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Kamasutra

Kamasutra

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Sections

  • Union of Bee
  • The More
  • Union of the Eagle
  • The position of perfect Alignment
  • Union of the Lovers
  • The position of the Amazon
  • The position of Andromaque
  • Union of the Antelope
  • The posture of the Tree with fruit
  • The Posture of the Balance
  • The Less
  • The posture of the Swing
  • The less
  • The Posture of the Bamboo
  • Union of the Boa
  • The posture of the Plough
  • Union of the Cat
  • The Position of the Overlapping
  • The Posture of the Scissors
  • The Position of the Courtesan
  • Union of Crab
  • The Posture of the Spoons
  • The Position of the Dance of Missionaire
  • Union of the Elephant
  • Union of Emeu
  • The posture of the Anvil
  • The posture of Star
  • The position of the Large Opening
  • Union of Frog
  • Union of Oyster
  • The position of Indra
  • The position of the Lotus
  • Union of the Wolf
  • The posture of the Moon
  • The missionary position
  • The mobile of the Mill
  • Union of the Butterfly
  • Union of the Magpie
  • Union of the Octopus
  • The posture of the Pillar
  • The posture of the Reed
  • The mobile of the Wheel
  • The posture of the Willow
  • Union of the Scorpion
  • Union of the Monkey
  • Suspended union
  • The posture of the Stem
  • Union of the Tiger
  • Union of the Tortoise
  • Union of the Cow (or Greyhound bitch)
  • The posture of Yin and Yang

Small Illustrated Kama-sutra

Small Illustrated Kama-sutra......................................................................................................................................1
Union of Bee ..................................................................................................................................................................3
The More.........................................................................................................................................................................3
Union of the Eagle. ........................................................................................................................................................4
The position of perfect lignment. ................................................................................................................................!
Union of the "o#ers. ......................................................................................................................................................$
The position of the ma%on ...........................................................................................................................................&
The position of ndroma'ue. ........................................................................................................................................(
Union of the ntelope. ...................................................................................................................................................)
The posture of the Tree *ith fruit. ...............................................................................................................................1+
The ,osture of the Balance. .........................................................................................................................................11
The "ess........................................................................................................................................................................11
The posture of the S*ing. ............................................................................................................................................1-
The less.........................................................................................................................................................................1-
The ,osture of the Bam.oo. .........................................................................................................................................13
Union of the Boa. .........................................................................................................................................................14
The "ess........................................................................................................................................................................14
The posture of the ,lough. ...........................................................................................................................................1!
Union of the /at. ..........................................................................................................................................................1$
The ,osition of the 0#erlapping. .................................................................................................................................1&
The less.........................................................................................................................................................................1&
The ,osture of the Scissors. .........................................................................................................................................1(
The ,osition of the /ourtesan. .....................................................................................................................................1)
The less.........................................................................................................................................................................1)
Union of /ra.. ..............................................................................................................................................................-+
The less.........................................................................................................................................................................-+
The ,osture of the Spoons. ..........................................................................................................................................-1
The less.........................................................................................................................................................................-1
The ,osition of the 1ance of Missionaire. ...................................................................................................................--
The less.........................................................................................................................................................................-3
Union of the Elephant. .................................................................................................................................................-4
The "ess........................................................................................................................................................................-4
Union of Emeu. ............................................................................................................................................................-!
The "ess........................................................................................................................................................................-!
The posture of the n#il. .............................................................................................................................................-$
The "ess........................................................................................................................................................................-$
The posture of Star. ......................................................................................................................................................-&
The "ess........................................................................................................................................................................-&
The position of the "arge 0pening. .............................................................................................................................-(
The "ess........................................................................................................................................................................-(
Union of 2rog. ..............................................................................................................................................................-)
The "ess........................................................................................................................................................................-)
Union of 03ster. ...........................................................................................................................................................3+
The "ess........................................................................................................................................................................3+
The position of Indra. ...................................................................................................................................................31
The "ess........................................................................................................................................................................31
The position of the "otus. ............................................................................................................................................3-
Union of the 4olf. .......................................................................................................................................................33
The "ess........................................................................................................................................................................33
The posture of the Moon. .............................................................................................................................................34
The "ess........................................................................................................................................................................34
The missionar3 position. ..............................................................................................................................................3!
