Free Speech For The Dumb

Words and Music by Kelvin Morris, Roy Wainwright, Garry Moloney and Anthony Roberts
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lt's Electric
Words and Music by Sean Harris and Brian Tatler
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(end Rhy. Fig. 2A) 85
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22

3rdVerse

N.c.(Fls)

pp
,..::..., I stop on red, but_ leave_ on am

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23

w/Rhy. Fig. 1 (4 times) F'5 A5 B5 F'5 A5 B5

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Additional Lyrics

2. I stop on red, but leave on amber, Danger paves my way. I'm gonna make it, my friend, Gonna make it today. Gonna get this dust from my heels; Down the highway I go. Gonna get this star from my brow, Make it in a rock 'n' roll show. (To Chorus)

24

Sabbra Cadabra
Words and Music by Frank lommi, William Ward, Terence Butler and John Osbourne
Tune down one whole step:

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© Copyright 1974 Westminster Music Ltd., London, England TRO - Essex Music International, Inc., New York, controls all publication rights for the U.S.A. and Canada International Copyright Secured All Rights Reserved Including Public Performance For Profit Used by Permission

25

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(Gtr. I cont. on lower staff)

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53

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II

Outro wlRhy. Fig. 2 (1st 6 bars only) wlRhy. Fig. 3 (3 times) 05

P

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w/fdbk. ad lib

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60

Die, Die My Darling
Words and Music by Glenn Danzig

Tune down 112 step:

®=E~ ®=O~ 0)=A~ <6>=B~ @=D~ <D=E~

I
134

B5

II
134

F#5

Em

Ii Ii
D5 C#5
5&. 134 134

4&.

23

B5

Moderately fast Rock

J = 180

Rhy. Fig.lA (Gtr. II)

)r------,)
.,
>-

f>*Gtr. III

J

.,

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J

.,

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ntro

,

Fdbk.- - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - -(8va) (Hi-hat)

~

~

t
.\

"1

t
f •• \

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mp
Fdbk.---------------------------------

T
K

,
~

(Vocal:) Yeah.
II

Rhy. Fig.l (Gtr. I)

f
.t.
K

!

11 >-

11 >-

!

..

..

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..

*With one of gtr.'s vol. knobs set to zero, flick toggle switch to "on" position in rhythm indicated (throughout). Pick only when necessary to sustain notes.

J
II

.,
"1

-------------------------,
~ ~

>-

J

.,

>-

J

.,

>-

J

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05 e Fill 1

F#5

~

(end Rhy. Fig. lA) (endFilll)

t

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(end Rhy. Fig. l) II

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International

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61

Copyright C 1984 Evilive Music Copyright Secured All Rights Reserved Used by Permission

Chorus *w/Rhy. Figs. 1 & lA (both 2 times) **wlFilll (7 times)

, IlIi:"r
Fls

~

BS

GS

F
die,

fif
die, __ BS

F
my

F
dar

(3+
ling._

I

Die,

*

F
Don't

F
ut

F
ter

F
a

d

·Play all gtr. parts w/slight variations ad lib when repeated or recalled (throughout): **w/random Idbk. 4th & Sth times (lst Chorus only) -··Sing w/slight variations ad lib on repeats (throughout).

, I,

rtt
sin

<=--

n?r
word.

I

-

gle __

*

F
Die,

r
die,

fJ'f
die, __

F
my

F
dar

ca
ling. __

GS

Fls

, I,

*
Em

F
{
1. Just 2.3. Just

F
shut shut

F
your your

IP
pret pret

,J
ty ty eyes. mouth. __ }

4
2nd & 3rd times Gtr. I substitute Rhy. Fill 2

,
tJ

Gtr. II e

II
I I'll be see
I

r
you __

r

I a

r

-

BS

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JJJ

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ing

-

gain. ___

,
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Gtr. I

II

!
let ring ::

I

..

.. ____ .. .. ..

..f-

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.-----------------------------~

-

·Play only lowest note of chord when P.M. is indicated (throughout).

Rhy. Fill 2 (Gtr. I)

II

..,

..

........

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sl.

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62

To Coda Em
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------------------------------------

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JJJ

(end Rhy. FiliI)

Yeah, I'll

be

see - ing

you_

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semiharm.

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1

1

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let ring - - - - ~

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sl.

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v

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1st time wlFi1l2 2nd time wlFlIll (1st bar only) 2nd time Gtrs, I & II substitute Rhy. Fills 1 & IA

Verse wlFilll

(12 times)

)
:>

85
p.~

~

I

~

I in __

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I

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I" hell.

