The Hollow

Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 112 steps:

(low to high) C#-F#-B-E-G#--C#

Intro

SlowlyJ, =52

C#5

B5

F#5

E5

F#5 C#5

B5

Gtr, 1 (dist.)

" JI, . ll: .. , .. .. .. .. ,--- -fL""fI- I'- fI- I'- I'- fI- I'- I'- I'- ,-,. .. .. .. ...... ."" ..
.., I "J ~ I ..I -"'!!!!I I- .J ~ ..II
mf
wI delay .
T n " " n n '." ." ,., '" ." . .. ." ." '" .:, n n n n n n
~ ~ ~ e \T '.,. \T \T \T \t \T ~. ~ ~ ~ ;; ;;
c c cc C n li' li' li' li' n n li' li' " ...... eO ;,' :;
.... v v v v V V V V V v
~
Gtr. 2 (dist.) Rhy,Fig.l
to .jj.J:l
.., .. * .. v .. ' .. ~ .. <, ~~~ ~ ~~~ ~J ~J .. ~ ..", ..".~.." <,
mf
'T"

... ;, n n " V . v v n n n\
g '.,. Ii' 'n' :" 7 7 7 7 Ii' .; .; Ii 'Ii ;; ;., n ;; .... .... .... :; :; :; :;
v . ~ ~ ~. v V V E5

B5

C#5

B5

F#5

~. ... .. • ..-. .. , .. ... ... ,:;;.. ,,_ ,,_ I'- I'-fl-I'- jL-~ ~ II!._
.
~ I I I r r ~ I "J ~ .....I ... . r
.;.>; . ,
n n -"- " -'< " ;, n n n n .. ., ,., '-'>. ." . ., '" ." ." ,"- ,,, e
~ ~ ~ ;; ~' ~ ~ ~ \t \T \T \T \T' n 'V' \T ~
C .,. e' ;; _1i :; " ,,' ;;:' i:' eO ,,' n 'o' ;,; "' ;,; ;; ;; n i~ li' ;;
v - v v V V v V ~

...lI_j.ljj:
~ ~;J~ , xx .. ... 0*"'~"" ... ~ .. -- ~~~ ~ ~ ~~U
v n .., v n n ;, ;. n n 'n' . "
;; n Ii Ii 7 5. 7 'n' ,,' ,,' :; :; 7 =; Ii .; . .; .; n n ',,' ,.:0. ').
v ~ - - u -
... © 2000 EMI VIRGIN MUSIC, INC" TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Rights Reserved International Copyright Secured Used by Permission

C#5

B5

E5

B5

Verse

B5 C#5

Gtt.~ "1

"1

IIlJ,-It
~
1. Run, de - sire,
..
" .110 -It ... .. .. .. ... .. ,-,. .. ...-... .. .. .. .,...--.... .. .. "'----"'f':) •
~ ! oJ ~ ! ..I I I I I I I I I

.. n " n n n _n_ _n .n, .n,
8 ~ ~ ~ ~ v v
;; :; :; :; i::' t; .s, _i::' ii _j£
u u w w w w
RiIIA
Gtt.3 (dist.) -
II ~ it End Rhy. Fig. 1 1 1 J ,...
~ D .. ~ .. ........ : ........... ~ ~ " , xx ... ... .. .. .. 1 I 1 r r
(cont, in slash) mf
wI ring modulator
_1
~ .., e .
.s:
- - e
• n n .. ... v ... _" v n n _L • w ~ ~
;: . 'n' 't: 't: . 7 'l 'l 'l v v :; 11 _j{_ _X __'i _'1 _
~ Gtrs. 1 & 2 tacet

• C#m7

".110 -It - ...--., It:::!!, ~
~ -._... _.. r
run_ this sex - u - al_ be-ing. Run him like a blade, _ in - to and through the
- - - EndRiIIA
Gtt.) J J .. J ,...
".110 -It - I I .. - I I - 1 I
~ .... .. -L _I I r r ... .. .. _l 1 I J J ....... l \ I r r
- - -
.., _., "7
~ ~ ~ .. ---"-- ---"-- __"L
.. " "
w ~ w --"-- ..
6 ., e ., c w ., C
w • Chord symbols reflect implied harmony.

Gtt. 3; wi Riff A

"lJ,-It a --=---
..--
~ - r
heart,_ no_ con - science. _ One mo - tive, __ to ca - ter to the
Gtr.l 8va - - - - - - - - - - - - - - - - - - - - - - - - - - - -- --
" JO -It .,...
t.l P-' ~
.sn,
.n .-
.C_ .~ 4

Chorus

B5 A5 G#5 E5

~. --------=-----

¥ (Jllr car ~ If'

--
E • I
i J
fill me L, hol v low, _

Scream-in, "Feed _

me, _

RiffB

tr.l 8va-------------------·······-----·-·--·--·----·--, loco

~ib I tJ t rg • II[ [f r[ r E [r r rr I bE Fe f' iT'1

19

19 19

II" " " " " " I

16

" ~~··I

16 18 19 19 18 18 18 18 19

16 16

Rby.Fig.2

3 3 Ilj

F#5 A5

~###'1 fr ==

G#5 E5

B5

7 7~ ==2

E5 AS G#5
ij P IS" 4~r= r tl'
oL i
J
and tern - po - ra " ri - ~#~~; 4"f 4 r 1(1 .fl- r .. ,,~ IF f
IT J = r f F j - * F r C r
:t d or] j
13 13 n I,;::;. 16 16 14 I" n
11 11 11 14 11 11 11 11 up a

gain._

G#5 B5
=- [ f f I @r*r r- iF II
r
this hun - ger - ing SO_
EndRiffB
4 r- If? II
j J = r r f r r " r
J F#5 AS

ly __

pac - i

fy---

3 d 9 I

13

13 13

13

11 11

16 16 16

. d

I Ei I I ~

11

" I ,;:::;. "

II

13 13

9 9

II

5

Verse

Gtr, 2: wI Rhy. Fig. 1

C#5

~###I {J] ¥

B5

f :Ii f]

F#5

I#@ t

E5

6 r

;J

r

grow." _

2. Li - bi

dow_

throw _

dam - i

noes of

ltr, 1 RiffC ~ ~
~###I f t f t
r [ J r ~ I r [ J r ~
r j ~. r j ~.
t :::J t .J
14 I 14
12 12 12 12
9 9 9 9
13 13 13 13
11 11 11 11
9 9 F#5 C#5 B5 E5 B5
~#rl ~O~ j J f) ..... "'-.._ I#(j t 6 r ~ r
, J r J
in dis ere lions _ down L fall - ing all a - .
~###I f ~ ~ r-i ~ End RiIlC
f r J F ~ I f [ f ~
r j ~. r ;t ~.
( .J t: "J
14 I 14
12 12 12 12
9 9 9 9
13 13 13 18
11 H H 11
9 9
Gtr. 1: wI Riff C
C#5 B5 F#5
$###' J·=c j J -:=----. F =- f 10/' J -=---- IT __.. -=-==- r-S
p S ~
d j I
round in __ cy des,_ in cir des, C#5 B5 E5 B5
~###I$3?SjJ 4 4
r j r F I#J j 3 "f J ] J J II

......___.-
can - stant - ly con - sum - ing,_ can - quer and de - Interlude *E

$###1 #l8J

F#

E

B

F#

E

'0

vour._

d:==___ 9:==----=::==- __ =7:

Gtr.2 divisi

I

.., (

'tr.2

"Chord symbols implied by bass, next 8 rneas.

Gtr. 2 tacet

~ E B

~~3E f f £ F n E F ti r f E F f f t 10 ifF r f iFF £ F I

Bridge
F~ E Chus2 Bsus2
~~##, '" F F Ilf f f £ f-r :~:-:I
"f J
'Cause it's time to bring the flre_ down.
tr' n Gtrs. 1 & 2
t ~ ~ f1 ~ j j r ~ I j F I i
~~##, -= ~ II J J ~

mf f
..--.... ..--....
E;~ I I I ~§~ ~ ~ II I
8 6
Ii 4
4 2
9 9 F#sus2 E5 C#sus2 Bsus2 F#sus2 E5
".-...,
,'i#' "f:' , If E ,. b • ,.'""'r I~
, !f J E ! ,.j '¥
Bri - dle all this in - des - ere - tion, 7

Gtrs, 1 & 2: wI Riff D (2 times)

C#sus2 Bsus2

F#sus2 E5

C#sus2 Bsus2 F#sus2

r---4 --.. r---4_

, ~ It Err r r IT 0iIi r

E5
'r -----
r p -=~ j

Long e-nough to ed - i - fy _

and perm-a - nen-tly fill this ho] -low. ~ __

Interlude C#5

D#5

E5

A5

C#5

D#5

fI~ -- --
~
Ott. 4 (dist.)
" J,l. '011: I 1 .:
.., ----
mp
.;
~
Gtrs, 1 & 2
IIJ,l..ft
.., .................... • .. .. .. ~~ ~ ~ ............... .. .. .. .. ..
P.M. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - _, P.M. - - - - - - - - - - - - - - - - - - -
" " " " e " .. .. e e e -;;- n n n -;;- ., -,; -;;- ft -;- ~ .. e .. e e
': '1 ': :< ~ ~ :.: )C 0: ~ 'l 'l 0: :; :; :; :; '.;i '.;i 't ;: ;: :.: :.: Ii :<
"V ~ -c- -v E5

A5

C#5

D#5

" J,l. 011: ~ ~ ~ ~-ft. ~ .. .. .. .- .-
.., I .r
mf
.. I • ~. .;., ..... ." ~ ~ ~ ~ ~ n n n n n 0:
" \7 ~ -~ t, -g ~ II ~ ~
.t. n ;" . 'i' '; """"'J' ~. ~ ;; ;; ;; ;; ;;
.. -~ y y y ~
" J,l. 011: I > > >
~ ... ... ... ... ... ... • .. .. .. .. ..

P.M. - - - - - - - - - - _, P.M. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
~ J)_ n n ~, .. " ~ " " ~ -;:- n .. e .. e e,
:; :; :; :; :; ;;; ;;; I;; Ii: y -':I ~ ~ " 1 ~ :.:
.~ ES

,###,

A5

C#5

D#5

Gtr. 4 tacet

E5

"f J]J II

Scream- in' ,

II

II

P.M. - - - - - - - -i > > >

! ! ! I I !! ! ! II I I I I I I I I I I I 11 1 I I 1:; II

Chorus

Gtrs. 1 & 2: wi Riff B & Rhy. Fig. 2 (1 3/4 times)

AS G#S E5

i~~ II: IE1@" em lif:

F#S AS G#5

E5

B5

ES

"Feed me _ here,

fill me _ up a - gain. _

And

: II

tern - po - fa - ri - 1y _

pac - i - fy _

in."

2.

F#5 AS G#5

, ##11 r-= Z::e:

B5

fy---

=--rr

t:\

-

II

II

11

13 13 13

" "I'Y13 '" '" "

II

II

II

·9

Magdalena

Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 112 steps:

(low to high) C#-Fi-B--.E-.G#-C#

Intro

Moderately J = 103 GIr. 1 (clean) • (ES)

E5 G5 F#5

.fI.

I 13 13

11.

GS

112.

GS

".u.
V ~ - j r I I
mp let ring throughout
ft
... n n n
~ . v ~ ~. v v . 'At
.0. 0 \
.... . w .
ft • Chord symbols reflect basic harmony.

Gtr.2

GIr. I tacet ES

#-&

GS

-

(dist.) - ~. J' #~""'~ ~
""" - ~- .fII.. .,. fII-' fII- .,,_ . ...--
-
V
mp
wf heavy reverb & delay
.. ,
... ..
,~ .~ .- .~ -
in ES #-&

G5

Gtr.2 - -& -~
""" - -
- -
V (cont. in slash)
'"
...
"



Gtr.l
1I.u. . k
V ---= I -....J ~ ---= - I r I I r I r I
n n
n .. ., .... .. :' .• 1..
n n Verse'

ES

Rhy.Fig.l

GIr_2¢~o.

G5

End Rhy. Fig.l

w ran om
-;" II "" :-- ,-...., --;------_
V r r ~
1.0 - ver - come by your __
GIr.1
. II .u.
V ~ __,

n n n n n n
. v n v _n v n n n to n
... ... " " " w n w n d fdbk

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Rights Reserved International Copyright Secured Used by Permission

Gtr, 2: wi Rhy. Fig. I Gtr, I tacet

E5 .-----_

G5

mov

ing_ tern

ple.

G5

o

ver - come _ by this _

E5 G5

'i #4 £J;:=? r'- . Fr #J === Jh J qJ\j J =-- J~ J_ IJ I II

hol

est_ of al

ters._

Ve.rse
E5
,I t r r=' t
2. So pure,
Gtr.2 Riff A
,# t r f
¥ 1 F#5

I r

--

E F r

so

rare_

that you_

j: 3 j j j j 3 /

D5 C5
'Ir r r (2t Ir
wit - ness such all_ earth
~f~ .~ ~ 13
i i i Ii r

.1

ly god - dess.

"

. EiidRiffB

mf .' . ,.J!

IF.M.- - - - - - - - - - - - - - - - - - '- - - - - - - - - -. 7:=~.E:~~~.;.::~.·::-._)1

: ~, ~',"-" ,' ... '~ ~ -- ,.~--.'-""" ,- :

GIr. 3: wI RiffB E5

F#5

DS

C5

IIJ1. -
-.I --.. I I -
That I've lost my self con - trol, _ be - yond com - pelled to throw this dol - lar
n End Riff A
GIr.2 -f'- /L- ~* ~~ ~ f:. F ~ F _ F. t: t: F _ F
IIJI. ~
-.I I I I, I J -
.. .-~ . .., . .., ... . .., ... . .., . .., . ..,
v v .V v V v v_ v ;; ;; v' 'v v
~ :; :; fl s: r~ ~ .~
,. GIr. 2lacet

ES ~.\ G5
IIJ1. r--- ,....-,
tl r r
down be - fore your
G:.! n·-----~----~
-.I
I
F -- -- - -_ .... _ ... ,..._
.... - ,.;.."
..



GIr.3
".u. _--_ _-- --------------- ---
.., ~:---- --]I ___.D: ----=~ :;st- -e-
' ___ "_"0" ------ ~ .
fdbk . . -=== mp ===-

n . ,"
n _ii ~
'w, * vol. swell

GIr. 3 tacet E5

,I #4 fJ2:;)) r'-

J.,

GS

LJ

II

. hal

est__ of

al

ters, _

Chorus

GIr. 2: wI Riff A

GIr. 3: wI Riff B (2 times)

E5

,I t

f

P

d

F#5 DS C5
If f' f IC f r ---- ~ .....--.
¥ D "f r IE r r E r r
r r r
my soul, _ and my self es - teem_ a dol-lar ___ at_ a time ,
F#5 ri D5 C5
If c=, t IC r r r IE r r r t II
J r
one kiss, one_ taste of you,_ my Mag - da , len - a. I'd sell L,

r

pi )

for one _ chance,

Guitar Solo E5

Rhy. Fig. 2 End Rhy. Fig. 2

GIr.3) .~ , ) ~ ) t ) ~

8va------------------------------------------------------------------------------------------.-------------------------------------------

GIr. 2 ........--:----: __...._::_

. II~"'/"'-:!, !' /'-" "",. ' .. ~r--.~ l' f'. f'.1' ~ ~_.-,

-

1 of-

.-' "

1 f--t----t'

.'" "

1 t

. '"

- 1

. ..,_______;

. .., ..

