ftexthesتز اسفهبد

‫ﯽ‬
‫ﯽ ﺳﯿﺴﺘﻢِ ﺣﺮﻭﻑﭼﯿﻨ ِ‬
‫ﺑﺎﺯﺑﯿﻨ ِ‬
‫ﺗﮏ‬‫ِ‬
‫ﻓﺎﺭﺳﯽ‬
‫ﻂ‬
‫ﺗﻮﺳ ِ‬
‫ﺑﻬﺪﺍﺩ ﺍﺳﻔﻬﺒﺪ‬
‫ﺖ‬
‫ﺭﺳﺎﻟﻪﯼ ﺍﺭﺍﺋﻪﺷﺪﻩ ﺑﻪ ﻋﻨﻮﺍﻥِ ﺑﺨﺸﯽ ﺍﺯ ﻣﻠﺰﻭﻣﺎﺕ ﺑﺮﺍﯼ ﺩﺭﯾﺎﻓ ِ‬
‫ﺩﺭﺟﻪﯼ‬
‫ﮐﺎﺭﺷﻨﺎﺳﯽِ ﻧﺮﻡﺍﻓﺰﺍﺭ‬
‫ﺮ‬
‫ﺯﯾﺮِ ﻧﻈ ِ‬
‫ﺩﮐﺘﺮ ﻣﺤﻤﺪ ﻗﺪﺳﯽ‬
‫ﺰ ‪۱۳۸۳‬‬
‫ﭘﺎﯾﯿ ِ‬
‫ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽِ ﮐﺎﻣﭙﯿﻮﺗﺮ‬
‫ﯽ ﺷﺮﯾﻒ‬
‫ﺩﺍﻧﺸﮕﺎِﻩ ﺻﻨﻌﺘ ِ‬
‫ﺗﻬﺮﺍﻥ‬
‫ﻗﺪﺭﺩﺍﻧﯽ‬
‫ﺩ ﮔﺮﺍﻣﯽ ﺩﮐﺘﺮ ﻣﺤﻤﺪ ﻗﺪﺳﯽ ﮐﻪ ﺑﯿﺶ ﺍﺯ ﺩﻩ ﺳﺎﻝ ﺍﺳﺖ ﺑﺎ‬ ‫ﺑﺎ ﺗﺸﮑﺮِ ﻓﺮﺍﻭﺍﻥ ﺍﺯ ﺍﺳﺘﺎ ِ‬
‫ﮐﻮﺷﺶِ ﻣﺪﺍﻭﻡ ﻭ ﻧﻈﺎﺭﺕ ﺑﺮ ﻗﺮﯾﺐ ﺑﻪ ﺩﻩ ﺭﺳﺎﻟﻪ ]‪ ،۱۱ ،۸ ،۷ ،۵ ،۴ ،۳ ،۲‬ﻫﻤﯿﻦ[‬
‫ﺗﮏ ﺭﺍ ﺍﻓﺮﺍﺷﺘﻪ ﻧﮕﺎﻩ ﺩﺍﺷﺘﻪﺍﻧﺪ‪.‬‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﭘﺮﭼﻢ‬
‫ِ‬
‫ﮏ ﺁﻗﺎﯾﺎﻥ ﺩﮐﺘﺮ ﻣﺴﻌﻮﺩ ﺑﺎﺑﺎﯾﯽﺯﺍﺩﻩ‪،‬‬
‫ﺍﻧﺠﺎﻡ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﻣﯿﺴﺮ ﻧﺒﻮﺩ ﻣﮕﺮ ﺑﺎ ﮐﻤ ِ‬
‫ِ‬
‫ﺑﻬﻨﺎﻡ ﺍﺳﻔﻬﺒﺪ‪ ،‬ﺭﻭﺯ ﺑﻪ ﭘﻮﺭﻧﺎﺩﺭ‪ ،‬ﻣﺼﻄﻔﯽ ﻭﺍﺣﺪﯼ‪ ،‬ﺳﺠﺎﺩ ﺷﯿﺮﻋﻠﯽ‪ ،‬ﻫﺎﺩﯼ‬
‫ﮐﺮﯾﻤﯽ‪ ،‬ﻣﺤﻤﺪ ﻃﻮﺳﯽ‪ ،‬ﻣﻬﺮﺩﺍﺩ ﺛﺎﺑﺖﺯﺍﺩﻩ‪ ،‬ﻭ ﺧﺎﻧﻢ ﺷﯿﻮﺍ ﻧﺠﺎﺗﯽ‪ .‬ﺍﺯ ﺍﯾﻦ ﻋﺰﯾﺰﺍﻥ‬
‫ِ‬
‫ﻧﯿﺰ ﻣﺘﺸﮑﺮﻡ‪.‬‬
‫ﻥ ﻋﺰﯾﺰﻡ ﮐﻪ ﺑﺎ ﻭﺟﻮﺩِ ﺩﻭﺭﯼﺷﺎﻥ‪،‬‬
‫ﺭ ﮔﺮﺍﻣﯽ ﻭ ﺧﻮﺍﻫﺮﺍ ِ‬
‫ﺗﻘﺪﯾﻢ ﺑﻪ ﭘﺪﺭ ﻭ ﻣﺎﺩ ِ‬
‫ﻫﯿﭻﮔﺎﻩ ﺗﻨﻬﺎﯾﻢ ﻧﻤﯽﮔﺬﺍﺭﻧﺪ‪.‬‬
‫ﺏ‬
‫ﺖ ﻓﺎﺭﺳﯽﻭ ِ‬
‫ﻥ ﻣﺤﺘﺮﻡ ﺷﺮﮐ ِ‬
‫ﺩﺭ ﺍﻧﺘﻬﺎ‪ ،‬ﺑﺎ ﺗﺸﮑﺮ ﻭ ﻗﺪﺭﺩﺍﻧﯽ ﺍﺯ ﻣﺴﺌﻮﻻ ِ‬
‫ِ‬
‫ﯽ ﺷﺮﯾﻒ‪ ،‬ﺑﻪ ﺧﺼﻮﺹ ﺁﻗﺎﯼ ﺩﮐﺘﺮ‬ ‫ﺕ ﺩﺍﻧﺸﮕﺎﻩِ ﺻﻨﻌﺘ ِ‬ ‫ﺰ ﻣﺤﺎﺳﺒﺎ ِ‬ ‫ﺷﺮﯾﻒ ﻭ ﻣﺮﮐ ِ‬
‫‪۱‬‬
‫ﺗﮏ ﭘﺸﺘﯿﺒﺎﻧﯽ ﮐﺮﺩﻩ ﻭ ﻣﯽﮐﻨﻨﺪ‪.‬‬

‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﯾﺤﯿﯽ ﺗﺎﺑﺶ‪ ،‬ﮐﻪ ﺗﺤﻘﯿﻘﺎﺗﻢ ﺭﺍ ﺩﺭ ﺯﻣﯿﻨﻪﯼ‬
‫‪1 http://farsiweb.info/‬‬
‫ﺗﮏ‬
‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﯽ‬
‫ﯽ ﺳﯿﺴﺘﻢِ ﺣﺮﻭﻑﭼﯿﻨ ِ‬
‫ﺑﺎﺯﺑﯿﻨ ِ‬
‫ﭼﮑﯿﺪﻩ‬
‫ﺗﮏ )‪ (FarsiTEX‬ﺑﺎﺯﻧﮕﺮﯼ ﺷﺪﻩ ﻭ‬ ‫ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺳﯿﺴﺘﻢ ﺣﺮﻭﻑﭼﯿﻨﯽ ﻓﺎﺭﺳ ِ‬

‫ﯽ‬ ‫ِ‬ ‫ِ‬
‫ﺪ ﺯﯾﺮ ﺑﻪ ﺁﻥ ﺍﻓﺰﻭﺩﻩ ﮔﺸﺘﻪ ﺍﺳﺖ‪:‬‬ ‫ﻦ ﺭﻓﻊ ﺍﺷﮑﺎﻝﻫﺎﯼ ﻣﻮﺟﻮﺩ‪ ،‬ﺍﻣﮑﺎﻧﺎﺕِ ﺟﺪﯾ ِ‬ ‫ﺿﻤ ِ‬
‫ِ‬
‫ﺭ ﻣﺴﺘﻘﯿﻢ‬
‫ﯽ ‪ PDF‬ﺑﻪ ﻃﻮ ِ‬
‫ﺪ ﺧﺮﻭﺟ ِ‬
‫ﺭ ‪ pdfεTeX‬ﺟﻬﺖِ ﺗﻮﻟﯿ ِ‬
‫• ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻣﻮﺗﻮ ِ‬
‫ﺍﺯ ﭘﺮﻭﻧﺪﻩﯼ ِﺗﮏ‪،‬‬
‫• ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻗﻠﻢﻫﺎﯼ ‪) Type1‬ﺑﺮﺩﺍﺭﯼ( ﺑﺮﺍﯼ ﺩﺳﺘﯿﺎﺑﯽ ﺑﻪ ﮐﯿﻔﯿﺖِ ﺑﺎﻻ ﺩﺭ‬

‫ﺧﺮﻭﺟﯽﻫﺎﯼ ‪ PostScript‬ﻭ ‪،PDF‬‬
‫• ﮔﻨﺠﺎﻧﺪﻥِ ﻗﻠﻢﻫﺎﯼ ﺭﺍﯾﺞ ﻓﺎﺭﺳﯽ‪،‬‬

‫ِ‬
‫ﻂ ﻟﯿﻨﻮﮐﺲ‪.‬‬
‫• ﺣﻤﻞِ ﮐﺎﻣﻞِ ﺳﯿﺴﺘﻢ ﺑﻪ ﻣﺤﯿ ِ‬
‫ﺗﮏ ﺗﺤﺖِ ﻭ ﯾﻨﺪﻭﺯ ﻭ‬‫ﺩﺭ ﻧﻬﺎﯾﺖ ﻧﯿﺰ ﺳﯿﺴﺘﻤﯽ ﺑﺮﺍﯼ ﻧﺼﺐِ ﺧﻮﺩﮐﺎﺭِ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﺗﮏ ﺑﻪﺭﻭﺯ ﮔﺸﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﻟﯿﻨﻮﮐﺲ ﺗﻬﯿﻪ ﺷﺪﻩ ﻭ ﺭﺍﻩﻧﻤﺎﯼ‬
‫ِﺗﮏ‬
‫ﻭﺍﮊﻩﻫﺎﯼ ﮐﻠﯿﺪﯼ‪ِ :‬ﺗﮏ‪ ،‬ﻟَِﺘﮏ‪ ،‬ﻓﺎﺭﺳﯽ ‪ ،‬ﺣﺮﻭﻑﭼﯿﻨ ِ‬
‫ﯽ ﻓﺎﺭﺳﯽ‪ ،‬ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳﯽ‬
‫ﻓﻬﺮﺳﺖِ ﻣﻄﺎﻟﺐ‬
‫‪۱‬‬ ‫ﻗﻠﻢﻫﺎ‬ ‫‪۱‬‬
‫‪۲‬‬ ‫َﺍﺷﮑﺎ ِ‬
‫ﻝ ﺟﺪﯾﺪ ‪. . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۱−۱‬‬
‫‪۳‬‬ ‫ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳﯽ ‪. . . . . . . . . . . . . .‬‬ ‫‪۱−۱−۱‬‬
‫‪۳‬‬ ‫ﺭ ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳﯽ ‪. . . . . . . . . .‬‬ ‫ﻟﯿﮕﺎﺗﻮ ِ‬ ‫‪۲−۱−۱‬‬
‫‪۳‬‬ ‫ﻑ ﻓﺎﺭﺳﯽ ‪. . . . . . . . . . . . . . . .‬‬
‫ﺣﺮﻭ ِ‬ ‫‪۳−۱−۱‬‬
‫‪۵‬‬ ‫ﻑ ﻋﺮﺑﯽ ‪. . . . . . . . . . . . . . . .‬‬
‫ﺣﺮﻭ ِ‬ ‫‪۴−۱−۱‬‬
‫‪۵‬‬ ‫ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﻭ ﻋﺮﺑﯽ ‪. . . . . . . . . . . .‬‬ ‫‪۵−۱−۱‬‬
‫ِ‬
‫‪۵‬‬ ‫ﻂ ﺗﯿﺮﻩ ‪. . . . . . . . . . . . . . . .‬‬
‫ﺍﻧﻮﺍﻉ ﺧ ِ‬ ‫‪۶−۱−۱‬‬
‫ِ‬
‫‪۵‬‬ ‫ﻋﻼﺋﻢ َﺍﺳﮑﯽ ‪. . . . . . . . . . . . . . . . .‬‬ ‫‪۷−۱−۱‬‬
‫ِ‬
‫‪۸‬‬ ‫ﺩﯾﮕﺮ ﻟﯿﮕﺎﺗﻮﺭﻫﺎ ‪. . . . . . . . . . . . . . .‬‬ ‫‪۸−۱−۱‬‬
‫‪۸‬‬ ‫ﺩﯾﮕﺮ ﻋﻼﺋﻢ ‪. . . . . . . . . . . . . . . . . .‬‬ ‫‪۹−۱−۱‬‬
‫‪۱۰‬‬ ‫ﺧﺎﻧﻮﺍﺩﻩﯼ ﻗﻠﻢ ‪. . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۲−۱‬‬
‫‪۱۱‬‬ ‫ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻋﻠﻤﯽ ‪. . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۳−۱‬‬

‫ِ‬
‫‪۱۱‬‬ ‫ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ ‪. . . . . . . . . . . . . . . . . .‬‬ ‫‪۴−۱‬‬
‫‪۱۲‬‬ ‫ﻗﻠﻢﻫﺎﯼ ‪. . . . . . . . . . . . . . . . . . . . . . Type1‬‬ ‫‪۵−۱‬‬
‫ﭼﻬﺎﺭ‬
‫ﭘﻨﺞ‬ ‫ﻓﻬﺮﺳﺖِ ﻣﻄﺎﻟﺐ‬
‫‪۱۵‬‬ ‫ﻣﺎﮐﺮﻭﻫﺎ‬ ‫‪۲‬‬
‫‪۱۵‬‬ ‫ﺍﻧﺘﺨﺎﺏِ ﻗﻠﻢ ‪. . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۱−۲‬‬

‫‪۱۶‬‬ ‫ﺮ ﺧﺎﻧﻮﺍﺩﻩﯼ ﻗﻠﻢ ‪. . . . . . . . . . . . .‬‬ ‫ﺗﻐﯿﯿ ِ‬ ‫‪۱−۱−۲‬‬
‫‪۱۶‬‬ ‫ﺮ ﺧﺎﻧﻮﺍﺩﻩﯼ ﻗﻠﻢ ﭘﯿﺶﻓﺮﺽ ‪. . . . . . .‬‬ ‫ﺗﻐﯿﯿ ِ‬ ‫‪۲−۱−۲‬‬
‫ِ‬
‫‪۱۷‬‬ ‫ﯽ ‪. . . . . . . . . . . . . . . . . . . PDF‬‬
‫ﺗﻮﻟﯿ ِ‬ ‫‪۲−۲‬‬
‫‪۱۷‬‬ ‫ﺩﺭﺝ ﺗﺼﻮﯾﺮ ‪. . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۳−۲‬‬

‫ِ‬
‫‪۱۹‬‬ ‫ﭼﯿﺪﻥِ ﺷﻌﺮِ ﻓﺎﺭﺳﯽ ‪. . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۴−۲‬‬

‫‪۱۹‬‬ ‫ﺷﻌﺮِ ﺳّﻨﺘﯽ ‪. . . . . . . . . . . . . . . . . .‬‬ ‫‪۱−۴−۲‬‬
‫‪۲۱‬‬ ‫ﺷﻌﺮِ ﻧﻮ ‪. . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۲−۴−۲‬‬
‫‪۲۴‬‬ ‫ﯽ ﺩﻭﺯﺑﺎﻧﻪ ‪. . . . . . . . . . . . . . . . . . .‬‬‫ﺣﺮﻭﻑﭼﯿﻨ ِ‬ ‫‪۵−۲‬‬

‫‪۲۴‬‬ ‫ﻥ ﺻﻔﺤﻪ ‪. . . . .‬‬ ‫ﻥ ﺑﻨﺪ‪ ،‬ﻭ ﺯﺑﺎ ِ‬
‫ﺯﺑﺎﻥِ ﻣﺘﻦ‪ ،‬ﺯﺑﺎ ِ‬ ‫‪۱−۵−۲‬‬
‫‪۲۵‬‬ ‫ﺍﺭﻗﺎﻡ ﺭﯾﺎﺿﯽ ‪. . . . . . . . . . . . . . . . .‬‬ ‫‪۲−۵−۲‬‬
‫ِ‬
‫‪۲۶‬‬ ‫ﺍﺭﻗﺎﻡ ﺷﻤﺎﺭﻩﯼ ﻣﻌﺎﺩﻟﻪ ‪. . . . . . . . . . . .‬‬ ‫‪۳−۵−۲‬‬
‫ِ‬
‫‪۲۶‬‬ ‫ﭘﺎﻧﻮﯾﺲ ‪. . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۴−۵−۲‬‬
‫‪۲۷‬‬ ‫ﺩﺭﺝ ﺗﺎﺭﯾﺦ ‪. . . . . . . . . . . . . . . . . .‬‬ ‫‪۵−۵−۲‬‬
‫ِ‬
‫‪۲۸‬‬ ‫ﺷﻤﺎﺭﺵ ‪. . . . . . . . . . . . . . . . . . .‬‬ ‫‪۶−۵−۲‬‬
‫‪۲۹‬‬ ‫ﻋﻨﺎﻭﯾﻦ ‪. . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۷−۵−۲‬‬
‫‪۳۰‬‬ ‫ﺷﻤﺎﺭﻩﺑﻨﺪﯼِ ﺑﺨﺶﻫﺎ ‪. . . . . . . . . . . . .‬‬ ‫‪۸−۵−۲‬‬
‫‪۳۱‬‬ ‫ﺩﯾﮕﺮ ﺩﺳﺘﻮﺭﺍﺕ ﺩﻭﺯﺑﺎﻧﻪ ‪. . . . . . . . . . .‬‬ ‫‪۹−۵−۲‬‬
‫‪۳۱‬‬ ‫ﺩﯾﮕﺮ ﺗﻐﯿﯿﺮﺍﺕ ‪. . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۶−۲‬‬

‫‪۳۱‬‬ ‫ﺮ ﻧﺎﻡ ﺑﺴﺘﻪﯼ ‪ farsi‬ﺑﻪ ‪. . . . . . . persian‬‬ ‫ﺗﻐﯿﯿ‬ ‫‪۱−۶−۲‬‬
‫ِ ِ‬
‫‪۳۱‬‬ ‫ﻂ ‪. . . . . . . . . . . . . . . . tabular‬‬ ‫ﻣﺤﯿ ِ‬ ‫‪۲−۶−۲‬‬
‫‪۳۲‬‬ ‫ﺭ ‪. . . . . . . . . . . . . . . . \mbox‬‬ ‫ﺩﺳﺘﻮ ِ‬ ‫‪۳−۶−۲‬‬
‫ﺷﺶ‬ ‫ﻓﻬﺮﺳﺖِ ﻣﻄﺎﻟﺐ‬
‫‪۳۳‬‬ ‫ﺭ ‪. . . . . . . . . . . . . . . . \rcases‬‬
‫ﺩﺳﺘﻮ ِ‬ ‫‪۴−۶−۲‬‬
‫‪۳۴‬‬ ‫ﺩﯾﮕﺮ ﺍﺑﺰﺍﺭﻫﺎ‬ ‫‪۳‬‬
‫‪۳۴‬‬ ‫ﻧﻤﺎﯾﻪﺳﺎﺯ ‪. . . . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۱−۳‬‬
‫‪۳۴‬‬ ‫ﻝ ‪. . . . . . . . . . . . . . . . . . . . . . . ftx2tex‬‬
‫ﻣﺒﺪ ِ‬ ‫‪۲−۳‬‬
‫‪۳۵‬‬ ‫ﻭﯾﺮﺍﯾﺶﮔﺮ ‪. . . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۳−۳‬‬
‫‪۳۵‬‬ ‫ﺣﻤﻞﭘﺬﯾﺮﯼ ‪. . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۴−۳‬‬
‫‪۳۶‬‬ ‫ﻧﺼﺐِ ﺧﻮﺩﮐﺎﺭ ‪. . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۵−۳‬‬
‫‪۳۷‬‬ ‫ﻧﺘﯿﺠﻪﮔﯿﺮﯼ‬ ‫‪۴‬‬
‫‪۱‬‬ ‫ﺗﮏ‬
‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺐ ﻗﻠﻢﻫﺎﯼ‬
‫ﺍﻟﻒﻗﺎﻟ ِ‬
‫‪۸‬‬ ‫ﺏ ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫‪۲۷‬‬ ‫ﻝ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬

‫ﭖ ﺟﺪﻭ ِ‬
‫‪۵۵‬‬ ‫ﺮ ﺳّﻨﺘﯽ‬
‫ﻂ ﺷﻌ ِ‬
‫ﺕ ﻧﻤﻮﻧﻪﯼ ﻣﺤﯿ ِ‬
‫‪۵۸‬‬ ‫ﺮ ﻧﻮ‬
‫ﻂ ﺷﻌ ِ‬
‫ﺙ ﻧﻤﻮﻧﻪﯼ ﻣﺤﯿ ِ‬
‫ﺖ ﺟﺪﺍﻭﻝ‬
‫ﻓﻬﺮﺳ ِ‬
‫‪۴‬‬ ‫ﯽ ﺟﺪﯾﺪ ‪. . . . . . . . . . . . . . . . .‬‬‫ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳ ِ‬ ‫‪۱−۱‬‬

‫‪۴‬‬ ‫ﺭ ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳﯽ ‪. . . . . . . . . . . . . . . . .‬‬
‫ﻟﯿﮕﺎﺗﻮ ِ‬ ‫‪۲−۱‬‬
‫‪۶‬‬ ‫ﻑ ﻓﺎﺭﺳﯽ ‪. . . . . . . . . . . . . . . . . . . . . .‬‬
‫ﺣﺮﻭ ِ‬ ‫‪۳−۱‬‬
‫‪۶‬‬ ‫ﻑ ﻋﺮﺑﯽ ‪. . . . . . . . . . . . . . . . . . . . . . .‬‬
‫ﺣﺮﻭ ِ‬ ‫‪۴−۱‬‬
‫‪۷‬‬ ‫ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﻭ ﻋﺮﺑﯽ ‪. . . . . . . . . . . . . . . . . . .‬‬ ‫‪۵−۱‬‬
‫ِ‬
‫‪۷‬‬ ‫ﻂ ﺗﯿﺮﻩ ‪. . . . . . . . . . . . . . . . . . . . . . .‬‬
‫ﺍﻧﻮﺍﻉ ﺧ ِ‬ ‫‪۶−۱‬‬
‫ِ‬
‫‪۹‬‬ ‫ﯽ ﺟﺪﯾﺪ ‪. . . . . . . . . . . . . . . . . . . .‬‬ ‫ﻢ َﺍﺳﮑ ِ‬ ‫ﻋﻼﺋ‬ ‫‪۷−۱‬‬
‫ِ‬
‫‪۹‬‬ ‫ﺩﯾﮕﺮ ﻟﯿﮕﺎﺗﻮﺭﻫﺎ ‪. . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۸−۱‬‬
‫‪۹‬‬ ‫ﺩﯾﮕﺮ ﻋﻼﺋﻢ ‪. . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۹−۱‬‬
‫‪۱۳‬‬ ‫ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ ‪. . . . . . . . . . . . . . . . . .‬‬ ‫‪۱۰−۱‬‬
‫‪۳۲‬‬ ‫ﻂ ‪. . . . . tabular‬‬
‫ﻝ ﻣﺤﯿ ِ‬
‫ﺐ ﺟﺪﺍﻭ ِ‬
‫ﻑ ﻓﺎﺭﺳﯽ ﺩﺭ ﻗﺎﻟ ِ‬
‫ﺣﺮﻭ ِ‬ ‫‪۱−۲‬‬
‫ﻫﻔﺖ‬
‫ﺗﺎﺭﯾﺨﭽﻪ ﻭ ﻣﻘﺪﻣﻪ‬
‫ﺗﮏ ]‪ [۱۲‬ﺑﻪ ﻗﻠﻢ ﺩﮐﺘﺮ ﻣﺤﻤﺪ ﻗﺪﺳﯽ‬ ‫ِ‬

‫ﻓﺎﺭﺳﯽ‬ ‫ﻣﺘﻦِ ﺯﯾﺮ ﺍﺯ ﻣﻘﺪﻣﻪﯼ ﺭﺍﻩﻧﻤﺎﯼ‬
‫ِ‬
‫ﺪ ‪ ۱۳۷۶‬ﺑﺮﮔﺮﻓﺘﻪ ﺷﺪﻩﺍﺳﺖ‪ ،‬ﺑﺎ ﺍﻧﺪﮐﯽ ﺗﻐﯿﯿﺮ ﻭ ﺗﺨﻠﯿﺺ )ﺑﺎ ﺣﻔ ِ‬
‫ﻆ‬ ‫ﻭ ﺗﺎﺭﯾﺦ ﺍﺳﻔﻨ ِ‬
‫ِ‬
‫ﺭﺳﻢﺍﻟﺨﻂ(‪.‬‬
‫ِﺗﮏ)‪ (TEX‬ﻧﺮﻡﺍﻓﺰﺍﺭﯼ ﺍﺳﺖ ﺑﺴﯿﺎﺭ ﻗﻮﯼ ﮐﻪ ﻣﺘﻦﻫﺎﯼ ﻋﻠﻤﯽ‬
‫ﻣﺎﻧﻨﺪ ﮐﺘﺎﺏ‪ ،‬ﻣﻘﺎﻟﻪ‪ ،‬ﺭﺳﺎﻟﻪ ﺭﺍ ﺑﺎ ﮐﯿﻔﯿﺖ ﻋﺎﻟﯽ ﺣﺮﻭﻑﭼﯿﻨﯽ ﻣﯽﮐﻨﺪ‪.‬‬
‫ﺑﯿﺶ ﺍﺯ ‪ ۱۵‬ﺳﺎﻝ ﺍﺳﺖ ﮐﻪ ﺍﺯ ﻋﺮﺿﻪﯼ ﺍﯾﻦ ﺳﯿﺴﺘﻢ ﺗﻮﺳﻂ ﺩﻭﻧﺎﻟﺪ‬
‫ﺩ‬
‫ﮐ ﻨﻮﺙ ‪ ۲‬ﺍﺳ ﺘﺎﺩ ﺩﺍﻧ ﺸ ﮑﺪﻩﯼ ﻋ ﻠﻢ ﮐﺎﻣ ﭙ ﯿﻮﺗﺮ ﺩﺍﻧ ﺸ ﮕﺎﻩ ﺍﺳ َﺘ ﻨ ﻔﻮﺭ ِ‬
‫ﺁﻣﺮ ﯾ ﮑﺎ ﻣﯽﮔﺬﺭﺩ‪ .‬ﺍﺯ ﻫ ﻤﺎﻥ ﺍﺑ ﺘﺪﺍ ‪ TEX‬ﻣﻮﺭﺩ ﺗﻮﺟﻪ ﺑ ﺴ ﯿﺎﺭ ﺯ ﯾﺎﺩ‬
‫ﻣﺠﺎﻣﻊ ﻋﻠﻤﯽ ﻗﺮﺍﺭ ﮔﺮﻓﺖ ﻭ ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮ ﺑﻪ ﻋﻨﻮﺍﻥ ﺍﺳﺘﺎﻧﺪﺍﺭﺩﯼ‬
‫ﺑﺮﺍﯼ ﺣﺮﻭﻑﭼﯿﻨﯽ ﻣﺘﻦﻫﺎﯼ ﻋﻠﻤﯽ‪ ،‬ﺑﻪ ﺻﻮﺭﺕ ﮔﺴﺘﺮﺩﻩ ﺍﺳﺘﻔﺎﺩﻩ‬
‫ﻣﯽﺷﻮﺩ‪ .‬ﯾﮑﯽ ﺍﺯ ﻋﻠﺖﻫﺎﯼ ﻣﻮﻓﻘﯿﺖ ﺍﯾﻦ ﺳﯿﺴﺘﻢ‪ ،‬ﺭﺍﯾﮕﺎﻥ ﻭ ﻋﻤﻮﻣﯽ‬
‫ﺑﻮﺩﻥ ﮐﻠﯿﻪﯼ ﻧﺮﻡﺍﻓﺰﺍﺭﻫﺎﯼ ﺁﻥ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﺑﻪ ﻫﻤﯿﻦ ﺩﻟﯿﻞ‪ ،‬ﺍﻓﺮﺍﺩ‬
‫ﻣ ﺘ ﻌﺪﺩﯼ ﻭ ﯾﮋﮔﯽﻫﺎﯼ ﺯ ﯾﺎﺩﯼ ﺑﻪ ﺍﯾﻦ ﺳ ﯿ ﺴ ﺘﻢ ﺍﺿﺎﻓﻪ ﮐﺮﺩﻩﺍﻧﺪ ﻭ‬
‫ﺗﺴﻬﯿﻼﺕ ﻣﺘﻨﻮﻋﯽ ﺭﺍ ﺑﻪ ﺻﻮﺭﺕ ﺭﺍﯾﮕﺎﻥ ﺩﺭ ﺍﺧﺘﯿﺎﺭ ﻫﻤﮕﺎﻥ ﻗﺮﺍﺭ‬
‫ﺩﺍﺩﻩﺍﻧﺪ‪ LaTEX .‬ﻣﻬﻢﺗﺮﯾﻦ ﺳﯿﺴﺘﻢ ﻣﺒﺘﻨﯽ ﺑﺮ ‪ TEX‬ﺍﺳﺖ ﮐﻪ ﺑﺎ ﺍﻓﺰﻭﺩﻥ‬
‫ﻣﺠﻤﻮﻋﻪﯼ ﺯ ﯾﺎﺩﯼ ﺍﺯ ﻣﺎ ﮐﺮﻭﻫﺎ ﺑﻪ ﺁﻥ‪ ،‬ﺑﻪ ﻭﺟﻮﺩ ﺁﻣﺪﻩ ﺍﺳﺖ ﻭ ﺑﻪ‬
‫ﻋﻠﺖ ﺳﻬﻮﻟﺖ ﺍﺳﺘﻔﺎﺩﻩﺍﺵ ﻋﻤﻼً ﻣﻮﺭﺩ ﺍﺳﺘﻔﺎﺩﻩﯼ ﺍﻏﻠﺐ ﮐﺎﺭ ﺑﺮﺍﻥ‬
‫‪ TEX‬ﺍﺳﺖ‪.‬‬
‫ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮ‪ ،‬ﺩﺭ ﺑﺴﯿﺎﺭﯼ ﺍﺯ ﮐﺸﻮﺭﻫﺎﯼ ﻏﯿﺮ ﺍﻧﮕﻠﯿﺴﯽﺯﺑﺎﻥ‬
‫ﻫﻢ‪ ،‬ﺳ ﯿ ﺴ ﺘﻢﻫﺎﯾﯽ ﺑﺮﺍﺳﺎﺱ ‪ TEX‬ﻭ ﺑﺎ ﻗﺎﺑ ﻠ ﯿﺖ ﺣﺮﻭﻑﭼ ﯿ ﻨﯽ‬
‫‪2 Donald‬‬ ‫‪E. Knuth‬‬
‫ﻫﺸﺖ‬
‫ﻧﻪ‬ ‫ﺗﺎﺭﯾﺨﭽﻪ ﻭ ﻣﻘﺪﻣﻪ‬
‫ﭼﻨﺪﺯ ﺑﺎﻧﻪ ﻃﺮﺍﺣﯽ ﺷﺪﻩﺍﻧﺪ ﻭ ﻣﻮﺭﺩ ﺍﺳﺘﻔﺎﺩﻩﯼ ﻋﻤﻮﻡ ﻗﺮﺍﺭ ﺩﺍﺭﻧﺪ‪.‬‬

‫ﺑﺮﺍﯼ ﺣﺮﻭﻑﭼﯿﻨﯽ ﺯﺑﺎﻥﻫﺎﯾﯽ ﮐﻪ ﺍﺯ ﺭﺍﺳﺖ ﺑﻪ ﭼﭗ ﻧﻮﺷﺘﻪ ﻣﯽﺷﻮﻧﺪ‬
‫)ﻣﺎﻧﻨﺪ ﻓﺎﺭﺳﯽ‪ ،‬ﻋﺮ ﺑﯽ‪ ،‬ﻭ ﻋﺒﺮﯼ( ﻧﯿﺰ ﮐﺎﺭﻫﺎﯾﯽ ﺍﻧﺠﺎﻡ ﺷﺪﻩﺍﺳﺖ‪.‬‬
‫‪ ArabTEX‬ﯾﮏ ﻧﻤﻮﻧﻪ ﺍﺯ ﺍﯾﻦ ﺳﯿﺴﺘﻢﻫﺎﺳﺖ ﮐﻪ ﺑﻪ ﺻﻮﺭﺕ ﺭﺍﯾﮕﺎﻥ‬
‫ﻋﺮﺿﻪ ﻣﯽﺷﻮﺩ ﻭﻟﯽ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺁﻥ ﺑﻪ ﺩﻻﯾﻞ ﻣﺨﺘﻠﻒ ﺳﺎﺩﻩ ﻧﯿﺴﺖ ﻭ‬
‫ﻭﯾﮋﮔﯽﻫﺎﯼ ﺯﺑﺎﻥ ﻓﺎﺭﺳﯽ ﺩﺭ ﺁﻥ ﭼﻨﺪﺍﻥ ﻣﺪ ﻧﻈﺮ ﻗﺮﺍﺭ ﻧﮕﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺩﺭ ﺍﯾﺮﺍﻥ ﻧﯿﺰ ﺩﻭ ﮐﺎﺭ ﻗﺎﺑﻞ ﺗﻮﺟﻪ ﺑﺮﺍﯼ ﻓﺎﺭﺳﯽ ﻧﻤﻮﺩﻥ ﺍﯾﻦ ﺳﯿﺴﺘﻢ‬
‫ﺗﻮﺳﻂ ﺷﺮﮐﺖﻫﺎﯼ ﺗﺠﺎﺭﯼ ﺍﻧﺠﺎﻡ ﺷﺪﻩﺍﺳﺖ‪ .‬ﻫﺮﭼﻨﺪ ﻣﺤﺼﻮﻝﻫﺎﯼ‬
‫ﻋﺮﺿﻪ ﺷﺪﻩ ﺍﺯ ﻧﻈﺮ ﮐﯿﻔﯽ ﺑﺴﯿﺎﺭ ﺧﻮﺏ ﻫﺴﺘﻨﺪ‪ ،‬ﻭﻟﯽ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺁﻥﻫﺎ‬
‫ﺑﻪ ﻋﻠﺖ ﻋﺮﺿﻪﯼ ﺗﺠﺎﺭﯼﺷﺎﻥ ﺑﺴﯿﺎﺭ ﻣﺤﺪﻭﺩ ﺍﺳﺖ‪.‬‬
‫ﺍﯾﺪﻩﯼ ﺗﻬﯿﻪﯼ ﻧﺮﻡﺍﻓﺰﺍﺭﯼ ﻋﻤﻮﻣﯽ ﻣﺒﺘﻨﯽ ﺑﺮ ‪ TEX‬ﮐﻪ ﺑﺘﻮﺍﻧﺪ‬
‫ﻣﺘﻦﻫﺎﯼ ﺩﻭ ﺯﺑﺎﻧﻪﯼ ﻓﺎﺭﺳﯽ‐ﻻﺗﯿﻦ ﺭﺍ ﺑﺎ ﻫﻤﺎﻥ ﮐﯿﻔﯿﺖ ﺣﺮﻭﻓﭽﯿﻨﯽ‬
‫ﮐَﻨﺪ ﺍﺯ ﺳﺎﻝ ‪ ۱۳۷۰‬ﺷﮑﻞ ﮔﺮﻓﺖ‪ .‬ﺩﺭ ﺷﻬﺮ ﯾﻮﺭ ﻣﺎﻩ ﺁﻥ ﺳﺎﻝ‪ ،‬ﮐﺎﺭ‬
‫ﺗﻬﯿﻪﯼ ﺍﺻﻞ ﻧﺮﻡﺍﻓﺰﺍﺭﻫﺎ ﻭ ﺑﺮﺭﺳﯽﻫﺎﯼ ﺍﻭﻟﯿﻪ ﺑﺎ ﺗﻌﺮ ﯾﻒ ﯾﮏ ﻃﺮﺡ‬
‫ﺗﺤﻘﯿﻘﺎﺗﯽ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ ﺻﻨﻌﺘﯽ ﺷﺮﯾﻒ ﺁﻏﺎﺯ ﺷﺪ ﻭ ﺗﺎ ﭘﺎﯾﺎﻥ ﺳﺎﻝ‪ ،‬ﺩﻭ‬
‫ﻣﺠﻤﻮﻋﻪ ﻗﻠﻢ ﻓﺎﺭﺳﯽ ﺗﻬﯿﻪ ﮔﺮﺩﯾﺪ]‪ .[۳ ،۴‬ﻫﺮﭼﻨﺪ ﮐﻪ ﺑﻪ ﻋﻠﺖ ﻋﺪﻡ‬
‫ﺩﺳﺖﺭﺳﯽ ﺑﻪ ﺍﯾﻨِﺘﺮﻧِﺖ ﺩﺭ ﺁﻥ ﺯﻣﺎﻥ‪ ،‬ﮐﺎﺭ ﺗﻬﯿﻪﯼ ﺍﺻﻞ ﻧﺮﻡﺍﻓﺰﺍﺭﻫﺎ‬
‫ﮐﻤﯽ ﺑﻪ ﻃﻮﻝ ﺍﻧﺠﺎﻣﯿﺪ‪ ،‬ﻭﻟﯽ ﻧﺴﺨﻪﯼ ﺻﻔﺮِ ﺳﯿﺴﺘﻤﯽ ﮐﻪ ﺑﻌﺪﺍً‬
‫ﺗﮏ ﻧﺎﻡ ﮔﺮﻓﺖ ﺗﺎ ﭘﺎﯾﺎﻥ ﺳﺎﻝ ﺁﻣﺎﺩﻩ ﺷﺪ ﻭ ﮔﺰﺍﺭﺵ ﻧﻬﺎﯾﯽ ﻃﺮﺡ‬ ‫ِ‬
‫ﻫﻢ ﺑﺎ ﺁﻥ ﺗﻬﯿﻪ ﮔﺮﺩﯾﺪ‪ .‬ﺍﯾﻦ ﺳﯿﺴﺘﻢ ﻣﺒﺘﻨﯽ ﺑﺮ ﭘﯿﺶﻧﻬﺎﺩ ﺳﺎﻝ ‪۱۹۸۷‬‬
‫ﮐﻨﻮﺙ ﻭ ﻣﮏِﮐﯽ]‪ [۲۱‬ﺑﻮﺩ ﻭ ﺗﺤﺖ ‪ Xenix‬ﺍﺟﺮﺍ ﻣﯽﺷﺪ‪ .‬ﺍﯾﻦ ﺩﻭ‬
‫َ‬
‫ﺗﻐﯿﯿﺮﺍﺗﯽ ﺭﺍ ﺩﺭ ﺍﺻﻞ ﺑﺮﻧﺎﻣﻪﯼ ‪ TEX‬ﭘﯿﺶﻧﻬﺎﺩ ﻧﻤﻮﺩﻧﺪ ﺗﺎ ‪ TEX‬ﺑﺘﻮﺍﻧﺪ‬
‫ﻣﺘﻦﻫﺎﯼ ﺭﺍﺳﺖ ﺑﻪ ﭼﭗ ﺭﺍ ﻫﻢ ﺣﺮﻭﻑﭼﯿﻨﯽ ﮐﻨﺪ‪ .‬ﻣﺸﮑﻞ ﺍﯾﻦ‬
‫ﺳﯿﺴﺘﻢ ﺍﯾﻦ ﺑﻮﺩ ﮐﻪ ﺧﺮﻭﺟﯽ ﺁﻥ ﺑﺎ ﺧﺮﻭﺟﯽ ‪ (dvi) TEX‬ﻣﺘﻔﺎﻭﺕ‬
‫ﺑﻮﺩ ﻭ ﺑﺮﺍﯼ ﭼﺎﭖ ﺑﺎﯾﺪ ﭘﯿﺶﭘﺮﺩﺍﺯﺵ ﻣﯽﺷﺪ‪.‬‬
‫ﻂ ﮐﺎﺭﯼ ﺑﻪ ‪DOS‬‬
‫ﺩﺭ ﺳﺎﻝ ﺑﻌﺪ ﻭ ﺩﺭ ﺍﺩﺍﻣﻪﯼ ﺍﯾﻦ ﻃﺮﺡ‪ ،‬ﻣﺤﯿ ِ‬
‫ﺗﻐﯿﯿﺮ ﮐﺮﺩ ﻭ ﺑﻨﺎ ﺷﺪ ﮐﺎﺭ ﻫﻢ ﺑﺮ ﺍﺳﺎﺱ ﮔﺴﺘﺮﺵ ﺩﯾﮕﺮﯼ ﺍﺯ ‪TEX‬‬
‫ﺍﻧ ﺠﺎﻡ ﺷﻮﺩ‪ .‬ﺍﯾﻦ ﮔ ﺴ ﺘﺮﺵ ﺣﺎﺻﻞ ﭘ ﯿﺶﻧ ﻬﺎﺩ ﺳﺎﻝ ‪ ۱۹۹۲‬ﭘ ﯿ ﺘﺮ‬
‫ﺩﻩ‬ ‫ﺗﺎﺭﯾﺨﭽﻪ ﻭ ﻣﻘﺪﻣﻪ‬
‫ِﺑﺮﺍﯾِﺘﻨﻠﻮﻧﺮ ‪ ۳‬ﺍﺳﺖ ﮐﻪ ﺑﺪﻭﻥ ﺗﻐﯿﯿﺮ ﺩﺭ ﻗﺎﻟﺐ ﭘﺮﻭﻧﺪﻩﯼ ﺧﺮﻭﺟﯽ‪،‬‬

‫ﺭ‬
‫ﻫ ﻤﺎﻥ ﺍﻣ ﮑﺎﻧﺎﺕ ﺭﺍ ﺩﺭ ﺍﺧ ﺘ ﯿﺎﺭ ﻣﯽﮔﺬﺍﺭﺩ‪ .‬ﺍﯾﻦ ﺍﻣ ﮑﺎﻥ ﺑﺎ ﻧﺮﻡﺍﻓﺰﺍ ِ‬
‫ﯽ ‪ PubTEX‬ﺗﺤﺖ ‪ DOS‬ﺩﺭ ﺩﺳﺖﺭﺱ ﺍﺳﺖ‪.‬‬ ‫ﻋﻤﻮﻣ ِ‬
‫ﺗﮏ‬
‫ﺧﻮﺵﺑﺨﺘﺎﻧﻪ ﺗﺎ ﭘﺎﯾﺎﻥ ﺳﺎﻝ ‪ ،۱۳۷۱‬ﺍﻭﻟﯿﻦ ﻧﺴﺨﻪﯼ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﺁﻣﺎﺩﻩ ﺷﺪ]‪ .[۶‬ﺣﺠﻢ ﺯﯾﺎﺩﯼ ﺍﺯ ﮐﺎﺭ ﺗﻮﺳﻂ ﺣﺴﻦ ﺍﺑﻮﺍﻟﺤﺴﻨﯽ ﺍﻧﺠﺎﻡ‬
‫ﺷﺪ‪ .‬ﻭﯼ ﻣ ﺠ ﻤﻮﻋﻪﺍﯼ ﺍﺯ ﻣﺎ ﮐﺮﻭﻫﺎ ﻃﺮﺍﺣﯽ ﮐﺮﺩ ﺗﺎ ﺩﺳ ﺘﻮﺭﻫﺎﯼ‬
‫‪ LaTEX‬ﺩﺭ ﻣﺤﯿﻂ ﻓﺎﺭﺳﯽ ﻗﺎﺑﻞ ﺍﺟﺮﺍ ﺷﻮﻧﺪ]‪ .[۷‬ﻣﻬﺮﺍﻥ ﺷﺮﻗﯽ ﻫﻢ‬
‫ﺧﺎﻧﻮﺍﺩﻩﯼ ﮐﺎﻣﻠﯽ ﺍﺯ ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳﯽ ﺑﻪ ﺻﻮﺭﺕ ﭘﺎﺭﺍﻣﺘﺮﯾﮏ ﻭ ﻣﺒﺘﻨﯽ‬
‫ﺑﺮ ﻗﻠﻢﻫﺎﯼ ‪ Computer Modern‬ﻃﺮﺍﺣﯽ ﮐﺮﺩ]‪ .[۲‬ﺩﺭ ﺭﺍﺳﺘﺎﯼ ﺍﯾﻦ‬
‫ﭘﺮﻭﮊﻩ‪ ،‬ﺗﺎ ﮐﻨﻮﻥ ﮐﺎﺭﻫﺎﯼ ﻣﺨﺘﻠﻔﯽ ﻧﯿﺰ ﺑﻪ ﺩﺳﺖ ﺩﯾﮕﺮﺍﻥ ﺍﻧﺠﺎﻡ ﺷﺪﻩ‬
‫ﺍﺳﺖ]‪.[۱۱ ،۱۰ ،۵‬‬
‫ﺗﮏ ﺑﯿﺶ ﺍﺯ ﺳﻪ ﺳﺎﻝ ﺗﻮﺳﻂ ﻧﮕﺎﺭﻧﺪﻩ‬
‫ﻧﺴﺨﻪﯼ ﺍﺑﺘﺪﺍﯾﯽ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﻭ ﺗﻨﯽ ﭼﻨﺪ ﺍﺯ ﺩﺍﻧﺸﺠﻮﯾﺎﻥ ﺑﻪ ﺻﻮﺭﺕ ﻭﺳﯿﻊ ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﺷﺪ‪ ،‬ﻭﻟﯽ‬
‫ﻫﻨﻮﺯ ﮐﯿﻔﯿﺖ ﻻﺯﻡ ﺭﺍ ﺑﺮﺍﯼ ﻋﺮﺿﻪ ﺑﻪ ﻋﻤﻮﻡ ﻧﺪﺍﺷﺖ ﻭ ﺗﮑﻤﯿﻞ ﺁﻥ‬
‫ﺑﻪ ﮐﻤﮏ ﻣﺎﻟﯽ ﻧﯿﺎﺯ ﺩﺍﺷﺖ‪ .‬ﺩﺭ ﺍﯾﻦ ﻣﺪﺕ ﮔﺰﺍﺭﺵﻫﺎﯼ ﻣﺘﻌﺪﺩﯼ‬
‫ﺑﺮﺍﯼ ﻣﺴﻮﻻﻥِ ﻣﺮﺗﺒﻂ ﺑﺎ ﺍﻣﻮﺭ ﺍﻧﻔﻮﺭﻣﺎﺗﯿﮏ ﻭ ﭘﮋﻭﻫﺶ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ‬
‫ٔ‬
‫ﻭ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺁﻣﻮﺯﺵ ﻋﺎﻟﯽ ﺗﻬﯿﻪ ﺷﺪ ﻭ ﺩﺭﺧﻮﺍﺳﺖ ﺷﺪ ﺗﺎ‬
‫ﺍﺯ ﺗﮑﻤﯿﻞ ﻭ ﺍﺷﮑﺎﻝﺯﺩﺍﯾﯽ ﺍﯾﻦ ﺳﯿﺴﺘﻢ ﺣﻤﺎﯾﺖ ﻧﻤﺎﯾﻨﺪ ﺗﺎ ﺑﺘﻮﺍﻥ‬
‫ﺗﮏ ﺭﺍ ﺩﺭ ﺳﻄﺢ ﻗﺎﺑﻞ ﺭﻗﺎﺑﺖ ﺑﺎ ﻣﺤﺼﻮﻝﻫﺎﯼ ﺗﺠﺎﺭﯼ ﺑﻪ‬
‫ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﺻﻮﺭﺕ ﺭﺍﯾﮕﺎﻥ ﺑﻪ ﻋﻤﻮﻡ ﻋﺮﺿﻪ ﮐﺮﺩ‪ .‬ﺍﯾﻦ ﺍﻗﺪﺍﻡ ﺑﺎ ﺟﻠﺴﻪﻫﺎﯼ‬
‫ﯼ ﻣﺘﻌﺪﺩﯼ ﭘﯽﮔﯿﺮﯼ ﺷﺪ ﻭﻟﯽ ﺟﺰ ﺣﻤﺎﯾﺖ ﻣﻌﻨﻮﯼ ﭼﯿﺰﯼ‬ ‫ﺣﻀﻮﺭ ِ‬
‫ﺣﺎﺻﻞ ﻧﺸﺪ؛ ﺣﺘﯽ ﺑﺮﺧﯽ ﻫﻢ ﺍﺻﻮﻻً ﺑﺎ ﺍﯾﺪﻩﯼ ﺳﺮﻣﺎﯾﻪﮔﺬﺍﺭﯼ ﺑﺮﺍﯼ‬
‫ﻋﻤﻮﻣﯽ ﮐﺮﺩﻥ ﯾﮏ ﻧﺮﻡﺍﻓﺰﺍﺭ ﭘﺮﮐﺎﺭﺑﺮﺩ ﻣﺨﺎﻟﻒ ﺑﻮﺩﻧﺪ‪ .‬ﺧﻮﺵﺑﺨﺘﺎﻧﻪ‬
‫ُ‬
‫ﻣﻌﺎﻭﻥ ﻣﺤﺘﺮﻡ ﺁﻣﻮﺯﺷﯽ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺁﻣﻮﺯﺵ ﻋﺎﻟﯽ ﺩﺭ ﺳﺎﻝ‬
‫‪ ۱۳۷۴‬ﺣﻤﺎﯾﺖ ﺧﻮﺩ ﺭﺍ ﺍﺯ ﺍﯾﻦ ﻃﺮﺡ ﺍﻋﻼﻡ ﻧﻤﻮﺩ‪ .‬ﻫﺮﭼﻨﺪ ﮐﻪ ﻋﻤﻠﯽ‬
‫ﺷﺪﻥ ﺍﯾﻦ ﺣﻤﺎﯾﺖ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ ﺻﻨﻌﺘﯽ ﺷﺮ ﯾﻒ ﺗﺎ ﺷﻬﺮ ﯾﻮﺭﻣﺎﻩ‬
‫ﺗﮏ ﺍﺯ ﺍﺑﺘﺪﺍﯼ ﺁﻥ ﺳﺎﻝ‬
‫‪ ۷۵‬ﺑﻪ ﻃﻮﻝ ﮐﺸﯿﺪ‪ ،‬ﻭﻟﯽ ﮐﺎﺭ ﺗﮑﻤﯿﻞ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﺗﮏ« ﺩﺭ ﺩﺍﻧ ﺸ ﮑﺪﻩﯼ‬
‫ﺑﺎ ﺗ ﺸ ﮑ ﯿﻞ ﮔﺮﻭﻫﯽ ﺑﻪ ﻧﺎﻡ »ﭘﺮﻭﮊﻩﯼ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫‪3 Peter‬‬ ‫‪Breitenlohner‬‬

‫ﯾﺎﺯﺩﻩ‬ ‫ﺗﺎﺭﯾﺨﭽﻪ ﻭ ﻣﻘﺪﻣﻪ‬
‫ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ ﺁﻏﺎﺯ ﺷﺪ‪ .‬ﮐﯿﺎﺭﺵ ﺑﺎﺯﺭﮔﺎﻥ ﻋﻬﺪﻩﺩﺍﺭ ﺗﻬﯿﻪﯼ‬

‫ﺗﮏ ﺷﺪ‪.‬‬
‫ﯾﮏ ﻭ ﯾﺮﺍﯾﺶﮔﺮ ﻣﻨﺎﺳﺐ ﺑﺎ ﺍﻣﮑﺎﻧﺎﺕ ﺧﺎﺹ ﺑﺮﺍﯼ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﺭ ﺩﺷﻮﺍﺭِ ﺭﻓﻊ ﺍﺷ ﮑﺎﻝ ﻭ ﺗ ﮑ ﻤ ﯿﻞ ﻣ ﺠ ﻤﻮﻋﻪﯼ‬
‫ﺭﻭﺯ ﺑﻪ ﭘﻮﺭﻧﺎﺩﺭ ﮐﺎ ِ‬
‫ﻣﺎ ﮐﺮﻭﻫﺎﯼ ﻣﻮﺟﻮﺩ ﺭﺍ ﺁﻏﺎﺯ ﮐﺮﺩ‪ .‬ﻗﺮﺍﺭ ﺷﺪ ﻣﻬﺮﺍﻥ ﺷﺮﻗﯽ ﻗﻠﻢﻫﺎﯼ‬
‫ﻃﺮﺍﺣﯽ ﺷﺪﻩﯼ ﺧﻮﺩ ﺭﺍ ﺑﺎﺯ ﺑﯿﻨﯽ ﻭ ﺍﺻﻼﺡ ﮐﻨﺪ‪ ،‬ﻭ ﻣﺤﻤﺪ ﻣﻬﺪﯾﺎﻥ‬
‫ﻫﻢ ﻋﻬﺪﻩﺩﺍﺭ ﻃﺮﺍﺣﯽ ﻣﺒﺪﻝﻫﺎﯼ ﻣﻮﺭﺩ ﻧﯿﺎﺯ ﺷﺪ‪ .‬ﺑﺎ ﻫﻤﺖ ﺍﻋﻀﺎﯼ‬
‫ّ‬
‫ﺍﯾﻦ ﮔﺮﻭﻩ‪ ،‬ﺧﻮﺵﺑﺨﺘﺎﻧﻪ ﺍﻭﻟﯿﻦ ﻧﺴﺨﻪﯼ ﺁﺯﻣﺎﯾﺸﯽ ﻭ ﺗﮑﻤﯿﻞ ﺷﺪﻩﯼ‬
‫ﺗﮏ ﺩﺭ ﻣﻬﺮﻣﺎﻩ ‪ ۷۵‬ﺑﻪ ﺻﻮﺭﺕ ﻋﻤﻮﻣﯽ ﻋﺮﺿﻪ ﺷﺪ‪ .‬ﺗﺎ ﺍﯾﻦ‬
‫ﯽ‬
‫ﺗﺎﺭﯾﺦ‪ ،‬ﺩﻭ ﻧﺴﺨﻪﯼ ﺟﺪﯾﺪﺗﺮ ﻭ ﻣﺠﻤﻮﻋﻪﯼ ﮐﺎﻣﻞﺗﺮ ﺍﯾﻦ ﻧﺮﻡﺍﻓﺰﺍﺭ ﺩﺭ‬
‫ﺍﺧﺘﯿﺎﺭ ﻋﻤﻮﻡ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺗﮏ‬
‫ﺑ ﺎ ﺗ ﻮﺟ ﻪ ﺑ ﻪ ﺳ ﺎﺯﮔ ﺎﺭﯼ ﻧ ﺴ ﺨ ﻪﯼ ﻓ ﻌ ﻠ ﯽ ﻓ ﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﺑ ﺎﻧ ﺴ ﺨ ﻪﯼ ‪ ،LaTEX ۲٫۰۹‬ﺍﯾ ﻦ ﮐ ﺘ ﺎﺏ ﺭﺍﻩﻧ ﻤ ﺎ ﻫ ﻢ ﻣ ﺒ ﺘ ﻨ ﯽ ﺑ ﺮ‬
‫ﺏ ]‪ [۲۲‬ﻣﯽﺑﺎﺷﺪ ‪ .۴‬ﺑﻨﺎﺑﺮﺍﯾﻦ‪ ،‬ﻫﺮﮔﺎﻩ ﮐﻪ ﺍﯾﻦ ﺭﺍﻫﻨﻤﺎ ﺷﺎﻣﻞ ﺟﻮﺍﺏ‬ ‫ﮐﺘﺎ ِ‬
‫ﻣﺴﺌﻠﻪﺍﯼ ﻧﯿﺴﺖ ﺑﺎﯾﺪ ﺑﻪ ﻫﻤﺎﻥ ﻣﺮﺟﻊ ﯾﺎ ﻣﺮﺍﺟﻊ ﺩﯾﮕﺮ ﻣﺜﻞِ ]‪[۲۰‬‬
‫ﻭ ]‪ [۲۳‬ﻣﺮﺍﺟﻌﻪ ﺷﻮﺩ‪.‬‬
‫ﻻﺯﻡ ﻣﯽﺩﺍﻧﻢ ﺍﺯ ﺩﺍﻧﺶﺟﻮﯾﺎﻥ ﻭ ﻓﺎﺭﻍﺍﻟﺘﺤﺼﯿﻼﻥ ﺩﺍﻧﺸﮑﺪﻩ ﮐﻪ‬
‫ﻧﺎﻡ ﺁﻥﻫﺎ ﺩﺭ ﺑﺎﻻ ﺁﻭﺭﺩﻩ ﺷﺪ ﺻﻤﯿﻤﺎﻧﻪ ﺗﺸﮑﺮ ﮐﻨﻢ؛ ﮐﺎﺭ ﺍﺻﻠﯽ ﻭ ﭘﺮ‬
‫ﺯﺣﻤﺖِ ﭘﯿﺎﺩﻩﺳﺎﺯﯼ ﺍﯾﻦ ﺳﯿﺴﺘﻢ ﺭﺍ ﺍﯾﻦ ﻋﺰ ﯾﺰﺍﻥ ﺧﺎﻟﺼﺎﻧﻪ ﻭ ﺑﺪﻭﻥ‬
‫ﭼﺸﻢﺩﺍﺷﺖ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻧﺪ‪ .‬ﺁﻥﻫﺎ ﻧﺸﺎﻥ ﺩﺍﺩﻧﺪ ﮐﻪ ﺩﺭ ﺩﺍﻧﺸﮕﺎﻩ ﻫﻢ‬
‫ﻣﯽﺗﻮﺍﻥ ﮐﺎﺭ ﮔﺮﻭﻫﯽ ﻭ ﺟﺪﯼ ﮐﺮﺩ ﮐﻪ ﻣﻨﺠﺮ ﺑﻪ ﻣﺤﺼﻮﻝ ﻧﺮﻡﺍﻓﺰﺍﺭﯼ‬
‫ﺷﻮﺩ‪.‬‬
‫ﺗﮏ ﺩﺭ ﺳﺎﻝِ ‪۱۳۷۹‬‬