--

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J

@opca E

I

I

,
-.J

Rhy. Fig. 2 __j

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.. .. .. .. ..
..
*FiII2 (Otr. III)

1

1

1

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1

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..

1

..

1

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--".

.. ..

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Rhy. FilllA

(Otr. I)

~

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-----.j

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63

GS

05

cis

wlRhy. Fig. 2 (5 times) 85 Rhy. Fig.2A )

,~
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jI_

r
{ So

I

I

don't Don't

cry
cry

to to

--:: ::

,..-..

oh oh ba ba

.. ~~ --------------------------

n )J
in

JJ
__.
ob
-

me,_ me,_

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by. by.

}

Your

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an

(end Rhy. Fig.2)

It

:
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(end Rhy. Fig. 2A)

. _________

)

JJJ
J

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r
long

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n

)

05

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box.

*

F
Don't

F
cry

btl
to

-~,..-..~
me,_

r
oh

D

F
cry

C'S

j

D

f"
by.

ba

f #1

w/Rhy. Fig. 2A (4 times) 85

¥

r

r

F
,..--...,

r E2J
a

Ip
85

r {j?fon.

GS

I

--~.--.,

You should have

com - in'

*

F
Don't

CJI
to

me,_

,'(p
, #1

05

r
oh

cis

D
ba

D

f"
by. 05

I*

EJ r
Had to know

EJ I
it was 85

~
in

r pGi)your cards.

GS

,

*
~

F
Don't

F
cry

btl
to

~,..-..~

r
oh GS

Cis
("""""':,

D
ba

D

f"
by.

