forTrum

ilip Smit
I Trumpet • New York Philharmo

and perform

Concert Studies
for Trumpet

..I~.

INTRODUCTORY

LETTER

It is with great pleasure that in conjunction with Curnow Music Press,we are able to present to trumpeters, young and old, this music album of CONCERT STUDIES. I have enjoyed practicing these studies in preparation for the enclosed demonstration CD,and found them all to be challenging in many different ways. All of the studies are first and foremost musically satisfying and stylistically varied. The difficulty level of this music will be best-suited for the intermediate to advanced player. Conceived for the Bb Trumpet or Cornet, the full range of the instrument is explored, from low F# to high D. Many of the studies give ample time to lyrical expression, much needed by all trumpet players. Technique is not overlooked. In these studies you will find double and triple tonguing, low register playing, challenging intervals, and key signatures that require intonation control of the instrument. I want to personally thank all of the composers who have contributed to this project. Thanks also to Jim Curnow, Tim Johnson, and staff at Curnow Music Press,and to David Henderson, our recording engineer. To those trumpeters who are going to work on these Sincerely,

Philip A. Smith Principal Trumpet New York Philharmonic

PHILIP

SMITH
the New York Philharmonic as Co-Principal was provided Trumpet in October 1978, and became

Philip Smith joined Prinicipal Trumpet under the training

in June 1988. His early training

at The Salvation Army, and continued

of his father, Derek Smith. He is a graduate ofThe Juilliard School, having studied with January of 1975, while still at Juilliard, Mr. Smith was appointed Orchestra by Sir Georg Solti. orchestra performer and clinician. He has as Zubin the European have included

Edward Treutel and William Vacchiano.ln to the Chicago Symphony Mr. Smith has appeared

regularly as soloist, recitalist, chamber

been featured as a soloist with the Philharmonic Mehta, Kurt Masur, Erich Leinsdorf, Leonard World Premiere of Joseph Turrin's Concerto Premiere with the Leipzig Gewandhaus World Premiere of Lowell Liebermann's (TX) Symphony. Symphony, Newfoundland Symphony, and Beaumont

in over 75 performances

under such conductors its subsequent

Bernstein, and Neeme Jarvi. Highlights with the New York Philharmonfc,

Orchestra, the U.S. Premiere of Jacques Hetu's Concerto, and the Concerto. He has been a guest soloist with the Edmonton (CT) (IN) Symphony, Pensacola (FL) Symphony, Hartford

Symphony, Columbus

Mr. Smith has also appeared with many symphonic

wind ensembles

including

La Philharmonic

des Vents in

des Quebec, the Hanover Wind Symphony, the Ridgewood Austin, Texas for the World Symphony.

Concert Band, and many major university wind Convention the University of New Mexico Wind

ensembles. Most recently he appeared at The College Band Directors National Association Premiere of Turrin's Chronicles with

An avid brass band enthusiast, Mr. Smith has been guest soloist with the US Army Brass Band, Goteborg Brass (Sweden), Black Dyke Mills (Britain), Hannaford numerous American Street Silver Band and Intrada Brass (Canada), and highlight was appearing as featured in Manchester, England. clinician at the Grand mpet Week, Guild and Salvation Army Brass Bands. A particular

soloist at the 1996 British Open Brass Band Championships Mr. Smith is on the faculty at The Juilliard School and has ap Teton Music Festival, Swiss Brass Week, Breman (Germa Harmony Ridge (VT) Festival, Scotia Festival of conferences, most recently in Goteborg, Sweden Mr. Smith has performed recordings Instruments (Arabesque include and recorded with the

I.dlldlHdllT

of Lincoln Center, Mostly Mozart Orchestra,Bilrge Copeland's Quiet City (Qeutsche Records}, Orchestral Excerpts for Trumpet (Summit Records), and

(New World Records), Bach's~ran The Trump.5(wll Praise). The ITl~.~t:r~centrelea

Records/Resounding

New York Staff Band, "Fandang~;:i~itDtr()rYIbonist Symphony, and "Great Hymrr"pqblishedbyCurn Mr. Smith lives in New Jersey Mvith gives all praise and honor totn.eLo

OF CONTENTS PAGE IT] [2] IT] Coronation Timothy Johnson 6 7 8 9 Canterbury James L.Concert Studies for Trumpet TABLE TRACK .f' ~~. Hosay Olympus Douglas Court [I] IT] [I] Requiem Stephen Bulla Arabesque Stephen Bulla 10 11 12 14 Antares Joseph Turrin 0 [IJ [IJ [Q] [II] ~ Fanfare. Cadenza and Scherzo James Curnow Poem James Barnes Prelude and Pantomime Allen Vizzutti [J] [!] .

