A collection 06 0'1ps'1 9az.z.

Standa'lds, J1J'littenand compiled 6'1 ;Paul /lteade'l
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16
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?:J1an~0's Cagt{e SJ1Jeet 0eo'l'jia B'loJ1Jn d-{one'1guckle 'Roge Oh! J2ad'1 Be 000d !\1ua.,es ?:Jouce A1'I16ience Blues ~O'l !Jke /lteade'l ?:Ja'lk 2'1es Bio'j7aph'1 - 'Robin !\1olan / ;paul 'R!\1CZ d-{istO'l'1 'R!\1CZ ?:Jisco'j'laph'1 A6te'lh1O'ld / CZhe Bi'j ;pictuU
e01tCeptio1t, 'L)esi?1t, /!.al(out, 'L)q;;:, - ;;:'aut ;1teade'l

24
26 28

30
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38
39

40

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2000

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Copyright © by EMI MUSIC PUBLISHING FRANCE Used by permission of : EMI MUSIC PUBLISHING (HOLLAND) BV

15

r A smooth hatzmonic ptz0'jtzession that seems to almost pial[ itsel~./ . ./ . /' '/. 3 ..." '-- ~ II ( '( - " vvv vv " <.p....m./ <... · · ... " v - . . . . ./ / v ./ ./. qhetze is o~ a duet SC'H histotzic ~oota'je shot in Samois Bitzeli's solo is stunnin'j' kJith Bitzeli /2a'jtzene and Bttt. ~otz 6 ckorases. / <. --.." " .ppelll ./. <. I 5 3 255 / / ... A./ 5 '/ / <.../ ! 6856 8 88 /J 11 796 /r----A '-/ 79 99 vv ~ (Play out lick) 3 2 II -.. . . . / / <../ 7 . ./ ..n<jo 'Reinlwldt / Stepha. .Jetzeml[)that is putze poet7't ~ltH( Alo1t~ Af[f[a1t~eme1tt (AABA) "Recotzded at 168 6... IA I J-lead Guitar Tablature / 7"lja. .ne q~a. . I / I " " ./ ... ' :/..John './ A 0 3" /' A 7 6 5 r=+». 4 3 7 . . "Reinhatzdt (in the ~ilm tl7)1an'jo /2e'jacl[" 6l[ '. <.__ · · 2&3. 5./ j <./ . .. 6587 / .. 5477 j ..» ~ A V' . . I I / / . vv./ ". II .. .