1
The "ess........................................................................................................................................................................3$
The mo.ile of the Mill. ................................................................................................................................................3&
The "ess........................................................................................................................................................................3)
Union of the Butterfl3. .................................................................................................................................................4+
Union of the Magpie. ...................................................................................................................................................41
The "ess........................................................................................................................................................................41
Union of the 0ctopus. ..................................................................................................................................................4-
The "ess........................................................................................................................................................................4-
The posture of the ,illar. ..............................................................................................................................................43
The "ess........................................................................................................................................................................43
The posture of the 5eed. ..............................................................................................................................................44
The "ess........................................................................................................................................................................44
The mo.ile of the 4heel. .............................................................................................................................................4!
The "ess........................................................................................................................................................................4$
The posture of the 4illo*. ..........................................................................................................................................4&
Union of the Scorpion. .................................................................................................................................................4(
The "ess........................................................................................................................................................................4(
Union of the Mon6e3. ..................................................................................................................................................4)
Suspended union. .........................................................................................................................................................!+
The posture of the Stem. ..............................................................................................................................................!1
The More.......................................................................................................................................................................!1
The "ess........................................................................................................................................................................!1
Union of the Tiger. .......................................................................................................................................................!-
The "ess........................................................................................................................................................................!-
Union of the Tortoise. ..................................................................................................................................................!3
The "ess........................................................................................................................................................................!3
Union of the /o* 7or 8re3hound .itch9. .....................................................................................................................!4
The "ess........................................................................................................................................................................!!
The posture of :in and :ang. ......................................................................................................................................!$
-
Union of Bee
The *oman assoit on the penis of its partner; him e#en sitted and ahead unfolded legs. The *oman can then .e and
#erticall3 come .eing pressed on the hands and the legs. The man accompanies the mo#ement .3 raising it .3 the
.uttoc6s or the thighs.
Alternative< The man can place .ac6 at the *all for a .etter support. The *oman can 6neel instead of sitting do*n
in order to .e a.le to lean more easil3 ahead and to change the angle of inclination of the #agina.
The More
• The *oman controls .etter the penetration depth that in the other positions *ith penetration .3 .ehind. .
• The *alls .efore #agina and the point 8 are *ell stimulated. .
• The man in passi#e position can lengthil3 cherish the centres and the clitoris of his partner.
The Less
• Tiring position for the man in the a.sence of support.
3
Union of the Eagle.
"engthened on the side; the t*o partners intert*ine the arms and the legs; the *oman enclosing the si%e of her
partner .et*een his thighs. The man slightl3 folds up his legs to facilitate the penetration.
The More
• =er3 intimate position offering a ma>imum contact .et*een the t*o partners.
• 8ood penetration depth if the man folds sufficientl3 his thighs .et*een those of his partner.
The Less
• mplitude of mo#ement limited.
4
The position of perfect Alignment.
The *oman lies on the man the legs dra*n aside to facilitate the penetration. 0nce the penis *ell places from there;
it tightens the legs so that the .odies of the - partners are superimposed in a perfect alignment. The *oman can then
.egin stimulation .3 ru..ing her .od3 laterall3 and hori%ontall3 against that of her partner
The More
• =er3 intimate position offering a ma>imum contact .et*een the - partners.
• The tighter #aginal *alls support more intense feelings.
• 5ecommended for the lo#e tantric.
The Less
• ,enetration depth and limited amplitude of mo#ement.
!
Union of the Lovers.
The t*o partners upright face to face; the man ru.s his penis on the #ul#a of his partner. fter a fe* minutes of
friction; the #ul#a *ill open naturall3 to allo* a surface penetration. If the *oman is of smaller si%e than the man; it
*ill .e a.le to .e gro*n *hile carr3ing stiletto heels or gro*ing themsel#es artificiall3 *ith a support 7a such
director39 under each foot.
The More
• 5eali%a.le practical position *ith the impro#ist in all the situations.
• 8ood stimulation of the clitoris and the nipple
The Less
• Surface penetration.
• ?ot easil3 reali%a.le position if the - partners are #er3 different si%es.
$
The position of the Amazon
The man sat on a chair. The *oman assoit in the ma%on on one of the thighs of her partner and guides the penis to
the opening of the #agina. 0nce the introduced penis; it *ill .e a.le to contract its #aginal muscles to 6eep the
penetration; and to a#oid the une>pected e>its.
The More
• The man can easil3 cherish the centres and the clitoris of his partner to more easil3 lead it to the orgasme.
• ,osition recommended to the men suffering from premature e@aculation.
The Less
• mplitude of mo#ement limited and not #er3 ma@or penetration
&
The position of Andromaque.
The man is l3ing on the .ac6; his partner places himself at the top of him; in s'uatted or 6nelt position; the
completel3 rectified .ust. It controls perfectl3 the depth and the rateArh3thm of the penetration and can lea#e free
course to its phantasms of domination.
