....

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I'll II

II

The Choro Fake Book
Second Edition
42 Selected Brazilian Chorinhos written in Lead Sheet form,
and including some duet parts and obligados

E ..

..
~ ~

S Itt
~

.. .. .. .. -.. ..
t

Music by Pixinguinha, Emesto Nazareth, Jacob do Bandolim, Zequinho Abreu, Heitor Villa-Lobos, Ratinho, Andre Victor Correa, Abel Ferreira, Waldir Azevedo, K-Ximbinho, Radames Gnatalli, and more .

,. ,. ca. iii· -" ..
,. " ..

200

2005

4

The Chore Fake Book
Second Edition
znd printing /
2005

Table
1. Ainda Me Recorda
2. Andre de Sapato Novo Aquarela do Brasil Assanhado Ave Maria Benzinho Brasileirinho Brejeiro Carinhoso

of Contents
page
page
22. Lamentos 23. Manha de Carnaval Vocal Chart 46

""

..
Duet Lead sheet

1 4 7 8 10
12 14

50 48
51 52

3. 4.
5. 6. 7.

24. Na Gloria
25. Nao Me 'roques.; 26. Naquele Tempo

27. Noites Cariocas
28. Odeon

54
Lead Sheet 56 Obligado 58

13/60

8. 9.

16 18 19
22 Lead sheet Duet Lead sheet Obligado

29. Os Oito Batutas
30. Proesas de Solon 31. Receita de Samba 32. Remexendo

61
62 64

10. Chega de Saudade 11. Chorando Baixinho 12. ChoreL 13. Choro Negro
14. ChOro N° 1, "Choro Tipico" 15. Cochichando

66 68
porque choras?..........................

24
26

33. Rosa
34. Saxofone,

29
30 32 34

70 72 74 76 75 78 80
82

35. Segura ele 36. Sempre 37. Sofre Porque Queres .. 38. Sonorosa 39. Ternura 40. Tico-Tico No Fuba
41. Um a Zero (1 x 0) 42. Vou Vivendo '"

16. Delicado 17. Doce de Coco 18. Fla-Flu
" .."".................

36 38 40
42 43 "." " 44

19. Flauta, Cavaquinho e Violao
20. Gente Humilde 21. Ingenuo

Duet 84 Lead sheet 86

Acknowledgements
When one tries to learn music from a new or "second culture" it is essential that you be shown how it's done from the real guys. The printed page is not enough. I'd like to thank my many teachers, players and friends for their help and inspiration for my continued love affair with Muska Brasileira. Marcos Silva, who must corne first, Susan Muscarella, The Jazz School in Berkeley, Dennis Broughton and Rich Rice who put together the incredible Califonia Brazil Camp, Carlos Oliveira, Ricardo Peixoto, Claudia Villela, Paulo Bellinati, Arnoldinho do Covaco, Harvey Weinaple, Claudio Bebiano, Jovino Santos Neto, myoId band members Brian Rice, Jeff Sanford, Rick Elmore, Steve May, Randy Johnson who played these with me. Also the many jammers, collegues, friends and students who make my life full of music. Thank you all. "Even the little fish loves to swim."

Notes on the 2nd edition By popular demand I have brought out this, the 2nd edition of The Chore Fake Book, and finally answered the pleas of my B-flat friends. Thanks to those people who bought up all the copies of the first edition, after two printings in 1999 and 2000, and wanted more. It is because of your enthusiastic response that I decided to, once again, break copyright laws and illegally publish music to which I have no right. This is NOT a gray area, but flat out fucking illegal. So, please, go buy the real stuff, as I have. I hope the publishers accept this plea as free advertising and don't sue my ass. It's really all about the love of the music. Shop online for the following, available through www.brazmus.com, www.acari.com.br, and elsewhere.

o Melhor o Melhor

Do Choro Brasileiro, VoL De Pixinguinha Cademos de Chore V 01. I, 2

I, 2,

3

Principios do Choro Vol. 1-5

What's different in the 2nd edition There are 19 more tunes than the 1st edition. Although not all the new tunes are strictly chorinhos, they are typically Brazilian. A few tunes have undergone rewrites, most notably Brejeiro, which is in a different key. There are chord changes/corrections and some formal changes. Measure numbers are now in boxes on the top left of each staff. There are no block chord charts in this edition. I've found that people capable of playing chorinhos would rather look at the notes anyway even if they are only playing rhythm. Also missing is a selected discography. I own over 600 Brazilian CDs now and a discogropby has become too big a progect. And finally, some chord symbols have been streamlined. As always, every effort has been made to layout the page and make it readable for "old blind guys. "

Notes on Chord Symbols In reading and writing lead sheets for many years I have felt the need for a more concise nomenclature for certain chords. The m7(bS) has always seemed to me to have an unnecessarily clumsy name, not to mention 6 (!) separate marks on the page. For this reason, the following symbols, which are are not my inventions, are used in this edition. I hope, they will continue to be used by the reader, and others publishers so as to further advance the evolution of our musical language by employing more powerful and concise symbols.

C"
C"7 CA7 Cm(A7) C+ C7/4

= =

Cm7(~5) half-diminshed seventh chord - C E~G~ B~ or
Cdim7 or fully-diminshed CMaj1

seventh chord - C E~G~ A

or major seventh chord - C E G B

Cm(Maj7) or minor triad with major seventh - C E~ G B Caug

-

or augmented triad (raised 5th) - C E G#

=

C7sus4 or dominant seventh, with suspended 4th - C F G B~

If you don't know what these symbols mean then please support music education in the schools at ALL LEVELS by electing representatives who do not treat music as a frill or luxury. It isn't. It is essential core curriculUm.. Music education makes use of parts of the brain unused in most other endevours, and makes better thinkers, builds self-esteem, communal activity and socialization, not to mention the joy of the music itself. Without music and art education we now have rap, country and graffiti. The talent continues to be present but needs to be trained. So, take a theory class at your local community college, get online help or lessons from a qualified instructor. While we should all have learned this in school when we were young, it's never too late!

