The options in this menu allow you to open, close and save files. You can also set up files for printing, and import and export files into different formats.
Select the Open File option to produce the following dialog. You can then navigate to a file that you have previously saved and select Open to draw the file on the screen. Please note: Files can also be opened by selecting this shortcut icon on the toolbar
Figure 1: The File Open dialog. If Loading a file in the SPA program The option in the APA program is to Load… and as above, the following dialog is produced. There is also an option to Read Macro, which again produces the same dialog allowing you to select a previously saved Macro from the required file.
To save a new file as a particular type you can select Save As. A cascade menu is produced providing options that are relevant to the program you are using, an example is shown below.
Figure 2: The Save As cascade. On selection the following dialog is produced which enables you to name the new file as the required type and place in the relevant file.
Figure 3: The Save As dialog. Saving a file in the Interface program In the Interface program the option to save is called Save Print Text. The same dialog is produced as above, this time saving the file as a Print File. Please note: You may also save a new file by using the Workspace Explorer window, described below.
Figure 4: Saving a file using the Workspace Explorer window When you have completed the work that you wish to save, right click the mouse over the file that you wish to save – oxford brogue .she in this example. This will give you the following options:
Figure 5: Right click options in the Workspace explorer. Selecting Save as will produce the following dialog that will enable you to navigate to the relevant file and save your new file.
Figure 6: The Save As dialog
This function will enable you to clear a file, or part of a file from the screen. A cascade is produced where you can select to clear either part of the file or the entire file. As the Save As options, the contents of the cascade depend on the program you are using, an example is shown below.
Figure 7: The Clear cascade options.
If Clearing a file in the SPA program If clearing a file in the SPA program, please note there is no cascade menu produced. You can choose to select Clear to clear the current data, or Delete to delete the current file.
This Option is available in the Creative, Orthopedie and power programs and enables you to open an entire Shoe Project that has been previously saved. Selecting this option will produce the following dialog that will enable you to select the required file.
Figure 8: The Open Project dialog. Please note: You can also open a Shoe Project by clicking on the following icon to display the above dialog.
e. particularly if you need to email projects etc. and selecting to Save Project automatically saves the project that is on the screen. Please be aware that if you have made any alterations to the current project to make a new one. Orthopedie and Power programs and allows you to save your file as a New Project. Orthopedie and Power programs. a last and saves it within the project whilst leaving the original file intact. Please note: You can also save a Shoe Project by clicking on the following icon to display the above dialog. In the dialog you will notice a check box next to some of the filenames.This option is available in the Creative. selecting this option will overwrite the changes.
Figure 9: The Save Project As dialog. It is a good idea to include all information within all projects. so it is good practise to check the boxes. If saving a merged file in the SPA program In this program you are given the option to Save Metafile. To include this file within your new project you should check this box. See Saving a New Project. This creates a copy of the file i. This will save the style will whatever name is displayed in the Style window with an ‘mrg’ prefix added to the beginning of the filename. The following dialog is produced allowing you to name and save the project in the required file.
. Please note Leaving the box unchecked will re save and over-write the original file. below.
Save Project As
This option is available in the Creative.
Selecting New allows you to name and save a new Last Library in the required area. To delete a last from the library click on the relevant last from the list and select ok. Click on Calculate to update the information and then create all sizes to automatically create a last for all sizes. The Update button is used to update the last with the current settings.
This option is available in the Fotofit and Orthopedie program. The Add Last function is used to add the current last to the last file. Select Open to open a library prior to conducting a search for a last.
Figure 11: The Create Last dialog.
Figure 10: The Last Library cascade found in Fotofit Each option available within the cascade menu is described below. The following cascade is produced that enables you to manage your last library. The following dialog is produced which shows all the attributes of a last.For example.
Figure 12: Delete lasts from the library dialog. shown below. and also dictate the spacing of the grid by entering values in the Spacing box.
Figure 13: The Grid dialog found in SPA Using the dialog you can select to turn the grid on by clicking on Draw. Please note: The Last Library option is also found in the Orthopedie program
This option is found only in the SPA program and produces the following dialog.
Figure 14: The grid drawn in the SPA program You may also select to Highlight the grid. again by checking the box and can amend the offset and rotation by entering values.
This allows you to view the print options you have selected to ensure the file will print out correctly. The paper size will now read Custom and you should double click it and add the required paper size. or opt to use None and use the mouse freely.
Choose the Page Setup option to select the relevant printing options for your file. To change the paper size. and then select the paper size. select the button Generic Print.
Figure 16: Page set up dialog.Figure 15: Highlighting the grid and changing the rotation and offset You may also select to snap the mouse position to the nearest grid point if required.
This communications set up can be saved as a file by checking the Output to File box
Figure 18: The communications setup dialog. If you click on Settings the following dialog is produced.
.Selecting Print produces the following dialog that enables you to select the correct printer etc and then print the file. select Add to add to your connection.e.
Set up Communications
This allows you to configure your peripheral devices i. This allows you to change port. and pen and knife settings. if you are setting your device to com2 and zund. device.
Figure 17: The Print dialog
A cascade is produced allowing you to configure your files.
Figure 19: The device settings dialog.
Figure 20: The Milling dialog In the same dialog.
Setup DXF Layers
This allows the user to set the Bundles with a specific layers and tool number.
By checking the boxes shown in the dialog. the Offset box will specify half the diameter of the specified milling tool. you will enable the milling software. The Mill In check box is normally unchecked as this is used for milling internal circuits within a piece.
Figure 22: The IGES Header dialog.
When exporting IGES.
Set Origin by Values
This is the same process as above.
Set origin by Cursor
This allows you to set the zero position of the exported IGES unit.Figure 21: The DXF Layer dialog. to align the imported object to the correct position on screen. but allows you to enter the origin point and then apply. i.
. Delcam Duct. This can be used when reading into another package. the menu below shows the relevant information relating to the file.e.
Figure 24: The scanner settings dialog. input and output i.This clears any origins that have been set and defaults back to the Shoemaster origin at the heel.e. As shown in the dialog below.
You are able to add information or comments regarding the IGES file in this dialog. XYZ data.
Figure 23: The Comments dialog.e. the unit will fit under the last rather than on the same level.
This option allows you to configure the software to accept 3d data from different scanners.
This allows the z axis to be inverted i. You are able to configure the scanner.
This queries the IGES information to the Message History box.
Figure 25: The Input section
Figure 26: The Output section
By selecting the Generate button. it is possible to configure the following. you can generate the “Normals” and “Points” for the Compulast output file. Each section can then be drawn individually forward and back using the < and > buttons.
Figure 27: The Compulast dialog By selecting Setup. Draw All will draw them all together.
as a result any IGES information written out in a NURBS format will not be able to be read in. they can be either 2d or 3d data.
The following options are available in the importing section. Shoemaster QS does not use NURBS. In essence this means avoid exporting data as IGES entities 126 and 128.
. When trying to export 3D lasts to Shoemaster QS in IGES format the following 3 criteria must be adhered to Firstly the IGES file of the last must be written out in ‘Parametric’ (entity 114) format.
Iges files from other CAD programs can be read into Shoemaster. The following dialog is produced where you can control the file after it has been cut.Figure 28: The Compulast Setup dialog
Found only in the Interface program. Shoemaster QS is a 'Parametric' based CAD program. this means that whenever the user has the option to export IGES data in a 'parametric' format he or she should do so.
Figure 29: The Dispose Method dialog found in Interface. the Dispose Method helps you control and maintain your cut files.
Thirdly the upper and bottom surfaces of the IGES last must be written out to separate Layers. please contact the Shoemaster Helpdesk.
. The first page of the wizard requires you to choose the item that you wish to import. The following dialog is produced which enables you to determine which layer the IGES upper and bottom surfaces are on and turn the IGES last into a Shoemaster last.Secondly the patchwork ‘surface’ that describes the shape of the last in the IGES file must be distributed in the same way as the patchwork of a ‘normal’ Shoemaster last. The options provided on the second page depend on the action chosen. If you require any further information on this matter.
Create Last turns an imported IGES last into a true Shoemaster QS last. Click on the required item and then click Next to continue to the second page.
Figure 30: The Create last from surface dialog. for example the upper can be on Layer 1 and the bottom can be on Layer 555. and a brief description is provided below.
Import File Wizard
The Import File Wizard has been devised to make the importing of data from other programs or files a simple process.
Figure 31: Selecting an action in the Import File Wizard.
asci text file). to be converted to vectors (lines) and then saved as IGES format. To draw the Compulast file when loaded.Importing Style Lines and Packets/Pieces
IGES DXF Secondary Style (Lines option only)
This is a way of importing a second style over an existing style that is currently on the screen.
Importing a Last
Chose from the following options:
This function is a Shoemaster propriety format which is a Shoemaster Last database that has been saved as an autolast (. New last. This enables you to use certain style lines from one style to another.
This is a Shoemaster propriety format as above. Files can be saved in this way to send via email as the autolast file is much smaller in size.
Importing a Feather Table
This option allows feather tables from previous styles to be imported onto a different last. that can be imported. Ideas. and Shoemaster section files.
This option allows scanned sections from other scanners i. 3d Scanner. Please note:
The secondary style must be created on the same last as the existing style. This file contains the X Y Z data and all information of flattenings.
Importing a Heel Curve
This option allows you to import a heel curve shape from an existing last to another last. The file can then be imported as scanned pieces. CMi CL300.e.
Scanned Pieces (Packets and Pieces option only)
This option allows pieces that have been scanned on a flat bed scanner and saved as a bitmap.
By selecting this option it is possible to import a Compulast file. to be imported. Fotofit. you can select Draw all to see the imported file.
you can click the Back button to go back to the previous page and amend as necessary.
Figure 33: Selecting the file to import. that if at any time you need to amend details. Select open and this will update the file to import section. The file type will automatically be set to the one you have just chosen. Click Next to continue to the final section.Importing a Picture
You are able to import pictures in various formats. Click on the Browse button and navigate to the required file in the File Open dialog.
. The next section of the Wizard requires you to enter the name of the file you want to import. This can be used for reference and is also useful when designing or presenting ranges. Please note. clicking on next to continue to the next page. Once you have selected the relevant action on page one.
Figure 32: Selecting the file type in the Import File Wizard. now chose the file type you wish to import data from on the second page. The final section of the wizard requires you to click finish to update all the details and complete the Importing process.
e. i. user_style_date_time
Figure 34: The Interface Directories dialog. style_style_date_time
This function pre-fixes the file with “user”. this enables you to select the type of file and navigate to the relevant files etc to import the file of your choice. As above.e.Clicking on File automatically produces the File Open dialog.e.
This function pre-fixes the file with “cut”.
The following options are available in the Exporting section. i. cut_style_date_time
This function pre-fixes the file with “mrg”.
The options within Interface file are explained below. spec_style_date_time
This function pre-fixes the file with “style”.e.
This enables you to enter and select the directory that you wish to store your cut files. mrg_style_date_time
This function pre-fixes the file with “spa”. i. i. i. spa_style_date_time
This function pre-fixes the file with “spec”.
and a brief description is provided below.
Figure 35: Selecting an action in the Export File Wizard
Exporting a Last
This will allow you to export a Last as an Autolast
Exporting a Feather Table
This will allow you to export a Feather Table so that you may use it with another last. The first page of the wizard requires you to choose the item that you wish to import. i.e.
Exporting a Heel Curve
This will allow you to export a Heel Curve so that you may use it with another last.
The Export File Wizard
The Export File Wizard has been devised to make the exporting of data from other programs or files a simple process. This works in the same way as the Importing Wizard and you will go through a series of pages to complete the process. Click on the option and then select Next to continue to the following page.
. The next section of the wizard requires you to select the file type you wish to export data to.Interface Unit
This function pre-fixes the file with “unit”. The options provided on the second page depend on the action chosen. unit_style_date_time
Interface File Named
This function allows the user to type in the desired name. Click on the required item and then click Next to continue to the second page.
You will now be required to enter a name for the file you are exporting. that if at any time you need to amend details.Figure 36: Selecting a file type in the Export File Wizard. you can click the Back button to go back to the previous page and amend as necessary.
Exit will produce a dialog asking you to confirm that you wish to exit the program. In here you can select the relevant file type and save in the appropriate place to create a file for exporting.
This option allows you to select and name files in the same way as the Wizard and clicking on File automatically produces the File Save As dialog. the wizard will continue to the final page where you can click on Finish to update all information and complete the exporting of the file.
Figure 37: Entering a name for the file to be exported.. Click on the Browse button and then navigate to the required area and name the file. and on selecting Yes the program will automatically close
. When the name has been entered and you have selected Next. Please note.
Selecting Copy will copy whatever image you currently have on screen.
This will allow you to Paste the image that you have selected to copy.
This enables you to undo the last operation (or series of operations) you have completed.Edit
This menu allows you to Undo and Redo operations and Copy and Paste data and the following functions are found in the Edit drop down menu.
You are able to redo any operations that you previously removed using the Undo function.
for example you would need to do this before exporting the file into your cut file so it is cut to 100% scale. you can change the scale of your work.View
The functions in this menu allow you to control the way your files are displayed on the screen. Others features include the Control section where you can change the colours of “layers” such as stitches and edges. Simply set the view as required and select
This enables the current view to be saved so that it may be restored later. For example. The shortcut Toolbars are also found in this menu and can be hidden or viewed as required.
This function sets the image at its “original” size. show only specific surfaces. and save it if necessary. and choose the “rotation” of an image etc.
This scales the image as large as possible to fully utilise the entire available screen space.
Figure 1: Maximising the style to the screen.
The following enables you to change the way you view the image on the screen.
Figure 2: The Set Scale dialog You are required to enter the scale you wish and when you click “OK” the image is automatically redrawn to this scale. if you enter 2.
If you have saved a view and then changed it.
The Orthopedie version of the Scale cascade is different from other Shoemaster programs in that the options are mainly listed in % terms. Please note: · This function is also available as a shortcut icon on the toolbar
Using Scale options in the Orthopedie program.the function to Save it. Please note: The number you enter will increase the drawing in size that many times. selecting restore will redraw the image to the image you last saved.
This will maximise the image to fully utilise the entire screen. and so on. the different terms are described below. the image will be twice as large. For example. Fit to screen works in the same way as Maximise in other Shoemaster programs. for cutting purposes.
Selecting this function will produce the following dialog.
. Selecting Custom allows you to enter a specific % value.e.
Figure 3: The Orthopedie Scale Cascade The menu works in the same way as other programs. as shown in the dialog below. Choosing 100% will set your work to “original” size i.
Figure 6: The Heel view.
. The views are explained with a diagram.
Figure 4: The Above view.
Figure 5: The Toe view.Rotation
The Rotation option enables the last to be viewed in a variety of positions.
Figure 9: The Outside 3/4 view.
Figure 8: The Inside view.
Figure 7: The Inside 3/4 view.
Figure 12: The 2d last bottom
The Shell is a 2d surface that allows style lines to be drawn off the surface of the 3d last.Figure 10: The Outside view.
This is the bottom of the last.
. Click next to the required surface to select it. The following options are available in this menu.
Figure 11: The Bottom view. this is useful when creating a boot style so that you can draw style lines outside of the 2d flattening area.
The following options in this menu allow you to select and draw a specific surface.e.
The Upper is the 3d and 2d last and flattened surface. I.
Draw Selected Surface Only
This will draw only the surface that you have selected to the screen.
Figure 14: Fotofit drawing option
. by checking the necessary boxes. the following dialog is produced that enables you to select specific measures and surfaces etc.
On selection. Selecting “Options” will produce a further dialog where you can check the boxes to select the measure sections to draw. but pieces (elements) e. which are described below. This can be printed out and used in production. but there are an additional two drop downs used specifically in Fotofit. The Surface function is not available in the Fotofit program.Figure 13: The 2d shell surface
This allows lines to be drawn to construct pallets and jigs etc.
This surface is used for applying text and any information regarding construction of the shoe.g. Please be aware that lines on this surface do not grade. Draw Options and Draw Settings. stitch patterns.
Select the option once to switch it on. To remove.
Figure 16: The axes switched on
Show Section Grid
This option shows or hides the measure section grid. and select a second time to
. Click the function again to remove. select the function again.The following functions can be found under Draw Settings:
Show Alignment Grid
Selecting to view the alignment grid automatically draws the following grid behind the image.
Figure 15: the alignment grid switched on
Selecting this function will automatically draw the axes with the image.
2d Measure Text Display
This option enables you to select how the measurements are displayed and each is described with a picture.switch it off.
Figure: A section template.
Figure 18: Displaying by measure
Show Section Template
This option draws a template around the 2d section drawing.
Each toolbar is designed to make certain functions quicker and more accessible than using drop down menus. For example. so this toolbar will be used when creating and modifying new lines. The toolbars contain a specific function and can be used or hidden as required. click next to the option in the cascade menu.Figure 19: displaying by table
Figure 20: Displaying by summary
Figure 21: Displaying without text
There are a number of shortcuts Toolbars available within this dropdown menu. To select and open a toolbar. click next to the option in the cascade where you will see a tick to indicate that
. This can now be moved or docked as required and used until you chose to close it. Similarly. To close the toolbar and remove it from the screen. the Grade toolbar provides all the functions to create and modify grading on a style. This will automatically open the toolbar and place it on the screen. all line functions are found in the Lines toolbar.
the style name. and so on. There are two tabs available.the option has previously been selected. This includes the Last. Project Explorer This tab lists all the individual components that are used to make up a particular style or project. Style View This tab lists all the individual Style Lines and line types etc.
This option produces the following toolbar that can be docked on screen. any colours or lighting that is used. Project Explorer and Style View. Please Note This Window can also be displayed by using the following short cut icon on the toolbar
Figure 22: The Project Explorer tab in the Workspace Explorer window
. Please note that the toolbar options available depend on the program you are currently running. any packets and pieces etc that are used to make up the style.
The following dialogs can be switched on or off using this cascade. each function is explained below.
Figure 24: The Properties Window.
This is a flexible. making style creation and modification quick and simple. will draw the style within the Viewport. so please note that once you have opened work within this view you will not be able to open anything else on the “main” screen. This works in exactly the same way as the main view.
This window shows the properties of lines or arcs. You are able to click next to certain properties and make amendments.Figure 23: The Style View in the Workspace Explorer window. for example. such as changing the Type and amending Markers. This is an excellent shortcut to many of the functions found in the dropdown menus. Selecting this mode and then opening a style. “dockable” viewport window.
Figure 26: The Program status dialog.
Figure 25: The Command History dialog. or all Punchlines and Punchshapes available in the system. . This dialog shows the recent commands used.Object Browser
This window displays graphically the object type that is current. For example if you have an error whilst using Shoemaster. It is important that you read the program status and correct the issue that is
. Warnings will be indicted by an exclamation mark
When you have opened the program status. This shows the current status of the program. For example. The dialog will show Warnings and Errors. You are able to type in syntax in the Command box if necessary. read the warning and closed the window. it will display all pieces in the selected Packet. a green tick will appear Errors will be indicated by a cross causing the error. this dialog will inform you of the fault.
Figure 28: The Bundle Colour dialog. click on the Bundle that you would like to amend. This will show you the current colour.
A Shoemaster “Bundle” refers to individual components. To change a default colour.e. flattenings. Most of the query functionality i. such as stitching and markers etc. etc will be output to this window. pieces. There is an extended list which can be switched on or off by checking the Advanced Bundle box.Figure 27: The Message History dialog.
The following options allow you to manage the way your work is viewed on screen.
. which you can amend by clicking on the “colour” tab to produce the following dialog. lasts. Each one has a default colour which you can change in the dialog that is produced.
Click OK to apply the new colour.
Figure 30: The Layer Visibility dialog. The ticks show that the feature is switched on. and to switch it off you can uncheck the box. Please Note The Layer Visibility function is also available by using the following short cut icon on the toolbar
Selecting the Enable function produces the following dialog. and the Nodes that make up the style line. such as the “Arrows” showing the direction of pieces. Redraw the style to apply the changes. This allows you to switch certain features on or off. etc.Figure 29: The Colour dialog. Please Note The Bundle colour function is also available by using the following short cut icon on the toolbar
This dialog allows you to switch “layers” on or off by checking the relevant box. or mix your own and add to the custom colours. Select a colour from the palette.
