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Led_Zeppelin_II_-_Guitar_Tab_Book_-__Bass_Guitar_Vocal_Drum_

Led_Zeppelin_II_-_Guitar_Tab_Book_-__Bass_Guitar_Vocal_Drum_

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Published by Ferry Sumarno

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Published by: Ferry Sumarno on Feb 16, 2011
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--------------~----------------------------

WHOLE LOTTA LOVE
.,..._ ..... /bIIorI PIoM/Joioo © 1969 SUPERHYPE PUBLISHING
..........

/Joloo .......

WHOLE LOlTA LOVE
The guitar part consists mostly of the now legendary simple riff that makes up the core of this song. The big low E chord, with the octave and a 5th on top, plus the unison with the bass make it a very powerful riff when it's played with good rhythmic attack. When trying to get the guitar sound it's best to go for a more natural valve distortion rather than over-kill with a fuzz box. The effects in the middle were created in the studio with a theremin, a sort of audio generator common at the time, but a little imagination, some electronic noise making gadgetary and a tape recorder should provide a good substitute.

GUITAR

in unison with the guitar. Like a lot of blues influenced rock in the early seventies, the rhythm has a marked 'swing' feel to it and this, just as much as the driving attack, needs to be captured by both lead guitar and bass.

DRUMS
Whereas the main riff moves in 16th notes, the drum pattern moves in 8th notes with on-beat / off-beat punctuation from the snare on the 2nd and last 8th note beats of the bar. The fills tend to be made up of 16th note beats in clusters of six but they must be made to roll in keeping with the swing feel to the beat. Overall, the drumming involves some irregular, syncopated patterns, especially on the 3rd and 4th beats in the bar.

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Again, basically a question of keeping the main riff going

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• (Gt.): The main riff. To get the right rhythm use alternating up and down strokes and dampen the bottom open E string slightly with the right hand palm.

• (Ba.): In the bass unison a fluent and steady rhythm is called for with accents falling on the beat under the 5th chord in the guitar part.

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1"'""'1 u .. A. . Ir BottleneckI 8 "- l I I'" I" Bottleneck--+ I _jJ...1 . L-..- I' AJi j .(Dr. Gt..ta Love JJ .. ~.I :::::= = :w: li 1i :w li'1'"1I'"1I ==::_~:=:= ~.): Keep the alternating up and down strokes going on the chorus.. ~ .------O------' E I JI II U7~ \1... .1'/LJ rnra » .__. _FT'3 I :. c::...i -L . -ta Love II. U71....* h.f'. . Try to achieve a good rapport between the snare and the bass drum and watch your timing with the off-beats occurring in the 2nd and 3rd beats of the bar.(Ct. .:.j.. ~ lave .E ~ A~ .fI..J \ ) D'ID E r--. '\ /.fI..e Love Won-na Whole = wt- ta Love == -na Whole Lot...): Siren like effect answering the vocal line.. ==:I Wan .. ---. Sa I' Dr : . .lL! .. o 4 .p lliJ ~ E 1 . 'I .!***r19.I * * * IrrTI!1iRii 2x . D I'm gon. Gt.-' H..·1 I • .......Jc W .na Whole rot Vo .It Vo.. .rr.II'" -t.. It's done by sliding a 4th chord at the 9t1) fret down with a bottleneck. D E D ...-.11\.. ""' Wan II.. 1I. ~ r-: Ba F=ri '-- (2x \ ~ t==P=I _ Dr .JcJ'n ~ Inn ni-m i ~1rri--rii ! \U 1- 2x U i~ W ~ U 7~ -o-~ 1::J ~ 1:'71::::1 ....~ Gt.ii""'" ~'7a.): This is the basic drum pattern for the song. ~ h. BJ.:1" 1.a.1 ~ ! ~ 4- - .a I'm gon-na give you my_' . (Ct.na give-lOU my_lave_' Ch (2x)Ch Wan-na Whole rot. Gt...

C. e! --(Bottleneck>-"l --{Bottlen~ I u --=--- r- Be . -<.): As you can hear on the record.../ vvvvvvv ~ ---<Bottleneck~ I A.. AJllI 0 Gt.·I Ie! ~:~~ iii li = .. I .II It. . 5 . __ 4J. Gt. =. Vo .. nnl " • (Gt.~..II It.I ! 7~ ~ L-. Vo Ie! You've been L. J .l N./ AJI E It.e! JI.C../ A. .- "~ ..~ . i~~ 1: t t t tt t t I rt n n : r . . " Ba rCongal~ll. . = = =I = i:ili' . congas have been dubbed on to the track.. To make a little more out of this section it could be effective to' have a percussion player on it.~.1. 4JL~ [9E '""" T 12.. 1 Dr ! 'r ~ 1 ! Jc I .~ Dr ·1 .II '" .): It's hard to say if there's a guitar in there at all under all the studio effects but it might be an idea to try creating some sounds with effects like a delay etc..= . ----(Bottleneck~ Gt. ----I-- A» II. Gt. = :::j..(Dr.. . N.. . IIll 1 . .·' . a bottleneck and a bit of scratchy picking..

it . III1~IIll .· I e! .. .. vo.11. ~withSE~ 1 nri. a t.11 II at. at.jj e! at.... I I I I I I I I ~ .. . Dr. -ITTl-J .·1I " " Dr nl " .C. . n nl iIIl . I I 6 ..II II 1 .II. i NC Ie! Ha . Vo Ie! .. n :PI .. " . rEll in" I I .IIl!.Ill! .-I e! ".·11 Ie! Be. ~ Dl I II~ ..jj.r N.11 . .

C.· I JlJI i ti Gt. JI. ~ . tJ 11 8a . 7 ... nn :b 1 . ~ .·' I u \ Ba r-8-. i> ~ nn . nnn .II II Gt.P. .II It N. .' Love Vo ~ti JI . mil . .Vo .I NC JllIlt ~ I Voicel with S. .1111 Gt.. ti .ll JIll -II tJ Gt.E. Dr : fffil . f1 .-6-.-' . fl.- ... --(Fill in~ I I I I I I· ~ " Dr I.

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48 (Dr.): The rhythm of this long fill is a bit tricky,especially the rolls that I've transcribed as six notes to the beat, Irke double triplets, so listen closely to the record.

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• (De): Another fill with six note groups to each beat ending on a triplet. Pay special attention to the 3rd and 4th beats of the 2nd bar when playing it. 13

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For section [&I the drums...6f 6LJ r r r ~ - ~ ... All the other parts demand an overdrive sound.. h. E7 A7 ~ I DRUMS BASS The bass lines throughout the whole song have a melodic character..o~ - h. rather than a plectrum..): The drums must be played very lightly here. . UbU ~ r 'I .i t:=t= II I LJ::j 66br " .. 15 . like an A-B song form.. 011. l\ _...I A7 ilJI. GUITAR fingered picking is the technique used on the recorded version... ~ - h ==== ~ r-=I r-:I ... <0 1969 '-/Roloort . .. Then it's just a matter ofturning up the volume on the other sections which are more dynamic.. just as you would with a pick.. ~ oil ~ cas stop us If tle __ ~ I pret .... These variations are probably improvised so don't stick too closely to the score.(Ct. though one generated by valve amp overload fits better than a fuzz box.. on the record both the bass and the drums are very quiet........ throughout this number. Aim for nice phrasing and clarity in the individual notes.)l_. e(Ba. it's wise to think them through in advance so that you are sure what's coming next and can r~act properly. " . Take my hand child cane <l1 what fun it all _ : Sa OL h...bl b:b:Y I -p h.. - ~--T 'I 'r r r r D I ~ ~ .. ~ II:I::::I::::j r--:I ....... . Two ~ ..WHAT IS AND WHAT SHOULD NEVER BE lor .I "JI. Therefore the drumming should correspond.. ~ 'I ~ ....i ... as are the guitar and the vocals...(Dr. section [&I.. to you to - - IrOr-row ilJI... .:f!:. 1 Ba h. n r-s::::I I Dr V I L.~~ . 1 . ·~·I with me wouldbe __ ...): Bluesy two bar pattern around two chords. In the first section.JLD NEVER BE Forthe guitar in the sections of the score marked [&I..lightly strummed chords... Like all extended songs with more complex forms. 011 I!!'-"I Vo ~~ And if I say - .. -h. This contrasting dynamic basically repeats itself continuously.. the bass line is based around a two bar pattern which is then repeated over with variations.i 1 _i .. - rror-row Gt I~ 'r r r r LI U::I ~1:.__.. like the rest of the music. h.._..i . =:t:::Z:::I 'r-:I I='T"'=I ( I Dr l:::I : ==== . On the solo part in section [0 Jimmy Pageuses a bottleneck but a delay would be quite effective as well.. and strummed with very gentle strokes. and the liquid sound it produces suits these jazzy lines well. ~ "f .ty If will T take you ba - c=r by ~ . h. II E7 Vo If It's to a '!hen what's to l I -cJ R=RimShot L----8 ----+ A7 ~ E7 ~ "JI.. SUPERHYPE PUBLISHING WHAT IS AND WHAT SHOl..~'(!!:~ _... [0 and [] a clean tone should be chosen for the . be Is they And Well what's to But What Gt ~ r.): These two bars contain the basic idea of the bass line for this section.. A13 and E9. If you're not used to this way of playing take care to define the notes well and vary the strength of attack so as to get the right tone and shape the melody.. is quiet and subdued while in section [HI everything lets go.. ..

: Make sure that you mute all the unpfayed strrngs With.".J I~ ~.I All I.t. h I::t:Z::i . E ._ .r ~ J. i:. . *. O(Gt.".... at Then the ~ :jJ: .. so take care not to lose your pos~t1on.".!.......".. I Vo '4IJ say _ will_ Should_ be .j 1"_L .. when you bend the string. .A7 ...."...... I 0 L.I::::::I~. Nev-er: Be .t I:.. ~tJ blow .~ wind. 11:... . .)': Toget the right effect from these little choked notes.1. q~~o Hey A 1ft:. aim more for a quarter tone. 0(Ba_}:The bass line here jumps from the root and bad<to the octave. ~..1 ~tJ A.1... r . AJI.". I Dr.I . Gt. -..J (onE) A D A . .-.U. .J J=r"'l • 1"""'9 ~ ~ I:. . (onF#) B E B F# A6 +--..:k.. . 7th.. .. .. 'r ..".. us spin y• .. Vo.. not quite quite a G sharp. . A(onE) 0 . 8a.~. . 16 .t. .. r-:I ~ 0 ..I Ai l-.. Gt.tGt.-I"' """"!3 r:"r-!t o· --r =fI:'i1.I .0 b. .. J.. T T ~ ~ " Sa. - 1" :::1.. \'IOn't . ..."..II It. What tJ .". 1"'""1 1- =-'1' ~ I I --o___J A . ~.! I I 1 Dr. t\ ~ b -e- :!i!:: :j:..... you .".". . Catch the wind_see sail a-way leave t:crdaY e way up high in the sky_' _. So that it wails and then sighs back onto the bottom E.. .". rrrrrr ~ II ~po ~ II I III u h.. .i l.. x-eaJ_- ...1. "~.1fI-''''' L..U ~ I::J.. .I -I I r--1 r 1. r-t i B ri I) r--..._ _r-l I. ...0 .."..".". i. I L.....:I " B(onG#) I All i. - . I ""Oil rl 1. . tJ· Gt..11...". Iy _dn't go It on -ly goes to sh""'__ ~ tllat-...i. . .tJ. h... 6th and 5th intervals.t.." ~ be mine_ V loy you will All. your l!eft hand' fortnese 2 note octave. ..0 ~t L _r r -:. ""O. 5th and 4tli chord's.c: take'-in' O\lr_time_ Doh Vo..

.OI .! . ~ ~ I:.. g.~ n ~1=~ --- h. I r-::I .. ~ II Gt.I:d I:W r::......... ~ ~ -:T 6LJ -----~~ t:l ~ 1111Ii I ~ T =n J 11 Dr 1J. ..~g. h_ . A7 E7 ".-.....! ~ ".1 i.. g• ~ . .II 1I.h. n ..v..~ 7 ..\ I:U I.. LJ .. .... r.! i...---...- Gt.-J f. rn . ...! It. 1 A7 EJD 11 IQ] A A7(onG} 1111 Vo . 17 .)r ". 1 ~.----. I!!"'I ... .... ~' i.n... m Gt. : _.- 1 I t.-"':! .::zJ ~ Ih.): Use either a bottleneck on your little finger or a pedal guitar for this solo with plenty of reverb or a delay unit. --..E Vo A"" It ~t.II 1I.r:. -~ Ir" _.. R1 . WT -h• 1') • '" Vi .J::j 2xrBottleneck~..t.! _ . 1. g.. LJ L.I...·1 1 2xr Bottleneck~ L_o-/ h... ..J 11....1 I . M --....1" . ..J I:... P=rl I.:I I::. h...._. A7 E7 A7 E7 to me to- All t.1 III Alill t...1 IDW l. h.._ - .(Gt..~ .! I.J .... ~ .J ~--(8va~ - 7- II I i ~ ~~ ~ =r-I ---Il ==r1 ..J I Dr L.. L. ~~it= h ""'. JJJ J nn ..111111111111.I::I.'. ~ I:d::bj.. I:.J ~ -.-I 1 It. h.. ..... . " J 1JJ J J JJ _n.J::ICJ. . ~ ~rl .. I I r8va-11::1 \ Gt. - !!!!!oo-.... _ Ani if yeu say [9. 3 " .

· ~IIIIIII ~~ ». ~ ~ • I'--"---' 1 r--.J -w .j CJ I r""'1 ~ -w --( Bottleneck --{ BVB)-----.. 1=1'1 U-::I bJ..·1 I ~ - <..J. Vo ~e! A E 1:""1 ~ with the so if yoo wake up "i i I I e! ~I""'I""'I" h l"I cho..(onE) A D A (onE) A D A B B7(onA) --( Bv B)----+ B . >-t .lh..:__ '<:/ . -&- : 11111111 I hWI3.. bd::bJ Dr . -::? ~ "'CT - '<:./ "i ~. t:.t:. Gt....J Gt. t.& I I ~ LJ ~ 18 .. Ba C:::!::::I:::I rI ~..~~ -liiiiiiif ---- --{ Bottleneck ~ ----- r---.-" .~ I cho.J : h -&- ~ ./ "Jilt.