I~

r
05

~~~
zone_

!f

E
for

!t
a

me,_

Dead - end

I,

r
F
And

p~~ 'F"
girl.

~

I

dead - end 85

*
on

Don't

F

F
cry

~~p btl
to me,__

cis

F
oh GS

D

...............

D

f"
by.

ba

, .#

!f

r
now oh

FF
your life

(3+
drains.L,

IP

F
that

pCDf
floor.

I

*
r

F
Don't

F
cry

btl
to

_~r-..

me,_

f I(p r
05

1.

cis
r .....

2.

D
ba

D

r
by.

.-._

OS

:11

~

r
oh

Cis
.....

D
ba

D

r
by.

D.S.a/Coda

II

64

wIFiII2
(G5)

85

Coda

* *I(C
-#
)
:>

Gtrs. I & II

)
:>

"f

in__

rF
J
:>

)
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J

)
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>-

J

F
hell.

t_o(Gtr. I cont. in notation)

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)
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J

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p

r

pif

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f
die,

ep~1
die,__

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,
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Gtr. II ~
:>

II

1'"\

k. ,.-.,

--'Gtr. III II

die,

die,

die,___

die,

die,

die,

die.___

1\

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J

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dim.

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~

Fdbk.·-------------------~~~~~:::::::::::::::~~~------, II

f--------~

f--

----~

(Spoken:)die. Just

Fdbk. ------------------------------------------------,

,

II
'""'-0

'-1iim.----------------

--------------------------~~
sl. 'Hammer on allnotes.

r--------------------------r------------------------,_--------------------.-

65

Loverman
Words and Music by
Nick Cave
F5 Tune down 112 step:

Ifafr.
1342

Cm

®=E~

~=A~

<»=G~

I
134

dafr.
G5
134

@=D~ <D=E~
Slow Rock

<6>=B~

J=

68
1st Verse C5 *FmlC
}

,
t.

GmlC
}

I

.. ..
There's a dey - it no

wait

-in' out - side your door.

...

..
There's er?) (end Rhy. Fig.l) a

.~

r

P

-

U r ••
long

(How Rhy. Fig. 1 (Gtr. I)

much

~

~ ~
T
_A

I

I

mp
clean tone
v

K

=Notes to right of slashes played by bass only (throughout).
w/Rhy. Fig. 1 (7 times) C5 wIFill1

~ ~III, J=

J @'_.J J J
wait -

d t4 u9}?tE;j
side your door.

FmlC

GmlC

~

~

:t

-

r
Fm/C

p
much

L_j ._
long GmlC

r
er?)

JJ
And he's

dey - il C5

in' out

~ ~Illl

Jj3 JJJ J
buck-in' and bray - in' and pawC5

j
in'

JJ
at the

i~ ____.,
floor. __

(How

~

:t

r
~

p
much

LJ ._
long GmlC

r
er?)

JJ
And he's

(How

~ ~~II

... : jj .. j,,-,J;,
in' with pain,_

~,

... J J J
,i
in' up the

ii}?rtl
walls.

FmlC

~

:t

-

r

p
much

LJ
long

howl-

crawl

(How

---

r
er?)

JJ
There's a

Filll
1\

I

(Gtr. II)

t>

P

--_--

<:»:

clean tone

••

.,-/4·

v

66

e 1994 MUTE SONGS LTD. All Rights in the United States and canada Administered by WINDSWEPT PACIFIC SONGS All Rights Reserved Used by Permission

wIFill2 CS

~ ~~b

"J
P-

j~J
wait

JJ
in' out

.. ;
side

Fm/C

]
your

J
door.

-

OmlC

~ ~
much

:t

_

L_j ._
long

r
er?)

Jj
And he's

de - viI CS

~IZlz
~

J
weak CS

J jv:r J
with e vii

jJ

JjJ
by the

and bro- ken

world.

is ,..-

(How

FmlC

GmlC

L_j4?)
r
(How

~ ~

~

:t

~ ~~b J

J

j

A_)
name.,

..

j W,--,J
and ask

J
in'

J

~J J
for

j

_ f:r~
r
(How

Fm/C

,

L_j ._..
long

r
er?)

JJ
And he's

much

GmlC

~ ~
much

:t

LJ ._
long

r
er?)

Jj
There's a

shout- in' your

more.

CS

~ ~IZll

i

.. J

FmlC

GmlC

j,-,J J J J J J'J _,
wait

dev - il

-

in'

out

-


(How

_

~
much

side

your

door.

ri __...
long

-

r
er?)

2J

*Rhy.

f~tr~ II»)
f

Chorus wlRiff A (8 times) Cm dist. tone

n )r--n-

**FS

)r--J-r---J.,....-----,J

(end Rhy. Fig.2) **GS

wlRhy. Fig.2 (7 times) Cm

FSIC

~ ~~I [;.

(_

t J· I f
Since the world

r~.
be - gan, _

Lov - er - man!

tt
GSIC
ah,_

,

~

I

for -

·Play w/slight variations ad lib when recalled (throughout). ··Bass plays C.

Fill 2 (Gtr.
I

II)

~

,_.

.,_...

..
¥

-,;

.....

,_.g'

=

¥

¥

¥

·Riff A (Gtr. I)
I

f dist. tone=
trem.pick

wlwah & sustain

..
¥

,.

sa

sa

..

·Play all riffs w/slight variations ad lib (throughout). ··Rock wah pedal back and forth ad lib. Sustainer generates random harmonics.

67

, ,
1\

Cm

~IJIJ

CJ
ev - er, Cm

r-E52r
a

FSIC
I!

G5/C

Cm

FSIC

G5/C

J
~

'"

,.

F
GSIC

¥

r F IE
till the Cm end

r
of

j

I!

C\

= ~

---...

C

f
Yeah,

~

0Ii
take

men, __ FSIC

~IJIJ

e -r :t'Wf
~
that dress.

r
FSIC GSIC

,f
Ooh, 'Cause

time. FSIC GSIC

dI
I!

fr
com - in' I!

j

C\ I!

r

e

-...,

6 r-"'s
yeah.

y

rF
I'm your

off Cm

I'm

down, FSIC

Cm

P
loy - er - man, Interlude Cm Gtr. II ~

e=-

P

,-3---,

=Os

Y

y

~F F I

