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5

Blues clair (12)

Coquette (18) Daphne (22) Jadis (27)

Minor .swin~(32)

Nua~es (38)

place de Broul'\ere (47)

place duTertre (58)

Swin~42 (66)

Un certeln je neseis quoi (72)

Victor (78)

Produced by Patrick Mo,ulou for Bookmakers Guitar Ir-an scription s: PhiJi ppeBaron Conformation: D·aniela Grubisic

Cover (photo): Jean~Claude Flouget

Artwork, Design: Patrick Moulou

English translation: Alexandre ErIe.r

With courtesy of: Francis Dreyfus Music

and B MI Music Publishingi=.rance

Specia.] thanks tID: Francis Dreyfus,Btreli Lagl"ime, Christian Pegand, Marc Senechal and Philippe Baron.

Bookmakers International

4 7,rue Lazare Carnot - 92140 C}amart (France)

Exclusive Dist.ribution:

Paul BeLischer Distribution

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All rights reserved for the world ... 3

Babik

(Django Reinhardt)

[From "Gipsy Project & Friends" & "The Complet.e Gi:psy Project" albums]

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(Django Reinhardt)

[From "Gipsy Project 8. Friends" 8. "The Complete Gipsy Project" albums]

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[From "Gipsy Project album - Move" album]

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Fram;ais. lei 8ireU joue seul. L'accordage non conventtonnel donne une eeuteur- et une atmos~l'iIere tres par-ttculteres a ce titre .. l'interpr~tat est essez libra. Pour Is bonne execution du rnorceeu. ill faut utiliserIes dOligts de le main dr-oite (pour las dr-oitier-s 0.

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[From "GipsV Project & Friends" & "The Complete Gipsy Project" albums]

= 220

Intro

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J= 135

Intro

6

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Franr;;aUs. La ccnstr-uctton de ce mcrceau est bien par-ticuliere evec un motif SlOU5 forme de riff puis une grille de blues en B servant au 'improvisations let enfin un interrnede en F#. On retr-ouve dans Ie solo des phresas tr-es longues se d'~velo'Ppant sur des grililes entier>es. Sir,eli v; utiliser sgalement Ie jeu en octaves en accords et le "double stop". Il est a signaler l'apperitiol"l de 16 gamme ton pair' ton (mesure 132) et lies judi ·deux contr-achants de l'inter"mede.

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[From "Gipsy Project album - Move" album]

J = 110 Intro

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English. This fine belled is by Franck Wolf, the saxophonist taking part in the Gipsy Project "Move" album. Bire!li, once again at the electric guitar, begins with an introduction in chords. His remarkable solo oscillates between chord voicings and most tasteful phrases. The tempo is not too quick here, but the' execution nevertheless remains delicate.

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