MUSIC THEORY PRACTICE - page 11

The Bromfield School Music Theory Practice Quiz - Part V

Mr. Reynolds
SECONDARY DOMINANTS - MODULATION - PHRYGIAN II CHORDS - AUGMENTED SIXTH CHORDS - MAJ/MIN MIXTURE

Piano

b 4 &b 4 ? b 4 b 4

A. Label the following chords using appropriate Roman Numeral/Figured Bass Symbols using Sercondary Dominants

# nn # # nn # nn b b nnb b bbb bbb

B. Write your own chorale harmonization so that it uses secondary V7 and vii7 chords:

# & #
3

? ## b &b ? b b

C. Label the following progression with appropriate Roman Numeral/figured bass symbols indicating the pivot chord and section of modulation: 7

D. Using the melody below, do a chorale harmonization which modulates from I to V at the end of thefirst phrase and then returns to I at the end of the second (as indicated). Use at least two secondary dominants in addition to the one involved in the modulation zand embellish your work with suspensions, passing tones, and neighbor notes where appropriate. Label and chords and non-chord tones. 10

b & b b ? b bb
Eb:

b bbbb b bbbb

Bb: ii - V 2008 I

Eb: ii - V I

MUSIC THEORY PRACTICE - page 12 Label the following chords with the appropriate Roman Numeral/figured bass symbols, especially noting where the Phrygian II chords appear: 17 E. G. F.

bbb &b b

? b b b bb &
21

n nn b n b b n nn b n

bb bb

b bb b n b

n nnn n nnn # #

H. Harmonize the phrase below using a bII6/3 (Phrygian II) at the cadence. Add non-chord tones. Label all chords.

? # # & ?#
27

nb n b #

n## # b ## n w

n nbb

Label the following AUGMENTED SIXTH CHORDS AS EITHER GERMAN, ITALIAN, or FRENCH, and add appropriate Roman Numeral/figured bass symbols: 24

#1

I.________________________

J.______________________

K.____________________________

nn b bb

#2

b &bb ? b bb
f minor: i

L. Harmonize the following, using the chord progression provided for you using a SECONDARY DOMINANT and an AUGMENTED SIXTH Chord

nb n nnb

V6/5 i i6 V6/4 of III 8-7 iii6

VI#6 V8-7 i

MUSIC THEORY PRACTICE - page 10

#3

& b .
30

nb nb

?b
36

#4

# b n# & # ? & b ## # n#

ANALYSIS - Analyze the following example with correct figured bass/Roman Numeral symbols. Also, please mark all non-chord tones, such as passing tones, etc. 44

? ##