E r J ~gr r F tr r F er r F
what am what am what am what

,-3---,

'--3----,

GSIC

,-3---,

II

yeah. __

am

(Gtr. II out) **N.c.(FS)

I

F3"'"i ~

~
am. (Spoken:) I Gtr. I I L

is for

LOVE,

baby.

a

is

for

ONLY

you

that n

I do.

~

~.

mp
"clean tone

'W

~
.w

,~

'w
'W

W

"Effects off CS
_I

""Chords in parentheses implied by bass (throughout). N.C.(FS) (G5)

V

is

for

loving

VIRTUALLY

everything

that

you

are.

E

is

for

loving

almost

EVERYTHING

that

you

do.

,
~

I

.J
P
""Gtr.1I

Gtr. I

r
let ring _ ~
H

I

I ~
H

J

j

J
L.J
let ring

.."

~

I

I
'..w

L.J I
------~ sl.

L.,-I
H

..J

I

w

'J'

w

::
H

~
w
v

~
sl.
(G5)

""Clean tone. H """Gtr.1I indicated to left of slashes in TAB. I
._j

-H of my prayers. (end Fill 3)

CS

N.c.(FS)

R Fill 3 I

is

for

RAPE

me.

M

is

for

MURDER

me.

A

is

for

ANSWERING

all

J

1.
w

r

I

I

J

J
v

J
~
,"-


H

,~

~

'W

.w
H

68

I

I

wIFill3 C5

N.c.(F5)

tJ
N Gtr. II
I

is

for

KNOWING

your

loverman's

going

to

be

the

answer

to

all

of

yours.

I


let ring - ~
y

~


let ring - - - - - - - - - - - - - - - ~ let ring

sl.

.-------~

H

y

y

y

v

v

sl.
Chorus w/Rhy. Fig. 2 (8 times) and Riff A (2 times) Cm

F5/C

y

v

H

F5/C

G5/C

i
Loy- er man! _

E; J•
TIll
the

r r ~~ I r
bit - ter end, Cm

Cm

"j'
and

cl

G5/C

rF5/C

J

• ..........

r~\ r r
while the

ah, __

w/Riff B (6 times) Cm

~

~I'I, [

r--3----,

r r b r J..-f
2S

F5/C

G5/C

,.
G5/C

G5/C

r r r r r r r r § 9t PI
for - ey - er and ey - er ev - er, ev - er,

rr
amen.

r

J

em - pi

-

res_

burn

down.L,

I'm your

Cm

r r~rCJJ~
F5/C

F5/C

F5/C

G5/C

,--3-,

loy - er - man.

_

Jr
help me, ba by.

!f'

P
So

Oh,

so

Cm

G5/C

Cm

F5/C

G5/C

r
help me, ba wIFill4 Cm Gtr. II ~ ----------------------

~

rr
_

b
'Cause

r I[ r
am

'-3----,

j

~r r r ~r r r ~r r r
am what am what am what

r--3--,

r--3--,

r--3--,

by.

what

~ ~I'I.

~853?r
am. _ I'm your Riff B (Gtr. I) I
_l

J

JJ
loy - er- man. There's a Fill 4 (Gtr. I)

II

1

tJ

edist. tone wlwah & sustainer trem.pick

t

..

v

(G tr. I out

dist. tone w/wah & sustainer

.d. 0::

~

~

69

2nd Verse wlRhy. Fig. 1 (7 times)
C5 J

I

_'"

t.

dey - il
I

-in' a - long your floor.

*'

-

FmlC
_}_

GmlC
}
_M_

'~

r

-

P

[__J
long

crawl

1\

(How Gtr. II

much

-

r

**
There's a

-

er?)

t.J

P

-rJ ~.

¥

C5 I

.;
dey - il

-crawl

-in' a - long your

-*
floor.

-.......

Fm/C
}

GmlC
}

'~

r
(How

P
much

LJ
long

-P

.. r
er?)

**
With a

-

1\

I

.;

H

-rJ

H C5 I

p

¥

FmlC

GmlC

.;

*
trem- bling
I

.,-".',
heart.L,

~

..
-

••

......_;

~'

-

r

-

p

L_j
long

he's com - in' through your.L,

door. (How much

t.J

.'
C5

--

r

••
With his

-

er?)

.,-,,4'

-,j

¥

v

Fm/C

GmlC

I

..

'

I.. -

~

*

*'-...1*
sex.L,

**
and his

*
jump-ing

.'-...1 •
paw._

-

r

-

p

strain - ing
1\

r r..._.long
-

r

*

(How
I

much

Ooh._ er?)

There's a

t.J

*-

*'-...1*

pp

P

H
¥

p

p~

P

H

P

r
P

":

P

H

¥

¥,

¥

r P

P

H

P

H

70

C5
I

Fm/C

~

..
dev - il

OmlC

"-._.;"
crawl

..
in'

..,;

..
your

~

..
-

"t! ~ . <:«
floor.L,

r
(How

-

-

p

Ur
long

a - long

,

much

--

..,;

..

-

And he's er?)

I

..

-

...
v

C5
I

FmlC

OmlC

..
old
I

......

~ •••

'"J..".

.. .. .. .. .. • . ....... ..
and he's blind and he's lame and he's dirt - y and he's poor.

q"'; ..
Give me

and he's stu - pid and he's hun- gry and he's sore

..

••

~ :>
H

7:.J'"
H

••
v

....... ...
~
H

'-'

H

'"" H
Fm/C I


H

,

C5
I

OmlC

~

~

OJ

..
I


more,

•• •
give me more,

..,;

..,;


(Whispered:)

r
give me more. (How

P
much

U r ••
long

give me more,

give me more,

~

.... ,--,,"
v v v

-

There's a er?)

N.C(C5)
I

J

..
I


dev - il

.-._.;.
crawl

.
in'

-

"


your

a - long

floor.

'"

..

'"
mf
wldist.

..-...
P

p
(dist. off) p

71

Chorus wlRhy. Fig. 2 and Riff A (both 8 times) Cm FSIC

GSIC

Cm

.-

, ,
tJ

.t
Lov-er Cm - man!
FSIC

o· r
e??:IC

GSIC

,;
for -

_

Ha,

ha._

And Cm

here

I

stand,
FSIC

_

ah, __

O5/C

~I\

E;_e F" d
ev - er, Cm a

.....--

--.....,

E e·,
5'
men.
FSIC

"f

rr
'Cause
GSIC

r--3~

IE
am

r

..--3--0

J
Cm

e

rrrrrrr
what am what am.

,r
"(

GSIC

I{

r
For -

I

what

am

Hey.
O5/C

~Illl

r

rr

r~r

,..-...,r--- 3----,

!f.

~I
my__

rr
Cm

r

.....-.......
~~

FSIC

e·., ;%'

rr
and I

give me, ba - by,_ Cm
FSIC GSIC

hands

are

tied,

_
FSIC

ah,
GSIC

r
got no Interlude Cmsus2
I~

rr
choice.c, no choice at
N.c.(F5) (05)

6j3
all.
I do.

choice.;

no,

no,_

no,

no._

got

no

I

--

(Spoken:)

1'/1

say

it

again.

L

is

for

LOVE,