step up a ~etl'l to a 4 to the btl'l watkin.') in 1998011 tket» ~I\J'l3 e. 'lhese ve'll[ common in [azx.'li. . with an 2 tind ja.)h the ti'lst 8 btl'ls ot the ckorue.1"1'11. cf{ead il .t qtappdli o R v 7 5 L . . -.e o~ the »tost zequested mon. Copyright © by EMI MUSIC PUBLISHING FRANCE Used by permission of : EMI MUSIC PUBLISHING (HOLLAND) B.. / \.ds ~'Zeat up te»tpo. o ·v('\ ..')the gtanda'ld "Autumn./ j. take necoeded at 240 b. to the second iF-Lita'lh. .~es au /!eaveg".. l\Jolan. this tl'l'lan. . /!etl'ln. 7 5./ . ta6latu'le. out in. ) / > " ) ) " 5 . q.1fplal[ed on the jJ1ihO'l Swih~ with the QJiC-g. in. entitled Y_i'lgt take is 'lecO'ldedat 1926.. _1t is a ve'l'l si»tple phMse ahd should be easl( to it ljOU'l pick up.)ht.') "ShJin~s & ~oun./..." 2- =v» .I'l- C'l) and t'l'f to l'lIO'lk out bit Cil'l.. 'lhe ~obin./ . 'l'do secozded the son.I.. the quihtesflehtial on.::'edalnote thtzou.<[Ohen alternattve chan~es dutlin') the gala in the chan."~'- •.m.v· v . e te'lehCe 6etl'lleehclaSSical musicians ea'l is ')oin. - 7 . '. \. "- . '\ .....damehtlll 6a'lg 9 th'lOUijh to 14 kick ill on the 5th ckouc« thel( itlStatltllf litt the gOh~g d1fna»tic. l\JoIJl'»tbezo~ 1937 . / " r=: 6vv 7v " v. 5 7 .. U T / ..dtISurh. . '\ / Y' 5r-'1 6vv 7 v " ...~ book..Vtti it is still tunes itl the "Cjl[psl[ Swin../ \..'l).. !Jt is the tun.. Soun..~.'l)j{Vt5jo secosded./ .V.totz Second 10 ckosuees. ./ 5 ''\ . _1}1 ckoucses 9 mtd teel that a')ain adds to the intensitu' ot the olle'lteet. /!isten. ~dhha..i' son. .".iment..dabouts... to develop this flkill. " 5 5 A 6 vr--:/ .his is the 6est wal[ to t'lain I(OU'l a'l to telll[ou I'lIhat notes au W'lOn~os.. 6e~ln I'lIlth a golld bagg line and tinigh a#. I N T j11l110'i S h1l11~ s '7)..') dit- to 6e much »tau 'lelia6le than l[OU'lfli')ht 'leadin. to'l 10 choucses./ 5 -.. R 7 7 0 V / Y' 4 7 8 11·5 545678 9 10 (A-6) 16.." V Bass Break "- ) ) / I 0 4 o II 'II 12.~mlent onllf the ti'lst ~uita'l melodlf lihe is w'litten.. 10 ~06in b'lin')g in a second 'lhl[th»t ~uita'l I'lIlth a ghu#le aU accompan. mccsician«. Bass Break \. "g0'l bass pltll(e'ls. _1n. the best khOWh exa»tple 6eln./ ) ) / 7 6 .

I (2) I CD A-6 »: (2) . (1) (3) I E7 XX .("['lack 3& 4 /I1i110'l S h1i11') // 'l)jtllVjO Reinhaztlt / Stephane CJzappelli Intro~ A-6/ 10-6 10-6 I A-6 Bass Break 10-6 I A-6 I E7 10-6 I 1 --.:] I I Solo ~A-6 I A-6 I E7 0-6 I( I I E7 0-6 D-7 ) I(G13b9) 0-6 E7 I A-6 I( I I A-6 emaj7) A-6 A-6 I( I A-6 Fmaj7 ) ( B-7b5 ) Bb7 I I E7 1 Outro~ A-6 I A-6 J I ~ I 10-6 11. {~ ./ (2) 6f (2) Cmaj7 1f (1) '/ Fmaj7 X Bb7 XX (3)(4} (3) (4) I .] II .Bass Break 0-6 I eho'ld ¥ 5f --Ee >( E7 I E7 I A-6 12. Guitar Break --A-6 II E7 Shapes X 7f I...

· '---' I. > . EMI Music Publishing Ltd./ " ./ 87 /~ ../ 6 A 5 . ([he 'R06il1 ./ ". 18.. 55 vvv -. " /-./ . . . v vvvvvvv " " " " " "" " " " " -. " " " " " '" '-- v A - . 1 \./ 7 .. . .~ Guitar Tablature /5 .... © 1932 EMI Mills Music Inc. 607 (AIIBA) 6 ciurucses. I 3r=-\ j "/ .m." '" <:» .z.A claestc 2lli117to11 t une that eume up the essence 06 '}az./ . ~la1f Alo1t~ IItztza1t~eme1tt 1'ec07ded at 140 6...L 3 V 5 v A " " " " " . .'Z)./ 3 V 3 5 'Y_ 3 . " V . entitled "Btuet"./ / '-- . London WC2H OEA Reproduced by permission of International Music Publications Ltd ~ .L"'\./ 3 . ~ A v - \. I " / V 7 / ----. v' j ~ " ./ <.). USA.\1([2 e." . 5 /' .-. ./ " ./ 7 / 5 . 33 33 3 -./ 7 V 5 ._v ) / .( 33 " 33 33 33 V_ \.. " 3 33 ./ './ " 3 ." 5 V "- rr»: .- I · · 7 r: f-- 553 5 3 5 .p. " v " .L_ V__V__V_ --""" 5 .\1olal1 gOI1~ ([tzio recorded the in 1998 011thei'l 'R. IA I ..