The following dialog is produced and you can select to switch all sizes on or off.You will need to redraw the style to apply the changes.
Figure 32: The select sizes dialog. Please Note The Enable function is also available by using the following short cut icon on the toolbar
This will allow you to select the sizes that you wish to view on screen.
Figure 31: The Enable dialog. Please Note
The Select Sizes function is also available by using the following short cut icon on the toolbar
. or check the box of the size(s) you wish to see on screen.
or check the box to view specific surfaces. Please Note
The Quit function is also available by using the following short cut icon on the toolbar
The cursor provides a real-time X Y position of the screen area.
Figure 33: The Show surface dialog.
This dialog will allow you to switch on or off all the surfaces. or if you wish to quit whilst in the middle of a function. this is shown in the bottom right hand corner of the screen. This function is useful if the program locks up and you are unable to use any other commands.
The following options are available within this section. Please Note
The Show Surface function is also available by using the following short cut icon on the toolbar
Select Quit to end the function that is currently in use.
As above. as shown below.
This works in a similar way as above.
This enables you to select a specific 0 point. so that you will not see any figures at the bottom right.
This removes any restrictions and allows free movement of the cursor.
This provides an “absolute” measurement. This can be switched off by selecting the function again.
When selecting this. but the cursor moves in a horizontal direction.
The following commands control how the cursor moves on screen. in X and Y from the toe on the 2d flattening.
. I. the cursor movement is restricted to movements in a vertical direction only. as shown above.
Selecting this function changes the cursor to a vertical and diagonal line on the screen. providing a measurement from the 0 point that you select to a specific point on the screen. where you click the cursor will become the 0 point and wherever the cursor is moved will be relative to that 0 point.e.This switches off all references to the cursor position.
Figure 35: The arrow cursor. To secure the image in the required position.
Figure 39: The Rotate icon. This allows you to rotate the last to any required position.
. You can either draw a box around the area to zoom. release the mouse button
Figure 38: The Zoom icon. Hold the mouse button down and rotate the last.
Figure 37: The Pan icon This drags the image on screen by holding down the cursor and moving the mouse. This will “zoom” the image in or out on the screen.
The two options within this function allow you to change the cursor to either an arrow or a cross.
Figure 36: The Cross cursor. releasing the button to hold the position. A description of each is provided below.
The cursor mode can be changed allowing you to move the image around on the screen or make selections. or use the left mouse button to zoom in and the right mouse button to zoom out. The two options are shown below.Figure 34: Cross Hairs cursor.
Figure 42: Screen in One View mode. Each view is described below.
Figure 41: The View cascade options.Figure 40: The Select icon. Please note:
These functions are available as a shortcut on the toolbar. such as lines or arcs and also group items.
. This allows you to select items.
This section produces the following cascade that enables you to change the way you view the screen.
The View Screen functions are all available by using the short cut icons on the toolbar
This function allows you to switch a grid on or off and modify it to suit your needs.
Figure 45: Screen in Four Views mode. The following dialog is produced.
Figure 44: Screen in Split Horizontally mode.Figure 43: Screen in Slit Vertically mode.
This will change the image from 3d to 2d and vice versa.
. To enhance the grid.Figure 46: The Grid dialog. shown in the example below.
Figure 47: The grid function switched "on". select highlight. Click on the Draw function to show the grid.
and the default is 0.Figure 48: The grid "highlighted".
. The example below shows it set at 5. Offset The Offset sets the grid to align to the centre of the shell or image on screen. The default is set at 10 and the example below shows a spacing of 20
Figure 49: Spacing altered to 20. and you will see the grid has shifted 5mm from the centre.
Spacing You can change the spacing of the grid to suit your needs.
In the example below the rotation has been changed to 5mm. Grid
Figure 51: The rotation of lines changed to 5. at present the rotation is set at 0 and the lines run straight in all directions.Figure 50: Grid shifted 5mm up from centre line. Click to The “click to” functions dictate how lines are drawn within the grid None When the “None” function is selected. lines can be drawn freely within the grid.
Rotation This function changes the way the grid lines flow. For example.
.This will “snap” the line to the grid. Intersection The cursor will snap to the closest intersection of two style lines. shown below. The node is automatically positioned in the corners of the grid. as shown in the example below.
Figure 52 Lines selected to “Click To” the Grid.
Line This will snap the line to the nearest line that is on screen.
Figure 53: Lines selected to "click to" existing lines.
Node This will enable the line to snap to the nearest node on any line.
Mid-Point This snaps the cursor to the half way position (mid-point) of any line.
. Please note you will have to switch on the Cross in the Layer visibility dialog.Centre This function allows a new line to snap to the centre of a circle.
Cross This allows the new style line to snap the centres of the crosses.
Figure 54: The Ruler dialog.Extreme This allows the cursor to snap to the “extreme” or end of the line. You can also rotate the ruler using the cursor.
The Ruler can be picked up and positioned by cursor.
Figure 57: Tooltip set to Medium.
Figure 58: Tooltip set to High. An example is used to describe the n umber of tips included at each level.Figure 55: The Ruler function
Tooltips provide certain details regarding lines etc and are shown when the cursor is placed over them for a few seconds.
This will turn all “Tooltips” off
Figure 56: Tool tip set to Low.
This option is also available as a shortcut icon on the toolbar
Figure 60: The last set as Wireline. and tracing the style. Making the last translucent is useful when” Aligning a Picture to a Last”. Each is described below by a picture.Graphics
The options in this section change the appearance of the 3d last.
Figure 59: The last set as Translucent. Please note:
This option is also available as a shortcut icon on the toolbar
Figure 61: The last set as Shaded. Please note:
This option is also available as a shortcut icon on the toolbar
. Please note: · This option is also available as a shortcut icon on the toolbar
Wireline + Shaded
Figure 62: The last set as Wireline + Shaded.
With this option you will be required to enter the line width you require. the last lines will then change accordingly.
Silhouette Lines Width 2.Figure 63: Last set as Silhouette.
Figure 65: The silhouette line dialog. Please note:
This option is also available as a shortcut icon on the toolbar
Wide Silhouette Lines
Figure 64: Last set with wide silhouette lines.
I. For example if view rotation outside is selected. In effect the outside surface of the 3D model is being made invisible and
. the user will not be able to see through onto any of the interior surfaces of the 3D model. but view settings graphics viewport is switched to inside the last will look as if you are looking at it from its inner. It will either need re-digitising or its U-direction reversed
This sets the 'visible' surface of the 3D model to be the outermost or exterior surface.Figure 66: Last set to specific silhouette.
Figure 67: Last drawn with anti alias lines switched on.
This equates to looking at the 'inside' of the 3D surfaces from whichever rotation is selected.
View settings graphics viewports are a good way of determining whether the 3D last or unit has been created properly (for example if the last has been digitised in the correct direction). the centre line.
Anti Alias Lines
This option makes the lines i.e. In this setting the 3D model will look correct. If any of the viewport settings do not behave correctly it is possible that the last is actually 'inside out'. look much crisper.e. cleaner and smoother.
but produces the slowest redraw and rotation speeds. The following options are available.
This option is found only in the Creative program and allows you to add lights to a 3d Shoe to further enhance the finished design.
.the user is seeing straight through to its inside surfaces
Selecting this view setting will display both the interior and exterior surfaces of the 3D model simultaneously.e. anything that might slow down the process of normal last rotation.e. and rotates the last in wireframe.
This provides the highest level of model quality.
Attached textures to 3D surfaces will not be displayed
Attached textures to 3D surfaces will be displayed
Attached textures to 3D surfaces will be displayed but only after rotation has ceased (i. during model rotation the textures will not be updated
This option turns off all piece properties i.
The Render Quality equates to the level of detail or resolution that the 3D model is displayed with
Normal is the lowest level of model quality and produces the fastest redraw and rotation speeds.
A Medium level of quality is produced with “medium” speed redraw and rotation. Highlight the relevant material by clicking with the mouse and then enter a value in the boxed below.
On selection a dialog is produced where you can select the individual materials and adjust the reflectivity on specific settings.
or opting to add the light as a Floodlight or a Spotlight and change the strength of the light. You may also select to create a new material by clicking on New and entering a name. highlight the relevant material in the box and select Delete to remove it. The new name will be added to the list of materials.
Figure 68: The reflectivity dialog. On selection you will be prompted to “Pick up and put down the light”. You are able to add a number of lights to each Shoe and can modify each as required. choosing from A-D or the default. This includes changing the colour of the light.
In the cascade produced you can select a specific lighting scheme. All the functions in this dialog provide the tools to personalise your image and further enhance the finished Shoe. To delete material from the list.
The following dialog is produced where you can change the settings of the lighting.
Adjust Light Source
This allows you to pick up and reposition the light by cursor. When you have clicked to select the changes will automatically update on the 3d style.There are also options to load or save a reflection file. and you will be able to navigate to the relevant file.
This will clear any information that is currently on the screen.Figure 69: The Light Settings dialog. This option is also available as a shortcut icon on the toolbar
In this option you can select previously created Flattenings.
Figure 1: The Available Flattened halves dialog. by applying symmetry to the two halves and then merging them. you will be able to click on the flattening you require to select it. this produces a dialog that contains a list of all the flattenings that you have on the current last.
Figure 2: The Available Flattenings dialog
Selecting Halves produces the following dialog that contains details of the Available Flattened Halves. The process can also be used for graded sizes. The process is completed in the same way that you might work traditionally. The options in the cascade are as follows.Flattening
The functions in the Flattening Drop Down menu provide all the tools to create a 2d flattening of the 3d last. This then allows you click on the relevant flattening from the list.
Select Next to begin the procedure You will then be taken through the next stage which is to set up the Thickness. The offset works like an orange peel effect.The New Flattening menu provides all the tools to create the flattenings of your choice for the 3d last.
Figure 4: Setting the thickness for the new halves
. The following is an overview of the Flattening Wizard.
Figure 3: The Flattening Wizard dialog. The flattening can be as basic or structured as you chose using this method. The options are as follows
The Wizard takes you through the necessary steps to create a flattening of your 3d last. with the added benefit that a thorough knowledge of the process is not necessarily required to create the very basic of flattening.5 mm is usual for most shoes).
Type in a Thickness for the Halves (0. The first page of the dialog displays the current Flatterning settings. Click Next to proceed. This will establish the allowance around the last for different leathers and linings.
heel mean 3.
Figure 5: Applying Symmetry. There are seven methods of flattening.
Figure 6: Specify the options to control the flattening You can either enter a vamp depth value of your choice. Heel positions. to do this Uncheck default to enable you to enter the vamp depth of your choice
. Heel. On the next page you will be required to specify the options to control the flattening. back to the original asymmetrical feather edge shape. Toplines. heel blend 4
This means that up to node 3 on the feather edge will be the same on the inside and outside and node 4 will be the blended node. if selected. Check the boxes to apply symmetry (mean) to the Centre. and Feather edge. this time to set up the symmetry of the halves. This is the ‘default’ setting and the one we will use in this example. The simplest to use is the ‘Vamp depth and Touch points’ method as it requires no further interaction from the user. so that the inside and outside heel feather edges are the same i. allows the heel curve at the feather edge to be ‘meaned’ and blended.e. Select Next to proceed Please Note:
The ‘Feather’ option.You will now be taken through to another page.
Creating a flattening in the Creative program
When using Creative you will need to ensure the last has a flattening before you are able to start drawing.
. This is useful to when creating a design. such as for production purposes. restricting piece collection. the following 3 options are available within this function to help you create the correct flattening for your last.
. Tick Default to create a top flattening. The flattening does not have to be technically correct. choose to use the default option. but it must not cross over at the heel positions otherwise this will restrict collection of pattern pieces. and creates a default top flattening. Select Finish This will then draw the flattening whilst showing details in the dialog Select Finish to complete the wizard and close the function. This means that the halves will not cross the centre line at any point. such as a Men’s Formal. Figure 8: A default Top Flattening. Therefore.
Figure 7: An incorrect flattening.Or.
This is used on lasts with little or no heel height.
When you have selected Ok the halves will be drawn in 2d
. as shown in the example below.
Figure 10: A High flattening showing the back height distance of 24mm
Selecting Halves produces the following dialog that requires you to type in a value for the thickness. 12mm either side of the centre line. usually 0.5 is acceptable for most styles. This can be used on a lower heel height up to approximately 5cm as long as the back height positions are not crossing over.A Mid Flattening will join the two halves half way along the centre line at the vamp point. This will be used on a higher heel of 5-9cm.
Figure 12: Dialog to enter the thickness of the new halves. This will establish the allowance around the last for different leathers and linings. The offset works like an orange peel effect.
Figure 9: A Mid Flattening
The High method will join the two halves at the ‘Vamp Point’ and separate the inside and outside back heights by a distance of 24mm.
Figure 14: Applying symmetry properties.Figure 13: Halves drawn in 2d.
The dialog produced when selecting Flattening allows you to create the flattening you require by selecting the relevant method.
. Select Apply and then Ok. Tick all the relevant boxes and enter any values you require.
The dialog that is produced with this option requires you to tick the boxes where you wish to apply symmetry etc.
Below is a brief explanation of each method. Rotate Inner
. Rotate Both Use the cursor to rotate both halves to the required position. If you select this option you will be prompted to “Right click to show options”
Figure 16: right click menu to enable flattening. Cursor This gives you complete control over the flattening process. Drag Both Use the cursor to pick up and drag both halves to the required position. Drag Outer Use the cursor to pick up and drag the Outer half to the required position
Drag Inner Use the cursor to pick up and drag the Inner Half to the required position.Figure 15: Create Flattening dialog.
Use the cursor to rotate the inner half to the required position. You will be then shown a preview of the flattening with a Continue/Quit create Form menu. You will be prompted to “Right click to show options” which will produce the following menu. select Ok if you are happy with the result to create the new flattening. which will then set the halves at that measurement. Accept This will accept the changes that you have made to the halves. you can choose this option. Rotate Outer Use the cursor to rotate the outer half to the required position. As described above you will now need to rotate the halves by cursor until you are happy with the position and then chose Accept to apply the new flattening. You will need to enter a value in the Vamp Depth box on the dialog. The toes will then be rotated so that they are ‘overlapped’ by the amount
. This will then set the halves at that measurement.
Figure 18: Continue/Quit create Form menu showing toes 'kissed' together Vamp Depth and Overlap If you wish to apply a specific vamp depth and overlap the toes when they are ‘kissed’ together you can choose this option. You will need to enter a value in the Vamp Depth box and enter a value in the Overlap box on the dialog. You will need to enter a value in the Vamp Depth box on the dialog. Vamp Depth and Cursor If you wish to apply a specific vamp depth. which will then set the halves at that measurement. Use the tools described above to create the flattening you need and then accept to apply the changes.
Figure 17: Right click menu produced to enable flattening. you can choose this option. the toes will then be rotated so that they are ‘kissed’ together. Vamp Depth and Touch Points If you wish to apply a specific vamp depth. Quit Select this to quit the process.
You will be prompted to “Right click to show options” which will produce the following menu. and keep the toe open for a sandal shoe.entered. You will need to enter a value in the Vamp Depth box and enter a value in the Slot box on the dialog.
Figure 20: Continue/Quit create form menu showing the ‘slot’ amount at the toe. You will then be shown a preview of the flattening with a Continue/Quit Create Form menu. Vamp Depth and Slot If you wish to apply a specific vamp depth. Back Height and Vamp Depth This enables you to apply a specific distance between the back heights. the toes will then need to be rotated to the desired position. You will be then shown a preview of the flattening with a Continue/Quit create Form menu. you can choose this
Figure 21: Right click menu produced to Accept Flattening As described above you will now need to rotate the halves by cursor until you are happy with the position and then chose Accept to apply the new flattening. select Ok if you are happy with the result to create the new flattening. select Ok if you are happy with the result to create the new flattening. you can choose this option. which will then set the halves at that measurement. This will then set the halves at that measurement and the toes will be rotated so that they are ‘kissed’ together and the toe will be left open by the slot amount entered. and a specific vamp depth.
Figure 19: Continue/Quit create form menu showing the ‘overlap’ amount at the toe. Back Height and Cursor This will enable you to apply a specific distance between the back heights and rotate the halves around the back heights to merge together. You will need to enter a value in the Back Height box on the dialog.
You can check your copy has been
. the following dialog is produced showing all the available Flattenings. to those parameters.
This allows you to select a flattening i.e. select Ok if you are happy with the result to create the new flattening.
This enables you to copy an existing flattening and when you select the option a dialog is produced where you should enter a new name for the copy. Flatten thickness 0.option. This will then set the halves at that measurement. Once you have entered a name. You will be then shown a preview of the flattening with a Continue/Quit Create Form dialog. You should now click on the relevant one that you wish to copy and click Ok. causing less stress in the toe area.
Figure 24: The Available Flattenings dialog This will then produce a copy of the selected flattening with the name you entered.5 VD 110 name. and flatten all the sizes of the last. it will mean that the toe will be left open up to 10mm from the toe. for example.
Figure 22: Continue/Quit create Form menu showing the Back Heights set at 6mm & VD 110 Open Toe This option is usually used for sandals. if the open toe box is checked and a slot value is typed in of 10. You will need to enter a value in the Vamp Depth box and enter a value in the Back Height box on the dialog.
Figure 23: Enter a name for a new flattening.
selected by choosing Select the Flattening from the drop down menu where you should see the new flattening in the list. This command is sometimes necessary if the flattened halves are merged together with.
This option will apply the meaning (symmetry) to the inside half. and is the default setting
This option will flatten all graded sizes of the selected halves
Spring Form by Cursor
This option will allow you to spring the Form (flattening) with the cursor in real time.
. overlaps or gaps between the centre lines.
This option will apply the meaning (symmetry) to the outside half. You will be prompted to select a pivot point on the flattening and then move the Form to the desired position.
This will set the method to ‘align’ the halves in a way that was required in an earlier release
This option is required for all new last Flattenings.
This option will apply the meaning (symmetry) to the middle of both inside and outside halves and is the default setting.
Even Graded Sizes
This option will remove any discrepancies in the 2d graded Flattenings.
Figure 26: Accepting the new heel curve shape
This option can only be used once you have created a new heel curve. accept the start point is at the gross heel feather edge. this shape can then be modified.
Figure 27: Accepting the modified shape. You will be prompted to start drawing the new heel curve over the halves.This option will allow the user to define a new heel curve shape on the current 2d flattened form.
Figure 25: Accepting the new heel curve shape
Define Shape (Gross)
This option is used in the same way as above. You will be prompted to “Right click to show options” which will produce the following menu.
. starting at the bottom of the heel curve and continuing to the top of the heel curve.
This option is the same as ‘Define shape’ accept the new heel curve shape is digitised with a 2d digitising tablet
Digitise Shape (Gross)
This option is the same as ‘Define Shape Gross’ accept the new heel curve shape is digitised with a 2d digitising tablet
This option will clear the defined heel curve shape and use the natural heel curve shape from the 3d Last. This will require a Feather Table (lasting allowance). You will be prompted to “Right click to show options” which will produce the following menu. You will be prompted to “Right click to show options” which will produce the following menu.
This command will remove the modified center line shape. To reset the radius back to the natural heel curve shape of the 3d Last.
Figure 29: Flattening showing heel radius of 90mm overlayed original heel 3D Last heel curve.
Figure 28: The Enter Heel Radius dialog. Please note the heel curve radius will be applied through the back heights of the last flattening and the bottom of the heel curve. Click Ok to apply the 90mm radius. the Radius heel value must be set to 0mm.This option will allow the user to put a ‘radius’ on the flattened heel curve.
This command will allow you to modify the centre line of the 2D Flattening. Type in the Radius value. usually 90mm is the norm. You will be prompted to “Right click to show options” which will produce the following menu.
Figure 30: Moving points and accepting the new shape. and revert back to the center line of the 3D Last
Figure 31: Halves drawn over current flattening. leaving only the halves
Figure 32: Halves redrawn.Draw Halves
This command will draw the halves on the screen on top of anything that might already be visible.