baby.

a

is

for

OH

yes,

Fdbk.

,
t.

(l5ma) I Gtr.1

I

Gtr.n Fdbk. *
-I -

~-

~

I I I 1J
HPHPHP

(Gtr. lout)

**FiIIS (Gtr.n)

.~.~
___./\
P
clean tone

112

---


-_

5i
HPHP

HP

H

P

let ring

----------------------------------------------------------------~

H

--H

~
H P

.r>
"
Substitute 1112 rest for beats 1 & 2 when FillS IS recalled.
(05)

112

Fdbk.pitch:D~ =Gtr, I to left of slashin TAB.
I

HP

PHPHP

PHP

(CS)

(FS)

tJ

V

is 112

for

VIRTUE,

(Gtr.n)
I

~~.
..........
./

.>:>.
./

so

1 ain't

gonna

hurt

you. 1/2

E

is
1/2

for

EVEN

if

you

want

me

to.

~

t.

~

».

112

---

./

r-:

---'-'
r>.
1/2 n

__/\__./'\

112

112

(end FillS)

1/2 r>:

-

-

112

r-;

* -------------~ 112

-r--:

I

Gtr.1

..

mp wllight

dist. & wah as filter

'Play w/rhythmicvariations ad lib whenrecalled.

72

CS
_l

wlFiIlS N.C.(FS)

(GS)

I

t.l
R is for RENDER unto

me,

baby.

M

is

for

that

which

is

MINE.

And

I

I

Gtr.I o·
I

..
(dist. & wah off)

......

~

~

~

_

ft

_
,_

..

..

...'" "''-

ft

,_

(CS)

(CS)

(G5)

I~
_l

~Illl
A is for ANY old how, darlin'. And N is for ANY old time.

"

I

._

t.l

Chorus w/Rhy. Fig. 2 and Riff A (both 8 times) Cm

~
.v

_

ft

O_ Oft

.

_

FS/C

~

~I\ r

r r gO~b r
Yeah,_ yeah,

J

·~r r
GS/C

GS/C

Cm

rr
got the

I

r -C
mas - ter

I

.~ J.
be your_

FS/C

b
FS/C

r·......'1.
s
yeah,

GS/C

~
to

Lov - er - man!

yeah.L,

plan,

Cm

~Illl
~

E

r
off

j

-

FS/C

Cm

c

[

take

your_

Cm

~Illl
~

r r r 8·
the throne.
C"""I

--------["
FS/C

dress, __

rf524

"f

"f

If- I t j
yeah, and be

r d -! §JOE
it
your

r J~r"\p""'\
man,

GS/C

"f

man.L

hey.L; GS/C

G51C

Cm

l
Ha,

)0
ha.

'1

I
Cm

r

r
the

FS/C

f

rr
FS/C r--3---,

~

Seize

Seize

man-tlc.L;

*
GS/C r--3---,

Cm

~lll1
~

[ r d•

r......
s

FS/C

, D·......
s
Yeah.

GS/C ,--3--,

r--3----,

"1

Ef
'Cause

I(
am

r F ~r r r ~r r r ~r r r I
I am what I am what am. Yes,

r--3---,

Seize that

crown.L,

what

73

Cm
Gtr. II
trem.pick I

(Gtr. II out)

.a:»:

~ I"
~q1f._,1f
I'm your.L
I ~4

N.C.(C5)


I

.... ..,
._,

.. ..
There's a

am. Gtr. I &,

loy- er - man.s,

3rd Verse N.C(C5)
I
/'

tJ
dey - il
I tJ

-lay

-- ing by__ your side.

...

--.......

(Fm/C)
)

(Gm/C)
)

..
r
-

. ~

r

P

-

L_j .._.
long

.. ..
There's a

(How

much

-

er?)

mp

clean tone w/swah w/slide

*Keep pedal open (toe up) till otherwise indicated.

,

C5
I

(Fm/C)

(Gm/C)
) )

-dey - il lay

-- ing by_ your side.

..
-

...

~

r

-

P

L_j .._.
long

r

1f

..

(How

much

-

You might er?)

I

tJ

P ...._

,
tJ

(C5)
I

(Fm/C)

(Gm/C)
}

....

~,

._,
1~

..

.. ..

.. ..
look in his

.,

~
eyes.L,

-

r
(How
/#.

-

p

L_j
'_.-

-

r

.. ..
And he

think he's

a - sleep.L

but take a

,
tJ

much

long

-

er?)

I

;;-:::::-. .

~

,.

-

-

74

(C5) I

(Fm/C)

(Gm/C)
}

~
wants

* *'-1* *
you, dar


to be


his

.'V.'
bride.L

'"

-

r
(How

-

P
much

LJ ._..
long

f
er?)

.,;

••
a

lin',

Yeah, there's

I

........... ~ ~

---...

-

",---


....

;.

(Fm/C)
}

(Gm/C)

-

,
~

(C5)

I

*
dev - iI

*..._.,,* *
lay

<:» ~
by __ your_

*
side.

-

r
(How

~

p
much

ing

long

1\

I

""'

~,,-....~.

..
..

---'"

LJ
-

f
er?)

-...
-~,

~

(C5) (Band tacet)

J

_........... *
I I

~

v

.v

*Close wah pedal (toe down).

Chorus w/Rhy. Fig. 2 (12 times) Cm I

F51C

G51C

wlRiff C (11 times) Cm


Lov-er-

lr •• ..-

-..,.....-.......-.


Lov


er

lr •. -

-.,.....-.......-

F51C

GSIC

~

man!

Riff C (Gtr. I)
1\

._----------------------------------------------, sl. sl.

I

..
p

-

man!

~

f dist. tone wlwah & sustainer
trem.pick wlo slide sl. sl.

p

p

75

Cm

~IIII E
~

r ~r-- -r-'>s
F51C

051C

,b
I'll

Cm

F
be

~
d

I

r r ~rman

F51C

~~r~s
ah,

051C

rr
till the

Lov - er Cm

-

man! F51C GS/C

your

lov - er Cm

~IIII
~

E
end Cm

r
of

d
time,

~

~

rEtJ
6
~'

F51C

"1
ah, F51C GS/C

rr
till the

IE

r
Cm

• j

C'>

[J"'
down, ___

,J J

051C

em - pires

bum.L;

"
GS/C

~
for

-

~llll
~

C; r
ev- er, Cm a

"...--.."

,....--...,

r

y
051C

Er
I'll

J

II

I ~II id
Cm

~

---

,.---...,
~~

F51C

men.

be your

lov - er - man.

r
f

~

r
I'll 051C

rr
be your

~IIII
~

r r tf

---- f
------ f

F51C

,
Yeah,

6r
I'm your

E-i' I ::d
Cm

trf

-----..

F51C

"1

6r
I'm your

lov - er - man. Cm

lov - er - man. F51C 051C

~IIII
~

r r tf
man. fdbk. (Otr. I)

F51C

051C

y

6r
I'm

r I r r ~f ------ f
your lov - er - man,

,

6
I'm

r
your

II

lov - er Dutro *w/random Cm I

r--

• "
-.J
I

lov - er - man, Otr. II

-

r

lov - er Otr. II
1

-

-

man. **

I'm

---

3 ----,

your

~

I
~ pi