1° II . >- r' )1 '~r IJ J @J P' .TRACK OJ Maestoso ( J CORONATION = 90 ) Timothy Johnson (ASCAP) .~ f J r' j If r J IJ r J 4J IJ.1 '~i:-!l9 tu G Hi -=========== 1 &r pr-r.j. nif Qj OJ cresco f~bb~ J XU'J r 'IJ mf Rail.~ I.."if &~(:\. J)jJ IJ. ~~ "if ~ Slower ( J = 60 ) cresco ========-)1 = ~ ~bb~ ~nJjJ #II~'I. IJ cresco r')) I ====- mf -======= J IJ f r f J £)1 ====. @O IV 49 LOlfU ~ fj I iO )_1'ltyi f Maestoso ( J = 90 ) 111q~~ ~ nif J :> q J:> marc.'0 IrtbrrJ i fJ®JJlfrFrrJ P 4lP 1 (:\ f F a IBr-r ~[ f Rail. ~ mp j I a{ji 14j 4. mf legato ======- mp J J J I :OJ @] JJ -======= nif p 4?titcr ~ lE1!f)J.

@JdJlr n!~8Iffl·)gi Ppm J J ~r ~~{Yu cEit""'t2J Ir' illB ? J~..Hosay (ASCAP) ~~r. ~~Jlffiilr ~ mf G. ~ ~ WI -==== i& c:1bErtr 1& sCurr f i_ IBO U hid E crHfn I -====mf ~--. )IJ)J]wfir ======-...~ mf ' ltao tmJ?~IJjij mOl ~ . ." !cft 1M r1 a IJ 7l ~~V J] J ~ul')Qd J ~======mf Pf fEr Ie 'pm J~ f' ' " ~1n: JJ l?JGJ '1 ill II q '. f ~ Allegro non troppo ( ~J mf j J J tOE! -. J = 104 ) ===-mf IJ J J J Wa 11 ~ J J DR I4]jjvnP • -----...TRACK W Adagio ( CANTERBU RY J = 69 ) James L.' ~EIDfi ~ 1) J..

@ f1 E g [J F I' -========== f _~ fCJ 4] j ~~. Poco accel.J mJ I oJ ~~~ 2 Dj r.OO fjj r 1111]1 cresco giocoso EJfLA . Rall.o11. IId mp d m p (J oJ = 72 ) Id d U f tl 9tpJ E EH I en t1 J dim.rm I' roLA P 1291 ~~' & . pi p Allegro moderato II' mj' roil ( 1.Q'@mCUEila9rrlE1mI12b@£Jjli JuQ.F"W [lj ill I ~ ~ mf ~ ~I.pC mp n oJ n.oj. ~D tJ] J I' tahpJ cresco dim. lJ 3 II J 'I i JTI mf a:r.0r-.ffll I) @I.W IB r-u 4]1 i . ncr IlL 140 1 IV nOBle! I J = 108) ~~'r tP[fflfh§]}JJJ_J f ~ ~I.JJJ J~n -11' .01.iU Egg fiU4] --======= f mf dim.j J ~ Ii' @_] :. f 0 FE nEtJ Andante cantabile ID oJ~@ dim..TRACK [!] OLYMPUS Douglas Court (ASCAP) i ~ LB J ~ . I ~~''t Rall. til .

-========f *~b:_eWr '~E&12if]# Ef Ibtf~( 11PJ@_£@ r~1 ======-* iii? ~.r] cresco Rall. ] I.O J. ':JAlN c1 CiJ *~b-====== 'fiQ1}. 2 @iEif] ]A EJ Ibtflf p ~---'~ F] :B i) IdjJ:~ P ItlD· ~ PI *~bOOJ 'l6E?Iu~fJ IbtrlC57f885d a --======== »if ~ liB· 'j! *~b:eift .76 ) Stephen Bulla (ASCAP) * ~I.TRACK W REQUIEM Moderato con espressivo ( ~ = 66 . iH W' *~biJj lp] \Pf"!~ 11&fQjI~ '135& E1 r -======= =====nif ) f p ~ f mf f »if f ======-- nif f 'bb fiB J) I CS?r @J 'I ~r5EEJbJ ~J r. ~fEEJug'tJ 'lbf''fftJ ~IBffl :l 'I@.$ IrIiih nIt1 a r ' mf f @] ~b mp cresco II ..m' II:bE£..)lliiUf \FM JirPu!B!J @}..