< 2)_ {3} X Bb7 X >.ck 5 !Jt I// '2)on f t . C7 X X (3) 22 _(~ (4) I ~ (1) I F7 »:»: X A-7b5 >..I81(G_6 C7 'l'Ul.Eb7 07 8b6/9 07 ~ C9 [8] G-6 C7 G-6 A-7b5 D7 ~ x >. A-7b5 D7 ~ ~ 8b6/9 [6J F-7 ~ Bb7 C9 G-6 F7 Eb6/9/8b A-7b5 ..1letVl A Clhll1~ Eb7 07 'l)uke 2llitlliton G-6 F7 G-6 I ! 1. 6f ehO'ld Shapes x 2) (D_ (3) (D J Eb7 )( >.< 6f (2) >.6 . . 1 8b6/9 2. Y . I 3f (2) 8f )( / G .<.< 8f ... ! I.< x (3) Sf 2) CD I 07 x.Eb6/9Bb x ! 'j (3) (4) j! II I 19· I .

/ (Play out lick) <.../ ''\ 7 I " / 'A r-.j <rr> "v "'. A V 7 9 767 I ./ " " "I V Iv -./ 14 / o 13 A" t~~~./ _. ./'. f \.7 A v Guitar Tablature ~/ 7)1ah~o '\p • 'e e 7 7 astle 5 A " v A 7 A " .411othetz Ohe O~ 'LJ1ah'}0'g a111azlh'j ballad».a little "lUa'je called Sa11101g. ano and. . ~ 10 A 10 121110./. "\.V./ 7 I -./ ''\. "" " '-- 20....m./vvvv "I " I " " - 7 /' " " ..p../ ./ 11 A 11 p 7 976 7 10 A v V . 5~----~ o 5 7( I A V '1 t \. d asl«. . Copyright © by EMI MUSIC PUBLISHING FRANCE Used by permission of : EMI MUSIC PUBLISHING (HOLLAND) B.. ~ecO'lded at 92 b.././ '\. glttlh'} 011the ballkg o~ the Sethe.. Jiead ...:./1112141112 . ... . <. . "\. Ln. . !Jt ts best hea'ld Oh the last 'l1Jeekclld in.}uhe. ~O'l 4 ckoucses . . "\.

_ __""""..< (3) (4) X Eb7 6f (2) CD I xx 6f (2) X Bb7 (3) (3) iL!2 I L . A-7 Bbdim I 06/9 I GIB I E7 I A-7 I 06/9 I 8b-7 I 07 I 06/9 I 18-7 Eb7 I E-7 A13b9 ~ IIG6/9 I F-7 2.....cj .. A-7 Bbdim I GIB A7 I B-7 I E7 I 8b7 I E-7 x A13b9 x e hoftd Shares x 06/9 I 06/9c6/9 C#6/91 6/9 A 13b9~ 0 x A-7 ¥. X x 5f (2) Bb-7 x i~ x >. _ __ -" . . 'R"". ppd1i A 13( 06/9 / / / 106/9 A 13b9 A 13b9 I 06/9 A 13b9 I I 06/9 IIG6/9 1.. x 5f x 2} 07 XX 2) (3)(4) I (D (~ C6/9 (1)_(1) 3f (2) X Bbdim X _(1) (3)(4) 6f (2) i3) B-7 I X X CD G/B xx 7f (2) (3) x A+5 7f (2) x > X 7f (2} ~ (3)(4) _(1} 1 E7 ¥. 'lMck 6 'Z) 1a:h'jO e f eastle ID6/9 A7+ 'llla.dt/ S"pha.".'.