The More
• The *oman 6eeps a total control allo*ing him to .e more in confidence and to find the good mo#ements to
ma>imi%e her pleasure.
• The man has the free hands to get e#en more pleasure *ith his partner .3 cherishing his centres; his .uttoc6s or
his clitoris.
• ,osition offering a good stimulation of the point 8.
Les moins
• Sometimes uncomforta.le angle of penetration for the man; e#en painful if the rod 3ields.
(
Union of the Antelope.
4ith 6nees on the ground; the *oman rectifies herself .3 ta6ing support against the edge of the .ed. The man
penetrates it .3 .ehind; dra*n up on the 6nees
lternati#e< the *oman can either 6eep her opened legs; *hile placing them on .oth sides those of her partner to
offer a ma>imum #aginal opening; or to close her thighs one against the other to compress the #agina and to enclose
the rod *ell.
The More
• 8ood stimulation of the frontal *alls of the #agina and the point 8.
• ,ossi.ilit3 for the man of stimulating the clitoris and the centres of its partner.
• The *oman more easil3 can fantasmer on imaginar3 partners
The Less
• ttention *ith the a.rasions of the 6nees on the fitted carpet
)
The posture of the Tree with fruit.
n alternati#e of the position of getting Indra of the similar feelings *hile decreasing the feeling of crushing e>erted
.3 the man on his partner. The *oman 6eeps a leg on the .ust of the man and releases the other .3 unfolding it on
the side
The More
• Ma@or penetration.
• Strong stimulation than6s to the compression of the .ell3 and the #agina
The Less
• ,otentiall3 painful if the penis runs up against the .ottom of the #agina
1+
The Posture of the Balance.
The man sat on the edge of the .ed or a chair. Bis *ife turns the .ac6 to him .efore sitting do*n on her thighs. 0nce
the penis in it; it can then lean ahead to reach a position of .alance and to .e .alanced along the penis. To sta.ili%e
the position; the *oman *ill ta6e support on the 6nees of the man *ho *ill retain it .3 the centres
The More
• ,osition allo*ing a rather ma@or penetration and a good amplitude of #ertical mo#ement.
• The man can easil3 cherish the centres and the clitoris of his partner to more easil3 lead it to the orgasme
The Less
• ,osition of .alance difficult to control
11
The posture of the wing.
The *oman turns the .ac6 on her partner and can *ith the choice sit do*n on him; the feet .eing used as support; or
6neel on .oth sides hips of her partner; this last position supporting a greater amplitude of stimulation
The More
• ,osition offering to the man an e>ceptional angle of sight on the penetration and a panorama #er3 e>citing on
the .uttoc6s and the se> of its partner.
• uthori%e a great amplitude of mo#ement 7particularl3 in the 6nelt #ersion9 to .ring a ma>imum pleasure to the
man and to 'uic6l3 lead it to the orgasme.
• llo*s more easil3 the *oman of fantasmer on imaginar3 partners
The less
• The angle of penetration can .e uncomforta.le for certain men
1-
The Posture of the Bam!oo.
2rom the missionar3 position; the *oman slips a leg on the shoulder of her partner *ho .rings .ac6 simultaneousl3
his 6nee on the front one. fter a fe* moments in this position; the *oman goes do*n again her leg and repeats the
same mo#ement *ith the other leg. Each mo#ement must .e repeated se#eral times
The More
• musing; original and lifting enough position for the most daring couples
The Less
• "imited stimulation.
• 5e'uire a good fle>i.ilit3 of the *oman
13
Union of the Boa.
The *oman lengthened on the .ac6; slightl3 on the side; poses her legs on the hip of her partner. The man can then
guide his penis to penetrate it carefull3. It *ill ha#e to then compress the thighs to preser#e the penis *ell places
from there and to ma>imi%e the feelings
The more
• n original position to ma6e lo#e carefull3; *ithout precipitation.
• 5ecommended for the lo#e tantric
The Less
• mplitude and limited depth of mo#ement.
• 5is6s of in#oluntar3 e>it if the penis is not correctl3 enclosed
14
The posture of the Plough.
"engthened on the .ac6; the *oman carries her .uttoc6s on the edge of the .ed and encloses her legs the 6idne3s of
her partner. The man 6neels on the ground to penetrate it .3 6eeping the hori%ontal rod; parallel *ith the a>is of the
#agina
lternati#e< The man can .e held upright *hile the *oman *ill lie on a des6 or a ta.le
The More
• The hori%ontal alignment of the rod and the #agina gets feelings different from those gotten *hen the
penetration is made top do*n*ards.
• Ma@or penetration .ringing a good stimulation of the *alls of the #agina.