Ainda me Recorda
Choro 07

1
Pixinguinha e Benedito Lacerda

Gm

8/l8/04'RG'CHARTS

Ainda me Recordo F/A ~ IqF F~ I {J Gir7 ~ i~F r~ C7/G ~ 3 ~ I 2 ~ ~ J 3 ~ ~ I [)i. 2 .fJ l~ Gm 2 Gr7 ~ p.7 C7 Fm " .

7 C7 ~b~ . D.I p. n:u ] I!rrr~ I! fl!J ) I~ : ~~~~ r r r rr oi>lF I)m6JP ab7/D E~ sj7 C7 Fm ~m71E~ ] G7/D J B~m6JD. al Coda C7 ~ I i . /G 7 Fm Db7 1 t1-1 Gi>s r JJ }lJ J I) C7 Fm E~7 r tr i t ItJ A~JEi.Ainda me Recordo 3: 1)1.• (B") r lJ UJ r A~ ~ 11 ]l ill t e.1 eFJpfjl efJ.1 ·~-----------.r. 1 !~j r 31:rr'r~ I. 11 F >~ 07 >0 Gm7 1""\ C7 0 F~ 07 ~ r-.S. \ r rr 76 Gm7 i l~ efJrljl ff:)~r. 3 .

.-- I Gm - • _-_ Om I - . ......: v ~ ...C... ... ~ 1... • . r. .-' ~ _- .--.....-I - .. ... .. . '\ Tl L_ . • .~ I v "" h . r- ... u .... Gm ._ rrr- T.i c: _. ""II • No Chord .4 ANDRE DE SAPATO NOVO DUET Form: AA BBACCA Original 07 ..... -_-.0 Fine r_IIIIIII r- • * 07 Tl . • r.. ..-:::I ! - '11_ .:"".- - .... .. ""'" . ..J -. ..07 "'\ v ~ ..-I .III Cm • I I .-. -__ . ~ I IL h. ""'" I.. __ .."T ....- I'"' - -= 07 Tl_ . . - • Cm • • -...... r.. _ r.-I - . . 1\ I I-' .-I - ...-I Cm -• - . .. _M_"'t"'" N. ~ 'eJ -.._. .Ie I-' r- - @) 1\ 'eJ 11-' I Gm -.. ANDRE VICTOR CORR~ - • • Duet line .. To coda :.. ""II • -J-...

P. al Coda . 2 .S.ANDRE DE SAPATO Novo 5 Gm f1 B~ D.

..11 11 11....... I I _ - • • f7 ... -. • ~I 5---J ~ h . - • . • ~ 1'...-1... ..- ...- ..... .. IIIIi • r- • ... I . ~ iii.. ...-$-Coda ~I .. tJ ... " "t ~ II I ..- ~ • ~ r_" ~ tJ 1\ ~ h 11. . tJ " - p----------. ~ " tJ 1\ I • . r- . .....j- .•. - ... . .... _..1"'" ... .h.. . _' ~ ~ L G~7 .tJ - 1""'_ • f1 _.. . 3 ..- I 11 _ . ..-I.~ -..-Cm 1""': "'_ .- ! .. . 11 • Cm ._ • .....- • - .111. 6 P..em [J i• .. . f\ I .... t"": . . • • . ~~ '=t ... [1 _ . A - .. . ... -f7 . alFine * 07 ........ .. ~ -... ~... I . ...... _ .::................ CIQ.• 1\ 11 I •• . _.. .ANDRE DE SAPATO Novo J- !!""""'T (£)~ • • .- ... - - •• • -.. =-r - C7 j . • .. - 11 I ~.J .._- D. .S... ...I • ..

.

8 Atp. Jig" I) 3:: ~ ~I: p Q. &t F F+ Ed J J J I n Ij (Jdil:::.}#J ~ 1 samba rhythm f6 J. Gm G JI F F+ C7 t Ii :11 F FA7 f6 Af.f9..1 Samba Gm7 !lot or C7 Gm7 1£ va j I' C7 Gm7 Gm7 '-.freely Gm J€J SAMBA ~1'a~!€ Ary Barroso ' jlSjOJjJl WEtJI 3 3 Etr ~1EJi:n 1r· E7 F r=tr7 . Intre .. J I: .07 Gm Gm7 Gm6 C7 f6 Jlj ~ 13..1 I ~ Gm Gm 7 j I F F+ f6 s.1'e€9._/ j r I QJJ ~I v'" C7 Gm7 C7 C7 f6 A~7 E).: I f1 Gm Gm+ (E~/G ) .

m7 ~ · (tit ~ •. 11 t_lJ II ~ Gm f6 Gm f6 "-'" . itP~JI JJll VutO... ~ I j IJ. ~ I J J Ilia ga I ( f6 f1 E7 E~7 07 Cm6 To E rt I JJ..• • • : F' 2 - . J5 I j I J.D 07 Cm6 07 I ! I). :. . - J. ··..-~ i .. J ~ J I f3 J 3 I t I).•.JJ17-#a'l"e1a J" Gm6 ~'l"a~il 9 ~ Gm6 :1. • ..l~~D: . ·. ~I t g.•.n! D7 em6 em6 tcctla.1 I Gm7 GmfC Gm+ C9 f6 .

zDI ¥ Zrt zi)r i· ~ .. F#m M..~. fl !I' t!!.J.JlpJl. z~I' zDy i· rc.. [IJ ~f7:1 eJ A 6/9 Assanhado Jacob Bittencourt "Jaco do Bandolim" r..-= Jl1 y IT ~"I.r.. rr -r I r JIrCit AS To Coda A7 '~I i· -r-r. $ :11 J lW11 fiE r ! .e. riB E7 07 .10 £ if. AS 1\2. {>tJJ ! tt I) .'I r zh. B9 IJ j' £] n ~llJ tt iJ -$-\1.h!: r A6I9 I Original version stays on A6I9 through out section.