‫ﺍﺯ ﺁﻥ ﺗﺎﺭ ﯾﺦ ﺗﺎ ﺑﻪ ﺍﻣﺮﻭﺯ‪ ،‬ﻧﺴﺨﻪﯼ ﺩﯾﮕﺮﯼ ﺍﺯ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﻞ‬
‫ﻣﻨﺘﺸﺮ ﺷﺪﻩ ﺍﺳﺖ ﮐﻪ ﻣﺒﺘﻨﯽ ﺑﺮ ﺗﻮﺯ ﯾﻊِ ِﺗﮏِ ‪ MiKTEX‬ﺑﻮﺩﻩ‪ .‬ﺍﯾﻦ ﻧﺴﺨﻪ ﺷﺎﻣ ِ‬
‫ﻂ ﻣ ﻬﺮﺩﺍﺩ‬
‫ﻞ ﻭ ﯾ ﻨﺪﻭﺯ ﺑﻮﺩ ﮐﻪ ﺗﻮﺳ ِ‬ ‫ﻭ ﯾﺮﺍﯾﺶﮔ ﺮِ ﺟﺪﯾﺪﯼ ﺗ ﺤ ﺖِ ﺳ ﯿ ﺴ ﺘ ﻢِ ﻋﺎﻣ ِ‬
‫ﺮ ﻣﻬﻢ ﺩﯾﮕﺮﯼ‬
‫ِ‬ ‫ﺛﺎﺑﺖﺯﺍﺩﻩ ﻭ ﺩﯾﮕﺮﺍﻥ ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻏﯿﺮ ﺍﺯ ﺍﯾﻦ ﺗﻘﺮ ﯾﺒﺎً ﺗﻐﯿﯿ ِ‬
‫ﺪ ﻧﺴﺨﻪﻫﺎﯼ ﭘﯿﺶﺗﺮ‪ ،‬ﺑﺴﯿﺎﺭ‬ ‫ﺩﺭ ﺳﯿﺴﺘﻢ ﺩﺍﺩﻩ ﻧﺸﺪﻩ ﺑﻮﺩ‪ .‬ﺍﯾﻦ ﻧﺴﺨﻪ ﻧﯿﺰ ﻣﺎﻧﻨ ِ‬
‫ﺩ ﺗﻮﺟﻪ ﻗﺮﺍﺭ ﮔﺮﻓﺖ ﻭ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺁﻥ ﺭﻭﺯ ﺑﻪ ﺭﻭﺯ ﺍﻓﺰﺍﯾﺶ ﯾﺎﻓﺖ‪ .‬ﮔﺰﺍﺭﺷﯽ‬
‫ﻣﻮﺭ ِ‬
‫ﺗﮏ ﺑﺎ ‪ LaTEX2ε‬ﺳﺎﺯﮔﺎﺭ ﺷﻮﺩ‪.‬‬

‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫‪۴‬ﺍﻟﺒﺘﻪ ﺩﺭ ﻧﻈﺮ ﺍﺳﺖ ﺗﺎ ﻧﺴﺨﻪﻫﺎﯼ ﺑﻌﺪﯼ‬
‫ﺩﻭﺍﺯﺩﻩ‬ ‫ﺗﺎﺭﯾﺨﭽﻪ ﻭ ﻣﻘﺪﻣﻪ‬
‫ﯽ ﮐﺎﺭ ﺑﺮﺍﻥِ ِﺗﮏ ﻣﻨﺘﺸﺮ ﺷﺪ‬

‫ﻊ ﭘﺮﻭﮊﻩ ﺩﺭ ﺍﯾﻦ ﺯﻣﺎﻥ ﺩﺭ ﻧﺸﺮ ﯾﻪﯼ ﺑﯿﻦﺍﻟﻤﻠﻠ ِ‬ ‫ﺍﺯ ﻭﺿ‬
‫ِ‬
‫ﻂ ﺷﯿﻮﺍ ﻧﺠﺎﺗﯽ‬
‫]‪ .[۲۴‬ﺩﺭ ﻫﻤﯿﻦ ﺯﻣﺎﻥ ﺑﺴﺘﻪﺍﯼ ﺑﺮﺍﯼ ﻧﻤﺎﯾﻪﺳﺎﺯﯼِ ﻓﺎﺭﺳﯽ ﺗﻮﺳ ِ‬
‫ﺗﻬﯿﻪ ﻭ ﻣﻨﺘﺸﺮ ﮔﺮﺩﯾﺪ ﮐﻪ ﻣﺘٔﺎﺳﻔﺎﻧﻪ ﺑﺎ ﺍﺳﺘﻘﺒﺎ ِ‬
‫ﻝ ﭼﻨﺪﺍﻧﯽ ﻣﻮﺍﺟﻪ ﻧﺸﺪ‪.‬‬
‫ﺑﺎ ﭘﯿﺶﺭﻓﺖِ ﺗﮑﻨﻮﻟﻮﮊﯼ ﺍﻧﺘﻈﺎﺭﺍﺕِ ﮐﺎﺭ ﺑﺮﺍﻥ ﻧﯿﺰ ﺑﻪ ﺗﺪﺭ ﯾﺞ ﺑﺎﻻﺗﺮ ﺭﻓﺘﻪ ﻭ‬
‫ﯽ ‪ ِPDF‬ﻣﻨﺎﺳﺐ ﺿﺮﻭﺭﯼ ﺷﺪ‪ .‬ﺩﺭ‬ ‫ﺍﻓﺰﻭﺩﻥِ ﻗﻠﻢﻫﺎﯼ ﺑﯿﺶﺗﺮ ﻭ ﺗﻬﯿﻪﯼ ﺧﺮﻭﺟ ِ‬
‫ﻂ ﺭﻭﺯ ﺑﻪ ﭘﻮﺭﻧﺎﺩﺭ‪ ،‬ﻣﺼﻄﻔﯽ ﻭﺍﺣﺪﯼ‪ ،‬ﻭ‬
‫ﺍﯾﻦ ﻣﯿﺎﻥ ﺗﻼﺵﻫﺎﯼ ﮔﺴﺴﺘﻪﺍﯼ ﺗﻮﺳ ِ‬
‫ﺗﮏ ﺑﻪ ﺳﯿﺴﺘﻢ ُﺍﻣﮕﺎ ‪ ۵‬ﺍﻧﺠﺎﻡ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﻧﮕﺎﺭﻧﺪﻩ ﺑﻪ ﺻﻮﺭﺕِ ﺗﻘﺮﯾﺒﺎً ﻣﺴﺘﻘﻞ ﺑﺮﺍﯼ ﺣﻤﻞِ‬
‫ِ‬
‫ﮔﺮﻓﺖ ﮐﻪ ﻫﯿﭻﮐﺪﺍﻡ ﻫﻨﻮﺯ ﺑﻪ ﻣﺮﺣﻠﻪﯼ ﺑﻬﺮﻩﺑﺮﺩﺍﺭﯼ ﻧﺮﺳﯿﺪﻩﺍﻧﺪ‪ .‬ﺑﺴﺘﻪﺍﯼ ﻧﯿﺰ‬
‫ﻥ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻗﻠﻢ ﻟﻮﺗﻮﺱ ﺭﺍ‬
‫ﻂ ﺩﮐﺘﺮ ﻣﺴﻌﻮﺩ ﺑﺎﺑﺎﯾﯽﺯﺍﺩﻩ ﻣﻨﺘﺸﺮ ﺷﺪ ﮐﻪ ﺍﻣﮑﺎ ِ‬
‫ﺗﻮﺳ ِ‬
‫ِ‬
‫ﺗﮏ ﺍﺿﺎﻓﻪ ﻣﯽﮐﺮﺩ‪.‬‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺑﻪ‬
‫ﺗﮏ ﺍﻓﺰﻭﺩﻩ ﺷﺪﻩ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺩﺭ ﺟﺮﯾﺎﻥِ ﺍﻧﺠﺎﻡ ﺍﯾﻦ ﭘﺮﻭﮊﻩ‪ ،‬ﻫﺠﺪﻩ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﺑﻪ‬
‫ِ‬
‫ﺖ ﺑﺎﻻ ﻣﯿﺴﺮ ﺷﺪﻩ‪ ،‬ﻭ ﺩﺭ ﻧﻬﺎﯾﺖ‬
‫ﯽ ‪ PDF‬ﺑﺎ ﮐﯿﻔﯿ ِ‬
‫ِ‬ ‫‬‫ﺟ‬ ‫ﺮﻭ‬‫ﺧ‬ ‫ﻥ ﺗﻬﯿﻪﯼ‬
‫ﺍﺳﺖ‪ ،‬ﺍﻣﮑﺎ ِ‬
‫ﺕ ﻣﻮﺟﻮﺩ ﺭﻓﻊ ﺷﺪﻩ ﺍﺳﺖ ﻭ ﺑﺴﺘﻪﯼ ﻧﻤﺎﯾﻪﺳﺎﺯﯼ ﻧﯿﺰ ﺑﻪ‬
‫ﺑﺴﯿﺎﺭﯼ ﺍﺯ ﺍﺷﮑﺎﻻ ِ‬
‫ﺖ‬
‫ﻫﻤﺮﺍِﻩ ﺩﯾﮕﺮ ﺑﺨﺶﻫﺎﯼ ﺳﯿﺴﺘﻢ ﺑﻪﺭﻭﺯ ﮔﺮﺩﯾﺪﻩ ﺍﺳﺖ‪ .‬ﻫﻤﭽﻨﯿﻦ‪ ،‬ﺑﺮﺍﯼ ﺳﻬﻮﻟ ِ‬
‫ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻧﻮﺯﺩﻩ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻣﻮﺟﻮﺩ‪ ،‬ﺳﯿﺴﺘﻢ ‪ ۶ NFSS‬ﺑﻪ ﮐﺎﺭ ﮔﺮﻓﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ِ‬ ‫ِ‬
‫ﺗﮏ ﺭﺍ ﺑﺮﺍﯼ ﺭﺳﯿﺪﻥ ﺑﻪ ﻧﺴﺨﻪﯼ‬
‫ﺮ ﻧﮕﺎﺭﻧﺪﻩ ﺍﯾﻦ ﺗﻐﯿﯿﺮﺍﺕ‪ ،‬ﺳﯿﺴﺘﻢ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ﺑﻪ ﻧﻈ ِ‬
‫ِ‬
‫ﻞ ﺳﯿﺴﺘﻢ ﺭﺍ ﺑﻪ ‪ LaTEX2ε‬ﻫﻤﻮﺍﺭ ﮔﺮﺩﺍﻧﺪﻩ ﺍﺳﺖ‪.‬‬
‫‪ ۱٫۰‬ﺁﻣﺎﺩﻩ ﺳﺎﺧﺘﻪ‪ ،‬ﻭ ﺭﺍِﻩ ﺣﻤ ِ‬
‫ﺗﮏ ﺑﺎ ﻣﺠﻤﻮﻋﻪﯼ ﺷﯿﻮﻩﻧﺎﻣﻪﯼ ﻭﯾﺮﺍﯾﺶ‬ ‫ِ‬
‫ﻫﻢﭼﻨﯿﻦ‪ ،‬ﺷﯿﻮﻩﯼ ﺣﺮﻭﻑﭼﯿﻨ ِ‬
‫ﺍﺛﺮِ ﻣﺤﻤﺪﺭﺿﺎ ﻣﺤﻤﺪﯼﻓﺮ ]‪ [۱۸ ،۱۷ ،۱۶ ،۱۵ ،۱۴ ،۱۳‬ﻣﻮﺭﺩِ ﺗﻄﺒﯿﻖ ﻗﺮﺍﺭ ﮔﺮﻓﺖ‬
‫ﺗﮏ‬
‫ﻭ ﻧﮑﺎﺗﯽ ﮐﻪ ﺑﻪ ﻧﻈﺮِ ﻧﮕﺎﺭﻧﺪﻩ ﺩﺭ ﺍﯾﻦ ﮐﺘﺎﺏﻫﺎ ﺻﺤﯿﺢ ﻣﯽﻧﻤﻮﺩ ﺩﺭ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﺍﺻﻼﺡ ﺷﺪ‪.‬‬
‫ﺶ ﺭﻭ ﺁﻣﺪﻩ‬ ‫ﺧﻼﺻﻪﺍﯼ ﺍﺯ ﻣﻬﻢﺗﺮﯾﻦ ﺗﻐﯿﯿﺮﺍﺕِ ﺍﻧﺠﺎﻡ ﺷﺪﻩ ﺩﺭ ﻓﺼﻞﻫﺎﯼ ﭘﯿ ِ‬
‫ﺖ‬
‫ﻦ ﺍﯾﻦ ﺍﻣﮑﺎﻧﺎﺕ ﺭﺍ ﺩﺭ ﻭ ﯾﺮﺍﺳ ِ‬
‫ﯽ ﺑﻪﮐﺎﺭ ﺑﺴﺘ ِ‬
‫ﺍﺳﺖ‪ .‬ﺍﻣﯿﺪﻭﺍﺭﻡ ﺟﺰﺋﯿﺎﺕِ ﭼﮕﻮﻧﮕ ِ‬
‫ﺗﮏ ﺑﻪ ﺯﻭﺩﯼ ﻣﻨﺘﺸﺮ‬ ‫ﺗﮏ ﺑﻪ ﻫﻤﺮﺍﻩِ ﻧﺴﺨﻪﯼ ‪ ِ۱٫۰‬ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ﯽ‬‫ﺩﻭﻡ ﺭﺍﻩﻧﻤﺎﯼ ﻓﺎﺭﺳ ِ‬
‫ِ‬
‫ﻦ ﭘﯿﺶِ ﺭﻭ‪ ،‬ﻣﻨﻈﻮﺭ ﺍﺯ ﻭﯾﺮﺍﯾﺶﮔﺮ‪،‬‬ ‫ﮐﺮﺩﻩ ﻭ ﺩﺭ ﺩﺳﺘﺮﺱِ ﻋﻤﻮﻡ ﻗﺮﺍﺭ ﺩﻫﻢ‪ .‬ﺩﺭ ﻣﺘ ِ‬
‫ﺗﮏ ﻭ ﻣﻨﻈﻮﺭ ﺍﺯ ﻣﺒﺪﻝ‪ ،‬ﻣﺒّﺪ ِ‬
‫ﻝ ‪ ftx2tex‬ﻣﯽﺑﺎﺷﺪ ‪.‬‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺮ ﻭﯾﻨﺪﻭﺯِ‬
‫ﻭﯾﺮﺍﯾﺶﮔ ِ‬
‫‪5 Ωmega‬‬
‫‪6 New‬‬ ‫‪Font Selection Schema‬‬

‫ﻓﺼﻞِ ‪۱‬‬
‫ﻗﻠﻢﻫﺎ‬
‫ﺩﺭ ﺣﯿﻄﻪﯼ ﻗﻠﻢﻫﺎ‪ ،‬ﮐﺎﺭﻫﺎﯼ ﺍﻧﺠﺎﻡﺷﺪﻩ ﺭﺍ ﻣﯽﺗﻮﺍﻥ ﺑﻪ ﺩﻭ ﻗﺴﻤﺖ ﺗﻘﺴﯿﻢ ﮐﺮﺩ‪:‬‬
‫ﺗﮏ ﻭ ﺩﺭﺝ ﻗﻠﻢﻫﺎﯼ ﺟﺪﯾﺪ‪.‬‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺭﺳﯿﺪﮔﯽ ﺑﻪ ﻗﻠﻢﻫﺎﯼ ﻣﺨﺼﻮﺹِ‬
‫ِ‬
‫ﺗﮏ ﺁﻥ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻤﯽ ﺍﺳﺖ ﺑﻪ ﻧﺎﻡ ‪Scientific‬‬
‫ﻗﻠﻢﻫﺎﯼ ﻣﺨﺼﻮﺹ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ِ‬
‫ِ‬
‫ﻂ ﻣﻬﺮﺍﻥ ﺷﺮﻗﯽ ]‪ [۲‬ﺑﻪ ﺯﺑﺎﻥِ ﻣﺘﺎﻓﻮﻧﺖ ﻃﺮﺍﺣﯽ ﺷﺪﻩ ﻭ ﺗﺎ ﮐﻨﻮﻥ‬
‫‪۱‬‬
‫‪ Farsi‬ﮐﻪ ﺗﻮﺳ ِ‬
‫ﺗﮏ‬ ‫ﺗﮏ ﺭﺍ ﺗﺸﮑﯿﻞ ﻣﯽﺩﺍﺩﻩ ﻭ ﺩﺭ ﻓﺎﺭﺳﯽ ﺑﻪ ﻗﻠﻢ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ﺗﻨﻬﺎ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ِ‬ ‫ِ‬
‫ﻣﻌﺮﻭﻑ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺍﯾﻦ ﮐﻪ ﻫﺠﺪﻩ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﺩﯾﮕﺮ ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ‬
‫ِ‬
‫ﺗﮏ ﺍﻓﺰﻭﺩﻩ ﮔﺸﺘﻪﺍﻧﺪ‪ ،‬ﺍﯾﻦ ﻧﺎﻡ ﺩﯾﮕﺮ ﻣﻨﺎﺳﺐ ﻧﺒﻮﺩ‪ .‬ﺩﺭ ﻧﺘﯿﺠﻪ ﻧﺎﻡ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺑﻪ ﺳﯿﺴﺘﻢ‬
‫ِ‬ ‫ِ‬
‫ﺶ‬
‫ﺡ ﺗﻐﯿﯿﺮﺍﺕِ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩ ﺩﺭ ﺑﺨ ِ‬ ‫ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻋﻠﻤﯽ ﺑﺮﺍﯼﺷﺎﻥ ﮔﺰﯾﺪﻩ ﺷﺪ‪ .‬ﺷﺮ‬
‫ِ‬ ‫ِ‬
‫‪ ۳−۱‬ﻭ ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﺁﻥ ﺩﺭ ﭘﯿﻮﺳﺖِ ﺕ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺗﮏ ﺍﻓﺰﻭﺩﻩ‬
‫ﺩﺭ ﻣ ﻘﺎﺑﻞ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ ﻗ ﻠﻢﻫﺎﯾﯽ ﮐﻪ ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺑﻪ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﺖ‬
‫ﻂ ﺷﺮﮐ ِ‬
‫ﮔﺸﺘﻪﺍﻧﺪ‪ ،‬ﺑﺮﺧﯽ ﺭ ﯾﺸﻪ ﺩﺭ ﭼﺎﭖِ ﺳّﻨﺘﯽ ﺩﺍﺭﻧﺪ ﻭ ﻧﺨﺴﺘﯿﻦ ﺑﺎﺭ ﺗﻮﺳ ِ‬
‫ﻂ ﺷﺮﮐﺖﻫﺎﯼ‬ ‫ﻧﺮﻡﺍﻓﺰﺍﺭﯼِ ﺳﯿﻨﺎ ﺭﺍﻩ ﺑﻪ ﺩﻧﯿﺎﯼ ﺭﺍﯾﺎﻧﻪ ﯾﺎﻓﺘﻪ ﻭ ﭘﺲ ﺍﺯ ﺁﻥ ﺗﻮﺳ ِ‬
‫ﺐ ‪ TrueType‬ﻣ ﻨ ﺘ ﺸﺮ ﺷﺪﻩﺍﻧﺪ‪.‬‬‫ﻣ ﺨ ﺘ ﻠﻒ ﻭ ﺩﺭ ﻣ ﺤ ﺼﻮﻻﺕِ ﻣ ﺨ ﺘ ﻠﻒ ﺑﻪ ﻗﺎﻟ ِ‬
‫ﯽ ﭘﺎﺭﺳﺎ ﻧﺎﻡ ﺑﺮﺩ‪ .‬ﺩﺭ‬ ‫ﺯ ﻓﺎﺭﺳ ِ‬
‫ﻣﻌﺮﻭﻑﺗﺮﯾﻦِ ﺍﯾﻦ ﻣﺤﺼﻮﻻﺕ ﺭﺍ ﺷﺎﯾﺪ ﺑﺘﻮﺍﻥ ﻭﯾﻨﺪﻭ ِ‬
‫ﻧﺘﯿﺠﻪ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎ ﺩﺭ ﺑﯿﻦِ ﮐﺎﺭﺑﺮﺍﻥِ ﺍﯾﻨﺘﺮﻧﺖ ﺑﯿﺶﺗﺮ ﺑﻪ ﻧﺎﻡ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﺎ‬
‫ِ‬
‫ﺷﻨﺎﺧﺘﻪ ﺷﺪﻩﺍﻧﺪ‪ .‬ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺑﻪ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎ‪ ،‬ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ ﻧﺎﻡ‬
‫‪1 METAFONT‬‬
‫‪۱‬‬
‫‪۲‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﻦ ﭼﯿﺪﻩ‬ ‫‪−‬‬
‫ﺪ ﺍﻓﺰﺍﯾﺶِ ﺍﯾﻦ ﺩﺳﺘﻪ ﺩﺭ ﺑﺨﺶِ ‪ ،۴ ۱‬ﻧﻤﻮﻧﻪﯼ ﻣﺘ ِ‬
‫ﻧﻬﺎﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺭﻭﻧ ِ‬
‫ﺖ ﺏ‪ ،‬ﻭ ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩﻫﺎ ﺩﺭ‬ ‫ﺷﺪﻩ ﺑﺎ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩﻫﺎ ﺩﺭ ﭘﯿﻮﺳ ِ‬
‫ﭘﯿﻮﺳﺖِ ﭖ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬
‫‪۲‬‬
‫ﭘﯿﺶ ﺍﺯ ﭘﺮﺩﺍﺧﺘﻦ ﺑﻪ ﺍﯾﻦ ﺩﻭ ﺩﺳﺘﻪ‪ ،‬ﺍﺑﺘﺪﺍ ﺍﺷﺎﺭﻩﺍﯼ ﺑﻪ ﻣﺠﻤﻮﻋﻪﯼ َﺍﺷﮑﺎ ِ‬
‫ﻝ‬
‫ﻒ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﺩﺭ ﺍﯾﻦ ﻣﺒﺤﺚ ﺩﺭ‬‫ﺗﮏ ﺩﺭ ﺑﺨﺶِ ‪ ۱−۱‬ﻭ ﺗﻌﺮ ﯾ ِ‬‫ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﻞ ﻗﻠﻢﻫﺎ ﺍﺯ ﺯﺑﺎﻥِ ‪ METAFONT‬ﺑﻪ‬ ‫ﺪ ﺗﺒﺪﯾ ِ‬‫ﺶ ‪ ۲−۱‬ﻣﯽﺁﯾﺪ‪ .‬ﺩﺭ ﻧﻬﺎﯾﺖ ﻧﯿﺰ ﺭﻭﻧ ِ‬ ‫ﺑﺨ ِ‬
‫‪ Type1‬ﺩﺭ ﺑﺨﺶِ ‪ ۵−۱‬ﺑﻪ ﺑﺤﺚِ ﻗﻠﻢﻫﺎ ﭘﺎﯾﺎﻥ ﻣﯽﺩﻫﺪ‪.‬‬
‫َﺍﺷﮑﺎﻝِ ﺟﺪﯾﺪ‬ ‫‪۱−۱‬‬
‫ﯽ‬ ‫ﺗﮏ ﻣﻮﺭ ِ‬

‫ﺩ ﺑﺎﺯ ﺑﯿﻨﯽ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﻭ ﺗﻤﺎﻣ ِ‬ ‫ﯽ‬‫ﺩﺭ ﺍﯾﻦ ﻣﺮﺣﻠﻪ ﻗﺎﻟﺐِ ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳ ِ‬
‫ﺩ ﻓّﻨﺎﻭﺭﯼِ ﺍﻃﻼﻋﺎﺕ — ﺗﺒﺎﺩﻝ ﻭ ﺷﯿﻮﻩﯼ‬ ‫ﯼ ﺍﺳﺘﺎﻧﺪﺍﺭ ِ‬
‫ﺷﮑﻞﻫﺎﯼ ﺍﻟﺰﺍﻣﯽ ﻭ ﺍﺧﺘﯿﺎﺭ ِ‬
‫‪۳‬‬
‫ﺱ ﯾﻮﻧﯽُﮐﺪ ]‪ [۱۹‬ﺑﻪ ﺁﻥ ﺍﻓﺰﻭﺩﻩ ﮔﺸﺘﻪﺍﻧﺪ‪.‬‬
‫ﻧﻤﺎﯾﺶِ ﺍﻃﻼﻋﺎﺕِ ﻓﺎﺭﺳﯽ ﺑﺮ ﺍﺳﺎ ِ‬
‫ﭼﻨﺪﯾﻦ ﺷﮑﻞ ﮐﻪ ﺩﺭ ﺍﯾﻦ ﺍﺳﺘﺎﻧﺪﺍﺭﺩ ﺑﻪ ﺁﻥﻫﺎ ﺍﺷﺎﺭﻩ ﻧﺸﺪﻩ ﻭﻟﯽ ﺣﻀﻮﺭﺷﺎﻥ ﻣﻔﯿﺪ‬
‫ﺩ ﮐ ﻞِ ﺷﮑﻞﻫﺎﯼ ﺍﺿﺎﻓﻪ ﺷﺪﻩ ﺑﻪ ﺑﯿﺶ ﺍﺯ‬
‫ﺑﻪ ﻧﻈﺮ ﺭﺳﯿﺪ ﻧﯿﺰ ﺍﺿﺎﻓﻪ ﺷﺪﻩﺍﻧﺪ‪ .‬ﺗﻌﺪﺍ ِ‬
‫ﭼﻬﻞ ﺷﮑﻞ ﻣﯽﺭﺳﺪ‪.‬‬
‫ﺩﺭ ﺯﯾﺮﺑﺨﺶﻫﺎﯼ ﭘﯿﺶِ ﺭﻭ ﺷﮑﻞﻫﺎﯼ ﺟﺪﯾﺪ ﻣﻌﺮﻓﯽ ﺷﺪﻩﺍﻧﺪ‪ .‬ﻧﺎﻡﻫﺎﯾﯽ ﮐﻪ‬
‫ﯽ ﻗﻠﻢﻫﺎﯼ‬ ‫ﺑﺮﺍﯼ َﺍﺷﮑﺎﻝِ ﺫﮐﺮ ﺷﺪﻩ ﻣﺒﺘﻨﯽ ﺑﺮ ﺍﺳﺘﺎﻧﺪﺍﺭ ِ‬
‫ﺩ ﻓﻮﻕ ﻣﯽﺑﺎﺷﺪ‪ .‬ﻗﺎﻟﺐِ ﻧﻬﺎﯾ ِ‬
‫ﺖ ﺍﻟﻒ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻞ ﺁﻥ ﺑﻪ ‪ Unicode‬ﺩﺭ ﭘﯿﻮﺳ ِ‬ ‫ِﺗﮏ‬
‫ﻓﺎﺭﺳﯽ ﺑﻪ ﻫﻤﺮﺍِﻩ ﺟﺪﻭﻝِ ﺗﺒﺪﯾ ِ‬
‫‪2 Glyphs‬‬
‫ﻦ ﻓﺎﺭﺳﯽ‬ ‫‪۳‬‬
‫ﺩ ﺍﺳﺘﻔﺎﺩﻩﯼ ﭼﻨﺪﺍﻧﯽ ﺩﺭ ﻣﺘ ِ‬
‫ﻞ ÷ ﻣﯽﺑﺎﺷﺪ ﮐﻪ ﻣﻮﺭ ِ‬‫ﺗﻨﻬﺎ ﺍﺳﺘﺜﻨﺎ ﺩﺭ ﺍﯾﻦ ﻣﻮﺭﺩ‪ ،‬ﺷﮑ ِ‬
‫ﺭ ‪ \div‬ﻗﺎﺑﻞِ ﺩﺳﺖﺭﺳﯽ ﺍﺳﺖ‪.‬‬ ‫ﺗﮏ ﻫﻤﻮﺍﺭﻩ ﺗﻮﺳ ِ‬
‫ﻂ ﺩﺳﺘﻮ ِ‬ ‫ِ‬
‫ﻂ ﺭﯾﺎﺿ ِ‬
‫ﻧﺪﺍﺭﺩ ﻭ ﺩﺭ ﻣﺤﯿ ِ‬
‫‪۳‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳﯽ‬ ‫‪۱−۱−۱‬‬
‫ﺍﯾﻦ ﺍَﺷﮑﺎﻝ ﺍﺯ ﺍﯾﻦ ﻧﻈﺮ ﺧﺎﺹ ﻣﯽﺑﺎﺷﻨﺪ ﮐﻪ ﺩﺳﺖﺭﺳﯽ ﺑﻪ ﺁﻥﻫﺎ ﺍﺯ ﻃﺮ ﯾﻖ‬
‫ﯽ ﻭ ﯾﺮﺍﯾﺶﮔﺮ ﻭ‬
‫ﺕ ِﺗﮏ ﺑﻪ ﺭﺍﺣﺘﯽ ﻣﻤﮑﻦ ﻧﯿﺴﺖ‪ ،‬ﻭ ﻧﯿﺎﺯ ﺑﻪ ﭘﺸﺘﯿﺒﺎﻧ ِ‬
‫‪۴‬‬
‫ﺩﺳﺘﻮﺭﺍ ِ‬
‫ﺮ ﻓﻌﻠﯽ ﺟﺎﯼ ﺧﺎﻟﯽ ﻧﺪﺍﺭﺩ‪ ،‬ﺍﯾﻦ‬ ‫ﺪ ﻭﯾﺮﺍﯾﺶﮔ ِ‬ ‫ﻣﺒﺪﻝ ﺩﺍﺭﻧﺪ‪ .‬ﺍﺯ ﺁﻥﺟﺎ ﮐﻪ ﺻﻔﺤﻪﮐﻠﯿ ِ‬
‫ﻞ ﺍﺳﺘﻔﺎﺩﻩﯼ ﻣﺴﺘﻘﯿﻢ ﺩﺭ ﻣﺘﻦ ﻧﯿﺴﺘﻨﺪ‪ .‬ﺑﺮﺍﯼ ﺍﺳﺘﻔﺎﺩﻩ‬
‫ﻋﻼﺋﻢ ﺩﺭ ﺣﺎﻝِ ﺣﺎﺿﺮ ﻗﺎﺑ ِ‬
‫ﺩ ﻧﻈﺮ ﺩﺭﺝ ﮐﺮﺩ‪.‬‬ ‫ﻑ ﻣﻮﺭ ِ‬ ‫ﺭ ﻣﻌﺎﺩﻝﺷﺎﻥ‪ ،‬ﻣﯽﺑﺎﯾﺴﺖ ﺩﺳﺘﻮﺭ ﺭﺍ ﻗﺒﻞ ﺍﺯ ﺣﺮ ِ‬ ‫ﺍﺯ ﺩﺳﺘﻮ ِ‬
‫ﻓﻬﺮﺳﺖِ ﻧﺸﺎﻧﻪﻫﺎﯼ ﺟﺪﯾﺪ ﺩﺭ ﺟﺪﻭﻝِ ‪ ۱−۱‬ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺭ ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳﯽ‬
‫ﻟﯿﮕﺎﺗﻮ ِ‬ ‫‪۲−۱−۱‬‬
‫ﻂ ﻣ ﺒﺪﻝ ﻣﻮﺭﺩِ ﺍﺳ ﺘ ﻔﺎﺩﻩ ﻗﺮﺍﺭ‬

‫ﺭ ﺧﻮﺩﮐﺎﺭ ﺗﻮﺳ ِ‬
‫ﻟ ﯿ ﮕﺎﺗﻮﺭﻫﺎﯼ ﻧ ﺸﺎﻧﻪﻫﺎ ﺑﻪ ﻃﻮ ِ‬
‫‪۵‬‬
‫ﻞ ﺧﺎﺻﯽ ﻧﯿﺴﺖ‪ ،‬ﮔﺮﭼﻪ ﺩﺳﺘﻮﺭﯼ‬ ‫ﻣﯽﮔﯿﺮﻧﺪ ﻭ ﺑﺮﺍﯼ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺁﻥﻫﺎ ﻧﯿﺎﺯ ﺑﻪ ﻋﻤ ِ‬

‫ﻧﯿﺰ ﺑﻪ ﺁﻥﻫﺎ ﺍﺧﺘﺼﺎﺹ ﺩﺍﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻓﻬﺮﺳﺖِ ﺍﯾﻦ ﻟﯿﮕﺎﺗﻮﺭﻫﺎ ﺩﺭ ﺟﺪﻭﻝِ ‪۲−۱‬‬
‫ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻑ ﻓﺎﺭﺳﯽ‬
‫ﺣﺮﻭ ِ‬ ‫‪۳−۱−۱‬‬
‫ﻞ‬ ‫ﯽ ﺍَﺷﮑﺎﻝِ ﺣﺮﻭ ِ‬ ‫ِﺗﮏ‬

‫ﻑ ﻓﺎﺭﺳﯽ ﺭﺍ ﺩﺭ ﺑﺮ ﺩﺍﺷﺖ‪ ،‬ﺑﻪ ﺟﺰ ﺷﮑ ِ‬ ‫ﺐ ﻓﺎﺭﺳﯽ ﺗﻤﺎﻣ ِ‬ ‫ﻗﺎﻟ ِ‬
‫ﻑ »ﺁ«‪ .‬ﺍﯾﻦ ﺷ ﮑﻞ ﺑﻪ ﻗﺎﻟﺐ ﺍﺿﺎﻓﻪ ﺷﺪﻩ ﻭ ﭘ ﺸ ﺘ ﯿ ﺒﺎﻧ ﯽِ ﻻﺯﻡ ﺩﺭ‬
‫ﭼ ﺴ ﺒﺎﻥِ ﺣﺮ ِ‬
‫ﻝ ‪۳−۱‬‬ ‫ﻞ ﺍﯾﻦ ﺣﺮﻑ ﺩﺭ ﺟﺪﻭ ِ‬ ‫ﻭ ﯾﺮﺍﯾﺶﮔﺮ ﻭ ﻣﺒﺪﻝ ﺩﺭﺝ ﮔﺸﺘﻪ ﺍﺳﺖ‪ .‬ﺩﻭ ﺷﮑ ِ‬
‫ﺁﻣﺪﻩﺍﻧﺪ‪.‬‬
‫‪4 Control‬‬ ‫‪sequence‬‬
‫‪5 Ligature‬‬
‫‪۴‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﯽ ﺟﺪﯾﺪ‬ ‫‪−‬‬
‫ﺟﺪﻭﻝِ ‪ :۱ ۱‬ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳ ِ‬
‫ﻣﺜﺎﻝ‬ ‫ﺷﮑﻞ ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﻧﺎﻡ‬

‫ﻏﻔﻮٍﺭ‬ ‫\‪jarr‬‬ ‫ٍ◌‬ ‫ﺩﻭﺯﯾﺮِ ﻓﺎﺭﺳﯽ )ﺗﻨﻮﯾﻦِ ﺟﺮ(‬
‫ﺻﻢﺑﮑﻢ‬ ‫\‪raff‬‬ ‫ٌ◌‬ ‫ﺩﻭﭘﯿﺶِ ﻓﺎﺭﺳﯽ )ﺗﻨﻮﯾﻦِ ﺭﻓﻊ(‬
‫ٌ‬
‫ﯼ‬
‫ٓ‬ ‫\‪ madd‬ﯾﺎ \~‬ ‫◌‬‫ٓ‬ ‫َﻣ‪r‬ﺪ ﻓﺎﺭﺳﯽ‬
‫ﺍٕ‬ ‫\‪hamzebelow‬‬ ‫ٕ◌‬ ‫ﻫﻤﺰﻩﯼ ﻓﺎﺭﺳﯽِ ﭘﺎﯾﯿﻦ‬
‫ٖﯼ‬ ‫\‪alefbelow‬‬ ‫ٖ◌‬ ‫ﻒ ﻣﻘﺼﻮﺭﻩﯼ ﻓﺎﺭﺳﯽِ ﭘﺎﯾﯿﻦ‬ ‫ﺍﻟ ِ‬
‫ﺟﺪﻭﻝِ ‪ :۲−۱‬ﻟﯿﮕﺎﺗﻮ ِ‬
‫ﺭ ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳﯽ‬
‫ﻣﺜﺎﻝ‬ ‫ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﺷﮑﻞ‬ ‫ﻧﺎﻡ‬

‫\‪tashdidalef‬‬ ‫‪◌j‬‬ ‫ﻒ ﻣﻘﺼﻮﺭﻩ‬
‫ﺗﺸﺪﯾﺪ ‪ +‬ﺍﻟ ِ‬
‫\‪tashdidfathe‬‬ ‫‪◌l‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺯَﺑﺮ‬
‫ﻞ‬
‫ﮐ‪r‬‬ ‫\‪tashdidkasre‬‬ ‫‪◌r‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺯﯾﺮ‬
‫ﺍ‪m‬ﯾﻬﺎ‬ ‫\‪tashdidzamme‬‬ ‫‪◌m‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﭘﯿﺶ‬
‫\‪tashdidnasb‬‬ ‫‪◌Q‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺩﻭﺯَﺑﺮ‬
‫ﻞ‬
‫ﮐ‪R‬‬ ‫\‪tashdidjarr‬‬ ‫‪◌R‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺩﻭﺯﯾﺮ‬
‫ﻞ‬
‫ﮐ‪S‬‬ ‫\‪tashdidraff‬‬ ‫‪◌S‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺩﻭﭘﯿﺶ‬
‫\‪hamzefathe‬‬ ‫‪◌p‬‬ ‫ﻫﻤﺰﻩ ‪ +‬ﺯَﺑﺮ‬
‫\‪hamzekasre‬‬ ‫‪◌q‬‬ ‫ﻫﻤﺰﻩ ‪ +‬ﺯﯾﺮ‬
‫\‪hamzezamme‬‬ ‫‪◌X‬‬ ‫ﻫﻤﺰﻩ ‪ +‬ﭘﯿﺶ‬
‫\‪hamzenasb‬‬ ‫‪◌U‬‬ ‫ﻫﻤﺰﻩ ‪ +‬ﺩﻭﺯَﺑﺮ‬
‫\‪hamzejarr‬‬ ‫‪◌V‬‬ ‫ﻫﻤﺰﻩ ‪ +‬ﺩﻭﺯﯾﺮ‬
‫\‪hamzeraff‬‬ ‫‪◌W‬‬ ‫ﻫﻤﺰﻩ ‪ +‬ﺩﻭﭘﯿﺶ‬
‫‪۵‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﻑ ﻋﺮﺑﯽ‬
‫ﺣﺮﻭ ِ‬ ‫‪۴−۱−۱‬‬
‫ﺖ ﺍﯾﻦ َﺍﺷﮑﺎﻝ ﺩﺭ ﺟﺪﻭﻝ ‪ ۴−۱‬ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﻓﻬﺮﺳ ِ‬
‫ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﻭ ﻋﺮﺑﯽ‬ ‫‪۵−۱−۱‬‬

‫ِ‬
‫ﺶ‬
‫ﻞ ﺭﻗﻢِ ﺷﺶِ ﻋﺮ ﺑﯽ ﺑﻪ ﺟﺎﯼ ﺷ ِ‬ ‫ﻢ ﻋﻠﻤﯽ‪ ،‬ﺍﺯ ﺷﮑ ِ‬ ‫ﭘﯿﺶ ﺍﺯ ﺍﯾﻦ ﺩﺭ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠ‬
‫ِ‬
‫ﻓﺎﺭﺳﯽ ﺍﺳﺘﻔﺎﺩﻩ ﺷﺪﻩ ﺑﻮﺩ‪ .‬ﺟﺪﻭﻝِ ‪ ۵−۱‬ﺭﻗﻢﻫﺎﯼ ﻋﺮ ﺑﯽ ﻭ ﻓﺎﺭﺳﯽ ﺭﺍ ﮐﻪ ﺑﺎ ﻫﻢ‬
‫ﺗﻔﺎﻭﺕ ﺩﺍﺭﻧﺪ ﻧﺸﺎﻥ ﻣﯽﺩﻫﺪ‪.‬‬
‫ﻂ ﺗﯿﺮﻩ‬
‫ﺍﻧﻮﺍﻉ ﺧ ِ‬ ‫‪۶−۱−۱‬‬
‫ِ‬
‫ﻂ ﺗﯿﺮﻩﯼ‬ ‫ﺗﮏ ﺍﯾﻦ ﺑﻮﺩ ﮐﻪ ﺧ ِ‬ ‫ِ‬

‫ﻓﺎﺭﺳﯽ‬ ‫ﺐ ﻗﻠﻢﻫﺎﯼ‬ ‫ﯾﮑﯽ ﺍﺯ ﺑﺰﺭﮒﺗﺮﯾﻦ ﻣﺸﮑﻼﺕِ ﻗﺎﻟ ِ‬
‫ﻣﻨﺎﺳﺐِ ﻣﺘﻦ ﻧﺪﺍﺷﺖ ﻭ ﺑﻪ ﺟﺎﯼ ﺁﻥ‪ ،‬ﺑﻪ ﺍﺷﺘﺒﺎﻩ‪ ،‬ﻋﻼﻣﺖ ﻣﻨﻬﺎ ﺩﺍﺷﺖ ﻭ ﺍﻟﺒﺘﻪ‬
‫ﻝ ‪ ۶−۱‬ﻓﻬﺮﺳﺖِ ﺍﻧﻮﺍﻉ ﺧ ِ‬
‫ﻂ‬ ‫ﮐﺸﯿﺪﮔﯽ ﮐﻪ ﮐﺎﺭﺑﺮﺩِ ﺁﻥ ﺑﺴﯿﺎﺭ ﻣﺘﻔﺎﻭﺕ ﺍﺳﺖ‪ .‬ﺟﺪﻭ ِ‬
‫ِ‬
‫ﺗﯿﺮﻩ ﺭﺍ ﭘﺲ ﺍﺯ ﺍﻧﺠﺎﻡ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﻧﺸﺎﻥ ﻣﯽﺩﻫﺪ‪ .‬ﺭﻭﺵِ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺍﯾﻦ ﺗﯿﺮﻩﻫﺎ‬
‫ِ‬
‫ﻪ ﻟَِﺘﮏِ ﺍﻧﮕﻠﯿﺴﯽ ﺍﺳﺖ‪.‬‬ ‫ﻣﺸﺎﺑ ِ‬
‫ﻋﻼﺋﻢ َﺍﺳﮑﯽ‬ ‫‪۷−۱−۱‬‬

‫ِ‬
‫ﻋﻼﺋﻢ ﺍَﺳﮑﯽ ‪ ۶‬ﺩﺭ ﻣﺘﻦِ ﻓﺎﺭﺳﯽ ﺿﺮﻭﺭﯼ ﻧﯿﺴﺘﻨﺪ ﻭ ﺗﻨﻬﺎ ﺑﺮﺍﯼ ﮐﺎﻣﻞ ﺑﻮﺩﻥ ﺑﻪ‬
‫ِ‬
‫ﻝ ‪۷−۱‬‬ ‫ﺗﮏ ﺍﻓﺰﻭﺩﻩ ﮔﺸﺘﻪﺍﻧﺪ‪ .‬ﻓﻬﺮﺳ ﺖِ ﺍﯾﻦ َﺍﺷﮑﺎﻝِ ﺟﺪﯾﺪ ﺩﺭ ﺟﺪﻭ ِ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺐ‬
‫ﻗﺎﻟ ِ‬
‫ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬
‫‪6 ASCII‬‬
‫‪۶‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﺟﺪﻭﻝِ ‪ :۳−۱‬ﺣﺮﻭ ِ‬
‫ﻑ ﻓﺎﺭﺳﯽ‬

‫ﻗﺮﺁﻥ‬ ‫\‪ isolatedalefwithmaddaabove‬ﯾﺎ ﺁ‬ ‫ﺁ‬ ‫ﯽ ﺁِ ﺗﻨﻬﺎ‬
‫ﻑ ﻓﺎﺭﺳ ِ‬
‫ﺣﺮ ِ‬
‫ﻣﺂﺧﺬ‬ ‫\‪ finalalefwithmaddaabove‬ﯾﺎ ﺂ‬ ‫ﺂ‬ ‫ﻑ ﻓﺎﺭﺳﯽِ ِﺁ ﭼﺴﺒﺎﻥ‬ ‫ﺣﺮ ِ‬
‫ﺟﺪﻭﻝِ ‪ :۴−۱‬ﺣﺮﻭ ِ‬
‫ﻑ ﻋﺮﺑﯽ‬
‫ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﺷﮑﻞ‬ ‫ﻧﺎﻡ‬

‫\‪isolatedalefwasla‬‬ ‫ﭐ‬ ‫ﻞ ﺗﻨﻬﺎ‬
‫ﯽ ﺍﻟﻒِ ﻭﺻ ِ‬‫ﻑ ﻋﺮﺑ ِ‬
‫ﺣﺮ ِ‬
‫\‪finalalefwasla‬‬ ‫ﭑ‬ ‫ﻒ ﻭﺻﻞِ ﭼﺴﺒﺎﻥ‬ ‫ﯽ ﺍﻟ ِ‬
‫ﻑ ﻋﺮﺑ ِ‬
‫ﺣﺮ ِ‬
‫\‪isolatedarabickaf‬‬ ‫ﻙ‬ ‫ﯽ ﺗﻨﻬﺎ‬
‫ﻑ ﻋﺮﺑﯽِ ﮐﺎ ِ‬‫ﺣﺮ ِ‬
‫\‪finalarabickaf‬‬ ‫ﻚ‬ ‫ﯽ ﺁﺧﺮ‬
‫ﻑ ﻋﺮﺑ ِ‬‫ﮐﺎ ِ‬ ‫ﻑ ﻋﺮﺑﯽِ‬
‫ﺣﺮ ِ‬
‫\‪isolatedarabicyeh‬‬ ‫ﻱ‬ ‫ﯽ ﺗﻨﻬﺎ‬
‫ﯼِ ﻋﺮﺑ ِ‬ ‫ﯽ‬
‫ﺣﺮ ِ‬
‫\‪finalarabicyeh‬‬ ‫ﻲ‬ ‫ﯽ ﺁﺧﺮ‬
‫ﯽ ﯼِ ﻋﺮﺑ ِ‬
‫ﺣﺮ ِ‬
‫‪۷‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﺟﺪﻭﻝِ ‪ :۵−۱‬ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﻭ ﻋﺮﺑﯽ‬

‫ِ‬
‫ﺷﮑﻞ ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﻧﺎﻡ‬

‫‪۰‬‬ ‫‪۰‬‬ ‫ﺭﻗﻢ ﺻﻔﺮِ ﻓﺎﺭﺳﯽ‬
‫ِ‬
‫‪۴‬‬ ‫‪۴‬‬ ‫ﺭﻗﻢ ﭼﻬﺎﺭِ ﻓﺎﺭﺳﯽ‬
‫ِ‬
‫‪۵‬‬ ‫‪۵‬‬ ‫ﺭﻗﻢ ﭘﻨﺞ ﻓﺎﺭﺳﯽ‬
‫ِ ِ‬
‫‪۶‬‬ ‫‪۶‬‬ ‫ﺭﻗﻢ ﺷﺶِ ﻓﺎﺭﺳﯽ‬
‫ِ‬
‫\‪arabiczero‬‬ ‫‪٠‬‬ ‫ﺭﻗﻢ ﺻﻔِﺮ ﻋﺮﺑﯽ‬
‫ِ‬
‫\‪arabicfour‬‬ ‫‪٤‬‬ ‫ﺭﻗﻢ ﭼﻬﺎِﺭ ﻋﺮﺑﯽ‬
‫ِ‬
‫\‪arabicfive‬‬ ‫‪٥‬‬ ‫ﺭﻗﻢ ﭘﻨﺞ ﻋﺮﺑﯽ‬
‫ِ ِ‬
‫\‪arabicsix‬‬ ‫‪٦‬‬ ‫ﺶ ﻋﺮﺑﯽ‬ ‫ﻢﺷ ِ‬ ‫ﺭﻗ‬
‫ِ‬
‫ﺟﺪﻭﻝِ ‪ :۶−۱‬ﺍﻧﻮﺍﻉ ﺧ ِ‬
‫ﻂ ﺗﯿﺮﻩ‬
‫ِ‬

‫ﻋﻠﻤﯽ‐ﺗﺨﯿﻠﯽ‬ ‫ﻥ ﺷﯿﻔﺖ( ﯾﺎ \‪ textdash‬ﯾﺎ \ﺗﯿﺮﻩﻣﺘﻦ‬
‫‪) -‬ﺑﺪﻭ ِ‬ ‫‐‬ ‫ﻂ ﺗﯿﺮﻩﯼ ﻓﺎﺭﺳﯽ‬
‫ﺧ ِ‬
‫ﻝ ‪۶−۱‬‬ ‫ﺟﺪﻭ ِ‬ ‫\‪ digitsdash‬ﯾﺎ \ﺗﯿﺮﻩﺭﻗﻢ‬ ‫‪−‬‬ ‫ﻂ ﺗﯿﺮﻩﯼ ﺑﯿﻦِ ﺍﺭﻗﺎﻡ‬
‫ﺧ ِ‬
‫ﺷــــﻬﺮ ﻭﻧﺪ‬ ‫)ﺑﺎ ﺷﯿﻔﺖ(‬ ‫ـ‬ ‫ﮐﺸﯿﺪﮔﯽِ ﻓﺎﺭﺳﯽ‬
‫ﺻﺺ ‪۱۲–۳۴‬‬ ‫‪--‬‬ ‫–‬ ‫‪en-dash‬‬
‫—ﻣﻌﺘﺮﺿﻪ—‬ ‫‪---‬‬ ‫—‬ ‫‪em-dash‬‬
‫‪۸‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﺩﯾﮕﺮ ﻟﯿﮕﺎﺗﻮﺭﻫﺎ‬ ‫‪۸−۱−۱‬‬
‫ﺩﻭ ﻟﯿﮕﺎﺗﻮﺭ ﺑﺮﺍﯼ ﺷﮑﻞِ ﻓﺸﺮﺩﻩﯼ ﮐﻠﻤﺎﺕِ ﺭﯾﺎﻝ ﻭ ﻟ‪j‬ﻠﻪ ‪ ۷‬ﺍﺿﺎﻓﻪ ﮔﺸﺘﻪ ﺍﺳﺖ‪ .‬ﺍﯾﻦ‬
‫ﺩﻭ ﺩﺭ ﺟﺪﻭﻝِ ‪ ۸−۱‬ﻧﺸﺎﻥ ﺩﺍﺩﻩ ﺷﺪﻩﺍﻧﺪ‪.‬‬
‫ﺩﯾﮕﺮ ﻋﻼﺋﻢ‬ ‫‪۹−۱−۱‬‬
‫ﺪ ﺑﺎﻗﯽﻣﺎﻧﺪﻩ ﻧﯿﺰ ﺩﺭ ﺟﺪﻭﻝِ ‪ ۹−۱‬ﺁﻣﺪﻩﺍﻧﺪ‪.‬‬

‫ﺖ ﺟﺪﯾ ِ‬
‫ﭼﻨﺪ ﻋﻼﻣ ِ‬
‫ﻒ ﺁﻏﺎﺯﯾﻦ ﻃﺮﺍﺣﯽ ﻣﯽﺷﻮﺩ‪.‬‬

‫ﻑ ﺍﻟ ِ‬ ‫‪۷‬ﺍﯾﻦ ﻟﯿﮕﺎﺗﻮﺭ ﻫﻤﻮﺍﺭﻩ ﺑﺪﻭ ِ‬
‫ﻥ ﺣﺮ ِ‬
‫‪۹‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﻢ َﺍﺳﮑ ِ‬
‫ﯽ ﺟﺪﯾﺪ‬ ‫ﺟﺪﻭﻝِ ‪ :۷−۱‬ﻋﻼﺋ‬
‫ِ‬

‫*‬ ‫*‬ ‫ﺖ ﺳﺘﺎﺭﻩ‬
‫ﻋﻼﻣ ِ‬
‫<‬ ‫<‬ ‫ﺖ ﮐﻮﭼﮏﺗﺮ‬
‫ﻋﻼﻣ ِ‬
‫>‬ ‫>‬ ‫ﺖ ﺑﺰ ﺭﮒﺗﺮ‬
‫ﻋﻼﻣ ِ‬
‫|‬ ‫|‬ ‫ﻂ ﻋﻤﻮﺩﯼ‬
‫ﺧ ِ‬
‫\‪#‬‬ ‫‪#‬‬ ‫ﺖ ﺷﺎﺭﭖ‬
‫ﻋﻼﻣ ِ‬
‫\&‬ ‫&‬ ‫ﺖ َﺍﻣﭙﺮَﺳﻨﺪ‬
‫ﻋﻼﻣ ِ‬
‫ﺟﺪﻭﻝِ ‪ :۸−۱‬ﺩﯾﮕﺮ ﻟﯿﮕﺎﺗﻮﺭﻫﺎ‬