• E>citing position; particularl3 for the upright practised alternati#e.
The Less
• The comfort and the feasi.ilit3 of this position depend mainl3 on the height on the .ed or that on the ta.le
1!
Union of the "at.
2rom the missionar3 position or of that of the o#erlapping; the t*o partners roc6 on the side and carefull3 to a#oid
an une>pected e>it of the penis.
The More
• Intimate and soft position allo*ing the t*o partners to loo6 at themsel#es and to em.race themsel#es *ithout
one feeling dominated .3 the other
The Less
• ,enetration depth and limited amplitude of mo#ement.
• 5is6s of in#oluntar3 e>it during the s*ing.
1$
The Position of the #verlapping.
The man lies on the .ac6 *hile its partner 6neels *ith the top of him and surrounds his thighs *ith his. It controls
the amplitude of the mo#ement #erticall3 and hori%ontall3 to ma>imi%e the feelings on its clitoris and its #aginal
*alls or to 'uic6l3 lead the man to the orgasme.
The More
• The *oman is freer and more acti#e< she chooses the rateArh3thm; the speed and the t3pe of mo#ement.
• The man; remaining passi#e; can concentrate on the feelings and the pleasure *hile cherishing the .ac6 of his
partner.
The less
• ,osition missing a little originalit3; thus pass to another thing after a fe* minutes of stimulation.
1&
The Posture of the cissors.
2rom the position of ndroma'ue; the *oman roc6s .ehind to the feet of her partner. This position is recommended
to dela3 e@aculation.
The More
• #er3 good manual stimulation of the clitoris allo*s.
• Sight e>citing for the man.
• 8ood position to dela3 the male orgasme.
The less
• 5e'uire a #er3 good fle>i.ilit3 of the *oman.
1(
The Position of the "ourtesan.
The man is 6nelt on the ground and penetrates his test sitting on the edge of the .ed or a chair. It can then intert*ine
its legs around the 6idne3s of its partner.
lternati#e< the *oman is lengthened on a ta.le or a des6; *hereas the man penetrates it upright.
The More
• /omforta.le and not #er3 tiring position for the - partners.
• 8ood penetration depth and amplitude of the mo#ements of the .asin.
• ,ractical at the office; in particular in the #ersion upright.
The less
• The feasi.ilit3 of the position depends mainl3 on the height on the support on *hich the *oman rests.
1)
Union of "ra!.
The *oman o#erlaps .ac6 her partner; lengthened on the .ed. She guides the penis in the #agina then roc6s .ehind
.3 ta6ing support on her arms. She can then .e and #erticall3 come actuating her legs.
The More
• The *oman controls the depth and the speed of the penetration.
• The man can freel3 cherish the centres of his partner.
• The feeling of the hair of the *oman cherishing the face of the man is particularl3 pleasant and e>citing
The less
• 5is6s of in#oluntar3 e>it in the e#ent of too fast and uncontrolled mo#ements.
-+
The Posture of the poons.
The *oman lies on the side the legs folded in dog of rifle. The man places himself .ehind and marries contours of
the .od3 of his partner to penetrate it. Be can then easil3 cherish his centres and her clitoris all *hile em.racing it in
the nape of the nec6 and .ehind the ears.
The More
• ,osition soft and resting supporting the caresses and the intimac3 of the couple.
• The *oman can easil3 mastur.ate or guide the hand of her partner to reach the orgasme more 'uic6l3.
The less
• mplitude of the mo#ements of the .asin limited
-1
The Position of the $ance of Missionaire.
2rom the missionar3 position; the *oman tightens the .uttoc6s and cam.ers her hips then undulates her 6idne3s in a
side and #ertical circular motion.
The More
• =er3 good stimulation supporting a fast release of the orgasme at the man.
The less
• ,osition difficult to hold a long time .ecause tiring for the t*o partners.
--
Union of the 8oddess.
The man sat on the .ed; possi.l3 the .ac6 *ith the *all for a .etter support. The *oman assoit on her penis .3
guiding it to*ards the #agina then is enclosed the 6idne3s of her partner *ith the legs. She can then undulate of the
.asin for stimulating the clitoris and the #aginal *alls *ell.
The More
• Intimate position allo*ing the couple to em.race itself and the man to lic6 the centres of its partner.
• Ma@or penetration also offering a good stimulation of the clitoris.
• 5ecommended to dela3 the orgasme at the men suffering from premature e@aculation.
The less
• Stimulation limited for the man.
-3
Union of the Elephant.