. ..,

, f1·2

.t ... :

Gtr. 3: wI Rby. Fig. 2

8va-------------------------------~------------------------------------------------------------------------------------------------ _

'"' ...-------.., --- ------

II Jl. 'fL r-. r-. r-. r-. *' ~. ~.fI- r-. r-. r-. r-. __ . ~.-..
. . .
~ - -
1 1
1 1 .~___.J- 1 I .... ___.J-
r • »t .--.----+.., + .--.----t.., +
\' . ./ .-' . .., .-' .j ,.,
.. .. .. F~5 G#5 E5 F#5 G#5

-rm rrn em rm rm rm n=n '"' rm n=n em rm

~M-------------------------------------------------------------------

Bva---------------------------------------------------------------------,

~

loco

II Jl.,..,P.-----fL--!'- ~ l:l:~-----.._. .~ -~ ~- .fI-' f~~ fL ~ .fI-
~
---------------------~ .~I
,.." .I~:·t\.
." .. , E5 F#5 G#5 E5

rrn rrn rrr: n=n nn rm em rrn rrn rrn rfT) rm

~M-------------------------------------------------------------------

• (cont, in notation)

flJl. #~. -~ '~g~ F----:F' ..
~
." .~"
...
-e ,
<, ,.
F#5

G#5

E5

F#5

112

Gtr.3

Rhy.Fig.3

13

F#5

E5

End Rhy. Fig. 3

GIr. 3: wI Rhy. Fig. 3 GIr 2 F#5

G#5

E5

~lI ,..,--...,.. ,.. ,.. ,.. ,.. ,.. .,.'--'" .,. .,.,--...,. f'- ~~. '~ .fL'
~
,.
." ." .. , ." '" ." lA_ _...,_
'w .~ .~ .w 'u 'u .w f"- .~ .w F#5

B!D#

E5

"lI ,.. ,--..,.. !'- fL .,,_ fL .,._ .,.. .,,_ .,,_ fL .,._ fL .,.. If. If. .fL .fL .,..
~
_-'
. ., . ., . ., . ., ." ." '" ." '-"- _.._., '-"- '-"- '-"- ._" .~ .~ .~ ."
'w .. 'w ~~ .w .w .- .u l';; _u __,u __,u __,u __,u __,u __,u ;';; Bridge G5

A5

E5

G5

A5

"Jl. ----..
eJ r I
I bear wit - ness to this place, this prayer so
GIr.2 #:t~~-----
" JI .n: = =
.
~
fdbk. - - - - -
~. ,.
"
pitch: C#
GIr.3 Rh F' 4
" JI y. Jg.
~. ';;;:"~~.~~~~.~~ ._ - ~ : *;: ;: ;: ;: ;: ;: ;: ;: ~.? ~ ~ ~ ~ ~ ~
..
n --"_ --"_ --" _l\_ --"- _n_ _n_ _n_ --"- --"- _l\_ _n. -" . n . .n,
e e e " " " " " ~ ,:" .., -r -s .... .., 'l ; :; :; :; ; :; :; :; :; :; 'l :; :; ~ ~ e e e e " e e " ~ ,:" ., .., ., ., .. ..
-x. :: :: :: J:J: -J: :: _ ~ ~ ~ __5_ .s __ ij _j] _ _j] _ij _ij _ij J:.f. t: :, :, :, :,
.... ..... .... """ ... .... - ... .... .. ... .... E5

G5

A5

Gtt. 2 racer E5

"llo ......--...,
~ I -...
long for - got - ten. So pure, _ so rare a to __
" I},"'~ -- _------------- .. ---_
~ -~:-- --.
~
fdbk.-----l
,. HAt
pitcb: A
End Rhy. Fig. 4
Allo
~ :: :: """"~~~~~~ ~.::
n n n n n n n n n n n ;.;;.--;. n n n n n .. .n n n "
:; :; :; :; :; :; :; :; :; :; :; :; 'I :; 11 II " " " " " " " " ~.;, ., ., ., ., ., ., :; :; :: :: :; :; :; :; :; ;; ;; 'I :; :; 11
.. .. u :.: x :.: :.: :.: x :.: :.: :.: - ~ t: ~ ~ t: -f_ =s: G5

A5

E5

Chorus F#5

G#5 .---.....

earth

ly

god - dess.

That I'd

sell_

~

.._;;I

P.M. - - - - - - - - - - - - - - - - - - - - - -

E5

F#5

D#5 ~

E5

.my

self

es

teem L,

a

dol - lar

at

a

time _

Gtr.2

steady gliss. _ -l steady gliss. - -i

H=~--------------__i

GIr.3

• Touch strings lightly wi L.H. beginning at 5th fret and move towards nut, pruducing natural harmonics.

15

Gu.2 tacet

F#5

G#5

E5

E5

F#5

of

you, __

my __

black

rna

don - na.

P.M.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -I

Outre-Chorus
Gtr. 3: w/Rhy. Fig.4
G5 A5 E5 GS AS
t 0 It .c>. r It E 0
~i r t t · "I 0 "1 0
::J :J 3
Mm, I'd sell __ my soul_ and my self es teem_ a ES G5 A5 ES
41 E ...--.., E r t It 0 r
F r f p 0 I r='" t t
J
:o!
dol - lar at a time __ for one taste, one taste, _ one GS

AS

~

E5

" ~ I'- I'- -(J ......---;. ., .,
.., da
taste of you, __ my_' __ Mag - len - a.
Gtr.3
iI' ~ ~ : ..
.., ~:~~~~~;~3~~~~~~
.
.. n " n n n n n n n n n n
~ c " ~. ~ " ." ~ ~ " .. .. .. .. ., .. 'I 'I 'I '7 '7 '7 :; :;
, '" '" ;; ;; '" '" ;; .;; , ~ ~ ~ ~ ~ ~ ~
u ~ ~ v .16

Rose

Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 112 steps:

(low to high) Cfi-F#-B-E-G#-C#

Intro

Gtr. I Moderately J = 120

(acous.) • D dd 4

a 9 .I:""""i
II jj.
~ mf ..
wi delay
let ring throughout
.. n n
"I'" '1 .. .. .,
! n n n
.D. . . •
... e
g w * Chord symbols reflect overall harmony.

Verse

Dadd~

1111 --
~ r r - r - ~
1. Don't dis - turb the beast, _ the tern - p're - ment - al
2. Bend a - round the wind,_ the si - lent - ly __
GIr.l RilrA ,.r--, End Riff A
1111 -
~ .. ,,--,"
n n n
~ ~ ~ -.
· n n n _no
w w
e
y
* Gtr, 2 Riff A1 EndRiIr Al
1111
... ; ~ I ~ ~ .. ,,--,"
·
~ " ~
· n n n ~
n n
h • Syntb arr, for gtr.

Gtrs. 1 & 2: wi Riffs A & Al

goat,_ blown L

~ IF
the snail
a - bout. t 1f?F ~ r IEf tJ"=( f
while L, he's_ feed - ing __ on __ the
A - gain,_ I'm __ tread - ing __ so __ G

1111 -- »: ;;;;.::::..
... Io...o.....J I t"
rose. Stay froz - en, __ comp - ri -
soft and light - ly __ comp - ri -
Gtr.2 RiffB ,*-~---~~ ,*-~-->~ ,*-~ _- - - --~ ,*-~
1111
~ ~ ~ ~ ~ Hann.------l
Harm. Harm. Hann. wi bar 112
+

/'
.., .., ., ., ., .., .., ,- pitch:B

B

B

B

c

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

AJI Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Rights Reserved International Copyright Reserved Used by Permission

17

,."" -
~ ---
mise what I will, ___ I __
mis _ lng my will, ___ I __
~~-----~ ~~-----~ ~~-----~ -~ EndRiffB
,.""
.., ~ ~ ~ ~ ~
Harm. Harm. Harm. Harm,

" " ., " " " ., " ..
~ ~ ~ ~ pitch: B

B

B

B

Gir.2 tacet

Dadd~

1.

2.

1\ Jj,
~
am.
am.
II"" GIr.3 (elec.)
~ mf
• wi dist, & DigiTech Whammy Pedal
..
. ~,

GIr.l RiffC - End RiffC ..
,.Jj, I ...,
~ .. I.,...ol .. I.,...ol .. I.,...ol .. .. .. ..
~ e 10
n n n n n n n
v v v ~ • A
" " . . " . e ."
~ W • Set for One octave above.

Guitar Solo F#Sus4

""" /~o ~o i- ~.f= -f: i- ~ ~o ~ .--...,,_ _fL.
..,
" .. f e • n. ... I • ••
,. oW ov • o~ . " f •
.~

""" ,
.., ~ 1.......1 J ~ I""""""" J ~ '---I J ~ J =
"II
n _n n n
v v
.
~
" .. .. .. n
~ - - 18

II 10 ~' ~' -,:. ~~ F -~ :f!:. ~ -~' ~~ II..
~
.~ In .. " I • .. "
'U· .u .u ,I>

1110
..., ~ 1........1 r ~ 1........1 r ~ 1........1 r ~ r Ioo........."j
n n n n

• • .
" " " "
~ - - ~ Gtr. 1: wi Riff C

Dadd~

Gtr.3 ~. ~---t: ~' ~~ ~' ~---~ ~~~t:~:f!:.
A~
eJ
,. --:;---
. .., . ., . ., .'"r . ~ , .
Chorus

Gtr. 2: wi Riff Al (3 times) N.C.(F#m)

A~ ~-..... 11.., .". _),-
~
I am, I will so no long - er.
All ~'--------~'--------~'--------~'
..., Gtr. 3 tacet
,## t ~r [J] It ~r tr I t ~r [J] It r tr
r r r
wnu..; 1 __ lay __ down, play_ dead_ play your F#5

A5

F#5

B5

F#5

AS

F#S DS

1111
eJ --...r r ! --...r - --.... .____.
doe in __ the head - lights _ locked down .., and tee - ri - fled. _ You're a
Gtr.4 Rhy,Fig.l ' End Rhy. Fig. 1
(elec.)
IIl1 i""""i I r--, I i""""i I i""""i J--o-,
~ I ! I '"----..J . ___
f
w/dist.

v ". v v "
;; ~.; v "nO Ii v ;; ~.; ~'. ~ ~
u ,_ ~ u ~ ~ u ._
- 19

GIr. 4: wI Rhy. Fig. 1
F#5 A5 F#5 B5 F#5 A5 F#5 D5
,~# ~ Ip ""'" P ...., IF -== I[ r t£r
r=' "f D EJ F F "f P EJ F
deer in __ the head lights, _ shot down L, and hor - ri _ fied._ When N.C.

1IJ1.
.., --- --- --- --- ~ - --- I
push comes _ to pull,_ comes _ to shove,_ comes _ to step a _ round_ this
Gtr.4 I
".110 - -
~ ~ • -
~K------------------------------------------------------------~
..,
., .., " n .., .,
n " n n ~ n n n .n n n n ., n n " ~
~ ~ ~ ~ N.C.

11.110
~ I .__ .__ --- r -......l I
self _ de _ struct _ in' __ dance_ that nev _ er would _ 've
fiJI. -
.., <:«

~ .., .., -r n ., ., ., .., .,
.:, " n n n n n n n .. n .. .. .. n n n n .. n ..
~ ~ ~ ~ ~ ~ ~ ~ GIr. 2: wfRjff B G

"JI. --
..,
end _ ed till I rose, an' I roared _
_;::r- ;:::r- ~~~
II .110 .,..---r-
.., ~ = ~ = ~ =
"I 11 11
wI slow phaser
~ ~~ ~
.,
., " n n ."

" '] n /

20

fI ~ :---.. - - . ~ . .. .,.. ..--.
~ r I • I I ~ I -
a - loud. ___ Here I am, will I am. __
"Jj, .,,_ q;r- .,.. r :::r- ;::r- r-
~ -:J =.t ;t = ~ = ~ = :; ~
11 11 11
~ - ~-- -"-
.. .. ... .. ., .,
~ ,-

., " " n " n o n n n
~ ~ ~ u ~ ~ ~ u Interlude

Gtr.l: wI Riff C (2 times) Gtr. 4 tacet

Dadd~

~~l

It

Chorus

Gtrs.2 & 4: wI Riff Al & Rhy. Fig. 1 (3 112 limes)

N.C. F#5 A5

II

It

F#5 B5 F#5
f C~ It f
will so fiJI, ~, .k --- ::::-
.
-.J
I will, I am.
Gte. 4 ~ ! ~ .~
fI~
-.J I ~ -

v . " v " ..
.... .;.; . v ;; .... i: i:
u ._ ~ :- ~
Gte. 2 ,
fiJI,
.., ~ . .....__....-
.
." .
n .. ~ ,
u r

am,

F#5 A5

F#5 B5
f C' It
lay down,
F#5 A5
r r It
mar - tyr, f

It

Will

F#5

B5

C'

It

r

gun shy,

F#5

F#5

A5

F#5 A5
f r It
play dead,
F#5 D5
r F tn It
pit - i - ful._
Free Time
D5 It

III

A5 F#5 D5
r It r tr
no long er,
F#5 D5 F#5 A5
r tr It f f='
play this kneel down,
F#5 A5 F#5 B5
f r' It f C'
I rose, 1 will,
(strings. approx, 30 sec.) 21

Judith

Words and Music by Maynard James Keenan and Billy Howerdel

D

" "

• Sf,

1333

Em7

II

111423

Drop D tuning, tune down 1 112 steps: (low to high) B-F#-B-E-Gfl--C#

Intro

Moderately fast Rock J, = 55 N.C.

'Otrs 1 &2

" ~. (snare) (rust) I ~ ~ ~~
-.J .. ..__...- ;____....-' -..____:: .. ..__...- ....__...-
f
. :, .. v. -"> n .n n "7 n :, n n .n I" .
v· ." " 'J' " " 'J' \l'
• i:, "7 0; 0; V v ;: . .., g .., E' ~ .-; ."'t Ie .
• u ... Composite arrangement

Gtrs. 1 & 2 tacet

Ott. 3 (dist.)

II.u. -- --- ~~ --- --
.
eJ - ~ ---- ..........__..~
mf P.M. - - - - .. P.M.- - - - .. f grad. bend
wI delay & reverb
-
. :, n n n :, n ~'n n :, n :, n n n n -r . /
~ ~ -". - /'
. . .n ~ :, -r ,- Verse D5 E5

D5 E5 F5 E5 D5 ES D5 E5

D5 G5

1I.u. ---. ~ -
.
-.J <:s:
1. You're_ such an_ in - spi - ra-tion for the ways that I will
Ott. 3
II.u.
.
... 'V -------~ --- --
grad. release
112
,-------------------..
<,
/
-- ,." I:', ~ :,
'1 v
Gtrs.l & 2 Rhy.Fig.1 End Rhy. Fig. 1
II.u.
... ~ , , , "1 ,~, ~~ , ~ , ~""~' ~ ;
~M---------------------------------------- ..
n n n n n n .. n n .. n ~ ~ e
j\ :; :; :; :; ;; :; ; :; ;; :; ;; :; :; :; :; x i! ~ ~
~ - u - u - v Gtrs, 1 & 2: wI Rhy. Fig. 1 (2 times)
Gtr, 3 wI random fdbk., next 6 meas.
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5
,I l1li' 'J j J J { Q t 1<lJ]·
J "1 t"
nev - er, ev er . choose to ___ be. 22

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Rights ReselVed International Copyright Secured Used by Permission

D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5
4#fJf ~ • --===--- F Ie
c •• p ---- #r -- r L r ~
I I J J •
oJ :J
Oh, __ so man y-- ways for me to show you how your
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 AS
-----....

has a - ban doned_ you. __ Fuck your god ___
End Rhy. Fig. 2 ~M-------------------------------------------------~

Gtrs. I & 2: wi Rhy. Fig. 2 (3 times)
D5 E5 D5 E5 F5 E5 D5E5 D5 E5 D5 G5 A5 D5 E5 D5 E5 F5 E5 D5 E5
,i1 ~
~ tJD r r r It ij._ • .....--_
• ~ • b r "1 C • ~
J ::J I y :d j if J j
You're a - lone in your Christ, _ he did this. __ Took all you_
D5 E5 D5 G5 A5 D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5
4# F ;~r ~ ~ ~" -----.. -----.. ~ t r
E' ! ~ b r • r Ie j • j
I :J J J
had and left_ you this way. Still you pray, _ ney - er stray, _ ney - er taste of the
D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 ney - er

thought to

ques - tion _

why. _

It's

~M------------------------------------------------~

~ Chorus

Gtr. 3 tacet, 2nd time *D5 E5

D5 E5

F5 E5

D5 E5 D5

E5

D5 G5

II .u. ~.,.. 4 i-----,:.
.(II. .(II.
.
otJ
not like you killed __ some - one. It's
Not like you killed __ some - one. It's
Riff A End Riff A
~-~.,.. .(II. 1'1- ~ .,. ~ .,. .,.~ ~~~~
otJ -- r-v ~~ ~r r

wI reverb 112
112
,--...... r----..
.~ .~ I~ e, •• n n n n- .",- '''' n
xr v v v 'OJ 'OJ' - ~ ~ II / ~ ~
o; .;;, .;;, i", . ., i~ j~ i~ .;;,. <; <; 'i 'i~ .. ,--- -r ., .
'Y '" .~ .~ - d, 23

Gtrs. 1 & 2: wi Riff A (2 times)
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 05
4
,jlr f~f~ 4
r r r E r Ie f ! r r; j
not like you drove __ a hate fu1 spear in to his side.
not like you drove __ a spite - ful spear in to his side.
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 05
,.1; t .,,_ r f f
.. E • r Ie • r r ~
J J ¥
Praise the one who left you bro - ken down and par - a lyzed. ! He
Talk to Je - sus Christ as if he knows the rea - sons why.
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D505 C5 ,. Ji, ~ ~ ~ Ir • . --........ -- -
..,
did it all for you, ___ oh.
GIr.3 ______ F' F'-'F ~ m m' ___
llJi,
..,
wi slide
... ... . ...
r ... ... -

Gtrs.} &2 ,,_ .,.. .,,_ .,.. Ff:.
II Ji, .1*" ~1*" • • • • • ;;---...
.., J J ! ! I ! ::.c r r r r

,. ,'> '" ." .on , . ,. . " ... '" ... ... '" n n n " "
OJ \7 'J 'iT ;; ;; ~ ~ ~ ~ ~ ~ ~ v v v
~;, ~:. ... n n n ~;, ~;, I;' ~;, ~;, i;' ., <; <; <; <;
.~ '.~' .. ~ ~ ~ AS

C5

llJi,~ ---- - -- -
..,
II ;;f:.' f:.~ ~ ~ ~'--- -F' F---F m m ~.--
..,
." '" '" . ~ ... ... ., .
." or 'u .~ - ... -
..-

:
." .. -11-. .• • • • ~ /1:- ...............
.., ! 1--1 ! :r --./ <;>

112
~
/I
n n n n n n n " " n n ." '" , .. ... (" ;, "
V ;; .Ii v v "" "" V V V V V
<; <; <; <; :; <; :; :; :; :; :; in ;n ;n ~;, .. <; 0; 0;- 24

A5

C5

G5

To COda-fit

II~ '* '* '* "'-
--'
- Did it all for
----======---
II :::e: ~,.--_~ ~ ~ ~'-- /~. ~~ g g g' __ . ~e: ~,.--_~ ,/ ~:::.---..~,/ ~
~ ~ =
r- r- -
-.J
.~ '" ~" ~" ... ,.. . .. '" ,n .s:»:
ji, ." .~ O¥ .~ . ., ... " .. ::< ,~ .~ '~r ~~


II .11/\ /'i:::- -<. I
-'* '* '*' ~ i ___.fI- fI- fI----
--' v~ ~ "" i ... ",-,"
......