This command will draw the Flattening on the screen on top of anything that might already be visible.
Figure 33: Flattening drawn. leaving only the halves
This redraws the flattening on a fresh screen so that anything currently on screen is removed.
This redraws the halves on a fresh screen so that anything currently on screen is removed.
showing the Flattened 2d UV lines.
Figure 37: Bottom draft line measure.
Figure 36: Top draft line measure.
Figure 35: All graded sizes drawn
This command will clear the screen and redraw all graded sizes of the 2d Flattening. showing the Flattened 2d UV lines.
Top Draft Line
This command will show where the ‘Top Draft Line’ is being measured.Figure 34: Redrawn flattening.
This command will draw all graded sizes of the 2d Flattening.
Bottom Draft Line
This command will show where the ‘Bottom Draft Line’ is being measured.
This command will draw all graded sizes of the 2D halves without Symmetry
This command will clear the screen and redraw all graded sizes of the 2D halves without Symmetry
This command will show where the ‘Cone Heel’ is being measured.
Figure 40: Cone heel measure.
Figure 38: long heel measure
This command will show where the ‘Short Heel’ is being measured.This command will show where the ‘Long Heel’ is being measured.
Figure 39: Short heel measure.
showing the stress that has been applied in the Flattening process.
Figure 42: Halves showing coloured stress from the flattening process. showing the stress that has been applied in the Flattening process
This command will draw the inside and outside halves.
Draw Halves Original
This command will draw the inside and outside halves without any symmetry
Redraw Halves Original
This command will clear the screen and redraw the inside and outside halves without any symmetry. clearing the screen and showing the stress that has been applied in the Flattening process. and the darker areas where there is less stress. showing the lighter areas where there is more stress.
Figure 41: Halves showing stress from the flattening process.
This command will draw the Flattened Forme.
Draw Coloured Stress
This command will draw the inside and outside halves in colour.This command will draw the inside and outside halves.
Draw Coloured Stress
This command will draw the inside and outside Formes in colour.
This command will clear the screen and redraw the Flattened Forme.
This command will clear the screen and redraw the Flattened Forme. and the darker areas where there is less stress. showing the stress that has been applied in the Flattening process.
This command will draw all graded sizes of the 2D Flattened Formes. coloured.
Figure 44: Flattened forme. showing the UV lines. showing stress from the flattening process. showing the lighter areas where there is more stress.Figure 43: Flattened forme showing stress from the flattening process.
This command will clear the screen and redraw the Flattened Forme.
This command will draw the Flattened Forme.
. showing the UV lines.
This command will draw the Flattened Forme.
This command will clear the screen and redraw all graded sizes of the 2D Flattened Formes Figure SEQ Figure \* ARABIC
This command will delete the Flattened halves of the current size
Halved Selected Sizes
This command will delete the Flattened halves for the selected sizes
This command will delete the current selected Flattening
Flattening Selected Graded Sizes
This command will delete the current selected Flattened formes for all graded sizes.Figure 45: All graded sizes drawn of 2d flattened forme.
This command will draw the bottom flattening showing the UV lines. Please note the Model size selected Flattening will be kept.
The crosses positions can then be used for reference of ‘notches’ or markers etc. Please note you must save as a Project to recall the LBP piece. showing the UV lines.
This command will draw the Flattened bottom.Figure 46: Bottom flattening showing UV lines.
Figure 48: Last Bottom Pattern (LBP)
This command will draw the intersections as crosses. of the upper style line onto the LBP (last bottom pattern). showing the stress that has been applied in the Flattening process
Last Bottom Pattern
This command will automatically create a packet and piece call LBP (last bottom pattern). showing the stress that has been applied in the Flattening process.
This command will clear the screen and redraw the bottom flattening showing the UV lines
This command will draw the bottom flattening in all grade sizes. Please note you must show the layer ‘cross’ to see this. showing the UV lines
This command will clear the screen redraw the bottom flattening in all grade sizes.
Figure 47: Bottom Flattening showing stress applied through the Flattening process
This command will clear the screen and redraw the Flattened bottom.
of the upper style line onto the LBP (last bottom pattern).
Recalculate Current Size
This command will re-create the bottom flattening.Figure 49: Last Bottom Pattern showing draw intersection crosses
Figure 50: 3D last showing style lines that intersect with the Last bottom pattern
This command will clear the screen and redraw the intersections as crosses. Please note you must show the layer ‘cross’ to see this. this is necessary when the last has been modified. The crosses positions can then be used for reference of ‘notches’ or markers etc.
This command will re-create the bottom Flattenings for all graded sizes. Please note the nodes on the new bottom pattern must be the same number as the 3D Last UV patchwork lines. and
. this is necessary when the last has been modified. The options in this menu will allow the user to modify the 2D bottom pattern and apply the modifications to the 3D Last.
Selecting the Bottom Pattern will produce the following menu.
Figure 51: the Last Bottom modify menu Digitise shape This option would be used if the user wanted to digitise in a new 2D bottom pattern and apply that shape to the 3D Last.
Position Toe This option is used to position the toe point on the 2D bottom pattern to be mapped to the 3D Last. Align This option will align the new 2D bottom pattern to the mapped 3D Last. Move Node This option allows the user to modify/move nodes on the 2D bottom shape. to the 3D Last. Delete Node This option allows the user to delete nodes on the 2D bottom shape. Blend Range This option is the blend range that will be used to map the 2D bottom pattern. New Shape This option clears the existing bottom shape.
Load/Save As This option allows the user to load or save the 2D bottom pattern shape. Redraw
. Please note there can only be the same number of nodes on the 2D bottom shape as the 3D UV patchwork lines. i. Draw This option draws the 2D bottom shape. Copy from Flattening This option copies the shape of the 2D bottom flattening onto the shell surface and allows the user to modify that bottom shape. 4 UV patches up the Last from the bottom pattern. Move Node mm This option allows the user to modify/move nodes by a set distance in mm on the 2D bottom shape.e. Please note there can only be the same number of nodes on the 2D bottom shape as the 3D UV patchwork lines. Position Heel This option is used to position the heel point on the 2D bottom pattern to be mapped to the 3D Last. Insert Node This option allows the user to insert nodes on the 2D bottom shape. Delete Shape This option will delete the 2D bottom pattern shape on the shell surface.connected with a digitising tablet.
The blend range determines how gradually the changes to the last bottom pattern will be applied to the last. For more radical alterations you should use a larger figure. You can then press the Close button to exit from this routine. The number in the Blend range box describes then number of “patches” on the last over which the change will be blended. Draw Sizes This option draws all graded sizes of the 2D bottom shape. The default number (4) is sufficient for most minor changes. Press the Apply Changes to Last button This will recreate the last according to the new last bottom pattern. Image By selecting this button will produce the following menu. When you are satisfied with the revised last bottom pattern. check that the blend range is correct. Position the mouse pointer over a node and click the left mouse button to pick up the node Move the node to the required position and press the left hand mouse button again to release the node.This option clears the screen and redraws the 2D bottom shape. You can move any of the nodes this way to achieve the desired results.
By selecting this option will produce the following menu displaying all of the Last Flattening Measures.
Figure 52: Modify last bottom pattern dialog.
. If necessary you can also add or delete nodes to improve the definition of the pattern.
Figure 53: The last flattening measures
Query all Measures
This option will output all Last Flattening measures to the Message History dialog. as shown below.
Figure 55: Feather measures in the Message History dialog.
This option will output the Feather distance to the Message History window.
Figure 54: Query all last measures in the Message History dialog. The following information is displayed. found in the View dropdown menu under Other Windows.
The following all apply to the Halves
This option will output the outer halve measurement to the Message History window.
The following all apply to the Upper Surface
This option will output the outer Forme measurement to the Message History window.
This option will output the inner Forme measurement to the Message History window
This option will output the inner & outer Formes measurements to the Message History window.
This option will output the inner halve measurement to the Message History window.
This option will output the inner & outer halves measurements to the Message History window.
The following all apply to the Sole
This option will output the outer sole measurement in 3D to the Message History window.
This option will output the inner sole measurement in 3D to the Message History window.
This option will output the inner & outer sole measurements in 3D to the Message History window.
.The options available in this section are listed below.
please note the output distance will be displayed in the Message History.
This option will create a packet and inner and outer pieces of the Flattening.e. pieces representing both halves that can be stitched together and placed over the last.
This allows you to create and make covers that fit over a last. You can then open the Message History window to display the information.
This option will output the inner bottom measurement in 2D to the Message History window. This is a good check that your flattening will work. Please note you must save as a Project to recall the cover pieces.
Figure 56: Displaying the distance on the last.
This option will output the inner & outer bottom measurements in 2D to the Message History window. i.
Distance between Two Points
This option will allow the user to freely measure. The following options are available within this menu.The following all apply to the Bottom
This option will output the outer bottom measurement in 2D to the Message History window. Once selected you will be prompted to “Enter the points in pairs” and should now make two clicks representing the area you wish to measure. using the cursor on the Flattening.
This option will clear the screen and redraw the outer pattern piece. from the name to specific measurements.
This option will draw the inner pattern piece
This option will draw the outer pattern piece
This option will clear the screen and redraw the inner pattern piece.
Selecting Properties will produce the following dialog. There are five tabs within this dialog that provide all the details associated with the current flattening.Figure 57: New Cover pieces created.
This option will delete the packet of pieces call covers.
Figure 59: The Measurement section.
.Figure 58: the Flattening Properties dialog.
The Line Drop Drown menu provides all the functions necessary to build up a style in either 2d or 3d.
This menu allows you to create any form of new information. Shoemaster lines are constructed by adding points with a click of the left mouse button. the amount of points will determine the complexity and shape of the line. Note: The line is curved by default.
. to complete it you will need to click the right mouse button to produce the following menu. from drawing new lines to mirroring and digitising a new shell. You will also be able to “Digitise” in an existing 2d shell. See below.
Selecting New Line allows you to begin drawing your style.
Figure 2: Menu produced with Right Click The following is a description of each option Undo This command will undo the last point (or multiple nodes if required) added to the line during the line creation process Accept Use the ‘Accept’ command to complete the line. The following provides a description of all the available functions.
Figure 1: Shoemaster Line and its respective points Once you have started to create the line. but can be changed to straight during the creation process.
Note: This option can also be found on the Line Toolbar by selecting Toolbars in the View Drop down menu.
in other words. any line that has been started will be quit. and one point along the centre line”. This function is explained later in this manual. Continue Curved This feature allows you to continue adding nodes to create a curved. you can still affect the line shape by moving the cursor. and one point along the centre line”. select Initialise Tablet from the drop down menu. and the final cursor position at this stage is not important . Accept & New Line This command is similar to the above. you will be prompted to “Enter the nett toe point.
Before using any digitiser you will have to initialise the tablet.
Digitise Gross Feather
This option allows the user to digitise the Gross Feather Line using a Digitising Tablet. You can then continue digitising the Gross Feather.You will be prompted to “enter nett toe point and one point along the centre line” and you should enter these points by clicking along the relevant lines on your Shell.Note: You will find that after the last node has been added. you will find it easier to add a Feather Table. smooth line.
. This option will be very rarely required and if you need to add a Gross Feather. The Shell is now ready to digitise. When you have selected this command.
This option allows the user to digitise style lines using a Digitising Tablet. Continue Straight This command allows any subsequent nodes to be joined to each other via straight lines.only the last left mouse click. Quit Use this command will quit the line drawing process. from complete shells to individual pieces. When you have selected this command. To do this. ensure the computer and tablet are communicating. this is because Shoemaster is bending the line to end at the position of the cursor. Using accept will create a line using all created nodes. you will be prompted to “Enter the nett toe point. but after accepting the line the drawing mode continues and the next line can be created.
The following functions provide the tools to digitise existing work. The nett toe pojnt and one other pojnt along the centre line are shown in the example with a X. You can then continue digitising the style lines in any order.
Once selected the following dialog will appear. click Accept (right or left foot) and close the menu. When all outer lines have been either digitised or duplicated.
The Style Lines option is used once your shell has been digitised. click on ‘Duplicate Inner’ and the lines will automatically duplicate for you. to add any internal style lines that make up the actual design. otherwise click ‘Digitise’ and complete as usual. disable the tablet and move on to the next option. And Button B to accept the new line. this will vary for other digitisers) Use button 1 to create the line. navigate to Digitise Shell in the drop down menu. If any lines for the Outer are the same as the Inner. Once you have selected the command you will be able to start clicking around the lines to enter them onto your
Figure 4: The Digitise Shell dialog Click each button and digitise the appropriate lines on your shell. (The following buttons relates to the Accugrid Numonics digitiser.Figure 3: Points to initialise tablet
To digitise a hand drawn shell using the initialised tablet.
By “completing and accepting” on the digitsing cursor. And Button B to accept the new line. bottom right and top right alignment points” and then continue with the new drawn lines.
This option will prompt you to “digitise bottom left. You must first select the line that you wish to duplicate. will automatically pick up that piece. Each piece is then digitised in turn so that all pieces are complete
3D Alignment Points
This option is used to align 3 reference points and the last together. Use Button F to accept the new line and allow you to create the next line. Use button 1 to create the line.shell.
This function allows the digitising of style lines which are then automatically created into pieces. This is done by digitising the style lines in a clockwise direction around the piece.
Figure 5: The 3d Alignment points.
This function allows you to create a duplicate of a line.
. so that this can be printed and a designer can freely draw using a pencil onto the last or style. which can then be digitised back onto the 3d last and style. This will create a new duplicate line on top of the original and you will notice the appearance of the original line has changed. using a 2d digitising tablet. The buttons quoted relate to the Accugrid Numonics digitiser. disable the tablet and move on to the next option. and then select the Duplicate function in the drop down menu.
New Offset Line
This function allows you to create a new offset line from an original line.Figure 6: A new Duplicate line Note: This option can also be found on the Line toolbar by selecting Toolbars in the View drop down menu. As before. you will first need to select the line that you wish to create an offset from.
Figure 7: Dialog to enter the offset value You will then be prompted to ‘Click on the side of the line to offset’ and when you have done this a new Offset line will be produced. The following dialog is produced and you should enter a value. Then select the Offset function from the drop down menu.
Figure 8: New Offset line
New Mirror Line
To create a mirrored line of an original across the centre line you must first select the original line. as shown in the example below.
A cascade is produced with the following options. The following dialog is produced and you should enter a value. navigate to the New Mirror line option in the drop down menu and this will create a new and mirrored line. and any amendments made to the original will reflect in the ‘tied’ line. As before.
Figure 10: New Mirrored Line
New Tied Line
This menu allows you to set up ‘Tied’ or linked lines on the standard.
This function. You will be able to create a new line on the shell that is linked to an existing line. Then select the Offset function from the Drop down menu. as New Offset described earlier. allows you to create a new offset line from an original line but this time it will be ‘Tied’ to the original.
. you will first need to select the line that you wish to create an offset from.Figure 9: Line selected to be mirrored Then.
you must first select the line that you wish to create an offset Hole from. and will create a tied non-edge line. First you will need to select the line that you wish to create the new tied and rotated line from.
Figure 13: Newly created Line Rotated
Tied Hole works in the same way as a tied line in that you will be prompted to enter a value for the new offset distance and apply it to a line. if you select a stitch line to offset you will create a new offset stitch line. As before. this works for any non -edge lines such as stitching or punch lines. When you select Line Rotated you will be prompted to “Point to the rotation point”. i.
This allows you to create a tied line rotated around a pivot point. shown in the example below as a cross. rather than as an offset from an original. However. and so on. Once this has been entered you will be prompted to “Point to the side to offset the tied line” This will then create a new line that is tied to the line originally selected. See example below where a tied line has been created from an original stitch line
.Figure 11: The Offset distance dialog.e. You should now click on the rotation point.
Figure 12: Line and rotation point selected You will be then be prompted to “Point at the start and end of the rotation” The first click will produce a line and the second will position it.
The options are as follows.
Figure 15: Properties of new Hole line taken from normal edge line
Selecting this option produces a further cascade with function s allowing you to create a tied line that is mirrored across the centre line. As with all line functions you will first need to select the line that you wish to mirror and tie.
This function will allow you to create a line that is tied to the original you select and then mirrored over the centre line. in the Properties of the new line you will notice that the new line has been set as Hole.Figure 14: New offset “Hole” line Note: · If you have created an offset hole from a normal edge line.
Figure 16: Line selected to be mirrored and tied When you have selected the function from the drop down menu the new mirrored and tied line will be created. see below.
Figure 17: Newly created mirrored and tied line
This function works exactly as above but this time mirrors and ties a non-edge line. You can then select the function from the drop down menu. You should now select the line that you wish to mirror across.
Figure 19: Line 'a' to be mirrored and tied about 'b'. you will be prompted to “Select the mirror line”. Once you have clicked on the mirror line.
Figure 18: Newly created tied and mirrored Hole line
Tied Across Line
This function creates a new mirrored and tied line across an existing line. This is shown as ‘a’ in the example below. as shown below. a new line is created. you should select the line to be mirrored and tied. such as a stitch line. shown as ‘b’ in the example. As before.
. You can follow the same process as above to create a new line. Once selected.
Selecting Apply prompts you to “Point to the direction to apply the offset stitch” and you can now click appropriately to apply an automatic offset stitch. The default offset is 1.
Creating a tied line from an arc is only effective if patterns have been created for the style.
Figure 21: Offset stitching applied to a line
You can change the offset allowance by using the following dialog.Figure 20: Line 'a' now mirrored and tied about 'b'. which can be changed by using the arrows and then clicking “Ok”.
This function produces a further cascade that allows you to add an automatic stitch line to your style.
Figure 22: The Offset Stitch dialog. This function would commonly be used when creating a sock pattern as a variable offset can be created (more than 2 values on pattern) and then duplicated as a style line on the shell. Further patterns can then be collected using the new style line that has been created from variable offsets.5mm.
The user will be asked to click on two existing lines. with the same principle applying to each section. a new ‘average’ line is created
Figure 23: Lines selected to add an average
Figure 24: Average line added between two selected lines
The shape wizard creates geometric shapes on either the surface or the last flattening. Below is an explanation of the circle section.This function adds a new line at an average distance between two current lines. A dialog is produced providing options of various shapes and methods of applying them.
Figure 25: The Circle section of the Wizard
Specify the radius of the circle with this option
Position the pre defined circle size using this icon
Position and size the circle by clicking and dragging the mouse. and as shown. in both 2d and 3d.
You are able to add a line as above. You will be prompted to “Enter two points” to position the line.
Figure 27: Crosses marking the start and end point of a new Perpendicular line.
New Perpendicular Line
This function allows you to add line at 90 degrees on an existing line. shown below with two crosses.Figure 26: The full Shape Wizard dialog. and then select the command. You will first need to select the line that you wish to add a perpendicular to. but this time entering a specific line length. This is commonly used with bars. It can also be used as a reference point at which to add a fitment notch.
This function allows you to add the new perpendicular line by clicking to set the position of the start and end of the new line.
. straps and mated circuits. There are two options in this function.
This section enables you to create special offsets or mirrors to lines. This will produce the following dialog and you should enter the Offset value. You will need to click on the section of the line that you wish to split. You will then be prompted to “select the portion to remove.
Figure 30: A new offset line
This function works as above but enables you to select the part of the line that you wish to offset. to create the new line. as above. When you entered this value.
. on the side you want to offset”. and each function is explained below. This will now be added. You will first be prompted to “select the start of the segment” and then to “select the end of the segment”.
When you select this function you will be promoted to “select the split position”.Figure 28: Adding a length for the new perpendicular line
When this has been entered you will be required to enter two points. an offset line will appear at the split point you clicked and to the value you added. This is shown in the example below. When you have clicked to register the two points the following dialog will be produced and you must enter the offset value. starting and finishing in the direction you specified to the length you entered. as above.
Figure 29: The Offset value dialog.
Figure 34: Segment of line mirrored across the centre line. When you have clicked to register the two points. You will first be prompted to “select the split point” and then “select the portion to remove when mirrored”.
Figure 33: Line selected to mirror a segment. When you have entered this value the new segment offset is automatically created.