I I)W1- 1- W • ~ I- ~ r J.. I .i..x. h.jt Gt J J JJ JJJJ . .~ sun...t...'t blow you real-ly should-n'tgo It 19 .:l11... 1 I .~~ •.i.JJJJJJ J j ~ . Ba h. r-l....!.i.~~n.i I) ~'" .~ ~~ IlJi the an-ewer lies catch the wind us spin to-day i" J " J J JJ JJ ~ I I ~ p.i.way ~ leave ~ ..---.!...i . Vo I~' Girl ..~.*.x... I I .!.fI'. ~ ==::t::j l. Gt I~ ~ I I I : Be u --_ h.t.!..t. M F"j':! .i ..i .~~ !!:_" -I'" •.. . !:r-I C'T":I ii.iiii I) ~==.J ~ Dr I E7 ~ I ~ ~ .fI'... 1 1l.i... with you Yeah ~ ~ ~ see +-+-+ sail a .t . A7 L..i. h. .J I ~W \[E]A F~ W ~ ~ I) IIl1i. ~ ~ 1" I r - I ""':I Dr '\ : .. I=M ~ --.1111011.!. .~ ~ f. . IL " h.!. I) I) (onE) A 0 A but the wind "".i .il. ~ .k...rise AM all - t:::=I-"" your dreams_are - still as new __ AM hap-pi .t1111 === l.ness is what you need so bad __ II" ...il.11 1 I ~C::I::::t::::j. Vo ffil A7 E7 A7 E7 1:""1 T A7 c:::r""'I . .i I)L. .. h..

-fl -fl."'Ii. and you real -Ly should-n't go . r-= ~ ::f::: ~ h.... ** 1- . h.. I I!!!!!I Gt. -... ... I I * (l)(Gt.. .fA' . 13 F=I R== ~ h.1=1 I::j I::j = ~ ..fIt [illE 11wind o -/I. . '!It' ..... h• ~ h. Dr . IGongl i I 1:.. Remember to give these chords short. assuming that you don't have a stereo P.8 87(onA} 86{onG#) B (onF#) E B ~------------------------cho.- Gt tJ ::: c.- .1 ... ~ -r-l . - u - r= -= := = :_- -- won't blCM .. snappy strokes with a lot of attack.. -fl.1 I o I j E E fLfL. h...011 Vo ... It j...1. IOiiI F1~ F"11"""r:::! --= --== . it "l = -..fit -/I. 1- I I * . '" cJ. .fit Ill! II.---:.......-~-~ . on ..l ~ - •• ~ F1n JiiiiII = Fi r.. -I1*-fl.fll.): On the record these chords are panned alternately through the right and left channels but. at your disposal.."'"'I ~ I * .J. Hey Ba -: ~ a ..".A.tJ Oh A JI +I.f!. -fl. 20 .: ~ to... Vo .:1 !-I Dr.ly goes to show 011__ . - .-fl.. 1. it can still sound good out of one speaker.. -*1.. I::. = -I!!!!!I •• p:. ~ h. ~.tJ «I) A . . .. A .. -fl. F1 ~ ! 1:. Gt tJ i ~I • [QJ IlJi II.. E o E \0 E ~ it. I r-...i..Ie 1:'-'1 Ba... 1:. .. h..F=I ~ .. 011 ~. lI.

. .e) h.". h. . vv 1 11 1- . A h.#catch H i.Ie 1 >"h ."..J I f.fl.Jc. .".. l.. .-*' *.by ba -by ba ..by ba.!...J E W ~~ . h. i .. * ~ :It ! ! :l L. f.J.:I ~ 21 ... fil ". I E JIJI oft.. *- __E.~~.:I * I D E ..--.. h... q~~' g.I * !* ~ ~W·~ E _..".•• h...fI~~ 7~ I D f..k *.: ~~.I. .....II t!:. ::. . *- ~ t *~* W .11 *- -~. h. 4 Jc ~ . .. -fL~""~~fI~ f.. ~ It k .k *: -*'... ... =-! > .I h.- h.. #. ! I \ 4 t. h. fI A4t sail_ .byba JI. ... " ~.".. . ~ ~ n.. I D .....I ..L...k *~ 1.. h...!1!* - ~. c:. n# *~ ..._ by Iknow_Oh_ " fil -t: ~ OIl I.....".. Ma •___ Ie) Ma Ma day __ .-. .l .. ... .."....1..E JIll ~e! ~. . h. h.. h. -fl__ r.~.. ..'* :k :k *- W ~I . .Jc. ~ 1:"'1 h...I.~ u h L E h...~ f.II II h.J .I ~ *. ~ Ma Ma Ma E h. -u ~ ~ ~ .. . ~ ~ ~ 1.s.!!.A ~.. ~ I:.. 1:..-..n. Du Du 6"" . eA L...r....... -fL . :l f...day_ Du ... ~ - FTi lc t _*..".. ~* C""T"":II li:I!!!!..It *"*'_ .. ! I II.l *.na see us spin_and gon-na leave to-... t t 11 * -~ .- - - - JlJUL Ie) .. E -fL ... r- 1 L..k .b:l '1 ~ I " I:. b. h..l *- .. .. h.lla lla Du Du D E the wind_ and gon. . .. ! > h:'"" - :.J '-I A *.......h.._ h.. - by ba ba-byba- by ba-by what __ 0 r: t-- Ie) 11 -. I:""l ~ h..... Ie! OIl 00... . F'"'I > j.". ! Fade Out L. -h.-...I ......" _ _ Eve-ry- bo-dy -- ...-...--" .. D -fL . h.... W 7U D I JI. .I ~I.P. _ _ _ .. ~!R-~ . ... h...r.. .h.I ! 111111 .

lt E Tempo-I Vo . the guitar creates a dialogue with the vocals.A." rv g. BASS The bass guitar gets quite a lot of freedom. 0 - I ~ ~.W ~ I 22 ... rv =i I . fluent soloing on repeated licks and phrases.. i =i . ~ =i' T '/ ~ it~"'?J I v h~ =..THE LEMON SONG '" iC)eop.. -~ hI ... [G] and [8]. In the down beat blues part. -~ . with which the song is introduced.. N. answering and prompting the vocals with trills.J f . . DRUMS The. Probably the the hardest part to pull off is the obbligato playing with the singer. so it's important that the drummer knows the changes perfectly. Take care to achieve some smooth pedal work on the bass drum and hihat..~~~ .t/a.(Ba. =. especially sections [II.... Be ~ Dr > !Gong\ ~ - ~ - ~ - ~ - """"!:"1=r1 [__ nn. Rather like a jazz 'walking bass. ~ ~~ .- . .. You'll need to get a quick. which is purely instrumental. .nn.rlghl 1969 by ARC MUSIC CORP. ~. h fffi..(Dr. a flowing bass line is allowed to develop... .. :\V \ -- L 1 i I 'T Ajj.): The basic drum pattern for tempo 1... bass and drums play in unison on this 5 note figure which acts as an off beat intro for the latter two instruments. "-/JoIoI . /. ~. II r-f)----.lt Gt... d#9) E "\ E Ajj. It's also down to the drums to set the pace at the tempo changes and really push the other players through the up tempo parts... snappy action on the bassdrum pedal to get some of the beats accurate in quick tempo sections. .Y. while the up tempo sections allow the guitar some racy..' the lines manage to be melodic at the same time as tracing out the chord changes and carrying the harmonic progression..): This is the main riff of the song.. r-Ou. THE LEMON SONG GUITAR The song structure can be divided into two basic parts: A slow rhythm and blues pattern. &I 11 .): Make this little mtro figure for the bass part come in with a bounce. Play the bottom line with a plectrum and the open 2nd and 3rd strings with the middle and ring fingers. Now York.t. o .. . abrupt tempo changes are often introduced by a drum fill. v =i .. also based around a twelve bar harmony..s.J =.. Being released from playing set riffs for much of the song and given a lot of space by the absence of guitar chords during the middle sections.): See (2). Both musicians must listen very hard to each other and develop a genuine responsiveness to each others playing. /RGIIorI PI.-I .II I _jllltI.. The guitar.): Main riff doubling with the guitar. . This isn't strict-tempo unison playing. Both parts feature the guitar strongly although in different roles.. based around a twelve bar type chord structure and a strikingly up beat rock and roll section..(Ba.. ~I =i . so the bass part can indulge in a little expressive 'rubato' playing. ___J L. This part again calls for two fingered playing and some subtle phrasing to bring out these qualities... I pj ""-' I \ :::: .. . "-" Gt.(Dr. the slow part... I O(Gt. U. riffs and counter melodies.

. 1 . 1 1\ . .. n ~h rFi n ~ 1\ - ~~.'_ - ~h.2. ioiiiiiiI ~ I '._ 1 Dr . hJ .. I"'r""! lot..~ ~.n ur: I V f1i 1 ~ .~ 01.+p.. I I II A i~ u~ W i~ long time a-go_ Gt. ~h.___.. .~~ . hJ ~II "-' ~ ~ h:+p. ~ bJ I ..E I .. p. I +J ~h. =i I "'--..·I tJ ~...... .. IF . ~ h.. ~ =i I .:i g. ri=ffl r... 'I 'I' v v 1 'I 1 i . lot.. tJ I -0----:-1 Ba ~.·11 23 ....~i.__" J h 1"""1 ~ ~ :.. ~ ~ r= ~ i~ n h'n. =i . ~E J~ ~ yoIl_ Vo \eJ I should have quit ... :: ...

_ - I . Jlli Vo..): Don't forget to keep . The choked notes give it a more subtle feel.): See (9)...:.and . ~tt J r: I :j .J T I g:'T I • ~ ~ ~... .. ~....E .. at....): This recurring riff to take you back to the verse contains another unison with the bass... . -J J ~ -=-r-= ~ 6 ~h..A. Aim for a jerky staccato on .... 'eJ It 1i'A * ~Jot • I lO:lIlld.:. be here not here_ down kill -ing f100" /I.I eJ 1> <::» rF= - ::'ii'=i'Y.. Unison with the guitar...nr1i L.. !ll ~ w~ i ==:d l.. - ~ -=-1'". each of the 3 notes falls on an off beat and so needs to be played strongly to make it bounce nicely. .... Coming in on the low C in the middle of the 3rd beat....£. h. ~~. n at the enrl of the h<'lr O(Dr. " t . 24 (Gt. on__ this I.. I v I - Gt.J~ I u~ nnR i Ii: 6 t f i to my_ sec. Try not to lose flow of the bass line. ~ 0 Dr nn.~.". hJ ~ ..J~ E ~ ~~ 1 I ..(Ct... # . It. GIl (Ba.the hi-hat tapping out the eighth note beats underneath this drum fill.. o . == n h r1i~ -h ..oiI .f!_ .i '1 T I g...a --eI'l.£+_ . I_f!:. . .): See (6).. ~ ..n't A7(sus4) .(Ba.. Iooo.): The last 3 notes of this bar are all played in unison with the bass and bass drum..-..~?1 II II • - r:::.-I I ~ V Be _..:::...M.

»+1 eJ 01.-::: ~=t ~ c:i -.by_ to my sec- 01... .J ...·" E7 ..1 1 1 I > f:~ n 1I 1I ~ "1= 1 t ~ - I 1 r1 ~ I ~ r-3-... n ~ Dr I . . 1J: ""'" ~ ..·1 ~ " Ba r--:I ~ • I: n ~ ~ 01 • .. ~ l....·1 e! ~ ~ ~ ::J. ~ n~ --">-~~ " :t:....» -II Vo ·1 !Ie! lI: ond mind --b.' -...~ =it T~=i g...J 25 .. ~~~~~1:_ ~~ and leave you dar - ... ling JI~ h r~ :i#:i Ev - ery -time I go a .:f ~ 1I ~ ~ . h rnn rn L_...way Gt.A7 I should have list- ened ha ..

~I..fJ.fl..T ... u..... 'i!7 ~~~~...11 • .._ -..II'" i r . ~ ~q. A7 E7 Ternpo-ll [g E7 the blues_ fresh out the lie Oh cho. ..... E7 A7 Vo ~-. Il· ~: .l~l~l Dr 1111 ~ ~ II t ~ ~ 1rr~J~~~ ~ ~l~lilil V == ~"I:J II ~ ~ ~=== • (Ba.-I I 1-...t. n. Q. • (Dr. 26 ..10 oil.c..I ~ -.... ~ U .): This is the storming tempo 2 section.... . • g. n on ~ . " -1::l. TW :& .. -. -~ --o~ .11»011..l ..."r->. n n - 48 -..!iiiiiI~~ -. Gt.----.... -~ . Don't hesitate or hold back on this part or the music will fall flat. J ... .I :> r-=::'~ c= c= -- I""""I:!!!I ..): Important fill to lead everyone into the up tempo part. ~ -. ...._/ I J 11 l Gt.-. • • (Dr.I A» oil .T-.J --=::ll...1 I..0..r--. r-i-- ~l... The bass wants to really race along under the guitar.J .): This is quite a different drum pattern with a busier snare/bass drum rapport and a steady eighth note beat on the crash cymbal..... Ba r-""I ..11..

1.~ f'>. .. I I I I I Tf· I I _l ..> 11 11 ~ ~ > > ~ == ~ = ~ i1j_J__j__1_j_j_ ~ l_1. .r-"l ~ .*111 ~ == == ~ Cd ....~ it 1_____.....~ -. 7=:1 - .___. ....I ......-I I "" I ... E7 B7 A7 Vo \. I::a:j 87 E7 27 ..... . ~ ~~ ~ n .~ l+.> _1+_ • I > _ I 1 ... ~ ... I ...:.. Gt..*1.' I r-1 ~ . I r-:I ri -e- I ..____. I:::j .... . . h a a --{8VB a >---:-1 a ~ \ - -- ...tI . n .. " Be .1111111 Dr ~... ~ :.... Gt..~ l+ .. - ~~ ~ -_ ~ ~.. C\ aR~ Q.. .