112
--......_ ~
A
;,,_.... n n n n " .. .. .. .. '" ,~ ."
Ii Ii Ii V V V V V V V V V V ;;;
_ .. _I"' <: <: <: <: r;, r;, r;, ~ I> I> I> ;"
- E

Interlude ES

" ~ 011:.:-----. ---
- -
-.J
you, oh.
O~ ~ 'fI- fI- fI- fI- R '*' *,-..,_". ±I •• .~ -::::~,: ~~ .--:.:---
~
-
In on ,n ~n .-n ;~ ~n In n n ;, ';n or i" • A\
.~
~ -


Otr.l
II~ I:::!!!oo
. .
--' I I V'
112
f"----------..._


n .. " .~
-r
Gtr.2
II~
~ -.__.... ~ -:__.... if -:__.... =J .. .__.... =J .. .....___:- ...... iEi=J"1~
~M~-~--------------------------------------~ P.M. P.M. P.M.
-
;, ;, .. .. n .. ., ., n " ., ., n " ., ., n ., n n ..
~ ~ ~ ~ - ~ - ~ - ~ - - - ., .. -
., ., ., .. ~ ., .. -"-
~ 25

II ~~
V
- __ b.,..· ~~ .~-
""- ~ ~
IJ
oc O. LA'>
,n n n n ,on .. ... . ~ .- rr :..,a .n _n_ _n_ .n, ~ ... ... ...

11..- ~
.
IJ ;- .____.... .. <r-;: I -- .____.... .. <r->
1/2 112 112
r-; f - - - - - - --, e-.
J .... ,,>, .. .,
-r c .. ~ '7' .. .., ., ., .a: ~ J..:'. .. ~
- . ,.
""-
IJ .. ~..t ..... ~"1~"1~ ~ .. " .. ~ 7 ~ 7 ~ ~ .. " .. ~ "1 ~ 7 ~
P,M. P.M. PM. P.M. P.M. P.M. P.M. P.M. P.M.

R_" " n _n_ --"- .n _n_
.. ., ., ., _" . -"
~ ~ ... ... - ~ -"- ~ - ... ... ...
~ D

Gtr.4 n F F ~ F n:;~~ ~ it:
II~
V mf
wI DigiTech Whammy pedal 2
s>.
-"'-"- _".._ _.,.,_ ."7. _0" .. o~ .... _-- .j, 0;"
. _ .. ._ ,
Gtr.3 b,: N #.~.:-- ~
,,~-:: " ---
V ~ J
slow & steady glis s.
~;: .-~. i. ,n n n n • n n .. "
,;; _ii _ii _ii i.iL _ii_ _i _ii _i ;;.
,
Gtr. t
II~ II:!!!
.
V I ---Vv V........._____. .. ". _____ ---
112 112 I
f--------, b __r-:-......,
\ "
_/ ,,>, L
.. z-sv-" ,,>, e-" --"'-'- -"-
xs. ~ - ~ -
Gtr.2 ,
II.L1. • -=:::;::::: ~
IJ ~..t .... ~ 7 ~ 7 ~ ~ .. ~:;t~~7 ~7 ~ " ___ ~

P.M. P.M. P.M. P.M. P.M. P.M. grad. decresc, (cont, in slash)
-r
_i
;; ... ;, n ., io ., ;, ..,
u ~ u ., u ", - -"- _l1 .i:.
., .. ... '.' - " " n n n -
~ ~ ~ u 26

CD) GIr.2 --¢l.

,---...,

J.

J.

(cont. in notation)

II ~ ~ f: £ IE ~ _~ f'- f'- ~ F E_F :t _F_ .~. F='F F ~ F .~E FE F ~ f'- .fL f'-
~
2
- ~ -
.'" .... ... ... . .. . ., . ., .... ... . .. ... .. ., .. ., .-- ,.-;." .'" . ., • e .'., . ., .., ... .r
'w " 'w ,~ 'Y " 'Y 'w " ." ." ."
'Y .W



II~ --------
~ I
.... ft -;

11110
~ ..__.,<#. ___ _-"". __ --"""




""
\YJ Verse E5

II~ ..--. -- ---
tJ
2.0h, so __ man _ y-- ways for me to show you how your
~~-~~
G~.~ #~. ~-----~-~'-------(::'
tJ
~,~~"""'~,~"~
.. . ., .
,~ ..

Gtr.3 ..--.
"JJ, .-------
-.I I

"
Y

Gtrs. 1 & 2
_II 010
tJ :;t :;to i :;t i :;t .. ~ ... .. ... :;t :;t i it i :;t .. __.!' ... .. ....
P.M. - - - - - - - - _ - - - - -i P.M.- - - - - - - - - - - - - -t
n ., n n " n n
" .. "
., ., _ .... " ~
~ ~ 27

D5

E5 A5

B5

_lLoIIo =---
--'
dog - rna has a - ban-doned you.
fI II #~. ~---~ --~-~~---- -~ ~ ~ rt: .. -~ ~ ;:-fL
~
1 1
t +
H .~ ,~ ,.,,' .~ ." ." .~- /
.u .w -'.'~ .u 'W .u .u , . • ,-


fill .. ::::=----.-i.-~
--' I
steady gliss.
... ,., , . .,. ,.,
ft .- \._, .w

fill
'" it ~ i ~ i ~ .. __.!" ... .. ... .. .. .. .. ~ -;j. -;j. ~ ~ ~~
P.M.- - _ - - __ - - _ - - _ ---l P.M. _ - - - - _ - - ---l P.M. - ______ -i

n .. n n " n
" .n, " c ~ e i: '7 .:,
.. .. ~ - .. .. Ii
~ E5

D5

E5 F5 E5 D5

E5

Gtrs. 2 & 3 tacet

D5 E5

G5 ~

*

Gtr_l ~ b~
-'LII_ ~
--' ~ .. ..__....- ----.:.-:' .. ..__....- ~
, P.M_ - ----l
- .. n .n '0
-.:, n n .:, n ,- ... n .:, n " n ... ... ... \:I 'V
~. :; :; :; .. .. ~ -:; 'ou -'1 _1:._ :j " '1 .. >; ... >j r;,
.. 'u
- ,
-28 Pray ----Gtr.4 .M:

fllI- =

to your

Christ,

to your

god.

Nev - er

taste

of

the

~ ..__....Gtr.3

divisi

Whammy Pedal off

. ., ...

, ..

D5 E5

~

D5

E5 F5 E5 D5

E5

D5 E5

G5

" olio 7+ ~ ..--.... r r ~ ~
....
fruit. Nev - er strain, nev - er break, _ nev - er. They choke on a
GIr. I f: f: ~f:
"olio
.... .. ______ -- ______ ~ .. ______ .. ______
P.M. - --i
,n .n on
" n n n ., n on ;, " ;, '7 n n n n ..... v v v
~. " 7. " ~ ~ ~. .>; ',r _"- ~ =; ;" =; " 7 " ....... .';_ -H .7-

- - D5 E5

D5

E5 F5 E5 D5 E5

D5 E5

D5 G5

AS

~~--------------------------------------------------i

D.S. alCoda

D5 ES

__.......---,..

DS ES

FS E5 D5 E5

D5 E5

D5 G5

"olio 7+ r _._
.
IJ
you. Nev - er thought to ques - tion why.
~~
GIr.3 ['f: ----f:_ '-'f:-
"olio
.... ~ ~/
~~"''''~
,-' '.'7'
I-
v .. ...-
Glrs.l&2
"olio
.... ~ ~. ~ , ~ ~ ! ~ q~ , ! , ~ ~ , , , ~----~ =
11
P.M. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -i
c
n n n ~ " n ., n
n ;; ;; ;; ;; ;; n :; :;; ;; x ;; n :; ;; ;; :; Ii " n
~ ~ ~ y ~ y - ~ ~ u y 29

-$-Coda E

" JI, .ft •• ::::::::.--..... -----
..,
you, oh.
~ fL A ._.' /~. ~
"~"""'fL ._.~ .ft ... .. c:;. ~--~
eJ
.... ." ." ,.. .." .n ,n n n n n in .'7 .'7 .~"
.. ~ 'h ,h .h· .W .W W W .w n tn' .w
v- -

,,~ IlL 1L 1L ~ ._.. ~ ~ • C'. h I ~ .. . .. • .. ...
.., .. ..J 1-0.... L r r


.~ ." '" '" "n ,. , .. ,., ... ... '" n n .... '" , .. '" . ., ... n n
'V 'V'V~ .w "" <l .w ~ ~ \:1' ~ ~ ~ ~ ~ ~ ~ ~ ~ "
r~ n .'7 .;;, I;'. , .. :; :; ';n In ;n ;n ';n .;" :; :; C5

A5

C5

AS

" ~~
.
..,
-
,,;~ ~-~--/t:' N r r r /~ fL .,,_ .,,_ ~ ._. ._. ._.-
~
.n '.n' ."" .. ~ ." ." .;, ,n
.w 'WI hW \ .w .w 1~1~ F j j j
~jfJMvE
112 112
;1]~q , , , , C5 G5 E
" t r r .,,_ j'
It· oJ 1=
=- --=:::::::::
Did it all for you, steady gliss.

,'17 17 17 17 17

Q, 16 16 16 '1"

• Hypothetical fret location

30

CS

AS

CS

II 110 '-'p.. --~'- __ .dp.: h:
e)
(Ah.)
11110 /F' F~ g g ~'-- /~. ~.-.~ ~ ~ ~" /F' F~ ~ ~ ~"
e)
... ....., I~ I~ .~ ... .... ..
~ ... .... .~ . ~ ow ow ... ...

II Jj. +I. .. r~ ~ 1 ~"". "' .
.
.
e) I
wI slide
." ." '" .'., n n ,., .n In
vt .~ vt V ,;; i;;
",' <; <;,
" CS

GS

1Ijj.J'~~~~4. '1
--
e)
oh.
~ ..
/~. ~~ ~ ~ ~'-- /'F' F~F g g ~'-- /'~' ~~~ "'EO ~/ =
fllIo = =
If) I~nn
." ." ." . ., I., ... .n
.~ . ~ , .. ... -..

~
1Ij1- .c: --=:::::::--.._ .. sr-. /~.::::---...._~--=~
If) ............. I I
steady gliss, steady gliss.
.•.. n ;,_ ., " '"
11 II II l:; ~;; n n II
':' ' W/ Outro E

11.,2.,3.

14.

Em7

Gtr.3

fill- f'-- ». ~ f'--/~ ~ ~~ ~ .. .. c;. ~. .. -~ _jJ..
If)

. ., ... . ., ." n " " . • 'n " " .n
. o- n · ow
-
. ·

fljj. ..... .fL -,.. f'-- ~ ~ ~, ~ +! .. ~ . ~ 1 -11:. • -- .b~.
If) .. '--
w/o slide wi slide
*
',.~. , .. i" in ." ... n n · I. ...
" V V V V V V V V
'."~ r~ .r. J~ "" <; q ·
...
- • wI random fdbk,

31

Orestes

Words and Music by Maynard James Keenan and Billy Howerdel

E F#5 G5

.1111

341 134 134

<:5 G5/~

11111

[34

GlrS. 1 & 3: Tune down 1 112 steps: (low to high) C#-F#-B#-E#-G#-C#

Intro

Moderately slow J. = 49

* GIr. 1 "Ern7

(clean)

GIr. 2: (baritone gtr.): B standard tuning, down 1 112 steps: (low to high) GU-C#J-FM-B#~-D#J-G#J

Frnaj9

Em7 Rhy.Fig.l

Frnaj9

End Rhy. Fig. 1

II_jj. .. • •
~ t-< lIP I 1 1 J I

wI pick & fingers
wI chorus, delay & reverb
let ring throughout
..... " n e e n _n G. _O
! "- w _'Z w n " ., .. " n
A e- " .., .., " " .., .,
... -r y _O ., "
_c_ * Two gtrs. arr. for one .

• * Chord symbols reflect overall harmony. t vol. swell

Verse
GIr, 1: wI Rhy. Fig. 1 (8 times)
Em7 Ern7/G Fmaj9/C Fmaj91D Em7
,# r' F P IJ. ¥ J £J I.
1. Met a phor for a __ miss Ern71 A Fmaj9/C

Fmaj9/A

t 216 rZ§ I

---

rnent. _

(Pull _

ing rna

Ern7

Em7/G Fmaj9/C

f"<CQ It

Fmaj91D

Em7

Ern7/A

Frnaj9/C

Fmaj9/A

J.

I;'

--

Pull

me _

me

in in

._,_____.. to your_ to your ... )

per

feet

cir

cle, _

Ern7 Em7/G Fmaj9/C Frnaj91D Ern7 Em7/A Fmaj9/C Frnaj9/A
4# i f: : :f l' f 1"1 f:S:t (1: l' fJ : lp r12Jp f 0/ J Qj]
j
..___..
One __ wornb,_ one ___ shape.L one ___ re solve lib - er - Ern7 Ern7/G Fmaj9fC Frnaj91D Ern7 Ern7/A Fmaj9/C Fmaj9/A
,# i!=r J. Il3§J j tJ ,?¥if J I J.~ ,J I'" l II
y ~
ate ___ this win, __ to re lease __ us all. Got - ta © 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

. - •.•. I~_.- -I --_ !_ O A Ileoa,..{ h,,- Carmiczc:.inn

Chorus Em7

G/C

11.11- ----. ----. --
aJ =-..i t::::=I I ~I
cut a - way, clear a - way,
Gtr.l
11.11-
aJ ... I .. ...___... .. ~ .. } ....___...
.. n n n "
., v ., e "
~ e- ~ v ., n m' n
., '" v
**Hann.- - - - - - - - - - - - - - - - ___
P_.h let ring throughout
, * Gtr. 2 (clean) Gtr, 3 (clean wI J--------J ::1 J----,
11.11- chorus & reverb)
aJ ~ it' it. ~ ~-~. . ~'-'~ ~ ~~r' - - - -
-
- - - -
mp wI chorus cs r ~
Gtr.2
divisi
. .,
. .,
-r .,
~ ~ " '" ~- ., ., .. - _<. < • baritone gtr.

•• Applies to upstemrned notes.

Em7

D~(no3rd)

11.11- ,. ,. ,. -- =-"'I --= ---- ......---:::--
aJ -- I '-' I
snip a - way and sev - er this __ urn - bil - i - cal res - i -

Rhy.Fig.2
,,~
aJ ~ .. .. .. ..
n n n
" ~ ~ y '" v "
In' n n ~ " ., ..
'v. .. v v .
,
Harm.- - - - - - - - - - - - - - - - - - - -
Harm, - - - - - - - - - - - - - - - - - - - -; Jl J
II .II-, •• ,J. 1-
.J ) ] - -
- - -
aJ - - - - - - - - - - - - - - - - - - -
- - - - - - r--r l'-r r ~--r l'"'t r C r r--
r l'"'t r r: :L

'"
.~ ... "
,~, .., "
" " " .,,~ ., ., " .. .. -
; y -- pitch: G

D

33

Gadd2fC

Verse Gtr.3 tacet Em7

Em7/G

Fmaj9

Fmaj9/D

- ~
,,~:l -
.
~ ! I
- due keep-in' me from kil-lin' you ... 2 .... and from
End Rhy. Fig. 2
".u. • •
~ I" .... _____ .. • I 1 J

n n n --"- _o
.. .. u " ., ., n n
~ n n .. e u .,_ ..
u ., u u n

Harme-r - - - - - - - - - - - - - - - - - - - - - - - -I
) J~---,J. ;
- J ---- J
_".u. == - _ .
~ - - - - - ;j.--------~.
- - - - -
t l.r r r



., -"-
n
• Gtr. 1, wI Rhy. Fig. 1 (2 112 times)

Gtr, 2 tacet
Em7 Em7/A Fmaj9/C Fmaj9/A
&1 r n J ; ], LJ.~ ,11 #!d
pull - in' you down with me here. Em7 Em7/G Fmaj9/C Fmaj9/D Em7 Em7/A
It· ¥ .PD· IfJ m J J J J~J
'-'
I can al-most hear Fmaj9/C

Fmaj9/A

Interlude E5

C5

D5

" ~
~
-- you scream.
,
Gtr.1 -
,,~ • __.J_ r ,
~ qi--~' --~

n
D D u v .
u
.,
e.

Gtr.2
,,~
~ ~'----~ ~~~. y~ ~--
mf



~
" " ;,
u - 'M.

GIr. I tacet E5

C5

1!

