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‘TO SHOOK PICTURES te shot pin aking pce is a act in ine in hich something 8 snapped out os oun ie sn rnd neice hd dation leis comma aun that wharves capered in tic act lis IN FRONT OF sh camera ‘But hae no ere king pictures sa act we dredons fours and backward ang panes so "bakin. ” Thien even 0 Tame 9 compan Je a the hue i, sims at the ec in font of hi, pol th riggs, ands wher the Bit depo ihe mul Fe chrowa backwards bythe esl. the phourgrasher, cw, is thrown Bachan conto hin, whe: leasing the shes ‘A photngraph ix nays «double nage showing a ie lcs, i ub, hue aa second lance — amore o es ss, de chin." ape the reverse angle she tur of he photoppher ofthe explosion, this counecrimage comained in svey ph raph it actually cap by the Ig her (xt somairnsomlow increible pte, ss inside impression a che phonograph ‘hat even gst develope within dh dara chemise ‘What shen is the sci ofthe phonograph? ow doy fel ite impact How docs it alc he subj anal which race oft appes on she photograph In Geman ther is a mos rvclig ond Fir this phenomena sword aww fram a variety oF cones: "EINSTELLUNG.” Te ascams che ati i which somoone approaches some pehnbogialy or ehialy ux "Fisclleg! is ak arom fro phocography and fun sigifing bot the “uke” a particle shot adits Fain asl as how he camer is aie ‘ofthe aporune and exposure Dy whick dhe cameraman “aks che pices Isis na eincifonce ‘hat a ein Gm he sae wo sins Ba theaninide and he psue than pros Fry pire inde rors he ited oF ehoerer ook i Sothe oman oi comeypords she photographs pret hac soe oes ile “bind he pct,” ony intend epi ie Cor Be eee. St defne the paeyiphers ATTETEDE revands hater wat in Font of is dor bs scars theron an ye apabl of broking fread and backed ard same ins Forts it des ct “shoo pita balsa conde age shad, sax oF wr of the phrogaphers mind, by looking argh eough hs or hee tothe bo fis fe sa Ves oranda caen sss ht achat the wih carats sia subj in dhe fe pa thee Sowing simulancouy THE THINGS snd THE DSIRE Fee. very second, avewhers in che wold sonveone resis shutier aptaring something because he (or she) i Fncinated by a crein LIGHT oF FACE or GESTURE. for LANDSCAPE or MOOD or siiplyBocase « SITUATION, rants the capraed Te aubjoves of phorography, obsionsy ase counten, ‘multiplied ro infin by every second Sail each and every mumene oF pcturerakinge — wheteverin the wood i takes place isa single evens, gurantee by she incense pages of time, ‘sen the ells of tous snapshots as thas psc ssgned photo opporcuites™ seach a onetineonly even ven in ite move evil and cotmonplce momen tine rein ireesied ‘Whats atanishing with each an every photograph ise sa much that "ewes — as pop commonly chink — be tha on che contrary tite proves with evry prune anew HOW cnucapable aod perpen ics tery phorogaph isa mementos ror phoragreph alls about ie and dat ay “piture capris a sora of sere, rrascenc the eas photographer, sind ees all uma capaci Frey oc i al an at ean ‘os of i From Cin perpen sw toapea, sscling hi incr Fagin commandment “Th sl geen image Tore peraes Irth hase the nce privy a ting pete is "oo go ew be tue Pur jastes welts to ra be oo Taking pears faways an ac of presumpion so ihelion, Taking pe shos ich ns yrae va much es oes mod (vas he reat hy she acide Bragg smc more comma in photogs than she sca of haenbse) hos a camera sors ewe dnstons, Fivwards ad hacked, merging hoe piste so thar he “hack” dishes in the “on, ie allons dhe phorogrphor ae the very moment af ehooving te he fone wie the sabes rather than spared fc the. “Though the "viewfinder ‘the wlwer can step oi of his hel so be “on the her sid’ oF the world, sand dhetebytemeanber bres, understand eer see betes tas hater, and Joe more dep (aad aba denpine mare dep oo, he “vl ear all esse a ll) Wikia every photograph here ali che begin of starting "One upon sme {ser phoraraph ie the iss Foe of mors (itn the next moment, he eat eee of he sce fa ep ahs o Ue subse ine tha