Piano School

Volume 2 Revised Edition

©1978, 1995 Dr. Shinichi Suzuki

Sole publisher for the entire world except Japan:

Summy-Birchard Inc. exclusively distributed by Warner Bros. Publications

15800 N.W. 48th Avenue, Miami, Florida 33014

All rights reserved Printed in U.S.A.

ISBN 0-87487-474-2

The Suzuki name, logo and wheel device

are trademarks of Dr. Shinichi Suzuki used under exclusive license by Summy-Birchard, Inc.

Any duplication, adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher.

No part of this book may be photocopied or reproduced in any way without permission.

Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.

,we

INTRODUCTION

FOR THE STUDENT: This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications.

FOR THE TEACHER: In order to be an effective Suzuki teacher, a great deal of ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule, in order to remain current, via institutes, short-term programs and long-term programs. You are also encouraged to join the International Suzuki Association.

FOR THE PARENT: Credentials are essential for any teacher you choose. We recommend you ask your teacher for his or her credentials, especially those relating to training in the Suzuki Method. The Suzuki Method experience should be a positive one, where there exists a wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance.

In order to obtain more information about the Suzuki Method, please contact your country's Suzuki Association; the International Suzuki Association at 3-10-15 Fukashi, Matsumoto City 390, Japan; The Suzuki Association of the Americas, P.O. Box 17310, Boulder, Colorado 80308; or Summy-Birchard Inc., c/o Warner Bros. Publications, 15800 N.W. 48th Avenue, Miami, Florida 33014, for current Associations' addresses.

--~~~~~~~~~~~~.~~--'-.-~---.------'"------------~~~~~~~~~~~~~~~~~~~~~-

CONTENTS

[jJ Ecossaise, 1. N. H umme l 5

W A Short Story, H. Lichner 6

[JJ The Happy Farmer,/rom the "Album/or the Young"

Op. 68, No. 10, R. Schumann 8

QJ Minuet 1, from the "Klavier Suite in g minor," 1. S. Bach ~9

[]] Minuet 2, from the "Notebook for Anna Magdalena Bach," Anonymous 10

mJ Minuet 3, from the "Notebook for Anna Magdalena Bach," C. Petzold 12

[1] Minuet, from the "Klavier Suite in g minor," 1. S. Bach............................. 14

[I] Cradle Song, C. M. von Weber 15

[2J Minuet K.2, W A. Mozart 16

[jQ] Arietta, W A. Mozart.................. 17

I!!J Melody, from "Album for the Young," Op. 68, No.1, R. Schumann 19

I1ll Sonatina, Kinsky - Halm Anh. 5, L. van Beethoven 20

Moderato 20

Romance - Allegretto 22

~ Musette, from "English Suite No.3, Gavotte II," 1. S. Bach 24

[HI Minuet, from the "Notebook for Anna Magdalena Bach," C. Petzold 25

About This Edition

The notes and performance indications (dynamics, articulation, phrasing, pedalings and ornaments) of this edition for some pieces correspond with authenticated Urtext sources. Additional markings are identified as "editorial" by use of parentheses and broken lines (slurs). All fingerings are editorial.

4

Scale Exercise

C major

Exercice de Gamme en do majeur

Tonleiter-Ubung in C-Dur

Ejercicio de Escala en do mayor

Right Hand

Rechte Hand

Mano Derecha

Main Droite

Left Hand

Main Gauche

Linke Hand

5

C J

4 3

r F I

II 1

2 1 3 2 E

r F Fri.

Mano Izquierda

r---,

f tit f

3 4 ~

F r I;

-

II

fiJiJ$ filii-,¥--C'[1i]flH: o < t;tg {, IT t.: '50 ('") ~'G') 2 ;t 1 ? - "7 G') t;t M {, [1i] m ,: 17 t.: 7 0 )

Note: After each hand is practiced alone, practice the scale hands together,

Remarque: Apres avoir pratiquer les deux mains separement, practiquer ia gamme les deux mains ensembles.

Two Octaves: Right Hand

Bemerkung: Nachdemjede Hand fiir sich allein geiibt worden ist, iibe die Tonleiter mit belden Hiinden zusammen.