Dsus2

GIr.3 ~F ~ -,:. If. If. ~ ~ ~ ~i ..
,,~ *"-~
-.J
mfw/dist.
n n ft
.. e .~ .ft .n .n s; .~ .~ .'~ 1n x .n
- ..... .... ,~ ,~ IU IU 'w
GIr.2
,,~
-.J _~. ____ ~. ~. :;to ~ ~-~. ~J ~ ~-
-
" ~ ~ e- ~ ., ., -
..- '- Em7

Fmaj9

Bridge GIr, 2 tacet Ell

,,~ ~: ~::=:::~ .: ~-:--~
-.J
Uh, one more i, med - i -
GIr.3
" ~ *" * *" *" ...... *"'-- .. .. .. .. .. *" *" *' *' *'
-.J
f let ring - - - _ - - - - -l
n n n n n n n n ft n ft n ft ft ft ft ft ft
.n ~n ~-n .n .n .-n .-n .un ;; ;; '7,:; '7,:; --X --X -x .,
'w u ,
GIr.1
"'" .. ..
... I I J
mf f wI pick & slight dist,

n n ~ .,
., , n ... n n n ----"-
" J:: .. ~ ----,,- ~
, ..
..
GIr.2
"'"
-.J ~.----~. ~,-,~q~ q~ ~ ~ ~ ~ ~


~ ~ .. .. ft ft .. .. ..
u u -- 35

ASIC

ASID

Esus2

ASIC --- ----

A7(no3rd) ----

,,~ ~' ~;::;~ .. ;::::: .. ~.r-.~ ~""'~ ~' -~' lr.-------iL II.
.
.
.... ....__... ....__... ___ J ::==- I I
...___..
cat - ed_ peace - ful_ mo - ment. Give me
* Gtrs.l &3
"JI, > > > .. 8 ... 8
.
-.J I ....

let ring throughout
., ., ., In
n n n n n n n n n f~
.. ~ ., .. ., ., ., ~ 'n
-- ~ * Composite arrangement

Esus2

A5/C

Esus2 ~

_fl_~J-_: _f- '~ ~' ~ '~ ~. ~ .~ ~ .,.. • r>» • r-.. .,..' -.,.. .
~
-.I ....__... ~
one more , med - i - cat - ed_ peace - ful_ rna - ment.
" JI,:::"
-.I

~" ., .,
n n " " " n " n n
i; ., w .. w .. ~
w EnUF# A5

--------

Chorus

Gtr. 1: wi Rhy, Fig. 2 (2 times) Em7

D~(no3rd)

" JI, ".,... -.,.. .. • • ._. ..... #-. ------- --
.
~-.l -------
Yeah, I don't wan-ria feel __ this a - ver - whelm - ing
Gtr.3
fl~ ------. . • • :;:::::;.. .. *- .. • r--. • • ~.,.. ~ .. - ....-, ..----:-;.
-.J
~ n n. " .. " n n n n " ..
" " ~ 11 l! if ·.-n ~~n In n ;; 0 ;, ,~'n in in .-n-- e e ,i" ;.,. e ~ ,~, ';'
~ v ~ .~ ~ v v v .~ .v v 'v. . ¥ Gadd2lC

Em7

"II •. . -~'-".,.--._.- ~~~. ..~,_,.,
• .. •
-.J
hos - til - i - ty, I don't wan-na feel __ this
I( l' /:' (.)1 ... . ~ .,.
"II •. . r-.. .-.,. .,. .,. (+) j,a. (+)~,a. (.) q,a. .r-. . .,."
J' ~
1/4 112 1
t t f----~ n - n n
.. _.,,, ." .n ;n, e " ;; ;; 11 ;; .-" • Un .....
v_ .w .~ v ~ v O¥ 36

Gadd21C

D7 no r ---: ~~~
""" ...-;:-. ....--.... _ . _ ."..~~. ..----
·
~
0 - ver - whelm _ ing hos _ til - i - ty, yeah. ___
""" /I:'-- ~ ...--.. I I I
·
~ - •
112
t ~ n n n n n n n n n n n
n
I~'_'" " " " " " :; :;. :; :; :; ;; ;; ;; ;; ;; :: ;;
v x :: :: n n n
n x Guitar Solo

GU'. I: wi Rhy, Fig. 2 (1 1/2 times) Em7

'\

D~(no3rd)

Gadd2!C

11110
·
~
-
-
11110 r ., - r......, ~
~ ~ • _!!!j . . ~ • _!!!j • •
wfdelay let ring- - - - --I let ring- - - - - - - - - -I let ring- - - - --I
n n n n n n
:: :: n " x :: ::_ n
;, • l l'" ., X " n n ;, ..-;. l ;, ::
n n ;, .. v ~ ~ " .. Em7

D~{no3rd)

-
IIJ.I.
~ :..:.._,./ • .. - ~ -
lei ring= - - - - - - - - -I lei ring- - - - - -I let ring= - - - --I lei ring- - - - - - - - -I lei ring= - - - - - -I
" n n
n
n n n ;, '.I '.I '.1- ft .. .. n
n ..-;. • ., n n n ;, ..- .. " ,,;
~, v v ~, v VI
Gadd2/C

Gtr.3 """

. ..

lei ring - - - - - - - - - - - - - - - - -! let ring- - - - - - - - - - - - - - -I

let ring - - - - - - - - - - - - - - - - -I leI ring - - - - - - -I

n

n

n

n

_"

n

n

Gtr.l IIJ.I.

. ..

.. .

... ~

n

n

n

n

37

Interlude

Gte. 1: wi Rhy. Fig. 1 (2 times) Gtr.3 Ern7

Farnj9 ~

Ern7

Frnaj9

"JI --
.
~ ---- ---- ......_,_..... - ~
In~"'~ Jf
grad. bend f------------------..........,
n
x _..
I"'~ I .. , ,'0, Guitar Solo Cadd2

ESIE~

ES/Ab

Cadd2

Dsus2

let ring- - - - -t

let ring oj Jet ring - -J

let ring- -J

let ring- -J

E51E~

Frnaj7 ...I

Cadd2

ES/Ab

let ring - -l

let ring- -l let ring- -t

114 114 112 1/4

C6 ~

Bbmaj7bS

Esus4IEb

Frnaj7 ...---...

C

Bbrnaj7bS ~

~---- ~ ~ ~ ~. ~ ~ ~ ~. '~ ... .. .. .-# ~ ---
~ I
decresc. mf -
let rlng- - - - - -l wi slight dist. let ring - - - - - - - - - - -l
n " n n n n n n n n n n n n n n n
.-:;, .'n ~ .~n .¥n .~ .¥n .~ .¥" .~ .¥" .., x ¥ ): 0' Cn ....
;;-- ;; .¥ • ¥
V ESlEb

E5/Ab

C

Dsus2 ....-:--

Frnaj7 ' ...11'

"JI ./"I:" ".-- ~ .. .. .. .. .--.,. ~ ~ __ - (.)'fI- ( .. ) fI- (.).".. .,. --
~
let ring - - - -l 114 112
n n n n n n n n n n n n nt n f--~-t---;'-f-"""" n n
l! ~ ~. ~ ;<:' ;, ~ ;<:' ;, ;; n • ¥n ·rn' ::,--' ;:, ~ ,~ . ,';n, .... ; .... C6

Bbmaj7b5 ...---..

ESlEb

Frnaj7

Dsus2

"JI .. .. ' .. .. .-* * * ........... _....,....._ ~ ..---....
~
let ring- - - - :- - - - -l let ring- - - - - - - - - - - - - - -
n n n n n n n n n n n n n n
II II .~ ~i: 1" ¥ ~' 1'" ~ ~ ;<:' ;. .,
n- .- 38

E

F#5

G5

Chorus E5

D5

C5

Gtt·U, )~)

f w/dist.

)

).

).

,,~ • * 11- * 11-' ~11-' ~ .... ~'-"~~.fI-"--"::::
.., ~ I .....- I
Got - ta cut - a - way, clear a - way,
II~ ..-...
aJ
let ring- - - - - - - --I
,."
;, ).

)

) ) ) )

).

G5/A

E5

II ~,.... ... ::::----:::: ... ,. ... ,. .. ,. .. . • !l!- F- II!.' .. .. i*- . .,,_.....----..
aJ I r .._ .- r
snip a - way and sev - er this urn - bil - i - cal

~ ~.r-.. ..r-.... * #'
_II_~- ## .. ' * ...... #
. ,
.., w/dist.
~ ~ ~

0 "1 . "1 .n .n .. n .. n . .. n .n .. n .n
n n n
~ D5

C5

G5!A

).

)r-.) ) )

) ) ) )

)

) ) )

)

) ) )

II ~""'11-' :~ .,,_ f:.. .f:.' .,,_, ~fL • #'
.., I I r ===
res - i - due. Got - ta
~"~
II ~.,,_ .,,_ !': .,,_ .,,_ .,,_ .,,_ fL .,,_ .,,_ .,,_ <, r-.r-. ~ _.--_
aJ
f
1112
~"''''~ t ~
. ., .. ., ." ." ." . ., .. ., .. ., .. ., .. ., .. ., ...... 0:: ,;" 0:: . 0:: 0:: 0:: 0:: 0:: 0:: 0:: 0:: 0:: 0:: .,_ L.
._ ._ 39

E5

D5

C5

, )

) ) ) __ ) I) ')

) ) ) )

,,~ ."_.,,._ .fL' -.fL' 1_~ .IL ~fL' ~
~ .......: I <).. - I I
cut - a - way, clear a - way,
" ~ . . - - ~~ ~_:-..... ~ ...----:--._ _._ _.__ _.__ _._ ~ ........ --
~
112
n n n _..,_ n~ n_ _n_ .n, _n_ _t_ _n_ _n_ __Q_ _n_ _n_ _n_ _n_ n n .. ..
:: :: :: x in ~~ rn l! " ;; ;;~ " ;; ;; ;; .0 0 _o 0 0 ___!: ._.;_" .vn .':. ~~
.v r-" u .u E5

D5

C5

)

I)

, ) ) , ) )-l

) ) )~)

) /)

') ))fJ

1\ ~ (It. ... (It. .. "_~_._ ~ f!L ~ ~. ,._~ ~,,_~ -fI- .,,_ -,:.'
-> ~ l _-I '-'I I
snip a - way and sev- er this urn - bil - i - cal res - j -

,,~,,~ (J;j.. ............ _.._- - - ~~~ /"'I':--
..,
grad. bend 112 112
n _)<- - - - -t-'" .. n n .. __Q_ _n_ ..D.. _n_ .. _n_ ..D.. t .. n n ..
.~ ,':;-' .-n~ :; ii .. G ;; G In .~ ,.,,_ jj ;;_ ;; , _f_ ::: ~ ~ ~
... • u -- u .. .w .u .w .. .. .. G5/A

,~) ) )')

)

) )) )

) ) )

" .u. r-.~. _,,_ ,._ -- .. -- ,,_ .~~ _,,_.~
-> I I r
- due keep-in' me from kil-lin' you.

,,~ --------
-> ....I I- ~ -
ff
n n ---"- n n n _n n ---"- n _o_ ----"-
l'~ ;., '" :; x x '" :; :; :; __Q_ __jj_ _li_
.. _.,_ ;.. ..
- ,~ n
.. 40

E5

D5

C5

) )

) ) ) __ ) /) ))

) ) ) )

,,~ .f!L .. .,._. -.,._ . .,._ .. .,._~.,._ -ja..
.
.; __. I ;:::;;;;;;;;;0 I I
cut - a - way, clear a - way,
" Jj. • • • . ~ .. .. , /:"'- ~ • • • . ~ ...... ----
.;
1/2
n n n n n n n . " " ... n t n n n n n n " n n n n
li li li ::' ;" .Un .-:. l! _;; " l!' 0 0; ;; 0 0 0 ._~·n ~wn ~;, rn
U U u. E5

D5

C5

)

/)

) ) ) ) ) i..»

".110 Ill- .. Ill- .. !I!- .. .. "~-F- .,._. .. .. .. 1Il--"'_ . -.,._ .f!L -,:.'
~ .. l ..[ --f .. .. I
snip a - way and sev-er this urn - bil - i - cal res - i -

".IIoI\~ (J;j.. .. ' -. .•. . ~ .... _ /i:'--
-
~
grad, bend 1/2 1/2
n ~ __ - - -+-., n n n n n " n " n n n n n t n n n "
,Un ::-' .-:. JI; ~ U :: :: :: ',». .-n .'1. .'11 ;; ;; ;; ;;
v U v v v U G5/A

)

) )) )

n)

" ... '~. _f!:. IlL .. !I!- .. !I!- .. "--;.fI- ~ .,._.~ ..
V I I
- due keep-in' rnefrorn kil-lin' you.

" ... ...----,... -
.
.; t......,j ... - ..
If
n n n n " n " " n ft
;; _? '5 ;; ;; '5 '5 ;; ;; 'n ;; ;;
.... - U v U .:, • 1 1 ..... _;,_ .n
n 40

D5

G5fA

/) ')

) ) )) )

n)

)

) ) ) )

".1< It. ~ It. .. It. .. - .. ~---...
--'
Slip a - way and sev-er this.

".1< -
--' <::» ....... • .. ~ '-.:_; ..
letring------i let ring - - - -i let ring- - - - - - -i
n n
;; ;;
_:. . ~ ~ :. ;, " n n ...
;, '7 -, n ., n v ~
v v _. _ v )

/)

/) ')

/) ,

E5

" .I< 'f'
.
.., I
-
".1<
--' -- .. ~ ~ ..____..
let ring- - - - - - - - - - - - - - -i let ring- - - - -i let ring- - - - - - - - - - - - - - -t
n n
1':
;, . _A' ;,- n n
_, n ;., -. ., ., '0 . ~ " e ~ :.
v v v v Outre Free tiine

E5 open

Gtrs. 1 & 3 tacet N.C.

)

) ) )

)

) ) )

J.----J.

=====~-

".I< It. ~ It. ~ ~ ~ . ,. Il f2.' t:.
--'
Keep-in' me from kilo lin' you.

".1< t:.
.
-.J ~ .... • .. --.____......,... --------=
grad. bend grad. release
rit. In
t- - - - - - - -:--=::-:-..._
<,
n n n n n n n
" :; ;; ;; x /
-r ., .,- /'7'
\. Tit,

(organ)

41

3 Libras

Tune down 1 112 steps: (low to high) C#-Ffl-B~-Efl-G#-C#

Words and Music by Maynard James Keenan and Billy HowerdeJ

Intro

Moderately slow J.::::: 48

* Csus2 Rhy.Fig.1

Em(add9)

Csus2

(viola) "* Ott. 1
11.11- r- I r- I r- I r""""" I r- I
._, .. .. .. .. .. .. r _U I .. .. .. ..
mf wI fingers
let ring throughout
'T" ,,_ '> -"- ,>_ ,,_ -"- _1 '>
! 0 ft n n n n u
&l u u
i-L . ~ n ~ ~ ., ., " .,
g u * Chord symbols reflect implied harmony. *. Two gtrs, au. for one (aeons. & clean elec.)

1. Gsus2

Ern(add9)

2.

Gsus2

Ern(add9)

Fsus2

End Rhy, Fig. 1

11.11- • ....... • . ......., • • •
._, ~ I r I ~ W .~ J....,..J

.n ~n "7 ., ~n ~n "7 "7 D e. -" _O
. " .. .. n
_., u .. ..
-"-'l .n ~ -r 0 on .. .. n ft ft
Fmaj9

~Verse Csus2

GS

Dadd~

Bb6

11.11-
._, --- .. ...
L Threw you the_ ob - vi - ous and you
threw you the_ ob - vi - ous just to
Rhy.Fig.2 End Rhy. Fig. 2
II .II- _. • • . r I i L r
.
.., 'L L....01 I t .. .. :; ... • ~ .. - .
simile on repeat
n ., '> .., ~ e
n u .n. u _n u _n .o, u n
.. ¥ ..
e 0 '> ., .. c c
.. .. u " Ott. 1: wI Rhy. Fig. 2 (3 times) Dadd~
Csus2 GS Bb6 Csus2 G5
4# r:s =;J J tJ I" ~j J J7 IMd J t9- ~ [J§
"P IJ: S3 "f ..
flew with it __ on your_ back. A_ name in your __
see if there's , more be hind the_ eyes of a ___

Dadd~ Bb6 Csus2 G5 Dsus ~ Bb6
'i J. ~~JiJ £ j~l lij41 J J] "f ~J J tJ I J. 3~ J> ==-,IR
re col lee tion; _ down a-mong a __ mil lion, same. ___
fal len ___ an gel;_ eyes of a tra ge dy. 4?

© 2000 EMI VIRGIN'MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Riohts Reserved International Ooovrlcht Secured Used by Permission

Em(add9)

Pre-Chorus Csus2

Gsus2

IIJ1.
RJ ~
-- Nn, dif - fi - cult not to feel a lit - tie bit dis - ap -
-- Here I am ex - pect - ing just a lit - tie bit, rom, too ___
Rhy.Fig.3
Ott. 1
".110 r-- j r-- j .. •
- .... W .. .. -<II .. .. ..