10 . "' " "' 10 / 10 A . ./ 7 "' . 8 / 9 -:» 12 12 " " "' "' 10 . . 60'l 6 clurucsee./ "v vv " 9 9 . 9 . 601 6 ckoucees. d-lead Guitar Tablature /9 .m. 22. © 1925 Remick Music Cor.m./ 7 -.'/ <." ~lalf Second Alol1~ A'l'lal1~emel1t (AB) 224 . ( A 7 79 ./ 7 ./ "' ./ 12 " " '" v 12 A ~ " 'v 12 9 A " 79 r+v .---"\ 79 .J./ " '" / '".j / " "' "' " "' V v ) . '" . Clhe 'Robin Nolan Cl'lio secozded the son~ in 1996 on thei'l 'RNCl1 the "'Robin Nolan Cl'llo../ 12 "" 11 V . zecouied.itst take is recorded at 184 b. / v "' "' ./ 779 V " 7 "' "' "' "' 12 / / " V . / 8 7 10 11 V " " " / "' 12 . 11 10"'V v \./ ' 7 V 7 V .ji I~ One 06 the ~uat [ax»: standards 06 the zoik cent utI(.p./ '"./ ./ ./ '"../ './ '". 11 9 9 . . Clhe Qd-lC. - -. " 9 . 9 V v. the C'Z) entitled tune in 1938 and 'Z)jan~o's solo can be sun~ bl( d-lot Club 6ans aU otJet the W01ld. Clake is recorded at b./ A v / ./ 12 ./ 12 "' 10 . 7 ./ . / < \. 9 12 / 10 r-.p USA Reproduced by permission of International Music Publications Ltd . \./ " "' " "' "' !/ 8 ./ 10 '/ 1~ .J./ 8 / 9 .p.

.~. I I G6/9 I 1 07' . 7f (2) (1) (3) I x (2) A-7 x X (4) (3) 5f (3)(4) I 23.....> I E7 l'A-7 I G6/9 ~ ChO'ld Shapes I t • X 7f 2) (0 I E7 X X x 5f (3) (2) I CD 07 X X (3) X E-7 1 X X B7 X X 10f (2) X *G7 X X . /I E7 I E7 I E7 A7 ... f ~ r II E-7 I*G7 F#7 87 F7 I 87 ~ <This 2 bar progression uses the 'G7 Chord Shape descending 1 fret per chord.----------------I I 2...------------------ I A7 I A7 I I I I '... ...'1"" I :1 SJ1Jeet 0eotz~lil B'lOJ1Jl1 &.e.. G6/9 07 G6/9 E-7 07 07 87 87 ! ] ...

J "\./vv. '-' ~ n ~ " . <:lhe R06i11 .. this II 011tket» R. Guitar Tablature .//76A <r>. " " - ./ < "/ -. 7766575 ./ " ." ././ "" . c/ c/../ ./ 7 ./ vv'.... /" / / - 8 A t: 10 A "7 11 10 12 /' 10 10 12 10 12 V 9 1210 '/ -.Pla.» 7 6 -././ - . ~Of[ I ntro 6 ckoucsee. [axz../ 766 5 V ./ . ..~/~ .------.' / " " .l[ Aloh~ Af[f[al1~emel1t AA15 A) ( Reco'lded at 160 6. / ) ./ 86 . / ../ " ./ ~~5v=: .N<:l2 ./ · · .m.r-..1ats Wallet An titled Amezican Btuet". . '" . classic that the J-(ot Clu6 de ~zance SOI15j pla1fed Nlth so much C7:) el1- chazm. '" '-- " -./ '. ( / J "\../ "" "' " ' . '-- " 7 6 /' . "" "" 8 ./ 77 . "./ / " " .. / 86 V '-- 8 .Nolal1 <:lZio recouied...p./ .. USA Reproduced by permission of International Music Publications Ltd • .. \... - - )1 I I © 1929 Santly Bros Inc. . / '/ · · 99 /. ./ '.