2rom the position out of gre3hound .itch; the *oman su.sides gentl3 so that the man co#ers it completel3. The
*oman can let her open legs to facilitate the penetration or to tighten her thighs one against the other to more firml3
enclose the rod in the #agina.
lternati#e< The man can rectif3 himself on his front armle#ers to relie#e his partner a little and to penetrate it more
#igorousl3.
The More
• =er3 good stimulation of the frontal *alls of the #agina and the point 8.
• The man can simultaneousl3 slip his hand under the .ell3 of his partner to stimulate his clitoris.
• Ma>imum ph3sical contact .et*een the - partners.
The Less
• Cuasi null freedom of mo#ement for the *oman *ho can feel crushed .3 her partner.
-4
Union of Emeu.
The couple upright; the *oman turns the .ac6 on her partner. The man attracts it against him and penetrates it .3
.ehind. 4hile leaning for*ards; the *oman modifies the angle of the penetration and ma6es it deeper.

lternati#e< the *oman can ta6e support on a *all or a picture *indo*; or pose her .ust on a ta.le or a des6. She
*ill .e a.le completel3 to then let herself go and the man *ill .e a.le to penetrate it more #igorousl3.
The More
• ,osition #er3 e>citing allo*ing the man to carr3 out his phantasms of domination and the *oman of fantasmer
more easil3 on imaginar3 partners.
• Ma@or penetration getting a #er3 good stimulation of the frontal *alls of the #agina and point 8.
• The man can simultaneousl3 cherish the clitoris or the centres of his partner.
The Less
• 1ifficult position if the - partners are #er3 different si%es. The man *ill ha#e then to .end the legs or to gro*
himself on a support to ma6e the position more pleasant.
-!
The posture of the Anvil.
"engthened on the .ac6; the *oman comes to place her feet on the shoulders of her partner. This position supports a
#er3 ma@or penetration. Thus a#oid @ust practising it after the preliminaries .ecause the #agina *ill not ha#e reached
its ma>imum si%e and *ould .e li6el3 to .e insufficientl3 lu.ricated.
Th More
• llo*s a ma>imum penetration.
• 8et #er3 sharp feelings *ith the *oman; particularl3 if the man e@aculates in this position.
• llo*s the man to carr3 out his phantasms of domination.
The Less
• ,osition re'uiring a #er3 good fle>i.ilit3 of the *oman.
• ,otentiall3 painful for the *oman if the penis runs up against the .ottom of the #agina or if the #agina is
insufficientl3 lu.ricated.
-$
The posture of tar.
The posture of Star. The *oman lengthened on the .ac6 largel3 opens the legs; the man places a leg .et*een those
of the *oman and penetrates it of *ith dimensions; .3 ta6ing support on its opposite arm. It can increase stimulation
.3 ru..ing its thigh against the clitoris.
The More
• The penetration .3 the side gets different feelings for the *oman as for the man.
• The #ul#a and the clitoris are *ell stimulated .3 frictions of the thigh of the man.
• The t*o partners ha#e each one a free hand to cherish themsel#es and em.race themsel#es.
The Less
• Mo#ements of the .asin limited.
-&
The position of the Large #pening.
2rom the position of ndroma'ue; the *oman roc6s the .ac6 .ehind and slips a leg under that of her partner.
1uring the man.u#re; it *ill ta6e care to hold the penis enclosed *ell in its #agina to a#oid #er3 left in#oluntar3. She
*ill .e a.le then to go and trans#ersel3 come from left on the right to tr3 out ne* feelings.
The More
• n original position *hich remains comforta.le for the t*o partners.
• The trans#erse penetration offers feelings different in particular .3 stimulating the side *alls from the #agina.
The Less
• 5is6 of in#oluntar3 e>it during the s*ing.
• mplitude of mo#ement limited a little.
-(
Union of %rog.
The man is lengthened on the .ac6; the half-opened legs. The *oman comes to lie on him so that the plant of its feet
ta6es support on the top of the feet of its partner. She can then use this support to dri#e her .od3 of .efore .ehind.
The man can simultaneousl3 sta.ili%e the position and accompan3 the mo#ement .3 holding his partner .3 the si%e.
The More
• ,osition original and amusing.
• Support the stimulation of the clitoris ru..ing on the pel#is of the man.
The Less
• 2reedom of limited enough mo#ement and amplitude.
-)
Union of #&ster.
"engthened on the .ac6; the *oman folds up her thighs against her .ell3. The man holds it .3 the 6nees and uses the
thighs of his partner li6e a support to facilitate the .ac6 and forth pass and to preser#e a regular rateArh3thm.
The More
• Ma@or penetration and good amplitude of the mo#ements.
• 8ood stimulation for the - partners .ecause the #agina is compressed on the penis.