‫ﺭ ﯾﺎﻝ ﷼ \‪ rial‬ﯾﺎ \ﺭﯾﺎﻝ‬
‫\‪ llah‬ﯾﺎ \ﻟﻠﻪ‬ ‫ﷲ‬ ‫ﻟ‪j‬ﻠﻪ‬
‫ﺟﺪﻭﻝِ ‪ :۹−۱‬ﺩﯾﮕﺮ ﻋﻼﺋﻢ‬
‫ﻣﺜﺎﻝ‬ ‫ﺷﮑﻞ ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﻧﺎﻡ‬

‫‪۲۵×۳۵‬‬ ‫×‬ ‫×‬ ‫ﺖ ﺿﺮﺏ‬
‫ﻋﻼﻣ ِ‬
‫‪۱۲٬۳۴۵٫۶۷‬‬ ‫‪ ٬‬ﯾﺎ \‪hezar‬‬ ‫‪٬‬‬ ‫ﻝ ﻓﺮﻋﯽ ‪ /‬ﺟﺪﺍﮐﻨﻨﺪﻩﯼ ﻫﺰﺍﺭﻫﺎ‬
‫ﺷﺮ ﻭﻉِ ﻧﻘﻞِ ﻗﻮ ِ‬
‫ﮔﻔﺖ‪» :‬ﺑﮕﻮ ‪٬‬ﺁ‘«‬ ‫‘‬ ‫‘‬ ‫ﻝ ﻓﺮﻋﯽ‬‫ﭘﺎﯾﺎﻥِ ﻧﻘﻞِ ﻗﻮ ِ‬
‫َ◌‬ ‫\‪dottedcircle‬‬ ‫◌‬ ‫ﺩﺍﯾﺮﻩﯼ ﻧﻘﻄﻪﭼﯿﻦ‬
‫‪۱۰‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﺧﺎﻧﻮﺍﺩﻩﯼ ﻗﻠﻢ‬ ‫‪۲−۱‬‬
‫ﺗﮏ ﺗﺸﮑﯿﻞ ﺷﺪﻩ ﺍﺳﺖ ﺍﺯ ﭼﻬﺎﺭ ﺳﺮ ِ‬

‫ﯼ‪ :‬ﻋﺎﺩﯼ‪،‬‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﻫﺮ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻓﺎﺭﺳﯽ ﺩﺭ‬
‫ِ‬
‫ﺳﯿﺎﻩ‪ ،‬ﺗﻮﺧﺎﻟﯽ‪ ،‬ﻭ ﺳﺎﯾﻪﺩﺍﺭ‪ .‬ﻫﺮ ﮐﺪﺍﻡ ﺍﺯ ﺍﯾﻦ ﭼﻬﺎﺭ ﺳﺮﯼ ﺧﻮﺩ ﺩﺭ ﺳﻪ ﺷﯿﺐ‬
‫ﻣﻮﺟﻮﺩ ﺍﺳﺖ‪ :‬ﺍﯾﺴﺘﺎﺩﻩ‪ ،‬ﺍﯾﺮﺍﻧﯿﮏ‪ ،‬ﻭ ﺧﻮﺍﺑﯿﺪﻩ ‪ .۸‬ﭘﺲ ﺍﺯ ﺑﺮﺭﺳﯽﻫﺎﯼ ﻣﺨﺘﻠﻒ‪،‬‬
‫ﺑﺮﺍﯼ ﻗﻠﻢﻫﺎﯼ ﺍﯾﺮﺍﻧﯿﮏ ﻭ ﺧﻮﺍﺑﯿﺪﻩ ﺑﻪ ﺗﺮﺗﯿﺐ ﺷﯿﺐﻫﺎﯼ ‪ %−۲۲‬ﻭ ‪ %+۲۲‬ﺍﻧﺘﺨﺎﺏ‬
‫ﮔﺸﺘﻪ ﺍﺳﺖ‪.‬‬
‫ﺮ ﺍﻧﺪﺍﺯﻩﯼ ﻗﻠﻢ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻋﻠﻤﯽ ﺑﺮﺍﯼ ﻫﺮ ﯾﮏ ﺍﺯ ﻫﺸﺖ ﺍﻧﺪﺍﺯﻩﯼ‬
‫ﺍﺯ ﻧﻈ ِ‬
‫ِ‬
‫ﺩ ﻟَِﺘﮏ‪ ،‬ﻗﻠﻤﯽ ﺧﺎﺹ )ﺑﺎ ﭘﺎﺭﺍﻣﺘﺮﻫﺎﯼ ﺍﻧﺪﮐﯽ ﻣﺘﻔﺎﻭﺕ( ﺩﺍﺭﺩ‪ ،‬ﻭﻟﯽ ﺩﯾﮕﺮ‬
‫ﺍﺳﺘﺎﻧﺪﺍﺭ ِ‬
‫ﺕ‬
‫ﺧﺎﻧﻮﺍﺩﻩﻫﺎ ﺗﻨﻬﺎ ﺩﺭ ﯾﮏ ﺍﻧﺪﺍﺯﻩ ﻣﻮﺟﻮﺩ ﺑﻮﺩﻩ ﻭ ﺑﺮﺍﯼ ﺩﯾﮕﺮ ﺍﻧﺪﺍﺯﻩﻫﺎ ﺑﻪ ﺻﻮﺭ ِ‬
‫ﻒ ﺧﺎﻧﻮﺍﺩﻩﯼ ﻋﻠﻤﯽ‬
‫ﺧﻄﯽ ﺑﺰﺭﮒ ﯾﺎ ﮐﻮﭼﮏ ﻣﯽﺷﻮﻧﺪ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﻣﺨﺘﻠ ِ‬
‫ﺩﺭ ﭘﯿﻮﺳﺖِ ﺕ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺪ ﻗﻠﻢ ﺗﻮﺧﺎﻟﯽ ﻭ ﺳﺎﯾﻪﺩﺍﺭ ﺍﺯ ﻗﺒﻞ ﺩﺭ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻋﻠﻤﯽ ﻭﺟﻮﺩ‬
‫ﺪ ﺗﻮﻟﯿ ِ‬
‫ﮐ ِ‬
‫ِ‬ ‫ِ‬
‫ﻥ ﺧﺎﻧﻮﺍﺩﻩﻗﻠﻢﻫﺎﯼ ﺟﺪﯾﺪ‪ ،‬ﺍﯾﻦ ﮐﺪﻫﺎ ﺍﺳﺘﺨﺮﺍﺝ‬ ‫ﺩﺍﺷﺘﻪ ﺍﺳﺖ‪ .‬ﺩﺭ ﺭﺍﺳﺘﺎﯼ ﺍﻓﺰﻭﺩ ِ‬
‫ﺗﮏ ﺭﺍ ﺗﺸﮑﯿﻞ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺏ ﻗﻠﻢﻫﺎﯼ‬ ‫ﺷﺪﻩ ﻭ ﭘﺲ ﺍﺯ ﺑﺎﺯﺑﯿﻨﯽ ﻭ ﺗﺠﺪﯾﺪﻧﻈﺮ‪ ،‬ﭼﺎﺭﭼﻮ ِ‬
‫ﺪ ﻗﻠﻢ ﺳﯿﺎﻩ‬
‫ﺩﺍﺩﻩﺍﻧﺪ‪ .‬ﺍﯾﻦ ﭼﺎﺭﭼﻮﺏ ﺑﻪ ﻫﻤﯿﻦﺟﺎ ﺧﻼﺻﻪ ﻧﻤﯽﺷﻮﺩ ﻭ ﺗﻮﺍﻧﺎﯾﯽِ ﺗﻮﻟﯿ ِ‬
‫ِ‬
‫ﺩ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎﯾﯽ ﮐﻪ ﯾﮑﯽ ﺍﺯ‬ ‫ﺍﺯ ﻗﻠﻢ ﻋﺎﺩﯼ ﯾﺎ ﺑﺎﻟﻌﮑﺲ ﺭﺍ ﻧﯿﺰ ﺩﺍﺭﺩ‪ ،‬ﮐﻪ ﺩﺭ ﻣﻮﺭ ِ‬
‫ِ‬
‫ﺩ ﺍﺳﺘﻔﺎﺩﻩ ﻗﺮﺍﺭ ﻣﯽﮔﯿﺮﺩ‪ .‬ﺍﺯ ﺩﯾﮕﺮ ﺗﻮﺍﻧﺎﯾﯽﻫﺎﯼ‬ ‫ﺍﯾﻦ ﺩﻭ ﻃﺮﺡ ﻣﻮﺟﻮﺩ ﻧﺒﺎﺷﺪ ﻣﻮﺭ ِ‬
‫ﺪ ﺧﻮﺩﮐﺎﺭِ ﻟﯿﮕﺎﺗﻮﺭﻫﺎﯼ ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳﯽ ﺍﺷﺎﺭﻩ‬
‫ﺍﯾﻦ ﭼﺎﺭﭼﻮﺏ ﻣﯽﺗﻮﺍﻥ ﺑﻪ ﺗﻮﻟﯿ ِ‬
‫ﮐﺮﺩ‪.‬‬
‫‪۸‬ﺩﺭ ﺣﺮﻭﻑﭼﯿﻨﯽِ ﻻﺗﯿﻦ‪ ،‬ﺣﺮﻭﻑ ﻣﻌﻤﻮﻻً ﺗﻨﻬﺎ ﺑﻪ ﯾﮏ ﺳﻤﺖ ﺷﯿﺐ ﭘﯿﺪﺍ ﻣﯽﮐﻨﻨﺪ ﻭ‬
‫ﺑﺴﺘﻪ ﺑﻪ ﻃﺮﺡ ﺣﺮﻭﻑ‪ ،‬ﺑﻪ ﺁﻥ ‪ Italic‬ﯾﺎ ‪ Slanted/Sloped/Oblique‬ﻣﯽﮔﻮ ﯾﻨﺪ‪ .‬ﺩﺭ ﻓﺎﺭﺳﯽ ﺍﻣﺎ‪،‬‬
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‫ﺭﻭﺵِ ﻣﻌﻤﻮﻝ ﺷﯿﺐ ﺑﻪ ﭼﭗ ﯾﺎ ﻫﻤﺎﻥ ﺍﯾﺮﺍﻧﯿﮏ ﺍﺳﺖ ﻭ ﺷﯿﺐ ﺑﻪ ﺭﺍﺳﺖ ﮐﻪ ﺩﺭ ﺍﯾﻦﺟﺎ ﺧﻮﺍﺑﯿﺪﻩ‬
‫ﺖ ﻫﻢﺷﯿﺐ ﺑﻮﺩﻥ‪،‬‬
‫ﻧﺎﻣﯿﺪﻩﺍﯾﻢ‪ ،‬ﮐﺎﺭ ﺑﺮﺩِ ﭼﻨﺪﺍﻧﯽ ﻧﺪﺍﺭﺩ‪ ،‬ﺍ ﮔﺮﭼﻪ ﺩﺭ ﺗﺮﮐﯿﺐ ﺑﺎ ﻣﺘﻦِ ﻻﺗﯿﻦ‪ ،‬ﺑﻪ ﻋﻠ ِ‬
‫ﺑﺴﯿﺎﺭ ﺑﻪﺗﺮ ﺑﻪ ﻧﻈﺮ ﻣﯽﺭﺳﺪ‪.‬‬
‫‪۱۱‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻋﻠﻤﯽ‬ ‫‪۳−۱‬‬

‫ِ‬
‫ﻢ ﻋﻠﻤﯽ ﻫ ﻤﺎﻧﺎ ﺍﻓﺰﻭﺩ ِ‬

‫ﻥ ﮐ ﻠ ﯿﻪﯼ‬
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‫ﺑﺰﺭﮒﺗﺮ ﯾﻦ ﺗ ﻐ ﯿ ﯿ ﺮِ ﻇﺎﻫﺮﯼ ﺩﺭ ﺧﺎﻧﻮﺍﺩﻩ ﻗ ﻠ ‬
‫ﺷﮑﻞﻫﺎﯼ ﺟﺪﯾﺪ ﺑﻮﺩﻩ ﺍﺳﺖ‪ .‬ﺑﯿﺶ ﺍﺯ ﺍﯾﻦ‪ ،‬ﺍﻧﺪﮐﯽ ﺍﺻﻼﺡ ﺷﮑﻞﻫﺎﯼ ﻗﺒﻠﯽ ﻧﯿﺰ‬
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‫ﺵ‬
‫ﺪ ﺗﻮﻟﯿﺪﮐﻨﻨﺪﻩﯼ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩ ﺩﺳﺖﺧﻮ ِ‬ ‫ﺍﻧﺠﺎﻡ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺩﺭ ﭘﺲِ ﭘﺮﺩﻩ ﺍﻣﺎ‪ ،‬ﮐ ِ‬
‫ﻝ ﻗﺴﻤﺖﻫﺎﯼ‬ ‫ﻦ ﺍﯾﻦ ﺗﻐﯿﯿﺮﺍﺕ‪ ،‬ﺍﻧﺘﻘﺎ ِ‬
‫ﺕ ﻓﺮﺍﻭﺍﻥ ﮔﺸﺘﻪ ﺍﺳﺖ‪ .‬ﻣﻬﻢﺗﺮ ﯾ ِ‬
‫ﺗﻐﯿﯿﺮﺍ ِ‬
‫ﺗﮏ ‪ ۹‬ﻭ ﺗﺨﻤﯿﻦِ ﺧﻮﺩﮐﺎﺭِ ﭘﺎﺭﺍﻣﺘﺮﻫﺎﯼ‬ ‫ﺏ ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ﯽ ﮐﺪ ﺑﻪ ﭼﺎﺭﭼﻮ ِ‬‫ﻋﻤﻮﻣ ِ‬
‫ﻃﺮﺍﺣﯽ ﺍﺯ ﺭﻭﯼ ﭼﻨﺪ ﭘﺎﺭﺍﻣﺘﺮِ ﭘﺎﯾﻪ )ﺍﻧﺪﺍﺯﻩ‪ ،‬ﮐﻠﻔﺘﯽ‪ (. . . ،‬ﻣﯽﺑﺎﺷﺪ ﮐﻪ ﺩﺭ ﻣﺠﻤﻮﻉ‬
‫ﻝ ﺷﮑﻞﻫﺎﯼ ﻣﻮﺟﻮﺩ ﺩﺭ ﺍﯾﻦ‬ ‫ﺪ ﻗﻠﻢﻫﺎ ﺭﺍ ﺑﺴﯿﺎﺭ ﮐﺎﻫﺶ ﺩﺍﺩﻩ ﺍﺳﺖ‪ .‬ﺟﺪﻭ ِ‬ ‫ﺣﺠﻢ ﮐ ِ‬
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‫ﯼ ﺍﻟﻒ ﻭ ﺕ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﺧﺎﻧﻮﺍﺩﻩ ﻭ ﻧﻤﻮﻧﻪﯼ ﺍﯾﻦ ﻗﻠﻢﻫﺎ ﺩﺭ ﭘﯿﻮﺳﺖﻫﺎ ِ‬
‫ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬ ‫‪۴−۱‬‬
‫ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽِ ﺍﺳﺘﻔﺎﺩﻩ ﺷﺪﻩ ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﻋﺒﺎﺭﺗﻨﺪ ﺍﺯ ﻫﺠﺪﻩ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﮐﻪ‬
‫ﻥ ﻟﺒﻪ ‪ ،۱۰‬ﻭ ﻫﻔﺖ ﻗﻠﻢ‬
‫ﻢ ﺑﺪﻭ ِ‬ ‫ﺷﺶ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﮐﺘﺎﺑﯽ‪ ،‬ﺩﻭ ﻗﻠﻢ ﻋﻨﻮﺍﻥ‪ ،‬ﺳﻪ ﻗﻠ‬
‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬
‫ﺗﺰﺋﯿﻨﯽ ﻣﯽﺑﺎﺷﻨﺪ‪.‬‬
‫ﺐ ‪ TrueType‬ﺑﻪ‬ ‫ﻂ ﻣﺴﻌﻮﺩِ ﺑﺎﺑﺎﯾﯽﺯﺍﺩﻩ ﺍﺯ ﻗﺎﻟ ِ‬
‫ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩﻫﺎ ﺍﺑﺘﺪﺍ ﺗﻮﺳ ِ‬
‫ﯽ ﺍﻧﺠﺎﻡ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺍﺻﻼﺣﺎﺕِ‬ ‫‪ METAFONT‬ﺗﺒﺪﯾﻞ ﺷﺪﻧﺪ ﻭ ﭘﺲ ﺍﺯ ﺁﻥ ﺩﺭ ﻃ ِ‬
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‫ﺗﮏ ﻗﺮﺍﺭ ﮔﯿﺮﻧﺪ‪.‬‬‫ﺏ ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ﻓﺮﺍﻭﺍﻧﯽ ﺑﺮ ﺁﻥﻫﺎ ﺭﻓﺘﻪ ﺍﺳﺖ ﺗﺎ ﺩﺭ ﭼﺎﺭﭼﻮ ِ‬
‫ﺭ‬
‫ﺍﯾﻦ ﺑﺪﯾﻦ ﻣﻌﻨﺎﺳﺖ ﮐﻪ ﻗﻠﻢﻫﺎﯼ ﺗﻮﺧﺎﻟﯽ‪ ،‬ﺳﺎﯾﻪﺩﺍﺭ‪ ،‬ﺍﯾﺮﺍﻧﯿﮏ‪ ،‬ﻭ ﺧﻮﺍﺑﯿﺪﻩ ﺑﻪ ﻃﻮ ِ‬
‫ﺧﻮﺩﮐﺎﺭ ﺑﺮﺍﯼ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎ ﺳﺎﺧﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺍﮐﺜﺮِ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩﻫﺎ ﺩﺍﺭﺍﯼ‬
‫ﺩﻭ ﻃﺮﺡ ﻋﺎﺩﯼ ﻭ ﺳﯿﺎﻩ ﺑﻮﺩﻩﺍﻧﺪ‪ .‬ﺩﺭ ﻣﻮﺍﺭﺩﯼ ﮐﻪ ﯾﮑﯽ ﺍﺯ ﺍﯾﻦ ﺩﻭ ﻭﺟﻮﺩ ﻧﺪﺍﺷﺘﻪ‪،‬‬
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‫ﺗﮏ‪ ،‬ﺑﻪ ﻃﻮﺭِ ﺧﻮﺩﮐﺎﺭ ﺍﺯ ﺭﻭﯼ ﻃﺮﺡ ﻣﻮﺟﻮﺩ‪،‬‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺏ ﻗﻠﻢﻫﺎﯼ‬ ‫ﻂ ﭼﺎﺭﭼﻮ ِ‬‫ﺗﻮﺳ ِ‬
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‫ﺑﺎ ﮐﻠﻔﺖﺳﺎﺯﯼ ﯾﺎ ﻧﺎﺯﮎﺳﺎﺯﯼ ﺳﺎﺧﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫‪9 FarsiT‬‬
‫‪EX Fonts Framework‬‬
‫‪10 Sans-serif‬‬
‫‪۱۲‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﻝ‬
‫ﺪ ﻣﻤﯿﺰِ ﻓﺎﺭﺳﯽ‪ ،‬ﻧﻘﻄﻪﻭﯾﺮﮔﻮ ِ‬ ‫ﺍﺯ ﺍﺻﻼﺣﺎﺕِ ﺍﻧﺠﺎﻡ ﮔﺮﻓﺘﻪ ﻣﯽﺗﻮﺍﻥ ﺑﻪ ﺗﻮﻟﯿ ِ‬
‫ﯼ ﺑﻌﻀﯽ‬ ‫ﻓﺎﺭﺳﯽ‪ ،‬ﻭ ﻟﯿﮕﺎﺗﻮﺭِ ﻧﺸﺎﻧﻪﻫﺎ؛ ﺗﻨﻈﯿﻢِ ﺣﺎﺷﯿﻪﯼ ﻧﺸﺎﻧﻪﻫﺎ؛ ﺷﯿﺐﮔﯿﺮ ِ‬
‫ﺮ ﻧﺎﻡ‬‫ﺍﺯ ﺧﺎﻧﻮﺍﺩﻩﻫﺎ )ﺑﺪﺭ‪ ،‬ﻓﺮﻧﺎﺯ‪ ،‬ﮐﺎﻣﺮﺍﻥ‪ ،‬ﻧﺴﯿﻢ(؛ ﺗﻨﻈﯿﻢ ﺍﻧﺪﺍﺯﻩﯼ ﻗﻠﻢﻫﺎ؛ ﺗﻐﯿﯿ‬
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‫ﻞ ﺩﯾﮕﺮ )ﻧﺎﺯﻧﯿﻦ ﺑﻪ ﻧﺎﺯﻟﯽ‪،‬‬
‫ﻞ ﻧﺸﺮﺍﻧﻪ ﯾﺎ ﻣﺴﺎﺋ ِ‬
‫‪۱۱‬‬
‫ﻞ ﻣﺴﺎﺋ ِ‬
‫ﺑﻌﻀﯽ ﺍﺯ ﻗﻠﻢﻫﺎ ﺑﻪ ﺩﻟﯿ ِ‬
‫‪ lotus‬ﺑﻪ ‪ yaqut ،lotoos‬ﺑﻪ ‪(yaghoot‬؛ ﺑﻬﺮﻩﺟﻮ ﯾﯽ ﺍﺯ ﺑﺴﺘﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺮﻭﮊﻩﯼ‬
‫ﻓﺎﺭﺳﯽﻭﺏ؛ ﻭ ﺳﺎﺩﻩﺳﺎﺯﯼِ ﮐﺪِ ‪ ِMETAFONT‬ﻗﻠﻢﻫﺎ ﺍﺷﺎﺭﻩ ﮐﺮﺩ‪ .‬ﻣﺘٔﺎﺳﻔﺎﻧﻪ ﺍﺯ‬
‫ﺗﮏ ﺍﻓﺰﻭﺩﻩ ﮔﺸﺘﻪﺍﻧﺪ‪ ،‬ﺗﻨﻬﺎ‬ ‫ﺷﮑﻞﻫﺎﯾﯽ ﮐﻪ ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺑﻪ ﻗﺎﻟﺐِ ﻗﻠﻢ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ِ‬
‫ﻧﺸﺎﻧﻪﻫﺎ ﻭ ﻟﯿﮕﺎﺗﻮﺭﻫﺎﯼ ﺁﻥﻫﺎ ﺩﺭ ﺍﯾﻦ ﻗﻠﻢﻫﺎ ﭘﺸﺘﯿﺒﺎﻧﯽ ﻣﯽﺷﻮﺩ ﻭ ﺩﯾﮕﺮ ﺷﮑﻞﻫﺎﯼ‬
‫ﺟﺪﯾﺪ ﻫﻨﻮﺯ ﺑﻪ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎ ﺍﻓﺰﻭﺩﻩ ﻧﺸﺪﻩﺍﻧﺪ‪.‬‬
‫ﺟﺪﻭﻝِ ‪ ۱۰−۱‬ﺧﺎﻧﻮﺍﺩﻩﻫﺎﯼ ﻗﻠﻢﻫﺎ ِ‬
‫ﯼ ﺟﺪﯾﺪ ﺭﺍ ﻧﺸﺎﻥ ﻣﯽﺩﻫﺪ‪ .‬ﻗﻠﻢﻫﺎﯾﯽ‬
‫ﮐﻪ ﺑﻪ ﻃﻮﺭِ ﺧﻮﺩﮐﺎﺭ ﺳﺎﺧﺘﻪ ﺷﺪﻩﺍﻧﺪ ﺩﺭ ﺍﯾﻦ ﺟﺪﻭﻝ ﺑﺎ ﻋﻼﻣ ﺖِ ﺳﺘﺎﺭﻩ ﻣﺸﺨﺺ‬
‫ﺖ ﺏ ﻭ ﺟﺪﺍﻭﻝِ‬
‫ﻦ ﭼﯿﺪﻩ ﺷﺪﻩ ﺑﺎ ﺍﯾﻦ ﺧﺎﻧﻮﺍﺩﻩﻫﺎ ﺩﺭ ﭘﯿﻮﺳ ِ‬
‫ﮔﺸﺘﻪﺍﻧﺪ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻣﺘ ِ‬
‫ﺷﮑﻞﻫﺎﯼ ﺁﻥﻫﺎ ﺩﺭ ﭘﯿﻮﺳﺖِ ﭖ ﺁﻣﺪﻩﺍﻧﺪ‪.‬‬
‫ﻗﻠﻢﻫﺎﯼ ‪Type1‬‬ ‫‪۵−۱‬‬
‫ﯼ ‪PFA‬‬ ‫ﺐ ﺑُﺮﺩﺍﺭ ِ‬ ‫ﺐ ‪ METAFONT‬ﺑﻪ ﻗﺎﻟ ِ‬ ‫ﺩﺭ ﺍﯾﻦ ﻣﺮﺣﻠﻪ‪ ،‬ﺗﻤﺎﻣﯽِ ﻗﻠﻢﻫﺎ ﺍﺯ ﻗﺎﻟ ِ‬
‫ﻂ ﺍﺑﺰﺍﺭﯼ ﺑﻪ ﻧﺎﻡ ‪ mftrace‬ﺍﻧﺠﺎﻡ ﺷﺪ‬ ‫)‪ (Type1‬ﺗﺒﺪﯾﻞ ﺷﺪﻧﺪ‪ .‬ﺍﯾﻦ ﺗﺒﺪﯾﻞ ﺗﻮﺳ ِ‬
‫ِ‬
‫ﺭ ‪ ،(METAFONT) mf‬ﺍﺯ‬ ‫ﮐﻪ ﺑﻪ ﺻﻮﺭﺕِ ﺯ ﯾﺮ ﻋﻤﻞ ﻣﯽﮐﻨﺪ‪ :‬ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺩﺳﺘﻮ ِ‬
‫ﺩ ﺑﺰﺭﮒ ﺗﻬﯿﻪ ﻣﯽﮐﻨﺪ؛ ﺳﭙﺲ ﺑﺮﺍﯼ ﻫﺮ‬ ‫ﻗﻠﻢ ﻣﻮﺭﺩِ ﻧﻈﺮ ﺧﺮﻭﺟﯽِ ﻧﻘﻄﻪﺍﯼ ﺩﺭ ﺍﺑﻌﺎ ِ‬
‫ِ‬
‫ﺮ‬
‫ِ‬ ‫‬‫ﯾ‬ ‫ﻮ‬‫ﺼ‬ ‫‬‫ﺗ‬ ‫ﻪ‬‫ﺑ‬ ‫ﺭﺍ‬ ‫ﻪﺍﯼ‬ ‫ﻄ‬ ‫‬‫ﻘ‬ ‫‬‫ﻧ‬ ‫ﺮ‬
‫ِ‬ ‫‬‫ﯾ‬ ‫ﻮ‬‫ﺼ‬ ‫‬‫ﺗ‬ ‫‪،autotrace‬‬ ‫ﻡ‬ ‫ﺎ‬‫ﻧ‬ ‫ﻪ‬‫ﺑ‬ ‫ﻪﺍﯼ‬‫ﻣ‬ ‫ﺎ‬‫ﻧ‬ ‫ﺮ‬‫ﺑ‬ ‫ﺍﺯ‬ ‫ﺎﺩﻩ‬‫ﻔ‬‫‬‫ﺘ‬‫‬‫ﺳ‬ ‫ﺍ‬ ‫ﺎ‬‫ﺑ‬ ‫ﻞ‪،‬‬‫ﺷﮑ‬
‫ِ‬
‫ﺑﺮﺩﺍﺭﯼ ﺗﺒﺪﯾﻞ ﻣﯽﮐﻨﺪ؛ ﺩﺭ ﻧﻬﺎﯾﺖ ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺍﺑﺰﺍﺭﻫﺎﯼ ‪ ،t1utils‬ﻗﻠﻢ ‪ PFA‬ﺭﺍ ﺍﺯ‬
‫ِ‬ ‫ُ‬
‫ِﺗﮏ ‪۱۲‬‬
‫ﻣﯽﺳﺎﺯﺩ‪.‬‬ ‫ﺐ ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳﯽ‬ ‫ﺮ ُﺑﺮﺩﺍﺭﯼ ﻭ ﻗﺎﻟ ِ‬ ‫ﺭﻭﯼ ﺍﯾﻦ ﺗﺼﺎﻭﯾ ِ‬
‫ﻗﻠﻢ ‪ PFA‬ﻓﻘﻂ ﺑﺮﺍﯼ ﻗﻠﻢﻫﺎﯼ ﺍﯾﺴﺘﺎﺩﻩ ﺗﻮﻟﯿﺪ ﮔﺸﺘﻪ ﺍﺳﺖ ﻭ ﻗﻠﻢﻫﺎﯼ‬
‫ِ‬
‫‪11 Copyright‬‬
‫‪12 FarsiT‬‬
‫‪EX font encoding‬‬
‫‪۱۳‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﺟﺪﻭﻝِ ‪ :۱۰−۱‬ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺳﺎﯾﻪﺩﺍﺭ‬ ‫ﺗﻮﺧﺎﻟﯽ‬ ‫ﻗﻠﻢ ﻋﺎﺩﯼ ﻗﻠﻢ ﺳﯿﺎﻩ‬ ‫ﻧﺎﻡ ﻻﺗﯿﻦ‬

‫ِ‬ ‫ِ‬ ‫ِ‬
‫ﮐﺘﺎﺑﯽ‬
‫ﺑﺪﺭ‬ ‫ﺑﺪﺭ‬ ‫ﺑﺪﺭ‬ ‫ﺑﺪﺭ‬ ‫‪badr‬‬
‫ﻟﻮﺗﻮﺱ‬ ‫ﻟﻮﺗﻮﺱ‬ ‫ﻟﻮﺗﻮﺱ‬ ‫ﻟﻮﺗﻮﺱ‬ ‫‪lotoos‬‬
‫ﻣﯿﺘﺮﺍ‬ ‫ﻣﯿﺘﺮﺍ‬ ‫ﻣﯿﺘﺮﺍ‬ ‫ﻣﯿﺘﺮﺍ‬ ‫‪mitra‬‬
‫ﻧﺎﺯﻟﯽ‬ ‫ﻧﺎﺯﻟﯽ‬ ‫ﻧﺎﺯﻟﯽ‬ ‫ﻧﺎﺯﻟﯽ‬ ‫‪nazli‬‬
‫ﯾﺎﻗﻮﺕ‬ ‫ﯾﺎﻗﻮﺕ‬ ‫ﯾﺎﻗﻮﺕ‬ ‫ﯾﺎﻗﻮﺕ‬ ‫‪yaghoot‬‬
‫ﺯﺭ‬ ‫ﺯﺭ‬ ‫ﺯﺭ‬ ‫ﺯﺭ‬ ‫‪zar‬‬
‫ﻋﻨﻮﺍﻥ‬
‫ﺟﺪﯾﺪ‬ ‫ﺟﺪﯾﺪ‬ ‫ﺟﺪﯾﺪ‬ ‫∗‬
‫ﺟﺪﯾﺪ‬ ‫‪jadid‬‬
‫ﺗﯿﺘﺮ‬ ‫ﺗﯿﺘﺮ‬ ‫ﺗﯿﺘﺮ‬ ‫∗‬
‫ﺗﯿﺘﺮ‬ ‫‪titr‬‬
‫ﻥ ﻟﺒﻪ‬
‫ﺑﺪﻭ ِ‬
‫ﺭﻭﯾﺎ‬ ‫ﺭﻭﯾﺎ‬ ‫ﺭﻭﯾﺎ‬ ‫ﺭﻭﯾﺎ‬ ‫‪roya‬‬
‫ﺗﺮﺍﻓﯿﮏ‬ ‫ﺗﺮﺍﻓﯿﮏ‬ ‫ﺗﺮﺍﻓﯿﮏ‬ ‫ﺗﺮﺍﻓﯿﮏ‬ ‫‪terafik‬‬
‫ﮐﻮﺩﮎ‬ ‫ﮐﻮﺩﮎ‬ ‫ﮐﻮﺩﮎ‬ ‫∗‬
‫ﮐﻮﺩﮎ‬ ‫‪koodak‬‬
‫ﺗﺰﺋﯿﻨﯽ‬
‫ﮐﺎﻣﺮﺍﻥ‬ ‫ﮐﺎﻣﺮﺍﻥ‬ ‫ﮐﺎﻣﺮﺍﻥ‬ ‫ﮐﺎﻣﺮﺍﻥ‬ ‫‪kamran‬‬
‫ﺗﺒﺴﻢ‬ ‫ﺗﺒﺴﻢ‬ ‫∗‬
‫ﺗﺒﺴﻢ‬ ‫ﺗﺒﺴﻢ‬ ‫‪tabassom‬‬
‫ﻫﻤﺎ‬ ‫ﻫﻤﺎ‬ ‫∗‬
‫ﻫﻤﺎ‬ ‫ﻫﻤﺎ‬ ‫‪homa‬‬
‫ﺍﺭﺷﯿﺎ‬ ‫ﺍﺭﺷﯿﺎ‬ ‫∗‬
‫ﺍﺭﺷﯿﺎ‬ ‫ﺍﺭﺷﯿﺎ‬ ‫‪arshia‬‬
‫ﻧﺴﯿﻢ‬ ‫ﻧﺴﯿﻢ‬ ‫ﻧﺴﯿﻢ‬ ‫∗‬
‫ﻧﺴﯿﻢ‬ ‫‪nasim‬‬
‫ﺍﻟﻬﺎﻡ‬ ‫ﺍﻟﻬﺎﻡ‬ ‫ﺍﻟﻬﺎﻡ‬ ‫∗‬
‫ﺍﻟﻬﺎﻡ‬ ‫‪elham‬‬
‫ﻓﺮﻧﺎﺯ‬ ‫ﻓﺮﻧﺎﺯ‬ ‫ﻓﺮﻧﺎﺯ‬ ‫∗‬
‫ﻓﺮﻧﺎﺯ‬ ‫‪farnaz‬‬
‫ﻥ ﺩﯾﮕﺮِ ﺧﺎﻧﻮﺍﺩﻩ ﺗﻮﻟﯿﺪ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺭ ﺧﻮﺩﮐﺎﺭ ﺍﺯ ﻭﺯ ِ‬
‫ﺍﯾﻦ ﻗﻠﻢ ﺑﻪ ﻃﻮ ِ‬
‫∗‬
‫‪۱۴‬‬ ‫ﻓﺼﻞِ ‪ .۱‬ﻗﻠﻢﻫﺎ‬
‫ﻞ ﻫﻨﺪﺳﯽ‬
‫ﺍﯾﺮﺍﻧﯿﮏ ﻭ ﺧﻮﺍﺑﯿﺪﻩ ﺍﺯ ﺭﻭﯼ ﻗﻠﻢِ ﺍﯾﺴﺘﺎﺩﻩ ﻭ ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﯾﮏ ﺗﺒﺪﯾ ِ‬
‫ﺗﻌﺮﯾﻒ ﺷﺪﻩﺍﻧﺪ‪.‬‬
‫ﻣﺰﯾﺖِ ﺩﺍﺷﺘﻦِ ﻗﻠﻢﻫﺎﯼ ‪ Type1‬ﺍﯾﻦ ﺍﺳﺖ ﮐﻪ ﺩﺭ ﺧﺮﻭﺟﯽﻫﺎﯼ ‪PostScript‬‬
‫‪۱۳‬‬
‫ﺖ‬
‫ﻖ ﺗﻌﺮ ﯾﻒ( ﻣﺴﺘﻘﻞ ﺍﺯ ﺩﻗ ِ‬
‫ﻭ ‪ PDF‬ﺍﺯ ﺍﯾﻦ ﻗﻠﻢﻫﺎ ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﺷﻮﺩ ﮐﻪ )ﻃﺒ ِ‬
‫ﺩﺳﺘﮕﺎِﻩ ﺧﺮﻭﺟﯽ ﻣﯽﺑﺎﺷﻨﺪ‪ .‬ﺍﺯ ﺩﯾﮕﺮ ﻣﺰﺍﯾﺎﯼ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺍﯾﻦ ﻗﻠﻢﻫﺎ ﺍﯾﻦ ﺍﺳﺖ ﮐﻪ‬
‫ﺩ‬
‫ﺑﺮ ﺭﻭﯼ ﺻﻔﺤﻪﯼ ﻧﻤﺎﯾﺶﮔﺮ ﺑﺴﯿﺎﺭ ﺧﻮﺍﻧﺎﺗﺮ ﻣﯽﺑﺎﺷﻨﺪ‪ .‬ﺩﺭ ﻣﺠﻤﻮﻉ‪ ،‬ﺑﺪﻭﻥِ ﻭﺟﻮ ِ‬
‫ﺗﮏ ﺭﺍ ﺑﻪ ﺳﺨﺘﯽ ﻣﯽﺗﻮﺍﻥ ﺑﺎ ﮐﯿﻔﯿﺖ ﻧﺎﻣﯿﺪ‪ ،‬ﺍﻣﺎ ﺑﺎ‬
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‫ﻓﺎﺭﺳﯽ‬ ‫ِ‬
‫‪PDF‬‬ ‫ﺍﯾﻦ ﻗﻠﻢﻫﺎ ﺧﺮﻭﺟﯽِ‬
‫ﺣﻀﻮﺭِ ﺍﯾﻦ ﻗﻠﻢﻫﺎ ﺍﯾﻦ ﺧﺮﻭﺟﯽ ﺍﺯ ﮐﻠﯿﻪﯼ ﺭﻗﺒﺎﯼ ﺧﻮﺩ ﭘﯿﺸﯽ ﻣﯽﮔﯿﺮﺩ‪.‬‬
‫‪13 Resolution‬‬
‫ﻓﺼﻞِ ‪۲‬‬
‫ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺗﮏ ﯾﺎ ﺑﻪﮐﻞ ﻫﺮ ﺳ ﯿ ﺴ ﺘ ﻢ‬

‫ﯽ‬‫ﺖ ﻓﺎﺭﺳ ِ‬
‫ﻣﺎ ﮐﺮﻭﻫﺎ ‪ ۱‬ﺭﺍ ﻣﯽﺗﻮﺍﻥ ﻣ ﻬﻢﺗﺮ ﯾﻦ ﻗ ﺴ ﻤ ِ‬
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‫ﺗﮏ ﺩﺭ ﺍﺛﺮِ ﮔﺬﺷﺖِ ﺑﯿﺶ ﺍﺯ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺣﺮﻭﻑﭼﯿﻨﯽِ ﻣﺒﺘﻨﯽ ﺑﺮ ِﺗﮏ ﺷﻤﺮﺩ‪ .‬ﻣﺎﮐﺮﻭﻫﺎﯼ‬
‫ﯽ ﺍﻭﻟﯿﻪﺷﺎﻥ ﻭ ﺭﻓﻊ ﺍﺷﮑﺎﻝﻫﺎﯼ ﻓﺮﺍﻭﺍﻥ ﺩﺭ ﺍﯾﻦ ﺩﻩ ﺳﺎﻝ‪ ،‬ﺑﺴﯿﺎﺭ‬ ‫ﺩﻩ ﺳﺎﻝ ﺍﺯ ﻃﺮﺍﺣ ِ‬
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‫ﻏﯿﺮِ ﺑﻬﯿﻨﻪ ﻭ ﺷﻠﻮﻍ ﺷﺪﻩ ﺑﻮﺩﻧﺪ‪ .‬ﺩﺭ ﻃﻮﻝِ ﺍﻧﺠﺎﻡ ﺍﯾﻦ ﭘﺮﻭﮊﻩ‪ ،‬ﺗﻘﺮﯾﺒﺎً ﺗﻤﺎﻡ ﻣﺎﮐﺮﻭﻫﺎ‬
‫ِ‬ ‫ِ‬
‫ﺶ‬
‫ﺩ ﺑﺎﺯﺑﯿﻨﯽ ﻭ ﺩﺭ ﺍﮐﺜ ﺮِ ﻣﻮﺍﺭﺩ ﺑﺎﺯﻧﻮﯾﺴﯽ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ‪ .‬ﺩﺭ ﺑﺨﺶﻫﺎﯼ ﭘﯿ ِ‬
‫ﻣﻮﺭ ِ‬
‫ﺭﻭ‪ ،‬ﺑﻪ ﻣﻬﻢﺗﺮﯾﻦِ ﺍﯾﻦ ﺗﻐﯿﯿﺮﺍﺕ ﺍﺷﺎﺭﻩ ﻣﯽﺷﻮﺩ‪.‬‬
‫ﺏ ﻗﻠﻢ‬
‫ﺍﻧﺘﺨﺎ ِ‬ ‫‪۱−۲‬‬
‫ﺑﺎ ﺩﺍﺷﺘﻦِ ﻗﻠﻢﻫﺎﯼ ﺧﺮﻭﺟﯽِ ﻓﺼﻞِ ‪ ،۱‬ﺍﮐﻨﻮﻥ ﺗﻨﻬﺎ ﺭﺍﻫﯽ ﺑﺮﺍﯼ ﺍﻧﺘﺨﺎﺏِ ﻗﻠﻢ ﻻﺯﻡ‬
‫‪ NFSS‬ﻧﺴﺨﻪﯼ ‪ ۱‬ﮐﻪ ﻗﺎﺑﻞِ ﺍﺳﺘﻔﺎﺩﻩ ﺑﺎ ﻟَِ ِ‬

‫ﺘﮏ‬ ‫ِ‬ ‫ﺑﻮﺩ‪ .‬ﺑﺪﯾﻦ ﻣﻨﻈﻮﺭ‪ ،‬ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺳﯿﺴﺘﻢ‬
‫ِ‬
‫ﯽ‬
‫‪ ۲٫۰۹‬ﻣﯽﺑﺎﺷﺪ ﺍﻧﺘﺨﺎﺏ ﮔﺸﺖ‪ .‬ﻣﺰﺍﯾﺎﯼ ﺍﯾﻦ ﺳﯿﺴﺘﻢ ﻧﺴﺒﺖ ﺑﻪ ﺳﯿﺴﺘﻢِ ﻗﺪﯾﻤ ِ‬
‫ﺭ ﺧﻼﺻﻪ‪ ،‬ﺑﺮﺍﯼ ﮐﺎﺭﺑﺮ‪ ،‬ﺍﺳﺘﻔﺎﺩﻩ‬ ‫ﺗﮏ ﺑﯽﺷﻤﺎﺭ ﺍﺳﺖ‪ .‬ﺑﻪ ﻃﻮ ِ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺍﻧﺘﺨﺎﺏِ ﻗﻠﻢ ﺩﺭ‬
‫ﺏ ﻗﻠﻢ ﺩﺭ ‪ LaTEX2ε‬ﺍﺳﺖ‪ ،‬ﺍ ﮔﺮﭼﻪ‬ ‫ﺪ ﺳﯿﺴﺘﻢِ ﺍﻧﺘﺨﺎ ِ‬
‫ﻼ ﻣﺎﻧﻨ ِ‬
‫ﺍﺯ ﺍﯾﻦ ﺳﯿﺴﺘﻢ ﮐﺎﻣ ً‬
‫ﺮ ﻗﻠﻢ ﻗﺪﯾﻤﯽ ﻧﯿﺰ ﻫﻢﭼﻨﺎﻥ ﮐﺎﺭ ﻣﯽﮐﻨﻨﺪ )ﺑﺎ ﻣﻌﻨﺎﯾﯽ ﺟﺪﯾﺪ(‪.‬‬ ‫ﺩﺳﺘﻮﺭﺍﺕِ ﺗﻐﯿﯿ ِ‬
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‫‪1 Macros‬‬
‫‪۱۵‬‬
‫‪۱۶‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺲ‬
‫ﻢ ﻣﺘﻦ ﺭﺍ ﺳﯿﺎﻩ ﻣﯽﮐﻨﻨﺪ‪ ،‬ﻭ ﺑﺎﻟﻌﮑ ِ‬ ‫ﺭ \‪ bf‬ﻭ \‪ ،bfseries‬ﻗﻠ‬
‫ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﻫﺮ ﺩﻭ ﺩﺳﺘﻮ ِ‬
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‫ﺁﻥﭼﻪ ﭘﯿﺶ ﺍﺯ ﺍﯾﻦ ﺑﻮﺩ‪ ،‬ﺩﯾﮕﺮ ﺧﺼﻮﺻﯿﺎﺕِ ﻗﻠﻢ )ﺧﻮﺍﺑﯿﺪﮔﯽ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ‪ (. . . ،‬ﺭﺍ‬
‫ﺕ ﺗﻐﯿﯿﺮِ ﻗﻠﻢ ﺍﮐﻨﻮﻥ ﻣﺸﺨﺼﺎﺕِ ﻗﻠﻢ ﻫﺮ ﺩﻭ‬ ‫ﺗﻐﯿﯿﺮ ﻧﻤﯽﺩﻫﻨﺪ‪ .‬ﻫﻢﭼﻨﯿﻦ‪ ،‬ﺩﺳﺘﻮﺭﺍ ِ‬
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‫ﺕ \‪،textbf\ ،emph‬‬
‫ﺧﻂ )ﻓﺎﺭﺳﯽ ﻭ ﻻﺗﯿﻦ( ﺭﺍ ﺑﺎ ﻫﻢ ﺗﻐﯿﯿﺮ ﻣﯽﺩﻫﻨﺪ‪ .‬ﺩﺳﺘﻮﺭﺍ ِ‬
‫ﺗﮏ ﺍﺿﺎﻓﻪ ﮔﺸﺘﻪﺍﻧﺪ‪.‬‬
‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫\‪ textit‬ﻭ ﻣﺸﺎﺑﻪ ﺍﺯ ‪ LaTEX2ε‬ﻧﯿﺰ ﺑﻪ‬
‫ﺗﻐﯿﯿﺮِ ﺧﺎﻧﻮﺍﺩﻩﯼ ﻗﻠﻢ‬ ‫‪۱−۱−۲‬‬
‫ﺵ ‪ NFSS‬ﻣﯽﺑﺎﺷﺪ ﮐﻪ ﺑﺎ‬

‫ﺧﺎﻧﻮﺍﺩﻩﯼ ﻗ ﻠﻢ‪ ،‬ﻫ ﻤﺎﻥ ﺭﻭ ِ‬ ‫ﺮ‬
‫ﺭﻭﺵِ ﺍﺻ ﻠ ﯽِ ﺗ ﻐ ﯿ ﯿ ِ‬
‫ﺕ‬
‫\‪ fontfamily‬ﻭ \‪ selectfont‬ﺍﺳﺖ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﺩﺳﺘﻮﺭﺍ ِ‬ ‫ﺕ‬
‫ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺩﺳﺘﻮﺭﺍ ِ‬
‫\‪ selectfont\{lotoos}fontfamily‬ﻗﻠﻢ ﻟﻮﺗﻮﺱ ﺭﺍ ﺍﻧﺘﺨﺎﺏ ﻣﯽﮐﻨﺪ‪ .‬ﺑﺮﺍﯼ ﺭﺍﺣﺘﯽ‪،‬‬
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‫ﺩﺳﺘﻮﺭﯼ ﺑﻪ ﻧﺎﻡ ﻻﺗﯿﻦِ ﻫﺮ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻧﯿﺰ ﺗﻌﺮﯾﻒ ﺷﺪﻩ ﮐﻪ ﻫﻤﯿﻦ ﻋﻤﻞ ﺭﺍ ﺍﻧﺠﺎﻡ‬
‫ِ‬
‫ﻣﯽﺩﻫﺪ‪ .‬ﯾﻌﻨﯽ ﺑﻪ ﺟﺎﯼ ﺩﺳﺘﻮﺭﺍﺕِ ﺑﺎﻻ‪ ،‬ﻣﯽﺗﻮﺍﻥ ﮔﻔﺖ \‪.lotoos‬‬
‫ﺮ ﺧﺎﻧﻮﺍﺩﻩﯼ ﻗﻠﻢ ﭘﯿﺶﻓﺮﺽ‬

‫ﺗﻐﯿﯿ ِ‬ ‫‪۲−۱−۲‬‬
‫ِ‬
‫ﺭ \‪ rmdefault‬ﺭﺍ ﺩﺭ ﻣﻘﺪﻣﻪﯼ‬ ‫ﻢ ﭘﯿﺶﻓﺮﺽ‪ ،‬ﮐﺎﻓﯿﺴﺖ ﺩﺳﺘﻮ ِ‬ ‫ﺮ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠ‬

‫ﺑﺮﺍﯼ ﺗﻐﯿﯿ ِ‬
‫ِ‬
‫ﻦ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ‬
‫ﺳﻨﺪ )ﭘﯿﺶ ﺍﺯ \‪ ({document}begin‬ﺩﻭﺑﺎﺭﻩ ﺗﻌﺮﯾﻒ ﮐﺮﺩﻩ ﻭ ﻧﺎﻡِ ﻻﺗﯿ ِ‬
‫ِ‬
‫ﺩ ﻧﻈﺮ ﺭﺍ ﺩﺭ ﺁﻥ ﻗﺮﺍﺭ ﺩﺍﺩ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪،{nazli}{rmdefault\}renewcommand\ ،‬‬ ‫ﻣﻮﺭ ِ‬
‫ﻥ ﻗﻠﻢ ﭘﯿﺶﻓﺮﺽِ ﻓﺎﺭﺳﯽ ﺗﻌﺮﯾﻒ ﻣﯽﮐﻨﺪ‪ .‬ﺑﻪ ﻫﻤﯿﻦ ﺭﻭﺵ‬
‫ِ‬ ‫ﻢ ﻧﺎﺯﻟﯽ ﺭﺍ ﺑﻪ ﻋﻨﻮﺍ ِ‬
‫ِ‬
‫ﻗﻠ‬
‫ﺕ \‪ sfdefault‬ﻭ \‪ ttdefault‬ﺧﺎﻧﻮﺍﺩﻩﻫﺎﯾﯽ ﺭﺍ ﺗﻌﺮﯾﻒ ﮐﺮﺩ ﮐﻪ‬
‫ﻣﯽﺗﻮﺍﻥ ﺑﺎ ﺩﺳﺘﻮﺭﺍ ِ‬
‫ﺕ \‪ sf‬ﻭ \‪ tt‬ﺍﻧﺘﺨﺎﺏ ﻣﯽﺷﻮﻧﺪ‪.‬‬
‫ﻂ ﺩﺳﺘﻮﺭﺍ ِ‬
‫ﺗﻮﺳ ِ‬
‫ﻂ ﺭﯾﺎﺿﯽ ﺍﺯ ﺁﻥ ﺑﺮﺩﺍﺷﺘﻪ‬ ‫ﺑﺮﺍﯼ ﺗﻐﯿﯿﺮِ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻓﺎﺭﺳﯽ ﮐﻪ ﺭﻗﻢﻫﺎﯼ ﻣﺤﯿ ِ‬
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‫ﺭ \‪persianmathdigitsfamily‬‬
‫ﺵ ﻣ ﺸﺎﺑﻪ ﺩﺳ ﺘﻮ ِ‬
‫ﻣﯽﺷﻮﻧﺪ ﻧ ﯿﺰ ﮐﺎﻓﯽﺳﺖ ﺑﻪ ﺭﻭ ِ‬
‫ﺗﻌﺮﯾﻒ ﺷﻮﺩ‪.‬‬
‫ﯽ ﺑﯿﺶﺗﺮ‪ ،‬ﺩﺳﺘﻮﺭﯼ ﮐﻪ ﺑﻪ ﻧﺎﻡ ﻻﺗﯿﻦِ ﻫﺮ ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﺗﻌﺮﯾﻒ‬ ‫ﺑﺮﺍﯼ ﺭﺍﺣﺘ ِ‬
‫ِ‬
‫ﺷﺪﻩ ﺍﺳﺖ‪ ،‬ﺍ ﮔﺮ ﺩﺭ ﻣﻘﺪﻣﻪﯼ ﺳﻨﺪ ﺍﺳﺘﻔﺎﺩﻩ ﺷﻮﺩ ﻗﻠﻢ ﭘﯿﺶﻓﺮﺽِ ﻣﺘﻦ ﻭ ﺍﺭﻗﺎﻡ‬
‫ِ‬ ‫ِ‬
‫‪۱۷‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺭ \‪ lotoos‬ﺍ ﮔﺮ ﺩﺭ ﻣﻘﺪﻣﻪﯼ‬

‫ﺭ ﯾﺎﺿﯽ ﺭﺍ ﺗﻌﯿﯿﻦ ﻣﯽﮐﻨﺪ‪ .‬ﯾﻌﻨﯽ ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﺩﺳﺘﻮ ِ‬
‫ﺳﻨﺪ ﺁﯾﺪ‪ ،‬ﮐﻠﯿﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﯿﺶﻓﺮﺽ ﺭﺍ ﮐﻪ ﻗﻠﻢ ﻋﻠﻤﯽ ﺑﻮﺩﻩﺍﻧﺪ ﺑﻪ ﻗﻠﻢ ﻟﻮﺗﻮﺱ‬
‫ِ‬
‫ﺮ ﻗﻠﻢ ﭘﯿﺶﻓﺮﺽ ﺍﺳﺖ‪.‬‬ ‫ﺗﻐﯿﯿﺮ ﻣﯽﺩﻫﺪ‪ .‬ﺍﯾﻦ ﺭﻭﺵ ﺁﺳﺎﻥﺗﺮﯾﻦ ﺭﺍﻩ ﺑﺮﺍﯼ ﺗﻐﯿﯿ‬
‫ِ ِ‬
‫ﯽ ‪PDF‬‬
‫ﺗﻮﻟﯿ ِ‬ ‫‪۲−۲‬‬
‫ﺗﮏ‬ ‫ﯽ‬‫ﺪ ﺧﺮﻭﺟﯽ ‪ PDF‬ﻧﯿﺎﺯ ﺑﻪ ﻫﯿﭻ ﺗﻐﯿﯿﺮﯼ ﺩﺭ ﻣﺎ ﮐﺮﻭﻫﺎﯼ ﻓﺎﺭﺳ ِ‬ ‫ﺩﺭ ﻭﺍﻗﻊ ﺗﻮﻟﯿ ِ‬
‫ِ‬
‫ﺭ ‪ pdfε-TEX‬ﺑﻪ ﺟﺎﯼ ‪ εTeX‬ﮐﺎﻓﯽ ﺑﻮﺩ‪ .‬ﺗﻨﻬﺎ‬ ‫ﻧﺪﺍﺷﺖ ﻭ ﺗﻨﻬﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻣﻮﺗﻮ ِ‬
‫ﺗﮏ ﻣﻌﻤﻮﻻً ﺑﻪ ﮐﻤ ِ‬
‫ﮏ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﻣﺸﮑ ﻞِ ﺍﯾﻦ ﮐﺎﺭ ﺍﯾﻦ ﺍﺳﺖ ﮐﻪ ﺩﺭﺝ ﺗﺼﺎﻭﯾﺮ ﮐﻪ ﺩﺭ‬
‫ِ‬
‫ﺑﺴﺘﻪﯼ ‪ epsf‬ﺍﻧﺠﺎﻡ ﻣﯽﮔﺮﻓﺖ‪ ،‬ﺩﯾﮕﺮ ﻣﻤﮑﻦ ﻧﯿﺴﺖ‪ .‬ﻟﺬﺍ‪ ،‬ﻣﺎﮐﺮﻭﻫﺎﯾﯽ ﺑﺮﺍﯼ ﺩﺭﺝ‬
‫ِ‬
‫ﯽ ‪ dvi‬ﻭ ‪ PDF‬ﮐﺎﺭ‬ ‫ِﺗﮏ‬
‫ﺗﺼﻮ ﯾﺮ ﺩﺭ ﻓﺎﺭﺳﯽ ﻃﺮﺍﺣﯽ ﺷﺪﻧﺪ ﮐﻪ ﺑﺎ ﻫﺮ ﺩﻭ ﺧﺮﻭﺟ ِ‬
‫ﻣﯽﮐﻨﻨﺪ‪ .‬ﺷﺮﺡ ﺍﯾﻦ ﻣﺎﮐﺮﻭﻫﺎ ﺩﺭ ﺑﺨﺶِ ‪ ۳−۲‬ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬
‫ِ‬
‫ﺩﺭﺝ ﺗﺼﻮﯾﺮ‬ ‫‪۳−۲‬‬

