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39 Progressive Solos for Classical Guitar (Book 1)

39 Progressive Solos for Classical Guitar (Book 1)

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TABLATURE

EXPLANATION

TABLATURE: A slx·I:lne slatt that graphi:caliy represents tile guaar fingerboard, with tile top Hne Indi'cating the highest sounding string {high E). By pl8ici1ng a number on the appropriate line, the :string and fwel 01 any note can be indica1ed. The number 0 represents an open string.

~~~8~;~~~1; _~ign: ---------,,------1!::.-.
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3rd .lringG 4lhiatrlngD 51h .Ir!;ngA '61hairing- LowlE

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I----------I--------+----~------~ 1----------lJI----------I--------+----~'-----..j ~-------"""""-------......... ----ii__-------'an e>pen E chord 5th aulng. ard 11&1 1sl ,Irllillj. 151h frill, 2rnhtrln;g, 15ih Irel, played IQg&therr

PERFORMANCE NOTES

Stem Direction and Rlght-IHand fingering: In music of two or more pans, notes with
downwarc stems are played by the thumb: notes w~th upward stems are played by the firn9'ers;. a note with a double stem {up and down) is played by the thumb. The letters p, i, m and.8 are used to specify which rigJhthand fingers are to play the indicated notes (p= thumb; i= index; m= middle; a= ring).

Barre: The letter C and accompanying Roman numeral indicate which tr,et ~5 to be barred by the left-hand index finqer, A dotted line indicates how long the barreis to be held.

String Numbers and left-hand Fingering: Numbsrsinsids circles indicate: on which
string a note is to be played, and uncircled numbers Indicate whic:h lett-hand fiingers to use (1:: index; 2 :: middle; 3 :: ring,; 4= little).

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CONTENTS
7
8 11

Study 1 (Aguodo) Study 2 (Corcassi) Study 3 (Carcassi) Study 4 (Carcossi) Study 5, (Corcassi) Study 6 (GluUani) Study 7 (Carcassi) Study Study 9 (Giuliani) Study 10 (Giulliani) Study 11 (Aguado) Stuldy 12 (GiuliGni) Joyful; Joyfull W,e Adore Thee (Beelhoven) Rondo (Carcassi) Alillegretto(CaruIIJi) Waltz (Carcassi) Maestoso (Giuliani) Scorborouqh Fa~r(Anonymous) Vivace (Giuliani) Estudio (Carulli)

a (GOIrcassi)

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20
23 25
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28
30 33
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Grozioso (G~ulliani)
Alleqro (Giu'liani) Etude (Carcassi) Loqrlrno(Iorreqo) Moderato (Giuliani) Study lin A (Carcassi) Bouree (J .S. Bach) ~ablatur;e Explanation

36
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CHERRY LANE MUSIC: THE PRINiT COMP'I\'IIIV

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EXECUTIVE: Michael LeflellS, President; Kaihleen A, Maloney, Director of Customer SelVice; Len Ha~dle'r, Creative SelVlces, Manager; Roc~ SiambBrg, .Advertising and Prornouon Manager; Karan DeCrenza, EXe1::utive Secretary: Karen Carey. Division Secretary, MUSIC: lMarl\ 'F'hOilips, Director 0'1 Music; Jon Chappell. Associate Direcior of M",sk:; Steve GorenbeUl!. Music 'Edfror; I(,ervy O'Srien. Music EdlWf~ GordiOn H,,'lb~rg. Director, Mus[c Engraving. ART: Ker5lln A. Falrbenc, All D'm.dol; Rosemary Cappa, Art Aselstant, PRODlilCTION,: Daniel Rosenbaum, PlOdUClMon Manager: James Piacef1tilllo, P'rod'l.lclion Coordinator.

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J I T . Internationall Copyright Secured A~I Rights Reserved 11 . -. lnc. ~.. l~ 11 IJ I J p ~ i . .J i I r -o- r" " " ~.)fl U 1-"1 a i I I ..I I I "II -.. " ~ .> " .J . . .. _!_ . I I I I - I f 'n . r' ..) .-'- \ )11 Ii ho 1 . I ~ mf '{ r 'J rr II p - r • " r. " ..r ..f .STUDY 8 AJ'r. ~ u. fl.'...-. .I .I .~ . r' n - . - " " ) This Arrangement © 19'9'1Cherry lane Music Company. . .J v . Ben Bolt Matteo Carcassi . - V r f - V n - -_I -~ ..J I' ~ I ". • . OJ r' .. J j . I 2 t a 0' ~ I i...I I J ~ II JI I " :JI . '\ ai . Fine . ~ H . Fine - "1 m 3 t . }fl tJ 2. I I I I - r' - r ~ V r - .. " .. I II I II I I mf I ~ p I r' ~ . I. .. F" '-' r " " "I . I I r' .. ..L . " .J.J .. !i- :r-r o I I - J I o 1 J I I - n n h - =r ..