./ C7 vy x 4f (2) Ob7 X X (1) 3f (1) I F (1) I (1) 2) (3)(4) 3f (2) (3) (3) (2) 3f (3)(4) . ~ IIG-7 IC7 IG-7 IC7 IA-7 I Bb6/9 Bdim I F6/9 e hO'ld Sha pes .ats Walle'l 18]~ G-7 ~IDb7 ~c~V'-~ I C7 C7 C7 I F6/9 I F6/9 I Bb6/9 IC7 I ) II I [6J II F7 IG7 I F7 IG7 IOb7 I Bb6/9 IC7 ) I 07 Alternative chord changes through the A section to be used for solo's. /// C7 J-lo11e1[S uckl« 1'ose I C7 IF IG-7 l~b7 12&3./ I r- I F7 Xy 3f (2) ./ .'luick 9 . y./ G7 ../ x. Bdim X X (1) 7f (2) I x 5f (2) A-7 X x 5f x 2) I 07 (3) (3)(4} CD I XX (3) • . F6/9 X (1) 8f (2) (3) (3) (4) ¥../ II li1!! 'H G7 - V Y .

/ .m... .Nola"..N\C3 II Y-otz the eoioist .. I'\./7 ../ " . I © 1924 WB MUSIC Corp Reproduced by permission of International Music Publications Ltd • .p. 'v r=. . \Chat NiU tet the patzty jumpin7.. ~otz 6 ckoucees. . "v A 7 '-- " . / / I I """ - :/ ~" . 8 ~ II I II. 12 A 10 9 . \CZio zecozdSNin7s & Rounda60uts ~la1f IIlo11~ 1I'l'lal1~emel1t (1I11EII) Reco'lded at 152 6../8 / . '.A 7uat old standa'ld Nith a fle'lY suspect l'f'lic.. Nhen the soloist Na'lmS up t'll( a 'lJ 'lJominant 7 ~edal tone ~otzthe ~itzst Y-m 16 6atzs. .. ~ J-lead Oh ! ..z. 10 8 -:» .. 10 ~ • I 789 A 12 A . . '" 10 A~"'/V """ 7 8 9 10 7 /. <. 10 /' . 11 ed this son7 on R. 12 v11~ "v <. / " '" ..1 12. [6J I 12 i gg I i gg i ~g 12 12 12 12 12 12 av 12 12 VV .-. I 12 /' <. 10 8 :/ :/10 7 . .. \Che R06in . "- / - A 7 ·10 A V' .eadlf Be ejood Guitar Tablature A.. P'l07tession that can 6£1 ~ound in many tunes o~ the" SNin7" e'la.. ./ I -- ./ ". the last playout phtzase 1f • is the same as played on 'lJjan70l07'f (pa7e 14)./ 789 . base playe'ls. \Che chmd sequence is a classic jaz.

< )_( 0-7 1 X )_( 13b9 G X (3) . 7f (2) (1) 3f CD G/B X X xI 6f Bbdim ~v Ii' 2) (1) (3) (3) 2} (3) ){..'lMck 10 [8] .i' I l . ! . A-7 xx Sf X • J Sf 2) (3)(4) 2} (D I 07 X >.pes l X C6/9 X l I 9f 2) I (D (3) C7 / ') x .dl( Be tJood I ~G6/9 I I II C7 1 A-7 107 G6/9 I G/S Sbdiml 11&3. 01. I G/B 12. Bbdiml A-7 07 ~ 10-7 G13b911 [6] II C6/9 A7 IIG6/9 1 C#dim A7 I G6/9 I G6/9 107 ~ I 1 I A-7 c:hO'ld SIta..ea.