The Less
• ,otentiall3 painful for the *oman if the penetration is too deep or too #iolent.
3+
The position of 'ndra.
The man dra*s up himself on his 6nees; the *oman lengthened on the .ac6 .rings .ac6 his feet against the .ust of
his partner. The man leans ahead to compress the thighs of the *oman against his centres.
The More
• Ma>imum and #er3 ma@or penetration.
• Strong stimulation than6s to the compression of the .ell3 and the #agina.
The Less
• ,otentiall3 painful if the penis runs up against the .ottom of the #agina.
31
The position of the Lotus.
"engthened on the .ac6; the *oman folds her legs in position of the lotus thus presenting her #agina largel3 opened
at her partner.
The More
• musing and original position.
The Less
• s6 a good fle>i.ilit3.
• ,osition difficult to maintain a long time and sometimes painful for the *oman.
3-
Union of the (olf.
The - partners upright; the *oman turns the .ac6 on her partner. The man attracts it against him and penetrates it .3
.ehind. The *oman roc6s completel3 ahead and ta6es support on a lo* support 7cushions; coffee ta.le9.
The More
• ,osition #er3 e>citing and stimulati#e for the - partners.
• 1epth and ma>imum amplitude of penetration.
The Less
• ?ot easil3 reali%a.le if the - partners are different si%es
33
The posture of the Moon.
2rom a 6nelt position; the man .rings .ac6 his legs to*ards the shoulders of the *oman. The - partners can
intert*ine and continue stimulation .3 gi#ing simultaneous impulses *ith their .asin.
The More
• n original position allo*ing a ma@or penetration.
• 8ood stimulation of the clitoris .3 the pel#ic .one of the man.
The Less
• 5e'uire a good fle>i.ilit3 of the man.
34
The missionar& position.
It is the most 6no*n position; uni#ersall3 appreciated .eginners li6e more tested; the man lengthening .et*een the
legs of its partner.
3!
lternati#e< Some cushions placed under the .uttoc6s of the *oman allo* a ma@or penetration .3 changing the
angle of inclination of the #agina.
The More
• /omforta.le and natural position for the - partners.
• 8ood freedom of mo#ement for the man.
• Easil3 allo*s the couple to loo6 at themsel#es and to em.race themsel#es.
The Less
2reedom of mo#ement #er3 limited for the *oman. ,osition .eing a.le to .ecome *ear3ing< to practise *ith
moderationD
3$
The mo!ile of the Mill.
,osition mo#ing *here the *oman turns around her partner .3 using the rod li6e an a>is. 2irst stage< The *oman is
s'uatted or 6nelt on its partner; it can .egin stimulation *ith a #ertical .ac6 and forth pass on the rod.
Second stage< The *oman roc6s her t*o legs on the right of the .ust of her partner and starts to s*i#el.
3&
Third stage< The *oman finds herself in opposite position; .ac6 *ith her partner and can continue #ertical
stimulation *hile leaning for*ards changing the angle of penetration. She *ill continue then the c3cle to finish
sitted face to face *ith her partner.
3(
The More
• musing and original position allo*ing to tr3 out #er3 different feelings *ithout stopping the penetration.
• 5ecommended for the lo#e tantric.
The Less
• Significant ris6 of in#oluntar3 e>it enters the second and the third stage
3)
Union of the Butterfl&.
2rom a position or the *oman sat on the man; the *oman roc6s .ehind *hile .ringing .ac6 her legs for*ards
*hereas the man ta6es support on the arms. Each partner must then dri#e his .asin in a circular motion; one turning
in the direction re#erses other. The *oman can also use her legs to initiate a to and from along the penis of her
partner.
The More
• 0riginal and aesthetic position.
• Space .et*een the - partners ma6es it possi.le to loo6 at and o.ser#e the mutual reactions.
• "arge #ariet3 of mo#ements of the .asin.
The Less
• 5ather athletic position as6ing a little dri#e.
• The hands of the t*o partners are inaliena.le.
4+
Union of the Magpie.
lternati#e of the position of the goddess *here the man must sit do*n on a chair and either on the .ed. This
position is more pleasant more sta.le .us and ma6es it possi.le the couple to .e more easil3 dri#en. It can .e the
starting point of a se'uence connecting the suspended union; then the posture of the ,illar to finish in missionar3
position.
The More
• /omforta.le and #er3 intimate position for the t*o partners.
• llo*s a rather ma@or penetration and offers a good amplitude of #ertical mo#ement.
• ,ractical to ma6e lo#e at the office or in the toilets of a pu.lic place.
The Less
• 2reedom of mo#ement limited for the man.
41
Union of the #ctopus.