clean tone wlreverb

trem.pick let ring - - - - ~

Otr. III

~

?

'Gtr. I plays lst note of Riff C and allows it to randomly feed back, gradually fading out over next 4~ bars. N.c.(C5)

"w/vol. knob (next 2 bars)

I

,-3---,


mp
I
I"'..

lov -er

-

- man.

< < <: -< J
I............ 1,....--... 1

I'm

--- your Otr. III

~
I'm

..
your

lov - er - man.

h

.,.,

J---,

r
v

~-

(Otr. II out)

Lt
v

r
v

I

I

~.._

_

.. .. ..
v v

v

76

I

t>

..
I -6-

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.......

'

.. .. .. .. ......
Yeah, I'm your lov
v

......
Yes,

.. ..

loy - er - man.

er

>

man,

,
~

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(FS)
(GS)

._
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(CS)

-

I
!

lov-er-

man, __

'-'

I ij J. ~
loy - er - man, sf. _

J
F

..._.,
loy- er - man, _

I-.J

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5

r
5

6
5

r
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I
4

sf. 4

I

(FS)

(GS)

(CS)

(FS)

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loy - er - man, 6

_

for - ev - er,

a

men.

F
4 5

&ir

Ir
6

F
4

r rt4
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(GS)

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(CS)

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I )j J J
-

(FS)

-

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p
much

r

(Whispered:) Lov- er-man.
Gtr. III I I

Lov- er- man.
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long

r--J--,

.,n
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--H p

-

r

-

r
I

I

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II

er?)

J

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rit.
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r."I

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"Clean

"

/,

-

::

.x

-

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tone w/wah (pedal open), w/shde

"Gtr. I to left of slashes in TAB.

77

Mercyful Fate
Featuring
II

Evil,.1 "Curse Of The Pharaohs, II IISatanls Fall, II II Into The Coven, II and IIA Corpse Without Soulll

Tune down 112step: @=E~ ®=G~
~=A~ (6)=B~

@=D~ <D=E~

"Satan's Fall" Moderate Rock
Intro
_1

I I
134

BS

.3&.
CS
134

Music by Hank Shermann Lyrics by King Diamond

GS

I
134

Fis

I
13

F#S(lype2)

AS

I

I
II

AS (lype2)

I
I

DS

I I
13

BS(type2)

FS

134

J = 148
N.C.(ES) (F#S) (ES) (F#S) (05) Rhy Fig I

II

II

Gtr I

~ ::;

'-

f

s,-

~
P.M. -----~

~

.. ::; ..
..

~

~

.. ..
::;
::::

~

~

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P.M.

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st.

..
.,

dist. tone

P.M. --------------~

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...
A

~

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v

.
(ES)

v

.
J,.-...
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(ES) (F#S)

u

.
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u

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(F#S)

(F#S)

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1111 ~

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(end Rhy. Fig. 1)

~

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P.M .. - - - - - - - - - - - - - - - - ~

::; ..

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..
::;

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.

=

11

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.
w/Rhy. Fig. 1 (Gtrs. I & II) N.C.(ES) (FtS) (ES) (F#S) 1/2

v

.
(FtS)

~
v

(Gtr. III) P
I

II

II

,.........,,_ fI. ~

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m m .71 m
112 112

(ES)

(05)

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::::
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;-

m m..
112 112
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112

~

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'v

Copyright

78

(c) 1983, 1987, 1998 Roadster Music, B.V. and Roadblock Music. Inc. (ASCAPl International Copyright Secured All Rights Reserved

(E5)
I\.

(F'5)

(E5)

(FI5)

(E5) (F'5)

B5

A5

Verse wlRhy. Fig. 1 (2 times) (Otrs. I & II) N.C.(E5)(FI5) (ES)(FIS)

, It

~

tJ Full They're walk- ing by the night, the
p

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J

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fl. fl. '" fl. fl. '" fl. fl.

fl. fl.

jt. jt. jt. jt. fl.r-;fl. ~

.--,

,-

sf.

(Otr. III out)

..,
Full
/
ow ow ow ow ,w ow ow ow ,w ,w ,w

,----------------------------------------------------------~
4
'w,

P
F.

sf. (E5) (FI5)

(ES) (FIS)

, III

r r r r D-r
fro - zen blue.L; (E5) (F'5)

(GS)