" 8 <> 6 A' 5 / I JurArE] : 4 A. ./ . -. V 3 3 . p. . 6 A' 5 'V_ 4 A· 3 V 3 A II) Errrrri 6710987 6710987 / ~ " v < \./ .. " II U / / <:» ./. 3 ~ '" A v Ifwrerl - . 458646 " / "./ ../V." <r-. . 'Recotzded at 156 II [8] / Guitar Tablature . 28. Copyright © by EMI MUSIC PUBLISHING FRANCE Used by permission of : EMI MUSIC PUBLISHING (HOLLAND) BY .m.L_V . 6 5 / " 4 A. 60tz 6 clcoucee«.Cltzack 11 ~lalf Alol1~ Af[f[al1~e111el1t(AB) 6./ "" """" If I [BJ 6 Fir 5 5 4 3 3 " '-- If erlEFI 10 89 ~o 87 8 r r p[JDrOI II r 8 IrE I 6 7 6 6 7 9 7 ID>< 10 <> I 6' 5 4 3 3 IfITTerl 11 errrrr! 6710987 0 A V 17 WErrEI 45 8 646 '\ ( A..

¥.-r- .0 1\ei11ha1dt / Stepha11e 0MppeUi ~Bb-7 / Eb7 / A-7 Bbdim G/B A-1 BbdimI G/B I I Bb-1 Eb1 I F#-7b5 I B7 Ab1 I A7 [8]IA7 II Bb-7 I Eb-7 Eb7 Ab7 I I II I I I Eb1 107 . ..I C.(4} (3)(4) li~ .'~ . I A-7b5 07 I I I 0-7b5 G1 F7 A-7b507 Eb7 i' I *G6/9 I I I A-1 Bbdim I G/B 0-1 Ebdim I C/E A-1 Bbdim I G/B A-1 Bbdim G/B A-7b5 X < C 6/9 is the same chord shape as *G6/9 and this identical 2 bar sequence in C begins on the 8th fret> C6/9 I G6/9 I G6/9 I I C-9 I Bb-7 ¥ Bb-7 Eb1 '/ I )(.~ .\CMck 11 [8J N Utl?eg I A-7b5 D7 I G6/9 I I A-7b5 07 I G6/9 I I E107 7)1a11:. ifI " E- ~ A7· X X D9 xj 5f 2) _(32 (4) ~ 1f (1) '" F7 ..: G/B CD X >:< (2) (3)(4) (3) _(3)_ 0.p. I j I oj . I x 6f (2) (3)(4) (1) 6f (2) (3) x 5f A-7 ¥. 6f (2) x Bbdim (1) I xx 7f (2) x.< D-7b5 x 3f (2} '. " l I -r.. )< I (2) ~ • (3) 6f ill Eb-9 X >.9 (1) '1/ 2} (3::.

/ rx»./ /.j " ./.('.> -.v/~ /.p.r-:.'" A .'/~/.." ' .. .. " 8 9686 vv '\. 333 . 1 './ .ahd the t une is still a hot club 6a1Joutziteto this da'I' Guitar Tablature ~lalf IUOl1~ Al[l[al1~emel1t( AABA) ~ecOl[clecl at 148 6./../ ('. '" /.. "'. v " .././... I I I I / 12... tOI[ 6 ckoruees..& 3. '\./ '" '" '" '" ./ t' " 1 1 '" 1 ...-. J A V I I 12 3 3 A 5 '\...." "'J ./.1 V ".('.../../. 5 . .:. Copyright © by EMI MUSIC PUBLISHING FRANCE Used by permission of : EMI MUSIC PUBLISHING (HOLLAND) BV .../ . ..3 2 3 6 4 3 5 3 " "'''' "'"'"'"' ~ . 11 '66 6 4 43r---"'./v 7 7 77 . 3333 "r=: '" A . . 7777 7777 7777 T [8J ~ IrrrfIl IrEEm IEErM 17u F F r II 7777 7777 7777 7532 /3 ~ IIrrrA ILLLM IrEmn I rrmft I ./ A v "U I I 30.m. 7 A 6 A " "I1 /1 v 1/ V .. . IBI 6 '././('. / . 1 '\././ .7'V"... /. /. '/'- ./ ./.. 4 3/?\'.... 11 LI:] 7 /~/.