Nota: Despues de que cada mano se haya practicado individualmente, practique la escala con ambas manos a la vez.

Zwei Oktaven: Rechte Hand

Dos Octavas: Mano Derecha

FIf f t t

Deux Octaves: Main Droite

3 2 3
$ 2 1 j 4
C J J j I J j r
5 4 ~
f t 3 2
~ r IF 3 2
r F f Ir
Two Octaves: Left Hand 1 2

r-I

r j iJ j j j I j

-

II

Zwei Oktaven: Linke Hand Dos Octavas: Mano Izquierda
J I I J r r II
j r F I " I
.- I
1 3 2 i 2 1 3 2
[__.J L 4 3 L___j
....J Deux Octaves: Main Gauche

9: C

J 1

3

2

5

"

r r IE r F r Id

2 3 1 2 3 1

. ~

All other major and minor scales to be followed.

,~~I\-Z, ~l",!t.ff)·:titllJ"*'~ b."t ,3:,

-

II

2 3 i 2

L._____j 3 4

5

ITJ

Ecossaise ..I..:J~-;(

J. N. Hummel -; '/ ) )1/

(Allegro)

4 1. 4 2 ~3 4 5
f\ 2~ y;, 2 ___ ,. __ 2
5' m -
}~~ 1/1 .., ., -
- - ,.. r .- - #-
llj i· I I - 1 I ....J I
. 1. ; $: ~ :i ; $: .
, ;,_ -= ~,;,_ #=
- .
I . , ,
E' I'.. .~ 1 5

4

3

4

9

" ~ III ----- /"""'. .>: ._ ---
till 11# -
__ r- - L_"-I - III
T If"\ .- _. _,.... <t-
,..
• I I - I _I I
P $ . A .
; ; r ;,_ , ; j: $ r . #=
fIl-
. ., ..
. , J.
,
/ n
.. Fine

3~1

17

/ 0 f:- -(L f:- ;.- ;.- ,. 2 1 2(. 3r. 3Pr-2/ ...........
r- - .
\~ _"-I r- ."-1 . .M '- _,.... ____. .. 1"'" ., ,
r I
f ===- p~ ====- _J_ _J_
?: 3 ,
2 3 3 2 .-. -
.
.
,~ ..J ..J III III ..J ..J ..J .... .... .... ..... ..._ <t- r, ....
.J r r f f r' i r f 5 4 • 25 3~1

'I f:- -(L f:- ~ ~ ;~ r. r_;, .k_~
,.. III . - _._ ~-- III
#. III~ ,.. ."-1 .....
.J r I
f :=.::::=- r>: :=.::::=- j_ 1
#=
r. . -. -
~ .L::lo.'
#. ,
.... _...._ ......
\ ..... _....
• r r f r r' i r -
r D.C. Schottischer

Escocesa

Ecossaise

5

') t -j--

6

[I]