'1 .., ., ., ., ,n ~n
n n n n n n n
.., -, " " " " In '"
Em(add9)

Em

Em(add9)

CSlls2

fiJI. .- .-
.... I I
point - ed_ and passed 0 - ver.L, But I look, __ right_
much from __ mm, the wound - ed._ But I see, __ see
End Rhy. Fig. 3
IIJ1 I Ii I r- j
e,J W W W .. -<II -<II ..
n
.., .., .., _'1 u .. n .. .. " o " ..,
n " n n n n
u u u u u
.. .. .., .., .., -r ., ., ,., ,., ,.,
u Cadd9

Gsus2

ToCod(l~ Em(add9)

Fsus2

Fmaj9

IIJ1 --
RJ -- _ _.
through;_ see you nak- ed but ob - Ii - vi - ous, and you
through _ it all, see
fiJI r'" j .. .. .. ..
e,J -<II .. ~ l...J L r J ,

n n
:; In '" .., ., '1 0 0
'u n .. ..
.. ., .n .n .., .., .., .". n
u u .w D.S. (lICoda

IIJ1
.
.
e,J
don't see me. 2. But I
_iLJI.
e,J
""
»r
43

-{j} Coda Em(add9)

Fsus2

Chorus

G ~~Jj

II'"' • .. . .' - .,... 11"'1- •• .. --
v
through and see you. 'Cause I threw you the_
II'"' • !""'- ~ -
• • • •
.
v r u J r 1.. r L.....,j L.....,j .. :: :: ~ ; :: : ::
*~ >
ff wI pick
~ ~ ... e .. ~ .. .. "
n , n n n :c ::
'0
~ "7 "7 "7 e e e e ;! ':l
. y y y y y • Gtrs. are doubled next 8 meas,

Epadd9

Ab

G ~

Ebadd9

Ap

II.u. #". '''': :,..-., .,... '~--- #" •• #' '''': ...,.. .~
V
Db - vi - ous to_ see what DC - curs be - hind_ the
II.u. ~> • - L ~ L>
V T ~~ ~ ~ ~ : i : : ~ ; :: : :: vr ~i ~ ~ ~ :
> > >
~
~ ;; ;; ;; " " " " ~ ~ ;; ~ x " -" " "
0 0 0 11 Q ;! il il il il o 0 ;; 0 ;; 0 ;; ;; ;; ;; ;; ;;;
~ ;; -;.; ;.; ;; ;; ;.; ;; ;; ~ ;; ;; ;; ;; ;; :: ;! i! "
u u :;0 iii iii :;0 ~ :0 • X G ~

Epadd9

Ap

G ~

Ebadd9 Ap

~ =--.

II.u. .,..- '~ <, ~ 11"'. 11"" '''': ..". ---- st: .,.. '~ ....... __ 11'" a. #". 'J'- #" •• s>.
V
eyes of a fal - len c, an - gel; eyes of a tra - ge - dy. Oh_
II.u. I"- L> > I"- ~>

v ; :: :: ~ !; :: :: :: ; T ~:i :i ~ ~ ; : :: :: ~ : : : : ~ r w r ~~ .
> > > >
decresc.
" e e e
;; ;; ;; ;; ;; " " " " . ;; x ;; x "
;; :: :: _il _;! :l il ;; ;; C 0 ;;
;; ;; ;; ;; :: ;.; ;; ;; ;; ;.; )C :c ;;
j,,_ v 'l" Interlude

Gir. 1: wI Rby. Fig. 1 Csus2

Em(add9) Csus2

¥ 1i?Tp

Gsus2

J

It

42St] I

well,

oh _

well. __

Ap-pat-ent -ly _

Csus2

noth-ing; _

Em(add9) Csus2 ,3---, Gsus2 Em(add9)
It 1 ) J J ll· IJ2tQ 3 J j J~ ~n IJ. t,
0
ap - p'ar- ent - ly noth - ing at all. 44

Fsus2

Em(add9)

Outre-Chorus

Gtr. 1: wI Rhy. Fig. 3 (3 112 times) Csus2

Gsus2

II ... • • s:: .- .. ----...... .- c>. ~ ~
eJ
Nn, you don'r, , you don't.i, you don't., see me.
Gtr.2 (elec.) ~ Fi I 1 I
II ... I I ~ r-I r I I
tJ ~ .. .. .. .. ' .. ' ~ -
f
wI dist,
n n n n ;, ., ., -r ., ., ;, ;, n n
v .;; v v v- v- v- V V v' ~ v v ~
0; 0; 0; 0;. ~ :;' :;' :;' ~ :" ~ ,., 0; 0; q
u u
Gtr.l
1111 • •
.eJ W I r

0 0 .., ., 0
u n n u
n ..
Em(add9)

Em

Em(add9)

Csus2

II ... .. ~ • s>. f: .,. .,. .;:-;. .,. .;:-;.
tJ
You don't, _ you don't,_ you don't see me. You don'r; you don't, _
Gtr.2
.11 ...... ~ .--..... /'-. ::----, , - ~
.
tJ ~ I I ~ I I _1 ~ - ' - '-'-
112
t
A
,., -' ;, n ,", ;, -r "1 .
V V 'v V V , V Y .Y ~ .V ~ v v v
0; n :: ;.t ;.t ;.t n r'" ;.t ~ ;.t .. 0; ., " if if c'
~ ~ ~ , ~. ~ ~ ~ ~ - u Gsus2

Em(add9)

Em

Em(add9)

II ... .,. .. ---. ~ fl- r. _---... ~ ~ f'-~
tJ
you don't __ see me. You c, don't, _ you don't, __ you don't see rne.L,
II ... ., r--"1 r I ., ~. ,-.. •
tJ .. .. .. .. ~ I:. I J I I -I ~


., ., ., ., ;, ;, n n n " .... . - •• .. •• . - ." .
v ~ ;:; ;:;. v v v v Y v
~ ~ ~ ,,' c' ., 0; 0; 0; 'i n ~ n n n ;.t ;.t n.&
u ~ ~ ~ u u 45

esus2

Gsus2

Em(add9) __ -------_.

""" ;----. #.:=::==---::::~ .. ~. ~ .. ~ .....
~
You don't see me. ___ You
""" ~fL~ .,._.,._.,._.,._ .,._ .,._.,._ .,._~.,._.,._~ Pe e e e e e· __ .. •
.... --'" -

-
'n ~n on ;~ ,~ ~~ ,~ ,~ ~~ ,~ ,~ ,~ ,~ .... .... .. e ... .. '~ ,'n .n ~n ~n . ., .n
V V V -!,Y -~ ~ ~ V V
." ~n .-;. 1~ a a r. a a ~~ 1>, 1>, .;;:, In In
.. 'v .u
- Em

Em(add9)

Csus2

Gsus2

11",,:;0 #- .,._ ..... .,.r--- .... - ..... r.. .. __ •
~
- don't, you don't,
""" ~ I - ., I I "I ~ I r- I .,
~ I ~ I .,j I _J ~ . ' • ,-<," .. .. .. . .. .. .._-' ..

.. .. ft " '''' ;., .. .. ~ ~ ~ -:;- ~ n .n n n .,
OJ V ~ ~ t. ~ ~ ~' ~ ~ ~
~ ~ ~ ~ ~ ~ ~ .. <; .. .. l" l" l" l" <; <; E'
~ ~ ~ ~ . u u u -.. -u ... u . v Em(add9)

Fsus2 Fmaj9

~

11.110 ... ... • ... ... .,._ • • ... ..~ ... t:\
~
you don't L, see me at __ all.
Gtr.2 t:\
11.110 I r I .,
.
.... .. .. .. .. • • • ~ ... ... ... ... ... ~ ~:---=1:
>----
., ., .., .. .. .. .. .. .:, ;, " " " " .. n
~ ~ ~ ~ ~ ~ ~ ~ ~ l:. l:. l:. l:. l:. " "
f,' ,,' f,' ,,' 1>' ;> f,' E' ;> " :; :; :; :" :; ~ x
v u
Gtr.l
11.110 .. ... ~t:\,
,
~ L..J L....J ~ ----

.. .. ., .. n n
" " " -v
.... ., ., -r n n
u u
,. 4,6

Sleeping Beauty

Words and Music by Maynard James Keenan and Billy HowerdeJ

Tune down 1 112 steps:

(low to high) C~-F~-B-E-G~-C~

Intro

Moderate Rock J :::: 120 Half-time feel

• GIr. 1 (dist.) ** D5

E

D5

I 3'

,., ~ 4!: r--. """' '"' ,---.,. pay times
~ *9- .... - ~ -,J .J' ..".. .. ~ = =:= =:=:==:=== == = .. ~ ...... - ~ -,J -J' .." - ~
f 11 -.' lit,_;.' -.t.JI-.' lit.;... -,J~ -.
lei ring - - - - - - - - - - - - - - - - -I P,M. -i P.M. P.M. lei ring - - - - - - - - - - - - - - - - -I
...
! . .
A n n " n " n n n
... • n n ;. ;. n v v ... n .
U ;; ;; ; .. ; .. ;; 'no ;; 'no ;; -
v v v v • Two gtrs, arr. for one .

•• Chord symbols reflect basic harmony.

Verse

E

D5

,., ~ i r I I
-.J I. ~ .. ~
1. I'm de - lu - sion - al._ 1 __ be-lieve I could cure L, it, all, _
Gtr, 2 (dist.) .,._,-.,.p.--------!f.. - !:'- - - -- -- - - - -- -- - - --!:
-----~
,., ~ i _ • • .,._ !:l'
.
-.J I I ~ I r I I
np fdbk.
wi delay

. ., . ., .. ., ... .~ ",,'
~ ~
i .. . ; •• .p, . ". ••

GIr.l Riff A End Riff A
II~.f!
-.J ==== ===.======= .. ~- ...... ~..,,-- .. -,J-~
~lI 11 11 11 11 ~ 11 .. 11 11 11 .. .. ..
~K--------------------------------------------------------------i
let ring' - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - --I

n n n
n n n n n n n n n . n .. n n
;; ;; 'nO ;; 'nO ;; II 'n' ;; ;; ;; ;; 'n' 1'i ~ v ~ ~
v II JI. 4!:
~ I - I ...._.
- for you,_ dear, coax a trick or drive _ or drag the _ de - mons from , you.;
Gtr,2 ~. I I !f.'"'.p...----
_fL..Il._<ft. .. .. .. .. ,_ .. • 1*-
~ I W ~ I ._, I ...... I I 1/ I r I
", n .. '" '"
v v v v v v v v
:: <; :: ~. :;, GIr. 1: wi Riff A (3 times)

E

D5

E

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Rights Reserved International Copyright Secured Used by Permission

47

D5

E

II ~ It.
~ ~ ..__.
- make it right for you,_ sleep - ing beau - ty,- tru - ly_ thought
~~ <, ~------.!'-.--....p. s:
lllloi '-'.0. -----."..-----."..
,
tJ I [_3~ I r I ;;..000
~
.-" in ~" '"
v V v
~ .. ~., :~ .~.,
~/
- D5

Interlude Gtr. 2 meet

E7/G~

I\. Ilo i
~
I could mag - i - c'lly heal , you.
I\. Jl, i ~ ~~~ ~'-'.p.------~'-"~, Gtr. 1 ,....., ~ r-"1 I r-
-
~ I r I L.....,j ~ ~ ~ ~3 B ......... J ~'" ~
-
,n· .n '" '" '''' -
It .v _\L 'v ~ ;.. :, "' ;,. n n ;, ~'l . ., ;,
,., .;; v v v' v v v
'; '; .~ ~ .-, '1 '1, _1 In -in -in -,
" .u "1I011:
tJ
You're
I\. lO oil: I ~ - ",_..., ,......, r""""""'1 I ~ r--, ), I/"A
tJ -d- ~ ~ ~ ~ ~ ~ ...... "'3 ~ ... .. .. ~ .. .. / r ~ ~
-
- -
~ ;. ;, .. " " ;, .:, .:, n ;, ,'n .n ,n .'n ;,. n ;, ~.;.,
v v v v ~ ~. v v v v v ,Ii'
'1 'l, '; '; '; .. ~ ., 'l 'l 'l ,n n; ., <; ;r,
v Pre· Chorus E7/G~

I\. JI, i .. • -= .,.....-...._ . ----.. ,.__
tJ I
far be - yond a vis - i - ble_ sign of your a - wak - en - ing. I'm
RiffB r--1 I r- EndRiffB
II~-II: - .__, ~ I r--
tJ :;to :;t ::J ~d ~ ... ... ~ ~ ... ~ 71 .. ~
=
e " e " .,> -, n n n n ''1 ;, n ;. "
v v v v' v v v' .~ v v
ii ,ii, ~ ,~ ,"' 'i 'i 'i ·.n .;n -in .., 'i • 48

11. jj. -II: .' ~ .- .---
~
fail - ing_ mis .. 'ra - bly to res - cue_
11. Jj. .f1o RiIlC __., ,......., r--1 I t\ 11 r 1'""""""" EndRiITC
- -
~ ~ ~ ~ U ~ T T ~ ~ .. ' .. ... .__/ T T ... ... =
'II
., e e '" .'0 '0 ;, n n n _;;" ~" --;;: " n n
l} l} ~. ;: ;: \7 .~ ~ ;: ;: v v
'1 ' .. " ,,' ., :; :; :; .n l~ .l~ ~ Q <: .n
u v 'w .w ... ... u Chorus

E :::::===------.

05 -------

" Jj. * " _ "". ----- _ r>
~
sleep - ing beau-
" jj. -II: _...-.,_ _...-.,_ ----..... ,--.. ..-..
~ = = = = = :: :: = = = = = = = = -:i- ~ - .. -~ ..... --. -. ~~--. ~ 77 .. ._. .. T T -.J.
'II 'II 'II .... '11 'II ._.'1 'I 11 ,"-""11 11 11 ~11 11 ~11 11
f P.M. P.M. P.M. P.M. -i
let ring - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -i
~ - - - - n n h n
n n •• ;. " ;. " ;. " . " " " " n n n n
;; ~ 'n' 'nO ;; :" ~ ',,' .... x .... .... --.;- --.;- "'" ~ E

05

------
" jj. -11:. .,. ".-----", ~---=----
~
- ty.
"Jj. .f1o ----.. r--. ----..... r--. ..---,,_
eJ :: :: :: :: :: :: :: :: :: :: :: :: :: = :: ~~ ... 9" .......... -.J. -.J. T ~ .. T T " .... " ...... ~
'I '1 'II ._.'1 'II ._.'1 'II '1 ,-,,'I '1 'II ._.'II 'II ._.11 '1
P.M. --; P.M. P.M. P.M. -;
~~g-----------------------------------_l
- - - n n ft n
" n n " " 0 n n o· n •• n n " n .. -ar- --;;: n " w n n n
n '"' ;; \.,' ;; :" .... ::
w Verse E

05

"'.&.I -II: -
~ -- ....... I
2. Drunk on _ e - go, tru - ly thought I could make _ it right _ if I
" .&.I 011: RiffD EndRillD
~ :: :: = = = :: =:: :: = :: :: = :: = ~ -:i- .... 9" .... .. ~-:i-7J ~ .......... __ ........ ~
11'111111'11'111'11 '1111'11'1111'1111
~K-r--------------------------------------------------------------;
mp ~~g-------------------------------------l
n " n
n n n n n n n n n n . . n " " " ft " ~ _A
n n n' n 'n' n Ii ..
v u u v v 49

• Gtr, 1: wI Riff D (3 times) E

&###1 - J 4 ? da; j

D5

DO

kissed you _ one _ more time _ to

help you face the night - mare, but _ you're _

* Omit P.M. last 2 meas., 3rd time.