411(Gt. cho.A7 ~8va--------------------------------------------__' cho. Gt. cho. cho. cho. cho.·11 cho.·11 Ba. It's easy to fall off the rhythm and lose the beat. 28 . cho. B7 A7 Gt.): Try not to lose your timing when playing these furious clusters of notes.

.1 ..lii. . . cho..... -... .-I v ~ v t...--\. cho... II r:. cho.. • .. 1 l 1 ~ ~ ~ ...... .E7 g. cho.. .. ~ == ~ • (Gt): Don't forget to slur these rapid 3 note figures or you may not get the speed up necessary to play them.. '1~ ~ ~ '1 === ~ ~ ~....G... p. .....j.= L.11 .. v v v I lUll!..-. s>..... L. p.-.-J ~.j.. cho. p.... cho.0. ~ e"I -~ ~ i 1 t 1 .... r--=~ J J J --...D..1 ~ 1 ... ~ -- -~~ v~ • .t.. I~ v v v V V""--"'_ C..... n. 1111 -It. a I.. 0..... 1~ ..... .~~n v V ~..~ ..... . I~ . - - II~ p..... 1~'l «< p........ I -':. -p.. == 29 .-\ p. . . E7 A7 Vo \~ JIll H....J Dr il.. ~ .:= ~ C. .~ p.. ...D. ~ ~ h. 1~'" .. J 0" - .:1 .. ... -_ I:-! p.

~. L ~ ~~ n-...:1 - .. p.- . ...1-*"1....IIlt e) T~~ J v b J::F: =. It's really down to the drums to ensure . '<:J 1.::... .ft: n . cho. rFi I I I 1 n Ii~ v ~J ~?$ ~ ~ ~ ~ J ~r:Fi. ..1t~ • ...ft: .. p.1"'1.. ... ..- g) .IIIt.. --v • .. . *1. - . ~.. r--= . . p.~ ~~ ..~~ . [Q] nBa E7 Tempo-I Vo . 1111nrn11lk-IDn ~ ~I W ~W ~ L-d ~ ~ "1 ~ 30 .t...('" h" . The guitar needs to really put the brakes on in this bar and slow up on the run down to fall into the new tempo by the next bar.._. A..- . e) 01.. n Sa ~ . H_ Gt.-' -p..Vo ·1 tI A....~..._ - ~ 14. .*-1 "1~ • (Ct. .::. ~ """'"""' ~ _ J J J r--.. ....that everything doesn't fall to pieces at this point.II l+ E7 87 A7 ~e) __IUI. The drums have to bring the rush of the up beat section right down in order to lead the band into the new tempo...\ ~ • ~ r---I::l .. ..1 ~ ~ ~ ~ Dr ·1 E7 I . =r-I Be n == ==== n n n IiiiO. p. I g:.. Gt... re ~ u •.--...1.. \ p...): bar to take the music back to the slow tempo..t::::t::=:J ."".. - • • w---• ---I - V . ... e) r--=~~~ cho... I - -.. . Listen carefully to the drummer whose job it is to set the pace for the slow tempo.l n - 1"'--1 _r-.ft: • I f:.1.II It... 'V .~ .): See (16).t. == Transition ~ I ~ ~ .:1 - A. (Dr._ .-\.IIIt ~ rM rr.~ ..ll 01..t. lot..J -{Bva>---t )~~~~U~ A p.. g.----1. p p... .0:- r~t. e) --. r--= ~~~ t\ :ft:.e) - - A.~...___. h cho..- > > > >-----..l"'l Dr ·1 --~ • 1..-' I ~ cho.t._. ---. ____________ 87 A.1 . k.f:..

'J A~ Ii I ~ •• Ba ~ ~ n ~ ~~ '--" ~. .. 6 g': - TJ~' :ft. I.' oJ y\~ I ~I '" ..1 ~ 1 11 ! 1 L.I A~ i ~ Oh ~ 87 --._ ~ T A7 .~ A~ No no_no 1+ I... : l1rMnrnl! U~ W~ > > I I i~1il n h _CB_ffl 1/ 1/ ~ ~-_:1/ ~ ... no __ Vo .._ y. ~J '---" . :J:........ " Dr ..::I 1iiiiiiiiiiiiI- "1= 31 _['B 1. I~ i.I I._ .A7 qim.J~ ...___... =..4t4t ~U~· oJ - '--" - <c:> J.1::::1::= 1::::1::::1 I:::i..by E7 . r TTl ~ ~ " .._..J t 1/ ~ .._q~~~...me my ba ...... ".....::::.......

.~ to wor-ry me ba. .. .er .E7 !II E7 Be good to me baby keep me sat-is- fied .. ~ .d ~ ~ ....I II~-It ._ ~ ._.· I ~ 1\ 1Ii1 -It..~ k..r-::l ~__EI318 ~ ~ ~~'-'I"!!I""'I oJ - =n~ iiiiiiiiiiiiiii "(.·1 I ~ Sa L.E3=B -="""'l ~~ _ ._+.= ~b~:t () -/L - .by but I nev....._ ..! oJ Dr ... 32 ._ 50_ Peo-ple wor-ry baby keep me sat-is- II iI l+ Gt._ ... bI:::l .·1 g..with Delay_ g. Gt._. Gt.with Delay- Gt. . L._ ~ .. ._ ..._ Try ~ ... • Vo .~ get to be rnine_ A7 -r-.. == • ._ .·11 chao v v E7 .

11 II --{with Delay'_' g..· .·' r-Bottleneck___' Ba• • (Ct. Ba E7 E7 Yeah I went to sleep last night I "". at first tentatively.E7 .1< as hard as I can__ Ot. e! I' AJi .11... using a bottleneck.): The guitar begins it's 'obbligato'. 33 ... Ot.. .fl e! Ot. good_ .I A JI II B7 A7 1:'-1 I VO Ie! .. .·' • JI . with the vocals. ~ .fied Let me tell you baby oh " you ain't noth-ing but a stu.pid no..

*" A7 ...-~...I II II 1I Vo ·1~.fL b.. II II -I . 34 .. nri ~ 0 r t . " I I ....~ ~ ----:p_....fL ~ _ _..... • i.fL .·1 I F:F9 FE=.E7 ..oth. 1I.....ey you take _ my JOOn- ey give it to an .· I .... I!!!!!!!!!!!!!! !!!!!!!!!!!!'!! J J J rl Dr ..fL ~ Jt..--= J J r:-::l I r:Fi~ ~ ~ t i~ ! 1 ~ 11 rf~ n ~ LJ A7 t i~ LJ LJ B7 ~I Oh_ such a long time a- 90__ I would -n't be here with all my trou-bles I with Delay---------------.._ bring all my non . 11 • ~ .h ..er rt'I!Ul I should have quit youba-- by 1I Gt.. t ~. «:»: ~ . ~ 1. r-1 ~ ~~ a _ • . Gt... JIJj. r-with Delay----+---------.- I Ba f'I .. __ ... .

p• • (Gt): With these stabbing 3 note fills the guitar opens out a kind of counter melody to the singing..·1 Gt.tJ Da... ..I!!!!!!!!!I ~~ I '" E7 A7 till the juice runs__ down my leg Oh oh Squeeze me baby __ Gt. floor __ - Squeeze me baby __ "" II Gt.""J.~ .· I tJ tr~ ". There's quite a lot of free movement from all the instruments at this point. so everyone has to be listening hard to everyone else.m v on this kill-ing I.. 35 .D. Be a FF"1 I .. ~ 'V'lf u .A7 I ". .f..ft E7 Vo .·11 C.....II II .II . otherwise it could get messy.~.·1 I tr~ . ~ F=P=! . :Ii!! tJ Gt. - ~ 1==1 ~ -r .

J! .:::I fall right_ out of bed bed bed Gt..~--- . !! 1 Dr ~ !b. ------------------------------------------ A7 E7 B7 till the juice runs _ downmy leg The way you squeeze my lem . .. s... 77 1'1 ~ r1 rnn n. r:L___o I f Fi1 S. A Gt.-1 A7 A~ E7 It Vo • ~ lim gon.D. irf-#:f!::.D.on 01..rrh~in rn n _au S.. ~ ~ C.. S•• S.na -#- ~ yeah ffil E7 ~'" 'IJ~It -.~ 36 .liT tr ~ AJloIt ~ chao ~ tr- lW chao C.. - "'"' 'I -"'~ .e""'I g:r 4#"" ~ - rn ~ ~ LJ ~ ~ ~ 7~ ~f Of .-I I '" ~ ir chao chao Sa ~ ~t ~b"_..... ~ n'i.

g. v 37 . cho.cho. C.D..t cho. C. cho.D.D. A7 E7 67 Ot.D. C. Gt. cho.-II cho.E7 A7 Ot. cho.+p.-I C.

+C. ~ ~ C~ t..A7 E7 m Bottleneck----.+p. 38 .. This sort of stuff works best when it's improvised as it's really about the rapport between the players and it wouldn't be a bad idea to take this part a little further. t::I::::j .~~ n n ~.. going into a little call and response type sequence.c~o...·1 r- Bottleneck- Ot.· 1 eJ ---{Bottleneckr--...-0= .. !t ~ hey ~ hey ~ hey -I'- -I'- -I'- -I'- ~ hey ~ ~ U-I'Ba -byba .): As the guitar part develops it embraces the vocals more forcefully.. E7 Hey ~ Ot.' . . --C.+p..~ Ba I' IiiiiiiiiiiiI L_. JI'" C..D. n nn .0::e~~~' . D. E7 A7 Vo " JI .+p. nn - .s: .·1 1 eJ I . ~ '" ~ =::I .D..D..+p.+p. f " bd IiiiiIiiiiI 1.b."'"' n I Wi ~-: ~ 1-1 f H1:=7 ~ ~ - iff I j) ~ • (Ct.-':' "1:-:/"1:. <II Ot. ~ . C.·11 cho . --l=1=l=I " h.D.. C.by -I'- ~~ hey hey hey hey ba- --(Bottleneckt=l JI II II -e- Ot..D. ~ "~ -So Dr .~ cho. C.

D...~ r=.-byba-byba-byba-byba-byba-by ba-byba-byba - by Hey.f= r--:. ~ ..+p....D. lI_ F....~ ~ rn FR=I ~ .... --= FFF! i=!=I=I I" y .+p. ~ ~ C.. JIll C. i"""""'I Ba I Dr h n=.+p. •• . II.a:~h~ C. ~ I-.. _ 67 All ~ ~.D.. Baby A7 . . baby E7 Tempo. I ~ rr rn rv r» n ~ ~~ rnmn f ~~ 1:::::1 .D.. tr s-« I" .._ ~ C. C..D. ..... I I ~I ~ I ~ I) 39 .+p.n ~tJ baby Oh Oh JIll lI_ I~ C.D.+ tr ..

.J ~ 7 LJ V rl v0...I IIf'" e- -. -- ~ .-. ===0 IiiiiiI ......-- ~ .J ~ ~ Dr 1 1 ll-_ -*...... . J "--I .. I_A........---.:..... . I....1 It A7 --l :-l _AlIlt Gt •_1 I 1. r1=..l bd ~ '7~ l..1 • "1~ 111 ~ ~ =....._~ l.1 "7 1T at..... .C:: u • L.... ii ....... -S~ ..r [!] E7 v0....J::I ..I .. ...... ____ '<7 :(!: J> II v Gt.I e... ... ~ "'-=t::W'1::J 40 . q~ ./ .1:f:.-I . - :(!:. 01.....*I:d 7 ~ ~ I::I::I::j '-' I-' ~ ~ == 71dd_ ~ L.l1-:l Dr I. .....g.[ -n > _ .. L...J '- .. It ..... _ ~../ 1 1 ~ I I I 1 <.. 1 nl '__'~ n=.1 l......I ~~~ ~ I 'oU A .-..._ r ~ Bva -- .. .-I I~ ~ ..... L. ... n fll. .... ~-o . .I . ... 1 ~"1_ ~111_D_=.....J:::jUd LJ l:....j .....fI./ ~ . 1f- -:l.....I *..n ..J! q~ .i L.. I 1 I I !of" "..I I . I ~ • ....... !iii . ....... -•• !iii fL . 1 ~I A II It. I '--' ~ = ~ L __Si _/").. I:d E7 -~~ nn . All _.Io.. ~ ~ .J::j -u:! === L-J' n" ....kl.....- " eJ =U .~ ... L'""'> l1li ...- Be ~ L.. ~ I e.I L.-... I0o..... ~ ~ ~!!!!!"""I -1'-. ....~ W .~ ../ v_...II . .. I .[ Be -v I .I =I..--I '*. t.. b~ 1=.........J _ .J:I =-.~ .... I I _C'B ~I I '-----"'" 1 I I Iof" 11 I "-~ _....tI All It ~~ It..e.._. ~ _1:_ ~'fl - "" .

... .+p. f ... i~ ~ ~~. ~t.. ~F ..... . ....._ "-'" ~ Qt..I ./ A.· .-J:.. n .. j. ~ ...t::I Dr I.a..a:~ a: .. . "it "7 I.-*-1. .~.. i~ \[.II II U" II -Et- I I II I I TIIIIIII Qt...J I:::i::I:j ~ I..L.*-1 J..... Aa tI Vo \~ B7 A7 E7 B7 A.!-1 ~ -*.. .j ....II II .1 -*~ l_ J.. Sa.... -. t.·' ...:j l..~ I:. ~~ ..t: l_ J.:...II .~ 1~ 1.. 1 1/ L.D....... v v v 41 .~_ . ~ .._ n~ ~ ~ ~ .--... .• _'" ...CI =:I.J ~== I::I:::I::j ~ = u == c= == ~ ~ Qt. .... . 11 C. ~~.. fI.... ~ a n~-...._ .J::j t:::I..J::::j 1~ =w ~ " ..-... " Q..~ ..&. 1.~ 0 --<8VB~ ~ . ...