jCii&10 r II:Ij j~~. I:J~JijU~ ImU~-CI I'@l] f lJ IJEiNId.:tp t~t:fJJJ Jj3 ~ ~~ ~ trn II'ePo-ifflIi11Q3J ====nif @] ~ I. . )jJM I%W Jjjtf '-' '-. J P ItfitlPJ Iw-ifILJ'3 D IJ ~JJtE r 'I t '~bk~. b .~ Igr-.tWfflJ 1:lt1ijjM:lIW]]fifrrr l. '~II:~wJ9JJJ IDli4JJJ IfiHV3Jl1DlqJw£Er :11:l~Jijiir ~======= f nif '~3~Jlr =. Rail..'fi nif mp nif Rail. 1/ d rn+J r •r 1 1:1#3£ I' &wEt I Jr 'UfAiJJO.-.TRACK [IJ Allegro marziale ( ARABESQUE J = 84 " 104 ) Stephen Bulla (ASCAP) '~bb!II:JQ1f3-J J J 11. "II-qq. mp ~ --========= E11F t!f IEf..):PgloUffl:l d?U7EF= qE r @] mp .Q_JijJjJcJIBbtEig It:Cflfln~frrlr?rFC". ~l::j ~ ~~._.I. mp Rall.1 . f ~ 5aflO"'g r::J ~ r :11 if) JJJJJP l)fHftA J Ilffif4J.'® I~Q===. 1$ J)JJecP 0 '~ba :lIla J===.112. 'Et Dr i:.IqJ!:A]fJr Id~ilUr liDmQDi8J:gDJ '~bk.: ~0111Jai#~ mfflj I~ t5@@& H!EfEJ •. ~ Andante ( J = 76 ) mp '£Jnl'[~Fla_£tttrln r.J~WIfJ~rurr~r '--"' ~ Rail.. TempoI . A tempo [§J mp cresco U f nif A tempo mp 1ft.gJfi!ffE I' DEttl '~bl'e.RJJ. Rall. f "--" "--" \G' "--" r. II ff .

I mp &J qjJ. &J1.jJbEfF~r & JE J _J j J M I~j diilniOif· qJll V J d l@.qJ1 mp &J Pd I &ft&FF~JJU 14J~U#49hU 1~ cresc f q4l2@l!i. W J J tJ & @ J jJj7jj ffi&i]l"tmr &~ @J~ f 1 ~fc1 : 1 dim.l mp @@ED I~JqJJJ#J ~ II p . I.n Ijp gg J J Mid BP 8 f3 rEi 8D p I&@] QJ b 3 ffl5l[tu~ulEuq t no Lbr IT ~ V 1Tff FPr-m @?-m @1 ~========= & 1 &@P £4i) ~&dJ) ~W11 &i&H9 d@ 1 11&.tyJ W~@jJ ttMfl J I~W4EJ Jgg)d ~ 3 UJ bJ &iJ@_i4@JiLbr 3 ~ OP#Jlqlr ~&p~J j ihJlnJ9I cresc . IbQ91 .138 ) mp Joseph Turrin (ASCAP) &i1. EEfiITt'~Gf9? I . I~ &2 P I&@!Q) mp (sub.TRACK [i] Allegro ( ANTARES J = 120 .q IS mare· --======== f I' ~fc1 t?r-(ffrFr%U dim.) +1JJ)J9949JH f 1Tff> mp I! If q#l@pJ)JtiU!! &8a~@liIT cresc ~ • ~ cresc ~. &' )ke @ I' fcfo5J&Wb.