E D5
'###1 ~ ~ --~~ £j ~ ~. II tl f} r1D ijr f) \
- ~~ r r ~I
~ '----""
far too poi 30n_ for_ me, such a fool_ to think L; that 1_ could wake. E

'###1 J tJ 3 =J~ J

D5

III

you _ from _ your slum - ber,

that

I could ac - tu'l - ly heal_ you. __

Interlude

Otr. 1: wI Riff B (3 times) E7!G#

Voc.Fig:...l_---- _

Sleep

ing _

beau

~ ~ p--p

I ~ E . IE

r

ty, _

poi

soned _

and

Otr. 1: wI Ri=·ff...:C_------- __ ~

o-----r·

F I

i End Voc. Fig. 1
7 D II
less.
You're hope

Pre-Chorus wI vee, Fig. 1

Ott. 1: wI RiffB (3 times)

E7/G#

" JI. 11: _. ...--, _ -- _ --
.., J ---.. r
far be - yond L, a vis - i - ble_ sign of your a - wak - en - ing._
Otr.l I ~
" JI. -!!: • • • _ r-;. • • _ ~
.., I 1..-1 L._J ~ '--'W I l........J L...J W ~ l....-J
_..., . ., -_ .. n _n_ .. , .. .. n ... ., ...,_ _ . ., ,'>
. ., ;:; ;:; 'V V ''; 'V 'V v' ;:; ;:; s:
.'.l ~ .s q .s: n ~ n -~ II q .;.; s: ';1,
~ 50

II '"' o!! ... ..--.... .. .. ~
~ I ~ r
Fail - ing_ mis - 're - bly to find a way to com - fort_ you._
II '"'~ .• • • 1 b r- I ri -----
-.J I L-J --.J ~ '-"[_..j I L-J ~ ~ .. .. .. U,
. ., '" ." ." •• •• n n ,. .. •• .' " ., ., .. i ..
;:; ;:; V V ~ V V ''; ~ v IV
ii ii :; :; ii ". ii ii ii ~ ;; ;; ~ i::
u U I U U U U u v V 1I .... .fI ... _..-.... • ---... .. ---
-.J I ---.! r
Far be - yond L, a vis - i - ble_ sign of your a - wak - en - ing,_
" .... -It .. .. .. .. I h ",....--... .. .. CiL
~ I L......J l....._J ~ '--'W I I......J W W I......J I...-J
, .. . " .... '" n n n n .... ." '" ,."
v v V V _y Y y y y y y y y v y' IV V V v
ii ii :; :; !,' ii ii ii ii :; :; :~
I " U U u U U U U 1I .... .fI • .--.. • ~ .::c.: .... ~
-.J
hid - ing from _ some poi - son mem- 0 - ry.
o;:'! .fI' fl- fl- fl- r-=:::t. • • .. ~ q~ f: ~ ~ fl- fl- fl- .,-. ......... ,",_jl
.; I '---I I..o....".,J I l...-J ~ ---." 1 '---I 1
'" ." ." ,-" i. .... '" , ... .- ... in .n ,n .n 'n i" '" ." '" '"
v V ;:; ',)" ;:; ;:; \Y _v IV ;:; \Y \Y .,)" .u _v_ ;:; ;:;
n r~ ... .... .." {:, .{:, .{:, . n
. ~ . '.~ .. ., '_'
Gtr.l r-"1 I r-
" JO o!! - __., 1""""""""1 I r---"'I - 1I_jt_
~ :;t :;t :;t ~ ~"If "If ~ ~Go' ~ "If "If "If "If i
.
" " e " -r " n n n n .... ... ,., n n n n n
~ ~ ~ ~. v' ~ ~ ~' ._ ".7 ',7 ~ ~ ~
.; .. ' .. ' e j:' . ., =; =; :; .n .{n in ., :; =; q n
'u 51

Interlude

GIr. 2 tacet A

c

A

11»01:1:--.
e!
-
GIr.l ~ ~ ~ ........ r'l ........ i'l -
II » 01:1:
e! 1: 1::::::;1 1 1: 1 ::::::;1 1 1: 1 1 :;:::::::::: q ... .. .. ":::::::::::::~1: 11 ::::::;1 1 G6

Dadd9

A

II » 01:1: ') ........ - D ...... 11 1 11
e! 11: 1 ::::::;1 11 1~ 1 l~ . • --":::1 1 1 1 1: 1 11
lei ring - - -i let ring - - -i
112 112
t t
-. ,- . __
"
:;
v c

A

G6

" jj. 01:1: r'1 ........ r'l_ ........ 1 ........ ........
V 1: 1 1 :::;:::::::::::~ ... .. ... "-~1: 11 ::::::;11 1 1: 1 ::::::;1 1 1~ 1 J::;::::::::=
--

.,_ --
:; ~ Interlude

Gtr.3

(dist.) Dadd9

End half-time feel

A

II .II 01:1: .. • • • • ~ • • • • • ~ • • • • • ~
e! mf
* wI Leslie & octaver
" " " '" " " " n n " ~,,-


oe.i .~ r--:- - - - --: ~ - -
" » 01:1: ........
e! _... • • .-......;: 1 11 1 1 1 1 1 1 1 11 1 1 1 1 1 1 1 1-
~M--------------------------------------------------

" " e " e e e e " " " e " " " " "
~ ~ ~ ~ ~ ~ ~ ~ ~ Ii Ii ~ ~ ~
... ... 'i ... 'i 'i 'i
;; " ;; ~ ,,- " ~ ;>" ;>". ;>" ;>" " ~ ~_
u * Octaver set to double one octave above,

52

Interlude

GEr. 2 tacet A

c

A

II""l±--..,
~
-
oe.i [') r--- r'I r-- ~ r--- r--
II ..I. l± [')
.
~ 1: 1~1 1 1: 1~1 1 1: 1 -1 :::::::;::::::~.J l oJ oJ =:::::::::;11 : :1 ~:1 1 G6

Dadd9

A

II 110 l± r'I r--- - ~ r-- rI [') iI
.
~ 1 : 1~1 :t :t~ 1 J -;::;::::--. • ---"::1 1 1 1 1: 1 1
lei ring - - -l let ring - --l
112 112
t +
:. ~ ~--
n
; c

A

G6

'" "" lI: '] ,...-- i'1 - \ - -
.
.
~ :t: :t 1 :::::::::===~~ ~ ~ ~ -':t: :t ~:t 1 :t: ~~~ ~ ~~ 1 1 ::;:::::::::
~
-
~
n -
'" - Interlude

Gtr.3

(dist.) Dadd9

End half-time feel

A

II "" l± .. .. .. .. .. ~ .. .. .. .. .. ~ .. .. .. • • fL
~ mf
* wI Leslie & octaver
v " " " " n .n " " " " " ~" ,," " ~ n n . .,
oe.r ~ ~ ,...._ - - - r--- r--- r---
II jl. it r---
~ ...... . . .-..._;: :1 1 1 1 1 1 :1 -;j :1 ~ ~ ~ ~ ~ ~ 1 1 1-
0 P.M. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
-". " " " ~ =: =; --;: .: "
~ II ~ II II II ~ ~ II ~ ~ v v e
-: -: .... -: -: -: -: --:- --;-- -;- -: -: -;- ~. '; -:
;; ;; ;; ;! ;; ;; ;; ;; ;! ;! ;> ;! ;! ;! .: ,; .: * Octaver set to double one octave above.

52

c

A

G

" Jlo.flo ~ I'- ~ I'- .. I'- • • • • • .,.. • • • !'- • !'- .-
...
n
~n ,n ,n ~" n n n n n '" n n n .n n .n n
,~ .~ .~ ~ ~ ~ ~ ~ ~


,. olio of!: ,...... ~ ,...... ,...... - ,...... - - - - - -
... ..-IIJ -I -II .. .. .. -':::::;11 :t ~ :t :t :t 1 ~ ~ 1 1 1 1 qt l t t I::::::
~K----------------------------------------------------------------_
n n n n n n '" " " " .. .. '" '" '" '" '" '" '" A
V ; ;; V V V q V ::, ::, V V V V V V V
0:; 0:; " 0:; 0:; 0:;. '; ... ~' .; .. ' ... .. ' .. ' ... ~ ~ :; ;; ;;
" b " " " " r:: r:: Ii 2 C ,; ,; ,; ,; ,; f) ~ :; :; :;'
~ ~ v V ~ ~ ~ D

A

"JI, .flo ~ ~ ~ !'- .. !'- .- .- • .- .. I'- .. .. .. .. .,.. .. .- .. .. .. .. .,... .- I'-
e.!
n n
v .n .n ~n n n n n n ... n n n n ,n n .n n n n A .n
~ v ~ ~ ~ .~

" JI, .flo ,...... - ,...... - - ,...... ,...... - ~ ~ ,...... -
... .... • • ------:1 :t ~ 1 1 :t 1 :t ~ 1 1 :t :t :t 1 :t 1 ~:::::
P.M. - - - - - - - - - - - - - - - - - - -; P.M.- - -; P.M.- --;
,~ H ~. -" " " ~ ~ " " r: " .r:, .. r: " "
V V V V ::, V V V V V v ::, ::, ::,'
~ ~ .~. _ii ;; ~ 7 7 7 it' .. ' ., 7 7 ~. 7 ',l
.vA 'VA i"n ~~ ~~ .~ 2 2 2 .,- 2 2 2 2 .,- .,- 2 2 .: ;,- ;,-
,~ v v v c

A

06

_II olio of!: ~ ~~~ 1'-1'- .. ,. .- • • ~ ~ !'- ~ ._ • • ..
e.!
wI delay
n n n n .n n
v ... . ., .n n n n .n
.~ .~ . ~ v ..



I"""'- r--- - ~ - r--- - r--- ,...-
IIJI..fIo r-- 1'1 :'\
... ..... ~ .. .. .. .. .. .. .. --=i:t :t :t 1 :t :t :t 1 1 1 1 :t :t qJ J 1 J:::::
P.M. - .,.. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -;
n n n n n n n " e ... '" ... " " " " " e "
v ::, _;;- V V V ;; V V V _v v V q
'i " " 0:; " 0:; 0:; it' ... .. ' ... ... .. ' ... .;
~ Ir b b b r-~ ~ i:! ,; ,; ,; ,; ,; i:! i:! ,; ,;
- v - ~ v v V V v v 53

D dd9

Qutro

Gtr. 3 tacec E

Half-time feel

a
" '"' It .;I i. .-1ii...,.,-..., ~ -------
~
The poi _ soned and_
II '"' t lolo lI:
-.J

n n n
~


" ,",__i_ r-- r-- lolo +! ~
-.J .... . • • = :: :: :: :: :: :: :: :: :: :: :: I ; Ij" .. .. .. ~ ... ...__.- -.J .. ;:
11 ... ... ... ... .. ... .. ... "iI ... "iI
P.M. - - - - - - - - - - - - - - - - - - - -I let ring- - - - - - - - - - - - - - - - - - - - - -i

n n " n
..1l. •. n ..._ ....... n __,.. n ..1l. -"'"I. on. ..±I .A_ -, w n n u .,
;; n :.,' x 'n' n n 'n' ;; :.,' n ~ n
u u u u u u u D5

lllolo+! ~ ...,---...,-----..-.-.. ------ __-:ji: ...,.---..., ~
-.J
hope _ less sleep _
Otr.l
11,",1'1: ,.-._ ---.. ........., ..--.. ...--... ..--.. -r-, ..--..
-.J :: :: :: = :: :: :: :: :: :: :: :: :: "Ij- ....... ;J. ..". -J -,j - ~ = :: :: :: :: :: :: :: :: :: :: :: ::
... "iI "ilt.;. ... t.;. ... ...t_;. ... ....J' .. "iI .. ..~ "'L;iI "iI ",-,""iI .. 11 J ..
P.M. -I P.M. P.M. let ring - - ..; - - - - - - - - - - - - - - - -i P.M. -l P.M. P.M.
;

~ .n. _n. n. n
n ;, ;.. n ;, n ;, . n .. U n n " ;, ;, .. n n A~·
ii _01 .... " .... u _It _}{ u _It .... u n. ~ n n i; :.,' ;; .... n ;; ;;
u u u u u u E

D5

E

D5

E

C#5

II lolo lI: ---- ~
.., r I
ing beau - ty.
"Jl. ll: ....--.. ..--.. .....-.... ....--..
.., .. Ij- "* .. - ;J. .... .._, .. ..". - ~ :: :: :: :: :: :: :: :: :: :: :: :: :: ..
.. .. "iI.__. .. .. ",," .. ".__." .. 11 _. ... ..
lei ring - - - - - - - - - - - - - .:. - - - - - - - - - -i P.M. --l P.M. P.M.

e
n " ft ~
• n ., " n n " ;.. ;, n ;.. n ... n ..
- u n 'n' u 'n' ;; 'n' il 'n' . ..... - Thomas

Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 112 steps:

(low to high) CII-FII-B-E-G#._cjl GIr. 1: Capo III

Intro

SlowlyJ == 86

Em

* (C#m) ) >

G 1{

>

F#7IE (D#7/C#)

C5

II

134

D5

x ""

115f[

134

E5

II

II Cmaj9 (Amaj9)

tr. acous. > .r-, > ~ >1"'""""1
"JI. -It I I I I ~ -...
~ r ~~r r--~r r r-----u r--r vr "j
"P::> > > ::> ::>
let ring throughout ::> > ::>
... ~ " n n
! u u ~ _.c._ _.c._ u _.c._ _.c._ -I:. I:
I!. " " ~ ~ " " " .. ~ :;,-
.... u
;;I ~ --"- _.._ v ~
u ::>

>

* Symbols in parentheses represent chord names respective to capoed guitar.

Symbols above reflect actual sounding chords. Capoed fret is ''0'' in TAB. Chord symbols reflect implied harmony.

Em (C#m)

F#7IE (D#7/q)

>

Cmaj9 (Amaj9)

>- rJ
GIr.l ~ > > ::> ::> I~ r J ~ ~
"JI. I ~
~ r ~~r r __ ~ r r ~[~ r-----u r--r ~r
>- >- > >- ::>
::> ::>
n n
" " .n n
u ~ u " " _.. _.c._
" " " ~ " " " - - "
u . u u u u
,;, " " " "
u v
• Gtr, 2 (elec.)
II JI. .It
tJ x,~
mf
wI dist.

v , C • Two gtrs. art. for one.

Half-time feel Gir. 1 tacet E5

1.,2.,3.

4.

GIr 2

G5

D5

Bb5

Bb5

~ .110 -It I ~ 1 _1_ _k - l:t 1 _1_
-tl :i ~ , '::::'/~ __ .. ;. __ ............ T :::: ::: ~ ... >-- ............ '[,7 ..". ..".
f~ .. "11
P.M.- -i
.
n n " " '", .... _..,,_ ~ _0_ __ 0 "'" l'l_ ""'" ~ n ~
:; :; ~ ~ ~ ~;; i:; i:; . ~:; ~:; ~;; II II II
;; ;; :;- :s :s . .;n _a_ _H_ __C _;; _n n in in in ~ ): ;; Verse C5 "JI.

D5

~

1. Hum-ble and help - less,

r r

less, _ less,

r r

less _ and

learn-ing to pray. _

11.110 -

I

tJ .. .. .. > - >'

~~-----------------------------------------------i

!'. ::>

JX

'0" 0 0

"

.:; --"- --"- --"- --"- --"- -". ,,'- in

v

n

Ii 0 c

1n

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Rights Reserved International Copyright Secured Used by Permission

55

CS

DS

II.u. ~
~ r r r r
Pray-ing for vis - ion, on, __ on, on_ and to show me the way._
II.u. - I ~ \ I I
.
~ ................ .......... . .... .. .._::; ~ ___ . ~. ;: ;:-......._
>


.n _,,, L" _..., '"
';it i:; oil> .i:; ~:;
~ .. e .. 0 " e e .. e e e " .. 0 0 e " e e 0 .. in .in -II; iii in
~ ~ ~ ~ ~ v v ~ ~ v ~ ~ ~ ~ ~ ~ U· .~ 'U Chorus

D Voc.Fig.l

ES

Esus2

G5

D5

Bhs k

ES ---

" II- .,.. 1"" .,.. & II. • • ...-..0 ----._'"' • .,..' 1'" .". 1'" ~ .,.. ~~ it~ ~
~ --- ~
Show me the way to for - give you. Al - low me to let it go._
Gtr. 3 (elec.) I fro
II II- r ~:
~
~ ~ • '-'l_j ~~,
w/dist.
J' n -" n n n
;; 1! l' >; 1! _'l_
., ., n ... n_
~ ~ ~ ~ ..
r Ii" :; n q :;
v U :0- n
Gtr.2 I fr_ \ r:-i
IIII- r
.... • • '-'l..J ~~, '::=::' ~ ~ ;~---. .. ..__., ...... 'tnt ... = qt::=:
..
P.M.- --l P.M.