It n:.... I Delay I u- "j: ~ ~ 1:\ I ~ " ._ f'-.li1J....... ho '<. 1:\ tr J '-a-' t 1:1 ..._....~~ 1:\ /' Gt....~....!.:.._ ~ E7 ~ floor I'm gon-na leave right here __ down on this_ 1:\ kill-ing .J J.. /~ Rubato B7 ._ I-A---- v cho.i-l"*-l-*-l I::::U i 1:\ I v td:d i-> 6d j.1 I0. ~ I' I!!!!!-t 1:\ ..-I I ~ho.I ~ . II eJ ~~~.._... rr.._ . 6~ .~. 1:\ ~ ~ ~ ~.[ ... --(Bva>-t Gt. 7 =~ 42 1 I ~ .~._. I-J JoIo • Ba C n ...-.with Gt.. I ..l 6d ~ 7 !IT i1...../ r._ . ~ I ~ ~ii=I~1 cho .~ A A II II .E7 p._ A7 .I:::l I::::L. ~~... Dr..-II E7 Vo ·1 .--.-....l.

.-II v .tJ - Ba Dr : I I I ~. . . to 1969 . making full use of hammers.... • "'1 ~ "..... ~tJ 0 I 112 Strings A~ Gt..' • I 43 ..n- ~ Kb .....~~ . Apart from a short solo on the twelve string acoustic guitar... 1iiiIiiiiiiiiI ...J V . .Gt·1 : • 1::1::::::1 L. The bass part moves about quite a lot but it remains in the background.. The phrasing should be smoothly executed. n .. "n == L. " ..... so the electric twelve string should be set up to give a clean sound. h....... The beat should be slightly on the lazy side without too much tension..:::I W . slurs and slides in the fingering. • E..... C::I::::::::j L.): Laid back fill on 8th and 16th note beats.. DRUMS The drums simply hold down the basic rhythm with eighth note patterns and a few sixteenth note fills.. . one of them electric..::I W h:... • I ~ JloII 112 Strings A. /hIIorI PIo.t SUPERHYPE PUBUSHlt<G THANK YOU GUITAR Both of the guitars used on this track are twelve string guitars..THANK YOU by .......Gt·1 ....... ....:I '1.): Opening chord sequence.....fIt"'1 • (Ct.. I L.. tJ Gt.. v \ Ali o 07(onC) 06(on8) o Yo.... Pick the root notes strongly as they are meant to ring out for the whole bar. Iq'" '1 .. JI~ 1Organ I .. " " r..... most of the playing involves strumming chords. "n:====.....-I tJ . ..... IiiIiOIiiiOI .(Dr. BASS John Paul Jones double tracks an organ onto this song but still uses a bass guitar to provide the bass lines...

. V I V to .. p When moun- the miles tains_ you to cnnn..day I "" f..o D7(onC) D6(onB) All Vo ~t! I' If And -the ... l-J--Ji1 J!=ri ..I It! .....'!hanks ~ ~ . I .. shine smiles_ ~ ~ I Your Of ...::r I Kb ~t! n fJ.-I I It! / lUI I --'" Min fffl J .ble it JIll Gt.. tt::"\ JIll Gt...1" V ..in' you we walk .___. fli I 1 ~ q-e- !Sa '.' fused_ world __ it would still be hand in mine lev .. 80 sun re my to . rn ..a .. .. ~ Of I ....

.. Kind_wan Hap ...ing roore r give you Kind_wan nore _ J 11J ~ ~ r-=I. E I 'f ~ ." ~ II~ ~tJ the to _will be _jl_jl_ ~ .pi -ness __ 11. .I f . ... r:11-ID-J I I I J fl.. noth.. ~ "...--=I .c .~ q~ I ~ ...II . II III. .an .l I .J r L._ h. fi1 ~ r1 ..Fr'1 Yeah i ·ri ri ifl ... I i"'Fi ~ I Ba i"i ~ I === .tLil s:r r--=I • it£" ..._.. f J ~!! I ~ Fn h rnn I ~ F=!'i ~ I ~ 1.. . so aU the notes should be picked separately.11 tJ ·1 .. ""d- -(7-' r-tJ II . lilt -.r-:3 .._.r.. 11 ~-[JjfFi=i J --T #--- ~tJ Ii r-> f-f ~f- ~ ~ Fffi.-0oI -en ----I t I- =:t Hap -pi -ness ~ . I It! r- ~ .J rrt'f __ _. Fi1 rFi rFi I I J I Dr r i.1=M L. .II I L -= J ~ ~ II It! Ii . Ih\ r"..): These are arpeggio chords..FFFi E A I Fffi. .. 45 .lo-:I .... no == . fA-- -_J I All .ri f to+ I. 11. I Fii..I you sea done I I tJ q-.-. . l - you there'll_still to me__ are - and ly me one I II V"l-J h.Q.. . ~ a.._ -..J . I I I I r - • _. . I ~ : ~ n ~.. +'~ v V J . . ~ all be sad I Bm # # r=... For L-.11 G(onB) o ~ I'" I"'_f J be the on ~L 1..i... .tJ Bm ~ .p:::::q I=F!=... . .J ..lJl .(Gt.. ..

.. J .. 1 • • i ..--.r::J 1 . . J J J J ~'l • ~I I=F=I=.I I.-:: ~.r __.~~ I 11 '-'" .n==l-n in the days_ .... J ~F:r'1 -.I JI . ~ !! f !!!l~~l -r:::= . ! !1 Dr I:::I:::Cf .I ... ..b.. J P=j I J .. n r~1"'" _ri nm_n_Fn .ll (Gt.. ~ q~ D r>: c. h.. 1=1 JlJI I I I J i Gt.II Vo .. oJ oJ~ II 1. ~nn ~F!i1nf:rl ~.r .· I '-. o 46 .. ~.I IIJlJI -I J Lit -t.. n E:J 1 1 11 -==== ~ ....t::::::= /'""' .-... ~I ~I ~I n 1=1 . .. Kb ~-..--... J J J J I .r .. I I Uii fi Gt....j.. h.·1 11-._ ~ ='""'I IIL. To get the rhythm sounding right don't pay too much attention to the score here.:. .. \ ~ ~~ 1fP ~A Ii· ...!.n.J::1=:U rA ~ c I ~ I LJt LJ D ~..... it's better to listen to the record..1 ~ {\ .r 1 ~ J9.par of the pain__ tears of loves_lost gone by. J ~ -.l: _. ~ fl Ba > r-::1 -.Ie drops of rain__ whis .... I 1=1""" I JlJI 0 IlE'" -tj- ..r1 L.. ~-~~.J ...-- Gt.--.j.....): There are 2 guitars strumming in unison together on this bit.-=1L.... .

11 I • I ..J Gt.11 ) Gt.J II Ba I' II Dr - I : " .. 47 ..(Ct.--0-t. It's advisable to play this with alternate up and down picking strokes. ~" .·11 .. 1111 Kb ~t.in -spi -ra -tion'swhat AI1 you ar".·1I Ie! 11...): Meandering acoustic guitar solo moving in scale steps. 11.__ to 1tlE! _ in .spi -ra - tion look s.

.·11 /Ill v I Kb."""'" ~ =:r--....1 I rr=...-I iT 4 I tJ . l Gt.. - _ • -I'4o. w-' . ..r Gt..lf I~:~~~~j·-I'-~~·-I'-~-I'-~~~~~~~~~~~~~~~~~~~Q·~~~~~~~~~~·~~~~~~ " ~~ __ 1::::::1.---..---::. 48 .---_-->' ~ ~.. ~ ~ r:=ri Ba. ............f] q~ it: .

. L.·" ~"! .-J-- ... q+ p::p:p::I! .... h• _!...¥..11 .... .. -.... n....I IQ)D c .~ ~'V'-'" ~~"'h.tains crum .I r- 1:J=iW Ba.. p.)1 r=r .. ~ -fP Qt. p ~ ...ble there'll _ '"' still be you __ .. I' IV Dr .11 ~ o Vo It! (When) c ~ - • the sea o .£: h.II t! Qt. r'\ qlad fI'I If the sun re - fused - I would still be Qt..1.. Ioooo. 't! I'IIIII. ·1 . ~ '. : 49 .. . n.c-:.-' t! ~ ! ~lt..I JI. • noun .p.~_ T- il ~ - #- A p.'t.~ ~lffl ===== I:::l:::I:= V 8a r r . I 1:1 ..Ii .' I Dr J....+Coda JIM E A t.---J) . and me '"' IlJi t! #- . llli . ~. to shine __ o I .~ ~ JlJI Kb t't! -J . ~lt..... 1 V F"rLF'J..I!!!!!I'!!!!I' h.g. lov-in' yOu Vo....C::I p === .~ ~ .J " . ~ ~~p.__ Qt. 11... ff:jlJjD ~ Kb ~t! 1 t.- " : tJ --.I I' ~ 11. h.Jr -4--- lTI Ili.. [JJ ttE'" \ r1 V t-.

h.1 p.:» JlJI tJ Gt.JlJI _ Gt. ~-.f.!""J}J J Kb.-I 1-.__ v . 50 . fi'\ II Dr.·1 tJ .-..II Gt. -rl r• r ~- I r I L iI ~ LIJ Ba.R J J ~m:lJ3l_ rR. h..): Gently picked ringing 2 note 5th chord on D doubling with the guitar.·11 Jl1I ~I c:-r-=F1 .(Ba.fl .1 I' II JI JI Gt ••11 . I~ c G(onB) D Vo ~tJ JI.1 11 I1 Jii I F. : '" . I iii qr I tit I rJ "[1 r.+p.

J r"\ I ~ r 1 r I 1 -r1-rJ B8..-' . w- "" Gt. liT I' " AJI I ~ v 1f" 1 F11--J tJ r_1 IJ r 1 p::-. n r.FF!i.- .-I r.tJ q"'I . r 1 -II . rJ 1'" 1 .rnJ1 r 1 ~_fJ.liT J All " K b. r ~ .I.F'"1 I F1 J -r1 ~ j K b.I ilJ i 4 .-i.Ji1 r I I. : A 01 C G (onB) o Vo. liT A" . ~ (I) j D r.. : Fade 0 ut 51 . rl~lrJ rT r : r : r J r" I r 1 r I -.---J-. I ffflm-i1_. I JrnJJ.. J iT'hf'l r ...J .. ~ V Dr.r. A 01 c Gt. _ F'J. . 1--" - BB.All C G (onB) o 'tJ All 4 .

Like aU difficult parts... /JoIooI .. <0 1969 SUPERHYPE PUBUSHING Joooos/ .... Having said that. doubling up with the dubbed on second guitar. falling on an off beat 16th note. with the band being led into and out of the changes by the guitar. the drums simply have to ride on the guitar rhytnms. HEARTBREAKER GUITAR Basically a medium tempo hard rock song with a repeated verse...I tJ ... I . vo·1 ill ~...HEARTBREAKER lor JI-. Am I Tempo-I ~tJ A Gt.. like the guitarist. extended guitar solo 'middle eight' and back to the verse..the two tempos played in this number are decided by the\guitar. - .): Unison accompaniment to the main theme. :i"__g "(_" •... rather than puzzfing too much over the score. and it's not easy to keep good time. It's very much a guitar number. the bass does have quite a powerful role in the music.. IF'i" .. 52 • (Dr... : . a variation on the main riff. BASS A straightforward bass line. where the two 5th chords stand out effectively.(Gt. it's better to learn this aurally by listening to the record. plus it includes an unaccompanied solo in the middle... especially in section ~.... • (Sa. he is bending the 10 G in the middle of the riff. . key change. ~ ~ V- .): The hi-hat part is awkward. A tJ Gt... guitar solo is also a riff. John Paul Jones seems to be using something like a tremolo effect on the bass uitar and... so it needs to be decisively played and at the right tempo...·1 ~!! ~ <:» .y ..... although it's up to the drums to drive the band a little in the up tempo part at section [E by laying down a nice beat.): The guitar sets the pace for the song as it brings in the main riff. keeping mostly to two bar riffs. /II*rI . The pattern stays the same in the C minor key change and the accompaniment to the middle section DRUMS As...

- ~~ .. J . "'+1'- <:» cho.r ~.'+1'- ~ ~~ .. I .~~ - J .. ~..... . _ /~ g.. .. I S3 . '" + - '" + .....~~ take years fel. O(Ba... X.. I . just _ watdl of rrrt life_gone see by __ an' the Here I A... '" + . ~i~ am - ~-f ~. .~..:::- '0 I II'Bva- . I I n.. .. .have you heard the news? You know Since I years be more__ am may that An.~ 1L I ~~ /I »~ &J :j: b :i ~ \.·1 T .YO.. ~o.-.:1 I::r-o. ~ I '" r \---. I v- ~ ~o. <» cho... n· ~ r-n F!=R-FfR F-f:i:f . I . tlA Am 8m Am ... .nie's back first set eyes_on It won't '!he best long. lii -:+lII... .e overdrive but add plenty of treble so that it doesn't blur the bottom notes too much.\ g...~ A . ~~ I .J .. ~o. I I 2• ..n.-....... • (Dr.f ten . V ~. . I~'~ -. I I' 1..·1 ~ A ~ . ~\ :ft . ". cho...las...!. Y cho. I ~ cho..... Slight variation with the hihat. == . .-J cho.-n .. .._ .): To emphasise the big sound of the 5th chords you could add a I... ~ == fPR . FfR-m! ffi:f D D~ Am D Am A~!. V ~.i:ttl..~ g. in town you ) . ~ -<. " r1 V ." cho. ~ho. n 2x I M ..r-? ...".J::...): See (3).... n·. ~ "-.\ g. Ba. _ cho. . • I .~ Hey been J.* * .I( ok ok Dr I .J cho.. . I ~ e 2..... f cho.... /..1:.