.•...... ~ -~ ~ ......•~ i# f dID 1)til t tiCEE .••..Lj E . ~ ~ B~ . ~~W~ ~ lI '--" ! . 2 - Assanhado 11 ~ . ii..• '381 < fi if ! bnn tT tl I cf Ej'ijlJ~yjI r ~~lJJ=1. EnOr UiI!err jj tt~1 ~ ~I ¥IJ A6 ..T2I r' ~ r=. I G7 C7_ p.

.---. 1":\ I fit Am7 * Ctl 1# _. G6 G IIJ ~~ I E7 07 ~I~ Ij Am FFIUF Fie rr lUFF Ie rr I IT Em 87 G6 at FF IF rr 112..S.HU:J nu ~I (~g@f ~IJ 91 ~ Em 87 191 Am? Em Am Gil gJlF I i. a1 Coda I 371 11.... 87 efi (Ir UI r I .. ~# LUI (==IF t ~ If ffil lill:J f2s' U IJ B I (IF Am 07 2. IJJJ:llt_JJtt2!1 8/8 f04'RGoCHARTS .G . Em G l#F~J IJFF IF iF IF' IJJWI].:11J. To Coda Em Fine -$. Em D...12 FORM: Intro AA SS AA CC AA Ave Maria VOlso-Serenata ERODITES DE CAMPOS Slowly $#! j j F F n It> I I~ Ie I (at ttl fit Em E? Am E7 Am >.

.

..... -.I 14 F JACOB DO BANDOLIM If at - ti:: . ~ .... I ~~~~~~~ '==========:d t -- r tJ - 8{3/04·RG-CHi\.RTS ..

•...:~: . " rn1B •••..':'~ P. 2 Fil07 BENZINHO 15 07/A Gm11 GmIB~ =iji'38~~~r~~~I~fE~~~~I~ij~~~II~j~EJ~7~ . 07 " ~ Gm G~07 fS/A F6 ~it WI i ~C7 '1 '- (bPt (bTl I G7 r F 07/A G7 '.. c !- I .. rr-..•••.•...#&0:1 r: Rl07 Am7 Gm7 1 I r C7 f tJ J II if Gm11 f7 ?tr GmIB~ l[ . .. .~II: r • . ~~F ..••...•..• :....

.....1 i Y CJ I trw/pc 11' € (1 I tLlp#r AIm F#m . j C .. 1 j 87 * . ill] 07 . I Ij G i Err I C· Em 07 J ~ C J .16 Vamp G 07 Brejeiro ~ G Ernesto NAZARETH 1863-1934 C· d. s J oJ . OJ I r G G 07 F IT J . ! C· 07 . I IT A7 Ej r I C" 07 .

* p.Brejeira (to Minor] :111:~k P)J?jlfijPjI Gm 07 * 17 :11 . 2 .

J ] I f CIE Em CIE == Em6 Am E7 Fm6 I r C z-:- C7 C07 l~rZ .18 "PIXIN GUINHA" Alfredo Vianna G7 C6 C+ C C+ Em6 J t.

_&I ~ I F" ~l . Om~C :~ 1 :( ~=F • iEtLJtr ~ E7m j ~ = .. E~t11) 'I..CHEGA DE SAUDADE 19 TOM..67 .A _I r h V r E7 Am7 .1 A7 - -- _I I Om >.._ .JOBIM J- - - E~.. ~ J- __ . ~.

Om Em9 I * ..P..•.. :kJ~ 07(:>9) i---~ . A7 I I~~Q r OA9 JI r+-: (r j E 1 I IT pr C i= f l f\. 2 - CHEGA DE SAUDADE a.. Em9 8/3/04·RG·CHAR'rS .IEf~=t f s r>.~l~ A 13(b9) A7(i>9) 1)07 .. . ...~·..

21

~IOr ft~of ;1
B7(k.1 ~13}

F'#m9/B

roo
r [tITn d1 [ :TtJ ;1:£1:1 t ~lr1J
os
~B7 87(lts)

[)619

22 2
Form: AA BB A CC A

Chorando Baixinho

n ~II: of r ft H er I Ji- q J#Ja I J2 J J d J ij]d\
~ Om

o

Serenata Choro Abel Ferreir<\ A7(b9} &7
Om

FIle

B~E

F7/A

\

-

~ rn

, ~ ~ f#' ,
B~7/Ab A7//break

m 1st
'.

A7/G

ff[

A7

f tIl 5 tr
A7(k.I) Om

Om

Ba7

AlE

E7

,

,~W I Po f f Pc E m 1\
,r
i

_ ,.,_

~

Om

rID

~~ trWiisW!FIFS'
AlG

t~~
AT

fjbtt~tl V "Isli
Om

~.

f7/C

B~

hkFFTttrl:\
~!

t

Fl/A

\

G

'1

To Coda -$- 'I

'\

I

m I QIr: rI Eb tJ I ~F t!g @51 kL d g ;JJ 9 II:\
A~oFiIu!

e!>s

~

eh ~

* ~\

,,(~\

V,III
.,',,"-";'_'.-l

::"_"_-_'::.:'

p. 2 - Chorando Baixinho
Br;PIF

23
A7(P9)

J ,) ~~IJP~fiJJ]I~JtJ]~~) ~)llrrctEfb/1 r

E7

E7(P9)

Am

Om

D

sUr &rr err I fl ~~=I P JJ jJiJ JI#fl:-~ III
A7

A7

0

Gm6

Bm

F#7

87

87(1)9)

Em

a ciEr 6t I
D.S. al Fine

Gm6

f#J ~
E~

3

11. D
I

r

11

2.

1 Jj ; :11

r ~ qJj ~ II ~
Om

0

,•.

.* •. ...

Fine 8~ Dm/A Gm6 DmIF

-------

rit.