Figure 32: The new Segment Offset.
This function allows you to select a line and mirror part of it across the centre line. the section of line will automatically mirror across the centre line. as shown in the example below. You will first be prompted to “select the start of the segment” and then to “select the end of the segment”.Figure 31: The Offset Value dialog.
This function works as above but enables you to select a segment of the line that you wish to mirror.
. The section that you wish to keep will then automatically mirror across the centre line.
This option allows automatic nesting of patterns in conjunction with an Adisa Cutting System. i.e bending style lines around the bottom pattern.
Adisa Stretch Direction
Adisa Size Marker
.Figure 35: A segment of the line mirrored across the centre line.
This option is usually used for moccasin construction. using Bend command. Selecting this command will then prompt the user to follow these steps:
”Select the line to bend” ”Select the line to bend to” ”Select the line to offset line” ”Select the point to start the new line” ”Select the end point”
Figure 36: Lines bent around last bottom pattern.
As with all line commands you will need to select the line first. followed by the command. this command will create style lines representing the outside of the unit face.
This works in the same way as New Offset.
Figure 37: Saving a Unit Top Piece file
Create Boundary Lines
A Boundary line is the external boundaries of a unit face (a face is a side of the unit block) and is represented in the 2d window for unit pattern creation. rather than adding an additional line at the distance specified. but this time the line will be moved by the amount you specify. When a unit face has been selected.
Figure 38: The Offset distance dialog. A dialog will be produced and you should enter the amount you wish to offset the line by.
The following functions found within this section of the Line drop down menu allow a number of modifications to be made. and these lines can be used to create 3d patterns for unit styling.As above
Saved Top piece Line
This function allows you to save a style line as a Top Piece line. The following is an explanation of each function. On selection the Save As dialog will appear that allows you to name the files as a Unit Top Piece and navigate to save the file in the required place. A Top piece is the rubber or plastic piece placed on the bottom of a heel to protect it from wear.
You will then be prompted to ‘Click on the side of the line to offset’ and should now click to the side of the selected line. This will now move the line by the specified amount. to move the line that you have currently selected.
Figure 40: Line selected to be moved horizontally. There are five different options and an explanation for each is provided below.
Figure 39: Dialog to enter value for moving line horizontally.
The following functions allow you to move existing lines.
Figure 42: dialog produced for entering value to move line vertically
. When you have selected the function the following dialog is produced and you should enter the distance that you wish to move the line.
Figure 41: Line moved horizontally by specific measurement
Moving lines vertically works in exactly the same way as horizontally. as before.
Moving lines “horizontally” will move the line(s) that you have currently selected by a specific distance. you will be prompted to “give the direction with cursor hit” and should click to indicate where you wish the line to move. Once you have selected the function you will need to enter a value. When you have entered the distance that you wish to move the line.
a string will attach to the cursor and you should click a second time to move the string in the direction you wish the line to move. you will be prompted to “give the direction with cursor hit” and should click to indicate where you wish the line to move. The following dialog is produced
Figure 45: Dialog produced to enter value for moving line As before. When you click a second time.Figure 43: Line selected to be moved vertically When you have entered the distance that you wish to move the line.
Figure 46: String attached to cursor to indicate movement of line.
Figure 44: Line moved vertically by specific measurement.
Figure 47: Line moved by direction
Again this function requires you to enter a value for moving the line by a set distance. you will be prompted to “give the direction with cursor hit”. the line will them move as you have indicated. When you have clicked once.
using a choice of three methods
Scale about Centre
This option allows you to extend each end of the line by equal amounts.
. This is shown in the following example. The second click of the cursor will secure the line in its new position. i.Move by Cursor
This function allows you to move a line or group of lines freely around the screen.
Figure 50: The line has moved along by the specified value
The following options can be used to scale a selected line or lines.
Figure 49: The selected line in its original form When the line moves it will retain its current form. You will then be requested to “pick group and move to final position” The first click you make will “pick up” the lines and then you can click a second time to place them. The following dialog is produced and you should enter a value
Figure 48: Dialog to enter offset distance Once you have entered a value the line is automatically moved along. followed by the function. You must first select the line or lines that you wish to move.e. You will be prompted to “pick group and grow to final size” and when you click to select the line you will be able to drag the cursor to expand the line to your chosen length.
Selecting this function moves the line “along” by a distance that you specify. as if you had extended the line in one direction and shortened it in the other.
The second click of the cursor will secure the line in its new position.
Scale about Point
This option allows you to extend the line from a point that you select. You will then be prompted to “pick group and grow to final size” and this will enable you to drag the cursor to extend the line as above. thus extending the line 10% each side.
Figure 52: Dialog to enter percentage of incease You will then need to “select the grow point”
Figure 53: Line selected to add increase in percent Once you have clicked on the line at your chosen point the line will automatically extend to the percentage that you entered. You will first be required to “select the grow point” and should click on the area of the line that you want to be the scale point. the line has been extended by 20% with the centre as the “grow point”. In the example shown. a dialog is produced and you are required to enter the value.
Scale % about Point
This option increases the line by a specific percentage. On selecting the function.
Figure 54: Line increased by 20%
.Figure 51: Line expanded by cursor.
The three options in this section allow you to rotate a line either by Point, Centre, or Angle.
Rotate about Point
This option, once selected, prompts you to “Select rotation point”. You should then click at the point on the line that you wish to rotate about. You will then be prompted to “pick group and rotate to final position” and you can then use the cursor to rotate the line to the required position.
Figure 55: Rotation point selected and cursor moving line to required position The bolder line shows the original position of the line and the finer line is being rotated about the selected point. You should click the mouse again to secure the line in its new position.
Figure 56: Line rotated, and secured in required position
Rotate about Centre
This option completes the same procedure as above, but this time the centre of the selected line is automatically selected as the rotation point. You will be prompted to “pick group and rotate to final position” and as above, you can click to select the lines to rotate and finally click again to secure the new position.
This option allows you to rotate the line at your chosen point by a specific angle. You will first be prompted to “select the pivot node” and should click on the point of the line that you wish to use as the rotation point. The following dialog is then produced prompting you to enter the angle that you wish to move the line. Depending on the direction you wish to move the line, you can type in a positive or negative value.
Figure 57: Dialog to enter the pivot angle. Once you have entered the value the line automatically rotates.
The following three functions can be used to mirror lines across the centre line.
This command allows you to mirror a line that you have selected across the centre line. Note: Unless you have created a Duplicate of the line you wish to mirror, the line will be moved across the centre line. This will not create a new and mirrored line.
This command mirrors lines across the heel line and only applies to 2d shells and isn’t possible with 3d flattened surfaces. It is only relevant when a standard does not have identical heel curve shapes and positions.
Rather than mirroring across the centre line this command allows you to select your own line to mirror across. The mirror line should consist of only 2 points. When you have selected the line to mirror, select the command from the drop down menu. You will then be prompted to “Select the Mirror line”. Now select the 2 point line to create the mirror. Note: The line you select will move across the 2 point line unless you have first created a duplicate.
Selecting this option allows the user to move specific nodes on the line to improve the shape. You will need to select the line first, followed by the command. This will highlight the nodes on the line and you are then able to click to pick them up and click again to place them in the new position.
Move nodes by MM
This option allows the user to move a node, as above, but by a specific amount each time using the dialog below to enter a value.
Once the value has been entered you will then be able to click on the side of the line you wish to move and it will then move according to the value you have entered.
This option allows extra nodes to be added into an existing line. First select the line, followed by the command, then click on the area(s) of the line you wish to add extra nodes.
When the node is added the line becomes flexible again and the shape of the line can be changed as required.
This option allows a user to select a line and then click on the nodes to be deleted.
This function allows you to slide a node along a line without affecting the shape of it. When you have selected the line, and then the command, you will be prompted to “Slide Nodes”. You can then click to select the node and slide it to the required position, and then click again to place it.
Add Nodes on the Line
To add nodes onto an existing line, first select the line followed by the command. It allows the user to insert a new node on an existing line by selecting the line and then the new node position.
The smooth function is used to iron out any imperfections in the line. There are two options available within this command.
Selecting Line allows you to smooth the whole of the line that is currently selected. This is a repeatable command and you will need to click on the line to activate the “smooth”
Rather than smoothing the whole line you can choose a section of it. When you have selected the line and then the option you will be prompted to “select the start and end of smoothing section”. You will need to click at the start and the end of the area on the selected line to be prompted to “click again to repeat smoothing”. As before, this is a repeatable command.
There are two options available within the Bend function, described below.
This option allows you to select a line, then a pivot point and begin bending the line. When you have selected the command, you will be prompted to “select the line and pivot point”. Click on the point of the line that you wish to become the pivot point. You will then be prompted to “now alternately start and finish bend”. You can then click on the area of the line to start bending it into a new position and then click again to secure it.
Figure 58: Line selected to walk, with bend point shown with a cross
Figure 59: Line now bent from selected point
Walk feather symmetrical
This function changes the feather edge line. Select the feather edge line and then the function. You will be prompted to “alternately start and finish bend” and you should click on the point at which you wish the bend to start, and then drag the line to its new position with the cursor. Click again to secure the line in the new position.
Figure 60: Feather edge in original position
Figure 61: Feather edge moved by cursor
Tie to line
This function allows you to tie two completely independent lines together. The lines don’t have to be the same length or shape although if they are very different the results can be unpredictable!
It is sometimes necessary to untie a line to perform certain functions. Selecting Untie will separate the line from the original and allow you to use or modify them as individual lines. Select the tied line, then the command to untie.
This command is only available for use with a selected tied line. The options are similar to the Feather Table Offset options.
This allows you to move a tied line by the offset distance that you specify. The following dialog will be produced and you need to enter the value.
Figure 62: The Offset value dialog. The line will then automatically offset by the amount you specified. The offset value will be updated in the Properties Window.
When you have selected this command you will be prompted to “pick up and put down the line”. This enables you to pick up the line that is currently selected and position by cursor. The properties of the line then update, as shown below.
This function allows you rotate tied lines about a point. When you select this you will be prompted to “point to the rotation point” and then “Now point to pick up and drop the line” You can rotate the line with the cursor until it is in the correct position, and then click the cursor to position.
This will clear the rotation you have just created and the lines will return to their original position.
This will clear the Variable Offsets.
This function queries a node on the tied line, please note if there is no node, a new one will be added. You will be prompted to “point to the nodes to query” and when you have done this, the following dialog is produced.
Figure 63: The Tied Line dialog. You can then enter the required offset, at that position, and click on this icon This will then change the Properties of the line to Variable. to enable the change.
This function allows you to query and the following dialog is produced:
Figure 64: Tied line variable offset dialog.
This will remove the offset that you have just created.
This will add a new offset at the selected position. You will be prompted to “point to the node required to be added to the table” When you have clicked on the offset required, this will add to the table.
This draws the current line
Figure 65: Lines selected to be joined
Figure 66: Lines now joined together
This command allows lines to be broken into two or more sections. The offset value can then be displayed in the Query table shown previously.
Offset by Value
This allows you to enter a specific value to offset that particular node.
Offset table by value
This offsets the whole table of offsets by a specific value.
This will allow you to create a new offset from the beginning to the end of the line. Now select the function in the drop down to automatically create a joined line. followed by the command. Select the line first. This can be useful if you encounter problems when creating pieces. creating two separate lines. The line should now be split at that point. You will be prompted to “Select split point” and should then click on the area of the line you wish to split.
.This draws the current line
Offset with Cursor
This allows you to modify the offset on the node.
Use this function to join lines together by selecting the lines that you wish to join. using the cursor.
There may be an occasion when you need to renumber a line.
Figure 67: Line selected and ready to clip The red line in the diagram has been selected to clip to the intersecting line. on the side to remove”.
Figure 68: Line that has now been clipped
Every line created has a direction. To do this. to see the arrows click on the enable icon redraw the style to show arrows. followed by the command. to clip the line. click in the necessary area to clip in the appropriate place. You will be prompted to “Select the line to clip with. The line will then clip to the intersecting line. first select the line followed by the function to produce the following dialog. In the example below the area has been marked with a +. Select the line that you wish to clip and then the command. You will need to select the line first. and click in the Arrows box. now
There are only occasional instances when lines need to be reversed.Clip
This allows you to trim a line to the intersection of another. for example if a punch shape that has been applied is going in the wrong direction. When prompted.
Use this function to extend lines to meet another by adding one additional node. the line that you want the selected line to meet. this can be done in a number of ways and the following provides an explanation for the functions found in the cascade. Select the line first. the selected line will automatically extend. i. followed by the command.e. You can check this by pointing the cursor at the line to highlight the number. shown below.Figure 69: Dialog to enter the new line number When you have entered the new number.
The following commands allow you to extend an existing line. This is a repeatable command.
Figure 70: Dialog to continue or quit the new line number Once you have clicked “Ok” to accept the change the line should automatically renumber.
This function allows you to extend lines by adding extra nodes. whilst adding one node. When you have clicked on the line. You will then be prompted to “select the line to which you wish to continue”. Select the line you wish to extend followed by the command. another dialog will be produced. shown below
Figure 71: Checking the new line number. You will be prompted to “Add nodes by cursor” and will need to click on the end of the existing line.
Figure 72: Line selected to be extended to another. This will produce a new node that can then be placed as necessary.
Figure 73: Line now extended to meet the line you clicked on.
This works in exactly the same way as above but rather than adding an extra node to meet the line, the end node of the line is moved to the line to select. Follow exactly the same procedure as above to complete this function.
Use this option to extend lines by a specific amount, adding an extra node in the process. Select the line followed by the function to produce the following dialog.
Figure 74: Extend line dialog Enter the amount you wish to extend the line by. You will be prompted to “Click near the correct end” and should then click near the relevant end to extend the line This is a repeatable command.
This works in exactly the same way as the function above, but this time the end node of the line is moved rather than adding new nodes. Follow the procedure above to complete the function.
This function takes the currently selected line and extends it, whilst adding nodes, to the nearest lines to close any gaps. The example below shows the line that has been selected and the lines that surround it.
Figure 75: The current line to be extended to nearest lines. When the function has been selected the line will extend to the nearest lines, in both directions.
Figure 76: Line now extended in both directions
To Nearest (Moved)
This works in exactly the same way as the function above, but this time the end nodes of the lines are moved rather than adding new nodes. Follow the procedure above to complete the function.
This command allows the style line to be transferred using the default setting of the transfer matrix.
This command allows the style line or lines to be transferred and shifted with a transfer point. (TP) You will be prompted to “select the alignment point to shift the group with”.
Figure 77: Selected style line has been shifted with tp5, see Properties. This means that when the style is transferred to another last, the distance between tp5 and the selected line will remain the same.
This option allows the style line or lines to be Untransformed. This means they will not be able to move from their current position when transferred. This would normally be used for company logos.
Transfer to Surface
This option allows you to transfer style line or lines to a different surface. The following options are available.
The selected lines will be transferred to the Upper of the 3d last
The selected lines will be transferred to the bottom of the 3d last
The selected lines will be transferred to the tooling surface. This surface is normally used for creating palettes or alignment jigs.
This transfers style lines to the shell surface. This is a 2d surface and not related to the 3d last.
As above, but this time on the specification surface which is normally used for creating specification sheets and diagrams with text.
Swap lines in Active Packets
This swaps all pieces using a particular style line, to a new style line. You will be prompted to ‘Point to the replacement and original line(s) alternately’ and once selected and redrawn, all pieces that used the original line will now use the new line that you selected.
Swap Lines on all Packets
This does as above but on all packets in the style.
This cascade allows you to define the measurements etc for various options in the program.
This function allows you to apply a highlight to a queried line(s) and is a visual only, the actual style line will return to normal when you redraw the style.
When selected the following dialog is produced and you should type in the dash length, gap, and width, as shown below.
Figure 78: 'Highlight' dialog.
You can change the default measurement for Markers A, B, or C in this option and will need to enter the value of your choice in the dialog.
Figure 79: Dialog to change default marker settings
As above, this allows you to change the default settings of Stitch A-H. Again, a dialog will be produced prompting you to enter a value.
As above, this allows you to change the default setting of Holes A, B, or C. Again you will be required to enter a value in the dialog.
This feature will redraw the selected line on its own on the screen.
Figure 80: Line selected on the 'standard'.
When the command has been selected the line is then drawn alone on the screen, as shown below.
Figure 81: Line drawn on the screen.
This function allows you to temporarily “hide” lines that are currently on screen. This might be useful if you have a lot of information on the screen and need to focus on a few lines in particular.
Please note that the lines are not deleted and this function is temporary. The options are described below.
In the Vanish function, select Line to make the line(s) that is currently selected Vanish
Figure 82: Line selected to "vanish". When the function has been selected the line will automatically disappear.
This will make it easier to see the drawing and trace the lines. the following dialog is produced. but this time the screen is first cleared so the lines are all drawn on a clean screen. You can then use the line drawing functions to “trace” over the drawing onto the last.
All style lines
Selecting to “Draw all Style Lines” will draw all lines on top of anything that might currently be on screen. Once this has been complete you will be able to create patterns and complete a “style”.
Align Picture to Last
The Align Picture to Last function allows you to place a photo or picture that you have scanned in and saved over a 3d last. You can now select the Align Picture to Last function. they will be drawn on top of the packet. if the packet is drawn on screen and you select to draw all style lines. Set the last to translucent using the following icon. The procedure is as follows.
Figure 84: The Align Picture to Last dialog
. Please note that the lat should have a flattening otherwise you will not be able to draw any style lines. For example.Figure 83: Line "vanished"
Selecting Restore will restore all previously “vanished” lines to the screen. You will first need to load a last.
Redraw all style lines
This function is the same as the above.
Click on the Set Heel button and then click on the heel of the picture. click on the Image button on the dialog. This is a repeatable command and can be used until the heels have lined up properly. This will leave the last on screen with the new lines. This will bring up the Open File dialog enabling you to navigate to the image you require. When you are happy with the positioning. When the file is opened. you can begin tracing the lines onto the last using the line creation and modification tools. When you have completed this and wish to remove the drawing. To try and get the best fit as possible. Do the same for the toe by clicking on the Set Toe button.
Figure 85: Aligning a picture to a last. uncheck the Image box and close the dialog. the picture then appears on screen with the last and you can start the procedure for aligning the picture to the last.
. you can now use the Tilt. Click on the translucent icon again to return the last to the usual colour setting.To select the picture you wish to trace.
Redraw Inner Lines
This function draws all previously set Inner lines. Roll and Bearing functions until you have the aligned the pictures to your satisfaction. Use the arrows to increase or decrease the tilt and roll etc.
Figure 87: Outer lines drawn in red.
Redraw Outer Lines
This function draws all previously set Outer lines.
Figure 88: Inner and Outer lines drawn
Redraw Inner and Outer
This function draws all previously set Inner and Outer lines.Figure 86: Inner lines drawn in blue.
Draw all Graded Style Lines
This will draw all graded sizes of style lines to the screen. However.Upper surface.
Draw all Graded Shell Lines
This will draw all graded Shell Last lines will be drawn to the screen. you may not wish to scale some lines to fit a new shell and will need to set them as Untransformed. with anything that is currently on screen.
Draw Folded Standard
Selecting this function will draw the folded standard. on all surfaces. Shell surface. leaving only the Shell Last lines. I. see example below.
As above. Lines are normally transformed to fit onto a new last or shell during a style transfer.
Figure 89: The Folded Standard. but this time the screen is cleared first. Sole. Side or Bottom surface.
Draw Lines on all Surfaces
This command will draw all graded style lines. the lines will be drawn with anything that is currently on screen.
This function draws the Shell Last lines to the screen.All untransformed Lines
This will draw any lines that you have set to be Untransformed.
You will need to do this before completing any style transfers. you will not be able to permanently delete them.
Inner and Outer Lines
The functions in Inner and Outer allow you to set up and work on either the Inner or Outer part of the Standard. in the View dropdown.
The same process applies to setting the Outer Lines of the Standard. You will need to select the line first and then the function to set the line as “Neither”
To set the Inner lines on the standard.