‫ِ‬
‫ﯽ‬
‫ﺝ ﺗﺼﻮ ﯾﺮ ﺩﺭ ِﺗﮏ ﯾﮑﯽ ﺍﺯ ﻣﺴﺌﻠﻪﺳﺎﺯﺗﺮ ﯾﻦ ﻧﯿﺎﺯﻫﺎﯼ ﻋﻤﻮﻣ ِ‬ ‫ﻥ ﺷﮏ ﺩﺭ‬‫ﺑﺪﻭ ِ‬
‫ِ‬
‫ﺩ‬
‫ﺭ ِﺗﮏ ﻧﯿﺎﺯ ﺩﺍﺭﺩ ﺍﺑﻌﺎ ِ‬
‫ﮐﺎﺭ ﺑﺮﺍﻥ ﺍﺳﺖ‪ .‬ﻣﺸﮑﻞ ﺍﺯ ﺁﻥﺟﺎ ﻧﺎﺷﯽ ﻣﯽﺷﻮﺩ ﮐﻪ ﻣﻮﺗﻮ ِ‬
‫ﻥ‬
‫ﯽ ﺑﺎﺯﮐﺮﺩ ِ‬
‫ﯽ ﺗﺼﻮ ﯾﺮ ﺭﺍ ﺑﺪﺍﻧﺪ‪ ،‬ﻭ ﺑﻪ ﺩﺳﺖ ﺁﻭﺭﺩﻥِ ﺍﯾﻦ ﺍﻃﻼﻋﺎﺕ ﺑﻪ ﻣﻌﻨ ِ‬
‫ﻧﻬﺎﯾ ِ‬
‫ﭘﺮﻭﻧﺪﻩﯼ ﺗﺼﻮ ﯾﺮ ﻫﻨﮕﺎﻡ ﺍﺟﺮﺍﯼ ِﺗﮏ ﻭ ﺍﺳﺘﺨﺮﺍﺝ ﺍﻃﻼﻋﺎﺕِ ﻻﺯﻡ ﻣﯽﺑﺎﺷﺪ‪ ،‬ﻭ‬
‫ِ‬ ‫ِ‬
‫ﺮ ﻣﺘﻨﯽ )‪ (binary‬ﭼﻮﻥ ‪ JPEG‬ﻭ‬ ‫ﻃﺒﯿﻌﯽﺳﺖ ﮐﻪ ﺍﯾﻦ ﮐﺎﺭ ﺑﺮﺍﯼ ﻗﺎﻟﺐﻫﺎﯼ ﻏﯿ ِ‬
‫‪ PNG‬ﺁﺳﺎﻥ ﻧﯿﺴﺖ‪ .‬ﺩﺭ ﻧﺘﯿﺠﻪ ﺗﻨﻬﺎ ﻗﺎﻟﺐِ ﺭﺍﯾﺞ ﻗﺎﺑﻞِ ﺩﺭﺝ ‪ EPS‬ﻣﯽﺑﺎﺷﺪ ﮐﻪ ﻫﻨﮕﺎﻡ‬
‫ِ‬ ‫ِ‬
‫ﯽ‬
‫ﻝ ‪ ،dvips‬ﺧﻮﺩِ ﺗﺼﻮ ﯾﺮ ﻧﯿﺰ ﺩﺭ ﺧﺮﻭﺟ ِ‬
‫ﻂ ﻣﺒﺪ ِ‬
‫ﻞ ‪ dvi‬ﺑﻪ ‪ PostScript‬ﺗﻮﺳ ِ‬
‫ﺗﺒﺪﯾ ِ‬
‫‪ PostScript‬ﺩﺭﺝ ﻣﯽﺷﻮﺩ‪.‬‬
‫ﺭ ‪ pdfTEX‬ﺍﻣﮑﺎﻧﺎﺗﯽ ﺑﺮﺍﯼ ﺩﺭﺝ‬
‫ﺡ ﻣﻮﺗﻮ ِ‬ ‫ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺍﯾﻦ ﻣﺸﮑﻼﺕ‪ ،‬ﻃﺮﺍ‬
‫ِ‬ ‫ِ‬
‫‪۱۸‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﻞ‬
‫ﺞ ‪ ،PNG ،JPEG‬ﻭ ‪ PDF‬ﻓﺮﺍﻫﻢ ﺁﻭﺭﺩ‪ .‬ﻣﺸﮑ ِ‬ ‫ﻣﺴﺘﻘﯿﻢ ﺗﺼﻮﯾﺮ ﺩﺭ ﻗﺎﻟﺐﻫﺎﯼ ﺭﺍﯾ‬
‫ِ‬ ‫ِ‬
‫ﻥ ‪ ،PDF‬ﺩﺭﺝ ﻣﺴﺘﻘﯿﻢ‬
‫ﺩ ﺯ ﺑﺎ ِ‬
‫ﺟﺪﯾﺪ ﺍﯾﻦﺟﺎﺳﺖ ﮐﻪ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺳﺎﺧﺘﺎﺭِ ﻣﺤﺪﻭ ِ‬
‫ِ‬ ‫ِ‬
‫ﺮﻣﻤﮑﻦ ﺍﺳﺖ‪.‬‬ ‫ﯽ ﺍﯾﻦ ﻣﻮﺗﻮﺭ ﻏﯿ ِ‬ ‫ﺮ ‪ EPS‬ﺩﺭ ﺧﺮﻭﺟ ِ‬ ‫ﺗﺼﺎﻭﯾ ِ‬
‫ﺑﻪ ﻣﻨﻈﻮﺭِ ﺭﻓﻊ ﺑﺨﺸﯽ ﺍﺯ ﺍﯾﻦ ﻣﺸﮑﻼﺕ‪ ،‬ﻣﺎﮐﺮﻭﯾﯽ ﺑﻪ ﻧﺎﻡ \‪includegraphics‬‬
‫ِ‬ ‫ِ‬
‫ﯽ‬
‫ﺪ ﺧﺮﻭﺟ ِ‬‫ﺑﺮﺍﯼ ﺩﺭﺝ ﺗﺼﻮ ﯾﺮ ﺗﻌﺮ ﯾﻒ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺍﯾﻦ ﻣﺎ ﮐﺮﻭ ﺩﺭ ﻫﻨﮕﺎﻡ ﺗﻮﻟﯿ ِ‬
‫ِ‬ ‫ِ‬
‫ﯽ ‪،PDF‬‬ ‫ﺪ ﺧﺮﻭﺟ ِ‬ ‫ﺮ ‪ ،EPS‬ﻭ ﻫﻨﮕﺎﻡ ﺗﻮﻟﯿ ِ‬ ‫ﺝ ﺗﺼﺎﻭﯾ ِ‬ ‫‪ ،dvi‬ﺍﺯ ﺑﺴﺘﻪﯼ ‪ fepsf‬ﺑﺮﺍﯼ ﺩﺭ‬
‫‪۲‬‬
‫ِ‬ ‫ِ‬
‫ﺕ ﺩﺍﺧﻠﯽِ ﻣﻮﺗﻮﺭ ‪ pdfTEX‬ﺑﺮﺍﯼ ﺩﺭﺝ ﻗﺎﻟﺐﻫﺎﯼ ‪ ،PNG ،JPEG‬ﻭ ‪PDF‬‬ ‫ﺍﺯ ﺗﺴﻬﯿﻼ ِ‬
‫ِ‬
‫ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﮐﻨﺪ‪.‬‬
‫ﺮ ‪ EPS‬ﺑﻪ ‪ PDF‬ﺑﺎ ﻧﺎﻡ ‪epstopdf‬‬ ‫ﻞ ﺗﺼﺎﻭ ﯾ ِ‬
‫ﮔﻔﺘﻨﯽﺳﺖ‪ ،‬ﺍﺑﺰﺍﺭﯼ ﺑﺮﺍﯼ ﺗﺒﺪﯾ ِ‬
‫ِ‬
‫ﺮ ِﺗﮏ ﻣﻨﺘﺸﺮ ﻣﯽﺷﻮﺩ‪ .‬ﺩﺭ ﻧﺘﯿﺠﻪ ﻣﺎ ﮐﺮﻭ ﯾﯽ ﺗﻌﺮ ﯾﻒ‬ ‫ﻫﻤﺮﺍﻩ ﺑﺎ ﺗﻮﺯ ﯾﻊﻫﺎﯼ ﻣﻌﺘﺒ ِ‬
‫ﻞ \‪{filename}includeepspdf‬‬ ‫ﻡ \‪ includeepspdf‬ﮐﻪ ﻭﻗﺘﯽ ﺑﻪ ﺷﮑ ِ‬ ‫ﮔﺸﺘﻪ ﺍﺳﺖ ﺑﻪ ﻧﺎ‬
‫ِ‬
‫ﺭ ﺩﺭ ﺣﺎﻝِ ﺍﺟﺮﺍ(‬‫ﻉ ﺧﺮﻭﺟﯽِ ﻓﻌﻠﯽ )ﻣﻮﺗﻮ ِ‬ ‫ﺩ ﺍﺳﺘﻔﺎﺩﻩ ﻗﺮﺍﺭ ﮔﯿﺮﺩ‪ ،‬ﺑﺴﺘﻪ ﺑﻪ ﻧﻮ‬
‫ﻣﻮﺭ ِ‬
‫ِ‬
‫ﺮ ‪ filename.eps‬ﯾﺎ ‪ filename.pdf‬ﺭﺍ ﺩﺭﺝ ﻣﯽﮐﻨﺪ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪،‬‬ ‫ﯾﮑﯽ ﺍﺯ ﺩﻭ ﺗﺼﻮ ﯾ ِ‬
‫ﺗﮏ ﺳﻪ ﺗﺼﻮﯾ ﺮِ ﺁﺭﻡ ﺩﺍﻧﺸﮕﺎِﻩ ﺷﺮﯾﻒ )‪ ،(sharif‬ﻋﻼﻣ ِ‬
‫ﺖ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺩﺭ ﺍﯾﻦ ﻧﺴﺨﻪ ﺍﺯ‬
‫ِ‬
‫ﺟﻤﻬﻮﺭﯼِ ﺍﺳﻼﻣﯽِ ﺍﯾﺮﺍﻥ )‪ ،(iri‬ﻭ ﭘﺮﭼﻢ ﺟﻤﻬﻮﺭﯼِ ﺍﺳﻼﻣﯽِ ﺍﯾﺮﺍﻥ )‪ (irflag‬ﺩﺭ ﺩﻭ‬
‫ِ‬
‫ﺐ ‪ EPS‬ﻭ ‪ PDF‬ﺩﺭﺝ ﮔﺸﺘﻪ ﺍﺳﺖ‪ ،‬ﮐﻪ ﺑﺎﻋﺚ ﻣﯽﺷﻮﺩ ﺑﺘﻮﺍﻥ ﺍﯾﻦ ﺳﻪ ﺗﺼﻮﯾﺮ‬ ‫ﻗﺎﻟ ِ‬
‫ﯽ ‪ dvi‬ﻭ ‪ ،PDF‬ﺑﺪﻭﻥ ﻧﯿﺎﺯ ﺑﻪ ﻫﯿﭻﮔﻮﻧﻪ ﺗﻐﯿﯿﺮﯼ ﺩﺭ ﺳﻨﺪ‪،‬‬
‫ﺭﺍ ﺩﺭ ﻫﺮ ﺩﻭ ﺧﺮﻭﺟ ِ‬
‫ﺩﺭﺝ ﻧﻤﻮﺩ‪.‬‬
‫ﺗﮏ ﺑﻬﯿﻨﻪ ﺷﺪﻩ ﺍﺳﺖ‬

‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫‪۲‬ﺑﺴﺘﻪﯼ ‪ fepsf‬ﻫﻤﺎﻥ ﺑﺴﺘﻪﯼ ‪ epsf‬ﺍﺳﺖ ﮐﻪ ﺑﺮﺍﯼ ﮐﺎﺭ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻂ‬
‫ﻭ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺁﻥ ﺑﻪ ﺟﺎﯼ ﺑﺴﺘﻪﯼ ‪ epsf‬ﺗﻮﺻﯿﻪ ﻣﯽﺷﻮﺩ‪.‬‬
‫‪۱۹‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺮ ﻓﺎﺭﺳﯽ‬
‫ﻥ ﺷﻌ ِ‬
‫ﭼﯿﺪ ِ‬ ‫‪۴−۲‬‬
‫ﺖ‬
‫ﺮ ﻓﺎﺭﺳﯽ‪ ،‬ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺑﺴﺘﻪﺍﯼ ﺟﻬ ِ‬
‫ﺩﺭ ﺭﺍﺳﺘﺎﯼ ﻋﻼﻗﻪﯼ ﻧﮕﺎﺭﻧﺪﻩ ﺑﻪ ﺷﻌ ِ‬
‫ﺮ ﺳّﻨﺘﯽ ﺑﺎ ﻧﺎﻡ ‪ poem‬ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﺍﺳﺖ ‪.۳‬‬ ‫ﯽ ﺷﻌﺮِ ﻧﻮ ﻭ ﺷﻌ ِ‬ ‫ﺳﻬﻮﻟﺖ ﺩﺭ ﺣﺮﻭﻑﭼﯿﻨ ِ‬
‫ِ‬
‫ﻂ ﺟﺪﯾﺪ ﺗﻌﺮﯾﻒ ﮔﺸﺘﻪﺍﻧﺪ ﮐﻪ ﺣﺮﻭﻑﭼﯿﻨ ﯽِ ﺍﺷﻌﺎﺭ ﺭﺍ‬ ‫ﺑﺪﯾﻦ ﻣﻨﻈﻮﺭ ﭼﻬﺎﺭ ﻣﺤﯿ ِ‬
‫ﺶﺭﻭ ﺍﯾﻦ‬
‫ﺵ ﻣﻤﮑﻦ ﻣﯿﺴﺮ ﻣﯽﺳﺎﺯﻧﺪ‪ .‬ﺩﺭ ﺯ ﯾﺮ ﺑﺨﺶﻫﺎﯼ ﭘﯿ ِ‬
‫ﺑﻪ ﺳﺎﺩﻩﺗﺮ ﯾﻦ ﺭﻭ ِ‬
‫ﻣﺤﯿﻂﻫﺎ ﻭ ﺑﻌﻀﯽ ﺍﺯ ﻣﻌﯿﺎﺭﻫﺎﯾﯽ ﮐﻪ ﺩﺭ ﻃﺮﺍﺣﯽﺷﺎﻥ ﺩﺭ ﻧﻈﺮ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‬
‫ﻣﻌﺮﻓﯽ ﺷﺪﻩﺍﻧﺪ‪.‬‬
‫ﺮ ﺳّﻨﺘﯽ‬
‫ﺷﻌ ِ‬ ‫‪۱−۴−۲‬‬
‫ﻂ ‪ tabular‬ﺩﺭ ﻟَِﺘﮏ‪ ،‬ﺑﻪ ﻧﻈﺮ ﺭﺍﺣﺖﺗﺮﯾﻦ‬

‫ﺮ ﻓﺎﺭﺳﯽ ﻭ ﻣﺤﯿ ِ‬
‫ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺳﺎﺧﺘﺎﺭِ ﺷﻌ ِ‬
‫ﻥ ﺷﻌ ﺮِ ﺳﻨﺘﯽ ﺁﻥ ﺍﺳﺖ ﮐﻪ ﺩﺭ ﻫﺮ ﺳﻄﺮ ﺻﻔﺮ‪ ،‬ﯾﮏ‪ ،‬ﯾﺎ ﺩﻭ ﻣﺼﺮﺍﻉ‬ ‫ﺭﺍﻩِ ﻭﺍﺭﺩ ﮐﺮﺩ ِ‬
‫ﻗﺮﺍﺭ ﮔﯿﺮﺩ‪ ،‬ﺳﻄﺮﻫﺎ ﺑﺎ \\ ﺍﺯ ﯾﮏﺩﯾﮕﺮ‪ ،‬ﻭ ﺩﺭ ﻫﺮ ﺳﻄﺮ ﻣﺼﺮﺍﻉﻫﺎ ﺑﺎ & ﺍﺯ ﺩﯾﮕﺮﯼ‬
‫ﻂ ﺷﻌﺮ ﻣﯽﺗﻮﺍﻧﺪ ﺗﻤﺎﻣﯽِ ﻣﺼﺮﺍﻉﻫﺎ‬
‫ﻦ ﻫﻤﯿﻦ ﻣﯿﺰﺍﻥ ﺍﻃﻼﻉ‪ ،‬ﻣﺤﯿ ِ‬
‫ﺟﺪﺍ ﺷﻮﻧﺪ‪ .‬ﺑﺎ ﺩﺍﺷﺘ ِ‬
‫ﯼ ﻫﺮ ﻣﺼﺮﺍﻉ ﺩﺭ ﺳﻄﺮ ﺭﺍ ﺗﻨﻈﯿﻢ ﮐﻨﺪ‪،‬‬
‫ﺭﺍ ﮐﺸﯿﺪﻩ ﻭ ﻫﻢﻃﻮﻝ ﮐﻨﺪ‪ ،‬ﻫﻢﭼﻨﯿﻦ ﺟﺎ ِ‬
‫ﻞ‬
‫ﻭ ﺩﺭ ﺻﻮﺭﺗﯽ ﮐﻪ ﺩﻭ ﻣﺼﺮﺍﻉ ﺩﺭ ﯾﮏ ﺳﻄﺮ ﺟﺎﯼ ﻧﻤﯽﺷﻮﻧﺪ‪ ،‬ﺁﻥﻫﺎ ﺭﺍ ﺑﻪ ﺷﮑ ِ‬
‫ﯽ ﺍﯾﻦ ﺍﻫﺪﺍﻑ ﺭﺍ ﺑﺮﺁﻭﺭﺩﻩ ﻣﯽﺳﺎﺯﺩ‪ .‬ﺍﺯ‬ ‫ﻂ ‪ oldpoem‬ﺗﻤﺎﻣ ِ‬
‫ﭘﻠﻪﺍﯼ ﺑﭽﯿﻨﺪ‪ .‬ﻣﺤﯿ ِ‬
‫ﺩ ﺗﻮﺟﻪ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ ﻣﯽﺗﻮﺍﻥ‬ ‫ﯼ ﺍﯾﻦ ﻣﺤﯿﻂ ﻣﻮﺭ ِ‬ ‫ﻭﯾﮋﮔﯽﻫﺎﯾﯽ ﮐﻪ ﺩﺭ ﭘﯿﺎﺩﻩﺳﺎﺯ ِ‬
‫ﻂ ﺍﯾﻦ ﻣﺤﯿﻂ ﺍﺷﺎﺭﻩ ﮐﺮﺩ ‪ .۴‬ﺍﺯ‬
‫ﯽ ﭼﯿﺪﻥ ﺷﻌﺮﻫﺎﯼ ﻫﺮﺍﻧﺪﺍﺯﻩ ﺑﻠﻨﺪ ﺗﻮﺳ ِ‬
‫ﺑﻪ ﺗﻮﺍﻧﺎﯾ ِ‬
‫ﺗﮏ ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﻭ ﺑﺎ ﻫﺮ ﺳﯿﺴﺘﻢ ﻣﺒﺘﻨﯽ ﺑﺮ )ﻫﺮ‬

‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫‪۳‬ﺩﺭ ﻭﺍﻗﻊ ﺍﯾﻦ ﺑﺴﺘﻪ ﻣﺴﺘﻘﻞ ﺍﺯ ﺳﯿﺴﺘﻢ‬
‫ِ‬ ‫ِ‬
‫ﻧﺴﺨﻪﺍﯼ ﺍﺯ( ﻟَِﺘﮏ ﻗﺎﺑﻞِ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺳﺖ‪ .‬ﻫﻢﭼﻨﯿﻦ‪ ،‬ﺑﺮﺍﯼ ﺳﺎﺯﮔﺎﺭﯼ ﺑﺎ ﻧﺎﻡﮔﺬﺍﺭﯼِ ﺩﯾﮕﺮ ﺑﺴﺘﻪﻫﺎﯼ‬
‫ﺗﮏ‪ ،‬ﻣﯽ ﺗﻮﺍﻥ ﺍﺯ ﻧﺎﻡ ‪ fpoem‬ﻧﯿﺰ ﺑﺮﺍﯼ ﺩﺳﺖﺭﺳﯽ ﺑﻪ ﺍﯾﻦ ﺑﺴﺘﻪ ﺍﺳﺘﻔﺎﺩﻩ‬
‫ﻗﺎﺑﻞ ﺍﺳﺘﻔﺎﺩﻩ ﺩﺭ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ِ‬
‫ِ‬
‫ﮐﺮﺩ‪.‬‬
‫\‪ِ halign‬ﺗﮏ ﺍﯾﻦ ﺧﺼﻮﺻﯿﺖ ﺭﺍ ﻧﺪﺍﺭﺩ ﻭ ﺳﺎﺩﻩ ﺍﺳﺖ ﺩﺭ‬
‫ِ‬ ‫ﻧﮑﺘﻪ ﻣﻬﻢ ﺍﺳﺖ‪ ،‬ﺯﯾﺮﺍ ﻣﺤﯿ ِ‬
‫ﻂ‬ ‫‪۴‬ﺍﯾﻦ‬
‫ﺩﺍﻡ ﺍﯾﻦ ﺩﺳﺘﻮﺭ ﺍﻓﺘﺎﺩﻥ‪.‬‬
‫ِ‬
‫‪۲۰‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﻑ & ﺍﺳﺖ ﮐﻪ ﺑﯽﺍﻫﻤﯿﺖ‬

‫ﺹ ﭘﯿﺎﺩﻩﺳﺎﺯﯼ‪ ،‬ﻋﺪﻡ ﺗﻐﯿﯿﺮِ ﮐﺪِ ﺩﺳﺘﻪﯼ ‪ ۵‬ﺣﺮ ِ‬
‫ﺩﯾﮕﺮ ﺧﻮﺍ ِ‬
‫ِ‬
‫ﻧﯿﺴﺖ‪.‬‬
‫ﺑﺮﺍﯼ ﺳﻬﻮﻟﺖِ ﺑﯿﺶﺗﺮ‪ ،‬ﻣﺤﯿﻄﯽ ﺑﺎ ﻧﺎﻡ *‪ oldpoem‬ﻧﯿﺰ ﺗﻌﺮﯾﻒ ﮔﺸﺘﻪ‪ ،‬ﮐﻪ ﺑﺎ‬
‫ِ‬
‫ﺪ ﻭﺭﻭﺩﯼ‪ ،‬ﺳﻄﺮِ ﺧﺮﻭﺟﯽ ﺭﺍ ﺧﺎﺗﻤﻪ ﻣﯽﺩﻫﺪ‪ .‬ﺑﻪ ﻋﺒﺎﺭﺗﯽ‪،‬‬
‫ﺮ ﺳﻨ ِ‬
‫ﭘﺎﯾﺎﻥِ ﻫﺮ ﺳﻄ ِ‬
‫ﻂ ‪ oldpoem‬ﻓﻌﺎﻝ ﺑﺎﺷﺪ‪ .‬ﯾﻌﻨﯽ‬
‫ﺭ \‪ obeylines‬ﺩﺭ ﻣﺤﯿ ِ‬
‫ﺪ ﺍﯾﻦ ﺍﺳﺖ ﮐﻪ ﺩﺳﺘﻮ ِ‬
‫ﻣﺎﻧﻨ ِ‬
‫ﻥ \\ ﻧﯿﺴﺖ‪.‬‬ ‫ﻧﯿﺎﺯﯼ ﺑﻪ ﻭﺍﺭﺩ ﮐﺮﺩ ِ‬
‫ﻂ ‪ oldpoem‬ﺩﺭ ﺍﻧﺪﺍﺯﻩﻫﺎﯼ ﻣﺨﺘﻠﻒ ﺩﺭ ﭘﯿﻮﺳﺖِ ﺕ‬ ‫ﯽ ﻣﺤﯿ ِ‬ ‫ﻧﻤﻮﻧﻪﯼ ﺧﺮﻭﺟ ِ‬
‫ﺪ ﺯ ﯾﺮ ﻭ ﺍﻧﺪﺍﺯﻩﻗﻠﻢﻫﺎﯼ ﻣﺘﻔﺎﻭﺕ ﺗﻮﻟﯿﺪ‬
‫ﯽ ﺍﯾﻦ ﻣﺜﺎﻝﻫﺎ ﺑﺎ ﮐ ِ‬
‫ﺁﻣﺪﻩ ﺍﺳﺖ‪ .‬ﺗﻤﺎﻣ ِ‬
‫ﺷﺪﻩﺍﻧﺪ‪:‬‬
‫\‪{oldpoem}begin‬‬
‫ﺩﺭ َﮐٔﺎﺳﺎً َﻭ ﻧﺎِﻭْﻟﻬﺎ &‬
‫َﺍﻻ ﯾﺎ ﺍَﯾَﻬﺎ ﺍﻟﺴﺎﻗﯽ ﺍَ ِ‬
‫ّ‬ ‫‪m‬‬
‫ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ \\‬
‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑﮕﺸﺎﯾﺪ &‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ \\‬ ‫ﺯ ﺗﺎﺏِ ﺟﻌ ِ‬
‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ &‬ ‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰ ِ‬
‫ﺟﺮﺱ ﻓﺮﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮﺑﻨﺪﯾﺪ ﻣﺤﻤﻞﻫﺎ \\‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮﯾﺪ &‬
‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧﺒﺮ ﻧﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳﻢ ﻣﻨﺰﻝﻫﺎ \\‬
‫ِ‬
‫ﺷﺐِ ﺗﺎﺭﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ &‬
‫ِ‬
‫ﻝ ﻣﺎ ﺳﺒﮏﺑﺎﺭﺍﻥِ ﺳﺎﺣﻞﻫﺎ \\‬ ‫ﮐﺠﺎ ﺩﺍﻧﻨﺪ ﺣﺎ ِ‬
‫ﻫﻤﻪ ﮐﺎﺭﻡ ﺯ ﺧﻮﺩﮐﺎﻣﯽ ﺑﻪ ﺑﺪﻧﺎﻣﯽ ﮐﺸﯿﺪ ﺁﺧﺮ &‬
‫ﮐﯽ ﻣﺎﻧﺪ ﺁﻥ ﺭﺍﺯﯼ ﮐﺰ ﺍﻭ ﺳﺎﺯﻧﺪ ﻣﺤﻔﻞﻫﺎ \\‬
‫ﻧﻬﺎﻥ ِ‬
‫ﺣﻀﻮﺭﯼ ﮔﺮ ﻫﻤﯽﺧﻮﺍﻫﯽ ﺍﺯ ﺍﻭ ﻏﺎﯾﺐ ﻣﺸﻮ ﺣﺎﻓﻆ \\‬
‫ﻤْﻠﻬﺎ‬
‫ﺪْﻧﯿﺎ َﻭ ﺍَْﻫ ِ‬
‫ﻉ ﺍﻟ ‪m‬‬ ‫َﻣﺘﯽ ﻣﺎ ﺗْﻠﻖ ﻣﻦ ﺗﻬﻮﯼ ﺩ‬
‫َ َ َ ْ َْ ٰ َ ِ‬ ‫ٰ‬
‫\‪{oldpoem}end‬‬
‫‪5 catcode‬‬
‫‪۲۱‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺮ ﻧﻮ‬
‫ﺷﻌ ِ‬ ‫‪۲−۴−۲‬‬
‫ﺮ‬
‫ﻥ ﺁﺳﺎﻥِ ﺷﻌﺮِ ﻧﻮ ﺑﻪ ﻣﺮﺍﺗﺐ ﺳﺨﺖﺗﺮ ﺍﺯ ﺷﻌ ِ‬ ‫ﻒ ﻣﺤﯿﻄﯽ ﺑﺮﺍﯼ ﻭﺍﺭﺩ ﮐﺮﺩ ِ‬ ‫ﺗﻌﺮ ﯾ ِ‬
‫ﺮ ﻧﻮ ﺍﺯ ﺷﺎﻋﺮ ﺑﻪ ﺷﺎﻋﺮ ﻭ ﻧﺎﺷﺮ ﺑﻪ‬
‫ﺭ ﺩﯾﺪﺍﺭﯼِ ﺷ ﻌ ِ‬
‫ﺳ ﻨ ﺘﯽ ﺍﺳﺖ‪ ،‬ﺯ ﯾﺮﺍ ﺳﺎﺧ ﺘﺎ ِ‬
‫ﻧﺎﺷﺮ ﺑﺴﯿﺎﺭ ﻣﺘﻔﺎﻭﺕ ﺍﺳﺖ‪ ،‬ﻭﻟﯽ ﻧﮑﺘﻪﯼ ﻗﺎﺑﻞِ ﺗﻮﺟﻪ ﺍﯾﻦ ﺍﺳﺖ ﮐﻪ ﻫﻤﻪﯼ ﺍﯾﻦ‬
‫ﻂ ‪ ِtabbing‬ﻟَِﺘﮏ ﻗﺎﺑﻞِ ﭘﯿﺎﺩﻩﺳﺎﺯﯼ‬
‫ﺳﺎﺧﺘﺎﺭﻫﺎﯼ ﻣﺨﺘﻠﻒ ﮐﻢﻭ ﺑﯿﺶ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻂ ‪ newpoem‬ﺍﻧﺘﺨﺎﺏ ﺷﺪ‪.‬‬
‫ﻥ ﭘﺎﯾﻪﯼ ﻣﺤﯿ ِ‬
‫ﻫﺴﺘﻨﺪ‪ .‬ﺩﺭ ﻧﺘﯿﺠﻪ ﺍﯾﻦ ﻣﺤﯿﻂ ﺑﻪ ﻋﻨﻮﺍ ِ‬
‫ﺭ‬
‫ﻂ ‪ newpoem‬ﻣﺤﺪﻭﺩ ﺑﻪ ﺳﺎﺧﺘﺎ ِ‬ ‫ﺮ ﻣﺤﯿ ِ‬
‫ﺣﺴﻦ ﺭﺍ ﺩﺍﺭﺩ ﮐﻪ ﮐﺎﺭﺑ ِ‬ ‫ﺍﯾﻦ ﺍﻧﺘﺨﺎﺏ ﺍﯾﻦ ُ‬
‫ﺕ ﻧﯿﺎﺯ ﻣﯽﺗﻮﺍﻧﺪ ﺍﺯ ﮐﻠﯿﻪﯼ‬
‫ﺩﺭﻧﻈﺮﮔﺮﻓﺘﻪﺷﺪﻩ ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﻧﯿﺴﺖ ﻭ ﺩﺭ ﺻﻮﺭ ِ‬
‫ﻂ ‪ tabbing‬ﺑﻬﺮﻩ ﺟﻮﯾﺪ‪.‬‬
‫ﺕ ﻣﺤﯿ ِ‬
‫ﺍﻣﮑﺎﻧﺎ ِ‬
‫ﭘﺲ ﺍﺯ ﺍﯾﻦ ﻣﺮﺣﻠﻪ‪ ،‬ﺳﺎﺧﺘﺎﺭِ ﺍﺷﻌﺎﺭِ ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ ﺑﻪ ﻋﻨﻮﺍﻥِ ﺳﺎﺧﺘﺎﺭﯼ ﺭﺍﯾﺞ‬
‫ﻥ ﺍﯾﻦ‬ ‫ﺪ \] ﻭ \[ ﺑﺮﺍﯼ ﺗﺴﻬﯿ ِ‬
‫ﻞ ﭼﯿﺪ ِ‬ ‫ﺩﺭ ﺷﻌﺮِ ﻧﻮ‪ ،‬ﺑﺮﺭﺳﯽ ﮔﺸﺘﻪ ﻭ ﺩﻭ ﺩﺳﺘﻮﺭِ ﺟﺪﯾ ِ‬
‫ﻂ ‪ newpoem‬ﺭﺍ ﺗﺸﮑﯿﻞ ﻣﯽﺩﻫﻨﺪ‪.‬‬ ‫ﯽ ﻣﺤﯿ ِ‬
‫ﺳﺎﺧﺘﺎﺭ ﺗﻌﺮﯾﻒ ﺷﺪﻧﺪ ﮐﻪ ﻭﯾﮋﮔﯽِ ﺍﺻﻠ ِ‬
‫ﺯ‬
‫ﻡ *‪ newpoem‬ﻧﯿﺰ ﺗﻌﺮﯾﻒ ﮔﺸﺘﻪ ﺍﺳﺖ ﮐﻪ ﻧﯿﺎ ِ‬ ‫ﻫﻢﭼﻮﻥ ﻗﺒﻞ‪ ،‬ﻣﺤﯿﻄﯽ ﺑﻪ ﻧﺎ‬
‫ِ‬
‫ﻥ \\ ﺭﺍ ﺩﺭ ﺍﻧﺘﻬﺎﯼ ﺳﻄﺮﻫﺎﯼ ﺷﻌﺮ ﺍﺯ ﻣﯿﺎﻥ ﻣﯽﺑﺮﺩ‪.‬‬‫ﺑﻪ ﻭﺍﺭﺩ ﮐﺮﺩ ِ‬
‫ﺪ ﺗﻮﻟﯿﺪ‬
‫ﺖ ﺙ ﺁﻣﺪﻩ ﺍﺳﺖ‪ .‬ﮐ ِ‬
‫ﻂ ‪ newpoem‬ﺩﺭ ﭘﯿﻮﺳ ِ‬‫ﻧﻤﻮﻧﻪﯼ ﺧﺮﻭﺟﯽِ ﻣﺤﯿ ِ‬
‫ﮐﻨﻨﺪﻩﯼ ﺍﯾﻦ ﻧﻤﻮﻧﻪ ﭼﻨﯿﻦ ﺍﺳﺖ ‪:۶‬‬
‫\‪{newpoem*}begin‬‬
‫ﻦ ﮔﺮﮒ ﻭ ﻣﯿﺶ‬
‫ﺭ ﺧﻮﻧﯿ ِ‬
‫ﺩﺭ ﺁﻭﺍ ِ‬
‫ﺩﯾﮕﺮﮔﻮﻧﻪ ﻣﺮﺩﯼ ﺁﻧﮏ‪،‬‬
‫ﮐﻪ ﺧﺎﮎ ﺭﺍ ﺳﺒﺰ ﻣﯽﺧﻮﺍﺳﺖ‬
‫ﻭ \‪}textbf‬ﻋﺸﻖ{ ﺭﺍ ﺷﺎﯾﺴﺘﻪﯼ ﺯﯾﺒﺎﺗﺮﯾﻦِ ﺯﻧﺎﻥ‬
‫ﮐﻪ ﺍﯾﻨﺶ\]‬
‫ﺑﻪ ﻧﻈﺮ\[‬
‫ﻫﺪﯾﺘﯽ ﻧﻪ ﭼﻨﺎﻥ ﮐﻢﺑﻬﺎ ﺑﻮﺩ‬
‫ّ‬
‫ﮐﻪ ﺧﺎﮎ ﻭ ﺳﻨﮓ ﺭﺍ ﺑﺸﺎﯾﺪ‪.‬‬
‫ﭼﻪ ﻣﺮﺩﯼ! ﭼﻪ ﻣﺮﺩﯼ!\]‬
‫ﯽ ﺁﺛﺎﺭِ ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ ﻣﺤﻔﻮﻅ ﺍﺳﺖ‪ .‬ﺩﺭﺝ‬ ‫‪۶‬‬

‫ﮐﻠﯿﻪﯼ ﺣﻘﻮﻕِ ﺍﯾﻦ ﺷﻌﺮ ﺑﺮﺍﯼ ﺷﻮﺭﺍﯼ ﺳﺮﭘﺮﺳﺘ ِ‬
‫ﺩﺭ ﺍﯾﻦﺟﺎ ﺑﺎ ﺍﺟﺎﺯﻩ ﺻﻮﺭﺕ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫‪۲۲‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﮐﻪ ﻣﯽﮔﻔﺖ\[‬
‫ﻗﻠﺐ ﺭﺍ ﺷﺎﯾﺴﺘﻪﺗﺮ ﺁﻥ‬
‫ﺮ ﻋﺸﻖ\]‬‫ﮐﻪ ﺑﻪ ﻫﻔﺖ ﺷﻤﺸﯿ ِ‬
‫ﺩﺭ ﺧﻮﻥ ﻧﺸﯿﻨﺪ\[‬
‫ﻭ ﮔﻠﻮ ﺭﺍ ﺑﺎﯾﺴﺘﻪﺗﺮ ﺁﻥ‬
‫ﻦ ﻧﺎﻡﻫﺎ ﺭﺍ\]‬
‫ﮐﻪ ﺯﯾﺒﺎﺗﺮﯾ ِ‬
‫ﺑﮕﻮﯾﺪ‪[\.‬‬
‫ﻭ ﺷﯿﺮﺁﻫﻦﮐﻮﻩ ﻣﺮﺩﯼ ﺍﺯ ﺍﯾﻦ ﮔﻮﻧﻪ ﻋﺎﺷﻖ‬

‫ﻥ ﺧﻮﻧﯿﻦِ ﺳﺮﻧﻮﺷﺖ‬
‫ﻣﯿﺪﺍ ِ‬
‫ﺑﺎ \‪}textbf‬ﭘﺎﺷﻨﻪﯼ ﺁﺷﯿﻞ{\]‬
‫ﺩﺭﻧﻮﺷﺖ‪[\--- thinspace\.‬‬
‫ﺭﻭﯾﯿﻨﻪﺗﻨﯽ\]‬
‫ﺯ ﻣﺮﮒﺍﺵ\[‬
‫ﮐﻪ ﺭﺍ ِ‬
‫ﺍﻧﺪﻭِﻩ ﻋﺸﻖ ﻭ‬
‫ﻏﻢ ﺗﻨﻬﺎﺋﯽ ﺑﻮﺩ‪.‬‬
‫ِ‬
‫\‪newblock‬‬
‫ﺭ{ ﻣﻐﻤﻮﻡ!‬
‫»‐ \]ﺁﻩ‪}textbf\ ،‬ﺍﺳﻔﻨﺪﯾﺎ ِ‬
‫ﺗﻮ ﺭﺍ ﺁﻥ ﺑﻪ ﮐﻪ ﭼﺸﻢ‬
‫ﻓﺮﻭ ﭘﻮﺷﯿﺪﻩ ﺑﺎﺷﯽ!«\[‬
‫\‪newblock‬‬
‫»‐ \]ﺁﯾﺎ \‪}textbf‬ﻧﻪ{\]‬

‫ﯾﮑﯽ \‪}textbf‬ﻧﻪ{\]‬
‫ﺑﺴﻨﺪﻩ ﺑﻮﺩ \[\[‬
‫ﮐﻪ ﺳﺮﻧﻮﺷﺖِ ﻣﺮﺍ ﺑﺴﺎﺯﺩ؟‬
‫ﻣﻦ‬
‫‪۲۳‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺗﻨﻬﺎ ﻓﺮﯾﺎﺩ ﺯﺩﻡ\]‬

‫\‪}textbf‬ﻧﻪ{!\[‬
‫ﻣﻦ ﺍﺯ\]‬
‫ﻓﺮﻭﺭﻓﺘﻦ\]‬
‫ﺗﻦ ﺯﺩﻡ\[ \[‬
‫ﺻﺪﺍﯾﯽ ﺑﻮﺩﻡ ﻣﻦ‬

‫‪---‬ﺷﮑﻠﯽ ﻣﯿﺎﻥِ ﺍﺷﮑﺎﻝ‪،---‬‬
‫ﻭ ﻣﻌﻨﺎﯾﯽ ﯾﺎﻓﺘﻢ‪.‬‬
‫ﻣﻦ \‪}textbf‬ﺑﻮﺩﻡ{‬
‫ﻭ \‪}textbf‬ﺷﺪﻡ{‪،‬‬
‫ﻧﻪ ﺯﺍﻥﮔﻮﻧﻪ \]ﮐﻪ ﻏﻨﭽﻪﯾﯽ\]‬
‫ُﮔﻠﯽ\[‬
‫ﯾﺎ ﺭﯾﺸﻪﯾﯽ\]‬
‫ﮐﻪ ﺟﻮﺍﻧﻪﯾﯽ\[‬
‫ﯾﺎ ﯾﮑﯽ ﺩﺍﻧﻪ\]‬
‫ﮐﻪ ﺟﻨﮕﻠﯽ ‪[\[\---‬‬
‫ﺭﺍﺳﺖ ﺑﺪﺍﻥﮔﻮﻧﻪ‬
‫ﮐﻪ ﻋﺎﻣﯽ ﻣﺮﺩﯼ\]‬
‫ﺷﻬﯿﺪﯼ؛\[‬
‫ﺗﺎ ﺁﺳﻤﺎﻥ ﺑﺮ ﺍﻭ ﻧﻤﺎﺯ ﺑﺮﺩ‪«.‬‬
‫ََ‬
‫‪..‬‬
‫‪.‬‬
‫\‪{newpoem*}end‬‬
‫‪۲۴‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺣﺮﻭﻑﭼﯿﻨﯽِ ﺩﻭﺯﺑﺎﻧﻪ‬ ‫‪۵−۲‬‬
‫ﺪ ﻓﺎﺭﺳﯽ‬ ‫ﻥ ﺑﻨﺪﻫﺎﯼ ﻻﺗﯿﻦ ﺭﺍ ﺩﺭ ﺳﻨ ِ‬ ‫ﺗﮏ ﺍﻣﮑﺎﻥِ ﭼﯿﺪ ِ‬ ‫ِ‬

‫ﻓﺎﺭﺳﯽ‬ ‫ﺍﮔﺮﭼﻪ ﭘﯿﺶ ﺍﺯ ﺍﯾﻦ ﻧﯿﺰ‬
‫ﺗﮏ ﺭﺍ ﺑﻪ‬‫ﻼ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ﺑﻪ ﮐﺎﺭ ﺑﺮ ﻣﯽﺩﺍﺩ‪ ،‬ﻭﻟﯽ ﺍﯾﻦ ﺍﻣﮑﺎﻥ ﺑﻪ ﻗﺪﺭﯼ ﺳﺎﺩﻩ ﺑﻮﺩ ﮐﻪ ﻋﻤ ً‬
‫ﻟَِﺘﮏِ ﻓﺎﺭﺳﯽ ﺗﺒﺪﯾﻞ ﮐﺮﺩﻩ ﺑﻮﺩ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﮐﺎﺭﺑﺮ ﻧﻤﯽﺗﻮﺍﻧﺴﺖ ﺗﺎﺭﯾﺦ ﺭﻭﺯ ﺭﺍ ﺑﻪ‬
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‫ﻦ ﺍﯾﻦ ﮐﻪ ﺍﺭﻗﺎﻡ ﺭﯾﺎﺿﯽ ﺑﻪ ﻓﺎﺭﺳﯽ‬
‫ﺍﻧﮕﻠﯿﺴﯽ ﺩﺭﺝ ﮐﻨﺪ‪ .‬ﯾﺎ ﺩﺳﺘﻮﺭﯼ ﺑﺮﺍﯼ ﺗﻌﯿﯿ ِ‬
‫ِ‬
‫ﭼﯿﺪﻩ ﺷﻮﻧﺪ ﯾﺎ ﺍﺭﻭﭘﺎﯾﯽ ‪ ۷‬ﻭﺟﻮﺩ ﺩﺍﺷﺖ‪ ،‬ﻭﻟﯽ ﮐﺎﺭﺑﺮ ﻣﯽﺑﺎﯾﺴﺖ ﺧﻮﺩ ﻫﺮﺑﺎﺭ ﯾﮑﯽ‬
‫ﺍﺯ ﺍﯾﻦ ﺩﻭ ﺣﺎﻟﺖ ﺭﺍ ﺍﻧﺘﺨﺎﺏ ﻣﯽﮐﺮﺩ‪.‬‬
‫ﺩﺭ ﺍﯾﻦ ﺑﺨﺶ ﺧﻼﺻﻪﺍﯼ ﺍﺯ ﺗﻼﺷﯽ ﮐﻪ ﺑﺮﺍﯼ ﺑﻬﺒﻮﺩِ ﺍﯾﻦ ﻭﺿﻊ ﻭ ﺣﺮﮐﺖ‬
‫ﺖ ﻟَِﺘﮑﯽ ﺩﻭﺯﺑﺎﻧﻪ ﺍﻧﺠﺎﻡ ﮔﺮﻓﺘﻪ ﺍﺳﺖ ﻣﯽﺁﯾﺪ‪ .‬ﻫﺮﮔﺎﻩ ﺩﺳﺘﻮﺭﯼ ﺍﺯ ﻗﺒﻞ ﺩﺭ‬
‫ﺑﻪ ﺳﻤ ِ‬
‫ﺕ‬
‫ﯽ ﺁﻥ ﻭ ﺩﯾﮕﺮ ﺗﻐﯿﯿﺮﺍ ِ‬ ‫ِﺗﮏ‬
‫ﻓﺎﺭﺳﯽ ﻣﻮﺟﻮﺩ ﺑﻮﺩﻩ ﺍﺳﺖ‪ ،‬ﺩﺭ ﭘﺎﻧﻮ ﯾﺲ ﺑﻪ ﻧﺎﻡِ ﻗﺒﻠ ِ‬
‫ﺕ ﻣﻌﺮﻓﯽ ﺷﺪﻩ ﺩﺭ ﺍﺩﺍﻣﻪﯼ ﺍﯾﻦ ﺑﺨﺶ‬ ‫ﺍﺣﺘﻤﺎﻟﯽ ﺍﺷﺎﺭﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺗﻤﺎﻣﯽِ ﺩﺳﺘﻮﺭﺍ ِ‬
‫ﺕ ﺟﺪﯾﺪ ﻣﯽﺗﻮﺍﻥ ﺑﺎ‬
‫ﺩ ﺗﻤﺎﻣﯽِ ﺩﺳﺘﻮﺭﺍ ِ‬ ‫ﺍﺛﺮﯼ ﻣﺤﻠﯽ ﺩﺍﺭﻧﺪ‪ .‬ﻫﻢﭼﻨﯿﻦ‪ ،‬ﺩﺭ ﻣﻮﺭ ِ‬
‫ﺮ ﺩﺳﺘﻮﺭ ﺭﺍ ﺳﺮﺍﺳﺮﯼ‬ ‫ﺭ \‪ global‬ﭘﯿﺶ ﺍﺯ ﺩﺳﺘﻮﺭِ ﻣﻮﺭﺩِ ﻧﻈﺮ‪ ،‬ﺍﺛ ِ‬
‫ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺩﺳﺘﻮ ِ‬
‫ﮐﺮﺩ‪ .‬ﻫﺮﮔﺎﻩ ﻏﯿﺮ ﺍﺯ ﺍﯾﻦ ﺑﺎﺷﺪ‪ ،‬ﺻﺮﯾﺤﺎً ﺍﺷﺎﺭﻩ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻥ ﺻﻔﺤﻪ‬
‫ﻥ ﻣﺘﻦ‪ ،‬ﺯﺑﺎﻥِ ﺑﻨﺪ‪ ،‬ﻭ ﺯﺑﺎ ِ‬
‫ﺯﺑﺎ ِ‬ ‫‪۱−۵−۲‬‬
‫ﺗﮏ ﺩﺭ ﻫﺮ ﻟﺤﻈﻪ ﺑﺮﺍﯼ ﻣﺘﻦ ﺳﻪ ﺯﺑﺎﻥ )ﻭ ﺩﺭﻧﺘﯿﺠﻪ ﺳﻪ ﺟﻬﺖ( ﻧﮕﺎﻩ ﻣﯽﺩﺍﺭﺩ‪:‬‬

‫ِ‬
‫ﻝ ﺑﺮﺭﺳﯽ ﻣﯽﺑﺎﺷﺪ‪.‬‬
‫ﻦ ﺩﺭ ﺣﺎ ِ‬ ‫ﻥ ﻣﺘﻦ‪ :‬ﻫﻤﺎﻥ ﻓﺎﺭﺳﯽ ﯾﺎ ﺍﻧﮕﻠﯿﺴﯽ ﺑﻮﺩ ِ‬
‫ﻥ ﻣﺘ ِ‬ ‫• ﺯﺑﺎ ِ‬
‫ﺖ‬
‫ﺕ ﺍﻧﮕﻠﯿﺴﯽ ﺩﺭ ﻫﺮ ﺑﻨﺪ ﯾﺎ ﺻﻔﺤﻪﺍﯼ ﮐﻪ ﺑﺎﺷﺪ ﺟﻬ ِ‬ ‫ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﯾﮏ ﻋﺒﺎﺭ ِ‬
‫ﺭ‬
‫ﻥ ﻣﺘﻦ ﺑﻪ ﻃﻮ ِ‬
‫ﻂ ﻻﺗﯿﻦ ﺩﺍﺭﺩ‪ .‬ﺯ ﺑﺎ ِ‬
‫ﭼﭗﺑﻪﺭﺍﺳﺖ ﻭ ﺯ ﺑﺎﻥِ ﺍﻧﮕﻠﯿﺴﯽ ﻭ ﺧ ِ‬
‫ﻂ ﻭﯾﺮﺍﯾﺶﮔﺮ ﻭ ﻣﺒﺪﻝ ﺗﻌﯿﯿﻦ ﻣﯽﺷﻮﺩ‪ .‬ﺩﺭ ﺍﺩﺍﻣﻪ ﻭﻗﺘﯽ ﮔﻔﺘﻪ‬ ‫ﺧﻮﺩﮐﺎﺭ ﺗﻮﺳ ِ‬
‫ﻂ ﺍﻧﮕﻠﯿﺴﯽ ﯾﺎ ﻻﺗﯿﻦ«‪ ،‬ﻣﻨﻈﻮﺭ‬
‫ﻂ ﻓﺎﺭﺳﯽ« ﯾﺎ »ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻣﯽﺷﻮﺩ »ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻥ ﻣﺘﻦِ ﺍﺳﺖ‪.‬‬
‫ﻫﻤﺎﻥ ﺯﺑﺎ ِ‬
‫ﻞ ﻣﺠﻤﻮﻋﻪ ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ )‪،۲ ،۱ ،۰‬‬

‫ﻡ ‪ . . . ،2 ،1 ،0‬ﮔﻔﺘﻪ ﻣﯽﺷﻮﺩ‪ ،‬ﺩﺭ ﻣﻘﺎﺑ ِ‬ ‫‪۷‬ﺑﻪ ﻣﺠﻤﻮﻋﻪ ﺍﺭﻗﺎ‬
‫ِ‬ ‫ِ‬
‫‪ (. . .‬ﯾﺎ ﻣﺠﻤﻮﻋﻪ ﺍﺭﻗﺎﻡ ﺩﯾﮕﺮ‪.‬‬
‫ِ‬
‫‪۲۵‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﻥ ﺑﻨﺪ )ﭘﺎﺭﮔﺮﺍﻑ(‪ :‬ﺯ ﺑﺎﻥِ ﺑﻨﺪ ﺗﻌﯿﯿﻦ ﻣﯽﮐﻨﺪ ﮐﻪ ﺳﻄﺮﻫﺎ ﮐﺪﺍﻡ ﻃﺮﻑ‬
‫• ﺯ ﺑﺎ ِ‬
‫ﺶﺭﻭ ﭼﯿﺴﺖ‪.‬‬ ‫ﺽ ﻣﺘﻦ ﺩﺭ ﺑﻨﺪﻫﺎﯼ ﭘﯿ ِ‬ ‫ﭼﯿﺪﻩ ﺷﻮﻧﺪ ﻭ ﺍﺻﻮﻻً ﺯﺑﺎﻥِ ﭘﯿﺶﻓﺮ ِ‬
‫ﺭ‬
‫ﻂ ﺩﻭ ﺩﺳ ﺘﻮ ِ‬
‫ﺖ ﺁﻥ ﺭﺍ( ﺭﺍ ﻣﯽﺗﻮﺍﻥ ﺗﻮﺳ ِ‬
‫ﻥ ﺑ ﻨﺪ )ﻭ ﺩﺭ ﻧ ﺘ ﯿ ﺠﻪ ﺟ ﻬ ِ‬
‫ﺯ ﺑﺎ ِ‬
‫ﻞ‬
‫ﺍﯾﻦ ﺩﻭ ﺩﺳ ﺘﻮﺭ ﻗﺎﺑ ِ‬
‫‪۸‬‬
‫\‪) persian‬ﭘ ﯿﺶﻓﺮﺽ( ﻭ \‪ english‬ﻋﻮﺽ ﮐﺮﺩ‪.‬‬
‫ﺭ \‪ global‬ﻧﯿﺴﺘﻨﺪ‪.‬‬
‫ﻂ ﺩﺳﺘﻮ ِ‬
‫ﺳﺮﺍﺳﺮﯼﺳﺎﺯﯼ ﺗﻮﺳ ِ‬
‫ﺗﮏ ﺍﻓﺰﻭﺩﻩ ﺷﺪﻩ‪ ،‬ﺗﻌﯿﯿﻦ ﻣﯽﮐﻨﺪ‬

‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﻥ ﺻﻔﺤﻪ‪ :‬ﺍﯾﻦ ﻣﻔﻬﻮﻡ ﮐﻪ ﺗﺎﺯﻩ ﺑﻪ‬
‫• ﺯﺑﺎ ِ‬
‫ﺕ ﺩﻭﺳﺘﻮﻧﻪ‬
‫ﮐﻪ ﺷﻤﺎﺭﻩﯼ ﺻﻔﺤﺎﺕ ﺑﻪ ﭼﻪ ﺯ ﺑﺎﻧﯽ ﭼﯿﺪﻩ ﺷﻮﺩ ﻭ ﺻﻔﺤﺎ ِ‬
‫ﺍﻭﻟﯿﻦ ﺳﺘﻮﻥﺷﺎﻥ ﺭﺍ ﺩﺭ ﮐﺪﺍﻡ ﺳﻤﺖ ﻗﺮﺍﺭ ﺩﻫﻨﺪ‪.‬‬
‫ﺍﺭﻗﺎﻡ ﺭﯾﺎﺿﯽ‬ ‫‪۲−۵−۲‬‬

‫ِ‬
‫ﻂ ﺭﯾﺎﺿﯽ ﺍﺯ ﮐﺪﺍﻡ ﺩﺳﺘﻪ ﺭﻗﻢ ﺍﺳﺘﻔﺎﺩﻩ‬

‫ﺭ ﺯﯾﺮ ﺑﺮﺍﯼ ﮐﻨﺘﺮﻝِ ﺍﯾﻦﮐﻪ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﺳﻪ ﺩﺳﺘﻮ ِ‬
‫‪۹‬‬
‫ﺷﻮﺩ ﺗﻌﺮﯾﻒ ﺷﺪﻩﺍﻧﺪ‪.‬‬
‫• \‪ :persianmathdigits‬ﻫﻤﯿﺸﻪ ﺍﺯ ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﺍﺳﺘﻔﺎﺩﻩ ﺷﻮﺩ‪ .‬ﻫﻤﺎﻥﮔﻮﻧﻪ‬