24
Form: AA SS A CC A

,~! [t ;l1WltJjUI ;0;11:
~ F
G7 F Am

A

Chorei

...
Pixinguinha & Benedito Lacerda C7

tftiitlG1!lWI
Am C7/G

F

!]J

~~ OrElyCUI

jfEtCrCtl

E7/B

ArnlC

E7/B

jfc:;qCbF!,1
A7

!JJ3PJjl
07

[]]

~ ~ Cr

F

i~O btl t _r, r U I b tr t[ r ri I ~ j =J~jJ J ~ r
G7

1

1

IFCerf~#rfl
A7!Cl1

Om

A7

ij

~tJ J 'j J ] J
Om ~

Am

j

1

oS lel , E ~ r I, F#t r If: ijr #r r I i 'EM~J J ~ I

E71B

2 . F 25 i r C7 ! ib FEEber! rr Gm ! j J JJ j D..S. alCoda \ II ~ 0 7 Gm& 0 .C h 0 rei ..p.

. .- --.-. -~ 112: • F __ oIf_' _oIf- • • " 'tJ "':cY • - C7 .'" " ..-- F III.III!"'" AI!!. - .1.... -It ...... eI T -. -II'" 7: '" " tJ .. -.• III..:-1 .: v T ... . " 'tJ cV Am -... .1 :-I .... 11 • .. 'tJ ~ -~ ..* 11 • To Coda ...-. ...... :-I F - fU .--1 26 Form: AA BB A CC A Chorei • • DUET . ..100:.._ _'. :... --- . -... Pixinguinha Fo Original -... "tJ :ill -._ - - • • ..-To Fine Gm • • _.. _ Am '.! rn:1 :i T -'I..... .: -. -!~-I"I - -• -.. ....... - _ -.. -..--- .....--~ - ....... .... 1 ~ .- .. :-.• .1 -...::.. L_ '--' -J..-.... .... . G#dim7 101_ ---...... --p ..y •• -...j -• • • .. --- - -.-._. ~ ... --.. ... v '"' " ~ k r-' tJ I!!!. r-" ~ .: 0 • Duet line ~ fI ...... :.:..-._". .... .. -~ C7 -...~ -...._ .--y -(. ".... -". _ .."..-- F II T . -~ .. .. -. F . - I -1'7_- ~ 11 u..-.. ~ _111- . ..- --"'-!.v I{ ...... F ::! C7 -.ot -: _.. .... II 07 loa 11.....: if -ij- ~" I.. . ....0 ..... - ... ~ •• fill!' - - .. . .. -u..... ."-r-" -r-" ~ @) "" I. .".. .- - -- . _...".. ~ :- !- ~ G7 11 -II . • II.... -:-I • • --... .... - E7 ».. Ioo_o -• _ r-' -_ _ __ _"t- E7 -_ 1IIr-" .. E7 -. --... • • - ... _.... ~ - - _ & Benedito Lacerda\ -:. _.. F .. A7 .: . _ -.

... ..! "'------ A7 Om • • ..--- . .Om • _ 11 11_ III_ • • E7 .. . ...... ..... • ... .. .~ -- ·S/IS/04·RG·CHARTS . .::..- •1-41 - -"11 .. " iii .... .I - . . .C h 0 rei. '\ 'f) " '" II · ..•. I ..r- -I • J- r- - 11'-..... ..-• - • - A7 Om III. ..a !!III' cJ& ../.tJ - I _ ..-l •• l' . ....... ..iiA 'tJ ..-. .... 2 .C7 ~ . l "'\ . ... . - .. ... ... • .I I -- tI g..~ II lot.. _ 11 11_ 11 • ~ r. ..I.....1'": -~ I Gm 1 07 G7 Fdim7 F 1 . .r ~.• .! - - • • !FA .. • tI "'--_ - b. _ ~ J..:....' ...... • .r- \.. • ~11'L 27 ~ • • -~ Om lot._. -.. . ~ ~ -.A :: . f) -•-... ~ • Am - === - - " Ir--.. " .v f) .-... ----r- .. . .. • • .! r- "'Ir- • ~ -• "'\ ~ • • r- Om ...--. I. ...... 111_ .. Om ..-.:...... ~ ~ f) ....A p...... "'1- A7 1 11 _. J ~ "'" . .11 •• 11 • • ~ -"- I _~_v...:..

.. _I!!I .I 28 . ..{__ _. _. g[."'oIfl"'" • e!... ~ J- :- I"'" ~ .. :r-' - 111__ "'I"'" [ "' . ...... - _L ~ _Ij 11 E~ C7 _. .... -.. -' 11 .. ..... -""" • _I'·r ~. . ~ I->.:--- --- .._ .. ~ - B~ -' - - Gm . C7 ..-I E~ C7 1oI_' .. C7 f7 • ~ 11 .__IIL". "!I- -' . I"'" """" F -_ I"'r Iof' ~ . I"'" I"'" D7 --. I" B~ ~ ---' Gm E~ - .-. " I [)' 1 .. _v " ...tJ . .tJ L ..-.. 3 . ~ I"'" .. • I __._.. ~ ...~ oiL f... <:»: -_.... ~ __L_ .ft- ~ ~ I tJ . . '\...... _l"'"_. __ •• • <:»: . ... f7 .~ 11.l. I"'" . !'l'\ ~v tJ ._ - _~ 11 I"'" . DS alFine e. 1 --0 11 "'~ """ 11 ~ - _ . _..Coda ~ W p.. .. _.... t 1". .. ...._. .. ft_ 'tJ cY: _'..-..... 17 @) "" J h 'h _.I -_.-=. l.' . - 11' .--... • • ....y [)' I 1"'"11... - -11 I ~I II .. :J...__ Tl . • .C h 0 rei .. - - • .. & -" - . ~I "-1 ~ lL I->.:::..... I r--• I"'" _. ~.. ..L II->.. - ~ 11 'tJ I - B~ -.. I ..l1li F I I"'" ~ _ I"'" -- --- .. * r _j - ..~I ~I ... - ..

" . • .' fl- = '~b • .. =.-:. G6 Om7 G9 CA7 3 1~~ .. 1~~ • • Gm =.w " • P' II: itJO'1 ~ Cm6 Cm7 Em7 lID C~7 8m7 Em7 i ~ ~ or r:r i J 01 f J S ] r ~rj r 1 Em7 G6 F7 89 B~~? Om7/A Gm 8~1F Bm7 6/3/04':RG'CHARTS ~·:::::':::'i:':::.....I ... . it (I) Choro Negro A~m6 Gm Cm7 29 ~ B~m6 . ..~ DFJ~JJrJ#a~j.. ... .MAI =i ..