This function can be used if you need to change a line that has been previously set up as either Inner and Outer and needs to be used as both.This allows you to delete the line or lines that you have currently selected.
Delete Tooling Lines
This removes all Tooling lines i. selecting Control and then Enable. construction jigs etc
Delete By Label
You are able to delete a style line by its label.e used for stitching palettes.
The functions in this section enable you to set the lines up as Inner or Outer. A label is the number of the style line and can been viewed by switching on Labels. A description of each is provided below. or None. select all the lines that you wish to be included and then “Select Inner”. Note: If the lines are used to make up pieces. The centre line is an example of this. The lines will automatically be set as “Inner” and you can check this by right clicking on the lines and selecting Properties.
Figure 90: The Line Properties dialog showing line set as Inner.
but this time you can work on the Outer lines.
Unfold and work on Inner and Outer
This unfolds the standard again and allows you to work on both Inner and Outer lines.
Figure 92: Folded standard. working on Outer lines. working on Inner lines
Fold and work on Outer
As above.Work On
Work on Inner
This function will allow you to work on the Inner lines
Work on Outer
This function will allow you to work on Outer lines
Work on Inner and Outer
This will allow you to work on all Inner and Outer lines
Fold and work on Inner
Selecting this function will automatically fold the standard and allow you to work on the Inner lines
Figure 91: Folded standard.
choosing Group 1 under the Select function will highlight all lines within that group in red. You will first need to select the lines that you wish to become part of the group.
The Select function enables you to highlight a previously created group.
Use Set to create a new group of lines.
Figure 95: Lines added to Group The selected lines will then change colour to reflect the group selected. For example. if you have created a Group 1.
Figure 94: Group cascade Select the group to add the lines.
Reset all Groups
Selecting Reset will remove any groups that have been set up.Groups
The following functions allow you to set lines as Groups. then select Set.
Figure 93: Lines selected to add to group On selecting Set the following cascade is produced giving you a choice of groups.
. as above.
Figure 97: Query the Feather Table dialog.
Gross Heel Point
This allows you to specify a new gross heel point and prompts you to ‘Point to the position of the gross heel point’ Please note that you must specify a point in front of the original position. showing information on all fixed offset points.
You will be prompted to ‘Point to the node(s) who’s value you wish to remove’ and this will remove any offsets you have previously created. the following dialog will be produced which displays the node position along the feather line. you may not kick the feather edge out at the bottom. the only information available will be regarding the start and end nodes.Feather
Assuming a feather table has already been created.
The following dialog is produced when selecting Query. and will prompt you to ‘Point to the node required to be added to the table’
Figure 96: The Feather dialog. and it’s offset Otherwise. (See offset with cursor)
This function allows you to add extra nodes into the feather table.
but this time the screen is cleared first. This is a repeatable command and will alter the value of any node by the amount you wish. this time you are required to enter a value. as the example below.
. This is a repeatable command and you will only be able to add nodes on one side of the existing nodes. and when selected you will need to type a value in the dialog.
Offset by Value
As above this command allows you to alter the offset. The following dialog is produced and you should enter the offsets with spaces between each value.
This command allows you to set the feather table by a series of offsets.
The existing style data is drawn on the screen on top of any existing data
The style data is drawn on screen as above.
Figure 99: Dialog to set the offsets for the feather table. which are then distributed around the feather table. as shown.
Offset with Cursor
This command prompts you to ‘Select nodes and offset positions alternately’ and allows you to select a node and amend its position. You are then prompted to ‘Point to the node(s) who’s value you wish to change”.
Figure 98: Amending the position of a node.Click on a node and then click again where you wish to add further nodes.
Offset Table by Value
This function amends the whole feather table by a value and when selecting this you will be required to enter a value in the dialog box.
.The example below shows the feather table before and after the new offsets are applied
Figure 100: Feather table before new offsets applied.
Figure 101: Feather table after new offsets applied.
Please note that before completing a 2d style transfer it is necessary to set the Inner and Outer lines. See below. These are the points that will transfer accordingly to the new shell.
Figure 102: The style transfer dialog. Follow the instructions below to complete this.
. In the Output section Select Default points This will attach lines and default points to the last.
Transfer 3d Style
When you select this function the following dialog is produced.
This will take you to your Shoemaster/work/transhell where a temporary file can be saved. although the patterns will have transferred. The style will now load onto the newly digitised shell.Figure 103: Default points on the Shell. Close this menu Clear all Now digitise in the new shell that you wish to transfer the style lines to. this will open the Transhell file Select the file you have just saved.
Transfer 2d Shell
This process is exactly the same as the 3d transfer. Alternatively. load in another shell and clear the style Select ‘Transfer 3d shell’ In the Input section Select Default points Select Input file. Close the menu and save the new style Please note that this is a brand new style with no grading. Select ‘Output’ file.
Set up Construction Points
Please note that this will not actually include the reference points. facing top. Once you have selected the function a line will automatically be added to the centre of the standard. or ankle positions to be placed on the new transferred style.This process allows construction points to be set up on a style so that the transfer matrix can be positioned accordingly. You will need to check the Reference points box to then show the reference points you have selected. you will need to use the View drop down menu and select Control and then Layer visibility.
Selecting this command produces the following dialog.
Add centre Line
Select this to add a centre line to a newly digitised Standard.
. You are able to enter new values to specify exactly where you wish the Facing Front. This enables you to select the references that you wish to show on the Shell. and back height.
This allows you to load a previously saved “new model size”
This allows you to create and then save a new model size of a graded shell.
Figure 104: Position construction points dialog.
The Mirror function creates a duplicate of all the lines and mirrors all lines across the centre line.
. You are able to click on the Name button and select one from the following list
Figure 106: The Available Reference Points dialog.
Add Centre Line
This allows a centre line to be drawn on the bottom surface.
Selecting Drag prompts you to “pick up and put down the style alternately”. as shown below. Alternatively you select to Turn all off or Turn all on. This is a repeatable command. Drag the style to the position you require and then click to place.
Drag Mirrored Style
This function mirrors the style and drags. as above.Figure 105: the Last Reference Points dialog.
This option allows the style to be repositioned in U and V on the last. you can then select this function to query any tables you have set up.
The following describes the procedure for creating patterns for the moccasin construction.
Re draw Bottom
As above. Once you have created this. Before you start the Moccasin method. but this time the screen is refreshed first. leaving just the bottom pattern.Figure 107: Centre line drawn on the bottom surface
This function outputs all line and pattern information to the Message History window.
Selecting Draw will draw the bottom pattern to the screen along with any other information that is currently on the screen.
Query Reduction Table
The Bottom pattern can be shortened or lengthened by applying a reduction table as a Macro file.
Group Set Inner
This draws all graded sizes of the bottom pattern. you should have a last bottom pattern as this provides a surface to merge with the upper surface.
Set up Moccasin
This transfers all style lines from the Last upper surface to the 2d Shell surface.
we have produced a video that describes the process.
Help – Moccasin Method
As this is a very specialised process. but for the outer lines
Reset after Moccasin
This function clears all lines from the group and resets all lines so that you may continue to work in the usual way.This automatically adds all the inner lines to the group so they can be moved or rotated. and every user will have their own specific methods for creating a moccasin pattern.
Group Set Outer
leaving the original intact. This will produce the following dialog box where you will be prompted to enter a name for the new packet.
. This can be changed to amend the fitting of the shoe when making it on the last.
Figure 1: The New Packet dialog.
Figure 2: The Packet and Piece toolbar
Once a Packet has been created you can select Set VD found under Modify.
Creating a Packet is the first step in generating a new set of patterns and to do this you will need to select New and New Packet from the Packet Drop down menu. the Packet and all its contents will be copied and stored under a different name. and you may create more than one packet per style so you can organise patterns into separate envelopes if you wish.
Setting the Vamp Depth
The Vamp depth is the measurement from the toe to the cross over position of the flattening.Packet
A Packet is an “envelope” that contains all the patterns relevant to your style. Once you have selected Copy. This option is explained below.
Copy a Packet
This function allows you to make a copy of the packet you have currently selected.
Please note: A quick way to check the Packets and Pieces you have available within a style is to use the Packet and Piece toolbar. you will be prompted to enter a new name for the copy of the packet. This allows quick selection and is also a good check to see which Packet or Piece is “current” The example below shows that there are two packets available with this style and that ‘Design’ is the current packet. Once entered.
If no grading has been applied. Alternatively. Selecting Draw Knocked draws the whole packet ‘knocked’ to a given knock point.
Figure 3: The available vamp depth dialog.
Again. if no grading has been done. in order to show the size differences between each piece.
This will draw the entire packet of pieces on screen on top of any current 2d data.
Selecting this will draw all available graded sizes on screen. but this time the screen is cleared first drawing just the packet on a clear screen. if the 2d shell is already drawn the Packet will be drawn on top of it. only the model size is drawn. the whole packet is drawn.
‘Knocked’ in Shoemaster describes the manual process of stacking a hand-cut graded set of pieces together at the same point. If you have graded the style you can draw every piece in every size. the model size will be drawn.e. or flattening type. This command will allow you to change the vamp depth. on all patterns in the current packet to the new flattening Vamp Depth. or a just the sizes you want to see.
The cascade menu Draw allows you to draw or redraw the whole packet of pieces.For example. The following dialog is produced and you can select one of the previously created flattenings available. I. it can allow more or less material over the front of the shoe to improve the final fitting on the foot.
They are displayed around the edge of the screen making it very easy to select individual Pieces.
Figure 4: Screen showing browse pieces.
Selecting this allows you to view a thumbnail image of all the patterns in the current packet.
. This could be useful to know when making cutting knives to know how much material is required. all the pieces within that packet are also deleted.
To delete the packet that is currently selected. and the following dialog is produced displaying the piece name and measurement of each perimeter.
This gives the length of the outline of the piece. you will be asked to confirm that you wish to delete the current packet. Once selected.
Please note that once a packet has been deleted.This “redraws” every component of a shoe project together on the screen so that you have the complete shoe. use the Delete option.
and a whole total packet area.Figure 5: Table of piece perimeters
This gives you a list of the area for every piece in every size. This can be used to plan for material usage and costings etc.
. The following dialog is produced
Figure 6: Table of piece areas.
When you have selected the name and clicked ‘ok’ you will be able to select the lines you need for the pattern and the lines should be selected in a clockwise direction. · Please note it is important that all lines are selected in a clockwise direction as Arcs in pieces must be directional.
Figure 2: Collecting lines to make up a piece
Selecting New Piece produces the following dialog that prompts you to name the piece you are about to create. or can use a more formal shoemaking term from the selection supplied. Checking the ‘Advanced Piece Naming’ box will produce the list. Pieces can either use the default name P_00001 and so on.Piece
Once a Packet has been created you are then able to start generating Pieces. as shown in the example below. Any lines that you have selected will be drawn in a thicker red line.
Figure 1: The piece naming dialog with advanced naming on view. The following provides the tools to create and modify a set of production standard patterns.
Selecting New under the Piece Drop Down menu provide the following functions that allow you to create new pieces and circuits.
you will be able to collect and accept lines in the usual way to complete the extra part of your piece.
This function can also be used if you have quit a piece collection in the middle of the process and wish to start again using the name you have previously selected. ‘Next Circuit’ is used when more than one circuit is needed to complete one pattern. ‘Undo’ can be used during the line selection process if you have selected an incorrect line. Once selected. rather than lines.
Figure 3: Menu produced to 'accept' pieces etc You will need to ‘Complete & Accept’ to finish the piece. The new piece is then shown on the screen. ‘Complete.
. The new piece will automatically be given a new default number which can later be renamed if necessary. you may wish to slightly amend the shape of the piece.When you have collected all lines needed for the pattern.
Figure 4: Newly created piece Continue this process until all pieces needed to make up your shoe are collected. ‘Quit’ can be used to disregard the piece you have just selected.
Please note that once patterns have been created. For example. use the right mouse button to show the following menu.
Selecting Copy will allow you to create a copy of the piece that is currently selected.
This function can be used if you wish to add another circuit to an existing piece that is currently selected. the lines making up the pieces are now referred to as arcs. Accept & New Piece’ finishes one piece and immediately starts the process for the next.
The following dialog is produced that enables you to select the text from the list provided that you wish to include on the pattern.
Auto Collect Pieces
This function works better on a DXF or IGES file. You are prompted to ‘Select pivot point with cursor and rotate’. When you have selected the pivot point. Use the arrow key to add (or remove) it to the window and that select Ok to automatically add the required text to the centre of the pattern piece. See example below
. moving the mouse will pivot the pattern and you can position the pattern with another click of the mouse. It enables you to automatically collect nett pattern pieces and is generally used in the Esprite program. i.
Move allows you to pick up a piece and change its position on the screen. The pattern will remain in this new position but can return to the original if you select ‘undo’
This command allows you to rotate the current piece about a point.New Piece Text
This section allows you to add text to the piece that you have currently selected. change it from its original place in the packet.
A cascade menu appears when selecting Move.e.
Use the functions in the Piece Modify cascade to make alterations and modifications to the pieces you have previously created. giving the following options.
Figure 6: Packet redrawn with mirrored piece
Figure 7: Selecting the points to mirror
.Figure 5: Piece rotating about a point
Selecting this command will prompt you to ‘Enter 2 points to define mirror line’ and the pattern will be repositioned and mirrored across this line. an image of the pattern appears attached to a string that enables you place the pattern and position with a click of the mouse. The example shows that as the first point is selected. When the packet is redrawn the piece will be shown in the new position.
Set Vamp Depth
This function restores the current piece to its original default position within the packet. When selected. as shown in the example below. For example. the following dialog is produced prompting you to select a piece from the list
Figure 8: Available Pieces. perhaps if you have copied another piece and need to apply a name other than the default.
Figure 9: Building pieces around the 'current' piece
You may wish to rename a piece. you might want to create a rectangular piece and then insert a couple of Pieces within this. Lists & Elements dialog The patterns then build around the current piece. Selecting this command will produce the usual ‘Piece Naming’ dialog box where you will be able to assign a new name to the selected piece. This will then form the template for the components to fit in for tooling purposes.
This might be used if you were creating a template to make a jig. You would then change the internal lines to Cut lines.
you can then navigate to Mate and then Arcs to automatically join the two selected arcs. Firstly you will need to select the relevant piece. When selected. Then. a counter lining. The current piece will then be redrawn using the selected flattening.It is possible to set individual patterns with a different vamp depth using this command. and hold the Ctrl key down whilst selecting the second arc. Once both arcs have been selected. The result is shown in the example below
Figure 11: The result of mating the selected two arcs
This allows you to mate two circuits of a pattern together.
Figure 10: A piece collected as two separate circuits
In this example the pieces have been picked up as separate circuits.
The Mate function provides the functions to mate separate circuits to complete a piece. for example. you must click on the first arc to be mated. a dialog will appear containing previously created flattenings that you can then choose from.
Figure 12: One half of piece collected
As before. except that you will only need to pick up one half of the piece.
Figure 13: Piece infolded about one arc
This function allows you to do the same as above. in this instance the two straight edges. you will first need to select the piece and then select the arc that you wish to ‘unfold’.
This function completes the same function as Mating Arcs.Selecting this will automatically remove any mating from the piece that is current. but this time you can select more than one mating arc. The original pattern is shown below.
. from which we will be selecting two mating arcs. Once selected you can then chose One Arc to automatically to ‘unfold’ your piece. shown below.
the feather edge is swapped from the opposite side. Selecting Spring will produce a cascade menu with the following options
You may need to spring a piece to flatten an area ready for piece collection. this function relies on lines being mirrored and tied. However. This is useful if you have picked up a complicated piece on one side and need to generate the opposite side.Figure 14: Quarter of piece collected As before. This function will only work if the lines in the piece have mirrored and tied on the opposite side. in this instance. Please note.
Selecting this will ‘undo’ the folding on the current piece
Selecting this will ‘redo’ any folding on the current piece
Swap for opposite Component
This function is usually used when pattern pieces are an exact mirror with the only difference being the feather edge. taking into consideration the difference in the feather edge. as shown below
Figure 15: Piece unfolded about two arcs This function is useful for creating one knife that can cut four mirrored patterns. foams for collars etc. Again. i.
This enables you to unfold a piece about an arc as before.e. you will need to select the piece and then the two arcs that you wish to ‘unfold’ Chosing ‘Two Arcs’ in the pulldown menu will then produce the finished piece.
Draw Style Lines
Any style lines associated with a sprung pattern will be drawn when selecting this function
Delete Unused Sprung Line
Use this command to delete any extra shell lines created during an automatic and animated spring
. then ‘Select the pivot point’. and finally to ‘Pick up and bend the lines’ In the example the red lines depict the change in the pattern and the effects on the whole style.
Figure 16: A 'sprung' shell
This command will automatically spring the piece and you will be prompted to ‘Select the arc to straighten’ then ‘select the pivot point and direction’ The pattern will then automatically spring in the direction you click. this is useful to flatten the tongue for piece collection. You will first be prompted to ‘Select the arc to straighten’. for example.
Animated Automatic Spring
This performs the same as above but leaves a display of the line movements form the original to newly sprung position.Spring
Springing a piece allows you to flatten lines on the piece.
Draw Style Lines
This command is used to draw all style lines associated with the piece you have currently selected.Draw Piece
This draws the piece that you have currently selected on top of existing data on the screen.
Re Draw Piece
Again. The example below shows a pattern that has allowances added and the nett pattern drawn within it.
.e. in its correct position within the Packet.
Figure 17: The Nett piece drawn inside the original
Assuming the style has previously been graded. but this time the screen is cleared first and the piece is drawn alone.
This command allows you to draw the “nett” image of the pattern within the piece. see the example below. i. you may already have the 2d shell on the screen so selecting this will draw the piece on top of the Shell. this command will draw the pattern currently selected in every size. For example. the original pattern you created before any allowances were added. this redraws the piece.
when the Shoe is drawn. Usually.
Figure 19: Brogue pattern drawn as 2d circles To create a more realistic effect. such a brogue effect. shown in the example below. Select the function again and redraw to turn the function off. as shown below. the holes will then be “cut out”. shown in the example below.
. the 2d lines can be shown as 3d “holes” by selecting Cut out Holes. the holes are shown as a simple line or circle.
Figure 20: Cut out Holes switched ON
Draw piece 3d flat
This function renders the selected pieces as flat.Figure 18: The current piece drawn with associated style lines
Cut out holes
This function is used if you have created a Shoe with holes in the design. When the style is redrawn.
A cascade menu is produced with the following options
Selecting Copies produces the following dialog
Figure 22: Rendering the selected piece as a pattern.Figure 21: Rendering the selected piece as Flat
Draw piece 3d pattern
This function renders the selected piece as a pattern.
Figure 23: The Piece Copies dialog Using this dialog enables you to check the boxes to enable the piece or pieces to be redrawn together in the sizes you have selected. The dialog also allows you to query the copies that you have selected and produces the following information.
Figure 24: Piece information produced from the Piece Copies dialog
Selecting this produces the following dialog
Draw Pieces in 3d
Assuming you are currently working on a 3d last. selecting ‘redraw chosen’ in the dialog will redraw the newly selected pieces on screen.Figure 25: The Chosen Pieces dialog This enables you to select only the pieces that you wish to view on the screen and switch the others off. as shown in the example below
Figure 26: All pieces drawn in all sizes
This re draws the chosen pieces in the current packet. selecting this will redraw all pieces in 3d
This function draws all pieces in all sizes. knocked to the chosen point
Delete Piece Text
Selecting this option will automatically delete the text from the piece that is current.Delete
The following Delete options are available.
Selecting this will delete the piece that you have currently selected.
. A dialog will be produced asking you to confirm the deletion.
This is used in production to mark a line on the material to indicate. selecting New will produce another cascade menu allowing you to do the following
Adding new markers from lines
The term Marker means to add a form of ‘slot’ large enough to draw a pencil line through. In this example. Note: Now that you are working with Arcs rather than Lines.
Figure 1: Menu indicating the arcs and lines that make up a piece. a stitching line or lap line. Then you will need to click on the individual Arc within that piece to select it. the Properties have changed to Arc Properties. for example. If in the example above you had selected Line 4.Arc
When working with arcs you must first select the whole piece that you need to work on.