~..~ ~h h h ~ I Be fI Dr 11. i m ~. ~..-I I :i I ~ 2x I ~ ~I .."1.~~ hove l l dif.-..".--)'t.:! ~ :---: ~ . fel-las Am t • J. ~ r.t am a JI lay their men -ey l. 0 I ' g.I *' *' * t '" '" * '" II ri. 'I' 1\ 8J.....l eyes__ fran her I'll just ~ .» " Gt.I ~ II • . \ \ 2x ~ \ 1-"'...go wick -ed_ ways of - o Am . ~ • ~ J 'J <i. ~ 'GJ :j:..A Vo Ie/ n . J ~~....l.II h h . ~ 54 . n . Her J~' 1"7"1 ~.long With the ~ one__ who knows of graoe of the Lord __ a- " Gt.-I tJ .__t.n~ 1I o ~ Am _. l:.ple die pso . (2x1 1""":1 1==1 \ Dr h9 Fffi *===* ** \ n -.I'~ I<..::f I:::::::t::::j ==:II Ffl:. ~ I . ~ * ~ . --. rI.-r.·Iii' " e> Gt.. "'! '.---lJ . IiiiiiiIiiiiiII \ ~ I I \ I L. o Am 0 Am o r:.one_ and clown__ blue- style Sane is new__ but the face is the same as it cry and sane_pee.II. / ~ \ I t "'! \ Il.. '" f .ferent smile __ like that_ rol .ple By the love_ 01..~" **' r"ITl ~~ ~ ~.. ~. ~. was so long a.Il / '\ n I g. r:J* ~ .....t 8J. is keep on a Am Vo " \eJ ~ .~J~...J • .r:. --<8VB~ \ c» r=: ... I + 0 + I 0 + **** I . .lin' a ...n..--J.-i-r'l-fl L.

.. ~ J.. ~hO...::I ... ~ I \~ =:-i ~ 1 > Fffil#..1 2x :h{. ~ ffi. Fffi rffiFffi I ~ I W~ w~ Am I ~ I ~ L.J 0... ... "':JIo" .. / 2x I ~ ) I ._... ~hO 1"'1 '1 .. Am A I eJ ~ ~ ~ ~ '<:. cho • ~ho. .... == I . IA ~eJ Am 00 1.. II...... . . _\ .... ffi=i~ ~ ffi.. :~ "':JIo" ~o. . ~ Bm Well it's 55 ./ A eJ I .

"--.~-"" _..... " I • I '(__U . ~ cho. ~ 1 1 I 1 -I .... '*- 1 n... cho.... v 11 Dr i ~ 11 I Ji1 . I ~.k j ~ 1 -.(Sa... Vo ...... . know ~e their jive - •• is at ~e thing I do have on my 1#-~ . ~...... The rhythm shouldn't sag or start racing. I ~ho.): See (6).~ 1 I ~.j Cm Om Vo I" ·1~ .t. ". ~~ • (Gt..i -fy_ please do __ It's the " Gt..): Main riff transposed into the new C minor key.. Pel) - ple talk you left_me flat I don't car&_ peo...1 -I . if 1#- • is mind __ you can dar . _cho.ple say__ I " Qt••I &I I" "I Qt.-:( r---=. ..I ...~ v r--:I ~o. " ..:j ~~ .&1 [£JCm -. Gt." ... 56 . cho • 'It ...l...c:... . Although th~ension is naturally heightened by the key change.. 'It.. rho .' . r". the guitar shouldn't get in the way f the vocal entry.·1 ..j "I ~ '-" vvvv - V v v . ~ u .2.~ v_. .. ._y cho..7 cho... L... . in' all a -round_ 'bout the way /""'... . ... ~ ~.·1I ~ .. ~ 11 Dr . Keep in step with the guitar...J::::i I .... what the /""'. ~ ..

- - -- - ~ -II- -- " Gt.. . ..J Dr .. - /'. 0 1::1::1 . • ... I e) V . . ""Y " 01..~.. cho • -.... .----.::::I Be 1 I .J .er guy's ~ name when I try ~ to make love . ""II ...:::::I --~ 1 r--= 1 i cho..oth ._ • + •.- -- - - - . '"". . ..........· I tJ ~ -':"'.--.. Em rI" . -. meby an .. ~ - . =~=:= =~=$:j~~ = . ._ ~... ... ~~ ..~. ~ 11.... ~ . FF=I= T rT VI v v Be .....~ cho...~ ci...·1I -~ rho.-I I tJ ...~:. you call_ ..:=J ~ 1 s. E 1 == I I ~i !:::::l:::I !:..." J . ~_: ~ =.::7 " Gt. Vo ~tJ " ---.fI...P to you [Q) Em ---...... iiiiiiiiiiiI S..Em rI" Vo Ie) ..:~ == .......~.J V I ='="'='C..... ~ 0 \.... t == ."o...:::--- ------ " e) ""'-- Gt.... I ~ \ r~ "'= oJ _ I iC:... . I Dr ....~ .J I ~ r 57 .+ r... . .

I ~ I I I Ba . I 111 ~ ~~ I ~ .1 A7 Tempo-IT I "t1:J ~ I ~ [] Vo ·1~eJ " ~ Gt... =iiI I .-I PI =iiIS. This riff needs to be played vel)' tightly. 58 .. ~ Gt.~ ~ b Ba ~ Dr I "11:.-I I .::i. '=i G .- I eJ ~ "* eJ Gt. 11 1 to' I I )~ I 1.----.I ....h ~ '---' =I =t . I ~ >I • Gt..e- ~I I .): With this ord passagethe guitar sets the tempo for this beat section... ~ ... " I ... G(Gt.---..-- I Dr ... I111 I ~ ~ .): Risingbass riff following the melodic shape of the chords. e-.._ _. Try not to throw everyone off ut on the other hand it does need to go.(Ba....~ Vo E \... .

~ Gt.-I I '" .I '" .-. ... " ...."" • Qt.-"'----"" Be I '" I chao I ~ I .I I eJ ~.. Dr " ' 59 ._ :e- • .- -_ ~. .__ l.. -- -. ~ Gt. .Yo "" leJ _A A7 Qt...-I '" Be ~. ~ '-'" It.... I Dr 1111 l) ~ "-"'~~ chao I ) LJ~ A D(onA) D(onA) Yo " ~eJ .

J ~ ! I ~ ~~ ~~ Vo I" . . .): The choked A on the 2nd string has to be bent 1112 tones up to the C above.....__..v ..n "n..): These climbing triplets should really motor as they open the guitar solo. Be I ~ . (~ . ~.. /~ .!J ... p. 1 I 1 111 L. ....-ml V'" 7~ " 7~ rt ~.-ml :J...Bva_ v ""----"'" ~T~"''' 3 -L ~t_~ '..-I I ~..... / .~ A7 ~~. Gt. .-I I .. k v ~ v~ r--. I .... Use the ring finger and shore it up with an adjacent finger if necessary.~ L-3-J 0 '-3-' n '--3-J n n .__.__ ~ I IGt. straight up to the C and then down half a tone to F sharp. I I .I .. 1 Dr 1 --1 I I t-...r @] ..'/.---" \..nn._ • (Gt.<1 . Be Dr . • (Ct. -fJ. ~ n. "--" ........:s -. - == h. clo.~ r-._____... 60 . . cho.): Another 1112 tone bend. e) r--." • ~ v I vr--~ A p.-"" \.I e) .J n . . '-' '-""\...+p • " e) IGt. - == h.. v v v " --- r--. ~ - ~ n.. ~ ~ . .. • (Gt.-ml c_.J Gt....1-p...... Jt~ ~ -l:..I" Vo A7 ~e) I " 01. .. )-Ji-! " -7= IGt..--r" e) r a: -is' ·os-.. bo:) ..--~ ~..-!- • .. Gt.'. an E.!.+p. l.o0oi I 01 ~_.----. " )Ji-! ."'''--'"'\~'''''__v-& "--'"'...e) " cho.. this time on the 17th fret of the B string. ... ~ . ..

Be Dr .. "--'--' chao r- r-.. C..--_ C... . cro... -=. ~ ...~ <... =+. Qt. rv :¥~ "~ I n n ~ . .. A7 I~ A G A c A G Vo '1~ei ~ .·1 .r-h r-"'"t c~o. r+.. cho.) I cho.. -L r-+..ih -L r-+. .L cho .. .--. "-" ----/ "/ V I I I Be ..rr-.. 1""'" r+. _..·1 I ~) IGt. I I I r' ....... I I ~ I I :1 I > Dr rl=4 f----1 ~ ~ ~ ~ I ~ _.~ Vo lei A7 ~ Qt •• I lei =+.-ml \~. cho. . -rI I I I ....u v V \J~ " I""'-! ---(8VB~ ._ rh-:r- " eJ Qt.. / "'--.--- <......D.-..-.... :1 I 1 t 61 .) .D.. =-__ y:' •. ..-ml (._ : r' __. IGt..-ml (~ ") (:c ...=i:) r' '\ ...i-.. IGt. I ei OJ ~..--. r.. a a _.'l .. rr..... ~ ei Qt...i....

-ml Ba 1 Dr 1 ~ 1 W 1 ~ 1 111 1-1 ~ 1 ~ J. I •• I I I I I / ~ II I Y II ...:r. 111J ~~ 1 I > 1 1-1 1 1-1 1 ~ 1 W 1 I-' 1 ~ l' I-' u~ A7 I" Vo ~eJ " 01. '" -os ... I •I I I C. I I ..I Ba I ~I ..a-.. .__. ~U . ~ ~ 11 '----'" . -:::::: ...... : II I I ..D.A Vo ·1~eJ I" c A c A G A7 " Gt. I ~...l -OJ__' I..-::::=:.a-.. I L.....1.. \'1. 0..."..'.'J-' '-3-' '-3-' . ..... ". t'n '~J '" .---... /' A... I ~.. ~. .."... I . -OJ__' ..--..-ml I I XI ..-I I eJ IGt......J '" L-a__.I eJ rI8VBn . W W 62 .. / l.... b~ -is-' :O~A~ C~:.....__ n I ~ I . I .:r.1"""---"'" ......I it· "" Qt.. ~ v v .... L."~~ - ~ II V~ I Dr I I ..J : Y ..- ~ --OJ""" •I -"'-.....-I I I VY -- L.... IGt. "'- " .... I I • I I • ".".... '" ... \ II I . v v _f+ v~ ~ ! .JI \ IGt.." .-ml (J I a· I .r '"' ".. "\ " eJ Gt... 1.1 1 I-IU 1-1 I -...-a-' : n '" ..~ ~ r--I " ...l.<..I eJ .

. n . A #~ .....• r.. sane men -ey saved __ D could nft Wl... a• .. II ....h ::i I t. . :il"- I 0 ~D ~ : ~ ei I r--=' ~---\ ~r8va. . Or: " ".) .-.. ev-er hard_I tried_ ...:I = ~ I M ..... 4 take your ~ei -buse love a thou . • r-:: •... has cane_ Can't .~g • -(8va~ ei I ..iiiI I ** 1 Y~ ~ * 1 . • .. ... ~... . W:>rk [ffi Am • so ... ending on the A chord in one beat and then stepping via the O-A chords back into the main riff and back to the original tempo. hard I • Get .. ..... . .er your time_ e..~ I I n r ~ Rbi n W D .·1 ei ! ! A ~. I r--:I ~I ~ '" n I r--.A7 ._. '-._ •.. ~ <.. I r-..win:! A - • • • . I ee g. .-.........../ ".:I ~ Am vo·1 A •••• my r.g.~.. ~ Fl· I L.. ...·11 ei h : I...vil ways __ A Ot..J I '" . .:I I • (Gt. ** I I ~ I > 1 ~ iri ~ ~ ~ ~ . Am • .---.. 0 1 1 1 ! ! 1J ~ .... c. I n I L...A Tempe-l ·1 lei A ..~.1 1l _n ~ I n... 63 ...... .. IiiiiiiiiI \' . ....break.~ . ~ D L._ I L '" n !""":':..sand times_ How - Heart.." ~ I I....e • .): Unison for the whole band.

:i 4+ ') -:="r--:i~ JI ~~ ~.. Am D Am D Go a ...::..·1 I jj. :iV h .... ~ Dr ~ =-.·1 64 . I H <>..fir' c:-.. ~ 1"'_ £t: «»._' n r-...'"' r-1 ~ .. ~~ ~ -fL' . .break .-.. W I) 7~ 1m ==== Fl·.r>.... ---.~~ break er D Am D Am D Am <« ----.Am 1_Lj_ Vo ·1~eJ _II eJ .way.. D.. '-'~ I Be r--= ...-.ri-r"1---n._. I ~ ~ 7~ -: I) 7~ ...er Heart - break - er Heart Gt. ~VB>--+ ".. --- D --.. ~ '> .. --:=hr-: =i' <:» r:-.! l!!!n Fl· .~ .... ..·I " Gt. .. ~~ ~ ~ .> -s ... I Am t I) Heart .. " :i I _h -r---. . Heart - 01.

more syncopated style involving triplet fills and lots of off beat snare and bass drum for the chorus. * • * • * • pl1" ~~~.___. fif ... With a ~ 1*~. naturally.. DRUMS Like the bass line.la am a 1111 it 112 Strln&s Gt.I eJ .~ v 1111 eJ it 112 Strin&s Gt... driving rhythm..1 Gt.. it tends to double up the riff on the verse with the guitar. asix string would sound perfectly OK as well. and weaving lines through the A to 0 harmonic A vo IlIlIi * h. Getting smooth rhythm changes and synchronising the drum part with the bass part. * ...ty cent hat ~eJ -pIe um .following and punctuating the main riff. this a straight ahead rocker with a simple alternating verse/chorus structure.. the drum patterns vary with the song form.1 .. !! !! !!!~ -!! rr r r r r ~ **~!!!!! I ~ I ~ I . to a far looser.ber . I Gt.. <Cl1'l69 SUPERHYPE PUBUSHING LIVING LOVING MAID (SHE'S JUST A WOMAN) With the exception of the solo in section [Q._~ .~_ v~~ v v I ~ ~ ~ ~ ·1... very probably a Gibson double neck..UVING LOVINGMAID (She's Just AW_) ~. ~W 1/ I ~ 65 ..el .. BASS The bass line is fairly simple. going from relatively on the beat drumming in the vers-e.. which it resembles rhythmically. punctuating the long rat-tat-tat A notes on the off beats....! .. If .J" • q=i:_ __ =j =j =. are the main points. although.___.. Moving in eighth notes. GUITAR progression in the chorus under the guitar chords.:t ~ ". =1 :t q+ ~ +1+ • q=i: __ ~~~~ _~ ~ ..-I ~ ~ q.L ~ If Dr /~ 4J.t ~ v ct* ~ . v ~ ~. the guitar used for this piece is a twelve string electric.. The bass is most effective in this number when it works closely with the drums to get a good.. Like the previous song..