Ii EJE f p -_ --::.41 #JJ!JlJ' ~I § iPtGDI f >>- p f >- ::0- sim. CADENZA AND SCHERZO TRACK [2] James Curnow (ASCAP) .. ~ f [EJ. dim. 3 1":'1 --=========ff ruff f# iii !D ijj£] 3 1":'1 ~ Allegro con brio (J = 120 . 24M@' ~#nl2JdJ' . * Optional Fingering .FANFARE. s:F Era I rECUrSIii cresc.tjJ iJl j om' ~:JmiJJ31 *3 f ~ mp- =f p f p . @j' f0/[ rrrU . (»=») ~\rgJln . 3 . . " f UI! p ffiFJ?OOI§ ufcral mp (Jb») *3 .126 ) m I n:S@a blt I mf *3 marc. >- >- p -= f >- >- p stacc.deliberato St. ~ 1":'1 /I Cadenza . m= gop [t) I ru gbrC£OE&1 i j p't Jj. C1 r crrJ ll . I F# pp marc. mute~ 1":'1 --========= f dim.aSI FCEPdFtW'PI btfEf&£LC!1 'EJg £@:Ph.

FANFARE.goFCcrlbEF' go g-fl or 0'1 . ~ j!l:ra@Ef[F1 g:r.E!Jml uif marc. CADENZA AND SCHERZO pp cresco &1 j1Ji.

TRACK [I] POEM Adagio ( ~ = 69 . Piu mosso ( ~ = 80 .88 ) A ~ bJ.ff II 3 I ..ff 1'iJ . T. i b f •• j 1- IC ~ r qr} • Ii 5 rJ mp ~ • ' f~ 'EJ( cresco . 3 3 ====~ ~ j J. . f~ . A A t .f 3 3 rrif mp- == ~=======~~..s: &3 #7P. . '5k! . • 1":\ 41i • iCE F1 i f ~ . ) pp Jj. 1 p '~JJ P ~ .. mp . ft rfqqu-iliC mp 6 ~Ir mp mf w:: E·~19 er· p .72 ) James Barnes (ASCAP) • t r? ifz 'Ell [[ [r lID r-r1U rAe-· '/¥][ :ir±J ===========p 3 f. ~ j ~J . I T ~r F t A f~.. I .

mf mp =====~ ff ff :e:r Qd~ 3 Ii J. p .\ I~ " ? ~ q .rEt mp ~ ' b L:t . P ~-' rtc/t:Jr - ~> J. II * Optional . IIi fj ppp r' /" "r r r r r r r Ie[} ff ====. PI r±4 3 sub. ~ . dim. ~ sub. =====-sub. be .~ r bJ j b Ed ~ . P -======= ~ + nif =====.\ I qF ff br Ie z> ~!O~ He J• .p ~========= ff --~~.~ 3 3 r-e ". ~ t=al . .\ j f sub. I~ ~iJi I f Add Cup mute (optional) ~ mp Tempo primo ( ~ = 69 .72 ) Cup mute .p 3 Jj l ==========~ Fingering nif =======-- t mp =--~ ====p er? jo morendo at niente f':\.J nif f cresco ff Rall.\'.

p cresco mfdim.2 .~ o mp va----------- mp iJdJ IJf7] I42±iU ItJ fast with expression ( J = 108 ) cresco nif dim. ~IJ i IJ @U .pp @] With .PRELUDE AND PANTOM'IME TRACK [IJ Moderately Allen Vizzutti (ASCAP) . ltV 1l2_!_1J cresco f dim.rr7F 19 IJ mf dim.160 ) cresc. p .@I#L# IQ~ • ID¥ -====== f mp cresco mf dim. mf Optional i IS @IO cresco It] f dim. p cresco mp dim.---------------------------------------------------------------------_. Ij *I '!WIJ @IJ Q!J 8 --_. mp cresco . nif =====- p mf ===-.rJ ====~ J J J2 .q . mp cresco mf dim.~j r energy ( J = 144 J uJ I' &:Q:g JJ J IJ j J >- U J 0' I r mall mp F J UJ I mf (ill JiJ3.

& J '.f§W II~~ IT fir --===== f cresc.P $# J J p JhQ I] J t..Jl_E 319 1:[9.mJg9JIJ Jt~ ~ . ~ J 1'1ptPQJ 'J53JfifIF r f 1J J I' ~}1fl J] I' @_lV J J) In mp "!I' J- '~DDdj4JlI'lmBJJlr f J uJi.