A Short Story

H. Lichner

4

~~~~~~~~~§ ~~~~~~~cresc~. ~

5

8

4 523

3 !

4 2

5 1

3 1

5

5 1

5 1

Une Petite Histoire Ein kleines Gedicht

Un Cuento Corto

4 2

5 2 t

4 3 .II t a· iI .J1...g_
14 3 2 1 .
J t .
. • ~
~ .
fn_ 't p
I
eJ I ~i4!.
,._' - ~ _1!:_ £ _1!:_ ~ _//I__ -
~ • ~ .I.
- ~Q_
. .J": ~
.~I_. _._ ~ •
\~ 3 4 1
3
- 5

17

-....
~ 1 • 1#- -('- ~
20 !~ ...--:;:-...._
,.., - _M ~ _._ _j'""
~~ . ..
_t" -
cresco
~_,,_ "..
- - .
(~. , _L' • L
-~ __L
, .I ...._
...... _'_. ~- ~ r,!"l .I 1
_... -- 1I~~ _/~
, <i.> 3
" ./ • 5
5 . ---
...... _- ------- 5

2
".- ~3 1
23 LL. 3 _L
11 L ~
~ ~ e- -
T ~ ~ - __ ~
, ~ - - I pp
.; -~~ decresc.
, ,£. --- b...
--- -
_._ ~
--,r". • _~ """-
-f· 1··"'" .,?
L 5 i
.s: t t 1 - 5 5

t 3 5

1 2 5

3

7

...-------------------------~.~~-----~~-.- .. ---

8

[TI

The Happy Farmer ~l~!l=K

from "Album for the Young," Gp. 68, No. 10 R. Schumann i/ :3- - "7 ;/

Brisk and merry 5

3

5

3

2 1

5

3 2 1 2 3

2

4

5

2511251

f

5

5 3"

4 5 4 -

~4

I/' 21 1 1 1

3

4

f

3

3

5

2

f

1 1

3 5

~

2

5

f

17

3

Le Gai Laboureur

Friihlicher Landmann

EI Granjero Feliz

GJ

Minuet 1 ~ ~ :I.. ''/ r- 1

5

5

5

(_) 4

3

10

Co)

3

Co)

3

9

5

Co)

20

2

t

t

2

t

5 (-)

5 4

C--)

Minuet from "Klavier Suite in G minor" 1.S. Bach BWV822

5

3

2

3

(0)

2

(AHegretto)··-:;···

!h~.;<,5 r 5 3 2 5

. r;}±JE~C: '_

(Con moto)

(1)

(1)

10

[TI

Minuet 2 /. 5" .:L ''/ ~ 2

Minuet from the "Notebook for Anna Magdalena Bach" Anonymous

r. .If t 3 - .- -- -_ ~ _._
.~ '" r. - ,.. .. IJlI
':I: I"" I"" '.
• 1 I 1 I J ._"J
(/) ~~Iir
I I I
· I/I_ 1/1
·
I"" ...
/' .. - ri .
I" 4 ~ I II 2

5

,.. .If I) II 3 - 2 3 2 .. 1 4 1 ..
IT ", - - - -
~ I"" ,.. I"" B I"' III - ", I"'
.
.> I L I I
-
1 I
· ", ...
·
-, .- ", ,..J -i .r: .1'"' ,..
" ilL
3 II 2 1 3

I) 3 2 -\

2

10 I) 5

,.. .If _ .. - .. ( ) ( )
~ /If ...
I"" ", - -", -i
\" - - ,.. - -
.> I I
I I I I I I I
· ., .,
·
, - I""
· ri
I I, 5 la 3 2

15

(2)

3

2

(0)

tmp)

2

(1) Playas detached, repeated notes throughout the piece.

-l -l I')

(2) May play f>= # ~ ~ r

11

(3)

2 (-){-){-)

(~~~~~~~~~~~~~~~~

I~I ~~~~~~~(~"!if~)~~~~~~~~i!~~(§o)~~~f~)~~~~

I-J.-..,_ __ ..... " 3 2

20

25

"

2

3

2

3

I)

3

"

"

3

dim. )

30

35

(3) May play Dq, instead of D# (4) May play & #£9 J

(0)

(0)

(0) 2

"

3

2 "

(f)

"

(4)

3 " I)

I)

"

J

(0)

2

12

@]

Minuet 3 ~ )( ::r.. ''J ~ 3

Minuet from the "Notebook for Anna Magdalena Bach" C. Petzold

(Allegretto)

(1)

(1)

5
/
)
~
\ t 3 5