~ Dr 6..IChorusl Vo Liv -in' G A lev ... -...~.. lot_ +... +t eJ at... an A . - ..· I =i=~ ~ J ~ I . # ~ ~~ I I Gt.".II It ~ ~ ......in' G . -.. u "1 ~:i. Ba 6.fI" . o a ""'" J.~~"--.... ~ I .. Sa nl J J oJ J Dr I nI ~ 11111111 I U~ A U W iI. .in' G A G A A lov -in' i . I ..:¥..q:i: :j. J ~ I I 6.J J 1. :¥.-I 6..:i. ~ .L.".sus 0001 rides out _ Ca-dil -lac Ajj.. I Gt..-I I ~:t .. _.. I "----" ~..IIi I . \ 66 ..J I I u A jj. :t ~ ~:6 . .II'" =it- q+ ~ . .. 6..1....gUt J tt Liv . eJ JU+* 11-1. ~:#~~~~~~ oJ L..-1 . - .. k_ -II!- Mis ... in _ her ~r--1!= aged ./~ q~ .......... of she's . A A she's just .. it just a 0 ""'" - A f I an Gt... I I . .

leave noticeable gaps between them./ . Step on it and push it right down as the chord is played and hold it there for the 2 bars. lay your !'.... the round - . ! r 1 l II nl ~ r If I I I I 1 I E > .11_ I ... nl ~ • r~ + ~ 1 II nl II ~ ~ I -~ l ~~ . . l Gt..* r1 . know __ ~ what 1fJ- ~1.. ~~ D Vo Ie! ...II. allowing the bassto deliver a funkier kind of rhythm along with the drums..1fJ- ...rn II I ~ b :ir-i a. ...name __ t *~ is !'-~ so you !'- it. Ie! A'" * .. all .:: '" \ :3 - r1 \ ~ \ \' .----. - <...... ~.): For thes long chords the guitar should be played WI wah-wah pedal.-II eJ I _. r Dr I I D ... your bet-ter down t h .....I..with pn hii Wow Pedal- en the mer .11 hn hrl h h h h b_ fTI h I I O J...--... • (Ba.. en be be on ..... ." or...A. .. t .. 67 ... .(Gt. .. a-bout q-= ride A . 'I ~ t Be .round .J !1 1 ~ ~ I r h! ~ ~ mr-h ~~ II II vO..!.h h ..-1 e! . as the rests in the score indicate. rron -ey ~. cane Mll 01. !'.1 e! n "ij ..--.. I A'" * We ....): The bass shouldn't hold these notes but.-1 1 "I O.h b j) .....ry go .... I I --(with '" 1\ I _ILIl_lt e! ~ WOw~ 01.b h j) J J I I Gt..11 hrl b J ~ Ajj.. 1 - 1 ~ ..... Be .. .

. n1 n 1 w~ L. ::.. ~ ~ ~ " . J... Ba . q~Jl your_ you .- II .......J I I ~ I ~ ~ ~ :¥~~~~:I:~~ I I Jl~ it ~~ Gt....J.I J ny al-i... I I oJ J .tI JUllt E [gA Vo 'eJ JI~ It Gt.): Developing a nice crescendo is important here to bring the music back to the verse rhythm. .-: J ..J Al -i No - -.. :t I I .../" ~-'- ~ Dr I *1***111 I G JI ~ 1**1*111 I I I D J~" ! ~ 1 W 1 **1**1*1 ~ A v-w . I J J .. ..~ I.. ... !!l!!11! W W ~ .......I ~ L.... ~. =i:. .___... . . bills say Vo ..J ..-I I ~ q.. "---'" JJ. Gt.- I eJ ~""'" ~ It "1 ::: rrrrrr :...JI.in' word Jli+ it ~~ ~ . Ba "I oJ ....eJ -IrO- bod mo-ny sin . :...J !11! ** I l ~ ! I 1-' **... # ..I..../oJ oJ JI~ eJ Gt. ~ . ~ .. I.... ~ .....J J .(Dr. -t ./~ q~ ~ ~ q+ . ~... .. :I: .. J ~ * 1-1 l ** l.gle pay ..l'-l.....J ~ G A A It @... ~'- ..-7~=i:~q+ ~ J J J-. J J I J J or.I. 68 ..y hears_ a qj I.

.~ A~<II J q~ .."j""... ..bout Cane ..I.b......_1 ~M~I t When your you But con .. "'. J I I hn hii .J I A~.. 69 ..lt..... .. b..I Vo A~1t h" • G A Liv .. 4.w......_ u... nI I ~ .. G A o she's E - A I..science keep on back with pillday dy ..• ~--' - q. ". nl W~ 1 ! 11 L1 T 1 I I- -... 4 - A. be on the .J I I J J u Ba Dr nI nl W~ G A Liv -in' -- 4 W lov .... ~~_l1 . 4 - hri h.ilit ~ 01.. h b J I .· II~ • ~r1 I J J J L... round a . 1~ r 1. ~ hits_you talk in' knock it till your ... on ba ~ - ...J o just a wan - W 1/ W V 0 1/ W ~ Vo A...· " I~ 4 J.in' _iI 4 1!!!!!1! 1/ I she's ! 1 1! 1! 1! !1!!!!11 L..1 1 ~ 1 III n ~~ I W -v --.J.in' JuHt 01..~ J J I I I 4 I........ h h b b Gt... A an o . G A - q~ :J: ..J!.I.fI...b J J Gt." I .iI... I 1--' q~ ~ J J ::j:~ I I ~:li:t77~~--=-I ~ ~~~~~~ J I. ...... I'" Dr .·1I q::j: :t :. just a \OR an ~l~ I..t.:t I I j) n j) h h ~ . 1 ~... ~ ~~ :. .in' lev -in' . Ba 4.

..·1 I ~h \:i ri t- ~ D Sa. h ~ 11M It eI 01. ~ know what your ~~ ~ name '* is ~_1_ IIMi . ... I""""" on the mar -ry .· I .: down h~ *"*"*" ..... how_ Vo \eI *" ." 'i: Sa. ~ 1""'""'1 b r1 .. ~ ~I"""'"- ~ r> \ '1' ~ t-........ *" *" ride 11- ~ We 11- . lay yoor mon-ey . ...... Tell.90. j) » h ao you h h I I 01... -...-'"\ .....ri P h b h b h I \ \ 'n-.._ ..eI =ir.[ A .. J I Dr I \ !! ~j_1j_1l_ .eI ~~ *" k... j_ I I "r.. .. n • hn hr1 1'> .round ~ I"'"'" all t\ ~ 1\ .. * I"""'"- ~r-1 I"""'"- ::i~ ~~~~ I AM ~ eI Gt.. I t W ~ 70 .-1 I .. I eI ::i ri \ r.... " ~~ Dr 11 I E IIIM* ~ "'" "--l r 1 ~~ 1 ~ nl ~ I I .~ 1 ~ ~ ~ 1 1 ~~ nl t ~ n I ~t V £"':..r._ .in' tall 11- bet -tar tales of 11M +I I""""" t\ I~ ~ Gt. .I 11M i o Yo. r- Ih :ir-1 \ " t .

.~~ :j..:j..A G A G Liv . A ~» .. and ..~.. .J L. .l1 nl J - * -'. . !! L I W L. VW ~L. \ '1'-". q.. . =:.ler and the maid __ the All. ~ if '-----" .._ ..It I tJ . i i ! L!l! ni . q=i... ser . L..I.:j. :J: "'If* ./ :J: q* q=i: :j..... an With A 11'. . q. * ~* .. lov -in' ~ toba - .J I ~ W 0 just a wan - 1+ q$ . . J J J :j.~ I' u... tJ I q."... • ~~-----. ~11'- 104 ~f:. l111Ll. .J~ U Ii""' 71 .c:.. if~ I' All. I +t ::jf.J~ - V ni w A she's All..:j....__. r V I rrtv ii r.tJ the but . :j. ~ q=i: :j._ ~.in' ~ ~»!t ~e! it ~ used .___. J OT . I. • ~~ ...t:¥:j. It I I I I tJ 6 I AlI. :j... $ • .vants_ three'__ ..-' .-I+ I 6 I I Ie! .. ~W ~ . qif__ ~~ '-----" if . I 6 I !llL!!!! '1'- .

_ N' ~ <. L!llJr111 I 1 I > - -1 "L.J I....... lt o o Vo ...-J ~ L._" Dr ! !! ! ! ! L ! nI I. 1\ . <:» .·1I 6..... I ._ A>l It 6.. . nn hrl . ~ I . 6.._ ~--\... o A just a wan an o G ft 6.... .t h chao A'" * '"¥ . 72 ... I I I n "ri ~ s. b chao h i"T'i ch»:~.·1 I . ch~... ~ ~ 1\ ~ r-r-1 Gt.-J II - I I II •. ~~ . G A -in' She's ~ - ... r+.. /-'"' ~ f!. c~a. a.h .__. n Ji ~ ])n h h chao Qt..J ~~ II I A . As this is basically the chorus underneath.. r:. nl ~ r4-...::-. c~a. ri \:i ri c~....Bva_ chao ___ ..): The guitar break.A I A'" ft G loA A • Liv -dn' 10'1 _ Vo . ~ ~ chao p.. .rn :i --.. Gt. - .......t . A>l - . 1 ... I I I ! ! '! Ii ~ II n ~ . 1 ~..... Qt.. .. chao S. Dr r--..· I .. l~·" nl II I I 1 ! II ~ ! II ~ II ~ O(Gt.. ~ ~ ... "--I r ~ n n 1\ I 1\ ... A....... brl . .. chao \ \'...._.... the 2nd backing guitar just continues to play the A and D chords.-J ~ A - ni I. A>llt 1> ...

.~ It.. I--"~ I -s If J ...J .<. v ~.~ It ]) j) J J J Qt...~ It .eJ ... ~ ___ Liq:i J ~ oJ ~tt- ~ Iq=i :i OJ ::J:i --::J I. leJ --- q--. VU v--L. ~..-. - -r-...- "'J'" .- . ~b . 73 .... ~ q.~'-.r - J I I 1 1 ~l ii r i r rr r t nI nI Uf U .. ~ r Dr nl F n ~ I I I 111111.... I eJ .): Mute the B string with the left hand where it's marked with an 'X'.S .....~ . A delay should give a similar effect.. li~ ~If* ~ q:i: :i J =i:i ~ I I .. v r>.~ +! Y -I'. ~ Gt. ~ L__. r-....-' .. I eJ h chao hr p. D: I1 ~8V8~ v ~~~~~~~~ .. ~ cl:"a. _ v _ Be ~ ...1 I I Gt......-nl ~ "--" J 1.q~~--. ..~ '''If* .. Vo ~eJ o E Cb you got . v~.11 I I I I I I I I ~ ~ I ...J ~I • (Gt.l.o-l I I •• Ba Dr r J"--. 0(Gt..... Qt.~ ii I vr rr U i.) J J -.): These two bars have an echo on the long held D.. .. -* ...~It Vo . I U n J J"--. . D. I 0.J J J J -J J ~ I I .1... • eJ p. /" -It q~ #~ q~ #lP: c~..-*It.~ It """h ~IGt.. >< r..

..V "1 I J J "'-.t~~~~~ ~ q+ ~ "'JF+ .-l I I - Ba -If . "'-. ..k!lJ!l!l ~~lIl111 I ~ ".-' ~ If* ~ +~ ..._. q:t. .. A an I A» ~ Gt. JI'" * eI :J::J:~. eI q:lf ~ ~ ~~ I I I 4 ~ I. r' W ~-w ~I ~ A»~ Vo I. lov -in' J .. l-r 11 ! ! ! ! I G I A I I D she's I just a wan - .: ~ q._. u II Dr '" w~ n-___ n I r ~ ../ eJ Gt._..._.i:." • G A Liv .. ~ I' AM .::t :If:.I.. ~_ ~=it~ . tCoda A " JI'" * Vo 'e1 Gt... ~_ l--=1 ~ =it ~ ~ tI* ~ -"'-... I I J J AM ~ 4 Gt.-' ./ ~ ~! ! ! ! ! ! ! I U W v--u ~I t 74 .in' ·1 I'e1 J .. ~ ....- .- .. eI ~..../ In lllJ....t~~~~ ~~...--~~---------------------------------./ " Ba "1:_ V· " _ ~ J I -~!~!!!!! Dr I I I I _"'-.. .. I 4.

in' she's just a wan - an Gt. Ba 'I' Dr r11 W A J J1~ - r11 W ~ - p. . J I G Liv -'---' ~ 1 ~l 11 _1 _1 L L L ! ! ! !! t W A ... Gt.nI W ~ 1 Dr 1 11 ~ ~ ~ 1~ ~ nI W -1! I ~ ~ I -J ! n 'I... 4.- I .. J1~ # 4.in' # Vo ~.L . Gt..in' lev - in' lev . lu ~ ~ ~.-I tJ d. an Lu # 4.G A G A D A Liv - in' liv .in' I G lov t she's iust A .-II -.J a v--A D wan .1 lu lu lu lu lu lu lu lu lu _. 4.. tJ Gt...II» rrI..J I 75 . Ba '-' -If ~.• -:-1.. L....-I I . I '--' ~ .

folky touch...·1 I eJ «». ~~~~ " I . ..RAMBLE ON .. .. Ba. DRUMS John Bonham hits something on the verse sections but whether it's a percussion instrument or something like a suitcase is impossible to tell.. The blustery chorus like parts want a nice. so only the main guitar parts are on the score.): The main chord sequence.:~ I I 1=1== =iI ~ '99i I=!= = I=fl= Gt. iC)1969 SUPERHYPE PUBUSHING RAMBLE ON GUITAR There are a mixture of acoustic and electric guitars layered over one another on this track and it wasn't practical to include them all.. and [J] sections give the bass a chance to deliver some power to the music with some tight..(Dr...1 All E II A E A E Vo ·1~eJ I~ JIll 0 -.. IPerc.): You could also try tapping the body of an acoustic guitar with your hands to reproduce this bit. Delicate off beat punctuation on octaves and a descending line form the main bass part for the verses while the mood Hntro.1 Dr " I 1/1 .~ .. ~:I AJlJl Cb ~==== ::Y= -. The drumming on part [Q has to get a good balance between the hi-hat and the bass drum to punch out the 16th note off beats clearly.-. bouncy rhythm working together with the bass.:: r-I= !=. the bass part moves around quite a lot in 16th note figures. As the voicings of the guitar chords contain a lot of open strings. III. I. The acoustic guitar part is mostly strummed chords with a lot of open strings in the left hand which doesn't make for any real difficulty in the left hand although the strumming needs a light. I've put in some chord symbols to give people an idea what it is. changes on the [0. 76 . BASS Although the song itself is quite slow.. .(Gt. making it hard to follow the progression.. Whatever.J::: t::I::I::j=:::t:::l::bbd Gt. I i:I . dancy lines.. " ~:I n "=i"'" =i' ....·I eJ = .. go round the hou~e and try out the furniture till you get the right sound.""'/ .

