Suzuki®CViolinSchool

VIOLIN PART VOLUME 6

Suzuki Method International

Suzuki®CViolin School
VIOLIN PART VOLUME 6

CONTENTS
La Folia, A. Corelli.
Allegro, J.H. Fiocco. .

.6
.10 .14

Sonata No.3, G. F. Handel.
. Gavotte, J. Ph. Rameau

.17 .19

Sonata No.4, G.F. Handel .

Copyright © 1978 Dr. Shinichi Suzuki Sole publisher for the world except Japan: Summy-Birchard, Inc. All Rights Reserved Printed in U.S.A. ISBN 0-87487-154-9

exclusively distributed by Warner Bros. Publications 15800 NW 48th Avenue Miami, FL 33014 The Suzuki name, logo and wheel device are trademarks of Dr. Shinichi Suzuki used under exclusive license by Summy-Birchard, Inc.
Any duplication, adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher. No part of this book may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by Law.

Summy·Birchard Inc.

2

Tonalization
t--j-l)
Tonalisation #t
i- 'v A

~1~
\::'"77-

3 /'
Sonidizaci6n

Tonliihrung /:tti'~

~L"~i:

r

(7)r.Jl[~o

Tonallzation exercises should be practiced at each lesson. Exercise for beautiful tone and vibrato. Les exercices de tonalisationdevraient etre executes a chaque lecon, Exercice pour obtenir un beau ton et un beau vibrato.

Ton/iihrung-Ubungen sol1ten injeder Unterridtsstunde geUbt werden. Ubung liir schOnen Ton und Vibrato.
Los ejercicios de sonidizaci6n deben ser practicados Ejercicio para tono y vibrato hermoso. en cada leccion,

¢
~

J
1

I

1

~

1

D

E

3

f
A

1

E
4.

8

4,

~

E 1
3 2

8

2

~

1

E
D

8

4

~

1

E
1

8

r

1

=11

~ ~!7

Jr

1

1

D

E

8

r
2

A

IE

8

~

IE
~P,!lJ(7)-

~

IE

8

4

~

D

IE

8

1

~

:11

J. i

II

. .'\<7)~Jli1"!

Exercises for finding exact intonation Exercices destines d trouver l'intonation exacte
0 0 4, 0

Ubungen, run die genoue lntonierung %uftnden
Ejercicios para encontrar la afinaci6n exacta

~

c
2

JJ
:....___./
0
4,

2

4

j

1

1

izr r r
2 0

4 --:=--!

I

4J
oc:::::=:::>

8

1

t:J
rTf
2 8

I
1

2

j.

t

=11

~

I[

21

II

r
J
2

1

1

r rrr
2,.,-----..,4 4..---....1
0

#
1

rr

8... _-.,,1

J

2

t

:11

on G string
I 2

sur la corde de sol
t

I

G----Uber dU G-Saite

iiJ
4,

Uber du G-Saite

J

4,

=11

fJ

on G string

sur la corde de sol

jj

j

j

IU

en cuerda sol

8

_.

I J.

t

:11

J
L.('----

4

jg
4-

1---

Tonalization ~+ I) 1!-1 ~ 3 /'
Tonalisation Ton!uhrung
Sonidizacion

3

Exercises for beautiful singing tone, good intonation, and expressive melodic line. Exercices pour obtenir un beau ton chantant , une bonne intonation. et un ligne de me/odie expressive.

Ubungen!ur schOnen singerukn Ton, gute Intonierung, unil ausdruclcsvolk melodische Wk_rgabe.
Ejercicios para un hermoso tono cantante, linea mel6dica expresiva. buena afinacion y

Annie Laurie
7 '='-01)_
Lady John Scott '/ ~

"If

J. ] I
<c::»: D -------(3 3 3 2)

v

"

'--~

~#

#

J.

~-

J1 ['
:;; 7 7

8-==.

D----------

a I ()

r

v

I J.

2

J
2

v

V

J

2

7' aL t-

8...--....