. the Properties would change to Line. Selecting this produces a cascade menu which provides the following options
The default option
The Default option adds a marker along a whole line using style lines. You will need to Draw the Style on screen and perhaps switch Browse Piece ON so that selecting a piece is simple. Arc 2 Circuit 1 Piece P_00003.
Figure 2: The Arc properties In the Arc Drop Down menu. The menu is indicating the lines and arcs present that make up the piece you have selected and you can then click on the arc. The following menu will be produced.
you will need to first select the piece and then the line.
This function allows you to change an arc to a Marker A. Next you must click on the style line that is to provide the marker. As before. it is a good idea to switch Browse Pieces on so that piece selection is simple.
Figure 3: selecting the line that will provide the marker
This will now add a Marker along the whole line that you selected within the piece. as shown in the example below.
. Firstly you should have the style drawn on the screen. This will now draw the current piece on top of the style. shown in the example below with an arrow.
Figure 4: The Marker has now been added to the Piece using the line as a reference. when you have done this it will be drawn over the style. Click on the piece that you need to add the detail to. and these will automatically be added into the selected piece.
This function is used to add details from your ‘style’ to a piece(s). Details are not automatically transferred from style lines when creating pieces and you will need to complete the following procedure to do so. Once selected navigate through the Arc Drop Down menu and select Default. and again. For example. Now click on the line(s) that you wish to add. when creating your style you may have added in stitch lines or eyelets and wish to see them on your actual piece.Firstly. click on a piece to select it.
as the milling tool offsets to the right of the cut area.Once selected. you are able to change the lines to slots so that they may be cut out as an individual slot.
Cuts are usually used when patterns are milled.
. if you have included an internal line in your piece. You can now click on two nodes that you wish the marker to use. For example. Once selected you will be prompted to 'Select the arcs' Please note: If the slot is milled the milling tool will go directly through the centre of the slot.
Figure 8:Nodes drawn on the Piece ready to create a marker Once you have done this.
Adding markers from arcs
The following describes the different markers that may be added to an arc. in an internal part of the piece. the marker will be added to the piece using the nodes that you have selected. but this time instead of selecting existing nodes you will be creating new nodes along the line. This is usually used when a circuit of lines are used. you will need to select the piece and then style line then navigate to the Part Line function. showing the nodes that make up the lines. as shown in the example below. taking into consideration the waste area. you can then navigate to Marker A in the menu to change the arc to the marker.
Figure 9: The Marker now added using the nodes
Part line adding nodes
This function is very similar to above. The marker will then be created using the two new nodes. This will give you more control over the length of the marker. the piece will be redrawn with the line you have selected. Once selected. rather than individual lines. As before.
This function enables you to add a marker along a line but this time between two existing nodes.
Slots are used to make a single cut inside a pattern piece. perhaps in T Bar sandal.
You will need to select the piece first. As above. A Lap allowance and a marker will now be added automatically to your piece on the arc you selected.
This function allows you to select an arc or arcs and apply an offset marker.This function adds an offset and a marker to an arc simultaneously.
This function will create a trimmed marker along the number of lines you specify. Shown in the example below:
Figure 10: Selected piece and arcs
Figure 11: Entering the Offset figure
. First you will need to select the relevant piece. Note: You can add lap markers to multiple arcs. To do this you will need to select all the arcs you require and this is done by holding down the Ctrl key whilst selecting more than one arc. followed by the arc that you wish to add the allowance to. followed by the arc or arcs. To apply your chosen offset you must then click to the side of the arc that you wish to create the new offset. Then navigate to the Offset option. you will need to select the arc or arcs to apply the changes and a marker will now be placed nett on the arc. This produces a dialog requiring you to enter the Offset distance.
When selected. Use the arrows to change the default value and then Ok to update the change. Now click on the side of the line you require.
. you will be prompted to “Point to the direction to apply the offset stitch”. The marker lines will be linked and you will be able to change the continuity. ending with end line' The first node that you select on the arc will be the actual starting point of the marker and the last node you click will be the end of the marker. and the stitch line will be automatically added. The lines you select will change to a thicker. the allowance is added to all selected arcs.
Once you have selected the arc followed by the function.
This option is used to change the offset value of the stitch line.
This function allows a marker to run from one line to another.
These options allow an offset stitch to be applied to an arc at a pre-defined distance. add rounds etc. you will be prompted to 'Collect marker starting with start line. red line as shown below.Figure 12: After clicking inside of the piece. The following options are available. for example.
Figure 13: Changing the default offset stitch distance
The following describes the more advanced markers that may be added to arcs.
Figure 14: Lines that have been elected to create the linked marker
After selecting the lines you are prompted to 'Right click to select option' which will produce the following menu.
Figure 15: The Right Click menu Select Accept to draw the marker on the pattern, shown in the example below.
Figure 16: The new marker created from the lines previously selected.
You will need to follow the same process as above, but this time a stringed marker is created on a line(s) that is sandwiched between two others. For example, if you wish to create a marker on the line as shown in the second example below, the lines must be collected in the correct order, starting with arrow 1 and finishing with arrow 2, Thus
creating a 'sandwich' of the marker line.
Figure 17: Selecting 3 arcs to create a Stringed Marker
Figure 18: New marker created between selection of 3 arcs
Please note that once the stringed marker is created using the two examples above, construction arcs are created that can be turned on or off using the Layer Visibility menu. This is necessary if you needed to lengthen or shorten the actual marker by offsetting the construction arcs.
Figure 19: Construction arcs switched on using the layer visibility.
This is very similar to the function explained above, but this time will allow you to select more than one arc to be the marker.
New Arc Text
This section allows you to add text to the arc that you have currently selected. The following dialog is produced that enables you to select the text from the list provided that you wish to include on the
pattern. Use the arrow key to add (or remove) it to the window and that select Ok to automatically add the required text.
Figure 20: Adding text to an arc.
This function allows you to add eyelets to a piece, providing there are 3 consecutive arcs. Select the arc first, followed by the command. The following dialog is produced and you should enter the number of holes you would like etc.
Figure 21: Specifying the number of holes for eyelets When you have entered that information, the following dialog appears requiring you to type in an offset value for the eyelets from nett. I.e. The distance in from the edge of the arc that you wish the eyelets to begin.
You will then have to do the same for the arc that the eyelets are linked to
And finally, from the third arc
When you have completed the above, redraw the piece to show the new eyelets.
You are able to produce an exact duplicate of the selected arc, and you are prompted to enter a value in the dialog. You will then be prompted to ‘point to the arc’ and a duplicate arc is produced at the value you have chosen.
The Modification functions provide all the necessary tools for you to add allowances and offsets etc to your pieces. The functions are as follows:
This function is used to insert an arc in a previously defined pattern. The example below shows a finished quarter pattern. I would like to add two new arcs to create a step.
I have drawn two new lines as a guide and now need to select Insert Arc Figure 22: Finished quarter to be amended
Figure 23: 2 new lines added to start the process of adding a new arc
When selected, you will be prompted to 'Select the arc that comes before the new arc' After selecting the arc you will be prompted to 'Collect the additional arcs', which you will do in the same way as if creating a new pattern. When you have collected the new arcs, in this example there are two to collect. Right click the mouse to produce the menu and select Accept. The pattern should now be adjusted accordingly.
Figure 24: Accepting the 2 new arcs
If you have problems with a pattern piece. selecting Draw and Draw Nett. you can use the Piece drop own menu. This is done by switching on the arrows in the Enable menu.
This function is used if you need to apply two separate continuities to one arc. In the example the nett line is shown in red. For example. you may wish to add an allowance to half the arc and a step continuity from one half of the arc to join the other. the first thing you should check is that all the arrows are running in the right direction. This will now split the arc into two places and allow you to add separate properties to each new split. found in the View drop down menu. If an arc is running in the wrong direction you can select Reverse the Arc. and all internal cuts should run anti clockwise.Figure 25: The pattern now showing the added arcs to create the step
All outlines of a piece should run in a clockwise direction.
. the following is available:
Adding a seam allowance
This is an automatic command and will add a predefined allowance to a pattern edge. and re drawing the piece. To check that it has worked.
This option provides all the functions necessary to add allowances to pieces. This will draw the nett piece within the actual piece and you can see which edges have allowances added. You will then be prompted to 'Point to the arc(s) to be reversed'. When clicking on the icon you will be prompted to ‘Point to the arc(s) to have the seam allowance’ the pattern edge will now be adjusted to include the seam allowance. Any arcs you now select will reverse. Once selected you will be prompted ‘Point to the split position on the Arc’.
Figure 26: Piece with allowances drawn with Nett Piece
Add a fold allowance
The same applies to this command as the above by adding a predefined folding allowance.
Selecting Nett will remove any offsets that have previously been added to an arc. When selected you will be prompted to ‘Select the arc and then the replacement style line’ The example below shows a selected piece (drawn in blue). This can be used to keep stitch lengths of arcs the same.Add a lap allowance
The same applies. You will first need to select the piece and then the relevant arc to restore it to its original size. prompting you to enter the value(s) Click on the relevant pattern edge to apply. It also means that you do not have to worry about the value of the existing offsets
This function allows you to shift an arc in a vertical and/or horizontal direction. The line to be replaced is shown with an arrow
. This is useful for post prototype modifications when needing to add extra allowance to certain areas of the piece. adding a pre defined lap allowance. a pre defined shearing allowance is applied
Add an offset of your choice
If you wish to add a more specific offset of your choice you can select the above icon. The following dialog is produced. Any arc you now select will shift accordingly. When selecting this function you will be required to type in values in the dialog and the prompted to ‘Select the arc’.
Swap line for arc
This swaps the style line to a new line and only affects the current piece. with the style drawn behind.
Add a shearing allowance
Figure 27: Dialog allowing you to enter an offset value
This function allows you to add an offset to an arc that already has an offset applied.
redraw your piece to show the new line on your piece. as shown below
Figure 29: Piece redrawn with new arc
Setting the vamp depth
This function is available in 3d and when selected will produce the following dialog
Figure 30: Available Vamp Depth dialog box From here you can select any previously created flattenings.
. This will change all patterns to use the newly selected vamp depth
This allows you to create a variable offset on an arc and is commonly used when creating a sock pattern from a last bottom pattern.Figure 28: Selecting a new line to replace the existing arc When you have selected the arc and then the line.
Assuming a feather table has already been created.
Figure 33: Dialog to show the node position along the feather line
The following dialog is produced when selecting Query. The following dialog is produced where you are required to enter a set of values for your arc.
. found in the above menu. showing information on all fixed offset points. the only information available will be regarding the start and end nodes.
Figure 32: Changes shown after new values applied The four offset positions can now be individually changed using the option Query node.
Figure 31: Dialog produced to enter values for offsets When the values have been applied the changes will be shown against the original. The functions of the Variable offset menu are described below
This function removes all offsets from the Variable Offset Table. and it’s offset Otherwise. Firstly you must ‘Set the table’.This feature works in the same way as Feather table creation. As shown below you must use a space between each offset. the following dialog will be produced which displays the node position along the feather line. but on arcs rather than styles. as shown in the following example.
(See offset with cursor)
This function allows you to add extra nodes into the feather table.
Offset by value
As above this command allows you to alter the offset. this time you are required to enter a value. You are then prompted to ‘Point to the node(s) whose value you wish to change’.
Offset with cursor
This command prompts you to ‘Select nodes and offset positions alternately’ and allows you to select a node and amend its position. as the example below. This is a repeatable command and you will only be able to add nodes on one side of the existing nodes. but this time the screen is cleared first.
The existing arc data is drawn on the screen on top of any existing data
Redraw the arc
The arc data is drawn on screen as above. and will prompt you to ‘Point to the node required to be added to the table’ Click on a node and then click again where you wish to add further nodes. This is a repeatable command and will alter the value of any node by the amount you wish. and when selected you will need to type a value in the dialog.
Offset table by value
This function amends the whole arc by a value and when selecting this you will be required to enter a value in the dialog box.
.Figure 34: The Feather table dialog box
You will be prompted to ‘Point to the node(s) who’s value you wish to remove’ and this will remove any offsets you have previously created.
The dialog shows you all the default settings for Arcs.
Figure 36: The Default Arc Settings dialog
. including the default Marker and the value set for rounded edges etc.Set table
This command allows you to set the arc table by a series of offsets. The following dialog is produced and you should enter the offsets with spaces between each value. as shown
Figure 35: Entering the offsets to set the Arc Table
This is a licensable option specifically for sending DXF files in Adisa format to the Adisa cutting system. The options in the menu are as follows. which are then distributed around the arc.
This option allows you to amend any previously added system settings.
Selecting this produces the following dialog.
Figure 37: Lap Allowance Dialog If you wish to permanently change the allowances you should do this in your Startup file. For example.
. folds. Please contact your system administrator. or the Shoemaster helpdesk for further information.This function temporarily allows you to define the allowances for laps. This should then remove them from the arcs. either the entire piece that you have selected. firstly select the Piece and then select all the arcs that make up the Piece. When you select Delete Arc this will remove the selected arc from the Piece and draw it in its new form.
Delete all details
If you wish to remove any details. If you then select ‘Delete all Text’ and this will then remove any text from the current piece. Once selected you will be prompted to enter the new allowance you wish to add as a lap or fold etc.
Delete all text
To delete any text that is within a Piece. firstly select the piece and then the arc that you wish to remove. you may have a circuit within a piece and need only to delete the part within rather than the whole piece. You will need to select the relevant piece and then select the relevant arcs. i. firstly select the relevant Piece.
To delete an arc.
This menu produces another cascade menu with the following options.
This option provides the following functions:
This temporarily removes arcs from the screen and you are prompted to ‘Point to the arcs you wish to vanish’ Please note that this does not delete the arc and next time you redraw the arcs will appear. notches from an arc. Then select the arcs with the details and chose ‘Delete all Details’ in the menu. shears and seams. Please note that deletions will be made to the Piece that is currently selected
This function will delete a circuit. or part of a piece.e.
The following options are available with this function allowing you to add a variety of details to your work.
Figure 2: Gaps added to a marker.
When selecting Notch you will be prompted to “Click near the arc to start inserting a notch”. Each option is described below. When you have selected the arc you will be able to slide the scallop along the arc of the current piece and place it where necessary by clicking the mouse.
Figure 1: A new Notch added to an arc
Selecting Gap will prompt you to ‘Click near the arc to start inserting a gap’ Once you have selected the arc you will be able to slide the gap along the arc and place where required by clicking the mouse. such a fitment notches and scallops etc. you will be prompted to ‘Click near the arc to start inserting a scallop’. Each option is described below.Detail
The Detail menu enables you to add the finer details to your work. This will place a new default notch on an arc of the current piece and allow you to slide it along until you place it by clicking with the mouse.
As above this function will allow you to add a stab.Figure 3: Scallop added on arc
This function adds a new stab on an arc and when selected you will be prompted to ‘Click near the arc to start inserting the stab’ This places the stab on the arc and you are able to slide it the required place and attach by clicking the mouse
Figure 4: Stab added to intenal arc. The example below shows where stabs have been added into a piece and the line that is created with the stab
Figure 5: Quick stabs added to piece
. a new ‘hidden’ line is created where the stab is added and can be seen if you select to view ‘Linings’ in the Layer Visibility icon. However. Please note that although the stab is not attached to an arc. on this occasion the stab does not have to be attached to an arc. You are prompted to ‘Point to the stab position’ and wherever you click a new stab will be added.
Figure 6: "hidden" lines created with "quick stabs"
A square notch is bigger than the default notch and has an angle of 90 degrees. When selected. When selected. you will be prompted to ‘Click near the arc to start inserting a square notch’. This places a slash on the arc and you are able to slide it to the required position and attach by clicking the mouse
Figure 8: Adding a slash. you will be prompted to ‘Click near the arc to start inserting a slash’. This places a square notch on the arc and you are able to slide it to the required position and attach by clicking the mouse
Figure 7: Adding a square notch.
A slash adds a small cut line to the edge of the arc of the current piece. you will be prompted to ‘Click near the arc to start inserting a Hartland Point’.
A Hartland point is another form of notch and can be added using the above options. In the example the smaller notch is the default notch and the bigger the square notch. This places a Hartland Point on the arc and you are able to slide it to the required position and attach by clicking the mouse
. When selected.
Please note: This function will only work if you have selected a size that is included in the macro. A description of each is provided below by a diagram. at the intersection of the style line. each size will have a different series of shapes and notches. When you have selected both. this is a text file that tells the computer the series of notches and shapes required. You will be prompted to ‘Click near the arc to start inserting a size code’. select the piece that you wish to apply the detail and then the function. this places a notch etc on the arc and you are able to slide it to the required position and attach by clicking the mouse. To use the Size code function you will need to run the Macro by using the Tools dropdown menu and selecting Run Macro.
This is a series of notches and shapes that will be recognised in a production situation.
Figure 10: A macro for running a size code.
Adding an intersecting detail
The following options will place a chosen detail on an arc at a point where another line intersects. For example.Figure 9: Adding a Hartland Point. a new detail will be created on the arc. You are first prompted to ‘select the arc’ and then ‘Select the intersecting line’. To enable this to work you will have to set up a Macro. You can now open the file you previously saved and run the Size code function. All options work in the same way.
Figure 12: Gap created on marker at intersection of style line
Figure 13: Intersecting Scallop.Figure 11: Intersecting notch.
Figure 14: Intersecting Stab.
Figure 16: Intersecting slash.
Figure 15: Intersecting square notch.
Figure 18: A notch added on the end of an arc The options available in this menu are as follows and the method of applying the End detail will be the same for each. as described above. you will be prompted to ‘point to the centre “detail” position’. When you have selected the arc the detail will automatically be added.
Notch Gap Scallop Square Notch Slash Hartland Point
Centre – adding details at the centre of an arc
The following options will add a detail at the centre of an arc. When selected. When selected.
End – adding details at the end of an arc
The following options will add a detail at the very end of an arc. you will be prompted to ‘Point to the arc you want to add a “detail” on’.
Adding advanced details
The following advanced details are available and each is described below. This will automatically add a new detail in the centre of the chosen arc.Figure 17: Intersecting Hartland Point.
Figure 20: Notches added at the intersection of the nett feather The options available in this menu are as follows and the method of applying the Feather detail will be the same for each. When you select this option you will be prompted to ‘point to the feather “detail” position’ and this will automatically place a new detail on the intersection point of the nett feather. as described above.Figure 19: Notch added at the centre of an arc. The options available in this menu are as follows and the method of applying the End detail will be the same for each.
Notch Scallop Stab Intersecting Stab Square Notch Slash Hartland Point
Feather – adding a detail on the feather edge
This puts an intersecting notch with the nett feather line. as described above.
This is useful when applying to larger markers. but this time the gap is tiny and useful for very small details.
Again. The options available in this menu are as follows and the method of applying details to all nodes will be the same for each. this works as usual but adds a very small gap.
As above. but this time the gap is much bigger than the standard.
Notch Gap Stab Square Notch Slash
This works in the same way as adding a gap. but this places a tiny gap
End (Tiny) Gap
This works in the same way as adding an end gap. As before. This will automatically add a detail on every node on the arc you have selected.Quick Stab Square Notch Slash
All Nodes – adding a detail to all nodes on an arc
This function will add a detail to all nodes that make up the arc. when you select the function you will be prompted to ‘Point to the arc(s) which you wish to turn to “detail”’.
. useful on smaller markers.
Figure 21: Notches added to every node on arc.
Figure 22: Default notch and notch with amended slope
Slope on line
Using the same principle as above this will slope the notch according to an intersecting line. i. 30 will represent the new angle at which the notch is presented on the line.Modify
Once applied to a style. Please note that the centre of the default notch lie at 90 degrees to the line
The figure that you type. You will be prompted to enter a figure in the dialog box and then select the notch.e. details can be modified in the following ways:
This function can amend the ‘slope’ of the default notch and change its appearance. You will be prompted to ‘Point to the notches required to lie on the intersecting line’
Figure 23: Notch in original position
. In the example below the top notch is the default and the bottom notch has been amended.