( G-6 I F/A I G-6 I 07 . D7 r- Bb7 ¥.: Ij < This 4 bar progression uses the *07 Chord Shape ascending 1 fret per chord. iI Ii . X (3) (2) (3) 4f 2} (3) (4} .-&3-.6 \/ ~ (1) (3) 6f (2} (3) 2) (0 CD F/A xx (3) 5f (2) (3) (4) I ~ Bdim X ¥ 7f (2) iu I I ~ C-6 X X (1) 8t I ~ Ab7 ¥.pes / E7 Eb71 Db7 .--------------- G-6 ~ [8J IIAb-6 I Ab-6 I A-6 .i' Ab . I e hO'ld Sha. I C-6 I Ab7 IIAb7 07 ~12.1 Bb6 Bdim) I ~ I . IA I I Bb7 ~G-6 / / / I D7 I G-6 I G-6 1.6 ¥. ¥ 3f / G. I I X A-6 XX (1) 4f (2} (3) (1) 5f (2) (3) I./ .q>Ulck 12 Introll D7 I Eb7 I Eb7 I E7 I 07 I F7 > I II . I Ab-6 I F7 (F7 " ~ I Ab-6' E7 I Eb7 I D7 I ) "- I A-6 ~I Sf (2) *07 .

/ ..t9 ~ ~g~/109 . . . " " .p. Sounds toioaxds the end 06 his Ij ca'lee'l. / -./ " . J{ead Guitar Tablature 910 ~ 10 . . '/ . " 9 ~ . ___.... 'v.m. a 6ie'lce ve'lsion a couple 06 'fea'lS a'jo on a C 7) 60'l Son'f entitled II 'j'leat pla'fed 6ast !! ~la1f Second ./ " "./ " " / / \ /' 65475 vv . V '-- Copyright © by EMI MUSIC PUBLISHING FRANCE Used by permission of : EMI MUSIC PUBLISHING (HOLLAND) BV "-J (' /. vV v· ./ '-- 9 ~ 'V ./. " " 7456767 / / . .9/ L' 87 9 ~/ ./..z.. " ". "' " V 8 " 108108108109 . mo'le exeenstvebs next time a'lOund./ " "- / '" .. / ./ ../ ~ 10 9 10 .... at 6. 60'l 12 ckoucses. :}az.. -... But We NiU deal Nith 60th 06 these 60'lms 60'l nON it is tmpozt ant to 'jet 'f0U'l 6lues t ane tctote sevesal. " / '--- - <./ OUTRO / " '. ./ / . / 1. '". 60'l 12 ckorasee./vv / . """"''-. p. . Clake is zecocded."' . 7)fan'jo "Rh'fthm Chan'jes'./ ..9../ .. 9/..~ . '-- ./ A" ./ " ./ '/ '-'-- ..4lo11~ Atztzal1~emel1t 200 Y-i'lst take is recorded at 164 6."J . " . has 6een de6ined as the comin'j to'jethe'l 06 tNO 6asic in'j'ledients.Cl'lack 13 &. t"'. :}imm'f 'Rosen6e'l'j laid doson././v 7 . 10 9 8 . 6lues and recorded this Sinti"./ " A" '--- '-- - -.J ./ <.m./ " 6 10 V/ . ·v .. '-- I V V' 910819---. 0 '( '.. 14 A 12 614 6lues Nith an inte'lestin'j tsoist: Clhe p'lo'j'lession is in 'l A and uses the and the sec- mafO'l chO'ld instead 06 the conventional blues seventh.. Clhe 6i'lst is the 7slues' ond is 0e'lshNins doscn. c»: ~./ . . ..