‫ِ‬
‫ﮐﻪ ﺩﺭ ﺯ ﯾﺮ ﺑﺨﺶِ ‪ ۲−۱−۲‬ﺍﺷﺎﺭﻩ ﺷﺪ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﺍﯾﻦ ﺩﺳﺘﻪ ﺍﺭﻗﺎﻡ ﺭﺍ‬
‫ِ‬
‫ﺭ \‪ persianmathdigitsfamily‬ﺩﺭ ﻣﻘﺪﻣﻪﯼ ﺳﻨﺪ ﺗﻌﯿﯿﻦ‬ ‫ﻂ ﺩﺳﺘﻮ ِ‬
‫ﻣﯽﺗﻮﺍﻥ ﺗﻮﺳ ِ‬
‫ﮐﺮﺩ‪.‬‬
‫• \‪ :europeanmathdigits‬ﻫﻤﯿﺸﻪ ﺍﺯ ﺍﺭﻗﺎﻡ ﺍﺭﻭﭘﺎﯾﯽ ﺍﺳﺘﻔﺎﺩﻩ ﺷﻮﺩ‪.‬‬

‫ِ‬
‫• \‪) automathdigits‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﺩﺭ ﺑﻨﺪﻫﺎﯼ ﻓﺎﺭﺳﯽ ﺍﺯ ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﻭ‬

‫ِ‬
‫ﺩﺭ ﺑﻨﺪﻫﺎﯼ ﺍﻧﮕﻠﯿﺴﯽ ﺍﺯ ﺍﺭﻗﺎﻡ ﺍﺭﻭﭘﺎﯾﯽ ﺍﺳﺘﻔﺎﺩﻩ ﺷﻮﺩ‪.‬‬
‫ِ‬
‫ﺭ \‪ farsi‬ﻭ \‪ english‬ﺍﻧﺠﺎﻡ ﻣﯽﮔﺮﻓﺖ‪.‬‬ ‫‪۸‬‬

‫ﭘﯿﺶ ﺍﺯ ﺍﯾﻦ ﻫﻤﯿﻦ ﺍﻋﻤﺎﻝ ﺑﺎ ﺩﻭ ﺩﺳﺘﻮ ِ‬
‫‪۹‬ﺩﻭ ﺩﺳﺘﻮﺭِ ﺍﻭﻝ ﺑﺎ ﻧﺎﻡﻫﺎﯼ \‪ mathfnumber‬ﻭ \‪ mathenumber‬ﻭﺟﻮﺩ ﺩﺍﺷﺘﻪﺍﻧﺪ‪.‬‬
‫‪۲۶‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺍﺭﻗﺎﻡ ﺷﻤﺎﺭﻩﯼ ﻣﻌﺎﺩﻟﻪ‬ ‫‪۳−۵−۲‬‬

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‫ﺭ ﺯﯾﺮ ﺑﺮﺍﯼ ﮐﻨﺘﺮﻝِ ﺍﯾﻦﮐﻪ ﺷﻤﺎﺭﻩﯼ ﻣﻌﺎﺩﻻﺕ ﺑﺎ ﮐﺪﺍﻡ ﺩﺳﺘﻪ ﺭﻗﻢ ﻧﻮﺷﺘﻪ‬
‫ﺳﻪ ﺩﺳﺘﻮ ِ‬
‫‪۱۰‬‬
‫ﺷﻮﻧﺪ ﺗﻌﺮﯾﻒ ﺷﺪﻩﺍﻧﺪ‪.‬‬
‫• \‪ :persianeqnnumbers‬ﻫﻤﯿﺸﻪ ﺍﺯ ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﺍﺳﺘﻔﺎﺩﻩ ﺷﻮﺩ‪.‬‬

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‫• \‪ :europeaneqnnumbers‬ﻫﻤﯿﺸﻪ ﺍﺯ ﺍﺭﻗﺎﻡ ﺍﺭﻭﭘﺎﯾﯽ ﺍﺳﺘﻔﺎﺩﻩ ﺷﻮﺩ‪.‬‬

‫ِ‬
‫• \‪) autoeqnnumbers‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﺩﺭ ﻣﺤﯿ ِ‬

‫ﻂ ﻓﺎﺭﺳﯽ ﺍﺯ ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﻭ‬
‫ِ‬
‫ﻂ ﺍﻧﮕﻠﯿﺴﯽ ﺍﺯ ﺍﺭﻗﺎﻡ ﺍﺭﻭﭘﺎﯾﯽ ﺍﺳﺘﻔﺎﺩﻩ ﺷﻮﺩ‪.‬‬
‫ﺩﺭ ﻣﺤﯿ ِ‬
‫ِ‬
‫ﭘﺎﻧﻮﯾﺲ‬ ‫‪۴−۵−۲‬‬
‫ﺪ ﺩﻭﺯﺑﺎﻧﻪﯼ ﻓﺎﺭﺳﯽ‐ﻻﺗﯿﻦ ﺍﻧﺪﮐﯽ ﭘﯿﭽﯿﺪﻩ ﺍﺳﺖ ﭼﺮﺍ ﮐﻪ‪:‬‬

‫ﭼﯿﺪﻥِ ﭘﺎﻧﻮﯾﺲ ﺩﺭ ﺳﻨ ِ‬
‫ﺖ ﺭﺍﺳﺖِ ﺻﻔﺤﻪ ﻗﺮﺍﺭ‬

‫ﺲ ﻓﺎﺭﺳﯽ ﺩﺭ ﺳﻤ ِ‬
‫• ﺩﺭ ﺳﺎﺩﻩﺗﺮ ﯾﻦ ﺣﺎﻟﺖ‪ ،‬ﭘﺎﻧﻮ ﯾ ِ‬
‫ﺪ ﺍﯾﻦ ‪،۱۱‬‬
‫ﻣﯽﮔﯿﺮﺩ ﻭ ﺷﻤﺎﺭﻩﯼ ﭘﺎﻧﻮﯾﺲ ﺑﺎ ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﺩﺭﺝ ﻣﯽﺷﻮﺩ‪ ،‬ﻣﺎﻧﻨ ِ‬
‫ِ‬
‫ﭗ‬
‫ﻦ ﭘﺎﻧﻮﯾﺲ‪ ،‬ﻋﺒﺎﺭﺕ ﯾﺎ ﺟﻤﻠﻪﺍﯼ ﻻﺗﯿﻦ ﺑﺎﺷﺪ‪ ،‬ﺑﺎﯾﺪ ﺩﺭ ﺳﻤ ﺖِ ﭼ ِ‬ ‫• ﺍﮔﺮ ﻣﺘ ِ‬
‫ﺪ ﺍﯾﻦ ‪،۱۲‬‬
‫ﺻﻔﺤﻪ ﻗﺮﺍﺭ ﮔﯿﺮﺩ ﻭ ﺷﻤﺎﺭﻩﯼ ﭘﺎﻧﻮﯾﺲ‪ ،‬ﻻﺗﯿﻦ ﺩﺭﺝ ﺷﻮﺩ‪ ،‬ﻣﺎﻧﻨ ِ‬
‫• ﻣﻤﮑﻦ ﺍﺳﺖ ﻣﺘﻦِ ﭘﺎﻧﻮ ﯾﺲ ﺑﺎ ﻋﺒﺎﺭﺕِ ﻻﺗﯿﻦ ﺷﺮﻭﻉ ﺷﻮﺩ‪ ،‬ﻭﻟﯽ ﺟﻤﻠﻪﺍﯼ‬
‫ﺲ‬
‫ﺪ ﭘﺎﻧﻮ ﯾ ِ‬
‫ﻓﺎﺭﺳﯽ ﺑﺎﺷﺪ‪ .‬ﺩﺭ ﺍﯾﻦ ﺻﻮﺭﺕ ﺑﺎﯾﺪ ﺩﺭ ﺳﻤﺖِ ﺭﺍﺳﺖ ﻭ ﻣﺎﻧﻨ ِ‬
‫ﺪ ﺍﯾﻦ ‪،۱۳‬‬
‫ﻓﺎﺭﺳﯽ ﭼﯿﺪﻩ ﺷﻮﺩ‪ ،‬ﻣﺎﻧﻨ ِ‬
‫‪۱۰‬ﺩﻭ ﺩﺳﺘﻮﺭِ ﺍﻭﻝ ﺑﺎ ﻧﺎﻡﻫﺎﯼ \‪ farsieqno‬ﻭ \‪ englisheqno‬ﻭﺟﻮﺩ ﺩﺍﺷﺘﻪﺍﻧﺪ‪.‬‬

‫ﺗﮏ ﻫﻤﻮﺍﺭﻩ ﭘﺎﻧﻮﯾﺲﻫﺎ ﺭﺍ ﺍﯾﻦﮔﻮﻧﻪ ﻣﯽﭼﯿﺪ‪.‬‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫‪۱۱‬ﺩﺭ ﻭﺍﻗﻊ ﭘﯿﺶ ﺍﺯ ﺍﯾﻦ‬
‫‪12 English‬‬ ‫‪footnote is justified to left.‬‬
‫‪ footnote۱۳‬ﺭﺍ ﺩﺭ ﻓﺎﺭﺳﯽ‪ ،‬ﺯﯾﺮﻧﻮﯾﺲ‪ ،‬ﭘﺎﻧﻮﯾﺲ‪ ،‬ﻭ ﺣﺘﯽ ﭘﺎﻭﺭﻗﯽ ﺗﺮﺟﻤﻪ ﮐﺮﺩﻩﺍﻧﺪ‪ ،‬ﮐﻪ ﺍﺯ ﺍﯾﻦ‬
‫ﺳﻪ‪ ،‬ﭘﺎﻧﻮﯾﺲ ﺍﺯ ﻫﻤﻪ ﻣﻨﺎﺳﺐﺗﺮ ﺍﺳﺖ‪ ،‬ﭼﺮﺍ ﮐﻪ ﮐﻢﺗﺮﯾﻦ ﺍﺑﻬﺎﻡ ﺭﺍ ﺍﯾﺠﺎﺩ ﻣﯽﮐﻨﺪ‪.‬‬
‫‪۲۷‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﻂ ﺟﺪﺍ ﮐﻨﻨﺪﻩﯼ ﭘﺎﻧﻮ ﯾﺲﻫﺎ ﺍﺯ ﻣﺘﻦِ ﺍﺻﻠﯽ‪ ،‬ﺑﺴﺘﻪ ﺑﻪ ﺍﯾﻦ ﮐﻪ‬
‫• ﺩﺭ ﻧﻬﺎﯾﺖ‪ ،‬ﺧ ِ‬
‫ﺖ ﺭﺍﺳﺖ ﯾﺎ ﭼﭗ‬ ‫ﺲ ﺻﻔﺤﻪ ﻓﺎﺭﺳﯽ ﺍﺳﺖ ﯾﺎ ﻻﺗﯿﻦ‪ ،‬ﺩﺭ ﺳﻤ ِ‬ ‫ﺍﻭﻟﯿﻦ ﭘﺎﻧﻮ ﯾ ِ‬
‫ﻗﺮﺍﺭ ﻣﯽﮔﯿﺮﺩ‪.‬‬
‫ﺖ‬
‫ﺩ ﺁﺧﺮ ﺑﻪ ﻋﻠ ِ‬
‫ﯼ ﻣﻮﺭ ِ‬
‫ﯽ ﻗﻮﺍﻧﯿﻦِ ﺑﺎﻻ ﭘﯿﺎﺩﻩ ﮔﺸﺘﻪﺍﻧﺪ‪ ،‬ﻭ ﺍﻟﺒﺘﻪ ﭘﯿﺎﺩﻩﺳﺎﺯ ِ‬
‫ﺗﻤﺎﻣ ِ‬
‫ﯽ ِﺗﮏ ﭼﻨﺪﺍﻥ ﺁﺳﺎﻥ ﻧﺒﻮﺩ‪.‬‬ ‫ﻃﺒﯿﻌﺖِ ﻧﺎﻫﻢﮔﺎﻡِ ﺭﻭﯾﻪﯼ ﺧﺮﻭﺟ ِ‬
‫ﻫﻤﺎﻥﮔﻮﻧﻪ ﮐﻪ ﺩﺭ ﻣﺜﺎﻝِ ﺯﯾﺮ ﺩﯾﺪﻩ ﻣﯽﺷﻮﺩ‪ ،‬ﭘﺎﻧﻮﯾﺲﻫﺎ ﺑﻪ ﻫﻤﯿﻦ ﻣﻨﻮﺍﻝ ﺩﺭ‬
‫ﻂ ‪ minipage‬ﻧﯿﺰ ﮐﺎﺭ ﻣﯽﮐﻨﻨﺪ‪:‬‬
‫ﻣﺤﯿ ِ‬
‫ﯾ ﮑ ﯽ ﺍﺯ‬ ‫ﺍﻟﻒ‬
‫ﻂ ﻧ ﯿ ﻢﺻ ﻔ ﺤ ﻪ‬
‫ﻣ ﺤ ﯿ ِ‬
‫ﭘ ﺮﮐ ﺎﺭ ﺑ ﺮﺩﺗ ﺮ ﯾ ﻦ ﻣ ﺤ ﯿ ﻂﻫ ﺎﯼ ﻟَ ِﺘ ﮏ‬
‫ﺑﺮﺍﯼ ﺩﺭﺝ ﻣﺜﺎﻝﻫﺎ ﺍﺳﺖ‪ ،‬ﺑﻪ ﺧﺼﻮﺹ‬
‫ِ‬
‫ﺩﺭ ﺗﻬﯿﻪﯼ ﺳﻨﺪﯼ ﮐﻪ ﺧﻮﺩ ﺩﺭﺑﺎﺭﻩﯼ ﯾﮏ‬
‫ﺳﯿﺴﺘﻢ ﺣﺮﻭﻑﭼﯿﻨﯽ ﺑﺎﺷﺪ‪.‬‬
‫ِ‬
‫‪ minipage‬ﺍﻟﻒ‬
‫ﺭ ﺯ ﯾﺮ‪ ،‬ﻣﺤﻞِ ﺩﺭﺝ ﺧ ِ‬

‫ﻂ‬ ‫ﻝ ﺑﯿﺶﺗﺮ‪ ،‬ﮐﺎﺭ ﺑﺮ ﻣﯽﺗﻮﺍﻧﺪ ﺑﺎ ﺳﻪ ﺩﺳﺘﻮ ِ‬
‫ﺑﺮﺍﯼ ﮐﻨﺘﺮ ِ‬
‫ِ‬
‫ﺟﺪﺍﮐﻨﻨﺪﻩﯼ ﭘﺎﻧﻮﯾﺲﻫﺎ ﺭﺍ ﻣﺸﺨﺺ ﺳﺎﺯﺩ‪:‬‬
‫• \‪ :rightfootnoterule‬ﻫﻤﯿﺸﻪ ﺳﻤﺖِ ﺭﺍﺳﺖ‪.‬‬
‫• \‪ :leftfootnoterule‬ﻫﻤﯿﺸﻪ ﺳﻤﺖِ ﭼﭗ‪.‬‬
‫• \‪) autofootnoterule‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﻫﻢﺟﻬﺖ ﺑﺎ ﺍﻭﻟﯿﻦ ﭘﺎﻧﻮﯾﺲِ ﺻﻔﺤﻪ‪.‬‬
‫ﺑﯿﺶ ﺍﺯ ﺍﯾﻦ‪ ،‬ﺍﮔﺮ ﮐﺎﺭﺑﺮ ﺑﺨﻮﺍﻫﺪ ﭘﺎﻧﻮﯾﺴﯽ ﺑﺎ ﻣﺘ ﻦِ ﺍﻧﮕﻠﯿﺴﯽ‪ ،‬ﺳﻤ ﺖِ ﭼﭗ‬

‫ﺭ \‪ ،footnote‬ﺍﺯ‬
‫ﺪ ﻣﺘﻦِ ﭘﺎﻧﻮ ﯾﺲ ﻭ ﺩﺍﺧﻞِ ﺩﺳﺘﻮ ِ‬
‫ﻗﺮﺍﺭ ﻧﮕﯿﺮﺩ‪ ،‬ﮐﺎﻓﯿﺴﺖ ﻗﺒﻞ ﯾﺎ ﺑﻌ ِ‬
‫ﯽ \‪) relax‬ﻭ ﻧﻪ ‪ (\relax‬ﺍﺳﺘﻔﺎﺩﻩ ﮐﻨﺪ‪.‬‬
‫ﺭ ﻓﺎﺭﺳ ِ‬
‫ﺩﺳﺘﻮ ِ‬
‫ﺩﺭﺝ ﺗﺎﺭﯾﺦ‬ ‫‪۵−۵−۲‬‬

‫ِ‬
‫ﺭ \‪today‬‬
‫ﻂ ﺩﺳﺘﻮ ِ‬
‫ﯽ ﺩﺭﺝ ﺗﺎﺭﯾﺦ ﺗﻮﺳ ِ‬
‫ﺭ ﺯﯾﺮ‪ ،‬ﭼﮕﻮﻧﮕ ِ‬
‫ﮐﺎﺭﺑﺮ ﻣﯽﺗﻮﺍﻧﺪ ﺑﺎ ﺳﻪ ﺩﺳﺘﻮ ِ‬
‫ِ‬
‫ﺭﺍ ﻣﺸﺨﺺ ﮐﻨﺪ‪:‬‬
‫‪۲۸‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫• \‪ :iraniancalendar‬ﻫﻢ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻂ ﻓﺎﺭﺳﯽ ﻭ ﻫﻢ ﺍﻧﮕﻠﯿﺴﯽ‪ ،‬ﺗﺎﺭﯾﺦ ﺑﻪ ﺗﻘﻮﯾﻢ‬
‫ِ‬
‫ﺍﯾﺮﺍﻧﯽ ﺩﺭﺝ ﺷﻮﺩ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﺍﻣﺮﻭﺯ ‪ ۲۶‬ﺁﺑﺎﻥ ‪ ۱۳۸۳‬ﺍﺳﺖ ﻭ ‪Today is 26‬‬
‫‪.Aban 1383‬‬
‫• \‪ :gregoriancalendar‬ﻫﻢ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻂ ﻓﺎﺭﺳﯽ ﻭ ﻫﻢ ﺍﻧﮕﻠﯿﺴﯽ‪ ،‬ﺗﺎﺭ ﯾﺦ ﺑﻪ‬
‫ﺗﻘﻮ ﯾﻢ ﻣﯿﻼﺩﯼ ﺩﺭﺝ ﺷﻮﺩ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﺍﻣﺮﻭﺯ ‪ ۱۶‬ﻧﻮﺍﻣﺒﺮ ‪ ۲۰۰۴‬ﺍﺳﺖ ﻭ‬
‫ِ‬
‫‪.Today is November 16, 2004‬‬
‫• \‪) autocalendar‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﺩﺭ ﻣﺤﯿ ِ‬

‫ﻂ ﻓﺎﺭﺳﯽ ﺗﻘﻮ ﯾﻢ ﺍﯾﺮﺍﻧﯽ‪ ،‬ﻭ ﺩﺭ‬
‫ِ‬
‫ﻂ ﺍﻧﮕﻠﯿﺴﯽ‪ ،‬ﺗﻘﻮ ﯾﻢ ﻣﯿﻼﺩﯼ ﺩﺭﺝ ﺷﻮﺩ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﺍﻣﺮﻭﺯ ‪ ۲۶‬ﺁﺑﺎﻥ‬
‫ﻣﺤﯿ ِ‬
‫ِ‬
‫‪ ۱۳۸۳‬ﺍﺳﺖ ﻭ ‪.Today is November 16, 2004‬‬
‫ﺷﻤﺎﺭﺵ‬ ‫‪۶−۵−۲‬‬
‫ﺵ ﺍﺳﺘﺎﻧﺪﺍﺭﺩ ﺩﺍﺭﺩ‪ .‬ﺍﯾﻦ ﭘﻨﺞ ﺭﻭﺵ ﺑﻪ ﮔﻮﻧﻪﺍﯼ ﺗﻐﯿﯿﺮ‬ ‫ﻟَِﺘﮏ ﭘﻨﺞ ﺭﻭ ِ‬
‫ﺵ ﺷﻤﺎﺭ ِ‬
‫ﻂ ﻓﺎﺭﺳﯽ ﻭ ﻻﺗﯿﻦ‪ ،‬ﺩﺭﺳﺖ ﺑﺸﻤﺎﺭﻧﺪ! ﺍﯾﻦ ﺗﻐﯿﯿﺮﺍﺕ ﺍﺯ ﺍﯾﻦ‬ ‫ﯾﺎﻓﺘﻪﺍﻧﺪ ﮐﻪ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﺕ ﻟَِﺘﮏ ﺭﺍ ﮐﻪ ﺍﯾﻦ ﺷﻤﺎﺭﻧﺪﻩﻫﺎ ﺭﺍ ﺑﻪ‬
‫ﻧﻈﺮ ﻣﻔﯿﺪ ﻫﺴﺘﻨﺪ ﮐﻪ ﻧﺎ ﮔﻬﺎﻥ ﺗﻤﺎﻡ ﺍﻣﮑﺎﻧﺎ ِ‬
‫ِ‬
‫ﻒ ﺍﯾﻦ ﺗﻐﯿﯿﺮﺍﺕ‪ ،‬ﻣﺤﯿ ِ‬
‫ﻂ‬ ‫ﮐﺎﺭ ﻣﯽﺑﺮﻧﺪ‪ ،‬ﺩﻭﺯ ﺑﺎﻧﻪ ﻣﯽﮐﻨﻨﺪ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﺑﻪ ﻟﻄ ِ‬
‫\‪ enumerate‬ﺭﺍ ﻣﯽﺗﻮﺍﻥ ﻫﻢ ﺩﺭ ﺑﻨﺪﻫﺎﯼ ﻓﺎﺭﺳﯽ ﻭ ﻫﻢ ﻻﺗﯿﻦ ﺑﻪ ﮐﺎﺭ ﺑﺮﺩ‪ .‬ﺍﯾﻦ ﭘﻨﺞ‬
‫ﺵ ﺷﻤﺎﺭﺵ ﺍﺯ ﺍﯾﻦ ﻗﺮﺍﺭﻧﺪ‪:‬‬
‫ﺭﻭ ِ‬
‫ﻂ ﻓﺎﺭﺳﯽ ﺑﺎ ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ‪ ،‬ﻭ ﺩﺭ ﻣﺤﯿ ِ‬

‫ﻂ‬
‫ِ‬
‫ﺵ ﻋﺪﺩﯼ‪ .‬ﺩﺭ ﻣﺤﯿ ِ‬ ‫• \‪ :arabic‬ﺷﻤﺎﺭ ِ‬
‫ﻥ‬
‫ﺍﻧﮕﻠﯿﺴﯽ ﺑﺎ ﺍﺭﻗﺎﻡِ ﺍﺭﻭ ﭘﺎﯾﯽ ﻣﯽﺷﻤﺎﺭﺩ ‪ .۱۴‬ﺍﺯ ﺍﯾﻦ ﺭﻭﺵ ﺑﺮﺍﯼ ﺷﻤﺮﺩ ِ‬
‫ﺻﻔﺤﺎﺕ‪ ،‬ﺑﺨﺶﻫﺎ‪ ،‬ﻭ ﻏﯿﺮﻩ ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﺷﻮﺩ‪.‬‬
‫ﻂ ﻓﺎﺭﺳﯽ ﺑﻪ ﺗﺮﺗﯿﺐِ ﺍﻟﻔﺒﺎﯼ ﻓﺎﺭﺳﯽ‬ ‫• \‪ :Alph‬ﺷﻤﺎﺭ ِ‬

‫ﺵ ﺍﻟﻔﺒﺎﯾﯽ‪ .‬ﺩﺭ ﻣﺤﯿ ِ‬
‫ﺐ ﺍﻟﻔﺒﺎﯼ ﺍﻧﮕﻠﯿﺴﯽ‬ ‫ﻂ ﺍﻧﮕﻠﯿﺴﯽ ﺑﻪ ﺗﺮﺗﯿ ِ‬ ‫)ﺍﻟﻒ‪ ،‬ﺏ‪ ،‬ﭖ‪ ،‬ﺕ‪ (. . . ،‬ﻭ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻦ ‪ \beginL‬ﻭ‬ ‫‪۱۴‬‬
‫ﺍﯾﻦ ﺩﺳﺘﻮﺭ ﺗﺼﺤﯿﺢ ﺷﺪﻩ ﺗﺎ ﺩﯾﮕﺮ ﻻﺯﻡ ﻧﺒﺎﺷﺪ ﭼﻮﻥ ﻗﺒﻞ ﻫﻤﻮﺍﺭﻩ ﺁﻥ ﺭﺍ ﺑﯿ ِ‬
‫‪ \endL‬ﻗﺮﺍﺭ ﺩﺍﺩ‪.‬‬
‫‪۲۹‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﻑ ﺑﺰﺭﮒ )‪ (. . . ،D ،C ،B ،A‬ﻣﯽﺷﻤﺎﺭﺩ‪ .‬ﺍﺯ ﺍﯾﻦ ﺭﻭﺵ ﺑﺮﺍﯼ‬

‫ﻭ ﺑﺎ ﺣﺮﻭ ِ‬
‫ﺷﻤﺎﺭﺵِ ﭘﯿﻮﺳﺖﻫﺎﯼ ﮐﺘﺎﺏ ﯾﺎ ﮔﺰﺍﺭﺵ ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﺷﻮﺩ‪.‬‬
‫ﻂ ﻓﺎﺭﺳﯽ ﺑﻪ ﺗﺮﺗﯿﺐِ ﺍﻟﻔﺒﺎﯼ ﺍﺑﺠﺪ‬

‫ﺵ ﺍﻟﻔﺒﺎﯾﯽِ ﺟﺎﻧﺒﯽ‪ .‬ﺩﺭ ﻣﺤﯿ ِ‬‫• \‪ :alph‬ﺷﻤﺎﺭ ِ‬
‫ﺐ ﺍﻟﻔﺒﺎﯼ ﺍﻧﮕﻠﯿﺴﯽ ﻭ‬
‫ﻂ ﺍﻧﮕﻠﯿﺴﯽ ﺑﻪ ﺗﺮﺗﯿ ِ‬
‫)ﺍﻟﻒ‪ ،‬ﺏ‪ ،‬ﺝ‪ ،‬ﺩ‪ (. . . ،‬ﻭ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻑ ﮐﻮﭼﮏ )‪ (. . . ،d ،c ،b ،a‬ﻣﯽﺷﻤﺎﺭﺩ‪.‬‬
‫ﺑﺎ ﺣﺮﻭ ِ‬
‫ﻂ ﻓﺎﺭﺳﯽ ﺑﻪ ﺻﻮﺭﺕِ ﺣﺮﻓﯽ )ﯾﮏ‪،‬‬ ‫• \‪ :roman‬ﺷﻤﺎﺭ ِ‬

‫ﺵ ﺣﺮﻓﯽ‪ .‬ﺩﺭ ﻣﺤﯿ ِ‬
‫ﺕ ﺭﻭﻣﯽ ﻭ ﺑﺎ ﺣﺮﻭ ِ‬
‫ﻑ‬ ‫ﻂ ﺍﻧﮕﻠﯿﺴﯽ ﺑﻪ ﺻﻮﺭ ِ‬ ‫ﺩﻭ‪ ،‬ﺳﻪ‪ ،‬ﭼﻬﺎﺭ‪ (. . . ،‬ﻭ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﮐﻮﭼﮏ )‪ (. . . ،iv ،iii ،ii ،i‬ﻣﯽﺷﻤﺎﺭﺩ‪ .‬ﻣﻌﻤﻮﻻً ﺍﺯ ﺍﯾﻦ ﺭﻭﺵ ﺑﺮﺍﯼ ﺷﻤﺎﺭ ِ‬
‫ﺵ‬
‫ﺻﻔﺤﺎﺕِ ﺁﻏﺎﺯﯾﻦِ ﮐﺘﺎﺏ )ﻗﺒﻞ ﺍﺯ ﻓﺼﻞِ ﺍﻭﻝ( ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﺷﻮﺩ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪،‬‬
‫ﺍﯾﻦ ﺭﺳﺎﻟﻪ ﺍﺯ ﺍﯾﻦ ﺭﻭﺵ ﺑﻬﺮﻩ ﺟﺴﺘﻪ ﺍﺳﺖ‪ .‬ﺩﺭ ﮐﻞ‪ ،‬ﺑﺴﺘﻪﯼ ‪ sharifth‬ﺑﻪ‬
‫ﺭ ﺧﻮﺩﮐﺎﺭ ﺍﯾﻦ ﮔﻮﻧﻪ ﺷﻤﺎﺭﺵِ ﺻﻔﺤﻪ ﺭﺍ ﺑﻪ ﮐﺎﺭ ﻣﯽﮔﯿﺮﺩ‪.‬‬
‫ﻃﻮ ِ‬
‫ﯽ‬ ‫• \‪ :Roman‬ﺷﻤﺎﺭﺵِ ﺣﺮﻓﯽِ ﺟﺎﻧﺒﯽ‪ .‬ﺩﺭ ﻣﺤﯿ ِ‬

‫ﻂ ﻓﺎﺭﺳﯽ ﺑﻪ ﺻﻮﺭﺕِ ﺣﺮﻓ ِ‬
‫ﺕ‬
‫ﻂ ﺍﻧﮕﻠﯿﺴﯽ ﺑﻪ ﺻﻮﺭ ِ‬
‫ﻭﺻﻔﯽ )ﺍﻭﻝ‪ ،‬ﺩﻭﻡ‪ ،‬ﺳﻮﻡ‪ ،‬ﭼﻬﺎﺭﻡ‪ (. . . ،‬ﻭ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻑ ﺑﺰﺭﮒ )‪ (. . . ،IV ،III ،II ،I‬ﻣﯽﺷﻤﺎﺭﺩ‪ .‬ﺍﺯ ﺍﯾﻦ ﺭﻭﺵ‬
‫ﺭﻭﻣﯽ ﻭ ﺑﺎ ﺣﺮﻭ ِ‬
‫ﺑﺮﺍﯼ ﺷﻤﺎﺭﺵِ ﺑﺨﺶﻫﺎﯼ ﮐﺘﺎﺏ ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﺷﻮﺩ‪.‬‬
‫ﺵ ﺷﻤﺎﺭﺵِ ﺻﻔﺤﺎﺕ‪ ،‬ﻫﻤﺎﻥﮔﻮﻧﻪ ﮐﻪ ﺩﺭ ﻟَِﺘﮏ ﻣﻘﺪﻭﺭ‬

‫ﺮ ﺭﻭ ِ‬‫ﺑﺮﺍﯼ ﺗﻐﯿﯿ ِ‬
‫ﺕ‬
‫ﺭ \‪ pagenumbering‬ﺑﻬﺮﻩ ﺟﺴﺖ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ ﺩﺳﺘﻮﺭﺍ ِ‬ ‫ﺍﺳﺖ‪ ،‬ﻣﯽﺗﻮﺍﻥ ﺍﺯ ﺩﺳﺘﻮ ِ‬
‫ﺕ ﺁﻏﺎﺯﯾﻦِ ﮐﺘﺎﺏ ﺍﺳﺘﻔﺎﺩﻩ‬
‫ﯽ ﺻﻔﺤﺎ ِ‬
‫ﺵ ﺣﺮﻓ ِ‬
‫\‪ {roman}pagenumbering‬ﺑﺮﺍﯼ ﺷﻤﺎﺭ ِ‬
‫ﻣﯽﺷﻮﻧﺪ‪.‬‬
‫ﻋﻨﺎﻭﯾﻦ‬ ‫‪۷−۵−۲‬‬
‫ﻥ ﻣﺤﯿﻂ ﺗﻌﯿﯿﻦ ﻣﯽﮔﺮﺩﺩ‪ ،‬ﻋﺒﺎﺭﺕﻫﺎﯾﯽ‬ ‫ﺍﺯ ﺩﯾﮕﺮ ﺧﻮﺍﺹِ ﺩﻭﺯﺑﺎﻧﻪ ﮐﻪ ﺑﺴﺘﻪ ﺑﻪ ﺯﺑﺎ ِ‬
‫ﭼﻮﻥ »ﻓﺼﻞ«‪» ،‬ﻓﻬﺮﺳﺖِ ﻣﻄﺎﻟﺐ«‪» ،‬ﭘﯿﻮﺳﺖ«‪ ،‬ﻭ ﻏﯿﺮﻩ ﺍﺳﺖ ﮐﻪ ﺑﺎ ﺗﺮﮐﯿﺐ ﺑﺎ‬
‫ﺵ ﺩﻭﺯ ﺑﺎﻧﻪ‪ ،‬ﺍﺟﺎﺯﻩ ﻣﯽﺩﻫﺪ ﺩﺭ ﯾﮏ ﺳﻨﺪ ﻫﻢ )ﺑﺮﺍﯼ ﻣﺜﺎﻝ(‬
‫ﺭﻭﺵﻫﺎﯼ ﺷﻤﺎﺭ ِ‬
‫ﻓﺼﻞﻫﺎﯼ ﻓﺎﺭﺳﯽ ﺩﺍﺷﺖ ﻭ ﻫﻢ ﺍﻧﮕﻠﯿﺴﯽ‪.‬‬
‫‪۳۰‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺷﻤﺎﺭﻩﺑﻨﺪﯼِ ﺑﺨﺶﻫﺎ‬ ‫‪۸−۵−۲‬‬
‫ﺐ‬
‫ﺪ ﻣﺨﺘﻠﻔﯽ ﺩﺭ ﻣﻮﺭﺩِ ﻗﺎﻟ ِ‬
‫ﯼ ﺑﺨﺶﻫﺎﯼ ﻣﻨﻄﻘﯽِ ﺳﻨﺪ‪ ،‬ﻋﻘﺎﯾ ِ‬
‫ﻡ ﺷﻤﺎﺭﻩﺑﻨﺪ ِ‬ ‫ﻫﻨﮕﺎ‬
‫ِ‬
‫ﺖ ﺗﻮﺭﻓﺘﻦ ﺍﺳﺖ‪.‬‬ ‫ﺩ ﺍﺑﻬﺎﻡ ﺍﻭﻝ ﺟﻬ ِ‬ ‫ﺷﻤﺎﺭﻩﯼ ﺑﺨﺶﻫﺎﯼ ﺗﻮﺩﺭﺗﻮ ﻭﺟﻮﺩ ﺩﺍﺭﺩ‪ .‬ﻣﻮﺭ ِ‬
‫ِ‬
‫ﺖ ﺷﻤﺎﺭﻩﯼ ﺑﺨﺶﻫﺎ‬ ‫ﺗﮏ ﺑﺪﯾﻦ ﻣﻨﻈﻮﺭ ﺩﺳﺘﻮﺭﻫﺎﯼ ﺯﯾﺮ ﺭﺍ ﺑﺮﺍﯼ ﮐﻨﺘﺮﻝِ ﺟﻬ ِ‬ ‫ِ‬
‫ﺗﻌﺮﯾﻒ ﻣﯽﮐﻨﺪ‪:‬‬
‫• \‪ :rtlsectionnumbers‬ﻫ ﻤ ﯿ ﺸﻪ ﺍﺯ ﺭﺍﺳﺖ ﺑﻪ ﭼﭗ‪ .‬ﺑﺮﺍﯼ ﻣ ﺜﺎﻝ‪ ،‬ﺍﯾﻦ‬

‫ﺯ ﯾﺮ ﺑ ﺨ ﺶِ ‪ ۸−۵−۲‬ﺍﺳﺖ ﻭ ‪ .This is subsection 8-5-2‬ﺍﺳ ﺘ ﻔﺎﺩﻩ ﺍﺯ ﺍﯾﻦ‬
‫ﻖ‬
‫ﻦ ﻻﺗﯿﻦ ﻃﺒ ِ‬ ‫ﺐ ﺯﯾﺮﺑﺨﺶﻫﺎ ﺩﺭ ﻣﺘ ِ‬ ‫ﺭﻭﺵ ﺗﻮﺻﯿﻪ ﻧﻤﯽﺷﻮﺩ‪ ،‬ﭼﺮﺍ ﮐﻪ ﺗﺮﺗﯿ ِ‬
‫ﻫﻤﻪﯼ ﻣﺮﺍﺟﻊ‪ ،‬ﺑﺎﯾﺪ ﺍﺯ ﭼﭗ ﺑﻪ ﺭﺍﺳﺖ ﺑﺎﺷﺪ‪.‬‬
‫• \‪ :ltrsectionnumbers‬ﻫ ﻤ ﯿ ﺸﻪ ﺍﺯ ﭼﭗ ﺑﻪ ﺭﺍﺳﺖ‪ .‬ﺑﺮﺍﯼ ﻣ ﺜﺎﻝ‪ ،‬ﺍﯾﻦ‬

‫ﺯﯾﺮﺑﺨﺶِ ‪ ۲−۵−۸‬ﺍﺳﺖ ﻭ ‪.This is subsection 2-5-8‬‬
‫• \‪) autosectionnumbers‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﺩﺭ ﻣﺤﯿ ِ‬

‫ﻂ ﻓﺎﺭﺳﯽ ﺍﺯ ﺭﺍﺳﺖ ﺑﻪ‬
‫ﺶ‬
‫ﻂ ﺍﻧﮕﻠﯿﺴﯽ ﺍﺯ ﭼﭗ ﺑﻪ ﺭﺍﺳﺖ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﺍﯾﻦ ﺯﯾﺮﺑﺨ ِ‬ ‫ﭼﭗ ﻭ ﺩﺭ ﻣﺤﯿ ِ‬
‫‪ ۸−۵−۲‬ﺍﺳﺖ ﻭ ‪.This is subsection 2-5-8‬‬
‫ﻦ ﺷﻤﺎﺭﻩﯼ ﺑﺨﺶﻫﺎﯼ‬‫ﻑ ﻧﻈﺮ ﺑﺮ ﺳﺮِ ﻧﻮﯾﺴﻪﺍﯾﺴﺖ ﮐﻪ ﺑﯿ ِ‬

‫ﺮ ﺍﺧﺘﻼ ِ‬
‫ﻣﻮﺭﺩِ ﺩﯾﮕ ِ‬
‫ﻣﺨﺘﻠﻒ ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﺷﻮﺩ‪ .‬ﺩﺳﺘﻮﺭﺍﺕِ ﺯﯾﺮ ﺑﺪﯾﻦ ﺟﻬﺖ ﺗﻌﺮﯾﻒ ﮔﺸﺘﻪﺍﻧﺪ‪:‬‬
‫• \‪ :dotsectionseparator‬ﺍﺯ ﻧﻘﻄﻪ ﺑﻪ ﻋﻨﻮﺍﻥِ ﺟﺪﺍﮐﻨﻨﺪﻩ ﺍﺳﺘﻔﺎﺩﻩ ﮐﻦ‪ .‬ﺑﺮﺍﯼ‬

‫ﺶ ‪ ۸.۵.۲‬ﺍﺳﺖ ﻭ ‪.This is subsection 2.5.8‬‬
‫ﻣﺜﺎﻝ‪ ،‬ﺍﯾﻦ ﺯﯾﺮﺑﺨ ِ‬
‫ﻥ ﺟﺪﺍﮐﻨﻨﺪﻩ‬ ‫• \‪) dashsectionseparator‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﺍﺯ ﺧ ِ‬

‫ﻂ ﺗﯿﺮﻩ ﺑﻪ ﻋﻨﻮﺍ ِ‬
‫ﺍﺳ ﺘ ﻔ ﺎﺩﻩ ﮐ ﻦ‪ .‬ﺑ ﺮﺍﯼ ﻣ ﺜ ﺎﻝ‪ ،‬ﺍﯾ ﻦ ﺯ ﯾ ﺮ ﺑ ﺨ ﺶِ ‪ ۸−۵−۲‬ﺍﺳ ﺖ ﻭ ‪This is‬‬
‫‪.subsection 2-5-8‬‬
‫ﺍﯾﻦ ﺗﻨﻈﯿﻤﺎﺕ ﺑﺮﺍﯼ ﺷﻤﺎﺭﻩﯼ ﺟﺪﺍﻭﻝ‪َ ،‬ﺍﺷﮑﺎﻝ ﻭ ﻏﯿﺮﻩ ﻧﯿﺰ ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﺷﻮﺩ‪.‬‬
‫‪۳۱‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺩﯾﮕﺮ ﺩﺳﺘﻮﺭﺍﺕ ﺩﻭﺯﺑﺎﻧﻪ‬ ‫‪۹−۵−۲‬‬
‫ﺕ \‪،TeX\ ،LaTeX\ ،FarsiTeX‬‬

‫ﺍﺯ ﺩﯾﮕﺮ ﺩﺳﺘﻮﺭﺍﺕِ ﺩﻭﺯﺑﺎﻧﻪ ﻣﯽﺗﻮﺍﻥ ﺑﻪ ﺩﺳﺘﻮﺭﺍ ِ‬
‫ﻥ ﻣﺤﯿﻂﺷﺎﻥ ﺧﺮﻭﺟﯽِ ﻓﺎﺭﺳﯽ ﯾﺎ‬ ‫\‪ ،rial‬ﻭ \‪ copyright‬ﺍﺷﺎﺭﻩ ﮐﺮﺩ ﮐﻪ ﺑﺴﺘﻪ ﺑﻪ ﺯﺑﺎ ِ‬
‫ﻥ ﻓﺎﺭﺳﯽ‬
‫ﺭ ﻣﻌﺎﺩﻟﯽ ﺑﻪ ﺯﺑﺎ ِ‬
‫ﺍﻧﮕﻠﯿﺴﯽ ﺗﻮﻟﯿﺪ ﻣﯽﮐﻨﻨﺪ‪ .‬ﺍﯾﻦ ﺩﺳﺘﻮﺭﺍﺕ ﺣﺘﯽ ﺩﺳﺘﻮ ِ‬
‫ﺩﺍﺭﻧﺪ‪\ :‬ﻓﺎﺭﺳﯽﺗﮏ‪\ ،‬ﻟﺘﮏ‪\ ،‬ﺗﮏ‪\ ،‬ﺭ ﯾﺎﻝ‪\ ،‬ﺣﻖﮐﭙﯽ‪ .‬ﺩﺭ ﮐﻞ‪ ،‬ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ‬
‫ﺭ )ﻣﻌﻤﻮﻻً ﯾﮑﯽ‬
‫ﺪ \‪ DeclareRobustBiCommand‬ﻣﯽﺗﻮﺍﻥ ﺩﻭ ﺩﺳﺘﻮ ِ‬
‫ﺩﺳﺘﻮﺭِ ﺟﺪﯾ ِ‬
‫ﻓﺎﺭﺳﯽ‪ ،‬ﯾﮑﯽ ﺍﻧﮕﻠﯿﺴﯽ( ﯾﮏﺳﺎﻥ ﺗﻌﺮﯾﻒ ﮐﺮﺩ ﮐﻪ ﺑﺴﺘﻪ ﺑﻪ ﺯﺑﺎﻥِ ﻣﺤﯿﻂ‪ ،‬ﯾﮑﯽ ﺍﺯ‬
‫ﺭ ﺍﺯﭘﯿﺶﺗﻌﺮﯾﻒﺷﺪﻩ ﺭﺍ ﺍﺯ ﺧﻮﺩ ﻧﺸﺎﻥ ﻣﯽﺩﻫﻨﺪ‪ .‬ﺟﺰﺋﯿﺎﺕِ ﺍﯾﻦ ﺩﺳﺘﻮﺭ ﻭ‬
‫ﺩﻭ ﺭﻓﺘﺎ ِ‬
‫ﺕ ﻣﺸﺎﺑﻪ ﺍﺯ ﺣﻮﺻﻠﻪﯼ ﺍﯾﻦ ﻧﻮﺷﺘﻪ ﺧﺎﺭﺝ ﺍﺳﺖ‪.‬‬
‫ﺩﺳﺘﻮﺭﺍ ِ‬
‫ﺩﯾﮕﺮ ﺗﻐﯿﯿﺮﺍﺕ‬ ‫‪۶−۲‬‬
‫ﺗﻐﯿﯿﺮِ ﻧﺎﻡ ﺑﺴﺘﻪﯼ ‪ farsi‬ﺑﻪ ‪persian‬‬ ‫‪۱−۶−۲‬‬

‫ِ‬
‫ﺖ ﺍﺳﺘﺎﻧﺪﺍﺭﺩﻫﺎﯼ ﺑﯿﻦﺍﻟﻤﻠﻠﯽ‪ ،‬ﻧﺎﻡ ﺑﺴﺘﻪﯼ ‪ farsi‬ﺑﻪ ‪ persian‬ﺗﻐﯿﯿﺮ ﯾﺎﻓﺘﻪ‬

‫ﺟﻬﺖِ ﺭﻋﺎﯾ ِ‬
‫ِ‬
‫ﯽ ﺍﯾﻦ‬
‫ﺍﺳﺖ‪ .‬ﭼﻨﯿﻦ ﺗﻐﯿﯿﺮﯼ ﺩﺭ ﻧﺎﻡِ ﺩﺳﺘﻮﺭﺍﺕ ﻧﯿﺰ ﺻﻮﺭﺕ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺩﺭ ﺗﻤﺎﻣ ِ‬
‫ﺭ ﺧﻮﺩ ﺍﺩﺍﻣﻪ ﻣﯽﺩﻫﺪ‪.‬‬‫ﻣﻮﺍﺭﺩ‪ ،‬ﻧﺎﻡِ ﻗﺒﻠﯽ ﻫﻢﭼﻨﺎﻥ ﺑﻪ ﮐﺎ ِ‬
‫ﻂ ‪tabular‬‬
‫ﻣﺤﯿ ِ‬ ‫‪۲−۶−۲‬‬
‫ﻑ ﻓﺎﺭﺳﯽ ﺟﻬ ﺖِ ﺗﻌﯿﯿ ﻦِ ﻗﺎﻟ ﺐِ ﺳﺘﻮﻥﻫﺎﯼ‬

‫ﺗﻐﯿﯿﺮﺍﺗﯽ ﺩﺍﺩﻩ ﺷﺪﻩ ﺗﺎ ﺑﺘﻮﺍﻥ ﺍﺯ ﺣﺮﻭ ِ‬
‫ﻂ ‪ tabular‬ﺍﺳﺘﻔﺎﺩﻩ ﮐﺮﺩ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﺟﺪﻭﻝِ ‪۱−۲‬‬
‫ﻂ ﻣﺤﯿ ِ‬
‫ﻝ ﺗﻮﻟﯿﺪ ﺷﺪﻩ ﺗﻮﺳ ِ‬
‫ﺟﺪﺍﻭ ِ‬
‫ﺕ ﺯﯾﺮ ﺳﺎﺧﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪:‬‬
‫ﺑﺎ ﺩﺳﺘﻮﺭﺍ ِ‬
‫\‪|}{tabular}begin‬ﺭ|ﻭ|ﻭ|{‬
‫‪...‬‬
‫\‪{tabular}end‬‬
‫‪۳۲‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﻂ ‪tabular‬‬
‫ﻝ ﻣﺤﯿ ِ‬ ‫ﺟﺪﻭﻝِ ‪ :۱−۲‬ﺣﺮﻭ ِ‬
‫ﻑ ﻓﺎﺭﺳﯽ ﺩﺭ ﻗﺎﻟﺐِ ﺟﺪﺍﻭ ِ‬
‫ﻑ ﻓﺎﺭﺳﯽ ﻣﻌﺎﺩﻝِ ﻻﺗﯿﻦ‬

‫ﺣﺮ ِ‬ ‫ﻣﻌﻨﯽ‬
‫‪r‬‬ ‫ﺭ‬ ‫ﺭﺍﺳﺖ‬
‫‪l‬‬ ‫ﭺ‬ ‫ﭼﭗ‬
‫‪c‬‬ ‫ﻭ‬ ‫ﻭﺳﻂ‬
‫‪p‬‬ ‫ﭖ‬ ‫ﺑﻨﺪ )ﭘﺎﺭﺍﮔﺮﺍﻑ(‬
‫ﺗﮏ‪ ،‬ﺑﻪ ﻏﻠﻂ‪ ،‬ﻣﯽﺑﺎﯾﺪ ﺍﺯ ﺣﺮ ِ‬

‫ﻑ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﯽ‬ ‫ﻧﮑﺘﻪ‪ :‬ﭘﯿﺶ ﺍﺯ ﺍﯾﻦ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻂ ﻓﺎﺭﺳ ِ‬
‫ﻑ »‪«r‬‬
‫ﻦ ﺍِﻝِ ﮐﻮﭼﮏ( ﺑﺮﺍﯼ ﺳﺘﻮﻥِ ﭼﺴﺒﯿﺪﻩ ﺑﻪ ﺭﺍﺳﺖ ﻭ ﺍﺯ ﺣﺮ ِ‬
‫ﻑ ﻻﺗﯿ ِ‬
‫»‪) «l‬ﺣﺮ ِ‬
‫ﺑﺮﺍﯼ ﺳﺘﻮﻥِ ﭼﺴﺒﯿﺪﻩ ﺑﻪ ﭼﭗ ﺍﺳﺘﻔﺎﺩﻩ ﻣﯽﺷﺪ‪ .‬ﺍﯾﻦ ﺭﻭ ﯾﻪ ﻫﻢﭼﻨﺎﻥ ﺍﺩﺍﻣﻪ ﺩﺍﺭﺩ‬
‫ﯽ‬
‫ﻑ ﻓﺎﺭﺳ ِ‬
‫ﻭ ﺳﻌﯽﺍﯼ ﺑﺮﺍﯼ ﺗﺼﺤﯿﺢ ﺁﻥ ﺍﻧﺠﺎﻡ ﻧﮕﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺣﺮﻭ ِ‬
‫ِ‬
‫ﺗﻌﺮ ﯾﻒ ﺷﺪﻩ‪ ،‬ﺍﯾﻦ ﻣﺸﮑﻞ ﺭﺍ ﺭﻓﻊ ﻣﯽﮐﻨﺪ‪ ،‬ﻭ ﺟﺪﺍﻭﻟﯽ ﮐﻪ ﺍﺯ ﭘﯿﺶ ﺗﻌﺮ ﯾﻒ‬
‫ﺭ ﺧﻮﺩ ﺍﺩﺍﻣﻪ ﻣﯽﺩﻫﻨﺪ‪ .‬ﺑﺎﯾﺪ ﺗﻮﺟﻪ ﺩﺍﺷﺖ ﮐﻪ ﻫﻨﮕﺎﻡ‬ ‫ﻥ ﺗﻐﯿﯿﺮ ﺑﻪ ﮐﺎ ِ‬
‫ﺷﺪﻩﺍﻧﺪ ﻧﯿﺰ ﺑﺪﻭ ِ‬
‫ِ‬
‫ﻑ »ﺭ« ﺟﺎﯼﮔﺰﯾﻦ ﮐﺮﺩ‪ ،‬ﻭ ﻧﻪ ﺑﺎ‬
‫ﻑ »‪ «l‬ﺭﺍ ﺑﺎﯾﺪ ﺑﺎ ﺣﺮ ِ‬
‫ﻝ ﻗﺪﯾﻤﯽ‪ ،‬ﺣﺮ ِ‬ ‫ﻞ ﺟﺪﺍﻭ ِ‬‫ﺗﺒﺪﯾ ِ‬
‫ﯽ‬
‫ﺐ ﻓﺎﺭﺳ ِ‬
‫ﯽ @|‪ @|l|l|c|r‬ﺗﺒﺪﯾﻞ ﻣﯽﮔﺮﺩﺩ ﺑﻪ ﻗﺎﻟ ِ‬
‫ﺐ ﻗﺪﯾﻤ ِ‬
‫»ﭺ«‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﻗﺎﻟ ِ‬
‫|ﺭ|ﺭ|ﻭ|ﭺ|‪.‬‬
‫ﻑ »ﭖ« ﻭ »ﭺ« ﻣﺠﺎﺯ ﺍﺳﺖ‪ .‬ﺩﺭ‬ ‫ﻧﮑﺘﻪ‪ :‬ﻓﻘﻂ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺷﮑ ِ‬
‫ﻞ ﺗﻨﻬﺎﯼ ﺩﻭ ﺣﺮ ِ‬
‫ﻧﺘﯿﺠﻪ‪ ،‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﻧﻤﯽﺗﻮﺍﻥ ﻧﻮﺷﺖ ﭼﭽﭻ ﻭ ﺑﺎﯾﺪ ﺑﻪ ﺟﺎﯼ ﺁﻥ ﻧﻮﺷﺖ ﭺﭺﭺ‪.‬‬
‫ﺭ ‪\mbox‬‬
‫ﺩﺳﺘﻮ ِ‬ ‫‪۳−۶−۲‬‬
‫ﺭ ‪ \mbox‬ﺑﻬﺒﻮﺩ ﯾﺎﻓﺘﻪ ﺗﺎ ﺩﺭ ﮐﻠﯿﻪﯼ ﻣﺤﯿﻂﻫﺎﯼ ﻻﺯﻡ )ﻓﺎﺭﺳﯽ‪ ،‬ﻻﺗﯿﻦ‪،‬‬ ‫ﺩﺳﺘﻮ ِ‬