1
V

J. ] 1 }2 F

2

0

8

2

J)

J.

8

J~ 1 j.
Tit.

:1

:11

4

~

Etude de Position, 6eme position

Position Etude, 6th Position ~~ 3/ ::r..1- .:z.-l" m 6 ~ ~~3 /'
Lagen-Etude, sechste Lage
Estudio de Posicion, 6ta posicion

E String

Corde du mi

E-Saite

Cuerda mi

f i t ~ f Iff
1 '2

I

f
A-Saite 2 1

ll:~ ~

f
l II
~8 ~8 ~4

1-------------Corde du la
Cuerda la

A String

== f ;{ E

!!~ ~

8

1\

1

E

t
2

~3

t=

I

fI.

E

~,.

f

C

=II:

&F
v---..

t

2

~

f

~

f

I

~

E

E :11
l II
2

2

1--------------

1---------------

f fit?
wiJ
"i_!1
'2

!-j I

"i

D String

Corde du re
2

o-se«
:)

Cuerda re

r
E
4

1

EI
4-

1,8
~
2

E E

r

1

:11:t!
Iz~
1

2

1
2

E

b~ Iz~
2

IE
E

4

~~

E

:11

Iz~

E
2

Iz~

1

18
G-Saite
2

EI
1 1 2

r
I ~F
t

t

:11

J

1

* II
:11

G String

Corde du sol
3

Cuerda sol

J

t

~ 1] ~F
t
14

t

1--------------

J I ~J J J 4t:f3 J

t

!;

d

8

I ~F IzJ J :11: I,J J J!
4,

~1-----------------

82

1t

82

I,J

3

JJ

2

:11

J
:11

t

i II

1

1

U(l'~<7)ni·_t

How to practice;

fingering.

1

Comment exercer Ie doigter de ~ Wie
1tI4n

die ~ Fingerhaltung ubI.
;.

Como practicar 1a digitaci6n

E

E IE

f

E

:11

1----------

5

Position Etude, 7th Position ~~~ 3/ .:r.1-;7..-~' ~ 7 ~~~ 3 /'
Etude de Position, 7eme position
Logen-Etude, siebte Loge Estudio de Posicion, 7ta posicion

A String

t
1

t

Corde du fa
8

A-Saite

Cuerda la

I[

n

1-------

r jl: t1 r
ttl

2

1--------

f IF
2 1

8

4

F
t

8

r
»

:11

.

1-------

If
2

8

rr r
:11
3 4

*
2

II

'2'

~

IJ

'-"t

8 4

D String
1 2

Corde du

re

o-sa«
2 I

Cuerda re

F
~

~

1
S 4

I
1~

8

t

t

~

~

F =11=61
:11:

~

E

8

1~

E
t

~

:11

1
2

~ !

~

sr
1

1

"

F

F

3

2

~

1

61 E
1
1

8

~

1

IE
2 8

S

2

~

E

:11

J
2

t

~

II

2'
'-

8 4

G String
1

Corde du sol

G-Saite
2

Cuerda sol

~

IJ

J
4

1

2

~

1
8 4

I ~~
8 2

8

1

~

~

jl:J1
1

I

I

~

:___../1

~~

I
2

4

8

~

~~

~

=11

~

Dr
1

~~

1

r ~r J :11: jj] ~r J ~r J
1 2 8

1

J

t

t

:11

j

i II

1

6

[II La Folia

7 :t 1) 7
A. Corelli
:::J

!!ll ~ i F
f

i

Adagio
2

V

I~

I)

arr. S. Suzuki U ,2 ~2 3 2 3 ------

A IIF- r I F RJI r r IFF"
~

~ IrE

2

3

I

Allegretto
~~

~ r-

pm IF Ell r iii {lIlt
,2'2r.<,O
(2 0)