(ES) (FI5)

(E5)

I

r r rr
(ES) (F15)

(FI5)

F

F

rrr r
(G5)

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r r r r-r
get (F15)
(ES)

B5

A5

,-I' r ,-I' r r ,-I' o r- --r
N.C.(E5) (F15)

moon has

Long black coats a

shel - ter for the rain, their

load must

through.;

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Now bats are leav - ing their trees, they're

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B5

(end Rhy. Fig.2)

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born C5

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s::

head- ing

for

the

hall,_

bring - ing

the

blood.,

of

a

new wlRhy. Fig.2 B5

F4

wlRhy. Fig. 1 (last 2 bars only) N.C.(E5) (F'5) (E5) (F15)

(E5) (FI5)

B5

A5

G5

~

l

r'\
ah. Freely FI5 Otr. II ~

IE
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to

j
suc

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if

rr
not it's

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79

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"Curse of the Pharaohs" Tempo I

(Otr. II out)
N.C. CS/A

os

N.C. H

CS

N.C.

H

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_

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CS/A

v

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CS 8S N.C.

_

v

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CS N.C. CS/A

_

v

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l..a..
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P.M. ----~ ::

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v v

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CS N.C.

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v v v

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v

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11

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P

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N.C. F'S

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N.C.

OS/A

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V

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let ring - - - - - - - - - - - - - - - - - - - - - - - _.... -~

P.M.- - --~

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V

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.-

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::

v

_
N.C. F'S

P . 8S/A N.C .

v

Play 4 times Otr.II

tr~

AS

*Rhy. Fig. 3 (Gtrs, I & II)

v
P.M. ----------------------------------------------------------------~

=Composite arrangement of both gtrs,

_I------\
1\ ~ ~

Full

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otr. III

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q~

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(Gtrs, I & II)

(end Rhy. Fig. 3)

.;

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P.M.--------------------------------------------------------------------------~

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80

wlRhy. Fig. 3 N.C. (FIS)

N.C. FIs

AS

FIs

8va -------------------------------------

Full ~

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Full

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~

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Full

1'"

fl-fI-.
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f'-..fI-.

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st.

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A~
1st Verse w/Rhy. Fig. 3 (1~ times)

}\2:..

AA

st.

ES
N.C. FIs

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where A.H. A.H.

the

(lema)

r
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p

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(l5ma)
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cl
pI5

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mum - mi - fied phar - aohs pre - tend dead in their sleep, a

-

II

+I

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I

(Gtr. III out)

-.J

81

N.C. F'S G'S

AS

8S

cis

8S

yeah ..

_

Don't

touch,

nev

er

ev-er

steal, __

Rhy. FiIlIA (Gtr. II) -- - - - -- -- --- -- - -- --,

Rhy.Fig.4A

v

~M.------------------------------~

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P.M. - - - - - - - - - - - - - - - - ~

Rhy. filiI (Gtr. I) - - - - - - - - - - - - - - - - - - - - -,

Rhy.Fig.4

v
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cis
II

N.C.
I

Fis
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tI
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,
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you're in for the kill.

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:
