

* ## #8 ~ J 'I t& @ I m f t F )J 41 01

32 ~ O'Oly ~3

* ## m Fe pwJ rzr f?l?r fPc a I tb err I

cresco -------------------------------------------- ~

38

~ V

57 ~ ~ ~ ~ 4 t f!:--""" f!:- ~ ~ yr:

liB #1 t L.... L C r I [ 6 J jt I L C L C e r I Pr F r P I

ilB #1 U7 J fa I ?-v 0/ ~ I fc E r ~ I £1 c E ~ I

a tempo

rit. ========-

mj'

65 1 F~ 2 v~.~ ~ ~ v~ __

11#' fJJtu lEt} ;diCitl*RffCer l)lectOr till

====-

69 ~ 3 3 ~,.....---:; ~

,ift ~ r F r F fir r F tiC #f r I E [#r C L r I#F ~ rEF I

11 cresco --------------------------------------------------------------- ~

~

3

118## * ~ ~ E; lie th F~ I j

~

39

3

i9#' m fr3 If r r tcJ It fE it It rc~.; I

~======== f -?

f dolce

115 0 l ~ y~ ~ ~ Vr-.~'--"'" ~

118#' J ~C f;t= I ~ ~PI~ J IJ J J1tri I E~r E tu I

~~

~~ -

1ilB #, =r t r c: [J I f ~n Pt f I F i * Y I I ? - I

40

o _ ~ ~ ~

137 0 V. 1.1 V V 2 ~ •• •

&i# j J J dct I[ E1iiU'!18~c I ~ tat I

---~--------------------------------------------------- - ---------- -------- ---- f

r-I

,## J tt£i9 I ["~t Cd Ii J J J J IJ.=)H I

2

accelerando f

V

'i# f #tfJ J I J jlj J J IF? r FE r I pr f D JS

--

3 .

1"1 V 1"1 V 1"1 V I 3 4 ij' 4 3 f

,## t£r ill I fD fD I fJiJ to I t@ J Y I - I

41

170 0.1 §j" V

,## J zqgJl Fe Far I tr F d ] I D J FU I

o

""~ 30,V ~3

,## ® a5F7*J g=+ Uk E?r rJ I 67 r ~ r I

cresco - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - f

42

199 1 V ~ V M_

'#i W J E' III I * H P I r #c r r p I r r r r p I

mj'

~ V

203 M ~ r:- f!:_ 4 e £" f!:- 1""\ M Y r-

liB ~I t ? L eEl C U ~ ~ I L r L G c r I Pc r r p I

rit. =======~

215 3 3 ~ ~

,## ~ [ r c r Fir r F Ir #c r I [ pf[ f r I#p V r c r I

17 cresco -------------------------------------------------------------------- ~

43

~ Tutti

257 ~ VII 3 ,--..... ~.,--..... /":\

IIB#' r UfttJ I C V * I~I f:sF * q.,tB} n * 'II

f

Suzuk.fCViola School

VIOLA PART VOLUME 6

Copyright © 1993 Dr. Shinichi Suzuki Sole publisher for the entire world except Japan:

Summy-Birchard, Inc. exclusively distributed by Warner Bros. Publications 15800 NW 48th Avenue Miami, Florida 33014

All Rights Reserved Printed in U.S.A.

ISBN 0-87487-491-2

The Suzuki name, logo and wheel device

are trademarks of Dr. Shinichi Suzuki used under exclusive license by Summy-Birchard, Inc.

Any duplication, adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher.

No part of this book may be photocopied or reproduced in any way without permission.

Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by Law.

SUZUKI Mt:THOD INTt:KNATIONAL

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