., ., R i .. n
~ ~ ~ n _"- ,,_.,_..._ '-"""- -"- _O "
l:' i: :; n OJ ;; Ii if ;; in in .;;; ;; ;; :;
v U :' _A a .n: n_ -~ :t - .. ;;_ _An .;_;;_ _~ _~ n ii
'U u U GS

DS

B~S

ES

GS

".u. 11"'-----. ==------ ~ fL~ fL .---.~-...~ End Voc. Fig. 1
.,. .,.. .". ~ .,..
.... ;;0.-
Al - low me to be for - giv - en and
II.u. ~ ~ -!- ~
wJ
., -r .. ., n n n n " n _n_
.!._ _i __;_ :,_ l!_ _l! !L ~ _ ~ l! _ >;
n n n n u - .
u - - -


Rhy_Fig.l
II.u. I rI
wJ~ ~ :::::::::~ .~ ~ ;~~ .. .. '"-' .. ..._ 'lrI' .... = q;'_ :::=::~ ~ :::::=:! ~ ~ ;::::;/
__:, .. 11
P.M.- --1 P.M. P.M.- -i


u, n _c_ .. ..._ L'''' _O 0 _" " ~ ,~\
Ii Ii if :; .i:; .;:; I:; ;; ;; n :; _It _l!
:; ;; _"-- ?_ :So c .. 11 ';n _-II; l! ~ _R I; l; n n ;; ;;
u u - U U U ,~. D5

B~5

E5

Bkgd. Voc.: wI vee, Fig. 1 D

E5

" .. .,.. .,.. .,.. ~!: .,.. ~,.. II....-rs; :::::::::::-.
tJ --
show me the way to let go. Show me the way to for - give_
~ ~ ~ Ifrr
/I 011_ ~ r
tJ .. -;» ~ ~'----
> >'----
ft " ft n n " -s ., ., ..
;; c C 'i C :; :,. :,. :,. :,.
w w ;. s; ;. _.,- .., n
v ~ :;.': _if_ " "
-;; i:; OJ n :; :; :;
w w w ;; ;;
v w
I r:i -
II,u. r I fr J
tJ _ .. .. "'--'...... '!rW ... = q~~, ~ , .. • oJ ; ;'----
'I > '---'
PM. >

.. .., n i~ n
,n '"' " n " v ~ ...Y_ ~''''': _v " ..
III .. 11 .:; ;; ;; :; :; :; ;; ;" :; n :; :; :;
._.n :; :; n :; n w ;; :;
w Esus2

G5

D5

B~5

E5

G5

II,u. ~ -- ~
wJ .__.--~ I ~ I
-- you and al - low me to let it go.
t ~: (Ooh.)
II ,u. ~ -!- ~ ~
tJ~
n n .n n n _'1 ., ..
;; ;; ;; :; ;; :; :, :, .. _i
v w w . w _;, _;,_ n ;.
.,,, w
_o;_
11
II ,u._ I r:i_
tJ~ '::.____' it ~ ;J »> " "-.._,...' '!rW ... = qi ::-:::, ':::::=::' it ~ 'J-
'I
P.M.- -l P.M. P.M.- -l


. ". ... e . ~, ~" '" .... , " " .. ~ .~
;; :; l! l! . oj:; oj;; .:;;; ;; D ;; :; ;; ;:
:; :; " n x :; .i:; .i:; .;:; :; :; n :; 11 n n X X
v w w Gtr. 2: wI Rhy. Fig. I

D5 . Bb5

E5

G5

D5

E5 ...-0:--

" .. ..- -- - .,.. .,. .,.. ~~ 1... ~,.. .i;"'. __
tJ --- I I
Al _ low me to be for - giv _ en, and show me the way to let go. __
Gtr.3
" ..
tJ
n ft n n n n n " n ft
i! _i! :; i! _; C :; C C ;; :; ;; :;
w w w w 57

Bridge
C5 C C5 D5 E5
®
3ft
Gtr.~ n Q )-) ). ) )
P.M. - - _, > > ,,~~ '-> • • ~ . -----
-.J ;;,....00 ~
n - Iu - mi - nate,
" II ~ ~ ~ Jr. s=-. > ~
-.J
., ., ., ~
!, !, !, .n ;, " .., :, ..,
;, ;, ;, ... _n n n ..
~ ~ ~ ~ C5

C ®

C5 D5

E5

C5

C ®

3fr

n

Q) __

>

C5

D5 E5

3fr

)

n

)

)

)

P.M.- - _,

P.M. - _,

,,~ • • • -- "" .. . . .. .. . •
-.J ~ I
i1 - lu - mi- nate me, and il - Iu - mi- nate
"II :tr. ~ P .• ~~
~ > s>. >
-.J
~ ~

.n " " ., ., .n ;, " ..
n n n n ., n n n ., n n
End half- time feel

C5

C ®

3fr

C5 D5 E5

)

)

)

n

n

P.M.- - _,

" ~ --- .. ....-
-.J
the way and_ just pray for you to show_ me where c. I'm to be - gin._
fl. ~
IIJ1 s>. >
--'
-~

., • e .. " .. .,
n n .. n n n .., ~ u . .., n ., n n
58

Interlude

Gtrs. 2 & 3 tacet Em

(C~m)

F~7IE. (D~7/C~)

Cmaj7 (Amaj7)

,,~~
~
--
Gtr.l > > >~ > > I
>
" ~ ll: ,......., I I I I r-.. >,......, ....-; >~
eJ r ~~r r r ~'-'r tr r---ur--r ~r -
~
11fJJ> > > > >
> > >
.~ " ~ •
" e " .. .. .. .. -"
" ~ " " e '" " ~ " " " e e
u . . . . u u
" " e e " "
u u u Em (C~m)

F#7IE (D#7/C#)

Cmaj7 (Amaj7)

"Jlo GIr.4 (elec.) /L ~~~~ ~ --- ~ ~ t:--~'-..._
eJ 11fJJ
wI clean [one, chorus, delay & slide let ring - - - - - - - - - - - - - - -!
let ring - - - - - - - - -!
on ... ~n
." .n In .• " in .n • n In .....
.~ 'u ,~ .~ ,u

Gtr.l > > >......--... > > >
>
" Jlo -It I I J I I I >~ ....-; >.......,
eJ r ~~r u r ~~r Ut r-----u r--r ~ r
> > > > >
> '-' > >
" " " • •
u ~ u .. e .. ..
" ., " " .. e e e e e " "
u . ~ u u U U U u
:. . ~ " " " " e
u u u u Interlude

Half-time feel Gtrs, I & 4 tacet

wI additional Bkgd. Voc., ad lib. (till end)

N.C.

Con-neet

to you.

P.M.- -l

P.M.

P.M.

P.M.

P.M.

P.M. - -l

59

2.

(Andyou can't _

be

lieve.) _

Can

nect L to _

you.

P.M.

P.M.

P.M.

P.M.

P.M.- -l

P.M.

P.M.

P.M.

P.M.

Outre G5fE

N.C.

II;lo ...---... fL' ~.ft.. __ ,.--..,. ___ .. ------_ ~
._,
Re _ re _ can _
II~
-.I ~ = = ; = = ; = = , = = -~ = = ~_. , = = -,- = = -: = = -, = =:~~~ ~~
<:s 11 0 11 -:s 11 <:s 11 .0 11 0 11 -:s 11 0 111 0 11 '-"
P.M. P.M. P.M. P.M. P.M.- -l P.M. P.M. P.M. P.M . P.M.- -i
.
~ ~ ~ ~ ~ ~ ~ ~ ~
. ;;: _"- ~- ;;: ~ "¥_ -~ ~
:r .. :;. ;. n :;. ;. " :;. ;., .. :C' ft n n :r ;. .. :c. ;. n :;. ;.. .. :;. ;., n .;, n n
" -u -.;T --,,- -ar- -rr --,,- "" -er- G51E

N.C.

1. G51E

NC

..
II;lo -=-- :::::::---
-.I
nect, can _ nect_ to you.

11.110
-.I :; = = ~ = ::; ~ = = ;: = =.~~ ~ ~ ~ = = ~ = = ~= - , - =::J~ it ~
0 11 ~ 11 0 11 0 11 '--' 0 11 ~ '1 0 ~. ~ 11 '-"
PM. P.M. P.M. P.M. P.M.- -l P.M. P.M. P.M. P.M. P.M. - -l
.
~ ~ ~ r ~ -
;;: ;;: ;;: :0- ;;: !! !! :< .
:; ;, n ;; ;, " :§:' ;, " .;, n n j!' ;., -;;: -~ ft n ;r ft n .i:: n ..
u u " U u 2.

G51E

N.C.

E5

11.110
._, ~ = = ~ = = ~ = = , = = ~~ ~ ~ ~
~ 111 <:» 11 ~ 111 ~ 111 '-"
. P.M. P.M. P.M. P.M. P.M.- - -l
e e e ~ n
;;: !! ::..---.... !! !:
;; ;, n :; n n :; n n ::- ;. .. .;. n .. !:
u " - " . u ..- --,,- 60

Renholder

Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 112 steps:

(low to high) C#-F#-B-E-G#-C# Gtrs. 1 & 3: Capo ill

Intro

Moderately J = 94

(Dsus4) (D) (A)

II ••

134 132 111

* GIr. 1 (12-slr. acous.) "

C7sus#4 •• (A 7sus#4) Riff A

-

I

I

EndR;ItA

pp fade in

let ring throughout

I

...

...

n

. ,

.

"'P

~ n

.a. w

n

n

n

"

...

. ...

..

n

• Symbols in parentheses represent chord names respective to capoed guitar.

Symbols above reflect actual sounding chords. Cap oed fret is "0" in TAB. Chord symbols reflect implied harmony,

Verse

GIr. 1, wI Riff A (11 times) C7sus#4

(A7sus#4)

'~I!I! F == r';;=:;t

J

()

In

r

IF T

J

r

I"-::::=::::-

r I

r

la-----

I

,~~ qr Iria ,---
, I r" IT' "I D I 'I~

~ '!. FEE r

E

E

E

F

r

r----

I

Interlude

GIr. 1: wI Riff A (7 times)

C7sus#4

(A7sus#4)

*GIr.2 " I

8va- - - - - - - - - ~ - - - ~- - - - - - - -1- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -;: - - - :.: - - - - - - -1- - - - - - -;.- - - - - - - - - - - - - - --

r

I

I

I

~" ~"

.r ......

.n

.n

, ... 'v

.",

• Piano au. for glr.

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EM! VIRGIN MUSIC. INC.

All Riphts Hessrved International CoPvriQht Secured Used by Permission

8va _

IL I I jj.. • I jj. I jj.. • I
-.J - J I
~~ . ., ,. . ~ ~., .. ~ ~" ~ ... _ .. .. " 1 • ." ., ." H
." ,'>
.~ Ott. 2 8va ------ --------------- ---- ---.

Interlude Gtr. 2 tacet (Dsus4)

Gtr. 3 (acous.) I

~ oJ • mf

loco

*G 4

(D) ~o

" I I tr. p- ~~. #
-.J
1'> H .n ~n
;);



Gtr, I RiffB - - End RiffB RiffC End RiffC
" I I ., ~ I
.., ~ :j ~ ... --- ., ~ I I ! J ~ ..

lei ring ________ - - - - - - - - - - - __ - ___ - ____ ""i let ring - - - - - - - - - - - - - - - - - - ""i
n n n n n
v .
n n n n n .; n n n n n
., v ., ~ ~ n ~ ~ U .n U v U n
n n
v • Violin arr. for gtr.

Gtr. 1; wI RiffB A

io----J·

Gtr. 1; wI Riff C

Dsus4 D

iJ· io

Gtr. 3 tacet

N.C.

Gtr 4

" I ~~-."-"'n • • .p... b~ -------- #- ~- n
-.J
in ..; n n on ~ ;, 0
Gtr. 4 tacet

Outro C7sus~4 (A7sus#4)

Play 4 times & fade

Gtr.l I
" I I I
-.J :j :j I I
"P
n n
n n n .. .
., ~ " U "
0" " ~ .
u u 62

"""7'""":!"I":",

Thinking of You

Words and Music by Maynard James Keenan and Billy Howerdel

G5 G5 type2 A5 C5

••••

134 13 II 134

Tune down 1 112 steps:

(low to high) ell~F#~B-E-DlI- ell

Intro

Moderately fast J = 152

tN.C.C5 D5

A5

C5 D5 A5

:(\~__....------.. ----

C5 D5

AS

C5

(~) t: ~ g' .n.
Gtr. 1 (dist.) -
-
"JI. -
cJ
rrp
simile an repeat steady gliss.
tt wI DigiTech Whanuny pedal & delay
.... ,
'..:
· , _...
, _...
·
, _...
~
-2112
RilIA
• Gtr. 2 ~. b~~.".. .,.. ------- ~ ~. #~ b,a. ?---
"JI.
.., mf
simile on repeat
.n .n n
on
·

·

GIr. 3 (dist.) Rhy.Fig.l I ./'to -: .. ," ~.
"II .. .,-... .------- . .. ~. . .
.
.., ~f V I I V I V I .....___... [:::j ............... '-'
simile On repeat t-.
...
• · .... • n .... .... . ., n 'n' ..-' 'n' n
jl . ,,_ ~ .
.... • in in .in in .n :; "7 J~ .. :;
I!;II .w .w '"': .w
.* Gtr.4 RiIIB
"II
eJ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~:;i: .. ~
...
! · ~
A _it.
.... · ;, ~ .;, ~ <I "
... n ~ r- r r n ~ c * Synth. arr. far gtr. ** Bass Mr. for gtr,

t Chord symbols reflect implied harmony.

tt Set for Perfect 4th below

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Rights Reserved International Copyright Secured Used by Permission

63

D5

A5

F5

E5

C5 D5

A5 C5 D5 A5

ll\~~~-------

'"'.n. W _t I f
- =_t_
,. .,..-
--'
steady gliss.
I~~\
'I _),C
, -
, =
-
, -
,_
·3112
.1I.jj.~.{1'~ ,..--;;,. ~' ~~-----,.. #~~ ~
..,
112 112
r=-; r=-; .n • n ...1'1 .
,n,-- ;n,- in, ....-I-t. til. ov v
VI WI \ 'w
,..,. I I b. I .'1'~ .. -----. .-----. .. ., ..
--' ¥ ~ r J II I I II I I ~
I~
A
n n " ,J ·n ~" ...:t.<I. on
;:; " v .s: ~
~ ~ 0; ~ ... JiL iii.. JiL .;~
ow
,..,.
..
--'_:: ~ -;J. -;J. ~~ ~ «:» ~ ":J. * «.:» ~ ~ * ~ -;J.

r _" " _') "
n ~ ~ n -". ...n. ....c.. ....c. e ~
v - - 64

C5 D5

A5

1.

C5 D5

2.

D5

A5

AS

11.110
LI
1. Ly -
'""'.n -~----~~ ~----g~
-
IIIJ. =
LI
' . ." , . ." H"11, ,."
" :'
<, · -"
<, <,
<, · <,
<, <,
-3 112 -3112
11.110 ~~ ,9-.--------/1~~~~ End Riff A ~~....---~
~ ~~ *" .,,_ ,9-
LI
112 I~ 112 112
+--, +--, r=-;
.n ,on,- ,n,- ,n, 'n'- ,'n,- 'on'
, .. '~I .v, "

~ End Rhy. Fig. 1 _E,~ ~
11.110 I ~ I I ! h I l h I
.
.., .._. ----- .... ~
rake - - - - -i P.S.
v
v
n n n n n /n'
V v' v v v v v
0; q <: <: 0; 0; ~
._..
--
IIJI. EndRiffB
e.I «:» ~ ~ ~ ~ it ~ ~ ~-....__ .s ;: ~ ~ ~---
·
;, ;, ;, ;, ;,
c " u v n e " '" c
w V V Verse

Gtrs. 1,3 & 41acet Gtr.2: wI Riff A (2 times) N.C.

,iF

ing_

J 1 j ~~~r #r=' J I~F J. -= tr·J. ---- =- f?~1
~
all a lone and rest - less. Un -
(Eh.) ;,# r :sJ J 11 fJf J l~pCf2?;j 14£21 D = 1
j ~p r ¥
a ble to_ lose this im age. __ Sleep -
65 &joE' J BtJilF I~r J oj J j ...-;::;;:--
~p ~r r J 'f D' 'I
==-=
less_ un a ble to fa - eus on an - ,if73EJ=r J l I~[ 9 4 £ti J~ ~,~
£jJj r #r J 2k
y thing __ but your sur ren der.

Gtr.4: w( Riff B (2 times)
C5 05 A5 C5 05 A5 C5 D5 A5 C5
4i , u r F F F r IE E • r~r ~ rl~ n J l J ;
I r "f "f
Tug-gin' a rhy - thm to the vis - ion that's in_ my_ head._ Tug-gin' a beat to the D5 A5 F5 E5 C5 D5 AS C5 D5 A5
@# J J j ,; J It r F r r r r • r E r--p F
; J I j "f
~ ~
sight of you Iy jng._ So de light - ed with a new un - der - stand - ing? C5 05 AS C5
"f It J ; J J J ; =-,1
un - mis - talc - a ble noise _ Some- thing a - bout a lit - tie

e - vi! that makes _ that

D5 AS C5 05 A5 C5 05 A5 F5 E5
'#J t£} ~ ~ ~ ------. r~ ~=~ f ..-----.
J J J J) J- It ~dt ~
= ~
I was hear - ing, un - mis - tak - a - ble sound _ 1 __ know_ so well. _ C5 D5 A5 C5 D5 AS

1#;

~ ~ ~ ; J J ; J I J J J J _Jj J.

C5 D5

A5

C5 D5

A5

It

Spent and sigh-ing with that look in your eye,_ eye.

Spent and sweat-in' with that look on your face _ like

C5

Chorus Half-time feel

G5. __ -------------- __

IIJI, &. ... ."""~-,--- .. ~ ~ -~
-.) -
sweet rev - el -
*Gtr. [ j."'"'"j r--1
IIJI, - - ~
~ ~ ~ ~ ~ .. .. ... .. ... = ..... ______ .....
11 u ____ u
P.M.
" " .., ~ t: e " e
;; ;; :; " I': I': I': I': l' ~
;; ;; ;; ii :j: " " " " ~
~ ~ ~ ~ ~ n • Doubled throughout

66

A5 "T

FS

-----

G5

End half-time feel

fI~ ,.L!'!; .,..r-...,.. ~,. . n ---n ----t:>~. -
tJ
a - tion, sweet sur- ren - der.
flJj. - - - ~ ..r-
tJ ~ ~ ~ ~ ~:::~ 'W w = .L!.__ .--.u. _____ ...... _____ ......
'II 1Y _____ 1Y _____ 1Y _____ 1Y
" " " " e 'n' ~n In '" ~n In
:; :; :; :; :; :; I:: IX IX IX IX "
;; ;; ;; ;; ;; ;; "ow 'cl' "ow "ow 'GW I!
~ ~ ~ ~ ~ .u. u u u u u :) Gtr. 3: wi Rhy. Fig. 1 (2 times)

C5 D5 AS

Rhy.Fig.2

CS

D5

A5

C5 D5

A5

CS

AJj. - r-.. ~ r-..
tJ .. ~ = ~ ~ .. ~ = ~ ~ ~ ~ .. ~ = ~ :i ~-
'II 'iI 'iI ----

. ~ ;. " ." ~ " p
.. ~ ~ l' .. l' :, ~ ~ I!
. ;; . ~ :, :, ;; . i: " " ., ;; ~ :, :, :)
n '" i:. u u n " i:. i:. I: u .n I: I:
- D5

A5

F5

E5

C5 D5

AS

C5

D5

AS

fI ... - -
tJ --
Sur - ren - der._
flJj. -
tJ~ = ~ ~ ~'~ , .. ~ = ~ :i ... ...:::::::::: = ~ ~ ~ ~
'II .. ..