V

§f t~1¥ E hli 4~li
r"l

V

r"l

~

3

~

~

Allegro moderato

~~ [ r I [ ]r [ C F IFF = r F FIE f J [ E r I : E~ jrt
~7~
7 7

0~

2•

.~

,~

,

0

2

~'

~~

~

IT

FI

,

7

'p Erftfr'Ptartr
f,

Poco meno mosso

-

IDorEr crEr crEEl iFf/ iOthEb Ell
-

-

5P

[rqrt r r r r r r r r Iwr r r r f r f f f r r r I [F'B [r V t r r I ¥ a ;;
• • ' 0 • • • ••

p

8

9

p

0

0

ill

1
i

~ ~

..
~

M

~

.ff

· ~.

· ·

V
If

-

0
§

v

2

,.,
~

tr
~

,.,
.. ..
-

0

V

n Ii'

r

rit, -

~

-

r

10

II] Sonata No. 3
'IT? ~ 3#
G .F. Handel

11

12

13

.... he dynamic marks are given by the composer. T * Les indications dynamiques sont donnees par le compositeur.

* Die dynamischen Zeichen sind vom Komppnist gegeben.

* Los

matices son indicadas por el compositor>,

14

WAlIegro
7V
~l
0

cresc.-

-

-

-

*

gesch~ben
escriro":

:::~en ...=ftp

~

i:t .~ _

Joue..

played

gespielt tocado

15
4 4 3 2 :l

f·lmdtrJJpOIm&yffl?O@jJ3J:r~s:'Jrjfrl
dim. poco a poco
I

4· ftir&r:fflrim
poco a poco
~oW ~

cresco

I gjJJJ8JJdjBJJI'rrfrcrfrU ~gl
cresc.:l
2
oW

,. ['!r
.f
,_.

poco a poco ~ • .. .

btU C[cflwE[rfdrJrrrrcr
2

~

V

~:l

dim. V •

Or I cHr&CFrrrrroffF
. :l

3

J,

V

4

42

I
FI

~Hlrf&rJ@rWrlPfbrrfftF
V
0 ~ ~ ~

poco a poco

cresco

f

,D

I r @t

r'1 j
.ff

V

16

,#

P J j Et j F bf
4

40.,.

cresco -

-

,n r on t Ut! r
£:3

2 ~

-

-f

E 11 r ~ P LE r r [ a r I
V
3e

mf

v ,. fgroobF err~ r Ibg J ~.EErE"WfllH#firrfJ
I
0 "'.

~

5i~ ; I ~l

n

,. EJ t~rrrrTt@cfr±JOjJ O!@&r:tJOjZ
y~
dim. poco a poco

,·.rwjJjJJJJj[rfrl
cresco poco cresco

4

432

i

4

OO[jfr

fjftE!Q"fif r r: fgJJJgJJJI
. p poco a

0

17

[!] Gavotte
:ll~
''J

4#« I tsn
o r1 o~~

Allegretto

Gavotte I
0

r

2

f

1

() 1

r
4

J

f·77il1 J [jblucCGI
~ 2 1 4_____

17:.

2

1

,au r iJ U 183] tl Jj 1830ftJ Jj I dJ] DtU ...
~ 4 4 4 4 4 41341 41

f

'-.-' P

'__'

I
~

'#ft RD l=f t f Ir¥ n A r r I U E1 L r L[I dt1 piP I
tr

v

v
~

4-=>

~

~--....

;--.

#~

~

~~ ~

~

~~

v

tr

V

,

if

:
~.

18

i± J &rulfFtitt@lftrffletriWlgtfrrtflg
ru.

Ig~
I

4~ {r7?& I tw
f

(ll

Ij

:lJ ifJ ~~

I

u crT n

19

[]] Sonata No. 4
'/-r?'~4#
i
~.

-

;
I

.JI

mp

btl
_-========:1===.1 I' . ----- ----- ~
-=.::::::: rHen.

3

II

20

21

22

23

...
I

,.~ ntEr1FfrFrrl OCBocfbcFtlQfEJtftfftftl
f

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