Figure 24: After selecting slope on line
Selecting “Depth” will produce a dialog prompting you to enter a new scallop depth. You will then be prompted to point to the scallop you want to be the new depth which will then apply the change.
Hartland point Square notch Stab Notch Gap Slash Scallop Size code
. In the example below the left scallop is the original and the bottom has a new depth of 10mm applied
Figure 25: Default scallop and new depth applied on second scallop.
Change category to
This function will allow you to select a current detail and change its category to the following.
but this is used when there is an offset on the arc and takes that into consideration.
This function allows you to move a detail from one position to another. The following dialog is produced.
As above. You will be prompted to ‘Point to the detail(s) and new position(s) alternately’ and can then click and place the detail as required.When adding details the default size will always be used. Once selected you are simply prompted to ‘Point to the details to flip’.
Figure 27: A notch that has been flipped. The detail is then moved accordingly. for example cha ge it from an inside notch to an outside. Select the detail first and then the function.
. you are able to do so by selecting Flip. and when selected will replace the detail to its original position with the intersecting style line. When selected a dialog is produced requiring you to enter a value.
This is used on an intersecting detail.
Figure 26: The modify size dialog.
If you wish to change the direction of a detail. The detail that have selected will then update to your chosen size.
Again this is used on an intersecting detail and moves the detail by a specific amount along the arc. If you wish to change the size you can do so by first selecting the detail and then choosing Size. Select the detail first and then the command.
You can also select to print the details
. This shows you a list of the sizes and the size codes applied to the style.
Figure 28: Query size code notepad You are able to save the information by clicking on the File…box. This will automatically delete the detail you have selected. This will open the Save As dialog and enable you save the information in your chosen file.Delete
First select the detail you wish you delete and then the function.
Query size codes
When selecting this function the following dialog is produced.
Figure 1: The Available PunchShapes dialog.
Selecting from List produces the following dialog where you can click on a punchshape.Punch
The following allows you to select a list of previously created punch shapes.
Choose Default List
Selecting this option will automatically open the “File Open” dialog.
. where you can navigate to the relevant file and select a punch file from the database.
Figure 2: Selecting a new Punchfile from the database. then “ok” to select it.
When you have done this and clicked “ok” a new empty punch barrel will draw to screen. On selection you will be required to enter the name of your new punch in the dialog below.This command allows you to create a new Punch shape that can later be added to a line to create a new PunchLine.
Add another Punch Shape
Selecting this function produces the Add Punch Shape dialog box.
The following provides all the tools for creating and modifying a punch shape.
Figure 3: Naming a new PunchShape. You can select the draw and modify tools to start creating a new style of shape.
Figure 4: A new and empty punch barrel. You can then select the shape you require which will draw the new shape either into the empty barrel or an existing punch shape.
Use this function to prepare the tablet for digitising. You are now able to start clicking to form the shape you require. And the following two options are available. When you have selected to use either Curved or Straight lines you will need to select New Line again to enable line drawing. This will give you a punch barrel in which to add lines to.
Selecting New Line will prompt you to “Enter nodes for the line then accept or quit”. If you are creating a symmetrical punch shape it is possible for you to mirror lines. When you have completed the line. You will be prompted to “Enter the two points to define horizontal axis of punch barrel” and this will enable you to begin digitising. this is the default setting.
New Line Settings
This allows you to change the way the line is drawn. use the right mouse click menu to Accept etc.Figure 5: Adding a punch shape to an existing shape. so you may work on only a quarter of the punchshape if you wish.
This will draw all lines as curved lines.
This will change the lines to straight lines.
Digitise New Line
Figure 6: Adding a new line to a punch barrel.
New Line Digitise
The following enables you to digitise in a punch shape using a tablet.
Figure 7: Modifying the punch line
To add further nodes to a line. and then clicking on the node(s) that you wish to delete.Select this function to begin the process of digitising. this will now draw the nodes on the line and enable you to pick them up and reposition. Use the Punch Draw function to refresh the punch. where you can digitise lines in the barrel. You are now able to click on the line that you wish to amend.
If you have too many nodes on a line you can delete them by first selecting the line. click on the relevant line and click on the area(s) you wish to add extra nodes. then move nodes”.
Selecting this function will prompt you to “Select line to be modified. This is a repeatable command and can be used until you are satisfied with the modifications.
This function changes a “straight” line to a “curved line” You will be prompted to “select the lines to make curved”
Figure 8: A “straight” line You can now click on any straight lines to make them curved. both ends of the line are meeting to create a complete shape.
This works in exactly the same way as above. Use this function to add a gap and “Open” the shape into a line. i.e.
Figure 9: A Straight line changed to a Curved line.
In the example below the line is “Closed”. changing a curved line to a straight line.
Figure 11: Clicking to Open the line
This works in the same way as above but this time Closes an open line.Figure 10: The Closed Line When you have selected the function you will be prompted to “Select the line(s) to make open” and can click on the line to “open” it. You can now move the new line within the barrel and should click again to secure the line in the required position.
. You can move the line around the shape with the mouse and can click again to secure the line in the required position. You will be prompted to “Select and copy lines” and should click on the relevant line to produce the copy. You will be prompted to “Select and move lines” and should click on the line you wish to move.
Copy with Cursor
These functions allow you to copy and existing line.
Move with Cursor
This function allows you to pick up a line with a cursor click and move it around the punchshape to find a new position. and position it within the punchshape.
Make two clicks to place the start and end of the mirror line. You will be prompted to “Draw an axis to mirror about and then point to the lines(s) you wish to mirror”.Figure 12: Copying a line
Rotate with Cursor
You can use this function to rotate a line about a point. You will then be prompted to “Select line and pivot by cursor movement” which will allow you to use the cursor to rotate the chosen line about the point previously selected.
Mirror about Line
This will allow you to draw a line and mirror an existing line across it.
Figure 13: Adding a mirror line And then click on the line that you wish to mirror across this line. When selected you will be prompted to “Select the rotation point” and should click on the relevant point on the line.
. Click again to secure the line in its new position.
When you select the function you will be prompted to “Point to the line(s) you wish to mirror” and can click on the relevant line to automatically create a vertical mirror.
Figure 15: Creating a horizontal mirror.Figure 14: New mirrored line.
The line you select will be mirrored over the Horizontal line of the punch barrel.
The line you select will be mirrored over the Vertical line of the punch barrel.
. When you select the function you will be prompted to “Point to the line(s) you wish to mirror” and can click on the relevant line to automatically create a horizontal mirror.
This draws the punch and refreshes the shape after amendments have been made
Selecting delete will remove the entire punchshape from the screen.
The following dialog is produced allowing you to select an available punchline. You will be prompted to “Point to the line(s) you wish to delete” and can now click on the relevant lines.Figure 16: Creating a vertical mirror
Selecting Delete line will allow you to remove a line or lines from the punch.
. Once selected it will be drawn to screen. It will not remove the shape from the directory if it has been previously saved.
To add a Punch Shape to a punchline. On selecting the function you will be prompted to enter a new name in the following dialog. Once you have entered a new name in the dialog. This
Figure 18: Creating a new punchline. You are now ready to start modifying the line.
. a new blank punchline is drawn to screen. blank punchline.
This enables you to create a new punchline.
Figure 19: New.
Figure 20: the Add punch shape to a line dialog.Figure 17: The available Punchlines list. select the function and then select an available punch from the dialog.
the distance from the centre line. view the finished line as it would be shown on a style. you are able to adjust the spacing between each shape on the line and also the offset distance i.
Once selected you will be prompted to “Select and move punches” and can now pick up individual parts of a punch and move them accordingly. Using the dialog.e. leaving the original punch in its original position.
Once selected you will be prompted to “select and copy punches” and can now click on the punch or part of the punch you wish to copy. clicking again to place them.e.
Figure 21: Replicating a shape on a line.You will be prompted to “Specify points at which to add new punches” and can now click along the new line to add the punches as necessary. This will attach a copy to the cursor and you can now position it with another mouse click. This is a repeatable command.
Once you have placed a new punch on the line you can replicate the shape to complete a whole line i.
Mirror Punch Vertical
This works in exactly the same way as above. On selection you will be prompted to “Draw an axis to mirror about and then select punches to mirror”.
Figure 23: The shape now mirrored across the axis created.
Figure 24: Creating a Horizontal mirror. You will then be prompted to “Select punch and pivot by cursor movement” and should click on the punch and use the cursor to rotate the shape and click to secure its new position with the mouse.
Mirror Punch about Line
This function allows you to create your own axis to mirror the punch. as well as rotating the actual shape about that point.
Mirror Punch Horizontal
This function will mirror the punch about the horizontal. you will be prompted to “Select a rotation point” and can click on the point that you wish to pivot the punch about. but this time the mirror is created in the Vertical direction. On selection.This will allow you to rotate a punch about a point and reposition as required. Please note that this command will rotate any of the punches on the line about the point on the original shape you choose. You should now click once to start the line and a second time to end the line
Figure 22: Creating a mirror axis. When you have done this you should click on the original shape to mirror it across the axis you created. You will be prompted to “Select punches to mirror” and then click on the required punch to create a mirror.
Figure 25: Creating a vertical mirror.
On selecting Query you will be prompted to “Select the punch to query”.
Selecting this function automatically deletes the punchline from the screen.
This function prompts you to “Select punches to delete” and then removes any punches that you then click on. On selection the following dialog will be produced that provides all information on the punch.
Selecting this function produces the following dialog. There is no option to save the specification sheet individually. Each option is described below. you are able to add specific details to the spec sheet. such as Design No etc. This can be as detailed as you require and include any special instructions for use in production.
Figure 1: The Specification sheet.
This function refreshes the page and redraws the style to the screen. By clicking on the buttons. such a range name and season etc. but it will automatically save when you save the shoe project as a whole. such as flattening and size etc.Specification
The Specification menu enables you to add the specific details to a worksheet.
. Clicking Update will add any specific details from the style.
Figure 2: Specification drawn with style.Draw Spec
Selecting Draw Spec draws the style and the specification details together. The options available are as follows:
The following dialog id produced that enables you to select and add text to the style.
The following options allow you to add text to the actual style. When you select this option the File Open dialog is produced that will enable you to navigate to the correct file. as shown below.
Figure 3: The Text dialog.
This function allows you to save a specification sheet complete with information etc and then open again as a macro to use as a master copy.
you can type in your own word and click Add New to add the word to your style. Clicking Ok will then attach the words to the cursor which can then be placed with an additional click. Clicking on the word will attach it to the cursor.
Figure 4: The Select dialog Clicking on DIY produces a further dialog.
This function works in the same way as above.
Figure 5: The DIY dialog. you can then rotate it and place it with a second click.
Selecting this function will allow you to click on text to delete it as required. When it has been re positioned with the first click.
Move and Rotate
This allows you to pick up the text and reposition it. but you will not be able to rotate the text when it has been moved to a new position. allowing you to click in the box of each option to include it in the style. which can then be placed on the style. Alternatively.
You are able to change the size of the text if required and a further cascade is produced with the following options:
.Clicking on Select… produces another dialog which allows you to select specific lines of text to add.
Once you have entered a value you are able to change the size of the text as explained above.When you have selected the size of text that you require you will be prompted to ‘point to the text required to be the new size’. Any text that you then add to the style will reflect the default size you have chosen.
. as above. allowing you to select the text size you wish to apply. Selecting “Other” will produce the following dialog and you are required to enter a value.
This option allows you to set the default size of the spec sheet text. This will automatically update the default text size.
Figure 6: The Text size dialog. A further cascade is produced.
advanced tools to make a more detailed unit.Unit
The following options in Select allow you to select and work on the required surfaces. whilst experienced users will find all the existing.
Select surface by cursor
This option prompts you to “select the unit surface by cursor hit” to enable you to work on a specific area of the unit. The two options are:
You are able to work on a specific surface of the unit by selecting it from the following dialog.
The following options provide the tools to enable you to create a whole unit or individual components. New users will benefit from the automated system enabling the creation of a simple unit.
Figure 1: the Select Surface dialog.
The Wizard is designed to allow the easy creation of a unit.
Click on the required box to select the gender and type of unit.Figure 2: The Overview page of the unit wizard. whether it is a men’s or women’s shoe and the design of the unit that you want. The next page requires you to enter a value for the thickness and then click Next to continue to the next page. On the left hand side are the titles of the pages available and the settings you can make. The wizard will now run through the process of creating the unit. and then click Next to continue to the next page. starting with the insole. The first page in the wizard (shown above) is an overview of the current unit settings. You can either click on the link to add your own settings or click Next to run through the process.
. The first page to complete is the Type of unit you require.
Figure 3: Setting the Type of unit.
and then enter values for the following:
Figure 5: Setting the measurements of the new unit.
. Wall Height: This value relates to the measurement taken from the last bottom up the wall of the last.
Figure 6: The wall height overlapping the last bottom surface and the insole. you will need to ensure that the measurement is sufficient to cover the insole you may have created.Figure 4: Setting an insole thickness The next page sets the Sole information. Firstly select if you wish the back and front of the sole to use the same measurements. Please note. Thickness: This value relates to the height of the unit you wish to create. but this can be changed by in-checking the use Default box. The default measurement is 2mm.
a positive value and a negative value. for example.
Figure 8: The extension of the unit from the last.Figure 7: The thickness of the unit Extension: This value relates to the measurement that you wish the unit to extend beyond the side of the last. Taper: This value relates to the taper on the sides of the unit. and will kick out or in and the bottom according to the value set. The pictures below are examples of a “0” value. the unit sides will be straight when set at a “0” value.
Figure 9: A taper of 0 mm
Figure 10: A taper of 12 mm
Figure 13: Creating a Top Piece. Click Next to apply and move onto the Top Piece section.Figure 11: A taper of -12 mm When all the required measurements have been set. The Top Piece section applies only if you have selected to create a “Heel” unit.
. You are also able to enter a Taper value. click Next to move onto the Heel section. This section is only relevant if you have selected to create a “Heel” style unit. if not required you can click Next to skip this section and move onto the next. or can click on the Browse button to load an existing heel shape from a file. In this section you are able to either enter a value for the heel position or click on the position to set it.
Figure 12: Creating the heel.
This function places a top piece on the new heel. To add a new colour.
Figure 14: A top piece on the heel The final section in the Wizard allows you to select each individual part of the unit and apply a colour and/or texture. as shown below. and you will need to click Finish again to complete the Wizard. then click on the Custom button to produce the colour palette and select the required colour.
Figure 15: Changing the appearance of the unit.
. and then either select a colour from the list or create a new colour. click on the New button to add another number to the list. you can select to use No top piece and move onto the final section. A final page is displayed which gives you an overview of all the information you have just added. Alternatively. Use the arrows next to the boxes to select the parts you wish to apply colour to. if this function is not required. When all the required information has been entered. As before. click on an existing colour and then the Custom button to select a replacement colour. and you should enter a thickness and taper in the dialog. click on the Finish button to apply.
Each operation is described below.
Figure 17: The Create Insole dialog. You should now see a complete unit that reflects the information you entered. For example.
The following dialog is produced which enables you to enter a thickness and taper value for a new insole.Figure 16: An overview of the new unit. each part can be applied individually and the remainder of the NEW section provides all the tools for doing so. Whilst the wizard provides a quick and easy way of applying a simple unit. The functions are similar to those found in the wizard but are a little more specific and probably more suitable for a more experienced user. and also provides the option of keeping the shape parallel to the surface or copying the shape of the last. you can create your own block name and select the block you want to attach it to.
This dialog provides all the tools for creating a unit to your requirements.
1. Select the Type of unit required by checking the box.
. The same process applies as using the wizard but all the information is found in one dialog. 2. Click on New Block Name and enter a name in the dialog. This is useful for making trainers etc when the sole is moulded over the upper.Figure 18: the Create a Unit Block dialog. but this time the unit is attached to a style line rather than another block. 4. Enter a value for the remaining options as necessary to the type of unit you have selected to create. Select to make the block Parallel to surface or to Copy the Shape of the last 6.
Create block from style lines
This works in the same way as above. 3. Click on Attach to Block and select the block from the list of available blocks that you wish to attach the new block to – This will list only the blocks that have previously been created. such as an insole. Extension and Taper – NB: The values have been described in detail under the wizard documentation 5. Please note: Certain options will be greyed out if they are not relevant to the type of unit you have selected to create. Now enter a value for the Wall height.
Figure 20: The Create from 2 lines dialog.Figure 19: Create block from a style line. style lines have been used in the toe cap area to make an extension of the unit. Then. and then repeat the process for Style Line 2. click on the Style line 1 box and select the first style line. for example. In the dialog that is produced. enter a new name for the block. if you need to add a toe cap to the overall unit.
Create block from 2 style lines
This function is used to create a unit block with two style lines. In the example below.
Alternatively. This has been used in the example above to create the illusion of a decorative tread on the sole. You should click on the New Block Name button and enter a new name in the dialog. Click on the arrow on the Attach to Surface box and select the piece that you wish to attach the top piece. this allows you to add a top piece to an existing block. You can then select the required piece
Create top piece
As the function in this wizard.Figure 21: Adding a block to style lines .
Create from piece
This function allows you to select a piece and apply it as a block on the unit surface. You are now required to enter values in the remaining boxes. setting the height above the lowest point and the distances of the top piece along the outside and inside edge. an existing block can be loaded by selecting Load top piece and opening the required block from the file.
Figure 22: Adding a Toppiece
.creating a toe cap. Use the following dialog to select the piece – a further dialog is produced listing the pieces available in the packet.
enter a name for the tread in the box and then select the surface to place the treads by clicking on the From button.
. You will be prompted to “Point to the surface to put the treads on” and can now click the cursor on the relevant surface.Figure 23: The Create toppiece dialog
Selecting this feature produces the following dialog that enables you to add a tread pattern on the required block.
Figure 24: Create a tread dialog
Figure 25: The setting Surface section. Firstly.
and can then set the depth and width of the treads. or to copy the shape of the last bottom. Click on the Back and Front buttons and then follow the prompt to click on the area that you wish the tread finish on the front and back of the unit. you can set the angle which allows you to select the unit line to align the treads with. You will also need to select to add the tread parallel to the surface of the last.
Figure 27: Setting the Slant section.
Figure 28: Setting the Layout section. If required. again. Click on the required button to set the slant of the tread. the diagram is an indication of the finished result.Figure 26: The setting the Shape section.
Figure 29: A new tread added. Choose the shape of the tread in the next section of the dialog using the diagrams as a guide to the finished shape. The final section requires you to set the layout of the treads starting with entering a value for the gap between the treads. filled to the back and the front of the sole unit. Apply the tread and select to Fill to back and Front to complete the tread pattern to the edges of the heel and toe.
or choose Quit to quit the modification.
Change the unit lines from straight lines to curved lines by using the functions below
. right click again and select Accept or Quit as necessary.
The above functions are used to insert an extra point(s) into the unit line. On selection you will be prompted to “Select the unit line” and should click on the line you want to change.
When a modification has been made. The nodes that make up the unit will then be visible and you will be prompted to “Right click to select option”.
This allows you to place a radius where there is a break in the curve.
Figure 30: selecting a unit line for modification Below is a breakdown of the menu and the functions available in the right click menu. When you have made the modification. On selection you will be prompted to select the point and use a cursor hit to add and remove etc. You will need to enter a value in the dialog and then click on the area required area. right click and choose Accept to complete the change.
These functions allow you to break the curve between selected points on the line and “Unbreak” them to add the curve back in. The added radius can be removed with the Remove Radius at point function.Modify unit lines
This option allows you to select and modify a specific unit line. move a point(s) and a delete point(s).
Figure 32: Using the Make Line Symmetrical Function To remove the symmetry and work on the lines independently.
Selecting Shift line produces a dialog requiring you to enter values in the x. and once entered and accepted will move the line accordingly.
A profile is used to change the contour of the unit. select Make line not symmetrical.
This is used when you have made modifications to the unit and need to ensure it is still flat on the bottom. and then enables you to reposition the line as required.Figure 31: Changing the unit lines to Straight. so that any modifications made to the inner ill reflect on the outer. but flatten the bottom. Before selecting this function ensure that you have the correct surface selected.