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.._. I This Arrangement © 1991 Cherry Lane Music Company. '! m a m u G p K ~rl u . I I I ~I l m i I j 4~ '"I n 1 t I a[ t I ~J l n u 'I 1 tll I I J.~ <I .. a '-I . /) P ·C . u --. IntemaUonal1Copyriqht Secured All Rights Reseirved 25 . " " . n n 0' _. ar.. i .. - v I I I . r 1r Ipp • n. ~~ ar p " 2F . " I 1":1 Ip P [ ~ U[ P rv ar Ir ar or 2r I : I - I p . '-' ...- j-O- p p P P P "\ a . I .~0.. . Inc.MAESTOSO An. + " Ip -l p o~ p 3"'" v " -0 T.. i i ~A i . a " ·n . Ben Bolt i Mauro Giuliani.' " ~ .. ~ " I I I I ) I ~ t... I "1 ur: p :I .

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r .Iu .. OJ r _ (I 1 . . r V ~ ") '" " " OJ 71 OJ • ... o~ 1 . ..1 Ii II 1 2 :I~ .Reserved . °1 """"""'" 2.~ V I n i r " n... ! 1 3~ 1 \ 12 o :I: ". ..ll.B·OUREE Transcribed by BEN BOLT (1987) 0 J. ~ r 1 '> C l!. tl~ OJ ~~~ I r I• ~' '] • " tI !I .. rr " '[ " :1: r 0 . o~ 0 :< 0 4 . c ~ .. . S.} .. rr . v " " ~ " n " " n ~ OJ " OJ " " )11 1 1 J. 1 .j 1 - r.. International Gopyri. a °1 :In #r 2 '0 3 . _ °1 II .. iu I I rrrr 1 -v r :3 0) r . I 1 ~ '_n I'U n ~ " " " " " 'II . 0 0./11 ~. Inc. .. ' I ~ l.ghl Secured AIIIR~ghls .. 1 '" 'T Il..2 z 0.'_""'" . ~ LC " " ~ rJ r r :3 _ OJ j n _n. .- 46 This Arrangement © 1991 Cherry lane Music Company.2 - 4.-. )..".1.:i ~ I 11 ~:-. ._ rr rr " '_ rr .II. " ~ " °1 ~' -. .. Bach )/\ t) I u r elI J j :I: H '> r 41 on t (I ~ : en 1:1: " III 'I' urr rr 1 2 rr on 1 n " " " rr .

_ .!:t _" £.._ o~~ r r I I ~ 2 3 1 a .~ '11 J. u " " ... OJ rr O"'___t _v r~rr = o 3 1\ i 0 rrr ~ r:i " 0 3 ® 1 3~_ 31 n-J . I I I ~'r r 2 i "~ rrrr ..: _-"- " " -" .. 0 .. ~ r . ~ ...~ __ --. " v ~ .. V ~t r #r ® . --..) It! J..I 1 l H -.... u '" ..... L . . II ~ j IlJ or. ro "\ .lJ 0 0 (ell) G! r-1 3 I J 00 °1 r0 v C . ftj r ® 111 ) 2 °rbJ "- 3 ~( 0 ~r r I ~~- n .. .. . U " v .... CVII 3 J. II ... ® 3 3 a_d . .~ . ( • _v \...I lOr-=.. V . I .J. _.. "'_ _<l v OJ . . rz _. I . ~ ... U 0 13 qE:~ ~ ... 4.. ~ I r' q~ur~ 2 lOr " '" v A... . F' . 1 #r . '- r .... 3j r7J . -I 2 I "r-. ~ u ~ - ~ . .. 1 . I - - :) I~tr - r 1= . ~ ~ I I " CII __ ~ - I ~ I )1\ J....... J ~----. v r - r#.rRr~r r I 1 ~1 2 I r . cnr __ - . .

wiith fine tone. He is also Professor of IS~N 0-89524-682-1 5'1495> Cherry Lane Music Company." A Panama reviewer stoted' . 9l PO. where he teaches all styles of guitar. cortevoro invited him to attend ~lne1974 International Guitar Seminary in Brazil under fulll scholorshtp. GUitar at Corson-Newman Colleqe in Jefferson City. Truce {ICOUStiC amps. he has a roppon with the composer t'hOlfspells the difference between mere tecnnlccl abiliily and vlrtuosltv.S.'I-.. at the intemational music conservotorv in iMOn1evidleo<. q~M]I ~n prU1tM l. the.€l1el $114. Inc. lin 1975 Bolt competed with students from 113 countries and WOIl the coveted Merit Prize as Outstanding S~lJdleflt at the Hrst InmemationallMasters Class in Mon1evideo.layer."Ben Bolt is an excellent guitar p.' BaH is enendorsee of lakamine quitors. Bolt resides In Knoxville.govia '.i}tt!llC" CL6911 C L69 1.d ltallon composer.Addorio strings..3(1.9l Cas:s. His books and tapes me distributed] woridwide through major music publishers.After gradluating wii~11 hlighest honors. critics proclaimed him to be "0 true rnnestro. . Bolt wem on concert tours throuqhout Centrol and South Amsnco.'lD Printed in U. Boz 4.A. At his concert dlebut in UmguOIY. After 'graduating nom Musica en compostelo. BEN BOLT Ben Bolt was ployingl lead guitar in rock bands O'f age 12 and was per'forming pro~essionalilly Olto'ge 116!In Miami night clubs. Tennessee. Uruguay. and D. Bolt also studied under the direction of Guido scraorsolc. file dis1illguishe. He records for Rosemary Records.2 IBook) (BoOk & $9. Tennessee.Fool C~e>1~~ NY ~0~rJ." Andres Se. Bolt studleo with Abel cortevoro in Paris.

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