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Bob Mintzer Book - 15 Easy Jazz Etudes (Eb)

Bob Mintzer Book - 15 Easy Jazz Etudes (Eb)

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Eb INSTRUMENTS

JAZZ
E T

w

u

FUN"

INTRODUCTION
This book is written for a wide variety of musicians, from aspiring to the more experienced players who would like to get another perspective on melody, swing, concept, improvising, Sight-reading, and general musicianship. To be accessible to the younger player, there is particular care given to range, rhythmic figures, and overall playablhty At the same time, I auempt to mainrnin a high level of musicality and look at improvisation and composition from a concise, simple, and lyrical viewpoint, which I hope will appeal to the professional and more accomplished musicians as well. My inspiration for writing this book carne from my son, Paul, who at the time was ten years old and playing the clarinet. He needed to play some music that was fun, inspirational, and steeped in the jazz and blues tradition. As I wrote the etudes, Paul would play them. As a result, his sight-reading and sense of time and phrasing grew by great leaps and bounds. Many thanks, Paul! In essence, I have written this book as a reduction or honing of ideas [ typlcully play when I solo. The lorrnat is similar to my two other jazz etude books published by Warner Bros. Publications, 14 Ja:::.:::. E~ fUl1h Etudes and 14 Bltu:s c:~Fwth Eludes,'in which you learn each etude slowly and then, when ready, play the etude along with the CD accompaniment. The focus is on melodic groove playing, which deals with the lyrical side of the music: not a lot of hard stuff but rather an example or melodies that draw on the jazz and blues tradition, swing like crazy, and get right to the heart of the matter. I learned how to play jazz and blues through learning by memory the solos of jazz legends Lester Young, Charlie Parker, John Coltrane, Sonny Stitt, and others. This was the musical vocabulary [ needed to get started, It wasn't until [ started touring with bands in the early '70s that 1 began to read books with a passion (all' of that down time on lour buses). After a while, my vocabulary and ability to express ideas through spoken word dramatically improved. In a similar way, my musical vocabulary and playing improved through listening to lots of music and trying to emulate the musical ideas I'd hear my heroes play. This transcriptive concept set in an etude format will allow you to learn the written notes easily through repeated playing, and YOLl will be amazed how little snippets of these melodies will work their way into your improvising. In the art of jazz improvisation, you can S:IY a lot with a few words, l renlize that this is not [he most popular approach in this age of mass volume and instant gratification. But even the most abstract and cutting-edge players have finn roots in melodicisrn, swing, and simplicity of ideas. Lyrical jazz players who have had a strong influence in the development of my own personal style of playing are Miles Davis, Stan Getz, Lee Knnirz, Paul Desmond, Hank Mobley, and B.B. King, among many others.

My thanks In the great musicians on the co: john Riley. drums; ['hil Markowitz. piano: anti Dean Johnson. bass, and I" cngtncerjun Cl1IUS" al Park Wesl Studius in Ilronklyn. NY. Thanks also to Pete BarenBrcggc ami Dave Olsen 'II W,lI'ncr Bros. Publicuuuns, my [mntly Curlu and Paul. and all the grc<1t artists who have lnllucnccd 111)" musicul psyche. EtIit"r: Pete OarcnBrcggc Prnducuun Cuordinator: Sharon Murluw Engrul'er: Adrian Alvarez Art Dcsigll: Carmen Fortun.uo ,\11 eludes cornpnscd and arranged h, Boh Mintzer 19 2000 MINTZER MUSIC {ASCAr) All Rights Reserved

co.

Exclusive

Worldwide

Distribuuon

bl" WARNER IlRllS. PUBLICATIONS.

US INC.

nf the curnpusitluns u] the Publisher. N" pan this lxiuk may be phutuccpicd or reproduced in any without pcrnusslun. Unauthorized uses nrc :111 infringement u]' the U.s. Cnpyright Act and arc punishable by law.

Any duplication, udapunlon or arrangcmcnr contulncd in this collection requires the written

"r

cunsent

wuy

TABLE OF CONTENTS
INTRODUCTION BOB MINTZER BIOGRAPHY PERFORMANCE NOTES BOB MINTZER DISCOGRAPHY I BLUES 1 CO DEMO WIEOB MINTZER CD PLAY-ALONG II SWING IN' CD DEMO WIEOB MINTZER CD PLAY-ALONG III FUNKY CD DEMO WIEOB MINTZER CD PLAY-ALONG IV SWING IN' 2 CD DEMO WIEOB MINTZER CO PLAY-ALONG V BALLAD CD DEMO W/BOB MINTZER CD PLAY-ALONG VI BLUES 2 CD DEMO WIEOB MINTZER CD PLAY-ALONG VII BOSSA CD DEMO WIBOB MINTZER CD PLAY-ALONG Vll1 SHUFFLE . CD DEMO W/BOB MINTZER CD PLAY-ALONG IX FUNKY 2 CD DEMO WIBOB MINTZER CD PLAY-ALONG X WALTZ CD DEMO W/BOB MINTZER CD PLAY-ALONG XI BLUES 3 CD DEMO WIEOB MINTZER CD PLAY-ALONG XII SWING-O-RAMA CD DEMO WIEOB MINTZER CD PLAY-ALONG XIII PAU~S BLUES CD DEMO \VIBOB MINTZER CD PLAY-ALONG XIV MALCOLM'S TUNE CD DEMO WIBOB MINTZER CD PLAY-ALONG ; : .' page page page page 1 3 3 36

pages 4-5 CO TRACK 1 CD TRACK 2 pages 6-7 CD TRACK 3 CO TRACK 4 pages 8-9 CD TRACK 5 CD TRACK 6 pages 10-11 CD TRACK 7 CD TRACK S' pages 12-13 CO TRACK 9 CD TRACK 10 pages 14-15 CO TRACK 11 CO TRACK 12 : pages 16-17 CD TRACK 13 CD TRACK 14 pages 18-19 CD TRACK 15 CD TRACK 16 pages 20-21 CO TRACK 17 CD TRACK 18 pages 22-23 CD TRACK 19 CD TRACK 20 pages 24-25 CD TRACK 21 CD TRACK 12 pages 26-27 CD TRACK 23 CD TRACK 24 pages 28-29 CD TRACK 25 CO TRACK 26 pages 30-31 CO TRACK 27 CD TRACK 28 pages 32-33 CO TRACK 29 CO TRACK 30 pages 34-35 CD TRACK 31

;

· : , :

; :

xv

THE END CD DEMO WIE013 MINTZER CD PLAY-ALONG

XVI THE END TRANSCRIPTION EXERCISES BOB MINTZERIPHIL MARKOWITZ SOLOS

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