‫ﺭ ﯾﺎﺿﯽ‪ (. . . ،‬ﮐﺎﺭ ﮐ ﻨﺪ‪ .‬ﺩﺭ ﻧ ﺘ ﯿ ﺠﻪ ﺩﯾ ﮕﺮ ﻧ ﯿﺎﺯﯼ ﺑﻪ ﺍﺳ ﺘ ﻔﺎﺩﻩ ﺍﺯ ﺩﺳ ﺘﻮﺭﻫﺎﯼ‬
‫ﺗﮏ ﭘﯿﺶ ﺍﺯ ﺍﯾﻦ ﺗﻌﺮ ﯾﻒ ﮐﺮﺩﻩ ﺑﻮﺩ ﻧﯿﺴﺖ‪،‬‬
‫‪ \farmbox‬ﻭ ‪ \engmbox‬ﮐﻪ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﺭ ﺧﻮﺩ ﺍﺩﺍﻣﻪ ﻣﯽﺩﻫﻨﺪ‪.‬‬
‫ﮔﺮﭼﻪ ﺁﻥ ﺩﻭ ﺭ ﻫﻢﭼﻨﺎﻥ ﺑﻪ ﮐﺎ ِ‬
‫‪۳۳‬‬ ‫ﻓﺼﻞِ ‪ .۲‬ﻣﺎﮐﺮﻭﻫﺎ‬
‫ﺭ ‪\rcases‬‬
‫ﺩﺳﺘﻮ ِ‬ ‫‪۴−۶−۲‬‬
‫ﺖ ﯾﮑﯽ ﺍﺯ ﮐﺎﺭ ﺑﺮﺍﻥ‪ ،‬ﺩﺳﺘﻮﺭﯼ ﺑﻪ ﻧﺎﻡ ‪ \rcases‬ﺗﻌﺮ ﯾﻒ ﮔﺸﺘﻪ ﮐﻪ‬
‫ﺑﻪ ﺩﺭﺧﻮﺍﺳ ِ‬
‫ِ‬
‫ﻒ ﻓﺎﺭﺳﯽ ﻭ ﺍﺯ ﺭﺍﺳﺖ ﺑﻪ ﭼﭗ‪.‬‬ ‫ﺭ ‪ \cases‬ﺍﺳﺖ‪ ،‬ﻭﻟﯽ ﺑﺮﺍﯼ ﺗﻌﺎﺭ ﯾ ِ‬ ‫ﻪ ﺩﺳﺘﻮ ِ‬
‫ﻣﺸﺎﺑ ِ‬
‫ﺕ‪:‬‬
‫ﺑﺮﺍﯼ ﻣﺜﺎﻝ ﻋﺒﺎﺭ ِ‬
‫) ﻣﺮﺩ‬
‫ﺁﺩﻡ‬
‫ﺯﻥ‬
‫ﻂ ﺍﯾﻦ ﺩﺳﺘﻮﺭﺍﺕ ﺳﺎﺧﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪:‬‬
‫ﺗﻮﺳ ِ‬
‫‪$$‬‬
‫}ﺁﺩﻡ{‪}}\mbox‬ﺯﻥ{‪}\cr\mbox‬ﻣﺮﺩ{‪\rcases{\mbox‬‬
‫‪$$‬‬
‫ﻓﺼﻞِ ‪۳‬‬
‫ﺩﯾﮕﺮ ﺍﺑﺰﺍﺭﻫﺎ‬
‫ﻧﻤﺎﯾﻪﺳﺎﺯ‬ ‫‪۱−۳‬‬
‫ﻂ ﺧﺎﻧﻢ ﺷﯿﻮﺍ‬
‫ﻞ ﺍﺷﺎﺭﻩ ﺷﺪ‪ ،‬ﻧﻤﺎﯾﻪﺳﺎﺯﯼ ﺗﻮﺳ ِ‬
‫ﻫﻤﺎﻥﮔﻮﻧﻪ ﮐﻪ ﭘﯿﺶﺗﺮ ﺩﺭ ﻓﺼ ِ‬
‫ِ‬
‫ﺩ ﺍﺳﺘﻔﺎﺩﻩ ﻗﺮﺍﺭ ﻧﮕﺮﻓﺖ‪.‬‬ ‫ﺗﮏ ﺗﻬﯿﻪ ﺷﺪﻩ ﺑﻮﺩ ﮐﻪ ﻫﯿﭻ ﻭﻗﺖ ﻣﻮﺭ ِ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﻧﺠﺎﺗﯽ ﺑﺮﺍﯼ‬
‫ﺍﯾﻦ ﻧﻤﺎﯾﻪ ﺳﺎﺯ ﮐﻪ ‪ fmakeidx‬ﻧﺎﻡ ﺩﺍﺭﺩ ﻧﯿﺰ ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺑﻪ ﺭﻭﺯ ﺩﺭ ﺁﻣﺪﻩ ﻭ‬
‫ﺗﮏ ﮔﺸﺘﻪ ﺍﺳﺖ‪ .‬ﻣﺎﮐﺮﻭﻫﺎﯼ ﻻﺯﻡ ﺑﺮﺍﯼ ﺍﯾﻦ ﻣﻨﻈﻮﺭ ﺗﻬﯿﻪ ﺷﺪﻩﺍﻧﺪ‬
‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺟﺰﺋﯽ ﺍﺯ‬
‫ﻦ ﺣﺎﺿﺮ ﺑﺎ‬
‫ﻭ ﺩﺭ ﺑﺴﺘﻪﯼ ‪ fmakeidx‬ﮔﻨﺠﺎﻧﺪﻩ ﺷﺪﻩﺍﻧﺪ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﻧﻤﺎﯾﻪﯼ ﻣﺘ ِ‬
‫ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻫﻤﯿﻦ ﺍﺑﺰﺍﺭ ﺗﻬﯿﻪ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﻝ ‪ftx2tex‬‬
‫ﻣﺒﺪ ِ‬ ‫‪۲−۳‬‬
‫ﺗﮏ ﺍﺳﺖ‪ .‬ﺩﺭ‬ ‫ﻣﺒﺪﻝ ‪ ftx2tex‬ﯾﮑﯽ ﺍﺯ ﺣﯿﺎﺗﯽﺗﺮ ﯾﻦ ﻗﺴﻤﺖﻫﺎﯼ ﺳﯿﺴﺘﻢ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ِ‬
‫ﻃﻮﻝِ ﺍﻧﺠﺎﻡ ﭘﺮﻭﮊﻩ‪ ،‬ﺍﺷﮑﺎﻝﻫﺎﯼ ﻓﺮﺍﻭﺍﻧﯽ ﺩﺭ ﺍﯾﻦ ﻣﺒﺪﻝ ﯾﺎﻓﺘﻪ ﻭ ﺭﻓﻊ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬
‫ِ‬
‫ﻫﻢﭼﻨﯿﻦ‪ ،‬ﻫﺮﮔﻮﻧﻪ ﻣﺤﺪﻭﺩﯾﺘﯽ ﺑﺮ ﺭﻭﯼ ﻃﻮﻝِ ﺳﻄﺮﻫﺎﯼ ﻭﺭﻭﺩﯼ ﺑﺮﺩﺍﺷﺘﻪ ﺷﺪﻩ‬
‫ﺭ‬
‫ﺪ ﺧﻮﺩﮐﺎ ِ‬
‫ﺍﺳﺖ‪ .‬ﺍﺯ ﺩﯾﮕﺮ ﮐﺎﺭﻫﺎﯼ ﺍﻧﺠﺎﻡ ﮔﺮﻓﺘﻪ ﺭﻭﯼ ﻣﺒﺪﻝ ﻣﯽﺗﻮﺍﻥ ﺑﻪ ﺗﻮﻟﯿ ِ‬
‫ﻟﯿﮕﺎﺗﻮﺭﻫﺎﯼ ﻧﺸﺎﻧﻪﻫﺎ ﺍﺷﺎﺭﻩ ﮐﺮﺩ‪.‬‬
‫‪۳۴‬‬
‫‪۳۵‬‬ ‫ﻞ ‪ .۳‬ﺩﯾﮕﺮ ﺍﺑﺰﺍﺭﻫﺎ‬
‫ﻓﺼ ِ‬
‫ﻭﯾﺮﺍﯾﺶﮔﺮ‬ ‫‪۳−۳‬‬
‫ﯽ‬ ‫ِﺗﮏ‬
‫ﻭﯾﺮﺍﯾﺶﮔﺮِ ﻓﺎﺭﺳﯽ ﺣﺘﯽ ﺍﺯ ﻣﺒﺪﻝِ ﺁﻥ ﻧﯿﺰ ﺣﯿﺎﺗﯽﺗﺮ ﺍﺳﺖ‪ .‬ﺑﻪ ﻋﻠﺖِ ﭘﯿﭽﯿﺪﮔ ِ‬
‫ﺯ‬
‫ﺖ ﻭ ﯾ ﻨﺪﻭ ِ‬
‫ﯽ ﻭ ﯾﺮﺍﯾﺶﮔﺮﻫﺎﯼ ﺩﻭﺯ ﺑﺎﻧﻪ‪ ،‬ﻭ ﺩﺭ ﺍﯾﻦ ﻣﻮﺭﺩ ﻭ ﯾﺮﺍﯾﺶﮔ ﺮِ ﺗ ﺤ ِ‬
‫ﺫﺍﺗ ِ‬
‫ﺗﮏ‪ ،‬ﺗﻨﻬﺎ ﺍﺷﮑﺎﻝﻫﺎﯼ ﺑﺴﯿﺎﺭ ﻣﻬﻢ ﻭ ﯾﺮﺍﯾﺶﮔﺮ ﺭﻓﻊ ﮔﺸﺘﻪﺍﻧﺪ‪ .‬ﺍﺯ ﺩﯾﮕﺮ‬
‫ﯽ‬
‫ِ‬
‫ﺗﻐﯿﯿﺮﺍﺕِ ﻭﯾﺮﺍﯾﺶﮔﺮ ﻣﯽﺗﻮﺍﻥ ﺑﻪ ﭘﺸﺘﯿﺒﺎﻧﯽ ﺍﺯ ﺷﮑﻞﻫﺎﯼ ﺟﺪﯾﺪ ﺍﺷﺎﺭﻩ ﮐﺮﺩ‪.‬‬
‫ﺣﻤﻞﭘﺬﯾﺮﯼ‬ ‫‪۴−۳‬‬
‫ﺗﮏ ﮐﺎﻣ ﻼً ﺑﻪ ﺯﺑﺎﻥﻫﺎﯼ ﻣﺘﺎﻓﻮﻧﺖ ﻭ ِﺗﮏ‬

‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺍﺯ ﺁﻥﺟﺎ ﮐﻪ ﻗﻠﻢﻫﺎ ﻭ ﻣﺎﮐﺮﻭﻫﺎﯼ‬
‫ﻞ ﺧﺎﺻﯽ‬
‫ﺭ ‪ TDS‬ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ‪ ،‬ﻧﯿﺎﺯ ﺑﻪ ﻫﯿﭻ ﻋﻤ ِ‬
‫‪۱‬‬
‫ﻧﻮﺷﺘﻪ ﺷﺪﻩﺍﻧﺪ ﻭ ﺩﺭ ﺳﺎﺧﺘﺎ ِ‬
‫ﺑﺮﺍﯼ ﺣﻤﻞ ﺑﻪ ﻣﺤﯿﻂﻫﺎﯼ ﺩﯾﮕﺮ ﻧﺪﺍﺭﻧﺪ‪ .‬ﺩﺭ ﻧﺘﯿﺠﻪ ﺗﻨﻬﺎ ﺍﺑﺰﺍﺭﻫﺎﯼ ﺍﯾﻦ ﻓﺼﻞ ﺍﺯ‬
‫ﺩ ﺗﻮﺟﻪ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪﺍﻧﺪ‪.‬‬
‫ﺮ ﺣﻤﻞﭘﺬﯾﺮﯼ ﻣﻮﺭ ِ‬ ‫ﻧﻈ ِ‬
‫ﻥ‬
‫ﻂﻓﺮﻣﺎﻥ ﺍﺟﺮﺍ ﻣﯽﺷﻮﻧﺪ‪ ،‬ﺑﻪ ﺯ ﺑﺎ ِ‬
‫ﺍﺑﺰﺍﺭﻫﺎﯼ ‪ fmakeidx‬ﻭ ‪ ftx2tex‬ﮐﻪ ﺩﺭ ﺧ ِ‬
‫ﻞ ﺗﺮﺟﻤﻪ ﻭ ﺍﺟﺮﺍ‬
‫ﻢ ‪ ِC‬ﺍﺳﺘﺎﻧﺪﺍﺭﺩ ﻗﺎﺑ ِ‬ ‫‪ ِC‬ﺍﺳﺘﺎﻧﺪﺍﺭﺩ ﻧﻮﺷﺘﻪ ﺷﺪﻩﺍﻧﺪ ﻭ ﺑﺎ ﻫﺮ ﻣﺘﺮﺟ‬
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‫ﺮ ﻭﯾﻨﺪﻭﺯ‪ ،‬ﺗﻨﻬﺎ ﻗﻄﻌﻪﺍﯾﺴﺖ ﮐﻪ ﻣﺒﺘﻨﯽ ﺑﺮ ﺳﯿﺴﺘﻢﻋﺎﻣﻞِ ﻭﯾﻨﺪﻭﺯ‬ ‫ﻫﺴﺘﻨﺪ‪ .‬ﻭﯾﺮﺍﯾﺶﮔ ِ‬
‫ﺑﻮﺩﻩ ﻭ ﺑﻪ ﺁﺳﺎﻧﯽ ﻗﺎﺑﻞِ ﺣﻤﻞ ﺑﻪ ﺩﯾﮕﺮ ﺳﯿﺴﺘﻢﻫﺎ ﻧﯿﺴﺖ‪ .‬ﺑﺮﺍﯼ ﺭﻓﻊ ﺍﯾﻦ ﻣﺸﮑﻞ‬
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‫ﻂ ﻭ ﯾﻨﺪﻭﺯ ﺑﺮﺍﯼ‬
‫ﯼ ﺭﺍﺑ ِ‬
‫ﻂ ﻟﯿﻨﻮﮐﺲ ﻭ ﺩﯾﮕﺮ ﯾﻮﻧﯿﮑﺲﻫﺎ‪ ،‬ﺍﺯ ﭘﯿﺎﺩﻩﺳﺎﺯ ِ‬
‫ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻞ‬
‫ﻡ ‪ WINE‬ﺍﺳﺘﻔﺎﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺑﺮﺍﯼ ﻣﺜﺎﻝ‪ ،‬ﻧﮕﺎﺭﻧﺪﻩ ﮐ ِ‬
‫‪۲‬‬
‫ﻂ ﯾﻮﻧﯿﮑﺲ ﺑﻪ ﻧﺎ‬
‫ﻣﺤﯿ ِ‬
‫ِ‬
‫ﺽ ﺑﯿﺶ ﺍﺯ‬ ‫ﻂ ﻟﯿﻨﻮﮐﺲ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻩ ﻭ ﮐﻞِ ﺍﯾﻦ ﻧﻮﺷﺘﻪ ﺭﺍ ﺩﺭ ﻋﺮ ِ‬ ‫ﭘﺮﻭﮊﻩ ﺭﺍ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﺩﻩ ﺭﻭﺯ ﻭ ﺑﻪ ﺗﻤﺎﻣﯽ ﻭ ﻓﻘﻂ ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺳﯿﺴﺘﻢ ﻟﯿﻨﻮﮐﺲ ﺗﻬﯿﻪ ﮐﺮﺩﻩ ﺍﺳﺖ ]ﻧﮏ‪.‬‬
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‫ﺗﮏ‪.‬‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﻣﻬﺪﯾﺎﻥ‪ ،‬ﻧﻤﻮﻧﻪﯼ ﺭﺳﺎﻟﻪ ﺩﺭ‬
‫‪1T‬‬
‫‪EX Directory Structure‬‬
‫‪2 http://winehq.com‬‬
‫‪۳۶‬‬ ‫ﻞ ‪ .۳‬ﺩﯾﮕﺮ ﺍﺑﺰﺍﺭﻫﺎ‬
‫ﻓﺼ ِ‬
‫ﻧﺼﺐِ ﺧﻮﺩﮐﺎﺭ‬ ‫‪۵−۳‬‬
‫ﺲ ‪ Fedora Core‬ﺑﺴﺘﻪﯼ ‪RPM‬ﺍﯼ ﺳﺎﺧﺘﻪ‬ ‫ﻂ ﻟﯿﻨﻮﮐ ِ‬

‫ﺑﺮﺍﯼ ﻧﺼﺐِ ﺧﻮﺩﮐﺎﺭ ﺩﺭ ﻣﺤﯿ ِ‬
‫ﻂ ﺁﻗﺎﯼ‬
‫ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺑﺮﺍﯼ ﺳﯿﺴﺘ ﻢ ﻭﯾﻨﺪﻭﺯ ﻧﯿﺰ‪ ،‬ﺳﯿﺴﺘ ﻢ ﻧﺼ ﺐِ ﺧﻮﺩﮐﺎﺭﯼ ﺗﻮﺳ ِ‬
‫ِ‬ ‫ِ‬
‫ﺳﺠﺎﺩ ﺷﯿﺮﻋﻠﯽ ﺑﺎ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺳﯿﺴﺘﻢ ‪ InstallShield X‬ﺁﻣﺎﺩﻩ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻧﺴﺨﻪﯼ‬
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‫ﺱ ﻋﻤﻮﻡ ﻗﺮﺍﺭ ﺧﻮﺍﻫﺪ ﮔﺮﻓﺖ‪.‬‬‫ﻧﻬﺎﯾﯽِ ﺍﯾﻦ ﺩﻭ ﺑﺴﺘﻪ ﺑﻪ ﺯﻭﺩﯼ ﺩﺭ ﺩﺳﺖﺭ ِ‬
‫ﻓﺼﻞِ ‪۴‬‬
‫ﻧﺘﯿﺠﻪﮔﯿﺮﯼ‬
‫ﺩﺭ ﻃﻮﻝِ ﺍﻧﺠﺎﻡ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﮐﻪ ﺑﯿﺶ ﺍﺯ ﺁﻥﭼﻪ ﺗﺼﻮﺭ ﻣﯽﺷﺪ ﺑﻪ ﻃﻮﻝ ﺍﻧﺠﺎﻣﯿﺪ‪،‬‬
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‫ﺳﻌﯽ ﺑﺮ ﺁﻥ ﺑﻮﺩﻩ ﮐﻪ ﺑﯿﺶﺗﺮ ﺩﺭ ﺣﯿﻄﻪﻫﺎﯾﯽ ﻭﻗﺖ ﮔﺬﺍﺭﺩﻩ ﺷﻮﺩ ﮐﻪ ﺭﺍﻩ ﺭﺍ ﺑﺮﺍﯼ‬
‫ﺖﮐﻢ ﺩﺭ ﺍﯾﻦ ﮔﺬﺍﺭ ﺩﻭﺭ ﺭ ﯾﺨﺘﻪ ﻧﺸﻮﻧﺪ‪.‬‬
‫ﮔﺬﺍﺭ ﺑﻪ ‪ LaTEX2ε‬ﻫﻤﻮﺍﺭ ﮐﻨﻨﺪ‪ ،‬ﯾﺎ ﺩﺳ ِ‬
‫ﺭ ﺍﻧﺠﺎﻡ ﺷﺪﻩ ﺑﺮ ﺭﻭﯼ ﻗﻠﻢﻫﺎ ﺑﻮﺩﻩ ﮐﻪ ﺑﺎ ﻫﺮ‬
‫ﺩﺭ ﺍﯾﻦ ﺭﺍﺳﺘﺎ ﺑﯿﺶ ﺍﺯ ﻧﯿﻤﯽ ﺍﺯ ﮐﺎ ِ‬
‫ﻞ ﺍﺳﺘﻔﺎﺩﻩ ﻫﺴﺘﻨﺪ‪ .‬ﻏﯿﺮ ﺍﺯ ﺁﻥ‪ ،‬ﺩﺭﺱﻫﺎﯼ ﺑﺴﯿﺎﺭﯼ ﺍﺯ‬ ‫ﻢ ﻣﺒﺘﻨﯽ ﺑﺮ ِﺗﮏ ﻗﺎﺑ ِ‬ ‫ﺳﯿﺴﺘ‬
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‫ﺕ ﮔﺬﺷﺘﻪ ﺁﻣﻮﺧﺘﻪ ﺷﺪﻩ ﮐﻪ ﺑﺎﺯﻧﻮ ﯾﺴﯽِ ﺳﯿﺴﺘﻢ ﺭﺍ ﺁﺳﺎﻥ ﻭ ﻋﻤﻠﯽ‬
‫ﺭﻓﻊ ﺍﺷﺘﺒﺎﻫﺎ ِ‬
‫ِ‬
‫ﻑ ﯾﮏ ﺳﺎﻝِ ﺁﯾﻨﺪﻩ‪ ،‬ﺍﯾﻦ ﺑﺎﺯﻧﻮﯾﺴﯽ ﺍﻧﺠﺎﻡ ﮔﯿﺮﺩ‪.‬‬ ‫ﻣﯽﮐﻨﺪ‪ .‬ﺍﻣﯿﺪ ﺍﺳﺖ ﻇﺮ ِ‬
‫ﻥ ﺍﺷﮑﺎﻻﺕ‬ ‫ﺩﺭ ﺗﻤﺎﻡِ ﻣﺮﺍﺣﻞِ ﭘﺮﻭﮊﻩ‪ ،‬ﺳﻌﯽ ﺑﺮ ﺁﻥ ﺑﻮﺩﻩ ﮐﻪ ﺿﻤﻦِ ﻣﺮﺗﻔﻊ ﮐﺮﺩ ِ‬
‫ﺪ ﻗﺎﺑﻞِ ﻗﺒﻮﻟﯽ ﺣﻔﻆ‬
‫ﻭ ﺍﻓﺰﻭﺩﻥِ ﺍﻣﮑﺎﻧﺎﺕ‪ ،‬ﺳﺎﺯﮔﺎﺭﯼ ﺑﺎ ﻧﺴﺨﻪﻫﺎﯼ ﻗﺒﻠﯽ ﺗﺎ ﺣ ِ‬
‫ﺷﻮﺩ‪ .‬ﺩﺭ ﻧﺘﯿﺠﻪ‪ ،‬ﺗﻘﺮﯾﺒﺎً ﺩﺭ ﺗﻤﺎﻡ ﻣﻮﺍﺭﺩ‪ ،‬ﺳﻨﺪﻫﺎﯼ ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﺑﺮﺍﯼ ﻧﺴﺨﻪﻫﺎﯼ‬
‫ِ‬
‫ﺗﮏ‪ ،‬ﺑﺎ ﺣﺬ ِ‬
‫ﻑ ﭘﺮﻭﻧﺪﻩﻫﺎﯼ ﻣﯿﺎﻧﯽ ) ‪ ،.aux ،.toc ،.tex‬ﻭ ﻏﯿﺮﻩ( ﻭ‬ ‫ﭘﯿﺸﯿﻦ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ِ‬
‫ﺗﮏ‪ ،‬ﻧﺘﯿﺠﻪﯼ ﺩﻝﺧﻮﺍﻩ ﺭﺍ ﺗﻮﻟﯿﺪ ﻣﯽﮐﻨﻨﺪ‪ ،‬ﺍﻟﺒﺘﻪ ﺑﺎ ﮐﯿﻔﯿ ِ‬
‫ﺖ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺍﺟﺮﺍﯼ ﺩﻭﺑﺎﺭﻩﯼ‬
‫ﺗﮏ ﻧﯿﺰ ﺗﻐﯿﯿﺮ ﻧﮑﺮﺩﻩ ﻭ ﻫﻤﺎﻥ ﻗﻠﻢ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺽ‬
‫ﺑﺎﻻﺗﺮ‪ .‬ﺩﺭ ﻫﻤﯿﻦ ﺭﺍﺳﺘﺎ‪ ،‬ﻗﻠﻢِ ﭘﯿﺶﻓﺮ ِ‬
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‫ﻥ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻗﻠﻢﻫﺎﯼ ﺯ ﯾﺒﺎﯼ‬
‫ﻑ ﺩﯾﮕﺮ‪ ،‬ﺍ ﮐﻨﻮﻥ ﮐﻪ ﺍﻣﮑﺎ ِ‬
‫ﻋﻠﻤﯽ ﻣﯽﺑﺎﺷﺪ‪ .‬ﺍﺯ ﻃﺮ ِ‬
‫ﻞ ﺑﻬﺘﺮﯼ‬ ‫ِﺗﮏ‬ ‫ِﺗﮏ‬
‫ﻣﺘﻌﺪﺩﯼ ﺩﺭ ﻓﺎﺭﺳﯽ ﻓﺮﺍﻫﻢ ﺁﻣﺪﻩ ﺍﺳﺖ‪ ،‬ﺷﺎﯾﺪ ﻣﻮﺯﻩﯼ ﻓﺎﺭﺳﯽ ﻣﺤ ِ‬
‫ﺑﺮﺍﯼ ﻗﻠ ﻢ ﻋﻠﻤﯽ ﺑﺎﺷﺪ‪ .‬ﻟﺬﺍ‪ ،‬ﮐﺎﺭﺑﺮﺍﻥ ﻣﯽﺗﻮﺍﻧﻨﺪ ﺑﺎ ﯾﮏ ﺩﺳﺘﻮﺭ ﺩﺭ ﺍﺑﺘﺪﺍﯼ ﺳﻨﺪ‪،‬‬
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‫ﻗﻠﻢ ﺩﻝﺧﻮﺍﻩِ ﺧﻮﺩ ﺭﺍ ﺑﺮﺍﯼ ﮐﻞِ ﻣﺘﻦ ﺍﻧﺘﺨﺎﺏ ﮐﻨﻨﺪ‪ .‬ﻃﺒﯿﻌﯽﺳﺖ ﺩﺭ ﺁﯾﻨﺪﻩ ﺍﯾﻦ‬
‫ِ‬
‫‪۳۷‬‬
‫‪۳۸‬‬ ‫ﻓﺼﻞِ ‪ .۴‬ﻧﺘﯿﺠﻪﮔﯿﺮﯼ‬
‫ﭘﯿﺶﻓﺮﺽ ﻧﯿﺰ ﺗﻐﯿﯿﺮ ﺧﻮﺍﻫﺪ ﮐﺮﺩ‪.‬‬

‫ﺗﮏ‬‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫‪−‬‬
‫ﻫﻤﺎﻥﮔﻮﻧﻪ ﮐﻪ ﺩﺭ ﺑﺨﺶِ ‪ ۴ ۳‬ﺍﺷﺎﺭﻩ ﺷﺪ‪ ،‬ﺗﻨﻬﺎ ﻣﺎﻧﻊ ﺩﺭ ﺭﺍﻩِ ﺣﻤﻞِ‬
‫ﺑﻪ ﻣﺤﯿﻂﻫﺎﯼ ﮔﻮﻧﺎ ﮔﻮﻥ )ﺑﺮﺍﯼ ﻣﺜﺎﻝ ﺳﯿﺴﺘﻢ ﻣﮑﯿﻨﺘﺎﺵ( ﻭ ﯾﺮﺍﯾﺶﮔﺮِ ﻭ ﯾﻨﺪﻭﺯ‬
‫ِ‬
‫ﺐ ﻭﺭﻭﺩﯼِ ﻣﺒﺘﻨﯽ‬ ‫ﻣﯽﺑﺎﺷﺪ‪ .‬ﺗﻨﻬﺎ ﺭﺍﻩِ ﺧﻼﺻﯽ ﺍﺯ ﺍﯾﻦ ﻣﺸﮑﻞ‪ ،‬ﺭﻭﯼ ﺁﻭﺭﺩﻥ ﺑﻪ ﻗﺎﻟ ِ‬
‫ﺑﺮ ﯾﻮﻧﯽُﮐﺪ ﺍﺳﺖ‪.‬‬
‫ﺗﮏ ﺑﺎﻻﺧﺮﻩ ﭘﺲ ﺍﺯ ﺳﺎﻝﻫﺎ ﺑﻪ ﻣﺮﺣ ﻠﻪﺍﯼ‬
‫ﺩﺭ ﻣ ﺠ ﻤﻮﻉ‪ ،‬ﺳ ﯿ ﺴ ﺘ ﻢ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ِ‬
‫ﺭﺳﯿﺪﻩ ﺍﺳﺖ ﮐﻪ ﻣﯽﺗﻮﺍﻥ ﻧﺴﺨﻪﺍﯼ ﭘﺎﯾﺪﺍﺭ ﺑﺎ ﻧﺎﻡ ‪ ۱٫۰‬ﺍﺯ ﺁﻥ ﻣﻨﺘﺸﺮ ﮐﺮﺩ ﻭ ﺳﭙﺲ‬
‫ِ‬
‫ﺳﺎﺯﮔﺎﺭﯼ ﺭﺍ ﻓﺮﺍﻣﻮﺵ ﮐﺮﺩﻩ ﻭ ﺳﯿﺴﺘﻤﯽ ﺟﺪﯾﺪ ﻃﺮﺍﺣﯽ ﮐﺮﺩ‪ ،‬ﺑﺎ ﺗﺠﺮﺑﻪﯼ ﺁﻣﻮﺧﺘﻪ‬
‫ﺭ ﺍﺷﺘﺒﺎﻩﻫﺎﯼ ﻃﺮﺍﺣﯽِ ﺁﻥ‪ .‬ﺷﮑﯽ ﻧﯿﺴﺖ ﮐﻪ ﺍﯾﻦ‬ ‫ﺍﺯ ﺳﯿﺴﺘﻢِ ﻗﺒﻠﯽ‪ ،‬ﻭﻟﯽ ﺑﺪﻭﻥِ ﺗﮑﺮﺍ ِ‬
‫ﺗﮏ ﻭ ﺍﻧﮕﯿﺰﻩﯼ‬ ‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﯽ ﺻﺎﺣﺐﻧﻈﺮﺍﻥِ‬‫ﮏ ﺗﻤﺎﻣ ِ‬
‫ﺑﺰﺭﮒ ﻣﻤﮑﻦ ﻧﯿﺴﺖ ﻣﮕﺮ ﺑﺎ ﮐﻤ ِ‬
‫ﻥ ﻭﻗ ﺖِ ﮐﺎﻓﯽ ﺑﻪ ﺍﯾﻦ ﭘﺮﻭﮊﻩﯼ ﻣﻬﻢ ﻭ ﭘﺮﺍﻫﻤﯿﺖ‪ ،‬ﺍﻣﺎ‬‫ﮐﺎﻓﯽ ﺑﺮﺍﯼ ﺍﺧﺘﺼﺎﺹ ﺩﺍﺩ ِ‬
‫ﺑﻪﻇﺎﻫﺮ ﮐﻢﻣﻨﻔﻌﺖ!‬
‫ﺖ ﺍﻟﻒ‬
‫ﭘﯿﻮﺳ ِ‬
‫ﺗﮏ‬
‫ِ‬
‫ﻗﺎﻟ ِ‬
‫ﺗﮏ ﻭ ﺳﭙﺲ ﻧﮕﺎﺷﺖِ ﺍﯾﻦ‬

‫ﻝ ﺷﮑﻞﻫﺎﯼ ﻗﺎﻟﺐِ ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬ ‫ﺩﺭ ﺍﺩﺍﻣﻪ‪ ،‬ﺟﺪﻭ ِ‬
‫ﻑ ﯾﻮﻧﯽُﮐﺪ ‪ ۱‬ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬
‫ﺷﮑﻞﻫﺎ ﺑﻪ ﺣﺮﻭ ِ‬
‫‪1 Unicode‬‬
‫‪۱‬‬
‫‪۲‬‬ ‫ﺗﮏ‬
‫ِ‬
‫ﭘﯿﻮﺳﺖِ ﺍﻟﻒ‪ .‬ﻗﺎﻟ ِ‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪#‬‬ ‫﷼‬ ‫‪%‬‬ ‫&‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫>‬ ‫=‬ ‫<‬ ‫؟‬
‫‪´10x‬‬ ‫*‬ ‫‪٤‬‬
‫‪˝4x‬‬
‫‪´11x‬‬ ‫ﭐ‬ ‫ﭑ‬ ‫ﻙ‬ ‫‪٥‬‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪٦‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫ﻱ‬ ‫‪٠‬‬ ‫]‬ ‫\‬ ‫[‬ ‫—‬ ‫–‬
‫‪´14x‬‬ ‫‘‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬

‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫ﻚ‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬ ‫◌‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬ ‫ﻲ‬ ‫|‬ ‫ٓ‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫×‬ ‫‬ ‫‐‬ ‫ـ‬ ‫ﺂ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫‪٬‬‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
۳ ‫ﺗﮏ‬
ِ
ِ ‫ ﻗﺎﻟ‬.‫ﭘﯿﻮﺳﺖِ ﺍﻟﻒ‬
#uftexenc.txt #0x1a → empty

#FarsiTeX font encoding #0x1b → empty
# #0x1c → empty
#0x00 → empty #0x1d → empty
#0x01 → empty #0x1e → empty
#0x02 → empty #0x1f → empty
#0x03 → empty 0x20 → U+0020
#0x04 → empty 0x21 → U+0021
#0x05 → empty 0x22 → U+00AB
#0x06 → empty 0x23 → U+0023
#0x07 → empty 0x24 → U+FDFC
#0x08 → empty 0x25 → U+0025
#0x09 → empty 0x26 → U+0026
#0x0a → empty 0x27 → U+00BB
#0x0b → empty 0x28 → U+0028
#0x0c → empty 0x29 → U+0029
#0x0d → empty 0x2a → U+066B
#0x0e → empty 0x2b → U+002B
#0x0f → empty 0x2c → U+060C
#0x10 → empty 0x2d → U+2212
#0x11 → empty 0x2e → U+002E
#0x12 → empty 0x2f → U+002F
#0x13 → empty 0x30 → U+06F0
#0x14 → empty 0x31 → U+06F1 | U+0661
#0x15 → empty 0x32 → U+06F2 | U+0662
#0x16 → empty 0x33 → U+06F3 | U+0663
#0x17 → empty 0x34 → U+06F4
#0x18 → empty 0x35 → U+06F5
#0x19 → empty 0x36 → U+06F6
۴ ‫ﺗﮏ‬
ِ
0x37 → U+06F7 | U+0667 0x54 → U+0666

0x38 → U+06F8 | U+0668 0x55 → U+0654,U+064B
0x39 → U+06F9 | U+0669 0x56 → U+0654,U+064D
0x3a → U+003A 0x57 → U+0654,U+064C
0x3b → U+061B 0x58 → U+0654,U+064F
0x3c → U+003E 0x59 → U+FEF1
0x3d → U+003D 0x5a → U+0660
0x3e → U+003C 0x5b → U+005D
0x3f → U+061F 0x5c → U+005C
0x40 → U+002A 0x5d → U+005B
#0x41 → empty 0x5e → U+2014
#0x42 → empty 0x5f → U+2013
#0x43 → empty 0x60 → U+2018
#0x44 → empty 0x61 → U+0651
0x45 → U+0664 0x62 → U+0654
#0x46 → empty 0x63 → U+0650
#0x47 → empty 0x64 → U+064E
#0x48 → empty 0x65 → U+064F
0x49 → U+FB50 0x66 → U+064B
0x4a → U+FB51 0x67 → U+064C
0x4b → U+FED9 0x68 → U+0652
#0x4c → empty 0x69 → U+0670
#0x4d → empty 0x6a → U+0651,U+0670
#0x4e → empty 0x6b → U+FEDA
0x4f → U+0665 0x6c → U+0651,U+064E
0x50 → U+FDF2 0x6d → U+0651,U+064F
0x51 → U+0651,U+064B 0x6e → U+064D
0x52 → U+0651,U+064D 0x6f → U+25CC
0x53 → U+0651,U+064C 0x70 → U+0654,U+064E
۵ ‫ﺗﮏ‬
ِ
0x71 → U+0654,U+0650 0x8e → U+FE8B

0x72 → U+0651,U+0650 0x8f → U+FE80
0x73 → U+0655 0x90 → U+FE8D
0x74 → U+0656 0x91 → U+FE8E
#0x75 → empty 0x92 → U+FE8F
#0x76 → empty 0x93 → U+FE91
#0x77 → empty 0x94 → U+FB56
#0x78 → empty 0x95 → U+FB58
0x79 → U+FEF2 0x96 → U+FE95
#0x7a → empty 0x97 → U+FE97
#0x7b → empty 0x98 → U+FE99
0x7c → U+007C 0x99 → U+FE9B
#0x7d → empty 0x9a → U+FE9D
0x7e → U+0653 0x9b → U+FE9F
#0x7f → empty 0x9c → U+FB7A
0x80 → U+FEE8 0x9d → U+FB7C
0x81 → U+FEEE 0x9e → U+FEA1
0x82 → U+FEEA 0x9f → U+FEA3
0x83 → U+FBFF | U+FEF4 0xa0 → U+FEA5
0x84 → U+FEFB 0xa1 → U+FEA7
0x85 → U+FEFC 0xa2 → U+FEA9
0x86 → U+FE93 0xa3 → U+FEAB
0x87 → U+FE94 0xa4 → U+FEAD
0x88 → U+00D7 0xa5 → U+FEAF
0x89 → #kashida 0xa6 → U+FB8A
0x8a → U+2010 | U+002D 0xa7 → U+FEB1
0x8b → U+0640 0xa8 → U+FEB3
0x8c → U+FE82 0xa9 → U+FEB5
0x8d → U+FE81 0xaa → U+FEB7
۶ ‫ﺗﮏ‬
ِ
0xab → U+FEB9 0xc8 → U+FEB8

0xac → U+FEBB 0xc9 → U+FEBA
0xad → U+FEBD 0xca → U+FEBC
0xae → U+FEBF 0xcb → U+FEBE
0xaf → U+FEC1 0xcc → U+FEC0
0xb0 → U+FE90 0xcd → U+FEC2
0xb1 → U+FE92 0xce → U+FEC4
0xb2 → U+FB57 0xcf → U+FEC3
0xb3 → U+FB59 0xd0 → U+FEC6
0xb4 → U+FE96 0xd1 → U+FEC8
0xb5 → U+FE98 0xd2 → U+FEC7
0xb6 → U+FE9A 0xd3 → U+FED2
0xb7 → U+FE9C 0xd4 → U+FED4
0xb8 → U+FE9E 0xd5 → U+FED6
0xb9 → U+FEA0 0xd6 → U+FED8
0xba → U+FB7B 0xd7 → U+FB8F
0xbb → U+FB7D 0xd8 → U+FB91 | U+FEDC
0xbc → U+FEA2 0xd9 → U+FB93
0xbd → U+FEA4 0xda → U+FB95
0xbe → U+FEA6 0xdb → U+FEDE
0xbf → U+FEA8 0xdc → U+FEE0
0xc0 → U+FEAA 0xdd → U+FEE2
0xc1 → U+FEAC 0xde → U+FEE4
0xc2 → U+FEAE 0xdf → U+FEE6
0xc3 → U+FEB0 0xe0 → U+FEC5
0xc4 → U+FB8B 0xe1 → U+FEC9
0xc5 → U+FEB2 0xe2 → U+FECA
0xc6 → U+FEB4 0xe3 → U+FECC
0xc7 → U+FEB6 0xe4 → U+FECB
۷ ‫ﺗﮏ‬
ِ
0xe5 → U+FECD
0xe6 → U+FECE
0xe7 → U+FED0
0xe8 → U+FECF
0xe9 → U+FED1
0xea → U+FED3
0xeb → U+FED5
0xec → U+FED7
0xed → U+FB8E
0xee → U+FB90 | U+FEDB
0xef → U+FB92
0xf0 → U+FB94
0xf1 → U+FEDD
0xf2 → U+066C | U+2019
0xf3 → U+FEDF
0xf4 → U+FEE1
0xf5 → U+FEE3
0xf6 → U+FEE5
0xf7 → U+FEE7
0xf8 → U+FEED
0xf9 → U+FEE9
0xfa → U+FEEC
0xfb → U+FEEB
0xfc → U+FBFD
0xfd → U+FBFC
0xfe → U+FBFE | U+FEF3
0xff → U+FE8C
‫ﭘﯿﻮﺳﺖِ ﺏ‬
‫ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻒ ﭘﺎﺭﺳﯽ ﺭﺍ‬
‫ﻦ ﻧﻤﻮﻧﻪ‪ ،‬ﻗﻠﻢﻫﺎﯼ ﻣﺨﺘﻠ ِ‬
‫ﻥ ﻣﺘ ِ‬
‫ﺩﺭ ﺍﯾﻦ ﺑﺨﺶ‪ ،‬ﻏﺰﻟﯽ ﺍﺯ ﺣﺎﻓﻆ ﺑﻪ ﻋﻨﻮﺍ ِ‬
‫ﺩﺭ ﺩﻭ ﺳﺮﯼِ ﻋﺎﺩﯼ ﻭ ﺳﯿﺎﻩ ﺑﻪ ﻧﻤﺎﯾﺶ ﻣﯽﮔﺬﺍﺭﺩ‪ .‬ﻻﺯﻡ ﺑﺎ ﯾﺎﺩﺁﻭﺭﯼﺳﺖ‪ ،‬ﻗﻠﻢﻫﺎﯾﯽ‬
‫ﮐﻪ ﺑﻪ ﻃﻮﺭِ ﺧﻮﺩﮐﺎﺭ ﺳﺎﺧﺘﻪ ﺷﺪﻩﺍﻧﺪ ﺩﺭ ﺍﯾﻦ ﻓﺼﻞ ﺑﺎ ﻋﻼﻣﺖِ ﺳﺘﺎﺭﻩ ﻣﺸﺨﺺ‬
‫ﮔﺸﺘﻪﺍﻧﺪ‪.‬‬
‫‪۸‬‬
‫‪۹‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺑﺪﺭ ﻋﺎﺩﯼ )‪(badr‬‬

‫ﻭﻟْ ﻬ ﺎ‬
‫ﺴ ﺎﻗ ﯽ ﺍَِﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎ ِ‬ ‫َﺍﻻ ﯾ ﺎ ﺍَﯾ َﻬ ﺎ ﺍﻟ ‬
‫ّ‬ ‫‪m‬‬
‫ﮐﻪ ﻋ ﺸﻖ ﺁﺳﺎﻥ ﻧ ﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓ ﺘﺎﺩ ﻣ ﺸ ﮑﻞﻫﺎ‬
‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ‬
‫ﺏ ﺟﻌﺪِ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎ ِ‬
‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﺟ ﺮﺱ ﻓ ﺮ ﯾ ﺎﺩ ﻣ ﯽﺩﺍﺭﺩ ﮐ ﻪ ﺑ ﺮ ﺑ ﻨ ﺪﯾ ﺪ ﻣ ﺤ ﻤ ﻞﻫ ﺎ‬
‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ﻢ ﻣ ﻨﺰﻝﻫﺎ‬
‫ِ‬
‫ﺷﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ِ‬
‫ﻥ ﺳ ﺎﺣ ﻞﻫ ﺎ‬
‫ِ‬ ‫ﺎﺭﺍ‬ ‫‬ ‫‬‫ﺑ‬ ‫ﮏ‬ ‫‬ ‫‬‫ﺒ‬‫‬ ‫‬ ‫ﺳ‬ ‫ﺎ‬ ‫‬ ‫‬‫ﻣ‬ ‫ﻝ‬
‫ِ‬ ‫ﺎ‬ ‫‬ ‫‬‫ﺣ‬ ‫ﺪ‬ ‫‬ ‫‬‫ﻨ‬‫‬ ‫‬ ‫ﻧ‬ ‫ﺩﺍ‬ ‫ﺎ‬ ‫‬ ‫‬‫ﺠ‬‫‬ ‫‬ ‫ﮐ‬
‫ﻫ ﻤﻪ ﮐﺎﺭﻡ ﺯ ﺧﻮﺩﮐﺎﻣﯽ ﺑﻪ ﺑﺪﻧﺎﻣﯽ ﮐ ﺸ ﯿﺪ ﺁﺧﺮ‬
‫ﻧ ﻬﺎﻥ ِﮐﯽ ﻣﺎﻧﺪ ﺁﻥ ﺭﺍﺯﯼ ﮐﺰ ﺍﻭ ﺳﺎﺯﻧﺪ ﻣ ﺤ ﻔﻞﻫﺎ‬
‫ﺣﻀﻮﺭﯼ ﮔﺮ ﻫﻤﯽﺧﻮﺍﻫﯽ ﺍﺯ ﺍﻭ ﻏﺎﯾﺐ ﻣﺸﻮ ﺣﺎﻓﻆ‬
‫ﻤ ْﻠ ﻬ ﺎ‬
‫ﻖ ﻣ ﻦ َﺗ ْﻬ ﻮٰﯼ َﺩﻉ ﺍﻟ ‪m‬ﺪْﻧ ﯿ ﺎ ﻭ ﺍَْﻫ ِ‬‫ﻣ ﺘ ﯽ ﻣ ﺎ ﺗ ْﻠ ‬
‫َ‬ ‫ِ‬ ‫َ َ َ ْ‬ ‫َ ٰ‬
‫ﺑﺪﺭ ﺳﯿﺎﻩ )‪(badr‬‬

‫ﻭْﻟ ﻬ ﺎ‬
‫ﺩﺭ َﮐ ٔﺎﺳ ًﺎ َﻭ ﻧ ﺎ ِ‬
‫َﺍﻻ ﯾ ﺎ ﺍَﯾ َﻬ ﺎ ﺍﻟ ﺴ ﺎﻗ ﯽ ﺍَ ِ‬
‫ّ‬ ‫‪m‬‬
‫ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎﺏِ ﺟﻌ ِ‬
‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬ ‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬
‫ِ‬
‫ِ‬
‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎﻝِ ﻣ ﺎ ﺳ ﺒ ﮏﺑ ﺎﺭﺍﻥِ ﺳ ﺎﺣ ﻞﻫ ﺎ‬
‫ﻫﻤﻪ ﮐﺎﺭﻡ ﺯ ﺧﻮﺩﮐﺎﻣﯽ ﺑﻪ ﺑﺪﻧﺎﻣﯽ ﮐﺸﯿﺪ ﺁﺧﺮ‬
‫ﮐﯽ ﻣﺎﻧﺪ ﺁﻥ ﺭﺍﺯﯼ ﮐﺰ ﺍﻭ ﺳﺎﺯﻧﺪ ﻣﺤﻔﻞﻫﺎ‬
‫ﻤ ْﻠﻬﺎ‬
‫ﺪْﻧﯿﺎ َﻭ ﺍَْﻫ ِ‬
‫ﻉ ﺍﻟ ‪m‬‬ ‫ﻣ ﺘ ﯽ ﻣﺎ ﺗ ْﻠ ﻖ ﻣ ﻦ ﺗ ﻬﻮﯼ ﺩ‬
‫َ َ َ ْ َ ْ ٰ َ ِ‬ ‫َ ٰ‬
‫‪۱۰‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻟﻮﺗﻮﺱ ﻋﺎﺩﯼ )‪(lotoos‬‬

‫ﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎ ِ‬
‫َﺍﻻ ﯾ ﺎ ﺍَ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ﺴ ﺎﻗ ﯽ ﺍَ ِ‬
‫ّ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺏ ﺟﻌ ِ‬ ‫ﺯ ﺗﺎ ِ‬
‫ِ‬
‫ِ‬
‫ﻧ ﻬﺎﻥ ِﮐﯽ ﻣﺎﻧﺪ ﺁﻥ ﺭﺍﺯﯼ ﮐﺰ ﺍﻭ ﺳﺎﺯﻧﺪ ﻣ ﺤ ﻔﻞﻫﺎ‬
‫ﯼ َﺩﻉ ﺍﻟ ‪m‬ﺪْﻧ ﯿ ﺎ َﻭ ﺍَْﻫ ﻤِ ْﻠ ﻬ ﺎ‬
‫ﻦ َﺗ ْﻬ ﻮ ٰ‬ ‫َﻣ ﺘ ﯽ ﻣ ﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫ِ‬ ‫ٰ‬
‫ﻟﻮﺗﻮﺱ ﺳﯿﺎﻩ )‪(lotoos‬‬

‫َﺍﻻ ﯾ ﺎ ﺍَﯾ‪َ m‬ﻬ ﺎ ﺍﻟ ﺴ ﺎﻗ ﯽ ﺍَ ِ‬
‫ّ‬
‫ﻣﺮﺍ ﺩﺭ ﻣ ﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ﻦِ ﻋ ﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ِ‬
‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬‫ﺷ ِ‬
‫ِ‬
‫ﻝ ﻣ ﺎ ﺳ ﺒ ﮏﺑ ﺎﺭﺍ ِ‬
‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎ ِ‬
‫ﮐﯽ ﻣﺎﻧﺪ ﺁﻥ ﺭﺍﺯﯼ ﮐﺰ ﺍﻭ ﺳﺎﺯﻧﺪ ﻣ ﺤ ﻔﻞﻫﺎ‬
‫ﻧ ﻬﺎﻥ ِ‬
‫ﺪْﻧ ﯿ ﺎ َﻭ ﺍَْﻫ ِ‬
‫ﯼ َﺩﻉِ ﺍﻟ ‪m‬‬
‫ﻖ َﻣ ْ‬ ‫ٰ‬
‫‪۱۱‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻣﯿﺘﺮﺍ ﻋﺎﺩﯼ )‪(mitra‬‬

‫َﺍﻻ ﯾ ﺎ ﺍَﯾ َﻬ ﺎ ﺍﻟ ﺴ ﺎﻗ ﯽ ﺍَِﺩﺭ َﮐ ٔﺎﺳ ﺎً ﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ‬
‫َ‬ ‫ّ‬ ‫‪m‬‬
‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑ ﻨﺪﯾﺪ ﻣ ﺤ ﻤﻞﻫﺎ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮﯾﺪ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬
‫ﻢ ﻣ ﻨﺰﻝﻫﺎ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ِ‬
‫ﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ﺷﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿ ِ‬
‫ﯼ َﺩﻉِ ﺍﻟ ‪m‬ﺪْﻧ ﯿﺎ ﻭ ﺍَْﻫ ﻤِ ْﻠ ﻬﺎ‬
‫ﻦ َﺗ ْﻬﻮ ٰ‬ ‫َﻣ ﺘ ﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫َ‬ ‫ٰ‬
‫ﻣﯿﺘﺮﺍ ﺳﯿﺎﻩ )‪(mitra‬‬
‫ﺩﺭ َﮐ ٔﺎﺳ ًﺎ َﻭ ﻧ ﺎ ِ‬

‫ﻭْﻟ ﻬ ﺎ‬ ‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ﺴ ﺎﻗ ﯽ َﺍ ِ‬
‫ّ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺏ ﺟﻌ ِ‬‫ﺯ ﺗﺎ ِ‬
‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮﯾﺪ‬
‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢِ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ﺷ ِ‬
‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎﻝِ ﻣ ﺎ ﺳ ﺒ ﮏﺑ ﺎﺭﺍ ِ‬
‫ﯼ َﺩﻉِ ﺍﻟ ‪m‬ﺪْﻧ ﯿﺎ َﻭ َﺍْﻫ ﻤِ ْﻠ ﻬﺎ‬
‫ﻦ َﺗ ْﻬﻮ ٰ‬
‫ﻖ َﻣ ْ‬
‫ﯽ ﻣﺎ َﺗ ْﻠ َ‬ ‫ﻣ ﺘ ‬
‫َ ٰ‬
‫‪۱۲‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻧﺎﺯﻟﯽ ﻋﺎﺩﯼ )‪(nazli‬‬

‫ﺩﺭ َﮐ ٔﺎﺳ ًﺎ ﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ‬
‫َ‬ ‫ّ‬ ‫‪m‬‬
‫ﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ﺮِ ﻣﻐﺎﻥ ﮔﻮﯾﺪ‬ ‫ﺑﻪ ِ‬
‫ﺷﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢِ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ﻝ ﻣ ﺎ ﺳ ﺒ ﮏﺑ ﺎﺭﺍﻥِ ﺳ ﺎﺣ ﻞﻫ ﺎ‬
‫ﺪْﻧ ﯿﺎ ﻭ ﺍَْﻫ ﻤِ ْﻠ ﻬﺎ‬
‫ﻉ ﺍﻟ ‪m‬‬
‫ﯼ َﺩ ِ‬
‫ﻖ َﻣ ْ‬
‫ﯽ ﻣﺎ َﺗ ْﻠ َ‬ ‫ﻣ ﺘ ‬
‫َ‬ ‫َ ٰ‬
‫ﻧﺎﺯﻟﯽ ﺳﯿﺎﻩ )‪(nazli‬‬

‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ﺴ ﺎﻗ ﯽ َﺍ ِ‬
‫ّ‬
‫ﺯ ﺗﺎﺏِ ﺟﻌ ﺪِ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬
‫ﺑﻪ ﻣِﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ﺷ ِ‬
‫ﺪْﻧ ﯿﺎ َﻭ َﺍْﻫ ﻤِ ْﻠ ﻬﺎ‬
‫ﻖ َﻣ ْ‬
‫َﻣ ﺘ ﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫ٰ‬
‫‪۱۳‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﯾﺎﻗﻮﺕ ﻋﺎﺩﯼ )‪(yaghoot‬‬

‫ﺴ ﺎﻗ ﯽ َﺍ ِ‬ ‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ‬
‫ّ‬
‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬ ‫ﺑﻪ ِ‬
‫ِ‬
‫ﺷ ﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑ ﯿ ﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼ ﻨ ﯿﻦ ﻫﺎﯾﻞ‬
‫ِ‬
‫ِ‬ ‫ﺎﺭﺍ‬ ‫‬ ‫‬ ‫ﺑ‬‫ﮏ‬ ‫‬ ‫‬ ‫ﺒ‬ ‫‬ ‫‬ ‫ﺳ‬ ‫ﺎ‬ ‫‬ ‫‬ ‫ﻣ‬ ‫ﻝ‬
‫ِ‬ ‫ﺎ‬ ‫‬ ‫‬ ‫ﺣ‬ ‫ﺪ‬ ‫‬ ‫‬ ‫ﻨ‬ ‫‬ ‫‬ ‫ﻧ‬ ‫ﺩﺍ‬ ‫ﺎ‬ ‫‬ ‫‬ ‫ﺠ‬ ‫‬ ‫‬ ‫ﮐ‬
‫ﻧﻬﺎﻥ ﮐِﯽ ﻣﺎﻧﺪ ﺁﻥ ﺭﺍﺯﯼ ﮐﺰ ﺍﻭ ﺳﺎﺯﻧﺪ ﻣﺤﻔﻞﻫﺎ‬
‫ﯼ َﺩﻉ ﺍﻟ ‪m‬ﺪْﻧ ﯿ ﺎ ﻭ َﺍْﻫ ِ‬
‫ﻦ َﺗ ْﻬ ﻮ ٰ‬ ‫َﻣ ﺘ ٰﯽ ﻣ ﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫َ‬ ‫ِ‬
‫ﯾﺎﻗﻮﺕ ﺳﯿﺎﻩ )‪(yaghoot‬‬

‫ﺴ ﺎﻗ ﯽ َﺍ ِ‬
‫ﻭْﻟ ﻬ ﺎ‬ ‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ّ‬
‫ﺯ ﺗﺎﺏِ ﺟﻌﺪِ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬ ‫ﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬‫ﺑﻪ ِ‬
‫ِ‬
‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬ ‫ﺷ ِ‬
‫ِ‬
‫ﯼ َﺩﻉ ﺍﻟ ‪m‬ﺪْﻧ ﯿ ﺎ َﻭ َﺍْﻫ ِ‬ ‫َﻣ ﺘ ﯽ ﻣ ﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْﻦ َﺗ ْﻬ ﻮ ٰ‬
‫ِ‬ ‫ٰ‬
‫‪۱۴‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺯﺭ ﻋﺎﺩﯼ )‪(zar‬‬

‫ﻭْﻟ ﻬ ﺎ‬ ‫ﺩﺭ َ‬
‫ﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎ ِ‬ ‫َﺍﻻ ﯾ ﺎ ﺍَﯾ‪َ m‬ﻬ ﺎ ﺍﻟ ﺴ ﺎﻗ ﯽ ﺍَ ِ‬
‫ّ‬
‫ﺑ ﻪ ﺑ ﻮﯼ ﻧ ﺎﻓ ﻪﺍﯼ ﮐ ﺎﺧ ﺮ ﺻ ﺒ ﺎ ﺯﺍﻥ ﻃ ﺮﻩ ﺑ ﮕ ﺸ ﺎﯾ ﺪ‬
‫ﻣﺮﺍ ﺩﺭ ﻣ ﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ﻦِ ﻋ ﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ِ‬
‫ِ‬
‫ﺪﻧْ ﯿ ﺎ َﻭ ﺍَْﻫ ﻤِ ْﻠ ﻬ ﺎ‬
‫ﯼ َﺩﻉ ﺍﻟ ‪m‬‬
‫ﻖ َﻣ ْ‬
‫ِ‬ ‫ٰ‬
‫ﺯﺭ ﺳﯿﺎﻩ )‪(zar‬‬

‫ﺩﺭ َﮐ ٔﺎﺳ ًﺎ َﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ‬
‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ّﺴ ﺎﻗ ﯽ َﺍ ِ‬
‫ﺑﻪ ﻣِﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ﻉ ﺍﻟ ‪m‬ﺪْﻧ ﯿﺎ َﻭ َﺍْﻫ ﻤِ ْﻠ ﻬﺎ‬
‫ﯼ َﺩ ِ‬
‫ﻦ َﺗ ْﻬﻮ ٰ‬ ‫َﻣ ﺘ ﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬ ‫ٰ‬
‫‪۱۵‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺟﺪﯾﺪ ﻋﺎﺩﯼ ∗ )‪(jadid‬‬

‫ﻭْﻟ ﻬ ﺎ‬ ‫ﺴ ﺎﻗ ﯽ َﺍ ِ‬ ‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َ‬
‫ﻬ ﺎ ﺍﻟ ّ‬
‫ﺪ ﻣ ﺸ ﮑ ﯿ ﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓ ﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎﺏِ ﺟ ﻌ ِ‬
‫ﻦ ﻋ ﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬ ‫ﻣﺮﺍ ﺩﺭ ﻣ ﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬ ‫ﺑﻪ ﻣِﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ﻢِ ﻣ ﻨﺰﻝﻫﺎ‬
‫ﺷ ﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑ ﯿ ﻢِ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼ ﻨ ﯿﻦ ﻫﺎﯾﻞ‬
‫ﺪْﻧ ﯿ ﺎ َﻭ َﺍْﻫ ِ‬
‫ﻤ ْﻠ ﻬ ﺎ‬ ‫ﻉ ﺍﻟ ‪m‬‬ ‫ﻦ َﺗ ْﻬ ﻮ ٰ‬
‫ﯼ َﺩ ِ‬ ‫ﯽ ﻣ ﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬ ‫ﻣ ﺘ ‬
‫َ ٰ‬
‫ﺟﺪﯾﺪ ﺳﯿﺎﻩ )‪(jadid‬‬