TRACK [lQ] PROMENADE f Timothy Johnson (ASCAP) marcato =======mf cresco mf -==== f i: r-.. ~. I ~rr ctEf&I[llA abE g Ic.J 1~_jJJ@E F nif ~ooEJ F -=== nif f f mp I{WJ -====== I f ~mID~rcHU ~ lID WtHHt r IfEbrE-r O'Elamp~===========f 1 mp f .--.>-.J l[4QiJ LIB I abE g IUOrJ:#r.JoiFDr. D 1m r bfc.lc:t mf cresc.~ >. @E t C:le ======- nif ¥ea Iff -==:::=:::::: >->-. @] f Q_ btC EJ IE f ceEEr· r-~ >.

f.f .f -t_>~ >>>>>>-~ f.f >- j f bfEFrilF >- II f.f =====-~ f f. F f.f f f. >- rrrrFFFFrrr~1 >- :.f CCUCcHfrrrF nif -=::::::::: f nif cresc. >-~W -- >- >- ~ FF F F F r r r r r r F FF r r F4 r F I 5f r r EJ f.f sub ito Molto rail.f subito TempoI -§ ~t r r = 1":'\ I () mp ~E f -t_>- L£jQ ~ 3 d f >--~ C hflC' iF" >- >- t&:nu2 >- ~F &bf fi' E F F rrrE nif 3 mp cresco -====== f. Rail.

=~ jJdtHPJ I g @JjjJJj) gj_§§¥ _ e f .TRACK [1] ROMANCE Adagio Kevin Norbury (AS CAP) ~I &'"! (J. r fJ !CUEro ~ ~ r> [CerE [1 Ie ~ ~9 JJJ)'r1tt!: J J 'II~&'J nf rb tJ13rLFtt[fc:r p Rall.If ~ &1. f JJJ! nJ~ JJJ: ] 3 " r r= f r~ I I ~&~ ~ jJJjT!rCO'E EErtlF(rrm =====. @] Tempo I nif --=== ~&' (tarS (fur F:r 19 E EtruFfFrlH j J.nif Intensely --=== ~&b~ 'lIftEr G£qrftlltEf [prcp f .1. = 52 or)l = 156) nfdt=fj3r -- ~ CfIfri'. ~ (i"\ car illIfHFn f[trW I~ ~ ~ 85J J#[f a4Fit?ii&"b -==== f mp g r IDfifWm J .

~ Piumosso ~ Or b{ ~~ tirE [p~t1dru E~'E~( E& I4fUJJ J Ib. I ) ~IPt~[fbf 1~4iJ Jddd [ ~TempoI Meno mosso IJ j £lIW n IbP J n I#d$. II&b9 3I ====---mp ~~.£dJJ JJ I#4d JJ J d I ~ P cresco poco a poco "!I' . R J "!I' Jj~f :b 61 if~ (FErt) r F r r IE EfroFEcr@ ~"Jf ifF ~ ft r1[ 'iff r?'p (£116>[ (ffp -====:f "!I' ifflit (up 4an I) .&Q -=== 1"':\ .

126 ) J n@~J rif""· " 11iB" J" " iii¥ 11&.TRACK [!] QUADRILLE Moderato ( Joseph Turrin (ASCAP) 'i .I = 120 .~J4W 16%#ifil_1 q~" " .~r~rrfFRr#E.iiJ 7!if 19W @~ro mp mp -======= liil2!5?bOO~ 1 3 3 mp .

II .• cresco I ---======== f dim.

TRACK [!1J BOLERO mfmarc.-. Fcrd12£d mp -<:::: 3 71ff mp JJJJJJ J Ijr--. James Curnow (ASCAP) '&bb~cr r:r e Vf .-=tOrfFF < 71ff -===== f marc.HTFmp - -==== 71ff WOe E £''P Ell.J. 3 1 ~f J.. .ff :> o 3 3 3 3 3 3 ffrf 3 I ffrE ffrC ffCf 3 3 3 I f rrrwlJJJJ 3 JJJJ JJJJJJIJ 3 3 3 j jJ J j IJ @] j jJ Jj I mf mp lynco 3 3 '&·b~?7t. cresco 3 f " Optional fj ngerings p marc.

f : E wwlJJJJ 3 JJJJ JJJJJJIJ . JObbbr ' IF ' ctbbbF ' id -===f '! 3 "bl.~J .»if marc. 3 3 3 J J j J IJ J J j J j I '&bb~V cr~r In B ffi t. ~~~~ f. F Ip cr~sc.~ r preervr -===f 3 auua c f EEftF Ir 3 rbrr 3 3 EE r' . marc. .vr E FJ -=== »if mp ~ mp It brrrJ »if Qa~ JUUJJ~ J mp I < rrif '&bl. II If r FEr qrr 0¥ r.