"7 .. "
:, .. ., " " I! .'0 ., ., I! '0
I: :,. :; ;; :. :, .. ~ ~ .,
n ~ ~ ;; n ~ ~ n " ~ ~ ~ 1- D5

2, D5

A5

C5 D5

AS

C5

A5

AJI. - -
tJ --
Sur - ren - der._ Yeah.
~ - End Rhy, Fig. 2 -
11.11- ,....._-
tJ .. --:::::::" = :i :i .. ~ = ~ ~ ~ :::: = ~ ~ ~
'iI 'iI 'II
-
p " .. ;, :,
I! '0 ., "7 I! :, :,
:) I: .. .. X i:. "7 ., . ~ ~ ~ .,
n ~ ~ n ~ ~ ~ n ~ ~ ~
- u u U - U U U U U U U U Verse

GIr. 1: wi Rhy. Fig. 2 (2 times)

N.C. C5 D5 AS C5 D5 AS

4$ t 8J r f f f of 1ft r f~p f

2. Tug-gin' the rhy - thm to the

vis - ion that's in __ my

C5 D5 AS C5
;:Jl~ i W P i tJ
head._ Tug-gin' a beat to the D5 A5 F5 E5 cs
4#6 f f r::t£1J2r It
sight of you ly , ing._ D5 A5 C5 D5 A5

E±J f f f f Iff t r=~ f i

So de - light - ed with a

new un - der - stand - ing.

67

C5 D5

A5

C5

D5

AS

C5 DS

A5

C5

I,

Some- thing a - bout a

lit - tie

e - vil that makes _ that _

un - mis - tak - a - bIe noise _

C5 D5

A5

C5 D5

A5

F5

E5

C5 D5

A5

C5

,.

It

---- j

un - mis - tak - a - bIe sound _ I __ know _ so

t1f fEEl

_ I was hear - ing,

well.L,

Spent and sigh - ing with that

D5 AS
,# f f ------ ;----.,.
r F EJ f I,
look in your eye,_ eyes. L, C5 D5

A5

C5

D5

AS

E±1 P P f f Iff t f ::f

.._.. like_

Spent and sweat - ing with that look on your face _

Chorus

Half-time feel

G5 ~

A5

f1'

,,~ • " ,..0-""", 1' . .,..' _~ __ i!t: .,..,.....,~
..,
sweet rev - el - a - tion,
Gir. I i"'i i"'i Rhy.Fig, 3
,,~ .-- - 1""0-. ........ .-- -
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"11 u~u
" " ., " ~ ~ ~ " <Ie _". " ., ""
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C5

G5 A~5

-------

G5

A5

II ~ ? .-0' '. ~ r--.
..,
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II ~ ~ _r-, - -
, -
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112
f------- ~
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G5

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Sweet rev - el - a - tion,
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"11 u _____ u
~ ~ r ~ e- " 'l ., ,n'
0; 0; ;; ;; ;; " :; :; :; . :; :; :;
x :; " ;; ;; ii ;; ;;
n :; - w 'v.
W 68

End half-time feel

F5 G5
fJ JIor.,.: ~---- ""'" ________ r--.. r--.. --0 -----=====:--.., ,_-..;::_
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End Rhy, Fig, 3 - -
f:: - -
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In In ~n ~n In
.;" ~X JX 1:1 IX ~ ,~, .~,
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w w w w n ? X X pitch: F

F

Interlude G5

Voc. Fig. 1

End vee, Fig. 1

liJlo
~
Think-ing of you, think-ing of you, think-ing, think-ing of you, think-ing of you, think-ing.
IIJIo Rhy. Fig. 4 End Rby. Fig. 4
tJ , ; , , :; :; ; :; , , , , , ; :; , , , ;
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X X X X ? ? l; l; l; X X l; x l; ?
¥ Voc.: wI Voc. Fig. 1 (7 112 times) Gtt. 1: w/Rhy. Fig. 4 (14 times)

Gtr. 5 (dist)

mf

wI chorus & flanger

112

69

. ,

GIr. 3: wI Rhy. Fig. 4 (3 112 times)

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112
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,,~

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GIr. 3: wI Rhy. Fig. 4 (3 112 times)

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steady gliss. -r-,

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=

Gtr. 6 (dist.) "JI,

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(dlst.) ./F

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Rby.FiIll Gtr.3

70

8va--------------------------------------------------------------------------------------------------------------------- _

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8va----------------------------------------------------------------------------------------------------------------------- _

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8va------------------------------------------------------------------------------------------------------------------------------- _

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71

8va ---------------------------------------------------------------------------------------------------------------------------.----------

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v

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8va ----------------------.--------------------------------------------------------------------.--.---------------------------------------

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8va -----------------------------------------------------------------------.---------.------------.------------------- •• -----.----.-------

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.

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+6 -,- r -."" r , "','" T - -,-"" "T - """1 - -,- r -,- -,-"" -,- T"""" r-"" "1 ....

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.

GS G5 type2

GS GS type2 G5 GS type2

))))))) rrn r: ))

GS GS type2

) ) ) )

GS GStype2

Gtrs.l &3) I\~

) )

) )

Think-ing of you,

think-ing

8va_. • __ ••• • ._. • __ • •• •• • • •• • _

0_

(.) ~

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+6 :~ - ; :- -: ; - .,. - i i - r - - - -11--_--

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8va-----------····-------------------·--------------------------------.---------------------------------------------------------.---- ....

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steady gliss.

.v

72

Chorus

G5

A5

C5 E

®

nntJ

Gtrs. 1 & 3: wlRhy. Fig. 3 G5

) )

of you.

Sweet _

'-----" rev-el

8va----------------------------------------------------------------------------------------------------------------,

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wn ''7\ 1<'7\ 1'7\

'1n\·

Gtrs, 5, 6 & 7 tncet
A5 F5 G5
4llfl e=f -- qa?it3
dE ¥
a tion. Sweet
A5 C5 G5
~#I r t I- i aile:
Sweet
AS F5 A~5

G5

'12

sur - ren

der - ing. __

Ii

___.., rev - el

G5

~. ~~ .,.. ;;:;----.. ~ ---1"- --- t:\
~
a - tion.
.1:.. Gtrs.l & 3 t:\
~ ..... ______ .....
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wI random fdbk.

"
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73

Brefia

Words and Music by Maynard James Keenan and Billy Howerdel

Tune down I 112 steps;

(low to high) C#-F#-B-E-G#-C# Intro

Moderately J = 120 Half-time feel

(bass)

'C#m7

Gtr 1 (clean)

,., jj. -II: 8 ~ w ~f __ ~.--.~ .,,_ _f'- ~. ~ ~~ .fL~
.; -
mp
wI delay & chorus 112 112
let ring throughout ,.--__ ~
...
! .~ te ... ", .0"
l1 .. e , '~J
.... _"" ."
;I • Chord symbols reflect basic harmony,

Amaj9

II v. l:I:: ~
eJ .. ..__.,
1. My.
~
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.; 4 4 ~' &~&
, e , _ • a. ... '" ...
,~. i .. . .;~ On .0 .n ."
ft ::' .~ ft ,~ ft Verse C#m7

" v.-li:' I ~ I I jj I I ~ I I I .I I l t\ I
.
eJ ~ .. ' -..__.,'"' ~ ... <:: ....__. '--._; -.._,- ..
- re - flee - tion __ wraps and L, pulls __ me_ un - der
• GIr. 1
"JI.~ ,.__, ,.__,
. .
eJ .. I .. I .. I ..
n n n
ft ft ft n n ~
" .. "'- "
~ ~ ~ " " ~
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Aadd4

_/\__v..l:I:: ~ --- ~. ...--.. ~ ---- . ....--..... :c--::-. -k .•
.
.;
heal - ing_ wat - ers __ to __ be __ bathed _ in_ Bren - a. And
" v. -II: .,.......,
eJ ... ~ ~-.._,- ~ '1-
P
. _"
" ;, .. ..
n n ~

" " 74

© 2000 EMI VIRGIj\JMUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Rights Heserved International Copyright Secured Used by Permission

C~m7

fl_" of!: I t\ 1 ~ri. I I .t\ r I J,..--. J 1\ I
tI .,. ':__:! W .. ~ •• ~ ~ .'-- .,
guide me L; safe-ly __ in_ worlds I've __ nev-er __ been to.
" jj. .ft "
tI * - * _____ * ... 1 * - *--* .... r I '1- .._,
mf 1?
_n n
.. n .. n v n
c u v -'" v .e ~ '"
e. v '" e c X
• ... A
~ Aadd4

Aadd~

Aadd4

" jj. -It s=:-. ~~ ~ ----.. .--::--... {r .-
tI
Heal __ mel _ heal ___ me, my __ dear _ Brefi - a,
II JI. -It ! iR----=---.n
tI ~. - _____ .... ~. "I.
P,M.
.rr:
I"
'f" " " e ~. " " " e
Ji. 1> ... ... v "1. ... n
u u u Chorus

Gtt. 1 tacet

C~sus2/G~ E5

F#5

A5

B5

Dmaj9

Mourn

her _

own. ~~~·~··-·~

II .110 tt '"'.e. •• •
.
-.J ,c
--
I ~ II I II··
11.110 i ....... J I I I -J 1
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-
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v v v v _v ~. ~ " v ~ V V :;;~ ¥ -~ V V
n g ~' '; ~' .. ' .. ~ . ... .ll' " g ;" '; '; .z,
~
- -
" .110 l-I:.
~ .,_,.u __ ---"'-_ ______ 'U


I .. ·
_n
G#5

E5

F#5

A5

B5 ::-...

D5

II.IIo-lt ~. ~ ~ #-------& --;9-' :.,.. _.r-..
-.J
It's all_ right.
~~ , ~ ~ ~~ f: f: ~ ~ f:
_A_0I0_ -It ] .J I J .J l- I
-.J ~ .. ~ ~. y-~.". ~ __ .:6
,n .n '" ,n ,n .n '" .n ,n
., V _v v _v. V V v v
... ... n n n . ); ~ ''- ~ .,. .,. .,. ~ .,. <;
v 'y _v_ V _;; .; i'i
.,. g g n i'i ;: ;:;

Rhy.Fig.l End Rhy. Fig. 1
" .110 -It " " I J J I.. I
~ f 4 ~. .....:,y '. - -&--------~
--- --------

.. ., . ., n "
~:; Hi ;; ); i. n ..
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~ .'

76

fl. Jl, 4t " .... --'0· -- ..... -- --n
....
oe.i
II Jl, 4t .. . . ..---... ..
.
.; .. , , __, .. - -
n n
n n n n n ;;
~ v ."- v " w v "
" " " " v
V v
GIr.2 ~-------~.
fI Jl, if: •
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GIr. :3
divisl pp
.n
r;
Verse

GIr.:> lace! Aadd4

1IJl,~ .. ---:--..... ~ b .. ~ ~ .. ~ ~ ~.h".
eJ
2. Heal __ me,_ heal ___ me, my ___ dear __ Brefi - a. And
GIr. I "'_-.n
fI Jl, ~ - _...., r--
eJ ~ - ~ .., .. ..
n: .,
:,
e, ." e l!
n w .. w
;; n
w v C#m7

fI Jl, oi:l: 1 b.._l ~ I 1 ~ 1 ....--.. I 11
eJ .... ~ U . ~ .... <:: W ~ ... _ .. .".
show me L, lone-ly __ and_ show me L, o - pen - ings to
.~oi:l: fL_'---""" ,,_
eJ .. - ".___;,_'" I .. - Li -
" n --"-
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" " " e
w . y w 77

Aadd4

Aadd~

Iollo-lt s=>. .. ....--... .---.. • ..---.._ ~ . ._.......--...._
tJ
lead __ me_ clo - ser __ to __ you, my ___ dear_ Brefi - a.
10 1Io -It .".----.0. ........, .p. -----.n.
tJ '!:: ~ ..
.. ..
c· i:
;; " v
" "
ii u
v Chorus

Gtr. 1 tacet

C#5

E5

C#5

F#5

B5

C#5

E5

C#5

F#5

ILlI_ -It_ __ . ~ -- -e. -e&
tJ -
Vul _ ner _ a -
(Oh.)
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. ~. ~ u \. v ~ ~ " Two gtrs, 3JT. for One.

B5

C#5

E5

C#5

F#5

B5

C#5

10 >j, -It '"'".g. •• " • ---
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G#5

E5

F#5

AS

B5

D5

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tJ
It's all_ right.
10 -110 .-It "J "J L J .J ri ! I t\ I t\ I iI
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.
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:; :; },. },. ;; ~ :, ". l!' ~ .~ ~ I, ,,'
l!' 78

Interlude C#5

GIr.3 ¢'-------¢'

GIr. 3 lace!

F#5

G#5

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..,
GIr.2 ri I
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Rhy.Fig.2 r1 I End Rhy. Fig. 2
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Over

Words and Music by Maynard James Keenan and Billy Howerdel

F

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1 32

Tune down 1 112 steps:

(low to high) C#-F#-B-E-G#-C#

Intro

Moderately fast J = 144

N.C.(Ab)

• Gtr. 1

Riff A

End Riff A

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Verse N.C.

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e 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC

All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC.

All Rights Reserved International Copyright Secured Used by Permission

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GIt. 1 tacet •• Bl>71F(no3rd)

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Bb7(no3rd)

FrnJAl> Bl>71F(no3rd)

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** Chord symbols reflect basic harmony.

GIt. 1: wI Riff A

Eb

Bb7(no3rd)

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Spoken: Unmistakable noise I was hearing.

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oc

Guitar Notation Legend

Guitar Music can be notated three different ways: on a musical staff, in tablature, and in rhythm slashes.

DAD

RHYTHM SLASHES are written above the staff. Strum chords in the rhythm indicated. Use the chord diagrams found at the top of the first page of the transcription for tne appropriate chord voicinqs. Round notahaads indicate single notes.

THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into measures. Pitches are named afterthe first seven letters of the alphabet.

TABLATURE graphically represents the guitar fingerboard. Each horizontal line represents a string, and each number' represents a fret.

HALF·STEP BEND: Strike the note and bend up 1/2 step.

BEND AND RelEASE: Strike the note and bend up as indicated, then release back to the original note. Only the first note is struck. r-~

HAMMER·ON: Strike the first (lower) note with one finger, then sound the higher note (on the same string) with another finger by fretting it without picking.

~

TRilL: Very rapidly alternate between the notes indicated by continuously hammering on and pulling off.

tr , .... , ...

PICK SCRAPE: The edge of the pick is rubbed down (or up) the string, producing a scratchy sound.

TREMOLO PICKING: The notels picked as rapidly and continuously as possible.

11 ~.
«J LJ
n ..,
'T" I: :;
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_A _" i'i.
.... -
c Strings: high E B

A low E

4th string, 2nd fret

WHOLE·STEP BEND: Strike the note and bend up one step.

~.

PRE·BEND: Bend the note as indicated, then strike it

PULL-OFF: Place both fingers on the notes to be sounded. StriKe the first note and without picking, pull the finger off to sound the second (lower) note.

=----.

TAPPING: Hammer ("tap") the fret indicated with the pick-hand index or middle finger and pull off to the note fretled by the fret hand.

II t-----....

T

II

II

MU FFLED STRINGS: A percussive sound is produced by laying the fret hand across the string(s) without depressing, and striking them with the pick hand.

VIBRATO BAR DIVE AND RETURN: The pitch of the note or chord is dropped a specified number of steps (in rhythm) then returned to the original pitch.

-I

1 st & 2nd strmgs open, open 0 cho rd played together

GRACE NOTE BEND: Strike the note and immediately bend up as indicated.

VIBRATO: The string is Vibrated by rapidly bending and releasing the note with the fretting hand.

~"'''' .. '''

LEGATO SUD E: Strike the first note and then slide the same fret-hand finger up or down to the second note. The second note is not struck.

-------

NATURAL HARMONIC: Strike the note while the fret-hand lightly touches the string directly over the fret indicated.

Harm.

PALM MUTING: The note is partially muted by the pick hand lightly touching the string(s) just before the bridge.

VIBRATO BAR SCOOP: Depress the bar just before striking the note, then quickly release the bar.

w/bilt---- .. _ ..... __ -I

E G

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open 3fr

n

SLIGHT (MICROTONE) BEND: Strike the note and bend up 1/4 step.

WIDE VIBRATO: The pltch is varied to a greater degree by vibrating with the frelling hand.

~,,~

SHI FT SLIDE: Same as legato slide, except the second note is struck.

PINCH HARMONIC: The note is fretted

normally and a harmonic is produced by adding the edge of the thumb or the tip of the index finger of the pick hand to the normal pick attack.

RAKE: Drag the pick across the strings indicated with a single motion.

VIBRATO BAR DIP: Strike the note and then immediately drop a specified number of steps, then release back to the original pitch.

87

~<u.s. $19.!!~

SBN 0-634-02084-6

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73999 66136 1