"Choro Tipico n a Ernesto NAZARE1H 1920 ~ 871F# Ij' J!W ti ai 87 . r A7 C" . C EmIB • tJ J • ---.1. r C7 I C· tTt I C· J • ---. I'" - - "11 --- -'-i E7 r.30 FORM: A B A CC A Choros .~ I Em - ~ Fine 100 1111 . !'!": IJ.___ - ~ .No. IE' Em A7suS4 A7 ~JI..

·. 00 E6 E+ E 8~7 BlA EIB C#7 . r F#mIE A7 I c· r"-"r ~I = ~r r ~7 BfA • fl..·ii3·.··1 • r I' E7 Dm7 G6 r G9 ~ 3 J • EJ I C· 07 C/G • .i..· Ii... J ..·· .····.···.-.mn Ir r G'I ~ . ··································. ····.1 \ .

. . t- t- - - -.. - 87 -tJ 17 - .........-.: . "Choro 'I'ipico" ti Ernesto NAZARElli 1920 Heitor Villa-Lobos (1887-1959) obligato original ~ D~ .. _ "". - "lI E~ ~ i· ..... -- .. • . ... aJ . • aJ .r I __ ...: .. 'v tJl I' Ir_ *' ~.32 FORM: A B A CC A Chores . • A7 L_ ....- - A 7/4 _.. .:-........ ~ . e.. t- - ~ - ... • • ...tL L EmlG - .1. I "'-1' ...j .r. I. rr .. vt.. • - .~ rreI -fL 87 _o t..... .- 87 &/ ...... tJ ~7 .:1T . 4"- __ --..r- F#7 _.-.----..No...... :.- .. t:~. .. Ir~ 'l. ~ • . . ..... • .~ ~~ ( (~"~ IT__ \ . --.~ 7 .r ... t- 'tJ r- .• E7 . el •• -w ..

... Chore Tlplco . . .....p..... . .. . ~ : To Coda-$Fine Em p C/G . oiiiA..2 33 .. • • . ~ • .a...... .

L 1'1 0_ '/ ..---...- - .jt .....l (" \ G7 -11'-~ ·f.. . Io". •• ~ @. r':\ _.... #' ~ ..J._--is: •• Eo f. i" ~ oil: ill'Ullill' ill' ~ C .. • • • • .. ~ . F fl _..---._....__--L....S.. 07 - --. tJ - ---- A7 r- _.34 ChOro Tipico • p. _ D.-I r r- ..I.. . C/G .. L Om 07 r- ~ fl \ @) - - C/G • . I I •• . r'\ r - _n A~ ~ . "' ~ .. ::.J!. I C7 r- _._ ~. r-. L G7 L ~- 1] r- • . n.... --- E7 r- _..-..J. U r'. r- - . G9 •• r- - •• - r- I r_ " \I •• ~....~ r- - 1'"" .. al Coda r':\ ._ A7 I Om7 - ~ .. -I ~(_r ~ 11 II L_ -' - r\ :"l .3 r (\"tJ ~ rr ~ r :1!:_ _£ \ I ~ ~ I ---. .. • .- n • .

al Fine 1":\ • • E • • .4 -(!tCoda 35 BfA E6 F#mIE E+ C~m AlrnIE E+ D.Chore Tlplco ~ p.S.

.. Joao de Barro. e Alberto Ribeiro --I ~ I . . Fb E7 .-----------.36 Form: AA BB A CC A r7l F~ E7 l!!J Cochichando CHORO . ......iiQpa II:12lP £lLW gO r lj i1~!I VcrS Om A7 Om6 Am E7 Gm6 A7 &7 ~ Pixiguinha. .aJ~I QJOgOP-ttrijJl~!1 r tPt j Om7/C E7/B Om A7 A0.r--------A7 Om 1... @] ~~4...j I 07 Gm .~__ D7(1s)/A~ Gm E y67 ~ IfiR£f11 To Coda -$ToFine *. ~. .. __ .

p. . 2 .S. afFine F" E7 Eb7 II molto rit. af Coda Y~:II -$-Coda If fa iJ~~ I! ~F E!!!!!! Eb l~ 0 F~ I D.S.Cochichando Fdim7 37 E7 Am 2 C7 • 1 1 D.

rn ."_ ~ ~~~~~~~~~~ 1 lID Am "1 ~ V E7 .38 Form: AA B AA B Coda Dell cad 0 Ulalll.

J~IE Am l I Am j j '... ~ t_r A7 I j ~ V E7 Am 't ~ I 't r ~-..pJ J J I JO 3 J ~ Om I J Yf.S.. 2 ..A7 I f Om I j P j J1 I . Om j A7 V j J1 l Om j r~ BY Am To Coda .]1 ~!!! Q .. D. al Coda " .1~ p..Delicado Om A7 Om A7 Om 39 ~ ~ ~ ~ I 't ~ 't ~ I~ (= Fr j l' I J E7 == 47 ~ A7 ..

.. ·.....• ~! ..d .•• 40 G G/:l Doce de Coco Am7 07 G GL~l Jacob Bittencourt "Jaco do Bandolim" Am7 07 Am(tJ) Am7 Am(l17) Am Am(lI..J r G .......-.. '.1 .i ...7) Am7 07 l' i' Gm ~.....

.•... I .m_Coda 'IT - - : II 1~t9 Gems G"'" .•..•. ...... . alCoda I .noce de Coco 41 • • # II: ::w I J Am7 ]IJ 07 iJ ------1* ...• :.•... 2 ..J t E7 l12...•• 4@Am7 ~ p...£]:11 J D. G / GlJl G Am7 07 ..••..r.S.E~ i II .~~..

42 FLA-FLU Jose Maria de Abreu i .

# :~135~~~E~6~~~~~~§§~~~~~~~R~m " " " " D. 2 ..C. '" • • • •. . 0 9 .Fla-Flu 43 . i@J1 G D.C.~ iii iii j . • .. .. '1 II . alCoda 87 J¢3JJ II :l~U . • .1 • i25l 1 2. alFine V .• ~ p...