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These little electric guitar lines stand the arrangement quite strongly. The should be clean, perhaps enhanced chorus, and played with vibrato.

.(Ct.): Mute the strings with the left hand and wack them.

79

.(Ba.): If you're picking the basswith fingers, as John Paul Jones does, you will need to get your fingers working hard to bring out all the notes and deliver them with power, above all in the second bar of the example with it's unbroken string of 16th notes. • (Dr.): The hi-hat is left half open here and

~i\ ..l~ JI .- .....t::::::j I.... #I JI 011 c. ~ I 1... ... eJ I' #I JI .... E A ~~ • .... m~ ~~ s.j ~ ~I= I=fl=i ~~I n Gt. a ---- I' Dr I ..... Ba I' Dr ...:T'CF :f!:...J:: t::::I:::I::j t::I::t= 1::= Gt. s..~ n n r ... 1=-...--. "-J .fI.. 'eJ en my way_ been this way_ ten years to_ the day ..jI:I ..-n Ba..-. ..~.- IIleJ I' .t::::j L.. all_ . .ool Fn I I:::U I rFirFIrFiri '-J::I L.E #lJI A II ~ 4L ~...fl Qt..-.I #I JI r-r= 011 t-I= 1=1= 1= 1=1=1= -. l::::Il:::::U 80 . ..I Vo ~eJ #I A Synth. .. . ~~I n rv .. '.-. .J::j "-1:::1 L.. " ~ ... ~~ ~~ --.: ~ +CodaE .-. ~~kr. eJ :f!:.. I ::.J::::::j L..-.... n r:h ~ ~ I:::U I -. .. n U~ .J t__. .: :....fll rFi rFi rFi r1 L.. . . I ::.. .j:' ...- . Vo.. I £U:f!:.._br bbb === -..bJ L.. === === == ~I === I ~~ . . n - ~~ ~U'~ v :t:. . n -r • 1t:. ~:f!:..Flute ffi.. ..... eJ ~ J I j ~ =1 J H:I .H ~~~:f!:. n s. a Ldl.:...... Ram -ble On __ Fin:! the queen_of my dreams_ #I JI 011 Gt... =t::I I::::d::d ~ I:::l::::t:= u1:J Cd 1 1 1 fTT1 ~7LdT(1 E ~ ==== l!t!n ~ A === ~ F=n D...

J. 1 ~ 1 1 ~( I1 l I J.J ". - - .. l !! ~' .. ~ A Fii I I:::L.~ ~ 'LJ"c: " Dr ...I '" JJ. . I 1 111 L.:I 1J "w -.. . 1. . ItJ rFi rFi i"'FI ri ~~~I.11 .I ...~ ...... /"'"'. """". II' II Gt ••11 -. === === F"1 ~ Ram ...E . II I I" II Ba i "1 ).flo at.Flutel Fiil 1::::U I 1 A ".flo eJ I 4 Ba. J > <:» r1 ~ !! '1 l L L.ble On_ Now the town the town is down Sing my song __ I'm 90.::I .:r '~ n -. n ~(}- _+ I."AA 1i rt .in1 Gt.II . . J. or..I E ~Synth......J I Yo.-I eJ ~ n II 1 1 """""""" 1i 71':j "..Ld 81 . Ld ..J v ~ ~ ~ .

..-I I ~ Be ~ .::J ~ -1=.ta ..ta find Il¥ ~~ en Il¥ Vo ItJ girl .:-' ~ ~1= . II tJ Qt...- n _ ..j '1 L. II.. t=t=... .n .. . E .fI. '" 1 1 ...): Two guitar harmony part using overdubbed guitar.... 1= . Vo ~tJ Ram . 01 II ~~~~ a .-I tJ n .:I L-::I j) • (Gt.... t ~f A # 1 1 ~ ! Dr.fL. way __ A I been this way.. . II E ._ ten years _ to the clay I got .=1 61 ~ I=r"i 1. ~.A I . !! ~ r1 '1 .---. II i tJ Qt.·I ....I A Jl It ~ . .n n .n n - n tJ Qt.~ .-I I ~ Be !' j' I !ll!llll ! ~i Dr 1 ~ ! 1 ~ r1 . 82 . Qt..fL.... Ld l.. ! . 'round the world_ I got . h....ble 00__ Igot-ta - -F\ of all_ h• Il¥ JfI_ [E] A find the queen drl!amB A Jl II ~~ ~ ~.... ~~ ~~ ..fL ...- ]:...~ .

...._ O( ... t. .II II -. ="""l s.. s.1 free ....:I~ I ~ A A 11 === "-J == == I ==r=I 1...J I VI .90- JI.. ~.1 eI ~ "~:""'~:"'~I Ud6::l=bbb :::t::I:::::l s.... in t-el My I hold_dear """""" ~ years_a. --.. takin' 1I -e:___.-I 1 ~ ~ Be ~ ~~ n . l... ~ FF~ FFI= Gt. r--:."nn -~~n~~ --. 011 .s.. -... ..--..=...n~ L.. ~ ~n 1=~ I n rFL s..... .... . =t=~ F.._ ~ . ~.J-.. I'm ~ ...f1..dan How ...--.QYd= ~ Gt.J V I::::jI::::L... tJ 0....1 I~ "JIll -e:___. s. ~I= Gt........A ~ "JI.--... C'1=-. 83 ..# s. a ride_ ~ Mine'sa tale that I:U. n .... t ..... 1:._ I Dr === == === == i" I'" I I r- L... "'------n n----a n . ..-....1 JIll ~ I""""""ti..--.. QJ L...:I can't_be told_ ~ 1.(Gt... ~W ~ .All s.. S...~ (AM) "JI. oil l Vo.!:.J A Vo I:d ~ E E . ...---. . n' fi~ ~ s...J. f-:.J .. ... t::.J::::j .. n _..:f s.... f}. I .:= ~jj ""1= ~t..): Keep the volume low with a clean sound and try playing these lines with a slide or bottleneck.::a... " n • S.. c::::L..Q.. .~.... I i~I' H~' ~~... t! !! ~ fi1 Dr n 1:::1::1 --- === h h - . h.. s.. I I 10... I"'""""t ~ I I:J-:I ~ . ~~ ~ s..:I _....-1 I.J Be " ""-'I r: 1'0 . .J:::j ~ I~ s. h.

vii one __ t-eJ met a girl so fair But A.A .f.II Il lbrdor I ~ ~ II A E ..l m s. S. ~ I" n I" I '" t. = «: "'n.!: ..-.. A E ~~ T'was in the dark . A E Vo .J II ==t:::::i.---. «:».· I eJ All .C:I ..·1 eJ :f'U Ba s.. r-..--.... fi~ «'«.. ~~+I .1 ". ~ .~ ._ ~~~... n"".. Ba I Dr. I • A JI 1I eJ Gt...iI Gt. 1:-' n.- ::--~~~ S. the e . r:t---~ I .. ~ . I Dr =1 1 '" r r rI y L...II II Gt..._ P 901""..·1 I . . n n.J I VI .J I !orT : " 84 ... . A JI 1I Vo leJ days of old When_ E ~ ~ mag -dc _...'i...iI eJ Gt •.est depth of filled the air __ A JI .:.'-"'---.--..... :f: I n . ~ s.

......-..S..... 4I o I . I r J.I " 1\ 1\ 1\ 1\ fI fI " ~ -. AJI It ~=i =i ~ e) Gt. r V r r I V U:::I I=L...J::::j~ 4I u I.. =-- I I Dr ..A " _AJI-iI E _-1*- A Vo ~el crept h. n -. A I A.. 1'""""1 ~.-1*s. tLJ....... r- ~ Fi1 r\ ~.f r' Ba ~~ . ~ I ~ ~ .d. # :=.c::: ri - W...llll ~ 7U 7W ..~ Vo . _l IV IiIIII-I V Iii!~ ..J~ ~ .n.f.e) Arrl •• I'm qon - there ain't noth -in' I_ can do_ l'lCM'_ I guess I'll keep ram-blin' na All oil ~ :j " .. mE I CI'l .0.1 i r--.::f:.-I 1 ~ II I .-I 1 e) " ..~ ...\ «:-0 r Gs......J . I/l_. .__"u _ V Dr V " ==== 85 II 1::1 F"II=n '-" ~ 1 U > n.. ....1 el r--::: p- ~ ""~ ""~ .-1*-#. ! I I I ~~."<.. .II === ==== ==== ==== E r-"'!!!I ~ A E ..- 1 e) i II ~ II I rv I. ~.fl.J U . ~" ~~ Gt. .fl. a way ~ with her_her_ her_ hsr_ [ffiE /""-. Ba at~ 6.... " AAA " "" " All II ~1= ~ I'i ~ ~ _n_ Gt. F#m(onE) oConE) I up lOne'! sHwed hsr_ Yeah --= ~ p:r- ~II Gt. 4_l v II ~ II I ~" ....

. Gt.fL~ ~ Go - ~ ~ world hlv--J-n. ~way __ in' 'round the - Ram . #- r.-I I ..na fim ~ be .... . I .-II" =ir19:. Be n .na Ram .share Sing ~ soo9.na Gt.n A IAll'" E ~ work . .. n~..t I t V Ah .. Be Dr 86 .ble On by ba doc_doc_ ba-byYeah Ba -by __ doc doc ~ a.. Doo A r--F=I 'f' Vo ~.-:.by I'm qon...ble On __ Sil'll] ~ SOO9_Goo . A JI 011. 'n=...I'm gon.fL Ba J .. JI II Gt.- ~ ~A .r19 'n=.

~ b*:bJ L..J Dr ~ ~~ ~~ '-" A .. V ." J J === ... ~ ffl. n..__..r=Ll doc ba No - by Coo doc__ no no no ba-by doc can't doc doc_ doc stop this feel - doc doc ing in doo doc doc my heart ___ sa - doc by II II II Gt.......... :f:.. for ba -by .....' ..... ~ 1'. I by . ~ • 1=n L L"".~ .. ' r1 J . ~ r---.~ ~ .I ~ II II II ~ Gt..1 y Dr L ~ ~ W ~ ~.---~ .... L"'" ~ I!!!!!!I!!!!!!! J J ~ ~ .. Ri I- ~- ......I ~ JUI II Gt...I II=f:=I=a .. ~ -.n s....F=t-....... -1. /'"'.bout when we_get to I hJ:::1 got-to part __ 'f Vo \~ Yeah keep When II II - )) 1'J lh~ ~ A ..( II» ~~ II I t Ah ..J n - ~...J'l .!=II=!=! "(_.. E 11 ~ Fn ~ I think a.h)~ doo doc I E ~J""h~~J .... .-I I ...J== II" bd bd bl bI 87 . •• 001 ..E A I==i"1 Vo .. :ft. LdL...... .. Be -.. r--......_ S.. ba - seat<..~~ v"----.~ doc__ t1'- :...:h in' Ba -by ba-by my ba- ba - by __ - I Yeah by ba - ~ byba-byba by ba II Gt. .·1 I~ 1:Be o n.- .r .

.. rh •.. ~ Yeah my--my-Yeah ___ Yeah my my • r:::I Yeah __ my my Vo Ie) .. Dr 'j ---j_ I .d .. ~..d Lbd <::» .II tJ It 01. r--:::t ~.....-1 .I I AJi • t 'f ~ ~ my ba My.===::1 ~ ~ ~. n I.. ... t • Yeah t hJ 000 _-I'-..J• A IAJili . I • AIl My ~ Yeah ~e) IJOI: -ta keep_ search -in' for ...... .__ ~...by AJi • - (' ~ my my-my " my share my Yean Yeah __ ba -by Qt.. -. '(_)' . ~ +~+ ~. Gt. my . • Yeah ... n - ~..::1 r-.e) ....•.. I ..1--J':'1 I Yeah_· __ ba - Yeah_Yeah by can't find my my my--my AJi II ... L..... I Ll_ J ~ b....c-:...__. '.=... ....E A E Vo .. ~ Be... Yeah Yeah __ A r..._. ll Yeah Yeah . .. .~ v ~ I'" ...V .. .... t"llt.. J J l W Dr - .. F=Fr=i ~ I JI j .'--" boo._.. E n::i . n -I'- .___..Ld Fade out 88 .- 1 e) JI..-11 ~ Be.fI. U......... L....1 e) All It 01..