. You will need to accept to complete the modification.
This function makes a mirror of the outside line.
This function offsets the selected unit line by your chosen value to either increase or decrease the size. Once selected this will maintain any changes you have made to the shape. and is normally used on a ladies heel. The option to shift the line by cursor prompts you to “pick up and put down line with alternate cursor hits. y and z direction.
Redraw the last to complete the change to the profile.
Modify profile in 2d
Select this function to modify the profile in 2d. When you have selected the profile.
Figure 35: Modifying a profile in 2d You will then be prompted to “Right click to select option” which will produce the following menu.
Figure 34: Adding a profile to the unit.On selection.
This function duplicates one profile shape to another and on selection prompts you to “Select the profile to duplicate” and then “now select the profile to become duplicate”.
. You will be prompted to “Select profile to modify” and can click on the required profile to redraw it in 2d.
Figure 33: The Add profile dialog. the following dialog is produced and you can select Cursor to allow you to place the profile by cursor. redraw the unit to update the change and copy the profile.
This allows you to place a radius where there is a break in the curve.
Use the functions above to Insert a point into the profile and move etc to produce the shape required. The added radius can be removed with the Remove Radius at point function.
These functions allow you to break the curve between selected points on the line and “Unbreak” them to add the curve back in. right click and choose Accept to complete the change.When a modification has been made. The results of modifying the profile are shown in the example below. The example below shows a profile modified by adding two points and moving them out to create a wavy line.
. You will need to enter a value in the dialog and then click on the area required area. or choose Quit to quit the modification.
Figure 37: Results of modifying the profile.
Figure 36: Inserting and moving points to modify the profile.
This function allows you to make the profile symmetrical. and then any modifications you make will be reflected in both halves of the profile.
Figure 39: Modification reflected in both halves of the Symmetrical profile. To work on each profile point independently. but either retains or removes the curves in the line. select to make the profile “not symmetrical”.
This mirrors the shape of the profile and the results are shown in the example.The above functions change the appearance of the profile. Making the profile straight or curved keeps the shape of the profile.
Figure 38: The Make profile Straight function.
Select this to mirror the profile by 180 degrees. The selected profile will now mirror the original. redraw to update the change. The profile will then be drawn with the nodes and you can use the right click menu to make the necessary amendments. On selection you will be prompted to “Select the profile to mirror” and then “Now select the profile(s) to become mirrored” Once complete.
This function enables you to mirror the values of one profile to another.Figure 40: The Original profile. Modify profile in 3d This option works in the same way as above. but modifies the profile in 3d rather than 2d.
Figure 41: The Mirrored profile. you will be prompted to “Select the profile to modify” and can click on the required profile.
This dialog enables you to select the unit surfaces and change their properties i. adding new profiles etc. Offsets.
Figure 42: The Unit Query dialog. On selection you will be prompted to “Define the bottom shape starting at the heel” and you can now start clicking to start creating a new line representing the bottom of the unit.
Define bottom shape
This option enables you to create a new shape for the bottom of the last by using the following two options
Use this option to define the shape with the cursor.Advanced
This dialog is for advanced and experienced users and all functionality can also be found within the drop down menu. modifying unit lines and control points.e.
i. the prompt changes to “Right click to select option” which can be used to Accept.
This function will trim the unit surfaces with patterns from your packet.e. rather than the cursor.
This works in the same way as above. Once you have started to draw the new line.
. When the new line has been Accepted you are prompted to “Point to the line to be modified” and you can now click on the relevant line to update the unit.
Figure 44: The unit drawn with the new line as the new bottom shape. a unit is created and two style lines are drawn to represent the area to be trimmed.Figure 43: Creating a new line to represent the bottom of the unit. but a digitiser will be used to create the new bottom shape. Quit or Undo the line.
go to the Line drop down menu and select New. select surface side. Two pieces are collected from the unit surfaces. Advanced. shown below
Figure 46: Pieces collected for trim
Figure 47: Pieces trimmed where lines were drawn
.Figure 45: Drawing 2 style lines for trimming The side and bottom surfaces need to be selected in turn and a boundary line of that surface has to be created. This has to be repeated for the Sole Bottom surface. and select Create Boundary Line. To do this.
e. The following dialog is produced that prompts you to select the current piece to trim the unit surface.With piece
The surface to be trimmed must first be selected i.
If you have been making modifications to the unit lines i.
Draw unit lines
. select Surface Side and select the side pattern to trim that surface.e.
Make top surface flat
This function allows you to make the top surface of the selected unit flat. Selecting this function will restore the flat surface. it may be necessary to untwist the surface to improve the shape. Please note. appropriate unit surface must be selected prior to using this function. This is useful if you have been modifying a unit line in the above or bottom view and the side surface has also moved and distorted.
This will refresh the page and draw the unit on screen.
Select this function to clear the piece trimming on the unit blocks.
Make bottom surface flat
This works in the same way as above but on the bottom surface of the selected unit block.
With active piece
This works as above.
Figure 48: Available Pieces and packets dialog. but with the piece that is currently selected. deleting or moving the nodes.
but this time the page is refreshed drawing just the block on screen
Selecting this will delete the currently selected block.
As above. When you have clicked Ok the blocks will automatically delete.
Figure 49: Drawing the unit lines
This function draws the block on top of any other data that is currently on screen. A warning dialog will appear asking you to confirm the deletion first.
Delete group of blocks
To delete a group of blocks.
. select this function and then enter the first part of the name in the dialog.This will draw the unit in Wireframe mode.
This prompts you to “Select profiles to delete” and removes the profiles you select.
This function queries the current unit block and the details are output to the Message History.
Figure 51: The Set Blocks dialog. enter the characters required in the dialog and click ok. Once you have selected the surface or group to change.
Figure 50: the Query Profile dialog
The surface colours of the blocks can be changed by using the dialog that is produced. This can then be changed to position exactly as required. or you can set up the blocks as a group and apply the colour change to that. You can either select the necessary blocks with the cursor by using the Select Surface button. use the remaining features in the dialog to change the colours. To set the blocks.The following dialog is produced that allows you to see the exact position of a profile in a parametric value.
therefore the block is known as an Empty block. To add a texture to the surface click on the Texture button and select the required file from File Open dialog that is produced.
This dialog shows all the blocks available and enables you tom turn them on or off by clicking the required button on or off. To automatically update all the changes click on the Apply button. The block only has a name at this stage and contains no information. You can either select and use a colour from the existing list or change the colour by clicking the Change button and selecting an alternative colour from the palette.
The following dialog allows you to organise existing blocks and lists the name of the block and the surfaces that are within that block. Or. Once selected.
. Click on the New button to create a new unit block by entering a name in the dialog that is produced. The new unit name will now appear in the Block window and you will notice that there is no entry in the Surface window. Click on the Rename button
Figure 53: The Unit Block Organiser dialog. you can choose whether to use the colour of the texture file or keep the block colour etc by checking the relevant boxes. you can create a new colour that will add to the list and again chose a colour from the palette and apply. You can also amend the angle and scale of the texture until you are happy with the appearance.Figure 52: The Surface colours dialog.
Figure 54: The Show Blocks dialog.
On selection you will be prompted to “Select the rotation point” and once you have clicked on the required point you will then be prompted to “Pick up and rotate the footscan”. based on the shape and will align the Footscan from heel to toe in a natural position for a foot.
Figure 1: Aligning a foot with a traditional measuring stick
This function uses a mathematical calculation to automatically straighten the foot.e.
Align with last
This aligns the bottom of the foot to the bottom of the last i.Footscan
The following options allow you to align footscans in specific ways. You can now use the mouse to locate the footscan and click to secure the new position. aligning the heel of the foot to the heel of the last and the bottom of the foot to the bottom of the last.
Align with axes
This will align the Footscan in a similar way to how it would be aligned when using a traditional wooden sizing stick.
This function can be used to rotate the footscan so it may be placed more accurately on the last.
This function can be used to drag the scan so it may be placed more accurately on the last. On selection you will be prompted to “Pick up and drop the footscan”. The first click will pick up the footscan.
Figure 3: Dragging the footscan. Now click on the footscan to automatically delete points.
This allows you to delete a single point on the last.
The following delete commands are available enabling you to modify the footscan. and the second click secures the footscan in the required position. On selection you will be prompted to “Click on the points you wish to delete”. allowing you to move it with the mouse.Figure 2: Rotating the footscan.
Delete by rectangle
Two options are available with this function. This is necessary for the correct measurements to be taken. This will take you to the File Open dialog and you may navigate to the relevant file and select the required scans. whether you are using a right or a left foot last. export the list as a
. Selecting Open will then add the scan to the list.
Figure 4: The Footscan List dialog. To add footscans to the list select Add. last and section to the screen. adding further scans to the list and deleting selected scans from the list.
Define footscan list
This function is used to store a list of footscans that can later be played and viewed like a video.e. the area of the last will automatically be deleted.This function will delete all points inside a rectangle. The features in this dialog include creating a new list. you may use the shift key to select more than one scan. You may also use the buttons along the side of the dialog to apply a macro to the list of footscans.
This function draws the axes on the footscan. When the two corners of the rectangle have been selected.
This function draws the footscan. On selection you will be prompted to “Click on two corners of the rectangle to delete points inside” and can now draw a rectangle over the area you wish to delete.
Align left Align right
You can switch the footscans from either left of right alignment i. Select again to hide the axes.
This option loads the next footscan in the list. Selecting Draw draws the measure sections for the selected footscans When loading a footscan. you may specify which measures to draw by selecting Options. The play list can then be viewed to show the selected measures.
Draw footscan list
Once a footscan list has been compiled. you can opt to Mirror it by checking the Mirror box in the Loading section. the following options are used. In Sections.
Use this to stop the cycle.CSV file.
This option loads the previous footscan in the list. You may also select to work on the whole list or just on the selected scans.
This options runs through the cycle of the footscan list.
Figure 1: The Online Help Dialog.
This part of the dialog enables you to enter a specific keyword.
. Clicking on “List topics” will display all the help available that has reference to the keyword. You can navigate to the topic required and select to view the help pages. You will be able to search for specific information or view the entire contents of the manual.Help
The functions in this drop down menu provide an Online help service to our customers.
Figure 2: Searching for help using a keyword.
This dialog shows you the entire contents of the Help available.
Selecting “View” will produce the Shoemaster Terms and Conditions
. such as the program name. This contains all information regarding the release of software. the version and when it was created.About
Selecting About produces the following dialog.
10: Bug # Action Summary 551 Added Export a picture functionality to export file wizard 499 Fixed Program lock up when using condense syntax 1103 Fixed Knocking cursor is invisible on a black background 820 Fixed Piece move original command mirroring piece 1210 Fixed Flattening spring properties draw and redraw 778 Fixed 3D last digitising using MicroScribe 538 Added I-Ware scanner support to the import file wizard 1228 Fixed Measure 3D distance tools leave crosses behind 1226 Fixed
.Changes in 4.
Stitch lines difficult to distinguish when highlighted 1106 Fixed Measure 2D distance tools leave crosses behind 1253 Fixed Unable to select upper surface after Autolast import 1236 Fixed Object browser does not select pieces by default 1262 Fixed Drag last command not applying new position 1295 Fixed Scaling of imported JPEG and TIFF is incorrect 1198 Fixed Save measures feature does not always copy the file 231 Fixed POV-Ray does not render stitch lines properly 1173 Fixed Next/previous property buttons go out of sequence 1212 Fixed Advanced line drag style command not working 1313 Fixed
Memory leaks in unit surfaces. tree views and properties 1318 Added Background plane positioning options to POV-Ray 1229 Changed Severity of ‘overlapping detail’ error message 1312 Fixed Not possible to turn off tooling element outlines 741 Fixed Nodes do not disable after making a linked marker 1320 Fixed Paste background command only works once 1268 Fixed Line new advanced bend line command 1322 Fixed Image import and copy/paste do not work in sequence 1329 Changed Disabled object browser 2D/3D button in 2D programs 1325 Fixed Last import from latest Delcam IGES file 1319 Fixed
Text bounding box not updated on a size change 1184 Fixed Save as pieces command doesn’t update style view 1105 Fixed Arrows not highlighted when style line or arc selected 1045 Fixed Cannot draw style transfer default points without style 1334 Fixed Unit block created from a piece has no sides 575 Fixed Intermittent browser crash when switching from 2D to 3D 764 Fixed Create flattening sometimes fails with certain boot lasts 1367 Fixed Cannot set reference points after digitising with MicroScribe 1375 Added Extend line commands enabled for multiple line selection 1371 Fixed Creation of the unit sole rand not possible in 2D 1288 Fixed
09: Bug # Action Summary 746 Fixed Draw both shaded lasts menu command 1178 Fixed Flattening spring distance option for all lasts 1214 Fixed POV-Ray export sometimes fails for a last 1218 Fixed Speed of style line drawing on high patchwork lasts
.Last shading problem when modifying last spline 1382 Fixed Object browser crash when deleting last object 1379 Fixed Duplicate unit surfaces appearing in object browser 1393 Fixed Crash when opening specific shell files 1398 Fixed Enable arrows crashes with certain shell files 1400 Fixed Save as pieces command doesn’t save the file
Changes in 4.
08: Bug # Action Summary 1030 Fixed Piece delete/undo crash with multiple texts on an arc 1100 Changed
.628 Added Ability to add a grading centre to a tooling element 954 Added File clear measures menu command to Fotofit 631 Added Export of style lines to the Interface program 1242 Fixed Program slow down with multiple packets/pieces 1130 Fixed Duplicate style lines not appearing as dotted lines 1165 Fixed VRML components not exported to POV-Ray 1264 Fixed Flattening drawing from select flattening dialog 1261 Changed Arc length property precision to three decimal places 749 Fixed Classic line drawing failure under certain conditions 1269 Fixed Flattening toolbar update following delete flattening 1093 Fixed Last load heel curve file menu command 1095 Fixed Last load centre curve file menu command
Changes in 4.
Printing the current viewport prints the background colour 1099 Changed Restored A/B functionality to Esprite 1141 Added Functionality needed for 2D pattern tracing 665 Added Rounded details (size codes) 1147 Fixed Lines and mating arcs still selectable when not visible 1156 Fixed Re-implemented drawing of mating arcs 1066 Fixed Grid stops drawing when viewport is no longer active 814 Fixed Construction arcs should draw as in QS 3 1148 Fixed Sometimes difficult to select construction arcs 1176 Fixed Difficult to select details after they've been modified 1153 Fixed Cannot control the grading centre layer visibilty 1082 Fixed Text not displayed when knocking 780 Fixed Selected grading centre not highlighted when grading 651 Fixed Ruler option not always working correctly 1190 Fixed Measures wizard sometimes differs from properties 1104 Fixed DXF tooling element output has the wrong orientation 1198 Added New quick save measures feature for Fotofit
07: Bug # Action Summary 1086 Fixed Last and flattening not updating using A/B switch 1090 Fixed Changing properties for multiple tied line selection 1102 Added Line vanish and restore functionality from QS3 1088 Fixed Delete circuit crash 1112 Changed Updated HASP dongle device driver 1115 Fixed File association in PDM XML format
Changes in 4.Changes in 4.06: Bug # Action Summary 771 Fixed Notches are not quite closed on a piece 753
Fixed Customised menus not saved in the customisation file 812 Fixed Knocking too slow on complex styles 892 Fixed Tartup options do not appear 893 Added S tyle lines can be offset from a multiple selection 897 Changed Exclude pieces and lasts from drag selection 908 Fixed Program crash exporting IGES with certain shells 888 Fixed Improved speed of detail rubber banding 909 Fixed S callops. Hartland points and size codes drawn as part of the arc 912 Added Highlight the gap when rubber banding details 911 Fixed Right click move for details does not rubber band 831 Fixed Measures wizard does not display any results 885 Fixed Spin control in arc properties not working 960 Fixed Crash drawing details on a broken shell 811 Fixed Piece browser not updating when unfolding or mating two arcs 950 Fixed Delete arc crash 962 Added New refresh button on object browser 965 Added
Properties page find button finds object in object browser 953 Fixed Improved speed of loading and knocking complex styles 473 Changed Updated Portuguese translation file 899 Fixed Implement circuit stitching on DXF output 966 Fixed Customisation freezes workspace and tree views 978 Fixed Whole notch is properly selected and displayed during rubber banding 907 Fixed Undo crash after lap marker has been added 981 Fixed Details not handled properly when splitting an arc 972 Fixed After knocking line jumps to different position on selection 788 Fixed Area and perimeter calculation of pieces with details 992 Fixed Punch shapes duplicated in object browser 989 Changed T ree view items retain selection when inactive
Changes in 4.05: Bug # Action Summary 809 Fixed Cannot load a shell from the file open menu 810 Fixed Cannot launch Interface program from Grade program
04: Bug # Action Summary 743
.492 Fixed Unit calculation failure when reloading 747 Fixed Piece calculation failure when reloading 841 Fixed Stabs and slashes drawing on the wrong bundle 753 Fixed Customized menus not saved in the customisation file 844 Fixed All commands not appearing in the customize dialog 772 Fixed Snap to node not working on the gross feather offset 824 Changed Rotation point when right clicking with rotate object cursor 843 Fixed Loading and drawing of complicated shells too slow 813 Fixed Offsets not drawn when collecting a piece 753 Fixed Customized menus not restored on startup 845 Fixed Detail gaps not closing arc properly on the ends 866 Changed Updated Italian translations 878 Changed Updated Spanish translations
Changes in 4.
.Fixed Bounding box updates when moving arc text 756 Fixed Autocalculate grade for lines on shell surface 757 Fixed QS macros not appearing in the view menu 788 Fixed Piece perimeters now take details into account
Changes in 4.03: Bug # Action Summary 750 Fixed Help files are copied during patch release installation 763 Fixed PDM fixes in metadata format and shoe project import 541 Added Improved line selection in 3D when zoomed in 759 Fixed Fixed shoe project unit style saving problem
Changes in 4.
Bug # Action Summary 416 Fixed Unit lines are now selectable by cursor 452 Removed Removed the unit select surface by cursor command 478 Added Line extend to command works with multiple selection 490 Fixed Improved various speed issues with autodigitise 502 Fixed Fixed crash when moving unit profile end points 541 Fixed Improved accuracy and speed of selection 552 Fixed Added ability to change colour of multiple unit surfaces at once 567 Fixed Fixed the launch bitmap editor command 568 Added Added shoe project option when creating text
580 Fixed Fixed cursor cross hairs 584 Fixed Creating measures and profiles in the modify by measure dialog 588 Fixed File clear footscan now redraws correctly 591 Fixed Added hold bottom pattern option to modify by measure dialog 596 Fixed Changed transparency of billboard image 635 Fixed Fixed the line shapes dialog real time drawing 644 Fixed Clear measures command now clears properties window 655 Fixed Made maximise all take A/B spacing into account 657 Fixed Improved speed of add/remove material command 664 Fixed Line feather redraw style command draws offsets
666 Fixed Tooling lists now export to interface 669 Fixed Stopped split arc from duplicating details/text 670 Fixed Unwanted "there is no style line relating to arc" errors 674 Fixed Fixed tooling list select from list command 675 Fixed Fixed tooling list draw/redraw commands 679 Fixed Fixed tooling element select from list command 681 Fixed Fixed tooling element draw/redraw commands 682 Fixed Fixed tooling element mirror about line command 685 Fixed Fixed the unit surface new colour properties bug 694 Fixed Fixed extend to command for lines off the last
700 Fixed Improved last modification speed when measures are loaded 701 Fixed Paste background command now works every time 703 Fixed Fixed delete key for multiple style line selections 707 Fixed Fixed right click save on footscan file 712 Fixed Packet copy command updates piece browser 717 Changed Set draw selected surface only option off by default 719 Added Allowed unit blocks to be turned into construction blocks 725 Fixed Fixed startup error due to formatting errors in translation files 727 Fixed Fixed format problem with fit string in PDM metadata file 729 Fixed Fixed PDM metadata file format for DXF
731 Fixed Improved speed of selection 737 Fixed Piece toolbar now draws the selected piece