. Mesquita A7 e O. I j IJjJJ=JjJJO f07 ]Qt!JJ J J J j 3 J ..Outro c. . Cauaqumho e UlOlao CHORO '~i Intro/Outro FORM: Intro .A .- G9 # ~. II t J 9 C E [1 173]a 1 ~ & Om Om liJJ~ Ep A7 toFine * II 1~ ~m mI F I J 3~ j r Gm JI tip J @ RJ OJ Gm A7 To Coda -Ell- II I Q IIJ 43 A7 F JJJP J C7 E Ii Gm C7 31 ~ 1=#07 i I C7 ) ~o ~~ tJ F ]J.B .. Barbosa Ji Gm.~ I r.44 Flauta. r F I IF . ! : . i .A ..t • :I I r r F J7J C7 A quote from "Brejeira" by Emesto Nazareth I r * ....

j ~~ ••••. j F I o 0 a 7 Em7 11..... F A7 A7 DIAl p7 Em Em7 "r rt I .Gente Humilde 45 Garoto e Chico Buarque t f rI r r j r arn6 Gm6 or C. r~iJ J 0 I h r hE. I t_j 0i] 0 87 Em7 A7 0 I j j j r j j j FI E7 A7 11 D ~I t F#m ~ q] P II: J J J J j . am" Gm 6 LJ J J J I j j j r ' r.•. [ID DIAl f07 Em Em7 Gm A7 jf ~JrJ I ~ ~r A~D7 r t .r I j . j r I O-J J 10 J I j j .. 0 Ea7 8f4/04'RG'C~ . . F 58 Ct I A7 Gm6 t. r U I U-J J 10 J I .

... C ~t$r~j~T~r ~II GmfD F ArnIE n9 en U0 At.... {r J ~ t b 1: I te} 5 TdeEr B~m7 .. Pixinguinha & Benedito Lacerda • ornle E7/B OrnlA E7/G~ . ~:1~1 ~r~~g7 ~PI~J~.j~J .....46 Form: ABC fA) D C DAB Coda I Om t$~~i~r~-~[Er ~~E....

a/ Coda .*rtrll 1*-1 f\: C7 D. ~ ~f~ iJ )1 EE tiC G7 II U1JJj)Ef em ct7 1 y q£~.C.Ingenuo 47 (£) - B~ID 8~ r ~ G7 . 2 .p.

. .....d7 (I W pEJ y Oqrfl:r::tllJ)!J al G#m7 C#m7 F#7 87 E7 Am7 07 .....1: I "-\'-~! .j .. ..I 48 Form: Intro AA B A Coda Lamentos Pixinguinha [ill 'L~~ p7*1J C#0 1=#7 8. ..

'... aiiif i ~ 7 Am6 87 i Em(A7) i t=4J A7 Em ifJ 07 IP 1JJ J lfg :ltj j! t d IJ ' ~ Am C7 Em &7 G A7 87 D..... G G71B i i C#dim7 GID Em7 J pJan]]! r ! G tq ~ G71B i : i . tJ~.... ! p. 2- Lamentos Am A#o7 49 : I 8 C7 87 Em J=1] ~I J=. .alCoa! 07 11 ~ i 1 J J idS..J @I I EmID EmlC# ~ 1 £. . !~ ljjJJJ! [§I] • Coda i C W ~! A7 iW JJ 07 07 I r 19~ ~ i ..' JJ ii . .S.ft? iFf].'.. .'..

50 Form: AABBACCA Na Gloria Ary dos Santos & Raul de Barros ~ litu E rr pEs}] lJ ~ ~ sir @] F#dim7 Gm C7 crbEtrCFfEJ~ B~ ~ F c+ ~d JJpFJ At) fa !I~j rtFU'-tr11 Cf4 erR btl F c- F Cm7 f7 Bdim7 j[ Na fiE r ~j3 ~I bEt ~ GI0 - Gm Gm .' fE -J.I 8/16J04'RG'CflAl'lTS .~ la (6 lft~ Om .

51 D. ba ba ree ba" 61 r r J j I Ij J jj ~ iiii Edim7 II~~ II -. 2 .. I @) & o II:I>~b r: !I . .....~ ... . al Coda 3 J -r- C7 -$- __ -' - I -. p.C. .Na Gloria Om l.... r !c r :! "Hey.

with my dreams .52 Manha de Carnaval from the 1959 Brazilian film "Orfeu Negro" lr Am sing ?'" 2nd x ritard.

.II ::. I'"'" " ....r II l.... •• - r- - . [$ I iJJJ HI J J J ~ I E~:(trf11 1(...I • - .~ r...-~. . \1 zne -Am i1T --.... .• "\ - - • t.-• -..v tJ .. -m _ m 1 I I I -r ::....."._..I_ ·Am . I ~ ----=ffl (E U I ~j DO lOa 01 J E7!p A A V D I1. "'.... iI!'.....A ... I....

54 FORM: AA BB A CC A naquele Tempo .

2 .p. m I ~ 0 j If h " " =l~ J~ I J J j EIt ITr~ If L I' §'''ii li@$ajP J " E7 Em7 A7 Em7 A7 D A7 " 0 A7 • _I 87 0 Am 07 G Gm6~ 0 I ......S.Daquele Tempo 55 :1~JtprurtEt 1 . . It It ~~~ . ../11 /3\ Gm7 A7 Om D.. . alCoda ~~ ~ . . '" = 1 r k [ r . .Jffl c"11 cr~tn 5CrT[-.---. . .'. ':'/>.. .:"'- 8/16/04'RG'CHARTS ~~ .. &u I E F ci 1pa I d J J ~.. 26 p P F A7 Om 07 Gmf'3"'\ i J'j •.

56 8/16/04'RG'CHAR1'S .1 ! .

.