11

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82

Chorus

F'S N.C. F'S

AS

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8S

CS

8S

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ES

F'S

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t
Or you been

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cis

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hit

by

the

curse

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of

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t

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,
:

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(end Rhy. Fig. S)

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r
hit,

aohs.

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I

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1

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8

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cis

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II

It

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and II the

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is

on

you.

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=
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83

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Double time feel
Guitar solo

,

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G tr. III

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ti.,:

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(end Rhy. Fig. 7)

» It
t>

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.. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. ..
";

~

11'

11'

~

lIf~1I

P.M. ------------------------------------------------------~

v

.

.

.

'Composite arrangement of both gtrs.

84

w/Rhy. Fig. 7 (2'12 times)

cis
II ~
P

BS H

cis
P A.H. (15ma)

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(end double time feel) w/Rhy. FiJI 2 BS

w/Rhy. Figs. 6 & 6A (both 1% times)

ES

Fls

GS

AS

,

II ~

---

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P

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114

trem. bar P ...... 114

1

ES

Fls

GS

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·2

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trem. bar

/

II

------~

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1

=Pull bar up.

··Bar at normal position.

Rhy. Fill 2 (Gtrs. I & II) II

It

1

1

]f""' 11_.

-85

F'S
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vib. wlbar

L-J____j

..
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trem.pick

,
*Hit tip of bar w/R.H., causing bridge to vibrate. (Works wlfloating bridge trem. bar systems only.)

..

-

sl.

- ...

F'S

GS

AS

F'S<type2)

fr~-~~~
loco II

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B5

D5

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'II

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Y

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-

,..._

BS

BS ,......
11 11

ES

...,

,_

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AS

11

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11

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.

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C5

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85

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p

Gtrs. I & II

p.~.----------------------------------'

, jl_Jl
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85

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87

2nd Verse w/Rhy. Fig. 3 (l~ times) N.C. FIs
" II

II

~
curse of the phar- aohs can be so

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dead

N.C.

----

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N.C. C5 J .........__ N.C. J ...;... *D5/A CIA DIA CIA N.C. C5 N.C. 3 ...;... J ...;. C5 05

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1st Verse
N.C. CIA N.C.

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2nd Verse wlRhy. Figs.9 & 9A (both 4 times) N.C. CIA N.C.

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Guitar solo w/Rhy. Fig. 10
AS II N.C. AS

..
and be - come Lu

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Astronomy
Words and Music by Samuel Pearlman, Albert Bouchard and Joseph Bouchard

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Copyright e 1974 Sony/ATV Tunes llC All Rights Administered by Sony/ATV Music Publishing. 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved

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