‫ﻭْﻟ ﻬ ﺎ‬ ‫ﺴ ﺎﻗ ﯽ َﺍ ِ‬ ‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َ‬
‫ﺪ ﻣ ﺸ ﮑ ﯿ ﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓ ﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎﺏِ ﺟ ﻌ ِ‬
‫ﻦ ﻋ ﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬ ‫ﻣﺮﺍ ﺩﺭ ﻣ ﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬ ‫ﺑﻪ ﻣِﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬
‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑ ﯿ ﻢِ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼ ﻨ ﯿﻦ ﻫﺎﯾﻞ‬
‫ﺷ ِ‬
‫ﺪْﻧ ﯿ ﺎ َﻭ َﺍْﻫ ِ‬
‫ﻤ ْﻠ ﻬ ﺎ‬ ‫ﻉ ﺍﻟ ‪m‬‬ ‫ﻦ َﺗ ْﻬ ﻮ ٰ‬
‫ﯼ َﺩ ِ‬ ‫ﯽ ﻣ ﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬ ‫ﻣ ﺘ ‬
‫َ ٰ‬
‫‪۱۶‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺗﯿﺘﺮ ﻋﺎﺩﯼ ∗ )‪(titr‬‬

‫ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ‬ ‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ّﺴ ﺎﻗ ﯽ َﺍِﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ‬
‫ﺏ ﺟﻌﺪِ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎ ِ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑ ﻨﺪﯾﺪ ﻣ ﺤ ﻤﻞﻫﺎ‬ ‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬ ‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﻢ ﻣﻨﺰﻝﻫﺎ‬ ‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧﺒﺮ ﻧﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ِ‬ ‫ﺑﻪ ﻣِﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿِﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎﻝِ ﻣ ﺎ ﺳ ﺒ ﮏﺑ ﺎﺭﺍﻥِ ﺳ ﺎﺣ ﻞﻫ ﺎ‬ ‫ﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬ ‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿ ِ‬
‫ﺷ ِ‬
‫ﻧﻬﺎﻥ ِﮐﯽ ﻣﺎﻧﺪ ﺁﻥ ﺭﺍﺯﯼ ﮐﺰ ﺍﻭ ﺳﺎﺯﻧﺪ ﻣﺤﻔﻞﻫﺎ‬ ‫ﻫﻤﻪ ﮐﺎﺭﻡ ﺯ ﺧﻮﺩﮐﺎﻣﯽ ﺑﻪ ﺑﺪﻧﺎﻣﯽ ﮐﺸﯿﺪ ﺁﺧﺮ‬
‫َﻣ ﺘ ٰﯽ ﻣﺎ َﺗ ْﻠ َﻖ َﻣ ْﻦ َﺗ ْﻬﻮٰﯼ َﺩ ِ‬
‫ﺗﯿﺘﺮ ﺳﯿﺎﻩ )‪(titr‬‬

‫ﺏ ﺟﻌﺪِ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎ ِ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑ ﻨﺪﯾﺪ ﻣ ﺤ ﻤﻞﻫﺎ‬ ‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬ ‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﻢ ﻣﻨﺰﻝﻫﺎ‬ ‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧﺒﺮ ﻧﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ِ‬ ‫ﺑﻪ ﻣِﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿِﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎﻝِ ﻣ ﺎ ﺳ ﺒ ﮏﺑ ﺎﺭﺍﻥِ ﺳ ﺎﺣ ﻞﻫ ﺎ‬ ‫ﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬ ‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿ ِ‬
‫ﺷ ِ‬
‫َﻣ ﺘ ٰﯽ ﻣﺎ َﺗ ْﻠ َﻖ َﻣ ْﻦ َﺗ ْﻬﻮٰﯼ َﺩ ِ‬
‫‪۱۷‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺭﻭﯾﺎ ﻋﺎﺩﯼ )‪(roya‬‬

‫ﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎِﻭﻟْ ﻬ ﺎ‬
‫ّ‬ ‫‪m‬‬
‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮﯾﺪ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧﺒﺮ ﻧﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳﻢ ﻣﻨﺰﻝﻫﺎ‬
‫ِ‬
‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ﺷ ِ‬
‫ِ‬
‫ﺪْﻧ ﯿﺎ َﻭ ﺍَْﻫ ﻤِ ْﻠ ﻬﺎ‬
‫ﻦ ﺗَ ْﻬﻮ ٰ‬ ‫َﻣ ﺘ ﯽ ﻣﺎ ﺗ ْﻠ ﻖ ﻣ ‬
‫َ َ َ ْ‬ ‫ٰ‬
‫ﺭﻭﯾﺎ ﺳﯿﺎﻩ )‪(roya‬‬

‫ﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ‬
‫ﺴ ﺎﻗ ﯽ ﺍَ ِ‬ ‫َﺍﻻ ﯾ ﺎ ﺍَ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ‬
‫ّ‬
‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ِ‬
‫ِ‬
‫ﻦ َﺗ ْﻬﻮٰﯼ َﺩﻉِ ﺍﻟ ‪m‬‬
‫ﻖ َﻣ ْ‬
‫َﻣ ﺘ ٰﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫‪۱۸‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺗﺮﺍﻓﯿﮏ ﻋﺎﺩﯼ )‪(terafik‬‬

‫ﺴ ﺎﻗ ﯽ ﺍَ ِ‬
‫َﺍﻻ ﯾ ﺎ ﺍَﯾ‪َ m‬ﻬ ﺎ ﺍﻟ ّ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮﯾﺪ‬ ‫ﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬‫ﺑﻪ ِ‬
‫ِ‬
‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬‫ﺷ ِ‬
‫ِ‬
‫ﻧﻬﺎﻥ ِﮐﯽ ﻣﺎﻧﺪ ﺁﻥ ﺭﺍﺯﯼ ﮐﺰ ﺍﻭ ﺳﺎﺯﻧﺪ ﻣﺤﻔﻞﻫﺎ‬
‫ﻉ ﺍﻟ ‪m‬‬
‫ﻦ ﺗَ ْﻬﻮٰﯼ َﺩ ِ‬
‫ﻖ َﻣ ْ‬
‫َﻣ ﺘ ٰﯽ ﻣﺎ ﺗَ ْﻠ َ‬
‫ﺗﺮﺍﻓﯿﮏ ﺳﯿﺎﻩ )‪(terafik‬‬

‫ﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎِﻭﻟْ ﻬ ﺎ‬
‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑﻨﺪﯾﺪ ﻣﺤﻤﻞﻫﺎ‬
‫ﻢ ﻣﻨﺰﻝﻫﺎ‬ ‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧﺒﺮ ﻧﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ِ‬
‫ﻥ ﺳ ﺎﺣ ﻞﻫ ﺎ‬‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎﻝِ ﻣ ﺎ ﺳ ﺒ ﮏﺑ ﺎﺭﺍ ِ‬
‫ﻤ ْﻠ ﻬﺎ‬
‫ﺪْﻧ ﯿﺎ َﻭ ﺍَْﻫ ِ‬
‫ﻦ ﺗَ ْﻬﻮٰﯼ َﺩﻉِ ﺍﻟ ‪m‬‬ ‫َﻣ ﺘ ٰﯽ ﻣﺎ ﺗَ ْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫‪۱۹‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﮐﻮﺩﮎ ﻋﺎﺩﯼ ∗ )‪(koodak‬‬

‫َﺍﻻ ﯾ ﺎ ﺍَ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ّ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧﺒﺮ ﻧﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳﻢِ ﻣﻨﺰﻝﻫﺎ‬
‫ﺷ ِ‬
‫ﻖ َﻣ ْ‬
‫ﮐﻮﺩﮎ ﺳﯿﺎﻩ )‪(koodak‬‬

‫ﻭْﻟ ﻬ ﺎ‬ ‫ﺴ ﺎﻗ ﯽ ﺍَ ِ‬
‫ﺷ ِ‬
‫ﻖ َﻣ ْ‬
‫‪۲۰‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﮐﺎﻣﺮﺍﻥ ﻋﺎﺩﯼ )‪(kamran‬‬

‫ﺯ ﺗﺎﺏِ ﺟﻌﺪِ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑ ﻨﺪﯾﺪ ﻣ ﺤ ﻤﻞﻫﺎ‬ ‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ﻢ ﻣ ﻨﺰﻝﻫﺎ‬ ‫ﺑﻪ ﻣِﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ِ‬
‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎ ِ‬ ‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬ ‫ﺷ ِ‬
‫ِ‬
‫ﻧﻬﺎﻥ ِﮐﯽ ﻣﺎﻧﺪ ﺁﻥ ﺭﺍﺯﯼ ﮐﺰ ﺍﻭ ﺳﺎﺯﻧﺪ ﻣﺤﻔﻞﻫﺎ‬ ‫ﻫ ﻤﻪ ﮐﺎﺭﻡ ﺯ ﺧﻮﺩﮐﺎﻣﯽ ﺑﻪ ﺑﺪﻧﺎﻣﯽ ﮐ ﺸ ﯿﺪ ﺁﺧﺮ‬
‫ﯼ َﺩﻉِ ﺍﻟ‪m‬ﺪْﻧﯿﺎ َﻭ َﺍْﻫ ِ‬
‫ﻦ َﺗْﻬﻮ ٰ‬
‫ﻖ َﻣ ْ‬
‫َﻣﺘٰﯽ ﻣﺎ َﺗْﻠ َ‬
‫ﮐﺎﻣﺮﺍﻥ ﺳﯿﺎﻩ )‪(kamran‬‬

‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ّﺴ ﺎﻗ ﯽ َﺍِﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ‬
‫ﺏ ﺟﻌﺪِ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬
‫ﺯ ﺗﺎ ِ‬
‫ِ‬
‫ﺐ ﺗﺎﺭﯾﮏ ﻭ ﺑﯿ ﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ﺷ ِ‬
‫ِ‬
‫ﯼ َﺩﻉِ ﺍﻟ‪m‬ﺪْﻧﯿﺎ َﻭ َﺍْﻫ ِ‬
‫ﻤْﻠﻬﺎ‬ ‫ﻦ َﺗْﻬﻮ ٰ‬
‫ﻖ َﻣ ْ‬
‫‪۲۱‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺗﺒﺴﻢ ﻋﺎﺩﯼ )‪(tabassom‬‬

‫ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ‬ ‫ﺴ ﺎﻗ ﯽ ﺍَِﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎﺏِ ﺟﻌ ِ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑ ﻨﺪﯾﺪ ﻣ ﺤ ﻤﻞﻫﺎ‬ ‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰ ِ‬
‫ﻢ ﻣ ﻨﺰﻝﻫﺎ‬ ‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ِ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿِﺮ ﻣﻐﺎﻥ ﮔﻮﯾﺪ‬
‫ﻥ ﺳ ﺎﺣ ﻞﻫ ﺎ‬‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎﻝِ ﻣ ﺎ ﺳ ﺒ ﮏﺑ ﺎﺭﺍ ِ‬ ‫ﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬ ‫ﺐ ﺗﺎﺭﯾﮏ ﻭ ﺑﯿ ِ‬ ‫ﺷ ِ‬
‫ﻉ ﺍﻟ‪m‬ﺪْﻧﯿﺎ َﻭ ﺍَْﻫ ِ‬
‫ﯼ َﺩ ِ‬
‫ﻦ ﺗَْﻬﻮ ٰ‬
‫ﻖ َﻣ ْ‬
‫ﯽ ﻣﺎ ﺗَْﻠ َ‬ ‫ﻣ ﺘ‬
‫َ ٰ‬
‫ﺗﺒﺴﻢ ﺳﯿﺎﻩ ∗ )‪(tabassom‬‬

‫ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ‬ ‫ﺴ ﺎﻗ ﯽ ﺍَِﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎﺏِ ﺟﻌ ِ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑ ﻨﺪﯾﺪ ﻣ ﺤ ﻤﻞﻫﺎ‬ ‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰ ِ‬
‫ﻢ ﻣ ﻨﺰﻝﻫﺎ‬ ‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ِ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿِﺮ ﻣﻐﺎﻥ ﮔﻮﯾﺪ‬
‫ﻥ ﺳ ﺎﺣ ﻞﻫ ﺎ‬‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎﻝِ ﻣ ﺎ ﺳ ﺒ ﮏﺑ ﺎﺭﺍ ِ‬ ‫ﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬ ‫ﺐ ﺗﺎﺭﯾﮏ ﻭ ﺑﯿ ِ‬ ‫ﺷ ِ‬
‫ﯼ َﺩ ِ‬
‫ﻦ ﺗَْﻬﻮ ٰ‬
‫ﻖ َﻣ ْ‬
‫ﯽ ﻣﺎ ﺗَْﻠ َ‬ ‫ﻣ ﺘ‬
‫َ ٰ‬
‫‪۲۲‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻫﻤﺎ ﻋﺎﺩﯼ )‪(homa‬‬

‫ﺴ ﺎﻗ ﯽ ﺍَِﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ ﺯ ﺗﺎﺏِ ﺟﻌ ِ‬
‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑ ﻨﺪﯾﺪ ﻣ ﺤ ﻤﻞﻫﺎ‬
‫ﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮﯾﺪ ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ﻢِ ﻣ ﻨﺰﻝﻫﺎ‬ ‫ﺑﻪ ِ‬
‫ﺷﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢِ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎ ِ‬
‫ﻫﻤﻪ ﮐﺎﺭﻡ ﺯ ﺧﻮﺩﮐﺎﻣﯽ ﺑﻪ ﺑﺪﻧﺎﻣﯽ ﮐﺸﯿﺪ ﺁﺧﺮ ﻧﻬﺎﻥ ِ‬
‫ﻦ َﺗْﻬﻮٰﯼ َﺩ ِ‬ ‫َﻣﺘٰﯽ ﻣﺎ َﺗْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫ﻫﻤﺎ ﺳﯿﺎﻩ ∗ )‪(homa‬‬

‫ﺴ ﺎﻗ ﯽ ﺍَِﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎِﻭْﻟ ﻬ ﺎ ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ ﺯ ﺗﺎﺏِ ﺟﻌ ِ‬
‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑ ﻨﺪﯾﺪ ﻣ ﺤ ﻤﻞﻫﺎ‬
‫ﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮﯾﺪ ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ﻢِ ﻣ ﻨﺰﻝﻫﺎ‬ ‫ﺑﻪ ِ‬
‫ﺷﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢِ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎ ِ‬
‫ﻫﻤﻪ ﮐﺎﺭﻡ ﺯ ﺧﻮﺩﮐﺎﻣﯽ ﺑﻪ ﺑﺪﻧﺎﻣﯽ ﮐﺸﯿﺪ ﺁﺧﺮ ﻧﻬﺎﻥ ِ‬
‫ﻦ َﺗْﻬﻮٰﯼ َﺩ ِ‬ ‫َﻣﺘٰﯽ ﻣﺎ َﺗْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫‪۲۳‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺍﺭﺷﯿﺎ ﻋﺎﺩﯼ )‪(arshia‬‬

‫ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ‬ ‫ﻭﻟْ ﻬ ﺎ‬
‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ّﺴ ﺎﻗ ﯽ َﺍِﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎ ِ‬
‫ﺯ ﺗﺎﺏِ ﺟﻌِﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ‬
‫ﺟ ﺮﺱ ﻓ ﺮ ﯾ ﺎﺩ ﻣ ﯽﺩﺍﺭﺩ ﮐ ﻪ ﺑ ﺮ ﺑ ﻨ ﺪﯾ ﺪ ﻣ ﺤ ﻤ ﻞﻫ ﺎ‬ ‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ﻢِ ﻣ ﻨﺰﻝﻫﺎ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎ ِ‬ ‫ﺷﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢِ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ﻧﻬﺎﻥ ِ‬ ‫ﻫ ﻤﻪ ﮐﺎﺭﻡ ﺯ ﺧﻮﺩﮐﺎﻣﯽ ﺑﻪ ﺑﺪﻧﺎﻣﯽ ﮐ ﺸ ﯿﺪ ﺁﺧﺮ‬
‫ﻦ َﺗ ْﻬﻮٰﯼ َﺩﻉِ ﺍﻟ ‪m‬ﺪْﻧ ﯿﺎ َﻭ َﺍْﻫ ِﻤ ْﻠ ﻬﺎ‬ ‫َﻣ ﺘ ٰﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫ﺍﺭﺷﯿﺎ ﺳﯿﺎﻩ ∗ )‪(arshia‬‬

‫ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ‬ ‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ّﺴ ﺎﻗ ﯽ َﺍِﺩﺭ َﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎ ِ‬
‫ﺯ ﺗﺎﺏِ ﺟﻌِﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻ ﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑ ﮕ ﺸﺎﯾﺪ‬
‫ﺟ ﺮﺱ ﻓ ﺮ ﯾ ﺎﺩ ﻣ ﯽﺩﺍﺭﺩ ﮐ ﻪ ﺑ ﺮ ﺑ ﻨ ﺪﯾ ﺪ ﻣ ﺤ ﻤ ﻞﻫ ﺎ‬ ‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧ ﺒﺮ ﻧ ﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳ ﻢِ ﻣ ﻨﺰﻝﻫﺎ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ﮐ ﺠ ﺎ ﺩﺍﻧ ﻨ ﺪ ﺣ ﺎ ِ‬ ‫ﺷﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢِ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ﻧﻬﺎﻥ ِ‬ ‫ﻫ ﻤﻪ ﮐﺎﺭﻡ ﺯ ﺧﻮﺩﮐﺎﻣﯽ ﺑﻪ ﺑﺪﻧﺎﻣﯽ ﮐ ﺸ ﯿﺪ ﺁﺧﺮ‬
‫ﻦ َﺗ ْﻬﻮٰﯼ َﺩﻉِ ﺍﻟ ‪m‬ﺪْﻧ ﯿﺎ َﻭ َﺍْﻫ ِﻤ ْﻠ ﻬﺎ‬ ‫َﻣ ﺘ ٰﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫‪۲۴‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻧﺴﯿﻢ ﻋﺎﺩﯼ ∗ )‪(nasim‬‬

‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َﻬ ﺎ ﺍﻟ ّ‬
‫ﺮ ﻣﻐﺎﻥ ﮔﻮﯾﺪ‬ ‫ﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬ ‫ﺑﻪ ِ‬
‫ﻖ َﻣ ْﻦ َﺗ ْﻬﻮٰﯼ َﺩﻉِ ﺍﻟ ‪m‬ﺪْﻧ ﯿﺎ َﻭ َﺍْﻫ ِ‬
‫ٰ‬
‫ﻧﺴﯿﻢ ﺳﯿﺎﻩ )‪(nasim‬‬

‫ﻖ َﻣ ْﻦ َﺗ ْﻬﻮٰﯼ َﺩﻉِ ﺍﻟ ‪m‬ﺪْﻧ ﯿﺎ َﻭ َﺍْﻫ ِ‬
‫ٰ‬
‫‪۲۵‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺍﻟﻬﺎﻡ ﻋﺎﺩﯼ ∗ )‪(elham‬‬

‫ﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎ ِ‬ ‫ﺴ ﺎﻗ ﯽ َﺍ ِ‬
‫ﺩﺭ َ‬ ‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َ‬
‫ﻤ ْﻠ ﻬﺎ‬ ‫ﻬﻮٰﯼ َﺩﻉِ ﺍﻟ ‪m‬ﺪْﻧ ﯿﺎ َﻭ َﺍ ْ‬
‫ﻫ ِ‬ ‫ﻦ َﺗ ْ‬ ‫َﻣ ﺘ ٰﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫ﺍﻟﻬﺎﻡ ﺳﯿﺎﻩ )‪(elham‬‬

‫ﮐ ٔﺎﺳ ﺎً َﻭ ﻧ ﺎ ِ‬ ‫ﺴ ﺎﻗ ﯽ َﺍ ِ‬
‫ﺩﺭ َ‬ ‫َﺍﻻ ﯾ ﺎ َﺍ‪m‬ﯾ َ‬
‫ﻤ ْﻠ ﻬﺎ‬ ‫ﻬﻮٰﯼ َﺩﻉِ ﺍﻟ ‪m‬ﺪْﻧ ﯿﺎ َﻭ َﺍ ْ‬
‫ﻫ ِ‬ ‫ﻦ َﺗ ْ‬ ‫َﻣ ﺘ ٰﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫ﻖ َﻣ ْ‬
‫‪۲۶‬‬ ‫ﺖ ﺏ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻓﺮﻧﺎﺯ ﻋﺎﺩﯼ ∗ )‪(farnaz‬‬

‫ﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬ ‫ﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬
‫ﺑﻪ ِ‬
‫ِ‬
‫ِ‬
‫ﻫ ِ‬
‫ﺪْﻧ ﯿﺎ َﻭ َﺍ ْ‬
‫ﻉ ﺍﻟ ‪m‬‬ ‫ﻦ َﺗ ْﻬﻮﯼ ﺩ‬
‫ﻖ َﻣ ْ‬
‫ﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫َﻣ ﺘ ٰ‬
‫ٰ َ ِ‬
‫ﻓﺮﻧﺎﺯ ﺳﯿﺎﻩ )‪(farnaz‬‬

‫ﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬ ‫ﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿ ِ‬
‫ﺑﻪ ِ‬
‫ِ‬
‫ِ‬
‫ﻫ ِ‬
‫ﺪْﻧ ﯿﺎ َﻭ َﺍ ْ‬
‫ﻉ ﺍﻟ ‪m‬‬ ‫ﻦ َﺗ ْﻬﻮﯼ ﺩ‬
‫ﻖ َﻣ ْ‬
‫ﯽ ﻣﺎ َﺗ ْﻠ َ‬
‫َﻣ ﺘ ٰ‬
‫ٰ َ ِ‬
‫ﭘﯿﻮﺳﺖِ ﭖ‬
‫ﻝ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬

‫ﺟﺪﻭ ِ‬
‫ﯽ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﻝ ﺷﮑﻞﻫﺎ ﺑﺮﺍﯼ ﺗﻤﺎﻣ ِ‬
‫ﺩﺭ ﺍﯾﻦ ﭘﯿﻮﺳﺖ‪ ،‬ﺟﺪﻭ ِ‬
‫ﺖ ﺍﻟﻒ ﻭﺟﻮﺩ ﺩﺍﺭﻧﺪ ﻭﻟﯽ ﺩﺭ ﺍﯾﻦ ﺟﺪﺍﻭﻝ ﺧﺎﻟﯽ ﻣﺎﻧﺪﻩﺍﻧﺪ‪،‬‬ ‫ﺷﮑﻞﻫﺎﯾﯽ ﮐﻪ ﺩﺭ ﭘﯿﻮﺳ ِ‬
‫ﻂ ﻗﻠﻢ ﻣﺮﺑﻮﻃﻪ ﭘﺸﺘﯿﺒﺎﻧﯽ ﻧﺸﺪﻩﺍﻧﺪ‪.‬‬
‫ﺷﮑﻞﻫﺎﯾﯽ ﻫﺴﺘﻨﺪ ﮐﻪ ﻫﻨﻮﺯ ﺗﻮﺳ ِ‬
‫ِ‬
‫‪۲۷‬‬
‫‪۲۸‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺑﺪﺭ ﻋﺎﺩﯼ )‪(badr‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´10x‬‬
‫‪˝4x‬‬
‫‪´11x‬‬ ‫ﻙ‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬

‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫ﻚ‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۲۹‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺑﺪﺭ ﺳﯿﺎﻩ )‪(badr‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬
‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬

‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´10x‬‬
‫‪˝4x‬‬
‫‪´11x‬‬ ‫ﻙ‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬

‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫ﻚ‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬

‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۰‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻟﻮﺗﻮﺱ ﻋﺎﺩﯼ )‪(lotoos‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۱‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻟﻮﺗﻮﺱ ﺳﯿﺎﻩ )‪(lotoos‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬

‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬

‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬

‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۲‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻣﯿﺘﺮﺍ ﻋﺎﺩﯼ )‪(mitra‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬

‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۳‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻣﯿﺘﺮﺍ ﺳﯿﺎﻩ )‪(mitra‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۴‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻧﺎﺯﻟﯽ ﻋﺎﺩﯼ )‪(nazli‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۵‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻧﺎﺯﻟﯽ ﺳﯿﺎﻩ )‪(nazli‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۶‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﯾﺎﻗﻮﺕ ﻋﺎﺩﯼ )‪(yaghoot‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬

‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۷‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﯾﺎﻗﻮﺕ ﺳﯿﺎﻩ )‪(yaghoot‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬

‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۸‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺯﺭ ﻋﺎﺩﯼ )‪(zar‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬

‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬

‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۳۹‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺯﺭ ﺳﯿﺎﻩ )‪(zar‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬
‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬
‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۰‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺟﺪﯾﺪ ﺳﯿﺎﻩ )‪(jadid‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۱‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺗﯿﺘﺮ ﺳﯿﺎﻩ )‪(titr‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۲‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺭﻭﯾﺎ ﻋﺎﺩﯼ )‪(roya‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´10x‬‬ ‫‪٤‬‬
‫‪˝4x‬‬
‫‪´11x‬‬ ‫‪٥‬‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪٦‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬

‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۳‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺭﻭﯾﺎ ﺳﯿﺎﻩ )‪(roya‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´10x‬‬ ‫‪٤‬‬
‫‪˝4x‬‬
‫‪´11x‬‬ ‫‪٥‬‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪٦‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۴‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺗﺮﺍﻓﯿﮏ ﻋﺎﺩﯼ )‪(terafik‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´10x‬‬ ‫‪٤‬‬
‫‪˝4x‬‬
‫‪´11x‬‬ ‫‪٥‬‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪٦‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬
‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬
‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۵‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺗﺮﺍﻓﯿﮏ ﺳﯿﺎﻩ )‪(terafik‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´10x‬‬ ‫‪٤‬‬
‫‪˝4x‬‬
‫‪´11x‬‬ ‫‪٥‬‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪٦‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬
‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬
‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۶‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﮐﻮﺩﮎ ﺳﯿﺎﻩ )‪(koodak‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´10x‬‬ ‫‪٤‬‬
‫‪˝4x‬‬
‫‪´11x‬‬ ‫‪٥‬‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪٦‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۷‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﮐﺎﻣﺮﺍﻥ ﻋﺎﺩﯼ )‪(kamran‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬
‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬
‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۸‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﮐﺎﻣﺮﺍﻥ ﺳﯿﺎﻩ )‪(kamran‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬
‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬
‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬

‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬

‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬

‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۴۹‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺗﺒﺴﻢ ﻋﺎﺩﯼ )‪(tabassom‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۵۰‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻫﻤﺎ ﻋﺎﺩﯼ )‪(homa‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´10x‬‬ ‫‪٤‬‬
‫‪˝4x‬‬
‫‪´11x‬‬ ‫‪٥‬‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪٦‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۵۱‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺍﺭﺷﯿﺎ ﻋﺎﺩﯼ )‪(arshia‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬

‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬

‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۵۲‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻧﺴﯿﻢ ﺳﯿﺎﻩ )‪(nasim‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬
‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬
‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۵۳‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﺍﻟﻬﺎﻡ ﺳﯿﺎﻩ )‪(elham‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪٦‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬
‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬
‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬
‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬
‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫‪۵۴‬‬ ‫ﭘﯿﻮﺳﺖِ ﭖ‪ .‬ﺟﺪﻭﻝِ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬
‫ﻓﺮﻧﺎﺯ ﺳﯿﺎﻩ )‪(farnaz‬‬
‫‪´0‬‬ ‫‪´1‬‬ ‫‪´2‬‬ ‫‪´3‬‬ ‫‪´4‬‬ ‫‪´5‬‬ ‫‪´6‬‬ ‫‪´7‬‬

‫‪´04x‬‬ ‫!‬ ‫«‬ ‫‪%‬‬ ‫»‬
‫‪˝2x‬‬
‫‪´05x‬‬ ‫(‬ ‫)‬ ‫‪٫‬‬ ‫‪+‬‬ ‫‪،‬‬ ‫‪−‬‬ ‫‪.‬‬ ‫‪/‬‬
‫‪´06x‬‬ ‫‪۰‬‬ ‫‪۱‬‬ ‫‪۲‬‬ ‫‪۳‬‬ ‫‪۴‬‬ ‫‪۵‬‬ ‫‪۶‬‬ ‫‪۷‬‬
‫‪˝3x‬‬
‫‪´07x‬‬ ‫‪۸‬‬ ‫‪۹‬‬ ‫‪:‬‬ ‫؛‬ ‫=‬ ‫؟‬
‫‪´12x‬‬ ‫ﷲ‬ ‫‪Q‬‬ ‫‪R‬‬ ‫‪S‬‬ ‫‪U‬‬ ‫‪V‬‬ ‫‪W‬‬
‫‪˝5x‬‬
‫‪´13x‬‬ ‫‪X‬‬ ‫‪٠‬‬ ‫]‬ ‫[‬
‫‪´14x‬‬ ‫ّ‬ ‫ٔ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫ً‬ ‫ٌ‬
‫‪˝6x‬‬
‫‪´15x‬‬ ‫ْ‬ ‫ٰ‬ ‫‪j‬‬ ‫‪l‬‬ ‫‪m‬‬ ‫ٍ‬
‫‪´16x‬‬ ‫‪p‬‬ ‫‪q‬‬ ‫‪r‬‬ ‫ٕ‬ ‫ٖ‬
‫‪˝7x‬‬
‫‪´17x‬‬
‫‪´20x‬‬ ‫ﻨ‬ ‫ﻮ‬ ‫ﻪ‬ ‫ﯿ‬ ‫ﻻ‬ ‫ﻼ‬ ‫ﺓ‬ ‫ﺔ‬
‫‪˝8x‬‬
‫‪´21x‬‬ ‫‬ ‫ـ‬ ‫ﺁ‬ ‫ﺋ‬ ‫ﺀ‬
‫‪´22x‬‬ ‫ﺍ‬ ‫ﺎ‬ ‫ﺏ‬ ‫ﺑ‬ ‫ﭖ‬ ‫ﭘ‬ ‫ﺕ‬ ‫ﺗ‬
‫‪˝9x‬‬
‫‪´23x‬‬ ‫ﺙ‬ ‫ﺛ‬ ‫ﺝ‬ ‫ﺟ‬ ‫ﭺ‬ ‫ﭼ‬ ‫ﺡ‬ ‫ﺣ‬
‫‪´24x‬‬ ‫ﺥ‬ ‫ﺧ‬ ‫ﺩ‬ ‫ﺫ‬ ‫ﺭ‬ ‫ﺯ‬ ‫ﮊ‬ ‫ﺱ‬

‫‪˝Ax‬‬
‫‪´25x‬‬ ‫ﺳ‬ ‫ﺵ‬ ‫ﺷ‬ ‫ﺹ‬ ‫ﺻ‬ ‫ﺽ‬ ‫ﺿ‬ ‫ﻁ‬
‫‪´26x‬‬ ‫ﺐ‬ ‫ﺒ‬ ‫ﭗ‬ ‫ﭙ‬ ‫ﺖ‬ ‫ﺘ‬ ‫ﺚ‬ ‫ﺜ‬
‫‪˝Bx‬‬
‫‪´27x‬‬ ‫ﺞ‬ ‫ﺠ‬ ‫ﭻ‬ ‫ﭽ‬ ‫ﺢ‬ ‫ﺤ‬ ‫ﺦ‬ ‫ﺨ‬
‫‪´30x‬‬ ‫ﺪ‬ ‫ﺬ‬ ‫ﺮ‬ ‫ﺰ‬ ‫ﮋ‬ ‫ﺲ‬ ‫ﺴ‬ ‫ﺶ‬

‫‪˝Cx‬‬
‫‪´31x‬‬ ‫ﺸ‬ ‫ﺺ‬ ‫ﺼ‬ ‫ﺾ‬ ‫ﻀ‬ ‫ﻂ‬ ‫ﻄ‬ ‫ﻃ‬
‫‪´32x‬‬ ‫ﻆ‬ ‫ﻈ‬ ‫ﻇ‬ ‫ﻒ‬ ‫ﻔ‬ ‫ﻖ‬ ‫ﻘ‬ ‫ﮏ‬
‫‪˝Dx‬‬
‫‪´33x‬‬ ‫ﮑ‬ ‫ﮓ‬ ‫ﮕ‬ ‫ﻞ‬ ‫ﻠ‬ ‫ﻢ‬ ‫ﻤ‬ ‫ﻦ‬
‫‪´34x‬‬ ‫ﻅ‬ ‫ﻉ‬ ‫ﻊ‬ ‫ﻌ‬ ‫ﻋ‬ ‫ﻍ‬ ‫ﻎ‬ ‫ﻐ‬
‫‪˝Ex‬‬
‫‪´35x‬‬ ‫ﻏ‬ ‫ﻑ‬ ‫ﻓ‬ ‫ﻕ‬ ‫ﻗ‬ ‫ﮎ‬ ‫ﮐ‬ ‫ﮒ‬
‫‪´36x‬‬ ‫ﮔ‬ ‫ﻝ‬ ‫ﻟ‬ ‫ﻡ‬ ‫ﻣ‬ ‫ﻥ‬ ‫ﻧ‬
‫‪˝Fx‬‬
‫‪´37x‬‬ ‫ﻭ‬ ‫ﻩ‬ ‫ﻬ‬ ‫ﻫ‬ ‫ﯽ‬ ‫ﯼ‬ ‫ﯾ‬ ‫ﺌ‬
‫‪˝8‬‬ ‫‪˝9‬‬ ‫‪˝A‬‬ ‫‪˝B‬‬ ‫‪˝C‬‬ ‫‪˝D‬‬ ‫‪˝E‬‬ ‫‪˝F‬‬
‫ﭘﯿﻮﺳﺖِ ﺕ‬
‫ﻂ ﺷﻌﺮِ ﺳّﻨﺘﯽ‬
‫ﻧﻤﻮﻧﻪﯼ ﻣﺤﯿ ِ‬
‫ﺮ ﺳّﻨﺘﯽ‪ ،‬ﻏﺰﻟﯽ ﺍﺯ ﺣﺎﻓﻆ ﺩﺭ‬

‫ﻂ ﺷﻌ ِ‬
‫ﺭ ﻣﺤﯿ ِ‬
‫ﻥ ﺭﻓﺘﺎ ِ‬
‫ﺖ ﻧﺸﺎﻥ ﺩﺍﺩ ِ‬
‫ﺩﺭ ﺍﯾﻦ ﭘﯿﻮﺳﺖ ﺟﻬ ِ‬
‫ﺕ‬
‫ﯽ ﺗﺼﻤﯿﻤﺎ ِ‬
‫ﺍﻧﺪﺍﺯﻩﻫﺎﯼ ﻣﺨﺘﻠﻒ ﺣﺮﻭﻑﭼﯿﻨﯽ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺩﻗﺖ ﮐﻨﯿﺪ ﮐﻪ ﺗﻤﺎﻣ ِ‬
‫ﻂ ﺷﻌﺮ‬
‫ﻂ ﻣﺎ ﮐﺮﻭﻫﺎﯼ ﻣﺤﯿ ِ‬‫ﺭ ﺧﻮﺩﮐﺎﺭ ﺗﻮﺳ ِ‬
‫ﺳﻄﺮﺷﮑﻨﯽ ﻭ ﻓﺎﺻﻠﻪﮔﺬﺍﺭﯼ ﺑﻪ ﻃﻮ ِ‬
‫ﺩﺍﺳﺘﻔﺎﺩﻩ ﺩﺭ ﺍﯾﻦ ﻣﺜﺎﻝﻫﺎ ﻗﻠﻢ ﻋﻠﻤﯽ ﻣﯽﺑﺎﺷﺪ‪.‬‬ ‫ﮔﺮﻓﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻗﻠﻢ ﻣﻮﺭ ِ‬
‫ِ‬ ‫ِ‬
‫ﮐﻪ ﻋﺸﻖ ﺁﺳﺎﻥ ﻧﻤﻮﺩ ﺍﻭﻝ ﻭﻟﯽ ﺍﻓﺘﺎﺩ ﻣﺸﮑﻞﻫﺎ‬ ‫َﺍﻻ ﯾﺎ ﺍَﯾ‪َm‬ﻬﺎ ﺍﻟﺴﺎﻗﯽ ﺍَِﺩﺭ َﮐٔﺎﺳﺎً َﻭ ﻧﺎِﻭْﻟﻬﺎ‬
‫ّ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎﺏِ ﺟﻌ ِ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑﮕﺸﺎﯾﺪ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑﻨﺪﯾﺪ ﻣﺤﻤﻞﻫﺎ‬ ‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬ ‫ﻝ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧﺒﺮ ﻧﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳﻢ ﻣﻨﺰﻝﻫﺎ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ِ‬
‫ﻝ ﻣﺎ ﺳﺒﮏﺑﺎﺭﺍﻥِ ﺳﺎﺣﻞﻫﺎ‬
‫ﮐﺠﺎ ﺩﺍﻧﻨﺪ ﺣﺎ ِ‬ ‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ﺷ ِ‬
‫ِ‬
‫ﻖ َﻣْﻦ َﺗْﻬﻮٰﯼ َﺩﻉ ﺍﻟ‪m‬ﺪْﻧﯿﺎ َﻭ ﺍَْﻫ ِ‬
‫ِ‬
‫ّ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺯ ﺗﺎﺏِ ﺟﻌ ِ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑﮕﺸﺎﯾﺪ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑﻨﺪﯾﺪ ﻣﺤﻤﻞﻫﺎ‬ ‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣﻦِ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧﺒﺮ ﻧﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳﻢ ﻣﻨﺰﻝﻫﺎ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿِﺮ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ِ‬
‫ﻥ ﺳﺎﺣﻞﻫﺎ‬
‫ﮐﺠﺎ ﺩﺍﻧﻨﺪ ﺣﺎﻝِ ﻣﺎ ﺳﺒﮏﺑﺎﺭﺍ ِ‬ ‫ﺐ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬‫ﺷ ِ‬
‫ِ‬
‫ِ‬
‫‪۵۵‬‬
‫‪۵۶‬‬ ‫ﻂ ﺷﻌﺮِ ﺳّﻨﺘﯽ‬
‫ﺖ ﺕ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻣﺤﯿ ِ‬
‫ّ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬ ‫ﺏ ﺟﻌ ِ‬ ‫ﺯ ﺗﺎ ِ‬ ‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑﮕﺸﺎﯾﺪ‬
‫ﺟﺮﺱ ﻓﺮ ﯾﺎﺩ ﻣﯽﺩﺍﺭﺩ ﮐﻪ ﺑﺮ ﺑﻨﺪﯾﺪ ﻣﺤﻤﻞﻫﺎ‬ ‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬ ‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ﮐﻪ ﺳﺎﻟﮏ ﺑﯽﺧﺒﺮ ﻧﺒﻮﺩ ﺯ ﺭﺍﻩ ﻭ ﺭﺳﻢ ﻣﻨﺰﻝﻫﺎ‬ ‫ﺑﻪ ِﻣﯽ ﺳﺠﺎﺩﻩ ﺭﻧﮕﯿﻦ ﮐﻦ ﮔﺮﺕ ﭘﯿﺮِ ﻣﻐﺎﻥ ﮔﻮ ﯾﺪ‬
‫ِ‬
‫ﻝ ﻣﺎ ﺳﺒﮏﺑﺎﺭﺍ ِ‬
‫ﮐﺠﺎ ﺩﺍﻧﻨﺪ ﺣﺎ ِ‬ ‫ﺷﺐِ ﺗﺎﺭ ﯾﮏ ﻭ ﺑﯿﻢ ﻣﻮﺝ ﻭ ﮔﺮﺩﺍﺑﯽ ﭼﻨﯿﻦ ﻫﺎﯾﻞ‬
‫ِ‬
‫ِ‬
‫َﺍﻻ ﯾﺎ ﺍَﯾ‪َm‬ﻬﺎ ﺍﻟﺴﺎﻗﯽ ﺍَِﺩﺭ َﮐٔﺎﺳﺎً َﻭ ﻧﺎِﻭْﻟﻬﺎ‬

‫ّ‬
‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑﮕﺸﺎﯾﺪ‬
‫ِ‬
‫ِ‬
‫ِ‬ ‫ﺎﺭﺍ‬‫ﺑ‬ ‫ﮏ‬‫ﺒ‬‫‬‫ﺳ‬ ‫ﺎ‬‫ﻣ‬ ‫ﻝ‬
‫ِ‬ ‫ﺎ‬‫ﺣ‬ ‫ﺪ‬‫ﻨ‬‫‬‫ﻧ‬‫ﺩﺍ‬ ‫ﺎ‬‫ﺠ‬‫‬‫ﮐ‬
‫ﻦ َﺗْﻬﻮٰﯼ َﺩﻉ ﺍﻟ‪m‬ﺪْﻧﯿﺎ َﻭ ﺍَْﻫ ِ‬
‫ﻖ َﻣ ْ‬
‫ِ‬
‫‪۵۷‬‬ ‫ﻂ ﺷﻌﺮِ ﺳّﻨﺘﯽ‬
‫ﺖ ﺕ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻣﺤﯿ ِ‬
‫َﺍﻻ ﯾﺎ ﺍَﯾ‪َm‬ﻬﺎ ﺍﻟﺴﺎﻗﯽ ﺍَِﺩﺭ َﮐٔﺎﺳﺎً َﻭ ﻧﺎِﻭْﻟﻬﺎ‬

‫ّ‬
‫ﺑﻪ ﺑﻮﯼ ﻧﺎﻓﻪﺍﯼ ﮐﺎﺧﺮ ﺻﺒﺎ ﺯﺍﻥ ﻃﺮﻩ ﺑﮕﺸﺎﯾﺪ‬
‫ﺪ ﻣﺸﮑﯿﻨﺶ ﭼﻪ ﺧﻮﻥ ﺍﻓﺘﺎﺩ ﺩﺭ ﺩﻝﻫﺎ‬
‫ﺏ ﺟﻌ ِ‬
‫ﺯ ﺗﺎ ِ‬
‫ﻦ ﻋﯿﺶ ﭼﻮﻥ ﻫﺮ ﺩﻡ‬ ‫ﻣﺮﺍ ﺩﺭ ﻣﻨﺰﻝِ ﺟﺎﻧﺎﻥ ﭼﻪ ﺍﻣ ِ‬
‫ِ‬
‫ِ‬
‫ﮐﺠﺎ ﺩﺍﻧﻨﺪ ﺣﺎﻝِ ﻣﺎ ﺳﺒﮏﺑﺎﺭﺍ ِ‬
‫ِ‬
‫ﭘﯿﻮﺳﺖِ ﺙ‬
‫ﻂ ﺷﻌﺮِ ﻧﻮ‬
‫ﻧﻤﻮﻧﻪﯼ ﻣﺤﯿ ِ‬
‫‪۱‬‬
‫ﺩ ﺍﺑﺮﺍﻫﯿﻢ ﺩﺭ ﺁﺗﺶ‬
‫ﺳﺮﻭ ِ‬
‫ﺮ ﭼﯿﺘﮕﺮ‬
‫ﻡ ﻣﻬﺪﯼ ﺭﺿﺎﯾﯽ ﺩﺭ ﻣﯿﺪﺍﻥِ ﺗﯿ ِ‬ ‫ﺍﻋﺪﺍ‬
‫ِ‬
‫ﺩﺭ ﺁﻭﺍﺭِ ﺧﻮﻧﯿﻦِ ﮔﺮﮒ ﻭ ﻣﯿﺶ‬

‫ﺩﯾﮕﺮﮔﻮﻧﻪ ﻣﺮﺩﯼ ﺁﻧﮏ‪،‬‬
‫ﮐﻪ ﺧﺎﮎ ﺭﺍ ﺳﺒﺰ ﻣﯽﺧﻮﺍﺳﺖ‬
‫ﻦ ﺯﻧﺎﻥ‬
‫ﻭ ﻋﺸﻖ ﺭﺍ ﺷﺎﯾﺴﺘﻪﯼ ﺯﯾﺒﺎﺗﺮ ﯾ ِ‬
‫ﮐﻪ ﺍﯾﻨﺶ‬
‫ﺑﻪ ﻧﻈﺮ‬
‫ﻫﺪّﯾﺘﯽ ﻧﻪ ﭼﻨﺎﻥ ﮐﻢﺑﻬﺎ ﺑﻮﺩ‬
‫ﮐﻪ ﺧﺎﮎ ﻭ ﺳﻨﮓ ﺭﺍ ﺑﺸﺎﯾﺪ‪.‬‬
‫ﭼﻪ ﻣﺮﺩﯼ! ﭼﻪ ﻣﺮﺩﯼ!‬

‫ﮐﻪ ﻣﯽﮔﻔﺖ‬
‫ﻗﻠﺐ ﺭﺍ ﺷﺎﯾﺴﺘﻪﺗﺮ ﺁﻥ‬
‫ﮐﻪ ﺑﻪ ﻫﻔﺖ ﺷﻤﺸﯿِﺮ ﻋﺸﻖ‬
‫ﺩﺭ ﺧﻮﻥ ﻧﺸﯿﻨﺪ‬
‫ﯽ ﺁﺛﺎﺭِ ﺍﺣﻤﺪ ﺷﺎﻣﻠﻮ ﻣﺤﻔﻮﻅ ﺍﺳﺖ‪ .‬ﺩﺭﺝ‬ ‫‪۱‬‬

‫ﮐﻠﯿﻪﯼ ﺣﻘﻮﻕِ ﺍﯾﻦ ﺷﻌﺮ ﺑﺮﺍﯼ ﺷﻮﺭﺍﯼ ﺳﺮﭘﺮﺳﺘ ِ‬
‫ﺩﺭ ﺍﯾﻦﺟﺎ ﺑﺎ ﺍﺟﺎﺯﻩ ﺻﻮﺭﺕ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬
‫‪۵۸‬‬
‫‪۵۹‬‬ ‫ﻂ ﺷﻌﺮِ ﻧﻮ‬
‫ﺖ ﺙ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻣﺤﯿ ِ‬
‫ﻭ ﮔﻠﻮ ﺭﺍ ﺑﺎﯾﺴﺘﻪﺗﺮ ﺁﻥ‬

‫ﮐﻪ ﺯﯾﺒﺎﺗﺮ ﯾﻦِ ﻧﺎﻡﻫﺎ ﺭﺍ‬
‫ﺑﮕﻮﯾﺪ‪.‬‬
‫ﻭ ﺷﯿﺮﺁﻫﻦﮐﻮﻩ ﻣﺮﺩﯼ ﺍﺯ ﺍﯾﻦ ﮔﻮﻧﻪ ﻋﺎﺷﻖ‬

‫ﻣﯿﺪﺍﻥِ ﺧﻮﻧﯿﻦِ ﺳﺮﻧﻮﺷﺖ‬
‫ﺑﺎ ﭘﺎﺷﻨﻪﯼ ﺁﺷﯿﻞ‬
‫ﺩﺭﻧﻮﺷﺖ‪— .‬‬
‫ﺭ ﻭﯾﯿﻨﻪﺗﻨﯽ‬
‫ﮐﻪ ﺭﺍِﺯ ﻣﺮﮒﺍﺵ‬
‫ﺍﻧﺪﻭِﻩ ﻋﺸﻖ ﻭ‬
‫ﻏﻢ ﺗﻨﻬﺎﺋﯽ ﺑﻮﺩ‪.‬‬
‫ِ‬
‫‪2‬‬
‫»‐ ﺁﻩ‪ ،‬ﺍﺳﻔﻨﺪﯾﺎِﺭ ﻣﻐﻤﻮﻡ!‬

‫ﺗﻮ ﺭﺍ ﺁﻥ ﺑﻪ ﮐﻪ ﭼﺸﻢ‬
‫ﻓﺮ ﻭ ﭘﻮﺷﯿﺪﻩ ﺑﺎﺷﯽ!«‬
‫‪2‬‬
‫»‐ ﺁﯾﺎ ﻧﻪ‬

‫ﯾﮑﯽ ﻧﻪ‬
‫ﺑﺴﻨﺪﻩ ﺑﻮﺩ‬
‫ﺖ ﻣﺮﺍ ﺑﺴﺎﺯﺩ؟‬
‫ﮐﻪ ﺳﺮﻧﻮﺷ ِ‬
‫ﻣﻦ‬
‫ﺗﻨﻬﺎ ﻓﺮ ﯾﺎﺩ ﺯﺩﻡ‬
‫ﻧﻪ!‬
‫‪۶۰‬‬ ‫ﻂ ﺷﻌﺮِ ﻧﻮ‬
‫ﺖ ﺙ‪ .‬ﻧﻤﻮﻧﻪﯼ ﻣﺤﯿ ِ‬
‫ﻣﻦ ﺍﺯ‬
‫ﻓﺮ ﻭﺭﻓﺘﻦ‬
‫ﺗﻦ ﺯﺩﻡ‬
‫ﺻﺪﺍﯾﯽ ﺑﻮﺩﻡ ﻣﻦ‬

‫—ﺷﮑﻠﯽ ﻣﯿﺎﻥِ ﺍﺷﮑﺎﻝ—‪،‬‬
‫ﻭ ﻣﻌﻨﺎﯾﯽ ﯾﺎﻓﺘﻢ‪.‬‬
‫ﻣﻦ ﺑﻮﺩﻡ‬
‫ﻭ ﺷﺪﻡ‪،‬‬
‫ﻧﻪ ﺯﺍﻥﮔﻮﻧﻪ ﮐﻪ ﻏﻨﭽﻪﯾﯽ‬
‫ُﮔﻠﯽ‬
‫ﯾﺎ ﺭ ﯾﺸﻪﯾﯽ‬
‫ﮐﻪ ﺟﻮﺍﻧﻪﯾﯽ‬
‫ﯾﺎ ﯾﮑﯽ ﺩﺍﻧﻪ‬
‫ﮐﻪ ﺟﻨﮕﻠﯽ —‬
‫ﺭﺍﺳﺖ ﺑﺪﺍﻥﮔﻮﻧﻪ‬
‫ﮐﻪ ﻋﺎﻣﯽ ﻣﺮﺩﯼ‬
‫ﺷﻬﯿﺪﯼ؛‬
‫ﺗﺎ ﺁﺳﻤﺎﻥ ﺑﺮ ﺍﻭ ﻧﻤﺎﺯ ﺑَﺮﺩ‪«.‬‬
‫َ‬
‫‪..‬‬
‫‪.‬‬
‫‪۱۳۵۲‬‬
‫ﮐﺘﺎﺏﻧﺎﻣﻪ‬
‫]‪ [۱‬ﺍﺳ ﺘﺎﻧﺪﺍﺭﺩ ﺷ ﻤﺎﺭﻩﯼ ‪ ۱‬ﺍﯾﺮﺍﻥ‪ ،‬ﭘﺮﭼﻢ ﺟ ﻤ ﻬﻮﺭﯼ ﺍﺳﻼﻣﯽ ﺍﯾﺮﺍﻥ‪،‬‬

‫ﻣﻮﺳﺴﻪ ﺍﺳﺘﺎﻧﺪﺍﺭﺩ ﻭ ﺗﺤﻘﯿﻘﺎﺕ ﺻﻨﻌﺘﯽ ﺍﯾﺮﺍﻥ‪.۱۳۵۹ ،‬‬
‫]‪ [۲‬ﻣﻬﺮﺍﻥ ﺷﺮﻗﯽ‪ ،‬ﻃﺮﺍﺣﯽ ﻋﻠﻤﯽ ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳﯽ‪ ،‬ﺭﺳﺎﻟﻪﯼ ﮐﺎﺭﺷﻨﺎﺳﯽ‬

‫ﺍﺭﺷﺪ‪ ،‬ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ‪ ،‬ﺩﺍﻧﺸﮕﺎﻩ ﺻﻨﻌﺘﯽ ﺷﺮ ﯾﻒ‪،‬‬
‫ﺑﻬﻤﻦ ‪.۱۳۷۲‬‬
‫]‪ [۳‬ﺟﻌﻔﺮ ﺣﻖﺍﻟﻬﯽ‪ ،‬ﻃﺮﺍﺣﯽ ﻗﻠﻤﻬﺎﯼ ﻓﺎﺭﺳﯽ ﺑﺎ ﻣﺘﺎﻓﻮﻧﺖ‪ ،‬ﺭﺳﺎﻟﻪﯼ‬

‫ﮐﺎﺭﺷﻨﺎﺳﯽ‪ ،‬ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ‪ ،‬ﺩﺍﻧﺸﮕﺎﻩ ﺻﻨﻌﺘﯽ‬
‫ﺷﺮﯾﻒ‪ ،‬ﺗﯿﺮ ‪.۱۳۷۱‬‬
‫]‪ [۴‬ﭘﺮﻭﺍﻧﻪ ﺍﺻﻐﺮﯼ‪ ،‬ﻃﺮﺍﺣﯽ ﻋﻠﻤﯽ ﻗﻠﻤﻬﺎﯼ ﺗﺮﺍﻓﯿﮏ ﺑﺎ ﻣﺘﺎﻓﻮﻧﺖ‪،‬‬

‫ﺭﺳﺎﻟﻪﯼ ﮐﺎﺭﺷﻨﺎﺳﯽ‪ ،‬ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ‪ ،‬ﺩﺍﻧﺸﮕﺎﻩ‬
‫ﺻﻨﻌﺘﯽ ﺷﺮﯾﻒ‪ ،‬ﺷﻬﺮﯾﻮﺭ ‪.۱۳۷۲‬‬
‫]‪ [۵‬ﻻﻟﻪ ﺗﺠﺮ ﺑﻪﮐﺎﺭ‪ ،‬ﻃﺮﺍﺣﯽ ﺑﺎ ﭘﺴﺖﺍﺳﮑﺮ ﯾﭙﺖ ﺩﺭ ﻣﺤﯿﻂ ﻓﺎﺭﺳﯽ‪،‬‬
‫ُ‬
‫ﺭﺳﺎﻟﻪﯼ ﮐﺎﺭﺷﻨﺎﺳﯽ‪ ،‬ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ‪ ،‬ﺩﺍﻧﺸﮕﺎﻩ‬
‫ﺻﻨﻌﺘﯽ ﺷﺮﯾﻒ‪.۱۳۷۲ ،‬‬
‫ﺗﮏ‪:‬‬
‫]‪ [۶‬ﻣ ﺤ ﻤﺪ ﻗﺪﺳﯽ‪ ،‬ﺣ ﺴﻦ ﺍﺑﻮﺍﻟ ﺤ ﺴ ﻨﯽ ﻭ ﻣ ﻬﺮﺍﻥ ﺷﺮﻗﯽ‪ ،‬ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﻧﺮﻡﺍﻓﺰﺍﺭﯼ ﺑﺮﺍﯼ ﺣﺮﻭﻓﭽﯿﻨﯽ ﻣﺘﻮﻥ ﻋﻠﻤﯽ‪ ،‬ﻣﺠﻤﻮﻋﻪ ﻣﻘﺎﻻﺕ ﺩﻭﻣﯿﻦ‬
‫ﮐﻨﻔﺮﺍﻧﺲ ﮐﺎﻣﭙﯿﻮﺗﺮ ﺍﯾﺮﺍﻥ‪ :‬ﺁﻣﻮﺯﺵ‪ ،‬ﭘﮋﻭﻫﺶ ﻭ ﮐﺎﺭ ﺑﺮﺩ‪۱۹–۲۰ ،‬‬
‫ﺑﻬﻤﻦ ‪ ،۱۳۷۲‬ﺩﺍﻧﺸﮕﺎﻩ ﻋﻠﻢ ﻭ ﺻﻨﻌﺖ ﺍﯾﺮﺍﻥ‪ ،‬ﺻﺺ ‪.۱۹۵–۲۰۴‬‬
‫‪۶۱‬‬
‫‪۶۲‬‬ ‫ﮐﺘﺎﺏﻧﺎﻣﻪ‬
‫]‪ [۷‬ﺣﺴﻦ ﺍﺑﻮﺍﻟﺤﺴﻨﯽ‪ ،‬ﺣﺮﻭﻓﭽﯿﻨﯽ ﻣﺘﻮﻥ ﻓﺎﺭﺳﯽ ﺑﺎ ‪ ،TEX‬ﺭﺳﺎﻟﻪﯼ‬