58 Form: AA BB A CC cadenza A'A r:1 &.~ .~ .#. I Jl~~I~ J ~ UlJ 0d eon B71F# EmlG Gil'" Am E7/B --~-I :S' Ernesto NAZARETH ..~ Em Am ~. or E" :f I t' ~{ : I Uti.~ .Efjl: ~. .

EmfG .

07 07 To Coda ~ G6 em6 l~t'tf{{fjfJ.J:CEhq~ ~ ~ ~ 07 (!oS) Gm tis.IEEEfIF * It l IF * IC'J) II 8IlS/0S·RG·CHARTS . al Coda G G6/S l#rrtFurrIFrr.d.60 - -- - -- - -..

~ :S' G Os Oi!? Batuta! 61 aJ II:~ ~~ VI ~ Eli &Sf I Or i U 07 Pixinguinhal C7 I~ ~ ~ pi .• ... i ..~ .....

1.1=j: ~~~. .1 .~~ ~ 1::_ ~r'k~r~J§Y~~§~~~~~I~.1 ! 1:1 .~7lS~~J ! i. 1 8116/04oR00CHAffi'SfIIIlil ..

alFine ~b1 • r If L r II~~ * Fine l~ F 4~ J a' ~ II S/16/04'RG'CHARTS . :11 j I B~ C7 D. 2 .p.S.Proesas de Solon Gm 63 A7 Iy J a ~J tTIJ ] [r f[:!J ] 12 F7 Om ~I If C1 II~~ y 2 ~ E:.

64 Jacob do Bandolim .

8/16/04'RG'CHARTS * Notes from m64. . b2 through m67. are originally one octave lower.

!--r~ D Bm7 Em7 BOTH lines .66 REMEXENDO Intro [ t ~ #q !~ A7 OS/A [.

8m • -iJ • • • • • • (I Tlr"r E7 ~ ~-r D7 • • \Jv ~v rG Eo A7 "'-. al ~oda rgJjJII:~iwul ipnJI#JjiJqtJ!1 onJ~1 07 G A o @) :'I~ it • • • It :4# ...s. 8m I F#7 1 2. • j]JaF G I to' r F7 :lj r • f "l J tis.. !:r== A7 11._ 8m ~ ~ it _!!:_!l__ .J J _ J ri - c#7 r I I I I F#7 ..67 Em73 JjJrrrl A7 ]I 3 • .J _J . alFine A7 J II~ II .-oIID.l . ..

:. 1 ~i"::.68 Intro/Outro Rosa . 00 ---------- Ii 1 J J J 3 I~ Fm6/Ab Q~ J J a If A7 $ Jj I &J r t C/G I rrr ! r J? J . ~ JJ CIE 3 JJ J IJ J d 3 J Jig J ~\ ~ Gm7 C7 FlJl F6 ~~.:~. ~7.~ ~Tfj I iI i' Om? U G Is+7F G7 i ~ JI ~ II j.fJJJ3Ir F - Fm6 V A LS A Pixinguinh.". .] C \ F I.JJJJJlr A7 I Jj . [Ci. 'i.:::_::' .. : 0[[j ~ \ £) C @ I._ _ :...

S.Dm6JF E7 1J]8A f) lair] t :~~~~ . ij ~ . iC 3 a 141 aiA i] I Am I II J= J r" .71 -$-Coda G7 D.

.

Saxofone. porque choras? 71 [£] D . 2 .p.

72 Form: AA BB A CC A []] G7 ~ J ~ j (f rJ I r j r C B~7 A7 C rF I~ IB [r Pi I .

...... •.§c ~ 1 c' ..•.·1 •..• .. )C.. at Fine * Ilg Fine :11 ~..• :....Segura ele G7 ~ C ~. 7 C7C7 C7 C Jj j 0 cr Ct I 0.. 73 Ii 1"fl nO~1 r t Iiter_Erijl ~ Om . 2 .•.~Q err: I bE E1 e g lite! n 99 I fJ 35 {j=l! ·.. !J J 0 I I f liS 112..•..p.... .•.... ... F1 L r r r I j rEtE r T r I j 56. : . F 'i 8/17/Q4'RG'CW\R1'5 F F A7 Dm f1 B~ D7 Bbm ~rficr U (t Fj I Or fi {J 51-I F 07 Gm C7 os...

tl]Jgl bG[j~J)lbbiG~.74 OJ ~ ~ [J]]cr V I ~ i A F G7 'r bilJ JgIE. C$ n Ja lit 5tJJ J ~ I m CHORO Sempre C7K.t~h~jl . F Xtmbmho __ [ill F Gm7 C7 A07 ~~ iJ]]SE~[~1 Ert.

K. Ximbinho 75 .

..' 81 I 7/04'RG'CHARl'S ._ J pV ] I 00' A7 Om I j I..76 F F !Y _j in-J ]! r ~ Fm F !._ n &fJ ] I ~lJ 0 E 1 G Gm9 It t~ I r A7 07 IJ~lJ aL)f ] fiB I~ I lID q/J j] I r' G(add9)· V . ~I.

lI . 2 . i .Sofres Porque Queres B~7/0 07 I J it<J ---- j I J~~ a I Gdim r 7 77 I 1 I \ .p. -= ii II II I' '1 Li 1 . 1 i i I * Fine l~ 3)' ~~ ~.

J§: ~~J ~~ > 1 . - --I .1 I~ ~ ~ 1 em 07 ~~& r -) Cm J J #J 0 I m7 me F tEo la.lJ [E TERNURA :s: Cm m7 m6 m(~) K-Ximbinho ! . I .) f a £ kJ I ~ 071>9) II : ~===tS~~k~~~··===Ei~j~~~1 ~r~~"..1 II~ .\ ~ ~ ~ ~ E[ /~f:~1£J~=E:1 ::=ij ==~I ---------- :1 ..'!-\ .78 Slowly [) F:" farJ)II: t.\ .~~J~O~ j~~j~ ---------m(A7) 'f r :1Ti ~(I<cr G7 G7 Fm m7 m6 ~ ~ . bPICit G7(l>9) Fm7 DB G7 I) iUI 4~ ~ G7 ~ ~~~~~&§~~·~·~f~j~~~I~r>~~.1 G7 If r:J: 1.'1 t.1 m(~) m6 DB G7 ~k& j -= tr J ( 3 r J • I) ~ iE .

p. al Coda ". E~ c~" :11 D...____3 Cm(wg) IIYf~~il J I) II . -== C7 nocE11! B~7 §rF ~ ~~Jjl~c ct~ \ 1. 2 - TERNURA 79 Cm m(t. E~ C7(1)9) fiE J G7 1 1-= 5"rr.7) bE b ~ t Gm7 I J -='= £<J t'r m7 m6 ..7) Cm7 " F) J J >& J ) I §r F G7 Cm '"" m(t.Fj cr rr I r A07 B~7 "" == 1I r I L 3 E~ .S..