"engthened on the .ac6; the *oman ta6es a position inclined .3 pressing her 6idne3s and her .uttoc6s on the 6nees
and the thighs of her partner. The man raises it .3 the hips to change the angle and the depth penetration.
The More
• Ma@or and comforta.le position for the man and the *oman.
• The man can release a hand to cherish the centres and the .ust of his partner.
The Less
• mplitude of mo#ement limited.
4-
The posture of the Pillar.
The t*o partners 6nelt on the .ed; the *oman slips on the thighs of the man .3 guiding the penis to*ards the
#agina.
The More
• =er3 intimate position allo*ing to em.race themsel#es and to cherish themsel#es comforta.l3.
• 5ecommended for the lo#e tantric.
The Less
• "imited stimulation and not #er3 ma@or penetration.
43
The posture of the )eed.
2rom a position or the man is 6nelt; the *oman ta6es support on her head and her legs. She arches the .ac6 and the
6idne3s in order to place the #agina in an angle allo*ing an optimal penetration. The man supports it .3 the hips and
can then .egin a #igorous penetration *hile o.ser#ing the reactions of his partner.
The More
• E>citing position and pro#ocante allo*ing a ma@or and muscular penetration *hile lea#ing sufficient field of
#ision to o.ser#e the reactions of its partner.
The Less
• s6 to the *oman a good fle>i.ilit3 of the .ac6 and 6idne3s.
44
The mo!ile of the (heel.
Three stages for this position *here the man must turn #er3 slo*l3 around his partner; *hile .eing useful itself of
the rod li6e d.un a>is. The c3cle can .e repeated se#eral times and lends itself *ell to tantric se>ualit3.
2irst stage< The - partners are lengthened in the traditional position of missionnaire; the man is .et*een the thighs of
the *oman and penetrates it.
Second stage< The man slips successi#el3 his left leg then his right leg *ith the top of the right leg of his partner
then s*i#els on his rod around his partner.
4!
Third stage< The man carries out a complete half-turn and places his legs on .oth sides of the shoulders of his
partner. The time of an installation in this position to em.race the feet of its partner; it an3 more .ut does not remain
to continue the c3cle to finish in initial position.
The More
• musing and original position allo*ing to appreciate a great di#ersit3 of feelings.
• 5ecommended for the se> tantric.
The Less
• "imited stimulation.
• In#oluntar3 e>it ensured for the .eginners.
4$
The posture of the (illow.
The *oman assoie on her 6nelt partner; the .ust in dri#ing position. The man penetrates it then roc6s for*ards .3
supporting *ith a hand the .uttoc6s and other the .ac6 of his partner. The *oman can .e pressed on a hand to ma6e
undulate her .asin #erticall3.
The More
• good transitor3 position to pass from a sitting position to a position laid do*n *ithout stopping the
penetration.
The Less
• thletic position to recommend onl3 to the muscular men; or ha#ing rather light partners.
4&
Union of the corpion.
2rom a position *here the *oman o#erlaps .ac6 her partner; it roc6s graduall3 .ehind until posing its .ac6 on the
.ust of the man.
lternati#e< 2or a more comforta.le position; the *oman can unfold her legs and e>tend them in the same direction
as those of her partner.
The More
• 0riginal position recommended for the lo#e tantric.
• Ma>imum contact .et*een the - partners.
• The man can easil3 cherish the centres and the clitoris of his partner.
The Less
• ,osition little recommended to the *omen suffering from pro.lems of .ac6.
• mplitude of mo#ement limited.
4(
Union of the Mon*e&.
The man is lengthened on the .ac6; the raised legs. The *oman assoit on the .ac6 of the thighs of its partner; .3
using the feet of the man li6e a file. The - partners sei%e themsel#es .3 the *rists to ensure a good sta.ilit3. The
man can then raise his partner *ith the feet to initiate a #ertical stimulation. The *oman can also .ring an additional
stimulation *hile ma6ing undulate her .asin in a circular side mo#ement.
The More
• ,osition original and amusing for the creati#e couples.
The Less
• ,osition difficult to control.
• The man can feel crushed .3 his partner.
4)
uspended union.
The couple upright; the *oman is clutched *ith the .ac6 of the man then firml3 intert*ines his legs around its si%e
*hile it retains it .3 the .uttoc6s and the .ac6. The *oman can also place .ac6 at a *all; *hich can pro#ide him a
support and an additional .earing pressure.
The More
• ,osition e>citing practica.le in all the places and all the situations.
The Less
• thletic position difficult to maintain #er3 a long time safe if the partner is #er3 light.
!+
The posture of the tem.