‫ﮐﺎﺭﺷﻨﺎﺳﯽ ﺍﺭﺷﺪ‪ ،‬ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ‪ ،‬ﺩﺍﻧﺸﮕﺎﻩ ﺻﻨﻌﺘﯽ‬
‫ﺷﺮﯾﻒ‪ ،‬ﺑﻬﻤﻦ ‪.۱۳۷۲‬‬
‫]‪ [۸‬ﺁﺗﻮﺳﺎ ﻣ ﺴ ﻌﻮﺩﻧ ﯿﺎ‪ ،‬ﻣ ﻄﺎﻟ ﻌﻪﺍﯼ ﺑﺮ ﻃﺮﺍﺣﯽ ﺣﺮﻭﻑ ﻧ ﺴ ﺘ ﻌ ﻠ ﯿﻖ ﺑﺎ‬
‫ﻣﺘﺎﻓﻮﻧﺖ‪ ،‬ﺭﺳﺎﻟﻪﯼ ﮐﺎﺭﺷﻨﺎﺳﯽ‪ ،‬ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ‪،‬‬
‫ﺩﺍﻧﺸﮕﺎﻩ ﺻﻨﻌﺘﯽ ﺷﺮﯾﻒ‪ ،‬ﺩﯼ ‪.۱۳۷۳‬‬
‫]‪ [۹‬ﺍﺳﺘﺎﻧﺪﺍﺭﺩ ﺷﻤﺎﺭﻩﯼ ‪ ۲۹۰۱‬ﺍﯾﺮﺍﻥ‪ ،‬ﻃﺮﺯ ﻗﺮﺍﺭﮔﺮﻓﺘﻦ ﺣﺮﻭﻑ ﻭ ﻋﻼﺋﻢ‬

‫ﺯ ﺑﺎﻥ ﻓﺎﺭﺳﯽ ﺑﺮ ﺭﻭﯼ ﺻﻔﺤﻪﮐﻠﯿﺪ ﮐﺎﻣﭙﯿﻮﺗﺮ‪ ،‬ﺗﺠﺪﯾﺪ ﻧﻈﺮ ﺍﻭﻝ‪،‬‬
‫ﻣﻮﺳﺴﻪ ﺍﺳﺘﺎﻧﺪﺍﺭﺩ ﻭ ﺗﺤﻘﯿﻘﺎﺕ ﺻﻨﻌﺘﯽ ﺍﯾﺮﺍﻥ‪.۱۳۷۳ ،‬‬
‫]‪ [۱۰‬ﻣﺤﻤﺪ ﻗﺪﺳﯽ ﻭ ﮐﯿﺎﺭﺵ ﺑﺎﺯﺭﮔﺎﻥ‪ ،‬ﺗﻮﻟﯿﺪ ﺧﻮﺩﮐﺎﺭ ﺣﺮﻭﻑ ﺧﻂ‬

‫ﻧﺴﺘﻌﻠﯿﻖ‪ ،‬ﺍﻭﻟﯿﻦ ﮐﻨﻔﺮﺍﻧﺲ ﺳﺎﻻﻧﻪﯼ ﺍﻧﺠﻤﻦ ﮐﺎﻣﭙﯿﻮﺗﺮ ﺍﯾﺮﺍﻥ‪ ،‬ﺩﯼ‬
‫‪ ،۱۳۷۴‬ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ‪ ،‬ﺩﺍﻧﺸﮕﺎﻩ ﺻﻨﻌﺘﯽ ﺷﺮﯾﻒ‪.‬‬
‫]‪ [۱۱‬ﺟﻤﺸﯿﺪ ﯾﻮﺳﻔﯽ‪ ،‬ﻃﺮﺍﺣﯽ ﺧﻮﺩﮐﺎﺭ ﭘﺎﺭﺍﻣﺘﺮﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﻓﺎﺭﺳﯽ‪،‬‬

‫ﺭﺳﺎﻟﻪﯼ ﮐﺎﺭﺷﻨﺎﺳﯽ ﺍﺭﺷﺪ‪ ،‬ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ‪ ،‬ﺩﺍﻧﺸﮕﺎﻩ‬
‫ﺻﻨﻌﺘﯽ ﺷﺮﯾﻒ‪ ،‬ﻣﺮﺩﺍﺩ ‪.۱۳۷۵‬‬
‫ﺗﮏ‪ ،‬ﺩﺍﻧﺸﮑﺪﻩﯼ‬
‫]‪ [۱۲‬ﻣﺤﻤﺪ ﻗﺪﺳﯽ ﻭ ﺭﻭﺯ ﺑﻪ ﭘﻮﺭﻧﺎﺩﺭ‪ ،‬ﺭﺍﻩﻧﻤﺎﯼ ﻓﺎﺭﺳ ِ‬
‫ﯽ‬
‫ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ‪ ،‬ﺩﺍﻧﺸﮕﺎﻩ ﺻﻨﻌﺘﯽ ﺷﺮﯾﻒ‪ ،‬ﺍﺳﻔﻨﺪ ‪.۱۳۷۶‬‬
‫]‪ [۱۳‬ﻣﺤﻤﺪﺭﺿﺎ ﻣﺤﻤﺪﯼﻓﺮ‪ ،‬ﺷﯿﻮﻩﻧﺎﻣٔﻪ ﻭﯾﺮﺍﯾﺶ‪ ،‬ﺟﻠﺪ ﺩﻭﻡ‪ ،‬ﮐﺎﻟﺒﺪﺷﻨﺎﺳﯽ‬

‫ﮐﺘﺎﺏ‪ ،‬ﺳﺎﺯﻣﺎﻥ ﭼﺎﭖ ﻭ ﺍﻧﺘﺸﺎﺭﺍﺕ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﯽ‪،‬‬
‫‪ .۱۳۸۱‬ﺷﺎﺑﮏ ‪.۹۶۴−۴۲۲−۴۱۹−۱‬‬
‫]‪ [۱۴‬ﻣﺤﻤﺪﺭﺿﺎ ﻣﺤﻤﺪﯼﻓﺮ‪ ،‬ﺷﯿﻮﻩﻧﺎﻣٔﻪ ﻭ ﯾﺮﺍﯾﺶ‪ ،‬ﺟﻠﺪ ﺳﻮﻡ‪ ،‬ﻧﮕﺎﺭﺵ‪،‬‬

‫ﺳﺎﺯﻣﺎﻥ ﭼﺎﭖ ﻭ ﺍﻧ ﺘ ﺸﺎﺭﺍﺕ ﻭﺯﺍﺭﺕ ﻓﺮﻫ ﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﯽ‪،‬‬
‫‪ .۱۳۸۱‬ﺷﺎﺑﮏ ‪.۹۶۴−۴۲۲−۴۲۰−۵‬‬
‫]‪ [۱۵‬ﻣﺤﻤﺪﺭﺿﺎ ﻣﺤﻤﺪﯼﻓﺮ‪ ،‬ﺷﯿﻮﻩﻧﺎﻣٔﻪ ﻭﯾﺮﺍﯾﺶ‪ ،‬ﺟﻠﺪ ﭼﻬﺎﺭﻡ‪ ،‬ﺭﺳﻢﺍﻟﺨﻂ‬

‫ﻓﺎﺭﺳﯽ‪ ،‬ﺳﺎﺯﻣﺎﻥ ﭼﺎﭖ ﻭ ﺍﻧ ﺘ ﺸﺎﺭﺍﺕ ﻭﺯﺍﺭﺕ ﻓﺮﻫ ﻨﮓ ﻭ ﺍﺭﺷﺎﺩ‬
‫ﺍﺳﻼﻣﯽ‪ .۱۳۸۱ ،‬ﺷﺎﺑﮏ ‪.۹۶۴−۴۲۲−۴۲۱−۳‬‬
۶۳ ‫ﮐﺘﺎﺏﻧﺎﻣﻪ‬
،‫ ﺟ ﻠ ﺪ ﭘ ﻨ ﺠ ﻢ‬،‫ ﺷ ﯿ ﻮﻩﻧ ﺎﻣ ٔﻪ ﻭ ﯾ ﺮﺍﯾ ﺶ‬،‫[ ﻣ ﺤ ﻤ ﺪﺭﺿ ﺎ ﻣ ﺤ ﻤ ﺪﯼﻓ ﺮ‬۱۶]
‫ ﺳﺎﺯﻣﺎﻥ ﭼﺎﭖ ﻭ ﺍﻧﺘﺸﺎﺭﺍﺕ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ‬،‫ﻧﻘﻄﻪﮔﺬﺍﺭﯼ‬
.۹۶۴−۴۲۲−۴۲۲−۱ ‫ ﺷﺎﺑﮏ‬.۱۳۸۱ ،‫ﺍﺳﻼﻣﯽ‬
‫ ﺗﻮﻟﯿﺪ‬،‫ ﺟﻠﺪ ﺷﺸﻢ‬،‫ ﺷﯿﻮﻩﻧﺎﻣٔﻪ ﻭ ﯾﺮﺍﯾﺶ‬،‫[ ﻣﺤﻤﺪﺭﺿﺎ ﻣﺤﻤﺪﯼﻓﺮ‬۱۷]

،‫ ﺳﺎﺯﻣﺎﻥ ﭼﺎﭖ ﻭ ﺍﻧﺘﺸﺎﺭﺍﺕ ﻭﺯﺍﺭﺕ ﻓﺮﻫﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﯽ‬،‫ﮐﺘﺎﺏ‬
.۹۶۴−۴۲۲−۴۲۳−X ‫ ﺷﺎﺑﮏ‬.۱۳۸۱
.۹۶۴−۴۲۲−۴۲۹−۹ ‫ﺷﺎﺑﮏ‬
‫ ﺳﺎﺯﻣﺎﻥ ﭼﺎﭖ‬،‫ ﻣ ﺒﺎﻧﯽ ﻧ ﻤﺎﯾﻪﺳﺎﺯﯼ‬،‫[ ﻣ ﺤ ﻤﺪﺭﺿﺎ ﻣ ﺤ ﻤﺪﯼﻓﺮ‬۱۸]

‫ ﺷﺎﺑﮏ‬.۱۳۸۱ ،‫ﻭ ﺍﻧ ﺘ ﺸﺎﺭﺍﺕ ﻭﺯﺍﺭﺕ ﻓﺮﻫ ﻨﮓ ﻭ ﺍﺭﺷﺎﺩ ﺍﺳﻼﻣﯽ‬
.۹۶۴−۴۲۲−۵۴۷−۳
‫ﯼ ﺍﻃﻼﻋﺎﺕ — ﺗﺒﺎﺩﻝ ﻭ‬
ِ ‫ ﻓّﻨﺎﻭﺭ‬،‫ ﺍﯾﺮﺍﻥ‬۶۲۱۹ ‫[ ﺍﺳﺘﺎﻧﺪﺍﺭﺩِ ﺷﻤﺎﺭﻩﯼ‬۱۹]
‫ ﻣﻮﺳﺴﻪ‬،‫ﺱ ﯾﻮﻧﯽُﮐﺪ‬
ِ ‫ﺕ ﻓﺎﺭﺳﯽ ﺑﺮ ﺍﺳﺎ‬
ِ ‫ﺶ ﺍﻃﻼﻋﺎ‬
ِ ‫ﺷﯿﻮﻩﯼ ﻧﻤﺎﯾ‬
ّ ٔ
.۱۳۸۱ ،‫ﺍﺳﺘﺎﻧﺪﺍﺭﺩ ﻭ ﺗﺤﻘﯿﻘﺎﺕ ﺻﻨﻌﺘﯽ ﺍﯾﺮﺍﻥ‬
[20] Donald E. Knuth, The TEXbook. Addison-Wesley, Readings,

Massachusetts, 1984. ISBN 0-201-13447-0.
[21] D. E. Knuth and P. Mackay, Mixing right-to-left texts with left-

to-right texts, TUGboat vol. 8, 1987, No. 1.
[22] Leslie Lamport, LaTEX: A Document Preparation System.

Addison-Wesley, Readings, Massachusetts, 1985. ISBN 0-201-
52983-1.
[23] Michel Goossens, Frank Mittelbach and Alexander Samarin, The

LaTEX Companion. Addison-Wesley, Readings, Massachusetts,
1993. ISBN 0-201-54199-8.
[24] Behdad Esfahbod and Roozbeh Pournader, FarsiTEX, and the

Iranian TEX Community, TUGboat vol. 22, 2003, No. 3.
‫ﻧﻤﺎﯾﻪ‬
۲۹ ،alph\ ۲۱ ،]\
۲۸ ،arabic\ ۲۱ ،[\
۷ ،arabicfive\ ۹ ،#\
۷ ،arabicfour\ ۲۰ ،۱۹ ،۹ ،&\
۷ ،arabicsix\ ۲۸ ،Alph\
۷ ،arabiczero\ ۳۱ ،DeclareRobustBiCommand\
‫ ﺍﺭﺷﯿﺎ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،arshia ۱۸ ،۱۷ ،EPS
۲۸ ،autocalendar\ ۳۱ ،FarsiTeX\
۲۶ ،autoeqnnumbers\ ۱۸ ،۱۷ ،JPEG
۲۷ ،autofootnoterule\ ۳۱ ،LaTeX\
۲۵ ،automathdigits\ ۱۲ ،۱۱ ،۲ ،۱ ،METAFONT
۳۰ ،autosectionnumbers\ ۱۵ ،NFSS
۱۲ ،autotrace ۱۸ ،۱۷ ،۱۴ ،PDF
‫ ﺑﺪﺭ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،badr ۱۲ ،PFA
۲۸ ،\beginL ۱۸ ،۱۷ ،PNG
۱۶ ،begin\ ۱۷ ،۱۴ ،PostScript
۱۶ ،bf\ ۳۶ ،RPM
۱۶ ،bfseries\ ۲۹ ،Roman\
۳۳ ،\cases ۱ ،Scientific Farsi
۳۱ ،copyright\ ۳۵ ،TDS
۳۰ ،dashsectionseparator\ ۳۱ ،TeX\
۷ ،digitsdash\ ۱۱ ،۱ ،TrueType
۲ ،\div ۱۲ ،Type1
۳۰ ،dotsectionseparator\ ۴ ،alefbelow\
۶۴
۶۵ ‫ﻧﻤﺎﯾﻪ‬
۲۷ ،footnote\ ۹ ،dottedcircle\
۱۹ ،‫ ﺑﺴﺘﻪﯼ‬،fpoem ۱۸ ،۱۷ ،dvi
۳۴ ،ftx2tex ۱۷ ،dvips
۲۵ ،۲۴ ،global\ ‫ ﺍﻟﻬﺎﻡ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،elham
۲۸ ،gregoriancalendar\ ۷ ،em-dash
۱۹ ،halign\ ۱۶ ،emph\
۴ ،hamzebelow\ ۷ ،en-dash
۴ ،hamzefathe\ ۲۸ ،\endL
۴ ،hamzejarr\ ۲۵ ،english\
۴ ،hamzekasre\ ۲۶ ،englisheqno\
۴ ،hamzenasb\ ۳۲ ،\engmbox
۴ ،hamzeraff\ ۲۸ ،enumerate\
۴ ،hamzezamme\ ۱۸ ،۱۷ ،‫ ﺑﺴﺘﻪﯼ‬،epsf
۹ ،hezar\ ۱۸ ،epstopdf
‫ ﻫﻤﺎ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،homa ۲۶ ،europeaneqnnumbers\
۱۸ ،includeepspdf\ ۲۵ ،europeanmathdigits\
۱۸ ،includegraphics\ ۳۲ ،\farmbox
۲۸ ،iraniancalendar\ ‫ ﻓﺮﻧﺎﺯ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،farnaz
۱۸ ،irflag ۲۵ ،farsi\
۱۸ ،iri ۳۱ ،‫ ﺑﺴﺘﻪﯼ‬،farsi
۶ ،isolatedalefwasla\ ۲۶ ،farsieqno\
۶ ،isolatedalefwithmaddaabove\ ۱۸ ،‫ ﺑﺴﺘﻪﯼ‬،fepsf
۶ ،isolatedarabickaf\ ۶ ،finalalefwasla\
۶ ،isolatedarabicyeh\ ۶ ،finalalefwithmaddaabove\
‫ ﺟﺪﯾﺪ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،jadid ۶ ،finalarabickaf\
۴ ،jarr\ ۶ ،finalarabicyeh\
‫ ﮐﺎﻣﺮﺍﻥ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،kamran ۳۴ ،fmakeidx
‫ ﮐﻮﺩﮎ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،koodak ۳۴ ،‫ ﺑﺴﺘﻪﯼ‬،fmakeidx
۲۷ ،leftfootnoterule\ ۱۶ ،fontfamily\
۶۶ ‫ﻧﻤﺎﯾﻪ‬
۳۱ ،۹ ،rial\ ۹ ،llah\
۲۷ ،rightfootnoterule\ ،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،۱۲ ،lotoos
۱۶ ،rmdefault\ ‫ﻟﻮﺗﻮﺱ‬
۲۹ ،roman\ ۳۰ ،ltrsectionnumbers\
‫ ﺭ ﻭﯾﺎ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،roya ۴ ،madd\
۳۰ ،rtlsectionnumbers\ ۲۵ ،mathenumber\
۱۶ ،selectfont\ ۲۵ ،mathfnumber\
۱۶ ،sf\ ۳۲ ،\mbox
۱۶ ،sfdefault\ ۱۲ ،mftrace
۲۹ ،‫ ﺑﺴﺘﻪﯼ‬،sharifth ۲۷ ،‫ﻂ‬
ِ ‫ ﻣﺤﯿ‬،minipage
‫ ﺗﺒﺴﻢ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،tabassom ‫ ﻣﯿﺘﺮﺍ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،mitra
۲۱ ،‫ﻂ‬
ِ ‫ ﻣﺤﯿ‬،tabbing ‫ ﻧﺴﯿﻢ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،nasim
۳۲ ،۳۱ ،۱۹ ،‫ﻂ‬
ِ ‫ ﻣﺤﯿ‬،tabular ‫ ﻧﺎﺯﻟﯽ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،nazli
۴ ،tashdidalef\ ۲۱ ،‫ﻂ‬
ِ ‫ ﻣﺤﯿ‬،newpoem*
۴ ،tashdidfathe\ ۲۱ ،‫ﻂ‬
ِ ‫ ﻣﺤﯿ‬،newpoem
۴ ،tashdidjarr\ ۲۰ ،obeylines\
۴ ،tashdidkasre\ ۲۰ ،‫ﻂ‬
ِ ‫ ﻣﺤﯿ‬،oldpoem*
۴ ،tashdidnasb\ ۲۰ ،۱۹ ،‫ﻂ‬
ِ ‫ ﻣﺤﯿ‬،oldpoem
۴ ،tashdidraff\ ۲۹ ،pagenumbering\
۴ ،tashdidzamme\ ۲۵ ،persian\
‫ ﺗﺮﺍﻓﯿﮏ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،terafik ۳۱ ،‫ ﺑﺴﺘﻪﯼ‬،persian
۱۶ ،textbf\ ۲۶ ،persianeqnnumbers\
۷ ،textdash\ ۲۵ ،persianmathdigits\
۱۶ ،textit\ ۲۵ ،۱۶ ،persianmathdigitsfamily\
‫ ﺗﯿﺘﺮ‬،‫ ﺧﺎﻧﻮﺍﺩﻩ‬،‫ ﻗﻠﻢ‬.‫ ﻧﮏ‬،titr ۱۹ ،‫ ﺑﺴﺘﻪﯼ‬،poem
۲۷ ،today\ ۴ ،raff\
۱۶ ،tt\ ۳۳ ،\rcases
۱۶ ،ttdefault\ ۲۷ ،relax\
۱۶ ،renewcommand\
‫‪۶۷‬‬ ‫ﻧﻤﺎﯾﻪ‬
‫ﺖ ﺷﻤﺎﺭﻩﯼ ﺑﺨﺶﻫﺎ‪۳۰ ،‬‬

‫ﺟﻬ ِ‬ ‫‪ ،۱۲ ،yaghoot‬ﻧﮏ‪ .‬ﻗﻠﻢ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ‪،‬‬
‫ﻋﺮﺑﯽِ ﺁﺧﺮ‪۶ ،‬‬ ‫ﯼِ‬ ‫ﯽ‬
‫ﺣﺮ ِ‬ ‫ﯾﺎﻗﻮﺕ‬
‫ﻋﺮﺑﯽِ ﺗﻨﻬﺎ‪۶ ،‬‬ ‫ﯼِ‬ ‫ﯽ‬
‫ﺣﺮ ِ‬ ‫‪ ،zar‬ﻧﮏ‪ .‬ﻗﻠﻢ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ‪ ،‬ﺯ ﺭ‬
‫ﯽ ﺍﻟﻒِ ﻭﺻﻞِ ﺗﻨﻬﺎ‪۶ ،‬‬
‫ﺣﺮ ِ‬ ‫َﻣ‪r‬ﺪ ﻓﺎﺭﺳﯽ‪۴ ،‬‬
‫ﻒ ﻭﺻﻞِ ﭼﺴﺒﺎﻥ‪۶ ،‬‬ ‫ﯽ ﺍﻟ ِ‬
‫ﺣﺮ ِ‬ ‫ﺁﺭﻡ ﺩﺍﻧﺸﮕﺎِﻩ ﺷﺮ ﯾﻒ‪۱۸ ،‬‬
‫ِ‬
‫ﻑ ﻋﺮﺑﯽِ ﺁﺧﺮ‪۶ ،‬‬‫ﻑ ﻋﺮﺑﯽِ ﮐﺎ ِ‬‫ﺣﺮ ِ‬ ‫ﺍﺭﻗﺎﻡ ﺭ ﯾﺎﺿﯽ‪۲۵ ،‬‬
‫ِ‬
‫ﻑ ﻋﺮﺑﯽِ ﺗﻨﻬﺎ‪۶ ،‬‬
‫ﻑ ﻋﺮﺑﯽِ ﮐﺎ ِ‬ ‫ﺣﺮ ِ‬ ‫ﺍﺭﻗﺎﻡ ﺷﻤﺎﺭﻩﯼ ﻣﻌﺎﺩﻟﻪ‪۲۶ ،‬‬
‫ِ‬
‫ﻑ ﻓﺎﺭﺳﯽِ ِﺁ ﺗﻨﻬﺎ‪۶ ،‬‬
‫ﺣﺮ ِ‬ ‫ﯽ ﭘﺎﯾﯿﻦ‪۴ ،‬‬
‫ِ‬ ‫ﻓﺎﺭﺳ‬ ‫ﻣﻘﺼﻮﺭﻩﯼ‬ ‫ﺍﻟ ِ‬
‫ﻒ‬
‫ﻑ ﻓﺎﺭﺳﯽِ ﺁِ ﭼﺴﺒﺎﻥ‪۶ ،‬‬
‫ﺣﺮ ِ‬ ‫ﺍﻟﻔﺒﺎﯼ ﺍﺑﺠﺪ‪۲۹ ،‬‬
‫\ﺣﻖﮐﭙﯽ‪۳۱ ،‬‬ ‫ﺍﻟﻔﺒﺎﯼ ﺍﻧﮕﻠﯿﺴﯽ‪۲۹ ،۲۸ ،‬‬
‫ﻂ ﺗﯿﺮﻩ‪۳۰ ،‬‬
‫ﺧ ِ‬ ‫ﺍﻟﻔﺒﺎﯼ ﻓﺎﺭﺳﯽ‪۲۸ ،‬‬
‫ﻦ ﺍﺭﻗﺎﻡ‪۷ ،‬‬
‫ﻂ ﺗﯿﺮﻩﯼ ﺑﯿ ِ‬
‫ﺧ ِ‬ ‫ﺑﺎﺑﺎﯾﯽﺯﺍﺩﻩ‪ ،‬ﻣﺴﻌﻮﺩ‪۱۱ ،‬‬
‫ﺧﻂِ ﺗﯿﺮﻩﯼ ﻓﺎﺭﺳﯽ‪۷ ،‬‬ ‫ﭘﺎﺭﺳﺎ‪:‬‬
‫ﻂ ﻋﻤﻮﺩﯼ‪۹ ،‬‬
‫ﺧ ِ‬ ‫ﻗﻠﻢﻫﺎﯼ‪ ،‬ﻧﮏ‪ .‬ﭘﺎﺭﺳﯽ‪ ،‬ﻗﻠﻢﻫﺎﯼ‬
‫ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ‪ ،‬ﻧﮏ‪ .‬ﻗﻠﻢ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ‬ ‫ﭘﺎﺭﺳﺎ‪ ،‬ﻭﯾﻨﺪﻭﺯِ ﻓﺎﺭﺳﯽ‪۱ ،‬‬
‫ﻦ ﺭﻓﻊ(‪۴ ،‬‬
‫ﺩﻭﭘﯿﺶِ ﻓﺎﺭﺳﯽ )ﺗﻨﻮﯾ ِ‬ ‫ﭘﺎﺭﺳﯽ‪ ،‬ﻗﻠﻢﻫﺎﯼ‪۱ ،‬‬
‫ﺩﻭﺯﯾﺮِ ﻓﺎﺭﺳﯽ )ﺗﻨﻮﯾﻦِ ﺟﺮ(‪۴ ،‬‬ ‫ﭘﺎﻧﻮﯾﺲ‪۲۶ ،‬‬
‫ﭘﻨﺞ ﻋﺮﺑﯽ‪۷ ،‬‬ ‫ﺭﻗﻢ‬ ‫ﯽ ﺍﯾﺮﺍﻥ‪۱۸ ،‬‬
‫ﻢ ﺟﻤﻬﻮﺭﯼِ ﺍﺳﻼﻣ ِ‬ ‫ﭘﺮﭼ‬
‫ِ‬ ‫ِ‬ ‫ِ‬
‫ﭘﻨﺞ ﻓﺎﺭﺳﯽ‪۷ ،‬‬ ‫ﺭﻗﻢ‬ ‫\ﺗﯿﺮﻩﺭﻗﻢ‪۷ ،‬‬
‫ِ‬ ‫ِ‬
‫ﭼﻬﺎﺭِ ﻋﺮﺑﯽ‪۷ ،‬‬ ‫ﺭﻗﻢ‬ ‫\ﺗﯿﺮﻩﻣﺘﻦ‪۷ ،‬‬
‫ِ‬
‫ﭼﻬﺎﺭِ ﻓﺎﺭﺳﯽ‪۷ ،‬‬‫ﺭﻗﻢ‬ ‫ﺗﺎﺭ ﯾﺦ‪۲۷ ،‬‬
‫ِ‬
‫ﺭﻗﻢ ﺷﺶِ ﻋﺮﺑﯽ‪۷ ،‬‬ ‫ﻒ ﻣﻘﺼﻮﺭﻩ‪۴ ،‬‬
‫ﺗﺸﺪﯾﺪ ‪ +‬ﺍﻟ ِ‬
‫ِ‬
‫ﺭﻗﻢ ﺷﺶِ ﻓﺎﺭﺳﯽ‪۷ ،‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﭘﯿﺶ‪۴ ،‬‬
‫ِ‬
‫ﺭﻗﻢ ﺻﻔﺮِ ﻋﺮﺑﯽ‪۷ ،‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺩﻭﭘﯿﺶ‪۴ ،‬‬
‫ِ‬
‫ﺭﻗﻢ ﺻﻔﺮِ ﻓﺎﺭﺳﯽ‪۷ ،‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺩﻭﺯَﺑﺮ‪۴ ،‬‬
‫ِ‬
‫\ﺭﯾﺎﻝ‪۳۱ ،۹ ،‬‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺩﻭﺯﯾﺮ‪۴ ،‬‬
‫ﻥ ﺑﻨﺪ‪۲۵ ،‬‬
‫ﺯﺑﺎ ِ‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺯَﺑﺮ‪۴ ،‬‬
‫ﻥ ﺻﻔﺤﻪ‪۲۵ ،‬‬‫ﺯﺑﺎ ِ‬ ‫ﺗﺸﺪﯾﺪ ‪ +‬ﺯﯾﺮ‪۴ ،‬‬
‫ﻥ ﻣﺘﻦ‪۲۴ ،:‬‬
‫ﺯﺑﺎ ِ‬ ‫\ﺗﮏ‪۳۱ ،‬‬
‫‪۶۸‬‬ ‫ﻧﻤﺎﯾﻪ‬
‫ﺑﺪﺭ‪۲۹ ،۲۸ ،۱۳ ،۹ ،‬‬ ‫ﺷﯿﺮﻋﻠﯽ‪ ،‬ﺳﺠﺎﺩ‪۳۶ ،‬‬

‫ﺗﯿﺘﺮ‪۴۱ ،۱۶ ،۱۳ ،‬‬ ‫ﺷﺎﻣﻠﻮ‪ ،‬ﺍﺣﻤﺪ‪۲۱ ،‬‬
‫ﺗﺒﺴﻢ‪۴۹ ،۲۱ ،۱۳ ،‬‬ ‫ﺷﺮﻗﯽ‪ ،‬ﻣﻬﺮﺍﻥ‪۱ ،‬‬
‫ﺗﺮﺍﻓﯿﮏ‪۴۵ ،۴۴ ،۱۸ ،۱۳ ،‬‬ ‫ﺍﻟﻔﺒﺎﯾﯽِ ﺟﺎﻧﺒﯽ‪۲۹ ،‬‬ ‫ﺷﻤﺎﺭﺵِ‬
‫ﺟﺪﯾﺪ‪۴۰ ،۱۵ ،۱۳ ،‬‬ ‫ﺍﻟﻔﺒﺎﯾﯽ‪۲۸ ،‬‬ ‫ﺵ‬
‫ﺷﻤﺎﺭ ِ‬
‫ﺭﻭﯾﺎ‪۴۳ ،۴۲ ،۱۷ ،۱۳ ،‬‬ ‫ﺣﺮﻓﯽِ ﺟﺎﻧﺒﯽ‪۲۹ ،‬‬ ‫ﺷﻤﺎﺭﺵِ‬
‫ﺯﺭ‪۳۹ ،۳۸ ،۱۴ ،۱۳ ،‬‬ ‫ﺣﺮﻓﯽ‪۲۹ ،‬‬ ‫ﺵ‬
‫ﺷﻤﺎﺭ ِ‬
‫ﻋﻠﻤﯽ‪۲ ،۱ ،‬‬ ‫ﺷﻤﺎﺭﺵِ ﻋﺪﺩﯼ‪۲۸ ،‬‬
‫ﺗﮏ‪۱ ،‬‬
‫ِ‬
‫ﻓﺎﺭﺳﯽ‬ ‫ﺷﻌِﺮ ﺳّﻨﺘﯽ‪۱۹ ،‬‬
‫ﻓﺮﻧﺎﺯ‪۵۴ ،۲۶ ،۱۳ ،‬‬ ‫ﺷﻌِﺮ ﻧﻮ‪۲۱ ،۱۹ ،‬‬
‫ﮐﻮﺩﮎ‪۴۶ ،۱۹ ،۱۳ ،‬‬ ‫ﺷﻌِﺮ ﺳّﻨﺘﯽ‪۱۹ ،‬‬
‫ﮐﺎﻣﺮﺍﻥ‪۴۸ ،۴۷ ،۲۰ ،۱۳ ،‬‬ ‫ﻋﻼﻣﺖِ َﺍﻣﭙﺮَﺳﻨﺪ‪۹ ،‬‬
‫ﻟﻮﺗﻮﺱ‪۱۶ ،‬‬ ‫ﺖ ﺑﺰ ﺭﮒﺗﺮ‪۹ ،‬‬ ‫ﻋﻼﻣ ِ‬
‫ﻟﻮﺗﻮﺱ‪۳۱ ،۳۰ ،۱۳ ،۱۲ ،۱۰ ،‬‬ ‫ﯽ ﺍﯾﺮﺍﻥ‪۱۸ ،‬‬
‫ﺖ ﺟﻤﻬﻮﺭﯼِ ﺍﺳﻼﻣ ِ‬ ‫ﻋﻼﻣ ِ‬
‫ﻣﯿﺘﺮﺍ‪۳۳ ،۳۲ ،۱۳ ،۱۱ ،‬‬ ‫ﺖ ﺳﺘﺎﺭﻩ‪۹ ،‬‬
‫ﻋﻼﻣ ِ‬
‫ﻧﺎﺯﻟﯽ‪۳۵ ،۳۴ ،۱۳ ،۱۲ ،‬‬ ‫ﺖ ﺷﺎﺭﭖ‪۹ ،‬‬
‫ﻋﻼﻣ ِ‬
‫ﻧﺎﺯﻧﯿﻦ‪ ،‬ﻧﮏ‪ .‬ﻗﻠﻢ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ‪ ،‬ﻧﺎﺯﻟﯽ‬ ‫ﺖ ﮐﻮﭼﮏﺗﺮ‪۹ ،‬‬
‫ﻋﻼﻣ ِ‬
‫ﻧﺴﯿﻢ‪۵۲ ،۲۴ ،۱۳ ،‬‬ ‫\ﻓﺎﺭﺳﯽﺗﮏ‪۳۱ ،‬‬
‫ﻫﻤﺎ‪۵۰ ،۲۲ ،۱۳ ،‬‬ ‫ﻗﻠﻢ‪:‬‬
‫ﯾﺎﻗﻮﺕ‪۳۷ ،۳۶ ،۱۳ ،۱۲ ،‬‬ ‫ﺍﯾﺮﺍﻧﯿﮏ‪۱۰ ،‬‬
‫ﮐﺸﯿﺪﮔﯽِ ﻓﺎﺭﺳﯽ‪۷ ،‬‬ ‫ﺍﯾﺴﺘﺎﺩﻩ‪۱۰ ،‬‬
‫ﮐﻠﻔﺖﺳﺎﺯﯼ‪۱۱ ،‬‬ ‫ﺗﻮﺧﺎﻟﯽ‪۱۰ ،‬‬
‫ﻟﯿﻨﻮﮐﺲ‪۳۵ ،‬‬ ‫ﺧﻮﺍﺑﯿﺪﻩ‪۱۰ ،‬‬
‫\ﻟﺘﮏ‪۳۱ ،‬‬ ‫ﺳﯿﺎﻩ‪۱۰ ،‬‬
‫\ﻟﻠﻪ‪۹ ،‬‬ ‫ﺳﺎﯾﻪﺩﺍﺭ‪۱۰ ،‬‬
‫ﻣﺒﺪﻝ‪ ،۱۲ ،‬ﻧﮏ‪ftx2tex .‬‬ ‫ﻋﺎﺩﯼ‪۱۰ ،‬‬
‫ﻧﺎﺯﮎﺳﺎﺯﯼ‪۱۱ ،‬‬ ‫ﻗﻠﻢ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ‪:۱۰ ،‬‬
‫ﻧﺠﺎﺗﯽ‪ ،‬ﺷﯿﻮﺍ‪۳۴ ،‬‬ ‫ﺍﺭﺷﯿﺎ‪۵۱ ،۲۳ ،۱۳ ،‬‬
‫ﻧﺮﻡﺍﻓﺰﺍﺭﯼِ ﺳﯿﻨﺎ‪۱ ،‬‬ ‫ﺍﻟﻬﺎﻡ‪۵۳ ،۲۵ ،۱۳ ،‬‬
‫‪۶۹‬‬ ‫ﻧﻤﺎﯾﻪ‬
‫ﻧﻘﻄﻪ‪۳۰ ،‬‬
‫ﻧﻤﺎﯾﻪﺳﺎﺯ‪۳۴ ،‬‬
‫ﻭﯾﻨﺪﻭﺯ‪۳۵ ،‬‬
‫ﻭﯾﺮﺍﯾﺶﮔﺮ‪۳۵ ،۱۲ ،‬‬
‫ﻫﻤﺰﻩ ‪ +‬ﭘﯿﺶ‪۴ ،‬‬
‫ﻫﻤﺰﻩ ‪ +‬ﺩﻭﭘﯿﺶ‪۴ ،‬‬
‫ﻫﻤﺰﻩ ‪ +‬ﺩﻭﺯَﺑﺮ‪۴ ،‬‬
‫ﻫﻤﺰﻩ ‪ +‬ﺩﻭﺯﯾﺮ‪۴ ،‬‬
‫ﻫﻤﺰﻩ ‪ +‬ﺯَﺑﺮ‪۴ ،‬‬
‫ﻫﻤﺰﻩ ‪ +‬ﺯﯾﺮ‪۴ ،‬‬
‫ﯽ ﭘﺎﯾﯿﻦ‪۴ ،‬‬
‫ﻫﻤﺰﻩﯼ ﻓﺎﺭﺳ ِ‬
‫ﯾﻮﻧﯽُﮐﺪ‪۱ ،‬‬
‫\\‪۲۱–۱۹ ،‬‬
‫‪۱۷ ،εTeX‬‬
‫‪ ،elmi‬ﻧﮏ‪ .‬ﻗﻠﻢ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ‪ ،‬ﻋﻠﻤﯽ‬
‫‪ ،yaqut‬ﻧﮏ‪yaghoot .‬‬
‫‪ ،lotus‬ﻧﮏ‪lotoos .‬‬
‫‪۱۷ ،pdfTEX‬‬
‫‪۱۷ ،pdfεTeX‬‬
‫‪ ،Unicode‬ﻧﮏ‪ .‬ﯾﻮﻧﯽُﮐﺪ‬
FarsiTEX Typesetting System Revisited
Abstract
In this project the FarsiTEX typesetting system has been revisited and
after fixing many bugs in the system, the following new features are added:
• Using pdfε-TEX engine to produce PDF output directly from the TEX
document,
• Using Type1 (vector) fonts to reach higher quality in PostScript and

PDF outputs,
• Adding more Persian fonts,
• Porting the whole system to the Linux environment.
Finally an automated installation system for Windows and Linux environ-

ments has been produced and the FarsiTEX manual has been updated to
reflect the recent changes.
Keywords: TEX, LaTEX, FarsiTEX, Persian Typography, Persian Fonts

FarsiTEX Typesetting System Revisited
by
Behdad Esfahbod
Submitted in Partial Fulfillment

of the Requirements
for the Degree of
Bachelor of Science
in
Computer Engineering (Software)
Under supervision of
Mohammad Ghodsi
Fall 2004
Computer Science Department
Sharif University of Technology
Tehran

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‫ﯽ‬

‫ﺩﮐﺘﺮ ﻣﺤﻤﺪ ﻗﺪﺳﯽ‬

‫ﺩﺍﻧﺸﮑﺪﻩﯼ ﻣﻬﻨﺪﺳﯽِ ﮐﺎﻣﭙﯿﻮﺗﺮ‬

‫ﺗﮏ ﭘﺸﺘﯿﺒﺎﻧﯽ ﮐﺮﺩﻩ ﻭ ﻣﯽﮐﻨﻨﺪ‪.‬‬

‫ﺗﮏ )‪ (FarsiTEX‬ﺑﺎﺯﻧﮕﺮﯼ ﺷﺪﻩ ﻭ‬ ‫ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺳﯿﺴﺘﻢ ﺣﺮﻭﻑﭼﯿﻨﯽ ﻓﺎﺭﺳ ِ‬

‫• ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻗﻠﻢﻫﺎﯼ ‪) Type1‬ﺑﺮﺩﺍﺭﯼ( ﺑﺮﺍﯼ ﺩﺳﺘﯿﺎﺑﯽ ﺑﻪ ﮐﯿﻔﯿﺖِ ﺑﺎﻻ ﺩﺭ‬

‫• ﮔﻨﺠﺎﻧﺪﻥِ ﻗﻠﻢﻫﺎﯼ ﺭﺍﯾﺞ ﻓﺎﺭﺳﯽ‪،‬‬

‫‪۱‬‬ ‫ﻗﻠﻢﻫﺎ‬ ‫‪۱‬‬

‫‪۱۰‬‬ ‫ﺧﺎﻧﻮﺍﺩﻩﯼ ﻗﻠﻢ ‪. . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۲−۱‬‬

‫‪۱۱‬‬ ‫ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢ ﻋﻠﻤﯽ ‪. . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۳−۱‬‬

‫‪۱۱‬‬ ‫ﺧﺎﻧﻮﺍﺩﻩ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ ‪. . . . . . . . . . . . . . . . . .‬‬ ‫‪۴−۱‬‬

‫‪۱۲‬‬ ‫ﻗﻠﻢﻫﺎﯼ ‪. . . . . . . . . . . . . . . . . . . . . . Type1‬‬ ‫‪۵−۱‬‬

‫‪۱۵‬‬ ‫ﻣﺎﮐﺮﻭﻫﺎ‬ ‫‪۲‬‬

‫‪۱۵‬‬ ‫ﺍﻧﺘﺨﺎﺏِ ﻗﻠﻢ ‪. . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۱−۲‬‬

‫‪۱۷‬‬ ‫ﺩﺭﺝ ﺗﺼﻮﯾﺮ ‪. . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۳−۲‬‬

‫‪۱۹‬‬ ‫ﭼﯿﺪﻥِ ﺷﻌﺮِ ﻓﺎﺭﺳﯽ ‪. . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۴−۲‬‬

‫‪۲۴‬‬ ‫ﯽ ﺩﻭﺯﺑﺎﻧﻪ ‪. . . . . . . . . . . . . . . . . . .‬‬‫ﺣﺮﻭﻑﭼﯿﻨ ِ‬ ‫‪۵−۲‬‬

‫‪۳۱‬‬ ‫ﺩﯾﮕﺮ ﺗﻐﯿﯿﺮﺍﺕ ‪. . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۶−۲‬‬

‫‪۳۴‬‬ ‫ﺩﯾﮕﺮ ﺍﺑﺰﺍﺭﻫﺎ‬ ‫‪۳‬‬

‫‪۳۴‬‬ ‫ﻧﻤﺎﯾﻪﺳﺎﺯ ‪. . . . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۱−۳‬‬

‫‪۳۵‬‬ ‫ﻭﯾﺮﺍﯾﺶﮔﺮ ‪. . . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۳−۳‬‬

‫‪۳۵‬‬ ‫ﺣﻤﻞﭘﺬﯾﺮﯼ ‪. . . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۴−۳‬‬

‫‪۳۶‬‬ ‫ﻧﺼﺐِ ﺧﻮﺩﮐﺎﺭ ‪. . . . . . . . . . . . . . . . . . . . . . .‬‬ ‫‪۵−۳‬‬

‫‪۳۷‬‬ ‫ﻧﺘﯿﺠﻪﮔﯿﺮﯼ‬ ‫‪۴‬‬

‫‪۸‬‬ ‫ﺏ ﻧﻤﻮﻧﻪﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬

‫‪۲۷‬‬ ‫ﻝ ﺷﮑﻞﻫﺎﯼ ﻗﻠﻢﻫﺎﯼ ﭘﺎﺭﺳﯽ‬

‫‪۴‬‬ ‫ﯽ ﺟﺪﯾﺪ ‪. . . . . . . . . . . . . . . . .‬‬‫ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳ ِ‬ ‫‪۱−۱‬‬

‫ﺗﮏ ]‪ [۱۲‬ﺑﻪ ﻗﻠﻢ ﺩﮐﺘﺮ ﻣﺤﻤﺪ ﻗﺪﺳﯽ‬ ‫ِ‬

‫‪2 Donald‬‬ ‫‪E. Knuth‬‬

‫ﭼﻨﺪﺯ ﺑﺎﻧﻪ ﻃﺮﺍﺣﯽ ﺷﺪﻩﺍﻧﺪ ﻭ ﻣﻮﺭﺩ ﺍﺳﺘﻔﺎﺩﻩﯼ ﻋﻤﻮﻡ ﻗﺮﺍﺭ ﺩﺍﺭﻧﺪ‪.‬‬

‫ِﺑﺮﺍﯾِﺘﻨﻠﻮﻧﺮ ‪ ۳‬ﺍﺳﺖ ﮐﻪ ﺑﺪﻭﻥ ﺗﻐﯿﯿﺮ ﺩﺭ ﻗﺎﻟﺐ ﭘﺮﻭﻧﺪﻩﯼ ﺧﺮﻭﺟﯽ‪،‬‬

‫‪3 Peter‬‬ ‫‪Breitenlohner‬‬

‫ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ ﺁﻏﺎﺯ ﺷﺪ‪ .‬ﮐﯿﺎﺭﺵ ﺑﺎﺯﺭﮔﺎﻥ ﻋﻬﺪﻩﺩﺍﺭ ﺗﻬﯿﻪﯼ‬

‫ﺗﮏ ﺩﺭ ﺳﺎﻝِ ‪۱۳۷۹‬‬

‫ﺗﮏ ﺑﺎ ‪ LaTEX2ε‬ﺳﺎﺯﮔﺎﺭ ﺷﻮﺩ‪.‬‬

‫ﯽ ﮐﺎﺭ ﺑﺮﺍﻥِ ِﺗﮏ ﻣﻨﺘﺸﺮ ﺷﺪ‬

‫‪6 New‬‬ ‫‪Font Selection Schema‬‬

‫َﺍﺷﮑﺎﻝِ ﺟﺪﯾﺪ‬ ‫‪۱−۱‬‬

‫ﯽ‬ ‫ﺗﮏ ﻣﻮﺭ ِ‬

‫ﻧﺸﺎﻧﻪﻫﺎﯼ ﻓﺎﺭﺳﯽ‬ ‫‪۱−۱−۱‬‬

‫ﻂ ﻣ ﺒﺪﻝ ﻣﻮﺭﺩِ ﺍﺳ ﺘ ﻔﺎﺩﻩ ﻗﺮﺍﺭ‬

‫ﻞ ﺧﺎﺻﯽ ﻧﯿﺴﺖ‪ ،‬ﮔﺮﭼﻪ ﺩﺳﺘﻮﺭﯼ‬ ‫ﻣﯽﮔﯿﺮﻧﺪ ﻭ ﺑﺮﺍﯼ ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﺁﻥﻫﺎ ﻧﯿﺎﺯ ﺑﻪ ﻋﻤ ِ‬

‫ﻞ‬ ‫ﯽ ﺍَﺷﮑﺎﻝِ ﺣﺮﻭ ِ‬ ‫ِﺗﮏ‬

‫ﻣﺜﺎﻝ‬ ‫ﺷﮑﻞ ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﻧﺎﻡ‬

‫ﻣﺜﺎﻝ‬ ‫ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﺷﮑﻞ‬ ‫ﻧﺎﻡ‬

‫ﺖ ﺍﯾﻦ َﺍﺷﮑﺎﻝ ﺩﺭ ﺟﺪﻭﻝ ‪ ۴−۱‬ﺁﻣﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﻭ ﻋﺮﺑﯽ‬ ‫‪۵−۱−۱‬‬

‫ﻂ ﺗﯿﺮﻩﯼ‬ ‫ﺗﮏ ﺍﯾﻦ ﺑﻮﺩ ﮐﻪ ﺧ ِ‬ ‫ِ‬

‫ﻋﻼﺋﻢ َﺍﺳﮑﯽ‬ ‫‪۷−۱−۱‬‬

‫ﻣﺜﺎﻝ‬ ‫ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﺷﮑﻞ‬ ‫ﻧﺎﻡ‬

‫ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﺷﮑﻞ‬ ‫ﻧﺎﻡ‬

‫ﺟﺪﻭﻝِ ‪ :۵−۱‬ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﻭ ﻋﺮﺑﯽ‬

‫ﺷﮑﻞ ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﻧﺎﻡ‬

‫ﻣﺜﺎﻝ‬ ‫ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﺷﮑﻞ‬ ‫ﻧﺎﻡ‬

‫ﺩﯾﮕﺮ ﻟﯿﮕﺎﺗﻮﺭﻫﺎ‬ ‫‪۸−۱−۱‬‬

‫ﺩﯾﮕﺮ ﻋﻼﺋﻢ‬ ‫‪۹−۱−۱‬‬

‫ﺪ ﺑﺎﻗﯽﻣﺎﻧﺪﻩ ﻧﯿﺰ ﺩﺭ ﺟﺪﻭﻝِ ‪ ۹−۱‬ﺁﻣﺪﻩﺍﻧﺪ‪.‬‬

‫ﻒ ﺁﻏﺎﺯﯾﻦ ﻃﺮﺍﺣﯽ ﻣﯽﺷﻮﺩ‪.‬‬

‫ﺷﮑﻞ ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﻧﺎﻡ‬

‫ﺟﺪﻭﻝِ ‪ :۸−۱‬ﺩﯾﮕﺮ ﻟﯿﮕﺎﺗﻮﺭﻫﺎ‬

‫ﺷﮑﻞ ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﻧﺎﻡ‬

‫ﺟﺪﻭﻝِ ‪ :۹−۱‬ﺩﯾﮕﺮ ﻋﻼﺋﻢ‬

‫ﻣﺜﺎﻝ‬ ‫ﺷﮑﻞ ﺭ ﻭﺵِ ﺩﺳﺘﺮﺳﯽ‬ ‫ﻧﺎﻡ‬

‫ﺧﺎﻧﻮﺍﺩﻩﯼ ﻗﻠﻢ‬ ‫‪۲−۱‬‬

‫ﺗﮏ )‪ (FarsiTEX‬ﺑﺎﺯﻧﮕﺮﯼ ﺷﺪﻩ ﻭ‬ ‫ﺩﺭ ﺍﯾﻦ ﭘﺮﻭﮊﻩ ﺳﯿﺴﺘﻢ ﺣﺮﻭﻑﭼﯿﻨﯽ ﻓﺎﺭﺳ ِ‬

‫• ﺍﺳﺘﻔﺎﺩﻩ ﺍﺯ ﻗﻠﻢﻫﺎﯼ ‪) Type1‬ﺑﺮﺩﺍﺭﯼ( ﺑﺮﺍﯼ ﺩﺳﺘﯿﺎﺑﯽ ﺑﻪ ﮐﯿﻔﯿﺖِ ﺑﺎﻻ ﺩﺭ‬

‫ﭼﻨﺪﺯ ﺑﺎﻧﻪ ﻃﺮﺍﺣﯽ ﺷﺪﻩﺍﻧﺪ ﻭ ﻣﻮﺭﺩ ﺍﺳﺘﻔﺎﺩﻩﯼ ﻋﻤﻮﻡ ﻗﺮﺍﺭ ﺩﺍﺭﻧﺪ‪.‬‬

‫ِﺑﺮﺍﯾِﺘﻨﻠﻮﻧﺮ ‪ ۳‬ﺍﺳﺖ ﮐﻪ ﺑﺪﻭﻥ ﺗﻐﯿﯿﺮ ﺩﺭ ﻗﺎﻟﺐ ﭘﺮﻭﻧﺪﻩﯼ ﺧﺮﻭﺟﯽ‪،‬‬

‫ﻣﻬﻨﺪﺳﯽ ﮐﺎﻣﭙﯿﻮﺗﺮ ﺁﻏﺎﺯ ﺷﺪ‪ .‬ﮐﯿﺎﺭﺵ ﺑﺎﺯﺭﮔﺎﻥ ﻋﻬﺪﻩﺩﺍﺭ ﺗﻬﯿﻪﯼ‬

‫ﺗﮏ ﺩﺭ ﺳﺎﻝِ ‪۱۳۷۹‬‬

‫ﯽ ﮐﺎﺭ ﺑﺮﺍﻥِ ِﺗﮏ ﻣﻨﺘﺸﺮ ﺷﺪ‬

‫ﯽ‬ ‫ﺗﮏ ﻣﻮﺭ ِ‬

‫ﻂ ﻣ ﺒﺪﻝ ﻣﻮﺭﺩِ ﺍﺳ ﺘ ﻔﺎﺩﻩ ﻗﺮﺍﺭ‬

‫ﻞ‬ ‫ﯽ ﺍَﺷﮑﺎﻝِ ﺣﺮﻭ ِ‬ ‫ِﺗﮏ‬

‫ﻢ ﻋﻠﻤﯽ ﻫ ﻤﺎﻧﺎ ﺍﻓﺰﻭﺩ ِ‬

‫ﺗﮏ ﯾﺎ ﺑﻪﮐﻞ ﻫﺮ ﺳ ﯿ ﺴ ﺘ ﻢ‬

‫ﺵ ‪ NFSS‬ﻣﯽﺑﺎﺷﺪ ﮐﻪ ﺑﺎ‬

‫ﺭ \‪ lotoos‬ﺍ ﮔﺮ ﺩﺭ ﻣﻘﺪﻣﻪﯼ‬

‫• \‪) automathdigits‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﺩﺭ ﺑﻨﺪﻫﺎﯼ ﻓﺎﺭﺳﯽ ﺍﺯ ﺍﺭﻗﺎﻡ ﻓﺎﺭﺳﯽ ﻭ‬

‫• \‪) autoeqnnumbers‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﺩﺭ ﻣﺤﯿ ِ‬

‫ﺖ ﺭﺍﺳﺖِ ﺻﻔﺤﻪ ﻗﺮﺍﺭ‬

‫ﺭ ﺯ ﯾﺮ‪ ،‬ﻣﺤﻞِ ﺩﺭﺝ ﺧ ِ‬

‫• \‪) autocalendar‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﺩﺭ ﻣﺤﯿ ِ‬

‫ﻂ ﻓﺎﺭﺳﯽ ﺑﻪ ﺗﺮﺗﯿﺐِ ﺍﻟﻔﺒﺎﯼ ﻓﺎﺭﺳﯽ‬ ‫• \‪ :Alph‬ﺷﻤﺎﺭ ِ‬

‫ﻑ ﺑﺰﺭﮒ )‪ (. . . ،D ،C ،B ،A‬ﻣﯽﺷﻤﺎﺭﺩ‪ .‬ﺍﺯ ﺍﯾﻦ ﺭﻭﺵ ﺑﺮﺍﯼ‬

‫ﻂ ﻓﺎﺭﺳﯽ ﺑﻪ ﺻﻮﺭﺕِ ﺣﺮﻓﯽ )ﯾﮏ‪،‬‬ ‫• \‪ :roman‬ﺷﻤﺎﺭ ِ‬

‫ﺵ ﺷﻤﺎﺭﺵِ ﺻﻔﺤﺎﺕ‪ ،‬ﻫﻤﺎﻥﮔﻮﻧﻪ ﮐﻪ ﺩﺭ ﻟَِﺘﮏ ﻣﻘﺪﻭﺭ‬

‫• \‪ :rtlsectionnumbers‬ﻫ ﻤ ﯿ ﺸﻪ ﺍﺯ ﺭﺍﺳﺖ ﺑﻪ ﭼﭗ‪ .‬ﺑﺮﺍﯼ ﻣ ﺜﺎﻝ‪ ،‬ﺍﯾﻦ‬

‫• \‪ :ltrsectionnumbers‬ﻫ ﻤ ﯿ ﺸﻪ ﺍﺯ ﭼﭗ ﺑﻪ ﺭﺍﺳﺖ‪ .‬ﺑﺮﺍﯼ ﻣ ﺜﺎﻝ‪ ،‬ﺍﯾﻦ‬

‫• \‪) autosectionnumbers‬ﭘﯿﺶﻓﺮﺽ(‪ :‬ﺩﺭ ﻣﺤﯿ ِ‬