~r ci0 ~ Am 1m ~ r E7 E7 Zequinha Am F7 Abreu E7 I~ ~ P ¥ Ii ' Am II tift I []] ~ ~II:tJ -a i J #0 ~ I .AA SS A CC A .. J #0 ~ I tJ ~?.JlJ J 0 I 1 E7 ~ Am 8 f 17 f04'RG'CHARTS .J i~J J ~I i] ~~ Jail ¥ Am In lAm ~ JJ] ¥ J ~ J I ~J ~ .80 Tico.Tico No Fubll Choro Form: Intro.

D. Ei~AtJ leI (C ~/I jb ~J .. alFine E7 If J is J II • 8/17/04-RG-CSARTS .rlll J J d • ..- ~..C • .Coda C G.S.. .J ~ ~ E E 6 I C. • Ei J J J ) .7 ii . al Coda I i i~ qq .S... i F _-- .. ~f..j3..ll.. tJ i !t F I i Ot e f 11 f r ft f f Fit • ~ y I i I c w u r CJ Ft7 I C go E [1 I t J Om i rc 11 :r I .. .. J / (c) ..' 2 I I A7 ~ [ ~E [! I (E at ~j 311 J G7·C 14 ~i" J D.-. 54 pC! .p.. c. .. . G7 .. 112. . 2 - Tico-Tko 81 . !! • 14-~iJ~cF tt (i t-J J ltd J) . r ti .

r [§J Ray' OR 2.E[} II: L 1 G7 F Fm l!J Choro 0 Ime l'E[} C C PIXINUINHA&BENEDITOLACERDA I (lDE:r 07 G7 E1 )J ! ~ [J l~Q J I c: J~tr:.82 1 x 0 (Um a Zero) rA'l ~ FORM: A A' B Ace A' ~i w C C7 . go1to mts Ij Jic C . G 120G ~ (J?U )! I' G7 i i~a~lt ~i. W I (r J ( r 1 yhZf I r y1?U G7 11.ITrt~rr Ifrrrr=] rttr~€~r£lll G7 a r yleu )! )! G7 II .

j I .-1 1 F 7 P rC7 ~ :..s. 1 I ~I "! ~ C7 ....al Coda F A~7 - Gm7 ... - ~J~ --...G G07 G6 fElt to fJ I ct L1 (reI I ~ri Et nr GIF G7 IlJ#]S cC Am D7 aI lurr~:r·rJ I D..r ~ ...- • ..

--Am - '" . --...I I ... "":Il ..._1'"\- .. fI. Ii: .. - j-3 f.. I!ii...Iiiioo.._.. c .I fj II ....----~ - Am . • -- •• • II" I • J .I _fI.. .....-fI... I""" ..84 Form: AA BS A CC A Original '" '" e.I ~" .:. .-- . -"" . • It• I I"""" .. tJ ~V '" . ~ =-'v . .... tJ ~ _Ij . ~ • I . ~ - E7 Duet line r. .... ._ • J- - ._... - I *.....-~ - Om . I ~.-.....I . • • I - _J!! • .. C!J ~y . u• I ____ . ... ~ .I • :iIj ~ I ~ ~l v• l' ToCoda -$ To Fine Om G7 .....! fI..I • .__ I '" ~. ..7'f1 (j) tJ II Am -- _ .~ . • ..... eJ ••••••• • ~ 1'"\ Om r...• ...--11. Iio: -......___ • (\Dm ~ - - it. ..._. I .... c -'" ' Vou Vivendo Choro-Serenata Pixinguinha & Benedito Lacerda • .fI. - - 'It.~ It• =:.. . " .. ~y- C!J - ~ I • " 'e.-41 - B /18/04·RG·CHARl'S .. .... "" • •• .. -. .. 1"":- ~1""'_l"'"1""" .... ._ ~ __ eJ iiiiiiiiIiiiil 'tJ -.I I 1I ..-~ 1""' ___ ----~-...I ~ em -.: _v " u_ 11 11 -___ • 11 ..I ....:iii .iIIJ I""" -1 .--.... F • ~ I I .I. _.. - - -• .I • Am . I C --.- _ .. ~ . II .i...I - -_..-! ~ II.........It....r .

-. al Coda Am Am . F A7 _!:I - 11 • ..p. ._ I -_ .c... 2..._ .1 j 3- 4J I1 r "V tJ '" II"""" -C ~ -J 1- ~ . I .._..... ~ Ir _j '"'- .-I if! ~ "'~ rJ " .-. ..._.."" «:» .~•.:I --- rr_ ! 1J • rr - I • • :l~~~~~~~~~~~~~~~ • • • • • C7 F F A7 07 Gm D. alFine • • I ~ GmT F It ~ t t t t 8/18/04·RGoCHARTS ._«:».._n. ... '" lL I ..._ • .. . - You Vivendo 85 112·D..• • :r~~~~~~~~~~~~~~ • 1.Y .. -. .C. .. L ._ tt..... 07 OIrr --_rr _ rr -J Gm !II' ...-I !'I.

86 Form: AA BB A CC A ~ []J Vou Vivendo Choro·Serenata Pixinguinha e Benedito Lacerda ~ t~6 E 11 err!. I err rtJ I J_iJ Am E7 F ~I * ~ine . i C G7 E7 til n F .

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