2

(3)

3 5

2

4

2

4

1

3

2

2

(. )

(1) Playas detached, repeated notes throughout the piece. (2) May be played without ornaments.

(3) ~~ ~J F I

(mf)

2

21

25

2

13

( 0)

3

3

29

t

"

3

J

2

3

3

3

( 0)

3

2

2

3

"

5 2 t

(0) (0)

( 0) 5

-

_ i' _

14

[2J

Minuet ~ 7- :I.. ''/ ~

Minuet from "Klavier Suite in G minor" 1.S. Bach BWV 822

(Andante)
~ .~ . I I
" .... l1li
'":I: -
I
(P)
I • ...
.
.
, h "
.r: '":I:
2 1 2 5

:: 1-

,.,L=*

3

1

,...

III

I.

~~1~:':~~~11l4::~_;Q

.)

'"

5

~ I 1 I ' I 1 ~...",.m;'F~H-
, r", v · -
_._ ..J till ,."j ,I fLO · I""
...._ -lP~
) .; I 1 I I I
? (P
• I -
· l1li ·
....
· ~ ·
- I!i1 ,;. I
~ 2

3

2

3

3

:2

2

1

2

3

5

I -
/ Ifi) . ~ - __r: l1li _
\ ~ h - - .- t-' !
I"" I""
.. I I I I
) ) ( cresc.)
1 I
~ · _L
,. ..-
l1li .... ....
I 4 3 1 ., .. -.J I 3

2

5

H

5 (-)

1

10

15

5 ( )

- 2 I J (0) _l
~ .: I • -
-
. .... l1li
_._
.. 1
.; I I
(/) . (P)
I • - ~ r-,
I"" -
·
· _.... I""
.
\ ,/ I
1 2

f

2

1

2

20 ------ -

/ 1\ I 3 I _1 (0 ) _l
I"' l1li I"" .... -l1li - l1li .... 1.1. 0
~ ,
I I
till I
.. - . _L:l_
·
-l1li - l1li _....
.
I ~
1 5 2

2- - 3

2

2

2

3

[!]

Cradle Song -fa ;r ~

15

C.M. von Weber

7.:r.-,1"-

Andante cantabile

~ 3 1 1 3/ I <, 4
- -
."
61 t" *-I
..,j r- r-
..,j .. -
.J ~ I I.....C I I r
P dolce
..- --... ",-- ---- .> , »-: ........._
. ..
. r- .. ..
f ~ .. r- r- IL 5

3

5

~ 3 2 5~4 5/ --.. 1
I . '"
\ .. r- r- -
'.:
.J I I I I I ....._ --
~ mf ~
»z: - '- _".,- -....._ ~.- • ,._ • II!.. •
. 1If_ r- __ t- _._ .. .. 1If_ r- r- - ..
. ..
2

4

2

3

2 1 5 1 4

3 5

9

3

4

~ 3 2 I 2 3 2 ~
/
\ ~ - - - ./
- I r
-=:::::::: -=:::::::
L':
/." M. ,.. . .- ~
-- , • •
/ .. , -

2 5 1 5 t

5

5 1

13

3

4

3

/ t. 4 /"'" I ............ 5~ 5 4
-
\: - ""
..
I I I - '-- ._.,- -e.~_..
? 1;: dim. P
I I I I I L I I I I I
I ..- -
..,j ..,j ..,j
..
.", -
1 2 --- ,1 2 --- 1 3 __.... V
5 5

5

3 5

Berceuse

Wiegenlied

Canci6n de Cuna

[2J

Minuet ~ y. ;r_ ''/ ~

W.A. Mozart -{: - ';/ 7 /1/ ~ K.2 composed in 1762

5

, ,

t 2 4 3 5

7

2

3 ,,-- t

2

3 5 t

2

2

5

2

5

t

2

t

5

2

3

13

3 5 t

3 _~_ t

2

2

3

2

2

. .

2

2

3

19

,

..... _--_ ...... '

3

(1) Playas detached, repeated notes throughout the piece.

Use the same articulations for measures 3, 7, 19,23.

[QJ

Arietta 7 I) .:L 'Y ?

17

W.A. Mozart .:c - 'J 7' Jv ~ composed around 1770

(A dantino)

n _ 2
I ,.., 3, _____ 5 4
fIJ· . .
,...
. -
__j, , I
.
P 3J. 41
5j ~ _1'!-_ -(II- 1"- ~ -!'" 5, f#" ,,_
I"" .
.
••