It.. including the use of a cowbell in place of the hi-hat..J+ T .~ 4I--t.t:owbelll ~ ~ I G J b::d Vo " . . c I 6d ~ . ~~ h . U~ Dr m ~ c 16~ m ~ C 16 I O(Gt..MOBy···DICI( lor ._c Fffl ~ c Ice m ~ "1 t iU U c... going.~ P==I . I"""'l Sa -r-1 ._ I(. -J 6d I ...1 bbI "7 I::::*::l I n ...~ I L- n J ~1Ct\~I. • <» ii r > I i Dr ·1.._. • (Dr): The drums should support the unison playing of the guitar and the bass so that the whole band just sings out together on this riff. then again... ~U ~U.. There wasn't the space to include it in the score. It sounds best when it's played smoothly. I:I. ..t.___ J I . Moby Dick is really about the extended drum solo that takes most of the track. drummers are usually best at playing their own drum solos... But. r:-.): The main riff of the piece. Try and get the snare and bass drum really tight with a nice regular ting-tlngting on the cowbell.. - ..J _ ..1 (.. Make sure it's tuned properly as the bottom string sounds really awful if it's slightly out on a D tuning. I I cdc -. /Jinony .(Sa. lei @ ITambourine I \ ~ Gt. so listen to the record if you want to learn it.-. 89 ... It) Dm ~ t) Gt .. DRUMS Apart from some support to the main riff. c lTrl J iL. -._ ~ .): E string down to D. so improvise one.r--n... probably to get a low bassy sounding riff. c ..... There are four short one bar solo breaks in this number which shouldn't present any problems technically but they musn't be allowed to lose the beat or the re-entries of the rest of the band will be spoilt...... t) I ~ ~ ..J . . ~ · . . ".... playing solidly in constant unison with the guitar and injecting a little swing into the rhythm.. Be. (6th String-D) .:J 7 >- '~N·_ . It has a very definite form which makes it fairly straight forward to pick up. iC) 1969 SUPERHVI'E PUBUSHING MOBYDICK GUITAR The bottom Estring is tuned down a tone to 0. BASS The bass just needs to keep the main twelve bar riff Dm ~ Vo. I'" ."....~ .

..1 Io.. ..~~·A ~ ~ .. eI ~ ~ .... " f=f1..._ J.. !b6 b r: ~ to.'II Vo 'el G Dm II Gt...l__C I ~ L-:I b:d 1:1 \ I \ .I .. I I-. i-. 1-1 I 1-1 • Gt eI • -. ~ \) fTTi ....J 1:1 t (II Vo lei Dm A C~. 6r:r:i ~Ib I i-.r:R r. U :.'.. '" ~ c Icc:lb I L..J - l 1..... Ba. ~U~ ~ ~U «:»: -I'- «:» ~ -1'. ~ C Icd Dr.y t::::=--' Be r-:1 ." ~ I 1\ L. r-n ~ .I-.. I'- <:» ~~ ~ ~ 1000.. ..d 1:1 ~ ~ I ~ ~ 90 .U~ ~ ~ ~ __ chao (I chao D.=n fi1 Dr I-.

-~.p "'U·" I.. v.___ om " Gt eJ ::¥- ['J -~ -.h-(_.~~ c~o.....--. v ':b. 6_ .. ~...~ rto.:I FfcFi Fi1 ~t ~ I 1\ "I:: p. ..a > ~f ~ ... -.-. <. ~ OT OT v v v v v 1n... ~ n..fl-.~~ ~ == Ba.. Vo ·1.I . I .. 91 .. p.l R=1 J U .Bva cho..n [: Tt.. :i i=U~ ~ ho.... U. . 1J=1n L. ... R=I ~ - p.. u ~:r... I n~ ..eJ " A G r i t . ...(Ct...): Three note slurs off onto the open I f • (Ct.! .- .~. --..Ia'j . ~ ~ .): Prepare the left hand position and treat the triplets as a rapid arpeggio and play them in a single down stroke. .... o.Vo " ~eJ Om G " Gt eJ ~ v . L "" 0 Jr-1 -r-1 ~ ~ _. ~I _""(:I .. strings.. ~~: ..... r-1 Dr. F"i-=! Dr.. t:..rI ':.._~ ~ ~ I Be..I ~ .

-~ ~....I t. ~l hds h~ I ~I I) ~=' I ~ L..I ffi ~ t::::I:::::t::: I ·1..I ~-> A Gt.c::::I !!!""I ~ . =. \ I tj_ -et. c t. Free Solo ~ \ G ' Gt. r-i ~ 1""1 / n=.I ~ .I Ba.J1="1 t..I Ba.I A .A tempo ru bato ..I t.I t. t..--. fi1 Dr == ~ h\. . Vo .d bd f 92 . -> t. . t... " . I '.I t..r Vo.. t:\ Dr ."... u.....I A A G o .. ..~ A Gt ~ ~ -.I .I Dr....I t._.. t. t.

like the bass.II *.. mute the bass strings with the right hand and get a nice shuffling rhythm going.II tt I 0 ~ v I tJ I . / ~ I q~~'" . . You could try hosing them down but then you'd get muddy waters and not led Zeppelin. DRUMS BASS The bass only plays on the up tempo middle section. restrained blues section to starkly contrasting up beat rock and roll. ~ - :-._ <C>~ 19601and 1965 by ARC MUSIC CORP. especially if your finger picking it..BRING IT ON HOME ..(Gt. stabbing at the off beats in perfect sync with the bass drum E7 r _A~jl.tJ u ~ : " . they also only play on the middle part. The guitar part just involves riff playing all the way through. The drultoming has to be really strong to give the spark to the spikt. rhythm. very common blues riff on a twelve bar progression. starting with a simple. This is really rather juvenile. tJ A JI jj IBlues Har~1 ~. A mellow but rich tone sounds best..___ h. section [BJ in the score. It doubles up with the guitar on the main riff and then really dances about through the E-A-Eharmony. under the vocals. I'tJ T em po- A. WIllIe . 93 . Above all hitall the beats sharply to avoid the drums from sagging or getting muddy. Much of the snare work falls on awkward 16th hote off beats while the bass drum fuses with the equally syncopated bass line. I' A.. the main riff is layered with two or three overdubbed guitars playing unisons in 3rds and octaves. The drums work very closely with the bassguitar and.): Turn the tone right off. In the up beat part. and HOOCHlE COOCHIE MUSIC BRING IT ON HOME GUITAR Another song going from a down beat.

!Il_ 011... I .I 4IJ . : - ::3 94 .II IVAi Kb. "' 1._. ~4IJ Ba -by A.u. I .I ~~ . ..t_!l Gt. - ~"'T . Dr.IIJl Gt. It. h... E7 Ajjo_ll ~4IJ ~ ~iJl Gt..I Vo.... Sa Dr. II B8. E7 ~ A E7 Vo.I -tJ - A ..110 II. "tJ ~- \. II JlJIo 4IJ 011 Gt. r __Jl r--a--. . r-tJ .II itJ - r' II A. J I K b...

II .11 Vo. Gt. to you I've .-I ~ II ..-I I ~ ~ ".. ~ '1-\ ...Iio -It. Kb V ~~ u Ba Dr : " " 11.&I . ~ E7 ...' I Gt. got my tick-et "lHI .II II. Gt.. I Vo ~~ !til ba -by !til Gorma "....E7 " " . I' It Dr..jI.ft.&I II.II .-II It! It Kb. " 95 ... \t! Bring It On !lane II. '101-. Gt.-I ~ ".II -It... I - ~t! V Ba .. ..

-I I t! .fl.II Take Il¥ seat riqht-way back __ '" '11 ~ I _'" Gt.-I It! I.. JI. Ba II Dr ..I -"Ll.. Gt.I ~ ~I ~ Iq~-: ~ JI'" ..na qo hiqil - er all a .Jt E7 Vo ~t! got ~ A.II that load __ Gon. ~JlJllI. ~ IJ II- i '----' u Kb ~~ ~ Ba V Dr <>. . ~ '\ . .IIi Gt.. JI. <:»: . : 96 .board i. E7 A7 Vo ~~ A. Gt.·11 h.oII Kb ~t! u Y .

0 I I tJ Gt..- ~ v I ~ I .i JI. I~i!~ ¥ v J~ T/T'TIT~ JlJI. Kb I 1.fI tJ Gt.I T'T''''. Finger the F sharp at 4/4 with the ring finger and the C sharp at 4/6 with the little finger.l I h.I JI II II a T train gain' 4down the track ~ Gon-na J'tJ Mmmmmm Yeah r Watch this I..---. I . " " ..-I I I tJ IIAJli.II oil. I ~ I it .' ~ . JI II 11 Gt. keeping the index finger on the 8 at 5/2.A7 Vo E7 I .(Ct. Dr 87 JlJI II.. Kb ~tJ : Sa J1 \ .ll oil r""'1 I t-tJ I...): Don't forget to change your position on the 87 chord. 97 . ~~ I I . Vo ~tJ Bring It On Heme __ A7 rr-._ to you E7 87 JllIll tJ I • watch out watch out Man reeve I Gt. Bring It On Home . h.i It - Sa IV : Dr..i1l.~ I q~-v J.

empo- II I I Gt. r--. - .III ~...\ \ Ba r. ~ -0 ~ ~~ I c::::." I't! ..... ~~ -t'-- 1t.a. r. getting the bass drum and snare solidly together is a must and try not to stumble when returning to the 1st beat of the bar.= cho. 1!-.11 ~ Gt. ~ ~. ~ *_*_ ~ ~ Gt.11 ~.\ 1I.\ - ---= ..a~ - ..\ ~ : It .. II . As ever. .-I. Dr : I I L..1111 Kb ~tJ u.-I I cho.:'Qa.. t~~.!.s: 1. ". - . .-t'-.""" .. .- h : Ba r-3-:.\ .".I "JI II I t.\ IGt.-I r. ===== ~ I ~ ~ ~ =--r-3-. ~ _'i I chao ~ ~o. Make it swing a little and don't leave out the choked D in the middle of the phrase..II E7 r.-ml ~ c~o.&~ ~o. ~ "JI ~ I I tJ r. ~- ~ -.): Basic pattern of the 2 bar riff for this section.... - • ~_. ===--·~o.11 II..): Bass doubling up on the main riff.\ ~1~litl~: 0 r. O(Ba.I .\ r. Vo \tJ "..\ II Dr : r._ u_ r...~ ~ ~.A7 Vo .\ " .11 It Kb ~tJ ra~ ""'_a--.- tJ Gt.-= r.. .1 ..~ ~ rri--1i1 n ~ !!'~I t::I ~ I 8 (Ct.. ...-.::. tJ Gt.! cho. ~ ~~o.:! m-ffi rl ~ ~ 1.... ~.1!."f:.. E7 ~ - ..-.): This drumming is quite irregular..fL_ k-ll ___ . 98 ... (Dr.fL~. Timing is important here..I t! r.

.r...-I I tJ ~ J J J II" Kb JI It. .. =:=I Ba ~~ I 1... J J .na keep you love sane oth er man too Bring It in town_Bring It while move you Gt. Like everything played on the off beat. ·1I'tJ :" . I ~ 11. r. it needs to be played more strongly than notes on the beat. IGt..z: I I " .11 ..tJ "JI 011 -~ - - in' to ty la - do ."1..E7 . h.... If~ 2. 6d::d b::::d 0(Ba. 1Ei'1. v ~ -I 1 r 1 -1 ..jI.. 1 Jl.-nl ~~ I Gt..-:I::::::j J r-l "" ~ 7 .): . r--1 I L. b::.: : 111111...r) meba . 99 .-]~I Vo .:J v r1 Fi1 Fi1 ~ . What you try Love you mi s ~J TryI J_ .1~J~3~. lk __ tell __ pret-ty you ba ba -by ~~ 1 - by 11..Very syncopated bass line..:I E7 ~ rn-iil ~ n 1 ni~li1 bd ~ ~ C::I ~ I:M I 1..fl..dy in' to love 'm gon... ".- I :tJ h.~.II II Vo I'tJ ~n· IGt.-I I Gotta Tell you E7 ..11 II. o(D. 0------.): See how close the bass drum works in with the bass..doubling up on the bass line often note for note..1 i1.tl ~ 4._ h.-I I ".:1 n ==8 ~ J ~ I I J - ~ ir ~ =:» --.II i. lov by in' ba -by Goo -na == ~ On On I [. . Gt. C:::!::::I::I 1::::1::::1 tJ n~ === r===./L . ~~ v " Gt. II II b:l 1) or . I \ 0 -#- Ba 4" Dr : 1 L.d ~ Dr -.. Kb ~tJ u.. I .-I tJ h.

.:d ~ f8(Ba.. 10 ·Ws.-mt J 'L2x only_ V '" Kb Jl .It ~.~M~*I Miss you up__ Dad-dy ev that _ latesaid __ •...ba "JI. h .. ~ s. : ! 1 ! ! R1 ~ I n ~ I . II 11.dy I_just can't wait I'm gon .t-llBring re. .II ~ ~~. oj n I r---::I Ba "I_:v - ~'1__: I' II Dr.ay_ Final-ly don't_get I'm qon-na lov keep you in' by dad... ~ [Gt.. I'" ~':.~ ~ . /. ~. .r 11 s. ~ .2x - by I'" . h.d E7 n 19'1 rl 1 L... ------ Dr Fi1 L.. ~ : oj s.I ~ ! J l ~"f ~ I ~... Fi""1 ~ ··Fl 1 ~ r1 r--i ~ i~ ~ L..!: ~ 100 s.. And ==-"" you said ba - Vo ~... Kb I'~ " c.-..d ~ ~ nmn ~..E7 E7 Vo .·' I~ h.11 It.. - ----...11 -It ~~- er a . n ~ r-l ~ I Vi~ ~.-J r--.:-.IIlt. 100 ... . Hare [QJJ~---. \ Q• Ba .. ~"'~"fbd"f .. 1 6d I T :..est walk down Ht..· I 011.. ...__.): Include all the slides or glissandos as they make a nice effect against the off beats.. l:::1::::l:=I I:::::I::::Z::I I ==== ~'~~ \ \ / oe-n I'" \ \ I J J V \ 11..r--t I ".:. ~ ~~ t:... ~~~t r--i II~ 11.-l .~ ~.~ I.na give you love Bring It Bring It \ / - On On Gt. 11.tle ... "' l'~ II. On Bring It On Hare Home n tle 4.. . : . only_ Gt. town ~ Hare Take a litSWeet .F"J. Gt.

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