:#Ir· hJ &@9.TRACK 1141 SALTARELLO Joseph Turrin (ASCAP) . d . 9' an r F r IJ J J E ~I~E~ffir IE%h@ I~F1h@~i9QljEtfI.JOiElMr I ~ I ~ . ~J .W 'J5JlJ WiD IDI' tif@ tH err 18 "jJbabr mp E1-~E If ~FbE b if f f mp f r ! mp ~ 'j j J J 16 Q ~ Mf).fIt j m~ ~== mp .

·rIi rr~FFErr$rIE 2"B d 19~1Pbf!ljltlqiJ~mIW > ~ 18FCCgJJlbFubJJJI {l0m iff rElH ~r r nzp cresco rt"b. p . l JO I mp II . EJ J J liE rr @J J I~:l If p b. I~Et1'h! IfiJ7C:EF I f dim. ~ II Fq§"FbJ f I '~J~ ~row.b2~B~:l 19TUb2 . p -~ J = 138 ) cresco 'ilil oJ ~(fT.J-6iia~cri]OO @ EJ 'wPl . w. Lively ( f dim.gJ iJlt-· miJ 1m-at =. J jJ~f ~I oJ 4J J) IiNJbJ IJ & ~#~ J¥'.~ =.I~ ~1~j)~J. 1°f po. If fF loJ oJ· IJJGJi5l nzp cresco ====~ . IftU~JjJJ1gJbJJJ I. ~ ~ mp RaZI.fflJ mpJ$ ft ~11 ..

Q§Q f >. Q@1J I .mp f ~ mp -===== 1l@1® sim.@ at "}~~] @j Ii =======nif TIiJIiitfC ~ Lyrically mf ~==========f ~========= f '. a1f3 bEm 1c5't&fr a 1!(fjAAem .~ f@ID i f ~ Energetically ( J = 144 ) mp f am ~mp It~.TRACK ~ SPIRAL DANCE Allen Vizzutti (ASCAP) ..~~Ii I! 1] 4iH@J91lJ 1) I~"1J t mp f mp -====::: nif ====- ..["'~n &tlt.q I .~@~ @9IWUriSJ) t t T@ij) Q@.

~ . * .s. '~0@Bl@ijliJ1 l1!D mn ~ ~ {gum_ @J mp l f =>- mp f ===-.1([ tJt7a IJ Sffi _j I.~ E} it f Uf.mp I~ f ===-- f~ mp -===== '~l1!D l1iffi I@ifQm e Iroo_ sim.tci:Et IWi?~I{@QJd~E9 f ~ t l-ntiijI a I~r f jJ' ~ ~=========== f .

I.VB i~@'r I.TRACK ~ STREET SCENE Philip Sparke 1< .. p 71ff ___:"======= I & 4_Q.. p J D Ie p ill In r »if r IF =========-- &r -=====:: mf beJJlo dtPJlr-iJJJaEflr 71ff .jd'rt cresco Cr 12 '@ bJF ET E r Ii ~r . ~r ~Cr IT T I bg p p Relax r.JB? '0 't 't @] f 71ff p cantabile 12 pp ~ Grazioso ( cresco p cresco f -=====:: ff 112 J = 76 ) &2t 't mp Hd dim.

d j jJ JJ J 3~F['rjF 113 p Slowly accel. ====. '51 y ~NJ If ~======~===== f nif ~ cantabile .mjikgg'~~'1.{pdl cresco dim.gfFrhft'fF nif f 7 r ~ "ee~c 'p=====-. u[j 11 p ~ B 'nLO • I.p cresco motto Iqberq~Ktt£Jql . *' ~ p Cadenza (:\ -=::::::::=::== nif accel.f ff ----.fci:F p nif cofi82p '0 rm cresco mf I'F bd p N.N 1 J~ 'I fIr..er. q@ I ~ ~ p 'f Ibm ~ If ~ nif md~~ bc:r r ij'm: Ii IH ~ £* =If" on!. OO p ~ ~ ~ §] ~ f f r f .I.j Ib491~J#81. mJP 'a '3 ~~ mf ~ '@ 1c. '---' mp mlO r DIE '.ggi. r t.be '1~l8D'llg bF=1:$ iii '@J d?! 19 .p (:\ JJJJJ =f J J J J J j J j&J Jd Jd j j j --====== dim.w.cresco f dim.1*.Up E¥'~QiJ I El f 'c .t ~ II --======= Vz .

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