-' v :l_ - ....___....
......___., 2 2
5 2 1 5 r 1
~ : " 3 I
..
"'- . .
'~ v fill. • "- - ,-
. . . ..-' -....;: -- <, ./

) 51 ~ ~ 3J. ~ _-f#" J t*- f*- I ,,_ f#"
~ _.: . . .
• •
\ -' 3_ - 4

3 2

3

9
/ '" 3,
\ . __ . .
.
, J I
.J
t ": 51 ~ L J ~ ~ I -f#" ~ 1 f*- ~
••
..I. _r:::
.
\..- v -- -....::.::::..- 5

3 2

13 1 1
/ '" 3 2 1
Yf
.. . . ~
\ 'J - fill. _._ ."-. '- ·
. . . _., \ --
\ \
\
J. \
\
~ I \
f*- ~ ~ -f#" • • ·

. . fill.
II.
L _h
..... ./' 1
- t 3 5

2

18

17

5

22

2

poco riten.

3 5

36

19

from the "Album for the Young," Op. 68, No. 1 R. Schumann

-
(Andante) 3 2 " 3 5 ! ~1
fI 5,..-- " 3 2 r --- 1 1# 3 1 "
'", r- 0
r: r- ... 0
I I I , I i
P (dolce)
~ .
,. rit 0
L .._ ... ... ... .... 0
\ "
.. ~ i 2 3 ~ 3 2 .. 1 2 3___.....,7 3~~ 3 .. -41 .. -,J .. ,~
5'---- " " 5 1 3 ~ 5 3 3 <~ 51 3~
1\ <>-- <>_ _,.' . 1 " 3
- • 0
... <, r-
eJ , I
P (cresc.) (sf) 1 2 t
~
1\
.... L.I .... .... .... .... ... ... .._ ....
eJ "2'- - ., ~ ~ -41 .. ~ 12~ -: -1 5t11 1 _. ~ ~1
" 2 "
3 3 " 3
9 s s 5
5 5 ~ 35 " 3~2
2..-- " t ---... ~ 1 2
_r- ....
, , I , , I

P ( )
~ " I
r .... ....
\~ - " - .... - .... " - " .... " .... • - -
-41 -41 .. - -41 1 .. 1 _. 3 1 1 4J- 5

____ ------~======~~~-5

3~ 5 5 "~3

--~================~~

13 ~ • J. '~
<> <?-~
~ L1 r- " - ,
.. I I
P (cresc.) (sf)
~ "
.. , T"\ .... ... L.I .... .... ... ....
- .-
eJ <, .. _..:!.!.-" .. -41 .. ~ I "---= .. -41 til -41~~

17 ~ .
I ,..- - :----..
-
eJ I , I , I I
P ( poco rallent.)
~. I
I"""'-"
....
\ ... _ -
eJ ... 1 2 -41 " - - ,-41 '--....:... .. -41 _____ ...
5 Melodie

Melodie

Melodfa

}

L van Beethoven

I

I

/ -.: - ~ - ...: ;/
.; Kinsky - Halm Anh. 5
~ 2 !~
Ji" 1 \ 3 3 1 2 3 . I 3 _4
iT .11f.
[- _j r: r- ." .s:
~ ;~~ ., .. _tII - .. F I .,
,..
cJ L J. 1 I I
P
I
o 9- " ~
L",.11f
IOM __ L_<I - ..., ...,
.~. ~
2 t I 1 5

5

5

\ i

/

5

JoIo '/ 1 1 ft3~_ .~ 3 ........ 3 4 5 (4)
, , ... _lIlI__l"" -- .......
~
J r1 fill ..,.j ., .- ~
_...
eJ ( cresco) I (-6 ) ~)
-f~ • -f'- q~ ,,_ ~~ ~ <;) ~ 7i (= )
f-- -f'- f-- 1!:_..__1!-
· .. "- .
· ,
,.. r- ~
2 1 t 12 5

2 4

3

5

/

I

9 5 ,) 5
,.., J,f 1 i i 3 4 1 ,. . - 2 3 - 4 1 ,,_~ ...... 2
#f_ '. ,- " - .-r ..;. ., .....
· _.__ - - r-IL r- ., " ,..., _IL r- r-
·
eJ 1
P ( ) ( )

..... ..... ..... •
· ..... - ., ., r- ., .,
· • -- - -- --- _L -
·
~
1 ) )

\

,

3

I

I3 ! I) _-------------_ I) _--------------_ 1 _I
JoIo vi tti • _ --"2'--- \ --- --------- 4
I .' -2---_ I 1 .............. - ....... ,
r: _._ - , ,
~ r: ., -- ~ . --
. ,.
• I 1 ., - I ....