..'l'lack 13 & 14 Blues Y. 2f x 2) F#7 XX (3) 7f (2) (3) (4} (3) (4) .' 107 8-7 107 IE7 A/c# . Copyright © by EMI MUSIC PUBLISHING FRANCE Used by permission of : EMI MUSIC PUBLISHING (HOLLAND) BV ii' " .O'l jke IA IA (A F#7) ~A / / / IA \ IA 1 . >{. c.I 1 .. E7] I IA/C#CdimI8-7 ChO'ld Shapes A X (1) 5f (2) I D7 XX (1) 9f (2) (3) I· (3) 8f (2) (D I >.< 8-7 ¥.

~ / .p.ded at 196 6.{ ahthe»l. 10'[ 6tlSS pla'fc'ls 'fou can initiate sesio as hatz»lonic teneion.p. /.ea'lh it ahd add 'f0utz ONh e»l6eUishmcnts. ~otz 14 ckoucses.!.. 13 /' /' 9 10 A V' P - ~ t9' . . .}aih it »ucst: 6e pointed out that the »lelody is zecouied kese in it's moet si»lpllSt[c ~otz»l. Mit'f. vist a- !. /.ea'ln to unleash it sklll~ua'f' 'l:Jjall'jo s. the 0.m.(1's. 10 A 19 19 19 \.( li# the 'loot 0# Nith a 6tzcathtakih'} displa'f o~ top tli'}ht six st'llh:. ~tzo6a6l'( ohe o~ the most pop."'Roseh6etz'} Clzio /. hJhich 'fou should have altzead'( come actzoss on "/hino'l /\Iolan Cltzlo zecotded.an. eheck out the e'l:J <:ltzaditlol1al l\Joitzs.<:ltzack 15 &. Clhis device should hot When takin'} the head out 'Ro6lh pla'(s the classic ascctldin~ SNin{ (pa'je 16. 10 A 10 _'\. this combined. / " " " " / < III 11 /\. . 9 10 .lav AlO1t~ Atztza1t~eme1tt :fi'lsitake Second is secos. Otchi Clchotz /'Ji }fa. 16 'l:Jatzk 21(es. ( .e~}feux ala: 2U'lOpeah ~olk SOh~S o~ aU time.l in 1992. 'i)a'lk 2tjes . ~otz 14 ckoucses.Just like" /hihotz ShJih'j" this SOh'}sounds ~tzeat pltll(ed up tempo. A. Clhc.) 'The 'Ro6in bas« line pushes the Oh'j'S d'fha»lic to a climatic end. 9 V 10 .lnote 6e a6used. 11 A.Ja~~ 'J-estitJa./ / Guitar Tablature " . "- .!./ ./ " 11 r-.ive" at the l\Jotzth Sea . /.m. ~la'f it ih as\ the sh ahl( di#etzeht positions Oh the '}uita'l heck as 'f0u cah ~ihd.!. <:lake is zecozded at 240 6. 10 r-.!. ?'.d{ead. 011 the 11th cho'luS 'R06ih tnteoduces tle ~eel ~'W»l the second tzh'fthm ~uita'l and. the son'} in 1996 all tket: 'R/'JCl1 e'7J "'R06itl /\Iolan Cl'lio". 6'f pla'fltl'j an A ~eda. . Nith the 4 to the 6a'l Nalkih'j th'lou'}h the ti'lst 6 6a'ls o~ the p'lO'}'lession.

<7'lack 15 & 16 'i:)a'lk 21fes ~ <7'ladltlol1al ~ A7 / / / IA7 IA7 I G-6 10-6 10-6 IA7 I G-6 I 8b6/9 I 8b6/9 I I 10-6 10-6 ./ IA7 :) G6 I / (1) 3f 2) C~ . 10-6 10-6 I A7 c:Ito'ld S Ita pes ~ 8b6/9 .