The man dra*s up himself on his 6nees. The *oman laid do*n on the .ac6 raises the legs *hile placing one on the
shoulder of the man and the other on its .efore opposite arm. The partner raises the .uttoc6s of his partner. To
ma>imi%e the pleasure; the *oman *ill 6eep thighs the tightest possi.le and the man *ill alternate penetrations deep
sharp and and others softer and surface.
lternati#e< 2or the la%3 ones; some cushions placed under the .uttoc6s of the *oman ma6e the position less
athletic.
The More
• ,osition original and e>citing for the t*o partners.
• 8ood mo.ilit3 of the .asin of the man allo*ing a #igorous penetration.
The Less
• 5ather athletic position re'uiring a good ph3sical condition.
!1
Union of the Tiger.
2rom the missionar3 position; the *oman .rings closer the thighs her .ust. She can easil3 #ar3 the feelings and the
depth penetration .3 changing the angle of inclination of her legs. She can also easil3 ta6e support on the .uttoc6s
of her partner to increase the pressure on the le#el of the pel#is.
The More
• B3 raising the legs; the *oman supports a ma@or penetration and can control the feelings partl3.
• The pel#ic .one of the man directl3 comes to ru. against the #ul#a; thus supporting stimulation clitoridienne.
The Less
• ,osition re'uiring a good fle>i.ilit3 of the *oman; in particular *hen the legs approach #er3 close to the .ust.
!-
Union of the Tortoise.
2rom the position of perfect alignment; the man opens the legs to ma6e slip the thighs of his partner .et*een his.
The More
• =er3 intimate position ma>imi%ing the contact .et*een the - partners.
• 8et more intense feelings .ecause the #agina is compressed on the rod.
The Less
• ,enetration ma@or than *hen the *oman 6eeps the open legs.
• mplitude of mo#ement more limited.
!3
Union of the "ow +or ,re&hound !itch-.
traditional position uni#ersall3 appreciated for the intense e>citation and feelings *hich it gets to the t*o partners.
The *oman *ith four legs is made penetrate .3 .ehind .3 the man dra*n up on her 6nees.
!4
lternati#e< The *oman can ma6e the position e#en more comforta.le .3 using some pillo*s to ta6e support on her
el.o*s.
The More
• =er3 good stimulation of the frontal *alls of the #agina and the point 8.
• =er3 sharp and ma@or penetration.
• ,ossi.ilit3 for the man of stimulating the clitoris and the centres of its partner.
• Sight #er3 e>citing for the man allo*ing him to carr3 out his phantasms of domination.
• The *oman more easil3 can fantasmer on imaginar3 partners.
The Less
• /ertain *omen can feel de#alued .3 this position.
• ,otentiall3 painful for the *oman if the rod runs up against the .ottom of the #agina.
!!
The posture of .in and .ang.
0n a solid and sta.le surface; the *oman assoit on the 6nees of its s'uatted partner. To impro#e sta.ilit3; the man
*ill .e a.le to .e .ased the .ac6 on a #ertical and pro@ecting support as the corner of the .ed.
The More
• ,osition original and amusing.
The Less
• ,osition difficult to maintain as6ing to the man a good muscular po*er and a good .alance.
!$

The Less........................................................................................................................................................................36 The mobile of the Mill. ................................................................................................................................................37 The Less........................................................................................................................................................................39 Union of the Butterfly. .................................................................................................................................................40 Union of the Magpie. ...................................................................................................................................................41 The Less........................................................................................................................................................................41 Union of the Octopus. ..................................................................................................................................................42 The Less........................................................................................................................................................................42 The posture of the Pillar. ..............................................................................................................................................43 The Less........................................................................................................................................................................43 The posture of the Reed. ..............................................................................................................................................44 The Less........................................................................................................................................................................44 The mobile of the Wheel. .............................................................................................................................................45 The Less........................................................................................................................................................................46 The posture of the Willow. ..........................................................................................................................................47 Union of the Scorpion. .................................................................................................................................................48 The Less........................................................................................................................................................................48 Union of the Monkey. ..................................................................................................................................................49 Suspended union. .........................................................................................................................................................50 The posture of the Stem. ..............................................................................................................................................51 The More.......................................................................................................................................................................51 The Less........................................................................................................................................................................51 Union of the Tiger. .......................................................................................................................................................52 The Less........................................................................................................................................................................52 Union of the Tortoise. ..................................................................................................................................................53 The Less........................................................................................................................................................................53 Union of the Cow (or Greyhound bitch). .....................................................................................................................54 The Less........................................................................................................................................................................55 The posture of Yin and Yang. ......................................................................................................................................56

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