( ) ( ) ( ==-==-)

(.)
· .
·
r _r- ~
1 1 I \

21

i7 !, 3 2 3 ............ ..1 3,....
I'l .If 1 -
_U ..IlL
~~ .r: _r:: .s: .JIlL
L1_ ---_ ...._ -- ...._
J I
P dolce
-
j' (i'- • ..t"'>. ':...L
_D ~
10.. Io_
• ...J::.
.
L 1
,2 1 2 4

1 5

5

-

1

3

5

-~

I

~ -

• -

(c_~resc.) "-_""-._!'- t-~r-

(.)

1'-

(-6 ) (it") (-=======-- )

- •

5

I

1

1

-

4 ~ ~ ±.
25 1~ _.i ».
2
, .If 1 3
JT, ...J::.
~~
,
.J
(mf) - "
~ /- ".. "
~
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• __"_jIIt -
L - -
./ - - 3
- - 5 2

2

3 2 t~ -"'- ».
t
-
_r::
P) (
".. - ~ • •
..-
- - .JIlL

-

-

31 .1 .If ±_ I) .
2 JfI_
--
/ ~
)~~ ~ ~ U
"11 "11 ~ ~
::::) (»if) (un poco allarg.) 1';\
I ~ ,: - ~-- •
.JIlL
- - 12 4
\ .s: 1 5
- - 3

Romance (Allegretto)

3

" ~ 3 ------ ------------- 3 -------------- ----- 3 ... --- -------- •
___ -- ... _ _- ....
I Itif P , '" l'I. rf"
\ If ]..1 __
li'l'-----.>;?-- ~
0 -
..l I
(P) 1~t)~·)
~ r. ~ (;t1'- J;i ( •. ~ "1
'I.i ~ _J
I
'0 Itif P • - ;1;11'. ~
° 1. .sc JiLO
:~ -
I - -------3--------

5

5

1 2

5

5

42

3 5

(======--)

2 4

1 5

1 2

47

3

2

3

---------

-,

2

5

2

51

Romanza

dim. - - - _ - - - - - - - - - - - - - - - - - - - - - -

23

---

3

3

------------4----------------,

---------------------------------

t-;
I .:l -
...I ...I ,...
I
/-1- (~ _-- ( 0) _-- ( 0 )
I/~'" ~,,_ ,/ I- •

r- , -

-

(0) (.)

-tn_

I 5

I

59

FTf 41 3 t ,. 3 t 3
r---{ -- '"
~ ~ .-1"" -.j 0
~ I'" ...I ·
-.....
.. ( .) (.) ~~- ( I I
F-"' ----------~----- )
o.t ..ill ..JIl /;,--i fIl- ~ -, -----~--- ------------ -
I ~ '.
,:::,.;.r ,
· A' - , - .. 0-1 -=- .. ·
. ~ I'" -r ·
--
I 5

63

2

------

------------------------------------------------------------------------

---------

------

fI j.j. 3 _ .. -- --- I • 4 3 --- .....
..... ---
'J ~ ,
_L1 - • . - ~ ....
..
.J L..... "'I I -..
-
(P) --
e::..- - 1",. I "..- .........
· . • 0
· .
/ <t- OT . ••
- -
4 5 t 67

-----------------------

5 --------------------------------

I

fI ~ ---j------ 3 --- ---- I \ ------ --- .' 2, - ....... ,
..... -- --- -
/If , , - ~ • -
_L1 - • I'" • -
.
• It"
.. (mf) r
- ~ ~ • • "..
,. /If - • •
0 ~ .. , -.j -:;;: l"" - r: •
,_" r-
I t 3

5 3

5

5 3 t

5 2

\

71

5 _

5 1

I

~ ~ .,-- ------- ---------~-~---..:: ...
4 -.
-- -lIlT -~
#. 0
_I_ ""- ,...
T
I r '11
(P) (mf)
• .fl- ,. ~ • ...
. •
. • -:;;:
r -
--
'I 2 t ) )

\

5

3

5

5

24

[Q]

Musette ~ a. -tt '/ ~

from "English Suite No.3, Gavotte II au la Musette" I.S. Bach

(Tempo di Gavotta) ---------i----3-.::;:--------::::----~---_

'"'"l -
_-
.: ... - I ( --==::::::=-:-

j J 1 J

======1=-- )

j j~ J

_U_

(--======

j j ~ J

...

======-)

3 5

4

4

4

-------------------------------------

2

----------------------------------

'2

I #," .IJo ' ,- --- I 5 4 3 ---- --- --- 4 5J -,
--
· ,_ I!!J
\ .~~ · - - ....I ., ....I ..I ....I "
_,... ..._ ....t_
- I.....j ., ., ., ., ., "
(rrif P)

I~ j J j J 1 j :J nj J J j J n
-
L""'\,..i/f
. · L -....., V ..... -""- ......
\ ...- · 3 5

8

I)

-------------------------------------------------------------------------------

--"4-------

\: ,Ioj. ,_,31 21' jIIIIIIII! 4 jIIIIIIII! I) 3 4 2 " 1 2 3 t -,
....I " ....I " -
_._ _- 411 • r- .... " ....I. r- r- " ....I ....I " ....I
I I
(poco cresc.) (dim.)
I -J J 1 :l j J J J J J 1 J J 1 j
- -
-,. .
•• i/f"-/ <, ./ ..... ,/ .....
\ 2 I)

I) 1 3

I T

12

5

4 t

I) 2 3 t

I #." ,Ioj. _,2

\ oJ U (p) ~ # i - =: I ==:::::::=_")- " (PP)" - •

1 : ~ ---j---~----J----- --TT--TJ---- ~j ,j 1

\ 1

3 _-----------f----i-~---------~---------,

. -

,, __ -

3 I)

S 5

I

· ·

· ·

,

--.----------------------------~------_--_--------------------------~~~-~

(Allegretto)

4 __ --------------_ (1)

[B]

Minuet ;J. :J. .r; ''J ~

25

from the "Notebook for Anna Magdalena Bach" C. Petzold

~ T~ I _,.. .". . s; 2 • 3 2 2
. - 1IJ1 __
CP) ... --- _
I _,..,-;_ l1li -- -
, 'n
n
. . . l1li
. 0

I 1 7

(2)

(212) 1 V\.-

(434) 3 4,_--~------------- (1)

2 4

II I 3 I ~ -Ii- • .". --,\ l1li
/ -- .
\ : -,or .
I mj)
(
~ ... ------ ... --- -- _----- ---
-(fi- .". • ~-~_b. _ ,
, ,
,
· . .
I. .

1 3 2 I 1 2 I I 1 5

13

(3) I':' 3

5

2 {) (212)1 2

/ ~ I • 3 I;''''-~/ ~ 1 4 2 1 I 1 . .".
. -
\ . . · ·
-: · ·
.
'-a T u' -
~ (-:::=-) (
.". h • (. ) • n .
· . ~
· · ·
rI · ·
I 3

3

5 5 2

4 1

1 _---------------_

2

19

4

3

~ ._,.~. .". . .". -, 5 5
I I I I 1 I 'c'.) (0) ,--~ I 1 .. ---- ...
. . - -
\ . .
I-"
0
I 1 1 -
L ) ( ~) (P)
- - _--- -'b-e-:
I (.) (.) - ~--~
( 0 )
· - . 0
·
13
1 2 1 I 14 I (0) 26

151513

(434) 3

5

5 t . ... ,.--- ----{---- --- ~._-- 1 2
1l_ I .. ---- - 1 1 1 I -- ...... I 4 t
/ -,
. _-.- 0 . ,
\~ .... ~ ·
_;;j- LIo - . 0 ·
I , , .... . -- ~
f' - -." 0' I 1 ~ c-: i'(o) -fj:
t : -- ~. ---- L--=:::::::::::: ---- ( )
h. _,.. ----
, ... ------ - ........
I I
, 0 . 0
·
0
. . rI
2 3 t I 12 11 3 4 1 1 5

(1) Playas detached, repeated notes throughout the piece.

(2) May be played without ornaments. , ~b fitJSJ

(3) May be played without the ornament. '~Iz Ff r~;

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